Jenna & James

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0:00:02 > 0:00:03- From the depths of the Earth... - Oh, my God!

0:00:03 > 0:00:05..to the crests of the mountains...

0:00:05 > 0:00:07My legs have gone weird.

0:00:07 > 0:00:10..these crusading grooms must rise to the challenge.

0:00:10 > 0:00:14£12,000... LAUGHTER

0:00:14 > 0:00:16..and just three weeks...

0:00:16 > 0:00:18I love that girl! I love her!

0:00:18 > 0:00:20..to plan a wedding worthy of their betrothed.

0:00:20 > 0:00:24- Oh, my God, what's he done? - He just took my dress!

0:00:24 > 0:00:28These fair maidens are bound by contract to be legally wedded...

0:00:28 > 0:00:29I hate it!

0:00:29 > 0:00:32..but have no say in their big day.

0:00:32 > 0:00:34Is it just all going to be last minute and just rubbish?

0:00:34 > 0:00:36Where did he get green from?

0:00:37 > 0:00:42Can these hapless heroes marshal their armies...

0:00:42 > 0:00:43Just leave me to drown!

0:00:43 > 0:00:46- ..vanquish dragons...- Oh, God!

0:00:46 > 0:00:48Do as your future mother-in-law tells you!

0:00:48 > 0:00:51..and conquer all before them?

0:00:51 > 0:00:54Get out of my pub!

0:00:54 > 0:00:58Or will they be...defeated?

0:00:58 > 0:01:00I'm not doing it.

0:01:00 > 0:01:04Tonight, hairstylist groom James wants a cutting-edge wedding.

0:01:04 > 0:01:07Jenna comes down that way and stands at the catwalk.

0:01:07 > 0:01:10While Jenna craves a day that's classic and timeless.

0:01:10 > 0:01:13THEY GASP Oh, my...!

0:01:13 > 0:01:15This is literally, like, what my dream is.

0:01:15 > 0:01:18Can this man... HE LAUGHS

0:01:18 > 0:01:19..give this woman...

0:01:19 > 0:01:21Why would I want to come here on my hen do?

0:01:21 > 0:01:22..the wedding of her dreams?

0:01:22 > 0:01:24Oh, my God!

0:01:24 > 0:01:26Will his catwalk aisle leave his bride purring?

0:01:26 > 0:01:29This is awful!

0:01:29 > 0:01:32Will his bride want to run away from his runway?

0:01:32 > 0:01:34I am not happy.

0:01:34 > 0:01:37Or will it end up the ultimate fashion faux pas?

0:01:37 > 0:01:41I am well and truly pissed off.

0:01:51 > 0:01:53Wo-pah!

0:01:53 > 0:01:5530-year-old James and 27-year-old Jenna

0:01:55 > 0:01:58met when they worked together at a hair salon.

0:01:58 > 0:02:01But their romance wasn't cut and dried.

0:02:01 > 0:02:04I thought James was gay.

0:02:06 > 0:02:08I thought she was the biggest bitch ever.

0:02:10 > 0:02:13It's only because, literally when I first met you,

0:02:13 > 0:02:19you had that outfit on with them dungarees and that pink T-shirt.

0:02:19 > 0:02:23First, Jenna and James became friends, then flatmates.

0:02:23 > 0:02:26Finally, one evening, things started to bubble.

0:02:26 > 0:02:29It didn't take that long to realise he wasn't gay.

0:02:29 > 0:02:33One night, he cooked Sunday dinner for us both and I was like,

0:02:33 > 0:02:35"Oh, I'm going to go and have a bath."

0:02:35 > 0:02:38I don't even know why I said it,

0:02:38 > 0:02:45"Why don't we have a bath together, but with swimwear on, not naked?"

0:02:45 > 0:02:46And he looked a bit weird

0:02:46 > 0:02:49and I thought, "Let's see where this might go from here."

0:02:49 > 0:02:53# Splish-splash, I was taking a bath... #

0:02:53 > 0:02:57And then, after that, I guess things just blossomed.

0:02:57 > 0:02:59# Rub-a-dub, just relaxing in the tub... #

0:02:59 > 0:03:04- So if we hadn't had a bath... - It might not have worked.

0:03:04 > 0:03:07- Maybe that's what we should call our second child - Bubbles.- Bubbles!

0:03:09 > 0:03:12Today, Jenna and James live in Leicester

0:03:12 > 0:03:14with their two-year-old son Noah.

0:03:14 > 0:03:16This hairdressing couple certainly gelled,

0:03:16 > 0:03:20but now they want to give their relationship a permanent set.

0:03:20 > 0:03:23I want to get married because I want to spend my life with Jenna.

0:03:23 > 0:03:25I want us to be a family.

0:03:25 > 0:03:29I just think we're soul mates, I think we're meant to be together.

0:03:29 > 0:03:33Even though he annoys me all the time, I do love him, a lot.

0:03:33 > 0:03:35I'd be lost without him.

0:03:35 > 0:03:37And to make sure she didn't lose out on James,

0:03:37 > 0:03:40Jenna took charge of the proposal.

0:03:40 > 0:03:42I didn't propose to Jenna, Jenna proposed to herself.

0:03:42 > 0:03:46So, erm, when you going to do this? Cos it's annoying me.

0:03:46 > 0:03:49- What, you want me to do it NOW, in the kitchen?- Yeah!

0:03:49 > 0:03:52- I was just like, "Are you serious?" - Come on!

0:03:52 > 0:03:55- Do I have to get down on one knee? - If you want.

0:03:55 > 0:03:57It wasn't the big thing I'd got in my head.

0:03:57 > 0:03:59Are you going to say yes?

0:03:59 > 0:04:02Well, yeah, you know it's going to be yes. Oh, take a picture.

0:04:02 > 0:04:05She'd had it planned cos she'd been and had her nails done

0:04:05 > 0:04:07and there was champagne in the fridge,

0:04:07 > 0:04:09so she knew that's exactly what was going to happen.

0:04:09 > 0:04:11Well, I knew I'd get what I want,

0:04:11 > 0:04:15so I therefore just took control of the situation.

0:04:15 > 0:04:19But the future Mrs Taylor can't be in control of everything.

0:04:19 > 0:04:21The only downside of getting married to James

0:04:21 > 0:04:27will be taking his surname, because it will be Jenna Taylor.

0:04:27 > 0:04:30Like genitalia.

0:04:30 > 0:04:31She can't do much about his name,

0:04:31 > 0:04:34but there's one thing this style-conscious bride

0:04:34 > 0:04:36would love to change about James.

0:04:36 > 0:04:40- What do you reckon? - It's vile.- His fashion sense.

0:04:40 > 0:04:43I think his taste's quite... Not revolting...

0:04:43 > 0:04:44No.

0:04:44 > 0:04:47Sometimes, it does make me feel a bit sick.

0:04:47 > 0:04:53There's one item of clothing they clash on the most - the trousers.

0:04:53 > 0:04:55It's Jenna who wears them and now, she thinks it's time

0:04:55 > 0:04:58for James to take charge... of her entire wedding.

0:04:58 > 0:05:00I take control of day-to-day life.

0:05:00 > 0:05:04James needs to not step up to the plate, but...

0:05:04 > 0:05:06You need to back down from the plate.

0:05:06 > 0:05:09No, I think this might prove to me

0:05:09 > 0:05:13that he could actually probably do more things.

0:05:15 > 0:05:18James needs to man up and prove himself worthy of his bride,

0:05:18 > 0:05:20but he may have his work cut out,

0:05:20 > 0:05:24because Jenna knows exactly the style of wedding she wants.

0:05:24 > 0:05:26I don't want to look back at photos and think,

0:05:26 > 0:05:31"God, why did we have that there? Why did we have our hair like that?"

0:05:31 > 0:05:34When you look back and they've got those big puffy sleeves,

0:05:34 > 0:05:36you know that's from the '80s,

0:05:36 > 0:05:40so my dream wedding would be like a big stately home

0:05:40 > 0:05:44or a manor house with nice grounds.

0:05:44 > 0:05:47They never go out of fashion.

0:05:47 > 0:05:50I want it to be quite classic, so it's going to be timeless.

0:05:52 > 0:05:54So, what is James's plan for the bride

0:05:54 > 0:05:57who just wants timeless, elegant and traditional?

0:05:57 > 0:06:02So it has to be cutting edge, flamboyant, non-traditionalist -

0:06:02 > 0:06:06something that's going to be quite bold and extravagant.

0:06:06 > 0:06:08Oh, dear!

0:06:08 > 0:06:12I want a fashion-inspired wedding that takes place on a catwalk.

0:06:12 > 0:06:17I think it has got to have that extra wow factor.

0:06:17 > 0:06:19Being a hairdresser, you have to deal with fashion

0:06:19 > 0:06:22and different trends all the time and, with the wedding,

0:06:22 > 0:06:24I don't want it to be like that.

0:06:24 > 0:06:27I want it classic and I want it to be timeless.

0:06:27 > 0:06:33I'm picturing it being in somewhere quite urban, quite industrial,

0:06:33 > 0:06:38which kind of contradicts traditional wedding pictures.

0:06:38 > 0:06:42We're not normal, traditional and not boring.

0:06:42 > 0:06:44We're not boring, so it's got to be creative

0:06:44 > 0:06:47and it's definitely got to be individual.

0:06:47 > 0:06:49I just hope he gets it right, cos I will kill him.

0:06:49 > 0:06:52There will be fireworks if not, for sure.

0:06:53 > 0:06:57It's time for Jenna and James to say goodbye.

0:06:57 > 0:07:00Noah, this is going to be the last time you see Daddy for a while.

0:07:00 > 0:07:05- Are you sad?- Next time, we'll be getting married!

0:07:05 > 0:07:07James is moving back in with Mum and Dad,

0:07:07 > 0:07:10while Jenna will stay at home with Noah.

0:07:10 > 0:07:14The couple will have no contact until their wedding in three weeks' time.

0:07:14 > 0:07:16- Love you.- Love you.

0:07:16 > 0:07:20- Right, I'll see you...- In three weeks.- See you at the altar!

0:07:20 > 0:07:22That's if I turn up.

0:07:22 > 0:07:23CAR HORN BLARES

0:07:23 > 0:07:25Knob!

0:07:27 > 0:07:32I feel a bit sick, a bit anxious that he's gone. I think...

0:07:32 > 0:07:34Hopefully, that'll pass.

0:07:34 > 0:07:39It is a little bit daunting, knowing that I'm literally on my own.

0:07:39 > 0:07:42The anxiety's kicking in.

0:07:42 > 0:07:44The groom isn't the only one feeling anxious.

0:07:44 > 0:07:48Bridesmaids Ash and Sam have come round to calm Jenna's nerves.

0:07:48 > 0:07:53Trouble is, knowing James, they're every bit as worried as she is.

0:07:53 > 0:07:56- James is so out the box. - He can be out there, can't he?

0:07:56 > 0:07:59- It's making me nervous.- I've got nervous dry mouth, like full-on...

0:07:59 > 0:08:02- Anxiety dry.- Anxiety dry mouth.

0:08:02 > 0:08:05He's got these extravagant ideas, hasn't he, and if he puts that

0:08:05 > 0:08:09- into the wedding, it could be something, like, mahoosive.- Aaah!

0:08:09 > 0:08:12James's idea is definitely extravagant

0:08:12 > 0:08:14and he's going to need some help.

0:08:14 > 0:08:15Meet best man Adam.

0:08:15 > 0:08:17And, best man Adam,

0:08:17 > 0:08:20meet James's massive fashion statement idea of a wedding.

0:08:20 > 0:08:22- Eyes closed?- Yep.

0:08:22 > 0:08:30I need you to imagine you're in some disused, rundown warehouse.

0:08:30 > 0:08:31So, open your eyes.

0:08:31 > 0:08:32Turn around.

0:08:32 > 0:08:36So, rather than an aisle, you're going to have a catwalk.

0:08:36 > 0:08:38Jenna'll be in here first on her own.

0:08:38 > 0:08:39Yeah, then, one by one,

0:08:39 > 0:08:45our guests are going to walk down the runway and then sit down.

0:08:45 > 0:08:48So, imagine all of these people running...sitting.

0:08:48 > 0:08:51The music's going to be blaring, lights possibly flickering

0:08:51 > 0:08:54and Jenna's thinking, "What is going on, seriously?!"

0:08:54 > 0:08:58And then me, the designer of the whole thing,

0:08:58 > 0:09:02as in a normal catwalk, to walk down the aisle to greet the wife.

0:09:02 > 0:09:06So, what does best man Adam think of James's plan to make his bride

0:09:06 > 0:09:10a spectator at her cutting-edge catwalk show wedding?

0:09:10 > 0:09:12Yeah.

0:09:12 > 0:09:15I think if he can pull it off, it'll be fantastic,

0:09:15 > 0:09:20but it's whether he can pull it off in three weeks.

0:09:20 > 0:09:22Three weeks - man-break! Cheers, mate.

0:09:22 > 0:09:24Well, at least he's sold.

0:09:27 > 0:09:31Day one of wedding planning - James wants a venue to contrast

0:09:31 > 0:09:35the flamboyant fashion styles on display on the big day.

0:09:35 > 0:09:40The boys are looking for somewhere with a rundown sort of charm.

0:09:40 > 0:09:44This it? This is...

0:09:45 > 0:09:47Oh, this is like a warzone.

0:09:47 > 0:09:54And they're thinking less old country estate, more old industrial estate.

0:09:54 > 0:09:57This is the first space I'll show you.

0:09:57 > 0:09:59As you can see, it's quite an open space,

0:09:59 > 0:10:01so it might fit in with your theme.

0:10:01 > 0:10:04Yeah, if you want to take a look around, then see what you think.

0:10:04 > 0:10:08I really like the space, I like the elements. I like it.

0:10:08 > 0:10:09I like it, yeah.

0:10:09 > 0:10:13I'm not not liking it cos you could segregate that side off

0:10:13 > 0:10:17- to this side if this was all clear. - Well, it's definitely derelict!

0:10:17 > 0:10:20You're not going to get more derelict than this.

0:10:20 > 0:10:23As James explores a venue to fit his vision of the wedding,

0:10:23 > 0:10:27deep in the Leicestershire countryside, Jenna is looking

0:10:27 > 0:10:33at an altogether less derelict venue to fit in with hers - Belvoir Castle.

0:10:33 > 0:10:36- Wow!- Oh, my...! - I told you it was a castle!

0:10:36 > 0:10:40- Look at it! Take it all in! - I literally can't cope.

0:10:42 > 0:10:44Oh, my God!

0:10:44 > 0:10:48Oh, my...!

0:10:48 > 0:10:51This is literally amazing.

0:10:51 > 0:10:54Key to Jenna's dream wedding vision

0:10:54 > 0:10:58is a classic venue with stunning interiors and splendid scenery -

0:10:58 > 0:11:00and for one very good reason.

0:11:00 > 0:11:03It's just nice to have it so timeless.

0:11:03 > 0:11:06You don't want to be looking back on photos with hair like this.

0:11:06 > 0:11:08You want it to be nice,

0:11:08 > 0:11:11and that's never going to go out of fashion, is it, like this place?

0:11:11 > 0:11:13Look how old it is and it's never gone out of fashion.

0:11:13 > 0:11:15People are still using it now.

0:11:15 > 0:11:17This is literally, like, what my dream is,

0:11:17 > 0:11:20like a classic traditional English wedding.

0:11:20 > 0:11:23While Jenna's embracing the fabulous features of her venue,

0:11:23 > 0:11:27Leicester's answer to Dolce & Gabbana are pondering over a venue

0:11:27 > 0:11:31with some distinctive features of its own - broken windows,

0:11:31 > 0:11:36- some old pallets and graffiti.- Guys, this is another one of our floors.

0:11:36 > 0:11:39From what you told me earlier with the catwalk theme,

0:11:39 > 0:11:44this might be a space that can be used, this central area here.

0:11:44 > 0:11:50- What is that at the end?- That is a good question. What IS that?

0:11:50 > 0:11:54It's like a...hanging kangaroo.

0:11:54 > 0:11:57- Oh, poor Skippy!- So weird.

0:11:57 > 0:11:59I don't want to even go near it.

0:11:59 > 0:12:03I don't know. Actually, it's giving me the creeps in here.

0:12:03 > 0:12:04It's eering me out.

0:12:04 > 0:12:08- I couldn't imagine having a wedding here, to be honest.- No.

0:12:08 > 0:12:10I think Jenna would batter you!

0:12:10 > 0:12:13THEY LAUGH

0:12:13 > 0:12:17Yeah, I was looking for more cutting edge, rather than slitting throat.

0:12:17 > 0:12:19This is too derelict.

0:12:19 > 0:12:22James decides that the scene of his wedding should look a little less

0:12:22 > 0:12:26like the scene of a murder, so it's back to the fashion drawing board.

0:12:29 > 0:12:32- THEY GASP - Oh, my God, literally!

0:12:32 > 0:12:3860 miles away, Jenna's dream castle also holds a few surprises.

0:12:38 > 0:12:42What the hell?! Oh, my God!

0:12:42 > 0:12:47- Look at the ceiling! - And no dead kangaroos in sight.

0:12:47 > 0:12:50This is what you dream about when you're little, isn't it?

0:12:50 > 0:12:51Yeah, getting married in a castle.

0:12:51 > 0:12:54It's everyone's dream, to get married in a castle.

0:12:54 > 0:12:57You only do it once, all your photos reflect that.

0:12:57 > 0:13:00The photos are what you have left of your wedding, isn't it,

0:13:00 > 0:13:02- do you know what I mean? - That's what you look back on.

0:13:02 > 0:13:04Yeah, like, for the rest of your life.

0:13:04 > 0:13:07He'll either really surprise me

0:13:07 > 0:13:10or he'll just do something, like, mental

0:13:10 > 0:13:16and I'm going to hate it and if it's anything modern, I'm going to die.

0:13:16 > 0:13:20Well, James's next potential venue is from the 20th century,

0:13:20 > 0:13:23but it's not exactly modern - it's barely standing.

0:13:23 > 0:13:25Mind your head on that.

0:13:25 > 0:13:27Best man Adam's had a venue idea

0:13:27 > 0:13:30that could rescue James's dream of urban decay

0:13:30 > 0:13:32and really sock it to the guests.

0:13:32 > 0:13:34Here we are.

0:13:34 > 0:13:36This is the room.

0:13:37 > 0:13:42It's a disused building where Adam works...in an old sock factory.

0:13:42 > 0:13:46- What do you think? - It makes me nervous.

0:13:46 > 0:13:48But I actually quite like it.

0:13:48 > 0:13:54If we're looking for derelict, this is the place. There is other rooms.

0:13:54 > 0:13:59That's the toilets. This bit is where we used to store all the yarn.

0:13:59 > 0:14:01That's another shutter door...

0:14:01 > 0:14:05- I'm just thinking how we can get the guests in.- Yeah, they could...

0:14:05 > 0:14:07They could come through here

0:14:07 > 0:14:12and then this could be like the little holding/dressing area.

0:14:12 > 0:14:14We could have that door closed.

0:14:14 > 0:14:17Jenna comes down that way and stands at the catwalk

0:14:17 > 0:14:20and then everyone comes in this way.

0:14:20 > 0:14:22Yeah, cos Jenna could be facing there or wherever

0:14:22 > 0:14:25and then you could have all the guests filing through here

0:14:25 > 0:14:28with the catwalk there and Jenna stood there.

0:14:28 > 0:14:31I can tell you're impressed.

0:14:31 > 0:14:34I am actually feeling quite excited now.

0:14:34 > 0:14:38It all fits, it feels right here. It actually feels right.

0:14:38 > 0:14:43I've got that really excited, nervous anticipation.

0:14:43 > 0:14:45I just want to now crack on and do it.

0:14:45 > 0:14:50For a bargain price of £500, James bags himself a venue

0:14:50 > 0:14:54he thinks will be perfect for his catwalk ceremony and reception.

0:14:54 > 0:14:57Now, he just needs to give it the ultimate fashion makeover

0:14:57 > 0:14:59in time for the wedding.

0:14:59 > 0:15:03It's me being me.

0:15:03 > 0:15:07It's my creative side coming out.

0:15:07 > 0:15:10I might have gone a little bit wild this time, but I always think big.

0:15:10 > 0:15:12But, yeah, I've done it

0:15:12 > 0:15:16for the non-traditional wedding we both want.

0:15:16 > 0:15:21James's vision is coming together and he couldn't be more pleased

0:15:21 > 0:15:24so time to show off the venue for the most special day of his life

0:15:24 > 0:15:28- to his mum, Mary.- Are you excited?

0:15:28 > 0:15:32I'm a little bit feeling apprehensive,

0:15:32 > 0:15:36- at the moment. Are we here? - Oh, yeah.- Where?

0:15:39 > 0:15:41Where?

0:15:41 > 0:15:45- Here.- James, where?- Here!

0:15:45 > 0:15:48So, this is where it's going to be.

0:15:48 > 0:15:52And then we'll have champagne and Pimm's and drinks.

0:15:54 > 0:15:56Oh, Jesus, graffiti.

0:15:56 > 0:15:57- SHE GASPS - God...

0:15:59 > 0:16:02I just don't know how you're going to make it

0:16:02 > 0:16:04look like there's going to be a wedding here.

0:16:04 > 0:16:06Look at it.

0:16:07 > 0:16:09Look at it...

0:16:11 > 0:16:15She's going to go mental. She will go mental.

0:16:15 > 0:16:18So, that went well(!)

0:16:18 > 0:16:22And James is beginning to realise that pulling off a catwalk show

0:16:22 > 0:16:25good enough to wow his bride may not be that easy.

0:16:25 > 0:16:29What he needs is some sort of big fashion event for inspiration.

0:16:31 > 0:16:34How about London Fashion Week?

0:16:36 > 0:16:38We've got our venue now, which is our main thing.

0:16:38 > 0:16:40We've got that for a steal.

0:16:40 > 0:16:42We just need to kit it out now,

0:16:42 > 0:16:45cos otherwise, it'll look like an empty, shit box.

0:16:45 > 0:16:48This is going to set the standard that I want for the wedding,

0:16:48 > 0:16:51cos obviously we're at Fashion Week, which is one of the biggest events

0:16:51 > 0:16:53in the fashion calendar that we can come to.

0:16:53 > 0:16:55Literally, we've got to ask questions,

0:16:55 > 0:16:57try and be cheeky in a polite way

0:16:57 > 0:16:59and see if we can blag a few freebies.

0:16:59 > 0:17:03To turn their dirty old warehouse into, well, THIS,

0:17:03 > 0:17:08James and Adam need all the elements of a professional runway show -

0:17:08 > 0:17:12from extravagant and cutting-edge clothing

0:17:12 > 0:17:14to lighting and stage design

0:17:14 > 0:17:18and, of course, the look and attitude to bring it all to life.

0:17:20 > 0:17:24But where James may need most help is backstage.

0:17:24 > 0:17:27When you're out there,

0:17:27 > 0:17:30you wouldn't necessarily know that any of this is going on.

0:17:30 > 0:17:31Yeah, it's calm,

0:17:31 > 0:17:35but they don't want obviously to see all this craziness that's going on.

0:17:35 > 0:17:39So then, they'll slowly walk out, so she's checking everyone,

0:17:39 > 0:17:40one of these will be the designer,

0:17:40 > 0:17:43they'll check that everything is going on as they walk out

0:17:43 > 0:17:46and then, it's go-go-go.

0:17:46 > 0:17:50With less than three weeks to pull off an event to this standard,

0:17:50 > 0:17:53the reality of the task ahead is sinking in.

0:17:53 > 0:17:57The next two weeks are going to be sheer hell, I think,

0:17:57 > 0:18:04trying to get what is basically a derelict warehouse

0:18:04 > 0:18:08into something that we've just seen.

0:18:08 > 0:18:11It's worlds apart at the moment, yeah, so a lot to do.

0:18:16 > 0:18:19With a very fashionable mountain to climb,

0:18:19 > 0:18:20the boys grab a few precious minutes

0:18:20 > 0:18:24with global fashion house founder Savita.

0:18:24 > 0:18:25How are you?

0:18:25 > 0:18:30- Very well. How are you?- Nervous. - Why are you nervous? Tell me.

0:18:30 > 0:18:33Just cos the whole spectrum of what we've got lined up,

0:18:33 > 0:18:34I'm kind of overwhelmed at the minute!

0:18:34 > 0:18:36So, yeah, we've got some ideas.

0:18:36 > 0:18:39We're going to have some kind of cutting-edge photography taken,

0:18:39 > 0:18:42so they almost look like they're in the pages of a magazine.

0:18:42 > 0:18:45What my suggestion would be is have models walk down

0:18:45 > 0:18:47showing complete attitude, so they'll come out,

0:18:47 > 0:18:50they'll pose and then they'll just stomp down the runway

0:18:50 > 0:18:53with all the photographers taking pictures

0:18:53 > 0:18:54and making it really high-end.

0:18:54 > 0:18:57What do you do for your shows to get the impact,

0:18:57 > 0:18:59to make sure there is the impact?

0:18:59 > 0:19:00When you do your model casting,

0:19:00 > 0:19:03it's very important that you pick the right girls.

0:19:03 > 0:19:05So, they've got to have that look, pure attitude and diva,

0:19:05 > 0:19:06and I absolutely love it.

0:19:06 > 0:19:11It's just how, cos obviously you've had six months, probably longer.

0:19:11 > 0:19:14I've got two weeks, so it is that kind of last minute,

0:19:14 > 0:19:17- making sure we've thought of EVERYTHING.- Mmm.

0:19:17 > 0:19:18We've got to bring it to life.

0:19:18 > 0:19:20I know, you've got to bring it to life.

0:19:20 > 0:19:23- If you need any help, I'll be more than happy.- Perfect.

0:19:23 > 0:19:27With Savita's advice ringing in his ears, James comes to a decision -

0:19:27 > 0:19:33to pull off a professional show, it's all about the attitude.

0:19:33 > 0:19:37And to get attitude, he needs professional models.

0:19:37 > 0:19:40So, in effect, the catwalk is just a catwalk.

0:19:40 > 0:19:42That's why I think the models will make it better

0:19:42 > 0:19:45and then obviously, their presence on the stage will be...

0:19:45 > 0:19:48- Yeah, they've got to own the stage. - Definitely.

0:19:48 > 0:19:49That's their moment to shine.

0:19:49 > 0:19:51If they look shit, then it will look shit.

0:19:51 > 0:19:54Whilst James works out how to attract professional models

0:19:54 > 0:19:56to an abandoned sock factory,

0:19:56 > 0:19:59Jenna's at work and getting increasingly concerned

0:19:59 > 0:20:04about what direction her wedding could be headed in without her input.

0:20:04 > 0:20:06Do you think he'll go very traditional or do you think

0:20:06 > 0:20:11- it'll be something quite modern and out there?- I don't know.

0:20:11 > 0:20:15I don't know whether he's thinking of me,

0:20:15 > 0:20:18whether I'll like it or not, or...

0:20:18 > 0:20:20- If it fits in with whatever he's decided?- Yeah.

0:20:20 > 0:20:23Do you think there's going to be loads of people there?

0:20:23 > 0:20:26I hope not. I hope there's not people I don't know.

0:20:26 > 0:20:29- Right, so you want it quite intimate and family.- Yeah.

0:20:29 > 0:20:32I don't want it to be like, "Oh, why are you here?"

0:20:32 > 0:20:34Cos I probably will say that.

0:20:34 > 0:20:38So, Jenna doesn't want any strangers spoiling her big day,

0:20:38 > 0:20:41but to pull off the ultimate fashion wedding,

0:20:41 > 0:20:43James is hoping to invite a whole host of strangers.

0:20:43 > 0:20:47And not just any old strangers, but stunning models,

0:20:47 > 0:20:49who he wants to parade down the catwalk

0:20:49 > 0:20:52moments before the couple say their vows.

0:20:53 > 0:20:55Good afternoon, guys, you all right?

0:20:55 > 0:21:00Cos every bride wants to be upstaged by models on their big day(!)

0:21:00 > 0:21:03So, I'm James, this is Adam,

0:21:03 > 0:21:07and we are planning a high-end fashion show wedding,

0:21:07 > 0:21:10very sort of cutting edge.

0:21:10 > 0:21:13You guys and girls need to kill it with attitude.

0:21:13 > 0:21:16That is the main objective.

0:21:16 > 0:21:21So literally, we want all eyes on you, stomping down, work your magic.

0:21:21 > 0:21:24Er, shouldn't all eyes be on the bride?

0:21:24 > 0:21:26One, two, three...

0:21:28 > 0:21:30In a bid to wow his bride,

0:21:30 > 0:21:35James is planning a grand entrance... for the, er, models.

0:21:35 > 0:21:39- She's got a good stomp.- With music, she'll be really good.- Yeah.

0:21:39 > 0:21:42He wants Jenna at the end of his catwalk aisle

0:21:42 > 0:21:45stood spectating as a team of super-hot models

0:21:45 > 0:21:50wearing cutting-edge fashion strut their stuff in front of her.

0:21:50 > 0:21:54We need a tiny bit more attitude, but I think it's in there.

0:21:58 > 0:22:00Hmm!

0:22:00 > 0:22:03She's got a good walk. She has got a good walk.

0:22:04 > 0:22:07- Sold.- Yep.- Definitely.

0:22:07 > 0:22:09James's budget will only stretch to seven models,

0:22:09 > 0:22:13so it's vital he chooses the ones he feels have the right look

0:22:13 > 0:22:16and attitude to pull off his vision.

0:22:16 > 0:22:19I can only take the front row forward.

0:22:20 > 0:22:23Sorry, guys!

0:22:23 > 0:22:25This is awful!

0:22:25 > 0:22:27But maybe not as awful

0:22:27 > 0:22:30as sharing a stage with models on your wedding day.

0:22:30 > 0:22:32So, we've got seven models.

0:22:32 > 0:22:36If we can make them look great, this catwalk's going to pop.

0:22:38 > 0:22:40With his mob of models sorted,

0:22:40 > 0:22:44he just needs something cutting edge for them to wear.

0:22:46 > 0:22:49The bride is also thinking wedding outfits...

0:22:49 > 0:22:53and what she would wear if she were in charge.

0:22:53 > 0:22:57I want a traditional dress that's not going to go out of fashion.

0:22:57 > 0:22:59I want something that's white and that's classic

0:22:59 > 0:23:01and I'm not going to look back on it and be horrified.

0:23:01 > 0:23:05- This is a lovely cut dress.- No.

0:23:05 > 0:23:07- This is a really nice design.- No.

0:23:07 > 0:23:10- I like that.- Fitted fishtail.- No.

0:23:10 > 0:23:14This picky bride won't settle for anything less than the perfect

0:23:14 > 0:23:16classic dress of her dreams.

0:23:16 > 0:23:19This is a lovely all-over lace to try, really pretty.

0:23:19 > 0:23:23- Yeah, I like that one.- I really like it. I think it's really pretty.

0:23:23 > 0:23:29- Classic. It will just swish. - Oh, I love that.

0:23:29 > 0:23:32- That's like a look-at-me dress, Jen.- That's what we want.

0:23:33 > 0:23:37James has his very own distinctive dress dream for Jenna.

0:23:37 > 0:23:41All he needs now is someone to make it a reality.

0:23:41 > 0:23:43- Hello.- Hello, Claire?

0:23:43 > 0:23:44- Yes, James.- Nice to meet you.

0:23:44 > 0:23:47Shunning the fashion houses of Paris and Milan,

0:23:47 > 0:23:49he's come to a dressmaker in Leicester.

0:23:49 > 0:23:53I have tried to source a dress and what I'm thinking

0:23:53 > 0:23:56- and what I'm looking for, I can't buy it.- It doesn't exist.- No.

0:23:56 > 0:24:00Because it's all in your head at this stage. OK.

0:24:00 > 0:24:04- The theme of the wedding is, it's going to be a fashion show.- OK.

0:24:04 > 0:24:07What is it you would like Jenna to wear?

0:24:07 > 0:24:09Obviously, it's going to be catwalk,

0:24:09 > 0:24:11so it's not going to be a traditional wedding dress.

0:24:11 > 0:24:16'This dress will be the master creation of the whole day.'

0:24:16 > 0:24:19I don't like wedding dresses, I think they are tacky.

0:24:19 > 0:24:22OK, here is the first dress, ladies.

0:24:22 > 0:24:23Oh, I love it.

0:24:23 > 0:24:25That's a shame, because his bride is trying on

0:24:25 > 0:24:28a very traditional, lacy fishtail number.

0:24:28 > 0:24:33- Oh, it is so pretty.- It is amazing. - I don't know.

0:24:33 > 0:24:35I love it, but I love lace, so...

0:24:35 > 0:24:39I don't feel like it's me, I don't feel like me in it.

0:24:39 > 0:24:42While it is back to the wedding dress drawing board for Jenna,

0:24:42 > 0:24:46James's non-wedding-dress dress is beginning to take shape.

0:24:46 > 0:24:49- Jenna doesn't mind showing a bit of skin.- Right, OK.

0:24:49 > 0:24:52Maybe it's a bit more underwear-y looking with something over it,

0:24:52 > 0:24:55so it's not just... she's got a bra on.

0:24:55 > 0:24:57I like the idea of having the sheer bits.

0:24:57 > 0:24:59Like you say, she does like to be naked.

0:24:59 > 0:25:02Even if the whole top could be quite nude...

0:25:02 > 0:25:06From a distance, she could look like she was just wearing her underwear kind of thing.

0:25:06 > 0:25:07Right.

0:25:07 > 0:25:11It could look like she's only wearing bits of a dress.

0:25:14 > 0:25:15Oh, that's pretty.

0:25:15 > 0:25:19Unfortunately, Jenna is thinking more of a complete dress.

0:25:19 > 0:25:25- I love that skirt.- A very complete and very traditional dress.

0:25:25 > 0:25:27Look, when I walk, you see wedding shoe.

0:25:27 > 0:25:31Is it timeless and traditional enough for Jenna?

0:25:31 > 0:25:33I don't want to look back and be like,

0:25:33 > 0:25:35"Oh, that's when them two-piece things were in."

0:25:35 > 0:25:39Yeah, I know what you mean. Yes, like it's a fashion thing.

0:25:41 > 0:25:43Well, how about a dress in lots of pieces

0:25:43 > 0:25:46with see-through bits in between?

0:25:46 > 0:25:49- Well, you have this bit that's sheer, then the middle...- Yes.

0:25:49 > 0:25:52Then this covered and then maybe sheer again.

0:25:52 > 0:25:55- Sheer and then something very dramatic at the bottom.- Yes.

0:25:55 > 0:25:58So, we would have a sheer bit here, filled in, sheer, filled in,

0:25:58 > 0:26:00sheer and then possibly feathers?

0:26:00 > 0:26:04Yeah. It's got that high-fashion cutting-edge feel to it.

0:26:04 > 0:26:08This wouldn't be like a traditional dress for a traditional bride.

0:26:08 > 0:26:12Traditional bride Jenna has found her dream traditional dress.

0:26:12 > 0:26:14THEY GASP

0:26:14 > 0:26:19- That is amazing.- That is beautiful.- Yeah, I love it.

0:26:19 > 0:26:22Classic, understated and very elegant.

0:26:22 > 0:26:24Definitely that, that suits you.

0:26:26 > 0:26:28- I love it.- This dress is timeless.

0:26:29 > 0:26:34- It's not got anything on it, it's plain.- Give me a twirl.

0:26:34 > 0:26:36Oh, it's beautiful.

0:26:36 > 0:26:37Why do you keep staring like that?

0:26:37 > 0:26:40No, because I know I'm not going to have it.

0:26:40 > 0:26:43He's going to get me something vile.

0:26:43 > 0:26:46- Are you worried now? - Yeah, really worried.

0:26:46 > 0:26:49Now that you've got an image in your head of what you want.

0:26:49 > 0:26:51Oh, God! What's he going to get?

0:26:51 > 0:26:54Nothing is going to be the same as this dress.

0:26:54 > 0:26:57Unless it is this dress.

0:26:57 > 0:27:00Back at the dressmaker's, James's extreme design is finished,

0:27:00 > 0:27:02along with Jenna's hopes of anything

0:27:02 > 0:27:05even resembling a traditional wedding dress.

0:27:05 > 0:27:09- Can you see Jenna wearing it? - Yes. It's certainly different.

0:27:09 > 0:27:11OK, we're looking at about 909

0:27:11 > 0:27:13altogether with your underwear and hoop.

0:27:13 > 0:27:15We have a deal.

0:27:15 > 0:27:17Jenna loves modern fashion, cutting-edge design,

0:27:17 > 0:27:21so hopefully, she will like it, because it is unique,

0:27:21 > 0:27:25it is bespoke and it is high-end and has that cutting-edge feel to it.

0:27:26 > 0:27:30It is a big risk, because we're not going to know what it looks like until the day.

0:27:30 > 0:27:32Obviously we've got it drawn up and it's a sketch,

0:27:32 > 0:27:36but nobody's going to see the dress until Jenna has got it on.

0:27:36 > 0:27:39Because James's design is so revealing, the dressmaker needs

0:27:39 > 0:27:43some of Jenna's underwear, so she can make precise cuts

0:27:43 > 0:27:46and hopefully avoid any embarrassing flashes on the big day.

0:27:48 > 0:27:50- Literally, I am shaking like a- BLEEPING- duck.

0:27:50 > 0:27:51HE LAUGHS

0:27:53 > 0:27:56Shit! You hold these, because I'll start jingling.

0:27:56 > 0:27:59Start jingling, mate, we're in the shit...

0:27:59 > 0:28:00Right, we need to be quiet.

0:28:00 > 0:28:04The boys need to get hold of Jenna's underwear,

0:28:04 > 0:28:06without her suspecting a thing.

0:28:09 > 0:28:14Luckily, these lads have worked out the knack for nicking knickers.

0:28:18 > 0:28:23- Hiya. Are you all right? - Yes.- Good.- What have you got for me?

0:28:23 > 0:28:26While Adam distracts Jenna with details about the hen do,

0:28:26 > 0:28:28James seizes his moment.

0:28:28 > 0:28:32- There needs to be roughly ten people.- Yeah.

0:28:42 > 0:28:43DOGS BARK

0:28:43 > 0:28:45Shh!

0:28:45 > 0:28:46You'll give the game away.

0:28:46 > 0:28:48HE WHISPERS

0:28:51 > 0:28:56I can go through a few more bits then. But if you can tell...

0:28:56 > 0:28:59Does that mean you can tell me what I can wear?

0:28:59 > 0:29:02- So has everybody got a pack for everything?- Yeah, yeah.

0:29:02 > 0:29:04That's all I can say at the moment.

0:29:04 > 0:29:07- I've got to rush...off.- OK.

0:29:07 > 0:29:10I've got to go. I'll see you later.

0:29:10 > 0:29:12See you in a bit.

0:29:12 > 0:29:14I've no idea what that means.

0:29:14 > 0:29:17With all Jenna's vital details, the designer can put together James's vision

0:29:17 > 0:29:23of a sexy, cutting-edge wedding dress as the centrepiece for his big day.

0:29:23 > 0:29:24There's no turning back now.

0:29:27 > 0:29:30With Jenna's dress being prepared for the catwalk,

0:29:30 > 0:29:34there's one thing James still needs and that's the catwalk.

0:29:34 > 0:29:39Could we seal the deal now, shake on it and do it for 3,000 all in?

0:29:39 > 0:29:41Yes, we can. We can do it.

0:29:41 > 0:29:44We'll do it for you for £3,000 including the VAT.

0:29:44 > 0:29:47Perfect. You're an absolute legend.

0:29:53 > 0:29:55We've just nailed the daddy of catwalks.

0:29:55 > 0:30:00It's proper, decent equipment that we've got. I can't believe it.

0:30:00 > 0:30:04Looking at those catwalks at Fashion Week, we've got that.

0:30:04 > 0:30:06That is amazing.

0:30:06 > 0:30:09Seriously. Well happy.

0:30:09 > 0:30:11With everything falling into place,

0:30:11 > 0:30:14James makes a call to Savita, the fashion-house founder he met

0:30:14 > 0:30:16at London Fashion Week,

0:30:16 > 0:30:20to take her up on the offer of help for their show.

0:30:20 > 0:30:23I'm looking for someone to help backstage,

0:30:23 > 0:30:26- you know, with hair and make-up. - That's no problem.

0:30:26 > 0:30:29Basically, you can have styling and fitting.

0:30:29 > 0:30:33I can bring my second-in-command with me, so that's not a problem.

0:30:33 > 0:30:37- You're doing it like a fashion show, though we know it's a wedding.- Yeah.

0:30:37 > 0:30:41- We don't want to take too much attention away from the gorgeous bride.- No.

0:30:41 > 0:30:44- She wouldn't be happy if that happens, trust me.- Of course not.

0:30:44 > 0:30:47She's quite vocal, she's very vocal.

0:30:47 > 0:30:51- Is the bride-to-be really into fashion?- Yes.

0:30:51 > 0:30:52Well, we both are, really.

0:30:52 > 0:30:55We're both hairdressers, so it kind of comes with the territory.

0:30:55 > 0:31:00That won't be a problem, sourcing hair and make-up artists for you.

0:31:00 > 0:31:04- They're actually one of the top in London.- Thank you. See you soon.

0:31:04 > 0:31:09We've got Savita and her top A team to literally come and sort us out.

0:31:09 > 0:31:12This crisis is getting bigger and bigger, isn't it?

0:31:12 > 0:31:14The boys bag a top fashion team for the cost of £600

0:31:14 > 0:31:20to cover their expenses, leaving just under £4,000 with a week to go.

0:31:20 > 0:31:24Time to start spending that money like it's going out of fashion.

0:31:24 > 0:31:27Flowers done, now we need rings.

0:31:27 > 0:31:29Jenna, we are going for platinum.

0:31:29 > 0:31:31For you, we're doing palladium.

0:31:31 > 0:31:34Look what I have found.

0:31:34 > 0:31:36- For Noah.- Oh!

0:31:36 > 0:31:37Next on the list,

0:31:37 > 0:31:40seating and props for his fashion shoot reception.

0:31:40 > 0:31:43- £700.- Yes.- Perfect.

0:31:45 > 0:31:48But there is one traditional touch - tuxedos.

0:31:48 > 0:31:51Although the boys won't be wearing them,

0:31:51 > 0:31:53- the bridesmaids will.- Bridesmaids?

0:31:53 > 0:31:57- Bridesmaids.- I think you're in the wrong shop. This is menswear.

0:31:57 > 0:31:59They won't be upstaging the bride, then -

0:31:59 > 0:32:02let's leave the models to do that.

0:32:02 > 0:32:06So, we're going for two of those, one of those, two cummerbunds,

0:32:06 > 0:32:09three cummerbunds, two bow ties, £520.

0:32:11 > 0:32:15- A deal?- Deal.- Happy? - Sweet.- Thank you.

0:32:15 > 0:32:20Finally, the most important element of any fashion show, fashion.

0:32:20 > 0:32:23The lads might have a limited budget, but they've also had a brainwave.

0:32:23 > 0:32:25They've come to De Montfort University

0:32:25 > 0:32:27to try and borrow statement pieces from

0:32:27 > 0:32:30the fashion students to make the models

0:32:30 > 0:32:32really stand out on the catwalk.

0:32:32 > 0:32:35I like the layers and I just like the length of everything.

0:32:35 > 0:32:39You can almost imagine one of the models, like, our models in it.

0:32:39 > 0:32:41- I like this. - No, I like the pleating feel.

0:32:41 > 0:32:45And I like the combination of the black with the bright colours

0:32:45 > 0:32:46that really stand out.

0:32:46 > 0:32:49With a week until the wedding, it's time for the hen do,

0:32:49 > 0:32:53and to throw the girls off the scent, James has arranged something

0:32:53 > 0:32:56a little more locker room than catwalk.

0:32:56 > 0:32:59- What the- BLEEP- is that? We better not be playing football.

0:32:59 > 0:33:01This is what lads should be doing, not us.

0:33:01 > 0:33:05We want to be relaxing in a nice spa with a glass of fizz.

0:33:05 > 0:33:08Do you know what I mean? Just chilling out.

0:33:08 > 0:33:11Well, the good news is, the boys aren't completely stupid.

0:33:14 > 0:33:19They do have a pampering session and cheeky glass of fizz set up.

0:33:19 > 0:33:21I feel like I'm floating.

0:33:21 > 0:33:22But the bad news is,

0:33:22 > 0:33:24it's for themselves.

0:33:24 > 0:33:27Definitely living the life.

0:33:27 > 0:33:29This is the best part.

0:33:30 > 0:33:33- I don't even like football.- I just don't want to be here, like...

0:33:33 > 0:33:36Why would I want to come to a place like this on my hen do?

0:33:36 > 0:33:39Are they all still in that football kit?

0:33:39 > 0:33:43Stinking of sweat, with orange segments in their gobs...

0:33:44 > 0:33:47..moaning.

0:33:47 > 0:33:48Ladies...

0:33:48 > 0:33:50Grrr!

0:33:50 > 0:33:54- I don't know the offside rule. - There's no offside.- Good.

0:33:54 > 0:33:55That's fine then.

0:33:57 > 0:33:59WHISTLE BLOWS

0:34:02 > 0:34:04What could possibly go wrong?

0:34:14 > 0:34:17- I've broke my finger, broke my finger.- What?

0:34:21 > 0:34:25Less than two minutes into the game and they have their first casualty.

0:34:25 > 0:34:28- She's broke her finger. - OK. Oh, bloody hell.

0:34:31 > 0:34:32I'm in so much pain.

0:34:34 > 0:34:37The girls head to A&E and both Sam's finger

0:34:37 > 0:34:40and Jenna's hen do are put on ice.

0:34:40 > 0:34:43This hen do has gone from bad to worse and you've got to go

0:34:43 > 0:34:47and try and enjoy yourself after all this and I don't even get to come.

0:34:47 > 0:34:49Right, get up.

0:34:52 > 0:34:54Let's go, let's go!

0:34:54 > 0:34:57With Sam in hospital, Jenna bravely decides to carry on with

0:34:57 > 0:35:00the next stage of the hen do James has organised.

0:35:02 > 0:35:05Oblivious to the girls' medical emergency,

0:35:05 > 0:35:08the boys are out on James's stag do.

0:35:14 > 0:35:18On the hen do, Sam's back and Jess has decided to demand

0:35:18 > 0:35:23compensation from the groom in the form of beer money.

0:35:23 > 0:35:27Sam, at the football place, has broke her finger

0:35:27 > 0:35:31- and she has sat in A&E for two hours.- No, four.

0:35:31 > 0:35:35Two hours later and apparently, Sam has broken her finger.

0:35:35 > 0:35:38- She's what? - How did Sam break her finger?

0:35:38 > 0:35:42Swear to God, we've got in Birmingham two hours late,

0:35:42 > 0:35:46- we deserve more money.- So we've got to pay for that?- Her finger!

0:35:46 > 0:35:49- We've got to pay for a finger?- £100.

0:35:51 > 0:35:54- What are we going to give them? - 50 quid.- 50 quid.

0:35:54 > 0:35:56£50. All right. See you later.

0:35:56 > 0:35:58No!

0:35:59 > 0:36:01Victory!

0:36:01 > 0:36:06But the hen do has left some of the girls worrying about what lies ahead.

0:36:06 > 0:36:09I just feel a bit frustrated, to be honest.

0:36:09 > 0:36:14At the minute, I'm not thinking greatly of what's going to happen with the wedding.

0:36:21 > 0:36:24It's the morning after the disastrous hen do.

0:36:24 > 0:36:27Time for the bridesmaids to see their wedding outfits.

0:36:27 > 0:36:31Let's hope James's untraditional choices don't add insult to injury.

0:36:31 > 0:36:33Literally.

0:36:33 > 0:36:36Welcome. There's nothing to be worried about.

0:36:36 > 0:36:37What could possibly go wrong?

0:36:37 > 0:36:39- A broken finger.- Anyway, never mind.

0:36:39 > 0:36:43Right, we're going to take a seat on our lovely little sofa.

0:36:43 > 0:36:46I'd like to tell you I'm excited, but I'd be lying.

0:36:46 > 0:36:48Another couch.

0:36:51 > 0:36:55- What is going on?- Close your eyes.

0:36:55 > 0:36:57- I can't cope.- I can't cope.

0:36:59 > 0:37:00I don't want to open my eyes.

0:37:00 > 0:37:04- I know.- OK, after three. One, two, three.

0:37:04 > 0:37:06What the hell? No way am I wearing that!

0:37:06 > 0:37:08No way. I can't believe you've done that.

0:37:08 > 0:37:12Surely that's for a bloke. What is Jenna going to say?

0:37:12 > 0:37:14She'll like it.

0:37:14 > 0:37:16I don't think she will.

0:37:16 > 0:37:19When everything comes together, you've got to trust us.

0:37:19 > 0:37:20This has made me think,

0:37:20 > 0:37:23- what the- BLEEP- have you done for the wedding day?

0:37:24 > 0:37:27- I'm in shock.- I can't believe we're going to wear a suit.

0:37:27 > 0:37:30I wanted to feel nice for her, for me.

0:37:30 > 0:37:32I can't get my head round it right now.

0:37:32 > 0:37:36Reluctantly, the girls head to the changing rooms -

0:37:36 > 0:37:38the men's changing rooms, obviously,

0:37:38 > 0:37:40to see what their tuxedos look like on.

0:37:46 > 0:37:49- I like it.- How are we feeling?

0:37:49 > 0:37:50Like a twat.

0:37:52 > 0:37:54That is horrific.

0:37:54 > 0:37:57He is convinced that she's going to like it.

0:37:57 > 0:37:59I don't get it. Why would she like it?

0:37:59 > 0:38:01It's her wedding day, like...

0:38:01 > 0:38:03Any other time, any other location,

0:38:03 > 0:38:06she might not be too bad about it, but it's her wedding day.

0:38:06 > 0:38:09I'm kind of having second thoughts about everything.

0:38:09 > 0:38:11The whole thing could go tits up, to be honest,

0:38:11 > 0:38:14and now it kind of puts doubt in your head for everything.

0:38:14 > 0:38:16So, this is how my creative mind works.

0:38:16 > 0:38:19It might not necessarily be to everybody's taste,

0:38:19 > 0:38:21it's just me having that creative licence.

0:38:21 > 0:38:24Our relationship isn't a traditional, typical,

0:38:24 > 0:38:27normal relationship and I think this wedding just shows that

0:38:27 > 0:38:30and it just speaks... volumes for itself.

0:38:30 > 0:38:33The bridesmaids and now even his best man believe

0:38:33 > 0:38:36James may have misjudged Jenna's taste,

0:38:36 > 0:38:39but the groom himself remains confident

0:38:39 > 0:38:43that he knows his bride and what she wants on her big day.

0:38:48 > 0:38:52With the wedding only a day away, the moment of truth is here.

0:38:52 > 0:38:55Jenna is about to see the cutting-edge dress

0:38:55 > 0:38:57James has designed for her to wear tomorrow.

0:38:57 > 0:38:59Hi, everyone. Come on in. Hi.

0:38:59 > 0:39:02'The dress is really important to me.

0:39:02 > 0:39:04'It's one of the main things that everyone looks at, at a wedding,

0:39:04 > 0:39:07'and if it's wrong, then it's going to be...disaster.'

0:39:09 > 0:39:12I don't want it to be too in your face or too out there.

0:39:12 > 0:39:15I just want it to be remembered as a nice day.

0:39:15 > 0:39:16Not wacky.

0:39:16 > 0:39:18I feel dead anxious.

0:39:19 > 0:39:21You know how weird he can be.

0:39:21 > 0:39:23You say that, yeah, I am, yeah, I am nervous for you.

0:39:23 > 0:39:25Oh, God. I'm really nervous.

0:39:25 > 0:39:28- Are you?- I'm nervous I'm not going to like it.

0:39:29 > 0:39:30I don't know.

0:39:30 > 0:39:34- Let's... I just want to get it on. - Yeah.- Get it on.- Yeah.

0:39:34 > 0:39:36So, do you want to come and, er, have a look at it?

0:39:36 > 0:39:39- OK. - SHE SIGHS

0:39:41 > 0:39:44- Are you ready, Jenna, to see this dress?- I think so.- Are you sure?- No.

0:39:44 > 0:39:46- SHE LAUGHS - Can I close my eyes?

0:39:46 > 0:39:48Oh, my God, I'm so scared

0:39:48 > 0:39:50that I'm not going to like it.

0:39:50 > 0:39:52Oh, my! I can't cope.

0:39:53 > 0:39:56Jenna wanted a traditional, timeless wedding dress,

0:39:56 > 0:39:59but what will she make of the revealing number that James

0:39:59 > 0:40:02has designed for her catwalk-themed wedding?

0:40:05 > 0:40:07Oh, my God.

0:40:07 > 0:40:09Oh, my...

0:40:09 > 0:40:11Is that a good "Oh, my God"?

0:40:11 > 0:40:13I don't... I'm not sure.

0:40:13 > 0:40:15It's just not what I would've picked.

0:40:15 > 0:40:18It's nothing like the traditional dress I wanted.

0:40:19 > 0:40:21Um...

0:40:21 > 0:40:24- It's complete opposite. - Oh, my God, really?

0:40:24 > 0:40:26Yeah.

0:40:26 > 0:40:28- Let's get it on.- Let's get it on!

0:40:28 > 0:40:30Oh, my God.

0:40:37 > 0:40:39Come on, come on, come on, come on.

0:40:39 > 0:40:43- Oh, my God.- Oh, my God. - Do you like it?

0:40:43 > 0:40:45- Oh, my God.- It's literally not what I would pick.

0:40:45 > 0:40:47It's just so, yeah, different.

0:40:47 > 0:40:51- Are you ready to see yourself in a mirror?- Definitely.- OK.

0:40:51 > 0:40:53Let's do it.

0:40:55 > 0:40:57- Yeah.- And there we go.

0:40:57 > 0:40:59SLOW HEARTBEAT

0:41:03 > 0:41:04I love it.

0:41:04 > 0:41:07# Ooh, singing... #

0:41:07 > 0:41:11He's got it down...to a T with that, perfect.

0:41:11 > 0:41:14I'm so annoyed!

0:41:14 > 0:41:16LAUGHTER

0:41:16 > 0:41:17Damn!

0:41:17 > 0:41:20- The boy did good.- Boy did great. - He did.

0:41:20 > 0:41:21- She likes her bum.- My bum looks...

0:41:21 > 0:41:23LAUGHTER

0:41:23 > 0:41:26- Your bum locks in. - Yeah, that's what I like.

0:41:26 > 0:41:28- I am shocked I like it.- Yeah.

0:41:28 > 0:41:31But I think I prefer this better than the other one.

0:41:31 > 0:41:33- What?- I know.- Really?

0:41:33 > 0:41:36I can't...I don't, I can't believe it.

0:41:36 > 0:41:38I prefer it, cos it's more runway.

0:41:38 > 0:41:41- Yeah.- What the hell's wrong with me?

0:41:41 > 0:41:44- What? It's like you've just... - Changed my mind.

0:41:44 > 0:41:46- I know, what are you doing?- I know.

0:41:46 > 0:41:48You were unsure, like you say, of how you felt...

0:41:48 > 0:41:51- This wouldn't go in a castle. - No, course it wouldn't.

0:41:51 > 0:41:55- I think in her head, she wanted a traditional, timeless kind of dress. - She was lost. Mm.

0:41:55 > 0:41:59And I think that's what she THOUGHT she wanted for her big day, but then this dress is more her.

0:41:59 > 0:42:03This is more like runway, like, more fashionable.

0:42:03 > 0:42:07But I do like runway, so, maybe he knew that I'd like it,

0:42:07 > 0:42:09and I do, I love it.

0:42:09 > 0:42:12With his take on a wedding dress a success,

0:42:12 > 0:42:15perhaps this groom's fashion show runway wedding

0:42:15 > 0:42:17could take off tomorrow.

0:42:25 > 0:42:27It's the morning of the wedding.

0:42:27 > 0:42:30All the elements for James's day are coming together.

0:42:30 > 0:42:32The transformation from lowly sock factory

0:42:32 > 0:42:37to high-end fashion show venue is almost complete.

0:42:37 > 0:42:39The models have arrived...

0:42:39 > 0:42:41- Good journey?- Yes, thank you.

0:42:41 > 0:42:46..as have fashion founder Savita and her team from London Fashion Week.

0:42:46 > 0:42:50This is just inspiration for the models.

0:42:50 > 0:42:52All coming together, isn't it? So it's...it's the build-up

0:42:52 > 0:42:54and it's the excitement.

0:42:54 > 0:42:57But it's that nervous adrenaline feeling.

0:42:57 > 0:43:00Quite scary, but scary in a positive and good way.

0:43:00 > 0:43:04Back at home, Jenna's morning is also off to a flawless start.

0:43:04 > 0:43:09- Hi! You OK?- We've got your make-up. - Yeah! Thank God. We've got make-up!

0:43:09 > 0:43:12- CHEERING - Ooh!

0:43:12 > 0:43:14- OK, so we've been given a style to do...- Yeah.

0:43:14 > 0:43:18..so, it's going to be kind of heavy, smoky eyes,

0:43:18 > 0:43:19a lot of contour...

0:43:19 > 0:43:22Yes! This is what I've been saying the whole time.

0:43:22 > 0:43:23LAUGHTER

0:43:23 > 0:43:26What about my lips? Have I got pink lips?

0:43:26 > 0:43:28Nail colours.

0:43:28 > 0:43:30- This colour?- Supposed to match your nail colour.- Perfect.

0:43:30 > 0:43:35But it's not just Jenna that James wants to look her very best today.

0:43:35 > 0:43:39He has hair, make-up and cutting-edge clothing for the beautiful models,

0:43:39 > 0:43:43who'll be out to steal the show before the bride has her chance to.

0:43:43 > 0:43:46- So, we've got nine outfits...- Yeah.

0:43:46 > 0:43:49I was wanting the models, kind of, to fluff it out a little bit more...

0:43:49 > 0:43:51- Mm.- ..so we'll probably send five guests down,

0:43:51 > 0:43:54- maybe the bridesmaids...- Mm. - ..and then a model

0:43:54 > 0:43:56and then, some more guests, then another model,

0:43:56 > 0:43:59- so they're kind of...- You're going to stagger it a little bit.- Yeah.

0:43:59 > 0:44:02- OK, that's no problem. - So they kind of fit in with...- Yeah.

0:44:02 > 0:44:05OK, now I've got it. And guests, what time are they arriving?

0:44:05 > 0:44:09- Two...- Two o'clock. So, I will have them in running order for you,

0:44:09 > 0:44:11- just like a fashion show.- Perfect.

0:44:11 > 0:44:13Walk.

0:44:13 > 0:44:14Pose.

0:44:14 > 0:44:17I like the fact that the models' outfits

0:44:17 > 0:44:19are going to really stand out,

0:44:19 > 0:44:21so it will all look beautiful on the runway.

0:44:21 > 0:44:23I wouldn't want professional models at my wedding.

0:44:23 > 0:44:26So, imagine if we were like Cara Delevingne.

0:44:26 > 0:44:27I would not want her at my wedding.

0:44:27 > 0:44:29SHE LAUGHS

0:44:29 > 0:44:32Back at home, Jenna is about to get her first clue

0:44:32 > 0:44:35that she may not be getting the timeless, traditional wedding

0:44:35 > 0:44:36she dreamed of.

0:44:36 > 0:44:38- What the- BLEEP?

0:44:38 > 0:44:39LAUGHTER

0:44:39 > 0:44:41We're in men's suits.

0:44:41 > 0:44:43- Are they men's?- Yeah.- Yes.

0:44:43 > 0:44:45They've been tailored, though.

0:44:45 > 0:44:48- I like it.- I knew you'd like it! I knew you'd like it!

0:44:48 > 0:44:51- I want one! - LAUGHTER

0:44:51 > 0:44:56Incredibly, the bridesmaids' tuxedos suit the bride perfectly.

0:44:56 > 0:44:58But back at the sock factory,

0:44:58 > 0:45:03a nervous James has no idea that so far, he hasn't put a foot wrong.

0:45:03 > 0:45:06- Feeling a bit real now, isn't it? - A little bit, now everyone's here.

0:45:06 > 0:45:09I think it's going to be more real once the bridesmaids are here,

0:45:09 > 0:45:11then you know Jenna's on the way.

0:45:11 > 0:45:14I'm really happy. Just nervous.

0:45:14 > 0:45:15I just want to get there.

0:45:15 > 0:45:17With everything ready at the venue,

0:45:17 > 0:45:21Jenna is ready to leave home in James's high-fashion dress.

0:45:24 > 0:45:26Where do you reckon we're going, then?

0:45:26 > 0:45:29God knows.

0:45:29 > 0:45:31Well, we're going past the church.

0:45:32 > 0:45:34That's a no-go.

0:45:34 > 0:45:36Jenna's only minutes away.

0:45:36 > 0:45:39James just has time to brief his guests about the key role

0:45:39 > 0:45:41they have to play in the wedding.

0:45:41 > 0:45:42JAMES WHISTLES

0:45:42 > 0:45:45You're actually at the James and Jenna fashion show.

0:45:45 > 0:45:47Jenna's going to come through the room

0:45:47 > 0:45:49and we're going to come in to her,

0:45:49 > 0:45:51so there's a bit of a slight role reversal of the whole thing,

0:45:51 > 0:45:53but we've not done anything normal.

0:45:53 > 0:45:56So, once we go in there, there's a catwalk,

0:45:56 > 0:45:59you're all going to walk down it and then sit down.

0:45:59 > 0:46:03There's a few models in there as well, so they'll mingle in with you.

0:46:03 > 0:46:05So, we're going to move in.

0:46:05 > 0:46:06- Everyone all right with that?- Yeah.

0:46:06 > 0:46:09Oh! Why are we going this way?

0:46:09 > 0:46:10HE LAUGHS

0:46:12 > 0:46:17James needs just one final piece of the jigsaw to fall into place...

0:46:17 > 0:46:19Jenna.

0:46:19 > 0:46:20Oh!

0:46:21 > 0:46:23But the bride is realising she won't be getting

0:46:23 > 0:46:27her dream of a timeless and classic country manor house.

0:46:30 > 0:46:33- We're in a... Where the- BLEEP- are we?

0:46:37 > 0:46:40- Here we are. - Oh, my... Where are we?

0:46:40 > 0:46:44Can James's urban industrial chic win her over?

0:46:44 > 0:46:48I'm not happy, I'm not happy, I am not happy.

0:46:51 > 0:46:53The bride has arrived.

0:46:53 > 0:46:58The guests are in place and the models are set to strut their stuff.

0:46:58 > 0:47:00- Oh, is she here?- Yeah.

0:47:00 > 0:47:02- Sharpen up. - SHE LAUGHS

0:47:02 > 0:47:05Joe and Dave and Joseph, then Mum and Dad and Colin

0:47:05 > 0:47:08and then whoever in order. Yeah, and let's do her last.

0:47:08 > 0:47:10Oh, thank you.

0:47:11 > 0:47:13- INDISTINCT VOICE - Shut up.

0:47:13 > 0:47:15Right, am I walking in on my own?

0:47:15 > 0:47:17Joy.

0:47:17 > 0:47:18Ssh.

0:47:18 > 0:47:20I'm not happy.

0:47:20 > 0:47:23What's this on here? Like, what is this?

0:47:23 > 0:47:27I can't be walking past this. Oh...

0:47:31 > 0:47:33Oh, my God. Are you joking?

0:47:35 > 0:47:36This is horrendous.

0:47:38 > 0:47:41I don't even want to be here.

0:47:41 > 0:47:42This is awful.

0:47:45 > 0:47:49Safe to say Jenna's not wowed so far.

0:47:49 > 0:47:51Am I looking this way?

0:47:51 > 0:47:53Will James's fashion show ceremony,

0:47:53 > 0:47:56complete with wedding guests and troupe of hot models,

0:47:56 > 0:47:58win her over?

0:47:58 > 0:47:59Oh...

0:47:59 > 0:48:02MUSIC: Donatella by Lady Gaga

0:48:02 > 0:48:05# I am so fab

0:48:05 > 0:48:08# Check out, I'm blonde

0:48:08 > 0:48:10# I'm skinny

0:48:10 > 0:48:12# I'm rich

0:48:12 > 0:48:14# And I am a little bit of a bitch... #

0:48:14 > 0:48:15What's that?

0:48:15 > 0:48:20# I wanna dress you up in silk...

0:48:20 > 0:48:21# Taffeta... #

0:48:23 > 0:48:27Backstage, James has no idea how his runway wedding is going down,

0:48:27 > 0:48:32so he's sticking to plan A, keep sending those models out.

0:48:32 > 0:48:35No, I don't want to be here.

0:48:35 > 0:48:36Please.

0:48:36 > 0:48:38You'll be all right when James comes.

0:48:38 > 0:48:40Who are these people?!

0:48:40 > 0:48:42# Mi-mi-bella!

0:48:42 > 0:48:45# I'm a rich bitch, I'm the upper class

0:48:45 > 0:48:46# All of the day

0:48:46 > 0:48:48# I'm the pearl

0:48:48 > 0:48:50# I'm gonna smoke Marlboro Lights And drink champagne

0:48:50 > 0:48:54# I smoke Marlboro reds and drink champagne... #

0:48:54 > 0:48:55Five, six, go.

0:48:55 > 0:48:59# What do you think Is the new thing?... #

0:48:59 > 0:49:01MUSIC DROWNS SPEECH

0:49:01 > 0:49:04# What do you wanna wear This season?

0:49:04 > 0:49:05INSTRUMENTAL

0:49:05 > 0:49:09MUSIC FADES AND APPLAUSE

0:49:15 > 0:49:16After three weeks,

0:49:16 > 0:49:20it's finally time for James to walk down his own aisle

0:49:20 > 0:49:22and marry his bride.

0:49:22 > 0:49:24IF she will say, "I do."

0:49:58 > 0:50:01Do you, Jenna and James, realise that this ceremony is the biggest

0:50:01 > 0:50:05real deal and everlasting thing you'll ever do?

0:50:05 > 0:50:06We do.

0:50:06 > 0:50:08What? I weren't listening.

0:50:08 > 0:50:09LAUGHTER

0:50:09 > 0:50:11Do you, Jenna and James,

0:50:11 > 0:50:13- realise that my ceremony is the biggest real...- Yeah, yeah, yeah.

0:50:13 > 0:50:15FAINT LAUGHTER

0:50:15 > 0:50:18Do you, James, agree to be Jenna's best friend and soul mate,

0:50:18 > 0:50:22loving life partner and never organise anything ever again?

0:50:22 > 0:50:24- Yeah. - LAUGHTER

0:50:24 > 0:50:27Do you, Jenna, agree to be James's best friend and soul mate,

0:50:27 > 0:50:31loving life partner, no matter how adventurous and creative he may be?

0:50:31 > 0:50:32- Yeah.- Yeah.

0:50:32 > 0:50:35- BABY CRIES IN BACKGROUND - The rings, please.

0:50:38 > 0:50:40I now pronounce you husband and wife.

0:50:40 > 0:50:43You may now kiss your beautiful bride.

0:50:43 > 0:50:45CHEERING AND APPLAUSE

0:50:48 > 0:50:52James has managed to pull off a spectacular fashion show.

0:50:52 > 0:50:56The problem is, it may not be the perfect wedding for his bride.

0:50:56 > 0:50:58'I feel gutted.

0:50:58 > 0:51:00'Disappointed.

0:51:00 > 0:51:03'Definitely wasn't expecting... that reaction.'

0:51:03 > 0:51:07I am well and truly pissed off.

0:51:08 > 0:51:10I am...

0:51:10 > 0:51:11disappointed.

0:51:11 > 0:51:14Yeah, she still went ahead with it, but...

0:51:16 > 0:51:18I actually don't know what to say.

0:51:18 > 0:51:20I wanted to walk down an aisle and be like, "Oh, yeah,

0:51:20 > 0:51:22"that dress is really nice, that looks really nice."

0:51:22 > 0:51:26Now, I look like a stupid, crying mess.

0:51:26 > 0:51:28Wasn't going to be a fairy-tale wedding.

0:51:28 > 0:51:31- Now, it's just turned into a- BLEEPING- nightmare.

0:51:31 > 0:51:33I think everybody's attention was more on the catwalk

0:51:33 > 0:51:36and Jenna was kind of just there. So...

0:51:36 > 0:51:40er, obviously, we diverted all the attention from Jenna,

0:51:40 > 0:51:42when everybody should be looking at Jenna, really.

0:51:42 > 0:51:46As soon as I walked down that catwalk, I just knew. I just knew.

0:51:47 > 0:51:49The look on her face.

0:51:49 > 0:51:52All celebrations are on hold.

0:51:52 > 0:51:55It's left to the bridesmaids to try and salvage the day.

0:51:58 > 0:52:02- What do you want to do?- Why do you even think that I would want that?

0:52:02 > 0:52:04He's not thought about it on your wedding day,

0:52:04 > 0:52:06the fact that you... He's took it to what you like

0:52:06 > 0:52:08and then took that to the extreme.

0:52:08 > 0:52:10That's what he's done, because you love fashion,

0:52:10 > 0:52:13- you love everything like that, but...- Yeah, but I didn't...

0:52:13 > 0:52:17- I know.- ..just random people there that I don't even know.- I know.

0:52:17 > 0:52:21With his fashion show wedding falling apart at the seams,

0:52:21 > 0:52:24James tries to bring round his bride.

0:52:24 > 0:52:27You know me, I'm not traditional, we're not traditional.

0:52:27 > 0:52:30- So, I wanted to do something... - No, but I, because we're not traditional,

0:52:30 > 0:52:33I wanted to do more traditional on the wedding day,

0:52:33 > 0:52:37- so we don't look back and think, "What the- BLEEP- is this?"

0:52:37 > 0:52:40Yeah, like, literally didn't even get a chance to walk down the aisle.

0:52:40 > 0:52:43I wanted to do, sort of like a fashion...catwalk thing.

0:52:43 > 0:52:45I wanted you to see it, cos everything else...

0:52:45 > 0:52:49- To see what, though?- What we've done.- Everything was already there.

0:52:49 > 0:52:51- I tried my best.- I know you did.

0:52:52 > 0:52:54- I love you.- I love you too.

0:52:54 > 0:52:56INDISTINCT

0:52:56 > 0:52:58- Huh?- Promise?- Promise!

0:52:58 > 0:53:01- I'm just annoyed. - I'm sorry. I'm so sorry.

0:53:01 > 0:53:04It's not...a problem, it's done, it's done now.

0:53:04 > 0:53:07- They're feisty.- Yeah.- They've got that feistiness in them.

0:53:07 > 0:53:09One minute, that's them in there, going at each other...

0:53:09 > 0:53:14- Yeah.- ..but then seconds later, they're fine.- Mm.

0:53:14 > 0:53:16- I'm really annoyed.- Why?

0:53:17 > 0:53:21I'm annoyed that I'm upset that I didn't like it,

0:53:21 > 0:53:23which I know would upset you.

0:53:23 > 0:53:26I'm not sure whether I forgive this ceremony.

0:53:26 > 0:53:29- Oh, give over.- I might be holding it against you to get...

0:53:29 > 0:53:33- leverage.- Leverage?- Leverage. Is that the right word?

0:53:33 > 0:53:35The happy couple are happy again.

0:53:35 > 0:53:37Sort of.

0:53:37 > 0:53:40But at least now the party can get started and there's still time

0:53:40 > 0:53:44for those timeless, traditional wedding pictures

0:53:44 > 0:53:46Jenna's always wanted.

0:53:48 > 0:53:52They married each other because they're soul mates.

0:53:52 > 0:53:54Both of them are far from perfect.

0:53:54 > 0:53:58They've both got their moods, their attitudes.

0:53:58 > 0:54:00But for each other,

0:54:00 > 0:54:03yeah, they are soul mates.

0:54:03 > 0:54:06# Look at this face

0:54:06 > 0:54:09# I know the years are showing

0:54:09 > 0:54:12# Look at this life... #

0:54:12 > 0:54:16If I gave her a traditional, what did you call it, English wedding?...

0:54:16 > 0:54:17I'd have loved it.

0:54:17 > 0:54:20THEY wouldn't. Swans on the lawn, violins playing...

0:54:20 > 0:54:22I don't like swans, swans are aggressive.

0:54:22 > 0:54:23You give her what she wants,

0:54:23 > 0:54:25she'd find something that's wrong with it.

0:54:25 > 0:54:28This had a LOT wrong with it.

0:54:28 > 0:54:30# Look at these eyes

0:54:32 > 0:54:35# They've never seen What mattered... #

0:54:35 > 0:54:39You and Noah definitely mean the world to me.

0:54:39 > 0:54:42Like, and I wouldn't have not married you,

0:54:42 > 0:54:46but I was...just so angry.

0:54:46 > 0:54:48I could've walked out.

0:54:48 > 0:54:52So, have James's efforts in any way convinced his bride

0:54:52 > 0:54:56that he CAN take some responsibility in their relationship?

0:54:56 > 0:55:00I think I've learned I need...you,

0:55:00 > 0:55:03but I think you also need to learn that you need me.

0:55:03 > 0:55:08I know I need you, but I definitely don't need you to make any form of decision in my life.

0:55:08 > 0:55:10SONG ENDS

0:55:10 > 0:55:12CHEERING AND APPLAUSE

0:55:16 > 0:55:20A few days later, James and Jenna made their union legal.

0:55:20 > 0:55:24James, will you take Jenna to be your lawful wedded wife?

0:55:24 > 0:55:26I do.

0:55:26 > 0:55:30And, Jenna, will you take James to be your lawful wedded husband?

0:55:30 > 0:55:31I do.

0:55:31 > 0:55:34It's my very great pleasure to declare that you are now

0:55:34 > 0:55:37lawfully joined together as husband and wife.

0:55:37 > 0:55:38Congratulations.

0:55:38 > 0:55:40APPLAUSE

0:55:40 > 0:55:42- Congratulations.- Thank you.

0:55:44 > 0:55:46CAMERA CLICKS

0:55:46 > 0:55:49Next time, get ready to jingle your wedding bells...

0:55:49 > 0:55:52- Oh, my God! - LAUGHTER

0:55:52 > 0:55:55..as we look back at the most festive nuptials ever.

0:55:55 > 0:55:56Christmas!

0:55:56 > 0:55:57There'll be wise men...

0:55:57 > 0:56:00- Dan, this could end disastrously. - ..not so wise men...

0:56:00 > 0:56:03I like the elf. Looks a bit freaky.

0:56:03 > 0:56:05..and the brides going completely out of their tree.

0:56:05 > 0:56:07You can literally see my pubes.

0:56:07 > 0:56:10Why a bikini? You don't go to places abroad!

0:56:10 > 0:56:13So, make sure you tune in to this Christmas special.

0:56:13 > 0:56:15It's going to be crackers.

0:56:15 > 0:56:17I hate him so much at the minute.

0:56:17 > 0:56:20# You know, baby When you're in my arms

0:56:20 > 0:56:24# I can feel your love And magic charms

0:56:24 > 0:56:26# You drive me cra-azy

0:56:27 > 0:56:30# You drive me cra-azy

0:56:32 > 0:56:36# And when I'm looking in those Big blue eyes

0:56:36 > 0:56:40# I started Floating down in paradise

0:56:40 > 0:56:44# You drive me cra-azy

0:56:44 > 0:56:46# You drive me cra-azy... #