0:00:16 > 0:00:19Where is it? Where is it?!
0:00:19 > 0:00:21In the middle. There.
0:00:21 > 0:00:23There!
0:00:23 > 0:00:26Yeah, I've got it, I've got it!
0:00:26 > 0:00:28Oh, yes. Yeeeessss!
0:00:29 > 0:00:31Look at that! >
0:00:31 > 0:00:34Calm down, I can't concentrate!
0:00:37 > 0:00:40Oh...that is a brassiere. >
0:00:40 > 0:00:42She's got a brassiere!
0:00:43 > 0:00:46Take it off. Take it off!
0:00:46 > 0:00:48Transmit. Tell her to take off her bra.
0:00:48 > 0:00:50Take off your brassiere.
0:00:50 > 0:00:52Concentrate, ya bastard!
0:00:55 > 0:00:57LUSTFUL GROANS
0:00:57 > 0:00:58Ooh, my!
0:00:58 > 0:01:00Look!
0:01:00 > 0:01:02I can't breathe!
0:01:02 > 0:01:04Oh, Andy, grow up!
0:01:04 > 0:01:06I can't see!
0:01:07 > 0:01:08THUD
0:01:08 > 0:01:11Where's your camera?
0:01:11 > 0:01:13What a picture!
0:01:13 > 0:01:15What a photograph!
0:01:15 > 0:01:19You can make a fortune with a photograph like that.
0:01:19 > 0:01:21TUTS Andy!
0:01:23 > 0:01:25What a doll!
0:01:25 > 0:01:27That was terrific.
0:01:27 > 0:01:29Superb!
0:01:29 > 0:01:32- What we doing tomorrow night? - Coming back!
0:01:32 > 0:01:35We can bring sandwiches.
0:01:35 > 0:01:37Chicken sandwiches.
0:01:39 > 0:01:41A lot of fuss over a bit of tit, eh?
0:01:41 > 0:01:43Yeah.
0:01:45 > 0:01:47Hey, look, the knickers!
0:01:47 > 0:01:49Oh, yeah!
0:01:50 > 0:01:52BIRDS CHIRRUP
0:02:58 > 0:03:00See you, Gregory.
0:03:07 > 0:03:08Terrible game, eh?
0:03:08 > 0:03:11Bad. Very bad.
0:03:11 > 0:03:13Yeah. You've got to laugh.
0:03:13 > 0:03:16- What have you got to laugh about? - Us.
0:03:18 > 0:03:21Football is all about entertainment.
0:03:21 > 0:03:24We gave them a good laugh. It's only a game.
0:03:24 > 0:03:27It's only a game? It's only EIGHT games.
0:03:27 > 0:03:30Eight games in a row you've lost.
0:03:30 > 0:03:32We can't lose 'em all.
0:03:32 > 0:03:36You push us really hard. No mercy. Lots of discipline.
0:03:36 > 0:03:38Get tough.
0:03:38 > 0:03:42We need goals. It's your job to get them and you don't.
0:03:42 > 0:03:46Nobody's perfect. It's a tricky time for me.
0:03:46 > 0:03:49I'm doing a lot of growing.
0:03:50 > 0:03:52Slows you down.
0:03:52 > 0:03:55Five inches this year.
0:03:55 > 0:03:58Remember last year? I was away down here.
0:03:59 > 0:04:01Are you growing a moustache?
0:04:01 > 0:04:04I wanna make some changes.
0:04:04 > 0:04:06Good idea. It'll make you look older.
0:04:06 > 0:04:10In the team. I wanna make some changes in the team.
0:04:10 > 0:04:13Hmm. You're the boss.
0:04:13 > 0:04:16I want to try out some other people.
0:04:16 > 0:04:18Switch the team around?
0:04:18 > 0:04:22Take some people out. I was going to take you out.
0:04:22 > 0:04:25- You don't want to do that. - Yes, I do.
0:04:25 > 0:04:29- You don't.- I do.
0:04:29 > 0:04:31You don't.
0:04:35 > 0:04:37Well, what about Andy?
0:04:37 > 0:04:42He's no' even started growing. He's gonna be trouble. I'll tell him.
0:04:42 > 0:04:48I'll tell him. A week's trial in goal for you, then I'll decide.
0:04:48 > 0:04:52Have you a jersey in my size? Andy's a lot smaller.
0:04:52 > 0:04:54Never mind about the jersey.
0:04:55 > 0:04:58A week's trial. Then I decide.
0:04:58 > 0:05:01You're the boss. Who's taking over my position?
0:05:01 > 0:05:04I want to try out some new people.
0:05:06 > 0:05:09You won't regret this.
0:05:20 > 0:05:24OK, so Phil Menzies is daft enough maybe to throw you out of the team.
0:05:24 > 0:05:28I'm not saying he will fling you out. I didn't say that.
0:05:28 > 0:05:31But he's daft enough to do it.
0:05:31 > 0:05:33Look, I'll tell you what.
0:05:33 > 0:05:36I'll tell you what. If, just supposing,
0:05:36 > 0:05:41Phil Menzies is daft enough to throw you out the team...
0:05:41 > 0:05:44Well, I'll resign.
0:05:45 > 0:05:46Really?
0:05:46 > 0:05:49Yeah, well, when I say resign,
0:05:49 > 0:05:54what I'm getting at, what it boils down to, what I'm trying to say really,
0:05:54 > 0:05:57is I'll resign myself to making a decision.
0:05:57 > 0:06:01If it happens. I'm not saying it will. It might, but it won't. I don't think so.
0:06:01 > 0:06:06- Well, I'll see you later, Gregory. OK?- Where you going?
0:06:06 > 0:06:10I want to stay here a wee bit longer and watch the traffic.
0:06:10 > 0:06:12I like looking at the big trucks.
0:06:14 > 0:06:19Do you know 12 tons of cornflakes passes under here every day?
0:06:19 > 0:06:22- Really?- It's a well-known fact.
0:06:22 > 0:06:26Is it? I never knew that. Tsk!
0:06:26 > 0:06:28- I'll see you later.- Yeah. See you.
0:06:52 > 0:06:56I had that dream again last night. It's really terrific.
0:07:01 > 0:07:03Hello, darlin'!
0:07:03 > 0:07:05All right there, darlin'?!
0:07:05 > 0:07:07WOLF WHISTLES
0:07:08 > 0:07:10OK, lads. No chance.
0:07:49 > 0:07:52WHISTLES
0:08:21 > 0:08:24GREGORY SINGS AS TOOTHBRUSH VIBRATES
0:08:30 > 0:08:33TOOTHBRUSH VIBRATES
0:08:40 > 0:08:42CAN OPENER HUMS
0:08:48 > 0:08:50WHISK WHINES
0:08:54 > 0:08:56CACOPHONY
0:09:25 > 0:09:27- CHILD'S VOICE:- Hello, Gregory.
0:09:28 > 0:09:30CHILDREN SHOUT AND BAWL
0:09:48 > 0:09:51TOOTHBRUSH VIBRATES
0:09:53 > 0:09:58Two advantages about learning to drive in this new town environment.
0:09:58 > 0:10:00Very obvious ones. Up into third here.
0:10:00 > 0:10:04The absence of traffic lights, total absence of stray pedestrians.
0:10:04 > 0:10:08Remember, other times things won't be so controlled.
0:10:08 > 0:10:12Mirror and brake! That's the way. Relaxed position. Brake!
0:10:12 > 0:10:15- TYRES SQUEAL - That's the way.
0:10:16 > 0:10:18Come here, you!
0:10:18 > 0:10:22- Was that the emergency stop? - Emergency stop. Unsimulated, yes.
0:10:22 > 0:10:24Hi, Mike.
0:10:24 > 0:10:29Call me Dad or Pop or something. It makes me feel better when you call me Dad or Father.
0:10:29 > 0:10:33I won't take up your time. I know what it's like driving under instruction.
0:10:33 > 0:10:37- That was my first emergency stop. - Was it? Well, that was really good.
0:10:38 > 0:10:44Stay, Gregory! I'm sure Mr Clark would like to collect his thoughts.
0:10:44 > 0:10:46My name's Anderson.
0:10:46 > 0:10:49Are you going to school late or coming home early?
0:10:49 > 0:10:51Handbrake in neutral.
0:10:51 > 0:10:56- How are you, anyway?- Oh, fine. We're all very well. Your mother...
0:10:56 > 0:10:58- You remember your mother? - Yeah, I remember Mum.
0:10:58 > 0:11:00She was asking after you the other day.
0:11:00 > 0:11:05I told her we'd met briefly in the hallway last Thursday and you looked fine.
0:11:05 > 0:11:07Listen, I've got an idea.
0:11:07 > 0:11:12Why don't we meet up later in the week for breakfast? Say eight o'clock in the kitchen?
0:11:12 > 0:11:14- Friday?- Yeah.
0:11:14 > 0:11:16That sounds fine, yeah.
0:11:16 > 0:11:19- It's a date, then?- Yeah.
0:11:22 > 0:11:25Ignition, mirror, signal, gear, Mr Clark.
0:11:26 > 0:11:31We'll start the driving lessons when you've mastered the walking bit, OK?
0:11:43 > 0:11:45HEARTY LAUGHTER
0:11:50 > 0:11:54- Every bloody morning!- He's mad, he should be locked up.
0:11:54 > 0:11:56Any tea?
0:11:58 > 0:12:03- He must think he's invisible. - Stupid bastard!- Who is it?
0:12:03 > 0:12:06That daft boy in fourth year, the one from your football team.
0:12:06 > 0:12:10I heard they were awarded a corner and took a lap of honour!
0:12:10 > 0:12:13Oh, him. His days are numbered.
0:12:13 > 0:12:16After next week he's out. Kaput. Finished.
0:12:16 > 0:12:20Got to get some new blood in the team. Big changes.
0:12:20 > 0:12:22- Yeah. Have a sponge cake. - A new regime.
0:12:22 > 0:12:25I'm signing a new striker this morning.
0:12:25 > 0:12:30- Er...who made these?- Relax. It was Sandra and Alison, 3A.
0:12:30 > 0:12:32Very nice girls. Very clean.
0:12:32 > 0:12:36Sandra and Alison, eh? Very nice girls, eh, Alistair?
0:12:36 > 0:12:41Still getting poems from wee June? You'll get put away.
0:12:41 > 0:12:44- I like your moustache. - Does it show already?
0:12:44 > 0:12:46I've only been growing it two days. Thanks.
0:12:46 > 0:12:50Yeah... It's really nice.
0:12:50 > 0:12:53Makes you look very...grown-up.
0:12:53 > 0:12:54Thanks.
0:12:54 > 0:12:56- Very mature.- Yeah.
0:12:56 > 0:12:59You look at least 15 already.
0:12:59 > 0:13:02I've got to scram. Important morning, this morning.
0:13:02 > 0:13:07One place in the team for the best striker. Organise a trial. See what they're like under pressure.
0:13:07 > 0:13:12- MURMURED CONVERSATION - See yous later.
0:13:15 > 0:13:18Are you still getting those poems from June?
0:13:18 > 0:13:23Ah, come on, you know it's no right to ask these questions.
0:13:23 > 0:13:27We are dealing with the emotions of a vulnerable, sensitive...
0:13:27 > 0:13:3016-year-old redhead.
0:13:35 > 0:13:39Oh, I may have some news for you by lunchtime, son.
0:13:39 > 0:13:41I'll keep you posted.
0:13:49 > 0:13:52Right. You all know what I'm looking for - a goal-scorer.
0:13:52 > 0:13:55That requires two basic skills -
0:13:55 > 0:13:59ball control, shooting accuracy and the ability to read the game.
0:13:59 > 0:14:04Three things. This trial will allow me to assess these two...
0:14:04 > 0:14:06three basic aspects of your skills.
0:14:06 > 0:14:08Right?
0:14:08 > 0:14:11What's the idea of the sand shoes? No boots?
0:14:11 > 0:14:14I'll get some. If I get in the team.
0:14:14 > 0:14:18That's a dead loss, son. Go and get changed.
0:14:18 > 0:14:21We play in real boots in this school, from the word go.
0:14:21 > 0:14:26Right, basic ball control. The ball at your feet, 50 yards and back.
0:14:26 > 0:14:29Two lines. Come on, go!
0:14:35 > 0:14:39MUSIC STARTS
0:14:40 > 0:14:44Both sides of the foot! I want to see complete control.
0:14:44 > 0:14:46Come on, faster now!
0:14:51 > 0:14:56Come on, more pace! Anybody can walk with a ball.
0:14:57 > 0:15:00Come on. What do you want, lass?
0:15:01 > 0:15:05- Faster now! What do you want, dear? - I'm here for the trial.
0:15:05 > 0:15:10This is a football trial. Maybe Miss McAlpine's up to something with the hockey team,
0:15:10 > 0:15:13I don't know, but this here is football - for boys.
0:15:13 > 0:15:18That's right, football trials 11am. I saw the notice.
0:15:18 > 0:15:22I'm sorry you picked it up wrongly, dear, but it was boys I wanted.
0:15:22 > 0:15:26It didn't say so on the notice. It just said talented players.
0:15:26 > 0:15:30I'm sorry you've picked it up wrong, there's been a misunderstanding,
0:15:30 > 0:15:33but there's nothing I can do about it now.
0:15:34 > 0:15:39- Come on.- You didn't say boys only. You're not allowed to, anyway.
0:15:39 > 0:15:41I want a trial!
0:15:41 > 0:15:44It's not possible, dear. Not today.
0:15:44 > 0:15:46We don't have a spare ball.
0:15:46 > 0:15:48Here's one.
0:16:25 > 0:16:30OK, into twos. I want penetration work and a shot for goal.
0:16:30 > 0:16:35One attacker, one defender. It's an open goal. Let's see who's first to score.
0:16:35 > 0:16:37You're defending me, then.
0:16:37 > 0:16:39What's going on?
0:16:39 > 0:16:42She's gorgeous.
0:16:43 > 0:16:47She is absolutely gorgeous.
0:16:50 > 0:16:53It's Dorothy.
0:16:53 > 0:16:56Do it again. Same pairs.
0:17:05 > 0:17:08She's got funny ears.
0:17:08 > 0:17:13Three shots each. Let's see how you do against a real goalkeeper.
0:17:16 > 0:17:18You first, dear.
0:17:25 > 0:17:28Right, that's it. Finished.
0:17:28 > 0:17:32Stamina test. Once round the playing field, back to the dressing rooms.
0:17:32 > 0:17:38It's only a quarter of a mile and should be treated as a sprint. Go!
0:18:03 > 0:18:05Well?
0:18:05 > 0:18:08I'll let everyone know in the fullness of time.
0:18:08 > 0:18:13- I'll pass the word on to Miss McAlpine.- I was the best. You know I was the best.
0:18:13 > 0:18:18It's not that simple. It could be out of my hands. We'll have to see.
0:18:18 > 0:18:22If I was the best I should be in the team. The notice said so.
0:18:22 > 0:18:26I said we'll see. You might well get into the team.
0:18:26 > 0:18:28We'll work it out soon.
0:18:28 > 0:18:32You've got to put me in the team list! I want to sign something.
0:18:32 > 0:18:34What a dream!
0:18:34 > 0:18:38Mr Menzies, I want to sign something.
0:18:38 > 0:18:41Phwooaaarr! Eh, eh?
0:18:41 > 0:18:43- Woarr!- Open the door.
0:18:43 > 0:18:47We've got to get some girls. We've got to make a move.
0:18:47 > 0:18:51Even Gregory's at it now. We're falling behind.
0:18:51 > 0:18:56I don't think there's any advantage in putting it off any longer.
0:18:57 > 0:19:00Besides, it's making me depressed.
0:19:06 > 0:19:09Sorry I'm late. That's just paint there.
0:19:09 > 0:19:14I've got the biscuit mix started, you put the oven on. 450 degrees.
0:19:14 > 0:19:16Yes, boss.
0:19:22 > 0:19:25Steve, can you help me with this pastry mix thing?
0:19:26 > 0:19:30Pastry mix? There's more than one kind.
0:19:30 > 0:19:32Short crust, flaky, rough puff.
0:19:32 > 0:19:37Margaret's doing strudel soup. I'm on pies. It's eggs I'm not sure of.
0:19:37 > 0:19:41Strudel soup! I'd love to try some of that (!)
0:19:41 > 0:19:44It's noodle soup and you don't put eggs in pastry.
0:19:44 > 0:19:49- It's 8oz of flour, 4oz of margarine. - Pinch of salt.
0:19:49 > 0:19:53Mix it up. Put it in the oven for 15 minutes.
0:19:53 > 0:19:58- No eggs, no strudels, nothing. OK? - That's simple. Really easy.
0:19:58 > 0:20:02There are five guys in fifth year crying themselves to sleep over that.
0:20:02 > 0:20:05Six if you count the music teacher.
0:20:07 > 0:20:10Look, take it easy. Take it easy.
0:20:13 > 0:20:16Have you ever been in love?
0:20:20 > 0:20:22I'm in love.
0:20:22 > 0:20:23Since when?
0:20:23 > 0:20:26About half an hour ago.
0:20:26 > 0:20:29It's great. I feel restless and I'm dizzy.
0:20:29 > 0:20:31It's wonderful.
0:20:31 > 0:20:34Bet I don't get any sleep tonight.
0:20:34 > 0:20:36That sounds more like indigestion.
0:20:36 > 0:20:38I'm serious.
0:20:38 > 0:20:43Who is it? Is it a mature woman? Did you wash your hands?
0:20:43 > 0:20:46Don't be crude.
0:20:46 > 0:20:49It's someone in the football team.
0:20:49 > 0:20:51- Really?- Yeah.
0:20:51 > 0:20:53Have you told anyone else about this?
0:20:53 > 0:20:57It's probably just a phase. Who is it? Andy?
0:20:57 > 0:21:02- No, it's Dorothy! She's a girl.- Oh. - She's got lovely long hair.
0:21:02 > 0:21:06And she smells... mmm, really gorgeous.
0:21:06 > 0:21:11Even if you just walk past her she smells gorgeous.
0:21:11 > 0:21:15She's got teeth. Lovely white teeth.
0:21:15 > 0:21:17White, white teeth.
0:21:18 > 0:21:23Oh, that Dorothy. The hair, the teeth and the smell. That Dorothy.
0:21:24 > 0:21:26And she's in the team?
0:21:26 > 0:21:30I think she's taken my position, but she's a really good footballer.
0:21:30 > 0:21:33Can she cook? Can she do this?
0:21:33 > 0:21:38Look, Steve, when you're in love, things like that don't matter.
0:21:38 > 0:21:40Give me the margarine.
0:21:43 > 0:21:45Think she'll love me back?
0:21:45 > 0:21:50No chance. Watch that mixing. It'll go stiff, Gregory!
0:21:51 > 0:21:55- What do you mean, no chance? - No chance.
0:22:48 > 0:22:51HE GASPS
0:22:52 > 0:22:55CHEERING AND SHOUTING FROM SPECTATORS
0:23:04 > 0:23:06We're really garbage.
0:23:06 > 0:23:08This is a real farce.
0:23:08 > 0:23:11Nine games lost in a row and what do we do?
0:23:11 > 0:23:16Sack the goalie and put a girl in the forward line! It's a madhouse!
0:23:16 > 0:23:20Watch the game, Andy. Watch the game. She's good. She can move.
0:23:20 > 0:23:25It's not right. It's unnatural. It doesn't even look nice.
0:23:25 > 0:23:27It's modern, Andy. It's good.
0:23:27 > 0:23:32Modern girls, modern boys. It's tremendous. Look.
0:23:32 > 0:23:35CROWD SHOUTS ENCOURAGEMENT
0:23:44 > 0:23:46Get back!
0:23:46 > 0:23:49Girls weren't meant to play football - it's too tough, too physical.
0:23:49 > 0:23:54Tough? Ever seen them play hockey? They're like wild animals.
0:23:54 > 0:23:57Even at 12 and 13 they'd kill you.
0:23:57 > 0:24:01Hockey was invented by the Red Indians as a form of torture.
0:24:01 > 0:24:05- They used to make the cowboys play the squaws.- Shite - that was lacrosse.
0:24:05 > 0:24:09Anyway, if women were meant to play football, they'd have their tits somewhere else.
0:24:09 > 0:24:13They weren't designed for football. Gregory!
0:24:14 > 0:24:17Watch the ball. Go out and meet it! Don't wait for it!
0:24:17 > 0:24:21It's gone wide. Wait for the cross!
0:24:24 > 0:24:26CHEERING AND WHISTLING
0:24:26 > 0:24:29Come on, give us the ball!
0:24:36 > 0:24:39What a prick!
0:24:39 > 0:24:43Took my eye off the ball for a split second. Two microseconds.
0:24:43 > 0:24:47We need more women in this team, more new blood.
0:24:47 > 0:24:49Yeah, she's some girl.
0:25:07 > 0:25:09CHEERING
0:25:10 > 0:25:12What a goal!
0:25:12 > 0:25:16Oh, great! What a goal! What a girl.
0:25:16 > 0:25:18She's got a nice pair of legs as well.
0:25:18 > 0:25:21Andy, please.
0:25:22 > 0:25:24Look at that. It's disgusting.
0:25:24 > 0:25:27That's perverse!
0:25:27 > 0:25:30In a football field...
0:25:30 > 0:25:34With kids watching! Come on, there's a football game to be played!
0:25:34 > 0:25:37That sort of thing gives football a bad name.
0:25:37 > 0:25:40That is disgusting!
0:25:42 > 0:25:46- That's a girl!- You're a genius, Robert, you're a genius(!)
0:25:58 > 0:26:01Have you got any plasters in here? There's none next door.
0:26:01 > 0:26:06No. Maybe... I'll get some.
0:26:06 > 0:26:11Don't panic. It's just a scratch. I want to save my tights getting blood on them.
0:26:15 > 0:26:18Big gorilla on the left wing.
0:26:19 > 0:26:25I got my own back. I got my boot on his shin and scraped it down. Big animal.
0:26:25 > 0:26:28- You'll have a bruise there. - Not if I let it bleed.
0:26:28 > 0:26:32That's the idea. I don't bruise easily.
0:26:32 > 0:26:35I do. I bruise like a peach.
0:26:37 > 0:26:39Bruise.
0:26:39 > 0:26:43See that? I was only three when that happened.
0:26:43 > 0:26:46I was chasing a wee boy on the beach.
0:26:46 > 0:26:49I wasn't going to hurt him. I fell on a bottle.
0:26:49 > 0:26:54That'll never go away. I'm marked for life. I'm imperfect.
0:26:54 > 0:26:56No, no! It's nice. I like it.
0:26:57 > 0:26:59- Really?- Yeah.
0:27:02 > 0:27:05I hurt my arm once, at the join.
0:27:07 > 0:27:11Can't get it higher than this. Used to get it way up here.
0:27:11 > 0:27:16- You just did.- No, it's this arm. It's stuck.
0:27:16 > 0:27:22Look at this. My big brother threw a bike at me. I was only seven.
0:27:22 > 0:27:26I can only see it in the mirror. Nice, isn't it? Nice shape.
0:27:26 > 0:27:28HIGH PITCHED: Yeah! ..Yeah.
0:27:28 > 0:27:31Renaldo, the boy in Italy last summer,
0:27:31 > 0:27:36he said it was like a new moon. Very romantic. La luna.
0:27:36 > 0:27:40Ah, si, si. Bella, bella.
0:27:40 > 0:27:42Ah, parliamo Italiano?
0:27:42 > 0:27:45Nah, not really. Just bella, bella.
0:27:45 > 0:27:49Oh. I think it's a wonderful language.
0:27:49 > 0:27:53So alive. I want to live in Italy when I leave school.
0:27:53 > 0:27:58I speaka da langauage. I'm a quarter Italian and a quarter Irish.
0:27:58 > 0:28:00On my mother's side.
0:28:00 > 0:28:03Hey, I can speak Irish.
0:28:07 > 0:28:10What was Renaldo doing down there?
0:28:10 > 0:28:14- He lives there. - No, I mean down there.
0:28:14 > 0:28:17Ah. He was putting some suntan oil on.
0:28:17 > 0:28:19Bella, bella.
0:28:21 > 0:28:23Anything else to show me?
0:28:23 > 0:28:28Any major wounds when you were 12, 14?
0:28:28 > 0:28:30Hi, Dorothy. Nice to see you. Good game.
0:28:30 > 0:28:33I'd like to chat with you for the school magazine.
0:28:33 > 0:28:39I want to interview you and that girl in 2A who had triplets. You're famous now.
0:28:39 > 0:28:42I'm sorry, this is a dressing room - you can't come in here.
0:28:42 > 0:28:45Eric, get the dressing room and some close shots of Dorothy.
0:28:45 > 0:28:48You don't mind if Eric flashes, do you?
0:28:50 > 0:28:55This is no place for a camera, Eric. People take their clothes off here.
0:28:55 > 0:28:57Yeah, where better?
0:28:57 > 0:29:01Look, gonna stand in there? Too many shadows. Keep in there.
0:29:01 > 0:29:06I like interviewing people like this, no preparation. Everything nice and natural.
0:29:06 > 0:29:10How are the boys taking it, you being in the team?
0:29:10 > 0:29:14You guys are so predictable. Always causing trouble.
0:29:14 > 0:29:18We're all very happy. Dorothy's a very good player.
0:29:18 > 0:29:22Slow down, Gregory. This is an in-depth interview. Dorothy?
0:29:22 > 0:29:27Things are fine. I'm quicker than most boys, so I keep out of trouble.
0:29:27 > 0:29:30I take dancing lessons too. That helps my balance.
0:29:30 > 0:29:35What you've got to remember is that my body's quite different.
0:29:35 > 0:29:40Hmm. You've got a good body. You must train a lot, keep in shape.
0:29:40 > 0:29:45Do you have time for anything else? What do you and your body do on a Saturday night, for instance?
0:29:45 > 0:29:49Saturday nights are special. I like to do something special.
0:29:49 > 0:29:52What about doing something special this Saturday?
0:29:52 > 0:29:56Come on, this is a dressing room! You lot conduct your business somewhere else!
0:29:56 > 0:29:58I'll go and change, too.
0:29:58 > 0:30:00OK, Dorothy. You're an interesting girl,
0:30:00 > 0:30:05but I want to find the real Dorothy underneath the football strip.
0:30:05 > 0:30:07Dorothy - the woman.
0:30:07 > 0:30:10- OK?- OK.
0:30:11 > 0:30:16- Cheerio, Gregory.- Arrivederci, Gordon. Hurry back(!)
0:30:16 > 0:30:18Bella, bella!
0:30:18 > 0:30:21Bella, bella. Bella, Renaldo. Bella, Gordon(!)
0:30:21 > 0:30:26SIMPERS I like to do something special on Saturday nights.
0:30:26 > 0:30:28BELLA, BELLA!
0:30:28 > 0:30:31What's the sudden need to speak Italian, Gregory?
0:30:31 > 0:30:35It's not sudden. I've been thinking about it for three years.
0:30:35 > 0:30:39- It's taken me a while to make up my mind. - It's late in the term to start.
0:30:39 > 0:30:42I've got some free time. I'll catch up.
0:30:42 > 0:30:46It's very important to me. I want to live in Italy when I leave school.
0:30:46 > 0:30:51- Been there, have you?- No. I've been to Ireland, though, and I met some Italians there.
0:30:51 > 0:30:56They told me about it in English. Renaldo speaks good English.
0:30:56 > 0:30:59- Renaldo. Is that your Italian friend?- Not just him.
0:30:59 > 0:31:03There were girls, too. I said Renaldo cos he spoke good English.
0:31:03 > 0:31:05What kind of work do you want to do in Italy?
0:31:05 > 0:31:09I'll just learn the language and then I'll see what there is going.
0:31:09 > 0:31:11You should think about taking technical Italian.
0:31:11 > 0:31:14- Is that to do with work and engines? - Mm-hmm.
0:31:14 > 0:31:18I'd rather do normal Italian and work my way down.
0:31:18 > 0:31:24We'll leave it just now. I'll have a word with your form master. See what he can do, OK?
0:31:24 > 0:31:27I'm pleased you're interested. It's a lovely country.
0:31:27 > 0:31:29Yeah. Wonderful language.
0:31:29 > 0:31:33Don't you think it's so alive?
0:31:33 > 0:31:35- Did you pick any of it up? - A couple of words.
0:31:35 > 0:31:38Hmm?
0:31:38 > 0:31:42Er, bella...and bella. SHE LAUGHS
0:31:42 > 0:31:46- Any words you could teach me now? - Te lo diro.
0:31:46 > 0:31:51- Te lo diro.- Te lo diro.
0:31:51 > 0:31:54It means I'll let you know, Gregory. OK?
0:31:54 > 0:31:56Oh.
0:31:58 > 0:32:00Te lo diro.
0:32:02 > 0:32:06Te lo diro.
0:32:06 > 0:32:10Te lo...diro!
0:32:12 > 0:32:15What about Alan, do you think he's still a virgin?
0:32:15 > 0:32:19Nah, he's been in the school orchestra for over a year now.
0:32:21 > 0:32:23Pass the sulphuric acid, will you?
0:32:24 > 0:32:26What's the pH of that?
0:32:26 > 0:32:28Er...seven.
0:32:31 > 0:32:34- How's football going?- Oh, it's good.
0:32:34 > 0:32:37You need to cut that up a bit, it's a bit big.
0:32:37 > 0:32:40What about the goalie, Gregory?
0:32:40 > 0:32:44- Mmm?- What do you make of Gregory?
0:32:44 > 0:32:48Well, he's a bit slow and bit awkward.
0:32:48 > 0:32:50Yeah. Slow and awkward.
0:32:50 > 0:32:53He's got a nice laugh.
0:32:53 > 0:32:55Give me the bromide.
0:32:55 > 0:32:57BELL RINGS
0:33:00 > 0:33:03Hey! Room four.
0:33:14 > 0:33:16Good afternoon.
0:33:19 > 0:33:22Do you know that when you sneeze,
0:33:22 > 0:33:25it comes out of your nose at 100 miles an hour?
0:33:27 > 0:33:30It's a well-known fact. 100 miles an hour.
0:33:30 > 0:33:32Pfffff! Just like that.
0:33:43 > 0:33:45Room 16!
0:33:47 > 0:33:48Hurry up!
0:33:52 > 0:33:55Te lo diro.
0:34:01 > 0:34:05"Here comes my messenger. How now, mad spirit,
0:34:05 > 0:34:08"what night-rule now about this haunted grove?
0:34:08 > 0:34:11"My mistress with a monster is in love
0:34:11 > 0:34:13"Near to her close and consecrated bower
0:34:13 > 0:34:16"while she was in her dull and sleeping hour.
0:34:16 > 0:34:18"A crew of patches, rude mechanicals,
0:34:18 > 0:34:21"that work for bread upon Athenian stalls
0:34:21 > 0:34:25"Were met together to rehearse a play intended for great Theseus' nuptial day.
0:34:25 > 0:34:30"The shallowest thickskin of that barren sort, who Pyramus presented in their sport
0:34:30 > 0:34:33"Forsook his scene and enter'd in a break,
0:34:33 > 0:34:35"when I did him at this advantage take.
0:34:35 > 0:34:39"And forth my mimic comes when they him spy,
0:34:39 > 0:34:41"as wild geese that creeping fowl or eye
0:34:41 > 0:34:44"sever themselves and madly sweep the sky,
0:34:44 > 0:34:45"so at his sight..."
0:34:45 > 0:34:48Please, miss, there's Billy out there.
0:34:48 > 0:34:52"..he "Murder!" cries and help from Athens calls.
0:34:52 > 0:34:55- "Their sense thus weak..." - Be quiet, Andy.
0:34:55 > 0:34:58- "..with their fears thus strong..." - Be quiet, Andy!
0:34:58 > 0:35:01- ANDY CONTINUES READING - Hello, Billy!
0:35:01 > 0:35:05- Nice of you to drop in.- "..from yielders all things catch..."
0:35:08 > 0:35:11Well, you said you'd come back and see me again.
0:35:11 > 0:35:14Here I am. Can I introduce my boss?
0:35:14 > 0:35:17Miss Wilkes, this is Mr Hall. It's his own business.
0:35:17 > 0:35:21Pleased to meet you. How's our Billy shaping up?
0:35:21 > 0:35:26He's a good lad. He's been telling me about the characters in the school.
0:35:26 > 0:35:30He likes you. And he's washed a few windows.
0:35:30 > 0:35:33I hope you're doing mine free for old times' sake.
0:35:33 > 0:35:37Give us your glasses and I'll do them. No charge.
0:35:37 > 0:35:39Thank you.
0:35:41 > 0:35:43See you outside at four, lads, eh?
0:35:43 > 0:35:46Listen! Why don't you come up and see me sometime?
0:35:46 > 0:35:49I'll do that. I'll use the stairs, though.
0:35:49 > 0:35:54"I led them on in this distracted fear and left sweet Pyramus translated there.
0:35:54 > 0:35:57"When in that moment, so it came to pass,
0:35:57 > 0:36:01"Titania wak'd and straightaway loved an ass."
0:36:01 > 0:36:04TYPEWRITER CLATTERS
0:36:04 > 0:36:06Doughnuts?
0:36:06 > 0:36:09We're still doing the two kinds - jam-filled and the rings.
0:36:09 > 0:36:12What kind of jam?
0:36:12 > 0:36:14What would you like?
0:36:14 > 0:36:17- Blackcurrant?- That's no problem.
0:36:18 > 0:36:21- I'll have half a dozen. - Half a dozen.
0:36:21 > 0:36:26- I'll thow in some ring doughnuts. There's usually some left.- Good.
0:36:26 > 0:36:30Have you given the petit choux any more thought?
0:36:30 > 0:36:34- What was that again? - It was a basic choux pastry.
0:36:34 > 0:36:37I've been working on it. I think I've got it perfect.
0:36:44 > 0:36:46That's good. That's very good.
0:36:55 > 0:36:59I'd like everything in my office by three o'clock, Friday. Understood?
0:36:59 > 0:37:02Yes, sir.
0:37:02 > 0:37:04I'm sorry I'm early.
0:37:08 > 0:37:10Have a seat, Mr Menzies.
0:37:19 > 0:37:22There's a girl in the football team.
0:37:22 > 0:37:24Well, yes and no.
0:37:24 > 0:37:27- Yes and no?- Yes.
0:37:27 > 0:37:31- What do you mean?- We could have a girl in the team if we wanted one.
0:37:31 > 0:37:35- Do we want one?- Well...
0:37:35 > 0:37:38I think it's a wonderful idea. Terrific.
0:37:38 > 0:37:42Yes. And she's a great player. She won't hold the team back.
0:37:42 > 0:37:47One possible problem area. The showers.
0:37:47 > 0:37:49What happens about the showers?
0:37:49 > 0:37:51Oh, she'll bring her own soap.
0:37:54 > 0:37:58And you'll undertake to keep everything above board?
0:37:58 > 0:38:02Oh, yes, most definitely. Most definitely.
0:38:02 > 0:38:06HE WHISTLES THEME FROM MASH
0:38:07 > 0:38:09- Hiya.- Hello.
0:38:09 > 0:38:13- Carry your bag for you? - I can't see you today. I've got to go up to the big school.- What for?
0:38:13 > 0:38:15Family trouble.
0:38:15 > 0:38:17Is it Gregory?
0:38:17 > 0:38:20Guess what? He's fallen in love.
0:38:20 > 0:38:23That's big trouble. Maybe I can see you later on.
0:38:23 > 0:38:26Right. Bye-bye.
0:38:26 > 0:38:27Bye.
0:38:49 > 0:38:51Cigarette?
0:39:01 > 0:39:03Waiting for somebody?
0:39:03 > 0:39:04Yes.
0:39:08 > 0:39:13You're not giving much away. There's 2,000 people in there.
0:39:13 > 0:39:15Gregory. Fourth year.
0:39:15 > 0:39:17Oh, Steve's pal.
0:39:19 > 0:39:21Are you Gregory's girl?
0:39:21 > 0:39:23I'm Madeline.
0:39:27 > 0:39:29CHATTER
0:39:52 > 0:39:56She's fancied me since first year. She's after my body.
0:39:56 > 0:40:01I might have to give in. "Why don't you come up and see me sometime?"
0:40:02 > 0:40:07Eh, watch the jacket. I had to wash and polish 84 windows for this.
0:40:07 > 0:40:10That's some job. Do you get danger money for that?
0:40:10 > 0:40:15No, but if I die my mother gets her windows washed free for 25 years,
0:40:15 > 0:40:17inside and out.
0:40:17 > 0:40:22I'll tell you what you need danger money for - the women.
0:40:22 > 0:40:25Something about window cleaners turns them on.
0:40:25 > 0:40:29Especially up that Loganville estate, the private houses.
0:40:29 > 0:40:34They spend too much time on their own, so we turn up, once a week,
0:40:34 > 0:40:36singing songs, telling jokes.
0:40:36 > 0:40:39- Washing the windows? - Right, washing the windows.
0:40:39 > 0:40:44Then round to the back door. "Hello, darlin', give us some hot water?"
0:40:46 > 0:40:48I don't get it.
0:40:48 > 0:40:51Hot water. Is that a code?
0:40:51 > 0:40:53No, it's for washing the windaes.
0:40:53 > 0:40:57That gets the conversation going. Anything can happen after that.
0:40:57 > 0:41:01The worst thing that could happen is they give you some hot water.
0:41:01 > 0:41:03Yeah, that sometimes happens.
0:41:03 > 0:41:07We saw a great thing last week. A nurse up at the hostel -
0:41:07 > 0:41:10tits, bum, fanny, the lot!
0:41:10 > 0:41:13I could see that 50 times a day through a window.
0:41:13 > 0:41:16Contact's the thing. Doing it.
0:41:16 > 0:41:18- Have you done it?- 11 times.
0:41:18 > 0:41:23- In the one night? - Naw, at different times. Something new always crops up.
0:41:23 > 0:41:25You mean stuff like foreplay?
0:41:25 > 0:41:30Foreplay's important as long as it leads up to something,
0:41:30 > 0:41:32otherwise it's just fooling around.
0:41:32 > 0:41:35See you later. See you, Billy.
0:41:35 > 0:41:36Bye, Madeline.
0:41:36 > 0:41:41If I don't see you through the week I'll see you through a window!
0:41:41 > 0:41:43They grow up fast, don't they?
0:41:43 > 0:41:47Ten years old with the body of a woman of 13.
0:41:50 > 0:41:53You need some new trousers. These baggy ones are awful.
0:41:53 > 0:41:56I'll talk to Mum about it. Blue ones, Italian.
0:41:56 > 0:42:01If you're in love you'll have to start taking care of yourself.
0:42:01 > 0:42:06- Are Italians good dressers? - Yeah, they make nice trousers. They've got style.
0:42:09 > 0:42:13I was talking to Steven's sister about Dorothy.
0:42:13 > 0:42:17She's very attractive. I knew you'd fall for that type.
0:42:17 > 0:42:19She's a quarter Italian.
0:42:19 > 0:42:23Don't get too serious about her if you can help it.
0:42:23 > 0:42:25Have you asked her out yet?
0:42:27 > 0:42:30I can help you. I can tell you things.
0:42:30 > 0:42:34I'm a girl. You were nice to me when other boys hated their sisters.
0:42:34 > 0:42:39If it was brown, it would be OK. Not enough brown in it.
0:42:40 > 0:42:42Yeah.
0:42:42 > 0:42:45Nah...
0:42:45 > 0:42:47There's a dark brown.
0:42:47 > 0:42:50Well, the grey was quite nice, too.
0:42:50 > 0:42:53You don't think about colours, do you?
0:42:53 > 0:42:58If you don't take an interest in yourself you can't expect others to.
0:42:58 > 0:43:02Talk to Dorothy. Ask her out. She won't say no, I bet you.
0:43:02 > 0:43:06Don't treat her too special. You're too romantic. You'll scare her.
0:43:06 > 0:43:08What kind of things should I say?
0:43:08 > 0:43:12For goodness sake, don't plan it, don't think about it, do it!
0:43:12 > 0:43:17So...I should think less about love and more about colours.
0:43:17 > 0:43:19You've got it.
0:43:21 > 0:43:22What would you like?
0:43:22 > 0:43:26Ginger beer with lime juice and ice cream, please, but don't stir it.
0:43:26 > 0:43:28Coffee, please.
0:43:28 > 0:43:32- Black or white?- Er...brown?
0:43:34 > 0:43:39They don't do blue coffees here. This isn't Italy. No style.
0:43:43 > 0:43:45Do you dream about her?
0:43:45 > 0:43:50That means you love her. The ones you have the dreams about count.
0:43:50 > 0:43:53Who do you dream about?
0:43:53 > 0:43:57Just ginger beer and ice cream. I'm still a little girl, remember.
0:44:04 > 0:44:06- That looks nice, doesn't it?- Yeah.
0:44:06 > 0:44:08The nicest part is just before you taste it.
0:44:08 > 0:44:12Your mouth goes all tingly, but that can't go on forever.
0:44:13 > 0:44:18"..adding a proportionate amount of sugar, which is two to one..."
0:44:18 > 0:44:21Do you know anything about Italians?
0:44:21 > 0:44:24Excellent seafood in the northwest.
0:44:24 > 0:44:29Some of the regional pasta dishes are good, too. Good with salads. Stylish all round.
0:44:31 > 0:44:33Whoa, whoa, go easy with the sugar, lady!
0:44:33 > 0:44:37Food, food, food! Is that all you think about?
0:44:39 > 0:44:42You're unnatural, pal. You're a freak!
0:44:42 > 0:44:44You eat it, don't you?
0:44:44 > 0:44:48I've never seen you turn your nose up at anything I've made.
0:44:51 > 0:44:55Hours and hours I've spent making you lovely, lovely things,
0:44:55 > 0:44:58and all it means to you is food.
0:44:58 > 0:45:02In case you hadn't noticed, I'm going through a crisis.
0:45:02 > 0:45:06Of course I've noticed. What do you want me to do? The whole world's got problems.
0:45:06 > 0:45:11You're obsessed by a beautiful unattainable girl. So what?
0:45:11 > 0:45:16- Stop saying things like obsessed and unattainable. It's love.- OK.
0:45:16 > 0:45:19Go and attain her, then, sweep her off her feet.
0:45:19 > 0:45:24- Oh, I forgot, you're the goalkeeper, she's the sweeper.- Ha, ha(!)
0:45:24 > 0:45:30Look, one key question. Have you spoken to her, asked her for a date? Anything?
0:45:30 > 0:45:32Well, do it, then complain.
0:45:35 > 0:45:37HE TURNS TV ON
0:45:39 > 0:45:43If I get a date, can I borrow your white jacket?
0:45:43 > 0:45:46No!
0:45:48 > 0:45:51DOORBELL RINGS
0:45:51 > 0:45:53Maybe that's her.
0:45:59 > 0:46:02- I wonder if Maddy's in. - You mean Madeline?
0:46:02 > 0:46:05- She's out with her mother. - That's a shame.
0:46:05 > 0:46:08I thought we could go for a walk. Maybe I could wait.
0:46:08 > 0:46:11- Nah, they'll be ages. - Maybe she could phone me later.
0:46:11 > 0:46:17Who are you, anyway? You're talking about my sister and she doesn't go walking with anybody!
0:46:17 > 0:46:22What's the idea, coming to people's doors, seducing people's sisters? Act your age!
0:46:22 > 0:46:26Away and break some windows, demolish some phone boxes.
0:46:26 > 0:46:28See when I was your age...?
0:46:28 > 0:46:32You're Gregory, aren't you? How are you feeling? Everything OK?
0:46:32 > 0:46:35There's nothing wrong with me, son.
0:46:35 > 0:46:39You're the one that should be worried, seducing children.
0:46:39 > 0:46:43You're a freak. You're heading for big trouble.
0:46:43 > 0:46:49Underage walks, dates. You'll run out of vices before you're 12 if you don't slow down!
0:46:49 > 0:46:52- Go on, piss off!- OK, Gregory. Fair enough.
0:46:52 > 0:46:56Richard's my name. Ask Maddy to call me anyway.
0:46:56 > 0:46:59The name's Madeline. Go on, piss off!
0:47:30 > 0:47:33CAT MEWS
0:47:38 > 0:47:40Miaow!
0:47:40 > 0:47:42Miaow!
0:47:42 > 0:47:45Mia-ooowww.
0:47:45 > 0:47:48Mi-aoooowww.
0:47:49 > 0:47:52HE HOWLS LIKE A WOLF
0:47:52 > 0:47:55MORE HOWLING
0:48:11 > 0:48:14DISTANT HOWLING
0:48:26 > 0:48:30Had that dream again last night. That's four nights in a row - that's really good, that.
0:48:30 > 0:48:33DRUM FLOUIRSH
0:48:39 > 0:48:41Yeah, hold on. I'm in the dark. >
0:48:46 > 0:48:49- What is it?- Can I come in?
0:48:52 > 0:48:56I'd make a lousy photographer. I get scared in the dark.
0:48:56 > 0:48:58What do you want?
0:48:58 > 0:49:01I wondered how the snaps turned out. The ones in the dressing room.
0:49:01 > 0:49:05Oh, Dorothy? I'm working on it now. She's a beauty.
0:49:05 > 0:49:09- She's a dream to photograph. - Very interesting.
0:49:09 > 0:49:13I could go for this girl in a big way. Look at that nose.
0:49:13 > 0:49:15Very pretty.
0:49:15 > 0:49:19Some of the guys reckon she's too much like a boy.
0:49:20 > 0:49:23I don't. I think she's wonderful.
0:49:23 > 0:49:26Her like a boy? No.
0:49:26 > 0:49:28She's just...modern.
0:49:28 > 0:49:32You're right, it's modern, it's the future.
0:49:32 > 0:49:36In another million years there'll be no men, no women -
0:49:36 > 0:49:40there'll just be people. It's logical evolution. Evolution is a thing.
0:49:40 > 0:49:44- No more men or women?- Just a whole world full of wankers. Drink?
0:49:48 > 0:49:51This is a modern girl, made to be photographed.
0:49:51 > 0:49:55I'd love to get my wide-angle lens on her.
0:49:57 > 0:50:00A low-key light, a soft film.
0:50:00 > 0:50:03Oh, the face and the body of the '80s.
0:50:03 > 0:50:06I could really make that girl.
0:50:10 > 0:50:16One elephant, two elephant, three elephant, four elephant, five elephant.
0:50:16 > 0:50:19- If you don't put in the elephants you don't get real seconds.- Oh.
0:50:19 > 0:50:21Ten elephant.
0:50:21 > 0:50:24Each print needs an exact exposure.
0:50:24 > 0:50:27This one needs ten elephants.
0:50:31 > 0:50:35- Here she comes. - There you go, you beauty.
0:50:35 > 0:50:39Look how quickly Gordon moved in. He knows what he likes.
0:50:39 > 0:50:41I timed it - one elephant, two elephant.
0:50:41 > 0:50:46One minute and 50 elephants and he had a date. That's a record, even for him.
0:50:46 > 0:50:52What a guy, eh? What an absolutely incredible guy. Hmm?
0:50:52 > 0:50:55What a guy. Absolutely.
0:50:55 > 0:50:57Give us a photograph, will you?
0:50:57 > 0:51:01Oh, I get it. You fancy her too, eh?
0:51:02 > 0:51:07No, it's for a friend. Someone really shy.
0:51:07 > 0:51:10Just give us a photograph, eh?
0:51:10 > 0:51:14It's really expensive. The chemicals and the paper. Really expensive.
0:51:14 > 0:51:16- 20 pence.- 40.
0:51:16 > 0:51:1825.
0:51:18 > 0:51:21- I'll frame it for a pound.- Nah, I'll take it the way it is, thanks.
0:51:21 > 0:51:24BELL RINGS
0:51:26 > 0:51:30Better give you a dry one. Don't want you dripping down the corridor.
0:51:32 > 0:51:35Te lo... diro.
0:51:37 > 0:51:39Te lo... diro!
0:51:39 > 0:51:41Hey, are you Gregory?
0:51:41 > 0:51:46- That's me, sweetheart. Who wants to know?- Dorothy wants to see you.
0:51:47 > 0:51:49- Who, Dorothy?- That's what I said.
0:51:49 > 0:51:53She'll be in room nine at break time, OK?
0:52:04 > 0:52:07- Give us your comb, eh?- No.
0:52:07 > 0:52:09- Gimme your comb.- No!
0:52:20 > 0:52:22Thanks, pal.
0:52:23 > 0:52:25Te lo diro.
0:52:32 > 0:52:35GIRLS LAUGH
0:52:35 > 0:52:38- Hi, Dorothy, I got your message. - Good.
0:52:38 > 0:52:41I just wanted to know what you're up to at lunchtime.
0:52:41 > 0:52:43Nothing that can't wait a million years.
0:52:43 > 0:52:46- Will you help me out with some goal practice?- Sure.
0:52:46 > 0:52:52It'll speed things up. I want to practise shots at different angles.
0:52:52 > 0:52:54I'll bring my compass.
0:52:54 > 0:52:58Good. Well, I'll see you at half twelve, then?
0:52:58 > 0:53:02- Fine.- Good. See you.
0:53:04 > 0:53:07Look at all these men.
0:53:07 > 0:53:09- Boys.- What's the difference?
0:53:09 > 0:53:12Come questo?
0:53:17 > 0:53:21I'm on the way, Steve. It's off the ground. Romance - it's in the air.
0:53:21 > 0:53:24- Hi, pal. - Can I have your white jacket?
0:53:24 > 0:53:26No.
0:53:27 > 0:53:30I don't want to make a big thing about it,
0:53:30 > 0:53:35but the jacket would really help put the affair off on a proper footing.
0:53:35 > 0:53:38- Just for one night. - What are you raving on about?
0:53:38 > 0:53:41Me, Dorothy, date. It's in the bag.
0:53:41 > 0:53:45She's after me. She wants me to play with her at lunchtime.
0:53:45 > 0:53:50My, my. She wants you to play with her? How do you do it, Gregory?
0:53:50 > 0:53:53It's football we're playing. I'll be in goals.
0:53:53 > 0:53:57Not in my jacket. Morning, Kelvin. How's business?
0:53:57 > 0:54:00- All right.- The jacket's for later, for the real date.
0:54:00 > 0:54:03The doughnuts are going like hot cakes,
0:54:03 > 0:54:07- but the marzipan almonds don't seem to be everyone's cup of tea. - Tasteless sods.
0:54:07 > 0:54:12Come on, Steve, you gave Pete the jacket last week. Why not me?
0:54:12 > 0:54:16That's exactly why. Did you see that jacket the day after?
0:54:16 > 0:54:20Grass stains, I don't know all what kind of stains.
0:54:20 > 0:54:24But with Dorothy and I, things would be high class.
0:54:24 > 0:54:27No stains, no...
0:54:27 > 0:54:32I'll make you a deal. You get the date, signed, sealed and delivered,
0:54:32 > 0:54:34and then see me about the jacket. Fair enough?
0:54:34 > 0:54:36Keep the doughnuts coming, Steve,
0:54:36 > 0:54:40but the public says ease off the marzipans.
0:54:40 > 0:54:43It's a deal. Want to throw in your brown shoes as well?
0:54:43 > 0:54:46I could use a persuasive prick like you in the organisation.
0:54:48 > 0:54:51Help me offload some marzipan onto an uncaring population.
0:54:54 > 0:54:56Go on, get!
0:54:56 > 0:55:00I bought one of these this morning and it cost 25 pence!
0:55:00 > 0:55:02It's not my fault. See the boss.
0:55:02 > 0:55:06- ..31 elepant, 32 elephant... - FEMALE LAUGHTER
0:55:06 > 0:55:12BOTH: 34 elephant, 35 elephant, 36 elephant...
0:55:12 > 0:55:14INAUDIBLE
0:55:28 > 0:55:31Don't touch the ravioli, it's garbage.
0:55:34 > 0:55:36Ravioli, please. Thank you.
0:55:38 > 0:55:41Hello, Brenda. Mind if I join you?
0:55:41 > 0:55:44- How's the lunch?- Scary.
0:55:44 > 0:55:46Meat looks OK. Urrghh!
0:55:46 > 0:55:51Urrghh! Urrrgghh! Have you got a tissue?
0:55:52 > 0:55:55Let's sweettalk these two, eh?
0:55:58 > 0:56:01Good afternoon, ladies.
0:56:01 > 0:56:03Mind if we join you?
0:56:13 > 0:56:16- How's the roast beef?- It's veal.
0:56:16 > 0:56:19Veal? You now how they make veal?
0:56:19 > 0:56:24They get little baby calves and hang them upside down.
0:56:24 > 0:56:28They slit their throats and let the blood drip out. Interesting?
0:56:44 > 0:56:47This is great. I can really use the practice.
0:56:50 > 0:56:51Thanks.
0:56:51 > 0:56:53Good goal.
0:56:53 > 0:56:57Just kick it out in future, it'll be much quicker.
0:56:57 > 0:57:01Good idea. Great idea! I'll do that the next time.
0:57:04 > 0:57:06Great shot! Got me that time.
0:57:08 > 0:57:10Could you stop dancing around so much?
0:57:10 > 0:57:13It's very distracting.
0:57:13 > 0:57:16How can you judge a shot, dancing around like...?
0:57:18 > 0:57:20Great. First class.
0:57:20 > 0:57:24You're some girl. I haven't got near the ball yet, eh?
0:57:26 > 0:57:28OOF!
0:57:29 > 0:57:31Well held. You OK?
0:57:35 > 0:57:38- LAUGHS WEAKLY - Come on. We've only got an hour.
0:57:38 > 0:57:42- I think I've broke my neck chain. - Come out and tackle me.
0:57:42 > 0:57:46Try and block, then move back and block some more.
0:57:46 > 0:57:49And use your feet. Don't grab for the ball.
0:57:49 > 0:57:53OK. OK. Keep them coming, Dorothy.
0:58:07 > 0:58:09SHRILL WHISTLE
0:58:09 > 0:58:11MUSIC HALL TUNE
0:58:33 > 0:58:36Off you go, you small boys.
0:58:43 > 0:58:46You know we're in the wrong place?
0:58:46 > 0:58:49You know where we should be?
0:58:51 > 0:58:53South America.
0:58:53 > 0:58:58There's a town there, and this is a well-known fact.
0:58:58 > 0:59:01But do you know the ratio of women to men?
0:59:02 > 0:59:048 to 1.
0:59:04 > 0:59:06Eight women per one guy.
0:59:06 > 0:59:09That's the sort of place for us, eh?
0:59:11 > 0:59:13It's called Caracas.
0:59:21 > 0:59:23Are you happy in goal?
0:59:23 > 0:59:25It's OK.
0:59:25 > 0:59:28You waste a lot of energy.
0:59:28 > 0:59:30No control.
0:59:30 > 0:59:32Got tons left.
0:59:32 > 0:59:34Thanks for the practice.
0:59:34 > 0:59:37No sweat.
0:59:37 > 0:59:40Well, lots of sweat, actually.
0:59:40 > 0:59:43But no sweat if you get my meaning.
0:59:43 > 0:59:46I'm sorry you missed lunch.
0:59:46 > 0:59:48It's OK. Lunch means nothing to me.
0:59:48 > 0:59:51Some nuts. Some fresh fruit.
0:59:51 > 0:59:53Double apple pie and custard?
0:59:53 > 0:59:56That kind of thing.
0:59:56 > 0:59:58I'm off for a shower.
1:00:08 > 1:00:10Dorothy!
1:00:12 > 1:00:15I just wanted to say...
1:00:15 > 1:00:16..anytime.
1:00:19 > 1:00:22For more practice. Anytime.
1:00:22 > 1:00:24Right. Ta.
1:00:26 > 1:00:30Also, would you like to come out with me?
1:00:30 > 1:00:32OK.
1:00:35 > 1:00:37I mean, on a kind of date?
1:00:37 > 1:00:40I said OK.
1:00:42 > 1:00:46Come on, stop fooling around. I mean...
1:00:46 > 1:00:49If you're going to argue, forget it.
1:00:49 > 1:00:51No, no. Fine.
1:00:52 > 1:00:54When?
1:00:54 > 1:00:58Tonight. Half past seven at the clock in the Plaza.
1:01:12 > 1:01:14KNOCK AT DOOR
1:01:14 > 1:01:16Yeah?
1:01:22 > 1:01:24I just want to check...
1:01:24 > 1:01:26Yeah?
1:01:26 > 1:01:28- Tonight.- Tonight.
1:01:28 > 1:01:30Yeah. Half seven?
1:01:30 > 1:01:31Half past seven.
1:01:31 > 1:01:33You'll be there?
1:01:33 > 1:01:35- I'll be there.- And I'll be there.
1:01:35 > 1:01:37- At the clock?- At the clock.
1:01:56 > 1:01:59Yeah? What is it?
1:02:01 > 1:02:03Has that boy been bothering you?
1:02:03 > 1:02:05Nah, he's harmless.
1:02:16 > 1:02:17How's the training been going?
1:02:17 > 1:02:19I was practising some turns.
1:02:19 > 1:02:23I'm not very happy with it. I'm using my feet too much.
1:02:23 > 1:02:26That remark tells me a lot about you.
1:02:26 > 1:02:32When you trap a ball, what you've got to do is kill that ball's energy.
1:02:32 > 1:02:36You tame it. What do you use to kill a ball's energy?
1:02:36 > 1:02:37- My feet?- And what else?
1:02:37 > 1:02:39My chest?
1:02:39 > 1:02:41And?
1:02:41 > 1:02:45This. Your gluteus maximus trap, my dear.
1:02:45 > 1:02:47Now this is what you do.
1:02:47 > 1:02:50You've got a high ball and a fast ball.
1:02:50 > 1:02:53It's behind you. You want to trap it and turn.
1:02:53 > 1:02:57Let the ball bounce once, kill the momentum.
1:02:57 > 1:02:59Then, this is what foxes them,...
1:02:59 > 1:03:04..reverse up to it, catch it on the bounce with your fleshy part.
1:03:04 > 1:03:08Drop down low and there it is, but don't waste time.
1:03:08 > 1:03:11You're on your feet, you turn, steady,...
1:03:11 > 1:03:13..and it's yours.
1:03:13 > 1:03:16Bambino, that's really nifty!
1:03:16 > 1:03:19You try it. I'll walk you through it.
1:03:19 > 1:03:20Ready? Reverse,...
1:03:20 > 1:03:22Reverse...
1:03:22 > 1:03:24..down, trap, up,...
1:03:24 > 1:03:25..turn, steady,...
1:03:25 > 1:03:28- ..steady,...- ..kick!
1:03:28 > 1:03:30BOTH: Reverse, down, trap, up,...
1:03:30 > 1:03:33..turn, steady, kick!
1:03:33 > 1:03:36Reverse, down, trap, up,...
1:03:36 > 1:03:38..turn, steady, kick!
1:03:39 > 1:03:41Reverse, down, trap, up,...
1:03:41 > 1:03:44..turn, steady, kick!
1:03:44 > 1:03:46Reverse, down, trap, up,...
1:03:51 > 1:03:53(SINGING AND SPLASHING)
1:03:55 > 1:03:57Remember your neck.
1:03:57 > 1:03:59Yeah.
1:03:59 > 1:04:00And under your arms.
1:04:00 > 1:04:02Yeah, yeah. Everything's under control.
1:04:07 > 1:04:10Think I should tell her some jokes?
1:04:10 > 1:04:12Maybe.
1:04:14 > 1:04:16Do you know any jokes?
1:04:16 > 1:04:20- DON'T- tell her the one about Batman and Superwoman.
1:04:20 > 1:04:22(GIGGLES)
1:04:24 > 1:04:26Sit still.
1:04:27 > 1:04:29DRUMMING
1:04:43 > 1:04:46CLOCK TICKS LOUDLY
1:04:59 > 1:05:01AMERICAN ACCENT: Hi, there!
1:05:08 > 1:05:11Oh, hi, there!
1:05:45 > 1:05:47FOOTSTEPS APROACH
1:05:54 > 1:05:55Hi, Gregory.
1:05:56 > 1:05:58- Hello, Carol.- Waiting for Dorothy?
1:05:58 > 1:06:00Yeah.
1:06:00 > 1:06:03She's not coming.
1:06:04 > 1:06:06Right. Thanks.
1:06:08 > 1:06:10WHISTLES NONCHALANTLY
1:06:11 > 1:06:13Tsk! Wrong way.
1:06:14 > 1:06:19Something turned up. To do with her football, I think.
1:06:19 > 1:06:21Is that Steve's jacket?
1:06:21 > 1:06:23No, no.
1:06:23 > 1:06:27Steve's has got a stain there. There's no stain.
1:06:27 > 1:06:29Thanks for the word about Dorothy.
1:06:29 > 1:06:32Ah, that's OK. I couldn't leave you here all night.
1:06:32 > 1:06:35What will you do now?
1:06:36 > 1:06:38Fancy a walk?
1:06:38 > 1:06:39Where?
1:06:39 > 1:06:41Just up to the sports centre.
1:06:41 > 1:06:44Nah. I'm pretty hungry, though.
1:06:44 > 1:06:46We could go up to Capaldi's. I'll buy you some chips.
1:06:46 > 1:06:49OK. I was going that way anyway.
1:07:00 > 1:07:03Gregory! Hold on a minute.
1:07:41 > 1:07:43Well, I feel like a human being again.
1:07:43 > 1:07:45Aghhh!
1:07:46 > 1:07:50I've got to go home. I really enjoyed the walk.
1:07:50 > 1:07:53You go that way and I'll go this way.
1:07:53 > 1:07:56Hold it. I thought we were going for chips.
1:07:56 > 1:07:58Chips?
1:07:58 > 1:08:02OK, here you are, 50 pence. You'll get lots of chips with that.
1:08:02 > 1:08:09You're worse than my Dad. He's old, so at least he's got an excuse for being a prick!
1:08:09 > 1:08:12OK, OK, put your coat on.
1:08:12 > 1:08:17Oh, no. Come on, all I'm asking for is a walk to the chip shop.
1:08:17 > 1:08:20I've got a date. I'm going away.
1:08:20 > 1:08:25I've got a feeling something nice might happen there, so... come on!
1:08:25 > 1:08:28OK. Walk ahead.
1:08:29 > 1:08:32Gregory, hurry up. We haven't got all night.
1:08:43 > 1:08:46Do you really fancy Dorothy?
1:08:46 > 1:08:48Yeah.
1:08:48 > 1:08:52- Can you drive?- No, but it runs in the family. Why?
1:08:52 > 1:08:55Ricky Swift's got a car. Dorothy knows him.
1:08:55 > 1:08:58He's at the Physical Ed college.
1:08:58 > 1:08:59Must be quite old, then?
1:08:59 > 1:09:01He's nearly 19.
1:09:01 > 1:09:0419? Has he got any hair left?
1:09:04 > 1:09:08Ricky Swift. Sounds like something out of a comic.
1:09:08 > 1:09:11Does he fly through the air like Batman? HE LAUGHS
1:09:11 > 1:09:13Quick, Dorothy, to the Rickmobile!
1:09:13 > 1:09:15OK, calm down. Don't wet yourself.
1:09:17 > 1:09:22Well, loverboy, I'm off. Hey, Margo, here's Gregory.
1:09:22 > 1:09:26Dorothy stood him up, so he's buying chips and telling jokes.
1:09:26 > 1:09:30Have fun, Gregory. Tell me all about it tomorrow.
1:09:30 > 1:09:34By the way, pickled onions and dates don't mix.
1:09:34 > 1:09:38You might have to do some kissing later on.
1:09:38 > 1:09:40Bye!
1:09:43 > 1:09:47Well, I'll buy my own chips. You keep telling jokes.
1:09:52 > 1:09:55What's going on?
1:09:55 > 1:09:57Don't know.
1:09:57 > 1:10:00I think Margo's after me.
1:10:00 > 1:10:02I get that feeling.
1:10:02 > 1:10:06It's a good night for it. Are you taking her up the park?
1:10:06 > 1:10:09Don't know. Think I should?
1:10:09 > 1:10:11Aye!
1:10:12 > 1:10:13Yeah.
1:10:13 > 1:10:16PHONE RINGS
1:10:50 > 1:10:53It's a fine night for it, eh?
1:10:54 > 1:10:59You know, there's definitely something in the air tonight.
1:11:01 > 1:11:03Something in the atmosphere.
1:11:33 > 1:11:35Relax.
1:11:37 > 1:11:39Where are we going?
1:11:39 > 1:11:41Relax. Enjoy it.
1:11:43 > 1:11:45I am... I will.
1:11:53 > 1:11:55What are you up to?
1:11:55 > 1:11:56Nothing!
1:11:59 > 1:12:01Look, what's going on?
1:12:01 > 1:12:03Where are we going?
1:12:03 > 1:12:06Where are you and I going?
1:12:06 > 1:12:09You can't enjoy yourself if you don't relax.
1:12:10 > 1:12:14I'm just a bit emotional tonight, OK?
1:12:14 > 1:12:18That's fine. Nothing wrong with a bit of emotion. Come on.
1:12:24 > 1:12:26LAWN MOWERS HUM
1:12:38 > 1:12:41Hallo, Gregory. What are you up to?
1:12:50 > 1:12:52We're just cruising.
1:12:54 > 1:12:57You're all dressed up. Anywhere to go?
1:13:07 > 1:13:09I've got somewhere to go.
1:13:09 > 1:13:11See you tomorrow, Susan.
1:13:11 > 1:13:13Relax.
1:13:21 > 1:13:23I believe you're short of a date.
1:13:23 > 1:13:27There was a bit of a mix-up earlier on. It's OK.
1:13:30 > 1:13:34Would you like to spend time with me on a kind of date?
1:13:35 > 1:13:37I'm not sure what's going on.
1:13:37 > 1:13:41Is this a joke, all this with Carol and Margo...?
1:13:41 > 1:13:44It's a joke, isn't it?
1:13:44 > 1:13:48Not a joke. It's just the way girls work. They help each other.
1:13:48 > 1:13:49Does Dorothy?
1:13:49 > 1:13:52Dorothy's a good sport.
1:13:52 > 1:13:56Anyway, how about it? You and me, what do you say?
1:13:58 > 1:14:00Think about it.
1:14:04 > 1:14:07Sit down over there and think about it.
1:14:20 > 1:14:23SHE WHISTLES
1:14:29 > 1:14:31OK. A kind of date.
1:14:31 > 1:14:33Do we start right away?
1:14:33 > 1:14:36Yeah.
1:14:36 > 1:14:41We'll go to the park. It's too nice an evening to sit in a bar.
1:14:41 > 1:14:43Yeah, far too nice.
1:14:52 > 1:14:55What we'll do is we'll just walk and talk.
1:14:55 > 1:14:59And we don't need to talk that much, either.
1:14:59 > 1:15:01- We'll see how it goes.- Fine.
1:15:01 > 1:15:04I hope you don't think I do this kind of thing all the time.
1:15:04 > 1:15:06No.
1:15:06 > 1:15:08- Can we whistle, too? - Yes, we can whistle, too.
1:15:08 > 1:15:10Good.
1:15:10 > 1:15:12THEY BOTH WHISTLE
1:15:12 > 1:15:17See, if we were going for a drink, what would you have to drink?
1:15:17 > 1:15:20Bacardi and Coke with ice.
1:15:22 > 1:15:24Same here. With ice.
1:15:25 > 1:15:29There's definitely something in the air tonight, Charlie.
1:15:29 > 1:15:32That's three women in a row he's had.
1:15:44 > 1:15:46I like your jacket.
1:15:49 > 1:15:52I like your skirt.
1:15:57 > 1:16:00I like your shirt.
1:16:03 > 1:16:05I like your beret.
1:16:05 > 1:16:07Thank you.
1:16:11 > 1:16:13Want to swap?
1:16:17 > 1:16:21This is really good. I'm really enjoying myself.
1:16:21 > 1:16:24Good. I'm glad we bumped into each other.
1:16:26 > 1:16:28SHE WHISTLES
1:16:30 > 1:16:32Do you want to dance?
1:16:32 > 1:16:36It's really good. You just lie flat down... and dance.
1:16:36 > 1:16:41I'll start it off. You join in when you feel confident enough.
1:16:41 > 1:16:43OK?
1:16:46 > 1:16:48SHE GIGGLES
1:16:48 > 1:16:50Just dance.
1:16:52 > 1:16:54I'll tell you something,...
1:16:54 > 1:16:57..and not a lot of people know this,...
1:16:57 > 1:17:00..we are clinging to the surface of this planet...
1:17:00 > 1:17:04..while it spins through space at 1,000 miles an hour,...
1:17:04 > 1:17:06..held only by the mystery force called gravity.
1:17:06 > 1:17:08Wow!
1:17:08 > 1:17:12A lot of people panic when you tell them that and they fall off.
1:17:12 > 1:17:17You're not falling off. That means you've got the hang of it.
1:17:17 > 1:17:20- That means that you have got... - Natural ability.
1:17:20 > 1:17:22Yeah.
1:17:24 > 1:17:26A thousand miles an hour, eh?
1:17:26 > 1:17:29Why are boys obsessed with numbers?
1:17:29 > 1:17:30I'm not.
1:17:30 > 1:17:32You are!
1:17:32 > 1:17:35Don't stop dancing or you'll fall off.
1:18:07 > 1:18:10What are you two up to?
1:18:11 > 1:18:13Why? What are you up to?
1:18:13 > 1:18:18I'm going to the hospital to do the exposure test.
1:18:18 > 1:18:20The flesh tone experiment.
1:18:20 > 1:18:23The flesh tone experiment. Of course.
1:18:23 > 1:18:28- Have you got the right equipment? - Of course. 400mm lens.
1:18:28 > 1:18:32It opens up to 2.8. 700 foot, let's say, er,...
1:18:32 > 1:18:34..100 yards?
1:18:34 > 1:18:39A filming speed of 360 and the first processing about 1.5 stops.
1:18:39 > 1:18:43- Do you like numbers, Eric?- Numbers make the world go round.
1:18:46 > 1:18:48How many erm,...
1:18:48 > 1:18:51..elephants will you give it tonight?
1:18:51 > 1:18:54You can't have any time exposures. That would ruin the image.
1:18:54 > 1:18:57Don't want to ruin the image.
1:18:57 > 1:19:02That means a fast shutter. Say, at the outside, 125th of an elephant?
1:19:03 > 1:19:05- Sounds fine.- Fine.
1:19:05 > 1:19:08- You coming?- Erm, no.
1:19:08 > 1:19:10I'd be interested in the results, though.
1:19:10 > 1:19:13Maybe an advance order? Some eight-by-tens?
1:19:13 > 1:19:16Yeah. Put me down for six.
1:19:16 > 1:19:18No, make it half a dozen.
1:19:23 > 1:19:26I want to tell you something.
1:19:26 > 1:19:30Do you know that when you sneeze it come out your nose at 100mph.
1:19:30 > 1:19:32Really?
1:19:32 > 1:19:34Phew! Just like that.
1:19:43 > 1:19:46One more number.
1:19:46 > 1:19:4811. Home by.
1:19:48 > 1:19:50I've got to be.
1:19:50 > 1:19:54OK, Mr Spaceman, I'll walk you home.
1:19:57 > 1:19:59- Really?- Mm-hm.
1:19:59 > 1:20:02I don't want to put you to any trouble.
1:20:02 > 1:20:04It's OK.
1:20:04 > 1:20:07If you just want to walk me to the bridge, that's fine.
1:20:07 > 1:20:11No, I don't mind.
1:20:11 > 1:20:14OK, I'll do the same for you sometime.
1:20:44 > 1:20:49That's good. You stopped kissing me like I was your auntie.
1:20:49 > 1:20:52Nobody's looking.
1:20:55 > 1:20:59What's my auntie going to say when I kiss her at Christmas?
1:21:07 > 1:21:10Say something.
1:21:11 > 1:21:13342.
1:21:17 > 1:21:191,000,009.
1:21:24 > 1:21:27How come you know all the good numbers?
1:21:29 > 1:21:32Thanks for seeing me home.
1:21:35 > 1:21:37When can I see you again?
1:21:37 > 1:21:39Tomorrow. History. 10.30.
1:21:48 > 1:21:51I want a date.
1:21:56 > 1:22:03OK, Mr Spaceman. 12.30, room 17 tomorrow. We'll talk about it.
1:22:07 > 1:22:09THEY BOTH GIGGLE
1:22:09 > 1:22:11Ten-four.
1:22:19 > 1:22:21Goodnight, Mr Spaceman.
1:22:27 > 1:22:29375.
1:22:31 > 1:22:345,672.
1:22:46 > 1:22:49How did it go. Are you going to see her again?
1:22:49 > 1:22:52Who, Dorothy?
1:22:52 > 1:22:54Who else?
1:22:54 > 1:22:57Well, maybe Susan, for instance.
1:22:57 > 1:22:59Tell me or I'll hurt you.
1:22:59 > 1:23:02OK, OK. Dorothy didn't show up,...
1:23:02 > 1:23:06..but I met Carol, then Margo and then Susan. She's lovely.
1:23:06 > 1:23:11We went to the park. I think she likes me. I'll see her tomorrow.
1:23:11 > 1:23:15- Did you kiss her? - No. Maybe tomorrow.
1:23:15 > 1:23:18You liar! You kissed her about 50 times.
1:23:18 > 1:23:21Shh! You'll wake the mater and pater.
1:23:21 > 1:23:23I better kiss you, too, then.
1:23:23 > 1:23:28It's hard work being in love, especially if you don't know which girl it is.
1:23:28 > 1:23:31Yeah. I'll work on it.
1:23:31 > 1:23:33Who's going to be Gregory's girl?
1:23:33 > 1:23:35You are.
1:24:06 > 1:24:09Come on, Andy, let's go home.
1:24:13 > 1:24:16That's not the way you spell Caracas anyway.
1:24:16 > 1:24:18What?
1:24:18 > 1:24:20What do you mean?
1:24:20 > 1:24:27Caracas is spelled with an A. C-A-S, not C-U-S.
1:24:28 > 1:24:31Why didn't you tell me that before?
1:24:31 > 1:24:37Could you not have told me that four hours ago? We've been waiting here!
1:24:37 > 1:24:39Come on, let's go home.
1:24:45 > 1:24:48Come on, we can start again tomorrow.
1:24:48 > 1:24:52There's some nice girls in third year.
1:24:52 > 1:24:55They always go for the older guys.
1:24:55 > 1:24:58At least the nice ones do.
1:24:58 > 1:25:02There's even a couple of dolls in second year.
1:25:02 > 1:25:05I saw them in the dining hall. June and Louise.
1:25:05 > 1:25:09Andy, I think everything's going to be all right.
1:25:43 > 1:25:46Intelfax Subtitles CATHERINE WALKER