0:01:00 > 0:01:06This film contains some strong language.
0:01:08 > 0:01:10Snap out of it, Grubber. Miranda Spear, one o'clock.
0:01:12 > 0:01:13Hey, Oscar.
0:01:13 > 0:01:15Hi, Miranda.
0:01:15 > 0:01:17What are you reading?
0:01:17 > 0:01:18Voltaire.
0:01:18 > 0:01:20You see, Oscar and I were just debating on...
0:01:20 > 0:01:22MIRANDA: Voltaire? Really?
0:01:22 > 0:01:24That's so cool.
0:01:26 > 0:01:28My friends are waiting, so...
0:01:28 > 0:01:30See you after break.
0:01:30 > 0:01:32Sure.
0:01:32 > 0:01:34All right. I'll see you, Miranda.
0:01:37 > 0:01:38Oh, my God.
0:01:38 > 0:01:40She's totally hot for you.
0:01:40 > 0:01:42She's got friends.
0:01:42 > 0:01:43You're hooking me up.
0:01:43 > 0:01:45I'm not asking her out.
0:01:45 > 0:01:47What?
0:01:47 > 0:01:49Why not? She's perfect.
0:01:49 > 0:01:50Did you see her hands?
0:01:50 > 0:01:53I-I wasn't looking at her hands.
0:01:53 > 0:01:55Experience, wit, intellect...
0:01:55 > 0:01:57All revealed by the hands.
0:01:57 > 0:01:59Does she have fat hands?
0:01:59 > 0:02:01She had hands like a...
0:02:01 > 0:02:02Like a steel worker?
0:02:02 > 0:02:06She had hands like a...
0:02:06 > 0:02:08child.
0:02:10 > 0:02:11MAN SINGING IN FRENCH
0:02:11 > 0:02:13CHARLIE: I worry about you, Oscar.
0:02:13 > 0:02:15I really do.
0:02:15 > 0:02:17Why, because I'm interested in more than websites?
0:02:17 > 0:02:19Because you're fetishising hands.
0:02:19 > 0:02:20I wouldn't call it a fetish.
0:02:20 > 0:02:23You find reasons not to like things.
0:02:23 > 0:02:24That's not true.
0:02:24 > 0:02:25Like what?
0:02:25 > 0:02:27Like Miranda Spear.
0:02:27 > 0:02:29Like simple explanations.
0:02:29 > 0:02:31I like things I don't understand.
0:02:31 > 0:02:33Never gonna get laid that way.
0:02:33 > 0:02:35It's not all about getting laid, Charlie.
0:02:35 > 0:02:36Yeah, it is.
0:02:36 > 0:02:37No, it isn't.
0:02:37 > 0:02:38It is so.
0:02:38 > 0:02:39What about love?
0:02:39 > 0:02:41Yeah. I've heard of it.
0:02:41 > 0:02:43It's not like you're in love with someone.
0:02:46 > 0:02:49I knew something was up.
0:02:49 > 0:02:53Wow. The Grubber, in love.
0:02:53 > 0:02:54Who the hell is it?
0:02:54 > 0:02:56Someone I've known for a while.
0:02:58 > 0:02:59Do I know her?
0:02:59 > 0:03:01She doesn't even know...
0:03:01 > 0:03:02yet.
0:03:03 > 0:03:05All right.
0:03:05 > 0:03:07When do you plan on telling her?
0:03:07 > 0:03:08That's the thing.
0:03:08 > 0:03:10I want to find the right time.
0:03:10 > 0:03:12Definitely this weekend. Maybe tonight.
0:03:12 > 0:03:14Is she coming over for Thanksgiving?
0:03:14 > 0:03:17She'll be there. Why?
0:03:17 > 0:03:18I'm coming over for pie.
0:03:18 > 0:03:20No, you're not. You're not invited.
0:03:20 > 0:03:22Grubbs.
0:03:33 > 0:03:34Hi, Tadpole.
0:03:34 > 0:03:35Hey, Jimmy.
0:03:35 > 0:03:37Home for Thanksgiving?
0:03:37 > 0:03:38That's right.
0:03:38 > 0:03:40What happened to your hair?
0:03:40 > 0:03:43I combed it.
0:03:43 > 0:03:45Well, I don't like it.
0:04:10 > 0:04:12SOFT JAZZ MUSIC PLAYS
0:04:14 > 0:04:17INDISTINCT CHATTER
0:04:18 > 0:04:19Hi, Oscar.
0:04:19 > 0:04:21Oh, hi, Mrs Lodder.
0:04:21 > 0:04:22Diane, please.
0:04:22 > 0:04:23Diane, have you seen Eve anywhere?
0:04:23 > 0:04:25Yeah, she was just here.
0:04:25 > 0:04:26Oh, she went to go get some keys
0:04:26 > 0:04:28so she could get in the lab tomorrow.
0:04:28 > 0:04:30HORN HONKS Ca va?
0:04:30 > 0:04:31Excuse me.
0:04:43 > 0:04:45So, Oscar... can we plan on
0:04:45 > 0:04:47seeing you at Columbia?
0:04:47 > 0:04:50Leave him alone, Dad. He's only a sophomore.
0:04:50 > 0:04:51It's never too early
0:04:51 > 0:04:52to think about college, Daphne,
0:04:52 > 0:04:53as it would behove you to realise.
0:04:53 > 0:04:55Actually, Professor Tisch,
0:04:55 > 0:04:57I have given some thought to Columbia pre med.
0:04:57 > 0:04:59Not history?
0:04:59 > 0:05:01Well, I... STANLEY: Excuse me.
0:05:01 > 0:05:02May I have your attention, everybody?
0:05:02 > 0:05:05I'm sorry to interrupt,
0:05:05 > 0:05:07but I'd like to make a short Thanksgiving toast
0:05:07 > 0:05:11and then invite you all to commence eating.
0:05:11 > 0:05:13First of all,
0:05:13 > 0:05:15I'd like to apologise to Native Americans everywhere
0:05:15 > 0:05:17for decimating their population,
0:05:17 > 0:05:19basically stealing this country from out...
0:05:19 > 0:05:21Stick to antiquities, Stanley.
0:05:21 > 0:05:23No, no, no. I'm a traditionalist.
0:05:23 > 0:05:25And far be it from me to dispense with any excuse
0:05:25 > 0:05:27to eat turkey and pecan pie.
0:05:27 > 0:05:28And so...
0:05:28 > 0:05:31to my recently returned prodigal son.
0:05:31 > 0:05:33WOMAN: Hear, hear.
0:05:33 > 0:05:35To my distinguished colleagues
0:05:35 > 0:05:36at the Columbia History Department
0:05:36 > 0:05:38and their families.
0:05:38 > 0:05:40And, er...
0:05:40 > 0:05:41am I leaving anyone out?
0:05:41 > 0:05:43Eve.
0:05:43 > 0:05:44Yes, of course,
0:05:44 > 0:05:44although not here, she...
0:05:44 > 0:05:46DOOR IS UNLOCKED Could it be?
0:05:46 > 0:05:48Could it be?
0:05:51 > 0:05:54To my lovely wife Eve.
0:05:54 > 0:05:55Oh, I'm so sorry.
0:05:55 > 0:06:00# She may be the face I can't forget
0:06:00 > 0:06:03# A trace of pleasure or regret
0:06:03 > 0:06:06# Maybe the treasure
0:06:06 > 0:06:09# Or the price I have to pay
0:06:09 > 0:06:12# She
0:06:13 > 0:06:16# She... #
0:06:16 > 0:06:18You turn the corner, then hidden away
0:06:18 > 0:06:20in this small forgotten backstreet,
0:06:20 > 0:06:21is this old, old house...
0:06:21 > 0:06:23DAPHNE: How's your mom, Oscar?
0:06:23 > 0:06:24She still in France?
0:06:24 > 0:06:26OSCAR: Yeah, she went back a while ago.
0:06:26 > 0:06:27When's the last time you saw her?
0:06:27 > 0:06:30I went back last summer.
0:06:32 > 0:06:35I wish I had an exotic French mother.
0:06:35 > 0:06:36There's nothing exotic
0:06:36 > 0:06:39about mothers who live on the Upper East Side.
0:06:39 > 0:06:41Well, they can be exotic in their own way.
0:06:41 > 0:06:43You walk in, and it's a home,
0:06:43 > 0:06:45a timeless home. You feel it.
0:06:45 > 0:06:46It's hard to put it into words, but...
0:06:46 > 0:06:49DAPHNE: My mom brings me back the stupidest things.
0:06:49 > 0:06:51That's not what I'm saying.
0:06:51 > 0:06:52There was this lovely fresco that...
0:06:52 > 0:06:53It's very intimate.
0:06:53 > 0:06:54Completely out of context.
0:06:54 > 0:06:55DAPHNE: ...too small or whatever.
0:06:55 > 0:06:57There was some...
0:06:57 > 0:06:59DAPHNE: That's cool. You've got, like,
0:06:59 > 0:07:00that look, that faraway look.
0:07:00 > 0:07:02That's cool.
0:07:02 > 0:07:04I've-been-studying for-four-days thing.
0:07:07 > 0:07:09EVE SIGHS
0:07:17 > 0:07:19It sounded beautiful.
0:07:19 > 0:07:20What's that?
0:07:20 > 0:07:22The timeless home.
0:07:22 > 0:07:25Oh. Thanks.
0:07:25 > 0:07:28I get a little caught up in the whole...
0:07:28 > 0:07:29I don't know.
0:07:29 > 0:07:30No, no. That's good.
0:07:30 > 0:07:32It's good to get caught up
0:07:32 > 0:07:34in the feeling of something, the aura.
0:07:34 > 0:07:36I mean, if everything could be reduced
0:07:36 > 0:07:38to verbalisable facts,
0:07:38 > 0:07:40we wouldn't have any need for music, would we?
0:07:42 > 0:07:46You might have a point there.
0:07:46 > 0:07:47Of course I have a point.
0:07:47 > 0:07:50The timeless home, that's like...
0:07:50 > 0:07:54The title of some great lost Puccini operetta.
0:07:54 > 0:07:57Heh. You're sweet, you know that?
0:07:57 > 0:07:58HE POURS THE WINE
0:07:58 > 0:08:00So, how are things at...at Chauncey?
0:08:00 > 0:08:02Not bad.
0:08:02 > 0:08:05Any girls there?
0:08:05 > 0:08:06Sure, there are girls.
0:08:06 > 0:08:09Well? Any you like?
0:08:09 > 0:08:11Well, they're mostly pretty dumb.
0:08:11 > 0:08:13They can't all be dumb.
0:08:13 > 0:08:14It just seems like
0:08:14 > 0:08:16they haven't lived that much, you know?
0:08:16 > 0:08:18Well...
0:08:18 > 0:08:20We're talking about sophomores, right?
0:08:20 > 0:08:22Yeah.
0:08:22 > 0:08:24Maybe you should give them a chance, Oscar.
0:08:24 > 0:08:25I mean...
0:08:25 > 0:08:29They might've lived more than you think.
0:08:29 > 0:08:32Sure.
0:08:32 > 0:08:36You have high expectations, don't you, Oscar?
0:08:42 > 0:08:44Hey.
0:08:46 > 0:08:47How are you?
0:08:47 > 0:08:48Good.
0:08:51 > 0:08:53That's better.
0:08:53 > 0:08:56Don't want back problems before you're 40.
0:08:56 > 0:08:59So, how's the chiropody business?
0:08:59 > 0:09:01Heh. Chiropody is feet.
0:09:01 > 0:09:03Huh. Chiropractic?
0:09:03 > 0:09:05It's pretty good.
0:09:05 > 0:09:07I stare at backs all day.
0:09:07 > 0:09:09Can tell a lot about a person by their back.
0:09:09 > 0:09:11I've always thought of my spine
0:09:11 > 0:09:13as incredibly personal.
0:09:13 > 0:09:15I don't think I could show my spine to just anyone.
0:09:15 > 0:09:18Maybe if you were in enough pain, you could.
0:09:18 > 0:09:19Not even then, maybe.
0:09:19 > 0:09:21Throw a couple cubes in there, would you, Diane?
0:09:21 > 0:09:22Sure.
0:09:22 > 0:09:24How's that endodontist of yours?
0:09:24 > 0:09:25Great.
0:09:25 > 0:09:32Je suis amoureux de la mere et moi... da-da, la-la.
0:09:32 > 0:09:33Oscar.
0:09:33 > 0:09:35Je sais, Professor Sherman.
0:09:40 > 0:09:43Comme si ce n'etait pas evident.
0:09:43 > 0:09:45What is this?
0:09:45 > 0:09:47Voltaire?
0:09:47 > 0:09:48Oscar.
0:09:48 > 0:09:50Voltaire said,
0:09:50 > 0:09:52"If God did not exist, he would have to be invented."
0:09:54 > 0:09:56He was a funny guy.
0:09:58 > 0:10:01STANLEY: Oscar!
0:10:01 > 0:10:03Excusez moi.
0:10:06 > 0:10:09Professor Tisch wants to stay and gossip
0:10:09 > 0:10:10about our colleagues a little longer.
0:10:10 > 0:10:11Will you walk Daphne home?
0:10:11 > 0:10:12Dad, no.
0:10:12 > 0:10:14Daphne's been taking the subways
0:10:14 > 0:10:15since she was eight.
0:10:15 > 0:10:17She's a good-looking girl, don't you think?
0:10:17 > 0:10:18She's all right.
0:10:18 > 0:10:20Well, it would be a nice gesture.
0:10:20 > 0:10:21An empty gesture.
0:10:21 > 0:10:22No, Dad. I'm fatigued this evening.
0:10:22 > 0:10:24I've been on trains, in cars,
0:10:24 > 0:10:25I've had two lengthy debates
0:10:25 > 0:10:26on Voltaire and Henry Miller,
0:10:26 > 0:10:28both of which I won, incidentally.
0:10:28 > 0:10:29I haven't unpacked yet,
0:10:29 > 0:10:31I've got a lot of things to do,
0:10:31 > 0:10:32And I'm not gonna stand here and argue
0:10:32 > 0:10:33with you about it, all right?
0:10:33 > 0:10:35Do you wanna go with me to the Moby concert
0:10:35 > 0:10:37on Sunday?
0:10:37 > 0:10:39Not really.
0:10:39 > 0:10:42I don't go in much for contemporary pop music.
0:10:42 > 0:10:44What do you go in for?
0:10:44 > 0:10:46You know, regular stuff.
0:10:46 > 0:10:48Oscar, contemporary pop music
0:10:48 > 0:10:51is regular stuff for a 15-year-old.
0:10:51 > 0:10:54Voltaire or whatever is not regular.
0:10:54 > 0:10:56Well, we differ.
0:10:56 > 0:10:57Yeah.
0:10:57 > 0:11:00God, you're like a 40-year-old
0:11:00 > 0:11:02trapped in a 15-year-old's body.
0:11:02 > 0:11:04I mean, it's not a bad body.
0:11:04 > 0:11:05Taxi!
0:11:09 > 0:11:11Hold on.
0:11:11 > 0:11:12Come on.
0:11:15 > 0:11:17I live six blocks from here.
0:11:17 > 0:11:19It's cold.
0:11:20 > 0:11:2378th and Lex. I have to wake up early.
0:11:23 > 0:11:24You are so weird.
0:11:24 > 0:11:26OK. Safe trip.
0:11:39 > 0:11:42ROMANTIC SONG PLAYS ON JUKEBOX
0:11:46 > 0:11:48Hey, happy Thanksgiving, pal.
0:11:50 > 0:11:54FRENCH SONG ON JUKEBOX
0:12:02 > 0:12:04Say, how old are you, anyway?
0:12:04 > 0:12:0640.
0:12:06 > 0:12:08Me, too.
0:12:10 > 0:12:12Doesn't it suck?
0:12:12 > 0:12:14Ah, it's not so bad.
0:12:14 > 0:12:16Your wife probably didn't leave you.
0:12:16 > 0:12:19I'm not married, actually.
0:12:19 > 0:12:21Well, don't wait too long.
0:12:21 > 0:12:24All the best ones get taken.
0:12:24 > 0:12:26I hear you there.
0:12:32 > 0:12:37J'adore les chansons francaises de cette epoque.
0:12:40 > 0:12:42You're not French.
0:12:42 > 0:12:44It's part of my act.
0:12:44 > 0:12:45What act?
0:12:45 > 0:12:48You gonna buy me a drink?
0:12:48 > 0:12:50Bob, the lady's dry.
0:12:52 > 0:12:55Well, I got to go feed the cat.
0:12:57 > 0:12:59Why so glum, chum?
0:12:59 > 0:13:02I have high expectations.
0:13:02 > 0:13:04Yeah, I know what you mean.
0:13:15 > 0:13:17You have beautiful hands.
0:13:49 > 0:13:50Oh, Jeez.
0:13:51 > 0:13:53Oscar?
0:13:54 > 0:13:56Oh, hiya, Diane.
0:13:59 > 0:14:00Top of the night to you.
0:14:00 > 0:14:03Oscar, you don't look so hot.
0:14:03 > 0:14:04Oh, don't worry about me.
0:14:04 > 0:14:05Hey... Oh, careful!
0:14:05 > 0:14:06Careful. Come here.
0:14:06 > 0:14:07Come on. Come on.
0:14:07 > 0:14:08Let me get you some coffee.
0:14:08 > 0:14:09No, no, no. I gotta get home.
0:14:09 > 0:14:11No, no. You don't want your father
0:14:11 > 0:14:13to see you like this.
0:14:18 > 0:14:19My wallet was stolen.
0:14:19 > 0:14:21You got mugged?
0:14:21 > 0:14:23Sort of.
0:14:23 > 0:14:24What do you mean, "sort of"?
0:14:24 > 0:14:26She was very pleasant about it.
0:14:32 > 0:14:33Take your coat?
0:14:33 > 0:14:35No.
0:14:38 > 0:14:39Well, come in.
0:14:39 > 0:14:41Make yourself comfortable.
0:14:47 > 0:14:50Oh. It got chilly in here.
0:14:50 > 0:14:52Hey, that's Eve's scarf.
0:14:52 > 0:14:54Yeah, I know. I like it.
0:14:54 > 0:14:56I might forget to give it back.
0:15:14 > 0:15:18Oh! Oh, dear.
0:15:18 > 0:15:21OK. What hurts?
0:15:21 > 0:15:23OSCAR: Everything.
0:15:23 > 0:15:24OK.
0:15:32 > 0:15:33Diane? Mm-hm?
0:15:33 > 0:15:35What's it like being 40?
0:15:36 > 0:15:39Not as bad as people make out.
0:15:39 > 0:15:42Except everyone you know seems kind of tired.
0:15:42 > 0:15:43Worn out, you mean?
0:15:43 > 0:15:47Yeah, like they've seen it all before.
0:15:47 > 0:15:49Eve's not like that.
0:15:49 > 0:15:51No, Eve's not like that.
0:15:51 > 0:15:54And you're not like that.
0:15:54 > 0:15:56It's nice.
0:15:56 > 0:15:57You know what?
0:15:57 > 0:15:59This is really hard to do with your sweater on.
0:16:50 > 0:16:53OSCAR: Eve.
0:17:07 > 0:17:08Ow!
0:17:11 > 0:17:13Oh, Jeez.
0:18:26 > 0:18:28Morning.
0:18:28 > 0:18:31Diane's good, isn't she?
0:18:31 > 0:18:34Yes. Yes.
0:18:34 > 0:18:37I'm Phil, the boyfriend.
0:18:37 > 0:18:38Boyfriend.
0:18:38 > 0:18:41I'm Oscar Grubman. I'm just a friend.
0:18:41 > 0:18:44So how long's she been doing you?
0:18:44 > 0:18:47This was the first time, I swear to you,
0:18:47 > 0:18:48And the only time.
0:18:48 > 0:18:51You're kind of young, aren't you?
0:18:51 > 0:18:52Yes, way too young.
0:18:52 > 0:18:54Young and stupid.
0:18:54 > 0:18:56Pinched nerve?
0:18:56 > 0:18:58Excuse me?
0:18:58 > 0:18:59Did you twist your neck or something?
0:18:59 > 0:19:00Hell, I didn't see a chiropractor
0:19:00 > 0:19:02till I turned 40.
0:19:02 > 0:19:03Oh! Yeah.
0:19:03 > 0:19:04Um, very pinched nerve.
0:19:04 > 0:19:07Actually 3 of them. Um...
0:19:07 > 0:19:08Medial collateral, collateral,
0:19:08 > 0:19:09and hyper collateral.
0:19:09 > 0:19:12Although the hyper wasn't quite as severe.
0:19:12 > 0:19:14So, the old girl give you your money's worth?
0:19:14 > 0:19:15Good morning.
0:19:15 > 0:19:17Didn't hear you come in.
0:19:17 > 0:19:19I just got here. Oscar here was saying
0:19:19 > 0:19:21you worked him over pretty good.
0:19:21 > 0:19:22No, I didn't. I mean,
0:19:22 > 0:19:24yes, you worked out the pinched nerve
0:19:24 > 0:19:25in my back.
0:19:25 > 0:19:27Yeah, he had quite a knotted muscle.
0:19:27 > 0:19:30My God, the pain right here in my shoulder.
0:19:30 > 0:19:31Took a lot of work.
0:19:31 > 0:19:33Thank God my vocation gives me such pleasure.
0:19:33 > 0:19:36We should all be so blessed.
0:19:36 > 0:19:38Well, thanks again, Mrs Lodder.
0:19:38 > 0:19:39I'll put that check in the mail pronto.
0:19:39 > 0:19:41Nice to meet you, Phil.
0:19:41 > 0:19:42Hey, you take care, buddy.
0:19:42 > 0:19:43I'll walk you out.
0:19:43 > 0:19:44Er, please don't bother.
0:19:44 > 0:19:46No. It's no bother.
0:19:54 > 0:19:58Diane, no-one can ever find out about last night, OK?
0:19:58 > 0:19:59OK.
0:19:59 > 0:20:01I mean it. I'm serious.
0:20:01 > 0:20:03It's very important to me that Eve...
0:20:03 > 0:20:07and my dad never find out about this.
0:20:07 > 0:20:09OK. All right. I won't tell.
0:20:09 > 0:20:11Good. Phil, either. He's a lot bigger than me.
0:20:11 > 0:20:13Actually, he's not.
0:20:13 > 0:20:15Diane, please.
0:20:15 > 0:20:17OK. All right. Mum's the word.
0:20:17 > 0:20:18Thank you.
0:20:22 > 0:20:24DIANE: Give that to Eve for me.
0:20:49 > 0:20:51Hey, Oscar.
0:20:51 > 0:20:53That girl sure was pretty.
0:20:53 > 0:20:55Who?
0:20:55 > 0:20:57Professor Tisch's girl.
0:20:57 > 0:20:58Oh, Daphne.
0:20:58 > 0:21:00Yeah, I guess she's pretty.
0:21:00 > 0:21:03Is she new to the pond, Tadpole?
0:21:03 > 0:21:05Don't you sleep?
0:21:15 > 0:21:17FLOORBOARD CREAKS
0:21:34 > 0:21:36STANLEY: So.
0:21:36 > 0:21:38Hi, Dad.
0:21:38 > 0:21:40I didn't hear you come in.
0:21:41 > 0:21:44Daphne and I got to talking last night.
0:21:44 > 0:21:46Is that right?
0:21:48 > 0:21:50Is Eve around?
0:21:50 > 0:21:53No. She left for work at dawn.
0:21:53 > 0:21:56Why is she working today?
0:21:56 > 0:21:57She likes to go in
0:21:57 > 0:21:58when there's no-one around to bug her.
0:21:58 > 0:22:00So she's by herself.
0:22:00 > 0:22:02What's that?
0:22:02 > 0:22:03Nothing. Nothing.
0:22:16 > 0:22:17Picnic?
0:22:17 > 0:22:19Sort of.
0:22:19 > 0:22:21But you have time to help old dad
0:22:21 > 0:22:23do some grocery shopping, don't you?
0:22:23 > 0:22:24Now?
0:22:24 > 0:22:25Yeah. Come on.
0:22:25 > 0:22:27Dad, I thought you were gonna
0:22:27 > 0:22:29take some time to work on your book today.
0:22:29 > 0:22:31Well, come on. I mean, that can wait.
0:22:31 > 0:22:33How many people really are dying to read
0:22:33 > 0:22:36The Life And Times Of Arnobias Of Sicca?
0:22:36 > 0:22:39Well, I think you really underestimate your audience.
0:22:39 > 0:22:41There are a lot of Arnobias of Sicca fans
0:22:41 > 0:22:43out there that you're completely unaware of.
0:22:43 > 0:22:44Really? You think so?
0:22:44 > 0:22:46Yeah.
0:22:47 > 0:22:48I mean, the kids at school...
0:22:48 > 0:22:49the ones in the know, anyway...
0:22:49 > 0:22:51talk about Arnobias of Sicca
0:22:51 > 0:22:53like he was THE hip ancient scholar.
0:22:53 > 0:22:55Arnobias. Really?
0:22:55 > 0:22:56You picked a winner.
0:22:56 > 0:22:58You should feel really good about it
0:22:58 > 0:22:59and really motivated.
0:22:59 > 0:23:00You put it that way,
0:23:00 > 0:23:02I...I do feel pretty damn motivated.
0:23:02 > 0:23:05Either way, we need paper towels, cereal,
0:23:05 > 0:23:07and we're completely out of cheesecake.
0:23:07 > 0:23:09Dad, I'm not really into cheesecake any more.
0:23:09 > 0:23:10Grab your coat.
0:23:13 > 0:23:13WOMAN: Taxi!
0:23:13 > 0:23:15HORNS HONK
0:23:15 > 0:23:17Who is she, Oscar?
0:23:17 > 0:23:18Who, Dad?
0:23:18 > 0:23:21Where did you sleep last night?
0:23:21 > 0:23:23I know it wasn't at Charlie's.
0:23:23 > 0:23:24Come clean.
0:23:24 > 0:23:26This is your old man here.
0:23:26 > 0:23:28What happened? Did you, er...
0:23:28 > 0:23:32run into some buddies from Chauncey...
0:23:32 > 0:23:34go downtown, get a couple of beers,
0:23:34 > 0:23:36and stare at the hippies in Greenwich Village?
0:23:36 > 0:23:38There are no hippies in Greenwich Village any more, Dad.
0:23:38 > 0:23:40What is it now? Punks, druggies,
0:23:40 > 0:23:43folk-mopers, cross-dressers, bikers?
0:23:43 > 0:23:44Bankers.
0:23:44 > 0:23:45Bankers?
0:23:45 > 0:23:47Oh, God, has it come to that?
0:23:47 > 0:23:48I'm afraid so.
0:23:48 > 0:23:51What a state of affairs. Bankers?
0:23:54 > 0:23:56So where DID you spend the night?
0:23:56 > 0:23:59I ran into a...into... A girl?
0:23:59 > 0:24:00Yes, a girl.
0:24:00 > 0:24:01A pretty girl?
0:24:01 > 0:24:02Yes, a pretty girl.
0:24:02 > 0:24:05Oh, Oscar.
0:24:05 > 0:24:08It wasn't a... you know...
0:24:08 > 0:24:09it wasn't a call girl?
0:24:09 > 0:24:10Dad!
0:24:10 > 0:24:13Of course it wasn't a call girl.
0:24:13 > 0:24:15What's wrong with you?
0:24:15 > 0:24:17Kids are crazy these days.
0:24:17 > 0:24:18I bumped into a girl.
0:24:18 > 0:24:19From Chauncey?
0:24:19 > 0:24:20Yes, a girl from Chauncey.
0:24:20 > 0:24:21Well, what was her name, Oscar?
0:24:21 > 0:24:22Her name?
0:24:22 > 0:24:24Is it someone even I should meet?
0:24:24 > 0:24:25No!
0:24:25 > 0:24:28I mean, there just isn't any point.
0:24:28 > 0:24:31Her name's, er, Miranda Spear,
0:24:31 > 0:24:33and she's just some dumb girl...
0:24:33 > 0:24:36Hey, have some respect, Oscar.
0:24:36 > 0:24:39Maybe this girl's only 15, 16.
0:24:39 > 0:24:40And maybe right now her interests
0:24:40 > 0:24:42are different from yours, but...
0:24:42 > 0:24:43girls have things to say.
0:24:43 > 0:24:45They can be funny.
0:24:45 > 0:24:49Consider them, Oscar. Listen to them.
0:24:49 > 0:24:50So, I should listen to girls
0:24:50 > 0:24:52like you listen to Eve, you mean?
0:24:52 > 0:24:53Exactly.
0:25:38 > 0:25:40BIRDS TWITTER
0:25:46 > 0:25:50MAN SINGS "She" IN FRENCH
0:26:14 > 0:26:15CORK POPS
0:26:26 > 0:26:27GLASSES CLINK
0:27:04 > 0:27:05HE CLEARS HIS THROAT
0:27:07 > 0:27:09Oscar.
0:27:09 > 0:27:11What a nice surprise.
0:27:11 > 0:27:13I brought you lunch.
0:27:13 > 0:27:15You're kidding.
0:27:15 > 0:27:17EVE LAUGHS
0:27:17 > 0:27:19Wait. Wait one second.
0:27:24 > 0:27:26Wow. Cookies, too.
0:27:26 > 0:27:27Yeah. I know you like 'em.
0:27:27 > 0:27:29Thank you.
0:27:32 > 0:27:34So, what are you working on?
0:27:34 > 0:27:36I'm monitoring the depolarisation
0:27:36 > 0:27:38of cardiac myocytes.
0:27:38 > 0:27:41Oh. Hmm.
0:27:52 > 0:27:54Pericardium.
0:27:54 > 0:27:58Mitral, aorta...
0:27:58 > 0:28:02Such beautiful words.
0:28:02 > 0:28:04Poetry.
0:28:04 > 0:28:07Never thought of it that way.
0:28:07 > 0:28:10It's, er, pretty complicated business.
0:28:10 > 0:28:13No. The heart is simple.
0:28:13 > 0:28:15Fixing it is complicated.
0:28:17 > 0:28:20So, when you're...
0:28:20 > 0:28:22working on...
0:28:22 > 0:28:25whatever it is you're working on,
0:28:25 > 0:28:27I mean...
0:28:27 > 0:28:30How do you see the heart as anything more than a...?
0:28:30 > 0:28:31Than a pump.
0:28:31 > 0:28:32Yeah.
0:28:32 > 0:28:36I mean, in the end, it's just an organ, right,
0:28:36 > 0:28:39but, symbolically...?
0:28:39 > 0:28:42Your heart can fit right in my hand.
0:28:42 > 0:28:45The heart is this incredibly smart machine.
0:28:45 > 0:28:47It beats 70-80 times a minute,
0:28:47 > 0:28:49and in the space of each beat
0:28:49 > 0:28:51sends deoxygenated blood to your lungs
0:28:51 > 0:28:54and oxygenated blood to all your organs.
0:28:54 > 0:28:56Cut the aorta, and you'll release
0:28:56 > 0:28:58a jet of blood that hits the ceiling.
0:28:58 > 0:29:01Now, who needs to use it as a symbol
0:29:01 > 0:29:04when the thing itself is so magnificent?
0:29:04 > 0:29:06The thing itself.
0:29:06 > 0:29:08Hmm.
0:29:10 > 0:29:13Well, as a symbol, it should be replaced.
0:29:13 > 0:29:15The heart's had its day.
0:29:15 > 0:29:17Why not the kidney as a symbol of love,
0:29:17 > 0:29:18or the liver?
0:29:18 > 0:29:21Hmm. "You broke my liver."
0:29:21 > 0:29:23"My liver aches for you"?
0:29:23 > 0:29:25Doesn't rhyme as well,
0:29:25 > 0:29:28you know, for country songs and Shakespeare.
0:29:28 > 0:29:29Sure it does.
0:29:29 > 0:29:31"I'm aquiver.
0:29:31 > 0:29:34"Please deliver.
0:29:34 > 0:29:36"Deep as a river,
0:29:36 > 0:29:37"my love, my liver."
0:29:38 > 0:29:40I just can't...
0:29:40 > 0:29:41TELEPHONE RINGS
0:29:41 > 0:29:43RING
0:29:45 > 0:29:46Hello?
0:29:46 > 0:29:50Hi. Oscar's here, visiting.
0:29:50 > 0:29:54Yeah. I know.
0:29:54 > 0:29:55OK.
0:29:55 > 0:29:57Your father says, "Don't forget
0:29:57 > 0:29:59"we're having dinner tonight."
0:29:59 > 0:30:01I haven't forgotten!
0:30:03 > 0:30:07He says, "Did you ask Miranda Spear to join us?"
0:30:07 > 0:30:08Who?
0:30:08 > 0:30:09Miranda...
0:30:09 > 0:30:10No. No! Tonight's family night.
0:30:10 > 0:30:12Well, don't worry about that, Oscar.
0:30:12 > 0:30:14I mean, Diane is coming.
0:30:14 > 0:30:17Diane? And Phil.
0:30:17 > 0:30:19It sure would be nice to see Diane and Phil.
0:30:19 > 0:30:22Have you met Phil?
0:30:22 > 0:30:25I think so.
0:30:25 > 0:30:27Well, Phil isn't coming, OK?
0:30:27 > 0:30:30Diane likes to keep her options open.
0:30:30 > 0:30:33It's just Diane, right? Yeah. I thought so.
0:30:33 > 0:30:35DOORBELL RINGS
0:30:35 > 0:30:39Hey, buddy. Come on in.
0:30:39 > 0:30:41Is Diane around?
0:30:41 > 0:30:42She isn't.
0:30:42 > 0:30:43Is your back still bothering you?
0:30:43 > 0:30:44Well, come on in.
0:30:44 > 0:30:45I'll give you a rub-a-dub.
0:30:45 > 0:30:46Thanks, anyway.
0:30:46 > 0:30:48I'd rather not trust my back to a dentist.
0:30:48 > 0:30:50Eh, the old gal taught me a few tricks.
0:30:50 > 0:30:52Why do you call her "old gal"?
0:30:52 > 0:30:53You make her sound like she's a horse.
0:30:53 > 0:30:56Actually, she's more of a wild cat.
0:30:56 > 0:30:58Diane's with the girls down at Payard
0:30:58 > 0:30:59if your back's really that bad.
0:31:00 > 0:31:02Hey, you know, buddy!
0:31:02 > 0:31:04You're gonna have to learn to relax.
0:31:04 > 0:31:07You're gonna be dead before you reach 20.
0:31:21 > 0:31:22CAR HORN HONKS
0:31:41 > 0:31:43PIANO PLAYS
0:31:43 > 0:31:46MAN: Thank you very much.
0:31:47 > 0:31:48Here you go.
0:31:48 > 0:31:51INDISTINCT CHATTER
0:31:51 > 0:31:52No, you didn't.
0:31:54 > 0:31:56Is that right?
0:31:56 > 0:31:58Diane.
0:31:59 > 0:32:01Can I talk to you for a minute, please?
0:32:01 > 0:32:03You must be Oscar.
0:32:03 > 0:32:04I'm Samantha.
0:32:06 > 0:32:08So, it sounds like you have some
0:32:08 > 0:32:10interesting ideas about French philosophy.
0:32:10 > 0:32:12Yes. Er, Diane was telling us
0:32:12 > 0:32:14that you regard Voltaire
0:32:14 > 0:32:15as a comedian.
0:32:22 > 0:32:24Well, I think that when you look at his body...
0:32:24 > 0:32:25Excuse me.
0:32:25 > 0:32:27Diane, can I talk to you for a minute, please?
0:32:27 > 0:32:29In a minute, Oscar.
0:32:29 > 0:32:33Oscar... have some tea.
0:32:35 > 0:32:37The assertion that all man's actions
0:32:37 > 0:32:38are essentially self-serving
0:32:38 > 0:32:41has never been taken in the spirit it was intended,
0:32:41 > 0:32:43which was a quote, a quote.
0:32:43 > 0:32:45And that's what Adam Smith was really saying
0:32:45 > 0:32:47In The Wealth Of Nations.
0:32:47 > 0:32:49At least, that's what I've always thought.
0:32:49 > 0:32:50More tea, Oscar?
0:32:50 > 0:32:52Thank you, Abigail.
0:32:52 > 0:32:54Now, most people are going to tell you
0:32:54 > 0:32:56that Quine's belief in the inherent goodness...
0:32:56 > 0:32:58But, Oscar, I don't see how you can dismiss
0:32:58 > 0:33:00Mirabaud so easily.
0:33:00 > 0:33:02Mirabaud never even got out of the gate.
0:33:02 > 0:33:04Oh, you naughty girl.
0:33:04 > 0:33:06Where did you find him?
0:33:06 > 0:33:07Isn't he lovely?
0:33:07 > 0:33:09He's so passionate,
0:33:09 > 0:33:11and he really listens.
0:33:11 > 0:33:13Do you mind if I give him my number?
0:33:13 > 0:33:14No. Go ahead.
0:33:14 > 0:33:15Oscar...
0:33:15 > 0:33:17I'd love to chat more with you
0:33:17 > 0:33:18about this sometime,
0:33:18 > 0:33:20or, um, about anything.
0:33:20 > 0:33:24I'm pretty busy with midterms and all.
0:33:24 > 0:33:26Anything...any time.
0:33:26 > 0:33:28Bye, Oscar.
0:33:28 > 0:33:29Bye, Samantha.
0:33:29 > 0:33:29Bye, Oscar.
0:33:29 > 0:33:31Abigail.
0:33:31 > 0:33:33Bye, Diane. Bye, girls.
0:33:36 > 0:33:38Well...
0:33:38 > 0:33:40Oscar, it was a pleasure to meet you.
0:33:40 > 0:33:41Pleasure.
0:33:41 > 0:33:44You two be good. SHE LAUGHS
0:33:44 > 0:33:46I'll call you tomorrow.
0:33:48 > 0:33:50Diane.
0:33:50 > 0:33:51Mm-hm.
0:33:51 > 0:33:52You didn't, er,
0:33:52 > 0:33:54tell anybody about what happened last night,
0:33:54 > 0:33:55did you?
0:33:55 > 0:33:56Does it matter if I had?
0:33:56 > 0:33:58You're a grown-up...
0:33:58 > 0:34:00or close enough.
0:34:00 > 0:34:01Did you?
0:34:04 > 0:34:07I didn't say anything definite.
0:34:07 > 0:34:09I may have hinted a little.
0:34:09 > 0:34:10Hinted?
0:34:10 > 0:34:12Why do they need hints? This isn't charades.
0:34:12 > 0:34:14What if one of them tells Phil?
0:34:14 > 0:34:15Phil, schmil.
0:34:15 > 0:34:16"Phil, schmil?"
0:34:16 > 0:34:18That isn't very nice.
0:34:18 > 0:34:20That isn't very sensitive at all.
0:34:20 > 0:34:21Oscar, please.
0:34:21 > 0:34:23Phil and I are not an item.
0:34:23 > 0:34:26Ahem. Excuse me. There's no smoking.
0:34:26 > 0:34:28OK.
0:34:28 > 0:34:30Forget about Phil.
0:34:30 > 0:34:34Diane, I'd like to ask you
0:34:34 > 0:34:35not to come to dinner tonight.
0:34:35 > 0:34:37Not go to Cafe Balou?
0:34:37 > 0:34:39Are you kidding? Your father's paying.
0:34:39 > 0:34:41I want to minimise the likelihood
0:34:41 > 0:34:42of your blabbing to Eve.
0:34:44 > 0:34:46Maybe you've already told Eve.
0:34:46 > 0:34:47I haven't even seen Eve yet.
0:34:47 > 0:34:50Yet? Do you plan to tell her?
0:34:50 > 0:34:54Oscar, Eve and I grew up together.
0:34:54 > 0:34:56Jeez, the stories I could tell you
0:34:56 > 0:34:57about Eve when we were 15.
0:34:57 > 0:34:58You wouldn't have recognised her.
0:34:58 > 0:34:59I don't want to hear it.
0:34:59 > 0:35:01When we were 15,
0:35:01 > 0:35:03Eve had this thing for Elvis.
0:35:03 > 0:35:04Elvis Presley?
0:35:04 > 0:35:05Hmm.
0:35:05 > 0:35:07Flipped for any guy in sideburns.
0:35:07 > 0:35:09Sideburns?
0:35:09 > 0:35:10What's so great about sideburns?
0:35:10 > 0:35:11I don't know.
0:35:11 > 0:35:14The strangest things made her happy.
0:35:14 > 0:35:16She was always happy back then.
0:35:16 > 0:35:17Back then?
0:35:17 > 0:35:20Are you saying now she isn't?
0:35:21 > 0:35:25No. That wasn't my intention.
0:35:25 > 0:35:27Look. You know what? Let's just forget it.
0:35:27 > 0:35:28I shouldn't have said anything.
0:35:28 > 0:35:29No. We can't just forget it.
0:35:29 > 0:35:31We're talking about Eve's happiness here.
0:35:32 > 0:35:34Well, I guess I can confide in you.
0:35:34 > 0:35:35We're close now, right?
0:35:35 > 0:35:37In a manner of speaking.
0:35:37 > 0:35:39OK. Ahem.
0:35:39 > 0:35:42I don't think Eve is happy.
0:35:42 > 0:35:44There's a void. Something's missing.
0:35:44 > 0:35:46What makes you say that?
0:35:46 > 0:35:48It's a woman thing. I sense it.
0:35:48 > 0:35:49I feel it.
0:35:49 > 0:35:52Plus, last week, she said there was a void
0:35:52 > 0:35:54and something was missing.
0:35:54 > 0:35:55Did she say what?
0:35:55 > 0:35:58Couldn't put her finger on it.
0:36:01 > 0:36:04I wouldn't worry about it. She'll get over it.
0:36:10 > 0:36:12CHARLIE: So, who is this girl?
0:36:12 > 0:36:14A friend of the family's.
0:36:14 > 0:36:15You gonna see each other again?
0:36:15 > 0:36:17Tonight.
0:36:17 > 0:36:19But her best friend's gonna be there.
0:36:19 > 0:36:21Well, is the friend cute?
0:36:21 > 0:36:23I wouldn't call her cute, exactly.
0:36:23 > 0:36:26I mean, would I like her?
0:36:26 > 0:36:27Well, you know,
0:36:27 > 0:36:28I slept with her last night.
0:36:30 > 0:36:32With the friend?
0:36:32 > 0:36:33Damn!
0:36:33 > 0:36:35Yeah, with the friend.
0:36:35 > 0:36:37But you don't like the friend.
0:36:37 > 0:36:40Not really. Not like that.
0:36:40 > 0:36:43But you're going to dinner with both of them...
0:36:43 > 0:36:45the woman you like
0:36:45 > 0:36:46and the woman you slept with?
0:36:46 > 0:36:49Yeah. My dad's coming, too.
0:36:51 > 0:36:54Nothing's simple for the Grubber.
0:36:59 > 0:37:00Talk to me, Oscar.
0:37:00 > 0:37:03What's going on here?
0:37:03 > 0:37:05I don't know, Charlie.
0:37:05 > 0:37:06I found her.
0:37:06 > 0:37:08The girl with the great hands.
0:37:08 > 0:37:09Terrific hands.
0:37:09 > 0:37:11CHARLIE: Are you gonna tell me her name?
0:37:15 > 0:37:16Eve.
0:37:16 > 0:37:18Eve...like your mother.
0:37:18 > 0:37:20Eve's not my mother. She's my stepmother.
0:37:20 > 0:37:22We're not blood relatives at all.
0:37:24 > 0:37:27Wait. So, your Eve is that Eve?
0:37:27 > 0:37:29Your mother.
0:37:29 > 0:37:33She's very wise... and soft.
0:37:33 > 0:37:36Are you out of your mind?
0:37:36 > 0:37:38Do you want to end up in hell or something?
0:37:38 > 0:37:40Charlie, I love her.
0:37:40 > 0:37:44Oscar, Eve is married to your father.
0:37:44 > 0:37:46I know, but I sense there's a void there.
0:37:46 > 0:37:47Something missing.
0:37:47 > 0:37:49She needs something more in her life.
0:37:49 > 0:37:52Oh, and that would be you...her stepson.
0:37:54 > 0:37:56I mean, hey, I know you're French,
0:37:56 > 0:37:58and you have, like, a different idea
0:37:58 > 0:38:00of family relations, but...
0:38:00 > 0:38:05Wait...this means you slept with Diane.
0:38:05 > 0:38:07I realise that was a mistake.
0:38:07 > 0:38:09She was wearing Eve's scarf. It smelled of her perfume.
0:38:09 > 0:38:11I got confused.
0:38:11 > 0:38:13Er...I mean,
0:38:13 > 0:38:18Diane's pretty hot.... for that age group.
0:38:18 > 0:38:20These look fake.
0:38:20 > 0:38:22You really fucked up.
0:38:22 > 0:38:26Charlie, help me. I need sideburns.
0:38:26 > 0:38:28Well...all right. Let me think.
0:38:30 > 0:38:32DOG BARKS
0:38:35 > 0:38:37DOG BARKS
0:38:49 > 0:38:54HE HUMS "Ode To Joy"
0:38:54 > 0:38:55STANLEY: I know we've talked about it
0:38:55 > 0:38:56just being the two of us,
0:38:56 > 0:38:59but the Shermans love Beethoven, as it turns out.
0:38:59 > 0:39:00Is it all right with you if they come with us?
0:39:02 > 0:39:05Honey? Did you hear me?
0:39:06 > 0:39:08EVE: Sure. Fine.
0:39:08 > 0:39:10STANLEY: Norm knows the Galea like the back of his hand.
0:39:10 > 0:39:13He'll be humming along, like he did with Carmen.
0:39:13 > 0:39:16Remember that?
0:39:21 > 0:39:23STANLEY: Eve, have you seen my tie?
0:39:24 > 0:39:26Honey?
0:39:28 > 0:39:29Honey, I want the tie
0:39:29 > 0:39:31the Shermans gave me for Christmas.
0:39:31 > 0:39:34DOORBELL BUZZES
0:39:36 > 0:39:38Hi.
0:39:38 > 0:39:39Hi.
0:39:42 > 0:39:43You look nice.
0:39:45 > 0:39:49You look...er... different.
0:39:49 > 0:39:51Worse or better?
0:39:53 > 0:39:54Very handsome.
0:39:54 > 0:39:55You're making me nervous.
0:39:55 > 0:39:57Relax, I'll be very good tonight.
0:39:57 > 0:39:59Just don't let me drink.
0:40:03 > 0:40:04OSCAR SIGHS
0:40:04 > 0:40:06He looks over at me and he goes,
0:40:06 > 0:40:08"You know, you have really beautiful eyes."
0:40:08 > 0:40:11I go, "Yeah, I know that."
0:40:11 > 0:40:14But, you know, we're in a movie theatre.
0:40:14 > 0:40:15There's no way he could see my eyes.
0:40:15 > 0:40:16It's dark.
0:40:16 > 0:40:18So, he goes, "You know what's wrong
0:40:18 > 0:40:20"with the modern woman?
0:40:20 > 0:40:22"They're acutely sensitive."
0:40:22 > 0:40:25So, Oscar...are you happy at Chauncey?
0:40:25 > 0:40:26You already asked me that, Dad.
0:40:26 > 0:40:28I did?
0:40:28 > 0:40:29And what did you say?
0:40:29 > 0:40:31I said it was OK.
0:40:31 > 0:40:33Sometimes you don't listen so good.
0:40:33 > 0:40:35So well. Listen so well.
0:40:35 > 0:40:37See, you correct, or you add facts,
0:40:37 > 0:40:38or you give your own little anecdotes,
0:40:38 > 0:40:40but you don't really absorb the reason
0:40:40 > 0:40:42the person is saying the thing that she is.
0:40:42 > 0:40:44She? Me, I mean.
0:40:44 > 0:40:46The reason I'm telling you something.
0:40:46 > 0:40:48Hmm, that's interesting.
0:40:48 > 0:40:49And silence, Dad.
0:40:49 > 0:40:50Silence?
0:40:50 > 0:40:52Listen to what it tells you.
0:40:52 > 0:40:54Sometimes it's peaceful,
0:40:54 > 0:40:56sometimes it's a shrill scream.
0:41:09 > 0:41:11Honey, this is Bob Spear.
0:41:11 > 0:41:12Oh, pleased to meet you.
0:41:12 > 0:41:14This is my daughter, Miranda.
0:41:14 > 0:41:16Oh, how's Chauncey treating you, Miranda?
0:41:16 > 0:41:17MIRANDA: Good.
0:41:17 > 0:41:19Have a nice holiday. You, too.
0:41:19 > 0:41:20BOB SPEAR: Nice to meet you.
0:41:20 > 0:41:21STANLEY: Hello, I'm Stanley Grubman,
0:41:21 > 0:41:23Oscar's father.
0:41:23 > 0:41:25Oscar Grubman? He's here.
0:41:25 > 0:41:27STANLEY: This is such a coincidence.
0:41:27 > 0:41:28We were just talking about you,
0:41:28 > 0:41:31er, today. About, er...
0:41:31 > 0:41:33Dad! Dad!
0:41:33 > 0:41:35I was just meeting your friend here.
0:41:35 > 0:41:36And if you don't mind my saying so,
0:41:36 > 0:41:37she is a little firecracker.
0:41:37 > 0:41:39OSCAR: I think Eve wants to see you.
0:41:39 > 0:41:41She has to give you a pill or something.
0:41:41 > 0:41:42What pill?
0:41:42 > 0:41:43For your...condition.
0:41:43 > 0:41:45For my cholesterol?
0:41:45 > 0:41:47Yes. Yes. Your cholesterol.
0:41:47 > 0:41:49I'm sorry. He gets a little confused.
0:41:49 > 0:41:50How are you, Oscar?
0:41:50 > 0:41:51Er, fine.
0:41:51 > 0:41:53Happy Thanksgiving.
0:41:55 > 0:41:57What are you two talking about?
0:41:57 > 0:41:59Colorado.
0:41:59 > 0:42:00What's this about pills?
0:42:00 > 0:42:03He's never been to Colorado.
0:42:03 > 0:42:05Oscar, you're acting very strangely.
0:42:05 > 0:42:07What pills?
0:42:07 > 0:42:09Bon soir. Would you like to take something to drink?
0:42:09 > 0:42:12May we see a wine list, please?
0:42:12 > 0:42:14Oubliez le vin, personne n'en veux.
0:42:15 > 0:42:17WAITER: What's this? No wine?
0:42:17 > 0:42:18Pardon?
0:42:18 > 0:42:21The boy, he says you are not in the mood for wine.
0:42:21 > 0:42:22Oscar...
0:42:26 > 0:42:27STANLEY: Oscar.
0:42:27 > 0:42:29I'm in the mood.
0:42:29 > 0:42:30Moi aussi.
0:42:30 > 0:42:32Shouldn't we take a break once in a while?
0:42:32 > 0:42:33I mean, what are we, dependent?
0:42:33 > 0:42:34We can't have a good time without alcohol?
0:42:34 > 0:42:35Oscar, you're making it sound
0:42:35 > 0:42:37as if we have a problem.
0:42:40 > 0:42:42Fine.
0:42:42 > 0:42:43Wine list, please.
0:42:48 > 0:42:50CORK POPS
0:42:50 > 0:42:51STANLEY: But why Portugal?
0:42:51 > 0:42:53When people go to Portugal,
0:42:53 > 0:42:54I always think all the hotel rooms in Spain
0:42:54 > 0:42:55must have been booked.
0:42:55 > 0:42:57EVE: See, to me,
0:42:57 > 0:42:58Portugal is the one that's always held
0:42:58 > 0:43:01the eternal mystery.
0:43:01 > 0:43:03Oh...
0:43:03 > 0:43:06None for me, thanks.
0:43:07 > 0:43:11Monsieur, des salades vertes et chanterelles sans oignons,
0:43:11 > 0:43:14et s'il vous plait, tres peu de persil.
0:43:14 > 0:43:18Pour monsieur, un filet mignon un peu saignant, des poivreaux au lieu des frites.
0:43:18 > 0:43:20Une nicoise sans anchois.
0:43:20 > 0:43:26Et pour moi, le saumon, s'il vous plait, prepare sans persil...
0:43:26 > 0:43:28And what do you want, Diane?
0:43:28 > 0:43:31WINE IS POURED
0:43:34 > 0:43:36OSCAR: Peter says I may have a shot at the English prize
0:43:36 > 0:43:38if I read Beowulf properly.
0:43:38 > 0:43:39That is, taking into account the times,
0:43:39 > 0:43:42instead of reading it with a contemporary slant.
0:43:42 > 0:43:45You can't discount history, Oscar.
0:43:45 > 0:43:48No, you can't.
0:43:48 > 0:43:50You can't discount it at all.
0:43:50 > 0:43:51WINE IS POURED
0:43:51 > 0:43:53STANLEY: The sales representative,
0:43:53 > 0:43:55this 25-year-old kid who's talking to me
0:43:55 > 0:43:57about book jackets for 4 hours,
0:43:57 > 0:43:59I went cross-eyed...
0:43:59 > 0:44:01DIANE: How many pages you got there, Stanley?
0:44:01 > 0:44:03STANLEY: Well, I have about 715...
0:44:03 > 0:44:04How are you?
0:44:04 > 0:44:06I'm good.
0:44:06 > 0:44:10No...how are you?
0:44:10 > 0:44:12I'm good, Oscar.
0:44:12 > 0:44:14It's good to see you.
0:44:14 > 0:44:15You, too.
0:44:15 > 0:44:17Are you sure you don't have a girlfriend
0:44:17 > 0:44:19at Chauncey?
0:44:19 > 0:44:22I would think they'd be lining up.
0:44:22 > 0:44:27Eve...I've been thinking about maybe going premed.
0:44:27 > 0:44:29Maybe Columbia.
0:44:29 > 0:44:34I'd be in the city, we could meet...
0:44:34 > 0:44:35to go over my homework.
0:44:35 > 0:44:37I mean, if you'd be willing.
0:44:37 > 0:44:38Well, I'd love to, Oscar,
0:44:38 > 0:44:41but you love literature.
0:44:41 > 0:44:43You're fluent in French.
0:44:43 > 0:44:44You should be a scholar.
0:44:44 > 0:44:45A lot of medicine's in Latin, right?
0:44:45 > 0:44:47So I figure, French, Latin...
0:44:47 > 0:44:50I'm not doing so badly in biology.
0:44:50 > 0:44:51I mean, I know what an isotope is.
0:44:51 > 0:44:53But if you went premed,
0:44:53 > 0:44:55you couldn't get caught up in the poetry
0:44:55 > 0:44:57of the pericardium.
0:44:57 > 0:44:58I would get caught up in the poetry
0:44:58 > 0:45:00of the thing itself, like you do.
0:45:00 > 0:45:03EVE: Don't quote me back to myself.
0:45:03 > 0:45:05Is the world really waiting for another academic?
0:45:05 > 0:45:07STANLEY: ...a new subject,
0:45:07 > 0:45:08something I am passionate...
0:45:08 > 0:45:10Diane?
0:45:10 > 0:45:11Diane, would you pass the bread, please?
0:45:11 > 0:45:13Ahem.
0:45:19 > 0:45:20Thank you.
0:45:20 > 0:45:22Are you coming down with something?
0:45:22 > 0:45:23I'm fine.
0:45:23 > 0:45:25Are we still playing tennis tomorrow?
0:45:25 > 0:45:27Oh, is that tomorrow, tennis?
0:45:27 > 0:45:29Don't you think you've had enough?
0:45:29 > 0:45:30STANLEY: ...look at some first editions
0:45:30 > 0:45:31he just bought.
0:45:31 > 0:45:33He suspects he's been swindled.
0:45:33 > 0:45:37Tu ne peux pas etre un peu plus relaxe? Je dis rien de moi.
0:45:37 > 0:45:39Tu m'enerves!
0:45:39 > 0:45:41OK. Maybe you could go to Norm's
0:45:41 > 0:45:42in the afternoon.
0:45:42 > 0:45:44STANLEY: I could.
0:45:44 > 0:45:46I could go in the afternoon...
0:45:46 > 0:45:50Est-ce que tu peux enlever ton pied?
0:45:50 > 0:45:53Est-ce que tu peux enlever ton pied?
0:45:53 > 0:45:56The thing is, I hate tennis.
0:45:56 > 0:45:58I have the court booked.
0:45:58 > 0:45:59I'll play tennis with you, Eve.
0:45:59 > 0:46:00I love tennis.
0:46:01 > 0:46:03Yes, Oscar's a wonderful sport.
0:46:03 > 0:46:04There you go. Oscar'll play with you.
0:46:04 > 0:46:06You will? You don't mind?
0:46:06 > 0:46:07Not at all.
0:46:07 > 0:46:10Oscar is very gallant.
0:46:10 > 0:46:13(Oscar has a new girlfriend.)
0:46:13 > 0:46:14Really? Mm-hm.
0:46:14 > 0:46:15It seems last evening
0:46:15 > 0:46:19he had quite the late-night conversation.
0:46:19 > 0:46:20Oh, tell us about it.
0:46:20 > 0:46:22Diane, wine is bad for your heart.
0:46:25 > 0:46:26I thought wine was good for your heart.
0:46:26 > 0:46:29It is, in moderation.
0:46:29 > 0:46:31So, who is this girl, Oscar?
0:46:31 > 0:46:33She's quite a little number, by the looks of her.
0:46:33 > 0:46:34I thought the girls at Chauncey
0:46:34 > 0:46:35hadn't lived enough.
0:46:35 > 0:46:37Can we change the subject, please?
0:46:42 > 0:46:43Well, if we're going to change the subject,
0:46:43 > 0:46:46I'm going to excuse myself for the ladies' room.
0:46:53 > 0:46:54Excuse me.
0:46:58 > 0:47:01I think that's why he's acting so strangely.
0:47:03 > 0:47:04What the hell are you doing?!
0:47:04 > 0:47:05What do you mean?
0:47:05 > 0:47:07What do I mean? You're drinking,
0:47:07 > 0:47:08you're making these jokes,
0:47:08 > 0:47:09you have your foot in my crotch...
0:47:09 > 0:47:11Loosen up. Loosen up?
0:47:11 > 0:47:13I asked you not to let them know.
0:47:13 > 0:47:15HE CHUCKLES
0:47:15 > 0:47:16THEN CHOKES
0:47:16 > 0:47:17Oh, my!
0:47:17 > 0:47:19EVE: What is it?
0:47:20 > 0:47:22Something very unusual.
0:47:26 > 0:47:29(No-one knows anything.)
0:47:46 > 0:47:49EVE: What is that on your face?
0:47:49 > 0:47:50What?
0:47:53 > 0:47:55Oh! Aah!
0:47:55 > 0:47:56Ow!
0:47:57 > 0:47:58Do you two have something
0:47:58 > 0:47:59you'd like to share with us?
0:47:59 > 0:48:01What?
0:48:07 > 0:48:09Oh, God.
0:48:09 > 0:48:10What's going on?
0:48:10 > 0:48:12Well?
0:48:12 > 0:48:14OK, I think what we're talking about here
0:48:14 > 0:48:15is Prufigger's theory of distortion,
0:48:15 > 0:48:18which states that prismatic effect of a body
0:48:18 > 0:48:20reflected on a plane at a certain angle...
0:48:20 > 0:48:22Stanley, what is it?
0:48:22 > 0:48:23..an illusion...
0:48:23 > 0:48:26Oh, what the hell?! We're all adults here.
0:48:26 > 0:48:27No, actually, we're not.
0:48:27 > 0:48:29Eve...
0:48:30 > 0:48:31..Oscar and I...
0:48:31 > 0:48:33..both speak French.
0:48:33 > 0:48:38DIANE: Oscar and I are lovers.
0:48:38 > 0:48:40What?!
0:48:40 > 0:48:41What?! Are you drunk?
0:48:41 > 0:48:43Oscar, just relax.
0:48:43 > 0:48:45I saw them in the mirror.
0:48:45 > 0:48:46I just hope Miranda Spear
0:48:46 > 0:48:48didn't see it, too.
0:48:48 > 0:48:50Dad, there is no Miranda Spear.
0:48:50 > 0:48:52There is no Mir... What are you talking about?
0:48:52 > 0:48:53I just shook hands with her father.
0:48:53 > 0:48:55EVE: When did this happen?
0:48:55 > 0:48:56Last night?
0:48:56 > 0:48:57Mm-hm.
0:48:59 > 0:49:00Stanley...
0:49:00 > 0:49:01Of course, you know, it's not that uncommon.
0:49:01 > 0:49:03In Ancient Rome, 50-year-old men
0:49:03 > 0:49:05would marry 14-year-old girls.
0:49:05 > 0:49:07This is not Ancient Rome.
0:49:07 > 0:49:09I am nowhere near 50!
0:49:09 > 0:49:12Well, it is all very The Graduate.
0:49:12 > 0:49:14Except that Oscar hasn't graduated.
0:49:27 > 0:49:30THUNDER RUMBLES
0:49:32 > 0:49:34There.
0:49:34 > 0:49:36Thanks.
0:49:38 > 0:49:39So, you coming to bed soon?
0:49:39 > 0:49:40Er, in a while.
0:49:40 > 0:49:43I just have to finish these chapter notes.
0:49:43 > 0:49:45Good night, sweetheart.
0:50:03 > 0:50:05DIANE: I just don't see why you're so upset.
0:50:05 > 0:50:07I'm entrusted with his welfare, Diane.
0:50:07 > 0:50:08I mean, can you imagine
0:50:08 > 0:50:11if Oscar's mother found out?
0:50:11 > 0:50:12She's French, isn't she?
0:50:12 > 0:50:15They're not all like that, OK?
0:50:15 > 0:50:17You're taking advantage of him.
0:50:17 > 0:50:19Oh, bullshit, Eve.
0:50:19 > 0:50:21Oscar's a smart kid.
0:50:21 > 0:50:23Now, there are some 40-year-old men
0:50:23 > 0:50:24of whom I am taking advantage.
0:50:24 > 0:50:27Am I overreacting? He's 15!
0:50:27 > 0:50:29Well, you and I were hardly innocent
0:50:29 > 0:50:31when we were 15.
0:50:31 > 0:50:32Who went to the Jefferson Airplane concert
0:50:32 > 0:50:35and pulled down their tube top and...?
0:50:35 > 0:50:37That's different, OK?
0:50:37 > 0:50:39All right, that's different.
0:50:39 > 0:50:43I know why you're upset.
0:50:43 > 0:50:44You're upset because you know
0:50:44 > 0:50:45that deep down inside,
0:50:45 > 0:50:47if our situations were reversed,
0:50:47 > 0:50:49you would have done the exact same thing.
0:50:49 > 0:50:51Don't be ridiculous.
0:50:51 > 0:50:52You would have.
0:50:52 > 0:50:55With a 15-year-old?! Not on your life.
0:50:55 > 0:50:56Not just a 15-year-old.
0:50:56 > 0:51:00A smart, sweet, passionate person.
0:51:00 > 0:51:03You're not the only one with something missing.
0:51:05 > 0:51:06Samantha Steadman gave Oscar
0:51:06 > 0:51:08her phone number.
0:51:08 > 0:51:11And you let her?
0:51:11 > 0:51:13He can take care of himself.
0:51:13 > 0:51:15I'm not his mother. Neither are you.
0:51:15 > 0:51:17What is wrong with your friends?
0:51:17 > 0:51:18Nothing. Jesus.
0:51:18 > 0:51:21And if you hadn't met somebody
0:51:21 > 0:51:22in a really long time
0:51:22 > 0:51:24who was very excited about life,
0:51:24 > 0:51:27you would consider a 15-year-old.
0:52:11 > 0:52:13EVE: Love-30.
0:52:13 > 0:52:16Or, 0-30.
0:52:16 > 0:52:19As if you know what love means.
0:52:19 > 0:52:21Comes from the French word for egg.
0:52:21 > 0:52:23L'oeuf.
0:52:23 > 0:52:25Eve...
0:52:25 > 0:52:27I know how it must look.
0:52:27 > 0:52:32I understand how misled you must feel.
0:52:32 > 0:52:35I spoke of poetic thoughts...
0:52:35 > 0:52:37of love and livers
0:52:37 > 0:52:40merely hours after having cheap,
0:52:40 > 0:52:41meaningless sexual intercourse
0:52:41 > 0:52:43with your best friend.
0:52:43 > 0:52:44No.
0:52:44 > 0:52:46That's 15-30, right?
0:52:46 > 0:52:48Serve!
0:52:50 > 0:52:52Eve...
0:52:52 > 0:52:56sometimes the natural call of man
0:52:56 > 0:52:59is just too strong to... No. Ugh.
0:52:59 > 0:53:02So that's 15-40, right?
0:53:02 > 0:53:06A ratio you seem particularly fond of.
0:53:09 > 0:53:12And, yes, Eve, true passion does still exist,
0:53:12 > 0:53:14and I know this
0:53:14 > 0:53:18because I'm a man who feels true passion.
0:53:38 > 0:53:40I think you'll be fine.
0:53:45 > 0:53:46CHARLIE: If you're gonna mess with
0:53:46 > 0:53:47the stuff of Greek tragedies, Oscar,
0:53:47 > 0:53:49you're gonna have to be prepared for the fallout.
0:53:49 > 0:53:52Charlie, help me.
0:53:54 > 0:53:57OK, let's look at this rationally.
0:53:57 > 0:53:59If you had met Eve in, say, a coffee shop,
0:53:59 > 0:54:01would you still be attracted to her?
0:54:01 > 0:54:04I mean, it's not just cos she's your mother, is it?
0:54:04 > 0:54:06She's not my mother. Stop saying that.
0:54:06 > 0:54:08DOG BARKS
0:54:08 > 0:54:12OK, look, maybe it's not your fault.
0:54:12 > 0:54:14I mean, since your father's been married to another woman,
0:54:14 > 0:54:17in the eyes of the church, he's a polygamist.
0:54:17 > 0:54:20So maybe you're just genetically predisposed...
0:54:20 > 0:54:23that is, programmed to repeat the mistakes
0:54:23 > 0:54:25or sins of your biological...
0:54:25 > 0:54:28Shut up, Charlie.
0:54:28 > 0:54:30KNOCKING ON DOOR
0:54:31 > 0:54:33You kids having fun?
0:54:33 > 0:54:35Do you want some cookies or anything?
0:54:35 > 0:54:36No, Ma, we're fine.
0:54:36 > 0:54:38My, Oscar,
0:54:38 > 0:54:39I can't believe how big you've gotten.
0:54:39 > 0:54:41Yeah, I guess I hit quite a spurt there.
0:54:41 > 0:54:44All right, yeah, er...
0:54:44 > 0:54:45All right, Ma, thanks.
0:54:45 > 0:54:47And I'll, er, see you later.
0:54:48 > 0:54:50Stick to your own mom, will you?
0:55:07 > 0:55:08Hey, Jimmy.
0:55:08 > 0:55:11What's on your mind, Tadpole?
0:55:11 > 0:55:14Nobody calls me that any more, Jimmy.
0:55:15 > 0:55:16What do they call you now?
0:55:16 > 0:55:18Stupid.
0:55:20 > 0:55:23Everything's messed up.
0:55:23 > 0:55:25Well, what's the trouble, Tadp...
0:55:25 > 0:55:28er, Stupid?
0:55:28 > 0:55:31Women, I guess.
0:55:31 > 0:55:33Not girls?
0:55:33 > 0:55:36No, they're definitely women.
0:55:38 > 0:55:40No women...
0:55:40 > 0:55:42No cry.
0:55:44 > 0:55:46Thanks for that, Jimmy.
0:56:24 > 0:56:26I made you a sandwich.
0:56:26 > 0:56:28Thanks.
0:56:31 > 0:56:33Grilled cheese - my favourite.
0:56:35 > 0:56:37I know.
0:56:37 > 0:56:41Good thing it's something I can actually cook.
0:56:41 > 0:56:44Dad always burns them.
0:56:44 > 0:56:46He won't use Teflon.
0:56:46 > 0:56:49Well, he's a traditionalist.
0:56:51 > 0:56:54These, er... Teflon make
0:56:54 > 0:56:57replacement heart valves, right?
0:56:57 > 0:56:59You know way too much for a 15-year-old.
0:56:59 > 0:57:02Nothing worth knowing.
0:57:02 > 0:57:05That's not true, Oscar, plenty worth knowing.
0:57:09 > 0:57:11You know...
0:57:13 > 0:57:15..with Diane...
0:57:15 > 0:57:18Oscar, I've already decided
0:57:18 > 0:57:20it's really none of my business.
0:57:20 > 0:57:22You are old enough to make your own decisions.
0:57:22 > 0:57:24I want to explain.
0:57:26 > 0:57:29With Diane, well...
0:57:30 > 0:57:32..it was Teflon sex.
0:57:32 > 0:57:34Pardon me?
0:57:34 > 0:57:36She was doing this thing to my back - pressing...
0:57:36 > 0:57:38and I was drunk, she's a chiropractor,
0:57:38 > 0:57:39that kind of thing.
0:57:39 > 0:57:40That kind of thing.
0:57:40 > 0:57:43Hormones racing out of control, or pheromones.
0:57:43 > 0:57:45I'm not that kind of a person.
0:57:46 > 0:57:50You told me once that it could be years
0:57:50 > 0:57:52before anyone really understood
0:57:52 > 0:57:54what the hell I was talking about
0:57:54 > 0:57:55but that the day would come
0:57:55 > 0:57:58when everyone caught up to me,
0:57:58 > 0:57:59and while I knew
0:57:59 > 0:58:01that maybe you were just being kind,
0:58:01 > 0:58:03I knew one thing.
0:58:05 > 0:58:06..that I love...
0:58:08 > 0:58:11..things.
0:58:11 > 0:58:13And, and, er...
0:58:13 > 0:58:14It's OK.
0:58:14 > 0:58:15And there was Diane,
0:58:15 > 0:58:17and she was...
0:58:19 > 0:58:21..wearing your scarf.
0:58:42 > 0:58:45I better do the dishes.
1:00:52 > 1:00:54DOOR SHUTS
1:00:58 > 1:01:01Well, I lost big-time.
1:01:01 > 1:01:02Look at you.
1:01:02 > 1:01:05You're a good boy, Oscar.
1:01:05 > 1:01:06Where's Eve?
1:01:06 > 1:01:08How should I know?
1:01:08 > 1:01:10In bed, probably.
1:01:12 > 1:01:13Probably.
1:01:15 > 1:01:17That professor Tisch, I think he's a cheat.
1:01:17 > 1:01:21I bet he palms off the bottom of the deck.
1:01:32 > 1:01:33Oscar, have you noticed
1:01:33 > 1:01:36anything different about Eve this weekend?
1:01:40 > 1:01:41Different?
1:01:41 > 1:01:44Like what?
1:01:44 > 1:01:47I don't know, for the last few months,
1:01:47 > 1:01:50she's been going to bed earlier.
1:01:50 > 1:01:53Maybe she's just tired or...
1:01:56 > 1:01:58Or what?
1:01:59 > 1:02:01I don't know what.
1:02:01 > 1:02:03Maybe I'm missing something.
1:02:03 > 1:02:05I thought about what you said last night.
1:02:05 > 1:02:09Maybe I haven't been listening too well.
1:02:12 > 1:02:14Then again, maybe I'm just imagining things.
1:02:34 > 1:02:40# Tom, get your plane right on time
1:02:40 > 1:02:46# I know your part'll go fine
1:02:46 > 1:02:52# Fly down to Mexico
1:02:52 > 1:02:58# Do-n-do-n-do-n-do and here I am
1:02:58 > 1:03:03# The only living boy in New York
1:03:06 > 1:03:10# I get the news I need on the weather report
1:03:10 > 1:03:16# I can gather all the news I need on the weather report
1:03:18 > 1:03:24# Hey, I got nothing to do today but smile
1:03:24 > 1:03:28# Do-n-do-n-do-n-do and here I am
1:03:29 > 1:03:33# The only living boy in New York
1:03:37 > 1:03:41# Half of the time we're gone but we don't know where
1:03:41 > 1:03:44# And we don't know when
1:03:44 > 1:03:48# Ah-h-h-h-h-h... #
1:03:56 > 1:03:59I'll get your ticket. I'll be right back.
1:04:06 > 1:04:08You have a loose button.
1:04:10 > 1:04:13I'd sew it for you, but I don't sew.
1:04:13 > 1:04:15I know.
1:04:15 > 1:04:17I'm not a very good mother...
1:04:17 > 1:04:19Step-mother.
1:04:19 > 1:04:22Who says they have to cook and sew?
1:04:22 > 1:04:26Anyway, you know how to monitor
1:04:26 > 1:04:29cardiac myocytes - that's enough.
1:04:35 > 1:04:38How's your liver?
1:04:38 > 1:04:39Hurts.
1:04:39 > 1:04:41Broken?
1:04:41 > 1:04:44No.
1:04:44 > 1:04:47I love your father very much.
1:04:47 > 1:04:50Me, too.
1:04:52 > 1:04:55So, see you back here in about three weeks?
1:04:56 > 1:04:58You two look very serious.
1:04:58 > 1:05:00We're talking about Christmas.
1:05:00 > 1:05:03Oscar's going to his mother's in France.
1:05:03 > 1:05:05He is?
1:05:05 > 1:05:08We're going to Portugal, just the two of us.
1:05:09 > 1:05:10We are?
1:05:10 > 1:05:12If you want.
1:05:12 > 1:05:13Hey.
1:05:15 > 1:05:17Bye, sweetie.
1:05:46 > 1:05:47Here.
1:05:47 > 1:05:50Thanks, Oscar.
1:05:50 > 1:05:51You're welcome.
1:05:51 > 1:05:53See you at school.
1:05:53 > 1:05:55OK.
1:05:55 > 1:05:57If we don't find anything pleasant,
1:05:57 > 1:06:00at least we shall find something new.
1:06:00 > 1:06:03What's that?
1:06:03 > 1:06:05Voltaire.
1:06:07 > 1:06:08Oh, right.
1:06:10 > 1:06:13See you at school.
1:06:22 > 1:06:25She is so hot for you.
1:06:25 > 1:06:28She smells nice.
1:06:29 > 1:06:32She what?
1:06:39 > 1:06:42So, what happened with Eve?
1:06:45 > 1:06:48Come on, talk to me, Grubber.
1:06:52 > 1:06:56Well, it wasn't as important as I thought it was.
1:06:58 > 1:07:01# ..Of how the others must see the faker
1:07:01 > 1:07:05# I'm much too fast to take that test
1:07:05 > 1:07:07# Ch-ch-ch-ch-changes
1:07:07 > 1:07:10# Turn and face the strain
1:07:10 > 1:07:11# Ch-ch-ch-changes
1:07:11 > 1:07:13# Don't want to be a richer man
1:07:13 > 1:07:16# Ch-ch-ch-ch-changes
1:07:16 > 1:07:18# Turn and face the strain
1:07:18 > 1:07:20# Ch-ch-ch-changes
1:07:20 > 1:07:22# Just gonna have to be a different man
1:07:22 > 1:07:25# Time may change me
1:07:25 > 1:07:28# But I can't trace time
1:07:35 > 1:07:36# Ooh yeah
1:07:39 > 1:07:42# I watch the ripples change their size
1:07:42 > 1:07:47# But never leave the stream of warm impermanence
1:07:47 > 1:07:51# And so the days float through my eyes
1:07:51 > 1:07:54# But still the days seem the same
1:07:55 > 1:07:59# And these children that you spit on
1:07:59 > 1:08:03# As they try to change their worlds
1:08:03 > 1:08:07# Are immune to your consultations
1:08:07 > 1:08:10# They're quite aware what they're going through
1:08:10 > 1:08:12# Ch-ch-ch-ch-changes
1:08:12 > 1:08:15# Turn and face the strain
1:08:15 > 1:08:16# Ch-ch-changes
1:08:16 > 1:08:19# Don't tell them to grow up and out of it
1:08:19 > 1:08:21# Ch-ch-ch-ch-changes
1:08:21 > 1:08:24# Turn and face the strain
1:08:24 > 1:08:25# Ch-ch-changes
1:08:25 > 1:08:26# Where's your shame?
1:08:26 > 1:08:28# You've left us up to our necks in it
1:08:28 > 1:08:30# Time may change me
1:08:30 > 1:08:34# But you can't trace time
1:08:35 > 1:08:40# Strange fascination, fascinating me
1:08:42 > 1:08:49# Changes are taking the pace I'm going through
1:08:49 > 1:08:51# Ch-ch-ch-ch-changes
1:08:51 > 1:08:53# Turn and face the strain
1:08:53 > 1:08:55# Ch-ch-changes
1:08:55 > 1:08:57# Ooh, look out you rock 'n' rollers
1:08:57 > 1:09:00# Ch-ch-ch-ch-changes
1:09:00 > 1:09:02# Turn and face the strain
1:09:02 > 1:09:04# Ch-ch-changes
1:09:04 > 1:09:06# Pretty soon now you're gonna get older
1:09:06 > 1:09:09# Time may change me
1:09:09 > 1:09:12# But I can't trace time
1:09:12 > 1:09:15# I said that time may change me
1:09:15 > 1:09:18# But I can't trace time. #
1:09:27 > 1:09:29Subtitles by Red Bee Media Ltd
1:09:29 > 1:09:32E-mail: subtitling@bbc.co.uk