0:00:08 > 0:00:11DRAMATIC MUSIC
0:00:39 > 0:00:43Some say juvenile... I say genius!
0:00:54 > 0:00:57'Leave me alone!'
0:00:57 > 0:01:00'Matt, I'm getting ready for graduation.'
0:01:02 > 0:01:04Matt!
0:01:08 > 0:01:11Say goodbye to your little toy.
0:01:11 > 0:01:16And say hello to Matt owning his big sister for eternity.
0:01:18 > 0:01:19# Never give up
0:01:20 > 0:01:22# Yeah
0:01:22 > 0:01:24# Never give up
0:01:25 > 0:01:27# The tide is high
0:01:27 > 0:01:29# But I'm holding on
0:01:29 > 0:01:34# I'm gonna be your number one
0:01:34 > 0:01:36# I'm not the kind of girl
0:01:36 > 0:01:40# Who gives up just like that
0:01:40 > 0:01:43# Oh, no
0:01:43 > 0:01:44# It's not the things you do
0:01:44 > 0:01:47# That tease and hurt me bad
0:01:47 > 0:01:49# But it's the way you do the things
0:01:49 > 0:01:52# You do to me
0:01:52 > 0:01:54# I'm not the kind of girl
0:01:54 > 0:01:58# Who gives up just like that
0:01:58 > 0:02:00# Oh, no
0:02:00 > 0:02:02# The tide is high
0:02:02 > 0:02:05# But I'm holding on
0:02:05 > 0:02:09# I'm gonna be your number one
0:02:09 > 0:02:11# The tide is high
0:02:11 > 0:02:14# But I'm holding on
0:02:14 > 0:02:18# I'm gonna be your number one
0:02:18 > 0:02:21# Number one
0:02:21 > 0:02:24# My number one
0:02:24 > 0:02:26# Number one
0:02:26 > 0:02:27# Number one
0:02:27 > 0:02:32# Every girl wants you to be her man
0:02:32 > 0:02:33# But I'll wait right here
0:02:33 > 0:02:36# Till it's my turn
0:02:36 > 0:02:38# I'm not the kind of girl
0:02:38 > 0:02:42# Who gives up just like that
0:02:42 > 0:02:45# Oh, no
0:02:45 > 0:02:47# The tide is high
0:02:47 > 0:02:49# But I'm holding on
0:02:49 > 0:02:54# I'm gonna be your number one
0:02:54 > 0:02:56# The tide is high
0:02:56 > 0:02:58# But I'm holding on
0:02:58 > 0:03:02# I'm gonna be your number one
0:03:02 > 0:03:05# Number one
0:03:05 > 0:03:08# My number one
0:03:08 > 0:03:11# Number one
0:03:12 > 0:03:14# Every time that I get the feeling
0:03:14 > 0:03:16# You give me something to believe in
0:03:16 > 0:03:18# Every time that I got you near me
0:03:18 > 0:03:20# I know the way that I want it to be
0:03:20 > 0:03:23# But you know I'm gonna take my chance now
0:03:23 > 0:03:25# I'm gonna make it happen somehow
0:03:25 > 0:03:27# And you know I can take the pressure
0:03:27 > 0:03:30# A moment's pain for a lifetime pleasure
0:03:31 > 0:03:36# Every girl wants you to be her man
0:03:36 > 0:03:37# But I'll wait right here
0:03:37 > 0:03:40# Till it's my turn
0:03:40 > 0:03:42# I'm not the kind of girl
0:03:42 > 0:03:46# Who gives up just like that
0:03:46 > 0:03:49# Oh, no
0:03:49 > 0:03:51# The tide is high
0:03:51 > 0:03:53# But I'm holding on
0:03:53 > 0:03:57# I'm gonna be your number one
0:03:57 > 0:04:00# The tide is high
0:04:00 > 0:04:03# But I'm holding on
0:04:03 > 0:04:07# I'm gonna be your number one
0:04:07 > 0:04:09# Every time that I get the feeling
0:04:09 > 0:04:12# You give me something to believe in
0:04:12 > 0:04:14# Every time that I got you near me
0:04:14 > 0:04:16# I know the way that I want it to be
0:04:16 > 0:04:18# But you know I'm gonna take my chance now
0:04:18 > 0:04:21# I'm gonna make it happen somehow
0:04:21 > 0:04:22# And you know I can take the pressure
0:04:22 > 0:04:25# A moment's pain for a lifetime pleasure
0:04:25 > 0:04:26# The tide is high... #
0:04:26 > 0:04:29I shall win the Academy Award.
0:04:31 > 0:04:35Yesterday you were in diapers and now you're graduating junior high.
0:04:35 > 0:04:40You're growing up. I can't believe you're going to Rome by yourself
0:04:40 > 0:04:44without me. Without me... there...with you.
0:04:44 > 0:04:47Without me with you there. You there without me.
0:04:47 > 0:04:51That's all the combinations of those words you can make.
0:04:51 > 0:04:54Lizzie, this is a big day for you, sweetheart.
0:04:54 > 0:04:57Oh, he's going to quote a dead guy.
0:04:57 > 0:05:01As William Shakespeare once wrote, "Be not afraid of greatness."
0:05:01 > 0:05:04"Some are born great, some achieve greatness
0:05:04 > 0:05:07- "and some have greatness thrust upon them."- Thanks, Dad.
0:05:07 > 0:05:11I'm trying to get through graduation. Greatness can wait.
0:05:11 > 0:05:14Hey, Gordo. So, do I look OK?
0:05:14 > 0:05:18Lizzie, I'm your guy best friend. Talk to Miranda about this stuff.
0:05:18 > 0:05:20- But she's in Mexico City. - Yes.
0:05:20 > 0:05:24- Your blue robe looks way cooler than all the other girls.- Thanks.
0:05:24 > 0:05:26Oh, my God.
0:05:27 > 0:05:31You can't hide that puffy-sleeved- it's-kind-of-a-peasant dress-
0:05:31 > 0:05:35but-a-disaster-of-questionable-fibre you wore to the spring dance.
0:05:35 > 0:05:39- I...- Lizzie McGuire, you are an outfit repeater!
0:05:42 > 0:05:44But, I...
0:05:44 > 0:05:46You're an outfit rememberer,
0:05:46 > 0:05:49which is just as pathetic.
0:05:49 > 0:05:53OK, does she not have anything better to do than make my life miserable?
0:05:53 > 0:05:57I mean, we used to be best friends.
0:05:57 > 0:05:59That was before she became popular.
0:05:59 > 0:06:01McGuire.
0:06:03 > 0:06:06Hey, Mr Escobar. SHE SNIFFS
0:06:06 > 0:06:09- Nice aftershave. - Thank you.
0:06:09 > 0:06:13Margaret Chan either has Ebola or a bad cold. In any event, you're up.
0:06:13 > 0:06:16Up where?
0:06:16 > 0:06:20At the podium. You're going to deliver the class president speech.
0:06:20 > 0:06:23- What about the vice-president? - He's not graduating.
0:06:23 > 0:06:27- The secretary treasurer's next. - All I did was handle petty cash.
0:06:27 > 0:06:30I'm sorry, you're not buying your way out of this.
0:06:30 > 0:06:35I want you to deliver your speech with as much pride as Margaret Chan,
0:06:35 > 0:06:38even though you're no Margaret Chan.
0:06:41 > 0:06:43ORCHESTRA PLAYS
0:06:43 > 0:06:45'You're no Margaret Chan.'
0:06:45 > 0:06:49'You're no Margaret Chan. You're no Margaret Chan.'
0:06:49 > 0:06:51Run!
0:06:54 > 0:06:57Ladies and gentlemen... Lizzie McGuire.
0:07:07 > 0:07:11Um... I- Margaret Chan couldn't make it tonight,
0:07:11 > 0:07:15so I'm going - I'm going to be filling in for her.
0:07:17 > 0:07:21Not that any of us can really do that, but, um, anyway.
0:07:21 > 0:07:25Honey, honey, I'm losing the feeling in my knuckles.
0:07:25 > 0:07:28I think that we can all agree that junior high
0:07:28 > 0:07:31is filled with embarrassing and awkward
0:07:31 > 0:07:34and humiliating moments, right?
0:07:39 > 0:07:41Oh, me neither.
0:07:41 > 0:07:43That is so sad.
0:07:44 > 0:07:45Wow.
0:07:45 > 0:07:49It's like watching furry animals get killed on the Discovery channel.
0:07:55 > 0:07:59I think Margaret Chan would want me to have some water.
0:08:11 > 0:08:13Play something!
0:08:17 > 0:08:18Yes!
0:08:18 > 0:08:22Come on! Mom, Dad, I've got to get out of the country. Hurry!
0:08:22 > 0:08:25- I know you're upset but it wasn't that bad.- Really, Mom?
0:08:25 > 0:08:29Was your junior high graduation on Good Morning America?
0:08:29 > 0:08:34What kind of creep would send Diane Sawyer a video to embarrass you?
0:08:35 > 0:08:38WHISTLE BLOWS
0:08:43 > 0:08:45What is that?
0:08:45 > 0:08:48That is Miss Ungermeyer.
0:08:48 > 0:08:51Hey, hey, hey!
0:08:51 > 0:08:54She's our school principal for the next four years.
0:08:54 > 0:08:58Stay on her good side, it's a one way ticket to an Ivy League school.
0:08:58 > 0:09:02- What if you're on her bad side? - Excuse me, I need to mop up puke.
0:09:02 > 0:09:06- Well, do you - - You wind up as that guy?
0:09:06 > 0:09:09You end up working for that guy.
0:09:09 > 0:09:10CHATTERING
0:09:10 > 0:09:15Can you make sure there are no soy products in anything Brittany eats?
0:09:15 > 0:09:18Luke has tennis elbow, could someone carry his luggage?
0:09:18 > 0:09:21My son has asthma and must have his puffer.
0:09:21 > 0:09:22CHATTERING / TALKING
0:09:22 > 0:09:24HIGH-PITCHED NOISE:
0:09:24 > 0:09:28Attention, parents. Shut your pieholes.
0:09:28 > 0:09:30I'm on a mission here
0:09:30 > 0:09:32to drag your progeny
0:09:32 > 0:09:36to 31 historically significant Roman landmarks in two weeks.
0:09:36 > 0:09:41Now, when these back-talking miscreants return to you
0:09:41 > 0:09:44they will have dipped their toes in a lake of culture
0:09:44 > 0:09:48before assuming their destiny folding shirts at the mall.
0:09:48 > 0:09:51Now many, actually most of your classmates
0:09:51 > 0:09:55opted for the 36-hour bus ride to the Waterslide Wonderland.
0:09:55 > 0:09:58Woo!
0:09:58 > 0:10:02But you who are not mouth-breathing trailer trash,
0:10:02 > 0:10:05you will get to experience the delights
0:10:05 > 0:10:08of La Citta Eterna.
0:10:11 > 0:10:15Rome. The Eternal City. Did no-one read the info packets?
0:10:17 > 0:10:20Watch and learn.
0:10:21 > 0:10:23Miss Ungermeyer.
0:10:23 > 0:10:26I wanted to let you know I'm looking forward
0:10:26 > 0:10:28to this academically enriching trip.
0:10:28 > 0:10:31- What's your name? - David Gordon.
0:10:31 > 0:10:34David Gordon. I think in Italian that means,
0:10:34 > 0:10:37"A sneaky brown-noser with a hidden agenda."
0:10:37 > 0:10:40Yeah. Come on, check those bags.
0:10:40 > 0:10:44I want that junk in the trunk and a seat looking neat.
0:10:48 > 0:10:50OK.
0:10:53 > 0:10:57Mom. OK, it's only two weeks, Mom.
0:10:59 > 0:11:02Honey, she's got to go.
0:11:04 > 0:11:07- Bye, sweetie. - Bye.- Safe trip.
0:11:40 > 0:11:42Let's go.
0:11:45 > 0:11:47OK?
0:11:52 > 0:11:55TANNOY: "Flight 72 to Rome, final boarding."
0:11:55 > 0:11:59Hey! We're going to the land where they invented spaghetti!
0:12:01 > 0:12:03The best part is,
0:12:03 > 0:12:07Kate and all her blow-drying friends who'd be ragging on me
0:12:07 > 0:12:09all went to Waterslide Wonderland.
0:12:09 > 0:12:13How many Lizzies does it take to screw in a light bulb?
0:12:13 > 0:12:16I don't know, but one to screw up a graduation.
0:12:32 > 0:12:34Hey. Zip it.
0:13:08 > 0:13:12# Como e bella ce la luna brille e strette
0:13:12 > 0:13:17# Strette como e tutta bella a passeggiare
0:13:17 > 0:13:20# Sotto il cielo di Roma
0:13:28 > 0:13:30# Down each avenue or via
0:13:30 > 0:13:32# Street or strata
0:13:32 > 0:13:34# You can see 'em disappearing
0:13:34 > 0:13:36# Two by two
0:13:37 > 0:13:40# On an evening in Roma
0:13:41 > 0:13:43# Do they take 'em for espresso?
0:13:43 > 0:13:45# Yeah, I guess so
0:13:45 > 0:13:47# On each lover's arm a girl
0:13:47 > 0:13:50# I wish I knew
0:13:50 > 0:13:53# On an evening in Roma
0:13:54 > 0:13:56# So, please meet me in the plaza
0:13:56 > 0:13:58# Near your casa
0:13:58 > 0:13:59# I am only one
0:13:59 > 0:14:03# And that is one too few
0:14:03 > 0:14:06# On an evening in Roma
0:14:07 > 0:14:10# Don't know what the country's coming to
0:14:10 > 0:14:13# But in Rome do as the Romans do
0:14:13 > 0:14:16# Will you?
0:14:16 > 0:14:19# On an evening in Roma
0:14:19 > 0:14:21# Sotto il cielo di Roma. #
0:14:27 > 0:14:30Welcome to the Hotel Cambini.
0:14:30 > 0:14:33Lest you think there are many of you and less of me
0:14:33 > 0:14:37and it will therefore be easy to pull anything over on me, think again.
0:14:37 > 0:14:41In addition to being faster and better looking than you,
0:14:41 > 0:14:44I've enlisted help. The assistant manager of the hotel,
0:14:44 > 0:14:48Giorgio Averni, was a commander in the Italian Navy
0:14:48 > 0:14:52and is therefore as up on his game as I am mine.
0:14:52 > 0:14:56Giorgio, would you like to brief my students on security procedures?
0:14:56 > 0:15:01- STRONG ITALIAN ACCENT: - We serve at five the cookies.
0:15:01 > 0:15:03SNIGGERING
0:15:03 > 0:15:06Yeah. You heard the man.
0:15:07 > 0:15:10Room assignments. David Gordon.
0:15:10 > 0:15:14You will be rooming with Ethan Craft. You'll be in room 103.
0:15:14 > 0:15:18- Are those English or Italian numbers? - You got a problem with that?
0:15:18 > 0:15:21No, ma'am. Any room is just fine for me.
0:15:21 > 0:15:23Being a spineless little jellyfish
0:15:23 > 0:15:27is almost as unattractive as being a brown-noser.
0:15:28 > 0:15:30McGuire.
0:15:30 > 0:15:33Seeing as how Margaret Chan was unable to make the trip
0:15:33 > 0:15:36you will be rooming with...
0:15:36 > 0:15:40OK, I am not under any circumstances sharing a room with -
0:15:40 > 0:15:43I'll take the bed by the window. You don't mind, do you?
0:15:43 > 0:15:47Er, yes!
0:15:48 > 0:15:52- No.- I sleep much better with the Swiss eiderdown.
0:15:52 > 0:15:56Seeing as we're roomies and we're going to be spending time together,
0:15:56 > 0:15:58I'm letting you know I understand
0:15:58 > 0:16:02you want to put that embarrassing stuff behind you
0:16:02 > 0:16:06- and move on and have a fresh start. - You do?
0:16:06 > 0:16:09Yes. I understand your dream. It's a big dream.
0:16:09 > 0:16:12It's a huge dream and you can't do it alone.
0:16:12 > 0:16:15In fact, I don't think you can do it at all. Let it go.
0:16:17 > 0:16:20Lizzie. Come on.
0:16:23 > 0:16:25Whoa. Gordo, what?
0:16:25 > 0:16:29- Don't worry, don't worry. - Where are we going?
0:16:29 > 0:16:31Look.
0:16:31 > 0:16:33Wow.
0:16:33 > 0:16:35Pretty cool, huh?
0:16:40 > 0:16:44You know what, Gordo? I'm not gonna let Kate Sanders get to me.
0:16:44 > 0:16:46- Promise me something. - Anything.
0:16:46 > 0:16:50Promise me that when we're here we'll find adventures.
0:16:50 > 0:16:53This is our chance to start over, do anything we want.
0:16:53 > 0:16:56Yeah. I know, you're right.
0:16:57 > 0:17:00You and me, adventures. Deal.
0:17:00 > 0:17:02Deal.
0:17:08 > 0:17:11The Trevi Fountain was designed by Gian Lorenzo Bernini
0:17:11 > 0:17:15and Pietro Da Cortona in the 17th century.
0:17:15 > 0:17:17It took a hundred years to finish.
0:17:17 > 0:17:22Throughout history people have come from all over to make a wish
0:17:22 > 0:17:24and toss their coin in the fountain.
0:17:24 > 0:17:27I'll tell you something. Those people are suckers.
0:17:27 > 0:17:31You make your own luck in this world. All right, moving on! Let's go.
0:17:31 > 0:17:34Scusi. Grazie.
0:17:34 > 0:17:36Scusi. Grazie.
0:17:36 > 0:17:39You know what? Forget what she says. Make a wish.
0:17:39 > 0:17:44I'm in Rome with my best friend. I'm good. You make one.
0:17:44 > 0:17:46OK.
0:17:47 > 0:17:48OK.
0:18:00 > 0:18:03- Isabella? - Huh?
0:18:04 > 0:18:10I wished for smooth sailing through high school, but this will work.
0:18:11 > 0:18:13I'm sorry, it's just
0:18:13 > 0:18:16you look an awful lot like a friend of mine.
0:18:16 > 0:18:20- Paolo. You have to get to your photo shoot.- We gotta go.
0:18:22 > 0:18:26All right, what you little halflings are feeling is your energy flagging.
0:18:26 > 0:18:29We got four more stops today.
0:18:29 > 0:18:33I want you people to be able to shuffle from monument to monument.
0:18:33 > 0:18:35We got one word for that, gelato.
0:18:35 > 0:18:39Now, Italian ice cream has twice the sugar of American ice cream.
0:18:39 > 0:18:42Means you're gonna want about two scoops.
0:18:42 > 0:18:44I know I do. All right.
0:18:44 > 0:18:48I don't mean to bother you. I'm Paolo. Paolo Valisari.
0:18:48 > 0:18:52- I'm Lizzie McGuire and this is my friend Gordo.- Hey.
0:18:52 > 0:18:54This is my friend Sergei.
0:18:54 > 0:18:57- Doesn't she look exactly like Isabella?- Paolo!
0:19:04 > 0:19:07Isabella! Isabella!
0:19:07 > 0:19:10Paolo! Paolo!
0:19:13 > 0:19:15Ciao, Paolo.
0:19:20 > 0:19:22Wow.
0:19:22 > 0:19:25- That really does look like me. - Except for the hair.
0:19:25 > 0:19:29Isabella is my singing partner and you're like her sister.
0:19:29 > 0:19:31Like two pods in a pea.
0:19:32 > 0:19:37Lizzie, can I see you again? Maybe tomorrow? Please?
0:19:37 > 0:19:40What's the word for yes in Italian? Si!
0:19:41 > 0:19:44- No, I'm - - It's OK, I can cover for you.
0:19:44 > 0:19:48I'm sorry, I'm here with my school so I can't.
0:19:48 > 0:19:51Sorry if I embarrassed you, but when people come to Rome
0:19:51 > 0:19:54they want to find adventure.
0:19:54 > 0:19:58Oh, it's OK. I got some cool cheese.
0:19:58 > 0:20:01Did you just say, "cool cheese"?
0:20:01 > 0:20:04Paolo. We must go.
0:20:05 > 0:20:07Lizzie, if you change your mind,
0:20:07 > 0:20:11I will meet you tomorrow at the Trevi Fountain at nine.
0:20:11 > 0:20:15Hey, Gordon, McGuire, did you not hear me say head check? 15, 16.
0:20:15 > 0:20:18- Who are you? - Paolo Valisari.
0:20:21 > 0:20:24Put your money in your front pockets.
0:20:24 > 0:20:27She makes me very scared.
0:20:27 > 0:20:29Join the club.
0:20:29 > 0:20:31Lizzie.
0:20:32 > 0:20:36- Ci vediamo. - What does that mean?
0:20:36 > 0:20:39We will see each other.
0:20:44 > 0:20:48Hey! You know, this Paolo and Isabella CD isn't so bad.
0:20:48 > 0:20:52I mean, if you're into the Alanis Morissettey, alternative dark
0:20:52 > 0:20:56I-never-go-out-into-the-sun and my life's miserable kind of thing,
0:20:56 > 0:21:00then you'd think they stink. But for driving in the car with the top down
0:21:00 > 0:21:04putting on your lip gloss loving life, they're good. Listen.
0:21:04 > 0:21:06POP MUSIC
0:21:06 > 0:21:11- Not bad. Use scented soap, huh? - What?
0:21:11 > 0:21:13It... Never mind.
0:21:13 > 0:21:19- So, Paolo wants me to meet him at the Trevi Fountain.- So, go.
0:21:19 > 0:21:22- But I'd have to sneak away from the group.- So?
0:21:22 > 0:21:26- So, I'm like, physically incapable of sneaking.- Lizzie,
0:21:26 > 0:21:30- didn't you say we were going to have adventures on this trip?- Yeah, we.
0:21:30 > 0:21:33- We were going to have adventures. - We will,
0:21:33 > 0:21:36but you have dibs on the first one.
0:21:38 > 0:21:42OK, as long as we don't do anything that might get us
0:21:42 > 0:21:44sent home by Miss Ungermeyer.
0:21:46 > 0:21:48Lizzie, are you feeling OK?
0:22:00 > 0:22:03Is this girl sick or isn't she?
0:22:03 > 0:22:06She doesn't have a fever but she's in bed.
0:22:06 > 0:22:07COUGHS
0:22:07 > 0:22:11Ask yourself why a beautiful young girl on a visit to Rome,
0:22:11 > 0:22:15probably seeking adventure, wants to lie in a bed all day.
0:22:15 > 0:22:17She's ill.
0:22:17 > 0:22:21You know, I heard she fell down at graduation.
0:22:21 > 0:22:24You think that has something to do with it?
0:22:24 > 0:22:27- I saw that on CNN. - CNN?
0:22:29 > 0:22:33Often the nervous system collapses after that type of humiliation.
0:22:35 > 0:22:38- Do you have any recommendations? - Oh, yeah.
0:22:38 > 0:22:42This young woman should stay in bed.
0:22:43 > 0:22:47She should also eat two apricots.
0:22:47 > 0:22:51- For digestion?- No, they're in season. Very delicious.
0:22:51 > 0:22:53Feel better, Signorina McGuire.
0:22:53 > 0:22:57Rest up, McGuire. Don't want you to miss out on the adventures of Rome.
0:22:57 > 0:22:59Doctor, I have a boil...
0:23:25 > 0:23:28Sorry.
0:23:32 > 0:23:34Uno, due, tre.
0:23:38 > 0:23:40Bene.
0:23:45 > 0:23:49I... I just had them all wish for you to come.
0:23:54 > 0:23:59I don't have much time. You know my chaperone, Miss Ungermeyer -
0:23:59 > 0:24:02Wait, wait, wait. I have to show you something.
0:24:05 > 0:24:07Come on.
0:24:12 > 0:24:16- Wow.- I just thought you should see Rome the way Romans do.
0:24:16 > 0:24:19- So, you knew that I'd come? - I hoped you would.
0:24:21 > 0:24:25- You sure you know how to drive this thing?- This is Rome.
0:24:25 > 0:24:27Nobody knows how to drive.
0:25:47 > 0:25:49Oh, my God!
0:25:54 > 0:25:56Wow!
0:25:58 > 0:26:01I don't know what catastrophe will happen,
0:26:01 > 0:26:03but with Lizzie, something will.
0:26:03 > 0:26:06What are you going to do with that information?
0:26:06 > 0:26:09Give it away, like the graduation video?
0:26:09 > 0:26:13- She was really freaked out by that. - And you have what to show for it?
0:26:13 > 0:26:16The pride of a job well done.
0:26:16 > 0:26:19Try buying a PS2 with the "pride of a job well done".
0:26:20 > 0:26:23Matt, Matt, Matt. We've been over this before.
0:26:23 > 0:26:27- Cash upfront. - Melina. Are you staying for dinner?
0:26:27 > 0:26:29- I'd love to, Mrs McGuire. - Great.
0:26:29 > 0:26:32We'll need energy to work on our summer reading list.
0:26:32 > 0:26:34I'll make brownies.
0:26:36 > 0:26:41I've said it before, you're weak! Weak! Always consult me first.
0:26:44 > 0:26:47You rock.
0:26:53 > 0:26:56HORN BEEPS
0:27:00 > 0:27:04- Hey, Paolo. Can I ask you something? - Si, carina.
0:27:04 > 0:27:07I know that our lives are a little different.
0:27:07 > 0:27:11Actually, like several universes different,
0:27:11 > 0:27:15but doesn't your friend Sergei get tired of following us around?
0:27:15 > 0:27:18Sergei's my bodyguard. So, between me and Sergei,
0:27:18 > 0:27:21you'll always be safe.
0:27:22 > 0:27:26Wow. How famous do you have to be before you need a bodyguard?
0:27:30 > 0:27:34Paolo, go! Go! It's Miss Ungermeyer. It's our bus!
0:27:38 > 0:27:40- Go, go, go! - I cannot.
0:27:40 > 0:27:43Miss Ungermeyer. Didn't we pass the Castel Sant'Angelo?
0:27:43 > 0:27:47- Yep. What about it? - I noticed it's not on our itinerary.
0:27:47 > 0:27:50- That is correct. - Well, shouldn't it be?
0:27:50 > 0:27:54It was a papal residence and it contains frescos
0:27:54 > 0:27:57from artists influenced by the school of Raphael.
0:27:57 > 0:28:00- What are you up to? - Nothing, I figure that while here
0:28:00 > 0:28:05we should be exposed to as much Renaissance Raphaelite work
0:28:05 > 0:28:09typified by chiaroscuro and Hellenic mythical imagery as possible.
0:28:13 > 0:28:17Ah, Gordon, you are on the list
0:28:17 > 0:28:21and the list is not a place you want to be. What is this? Only in Rome.
0:28:22 > 0:28:25Move that thing or do you want me to do it for ya?
0:28:27 > 0:28:30What are you looking at?
0:28:31 > 0:28:35Want a piece of that? Piece of the Ungermeyer?
0:28:41 > 0:28:44- Over there by that statue, you see it?- Yeah.
0:28:44 > 0:28:48That's where the artist Caravaggio had his opponent burnt at the stake.
0:28:48 > 0:28:50Or was Caravaggio burnt at the stake?
0:28:50 > 0:28:54Either way, this neighbourhood was tough.
0:28:56 > 0:28:59- Paolo. - Si, carina.
0:29:00 > 0:29:04- Do you still love her? - Who? Isabella?
0:29:04 > 0:29:06Si.
0:29:06 > 0:29:10Of course I still love her, but like a sister.
0:29:11 > 0:29:15- So, why did you break up? - It's, um...complicated.
0:29:16 > 0:29:18What?
0:29:18 > 0:29:22I mean, yes, we've been voted best pop duo of the year again,
0:29:22 > 0:29:25but I want to do more serious music
0:29:25 > 0:29:28and when I told this to Isabella she said flat out no.
0:29:28 > 0:29:31So, I told her this would be our last CD together.
0:29:31 > 0:29:34- What did she do? Freak out? - She totally freak out
0:29:34 > 0:29:38and yes, I feel awful but what about me? I need to grow as an artist.
0:29:38 > 0:29:41- Yeah. - So, the other day when I saw you
0:29:41 > 0:29:44I just... I don't know
0:29:44 > 0:29:47- I had this crazy - I don't know. - What?
0:29:47 > 0:29:50I had this crazy idea that maybe you could help me.
0:29:53 > 0:29:56Come on. How crazy could it be? Just tell me.
0:29:56 > 0:29:59- No, I can't. It's too - It's too... - Please.
0:29:59 > 0:30:02OK. Isabella and I are to present an award
0:30:02 > 0:30:05at the International Music Video Awards.
0:30:05 > 0:30:09Cool! I mean, cool for regular people like me,
0:30:09 > 0:30:13- but for you I guess it's like work. - No, no, no. It's cool for me, too.
0:30:13 > 0:30:15You get free gift baskets and stuff,
0:30:15 > 0:30:19but because Isabella's so mad at me she's refusing to appear.
0:30:19 > 0:30:23- The record company's threatening to sue her.- And what about you?
0:30:23 > 0:30:26For me it's no problem. I write the music.
0:30:26 > 0:30:29I don't know where it comes from, it just comes from me.
0:30:29 > 0:30:31# La la la! # See? I can go solo.
0:30:31 > 0:30:34But Isabella...
0:30:36 > 0:30:40- ..she needs the help to sing. - You mean Isabella lip-synchs?
0:30:40 > 0:30:43Please, please, you must speak of this to no-one.
0:30:43 > 0:30:47- Imagine what would happen to Isabella's career?- That's so sweet.
0:30:47 > 0:30:50You still care about her.
0:30:50 > 0:30:53- You're definitely broken up, right? - Si.
0:30:53 > 0:30:57So, when I saw you yesterday and how people thought you were Isabella,
0:30:57 > 0:31:02I got my idea that maybe you could pretend to be her for one night
0:31:02 > 0:31:06- and present the award with me on stage.- Present an award? On stage?
0:31:09 > 0:31:11In front of an audience?
0:31:11 > 0:31:14I'm really not good in front of crowds.
0:31:14 > 0:31:19- I could never do that.- Of course you can do it. You are magnifico.
0:31:20 > 0:31:24I don't know Italian, but I know what that means.
0:31:27 > 0:31:29I don't know, Paolo.
0:31:29 > 0:31:34Don't worry, carina. I could never ask you to do this crazy thing.
0:31:39 > 0:31:42No, you know what? You don't have to ask.
0:31:42 > 0:31:45If this will help you and Isabella then...
0:31:46 > 0:31:50- ..I'll do it. - Grazie.
0:31:50 > 0:31:52Prego.
0:32:12 > 0:32:15- SNORES:- Head check.
0:32:20 > 0:32:22Gordo. Gordo!
0:32:25 > 0:32:30You, Lizzie McGuire, are presenting an award at the IMVA's with Paolo?
0:32:30 > 0:32:33- No. Me, Isabella with Paolo. - What?
0:32:33 > 0:32:37- I'm doing it cos the real Isabella won't.- You're gonna get on stage
0:32:37 > 0:32:41- in front of all these people? - That's the thing, it's not me.
0:32:41 > 0:32:45It's Paolo's idea to help Isabella because he still loves her.
0:32:45 > 0:32:50But not romantically. Like a sister. He is so amazing
0:32:50 > 0:32:54and he's 17. I mean, for being so famous and getting what you want
0:32:54 > 0:32:57he's just...he's just so kind.
0:32:57 > 0:33:02For real? That's a lot to say about someone just knowing him a day.
0:33:02 > 0:33:06I know that, but I feel like I've known him my whole life, you know?
0:33:06 > 0:33:11Anyway, I just wanted to come by today and thank you.
0:33:11 > 0:33:16I had the best day and it wouldn't have happened if it weren't for you.
0:33:16 > 0:33:19- It was that good, huh? - You're such a good friend.
0:33:22 > 0:33:26- The sting. - What sting?
0:33:26 > 0:33:28You want a little mano a mano?
0:33:30 > 0:33:33See, this is one of the reasons that me and you aren't friends,
0:33:33 > 0:33:38- cos I never know what you're talking about.- Some dudes get the approach,
0:33:38 > 0:33:42others the sting. That Italian dude, he's big-time approach.
0:33:42 > 0:33:45I actually feel my brain turning into goo.
0:33:45 > 0:33:49Embrace the sting. That's what you're vibing from Lizzie.
0:33:49 > 0:33:53Wait a minute. Now, you actually think that I'm jealous of Paolo?
0:33:53 > 0:33:55Word.
0:33:55 > 0:34:01No. No, see, that would mean that I like Lizzie as more than a friend.
0:34:01 > 0:34:05- See, what do you mean you have trouble communicating?- You're wrong.
0:34:07 > 0:34:09Wow.
0:34:09 > 0:34:12This girl looks freakishly like my sister.
0:34:12 > 0:34:15Zoom! Zoom!
0:34:16 > 0:34:19Another freakish coincidence.
0:34:19 > 0:34:22I mean, she has the same necklace as my sister's.
0:34:22 > 0:34:25Why do we even pretend you're in charge?
0:34:27 > 0:34:31- OK, let's see what this says. - Ow.
0:34:31 > 0:34:34"Isabella goes blonde. Italian pop duo Paolo and Isabella
0:34:34 > 0:34:37wowed the crowd outside a gelato shop
0:34:37 > 0:34:40showing off Isabella's new blonde hair."
0:34:40 > 0:34:43They must think that Lizzie is this famous singer!
0:34:43 > 0:34:47If I show this to my mom, Lizzie will be so busted!
0:34:47 > 0:34:51If you show this to your mom, it's worth nothing.
0:34:51 > 0:34:55But if you show this to the Italian tabloids
0:34:55 > 0:34:58we'll be rolling in cash, my friend.
0:34:58 > 0:35:01Interesting.
0:35:04 > 0:35:06We?
0:35:06 > 0:35:09Not up to toughing it out on the streets with us?
0:35:09 > 0:35:12I could try, Miss Ungermeyer.
0:35:12 > 0:35:15No, I just hate seeing you being denied the cultural experience
0:35:15 > 0:35:20in a foreign country. You missed seven points of significance.
0:35:20 > 0:35:24I know. It's really killing me too, Miss Ungermeyer.
0:35:24 > 0:35:28Which is why I thought I'd bring you something to help ease the pain.
0:35:28 > 0:35:31Well, that's really thoughtful of you.
0:35:31 > 0:35:36Seeing as how your teeny-tiny little body just doesn't have the strength
0:35:36 > 0:35:39we're gonna have to let your mind do the wandering.
0:35:40 > 0:35:43The Rise and Decline of the Roman Empire.
0:35:43 > 0:35:46I'd like one report on the rise and one on the decline.
0:35:46 > 0:35:50If I didn't have a headache a minute ago, I do now.
0:35:52 > 0:35:56- You don't have a problem with that, do you, McGuire?- No.
0:35:56 > 0:35:59I mean, what else do I have to do?
0:35:59 > 0:36:00# Why not
0:36:00 > 0:36:02# Take a crazy chance?
0:36:02 > 0:36:04# Why not
0:36:04 > 0:36:06# Do a crazy dance?
0:36:06 > 0:36:08# If you lose the moment
0:36:08 > 0:36:10# You might lose a lot
0:36:10 > 0:36:12# So, why not?
0:36:12 > 0:36:15# Why not
0:36:15 > 0:36:17# Take a crazy chance? #
0:36:25 > 0:36:29I'm grateful for your help. You're doing a kind thing for Isabella.
0:36:29 > 0:36:32Paolo, where are we?
0:36:32 > 0:36:36Via Condotti, one of the world's most expensive shopping districts.
0:36:36 > 0:36:38We must find you the perfect outfit.
0:36:41 > 0:36:44- Isabella, Paolo. - Ciao.
0:36:44 > 0:36:48Your hair is so blonde and innocent. Who did it?
0:36:49 > 0:36:53The island that we were on was really really sunny, so it was the sun.
0:36:53 > 0:36:56- Sun? We must get sun, too, no? - Ciao.
0:36:57 > 0:37:00- They are so tall. - They'll want to be you.
0:37:00 > 0:37:04- They want to be Isabella. - I'll get Franca. I'll be a moment.
0:37:06 > 0:37:11Wow. Take your time. I'll just be sitting here in heaven.
0:37:11 > 0:37:14Hard as it is to imagine as we look at the crumbling ruins of the Forum
0:37:14 > 0:37:17that this was once the centre of commerce,
0:37:17 > 0:37:20religion and politics in ancient Rome.
0:37:20 > 0:37:24The Forum came into being in the sixth century BC.
0:37:24 > 0:37:27With it a new urban culture was born.
0:37:29 > 0:37:32- Yeah, Craft? - Is it time for spaghetti?
0:37:32 > 0:37:37- It's 9 in the morning.- So? You never had leftover spaghetti for breakfast?
0:37:37 > 0:37:41- I don't eat carbs.- I suppose you've never had a spaghetti sandwich?
0:37:41 > 0:37:45This cultural experience is, like, so wasted on you.
0:37:45 > 0:37:47Where did you buy that Prada bag?
0:37:48 > 0:37:53- Craft, Sanders. Separate.- Oh, we did, Miss Ungermeyer and thank God.
0:37:55 > 0:37:59Why don't you people do something at your skill level?
0:37:59 > 0:38:02Take a shopping break while I choke down an espresso.
0:38:03 > 0:38:08This dude spent way to much time on his biceps, not enough on his abs.
0:38:08 > 0:38:11Totally old school.
0:38:16 > 0:38:19Nice spot, bro. Watch and learn.
0:38:19 > 0:38:22The slow curve. Works every time.
0:38:22 > 0:38:26- I've got to go talk to them.- That's not how it works. They come to us.
0:38:29 > 0:38:31Um, ciao.
0:38:31 > 0:38:35- BOTH: Ciao. - Do you guys speak English?
0:38:35 > 0:38:39Yes. It is your friend we like.
0:38:39 > 0:38:42- Word. - Word? Is that his name?
0:38:42 > 0:38:45Yeah, sure. Do you guys know who that is on the cover?
0:38:45 > 0:38:48Paolo and Isabella. Certo.
0:38:48 > 0:38:50Could you guys translate it?
0:38:50 > 0:38:54Only if you introduce us to Word.
0:38:54 > 0:38:58- Well, can I keep the magazine, then? - Deal.
0:38:58 > 0:39:01All right. Let's go.
0:39:08 > 0:39:10Ciao, Word.
0:39:10 > 0:39:12Word?
0:39:13 > 0:39:16- English? - Yes, she speak in only English.
0:39:16 > 0:39:19Our single's in English and she needs to practise.
0:39:22 > 0:39:25What have you done?
0:39:26 > 0:39:29- You look - well, you look like a schoolgirl. - DOG BARKS
0:39:31 > 0:39:36- Maximus. What is wrong? You love Isabella.- Nice, Maximus.
0:39:40 > 0:39:42Very odd.
0:39:43 > 0:39:49There is something... something very different about you.
0:39:50 > 0:39:53Rest. The rest has done Isabella the world of good.
0:39:53 > 0:39:56- She is transformed. - Yeah.
0:39:56 > 0:39:58Well, I cannot put clothes on this.
0:39:58 > 0:40:02You, fix the hair. Fix the eyebrows. Fix the lips.
0:40:03 > 0:40:05- Fix the ears. - Fix the ears?
0:40:05 > 0:40:08Jewellery.
0:40:08 > 0:40:12Jewellery. Now, that's a language every girl understands.
0:40:14 > 0:40:17# You better work! Cover girl
0:40:17 > 0:40:19# Work it girl! Give us a twirl
0:40:19 > 0:40:22# Do your thing on the runway
0:40:22 > 0:40:24# Work! Supermodel
0:40:24 > 0:40:26# Work it, girl of the world
0:40:26 > 0:40:27# Wet your lips
0:40:27 > 0:40:29# And smile to the camera
0:40:29 > 0:40:31# Work! Turn to the left
0:40:31 > 0:40:33# Work! Turn to the right
0:40:33 > 0:40:36# Work! Sashay, chantez
0:40:38 > 0:40:40# And it don't matter what you wear
0:40:40 > 0:40:41# Doesn't matter what you wear
0:40:41 > 0:40:44# They're checking out your savoir-faire
0:40:44 > 0:40:45# Oh, yeah
0:40:45 > 0:40:47# And when you walk into the room
0:40:48 > 0:40:51# You have everybody's eyes on you
0:40:52 > 0:40:54# Supermodel
0:41:00 > 0:41:03# Work! Cover girl
0:41:03 > 0:41:04# Work it, girl, give us a twirl
0:41:04 > 0:41:08# Do your thing on the runway
0:41:08 > 0:41:10# Work! Supermodel
0:41:10 > 0:41:12# You've got to work it, girl of the world
0:41:12 > 0:41:13# Wet your lips
0:41:13 > 0:41:15# And smile to the camera
0:41:15 > 0:41:17# Work! Turn to the left
0:41:17 > 0:41:19# Work! Now, turn to the right
0:41:19 > 0:41:22# Work! Sashay, chantez
0:41:22 > 0:41:24# Work! Turn to the left
0:41:24 > 0:41:26# Work! Now, turn to the right
0:41:26 > 0:41:29# Work! Sashay, chantez
0:41:29 > 0:41:31# You better work, oh, yeah
0:41:31 > 0:41:33# Work! Come on, girl
0:41:33 > 0:41:36# Work! Give it up
0:41:36 > 0:41:38# On the runway
0:41:39 > 0:41:42# Work! Work! #
0:41:50 > 0:41:52OK. Diva, good.
0:41:52 > 0:41:54Tacky, bad.
0:41:55 > 0:41:57We'll have to fix that.
0:42:07 > 0:42:10OK. None of these are me.
0:42:10 > 0:42:14- Why are you laughing at me? - You're not supposed to be you.
0:42:14 > 0:42:17Well, if I have to go on stage as Isabella
0:42:17 > 0:42:21then I'll have to be confident and that's the thing I'm worst at.
0:42:21 > 0:42:25- We are the same that way. - Not you.- Yes, me. And Isabella, too.
0:42:25 > 0:42:28But it's how she works her fears that makes her strong.
0:42:28 > 0:42:33Isabella doesn't let Franca tell her what to wear. She tells Franca.
0:42:33 > 0:42:37You're telling me to tell Franca DiMonteca-teca-tini
0:42:37 > 0:42:39- how I should dress? - Si.
0:42:41 > 0:42:44Test your strength, Isabella. Vai, vai!
0:42:46 > 0:42:50- You don't like my clothes? - No, I love your clothes,
0:42:50 > 0:42:52but I don't want you to dress me.
0:42:52 > 0:42:55- What? - See, I'm not your Barbie doll.
0:42:55 > 0:42:59I am Isabella Parigi and I dress myself.
0:42:59 > 0:43:02So, choices. I need choices.
0:43:08 > 0:43:10I like these two. You pick.
0:43:14 > 0:43:17- Both. - Both?
0:43:18 > 0:43:23This is the same colour that I wore to my spring formal... COUGH >
0:43:25 > 0:43:28Look at all of you. You think that I'm American.
0:43:28 > 0:43:32I am how you say, awesome?
0:43:32 > 0:43:34LAUGHS
0:43:35 > 0:43:38The island. You should go more often.
0:43:42 > 0:43:46Goodbye, Lizzie McGuire, hello, fabulous.
0:43:46 > 0:43:47# Yeah, yeah, yeah
0:43:47 > 0:43:49# Come on
0:43:49 > 0:43:51# You make me feel like a star
0:43:51 > 0:43:52# Oh, baby
0:43:52 > 0:43:55# You say, stay, baby, stay
0:43:55 > 0:43:57# Just the way you are and tell me
0:43:57 > 0:44:01# Girl, you're fine and you will shine forever in my heart
0:44:01 > 0:44:02# That's why you
0:44:02 > 0:44:04# Yeah, you
0:44:04 > 0:44:06# You make me feel like a star #
0:44:09 > 0:44:12- There you go. - Grazie.- Grazie.
0:44:13 > 0:44:15I'm ready for my close-up.
0:44:19 > 0:44:23I cannot believe that not one Roman guy has asked me out yet.
0:44:26 > 0:44:28Look.
0:44:28 > 0:44:31Paolo, we gotta go.
0:44:33 > 0:44:35Where's the zoom on this thing?
0:44:41 > 0:44:43Hello? Excuse me?
0:44:45 > 0:44:49Oh, I'm sorry. I was just...
0:44:49 > 0:44:54Spanish Steps head check. Let's go on the bus and back to the hotel.
0:44:54 > 0:44:56Come on, go!
0:44:56 > 0:44:59Andiamo! Andiamo!
0:45:14 > 0:45:18Hello? Hotel Cambini. This is Giorgio. >
0:45:18 > 0:45:20- Go. - Huh?
0:45:20 > 0:45:22Wait.
0:45:22 > 0:45:26Excuse me, can you fix this? It will not close.
0:45:26 > 0:45:29Why is it open when there is no rain?
0:45:29 > 0:45:33This umbrella is very stubborn. It's bad luck to have it open inside.
0:45:33 > 0:45:35Hey, thanks.
0:45:41 > 0:45:44One at a time. No running.
0:45:47 > 0:45:50Age before beauty, huh?
0:45:52 > 0:45:55You look strangely large and familiar.
0:45:55 > 0:45:58- Which floor? - Thank you. First.
0:45:58 > 0:46:00OK.
0:46:01 > 0:46:05Little hint for you. You wanna push the button. Elevator moves.
0:46:05 > 0:46:07Elevator is not safe.
0:46:07 > 0:46:10- You an employee here? - no.
0:46:10 > 0:46:13Who are you to tell me if the elevator's safe?
0:46:13 > 0:46:16- I am Sergei. - Sergei.
0:46:16 > 0:46:19Sergei, you're going to have to stand down immediately.
0:46:22 > 0:46:27Cos you're a hunk of muscle doesn't mean you won't make it on my list.
0:46:27 > 0:46:29Elevator is safe now.
0:46:37 > 0:46:40Hey, your umbrella!
0:46:47 > 0:46:50- You feeling any better? - Mom?
0:46:53 > 0:46:58A little warm. Miss Sanders, would you be so kind as to look after her?
0:46:58 > 0:47:03As in do stuff for her? Why should I be punished? I'm not sick.
0:47:03 > 0:47:06Next year I'm joining the mouth breathers at Waterslide Wonderland.
0:47:08 > 0:47:11- You are so busted. You've been out of this room.- What?
0:47:11 > 0:47:14How do you know?
0:47:14 > 0:47:18Please. Your eyebrows finally match, your hair has highlights,
0:47:18 > 0:47:22fresh manicure. I smelt acetone the second I walked in the lobby.
0:47:23 > 0:47:26OK, but you didn't rat me up to Miss Ungermeyer.
0:47:26 > 0:47:30Yet. Not until I figure out what's in it for me.
0:47:30 > 0:47:32Now, spill, Dorkerella.
0:47:34 > 0:47:37She'll never make me talk.
0:47:37 > 0:47:41I know that this sounds insane, but I think Paolo really does like me.
0:47:41 > 0:47:45How could this happen? How did you get my trip
0:47:45 > 0:47:50and I can't even get an Italian boy to buy me a plate of spaghetti?
0:47:50 > 0:47:52Um, Kate, you don't eat spaghetti.
0:47:52 > 0:47:56I'd eat carbs if an Italian boy bought them for me.
0:47:57 > 0:48:01So, I suppose you want me to keep quiet about this?
0:48:03 > 0:48:05Yeah, I'd appreciate that.
0:48:05 > 0:48:09Well, I'll keep it quiet if you keep it quiet about me keeping it quiet
0:48:09 > 0:48:12and when we get back home I'm the cool one again
0:48:12 > 0:48:14- and you turn back into a pumpkin. - KNOCK ON DOOR
0:48:14 > 0:48:15Oh, my God.
0:48:15 > 0:48:18- It's her. - What are you doing?
0:48:18 > 0:48:21It's a long story.
0:48:21 > 0:48:25- What do you want? We're closed. - I, er, wanted to talk to Lizzie.
0:48:25 > 0:48:31- So, talk.- I was kind of thinking, maybe outside in the courtyard?
0:48:31 > 0:48:36If this is about that parallel universe Italian rock star thing,
0:48:36 > 0:48:39- I know all about it. - She figured it out.
0:48:40 > 0:48:44- Evil AND smart. - Embrace it. Fear it.
0:48:44 > 0:48:48- Thought you might want to look at this.- I'm on the front cover!
0:48:48 > 0:48:54I wish to thank everyone who's always believed in me for this great honour.
0:48:54 > 0:48:59It says that Paolo and Isabella are singing at the music awards.
0:48:59 > 0:49:02Well, it's got to be a mistake.
0:49:02 > 0:49:06- I had some Italian girls translate it. Paolo didn't tell you?- No.
0:49:06 > 0:49:10Don't you think it's weird that he tried to hide it from you?
0:49:10 > 0:49:14- Maybe it's last minute.- Aren't these things planned months in advance?
0:49:14 > 0:49:18When did you become an expert on Italian award show thingies?
0:49:18 > 0:49:21It's common sense, which I have a lot of
0:49:21 > 0:49:24- to make up for my lack of slow curve.- Slow curve?
0:49:24 > 0:49:28Forget it. If you want to believe some Italian kid you think you know
0:49:28 > 0:49:33after two days cos he's a superstar, is really rich and has nice hair,
0:49:33 > 0:49:36- be my guest. - Gordo.
0:49:43 > 0:49:45HORN BEEPS He's early!
0:49:51 > 0:49:55- Lizzie! - Oh, my God, I gotta go get dressed.
0:49:55 > 0:49:59I'll cover you if Miss Ungermeyer does a night head check.
0:49:59 > 0:50:02- Thanks. I owe you. - Duh!
0:50:08 > 0:50:12Mom, Dad. I found something on the internet I think you should see.
0:50:12 > 0:50:15- What is it? - Well, since Lizzie's in Europe
0:50:15 > 0:50:19- I thought I'd do a little e-search on Italy.- That's nice.
0:50:19 > 0:50:22But what I found out is not so e-assuring.
0:50:23 > 0:50:26In fact, it may shock you.
0:50:26 > 0:50:29What are we looking at?
0:50:29 > 0:50:31Maybe nothing and maybe something.
0:50:31 > 0:50:34You see, when polled,
0:50:34 > 0:50:3774 percent of Italian teenage boys said
0:50:37 > 0:50:41they would most like to date American girls.
0:50:41 > 0:50:45- Where did you get these?- Available for anyone who has a computer.
0:50:45 > 0:50:49You don't have to worry about your sister. She's well chaperoned.
0:50:49 > 0:50:54- Miss Ungermeyer's there.- Yeah. What is she? Five one or two max?
0:50:57 > 0:51:00Oh, please. Matt.
0:51:00 > 0:51:03As interesting as this is, where are you taking it?
0:51:03 > 0:51:06All right, you caught me.
0:51:06 > 0:51:09- I always do. - I don't know why I even try.
0:51:11 > 0:51:13I'll deny I ever said this, but...
0:51:14 > 0:51:18..I miss my sister. There. I said it.
0:51:18 > 0:51:21Now you know.
0:51:21 > 0:51:26I know I rag on her all the time, but now that she's gone
0:51:26 > 0:51:29- I... I... - Oh, honey. We miss her, too.
0:51:29 > 0:51:32So, so much.
0:51:32 > 0:51:34I feel so alone.
0:51:34 > 0:51:36Listen to me.
0:51:37 > 0:51:40You don't have to make fake pie charts.
0:51:40 > 0:51:44- You just come to us with the truth, OK?- I know that now, Mom.
0:51:46 > 0:51:49It's just so hard. I miss her so much.
0:51:51 > 0:51:54I can't believe I let you talk me into letting her go on that trip.
0:51:54 > 0:51:58- I'll go get the passports. - Oh, honey.
0:52:44 > 0:52:46- Paolo. - Si.
0:52:46 > 0:52:50- What is this? - A car.
0:52:52 > 0:52:56- Look. Are we supposed to sing? - Scusa?
0:52:57 > 0:53:01Don't speak to me in Italian. It's too adorable.
0:53:02 > 0:53:07- Are Paolo and Isabella supposed to sing at the awards?- Si.
0:53:07 > 0:53:09Si! Why didn't you tell me?
0:53:09 > 0:53:13I wanted to, but you told me not to telephone the hotel. Come on.
0:53:13 > 0:53:18I'll explain everything. I want to show you the Tivoli gardens.
0:53:18 > 0:53:22- Come on. We have to get you back by ten.- OK.
0:53:25 > 0:53:31- So, where is Sergei?- You're not the only one who sneaks off at night.
0:53:40 > 0:53:44We were going to sing, but after Isabella wouldn't speak to me
0:53:44 > 0:53:48I told the producers we refused to perform as she had throat problems.
0:53:48 > 0:53:51So, what happened? I mean, what changed?
0:53:51 > 0:53:55- Isabella did.- The real Isabella or me, Isabella?- You.
0:53:55 > 0:53:58A reporter heard her speaking in front of the gelato shop
0:53:58 > 0:54:02and reported her voice was fine and her English good.
0:54:02 > 0:54:07- Then the record company called and will sue if we don't sing.- What?
0:54:07 > 0:54:10So, they're gonna make you sing? I mean, us sing?
0:54:10 > 0:54:14Don't worry, carina. I'll make this work. Look.
0:54:32 > 0:54:35Look, Paolo. I don't think this is going to work.
0:54:35 > 0:54:38I can't sing in front of an audience.
0:54:38 > 0:54:43- I won't even let my mom hear me sing in the shower.- I'll teach you.
0:54:43 > 0:54:47OK, so what is Isabella going to do when she sees me being her?
0:54:47 > 0:54:51She won't. She's on some island trying to get over this. Come on.
0:54:59 > 0:55:03Here's my vow to you. I, Paolo Valisari
0:55:03 > 0:55:07will never let you, Lizzie McGuire be embarrassed. If I fail,
0:55:07 > 0:55:11I have to spend seven days with that scary head check woman.
0:55:11 > 0:55:14Her name's Miss Ungermeyer.
0:55:14 > 0:55:17Carina, hasn't everything I promised you come to be?
0:55:17 > 0:55:19Everyone believes you're Isabella.
0:55:19 > 0:55:23You're having the time of your life being someone else.
0:55:23 > 0:55:25You even told Franca to buzz off.
0:55:25 > 0:55:29Don't you trust that we can do the singing together?
0:55:31 > 0:55:33I guess.
0:55:33 > 0:55:36Well, you shouldn't.
0:55:49 > 0:55:53# You've been searching the world to find true love
0:55:53 > 0:55:57# Looking in all the wrong places
0:55:57 > 0:56:01# When all of the time you've been blind to love
0:56:01 > 0:56:04# It's plain as the nose on your face is
0:56:04 > 0:56:08# It's here, it's now
0:56:08 > 0:56:12# Open your eyes and see it
0:56:12 > 0:56:15# Right here, right now... #
0:56:16 > 0:56:20- This is so beautiful. - Yes. You are.
0:56:21 > 0:56:25# Love has been right by your side
0:56:25 > 0:56:29# So close that you couldn't see
0:56:29 > 0:56:31# If love could speak
0:56:31 > 0:56:33# It would shout to the sky
0:56:33 > 0:56:35# I've always been here
0:56:35 > 0:56:38# I always will be
0:56:39 > 0:56:43# I'm here, I'm now
0:56:43 > 0:56:46# Open your eyes and see
0:56:46 > 0:56:50# Right here, right now
0:56:51 > 0:56:55# Open your eyes to love
0:56:57 > 0:57:02# Open your heart to love. #
0:57:19 > 0:57:23Hey. What you got there, little man?
0:57:23 > 0:57:26- Nothing.- What's this? - That's not Lizzie, no.
0:57:26 > 0:57:30- Yes, it is.- No, it isn't.- I know my daughter. I gave her that necklace.
0:57:30 > 0:57:33All right, tell me what you know that I don't.
0:57:33 > 0:57:36It's only a 14-hour flight, Dad.
0:57:41 > 0:57:45All right, people, swallow those biscotti. We got a big day.
0:57:45 > 0:57:50Oh, halt. Got to get these apricots to McGuire.
0:57:50 > 0:57:53She looked sick as a dog this morning.
0:57:53 > 0:57:55Gordon, you having a problem?
0:57:55 > 0:57:58No, I'm starting to agree with Ethan,
0:57:58 > 0:58:01- we need to eat more spaghetti. - You the man!
0:58:03 > 0:58:07- Sorry.- Mr Gordon, is there a reason you don't want me to go upstairs?
0:58:07 > 0:58:10No, I just really think we should get going.
0:58:10 > 0:58:14So much Roma, so little tima.
0:58:14 > 0:58:18Well, you know when I get upstairs and I will get upstairs,
0:58:18 > 0:58:21I expect to find McGuire in her bed.
0:58:22 > 0:58:25She may be in the bathroom or something.
0:58:25 > 0:58:29I'm beginning to get the feeling she was never sick to begin with.
0:58:30 > 0:58:34- No, no, she was.- I bet this whole thing was a clever ruse
0:58:34 > 0:58:36to sneak out of this hotel.
0:58:37 > 0:58:41- Yeah, it was. - It was?
0:58:41 > 0:58:45Well, Lizzie and I were talking about adventures
0:58:45 > 0:58:49- and I don't know.- Spit it out. - Lizzie's upstairs. It's me.
0:58:49 > 0:58:53- I'm the one who's been sneaking out. - You?- But, but...
0:58:54 > 0:58:57Feels good to get it off my chest.
0:58:58 > 0:59:00You realise what this means?
0:59:00 > 0:59:04I...shouldn't look to you for a college recommendation?
0:59:04 > 0:59:08You should look for your suitcase, Gordon. You're going home.
0:59:08 > 0:59:11I pegged you right from the start.
0:59:11 > 0:59:15David Gordon, sneaky little brown-noser with a hidden agenda.
0:59:16 > 0:59:18Well, you're busted.
0:59:22 > 0:59:25Love lifts us up where we belong.
0:59:35 > 0:59:38Wow. This place is so cool.
0:59:38 > 0:59:42- Si.- Are you sure it's OK that we're here?- Si.
0:59:42 > 0:59:44And here is where exactly?
0:59:44 > 0:59:47It's the rehearsal hall, but the Colosseum will look more like this. Sergei!
0:59:52 > 0:59:55If you want to convince the world you're Isabella
0:59:55 > 0:59:57you must take the stage and dance...
1:00:00 > 1:00:02..and sing.
1:00:02 > 1:00:05MUSIC PLAYS
1:00:05 > 1:00:10# Have you ever seen such a beautiful night? #
1:00:10 > 1:00:15- Move your mouth with the words. - So, you want me to lip-synch?
1:00:15 > 1:00:17Just like Isabella.
1:00:17 > 1:00:21- You said you know the song, right? - Well, yeah.
1:00:21 > 1:00:24- I mean, I have your CD, but - - So, try it.
1:00:24 > 1:00:26I'm not gonna try it.
1:00:31 > 1:00:34OK. MUSIC PLAYS
1:00:34 > 1:00:39# Have you ever seen such a beautiful night?
1:00:42 > 1:00:46# I could almost kiss the stars
1:00:46 > 1:00:48# For shining so bright #
1:00:51 > 1:00:55- Was it awful? - Er, yes.
1:00:55 > 1:00:59- But it helps to sing. - Really sing?
1:00:59 > 1:01:02- It looks more real when you're lip-synching.- You weren't singing.
1:01:02 > 1:01:07I won't be lip-synching. No-one will hear. The microphone will be off.
1:01:07 > 1:01:10You must try. Please?
1:01:12 > 1:01:14OK.
1:01:16 > 1:01:19MUSIC PLAYS
1:01:19 > 1:01:24# Have you ever seen such a beautiful night?
1:01:27 > 1:01:30# I could almost kiss the stars
1:01:30 > 1:01:33# For shining so bright
1:01:35 > 1:01:38# When I see you smiling
1:01:38 > 1:01:42# I go, oh, oh, oh
1:01:44 > 1:01:48# I would never want to miss this
1:01:48 > 1:01:49# Cos in my heart
1:01:49 > 1:01:52# I know what this is
1:01:54 > 1:01:59# This is what dreams are made of
1:02:02 > 1:02:06# This is what dreams are made of
1:02:06 > 1:02:11# I've got somewhere I belong
1:02:11 > 1:02:15# I've got somebody to love
1:02:15 > 1:02:18# This is what dreams
1:02:19 > 1:02:22# Are made of... #
1:02:27 > 1:02:31Brava! And now we dance!
1:03:34 > 1:03:38Hey. Oh, I'm glad you're up. I had the most amazing night.
1:03:38 > 1:03:42- I'm gonna grab Gordo so I can tell you together.- You won't find him.
1:03:42 > 1:03:45What? Why? Where did he go?
1:03:45 > 1:03:47Probably getting on a plane right now.
1:03:47 > 1:03:52- Why?- He totally covered for you and got himself kicked off the trip.
1:03:53 > 1:03:56I don't believe it. Why would he do that?
1:03:56 > 1:03:59You're seriously asking that question?
1:04:05 > 1:04:09You have to call the airline and see if Gordo's plane has left.
1:04:09 > 1:04:12- Do you know what flight he's on? - Si, si. I will call.
1:04:12 > 1:04:16I cannot believe that Gordo would do this for me.
1:04:16 > 1:04:21- Maybe he's not on the plane yet. I could go to the airport...- And what?
1:04:23 > 1:04:27- I don't know. - I am now on hold.
1:04:27 > 1:04:30TANNOY: "This is the final boarding call for Lufthansa flight 6240
1:04:30 > 1:04:33"departing for Los Angeles."
1:04:39 > 1:04:43- Mmm-hmm.- LAUGHS
1:04:43 > 1:04:47GRUNTS
1:04:51 > 1:04:53Mm-hm.
1:04:53 > 1:04:54Mm-hm.
1:04:54 > 1:04:56Mm-hm.
1:04:57 > 1:05:00Thank you very much. The plane is gone.
1:05:29 > 1:05:31SPEAKS ITALIAN
1:05:33 > 1:05:36Who is this girl? I've been relaxing on the island
1:05:36 > 1:05:38trying to forget about this.
1:05:38 > 1:05:41- Can somebody please tell me what's going on?- I can.
1:05:41 > 1:05:44That's my friend, Lizzie McGuire.
1:05:46 > 1:05:51Let him go. I demand for you to tell me everything you know.
1:05:51 > 1:05:55I demand for you to tell me everything about Paolo Valisari.
1:05:55 > 1:05:58I left him and all my thoughts about him on the island.
1:05:58 > 1:06:01You may have left him on the island,
1:06:01 > 1:06:05but my friend Lizzie is pretending to be you so you don't get sued.
1:06:06 > 1:06:09We need to talk in private. Now.
1:06:09 > 1:06:13Gordo's life is ruined because of me. Selfish me.
1:06:13 > 1:06:16- So, what are you gonna do now? - It's over.
1:06:16 > 1:06:19I'm gonna turn myself in to Miss Ungermeyer.
1:06:21 > 1:06:25Lizzie, you'll get sent home, then you won't be able to help Paolo.
1:06:25 > 1:06:29OK, I'm never gonna be able to get through this, the way I feel now.
1:06:29 > 1:06:33OK, fine. Quit. Then everything Gordo did will be for nothing.
1:06:36 > 1:06:41Now you know things are bad when Kate starts making sense.
1:06:41 > 1:06:43- I know one thing's for sure. - What?
1:06:43 > 1:06:46I won't have to act sick.
1:07:07 > 1:07:08GIGGLING
1:07:17 > 1:07:22Mr Craft, you are in the most historic and beautiful city.
1:07:22 > 1:07:26- Has it had no effect on you? - Well, actually it has.
1:07:26 > 1:07:30The cobblestones are shreddin' my wheels.
1:07:30 > 1:07:35- Have you even made a dent in your reading list?- I've finished it.
1:07:35 > 1:07:39- You read 11 books? - I mean I read the list.
1:07:47 > 1:07:49Sssh.
1:07:51 > 1:07:53Sssh.
1:07:54 > 1:07:58- McGuire. Lizzie McGuire. - Si. Si.
1:07:58 > 1:08:00We are in the travel guide.
1:08:00 > 1:08:03No, no. No.
1:08:04 > 1:08:07We're the parents of Lizzie.
1:08:07 > 1:08:09Ah, si.
1:08:09 > 1:08:12Via Liuzzi.
1:08:12 > 1:08:16- I call a cab. It's very far.- Anybody else want to step up to the plate?
1:08:16 > 1:08:18Who's asking for McGuire?
1:08:18 > 1:08:23I left you four messages already. She's been under my watchful eye.
1:08:23 > 1:08:25Where did Sanders go?
1:08:25 > 1:08:27Lizzie. Sweetheart.
1:08:27 > 1:08:30Honey.
1:08:31 > 1:08:32Cool!
1:08:36 > 1:08:39- Where's Lizzie?- Do you have any embarrassing photos of her
1:08:39 > 1:08:43while she's been here? Ow.
1:08:43 > 1:08:47You better tell us where Lizzie is or this deck's gonna catch some air.
1:08:47 > 1:08:51Well, it's possible that she's at the International Music Video Awards
1:08:51 > 1:08:54doubling for an Italian popstar who's totally her twin.
1:08:54 > 1:08:58Why does everyone always look at me like that?
1:09:21 > 1:09:24SCREAMS
1:09:28 > 1:09:30PHONE RINGS
1:09:30 > 1:09:34Prince William? Tell him he'll have to hold.
1:10:18 > 1:10:21SPEAKS ITALIAN
1:10:21 > 1:10:23- Capito? - Si. What?
1:10:23 > 1:10:27He said you must enter from here, right and I must enter from there.
1:10:27 > 1:10:30And what about my dress? I still have to get dressed.
1:10:30 > 1:10:34Franca delivered it. It's in your dressing room. You have time.
1:10:34 > 1:10:37Calm down. You can do it.
1:10:37 > 1:10:42Of course I can do it. This is moi we're talking about.
1:10:42 > 1:10:44- I don't think I can do it. - You must!
1:10:44 > 1:10:48We've rehearsed this. You know all the steps, all the words.
1:10:48 > 1:10:52- You will be great. I know. - How do you know?
1:10:52 > 1:10:57Because...because you shine like the light from the sun.
1:11:02 > 1:11:04Paolo. Paolo.
1:11:07 > 1:11:11- Isabella. Andiamo. - Lizzie.
1:11:11 > 1:11:13Gordo? Oh, my God, what are you doing here?
1:11:13 > 1:11:17That's not important right now. You need to listen.
1:11:17 > 1:11:20It is important. I can't believe you'd do that for me.
1:11:20 > 1:11:23- Why aren't you gone?- Long story. - I want to hear all about it,
1:11:23 > 1:11:28- but I've got to get my dress on. - Listen. Paolo is setting you up.
1:11:30 > 1:11:34- What are you talking about? - Actually, he is setting ME up.
1:11:40 > 1:11:42- Freaky, huh? - Way freaky.
1:11:42 > 1:11:45Way, way freaky.
1:11:45 > 1:11:49That whole story about Paolo doing his own music and going solo?
1:11:49 > 1:11:53- That's Isabella. She's the one that sings live.- Si.
1:11:53 > 1:11:55Paolo is the one that lip-synchs.
1:11:55 > 1:11:58Isabella wants to quit the act. Paolo is a liar.
1:11:58 > 1:12:02This has been some crazy scheme to set you up and embarrass you
1:12:02 > 1:12:05- so it looks like Isabella can't sing.- Si.
1:12:05 > 1:12:08- It's true. - Paolo wants to destroy her career.
1:12:09 > 1:12:12But Paolo would never do that to me.
1:12:12 > 1:12:15I don't believe you.
1:12:17 > 1:12:21Isabella. Subito. Per favore.
1:12:21 > 1:12:25Lizzie, who will you believe? This boy you've known your whole life,
1:12:25 > 1:12:28or this boy you've just met
1:12:28 > 1:12:32who says, "You shine with the light from the sun"?
1:13:04 > 1:13:07OK, well you're here now so go and sing.
1:13:07 > 1:13:11But I'm not blonde. He will know it's me and make an excuse to leave,
1:13:11 > 1:13:14but if we want to get back at him
1:13:14 > 1:13:18in front of the whole world on live TV we must make him sing
1:13:18 > 1:13:21- and really sing. Not lip-synch. - How? What am I supposed to do?
1:13:21 > 1:13:24- I can't sing live. - Deve andare adesso.
1:13:24 > 1:13:29Change. Change. Change your clothes and go and do what you rehearsed.
1:13:29 > 1:13:33- Everything will be fine, I promise. I have a plan.- What plan?
1:13:35 > 1:13:38- So, what's the plan? - I don't know.
1:13:39 > 1:13:42No, see, it doesn't matter about the tickets
1:13:42 > 1:13:46because my daughter is back there impersonating a famous popstar,
1:13:46 > 1:13:50- so, I gotta get in! - That's what everyone says.
1:13:50 > 1:13:52I've had enough of this.
1:13:55 > 1:13:57Let's go!
1:13:59 > 1:14:03- Sandro, did Paolo bring the voice track for me?- No, he did not.
1:14:03 > 1:14:07There is no track. Paolo he says you are going to sing live like always.
1:14:07 > 1:14:12- TANNOY:- "Paolo, Isabella!"
1:14:23 > 1:14:27- Sandro, turn on Isabella's mike. - What?- Turn on the mike!
1:14:36 > 1:14:38# Have you ever seen
1:14:38 > 1:14:41# Such a beautiful night?
1:14:43 > 1:14:47# I could almost kiss the stars
1:14:47 > 1:14:50# For shining so bright
1:14:52 > 1:14:56# When I see you smiling I go
1:14:56 > 1:14:58- SINGS OFF KEY:- # Oh, oh, oh
1:14:58 > 1:15:00AUDIENCE LAUGHS
1:15:00 > 1:15:04# I would never want to miss this
1:15:04 > 1:15:08- OUT OF TUNE:- # Cos in my heart I know what this is
1:15:08 > 1:15:11AUDIENCE LAUGHS
1:15:11 > 1:15:15# This is what dreams are made of #
1:15:16 > 1:15:19"Sing to me, Paolo."
1:15:19 > 1:15:23- SINGS BADLY: - # This is what dreams are made of #
1:15:26 > 1:15:29CROWD SHOUTS
1:15:42 > 1:15:44OK.
1:15:44 > 1:15:48"Say buona sera to my new American friend Lizzie McGuire!"
1:15:49 > 1:15:52"Paolo tried to use her to trick you into thinking that..."
1:15:52 > 1:15:56Lizzie McGuire is nice girl. You try to hurt her.
1:15:56 > 1:16:00- Let me go. You work for me! - Not any more, Paolo. I quit.
1:16:00 > 1:16:02Paolo!
1:16:02 > 1:16:07- Paolo cannot sing music - now he must face music.- Was it all a lie?
1:16:08 > 1:16:11"Do you want to hear her sing?"
1:16:11 > 1:16:14CROWD CHEERS
1:16:22 > 1:16:26# Have you ever seen such a beautiful night?
1:16:28 > 1:16:32# I could almost kiss the stars
1:16:32 > 1:16:34# For shining so bright
1:16:36 > 1:16:39# When I see you smiling I go
1:16:39 > 1:16:42- BOTH:- # Oh, oh, oh
1:16:44 > 1:16:47# I would never want to miss this
1:16:47 > 1:16:50# Cos in my heart I know what this is
1:16:50 > 1:16:53- # Hey, now - # Hey, now
1:16:53 > 1:16:57- BOTH:- # This is what dreams are made of
1:16:58 > 1:17:00- # Hey, now - # Hey, now
1:17:00 > 1:17:04- BOTH:- # This is what dreams are made of
1:17:04 > 1:17:07# I've got somewhere I belong
1:17:07 > 1:17:11# I've got somebody to love
1:17:11 > 1:17:15- BOTH:- # This is what dreams
1:17:15 > 1:17:17# Are made of #
1:17:19 > 1:17:22- Wait! - Sing.
1:17:28 > 1:17:31Run!
1:17:39 > 1:17:44# Have you ever wondered what life is about?
1:17:46 > 1:17:48# You could search the world
1:17:48 > 1:17:51# And never figure it out
1:17:53 > 1:17:57# You don't have to sail the oceans
1:17:57 > 1:17:59# No, no, no
1:18:01 > 1:18:04# Happiness is no mystery
1:18:04 > 1:18:08# It's here and now, it's you and me
1:18:10 > 1:18:12# Hey, now, hey, now
1:18:12 > 1:18:16# This is what dreams are made of
1:18:17 > 1:18:19# Hey, now, hey, now
1:18:19 > 1:18:23# This is what dreams are made of
1:18:23 > 1:18:24# I've got
1:18:24 > 1:18:26# Somewhere I belong
1:18:26 > 1:18:28# I've got
1:18:28 > 1:18:30# Somebody to love
1:18:30 > 1:18:33# This is what dreams
1:18:34 > 1:18:36# Are made of
1:18:36 > 1:18:37# Hey, now
1:18:37 > 1:18:40# This is what dreams are made of
1:18:40 > 1:18:42# Hey, hey, hey, hey!
1:18:42 > 1:18:45# Hey, now, hey, now
1:18:45 > 1:18:48# This is what dreams are made of
1:18:50 > 1:18:52# Open your eyes
1:18:52 > 1:18:55# This is what dreams are made of
1:18:57 > 1:19:00# Shout to the sky
1:19:00 > 1:19:02# This is what dreams are made of
1:19:02 > 1:19:04# Hey, hey, hey
1:19:04 > 1:19:07# Then I see you smiling, I go
1:19:07 > 1:19:10# Oh, oh, oh
1:19:11 > 1:19:15# Yesterday my life was duller
1:19:15 > 1:19:18# Now everything's Technicolour
1:19:22 > 1:19:24# Hey, now, hey, now
1:19:24 > 1:19:28# This is what dreams are made of
1:19:29 > 1:19:32# Hey, now, hey, now
1:19:32 > 1:19:35# This is what dreams are made of
1:19:35 > 1:19:39# I've got somewhere I belong
1:19:39 > 1:19:43# I've got somebody to love
1:19:43 > 1:19:47# This is what dreams
1:19:47 > 1:19:50# Dreams
1:19:50 > 1:19:54# This is what dreams
1:19:54 > 1:19:56# Are made of
1:19:56 > 1:19:57# Hey, now, hey, now
1:19:57 > 1:19:58# Hey, hey, hey, hey!
1:19:58 > 1:20:01# Hey, now, hey, now
1:20:01 > 1:20:02# Hey, hey, hey, hey!
1:20:02 > 1:20:04# Hey, now, hey, now
1:20:04 > 1:20:06# Hey, hey, hey, hey!
1:20:06 > 1:20:08# Hey, now, hey, now
1:20:08 > 1:20:10# Hey, hey, hey, hey! Hey! #
1:21:06 > 1:21:10Lizzie got everything you're meant to get when you go to Europe.
1:21:10 > 1:21:15- Adventure, romance, total confidence.- Yeah?
1:21:15 > 1:21:19Well, if all that can happen to Lizzie McGuire
1:21:19 > 1:21:22the only thing I know now is I don't know anything.
1:21:22 > 1:21:24That's hot.
1:21:24 > 1:21:29- What?- Girls who think they know everything are just a turn-off.
1:21:30 > 1:21:33- Really? - Totally.
1:21:33 > 1:21:36Like, what about you not ratting on Lizzie?
1:21:36 > 1:21:38I mean, that was just so...
1:21:40 > 1:21:42..not you.
1:21:54 > 1:21:56That's good. Si.
1:21:56 > 1:21:58Aaarrgh!
1:22:01 > 1:22:05Mom, Dad, I'm so glad you made it. You would have never believed me.
1:22:05 > 1:22:09- That is for sure.- I thought after you found out I would be grounded.
1:22:09 > 1:22:13You're grounded for the rest of the summer, sweetheart,
1:22:13 > 1:22:15but we're really proud of you.
1:22:18 > 1:22:21You know, lying, even for a good reason, is beneath you.
1:22:21 > 1:22:25Yeah, I know, I know. I'm a lying spineless brown-nosing jellyfish
1:22:25 > 1:22:29- with a hidden agenda. I got it. - That may be true,
1:22:29 > 1:22:32but I'll tell you something. Little Miss Diva told me everything.
1:22:32 > 1:22:36The way I see it, you're a pretty loyal friend
1:22:36 > 1:22:39- and loyalty goes a long way with the Ungermeyer.- Thanks.
1:22:45 > 1:22:49Think about it. We've got four years of high school to look forward to.
1:22:49 > 1:22:51Oh, sammies.
1:22:53 > 1:22:56- Sergei is hungry. - So is Miss Ungermeyer.
1:22:59 > 1:23:03You are strong woman. You protect cubs like lions.
1:23:03 > 1:23:06Sergei is impressed.
1:23:07 > 1:23:11- You're still on my list. - As long as I am at the top.
1:23:13 > 1:23:18Hey there, I bet you're wondering who is this Lizzie McGuire?
1:23:18 > 1:23:22Where did she come from and what are her most embarrassing moments?
1:23:22 > 1:23:26Well, I can give you total access to all of that
1:23:26 > 1:23:29for a very competitive price.
1:23:29 > 1:23:32- When in Rome, huh? - Yeah, yeah.
1:23:32 > 1:23:34- Do as the Romans do, right? - No.
1:23:34 > 1:23:37We do not blackmail our sisters.
1:23:37 > 1:23:39As a former commander in the Italian Navy
1:23:39 > 1:23:42I am ordering you to leave the country.
1:23:42 > 1:23:44No!
1:23:51 > 1:23:53Hey!
1:23:55 > 1:23:59So...one last sneak away for old times' sake?
1:23:59 > 1:24:01- Yeah, sounds good. - OK.
1:24:05 > 1:24:07No!
1:24:13 > 1:24:17- So, are you gonna miss it here? - I don't know.
1:24:17 > 1:24:20Kate says I should stay and have my stuff shipped from home
1:24:20 > 1:24:24- because when I leave it will never be the same.- She's wrong.
1:24:24 > 1:24:28- You didn't have to be in Rome for this to happen.- You think?
1:24:28 > 1:24:31Trust me, you had it in you the whole time.
1:24:35 > 1:24:39- Gordo? - What?
1:24:45 > 1:24:48- Thanks. - You're welcome.
1:24:52 > 1:24:56Yeah, so, um, want to get back to that party
1:24:56 > 1:25:01- so we don't get into trouble?- Yeah. I can't afford any more trouble.
1:25:28 > 1:25:30Subtitles by IMS