:00:20. > :00:30.MUSIC: "Little Red Corvette" by Prince.
:00:31. > :00:44.# So tonight I'm going to party like it's 1999 #
:00:45. > :00:59.# You don't have to be beautiful to turn me on...#
:01:00. > :01:05.So how did The Artist Formerly Known As come about?
:01:06. > :01:11.That came up through people's problems with, mainly the media's
:01:12. > :01:14.problem with not having a pronunciation for the symbol.
:01:15. > :01:18.So they had to come up with something, I guess.
:01:19. > :02:03.I really truly madly deeply love you.
:02:04. > :02:05.I really truly madly deeply passionately love you.
:02:06. > :02:07.I really truly madly deeply passionately remarkably love you.
:02:08. > :02:13.I really truly madly deeply passionately remarkably...
:02:14. > :02:19.I really truly madly passionately remarkably
:02:20. > :02:30.It was your word, which means you couldn't have meant it!
:02:31. > :02:33.Cancel the kitchen scraps for lepers and orphans.
:02:34. > :02:46.That is a very serious accusation, Potter.
:02:47. > :03:18.Of course she doesn't, that's how Leonardo painted her.
:03:19. > :03:20.We thought we were in a dream, you know?
:03:21. > :03:23.Because we had done nothing in particular, and we both said,
:03:24. > :03:26.well, he said you're women, right about two women
:03:27. > :03:34.And we said, OK, we could do flat sharing.
:03:35. > :03:37.You think I'll tell you how Robert and me went to the art galleries
:03:38. > :03:42.And then having got that out of me, you think I'll tell you how
:03:43. > :03:44.he's asked me to spend the night with him.
:03:45. > :03:48.I knew you'd drag it out of me somehow!
:03:49. > :04:04.I believed that most women felt trapped the way I did.
:04:05. > :04:08.The first sentence I wrote, I knew, they must never go to bed.
:04:09. > :04:17.You've got to transport that huge lump into the world, hasn't she?
:04:18. > :04:21.A man couldn't give birth to a jelly baby!
:04:22. > :05:15.The character was originally written as a rather stereotyped
:05:16. > :05:23.The big fat man and lazy husband, and little nagging wife.
:05:24. > :05:25.I bet Barbara Cartland never has all this trouble.
:05:26. > :05:29.Well after a few weeks we thought this was going to get a bit boring.
:05:30. > :05:30.So we started playing against the script.
:05:31. > :05:33.Same words, but trying to give them a bit more character.
:05:34. > :05:38.Fish knives, they are common as muck!
:05:39. > :05:56.You know, the way them singing sirens used to draw unsuspecting
:05:57. > :06:21.Quincy always talks about thinking that I must have been black.
:06:22. > :06:24.I must have been, you know, before he met me, because of
:06:25. > :06:38.MUSIC: "Rock With You" by Michael Jackson.
:06:39. > :06:43.The whole thing took two weekends and it was amazing.
:06:44. > :06:47.By the time it was over, Quincy and I had become such close buddies,
:06:48. > :06:52.that he said I want you to work on everything I'm doing.
:06:53. > :07:45.MUSIC: "Thriller" by Michael Jackson.
:07:46. > :07:51.Here is the clock, the Trumpton clock.
:07:52. > :07:54.Here is Chippy Minton, and his son Nibs.
:07:55. > :08:06.We're going to do a job for Mr Platt, the clockmaker.
:08:07. > :08:10.A grandfather clock, needs its case mended.
:08:11. > :08:12.Good morning! Pat called.
:08:13. > :08:20.Looks like a busy day for you, lots of letters and parcels.
:08:21. > :08:31.Well, at least it's a nice day for it!
:08:32. > :08:34.He sent me to get these throat lozenges.
:08:35. > :08:46.There's a lot of them about, ain't there?
:08:47. > :08:50.We used plasticine because it was fun and it's quite easy,
:08:51. > :08:54.If the temperature is too cold, it can crack.
:08:55. > :08:57.If it's too hot, it can melt and get a bit soggy,
:08:58. > :09:45.I've been a man in the world, and I want everybody out
:09:46. > :09:50.I don't think he'll ever get through this round.
:09:51. > :09:54.Why do you insist on being called Muhammad Ali now?
:09:55. > :09:57.That's the name given to me by my leading teacher.
:09:58. > :09:59.That's my original name, that's a slave name,
:10:00. > :10:03.A man who can pay in two fights for three planes,
:10:04. > :10:06.why would you take and seek out and be anxious to call me, out of 30
:10:07. > :10:20.He talks too much, he's ugly, he's pretending.
:10:21. > :10:22.I'm the true champion and they make me the underdog.
:10:23. > :10:25.I'm going to show them all, because I'm the champion,
:10:26. > :10:31.There will never be one like me, and all you people in Britain
:10:32. > :10:34.who rate me as the greatest, I'm going to prove I'm the greatest.
:10:35. > :10:36.We're going to prove to the world I'm the greatest.
:10:37. > :10:40.This is my last fight, I don't want none of you to miss it.
:10:41. > :10:43.So please come to theatres, I'm going to eat some raw meat.
:10:44. > :10:45.I'm going to get ready and chop some more trees!
:10:46. > :10:59.COMMENTATOR: Oh my God, he's won the title back at 32!
:11:00. > :11:10.I said, man, this is the wrong place to get tired!
:11:11. > :11:23.The forwards have just stepped up to the mark and smashed Wales.
:11:24. > :11:42.I've won a few tournaments, I've won some majors.
:11:43. > :11:52.I suppose the most important thing...
:11:53. > :11:59.Is the fact that it has been as good as it has been to me.
:12:00. > :12:06.Arnold Palmer, golfer, aviator, man of many powers.
:12:07. > :12:37.# Come with me and you'll be in a world of pure imagination...#
:12:38. > :12:39.When I do make jokes, they're usually not that funny,
:12:40. > :12:45.But if I go in public somewhere, the first thing people say, come on,
:12:46. > :13:02.28 seconds, you're running out of time.
:13:03. > :13:04.To be honest, I cannot function in these conditions!
:13:05. > :13:17.My blanket, my blue blanket, give me my blue blanket!
:13:18. > :13:24.He had the fastest hands in the West.
:13:25. > :14:10.A lot of people have criticised me for writing music
:14:11. > :14:19.I take for granted that what I write has got a meaning.
:14:20. > :14:23.I think a composer should be able to take that for granted,
:14:24. > :14:28.otherwise he should not be in the business at all.
:14:29. > :14:42.To do something which is civilised in intent, and I hope in result,
:14:43. > :14:46.at the top end of what is possible in a civilisation, what a privilege.
:14:47. > :15:20.Everything you read in the paper about how hard
:15:21. > :15:23.the Prime Minister has to work is bit of a myth, really.
:15:24. > :15:26.This is put up by the press office as a matter of course.
:15:27. > :15:29.But if you think about it, what do you have to do?
:15:30. > :15:45.Audience with the Queen on Tuesday evenings.
:15:46. > :15:49.Seven and a half hours a week so far.
:15:50. > :15:59.When I was 15 or 16, I was with an old soldier.
:16:00. > :16:20.I can't get over a girl like you, so turn out the lights
:16:21. > :16:31.I hope Sergeant Major is in good mood.
:16:32. > :16:41.Our cordon bleu cook is in an Italian mood.
:16:42. > :16:43.And he has conjured up for you spaghetti
:16:44. > :16:54.Maybe that was the only way to punish me properly.
:16:55. > :16:57.Maybe it wouldn't have been enough to tell me in private
:16:58. > :17:06.The most quick way was to bundle you back through
:17:07. > :17:12.your own doorway and into the safety of this hallway, but I'm afraid
:17:13. > :17:14.that in my anxiety to defend you, I was over vigorous.
:17:15. > :17:17.Speed was the essence of the matter, but it has
:17:18. > :17:19.caused you some shock and I am very sorry.
:17:20. > :17:35.It was a yea my lord, but I don't believe a word of it.
:17:36. > :18:01.It is almost a drama or a tragedy with laughs, because they
:18:02. > :18:03.are real people in trouble, and we always love seeing people
:18:04. > :18:12.There is too much butter on those trays, OK?
:18:13. > :18:15.There is too much butter and those trays.
:18:16. > :18:29.Viewers often see me and my co-announcers sitting like this.
:18:30. > :18:31.And they may think we are in a quiet,
:18:32. > :18:37.But in fact, as you can see, our studios are pretty
:18:38. > :18:41.busy, and they are like this every day of the year.
:18:42. > :18:43.There were lots of breakdowns, particularly at the
:18:44. > :18:48.beginning, because, I mean, the cameras were unreliable.
:18:49. > :18:50.We frequently lost all vision on a show
:18:51. > :18:53.or something, so the announcer would have to go in and apologise and tell
:18:54. > :19:01.From now until after five o'clock this afternoon, television cameras
:19:02. > :19:05.take you into the heart of London to watch and share.
:19:06. > :19:08.That was me, helping in a small way to make
:19:09. > :19:14.Frost will be widespread over the weekend,
:19:15. > :19:16.severe in places to minus seven Celsius, just 19 Fahrenheit.
:19:17. > :19:20.So far this month, as you know, it has been
:19:21. > :19:22.particularly cold, especially over England.
:19:23. > :19:35.She did something that in our society is unspeakable.
:19:36. > :19:55.But remember, it was a sin to kill a mockingbird.
:19:56. > :19:59.Fine, Pavel Andreievich, Chekhov begin shipwide mission broadcast.
:20:00. > :20:04.Authorisation code 95 wictor wictor two.
:20:05. > :20:12.Authorisation code 95 Victor Victor two.
:20:13. > :20:22.Trades dispute act, 1911, the right to peaceful
:20:23. > :20:25.picketing is according to the striker by act of Parliament
:20:26. > :20:35.the right to strike and the right to peaceful picketing.
:20:36. > :20:56.Liberator is stationary and is stabilised in
:20:57. > :21:05.Together, we can find a ship manually.
:21:06. > :21:13.It's Friday, it's five o'clock, and it's Crackerjack!
:21:14. > :21:18.Are you ready to rock on Crackerjack?
:21:19. > :21:20.Those are the nice prizes for you, which are of
:21:21. > :21:30.# Right, said, Fred, give a shout for Charlie
:21:31. > :21:32.# Up comes Charlie from the floor below
:21:33. > :21:44.A track every morning with Ken Bruce and myself every afternoon.
:21:45. > :21:46.There will be another one same time tomorrow.
:21:47. > :21:49.We are working in a very recording studio, which is recording
:21:50. > :21:51.16 separate tracks through a board like this.
:21:52. > :21:53.When I started producing records a few years ago...
:21:54. > :21:58.# Right, said Fred, both of us together, one
:21:59. > :22:06.We still mixed our sounds on a board like this,
:22:07. > :22:11.But it all came down to just one track because it was on a record
:22:12. > :22:25.# There's nothing you can do that can't be done...
:22:26. > :22:28.# Nothing you can sing that can't be sung.
:22:29. > :22:46.We celebrate with it, and we mourn with it.
:22:47. > :22:57.I need music, and I don't mean just professionally.
:22:58. > :22:59.I think you will find to some extent, pretty well
:23:00. > :23:08.Bill Haley had arrived, and of course that was
:23:09. > :23:20.But fortunately in the meantime, I had done two weeks in
:23:21. > :23:39.I wasn't everybody's choice to be on Radio 1, because
:23:40. > :23:42.there was the question of whether I would fit into all this.
:23:43. > :23:44.So I had a three month contract, simple as that.
:23:45. > :23:52.On the Jimmy Young programme today...
:23:53. > :24:01.Hello and welcome to the beginning of what I hope will be a long and
:24:02. > :24:05.How anyone can get such applause and still stay as
:24:06. > :24:14.I mean, I didn't mind if being famous was
:24:15. > :24:44.Have a pencil and paper handy, and your brain in gear.
:24:45. > :24:48.CHEERING .
:24:49. > :24:51.Welcome to the millions of you watching, to the performers
:24:52. > :24:54.from 25 countries waiting nervously backstage.
:24:55. > :25:02.We have a running total going on now.
:25:03. > :25:05.We have been open for one hour and it's a
:25:06. > :25:12.APPLAUSE .
:25:13. > :25:21.One hour, and we have about 1.5 million to raise to do better than
:25:22. > :25:34.# Fiddle, cello, big bass drum, bassoon, flute
:25:35. > :26:10.# Each one making the most of his chance
:26:11. > :26:12.I'm sure you'll be impacted by the weather over the next few days.