A Hard Day's Night

0:00:02 > 0:00:05# It's been a hard day's night

0:00:05 > 0:00:08# And I've been workin' like a dog

0:00:08 > 0:00:12# It's been a hard day's night

0:00:12 > 0:00:15# I should be sleepin' like a log

0:00:15 > 0:00:17# But when I get home to you

0:00:17 > 0:00:19# I find the things that you do

0:00:19 > 0:00:22# Will make me feel all right

0:00:22 > 0:00:25# You know I work all day

0:00:25 > 0:00:29# To get you money to buy you things

0:00:29 > 0:00:32# And it's worth it just to hear you say

0:00:32 > 0:00:35# You're gonna give me everything

0:00:35 > 0:00:37# So why on earth should I moan?

0:00:37 > 0:00:39# Cos when I get you alone

0:00:39 > 0:00:42# You know I feel OK

0:00:42 > 0:00:45# When I'm home

0:00:45 > 0:00:48# Everything seems to be right

0:00:49 > 0:00:51# When I'm home

0:00:51 > 0:00:54# Feeling you holding me tight

0:00:54 > 0:00:55# Tight, yeah

0:00:55 > 0:00:59# It's been a hard day's night

0:00:59 > 0:01:02# And I've been workin' like a dog

0:01:02 > 0:01:05# It's been a hard day's night

0:01:05 > 0:01:09# I should be sleepin' like a log

0:01:09 > 0:01:11# But when I get home to you

0:01:11 > 0:01:12# I find the things that you do

0:01:12 > 0:01:15# Will make me feel all right

0:01:15 > 0:01:17# Aah!

0:01:29 > 0:01:31# So why on earth should I moan?

0:01:31 > 0:01:33# Cos when I get you alone

0:01:33 > 0:01:36# You know I feel OK

0:01:36 > 0:01:38# When I'm home

0:01:38 > 0:01:42# Everything seems to be right

0:01:42 > 0:01:45# When I'm home

0:01:45 > 0:01:48# Feeling you holding me tight

0:01:48 > 0:01:50# Tight, yeah

0:01:50 > 0:01:53# It's been a hard day's night

0:01:53 > 0:01:57# And I've been workin' like a dog

0:01:57 > 0:02:00# It's been a hard day's night

0:02:00 > 0:02:04# I should be sleepin' like a log

0:02:04 > 0:02:05# But when I get home to you

0:02:05 > 0:02:07# I find the things that you do

0:02:07 > 0:02:10# Will make me feel all right

0:02:10 > 0:02:14# You know I feel all right

0:02:14 > 0:02:16# You know I feel all right. #

0:02:16 > 0:02:18CROWD SCREAMS

0:02:55 > 0:02:57Hey, pardon me for askin',

0:02:57 > 0:02:58but who's that little old man?

0:02:58 > 0:03:00What little old man?

0:03:00 > 0:03:01That little old man.

0:03:01 > 0:03:03Oh, that one. That's my grandfather.

0:03:03 > 0:03:05Your grandfather? Yeah.

0:03:05 > 0:03:08That's not your grandfather.

0:03:08 > 0:03:09PAUL: It is, you know.

0:03:09 > 0:03:10But I've seen your grandfather.

0:03:10 > 0:03:11He lives in your house.

0:03:11 > 0:03:13Oh, that's my other grandfather,

0:03:13 > 0:03:14but he's my grandfather as well.

0:03:14 > 0:03:16How do you reckon that one out?

0:03:16 > 0:03:18Well, everyone's entitled to two, aren't they?

0:03:18 > 0:03:19And this is my other one.

0:03:19 > 0:03:21We know that, but what's he doin' here?

0:03:21 > 0:03:23Well, my mother thought the trip would do him good.

0:03:23 > 0:03:24How's that?

0:03:24 > 0:03:27He's nursin' a broken heart.

0:03:27 > 0:03:29Ah, poor old thing.

0:03:29 > 0:03:31Hey, mister, are you nursin' a broken heart?

0:03:34 > 0:03:37He's a nice old man, isn't he?

0:03:37 > 0:03:39He's very clean.

0:03:45 > 0:03:47Hello, Grandfather.

0:03:47 > 0:03:48Hello.

0:03:48 > 0:03:49He can talk then, can he?

0:03:49 > 0:03:51Of course he can talk. He's a human being, isn't he?

0:03:51 > 0:03:53Well, if he's YOUR grandfather, who knows?

0:03:53 > 0:03:54Ha-ha-ha.

0:03:55 > 0:03:57And we're lookin' after him, are we?

0:03:57 > 0:03:58I look after meself.

0:03:58 > 0:04:00Yeah, that's what I'm afraid of.

0:04:00 > 0:04:01He's got you worried, then?

0:04:01 > 0:04:03Him, he's a villain, a real mixer,

0:04:03 > 0:04:06and he costs you a fortune in breach of promise cases.

0:04:06 > 0:04:08GEORGE: Get on. No, straight up.

0:04:08 > 0:04:09Hiya.

0:04:10 > 0:04:12- Hello, Shake. - Hello, Shake.

0:04:12 > 0:04:14You got on all right, then?

0:04:14 > 0:04:15No.

0:04:15 > 0:04:18Oh? Well, we're here.

0:04:18 > 0:04:19Norm'll be along in a minute with the tickets.

0:04:19 > 0:04:21Hey, who's the little old man?

0:04:21 > 0:04:24It's Paul's grandfather.

0:04:24 > 0:04:26Oh, aye, but I thought...

0:04:26 > 0:04:28No, that's his other one.

0:04:28 > 0:04:30Oh, that's all right, then.

0:04:30 > 0:04:32Clean, though, isn't he?

0:04:32 > 0:04:34Oh, aye. He's very clean.

0:04:34 > 0:04:35MAN: Mornin', lads.

0:04:35 > 0:04:37Hi, Norm. Mornin', Norm.

0:04:37 > 0:04:38Thank God you've all got here.

0:04:38 > 0:04:40Now, look, I've had a marvellous idea.

0:04:40 > 0:04:42Just for once, let's all try to behave

0:04:42 > 0:04:44like ordinary respectable citizens.

0:04:44 > 0:04:45NORM: Let's not cause any trouble,

0:04:45 > 0:04:46pull any strokes,

0:04:46 > 0:04:48or do anything I'm going to be sorry for,

0:04:48 > 0:04:50especially tomorrow in that television theatre,

0:04:50 > 0:04:52because...

0:04:52 > 0:04:54Are you listening to me, Lennon?

0:04:54 > 0:04:56You're a swine. Isn't he, George?

0:04:56 > 0:04:58Yeah, a swine.

0:04:58 > 0:05:00Thanks. Hey!

0:05:00 > 0:05:02ALL: Who's that little old man?

0:05:02 > 0:05:04Well, who is he?

0:05:04 > 0:05:06He belongs to Paul.

0:05:06 > 0:05:07Oh, well. I'm going down for a cup of coffee.

0:05:07 > 0:05:08Anyone coming?

0:05:08 > 0:05:10We'll follow you down.

0:05:10 > 0:05:11I want me coffee.

0:05:11 > 0:05:13Well, you can come with Shake and me, if you like.

0:05:13 > 0:05:15Look after him. I don't want to find you've lost him.

0:05:15 > 0:05:20Don't be cheeky. I'll bind him to me with promises.

0:05:20 > 0:05:23Very clean, isn't he? Come 'ed, Grandad.

0:05:25 > 0:05:27Make up your mind, will you?

0:05:49 > 0:05:51Hello. Morning.

0:05:53 > 0:05:54All right?

0:06:10 > 0:06:11Whoa.

0:06:11 > 0:06:13Do you mind if we have it open?

0:06:13 > 0:06:14Yes, I do.

0:06:14 > 0:06:15Yeah, well, there are four of us,

0:06:15 > 0:06:16and we'd like it open, not if it's

0:06:16 > 0:06:18all the same to you, that is.

0:06:19 > 0:06:22It isn't. I travel on this train regularly,

0:06:22 > 0:06:23twice a week,

0:06:23 > 0:06:25so I suppose I have some rights.

0:06:25 > 0:06:26So have we.

0:06:31 > 0:06:34ROCK'N'ROLL PLAYS

0:06:34 > 0:06:36And we'll have that thing off as well. Thank you.

0:06:36 > 0:06:38MUSIC STOPS But...

0:06:38 > 0:06:39An elementary knowledge of the Railway Acts

0:06:39 > 0:06:41would tell you that I am perfectly within my rights.

0:06:41 > 0:06:43PAUL: Yeah, but we want to hear it. There's more of us than you.

0:06:43 > 0:06:45We're a community, a majority vote.

0:06:45 > 0:06:46Up the workers and all that stuff.

0:06:46 > 0:06:48Then I suggest you take that damn thing

0:06:48 > 0:06:50into the corridor, or some other part of the train

0:06:50 > 0:06:52where you obviously belong.

0:06:52 > 0:06:55Give us a kiss.

0:06:55 > 0:06:57Look, mister, we paid for our seats, too, you know.

0:06:57 > 0:07:00I travel on this train regularly, twice a week.

0:07:00 > 0:07:01Knock it off, Paul. You can't win with his sort.

0:07:01 > 0:07:03After all, it's his train, isn't it, mister?

0:07:03 > 0:07:05And don't take that tone with me, young man.

0:07:05 > 0:07:07I fought the war for your sort.

0:07:07 > 0:07:08I bet you're sorry you won.

0:07:08 > 0:07:10I shall call the guard.

0:07:10 > 0:07:11Ah, but what?

0:07:11 > 0:07:13They don't take kindly to insults, you know.

0:07:13 > 0:07:14Come on. Let's go and have some coffee

0:07:14 > 0:07:16and leave the kennel to Lassie.

0:07:19 > 0:07:20DOOR CLOSES

0:07:20 > 0:07:22PAUL: Hey, mister, can we have our ball back?

0:07:26 > 0:07:28PAUL: Look, mister! Mister!

0:07:28 > 0:07:30Can we have our ball back?

0:07:30 > 0:07:31JOHN: Hey!

0:07:31 > 0:07:33PAUL: Please, mister!

0:07:37 > 0:07:39You want to watch it. Well, it's not my fault.

0:07:39 > 0:07:40You stick to that story, son.

0:07:40 > 0:07:43I can't help it. I'm just taller than you are.

0:07:43 > 0:07:44They always say that.

0:07:44 > 0:07:46Well, I've got me eye on ya.

0:07:46 > 0:07:48I'm sorry, Norm. I can't help being taller than you.

0:07:48 > 0:07:50Well, don't rub it in!

0:07:50 > 0:07:51I've a good mind to thump you, Shake.

0:07:51 > 0:07:52Hey, if you're going to have a barney,

0:07:52 > 0:07:54can I hold your coat? He started it.

0:07:54 > 0:07:55I did not. You did.

0:07:55 > 0:07:56Well, what happened?

0:07:56 > 0:07:57The old fella said that,

0:07:57 > 0:07:58could he have these pictures,

0:07:58 > 0:08:00and Norm said, "No",

0:08:00 > 0:08:02and all I said was, "Well, why not be big about it?"

0:08:02 > 0:08:03And?

0:08:03 > 0:08:04Your grandfather pointed out

0:08:04 > 0:08:07that Shake was always being taller than me just to spite me.

0:08:07 > 0:08:08I knew it. He started it.

0:08:08 > 0:08:10PAUL: I should've known. NORM: You what?

0:08:10 > 0:08:12You two have never had an argument in your life,

0:08:12 > 0:08:14and in two minutes flat, he's got you at it.

0:08:14 > 0:08:16He's a king mixer. He hates group unity,

0:08:16 > 0:08:18so he gets everyone at it.

0:08:18 > 0:08:20Well, I suggest you just give him the photos

0:08:20 > 0:08:21and have done with it.

0:08:22 > 0:08:24Oh, all right, you old devil. Here you are.

0:08:26 > 0:08:29Hey, Pauly, would you ever sign one of them for us?

0:08:29 > 0:08:31Ah, come 'ed, Shake.

0:08:39 > 0:08:41JOHN: Hey, look at the talent.

0:08:41 > 0:08:42Let's give 'em a pull.

0:08:42 > 0:08:44Should I? Aye, but don't rush.

0:08:44 > 0:08:46None of your five bar gate jumps and over sort of stuff.

0:08:46 > 0:08:47What's that supposed to mean?

0:08:47 > 0:08:48I don't know.

0:08:48 > 0:08:50I thought it just sounded distinguished-like.

0:08:50 > 0:08:52George Harrison, the Scouse of distinction.

0:08:52 > 0:08:53Excuse me, madame.

0:08:56 > 0:08:58Excuse me, but these young men I'm sitting with

0:08:58 > 0:09:01wondered if two of us could come over and join you.

0:09:01 > 0:09:03I'd ask you myself, only I'm shy.

0:09:03 > 0:09:06I'm sorry, miss. You mustn't fraternise with me prisoners.

0:09:06 > 0:09:08Prisoners? GRANDFATHER: Convict in transit.

0:09:08 > 0:09:10Typical old lags, the lot of them. ALL: You what?

0:09:10 > 0:09:13GRANDFATHER: Get out, ladies! Get out while you can!

0:09:17 > 0:09:18He's been gone a long time.

0:09:18 > 0:09:20Who? Paul's grandfather.

0:09:20 > 0:09:22Oh, I didn't notice. Where'd he go?

0:09:22 > 0:09:23Down the, er....

0:09:23 > 0:09:25Oh, down the, er...

0:09:25 > 0:09:26Yeah, down the, er...

0:09:26 > 0:09:29Oh, well, give him a couple of minutes, then.

0:09:36 > 0:09:38Hey, have you seen Paul's grandfather?

0:09:38 > 0:09:40Of course. He's concealed about me person.

0:09:40 > 0:09:42Now, he must've slipped off somewhere.

0:09:42 > 0:09:44Have you lost him? Now, don't exaggerate.

0:09:44 > 0:09:45You've lost him!

0:09:45 > 0:09:48Look, put it this way, Pauly, he's mislaid him.

0:09:48 > 0:09:50Honest, you can't trust you with anything, Norm.

0:09:50 > 0:09:51If you've lost him, I'll cripple ya.

0:09:51 > 0:09:52He can't have got far.

0:09:52 > 0:09:55Come 'ed, let's look up the sharp end.

0:09:55 > 0:09:57What's the matter with you, then?

0:09:57 > 0:10:00It's his grandfather. I can tell he doesn't like me.

0:10:00 > 0:10:01It's cos I'm little.

0:10:01 > 0:10:03You've got an inferiority complex, you have.

0:10:03 > 0:10:05Yeah, I know. That's why I play the drums.

0:10:05 > 0:10:07It's me active compensatory factor.

0:10:27 > 0:10:29Goin' in, then?

0:10:29 > 0:10:30No, she'll only reject me in the end,

0:10:30 > 0:10:31and I'll be frustrated.

0:10:31 > 0:10:33You never know. You may be lucky this time.

0:10:33 > 0:10:35No, I know the psychological pattern.

0:10:35 > 0:10:37It plays havoc with me drum skins.

0:10:44 > 0:10:46Excuse me. Have you seen that little old man we were with?

0:10:46 > 0:10:48We've broken out. Oh, the blessed freedom of it all.

0:10:48 > 0:10:49Have you got a nail file?

0:10:49 > 0:10:51These handcuffs are killing me.

0:10:51 > 0:10:52I was framed! I'm innocent!

0:10:52 > 0:10:54I don't want to go!

0:10:54 > 0:10:55Sorry for disturbing you, girls.

0:10:55 > 0:10:58I bet you can't guess what I was in for.

0:11:01 > 0:11:02Should we go in here?

0:11:02 > 0:11:04No, it's probably a honeymoon couple

0:11:04 > 0:11:06or a company director or something.

0:11:06 > 0:11:08Well, I don't care. I'm going to broaden my outlook.

0:11:11 > 0:11:13Congratulate me, boys. I'm engaged.

0:11:13 > 0:11:16PAUL: Oh, no, you're not. Not this time.

0:11:18 > 0:11:19And to think me own grandson

0:11:19 > 0:11:21would've let them put me behind bars.

0:11:21 > 0:11:22Don't dramatise. Let's face it,

0:11:22 > 0:11:24you're lucky to be here.

0:11:24 > 0:11:25If they'd have had their own way,

0:11:25 > 0:11:27you would have been dropped off already.

0:11:27 > 0:11:29Well, you've got to admit you upset a lot of people.

0:11:29 > 0:11:31At least I can keep my eye on you

0:11:31 > 0:11:32while you're stuck in here.

0:11:37 > 0:11:38Shove up.

0:11:41 > 0:11:43Odds or evens? Odds.

0:11:43 > 0:11:44JOHN: Don't worry, son.

0:11:44 > 0:11:47We'll get you the best lawyer green stamps can buy.

0:11:47 > 0:11:48PAUL: Oh! It's a laugh a line with Lennon.

0:11:48 > 0:11:49Anyway, it's your fault.

0:11:49 > 0:11:51RINGO: Why me? Why not you?

0:11:51 > 0:11:53JOHN: God, it's depressing in here, isn't it? Funny...

0:11:53 > 0:11:55they usually reckon dogs

0:11:55 > 0:11:56more than people in England.

0:11:56 > 0:11:58You'd expect something more palatial.

0:12:00 > 0:12:01Let's do somethin', then.

0:12:01 > 0:12:02Like what?

0:12:02 > 0:12:04Hmm.

0:12:04 > 0:12:06OK.

0:12:06 > 0:12:08GIRLS LAUGH

0:12:08 > 0:12:10PAUL: Cor, there's the girls.

0:12:10 > 0:12:12RINGO: I'll deal 'em.

0:12:12 > 0:12:15JOHN: Aye aye, the Liverpool shuffle.

0:12:15 > 0:12:17< Two for you, two for me, three for them.

0:12:22 > 0:12:25# I...

0:12:25 > 0:12:29# Should have known better with a girl like you

0:12:29 > 0:12:32# That I would love everything that you do

0:12:32 > 0:12:34# And I do

0:12:34 > 0:12:36# Hey, hey, hey

0:12:36 > 0:12:37# And I do

0:12:39 > 0:12:43# Whoa, whoa, I...

0:12:43 > 0:12:46# Never realised what a kiss could be

0:12:46 > 0:12:50# This could only happen to me

0:12:50 > 0:12:55# Can't you see, can't you see

0:12:55 > 0:12:59# That when I tell you that I love you

0:12:59 > 0:13:02# Oh

0:13:02 > 0:13:07# You're gonna say you love me, too

0:13:07 > 0:13:09# Oh

0:13:09 > 0:13:16# And when I ask you to be mine

0:13:16 > 0:13:20# You're gonna say you love me, too

0:13:21 > 0:13:25# So, oh, I...

0:13:25 > 0:13:29# Should have realised a lot of things before

0:13:29 > 0:13:33# If this is love, you gotta give me more

0:13:33 > 0:13:37# Give me more, hey, hey, hey

0:13:37 > 0:13:38# Give me more

0:13:57 > 0:14:01# Whoa, whoa, I...

0:14:01 > 0:14:05# Never realised what a kiss could be

0:14:05 > 0:14:08# This could only happen to me

0:14:08 > 0:14:13# Can't you see, can't you see

0:14:13 > 0:14:18# That when I tell you that I love you

0:14:18 > 0:14:20# Oh

0:14:20 > 0:14:26# You're gonna say you love me, too

0:14:26 > 0:14:27# Oh

0:14:27 > 0:14:34# And when I ask you to be mine

0:14:34 > 0:14:39# You're gonna say you love me, too

0:14:41 > 0:14:43# You love me, too

0:14:43 > 0:14:46# You love me, too

0:14:48 > 0:14:50# You love me, too... #

0:14:50 > 0:14:52GEORGE: He's wearin' his lucky rings.

0:14:52 > 0:14:53All mine.

0:14:53 > 0:14:56JOHN: It won't buy you happiness, my son.

0:14:56 > 0:14:58SCREAMING

0:14:58 > 0:15:01Hey, don't move, any of you.

0:15:01 > 0:15:02They've gone potty out there.

0:15:02 > 0:15:04The place is surging with girls.

0:15:04 > 0:15:05Please, sir, sir.

0:15:05 > 0:15:07Can I have one to surge me, sir, please, sir?

0:15:07 > 0:15:08No, you can't. Now listen. As soon as I tell you,

0:15:08 > 0:15:10get out through this door there,

0:15:10 > 0:15:12into that big car that's waiting.

0:15:14 > 0:15:16GIRLS SCREAM

0:15:20 > 0:15:22GIRLS SCREAM

0:15:22 > 0:15:24Come 'ed, lads. Come 'ed!

0:15:45 > 0:15:47TRAIN WHISTLE BLOWS

0:16:11 > 0:16:13FANS SCREAM

0:16:17 > 0:16:19PIANO PLAYS

0:16:28 > 0:16:29I don't snore.

0:16:29 > 0:16:31You do, repeatedly.

0:16:31 > 0:16:32Do I snore, John?

0:16:32 > 0:16:34Yeah, you're a window rattler, son.

0:16:34 > 0:16:37That's just your opinion. Do I snore, Paul?

0:16:37 > 0:16:39With a trombone hooter like yours,

0:16:39 > 0:16:40it would be unnatural if you didn't.

0:16:40 > 0:16:43Now, Pauly, don't mock the afflicted.

0:16:43 > 0:16:44Oh, come off it. It's only a joke.

0:16:44 > 0:16:47Ah, it may be a joke, but it's his nose.

0:16:47 > 0:16:48GRANDFATHER: He can't help havin'

0:16:48 > 0:16:49a hideous great hooter.

0:16:49 > 0:16:51And the poor little head

0:16:51 > 0:16:54tremblin' under the weight of it.

0:16:54 > 0:16:55John, Paul, George, come 'ed.

0:16:55 > 0:16:56NORM: Get at it.

0:16:58 > 0:17:00Hello, the income tax have caught up with us at last.

0:17:00 > 0:17:03None for me, then? Sorry.

0:17:05 > 0:17:07This'll keep you busy.

0:17:07 > 0:17:08It's your nose, you know.

0:17:08 > 0:17:10Fans are funny that way.

0:17:10 > 0:17:11They take a dislike to things.

0:17:11 > 0:17:12They'll pick on a nose.

0:17:12 > 0:17:14Ah, you pick on your own.

0:17:14 > 0:17:15Hey, here.

0:17:15 > 0:17:16Are those yours?

0:17:16 > 0:17:18No, they're for Ringo.

0:17:18 > 0:17:19Must've cost you a fortune in stamps, Ringo.

0:17:19 > 0:17:21He comes from a large family.

0:17:21 > 0:17:23Well.

0:17:24 > 0:17:27What's Le Cirque Club?

0:17:28 > 0:17:29"The management of Le Cirque Club

0:17:29 > 0:17:30"takes pleasure in requesting the company

0:17:30 > 0:17:32"of Mr Richard Starkey..." That's you.

0:17:32 > 0:17:33"..to their gaming rooms -

0:17:33 > 0:17:36"chemin de fer, baccarat, and champagne buffet."

0:17:36 > 0:17:37They want me?

0:17:37 > 0:17:39JOHN: It's got around you're a big spender.

0:17:39 > 0:17:41Well, you're not goin'. Aw.

0:17:41 > 0:17:43Quite right. Invites to gamblin' dens

0:17:43 > 0:17:45full of easy money and fast women,

0:17:45 > 0:17:47chicken sandwiches and cornets of caviar.

0:17:47 > 0:17:49Disgustin'.

0:17:49 > 0:17:50That's mine.

0:17:50 > 0:17:51Come 'ed, you lot. Get your pens out.

0:17:51 > 0:17:53Why? It's homework time

0:17:53 > 0:17:54for you load of college puddings.

0:17:54 > 0:17:56I want this lot answered tonight.

0:17:56 > 0:17:58- Yeah, right. - I want to go out.

0:17:58 > 0:18:00Now, I'll brook no denial.

0:18:00 > 0:18:02You couldn't get a pen in your foot, you swine.

0:18:02 > 0:18:04Oh, chatter on, son. Chatter on.

0:18:04 > 0:18:05A touch of the writer's cramp

0:18:05 > 0:18:07will soon sort you out.

0:18:07 > 0:18:08Come 'ed, Shake.

0:18:10 > 0:18:11Ta ta, then.

0:18:11 > 0:18:13See ya.

0:18:14 > 0:18:16JOHN HUMS AND CHUCKLES

0:18:16 > 0:18:17Where are you goin', then?

0:18:17 > 0:18:19Well, he told us to stay, didn't he?

0:18:19 > 0:18:20Come 'ed!

0:18:20 > 0:18:23Right. ALL MUMBLE

0:18:23 > 0:18:25Couldn't we get a taxi?

0:18:25 > 0:18:27PAUL AND RINGO: No, we couldn't get a taxi.

0:18:27 > 0:18:29LAUGHTER

0:18:29 > 0:18:31KNOCK AT DOOR Come in.

0:18:32 > 0:18:33I'll clear up, sir.

0:18:33 > 0:18:35Yeah.

0:18:47 > 0:18:49# I wanna be your man

0:18:49 > 0:18:51# I wanna be your man

0:18:51 > 0:18:54# I wanna be your man

0:18:54 > 0:18:57# I wanna be your man

0:18:57 > 0:18:59# Tell me that you love me, baby

0:18:59 > 0:19:02# Let me understand

0:19:02 > 0:19:04# Tell me that you love me, baby

0:19:04 > 0:19:06# I wanna be your man

0:19:06 > 0:19:09# I wanna be your lover, baby

0:19:09 > 0:19:11# I wanna be your man

0:19:11 > 0:19:14# I wanna be your lover, baby

0:19:14 > 0:19:16# I wanna be your man

0:19:16 > 0:19:19# I wanna be your man

0:19:19 > 0:19:21# I wanna be your man

0:19:21 > 0:19:23# I wanna be your man

0:19:23 > 0:19:26# I wanna be your man... #

0:19:26 > 0:19:27Wow! Wow!

0:19:27 > 0:19:29DEALER: Banco.

0:19:29 > 0:19:31MAN: Banco. Suivais.

0:19:31 > 0:19:33MAN: Banco.

0:19:33 > 0:19:36WOMAN: Suivais.

0:19:36 > 0:19:38Alors, monsieur.

0:19:38 > 0:19:41Souffle.

0:19:42 > 0:19:45I bet you're a great swimmer.

0:19:45 > 0:19:46My turn?

0:19:46 > 0:19:48Bingo.

0:19:48 > 0:19:50Pas bingo, monsieur. Banco.

0:19:50 > 0:19:53Ah, I'll take the little darlings, anyway.

0:19:53 > 0:19:55two and one is three, carry one is four.

0:19:55 > 0:19:58Huit...

0:19:58 > 0:20:00et sept.

0:20:01 > 0:20:07# I can't believe that she would leave me on my own

0:20:07 > 0:20:13# It's just not right when every night I'm all alone

0:20:13 > 0:20:15# I've got no time for you right now

0:20:15 > 0:20:18# Don't bother me

0:20:18 > 0:20:24# I know I'll never be the same

0:20:24 > 0:20:29# If I don't get her back again

0:20:29 > 0:20:36# Because I know she'll always be

0:20:36 > 0:20:40# The only girl for me... #

0:21:08 > 0:21:10Bingo.

0:21:10 > 0:21:13# Close your eyes and I'll kiss you

0:21:13 > 0:21:16# Tomorrow I'll miss you

0:21:16 > 0:21:21# Remember I'll always be true

0:21:22 > 0:21:24# And then while I'm away

0:21:24 > 0:21:28# I'll write home every day

0:21:28 > 0:21:33# And I'll send all my lovin' to you

0:21:33 > 0:21:37# I'll pretend that I'm kissing

0:21:37 > 0:21:40# The lips I am missing

0:21:40 > 0:21:45# And hope that my dreams will come true

0:21:45 > 0:21:48# And then while I'm away

0:21:48 > 0:21:52# I'll write home every day

0:21:52 > 0:21:57# And I'll send all my lovin' to you

0:21:57 > 0:22:00# All my lovin'

0:22:00 > 0:22:03# I will send to you

0:22:03 > 0:22:09# All my lovin', darlin', I'll be true

0:22:21 > 0:22:25# Close your eyes and I'll kiss you

0:22:25 > 0:22:28# Tomorrow I'll miss you

0:22:28 > 0:22:33# Remember I'll always be true

0:22:33 > 0:22:36# And then while I'm away

0:22:36 > 0:22:40# I'll write home every day

0:22:40 > 0:22:45# And I'll send all my lovin' to you. #

0:22:45 > 0:22:47VOICES IN HALLWAY

0:22:47 > 0:22:49The manager.

0:22:54 > 0:22:56ALL TALK AT ONCE

0:22:56 > 0:22:58Now, come 'ed, you lot. Get on with it.

0:22:58 > 0:22:59We were gonna do 'em, but, you know.

0:22:59 > 0:23:01Aye. Well, now, now, now.

0:23:05 > 0:23:09Hey, any of you lot put a man in the cupboard?

0:23:09 > 0:23:10A man? Don't be soft.

0:23:10 > 0:23:12Well, somebody did.

0:23:24 > 0:23:26He's right, you know.

0:23:26 > 0:23:27There you go.

0:23:31 > 0:23:34Hey, er... hey, what's all this?

0:23:34 > 0:23:36PAUL: Oh, him. He's been lurking.

0:23:36 > 0:23:38He looks a right lurker, doesn't he?

0:23:38 > 0:23:39You're undressed. Where are your clothes?

0:23:39 > 0:23:41The old gentleman.

0:23:41 > 0:23:43He borrowed them to go gambling at Le Cirque.

0:23:43 > 0:23:45He's gone to my club, has he?

0:23:45 > 0:23:46Yeah! It's all your fault.

0:23:46 > 0:23:47What?

0:23:47 > 0:23:49Gettin' invites to gambling clubs and all that.

0:23:49 > 0:23:51He's probably in the middle of some orgy by now.

0:23:51 > 0:23:53An orgy? Orgy! Ha-ha-ha!

0:23:53 > 0:23:54But what about me?

0:23:54 > 0:23:55You're too old.

0:23:56 > 0:23:58Encore de champagne, monsieur?

0:23:58 > 0:24:01Oh, yeah. And I'll have some more champagne, as well.

0:24:02 > 0:24:04Lord John McCartney, millionaire Irish peer.

0:24:04 > 0:24:06Filthy rich, of course.

0:24:06 > 0:24:08Well, I don't know. He looks quite clean to me.

0:24:08 > 0:24:10Come 'ed, you lot. Try to act with a bit of decorum.

0:24:10 > 0:24:12This is a posh place.

0:24:12 > 0:24:14PAUL: We know how to behave. We've had lessons.

0:24:14 > 0:24:16I'm sorry, sir. Members and invited guests only.

0:24:16 > 0:24:17Aye. Well, er...

0:24:17 > 0:24:19Oh, yes.

0:24:22 > 0:24:23I'm with them.

0:24:23 > 0:24:26I'm Ringo's sister.

0:24:26 > 0:24:28Excuse me. Have you got a little old man here?

0:24:28 > 0:24:29Do you mean Lord McCartney?

0:24:29 > 0:24:30Oh, he's at it again.

0:24:30 > 0:24:32Look, I'm his grandfather. I mean...

0:24:32 > 0:24:34WOMAN: Oh, it must be the dolly floor show.

0:24:34 > 0:24:35GRANDFATHER: Put me down!

0:24:35 > 0:24:37Who are these ruffians? I never saw them before.

0:24:37 > 0:24:39MANAGER: Before you go, gentlemen,

0:24:39 > 0:24:40there's a little matter of the bill.

0:24:40 > 0:24:42I'll take care of that.

0:24:42 > 0:24:45£180?

0:24:45 > 0:24:46I beg your pardon - guineas.

0:24:46 > 0:24:47WAITER: Your winnings, My Lord -

0:24:47 > 0:24:48£190.

0:24:48 > 0:24:50Ha!

0:24:50 > 0:24:51What about me change?

0:24:51 > 0:24:52Cloak room charge.

0:24:52 > 0:24:54Ah, well, easy come, easy go.

0:24:54 > 0:24:56Well?

0:25:04 > 0:25:07Guten morgen, mein Herr.

0:25:07 > 0:25:09HE SPEAKS GERMAN

0:25:09 > 0:25:12HE IMITATES AN ENGINE

0:25:12 > 0:25:14Ah, ze filthy Englander. Guten morgen.

0:25:14 > 0:25:16Keep Britain tiny.

0:25:16 > 0:25:18Aw, go on, George. Don't be ridiculous.

0:25:18 > 0:25:19But you said I could.

0:25:19 > 0:25:22Honestly, me mind boggles at the very idea.

0:25:22 > 0:25:24A grown man, and you haven't shaved with a safety razor.

0:25:24 > 0:25:26It's not my fault.

0:25:26 > 0:25:27I come from a long line of electricians.

0:25:27 > 0:25:29Well, you're not practising on me.

0:25:29 > 0:25:31All right, then. But show us.

0:25:31 > 0:25:33Oh, come on, then.

0:25:33 > 0:25:36Aah hee hee ho!

0:25:36 > 0:25:37Ooh.

0:25:49 > 0:25:51HE GASPS

0:25:51 > 0:25:52# Rule, Britannia

0:25:52 > 0:25:53# Britannia rules the... #

0:25:58 > 0:26:00Put your tongue away. It looks disgusting

0:26:00 > 0:26:02hanging there all pink and naked.

0:26:02 > 0:26:04One slip of the razor, and...

0:26:04 > 0:26:05Ooh!

0:26:05 > 0:26:07JOHN HUMS "Deutschland Uber Alles"

0:26:10 > 0:26:13Help! Ich! Headphones! Help me!

0:26:13 > 0:26:15Help! HE BLOWS BUBBLES

0:26:15 > 0:26:18Torpedoed again, eh?

0:26:18 > 0:26:20Come on, lads. There's a car waiting

0:26:20 > 0:26:21to take you to the studio.

0:26:21 > 0:26:23Hey, where's John? In the bath.

0:26:23 > 0:26:25All right, Lennon, let's have you.

0:26:29 > 0:26:32Come on, John. Stop larking about.

0:26:38 > 0:26:41John? John?

0:26:41 > 0:26:44John? John?

0:26:46 > 0:26:48What are you messing around with that boat for?

0:26:48 > 0:26:51There's a car waiting. Come on.

0:26:54 > 0:26:56Ready, John? As soon as we draw up,

0:26:56 > 0:26:57open that door and straight in.

0:26:57 > 0:26:59GIRLS SHRIEK

0:27:11 > 0:27:13We can't keep them waiting much longer.

0:27:13 > 0:27:14I knew they'd be late.

0:27:14 > 0:27:15Oh, here they are. Boys, come on.

0:27:15 > 0:27:16Where have you been?

0:27:16 > 0:27:18It's your press conference we're arranging.

0:27:18 > 0:27:20NORM: All right. Give us a couple of shakes

0:27:20 > 0:27:22to get our breath, will you?

0:27:22 > 0:27:24JOHN: Hey, I've got a suit just like him, you know.

0:27:24 > 0:27:26MAN: Ringo. Yeah.

0:27:26 > 0:27:27I don't like the handkerchief.

0:27:27 > 0:27:29I always have the handkerchief in me trouser pocket.

0:27:29 > 0:27:30You can't blow your nose on it up there, can you?

0:27:30 > 0:27:31MAN: No, you can't.

0:27:31 > 0:27:33CROWD CHATTERS

0:28:11 > 0:28:13REPORTER: How about highbrow music?

0:28:13 > 0:28:15GEORGE: I've always liked that question.

0:28:15 > 0:28:16JOHN: I never noted his nose

0:28:16 > 0:28:18till about six months ago.

0:28:18 > 0:28:20GEORGE: And me mother asked me before we left for America

0:28:20 > 0:28:22if we wanted any sandwiches.

0:28:22 > 0:28:24JOHN: And when I plugged her in, she just blew up.

0:28:31 > 0:28:34Tell me - how did you find America?

0:28:34 > 0:28:35Turn left at Greenland.

0:28:35 > 0:28:37Has success changed your life?

0:28:37 > 0:28:38Yes.

0:28:38 > 0:28:40I'd like to keep Britain tidy.

0:28:40 > 0:28:42Are you a mod or a rocker?

0:28:42 > 0:28:44Um, no, I'm a mocker.

0:28:44 > 0:28:45Oh.

0:28:45 > 0:28:47Have you any hobbies?

0:28:53 > 0:28:55No. Actually, we're just good friends.

0:28:55 > 0:28:58Do you think these haircuts have come to stay?

0:28:58 > 0:28:59Well, this one has, you know.

0:28:59 > 0:29:01It's stuck on good and proper now.

0:29:01 > 0:29:03Frightfully nice.

0:29:03 > 0:29:06What would you call that hairstyle you're wearing?

0:29:06 > 0:29:07Arthur.

0:29:07 > 0:29:09No. Actually, we're just good friends.

0:29:09 > 0:29:11No, they're brown, aren't they?

0:29:11 > 0:29:13What do you call that collar?

0:29:13 > 0:29:14Oh.

0:29:14 > 0:29:16A collar. Oh.

0:29:16 > 0:29:18Do you often see your father?

0:29:18 > 0:29:19No. Actually, we're just good friends.

0:29:19 > 0:29:24How do you like your girlfriends to dress?

0:29:24 > 0:29:25Ha-ha!

0:29:28 > 0:29:30CONVERSATION INAUDIBLE

0:29:45 > 0:29:47JOHN: What a drag that was.

0:29:47 > 0:29:48GEORGE: I'm starving.

0:29:48 > 0:29:51Didn't even get a jam butty, did you?

0:29:51 > 0:29:53Anything left?

0:29:54 > 0:29:57We've just finished, Pauly.

0:29:57 > 0:29:58Hey, George, give us your John Henry

0:29:58 > 0:30:00on that picture.

0:30:00 > 0:30:02Hey, look at that.

0:30:02 > 0:30:03PAUL: Is that our set down there?

0:30:03 > 0:30:05GEORGE: Shall we go down, have a go? RINGO: Yeah.

0:30:05 > 0:30:06Trees and everything.

0:30:06 > 0:30:09JOHN: There's a lot of fellas for one set.

0:30:10 > 0:30:12Look, it's a bird.

0:30:15 > 0:30:17Just passing through, like.

0:30:18 > 0:30:19MAN: Where are they?

0:30:19 > 0:30:20SECOND MAN: On the stage, down here.

0:30:20 > 0:30:22CHATTERING

0:30:33 > 0:30:34Leave them drums alone.

0:30:34 > 0:30:36MAN: Oh, surely I could just have a little touch.

0:30:36 > 0:30:37You so much as breathe heavy on them,

0:30:37 > 0:30:39and I'm out on strike.

0:30:39 > 0:30:41Aren't you being rather arbitrary?

0:30:41 > 0:30:43There you go, hiding behind a smoke screen

0:30:43 > 0:30:44of bourgeois cliches.

0:30:44 > 0:30:45I don't go messing about

0:30:45 > 0:30:47with your earphones, do I?

0:30:47 > 0:30:48Spoilsport.

0:30:48 > 0:30:49Well?

0:30:51 > 0:30:53He's very fussy about his drums, you know.

0:30:53 > 0:30:56They loom large in his legend.

0:30:56 > 0:30:58What's up? Oh, he's sulking again.

0:30:58 > 0:31:00JOHN: Ha-ha-ha! I'll show him.

0:31:00 > 0:31:02# If I fell in love with you

0:31:02 > 0:31:05# Would you promise to be true

0:31:05 > 0:31:08# And help me

0:31:08 > 0:31:09# Understand

0:31:09 > 0:31:12# Cos I've been in love before

0:31:12 > 0:31:14# And I found that love was more

0:31:14 > 0:31:18# Than just holding hands

0:31:18 > 0:31:23# If I give my heart

0:31:23 > 0:31:25# To you

0:31:25 > 0:31:27# I must be sure

0:31:27 > 0:31:32# From the very start

0:31:32 > 0:31:34# That you

0:31:34 > 0:31:39# Would love me more than her

0:31:41 > 0:31:45# If I trust in you

0:31:45 > 0:31:48# Oh, please

0:31:48 > 0:31:50# Don't run and hide

0:31:50 > 0:31:54# If I love you, too

0:31:54 > 0:31:57# Oh, please

0:31:57 > 0:32:01# Don't hurt my pride like her

0:32:01 > 0:32:05# Cos I couldn't stand the pain

0:32:05 > 0:32:07# And I

0:32:07 > 0:32:12# Would be sad if our new love

0:32:12 > 0:32:14# Was in vain

0:32:14 > 0:32:19# So I hope you'll see

0:32:19 > 0:32:21# That I

0:32:21 > 0:32:24# Would love to love you

0:32:24 > 0:32:28# And that she

0:32:28 > 0:32:30# Will cry

0:32:30 > 0:32:34# When she learns we are two

0:32:34 > 0:32:39# Cos I couldn't stand the pain

0:32:39 > 0:32:41# And I

0:32:41 > 0:32:46# Would be sad if our new love

0:32:46 > 0:32:48# Was in vain

0:32:48 > 0:32:52# So I hope you see

0:32:52 > 0:32:55# That I

0:32:55 > 0:32:58# Would love to love you

0:32:58 > 0:33:01# And that she

0:33:01 > 0:33:04# Will cry

0:33:04 > 0:33:08# When she learns we are two

0:33:08 > 0:33:12# If I fell in love with you. #

0:33:19 > 0:33:20Pardon...pardon me. Excuse me. Pardon me.

0:33:20 > 0:33:22More - I'd like more drums there.

0:33:22 > 0:33:23No. I think it's on that...

0:33:23 > 0:33:25It sounds like a...

0:33:25 > 0:33:26On the third bit. You know, on the third bit.

0:33:26 > 0:33:28Third bit, more bang.

0:33:31 > 0:33:33Right. Let's hear no more about it.

0:33:33 > 0:33:35You're probably right.

0:33:35 > 0:33:37Now, look...

0:33:37 > 0:33:39if you think I'm unsuitable, let's have it out in the open.

0:33:39 > 0:33:41I can't stand these backstage politics.

0:33:41 > 0:33:42Aren't you tending

0:33:42 > 0:33:43to black and white the situation somewhat?

0:33:43 > 0:33:44Well, quite honestly,

0:33:44 > 0:33:46I wasn't expecting a musical arranger

0:33:46 > 0:33:49to question my ability picture-wise.

0:33:49 > 0:33:50I could listen to him for hours.

0:33:50 > 0:33:52What's all this about a musical arranger?

0:33:52 > 0:33:54Mr McCartney senior.

0:33:54 > 0:33:56Hey, Pauly, they're trying to fob you off

0:33:56 > 0:33:58with this musical charlatan,

0:33:58 > 0:33:59but I gave him the test.

0:33:59 > 0:34:01DIRECTOR: I'm quite happy to be replaced.

0:34:01 > 0:34:04GRANDFATHER: He's a typical buck-passer.

0:34:04 > 0:34:05I won an award.

0:34:05 > 0:34:06JOHN: A likely story.

0:34:06 > 0:34:08It's on the wall in my office.

0:34:10 > 0:34:12Hello, our lot. Everybody happy?

0:34:15 > 0:34:17All right, all right. If you don't need them,

0:34:17 > 0:34:19I'll lock them up in the dressing room.

0:34:19 > 0:34:21Please do. I'll not need them for half an hour.

0:34:21 > 0:34:23Thank you.

0:34:23 > 0:34:26Get me a bottle of milk and some tranquillisers.

0:34:26 > 0:34:28I see it all now. It's a plot...

0:34:28 > 0:34:29a plot.

0:34:31 > 0:34:32Tranquillisers.

0:34:32 > 0:34:34Come 'ed, you lot. I've got the key.

0:34:41 > 0:34:43Come 'ed, Ringo.

0:34:44 > 0:34:45Uhh.

0:34:47 > 0:34:49Hello. Come on.

0:34:49 > 0:34:50Leslie Jackson?

0:34:50 > 0:34:52I saw your father in the Old Empire

0:34:52 > 0:34:53in nineteen hundred and nine.

0:34:53 > 0:34:55Ah, if you're as good as him, son,

0:34:55 > 0:34:57you're all right.

0:35:14 > 0:35:16Gear costume.

0:35:16 > 0:35:18Swap? Cheeky.

0:35:21 > 0:35:24NORM: Come 'ed, lads. First door, and no messing about.

0:35:24 > 0:35:25Lennon, put them girls down,

0:35:25 > 0:35:29or I'll tell your mother of you. And stop messing about.

0:35:29 > 0:35:30Stay in here until that rehearsal.

0:35:30 > 0:35:32NORM: I'm going to keep you in, even if I have to put

0:35:32 > 0:35:33the lock in the key and turn it.

0:35:33 > 0:35:35We're out!

0:35:35 > 0:35:39# Can't buy me love

0:35:39 > 0:35:40# Love

0:35:40 > 0:35:44# Can't buy me love

0:35:44 > 0:35:46# I'll buy you a diamond ring, my friend

0:35:46 > 0:35:49# If it makes you feel all right

0:35:49 > 0:35:52# I'll get you anything, my friend

0:35:52 > 0:35:54# If it makes you feel all right

0:35:54 > 0:35:57# Cos I don't care too much for money

0:35:57 > 0:36:00# Money can't buy me love

0:36:00 > 0:36:02# I'll give you all I've got to give

0:36:02 > 0:36:05# If you say you love me, too

0:36:05 > 0:36:08# I may not have a lot to give

0:36:08 > 0:36:11# But what I got I'll give to you

0:36:11 > 0:36:14# I don't care too much for money

0:36:14 > 0:36:15# Money can't buy me love

0:36:15 > 0:36:19# Can't buy me love

0:36:19 > 0:36:21# Everybody tells me so

0:36:21 > 0:36:25# Can't buy me love

0:36:25 > 0:36:26# No, no, no

0:36:26 > 0:36:27# No

0:36:27 > 0:36:30# Say you don't need no diamond rings

0:36:30 > 0:36:33# And I'll be satisfied

0:36:33 > 0:36:35# Tell me that you want the kind of things

0:36:35 > 0:36:38# That money just can't buy

0:36:38 > 0:36:41# I don't care too much for money

0:36:41 > 0:36:43# Money can't buy me love

0:36:43 > 0:36:45# Ow!

0:37:01 > 0:37:04# Can't buy me love

0:37:04 > 0:37:06# Everybody tells me so

0:37:06 > 0:37:09# Can't buy me love

0:37:09 > 0:37:10# No, no, no

0:37:10 > 0:37:12# No

0:37:12 > 0:37:15# Say you don't need no diamond rings

0:37:15 > 0:37:18# And I'll be satisfied

0:37:18 > 0:37:20# Tell me that you want the kind of things

0:37:20 > 0:37:23# That money just can't buy

0:37:23 > 0:37:26# I don't care too much for money

0:37:26 > 0:37:28# Money can't buy me love

0:37:28 > 0:37:32# Can't buy me love

0:37:32 > 0:37:33# Love

0:37:33 > 0:37:38# Can't buy me love. #

0:37:40 > 0:37:45MAN: I suppose you realise this is private property.

0:37:45 > 0:37:48Sorry we hurt your field, mister.

0:37:53 > 0:37:55Not here. Hello, Dicky.

0:37:55 > 0:37:56Probably gone to the canteen -

0:37:56 > 0:37:57cup of tea, like.

0:37:57 > 0:38:00No, that's too easy for Lennon.

0:38:00 > 0:38:02He's out there somewhere causing trouble

0:38:02 > 0:38:04just to upset me.

0:38:04 > 0:38:05You're imagining it, Norm.

0:38:05 > 0:38:07You're letting it prey on your mind.

0:38:07 > 0:38:08No. This is a battle of nerves

0:38:08 > 0:38:09between John and me.

0:38:09 > 0:38:10But John hasn't got any.

0:38:10 > 0:38:11What?

0:38:11 > 0:38:13Nerves.

0:38:13 > 0:38:15No. That's just the trouble.

0:38:15 > 0:38:18I've toyed with the idea of a ball and chain,

0:38:18 > 0:38:19but he'd just rattle them at me -

0:38:19 > 0:38:21and in public, too.

0:38:21 > 0:38:23Sometimes I think he enjoys seeing me suffer.

0:38:28 > 0:38:30Hello. Hello.

0:38:30 > 0:38:31Oh, wait a minute. Don't tell me...

0:38:31 > 0:38:33No, I'm not. Oh, you are.

0:38:33 > 0:38:34I'm not. Oh, you are. I know you are.

0:38:34 > 0:38:37I'm not. No.

0:38:37 > 0:38:38You look just like him.

0:38:38 > 0:38:40Do I?

0:38:40 > 0:38:42You're the first one that's said that ever.

0:38:42 > 0:38:43Yes, you do. Look.

0:38:45 > 0:38:46No. Me eyes are lighter.

0:38:46 > 0:38:47Excuse me. All right, Noddy.

0:38:47 > 0:38:48Oh, yes. Me nose.

0:38:48 > 0:38:51Yes. Your nose is, very. Is it?

0:38:51 > 0:38:52Well, I would've said so.

0:38:52 > 0:38:53Oh, you know him better, though.

0:38:53 > 0:38:55I do not. He's only a casual acquaintance.

0:38:55 > 0:38:56That's what you say.

0:38:56 > 0:38:58What have you heard?

0:38:58 > 0:39:00It's all over the place.

0:39:00 > 0:39:01Is it? Is it really?

0:39:01 > 0:39:03Mmm, but I wouldn't have it. I stuck up for you.

0:39:03 > 0:39:05I knew I could rely on you.

0:39:05 > 0:39:06Thanks.

0:39:11 > 0:39:13You don't look like him at all.

0:39:19 > 0:39:23She looks more like him than I do.

0:39:25 > 0:39:26PA: 'There will be a full rehearsal

0:39:26 > 0:39:28'in ten minutes' time.

0:39:28 > 0:39:31'ten minutes from now, a full rehearsal.'

0:39:37 > 0:39:38DOLLY: Oh, there you are.

0:39:38 > 0:39:40Oh, sorry. Must've made a mistake.

0:39:40 > 0:39:41No, you haven't. You're just late.

0:39:41 > 0:39:42I am?

0:39:42 > 0:39:44Actually, I think he'll be very pleased with you.

0:39:44 > 0:39:45Will he?

0:39:45 > 0:39:47Yes. You're quite a feather in the cap.

0:39:49 > 0:39:51Hello?

0:39:51 > 0:39:52I've got one.

0:39:54 > 0:39:55Oh, I think so.

0:39:57 > 0:40:00Yes, he can talk.

0:40:00 > 0:40:03Well, I think you ought to see him.

0:40:03 > 0:40:04Yes. All right.

0:40:09 > 0:40:10Come on.

0:40:10 > 0:40:12Sorry.

0:40:15 > 0:40:18You don't see many of these nowadays, do you?

0:40:18 > 0:40:19IT RATTLES

0:40:19 > 0:40:20DOLLY: Come on.

0:40:22 > 0:40:24Simon, will this do?

0:40:24 > 0:40:26Oh, not bad, Dolly - not really bad.

0:40:26 > 0:40:28Turn around, chicky baby.

0:40:28 > 0:40:29SIMON: Oh, yes, he's a definite poss.

0:40:29 > 0:40:31He'll look good alongside Susan.

0:40:31 > 0:40:32All right, Sonny Jim,

0:40:32 > 0:40:33this is all going to be quite painless.

0:40:33 > 0:40:34Don't breathe on me, Adrian.

0:40:34 > 0:40:35GEORGE: I'm terribly sorry,

0:40:35 > 0:40:38but there seems to be some sort of misunderstanding.

0:40:38 > 0:40:39Oh, you can come off it with us.

0:40:39 > 0:40:41You don't have to do all the old adenoidal glottal stop

0:40:41 > 0:40:43and carry on for our benefit.

0:40:43 > 0:40:45I'm afraid I don't understand.

0:40:45 > 0:40:46Oh, my God. He's a natural.

0:40:46 > 0:40:47Well, I did tell them

0:40:47 > 0:40:49not to send us real ones.

0:40:49 > 0:40:50Well, they ought to know by now

0:40:50 > 0:40:51the phonies are much easier to handle.

0:40:51 > 0:40:53Still, he's a good type.

0:40:53 > 0:40:56We'd like you to give us your opinion

0:40:56 > 0:40:58on some clothes for teenagers.

0:40:58 > 0:41:00Oh, by all means.

0:41:00 > 0:41:02I'd be quite prepared for that eventuality.

0:41:02 > 0:41:04Well, not your real opinion, naturally.

0:41:04 > 0:41:06It'll be written out, and you'll learn it. Can he read?

0:41:06 > 0:41:08Of course I can. I mean lines, ducky.

0:41:08 > 0:41:09Can you handle lines?

0:41:09 > 0:41:11Well, I'll have a bash. Good.

0:41:11 > 0:41:12Give him whatever it is they drink.

0:41:12 > 0:41:14A coke-a-rama?

0:41:14 > 0:41:15Ta.

0:41:15 > 0:41:17Well, at least he's polite.

0:41:17 > 0:41:19Show him the shirts, Adrian.

0:41:23 > 0:41:24SIMON: Now, you'll like these.

0:41:24 > 0:41:26You'll really dig them.

0:41:26 > 0:41:29They're fab and all the other pimply hyperboles.

0:41:30 > 0:41:32I wouldn't be seen dead in them.

0:41:32 > 0:41:33They're dead grotty.

0:41:33 > 0:41:35Grotty? Yeah. Grotesque.

0:41:35 > 0:41:39Make a note of that word and give it to Susan.

0:41:39 > 0:41:40It's rather touching, really.

0:41:40 > 0:41:41Here's this kid

0:41:41 > 0:41:43trying to give me his utterly valueless opinion

0:41:43 > 0:41:45when I know for a fact that within a month

0:41:45 > 0:41:48he'll be suffering from a violent inferiority complex

0:41:48 > 0:41:49and loss of status

0:41:49 > 0:41:51because he isn't wearing one of these nasty things.

0:41:51 > 0:41:54Of course they're grotty, you wretched nit.

0:41:54 > 0:41:55That's why they were designed,

0:41:55 > 0:41:57but that's what you'll want. I won't.

0:41:57 > 0:41:59You can be replaced, chicky baby. I don't care.

0:41:59 > 0:42:01And that pose is out, too, Sonny Jim.

0:42:01 > 0:42:03The new thing is to care passionately

0:42:03 > 0:42:05and be right wing.

0:42:05 > 0:42:06Anyway, if you don't cooperate,

0:42:06 > 0:42:07you won't meet Susan.

0:42:07 > 0:42:09And who's this Susan when she's at home?

0:42:09 > 0:42:13Only Susan Campy our resident teenager.

0:42:13 > 0:42:15You'll have to love her. She's your symbol.

0:42:15 > 0:42:18Oh, you mean that posh bird who gets everything wrong?

0:42:18 > 0:42:20I beg your pardon.

0:42:20 > 0:42:21Oh, yeah, the lads frequently

0:42:21 > 0:42:24sit round the television and watch her for a giggle.

0:42:24 > 0:42:26In fact, once we all sat down and wrote these letters

0:42:26 > 0:42:28saying how gear she was and all that rubbish.

0:42:28 > 0:42:30She's a trendsetter. It's her profession.

0:42:30 > 0:42:33She's a drag - a well-known drag.

0:42:33 > 0:42:34We turn the sound down on her

0:42:34 > 0:42:35and say rude things.

0:42:35 > 0:42:36Get him out of here.

0:42:36 > 0:42:38Have I said something amiss? Get him out.

0:42:38 > 0:42:40He's knocking the programme's image.

0:42:40 > 0:42:41Sorry about the shirts.

0:42:41 > 0:42:43Get him out!

0:42:45 > 0:42:47You don't think he's a new phenomenon, do you?

0:42:47 > 0:42:49You mean an early clue to the new direction?

0:42:49 > 0:42:52HE SNAPS FINGERS Where's the calendar?

0:42:53 > 0:42:55Oh, no, no, no, no. It's all right.

0:42:55 > 0:42:56He's just a troublemaker.

0:42:56 > 0:42:58The change isn't due for three weeks yet.

0:42:58 > 0:43:00All the same, make a note not to extend Susan's contract.

0:43:00 > 0:43:04And let's not take any unnecessary chances...hmm?

0:43:04 > 0:43:06HE SINGS IN GERMAN

0:43:12 > 0:43:15SINGING CONTINUES

0:43:15 > 0:43:16GIRL: So I explained to my mother

0:43:16 > 0:43:18that he was a very clean man.

0:43:18 > 0:43:20She was quite pleased.

0:43:35 > 0:43:37CHORUS SINGS IN GERMAN

0:43:47 > 0:43:50FOOTSTEPS

0:43:50 > 0:43:51NORM: There's no-one here.

0:43:51 > 0:43:52SHAKE: No-one here?

0:43:52 > 0:43:54Well, where have they gone?

0:43:56 > 0:43:58MOTOR REVS

0:43:58 > 0:44:02MAN AND WOMAN SING LONG, HIGH NOTE

0:44:06 > 0:44:08BOTH SING AND STOP

0:44:09 > 0:44:10That's wrong, isn't it?

0:44:10 > 0:44:12Surely, that's wrong. No, not you.

0:44:12 > 0:44:14DIRECTOR OVER PA: 'Get him out!'

0:44:19 > 0:44:22There's someone coming. Quick, hide.

0:44:25 > 0:44:26Stop being taller than me.

0:44:26 > 0:44:29It's not my... Shh!

0:44:29 > 0:44:31JOHN: Ha ha ha ha!

0:44:31 > 0:44:33What are you doing here? Hiding.

0:44:33 > 0:44:34You must be soft or something.

0:44:34 > 0:44:36Well, we weren't hiding. We were resting.

0:44:36 > 0:44:38I thought I told you lot to stop here.

0:44:38 > 0:44:39RINGO: Well?

0:44:39 > 0:44:41When I say stay put, I mean stay put.

0:44:41 > 0:44:43Don't cane me, sir. I was led astray.

0:44:43 > 0:44:44Oh, shut up, John.

0:44:44 > 0:44:46They're waiting for you in the studio.

0:44:46 > 0:44:48Gear. I'm dying to do a bit of work.

0:44:48 > 0:44:49NORM: Well, God bless you, Ringo.

0:44:49 > 0:44:50Oh, listen to teacher's pet.

0:44:50 > 0:44:52- Crawler. - Betrayed the class, eh?

0:44:52 > 0:44:53Aw, lay off.

0:44:53 > 0:44:54Temper, temper. Well?

0:44:54 > 0:44:56Will you get a move on? They're waiting for you.

0:44:56 > 0:44:57Sorry.

0:44:59 > 0:45:03IN A WOMAN'S VOICE: I now declare this bridge open.

0:45:04 > 0:45:07DIRECTOR: Where are they, hmm?

0:45:07 > 0:45:11Where are they? Where are they?

0:45:11 > 0:45:12They're coming.

0:45:12 > 0:45:13Hmm?

0:45:13 > 0:45:14They're coming, I promise you.

0:45:14 > 0:45:16Aha. Yes, well...

0:45:16 > 0:45:18if they aren't on this floor in 30 seconds,

0:45:18 > 0:45:19there'll be trouble.

0:45:19 > 0:45:21Understand me?

0:45:21 > 0:45:22Trouble.

0:45:25 > 0:45:26Standing about, eh?

0:45:26 > 0:45:29Some people have it dead easy.

0:45:29 > 0:45:31Once you're over 30, you're past it.

0:45:31 > 0:45:33It's a young man's medium.

0:45:33 > 0:45:34I just can't stand the pace.

0:45:34 > 0:45:36RINGO: Oh, you're as young as that, then? I was.

0:45:36 > 0:45:38JOHN: Ah, there he goes.

0:45:38 > 0:45:39Look at him. I bet his wife doesn't know about her.

0:45:39 > 0:45:42He hasn't even got a wife. Look at his sweater.

0:45:42 > 0:45:43PAUL: You never know. She might've knitted it.

0:45:43 > 0:45:45JOHN: She's knitted him.

0:45:45 > 0:45:47DIRECTOR: 'Right. Stand-by. Run through a number

0:45:47 > 0:45:50'and try not to jiggle out of position.'

0:45:50 > 0:45:52Hello, three? Coming to you.

0:45:52 > 0:45:54Three. Three, coming to you. Three.

0:45:54 > 0:45:55MAN: 'We're on three.'

0:45:55 > 0:45:56What? 'We're on three.'

0:45:56 > 0:45:57Oh, yes.

0:45:57 > 0:45:59DIRECTOR: 'Uh, music.'

0:46:08 > 0:46:12# I give her all my love

0:46:12 > 0:46:17# That's all I do

0:46:17 > 0:46:21# And if you saw my love

0:46:21 > 0:46:24# You'd love her, too

0:46:24 > 0:46:27# I love her

0:46:30 > 0:46:34# She gives me everything

0:46:34 > 0:46:38# And tenderly

0:46:38 > 0:46:42# The kiss my lover brings

0:46:42 > 0:46:45# She brings to me

0:46:45 > 0:46:48# And I love her

0:46:51 > 0:46:55# A love like ours

0:46:55 > 0:47:00# Could never die

0:47:00 > 0:47:02# As long as I

0:47:02 > 0:47:05# Have you near me

0:47:08 > 0:47:12# Bright are the stars that shine

0:47:12 > 0:47:17# Dark is the sky

0:47:17 > 0:47:21# I know this love of mine

0:47:21 > 0:47:24# Will never die

0:47:24 > 0:47:27# And I love her

0:47:51 > 0:47:56# Bright are the stars that shine

0:47:56 > 0:48:00# Dark is the sky

0:48:00 > 0:48:04# I know this love of mine

0:48:04 > 0:48:07# Will never die

0:48:07 > 0:48:10# And I love her. #

0:48:29 > 0:48:31DIRECTOR: 'Thank you. Very nice.'

0:48:31 > 0:48:32Make-up?

0:48:32 > 0:48:33No, not really. They don't need any.

0:48:33 > 0:48:35They'll just powder them off for the shine.

0:48:35 > 0:48:37Oh, well, yes. Norm, would you take them down to make-up

0:48:37 > 0:48:39and powder them off - the shine.

0:48:39 > 0:48:40Sure.

0:48:43 > 0:48:44You blinked.

0:48:44 > 0:48:45NORM: Come on. Come 'ed.

0:48:45 > 0:48:46Hello, lads.

0:48:46 > 0:48:47Hey, your grandfather's not talking to me.

0:48:47 > 0:48:48I think he's got a sulk on.

0:48:48 > 0:48:50It must be catching on. He's given it to Ringo here.

0:48:50 > 0:48:51Stop picking on him, George.

0:48:51 > 0:48:53I don't need you to protect me, you know, Norm.

0:48:53 > 0:48:54Got a touch of the swine fever, haven't you?

0:48:54 > 0:48:55No. Come on, lads. Sit down.

0:48:55 > 0:48:58This is impossible. We'll never get them all done in time.

0:48:58 > 0:48:59Then you will have to do us first.

0:48:59 > 0:49:01It doesn't matter to them whether they're made up or not.

0:49:01 > 0:49:03By the way, what's that?

0:49:03 > 0:49:05My name's Betty.

0:49:05 > 0:49:07Do you want a punch up your frogged tunic?

0:49:07 > 0:49:08No.

0:49:08 > 0:49:10John, behave yourself, or I'll murder you.

0:49:10 > 0:49:13Shake, take that wig off. It suits you.

0:49:13 > 0:49:15Ringo, what are you up to?

0:49:15 > 0:49:17Page five.

0:49:17 > 0:49:18JOHN: You always fancied yourself

0:49:18 > 0:49:19as a guardsman, didn't you?

0:49:19 > 0:49:22Oh, that this too, too solid flesh would melt.

0:49:22 > 0:49:23Zap!

0:49:23 > 0:49:24Hey, you won't interfere

0:49:24 > 0:49:25with the basic rugged concept

0:49:25 > 0:49:27of me personality, will you, madam?

0:49:29 > 0:49:31Hey, he's reading the Queen.

0:49:31 > 0:49:32That's an in-joke, you know.

0:49:32 > 0:49:34Shazam!

0:49:34 > 0:49:36It's my considered opinion that you're a bunch of sissies.

0:49:36 > 0:49:38You're just jealous.

0:49:38 > 0:49:39NORM: Leave him alone, Lennon,

0:49:39 > 0:49:41or I'll tell them all the truth about you.

0:49:41 > 0:49:42You wouldn't.

0:49:42 > 0:49:44Oh, I would, though.

0:49:44 > 0:49:45Lookit, I thought I was supposed to be getting

0:49:45 > 0:49:46a change of scenery,

0:49:46 > 0:49:49and so far, I've been in a train and a room

0:49:49 > 0:49:51and a car and a room and a room and a room.

0:49:51 > 0:49:52GRANDFATHER: Well, maybe that's all right

0:49:52 > 0:49:54for a bunch of powdered gewgaws like you lot,

0:49:54 > 0:49:57but I'm feeling decidedly straight-jacketed.

0:49:57 > 0:49:59What a clean old man.

0:49:59 > 0:50:00Ah, don't press your luck.

0:50:00 > 0:50:01JOHN: He's sex obsessed.

0:50:01 > 0:50:03The older generation are leading this country

0:50:03 > 0:50:04to galloping ruin.

0:50:07 > 0:50:08What's a pretty girl like you

0:50:08 > 0:50:11doing in a place like this?

0:50:12 > 0:50:13They're nearly ready for you, lads.

0:50:13 > 0:50:14Just finishing the band call.

0:50:14 > 0:50:15PIANO MUSIC PLAYS

0:50:15 > 0:50:17I say, did you go to Harrods?

0:50:17 > 0:50:19I was there in '58, you know.

0:50:19 > 0:50:20I can get you on the stage.

0:50:20 > 0:50:21Oh, how?

0:50:21 > 0:50:22You turn right here at the corridor

0:50:22 > 0:50:25and go past the fireplace.

0:50:29 > 0:50:31Ah, I don't like yours.

0:50:31 > 0:50:34PIANO PLAYS "I'm Happy Just To Dance With You"

0:50:50 > 0:50:52HE PLAYS ALONG

0:51:00 > 0:51:01JOHN: Hey, kids, I got an idea.

0:51:01 > 0:51:03Well, why don't we do the show right here? Yeah!

0:51:05 > 0:51:06JOHN: Two, three, four...

0:51:13 > 0:51:15# Before this dance is through

0:51:15 > 0:51:17# I think I'll love you, too

0:51:17 > 0:51:20# I'm so happy when you dance with me

0:51:20 > 0:51:24# I don't want to kiss or hold your hand

0:51:24 > 0:51:28# If it's funny, try and understand

0:51:28 > 0:51:31# There is really nothing else I'd rather do

0:51:31 > 0:51:35# Cos I'm happy just to dance with you

0:51:35 > 0:51:39# I don't need to hug or hold you tight

0:51:39 > 0:51:42# I just want to dance with you all night

0:51:42 > 0:51:46# In this world there's nothing I would rather do

0:51:46 > 0:51:50# Cos I'm happy just to dance with you

0:51:50 > 0:51:52# Just to dance with you

0:51:54 > 0:51:56# Is everything I need

0:51:56 > 0:51:58# Oh, oh

0:51:58 > 0:51:59# Before this dance is through

0:51:59 > 0:52:01# I think I'll love you, too

0:52:01 > 0:52:05# I'm so happy when you dance with me

0:52:05 > 0:52:08# If somebody tries to take my place

0:52:08 > 0:52:12# Let's pretend we just can't see his face

0:52:12 > 0:52:16# In this world there's nothing I would rather do

0:52:16 > 0:52:20# Cos I'm happy just to dance with you

0:52:20 > 0:52:22# Just to dance with you

0:52:22 > 0:52:23# Oh

0:52:23 > 0:52:26# Is everything I need

0:52:26 > 0:52:27# Oh, oh

0:52:27 > 0:52:29# Before this dance is through

0:52:29 > 0:52:31# I think I'll love you, too

0:52:31 > 0:52:35# I'm so happy when you dance with me

0:52:35 > 0:52:38# If somebody tries to take my place

0:52:38 > 0:52:42# Let's pretend we just can't see his face

0:52:42 > 0:52:45# In this world there's nothing I would rather do

0:52:45 > 0:52:50# I've discovered I'm in love with you

0:52:50 > 0:52:51# Oh, oh

0:52:51 > 0:52:55# Cos I'm happy just to dance with you

0:52:55 > 0:52:57# Oh, oh

0:52:57 > 0:52:59# Oh, oh

0:52:59 > 0:53:00# Oh. #

0:53:00 > 0:53:01JOHN: Oh.

0:53:01 > 0:53:03Very good, that, George.

0:53:03 > 0:53:04# Oh... # Oh.

0:53:04 > 0:53:06Well, we're trying.

0:53:06 > 0:53:07JOHN: Yeah, keep trying.

0:53:07 > 0:53:08Let's go. Go on.

0:53:08 > 0:53:09NORM: That was great, lads.

0:53:09 > 0:53:10Now, you've got about an hour,

0:53:10 > 0:53:12but don't leave the theatre.

0:53:12 > 0:53:13Where are you going, John?

0:53:13 > 0:53:15She's going to show me her stamp collection.

0:53:15 > 0:53:16PAUL: So's mine.

0:53:16 > 0:53:17NORM: John, I'm talking to you.

0:53:17 > 0:53:19This final run-through is important, understand?

0:53:19 > 0:53:20Important.

0:53:20 > 0:53:22Oink! Oink!

0:53:23 > 0:53:25I want a cup of tea.

0:53:25 > 0:53:26Uh, Shake?

0:53:26 > 0:53:28Um, I've got to adjust the decibels

0:53:28 > 0:53:29on the imbalance, Norm.

0:53:29 > 0:53:30Clever. George?

0:53:31 > 0:53:34- Ringo, look after him, will you? - Oh, hey, Norm.

0:53:34 > 0:53:36Do I have to raise my voice?

0:53:36 > 0:53:39All right. Come on, Grandad.

0:53:39 > 0:53:42RINGO: I'm a drummer, not a wet nurse, you know.

0:54:03 > 0:54:05GRANDFATHER: Would you look at him...

0:54:05 > 0:54:07sitting there with his hooter

0:54:07 > 0:54:08scraping away at that book.

0:54:08 > 0:54:11Well, what's the matter with that?

0:54:11 > 0:54:13Have you no natural resources of your own?

0:54:13 > 0:54:15Have they even robbed you of that?

0:54:15 > 0:54:17You can learn from books.

0:54:17 > 0:54:18You can, can you?

0:54:18 > 0:54:21Ahh. Sheeps' heads.

0:54:21 > 0:54:22You could learn more by getting out there and living.

0:54:22 > 0:54:24Out where?

0:54:24 > 0:54:26Any old where.

0:54:26 > 0:54:27But not our little Richard.

0:54:27 > 0:54:29Oh, no.

0:54:29 > 0:54:31When you're not thumping them pagan skins,

0:54:31 > 0:54:33you're tormenting your eyes with that rubbish.

0:54:33 > 0:54:35Books are good.

0:54:35 > 0:54:36Parading's better.

0:54:36 > 0:54:38Parading?

0:54:38 > 0:54:41Parading the streets,

0:54:41 > 0:54:43trailing your coat, bowling along -

0:54:43 > 0:54:44living!

0:54:44 > 0:54:46Well, I am living.

0:54:46 > 0:54:48You? Living?

0:54:48 > 0:54:49When was the last time you gave a girl

0:54:49 > 0:54:51a pink-edged daisy?

0:54:51 > 0:54:53When did you last embarrass a Sheila

0:54:53 > 0:54:57with your cool, appraising stare?

0:54:57 > 0:54:59You're a bit old for that sort of chat, aren't you?

0:54:59 > 0:55:01Well, at least I've got a backlog of memories.

0:55:01 > 0:55:04All you've got is... that book.

0:55:04 > 0:55:05Ah, stop picking on me.

0:55:05 > 0:55:06You're as bad as the rest of them.

0:55:06 > 0:55:09Ah, so you are a man after all.

0:55:09 > 0:55:11What's that mean?

0:55:11 > 0:55:13Do you think I haven't noticed?

0:55:13 > 0:55:16Do you think I wasn't aware of the drift?

0:55:16 > 0:55:18You poor, unfortunate scruff.

0:55:19 > 0:55:21They've driven you into books

0:55:21 > 0:55:23with their cruel, unnatural treatment.

0:55:23 > 0:55:25Exploiting your good nature.

0:55:25 > 0:55:27I don't know.

0:55:27 > 0:55:28Ah, sure. That lot's never happier

0:55:28 > 0:55:30unless they're jeering you.

0:55:30 > 0:55:31And where would they be

0:55:31 > 0:55:33without the steady support of your drumbeat?

0:55:33 > 0:55:35That's what I'd like to know.

0:55:35 > 0:55:36Yeah. That's right.

0:55:38 > 0:55:41And what's it all come to in the end?

0:55:41 > 0:55:43Yeah. What's in it for me?

0:55:43 > 0:55:44A book.

0:55:45 > 0:55:47Yeah, a bloomin' book.

0:55:47 > 0:55:48When you could be out there

0:55:48 > 0:55:50betraying a rich American widow,

0:55:50 > 0:55:52or sipping palm wine in Tahiti

0:55:52 > 0:55:54before you're too old like me.

0:55:54 > 0:55:57Yeah, funny, really, cos I never thought,

0:55:57 > 0:55:59but being middle-aged and old

0:55:59 > 0:56:00takes up most of your time, doesn't it?

0:56:00 > 0:56:02You're only right.

0:56:05 > 0:56:06Where are you going?

0:56:06 > 0:56:09I'm going parading before it's too late.

0:56:19 > 0:56:21Eh, Ringo, you know what just happened to me?

0:56:21 > 0:56:22No, I don't.

0:56:23 > 0:56:25You ought to stop looking so scornful.

0:56:25 > 0:56:27It's twisting your face.

0:56:28 > 0:56:30Tell him of the story about...

0:56:30 > 0:56:32Hello, here he is, the middle-aged boy wonder.

0:56:32 > 0:56:33I thought you were looking after the old man.

0:56:36 > 0:56:38We've only got half an hour to the final run-through.

0:56:38 > 0:56:39He can't walk out on us now.

0:56:39 > 0:56:41Can't he? He's done it, son.

0:56:41 > 0:56:42Eh, you know what happened?

0:56:42 > 0:56:43We know.

0:56:43 > 0:56:45Your grandfather. He's stirred him up.

0:56:45 > 0:56:46He hasn't.

0:56:46 > 0:56:47Yeah, he... he filled his head

0:56:47 > 0:56:49with notions seemingly.

0:56:49 > 0:56:52The old mixer. Come on, we'll have to put him right.

0:56:52 > 0:56:54PA: 'Coming up, all dancers onstage for rehearsal.'

0:56:59 > 0:57:01JOHN: Split up and look for him.

0:57:06 > 0:57:08We've become a limited company.

0:57:09 > 0:57:11I'll look in here again.

0:57:27 > 0:57:29Aah! Aah!

0:57:57 > 0:57:58Hello there.

0:57:58 > 0:58:00Get out of it, shorty.

0:59:03 > 0:59:04Hey, you should have more sense

0:59:04 > 0:59:06than to go around chucking bricks about.

0:59:06 > 0:59:08Southerner.

0:59:11 > 0:59:12Here, mate. That's my hoop.

0:59:12 > 0:59:13Stop playing with it.

0:59:13 > 0:59:15Hoop? That isn't a hoop. It's a lethal weapon.

0:59:15 > 0:59:18Have you got a licence for it? Oh, don't be so stroppy.

0:59:18 > 0:59:20Well, a boy your age rolling hoops at people. How old are you, anyway?

0:59:20 > 0:59:2211. I bet you're only 10½.

0:59:22 > 0:59:24Ten and two thirds. There you are, then,

0:59:24 > 0:59:25and don't be rolling at people.

0:59:25 > 0:59:27Oh, you can have it.

0:59:27 > 0:59:28I'm packing it in. It depresses me.

0:59:28 > 0:59:30Y'what? You heard. It gets on my wick.

0:59:30 > 0:59:32That's lovely talk, that is. And why aren't you at school?

0:59:32 > 0:59:33I'm a deserter.

0:59:33 > 0:59:34Are you now?

0:59:34 > 0:59:36Yeah, I've blown school out. Just you?

0:59:36 > 0:59:39No, Ginger, Eddy Fallon, and Ding Dong.

0:59:39 > 0:59:40Oh, Ding Dong Bell, eh?

0:59:40 > 0:59:42Yeah, that's right.

0:59:42 > 0:59:43They was supposed to come with us,

0:59:43 > 0:59:44but they chickened.

0:59:44 > 0:59:46Yeah? And they're your mates, are they? Yeah.

0:59:46 > 0:59:49Not much cop without 'em, is it? Oh, it's all right.

0:59:49 > 0:59:51Yeah? What are they like? Ginger's mad.

0:59:51 > 0:59:52He says things all the time.

0:59:52 > 0:59:54And Eddy's good at spitting and punching.

0:59:54 > 0:59:56Yeah? How about Ding Dong?

0:59:56 > 0:59:57Oh, he's a big head.

0:59:57 > 0:59:58He fancies himself, you know.

0:59:58 > 1:00:00He's all right, though, cos he's one of the gang.

1:00:00 > 1:00:01Hmm.

1:00:01 > 1:00:02Why aren't you at work?

1:00:02 > 1:00:04I'm a deserter, too.

1:00:04 > 1:00:06Oh. SECOND BOY: Hey, Charlie!

1:00:08 > 1:00:09See ya!

1:00:24 > 1:00:27MAN: Come in, number seven. Your time's up.

1:00:30 > 1:00:33I'm sorry, boys. I didn't mean it, honest.

1:00:36 > 1:00:39If he says that again, I'll strike him.

1:00:39 > 1:00:41Oh, don't worry. They're good lads. They'll be back.

1:00:41 > 1:00:43Yes, well, we've only 20 minutes

1:00:43 > 1:00:44to the final run-through.

1:00:47 > 1:00:48I meant no harm.

1:00:48 > 1:00:50I was only trying to encourage little Ringo

1:00:50 > 1:00:51to enjoy himself.

1:00:51 > 1:00:53God knows what you've unleashed

1:00:53 > 1:00:55on the unsuspecting south.

1:00:55 > 1:00:56It'll be wine, women, and song

1:00:56 > 1:00:58all the way with Ringo

1:00:58 > 1:00:59when he gets the taste for it.

1:01:08 > 1:01:10That was fresh this morning.

1:01:10 > 1:01:11Two and nine.

1:01:50 > 1:01:52PARROT SCREECHES

1:01:56 > 1:01:57Right. On your way.

1:01:57 > 1:01:59You what?

1:01:59 > 1:02:01You heard. On your way. Troublemaker!

1:02:08 > 1:02:10Hey, watch it!

1:02:15 > 1:02:17Shake. What? Worry, will you?

1:02:18 > 1:02:19Well, that's it.

1:02:19 > 1:02:22Two minutes to the final run-through.

1:02:22 > 1:02:23They're bound to miss it now.

1:02:23 > 1:02:24I'll murder that Lennon.

1:02:24 > 1:02:26Still, we could survive a missed run-through

1:02:26 > 1:02:27as long as they...

1:02:27 > 1:02:28SHAKE: As long as they end up for the show?

1:02:28 > 1:02:30Oh, you're right there. I mean, it wouldn't do

1:02:30 > 1:02:31to miss the show, like, would it?

1:02:31 > 1:02:32NORM: Shut up, cheerful.

1:02:32 > 1:02:33You don't think...

1:02:33 > 1:02:35Oh, oh, oh, no. Now, look, don't worry.

1:02:35 > 1:02:37They can't do this to me, no.

1:02:37 > 1:02:38It's all your fault.

1:02:38 > 1:02:41Oh, yes, it is. If they don't turn up,

1:02:41 > 1:02:42I wouldn't be in your shoes for all...

1:02:42 > 1:02:44For all the tea in China.

1:02:44 > 1:02:45Oh, you're right there. Neither would I.

1:02:45 > 1:02:47You dirty traitor.

1:02:47 > 1:02:48Well, of course.

1:02:48 > 1:02:49Yes, of course.

1:02:49 > 1:02:52BEATLES: # I have been working like a dog... #

1:02:52 > 1:02:54Hello. Hi, John. John!

1:02:54 > 1:02:55Did you want something?

1:02:55 > 1:02:56Oh, I could eat the lot of you.

1:02:56 > 1:02:58You'd look great with an apple in your gob.

1:02:58 > 1:02:59Do you realise

1:02:59 > 1:03:00you could have missed the final run-through?

1:03:00 > 1:03:01Oh, we're sorry about that.

1:03:01 > 1:03:03Norm? There's only three of 'em.

1:03:03 > 1:03:05Oh, we were looking for Ringo,

1:03:05 > 1:03:07but we realised he must've come back here.

1:03:07 > 1:03:08Well, do you realise

1:03:08 > 1:03:09that we are on the air live

1:03:09 > 1:03:11in front of an audience

1:03:11 > 1:03:12in 45 minutes, and you're one short?

1:03:12 > 1:03:14Control yourself, or you'll spurt.

1:03:14 > 1:03:15He must be here somewhere.

1:03:15 > 1:03:17Aye, well, we'll look in the dressing room.

1:03:17 > 1:03:18Shake.

1:03:18 > 1:03:20Yes, the dressing room.

1:03:20 > 1:03:22Hey, where's my grandfather? Don't worry about him, Paul.

1:03:22 > 1:03:24He can look after himself. I suppose so.

1:03:24 > 1:03:26Personally signed and handwritten

1:03:26 > 1:03:28by your own sweet boys.

1:03:28 > 1:03:29The chance of a lifetime!

1:03:29 > 1:03:30FANS SCREAM

1:03:30 > 1:03:33Be the envy of your less fortunate sisters!

1:03:33 > 1:03:36GRANDFATHER: Oh, me bones.

1:03:36 > 1:03:37POLICEMAN: All right there.

1:03:37 > 1:03:39Come on, break it up. Break it up. Move on.

1:03:39 > 1:03:41Hey, what's going on here? Right, move over. Move over.

1:03:41 > 1:03:43Come on, move along. Here you are.

1:03:43 > 1:03:45Why don't you go back home? You're making a disturbance.

1:03:45 > 1:03:48Now, will you just move along now?

1:03:48 > 1:03:50INDISTINCT ARGUING

1:03:50 > 1:03:52Come on, ya. Aah! Yeah!

1:03:54 > 1:03:57PNEUMATIC DRILL HAMMERS

1:04:01 > 1:04:02RINGO HUMS

1:04:05 > 1:04:06Thank you.

1:04:08 > 1:04:09RINGO CONTINUES HUMMING

1:04:23 > 1:04:24RINGO WHISTLES

1:04:24 > 1:04:25Gotcha, you nasty little person, you.

1:04:25 > 1:04:27RINGO: You what! Ooh, yeah.

1:04:29 > 1:04:31I'm Ringo Starr. I've got a show to do.

1:04:31 > 1:04:32I'm on in a few minutes.

1:04:32 > 1:04:33You've got to let me go. I'm Ringo.

1:04:33 > 1:04:35Yeah, that's what they all say these days.

1:04:35 > 1:04:36Look, I don't care who you are.

1:04:36 > 1:04:38You can save that for the stipendiary.

1:04:38 > 1:04:39Here you are, Sarge.

1:04:39 > 1:04:40All right. What is he?

1:04:40 > 1:04:42Yeah, I got a little list here.

1:04:42 > 1:04:44Wandering abroad, malicious intent,

1:04:44 > 1:04:46acting in a suspicious manner,

1:04:46 > 1:04:48conduct liable to cause a breach of the peace.

1:04:48 > 1:04:49OFFICER: You name it, he's done it.

1:04:49 > 1:04:50Oh, a little savage, is he?

1:04:50 > 1:04:52Yeah, a proper little aborigine.

1:04:52 > 1:04:54I demand to see my solicitor.

1:04:54 > 1:04:55What's his name?

1:04:55 > 1:04:58Well, if you're going to get technical about it.

1:04:58 > 1:04:59GRANDFATHER: Dragging me through the streets...

1:04:59 > 1:05:01Hello, it's going to be one of those nights, is it?

1:05:01 > 1:05:03Sit Charlie Peace down over there, will you?

1:05:03 > 1:05:06Well, you got me here, so do your worst,

1:05:06 > 1:05:08but, by God, I'll take one of you with me.

1:05:08 > 1:05:09Ow!

1:05:09 > 1:05:11I know your game!

1:05:11 > 1:05:13Get me into that tiled room,

1:05:13 > 1:05:15and then out come the rubber hoses.

1:05:15 > 1:05:18Oh, there's a fire, is there?

1:05:18 > 1:05:19You ugly great brute.

1:05:19 > 1:05:21You have sadism stamped all over

1:05:21 > 1:05:23your bloated British kisser.

1:05:23 > 1:05:25Eh? I'll go on hunger strike.

1:05:25 > 1:05:26I know your caper.

1:05:26 > 1:05:28The kidney punch and the rabbit clout.

1:05:28 > 1:05:29The third degree

1:05:29 > 1:05:31and the size 12 boot ankle tap.

1:05:31 > 1:05:33What's he on about?

1:05:33 > 1:05:35GRANDFATHER: I'm a soldier of the republic.

1:05:35 > 1:05:37You'll need the mahogany truncheon on this boyo.

1:05:37 > 1:05:40# A nation once again

1:05:40 > 1:05:42# A nation once again... #

1:05:42 > 1:05:44Get Lloyd George over there

1:05:44 > 1:05:45next to the mechanic in the cloth cap

1:05:45 > 1:05:47while I sort this lot out, will you?

1:05:47 > 1:05:50OFFICER: Come on, Dad. Sit down over here.

1:05:50 > 1:05:51Ringo, me old scout!

1:05:51 > 1:05:53So they grabbed your leg for the iron, too, have they?

1:05:53 > 1:05:55I'm not exactly a voluntary patient.

1:05:55 > 1:05:56Sh, sh. Have they roughed you up yet?

1:05:56 > 1:05:58What?

1:05:58 > 1:06:00GRANDFATHER: Oh, they're a desperate crew of drippings,

1:06:00 > 1:06:02and they've fists like matured hams

1:06:02 > 1:06:04for pounding poor defenceless lads like you.

1:06:04 > 1:06:05Right, that's it, then.

1:06:05 > 1:06:07GRANDFATHER: One of us has got to escape.

1:06:07 > 1:06:08I'll get the boys.

1:06:08 > 1:06:09Hold on, son. I'll be back for you.

1:06:09 > 1:06:11For me? And if they get you on the floor,

1:06:11 > 1:06:13watch out for your brisket.

1:06:13 > 1:06:14They seem all right to me.

1:06:14 > 1:06:16Ah, sure, that's what they want you to think.

1:06:16 > 1:06:19All coppers are villains.

1:06:19 > 1:06:20Would you two like a cup of tea?

1:06:20 > 1:06:23See? Sly villains.

1:06:23 > 1:06:25Um, no thank you, Mr Sergeant, sir.

1:06:25 > 1:06:27No, not for me. Please don't.

1:06:27 > 1:06:28So you just brought the old chap

1:06:28 > 1:06:30out of the crowd for his own good, eh?

1:06:30 > 1:06:31Well, he was getting a bit nasty, you see,

1:06:31 > 1:06:33so we had to bring him in.

1:06:33 > 1:06:34Well, he can't stop here.

1:06:34 > 1:06:36This is the stuff he's been hawking around, eh?

1:06:36 > 1:06:37Yes, Sergeant. Photographs.

1:06:37 > 1:06:38Photographs.

1:06:38 > 1:06:42Well, son, it's now or never.

1:06:42 > 1:06:43All right, you paid assassins!

1:06:43 > 1:06:45Johnny McCartney'll give you a run

1:06:45 > 1:06:46for your thruppence halfpenny.

1:06:46 > 1:06:47Hey, you forgot your photographs.

1:06:55 > 1:06:57Only half an hour, and you're on.

1:06:57 > 1:06:59Can I say something? Yes. Anything.

1:06:59 > 1:07:01It seems highly unlikely

1:07:01 > 1:07:02we'll be on.

1:07:02 > 1:07:03I mean, the law of averages

1:07:03 > 1:07:04are against it.

1:07:04 > 1:07:07I think if you could get the juggler on

1:07:07 > 1:07:08with a couple more clubs,

1:07:08 > 1:07:10that would fill in a bit of time.

1:07:27 > 1:07:29I'll have the hides off of you lot.

1:07:29 > 1:07:31LAUGHTER

1:07:31 > 1:07:33You ought to be ashamed of yourself. Go home.

1:07:33 > 1:07:34I must see Pauly.

1:07:34 > 1:07:36Go home, then, and see him on the telly.

1:07:38 > 1:07:40Can you fix him for me? Yeah.

1:07:40 > 1:07:41Sixpence.

1:07:41 > 1:07:42Each.

1:07:42 > 1:07:43In advance.

1:07:44 > 1:07:46Mercenaries.

1:07:54 > 1:07:56LAUGHTER

1:08:08 > 1:08:09It's all right. Leave him alone.

1:08:09 > 1:08:11PA: 'What's up, Richard?'

1:08:11 > 1:08:13GRANDFATHER: Paul? Where are you? I'm...

1:08:15 > 1:08:17PAUL: Grandad. Where's Ringo?

1:08:17 > 1:08:19The police have the poor unfortunate lad

1:08:19 > 1:08:21in the Bridewell. The police station.

1:08:21 > 1:08:24He'll be pulp by now. Go get him!

1:08:24 > 1:08:26PAUL: We'll get him out. JOHN: We'll fix it, Norm.

1:08:26 > 1:08:28BEATLES BARK

1:08:28 > 1:08:30We've only got... 20 minutes.

1:08:30 > 1:08:34# Can't buy me love

1:08:34 > 1:08:35# Love

1:08:35 > 1:08:39# Can't buy me love

1:08:39 > 1:08:41# I'll buy you a diamond ring, my friend

1:08:41 > 1:08:44# If it makes you feel all right

1:08:44 > 1:08:46# I'll get you anything, my friend

1:08:46 > 1:08:49# If it makes you feel all right

1:08:49 > 1:08:52# Cos I don't care too much for money

1:08:52 > 1:08:55# Money can't buy me love

1:08:55 > 1:08:57# I'll give you all I've got to give

1:08:57 > 1:09:00# If you say you'll love me, too

1:09:00 > 1:09:02# I may not have a lot to give

1:09:02 > 1:09:06# But what I got I'll give to you

1:09:06 > 1:09:08# I don't care too much for money

1:09:08 > 1:09:10# Money can't buy me love

1:09:10 > 1:09:14# Can't buy me love

1:09:14 > 1:09:16# Everybody tells me so

1:09:16 > 1:09:19# Can't buy me love

1:09:19 > 1:09:22# No, no, no, no

1:09:22 > 1:09:25# Say you don't need no diamond rings

1:09:25 > 1:09:27# And I'll be satisfied

1:09:27 > 1:09:30# Tell me that you want the kind of things

1:09:30 > 1:09:33# That money just can't buy

1:09:33 > 1:09:36# I don't care too much for money

1:09:36 > 1:09:38# Money can't buy me love. #

1:09:38 > 1:09:40What is all this?

1:09:40 > 1:09:42JOHN PANTS Hold on...

1:09:44 > 1:09:47Fine. You all right now?

1:09:47 > 1:09:49JOHN PANTS Yeah. Huh?

1:09:49 > 1:09:51See.

1:09:56 > 1:09:59# Can't buy me love

1:09:59 > 1:10:01# Everybody tells me so

1:10:01 > 1:10:05# Can't buy me love

1:10:05 > 1:10:07# No, no, no, no

1:10:07 > 1:10:10# Say you don't need no diamond rings

1:10:10 > 1:10:12# And I'll be satisfied

1:10:12 > 1:10:15# Tell me that you want the kind of things... #

1:10:15 > 1:10:16Quick! Follow them!

1:10:16 > 1:10:18# Just can't buy

1:10:18 > 1:10:21# I don't care too much for money

1:10:21 > 1:10:23# Money can't buy me love

1:10:23 > 1:10:26# Can't buy me love

1:10:26 > 1:10:28# Love

1:10:28 > 1:10:32# Can't buy me love

1:10:32 > 1:10:33# Oh... #

1:10:33 > 1:10:35FANS SCREAM

1:10:38 > 1:10:40I had to laugh even when they kick the stool away.

1:10:40 > 1:10:42THEY GIGGLE

1:10:42 > 1:10:44Lads. Lads! You're back!

1:10:44 > 1:10:45Thank goodness. Where's Ringo?

1:10:45 > 1:10:47There he is. We got him. Great, great, great.

1:10:47 > 1:10:48You don't know what this means to me.

1:10:48 > 1:10:50If you hadn't come back, it would have meant...

1:10:50 > 1:10:54the epilogue or news in Welsh for life.

1:10:54 > 1:10:56Hey, aren't you supposed to be in that box?

1:10:56 > 1:10:58Yeah, where's the old mixer?

1:10:58 > 1:11:00Here, Pauly. PAUL: Got a few words to say to you,

1:11:00 > 1:11:01two-faced John McCartney.

1:11:01 > 1:11:02Aw, leave him alone. He's back, isn't he?

1:11:02 > 1:11:03It's not his fault he's old.

1:11:03 > 1:11:05What's old got to do with it?

1:11:05 > 1:11:06He's a troublemaker and a mixer.

1:11:06 > 1:11:07That's good enough for me.

1:11:07 > 1:11:09You're right. He's only asking for attention,

1:11:09 > 1:11:11aren't you? You see, you know your trouble.

1:11:11 > 1:11:13You should've gone west to America.

1:11:13 > 1:11:15You would've been a senior citizen of Boston.

1:11:15 > 1:11:17But you took a wrong turning. What happened?

1:11:17 > 1:11:18You're a lonely old man from Liverpool.

1:11:18 > 1:11:21- But I'm clean. - Are you?

1:11:21 > 1:11:23Hey, Norm. What?

1:11:23 > 1:11:24I've been thinking. It's not my fault.

1:11:24 > 1:11:25What isn't?

1:11:25 > 1:11:27I'm not taller than you are.

1:11:27 > 1:11:29You're smaller than I am.

1:11:29 > 1:11:31Anyone at home?

1:11:31 > 1:11:32Hey, Shake, where's me boot?

1:11:32 > 1:11:34Will you get us some tea while you're there?

1:11:34 > 1:11:35All right, George. Ta.

1:11:35 > 1:11:37Now come on, lads. Get changed.

1:11:37 > 1:11:38Come on, get some tea.

1:11:38 > 1:11:40OVERLAPPING CONVERSATION

1:11:40 > 1:11:42FANS SCREAM

1:11:50 > 1:11:54# Tell me why you cried

1:11:54 > 1:11:59# And why you lied to me

1:11:59 > 1:12:04# Tell me why you cried

1:12:04 > 1:12:08# And why you lied to me

1:12:09 > 1:12:12# Well, I gave you everything I had

1:12:12 > 1:12:15# But you left me sitting on my own

1:12:15 > 1:12:18# Did you have to treat me oh, so bad?

1:12:18 > 1:12:21# All I do is hang my head and moan

1:12:21 > 1:12:26# Tell me why you cried

1:12:26 > 1:12:31# And why you lied to me

1:12:31 > 1:12:35# Tell me why you cried

1:12:35 > 1:12:39# And why you lied to me

1:12:41 > 1:12:44# If it's something that I've said or done

1:12:44 > 1:12:47# Tell me what and I'll apologise

1:12:47 > 1:12:50# If you don't I really can't go on

1:12:50 > 1:12:53# Holding back these tears in my eyes

1:12:53 > 1:12:57# Tell me why you cried

1:12:57 > 1:13:02# And why you lied to me

1:13:02 > 1:13:07# Tell me why you cried

1:13:07 > 1:13:11# And why you lied to me

1:13:12 > 1:13:15# Well, I'm begging on my bended knees

1:13:15 > 1:13:19# If you'll only listen to my pleas

1:13:19 > 1:13:22# If there's anything I can do

1:13:22 > 1:13:24# Cos I really can't stand it

1:13:24 > 1:13:26# I'm so in love with you

1:13:28 > 1:13:32# If I give my heart

1:13:32 > 1:13:35# To you

1:13:35 > 1:13:37# I must be sure

1:13:37 > 1:13:41# From the very start

1:13:41 > 1:13:44# That you

1:13:44 > 1:13:48# Would love me more than her

1:13:50 > 1:13:55# If I trust in you

1:13:55 > 1:13:57# Oh, please

1:13:57 > 1:13:59# Don't run and hide

1:13:59 > 1:14:04# If I love you, too

1:14:04 > 1:14:06# Oh, please

1:14:06 > 1:14:11# Don't hurt my pride like her

1:14:11 > 1:14:15# Cos I couldn't stand the pain

1:14:15 > 1:14:17# And I

1:14:17 > 1:14:22# Would be sad if our new love

1:14:22 > 1:14:24# Was in vain

1:14:24 > 1:14:28# So I hope you see

1:14:28 > 1:14:31# That I

1:14:31 > 1:14:34# Would love to love you

1:14:34 > 1:14:37# And that she

1:14:37 > 1:14:40# Will cry

1:14:40 > 1:14:44# When she learns we are two

1:14:44 > 1:14:49# Cos I couldn't stand the pain

1:14:49 > 1:14:51# And I

1:14:51 > 1:14:55# Would be sad if our new love

1:14:55 > 1:14:57# Was in vain

1:14:57 > 1:15:02# So I hope you see

1:15:02 > 1:15:05# That I

1:15:05 > 1:15:07# Would love to love you

1:15:07 > 1:15:11# And that she

1:15:11 > 1:15:14# Will cry

1:15:14 > 1:15:16# When she learns we are... #

1:15:23 > 1:15:26# I...

1:15:26 > 1:15:30# Should have known better with a girl like you

1:15:30 > 1:15:33# That I would love everything that you do

1:15:33 > 1:15:35# And I do

1:15:35 > 1:15:37# Hey, hey, hey

1:15:37 > 1:15:39# And I do

1:15:41 > 1:15:45# Whoa, whoa, I...

1:15:45 > 1:15:49# Never realised what a kiss could be

1:15:49 > 1:15:52# This could only happen to me

1:15:52 > 1:15:54# Can't you see

1:15:54 > 1:15:57# Can't you see

1:15:57 > 1:16:02# That when I tell you that I love you

1:16:02 > 1:16:05# Oh

1:16:05 > 1:16:10# You're gonna say you love me, too

1:16:10 > 1:16:12# Oh

1:16:12 > 1:16:19# And when I ask you to be mine

1:16:19 > 1:16:24# You're gonna say you love me, too

1:16:25 > 1:16:29# So, oh, I...

1:16:29 > 1:16:33# Should have realised a lot of things before

1:16:33 > 1:16:37# If this is love you gotta give me more

1:16:37 > 1:16:39# Give me more

1:16:39 > 1:16:41# Hey, hey, hey

1:16:41 > 1:16:42# Give me more

1:17:03 > 1:17:06# Whoa, whoa, I...

1:17:06 > 1:17:10# Never realised what a kiss could be

1:17:10 > 1:17:14# This could only happen to me

1:17:14 > 1:17:16# Can't you see

1:17:16 > 1:17:19# Can't you see

1:17:19 > 1:17:24# That when I tell you that I love you

1:17:24 > 1:17:26# Oh

1:17:26 > 1:17:32# You're gonna say you love me, too

1:17:32 > 1:17:34# Oh

1:17:34 > 1:17:41# And when I ask you to be mine

1:17:41 > 1:17:46# You're gonna say you love me, too

1:17:47 > 1:17:49# You love me, too

1:17:51 > 1:17:53# You love me, too. #

1:17:53 > 1:17:55AUDIENCE SCREAMS

1:18:11 > 1:18:14# She loves you, yeah, yeah, yeah

1:18:14 > 1:18:17# She loves you, yeah, yeah, yeah

1:18:17 > 1:18:22# She loves you, yeah, yeah, yeah, yeah

1:18:23 > 1:18:26# You think you've lost your love

1:18:26 > 1:18:29# Well, I saw her yesterday

1:18:29 > 1:18:32# It's you she's thinking of

1:18:32 > 1:18:35# And she told me what to say

1:18:35 > 1:18:37# She said she loves you

1:18:37 > 1:18:40# And you know that can't be bad

1:18:42 > 1:18:44# Yeah, she loves you

1:18:44 > 1:18:47# And you know you should be glad

1:18:49 > 1:18:52# She said you hurt her so

1:18:52 > 1:18:55# She almost lost her mind

1:18:55 > 1:18:59# But now she says she knows

1:18:59 > 1:19:01# You're not the hurting kind

1:19:01 > 1:19:03# She said she loves you

1:19:03 > 1:19:07# And you know that can't be bad

1:19:08 > 1:19:10# Yeah, she loves you

1:19:10 > 1:19:13# And you know you should be glad

1:19:13 > 1:19:15# Whoo

1:19:15 > 1:19:18# She loves you, yeah, yeah, yeah

1:19:18 > 1:19:21# She loves you, yeah, yeah, yeah

1:19:21 > 1:19:22# With a love like that

1:19:22 > 1:19:25# You know you should be glad

1:19:27 > 1:19:31# You know it's up to you

1:19:31 > 1:19:34# I think it's only fair

1:19:34 > 1:19:37# Pride can hurt you, too

1:19:37 > 1:19:40# Apologise to her

1:19:40 > 1:19:42# Because she loves you

1:19:42 > 1:19:46# And you know that can't be bad

1:19:47 > 1:19:49# She loves you

1:19:49 > 1:19:52# And you know you should be glad

1:19:52 > 1:19:53# Whoo

1:19:53 > 1:19:57# She loves you, yeah, yeah, yeah

1:19:57 > 1:19:59# She loves you, yeah, yeah, yeah

1:19:59 > 1:20:01# With a love like that

1:20:01 > 1:20:04# You know you should be glad

1:20:06 > 1:20:08# With a love like that

1:20:08 > 1:20:10# You know you should be glad

1:20:13 > 1:20:14# With a love like that

1:20:14 > 1:20:17# You know you should

1:20:17 > 1:20:19# Be glad

1:20:22 > 1:20:25# Yeah, yeah, yeah

1:20:25 > 1:20:30# Yeah, yeah, yeah, yeah. #

1:20:30 > 1:20:32AUDIENCE SCREAMS

1:20:57 > 1:20:58Now, I've got the stuff. Come 'ed, lads.

1:20:58 > 1:20:59Aren't we going...

1:20:59 > 1:21:01No, we're not. The office has been on the phone

1:21:01 > 1:21:02and think it's best if we push on

1:21:02 > 1:21:03to Wolverhampton straightaway.

1:21:03 > 1:21:04Tonight? We'll never make it.

1:21:04 > 1:21:06You've got a midnight matinee. Oh, eh, Norm!

1:21:06 > 1:21:07Now, there's only one thing

1:21:07 > 1:21:08I've got to say to you, John Lennon.

1:21:08 > 1:21:10What? You're a swine.

1:21:10 > 1:21:14# It's been a hard day's night

1:21:14 > 1:21:17# And I've been working like a dog

1:21:17 > 1:21:20# It's been a hard day's night

1:21:20 > 1:21:24# I should be sleeping like a log

1:21:24 > 1:21:25# But when I get home to you... #

1:21:25 > 1:21:28Come on, you're hanging up the parade!

1:21:30 > 1:21:32Get rid of those things!

1:21:32 > 1:21:33# ..Work all day

1:21:33 > 1:21:37# To get you money to buy you things

1:21:37 > 1:21:40# And it's worth it just to hear you say

1:21:40 > 1:21:44# You're gonna give me everything

1:21:44 > 1:21:45# So why on earth should I moan?

1:21:45 > 1:21:47# Cos when I get you alone

1:21:47 > 1:21:50# You know I feel OK

1:21:50 > 1:21:53# When I'm home

1:21:53 > 1:21:56# Everything seems to be right

1:21:57 > 1:21:59# When I'm home

1:21:59 > 1:22:03# Feeling you holding me tight

1:22:03 > 1:22:04# Tight, yeah

1:22:04 > 1:22:07# It's been a hard day's night

1:22:07 > 1:22:11# And I've been working like a dog

1:22:11 > 1:22:14# It's been a hard day's night

1:22:14 > 1:22:17# I should be sleeping like a log

1:22:17 > 1:22:19# But when I get home to you

1:22:19 > 1:22:21# I find the things that you do

1:22:21 > 1:22:24# Will make me feel all right

1:22:24 > 1:22:25# Aah

1:22:38 > 1:22:40# So why on earth should I moan

1:22:40 > 1:22:41# Cos when I get you alone

1:22:41 > 1:22:44# You know I feel OK

1:22:44 > 1:22:47# When I'm home

1:22:47 > 1:22:51# Everything seems to be right

1:22:51 > 1:22:54# When I'm home

1:22:54 > 1:22:57# Feeling you holding me tight

1:22:57 > 1:22:58# Tight, yeah

1:22:58 > 1:23:02# It's been a hard day's night

1:23:02 > 1:23:05# And I've been working like a dog

1:23:05 > 1:23:08# It's been a hard day's night

1:23:08 > 1:23:12# I should be sleeping like a log

1:23:12 > 1:23:14# But when I get home to you

1:23:14 > 1:23:15# I find the things that you do

1:23:15 > 1:23:19# Will make me feel all right

1:23:19 > 1:23:22# You know I feel all right

1:23:22 > 1:23:25# You know I feel all right. #