Confessions of a Teenage Drama Queen

0:00:19 > 0:00:23# I'm in a new place with the Same face

0:00:23 > 0:00:26# But nothing is familiar to me

0:00:26 > 0:00:30# But there's a storm rush Then the winds start

0:00:30 > 0:00:33# And it's bringing out the woman in me

0:00:34 > 0:00:37# I know that you're out there somewhere

0:00:37 > 0:00:40# Waiting on a deeper connection

0:00:40 > 0:00:42# Now I'm looking to my left

0:00:42 > 0:00:44# Searching on my right

0:00:44 > 0:00:48# Cos we could be the greatest adventure

0:00:48 > 0:00:52# I'm ready, come and find me

0:00:52 > 0:00:55# I'm not gonna hog out the sun on my side

0:00:55 > 0:00:59# It's heavy, cos I'm finally

0:00:59 > 0:01:04# Open for the woman, I'm ready, ready

0:01:04 > 0:01:06# I'm ready

0:01:06 > 0:01:08# I'm moving out there

0:01:08 > 0:01:10# So, baby, beware

0:01:10 > 0:01:13# Cos now it's just a matter of time

0:01:13 > 0:01:17# Before our paths cross and the sky falls

0:01:17 > 0:01:21# The very moment that I tell you're mine

0:01:21 > 0:01:25# I'm ready, come and find me

0:01:25 > 0:01:28# I'm not gonna hog out the sun on my side

0:01:28 > 0:01:32# It's heavy, cos I'm finally

0:01:32 > 0:01:36# Open for the woman, I'm ready, ready

0:01:36 > 0:01:39# I'm ready, come and find me

0:01:39 > 0:01:43# I'm not gonna hog out the sun on my side

0:01:43 > 0:01:47# It's heavy, cos I'm finally

0:01:47 > 0:01:51# Open for the woman, I'm ready, ready

0:01:51 > 0:01:55# I'm ready, come and find me... #

0:01:55 > 0:01:57Goodbye, sweetheart!

0:01:57 > 0:01:59< Take good care of yourself.

0:01:59 > 0:02:01Oh, mummy, you forgot this.

0:02:01 > 0:02:03Angel!

0:02:03 > 0:02:04BOTH: Mwah!

0:02:04 > 0:02:07I worry so about you living alone.

0:02:07 > 0:02:10Oh, mother, it's adorable of you to be so concerned,

0:02:10 > 0:02:13but I'm perfectly capable of taking care of myself, dear.

0:02:17 > 0:02:18Come on, girls.

0:02:18 > 0:02:20Good-bye, my chicken.

0:02:26 > 0:02:28BELLS PEAL

0:02:30 > 0:02:32Yes, I'm free! I can live in New York on my own.

0:02:32 > 0:02:34I can do whatever I want!

0:02:34 > 0:02:35Yay!

0:02:35 > 0:02:37Yes!

0:02:37 > 0:02:40I was born and nurtured in New York, the centre of the universe.

0:02:40 > 0:02:43Unfortunately, my mother is moving me to another planet -

0:02:43 > 0:02:45New Jersey.

0:02:45 > 0:02:47Is it any wonder I couldn't face reality?

0:02:47 > 0:02:49I mean, can anyone blame me for dreaming

0:02:49 > 0:02:52that she was leaving me behind in my beloved city?

0:02:52 > 0:02:53Mary! >

0:02:53 > 0:02:55Mary, let's go! >

0:02:55 > 0:02:57Goodbye childhood home.

0:02:57 > 0:03:00Goodbye intellectual and spiritual stimulation.

0:03:01 > 0:03:02Goodbye Broadway.

0:03:02 > 0:03:05Mary, please. Don't be such a drama queen.

0:03:05 > 0:03:08Lola! My name from this day forward is Lola.

0:03:08 > 0:03:11I've known since I was five years old that my true name is Lola.

0:03:11 > 0:03:14You were named Mary. It is the name on your birth certificate.

0:03:14 > 0:03:18It is the name that I am going to call you.

0:03:18 > 0:03:22In my family, I am a flamingo in a flock of pigeons.

0:03:22 > 0:03:26# I trip, I fall, I catch myself

0:03:26 > 0:03:31# Even wishing I was someone else

0:03:31 > 0:03:35# I'm never where I'm supposed to be... #

0:03:35 > 0:03:37Goodbye New York.

0:03:37 > 0:03:40Goodbye any chance of becoming a famous actress.

0:03:40 > 0:03:44# Adventure

0:03:44 > 0:03:48# Finding the real me

0:03:48 > 0:03:52# I'm a reflection

0:03:52 > 0:03:55# Of everything I see

0:03:55 > 0:03:56# Yeah. #

0:03:58 > 0:04:01First, your parents tell you to have hopes and dreams.

0:04:01 > 0:04:03And then they move you to New Jersey.

0:04:03 > 0:04:04It makes no sense.

0:04:04 > 0:04:06COW MOOS

0:04:06 > 0:04:07Welcome to Deadwood.

0:04:07 > 0:04:10Is she allowed to say that?

0:04:19 > 0:04:20BRAKES SCREECH

0:04:25 > 0:04:26Come on.

0:04:26 > 0:04:27Hurry, hurry.

0:04:27 > 0:04:30Let's see the new house.

0:04:30 > 0:04:31Come on.

0:04:31 > 0:04:33CHILDREN SHOUT IN DISTANCE

0:04:35 > 0:04:36Oh, Mom.

0:04:36 > 0:04:38It's just grass.

0:04:38 > 0:04:40But it's all over the place.

0:04:43 > 0:04:45The sun porch is my bedroom.

0:04:45 > 0:04:48Ordinariness isn't the only thing I have to fight against in my house.

0:04:48 > 0:04:50Gross injustice is another.

0:04:50 > 0:04:53The only person I can turn to is Stu Wolff -

0:04:53 > 0:04:56the greatest poet since Shakespeare and the lead singer of Sidarthur.

0:04:56 > 0:05:00He'd see me through my dark suburban days.

0:05:01 > 0:05:04In the city, I took two subways and a bus to get to school.

0:05:04 > 0:05:08It amazes me that I can get to school without it costing 1.50.

0:05:08 > 0:05:10Ow! Ugh!

0:05:12 > 0:05:13Ow.

0:05:17 > 0:05:18Dellwood High.

0:05:18 > 0:05:23I shall be a bird in a cage with a good school district.

0:05:23 > 0:05:25However, there is absolutely no point in being negative

0:05:25 > 0:05:27about things you just can't change.

0:05:27 > 0:05:31I look upon my new town as an empty stage to which I'm allowed to bring my own script.

0:05:31 > 0:05:34In my heart, I feel that a legend is about to be born.

0:05:34 > 0:05:36That legend would be me.

0:05:36 > 0:05:40# It's all about style

0:05:40 > 0:05:45# Living with style

0:05:45 > 0:05:48# I'm living in, giving in

0:05:48 > 0:05:50# Swimming in

0:05:50 > 0:05:53# Style. #

0:05:55 > 0:05:56Hello.

0:05:56 > 0:05:58Hey.

0:05:58 > 0:06:00I'm Lola Cep.

0:06:00 > 0:06:02I'm from New York, originally.

0:06:02 > 0:06:03Ella Gerard.

0:06:03 > 0:06:05I'm from right here, originally.

0:06:05 > 0:06:08Well...hi.

0:06:09 > 0:06:12Hi. LOLA GASPS

0:06:12 > 0:06:14Uh, hi!

0:06:16 > 0:06:17Hi.

0:06:18 > 0:06:21Have you ever seen Sidarthur in person?

0:06:21 > 0:06:24No, but I think Stu Wolff is the greatest poet since Shakespeare.

0:06:24 > 0:06:26I - I do, too.

0:06:26 > 0:06:27I have every CD they ever made.

0:06:27 > 0:06:29- You do? - Yeah!

0:06:29 > 0:06:31And that's Stu Wolff dancing.

0:06:31 > 0:06:33I've downloaded some great shots of him.

0:06:33 > 0:06:34Here he is at the Grammys.

0:06:34 > 0:06:36This is where he lives.

0:06:36 > 0:06:40Oh, and this is the dress that I'm gonna wear when we get married.

0:06:40 > 0:06:42This is him getting into his limo.

0:06:42 > 0:06:43That black spot there - that's his head.

0:06:43 > 0:06:45What a wonderful black spot it is.

0:06:45 > 0:06:48Hi. Carla Santini.

0:06:48 > 0:06:49Sidarthur.

0:06:49 > 0:06:51My father is Stu Wolff's lawyer.

0:06:51 > 0:06:55Really? Your dad must have been in the Same room as him and everything.

0:06:55 > 0:06:56Many times.

0:06:56 > 0:06:59Aren't you the girl who just moved into the Swenska house?

0:06:59 > 0:07:02Well, I'm Lola Cep. I didn't know our home had a name.

0:07:02 > 0:07:06Is that supposed to be that famous New York sense of humour?

0:07:06 > 0:07:09Well, New Yorkers learn to laugh at themselves

0:07:09 > 0:07:11and everything else when they're very young.

0:07:12 > 0:07:15My parents took me to New York for my birthday.

0:07:15 > 0:07:17I thought it was beautiful - the lights and everything.

0:07:17 > 0:07:20I-I know why they call it the greatest city in the world.

0:07:20 > 0:07:22Ella Gerard, you are the sister of my soul!

0:07:22 > 0:07:24You should see Park Avenue at Christmas.

0:07:24 > 0:07:26It's like walking through the Milky Way.

0:07:26 > 0:07:29Except nobody gets mugged in the Milky Way.

0:07:29 > 0:07:30BELL RINGS

0:07:30 > 0:07:32We'll take our seats now.

0:07:35 > 0:07:36Uh, Miss Baggoli?

0:07:36 > 0:07:37Yes?

0:07:37 > 0:07:40We have a new girl from New York City.

0:07:40 > 0:07:43We do, we do. Uh, Miss... Miss Steppe.

0:07:43 > 0:07:44Miss Cep.

0:07:44 > 0:07:48Miss Baggoli, I know it must show on your records my name is Mary,

0:07:48 > 0:07:50but everyone has referred to me as Lola

0:07:50 > 0:07:52since I was a squealing infant in my mother's arms.

0:07:52 > 0:07:54I don't even know who this Mary is.

0:07:56 > 0:07:58I like that name - Lola.

0:07:58 > 0:08:00Lola.

0:08:00 > 0:08:01This is Lola.

0:08:01 > 0:08:05Lola, I think you should know you're sitting in my favourite seat in history class.

0:08:05 > 0:08:07I like to be dead centre.

0:08:07 > 0:08:10Me, too. And I didn't think we had anything in common.

0:08:10 > 0:08:11I've earned the centre seat.

0:08:11 > 0:08:13Besides, if you want to fit in,

0:08:13 > 0:08:15you shouldn't draw so much attention to yourself.

0:08:15 > 0:08:17In case you haven't noticed, I like the attention.

0:08:17 > 0:08:19Chill.

0:08:20 > 0:08:23Also, I wouldn't hang out with Ella Never-had-a-fella.

0:08:23 > 0:08:26She doesn't really have your potential, does she?

0:08:26 > 0:08:29Look at her - she dresses like a politician's wife

0:08:29 > 0:08:31with the hair and the shoes. She's so random.

0:08:31 > 0:08:34What about those glasses? They are so ten minutes ago.

0:08:34 > 0:08:36But I'm gonna stop myself before I get nasty.

0:08:36 > 0:08:38I just want to let you know that if you're careful,

0:08:38 > 0:08:40you could be chilling with us.

0:08:40 > 0:08:43Chilling with you is what I've always dreamed of.

0:08:45 > 0:08:48Hey, Ella, wait up! Do you mind if I sit with you?

0:08:48 > 0:08:49Oh, no, that's fine. This is great.

0:08:49 > 0:08:52When you eat outside in New York, your food gets dirty.

0:08:53 > 0:08:56So, what's with the great Santini?

0:08:56 > 0:08:58Uh, she's beautiful. She's popular. She's rich.

0:08:58 > 0:09:01In kindergarten, she used to bite the heads off dolls.

0:09:01 > 0:09:02Ew.

0:09:04 > 0:09:06Who's that guy smiling at us?

0:09:07 > 0:09:09That's Sam.

0:09:09 > 0:09:10Sam!

0:09:13 > 0:09:15Sam, Lola.

0:09:15 > 0:09:17Lola, Sam.

0:09:17 > 0:09:18Hi.

0:09:18 > 0:09:19Hey.

0:09:19 > 0:09:22- It's your first day here, right? - Yeah.

0:09:22 > 0:09:24Well, it's good to meet you.

0:09:24 > 0:09:25You, too.

0:09:25 > 0:09:26I'll see you later.

0:09:31 > 0:09:33'I couldn't possibly have a boyfriend.

0:09:33 > 0:09:36'I mean, I have to focus on my acting career.'

0:09:38 > 0:09:39'After three weeks,

0:09:39 > 0:09:42'I'm getting used to the rich part of town -

0:09:42 > 0:09:44'gated, dull, Armani-ridden.

0:09:44 > 0:09:47'You know, I'm the kind of riffraff they try to keep out.'

0:09:50 > 0:09:54# It's a day in the life It's a link in the chain

0:09:54 > 0:09:57# Beginning, the ending, they both look the same

0:09:57 > 0:10:00# Round and round

0:10:00 > 0:10:03# No new ground

0:10:04 > 0:10:06# O-o-h

0:10:06 > 0:10:08# O-o-h

0:10:08 > 0:10:11# O-o-o-o-o-h

0:10:11 > 0:10:13# O-o-h

0:10:13 > 0:10:14# O-o-h. #

0:10:15 > 0:10:17When Stu Wolff sings,

0:10:17 > 0:10:21"There's something in me that always wants more.

0:10:21 > 0:10:24"More moons and stars and music in the wind",

0:10:24 > 0:10:26it's as though he's just talking to me.

0:10:26 > 0:10:29I like Steve.

0:10:29 > 0:10:32I bet Stu is hard to get along with.

0:10:32 > 0:10:33You can tell he's sort of moody.

0:10:33 > 0:10:35Haunted.

0:10:35 > 0:10:37All true geniuses are haunted.

0:10:37 > 0:10:39It's part of what they have to suffer for their art.

0:10:39 > 0:10:42Popovers, ladies.

0:10:42 > 0:10:45Uh... wow. This is just like eating in a diner. Thank you.

0:10:45 > 0:10:47Well, surely you have popovers at home.

0:10:47 > 0:10:50I just popped them in the microwave.

0:10:50 > 0:10:52My mother doesn't approve of microwaves.

0:10:52 > 0:10:54She has very strong opinions.

0:10:54 > 0:10:58Oh, I've never heard of anyone taking a stance on an appliance before.

0:11:03 > 0:11:05Why doesn't your mother like me?

0:11:05 > 0:11:08She likes you. She just thinks you're a little strange.

0:11:08 > 0:11:11I mean, you are...a little.

0:11:13 > 0:11:14Lola!

0:11:14 > 0:11:15L-Lola, I'm sorry!

0:11:15 > 0:11:18I-I... I-i-it's really your mother she thinks is strange.

0:11:18 > 0:11:21My-my mom saw your mother in the supermarket

0:11:21 > 0:11:24wearing dirty overalls with chopsticks in her hair

0:11:24 > 0:11:25and arguing with the butcher.

0:11:25 > 0:11:27It's not important.

0:11:27 > 0:11:28Not important?

0:11:28 > 0:11:31She's the woman who gave me life,

0:11:31 > 0:11:33whose milk fed my fragile body,

0:11:33 > 0:11:36whose blood flows through my veins.

0:11:36 > 0:11:37Of course it's important.

0:11:37 > 0:11:40M-my parents are square.

0:11:40 > 0:11:43Neither of them is too happy about the fact

0:11:43 > 0:11:46that your mother has three children and no husband.

0:11:46 > 0:11:49Single motherhood is a transitory state.

0:11:49 > 0:11:51Karen used to be married.

0:11:51 > 0:11:52It could happen again.

0:11:52 > 0:11:55But I thought you said you were a love child.

0:11:55 > 0:11:57Uh...

0:11:57 > 0:11:59Well, I-I was a love child.

0:11:59 > 0:12:02Mom and Dad were married and passionately in love.

0:12:07 > 0:12:10My parents were mad for each other as soon as their eyes met.

0:12:10 > 0:12:12Dad was like a rock star.

0:12:12 > 0:12:13Mom was a babe.

0:12:14 > 0:12:16The rest was destiny.

0:12:18 > 0:12:20They got married.

0:12:20 > 0:12:21Then they camped in the desert.

0:12:21 > 0:12:23Both: One million and two.

0:12:23 > 0:12:24And counted the stars.

0:12:24 > 0:12:25One million and three,

0:12:25 > 0:12:26one million and four...

0:12:26 > 0:12:29Jeez! My parents went on a cruise to Bermuda,

0:12:29 > 0:12:31but they were afraid to get off the boat.

0:12:31 > 0:12:33Mine were in love.

0:12:33 > 0:12:35Deeply, movingly.

0:12:35 > 0:12:39The only thing that could have made their lives better was having me.

0:12:42 > 0:12:46Even as an infant, I aspired to have a relationship just like theirs.

0:12:46 > 0:12:48And then the twins were conceived,

0:12:48 > 0:12:51and we couldn't have been more thrilled.

0:12:51 > 0:12:54Upon hearing the news, my father mounted his really cool motorcycle

0:12:54 > 0:12:57to buy the mother of his child and future children

0:12:57 > 0:12:58her favourite flowers.

0:13:00 > 0:13:02HORN HONKS

0:13:02 > 0:13:04Suddenly...

0:13:04 > 0:13:05Aaaaah!

0:13:09 > 0:13:10COOS

0:13:10 > 0:13:14They found him strewn across 9th Avenue...

0:13:14 > 0:13:16And 10th.

0:13:20 > 0:13:22Lola, I'm so sorry.

0:13:22 > 0:13:24I had no idea.

0:13:24 > 0:13:26Ironic, isn't it?

0:13:26 > 0:13:28Your parents think my mother

0:13:28 > 0:13:31is the destroyer of our social order.

0:13:31 > 0:13:33She's merely a victim of fate.

0:13:49 > 0:13:50What?

0:13:50 > 0:13:51Nothing.

0:13:51 > 0:13:53I like the chopsticks in your hair.

0:13:56 > 0:13:59# Sweet 16

0:13:59 > 0:14:01# Always acting like a beauty queen

0:14:01 > 0:14:05# like you're posing in a magazine... #

0:14:05 > 0:14:07WHISTLE BLOWS

0:14:09 > 0:14:12LOLA: Because Carla Santini thinks she's Julia Roberts

0:14:12 > 0:14:14and the universe is interested in everything she says,

0:14:14 > 0:14:15you can't help overhearing her.

0:14:15 > 0:14:18So I had this really long talk with Miss Baggoli yesterday

0:14:18 > 0:14:21about the drama club's production of "Pygmalion."

0:14:21 > 0:14:23And I told her I think it's really rigid to stick to the original.

0:14:23 > 0:14:25(Not stick to the original?)

0:14:25 > 0:14:28Not stick to the exquisite words of Mr George Bernard Shaw?

0:14:28 > 0:14:32We're not English, and this isn't the 19th century, so I think we should adapt the classics

0:14:32 > 0:14:34to reflect our own times.

0:14:34 > 0:14:36They're classics because they're classic!

0:14:36 > 0:14:39And then I told her my idea to move the location to present-day New York

0:14:39 > 0:14:41and make Eliza a checkout girl.

0:14:41 > 0:14:42So I guess you're gonna be playing Eliza.

0:14:42 > 0:14:44Well, of course. I've already got the part.

0:14:45 > 0:14:46LOLA: When I moved to Deadwood,

0:14:46 > 0:14:49I really felt that a legend was about to be born.

0:14:49 > 0:14:52Was Carla Santini going to stand in the way of that birth?

0:14:58 > 0:14:59Miss Baggoli, Miss Baggoli!

0:14:59 > 0:15:01I didn't know "Pygmalion" had already been cast.

0:15:01 > 0:15:04And I would have loved to have had a chance to be Eliza Doolittle.

0:15:04 > 0:15:06Maybe if I could just prove it to you now, then -

0:15:06 > 0:15:07Oh, no, no, Lola.

0:15:07 > 0:15:12I just put the notice on the board. Auditions are not until Friday.

0:15:13 > 0:15:15Thank you, Miss Baggoli.

0:15:17 > 0:15:22George Bernard Shaw is a great playwright.

0:15:23 > 0:15:26And he's also a vegetarian.

0:15:27 > 0:15:30You're just in time, Lola. Quickly.

0:15:30 > 0:15:35I'm telling all the others about this idea

0:15:35 > 0:15:39that I have had for our production of "Pygmalion."

0:15:39 > 0:15:42Now, as you know, "Pygmalion" is a play

0:15:42 > 0:15:45which takes place in old-timey London.

0:15:45 > 0:15:48My idea is...

0:15:48 > 0:15:51that we will set our production of "Pygmalion"

0:15:51 > 0:15:54in modern-day New York.

0:15:54 > 0:15:58And Eliza will be a checkout girl at a supermarket,

0:15:58 > 0:16:04and Professor Higgins will be a professor at NYU.

0:16:04 > 0:16:06That is such a brilliant idea.

0:16:06 > 0:16:09That's gonna give the play new resonance and immediacy for today.

0:16:09 > 0:16:11You mean it was your idea?

0:16:11 > 0:16:14Yes, Lola, it's my idea.

0:16:14 > 0:16:18I know I'm just a teacher, but I am capable of thought.

0:16:19 > 0:16:23Now, since we're going hip and modern,

0:16:23 > 0:16:25I have also added

0:16:25 > 0:16:28contemporary songs,

0:16:28 > 0:16:33and I am calling it "Eliza Rocks"!

0:16:33 > 0:16:34OK, now, now -

0:16:34 > 0:16:37each of you will be singing a song for me -

0:16:37 > 0:16:40of your choice, of your choice -

0:16:40 > 0:16:42and then you'll be reading a scene for me.

0:16:42 > 0:16:46But I haven't rehearsed a song or anything. I-I'm simply not prepared.

0:16:46 > 0:16:48That's fine. You can just wing it.

0:16:48 > 0:16:52But acting is my chosen career. I mean, I intend to be in theatre.

0:16:52 > 0:16:55I don't want anyone remembering my substandard audition.

0:16:55 > 0:16:57Then how are we to proceed?

0:16:57 > 0:17:00I-I guess I'll try, of course.

0:17:00 > 0:17:03Perhaps you could try now. You could go first.

0:17:06 > 0:17:07OK.

0:17:09 > 0:17:12Take a spot on the stage - anywhere you're comfortable.

0:17:16 > 0:17:18(Maybe if we're lucky, she'll fall.)

0:17:20 > 0:17:22I'd like to sing a song by my favourite band -

0:17:22 > 0:17:24Sidarthur.

0:17:25 > 0:17:28# Don't move on

0:17:28 > 0:17:31# Don't move on

0:17:32 > 0:17:36# Don't move, don't move

0:17:36 > 0:17:37# Don't move

0:17:37 > 0:17:41# Don't move on

0:17:42 > 0:17:47# You brought me to the highest mountain

0:17:49 > 0:17:53# Out of my deep despair

0:17:57 > 0:18:01# And you don't know how much I need you

0:18:03 > 0:18:09# To stand beside you, to breathe your air

0:18:10 > 0:18:14# Don't move on

0:18:14 > 0:18:17# Don't move on

0:18:17 > 0:18:21# Don't move, don't move

0:18:21 > 0:18:23# Don't move

0:18:23 > 0:18:26# Don't move on

0:18:28 > 0:18:31# Behind some doors

0:18:31 > 0:18:35# People are waiting

0:18:35 > 0:18:39# People are waiting to sparkle

0:18:42 > 0:18:45# Don't move on

0:18:45 > 0:18:49# Don't move on

0:18:49 > 0:18:52# Don't move, don't move

0:18:52 > 0:18:54# Don't move

0:18:54 > 0:18:55# Don't move

0:18:55 > 0:19:00# O-o-o-o-n! #

0:19:04 > 0:19:06APPLAUSE

0:19:14 > 0:19:16# Uh-oh

0:19:16 > 0:19:18# Uh-oh

0:19:18 > 0:19:21# Uh-oh... #

0:19:21 > 0:19:22LOLA: Self-doubt didn't kick in until the morning,

0:19:22 > 0:19:25when I woke up with a heart as cold and as heavy as Mount Everest.

0:19:25 > 0:19:28It was the day the cast list went up.

0:19:29 > 0:19:32Why had I been so certain that I was going to get the lead?

0:19:32 > 0:19:34Miss Baggoli didn't say anything encouraging.

0:19:34 > 0:19:35Carla smiled.

0:19:37 > 0:19:39# Oh-oh

0:19:39 > 0:19:41# Oh-oh... #

0:19:47 > 0:19:49- Well, look what the wind blew in. - Look what the cat dragged in.

0:19:49 > 0:19:50Ladies.

0:19:52 > 0:19:53After you.

0:19:53 > 0:19:54Right. After me.

0:19:59 > 0:20:02# Na-na na-na-na

0:20:02 > 0:20:04# That's all I'm gonna say

0:20:04 > 0:20:07# Cos na-na na-na-na

0:20:07 > 0:20:10# You've made up your mind anyways

0:20:10 > 0:20:12# Can't we be friends?

0:20:12 > 0:20:13# Why does it end

0:20:13 > 0:20:16# Before a word

0:20:16 > 0:20:19# Is even heard?

0:20:19 > 0:20:21# I look at you

0:20:21 > 0:20:23# Your attitude

0:20:23 > 0:20:25# Why can't you see

0:20:25 > 0:20:27# That it's not me?

0:20:27 > 0:20:29# La-la la-la-la

0:20:29 > 0:20:31# Next time I won't let it stew

0:20:31 > 0:20:33# La-la la-la-la... #

0:20:35 > 0:20:36SHE WHIMPERS

0:20:36 > 0:20:37Ow!

0:20:50 > 0:20:51Well,

0:20:51 > 0:20:53once again, I got the part that I wanted.

0:20:53 > 0:20:55- Oh! - Oh!

0:20:57 > 0:21:00There are no small parts, only small actors.

0:21:00 > 0:21:01You can quote me.

0:21:07 > 0:21:10I'm your new Eliza! Aah!

0:21:11 > 0:21:12Amazing!

0:21:12 > 0:21:16- I didn't think I'd get it. - I knew you'd get it.

0:21:16 > 0:21:19BOTH TALK AT ONCE

0:21:19 > 0:21:20Actually, my part, the one of Mrs Higgins,

0:21:20 > 0:21:24is, um, much more interesting than Eliza's in many ways.

0:21:24 > 0:21:26I mean, even though she's not the female lead,

0:21:26 > 0:21:30it's a part with depth and true contemporary resonance.

0:21:30 > 0:21:31And it's the one that I wanted.

0:21:31 > 0:21:34Good, cos that's the one you got.

0:21:36 > 0:21:39I'll show you what it's like to be in my school.

0:21:39 > 0:21:41- Is that a threat? - Absolutely.

0:21:41 > 0:21:43# Oh-oh

0:21:43 > 0:21:45# Oh-oh... #

0:21:51 > 0:21:52To Eliza Rocks!

0:21:52 > 0:21:54BOTH: To Eliza Rocks!

0:21:54 > 0:21:57Oh, man. Congratulations.

0:21:57 > 0:22:01This is the best day ever. Carla got beat out! That was beautiful!

0:22:05 > 0:22:07MAN ON RADIO: 'Hey, Sidarthur fans, how about some big news?

0:22:07 > 0:22:11'You heard it here first - the band is breaking up.'

0:22:11 > 0:22:13- What?! - 'Yep, Sidarthur is no more.

0:22:13 > 0:22:14'I repeat - no more.

0:22:14 > 0:22:16'Stu Wolff is moving on and saying,

0:22:16 > 0:22:18'"Never, never, never will I work with them again."

0:22:18 > 0:22:22'So, in memory of the band, let's hear a track from Always Morning.'

0:22:22 > 0:22:23THUNDERCLAP

0:22:23 > 0:22:26SLOW ROCK MUSIC PLAYS

0:22:27 > 0:22:29- NO-O-O! - It can't be!

0:22:29 > 0:22:32It just can't be! SHE SCREAMS

0:22:32 > 0:22:34What...what... what's the matter?

0:22:34 > 0:22:36I can't breathe. Mom, I can't breathe.

0:22:38 > 0:22:40SHE SOBS

0:22:43 > 0:22:45I heard.

0:22:45 > 0:22:48Thanks for being here at a time like this.

0:22:53 > 0:22:56ELLA: I don't want to believe it.

0:22:56 > 0:22:59I made these flyers to hand out to fans urging them to protest.

0:23:01 > 0:23:03As these balloons go to the heavens,

0:23:03 > 0:23:05so do the stars of our Sidarthur

0:23:05 > 0:23:08mix among the stars of our universe.

0:23:11 > 0:23:13Symbolically, of course.

0:23:15 > 0:23:18UP-TEMPO DANCE MUSIC

0:23:28 > 0:23:30Can you believe this? One of the most catastrophic events

0:23:30 > 0:23:32in the history of the universe has just occurred,

0:23:32 > 0:23:34and everyone's acting as if nothing has happened.

0:23:36 > 0:23:38BUZZER, MUSIC STOPS MECHANISED VOICE: 'Great!'

0:23:38 > 0:23:40Me again, of course.

0:23:40 > 0:23:42So, who's next?

0:23:42 > 0:23:45Me. Are you crazy? Carla's the all-time champion.

0:23:45 > 0:23:47So? There's gonna be a new all-time champion.

0:23:51 > 0:23:53- I think you've peaked. - Hop on.

0:23:53 > 0:23:55BELL RINGS 'Round one.'

0:23:55 > 0:23:58My father, who, as you know, is the lawyer for Sidarthur,

0:23:58 > 0:24:00just called me on my cell phone to tell me

0:24:00 > 0:24:01what he found out about the band.

0:24:01 > 0:24:03Oh, really?

0:24:03 > 0:24:05What he told me isn't available to the public yet.

0:24:05 > 0:24:07Sidarthur's having a farewell concert

0:24:07 > 0:24:08in New York City next month.

0:24:08 > 0:24:10Daddy already has VIP seats,

0:24:10 > 0:24:11but that's not the best part.

0:24:11 > 0:24:13I didn't think it would be.

0:24:16 > 0:24:18There's gonna be an awesome party afterwards at Stu's loft

0:24:18 > 0:24:20for all of Sidarthur's closest friends.

0:24:20 > 0:24:21So I've heard.

0:24:21 > 0:24:24And guess who already has an invitation?

0:24:25 > 0:24:27It just so happens that Ella and I do.

0:24:27 > 0:24:28- Oh, really? - Yeah, really.

0:24:28 > 0:24:31- How'd you manage that? - Same way you did -

0:24:31 > 0:24:32through parental connections.

0:24:32 > 0:24:35What connections do you have other than the phone?

0:24:42 > 0:24:43BUZZER, MUSIC STOPS

0:24:43 > 0:24:44'Winner.'

0:24:44 > 0:24:45Me again.

0:24:45 > 0:24:47'Loser.'

0:24:47 > 0:24:48Game's not over yet.

0:24:48 > 0:24:49BELL DINGS 'Round two.'

0:24:50 > 0:24:52Actually, my mother has the connections.

0:24:54 > 0:24:56Marsh Warner bought a piece from her last summer.

0:24:56 > 0:24:58And Marshie, as I call him, is their manager.

0:24:58 > 0:25:00I know who he is.

0:25:00 > 0:25:03He remembered I was crazy about Sidarthur,

0:25:03 > 0:25:04so he got us invited.

0:25:04 > 0:25:06Wow, your mom must be some potter.

0:25:11 > 0:25:12BUZZER

0:25:14 > 0:25:16CROWD CHEERS

0:25:22 > 0:25:24'Winner.'

0:25:24 > 0:25:25Me - Lola Cep.

0:25:25 > 0:25:26Remember that name.

0:25:26 > 0:25:28'Loser.

0:25:28 > 0:25:29'Awesome!'

0:25:41 > 0:25:44Why did you tell Carla that we were invited to his party?

0:25:44 > 0:25:46You would have done the exact Same thing if you were me.

0:25:46 > 0:25:48I wouldn't have lied. I would have thought before I spoke.

0:25:48 > 0:25:50I...I can't even imagine being you.

0:25:50 > 0:25:52Oh! Carla Santini drives me insane.

0:25:52 > 0:25:53Don't even say that.

0:25:53 > 0:25:55Two of her nannies were institutionalised.

0:25:55 > 0:25:56Not to worry.

0:25:56 > 0:25:58You just handed her exactly what she needs

0:25:58 > 0:25:59to ridicule you and humiliate you

0:25:59 > 0:26:01for the rest of your life, and me, too!

0:26:01 > 0:26:03Well, I mean, I guess it depends, doesn't it?

0:26:03 > 0:26:04Depends on what?

0:26:04 > 0:26:05Well, on whether we go.

0:26:05 > 0:26:07To the concert?!

0:26:07 > 0:26:07In New York?

0:26:07 > 0:26:09And the party.

0:26:09 > 0:26:11We haven't exactly been invited.

0:26:11 > 0:26:13You don't have to be invited

0:26:13 > 0:26:14to a party like that.

0:26:14 > 0:26:16There are people that live in New York that don't even go out

0:26:16 > 0:26:18unless it's to crash a celebrity bash.

0:26:18 > 0:26:20My mother would never let me go.

0:26:20 > 0:26:22We can work around your mother, Ella.

0:26:22 > 0:26:25Tell the truth - are you partially insane?

0:26:25 > 0:26:26You know, we have to go.

0:26:26 > 0:26:29It's a matter of pride.

0:26:34 > 0:26:36Is there something wrong with the salmon?

0:26:36 > 0:26:38No. Just not very hungry.

0:26:38 > 0:26:39In too much pain.

0:26:39 > 0:26:41I'm in pain, too. My tooth's coming out.

0:26:41 > 0:26:42Oh!

0:26:42 > 0:26:43It's not that kind of pain.

0:26:43 > 0:26:44It's pain of the heart.

0:26:44 > 0:26:47Sidarthur's broken up.

0:26:47 > 0:26:48They're having one last concert in New York,

0:26:48 > 0:26:50and then that's it - they're done.

0:26:51 > 0:26:52Good night, sweet princes.

0:26:52 > 0:26:55May choirs of rock angels sing you to sleep.

0:26:55 > 0:26:57I have no reason to live without them.

0:26:57 > 0:26:59Let me take a wild guess -

0:26:59 > 0:27:00you want to go to the concert.

0:27:00 > 0:27:02If I could just see them play live,

0:27:02 > 0:27:04at least I'd have the memory to carry me

0:27:04 > 0:27:05through the long, empty years

0:27:05 > 0:27:06that lie ahead,

0:27:06 > 0:27:08like a road in Kansas. OK,

0:27:08 > 0:27:10I don't think that kids and rock concerts

0:27:10 > 0:27:11are a great mix.

0:27:11 > 0:27:13How can you treat me like this?

0:27:13 > 0:27:15I was your firstborn.

0:27:15 > 0:27:17You leaned over my crib to make sure I was breathing!

0:27:17 > 0:27:19That's why I want to keep you alive.

0:27:19 > 0:27:20She wouldn't even stop

0:27:20 > 0:27:22for the tiniest, most subatomic second

0:27:22 > 0:27:24to consider my fragile hopes and dreams.

0:27:24 > 0:27:25What did Ella's mother say?

0:27:25 > 0:27:26She didn't ask her.

0:27:26 > 0:27:29She said her mom would bite off a 10 acrylic nail

0:27:29 > 0:27:31if she even brought it up.

0:27:31 > 0:27:33So, I guess that's that.

0:27:33 > 0:27:38No, I'm not exactly a "que sera, sera" kind of person.

0:27:38 > 0:27:39Right.

0:27:41 > 0:27:43I like your necklace.

0:27:43 > 0:27:44Thanks.

0:27:44 > 0:27:45I've had it since I was six.

0:27:45 > 0:27:47It's practically an antique.

0:27:49 > 0:27:50I like your boots.

0:27:50 > 0:27:52Thanks. I like your smile.

0:27:57 > 0:27:59Om.

0:28:01 > 0:28:03Om.

0:28:06 > 0:28:07Dinner, Mary, now.

0:28:07 > 0:28:10I'm on a hunger strike, like Gandhi,

0:28:10 > 0:28:11driven to desperate measures

0:28:11 > 0:28:13by the insensitivity of the British government.

0:28:13 > 0:28:15Not one morsel will pass my lips

0:28:15 > 0:28:17until you say I can go see Sidarthur.

0:28:17 > 0:28:19You have got two minutes to get to this table

0:28:19 > 0:28:20or the insensitive British government

0:28:20 > 0:28:22is gonna take the door off its hinges

0:28:22 > 0:28:23and drag you out here.

0:28:23 > 0:28:25PHONE RINGS

0:28:25 > 0:28:26Hello?

0:28:26 > 0:28:29Om.

0:28:29 > 0:28:30Come in if you must.

0:28:30 > 0:28:32Yeah. ..OK, but the thing is,

0:28:32 > 0:28:35the drama queen has been Gandhi for two days now.

0:28:35 > 0:28:37- MAN: 'I'll take her.' - OK, I will try it.

0:28:37 > 0:28:40Your dad wants to know if he can take you to the concert.

0:28:42 > 0:28:43Hi, Dad.

0:28:43 > 0:28:45Yeah, thanks for the invitation,

0:28:45 > 0:28:46but I couldn't possibly go with my father.

0:28:46 > 0:28:48I mean, I'd die of shame.

0:28:48 > 0:28:49OK. All right.

0:28:49 > 0:28:51Love you, too. Bye.

0:28:53 > 0:28:54Hello? ..Yeah.

0:28:55 > 0:28:56< Mm-hm. OK.

0:28:56 > 0:28:57Om.

0:28:57 > 0:29:00I'll try it. OK, how about this?

0:29:00 > 0:29:01Daddy drops you off at the concert

0:29:01 > 0:29:02and then picks you up after.

0:29:02 > 0:29:04Oh, you mean like a little kid

0:29:04 > 0:29:06being picked up from a day-care centre?

0:29:06 > 0:29:07Is there no end to the humiliation

0:29:07 > 0:29:10you want to heap upon me, Mom?

0:29:10 > 0:29:11We're heaping humiliation.

0:29:11 > 0:29:13< Yeah.

0:29:13 > 0:29:14OK.

0:29:14 > 0:29:15Bye.

0:29:15 > 0:29:17All right, tonight you are eating.

0:29:17 > 0:29:19Is Mary going to die?

0:29:19 > 0:29:20No, she's not gonna die,

0:29:20 > 0:29:22but it smells like something has died in here.

0:29:23 > 0:29:25< What is that smell?

0:29:26 > 0:29:28MOM GASPS

0:29:31 > 0:29:33OK. That's it.

0:29:33 > 0:29:34No allowance for one month,

0:29:34 > 0:29:37and then you're gonna have a parole hearing.

0:29:37 > 0:29:39But I could really use the money now, Mom.

0:29:39 > 0:29:40Can't you take it away

0:29:40 > 0:29:42next month, or September?

0:29:42 > 0:29:43No.

0:29:43 > 0:29:45That's so cool.

0:29:48 > 0:29:50I have been looking all over for you two.

0:29:50 > 0:29:51< I knew you'd want to see these.

0:29:51 > 0:29:54See, they just came in the mail.

0:29:54 > 0:29:55They've just been printed.

0:29:55 > 0:29:57Please, you're blocking my view.

0:29:57 > 0:29:59So, did you get yours yet?

0:29:59 > 0:30:02Actually, mine came in the mail yesterday,

0:30:02 > 0:30:04but I'm nice enough not to flaunt them.

0:30:04 > 0:30:05Why don't you just admit that you don't have tickets

0:30:05 > 0:30:07or an invite and get it over with?

0:30:07 > 0:30:10You know, I'm sure there's gonna be a lot of photographers there.

0:30:10 > 0:30:12Maybe we can even get our pictures taken together.

0:30:12 > 0:30:14That's a deal.

0:30:14 > 0:30:16Oh, and you can be in the shot, too, Ella.

0:30:19 > 0:30:21Absolutely. I'll be there.

0:30:25 > 0:30:26Really?

0:30:27 > 0:30:29Uh...I guess.

0:30:30 > 0:30:31Don't worry. I have enough for both of us.

0:30:31 > 0:30:32I swear I'm gonna pay you back the minute...

0:30:32 > 0:30:34no, the second I get my allowance reinstated.

0:30:34 > 0:30:35It's OK.

0:30:35 > 0:30:37And as soon as I get my first starring role,

0:30:37 > 0:30:38I'm taking you to Europe. Great.

0:30:38 > 0:30:39You sure we have enough for the...?

0:30:39 > 0:30:40BOTH GASP

0:30:47 > 0:30:48Oh, no. Company.

0:30:48 > 0:30:50Well, look who's here.

0:30:50 > 0:30:52I'd, uh, stay and chat,

0:30:52 > 0:30:55but I don't want to stay and chat.

0:30:55 > 0:30:56She was so mean to Callie Stevenson,

0:30:56 > 0:30:58her family had to move to Cleveland.

0:30:58 > 0:31:00Catch you at the concert Friday.

0:31:00 > 0:31:03That would be a good line if we were going.

0:31:03 > 0:31:04You know, I don't think something

0:31:04 > 0:31:06as small as tickets should stop us.

0:31:06 > 0:31:08Scalpers, Ella.

0:31:08 > 0:31:09Part of the fun in going to New York

0:31:09 > 0:31:11is dealing with the slimeball scalpers.

0:31:11 > 0:31:12If we go, I just know

0:31:12 > 0:31:13something is gonna go wrong,

0:31:13 > 0:31:15and I'm gonna die,

0:31:15 > 0:31:16and my parents are gonna find out.

0:31:16 > 0:31:18LOLA: And then Mrs Higgins says,

0:31:18 > 0:31:19"And what will you do now, dear?"

0:31:19 > 0:31:20Hi.

0:31:20 > 0:31:21Hey, Mom.

0:31:21 > 0:31:23Um, there's gonna be a cast party

0:31:23 > 0:31:25at Carla "The Bad" Santini's house after the show,

0:31:25 > 0:31:26and everyone's gonna be

0:31:26 > 0:31:27really dressed up,

0:31:27 > 0:31:28and, I mean, it's my big night,

0:31:28 > 0:31:30and I want to look absolutely perfect.

0:31:30 > 0:31:31OK, well, the car broke down today.

0:31:31 > 0:31:34That cost me 600, plus I have to buy a new kiln,

0:31:34 > 0:31:37so, I mean, do you think you could look absolutely perfect

0:31:37 > 0:31:39in something that you already own?

0:31:39 > 0:31:40Sure, I'll try and find something.

0:31:40 > 0:31:41Yeah.

0:31:43 > 0:31:46MUSIC: "Any Other Girl" by Nu

0:31:47 > 0:31:49Can you believe 64 hours from now

0:31:49 > 0:31:50we'll be within touching distance

0:31:50 > 0:31:52from the man who wrote so many great songs,

0:31:52 > 0:31:54and I still haven't found something to wear?

0:31:54 > 0:31:56# Saying, "Come on, baby, show it

0:31:56 > 0:31:59# "Come on, baby, show it, come in and meet the boys..." #

0:31:59 > 0:32:02LOLA: 'What I needed for the concert was a drop-dead-gorgeous dress

0:32:02 > 0:32:04'that made me look 25 and sophisticated enough

0:32:04 > 0:32:06'to have a perfume named after me.

0:32:06 > 0:32:08'This had to be really, really special.

0:32:08 > 0:32:10'It had to be glamorous, and it had to make a statement,

0:32:10 > 0:32:14'if I wanted Stu Wolff to notice me, that is.'

0:32:15 > 0:32:18# You better look good, you've got to have height... #

0:32:18 > 0:32:20Might as well just wear this to see Stu.

0:32:20 > 0:32:21Nothing else to wear, anyway.

0:32:21 > 0:32:24I'm just gonna be the dowdy redhead who doesn't know how to dress.

0:32:24 > 0:32:27ELLA SOBS

0:32:27 > 0:32:28Don't worry, Ella,

0:32:28 > 0:32:29I'll find something to wear.

0:32:29 > 0:32:31I mean, accessories are good, too,

0:32:31 > 0:32:33and they'll help me, and...

0:32:34 > 0:32:35Don't cry.

0:32:35 > 0:32:38I...I can't lie!

0:32:38 > 0:32:40I can't say that I'm sleeping over

0:32:40 > 0:32:41at your house when I'm not.

0:32:41 > 0:32:43I can't go into New York behind my parents' backs.

0:32:43 > 0:32:44I can't do it.

0:32:44 > 0:32:45Well, we're not really

0:32:45 > 0:32:46going behind their backs.

0:32:46 > 0:32:47I mean, they're gonna be in the city, too,

0:32:47 > 0:32:49Just not in the Same venue.

0:32:49 > 0:32:51I'm not going. I'm not going.

0:32:51 > 0:32:52I'm not going.

0:32:52 > 0:32:53E-Ella, I mean,

0:32:53 > 0:32:54we're supposed to do things like this.

0:32:54 > 0:32:5515-year-olds in other cultures

0:32:55 > 0:32:57are...are grandmothers,

0:32:57 > 0:32:59and no-one gave their permission to do that.

0:32:59 > 0:33:00I mean, it's not our fault

0:33:00 > 0:33:01that the people who brought us into this world

0:33:01 > 0:33:03don't understand that we must

0:33:03 > 0:33:04fly away from the nest.

0:33:04 > 0:33:06Nature is telling us to go.

0:33:06 > 0:33:07And our parents are good people.

0:33:07 > 0:33:09They love us.

0:33:09 > 0:33:11Yeah, they love us, right?

0:33:11 > 0:33:12They really love us,

0:33:12 > 0:33:13and I'm sure they'd hate if

0:33:13 > 0:33:14anything happened to us,

0:33:14 > 0:33:16and...

0:33:18 > 0:33:20Wait here one second, OK?

0:33:21 > 0:33:23Don't cry. It's gonna work out.

0:33:23 > 0:33:25We'll go, and it'll be fun.

0:33:25 > 0:33:28I can't lie!

0:33:30 > 0:33:34Mom, it's amazing how sometimes I come to your conclusions.

0:33:34 > 0:33:36Ella and I could use, as you say,

0:33:36 > 0:33:38adult supervision. Uh-huh.

0:33:38 > 0:33:39So here's the plan.

0:33:39 > 0:33:42You drive us to the train in broad, broad daylight.

0:33:42 > 0:33:43Ella's parents are going to be in New York,

0:33:43 > 0:33:45and they'd be more than happy to pick us up

0:33:45 > 0:33:46at Grand Central -

0:33:46 > 0:33:47Grand Central Station.

0:33:47 > 0:33:48They'll drop us off at the concert,

0:33:48 > 0:33:50and we'll stay overnight with them at their hotel.

0:33:50 > 0:33:51Sounds so safe, I know.

0:33:51 > 0:33:53I can't even believe it came out of my own head.

0:33:53 > 0:33:54OK, OK, I'm gonna have to talk

0:33:54 > 0:33:56with Ella's mom and dad.

0:33:56 > 0:33:58Of course, and when you do it, do it gently,

0:33:58 > 0:33:59because they know nothing about this.

0:33:59 > 0:34:01Mary!

0:34:01 > 0:34:02And try and remember, we're in suburbia.

0:34:02 > 0:34:04Yeah, yeah, I know.

0:34:04 > 0:34:05And, you know, it wouldn't hurt if you threw in

0:34:05 > 0:34:06that microwaves aren't that bad.

0:34:08 > 0:34:10Well, see, Mary feels she really

0:34:10 > 0:34:12must, must, must see the concert.

0:34:12 > 0:34:13And is that how you feel, sweetie -

0:34:13 > 0:34:17that you must see these Sidarthur people?

0:34:17 > 0:34:19It's their last performance.

0:34:19 > 0:34:22Well, why didn't you just ask, pumpkin?

0:34:22 > 0:34:25I didn't know I could.

0:34:25 > 0:34:26DAD: All right.

0:34:26 > 0:34:29Your mother and I are going into the city on Thursday

0:34:29 > 0:34:31for a long weekend. Yeah.

0:34:31 > 0:34:32We'll pick them up at the station,

0:34:32 > 0:34:33and they can stay with us at the Hilton.

0:34:33 > 0:34:35Which is practically down the street from the concert.

0:34:35 > 0:34:37Well, that would be great.

0:34:39 > 0:34:42Oh, it's as if the heavens wanted this.

0:34:43 > 0:34:44- Miss Baggoli? - Yes?

0:34:44 > 0:34:46Someone broke the heel.

0:34:46 > 0:34:48No! Oh!

0:34:48 > 0:34:50Girls, pl... Everybody! Listen up.

0:34:50 > 0:34:52General announcement, everyone.

0:34:53 > 0:34:57Costumes are sacred.

0:34:57 > 0:35:01Costumes are sacred.

0:35:01 > 0:35:03Please.

0:35:03 > 0:35:06I mean, what does one wear to Stu Wolff's party?

0:35:06 > 0:35:08There's gonna be so many famous people there.

0:35:08 > 0:35:10I don't know. I just want to look hot.

0:35:10 > 0:35:14One wears what one usually wears to these soirees.

0:35:14 > 0:35:16# I wanna be loved by you

0:35:16 > 0:35:18# Just you

0:35:18 > 0:35:21# Nobody else but you

0:35:21 > 0:35:26# I wanna be loved by you alone

0:35:26 > 0:35:28# Boop, boop, ba-doo

0:35:28 > 0:35:31# I wanna be kissed by you

0:35:31 > 0:35:32# Just you

0:35:32 > 0:35:35# Nobody else but you

0:35:35 > 0:35:41# I wanna be kissed by you alone

0:35:41 > 0:35:44# I couldn't aspire

0:35:44 > 0:35:48# To anything higher

0:35:48 > 0:35:54# Than to fill the desire to make you my own

0:35:54 > 0:35:57# Ba-dum, ba-dum, dum-de-dum

0:35:57 > 0:36:00# I wanna be loved by you

0:36:00 > 0:36:01# Just you

0:36:01 > 0:36:05# And nobody else but you... #

0:36:06 > 0:36:08Oh...please...

0:36:08 > 0:36:11Lola! Oh, my gosh! Lola! BELL RINGS

0:36:11 > 0:36:13LOLA: 'Crime has never appealed to me as a way of life,

0:36:13 > 0:36:15'but a girl's gotta do what a girl's gotta do,

0:36:15 > 0:36:17'and I needed Eliza's dress.'

0:36:17 > 0:36:19You know, you don't have to do this for me.

0:36:19 > 0:36:20I mean, I know you said you'd do me a favour,

0:36:20 > 0:36:22but this one may be too big.

0:36:22 > 0:36:23Don't worry.

0:36:23 > 0:36:25I'll be in and out of the drama room in seconds.

0:36:25 > 0:36:275, 6, 7, 8, and...

0:36:27 > 0:36:29ROCK MUSIC PLAYS

0:36:29 > 0:36:31LOLA: 'OK, I know it's not like me to be unprofessional,

0:36:31 > 0:36:33'but how can I concentrate

0:36:33 > 0:36:34'when Sam is risking his life for me?

0:36:34 > 0:36:35'And when in ten hours' time,

0:36:35 > 0:36:38'I'll be standing right in front of Stu Wolff?'

0:36:46 > 0:36:47Oof.

0:36:49 > 0:36:50Wait a minute. No, no.

0:36:50 > 0:36:53OK, everybody, that's... That's enough!

0:36:53 > 0:36:54Excuse me, PLEASE!

0:36:54 > 0:36:56MUSIC STOPS

0:36:56 > 0:36:58(I'm sorry.)

0:37:01 > 0:37:02Maybe you're messing up so much

0:37:02 > 0:37:05because you're so excited about the concert tonight.

0:37:05 > 0:37:07No, I'm used to those things.

0:37:07 > 0:37:09Lola and Carla, do you have to talk?!

0:37:09 > 0:37:12< Opening night is in one week.

0:37:12 > 0:37:14I would think that we could just have

0:37:14 > 0:37:17one decent rehearsal by now!

0:37:17 > 0:37:19SHE GASPS

0:37:19 > 0:37:20< All right.

0:37:20 > 0:37:23What I think we'll do now is we'll just breathe.

0:37:23 > 0:37:24Breathe deep, and try and relax.

0:37:24 > 0:37:26THEY INHALE

0:37:26 > 0:37:29THEY VOCALISE

0:37:29 > 0:37:30< And another one.

0:37:32 > 0:37:33Shake it, shake it, shake it, shake it,

0:37:33 > 0:37:34shake it, shake it, shake.

0:37:34 > 0:37:37And you all just keep shaking and relaxing.

0:37:37 > 0:37:39And I'm gonna get something I really need

0:37:39 > 0:37:41out of the drama room.

0:37:41 > 0:37:42No, no, no, Miss Baggoli,

0:37:42 > 0:37:43it's OK, I'll get it for you.

0:37:43 > 0:37:44No, that's all right, Lola,

0:37:44 > 0:37:45because what I need

0:37:45 > 0:37:47is locked up in the drama room.

0:37:49 > 0:37:50No, but on page 42 of the script

0:37:50 > 0:37:52is where I want to sort of look down demurely.

0:37:52 > 0:37:54Lola, get out of my way!

0:37:55 > 0:37:56Can't we just go back onto the stage?

0:37:56 > 0:37:58Miss Baggoli, please.

0:37:58 > 0:37:59Please, just get out of...

0:37:59 > 0:38:03Lola, would you please get out of my way?

0:38:03 > 0:38:04That's odd.

0:38:04 > 0:38:07Why isn't this locked? Oh, my goodness.

0:38:07 > 0:38:09Hmm...

0:38:09 > 0:38:11But I always lock this door.

0:38:11 > 0:38:12LOLA: You know, you probably did lock it.

0:38:12 > 0:38:13I mean, we have the Same lock at home.

0:38:13 > 0:38:14Sometimes it works. Sometimes it doesn't.

0:38:14 > 0:38:15Sometimes it does. Sometimes it doesn't.

0:38:15 > 0:38:17I mean, you never know what's gonna happen.

0:38:17 > 0:38:18Oh, oh, oh.

0:38:18 > 0:38:20OK, nothing seems to be missing.

0:38:20 > 0:38:22Why would anything be missing here?

0:38:22 > 0:38:25Well, I have no idea, do I?

0:38:25 > 0:38:26You know, I...I just...

0:38:26 > 0:38:27I want to talk to you about my lines.

0:38:27 > 0:38:28I don't really know them that well.

0:38:28 > 0:38:30What do you mean, you don't know your lines?

0:38:30 > 0:38:33At this time, I don't even want to discuss this.

0:38:33 > 0:38:35No, I'm not even gonna discuss this right now.

0:38:48 > 0:38:49SHE GASPS

0:38:49 > 0:38:53Lola, you're just making me so nervous.

0:38:53 > 0:38:55Well, I...I need to show you something on the stage.

0:38:55 > 0:38:57You know what I think?

0:38:57 > 0:39:00I think that you've just been working so hard -

0:39:00 > 0:39:01entirely too hard -

0:39:01 > 0:39:03and that you should just really try

0:39:03 > 0:39:06and take the weekend off and relax, OK?

0:39:06 > 0:39:08I...I've never really relaxed before.

0:39:08 > 0:39:10There's no reason I can't try.

0:39:10 > 0:39:14I think you should. I just think you should.

0:39:20 > 0:39:21Oh, my gosh! I was so terrified.

0:39:21 > 0:39:23I know. I was just about to grab the dress

0:39:23 > 0:39:25when Miss Baggoli came in.

0:39:25 > 0:39:26Thanks for trying.

0:39:27 > 0:39:28Trying?

0:39:31 > 0:39:32Take a look under the hood.

0:39:36 > 0:39:38SHE GASPS

0:39:39 > 0:39:40Are you kidding me?

0:39:42 > 0:39:43# Oh, yeah... #

0:39:47 > 0:39:50LOLA: Hurry, quick, I don't want to miss the train.

0:39:50 > 0:39:51ELLA: Wait for me!

0:39:51 > 0:39:53TANNOY: 342 to Grand Central Station Now arriving.

0:39:58 > 0:39:59I don't believe it.

0:39:59 > 0:40:02I don't believe you stole Eliza's dress.

0:40:02 > 0:40:04I didn't steal it. I borrowed it.

0:40:04 > 0:40:06Borrowed? You mean you asked if it was OK?

0:40:06 > 0:40:08Well, not exactly. I mean, Sam...

0:40:08 > 0:40:10You got Sam to steal it for you?

0:40:10 > 0:40:11Borrowed! Borrowed it. Sam borrowed it.

0:40:11 > 0:40:13It'll be back in the closet by Monday morning.

0:40:13 > 0:40:14Oh. Yeah. I'm gonna get off.

0:40:14 > 0:40:16I can't go through with this. No, no.

0:40:16 > 0:40:17Ella, Ella, don't back out now, please.

0:40:17 > 0:40:19Please just let me have one night of pure joy

0:40:19 > 0:40:23if I'm gonna have to spend the rest of my precious youth behind bars.

0:40:24 > 0:40:25This better be one great concert.

0:40:25 > 0:40:27That's a given.

0:40:27 > 0:40:29I don't want to get near a scalper.

0:40:29 > 0:40:30You take the money, OK?

0:40:30 > 0:40:31OK.

0:40:34 > 0:40:36# Oh, yeah

0:40:38 > 0:40:39# Come on, come on, come on, come on

0:40:41 > 0:40:43# Come on, get in

0:40:43 > 0:40:44# Hang your coats

0:40:44 > 0:40:46# Eat our chips, come on

0:40:46 > 0:40:47# We've got notes

0:40:47 > 0:40:49# Shake your coconuts

0:40:49 > 0:40:51# Coco boys

0:40:51 > 0:40:53# Until that nut comes out, come on

0:40:53 > 0:40:54# Coco girls

0:40:54 > 0:40:56# Just keep on dancing now

0:40:56 > 0:40:57# Just keep on getting down

0:40:57 > 0:40:59# Just keep on having fun

0:40:59 > 0:41:00# The party's just begun

0:41:08 > 0:41:09# All dressed up

0:41:09 > 0:41:11# And dressed to kill

0:41:11 > 0:41:14# Doctor says, "Come on, eat your pills"

0:41:14 > 0:41:16# Shake your coconuts... # Atchoo!

0:41:16 > 0:41:17# Coco boys

0:41:17 > 0:41:19# Until that milk comes out

0:41:19 > 0:41:21# Coco girls

0:41:21 > 0:41:22# Just keep on having fun... # COUGHS

0:41:22 > 0:41:24# The party's just begun

0:41:24 > 0:41:26# Just keep on dancing

0:41:26 > 0:41:27# Just keep on getting down

0:41:27 > 0:41:29# Just keep on dancing

0:41:29 > 0:41:31# Just keep on getting down

0:41:31 > 0:41:32# Just keep on having fun

0:41:32 > 0:41:34# The party's just begun

0:41:34 > 0:41:36# Whoo! #

0:41:36 > 0:41:39TANNOY: Hartford express, New Haven line.

0:41:39 > 0:41:40Wow!

0:41:40 > 0:41:43Wow, you... you look beautiful!

0:41:43 > 0:41:45- You too, Lola. - Thanks.

0:41:45 > 0:41:46Yes, you do...

0:41:46 > 0:41:48both of you.

0:41:48 > 0:41:49Now... now, the hotel is...

0:41:49 > 0:41:50is just a few blocks from the theatre.

0:41:50 > 0:41:52I know. I know my New York.

0:41:52 > 0:41:55We'll be back in the hotel room at 12.00.

0:41:55 > 0:41:57You have your tickets and your money?

0:41:57 > 0:41:58We have the money. We'll buy the tickets.

0:41:58 > 0:42:00Oh, here.

0:42:00 > 0:42:02Thank you.

0:42:02 > 0:42:04We'll, uh, we'll drop you off.

0:42:04 > 0:42:06I can assure you, everything is gonna be fine.

0:42:06 > 0:42:08It's just a quiet little concert.

0:42:08 > 0:42:10# Ha, ha, ha, ha, ha

0:42:10 > 0:42:12# Ha, ha

0:42:12 > 0:42:13# Whoo... #

0:42:13 > 0:42:15GIRLS SCREAM

0:42:17 > 0:42:19# Ha, ha, ha, ha, ha

0:42:19 > 0:42:21# Ha, ha

0:42:21 > 0:42:21# Whoo... #

0:42:21 > 0:42:23INDISTINCT SHOUTING

0:42:23 > 0:42:25LOLA: OK, Ella, heads up, march forward.

0:42:25 > 0:42:27- Get ready to rock'n'roll. - POLICEMAN: Girls, please.

0:42:27 > 0:42:29- Oh, our tickets are at the door. - OK.

0:42:43 > 0:42:44LOLA: Look for someone who's selling tickets.

0:42:44 > 0:42:46Isn't there a stall or something?

0:42:46 > 0:42:49No. They're just ordinary people doing ordinary scalping.

0:42:49 > 0:42:51Oh! Watch this.

0:42:51 > 0:42:52You have to be strict with these people.

0:42:52 > 0:42:54You have to bargain and deal.

0:42:54 > 0:42:55How much?

0:42:55 > 0:42:57165 in orchestra. Can't get any better than that.

0:42:57 > 0:42:59We'll take them.

0:42:59 > 0:43:01165 doesn't leave us very much for incidentals.

0:43:01 > 0:43:03When you get to see Stu Wolff,

0:43:03 > 0:43:05you don't need incidentals.

0:43:05 > 0:43:06It's in your make-up bag.

0:43:06 > 0:43:07Oh, right.

0:43:11 > 0:43:13W-w-what's wrong?

0:43:13 > 0:43:17Ella, it's not here. My make-up bag's not here.

0:43:17 > 0:43:18It must be.

0:43:18 > 0:43:19It has to be.

0:43:19 > 0:43:21When did you last see it?

0:43:21 > 0:43:24In the train. I left it behind the...

0:43:24 > 0:43:26sink.

0:43:26 > 0:43:28Oh, no.

0:43:28 > 0:43:29Oh. Maybe it's karma.

0:43:29 > 0:43:33All we have to do is go in with a large group of people.

0:43:33 > 0:43:35What? You mean sneak in?

0:43:35 > 0:43:36Sneaking would be beneath us, but...

0:43:36 > 0:43:40I can't think of a better word for what we're about to do.

0:43:40 > 0:43:44I have never snuck, ever. I can't do it.

0:43:44 > 0:43:46I'm terrified just being here.

0:43:46 > 0:43:47Stage fright. It'll pass.

0:43:47 > 0:43:50This is a little tricky, so just follow my lead, OK?

0:43:50 > 0:43:52I wonder what song they'll do.

0:43:52 > 0:43:53I hope they do Love Loser.

0:43:53 > 0:43:54Oh, I'm so excited!

0:43:54 > 0:43:57I feel like I've been waiting for this for ever.

0:43:59 > 0:44:00Just a minute.

0:44:02 > 0:44:06Can I have another look at your ticket, please?

0:44:06 > 0:44:08Uh, right. Uh, my ticket. Sure.

0:44:08 > 0:44:09RUSTLING

0:44:09 > 0:44:11You know, i-it's not here.

0:44:11 > 0:44:13I must have dropped it or something.

0:44:15 > 0:44:16No ticket...

0:44:16 > 0:44:18no concert.

0:44:18 > 0:44:19I demand to see your supervisor.

0:44:19 > 0:44:21Yeah? You can see him outside.

0:44:21 > 0:44:22But...

0:44:30 > 0:44:32Come to the door.

0:44:32 > 0:44:35Come...to...the door.

0:44:35 > 0:44:37OK, go see Stu.

0:44:37 > 0:44:40Go...see...Stu.

0:44:40 > 0:44:41Go see Stu!

0:44:41 > 0:44:43OK, stay there. Don't move. I'm coming in.

0:44:43 > 0:44:45I just have to be with my cousin.

0:44:45 > 0:44:48She has this...this rare disease that makes you gag

0:44:48 > 0:44:49and you can't breathe and then you die.

0:44:49 > 0:44:51I mean, she shouldn't be left alone, and, look -

0:44:51 > 0:44:54look, she's alone - the one who's gagging and not breathing.

0:44:54 > 0:44:56I have to be with her at all times.

0:44:57 > 0:44:58OK.

0:45:02 > 0:45:03Good plan.

0:45:04 > 0:45:07MUSIC PLAYS IN DISTANCE

0:45:07 > 0:45:09Maybe we should just go to the hotel.

0:45:09 > 0:45:11What? And miss the concert?

0:45:11 > 0:45:13Yeah, I don't think so.

0:45:13 > 0:45:14We're not actually at the concert.

0:45:14 > 0:45:15We're close. I mean,

0:45:15 > 0:45:17Stu Wolff's only a few yards away from us.

0:45:17 > 0:45:20And then he'll be at the after-party with us.

0:45:20 > 0:45:22Your belief system amazes me.

0:45:22 > 0:45:24Ella, where are you going?

0:45:24 > 0:45:26Don't leave me!

0:45:26 > 0:45:29Come back! Ella!

0:45:29 > 0:45:30What are you doing?

0:45:30 > 0:45:32I'm going back to the hotel.

0:45:32 > 0:45:33So you're just gonna give up?

0:45:33 > 0:45:35If everyone gave up,

0:45:35 > 0:45:39there'd be no America, no electricity, no TiVo.

0:45:39 > 0:45:41We'd all have to watch shows at their scheduled times.

0:45:41 > 0:45:44We'd never get to see Renee Zellweger or Christina Aguilera.

0:45:44 > 0:45:48If everyone gave up, we'd all be sitting in mud huts in Europe eating weeds.

0:45:48 > 0:45:49I didn't say stop progress.

0:45:49 > 0:45:51I just said, "Go back to the hotel."

0:45:51 > 0:45:53But don't you want to see the look on Carla's face

0:45:53 > 0:45:55when we show up at that party?

0:45:55 > 0:45:57Yeah, I do.

0:45:57 > 0:45:58Great! Then let's go to SoHo.

0:45:58 > 0:46:01Where in SoHo? We don't even know where Stu lives.

0:46:01 > 0:46:03Oh, sure, we do. I have this.

0:46:07 > 0:46:09ELLA: A picture of a door?

0:46:09 > 0:46:11LOLA: It's not just a door.

0:46:11 > 0:46:13It's a black door with windows.

0:46:13 > 0:46:15Have some faith, Ella.

0:46:15 > 0:46:17SoHo is New York's artistic soul.

0:46:17 > 0:46:18And it's just around the corner.

0:46:18 > 0:46:21# Get ready or not, cos here I come

0:46:21 > 0:46:23# Dance, dance, dance, have some fun

0:46:23 > 0:46:25# 6, 5, 4, 3, 2, 1... #

0:46:25 > 0:46:27THUNDER # Get up, get up

0:46:27 > 0:46:29# Get up, up, up

0:46:29 > 0:46:30# O-o-h

0:46:30 > 0:46:32# Up, up, up... #

0:46:32 > 0:46:35ELLA: 67 blocks is "around the corner"?!

0:46:35 > 0:46:38# ..Rain falls down on my parade

0:46:38 > 0:46:40# Lemons into lemonade

0:46:40 > 0:46:43# Can't slow me down, no way, no way... #

0:46:43 > 0:46:45Ready? Yeah.

0:46:45 > 0:46:47# Yesterday is in the past

0:46:47 > 0:46:50# Dream on, tomorrow's coming fast

0:46:50 > 0:46:51# All you got is now... #

0:46:51 > 0:46:53Ready? # ..Get up, get up... #

0:46:53 > 0:46:56Ohh! # Get ready or not, cos here I come

0:46:56 > 0:46:58# Dance, dance, dance, have some fun

0:46:58 > 0:47:01# 6, 5, 4, 3, 2, 1

0:47:01 > 0:47:02# Get up, get up... #

0:47:21 > 0:47:24There's a man following us.

0:47:24 > 0:47:25Don't be silly, Ella.

0:47:25 > 0:47:27The crime rate in New York is going down.

0:47:30 > 0:47:32(Come on. Let's go.)

0:47:41 > 0:47:43There's a man and a dog following us.

0:47:46 > 0:47:47OK. Stay here. I'll handle this.

0:47:47 > 0:47:49New Yorkers know how to handle trouble.

0:47:49 > 0:47:50Watch this.

0:47:50 > 0:47:51Hey! Hey!

0:47:51 > 0:47:53Dad, what are you doing here?

0:47:53 > 0:47:54Your mom called.

0:47:54 > 0:47:57Asked me to keep an eye on you.

0:47:57 > 0:47:58She got nervous.

0:47:58 > 0:47:59Mom was born nervous.

0:47:59 > 0:48:02So, where are you going?

0:48:02 > 0:48:03To a party.

0:48:03 > 0:48:05Not like that. You're all wet.

0:48:05 > 0:48:07Daddy, nothing can rain on my parade.

0:48:07 > 0:48:09You know, I like parties.

0:48:09 > 0:48:10Please, Dad. If you show up,

0:48:10 > 0:48:12then Stu Wolff will never think I'm cool.

0:48:12 > 0:48:13Can't you just wait outside or something?

0:48:13 > 0:48:15Right outside.

0:48:15 > 0:48:17But if I see something even slightly wrong,

0:48:17 > 0:48:18I'm coming in.

0:48:18 > 0:48:20You know, I really like parties.

0:48:20 > 0:48:21Thanks, Dad.

0:48:21 > 0:48:23And could you lay low? You're scaring my friend.

0:48:25 > 0:48:26Right.

0:48:26 > 0:48:27But I'll be watching. >

0:48:29 > 0:48:31Well, he won't be bothering us any more.

0:48:31 > 0:48:32So, are you ready to have fun?

0:48:32 > 0:48:33I-I hope so.

0:48:33 > 0:48:35OK. Good.

0:48:40 > 0:48:42BOTH: # I'm going to a party

0:48:42 > 0:48:44# With Sidarthur! #

0:48:44 > 0:48:45Yeah!

0:48:46 > 0:48:49# Oh-oh... #

0:48:49 > 0:48:51That was the Santini car.

0:48:51 > 0:48:53# Oh-oh

0:48:53 > 0:48:56# Oh-oh

0:48:56 > 0:48:58# Oh-oh

0:48:58 > 0:49:00# Oh-oh

0:49:00 > 0:49:03# Oh-oh

0:49:03 > 0:49:05# Oh-oh... #

0:49:17 > 0:49:21SHOUTING AND CHEERING

0:49:33 > 0:49:36Hi! Lola Cep. Ella Gerard. Nice to see you again.

0:49:36 > 0:49:37I'll have to see your invitations.

0:49:37 > 0:49:41Strange you should ask. We left them at the concert.

0:49:41 > 0:49:42Our names should be on the list.

0:49:48 > 0:49:49There they are!

0:49:49 > 0:49:51Dr and Mrs Lawrence?

0:49:51 > 0:49:53Yeah. Uh, my mom and my dad.

0:49:53 > 0:49:55They couldn't make it.

0:49:55 > 0:49:57My mom has a rash, and my dad's in surgery.

0:49:57 > 0:49:59I thought your name was Step.

0:50:00 > 0:50:01Could I just use your phone?

0:50:01 > 0:50:02I have to call my parents. Please?

0:50:02 > 0:50:05This is a private residence, not Grand Central Station.

0:50:05 > 0:50:07Use a public phone.

0:50:07 > 0:50:08BARKING

0:50:08 > 0:50:09Whoa, whoa!

0:50:10 > 0:50:13MAN: Stu, this is your own party! It's your own party.

0:50:16 > 0:50:18SLURRED: You don't tell me what to do any more, Steve.

0:50:18 > 0:50:19Don't you remember? It's over.

0:50:19 > 0:50:21STEVE: Come inside before you embarrass yourself.

0:50:21 > 0:50:24You touch me... HE MUMBLES

0:50:28 > 0:50:31Yeah, remember? He's been trouble all over the world.

0:50:31 > 0:50:34Thank God he's not our problem any more.

0:50:34 > 0:50:36Steve! Steve!

0:50:36 > 0:50:39I-I love you.

0:50:39 > 0:50:42Wait, let me just talk to you for one minute!

0:50:44 > 0:50:46Well, except for the garbage and the cars,

0:50:46 > 0:50:47it's like following Heathcliff out on the moors.

0:50:47 > 0:50:48Maybe we shouldn't.

0:50:48 > 0:50:50Would you please relax?

0:50:50 > 0:50:52I'd rather lose him than lose my life.

0:50:52 > 0:50:53Where do you think he's going?

0:50:53 > 0:50:56Someplace great.

0:50:57 > 0:50:59MUTTERING

0:51:02 > 0:51:05This for you is great?

0:51:05 > 0:51:08I'm getting really scared being out here all alone, Lola.

0:51:08 > 0:51:10We're not alone. We're with an adult.

0:51:10 > 0:51:11CANS RATTLE

0:51:11 > 0:51:13Aside from the fact that he isn't actually with us,

0:51:13 > 0:51:18he isn't actually an adult. He's a rock star.

0:51:18 > 0:51:20STU MOANS

0:51:20 > 0:51:21RUSTLING

0:51:24 > 0:51:26LOLA: Mr Wolff?

0:51:26 > 0:51:28What...? Come with me.

0:51:30 > 0:51:31Come on. Help me get him out.

0:51:31 > 0:51:32ELLA WHIMPERS

0:51:33 > 0:51:36ELLA: He smells like a backed-up drain.

0:51:36 > 0:51:38LOLA: Ella, Ella, Ella. I mean, see the beauty.

0:51:38 > 0:51:40Oh, my God! He's crying.

0:51:40 > 0:51:43Do you believe how lucky we are?

0:51:43 > 0:51:46I almost hear them praying that we don't sit near them.

0:51:46 > 0:51:49OK, well, quickly get him into a booth before anyone smells him.

0:51:54 > 0:51:57Everybody wants something from me.

0:51:57 > 0:51:59You think I'm a regular guy.

0:51:59 > 0:52:01I'm not a regular guy. >

0:52:01 > 0:52:06Do you...do you think anybody really knows who I am?

0:52:06 > 0:52:08I don't even know who I am.

0:52:10 > 0:52:11Once we get some coffee in him,

0:52:11 > 0:52:13I'm sure he'll become the man of truth, passion,

0:52:13 > 0:52:14and unflagging courage I know him to be.

0:52:14 > 0:52:16So, what will it be?

0:52:16 > 0:52:19Do you think I have any real friends?

0:52:19 > 0:52:20We'll just have coffee.

0:52:20 > 0:52:22Not me.

0:52:22 > 0:52:24I'll have a deluxe hamburger platter,

0:52:24 > 0:52:25well done,

0:52:25 > 0:52:28and a large side of onion rings.

0:52:28 > 0:52:29Uh, you know, you could just give him coffee.

0:52:29 > 0:52:31He's not really up to a meal right now.

0:52:31 > 0:52:37I-I want a deluxe hamburger platter. Is that too difficult?

0:52:37 > 0:52:39Look, you two better keep him in line.

0:52:39 > 0:52:41The boss won't stand for any nonsense.

0:52:43 > 0:52:44What do you want?

0:52:44 > 0:52:48Autographs? Money? A record deal?

0:52:48 > 0:52:50Hey, there, girls, do you want something from me?

0:52:50 > 0:52:52This is a poet who lit your darkest days?

0:52:52 > 0:52:56Didn't I tell you he was a tortured soul?

0:52:56 > 0:52:58Stu, do you have any cash on you?

0:52:58 > 0:53:00We sort of left ours on the train.

0:53:00 > 0:53:02I knew you wanted money.

0:53:02 > 0:53:04Look.

0:53:05 > 0:53:06Nothing.

0:53:09 > 0:53:11That's not onion rings.

0:53:11 > 0:53:12Can you believe this?

0:53:12 > 0:53:14I mean, we're actually having coffee

0:53:14 > 0:53:15With Stu Wolff.

0:53:15 > 0:53:18I have so much to ask you about your work.

0:53:20 > 0:53:22It's impossible to talk to someone who's had that much to drink.

0:53:22 > 0:53:25You know, you just don't understand the artistic soul.

0:53:25 > 0:53:28He drinks so much to numb the intensity of his feelings.

0:53:28 > 0:53:30All geniuses do, Ella.

0:53:30 > 0:53:33I want onion rings.

0:53:33 > 0:53:35This is a donut!

0:53:37 > 0:53:39I want onion rings.

0:53:39 > 0:53:40Now.

0:53:42 > 0:53:44What is wrong with the service around here?

0:53:44 > 0:53:47Are we together?

0:53:47 > 0:53:48Who are you?

0:53:48 > 0:53:50Uh, the fates have sort of brought us together.

0:53:50 > 0:53:51This is Ella.

0:53:51 > 0:53:53Ella what?

0:53:53 > 0:53:56Ella Gerard. 58 Birch Hollow Road, Dellwood, New Jersey.

0:53:56 > 0:53:59201-555-0199.

0:53:59 > 0:54:02But tonight my parents are staying at the New York Hilton,

0:54:02 > 0:54:04and I really don't want to worry them by being incarcerated.

0:54:04 > 0:54:07It's my mother's birthday. I bought her a rug.

0:54:07 > 0:54:09Be quiet, Mr Wolff. You?

0:54:09 > 0:54:13Lola Cep. My father's name is Calum Cep.

0:54:13 > 0:54:15Address is 512 Bleecker Street.

0:54:15 > 0:54:18212-555-0125.

0:54:18 > 0:54:20< All right, the three of you,

0:54:20 > 0:54:21sit over there while I make some calls.

0:54:23 > 0:54:24What's wrong with you?

0:54:24 > 0:54:26Why did you lie like that to the police?

0:54:26 > 0:54:27Don't you think they're gonna find out

0:54:27 > 0:54:28that your father is dead?

0:54:28 > 0:54:29Excuse me, but what's going on?

0:54:29 > 0:54:30Who are you two?

0:54:30 > 0:54:32What's wrong with you? I mean...

0:54:32 > 0:54:34How come you're not afraid of what your parents are gonna say?

0:54:34 > 0:54:36I'm resigned to what life may bring.

0:54:36 > 0:54:38But why did you give a false address?

0:54:38 > 0:54:41You know, Ella, I think your true soul and spirit

0:54:41 > 0:54:42are finally beginning to emerge.

0:54:42 > 0:54:44Why did you lie?

0:54:44 > 0:54:45I didn't lie.

0:54:45 > 0:54:46My father does live on Bleecker Street,

0:54:46 > 0:54:47and he has a rent-controlled apartment

0:54:47 > 0:54:49and a dog named Negus.

0:54:49 > 0:54:53You told me your father died in a motorcycle accident.

0:54:53 > 0:54:55So I exaggerated a little.

0:54:55 > 0:54:56A little?

0:54:56 > 0:54:58Exaggerating "a little"

0:54:58 > 0:54:59is saying you're a little taller.

0:54:59 > 0:55:01Saying your father is dead when he's not

0:55:01 > 0:55:03is lying beyond comprehension.

0:55:03 > 0:55:04Can we talk about this later?

0:55:04 > 0:55:06I mean, don't you think we should tell Stu what happened first?

0:55:06 > 0:55:07I think you should tell me what happened.

0:55:07 > 0:55:09Why did you say your father was dead?

0:55:09 > 0:55:11He died? When?

0:55:11 > 0:55:13I had a reason.

0:55:13 > 0:55:14And what was that?

0:55:14 > 0:55:16The truth?

0:55:16 > 0:55:18No, a lie will do(!) Yes, the truth!

0:55:18 > 0:55:20You do remember what that is, don't you?

0:55:20 > 0:55:23Were we in a diner? I have an image of "Merry Xmas".

0:55:23 > 0:55:25If you could just give me a moment, I'd be happy to explain.

0:55:25 > 0:55:27But right now I'm talking to her.

0:55:27 > 0:55:28All right.

0:55:28 > 0:55:29The total truth.

0:55:31 > 0:55:34I lied because I wanted to make myself seem more interesting.

0:55:34 > 0:55:37More interesting?

0:55:37 > 0:55:41We are 1,000 miles from home in a New York police station

0:55:41 > 0:55:42with a drunken rock star

0:55:42 > 0:55:43waiting for your dead father to show up,

0:55:43 > 0:55:46and you want to be more interesting?

0:55:46 > 0:55:47More interesting than what?

0:55:47 > 0:55:49You know, you just don't understand.

0:55:49 > 0:55:51It was a new town and a new school.

0:55:51 > 0:55:53I understand.

0:55:53 > 0:55:54And I lied for my mom.

0:55:54 > 0:55:56I had to protect her against suburbia.

0:55:56 > 0:55:57Your parents just didn't get her.

0:55:57 > 0:56:01So you killed your father?

0:56:01 > 0:56:02Ella!

0:56:02 > 0:56:05I-I would appreciate it if you would just stop talking.

0:56:05 > 0:56:06Ella, come on.

0:56:06 > 0:56:08Just...

0:56:16 > 0:56:18What's going on?

0:56:18 > 0:56:20Arrest that man! He's a stalker.

0:56:20 > 0:56:21Ella, Dad. Dad, Ella.

0:56:21 > 0:56:23Hi. I'm Calum Cep, her father. What happened?

0:56:23 > 0:56:25That's what I've been asking.

0:56:25 > 0:56:27LOLA: 'As the night continued to fall on the dark,

0:56:27 > 0:56:28'heartless streets around the precinct,

0:56:28 > 0:56:30'the six of us gathered around the sergeant,

0:56:30 > 0:56:31'and I told our tale.'

0:56:31 > 0:56:33We were desperate to get into this man's concert

0:56:33 > 0:56:36because I consider him to be the greatest poet since Shakespeare.

0:56:36 > 0:56:38But we lost our money on the train, and we couldn't pay a scalper.

0:56:38 > 0:56:40And then we tried to crash his party

0:56:40 > 0:56:42rather than have our dreams forever denied.

0:56:42 > 0:56:43And when he stormed out of his SoHo loft,

0:56:43 > 0:56:46we followed him to make sure he didn't come into any harm.

0:56:46 > 0:56:47I'm having memory flashes.

0:56:47 > 0:56:48I was passed out amongst the rubbish.

0:56:48 > 0:56:50I believe they helped me.

0:56:50 > 0:56:52CALUM: I know I should be furious,

0:56:52 > 0:56:54but it's too late for fury.

0:56:54 > 0:56:56< I'm just thankful nothing worse happened.

0:56:56 > 0:56:58He looks like the dog in The Dog Years.

0:56:58 > 0:57:00He is the dog in The Dog Years.

0:57:00 > 0:57:01The Dog Years? He's the dog in The Dog Years?

0:57:01 > 0:57:02Yeah.

0:57:02 > 0:57:04STU: My niece loves those books.

0:57:04 > 0:57:06You're famous! He's not as famous as you.

0:57:06 > 0:57:09Oh, Molly's not gonna believe I've actually met you...

0:57:09 > 0:57:10Negus, right?

0:57:10 > 0:57:13And Calum Cep, right? Right.

0:57:13 > 0:57:16We checked your story, and you're free to go.

0:57:16 > 0:57:18Uh, excuse me, Mr Wolff? Mm-hm?

0:57:18 > 0:57:20Can I have your autograph?

0:57:20 > 0:57:22Oh, yeah, sure.

0:57:22 > 0:57:23Sure.

0:57:23 > 0:57:24To...

0:57:24 > 0:57:26Sergeant Rose...

0:57:26 > 0:57:27Stu Wolff.

0:57:28 > 0:57:30Right, well, now that that's settled,

0:57:30 > 0:57:33um, would anyone like to come to a party with me?

0:57:33 > 0:57:34I would.

0:57:43 > 0:57:45LOLA SIGHS

0:57:45 > 0:57:47You can't stay mad at me for ever.

0:57:47 > 0:57:49Forgive me, please?

0:57:49 > 0:57:51I-I am in no way ready to forgive you.

0:57:51 > 0:57:53Well, this is the party of the century.

0:57:53 > 0:57:54I mean, don't you want to enjoy it with me?

0:57:54 > 0:57:56I'm not really in a partying mood.

0:57:56 > 0:57:58Look, I'm sorry.

0:57:58 > 0:57:59I really am. I'm sorry.

0:57:59 > 0:58:02You're just saying that to save the evening.

0:58:02 > 0:58:03No, I'm...I'm not.

0:58:03 > 0:58:06I honestly don't know what I'd do without you.

0:58:06 > 0:58:09What's going on? Why are you still out here?

0:58:09 > 0:58:11We just don't feel like going in right now.

0:58:11 > 0:58:13< Well, then...

0:58:13 > 0:58:15Let me get you back to the hotel.

0:58:15 > 0:58:17It...

0:58:18 > 0:58:21Maybe we can just go in for a little while.

0:58:23 > 0:58:24NEGUS BARKS

0:58:24 > 0:58:26MUSIC PLAYS

0:58:26 > 0:58:27# Sun is shining

0:58:27 > 0:58:29# Sun is shining

0:58:29 > 0:58:31# There's no need to sleep no more... #

0:58:31 > 0:58:32Hi!

0:58:33 > 0:58:35There you are!

0:58:35 > 0:58:36All right. Listen, uh...

0:58:36 > 0:58:38How about we get you guys something dry to wear,

0:58:38 > 0:58:40and I'll have those dresses cleaned... Come on.

0:58:40 > 0:58:41..and sent over to your dad's?

0:58:41 > 0:58:43Who is brilliant, by the way.

0:58:43 > 0:58:45I think he and I are gonna be pals.

0:58:45 > 0:58:47Yeah, I bought all his books.

0:58:47 > 0:58:50# Celebrity and superstition

0:58:50 > 0:58:54# Whatever it takes to get some recognition... #

0:58:54 > 0:58:55Just upstairs.

0:58:55 > 0:58:58I don't see her, do you? No.

0:58:58 > 0:59:01# ..Making you pay to feed the thoughts they... #

0:59:01 > 0:59:02Can you believe this?

0:59:02 > 0:59:05I mean, we're... we're in his clothes.

0:59:05 > 0:59:07And in his bedroom.

0:59:07 > 0:59:09Come on, Ella.

0:59:09 > 0:59:10Celebrate with me, please.

0:59:14 > 0:59:17I want everything to be OK between us.

0:59:17 > 0:59:19And I do, too.

0:59:20 > 0:59:23You have to promise that you'll never lie to me again.

0:59:23 > 0:59:25I do. I-I promise.

0:59:25 > 0:59:27I-I swear, Ella. I do.

0:59:28 > 0:59:29You promise?

0:59:29 > 0:59:31I do.

0:59:32 > 0:59:33OK.

0:59:34 > 0:59:35OK, then.

0:59:35 > 0:59:38Come on, we're in his room.

0:59:38 > 0:59:40What do you want to do? I mean... I don't know.

0:59:40 > 0:59:41THEY LAUGH

0:59:41 > 0:59:43# We're not done yet

0:59:43 > 0:59:46# Not going quietly into the night

0:59:46 > 0:59:48# Not me and my friends

0:59:48 > 0:59:49# We're not done yet

0:59:49 > 0:59:53# Not going quietly into the night

0:59:53 > 0:59:54# Not me and my friends

0:59:54 > 0:59:58# We're not done yet, don't take it too seriously

0:59:58 > 1:00:02# It's just life, we'll win in the end

1:00:13 > 1:00:16# We're not done yet

1:00:16 > 1:00:19# Not going quietly into the night

1:00:19 > 1:00:20# Not me and my friends... #

1:00:20 > 1:00:22That is so gross.

1:00:22 > 1:00:24Carla!

1:00:24 > 1:00:27Hey, Carla!

1:00:27 > 1:00:28We've been looking for you!

1:00:30 > 1:00:33Did you see her face?

1:00:33 > 1:00:34She looks really angry.

1:00:34 > 1:00:36ELLA: I know that look.

1:00:36 > 1:00:39You know, life can be so randomly beautiful.

1:00:40 > 1:00:41# Come on, girls!

1:00:41 > 1:00:46# Girls, we've all got one... #

1:00:46 > 1:00:50Oh, my God! # ..A night that's special everywhere

1:00:50 > 1:00:52# From New York

1:00:52 > 1:00:54# To Hollywood

1:00:54 > 1:00:56# It's ladies' night... #

1:00:56 > 1:00:58Oh, my God! # And, girl, the feeling's good

1:00:58 > 1:00:59# Oh, yes, it's ladies' night

1:00:59 > 1:01:02# And the feeling's right

1:01:02 > 1:01:04# Oh, yes, it's ladies' night

1:01:04 > 1:01:05# Oh, what a night

1:01:05 > 1:01:06# Oh, what a night

1:01:06 > 1:01:08# Oh, yes, it's ladies' night

1:01:08 > 1:01:10# And the feeling's right

1:01:10 > 1:01:11# Oh, yes... #

1:01:11 > 1:01:13My saviours.

1:01:13 > 1:01:15BOTH: Oh, my God!

1:01:15 > 1:01:17Oh, it's Steve. It's Steve!

1:01:17 > 1:01:18Hang on.

1:01:18 > 1:01:19Stu, I know you're really busy,

1:01:19 > 1:01:21but I was wondering if I could just talk to you for a second.

1:01:21 > 1:01:23Why not? Be my guest.

1:01:24 > 1:01:26Uh, I can't believe I met you.

1:01:26 > 1:01:28I mean, I can't believe I'm sitting here with the man

1:01:28 > 1:01:31who wrote all those songs that made my spirit soar.

1:01:31 > 1:01:32What were you thinking when you wrote,

1:01:32 > 1:01:35"Behind some doors people are waiting to sparkle"?

1:01:37 > 1:01:39I have no idea.

1:01:40 > 1:01:41But you wrote it.

1:01:41 > 1:01:45Life's a little foggy, a little soggy.

1:01:45 > 1:01:47You know, that really said something to me.

1:01:47 > 1:01:49And...and I'm sure to a hundred million other girls,

1:01:49 > 1:01:51but especially to me.

1:01:51 > 1:01:54I'm happy to oblige a fan.

1:01:54 > 1:01:56No. I-I'm not just a fan.

1:01:56 > 1:01:58I mean, I sat at your feet, metaphorically.

1:01:58 > 1:02:00When I listened to Always Morning,

1:02:00 > 1:02:02I wore a grey jacket because you wore a grey jacket on the CD.

1:02:02 > 1:02:05And you wore grey because it was ambiguous.

1:02:05 > 1:02:06Am I right?

1:02:06 > 1:02:07No.

1:02:07 > 1:02:09I'm right.

1:02:15 > 1:02:17You look disappointed.

1:02:17 > 1:02:19Well, I am.

1:02:19 > 1:02:21In me?

1:02:21 > 1:02:24Yeah. I mean, I still think you're the greatest thing since Shakespeare.

1:02:24 > 1:02:28But it's just too bad I'll never be able to discuss your poetry with you.

1:02:28 > 1:02:30Why?

1:02:30 > 1:02:33Because, Mr Wolff...

1:02:33 > 1:02:35you're a drunk.

1:02:47 > 1:02:48I hope getting this thing back

1:02:48 > 1:02:49is easier than getting it out.

1:02:49 > 1:02:50Yeah.

1:02:50 > 1:02:53Guess what! I've been grounded!

1:02:53 > 1:02:55Me too! I'm so proud of you!

1:02:57 > 1:02:58This is the day I've been waiting for

1:02:58 > 1:03:01since my first summer camp when Carla told all the kids

1:03:01 > 1:03:03that if they played with me, they'd die.

1:03:06 > 1:03:07She's smiling.

1:03:07 > 1:03:08LOLA: Oh, she's bluffing.

1:03:08 > 1:03:10BELL RINGS

1:03:10 > 1:03:12Well, look, I gotta get to class.

1:03:12 > 1:03:14Tell me how it goes.

1:03:14 > 1:03:17Come on. Let's watch her sink.

1:03:17 > 1:03:18CARLA LAUGHS

1:03:18 > 1:03:20Yeah, this one. Look at this one.

1:03:20 > 1:03:22Hey, Carla. Did you have fun?

1:03:22 > 1:03:24Well, if it isn't the great pretender.

1:03:24 > 1:03:27Come to hear what the Sidarthur party was like?

1:03:27 > 1:03:28Why would we want to hear what you have to say?

1:03:28 > 1:03:30Ella and I were there, remember?

1:03:30 > 1:03:32Did you hear that? She said they were there.

1:03:32 > 1:03:34You know, lying's not gonna help you.

1:03:34 > 1:03:36Everybody already knows that you didn't go.

1:03:36 > 1:03:39Don't pretend you didn't see us there. I know you did.

1:03:39 > 1:03:40It just so happens that Ella and I got in

1:03:40 > 1:03:42because of Stu Wolff himself

1:03:42 > 1:03:44after we practically saved his life. Tell them, Ella.

1:03:44 > 1:03:47I don't have anything to prove to these people. Nor do you.

1:03:47 > 1:03:50Ella, this is no time for your newfound personality.

1:03:50 > 1:03:52Maybe you'd like to see some pictures from the party, Lola.

1:03:52 > 1:03:55I know how fond you are of Stu Wolff,

1:03:55 > 1:03:56and I got some great shots of him.

1:03:56 > 1:03:58We spent the whole night with Stu.

1:03:58 > 1:04:00Right. On the night of his biggest party of all time,

1:04:00 > 1:04:01he left it to be with you.

1:04:01 > 1:04:03You're not gonna get away with this. We were at that party.

1:04:03 > 1:04:06My dad was there, too. And he and Stu are gonna get together sometime.

1:04:06 > 1:04:08What dad? You don't have a dad.

1:04:08 > 1:04:11You said he died before you moved here. >

1:04:11 > 1:04:12I mean, what do you do? >

1:04:12 > 1:04:15Do you just make all this up as you go along?

1:04:15 > 1:04:18Do you think that just because we're not from New York that we're stupid? >

1:04:18 > 1:04:19You saw us there.

1:04:19 > 1:04:20No, I didn't, liar.

1:04:20 > 1:04:23You know, that's what you are. You're a liar. >

1:04:23 > 1:04:24Your name isn't even Lola... >

1:04:24 > 1:04:26Mary. GIRLS LAUGH

1:04:26 > 1:04:29Ella's right.

1:04:29 > 1:04:31I don't have to prove anything to you people.

1:04:31 > 1:04:34You know we were there.

1:04:34 > 1:04:36Oh, no! She's crying.

1:04:36 > 1:04:38Look at the baby. Oh.

1:04:38 > 1:04:40CRUEL LAUGHTER

1:04:43 > 1:04:45Yo, you got no right to write down what I'm saying.

1:04:45 > 1:04:48Those are my... SHE INHALES DEEPLY

1:04:48 > 1:04:51I'm sorry, Miss Baggoli, I can't go on.

1:04:51 > 1:04:53There's something I have to say.

1:04:53 > 1:04:54Well, quickly, Lola, quickly.

1:04:54 > 1:04:56I have a confession to make.

1:04:56 > 1:04:58I borrowed Eliza's dress for the weekend.

1:04:58 > 1:05:02I'm really sorry, but I felt I had no other choice.

1:05:02 > 1:05:03No choice?!

1:05:03 > 1:05:05Why?

1:05:05 > 1:05:07I had to wear it to the Sidarthur party.

1:05:07 > 1:05:08When are you gonna give it up, Mary?

1:05:10 > 1:05:11No, you didn't. No, you didn't.

1:05:11 > 1:05:12You couldn't possibly have taken that dress

1:05:12 > 1:05:17because I keep that dress locked up safe in the drama room.

1:05:17 > 1:05:19There are ways, Miss Baggoli. There are ways.

1:05:19 > 1:05:21Where is it now?

1:05:21 > 1:05:23It's right back. It's safe and sound.

1:05:23 > 1:05:26It looks exactly the same, but somehow different.

1:05:26 > 1:05:27Can you believe her?

1:05:27 > 1:05:29I mean, first, she takes the dress.

1:05:29 > 1:05:30Then she puts it back,

1:05:30 > 1:05:33and then she goes to this party where no-one saw her.

1:05:33 > 1:05:34It's true! The dress got all wet,

1:05:34 > 1:05:37and Stu Wolff made me change into something dry.

1:05:37 > 1:05:39He said it was important that I felt comfortable.

1:05:39 > 1:05:40Because on the night of his farewell concert,

1:05:40 > 1:05:44Stu Wolff had nothing better to do than see Mary Cep dry.

1:05:44 > 1:05:45Girls, please!

1:05:45 > 1:05:47And he sent it back to my dad in a limousine as big as this stage.

1:05:47 > 1:05:49A dress in a limousine - can you picture it?

1:05:51 > 1:05:53He's also a big fan of my dad and my dad's dog.

1:05:53 > 1:05:55And then your dog gave him his autograph, right?

1:05:55 > 1:05:57But I did take the dress!

1:05:57 > 1:06:00See, Stu Wolff gave me this himself.

1:06:02 > 1:06:03It's his roadie T-shirt from his tour.

1:06:03 > 1:06:05Where else would I have gotten it?

1:06:05 > 1:06:07In a junk store where you get everything else.

1:06:07 > 1:06:09But this is the tissue I used to wipe his tears.

1:06:09 > 1:06:12Maybe we should send it off for DNA testing.

1:06:12 > 1:06:14I also left my bottle-cap necklace at his house.

1:06:14 > 1:06:15He told my dad he's gonna Fed-Ex it back.

1:06:15 > 1:06:18A dress riding in a limousine!

1:06:18 > 1:06:19I guess that's a good thing,

1:06:19 > 1:06:22because otherwise it would have had to catch a cab.

1:06:22 > 1:06:25You're funny, Lola. You could be a comedienne.

1:06:25 > 1:06:28But can we please go back to work now?

1:06:28 > 1:06:32We have so much to do before Wednesday night.

1:06:32 > 1:06:34You believe me, don't you? I mean, Carla's the one who's lying.

1:06:34 > 1:06:38We've worked so hard for this production, Lola.

1:06:38 > 1:06:40And I...

1:06:40 > 1:06:44I am not gonna let you ruin it for me.

1:06:47 > 1:06:50We have all had enough.

1:06:51 > 1:06:53Have you?

1:06:53 > 1:06:55Have you finally had enough?

1:06:55 > 1:06:57LAUGHTER

1:07:00 > 1:07:03# Cos we lost it all

1:07:03 > 1:07:05# Nothing lasts for ever

1:07:05 > 1:07:07# I'm sorry

1:07:07 > 1:07:12# I can't be perfect... #

1:07:17 > 1:07:19LOLA: I sunk into a depression

1:07:19 > 1:07:20that only Hamlet would recognise.

1:07:20 > 1:07:24The one story I'd told that was both probable and possible

1:07:24 > 1:07:27was the one that was true, and yet no-one believed me.

1:07:27 > 1:07:29Maybe you can never win against

1:07:29 > 1:07:31the Carla Santinis of this world.

1:07:31 > 1:07:34I'd never felt so totally defeated.

1:07:34 > 1:07:37I felt more like a pigeon than a flamingo.

1:07:37 > 1:07:39Mary? Ella's here.

1:07:39 > 1:07:40Go ahead.

1:07:42 > 1:07:43I want to talk to you.

1:07:43 > 1:07:45I don't really feel too well right now.

1:07:45 > 1:07:46You can cut the crap.

1:07:46 > 1:07:47I know what you're doing.

1:07:47 > 1:07:50What happened to the most polite and well-mannered girl

1:07:50 > 1:07:51in all of New Jersey?

1:07:51 > 1:07:53What does it matter any more?

1:07:53 > 1:07:55We know we went to the party.

1:07:55 > 1:07:58We know who we met and what we did.

1:07:58 > 1:07:59Get up!

1:07:59 > 1:08:03I can't. I just can't.

1:08:04 > 1:08:07Has anyone seen Lola Cep?

1:08:07 > 1:08:10Has anyone seen Lola Cep? Lola?

1:08:10 > 1:08:12You know, I really am sick. I mean, ask my mom.

1:08:12 > 1:08:13I'm not buying it.

1:08:13 > 1:08:15You're bailing out of the play.

1:08:15 > 1:08:18You know, here I am, so sick this could turn into pneumonia,

1:08:18 > 1:08:20and then I'll be on my deathbed,

1:08:20 > 1:08:21and you're being accusatory.

1:08:21 > 1:08:23You can't do this, Lola.

1:08:23 > 1:08:27Everyone is depending on you. What about your parents and Sam?

1:08:27 > 1:08:29Sam has never been to a school function in his life.

1:08:29 > 1:08:31He's only going because of you.

1:08:31 > 1:08:33Lola!

1:08:33 > 1:08:35Lola Cep - my Eliza.

1:08:35 > 1:08:37Get out of my way!

1:08:37 > 1:08:40(Woman) One hour till curtain.

1:08:41 > 1:08:44What about me?

1:08:45 > 1:08:49I...I was miserable until you came to Dellwood.

1:08:49 > 1:08:52I thought everyone's life was like mine -

1:08:52 > 1:08:53just doing everything you're supposed to do

1:08:53 > 1:08:55when you're supposed to do it.

1:08:55 > 1:08:57Never questioning anything.

1:08:59 > 1:09:03The only thing I could expect when I grew up

1:09:03 > 1:09:05was a life like my parents'.

1:09:06 > 1:09:09And then I met you.

1:09:11 > 1:09:14You gave me courage, Lola.

1:09:16 > 1:09:17Because of you,

1:09:17 > 1:09:20I'm brave enough to be different.

1:09:21 > 1:09:23Don't touch me!

1:09:24 > 1:09:26You're a sham!

1:09:26 > 1:09:29The one thing Carla can't do anything about

1:09:29 > 1:09:30is you being Eliza Doolittle,

1:09:30 > 1:09:32and you're just gonna hand it to her.

1:09:35 > 1:09:36KNOCK ON DOOR

1:09:36 > 1:09:38Mary, I left word with your dad.

1:09:38 > 1:09:40Should I call Miss Baggoli?

1:09:46 > 1:09:47No. I-I've...

1:09:47 > 1:09:50I've had a miraculous recovery.

1:10:00 > 1:10:02I need to be sure. Are you up to this?

1:10:02 > 1:10:05Up to it? Miss Baggoli, I was born to play Eliza.

1:10:05 > 1:10:06All right, then. Get into costume for the opening.

1:10:06 > 1:10:08Knock 'em dead!

1:10:08 > 1:10:09Knock 'em dead!

1:10:10 > 1:10:13It even amazes me that I get everything that I want.

1:10:13 > 1:10:15# Oh-oh

1:10:15 > 1:10:17# Oh-oh... # Get out of my dress.

1:10:17 > 1:10:18As of right now, I'm Eliza...

1:10:18 > 1:10:19Get out of my dress!

1:10:19 > 1:10:22Enjoy the show. Thanks. I will.

1:10:22 > 1:10:24Oh, and get out of my first costume!

1:10:24 > 1:10:26(Woman) Five minutes till curtain, people. Five minutes.

1:10:29 > 1:10:31Get out of my dress. No!

1:10:31 > 1:10:33Get out of my dress!

1:10:33 > 1:10:35No! BOTH: Get out of that dress!

1:10:35 > 1:10:37Ohh!

1:10:37 > 1:10:39Sorry, Miss Baggoli.

1:10:39 > 1:10:40I'm so glad to see you.

1:10:40 > 1:10:43CHATTER

1:10:43 > 1:10:45Do you want an ice cream?

1:10:47 > 1:10:50Hey. You're gonna be great.

1:10:50 > 1:10:53I'm scared. I'll admit it.

1:10:53 > 1:10:54But I'm excited, too.

1:10:54 > 1:10:55Don't be afraid.

1:10:56 > 1:10:59You're gonna be wonderful, Lola.

1:11:03 > 1:11:04You called me Lola.

1:11:04 > 1:11:07You are a Lola.

1:11:07 > 1:11:08Good luck!

1:11:25 > 1:11:26APPLAUSE

1:11:30 > 1:11:32CHEERING AND WHISTLING

1:11:44 > 1:11:46Press your bars, children.

1:11:48 > 1:11:51ROCK MUSIC PLAYS

1:12:07 > 1:12:09Yo, you got no right to write down what I'm saying.

1:12:09 > 1:12:10Those are my personal words.

1:12:11 > 1:12:13# Living just enough

1:12:13 > 1:12:16# Just enough

1:12:16 > 1:12:19# For the city

1:12:19 > 1:12:20# This girl, she works

1:12:20 > 1:12:23# In downtown New York City

1:12:23 > 1:12:24# Surrounded by

1:12:24 > 1:12:27# Four walls that ain't so pretty

1:12:27 > 1:12:28# Her parents give

1:12:28 > 1:12:31# Her love and affection

1:12:31 > 1:12:32# To keep her strong

1:12:32 > 1:12:34# Moving in the right direction

1:12:34 > 1:12:36# Living just enough

1:12:36 > 1:12:38# Just enough

1:12:38 > 1:12:41# For the city

1:12:41 > 1:12:43# Yeah, yeah

1:12:43 > 1:12:44# Living

1:12:44 > 1:12:46# Just enough

1:12:46 > 1:12:47# For the city

1:12:47 > 1:12:48# Living

1:12:48 > 1:12:50# Just enough

1:12:50 > 1:12:54# Living for the city. #

1:12:54 > 1:12:56APPLAUSE

1:12:56 > 1:12:58Now say "New York".

1:12:58 > 1:12:59New Yolk.

1:12:59 > 1:13:01New York.

1:13:01 > 1:13:02With an "r".

1:13:02 > 1:13:04New Rolk.

1:13:04 > 1:13:06LAUGHTER

1:13:06 > 1:13:07You can't talk.

1:13:07 > 1:13:09Let's see if you can walk.

1:13:09 > 1:13:11Ugh!

1:13:11 > 1:13:15# So I turn myself to face me

1:13:15 > 1:13:18# Though I've never caught a glimpse

1:13:18 > 1:13:22# Of how the others must see the faker

1:13:22 > 1:13:25# Well, I'm much too fast to take that test

1:13:25 > 1:13:27# Ch-ch-ch-ch-changes

1:13:27 > 1:13:29# Turn and face the strange

1:13:29 > 1:13:31# Ch-ch-ch-ch-changes

1:13:31 > 1:13:34# Just gonna have to be a different girl

1:13:34 > 1:13:36# Time may change me

1:13:36 > 1:13:39# But I can't trace time... #

1:13:44 > 1:13:46They all accepted her because of me!

1:13:46 > 1:13:49THEY LAUGH All because of you?!

1:13:49 > 1:13:50I was there, too!

1:13:50 > 1:13:52I worked hard to make you look good!

1:13:52 > 1:13:55Well, what will you do now, dear?

1:14:00 > 1:14:02I will be a teacher,

1:14:02 > 1:14:04because being a teacher is the most worthy thing

1:14:04 > 1:14:06a person can be.

1:14:06 > 1:14:08APPLAUSE

1:14:12 > 1:14:14# Ch-ch-ch-ch-changes

1:14:14 > 1:14:17# Turn and face the strange

1:14:17 > 1:14:19# Ch-ch-changes

1:14:19 > 1:14:22# Just gonna have to be a different girl

1:14:22 > 1:14:26# Time may change me

1:14:26 > 1:14:30# But I can't change time... #

1:14:30 > 1:14:33CHEERING

1:14:33 > 1:14:39# I can't change time. #

1:14:39 > 1:14:40Bravo!

1:14:44 > 1:14:45MUSIC ENDS

1:14:45 > 1:14:47CHEERING AND WHISTLES

1:14:56 > 1:14:58# That girl was a wild-child dreamer

1:14:58 > 1:15:00# But she'll find herself

1:15:00 > 1:15:04# Cos she believes in nothing else

1:15:04 > 1:15:07# But she'll have changed her destiny

1:15:07 > 1:15:10# Now she's a somebody

1:15:10 > 1:15:14# That girl was a one-time teenage drama queen

1:15:14 > 1:15:18# A hyped-up, everyday wannabe

1:15:18 > 1:15:21# Then you'll look back, and you won't believe

1:15:21 > 1:15:25# That girl was me

1:15:25 > 1:15:28# Life is a work of art, you gotta paint it colourful

1:15:28 > 1:15:30# You can make it anything you want

1:15:30 > 1:15:32# Don't have to stick to any rules

1:15:32 > 1:15:36# You don't need a high IQ to succeed in what you do

1:15:36 > 1:15:40# You just gotta have no doubt, just believe in yourself

1:15:40 > 1:15:42# That girl was a wild-child dreamer

1:15:42 > 1:15:45# But she'll find herself

1:15:45 > 1:15:48# Cos she believes in nothing else

1:15:48 > 1:15:52# Then you'll look back, and you won't believe

1:15:52 > 1:15:55# That girl was me. #

1:15:55 > 1:15:57CHEERING AND APPLAUSE

1:15:57 > 1:15:59MUSIC ENDS

1:15:59 > 1:16:00RECORD SCRATCHES

1:16:00 > 1:16:02# I am the best there is

1:16:02 > 1:16:04# I'm fan 3, and I handle my biz

1:16:04 > 1:16:07# I'm not universally known... #

1:16:07 > 1:16:08DOORBELL RINGS

1:16:08 > 1:16:09# ..But I'm known to leave the speakers blown

1:16:09 > 1:16:12# See, I gotta get it pumping, you know how we do it

1:16:12 > 1:16:14# My parents be like, "Turn down that rap music!"

1:16:14 > 1:16:16# Gotta feel the bass vibrate, my pops be irate

1:16:16 > 1:16:19# If the house don't shake, the beat don't break... #

1:16:22 > 1:16:23Stu Wolff?

1:16:24 > 1:16:27I don't... I don't believe this.

1:16:27 > 1:16:29Um...

1:16:29 > 1:16:32Did...did my father in...invite you here?

1:16:32 > 1:16:34Uh, no.

1:16:34 > 1:16:36Um... may I come in anyway?

1:16:36 > 1:16:39Yes! Yeah, sure, of course.

1:16:39 > 1:16:40I don't believe this. This is crazy.

1:16:40 > 1:16:42Lola's father said she would be here.

1:16:44 > 1:16:47You're here in my house because of Lola?

1:16:47 > 1:16:48You know what?

1:16:48 > 1:16:50Why don't you stay here? You stay.

1:16:50 > 1:16:51And, um, I'm gonna go get her.

1:16:51 > 1:16:54And I'm gonna go get her. You...you stay.

1:16:54 > 1:16:56So I can't come in?

1:17:04 > 1:17:07Uh...look who came to see me.

1:17:09 > 1:17:11Hey, guys. Look who's here.

1:17:11 > 1:17:13Is that Stu Wolff?

1:17:13 > 1:17:15Look who came to my house.

1:17:15 > 1:17:17ALL TALK AT ONCE

1:17:21 > 1:17:24Hey, Ella. I just wanted to say...

1:17:24 > 1:17:25Lola!

1:17:28 > 1:17:30Um...

1:17:30 > 1:17:33You left this at my place.

1:17:51 > 1:17:54LOLA: 'I had pictured this moment in my craziest, wildest dreams.

1:17:57 > 1:17:59'I mean, I guess if you don't dream crazy and wild,

1:17:59 > 1:18:03'people like Stu Wolff don't return your jewellery personally.'

1:18:07 > 1:18:09Agh!

1:18:09 > 1:18:11LAUGHTER

1:18:22 > 1:18:24Come on. It's just a hand.

1:18:44 > 1:18:45Thanks for showing up.

1:18:47 > 1:18:48So, how have you been?

1:18:48 > 1:18:50Sober.

1:18:50 > 1:18:51I'm in recovery...

1:18:51 > 1:18:52again.

1:18:54 > 1:18:57Someone very sweet told me I was a drunk,

1:18:57 > 1:18:58and I didn't like it.

1:18:58 > 1:19:00Sounds kinda harsh.

1:19:00 > 1:19:03Mmm. But it woke me up.

1:19:04 > 1:19:07So, maybe sometime soon we can talk about your amazing music.

1:19:07 > 1:19:09Just say when.

1:19:09 > 1:19:10I can say when?

1:19:10 > 1:19:12Within reason.

1:19:16 > 1:19:18Would you like to dance?

1:19:18 > 1:19:20Absolutely.

1:19:20 > 1:19:23# Yeah, yeah, yeah

1:19:25 > 1:19:29# So you wanna change the world

1:19:29 > 1:19:31# What are you waiting for?

1:19:31 > 1:19:34# Say you're gonna start right now

1:19:34 > 1:19:36# What are you waiting for...? #

1:19:36 > 1:19:38LOLA: 'Here's what I learned -

1:19:38 > 1:19:41'when you're happy, the whole world's New York,

1:19:41 > 1:19:43'and that dreams are important.

1:19:43 > 1:19:45'Someday, when you're not even looking,

1:19:45 > 1:19:47'they find you.

1:19:50 > 1:19:52'And then there's Sam.

1:19:52 > 1:19:53'You know, he'd been there all along,

1:19:53 > 1:19:54'but when I opened my heart to him,

1:19:54 > 1:19:57'I thought, now that my career is launched,

1:19:57 > 1:19:59'maybe I could have a boyfriend.'

1:19:59 > 1:20:01# So you wanna change the world

1:20:01 > 1:20:03# What are you waiting for?

1:20:03 > 1:20:06# Say you're gonna start right now

1:20:06 > 1:20:08# What are you waiting for?

1:20:08 > 1:20:10# It only takes one voice

1:20:10 > 1:20:14# So come on, now, and shout it out

1:20:14 > 1:20:16# Give a little more... #

1:20:16 > 1:20:18LOLA: 'It was the first time I realised

1:20:18 > 1:20:21'that absolute reality could be so much more fun than fantasy.

1:20:23 > 1:20:26'And can you believe all of this happened

1:20:26 > 1:20:27'in Dellwood, New Jersey,

1:20:27 > 1:20:30'of all places?'

1:20:30 > 1:20:32# What are you waiting for?

1:20:32 > 1:20:35# So you wanna change the world

1:20:35 > 1:20:37# What are you waiting for...? #

1:20:40 > 1:20:43Subtitles by The National Captioning Institute, Inc

1:20:46 > 1:20:48# And you'll realise

1:20:48 > 1:20:52# That girl was a one-time teenage drama queen

1:20:52 > 1:20:56# A hyped-up, everyday wannabe

1:20:56 > 1:20:59# But she'll have changed her destiny

1:20:59 > 1:21:02# Now she's a somebody

1:21:02 > 1:21:05# That girl was a wild-child dreamer

1:21:05 > 1:21:06# But she'll find herself

1:21:06 > 1:21:10# Cos she believes in nothing else

1:21:10 > 1:21:14# Then you'll look back, and you won't believe

1:21:14 > 1:21:18# That girl was me

1:21:18 > 1:21:21# Armed with an attitude that she knows how to use

1:21:21 > 1:21:25# She's gonna get there any way she can

1:21:25 > 1:21:26# Now she knows what she wants

1:21:26 > 1:21:28# No-one is gonna stop her

1:21:28 > 1:21:31# Nothing's ever gonna hold her back

1:21:31 > 1:21:35# For all the doubters, non-believers

1:21:35 > 1:21:38# The cynical that once were dreamers... #

1:21:38 > 1:21:40E-mail subtitling@bbc.co.uk