0:00:00 > 0:00:02This programme contains very strong language.
0:00:02 > 0:00:05- Everybody ready?- Yes. - I'll thread it up.
0:00:05 > 0:00:07OK, put this on the table.
0:00:07 > 0:00:10- Everybody comfortable?- Yeah.
0:00:10 > 0:00:12Gee...
0:00:12 > 0:00:14Oh, no.
0:00:14 > 0:00:20The camera is ready to roll and look at my boy, it's his birthday.
0:00:20 > 0:00:21PROJECTOR JUDDERS
0:00:21 > 0:00:22Oh, fuck it.
0:00:29 > 0:00:35- Lights, camera... - Action!- Here's Josh!
0:00:35 > 0:00:37There's my buddy.
0:00:38 > 0:00:40Look at that smile.
0:00:40 > 0:00:43- Hey, there's grandpa.- Oh, hey, hey.
0:00:43 > 0:00:46Here's where we first met, Ivan. Remember that?
0:00:46 > 0:00:49Boys, you were so cute!
0:00:49 > 0:00:51Ha, funny(!)
0:00:51 > 0:00:55There's those two negro performers, the Stinky Moods.
0:00:55 > 0:01:01- Swanky Modes.- Oh, yeah, I got it, the Swanky Modes.
0:01:01 > 0:01:03Whatever happened to them anyway?
0:01:03 > 0:01:05They're legends.
0:01:06 > 0:01:07Slap, underneath...
0:01:07 > 0:01:09- Please don't do that. - Boom. That was really fun.
0:01:09 > 0:01:11Oh, tough break.
0:01:11 > 0:01:14Babe Ruth, play-offs.
0:01:14 > 0:01:16Come on, Josh, get that big hit.
0:01:16 > 0:01:19This is when he struck out. Bottom of the ninth, bases loaded,
0:01:19 > 0:01:21we lost the section three division.
0:01:21 > 0:01:24And the 4C regionals.
0:01:24 > 0:01:26Dad, get over it.
0:01:26 > 0:01:28- Why didn't you bunt? - You struck out, man.
0:01:28 > 0:01:31- I told you to bunt. - You said swing away.
0:01:31 > 0:01:34- I didn't say that. Bunt.- Second place. What was that, honey?
0:01:34 > 0:01:37A high-gain radio frequency electro-static storage unit.
0:01:37 > 0:01:40- Oh, yeah.- Mine, can you see it? Look.- What was yours, Ivan?
0:01:40 > 0:01:43An edible tuba. First place.
0:01:43 > 0:01:46Denise Trattagnia, my first love.
0:01:46 > 0:01:49She's a physical therapist now. Did you know that?
0:01:49 > 0:01:51I really liked Peggy Cornash.
0:01:53 > 0:01:55How many stitches did she get, Josh?
0:01:55 > 0:01:57It was an accident. Could happen to anybody.
0:01:57 > 0:02:01Prom night in the emergency ward having her breast stitched up -
0:02:01 > 0:02:02- what a date.- Shut up!
0:02:02 > 0:02:04Look at these clowns.
0:02:05 > 0:02:08- Watch, watch the car. Watch. - I'm watching!
0:02:08 > 0:02:10- Put on the parking brake, Dad. - Seen it.
0:02:10 > 0:02:14This part gets me every single time. I just...
0:02:14 > 0:02:19- I just feel like crying. - This is the part that always makes me want to puke.
0:02:19 > 0:02:22Not a bad little film, Joshy boy. Gets better every year.
0:02:22 > 0:02:24Happy birthday, honey.
0:02:24 > 0:02:26- Thanks, Mom. - Not half bad? It's crap.
0:02:26 > 0:02:28Crummy, lousy senior class project.
0:02:28 > 0:02:31- What's he done since? Nothing. - Sidney...
0:02:31 > 0:02:34- Zero.- Dad...
0:02:34 > 0:02:35- Sidney... - Called Stu Beaumont yet?
0:02:35 > 0:02:39- Dad, I don't think I'd really be happy at H&R Block.- Happy?
0:02:39 > 0:02:41Sidney, don't start.
0:02:41 > 0:02:45- I gotta go, Mom. Come on, Ivan, we're late. - I'll save the cake for you, boys.
0:02:45 > 0:02:46Dad put his fingers in it.
0:02:46 > 0:02:49You didn't even let him have a piece of his birthday cake.
0:02:49 > 0:02:53- Why are you always starting things? - I asked him to call Stu Beaumont.
0:02:53 > 0:02:56Josh, after seeing that film of yours for the fourth time
0:02:56 > 0:03:00in four years, I've come to the conclusion that your life is fucked.
0:03:00 > 0:03:01- Your parents are right.- Fucked?
0:03:01 > 0:03:04You're doing the same thing I'm doing.
0:03:04 > 0:03:06I mean, you got me this security job.
0:03:06 > 0:03:08But there's a big difference, brother.
0:03:08 > 0:03:11I got a shitty job, right? But I know it's a shitty job.
0:03:11 > 0:03:13You, you got no ambition.
0:03:13 > 0:03:15You're content just existing.
0:03:15 > 0:03:18You need what I got.
0:03:18 > 0:03:19Herpes?
0:03:19 > 0:03:21No, balls.
0:03:23 > 0:03:25Come on, let's go.
0:03:30 > 0:03:32BEEPING
0:03:39 > 0:03:44- You boys are three minutes late. - I know that, Sir, but Josh has a very good excuse.
0:03:44 > 0:03:47- Why don't you just tell him, Josh? - Yeah, why don't you tell me?
0:03:47 > 0:03:49Er, you see, it's, erm...
0:03:49 > 0:03:53- Three minutes is 5% of an hour. - Er, yeah, erm...
0:03:53 > 0:03:57It's kind of unbelievable, er...
0:03:57 > 0:03:59Anybody else that saved Pablo Casals,
0:03:59 > 0:04:02perhaps the greatest cellist in the world,
0:04:02 > 0:04:05from a fiery car wreck on Sunset Boulevard would brag about it.
0:04:05 > 0:04:08Not Josh. He didn't want to spoil the 11 o'clock news for you.
0:04:08 > 0:04:11Don't bullshit me. I'm a big cello fan.
0:04:11 > 0:04:13Casals died years ago.
0:04:13 > 0:04:17Now get the hell out of here, boys, and man your stations.
0:04:17 > 0:04:20Move it!
0:04:20 > 0:04:22- Are you crazy?- Uh-huh.
0:04:22 > 0:04:24Where you going? We're supposed to be at our stations.
0:04:24 > 0:04:27- I've got it covered. - What do you mean covered?
0:04:27 > 0:04:29- Norton can see everything. - No, he can't.
0:04:29 > 0:04:31I did that wire-switching thing you showed me.
0:04:31 > 0:04:34Repatched the digital frame store with the recycle programme?
0:04:34 > 0:04:36- Did it work?- I hope so.
0:04:36 > 0:04:37Ivan...
0:04:37 > 0:04:40Ivan, what's going on?
0:04:40 > 0:04:42What are you doing?
0:04:42 > 0:04:44Let's go!
0:04:44 > 0:04:47Here he is. Happy birthday, Josh!
0:04:47 > 0:04:50- Who are all these people? - I guess they saw the ad.
0:04:50 > 0:04:52No, no, you can't come in here.
0:04:52 > 0:04:55This is a high-security complex.
0:04:55 > 0:04:59TV: ..the latest casualty in a rash of hostile takeovers was the US Postal Service.
0:04:59 > 0:05:03- Postal Service board of directors tried to wage...- It works.
0:05:03 > 0:05:06- What works?- Oh, er...
0:05:06 > 0:05:07We were.
0:05:07 > 0:05:09Right, Sir?
0:05:09 > 0:05:11Take over.
0:05:11 > 0:05:14..is spiralling towards Earth at incredible speed.
0:05:14 > 0:05:17Nasa advise us, however, there is no cause for alarm.
0:05:18 > 0:05:21CHATTING AND LAUGHTER
0:05:21 > 0:05:23Oh, no.
0:05:23 > 0:05:25Oh, jeez.
0:05:25 > 0:05:27The DJ has arrived!
0:05:27 > 0:05:30Don't you think this is getting out of hand?
0:05:30 > 0:05:31Yeah, don't mention it.
0:05:31 > 0:05:33MUSIC PLAYS
0:05:35 > 0:05:38BOTH: Swanky Modes!
0:05:52 > 0:05:54Uno, dos, quatro.
0:05:59 > 0:06:02Suck on this, Stu Beaumont.
0:06:07 > 0:06:09Very impressive, JT.
0:06:09 > 0:06:12But here's my chance, I gots to dance!
0:06:13 > 0:06:15Is it recording?
0:06:15 > 0:06:16This thing recording??
0:06:26 > 0:06:29# That's when you hooked on me, baby
0:06:30 > 0:06:33# Threw the net around my heart
0:06:33 > 0:06:35# I said you hooked, hooked
0:06:35 > 0:06:37# On me, lady
0:06:37 > 0:06:38# Now we'll never, ever
0:06:38 > 0:06:42# Never, never drift apart
0:06:46 > 0:06:51# That lady kissed a frog and it turned into a prince
0:06:52 > 0:06:57# Then she kissed Pepe Le Pew and that skunk starts speaking French
0:06:59 > 0:07:02# I've been waiting with my lips all puckered
0:07:03 > 0:07:06# I wanna be your lover, and not your supper
0:07:06 > 0:07:09# That's when you hooked, hooked
0:07:09 > 0:07:11# On me, baby
0:07:11 > 0:07:13# Threw a net around my heart.
0:07:13 > 0:07:15# I said you hooked, hooked
0:07:15 > 0:07:17# On me, lady
0:07:17 > 0:07:19# Now we'll never, ever
0:07:19 > 0:07:23# Never, never drift apart
0:07:29 > 0:07:30# Yeah, yeah, yeah, yeah...
0:07:30 > 0:07:33SOOTHING MUSIC
0:07:33 > 0:07:35APPROACHING FOOTSTEPS
0:07:40 > 0:07:42UNZIPPING
0:07:42 > 0:07:44TINKLING
0:07:48 > 0:07:50ZIPPING
0:07:50 > 0:07:52TOILET FLUSHES
0:07:55 > 0:07:56# ..Hooked
0:07:56 > 0:07:59# I said, I said you hooked
0:07:59 > 0:08:01# I said you hooked me, baby. #
0:08:03 > 0:08:05INTERMITTENT BEEPING
0:08:10 > 0:08:13Did you see anything strange?
0:08:13 > 0:08:15No. Strange? No.
0:08:15 > 0:08:16What do you mean, "No"?
0:08:16 > 0:08:20- I saw a UFOP.- UFOP?
0:08:20 > 0:08:23Unidentified female on premises.
0:08:23 > 0:08:25No, no, sir, I haven't seen anything...
0:08:25 > 0:08:29Bail, pin dick! I'm commandeerin' this puppy.
0:08:29 > 0:08:31Ivan!
0:08:31 > 0:08:36Everybody, listen up, listen up. Let's all show Josh what we think of him.
0:08:36 > 0:08:39Let's pitch in and help clean up.
0:08:39 > 0:08:41- They love you, man!- Fuck off. Woo!
0:08:41 > 0:08:43Yeah! Woo!
0:08:43 > 0:08:45Oh, sh...!
0:08:48 > 0:08:51BARMAN: Closing time.
0:08:51 > 0:08:55Josh, losing those jobs was the best thing that ever happened to us.
0:08:55 > 0:08:56Free to pursue our destiny.
0:08:56 > 0:08:58What? Dismal failure?
0:08:58 > 0:09:02Negativity festers in you, man.
0:09:02 > 0:09:04How'd you get to be my friend?
0:09:09 > 0:09:10Ooh, check this out.
0:09:14 > 0:09:16Stupid, inane,
0:09:16 > 0:09:21vapid, mind-rot, stench, pabble.
0:09:21 > 0:09:23Yeah, it's all right.
0:09:23 > 0:09:26You could that.
0:09:26 > 0:09:28I could do better than that.
0:09:31 > 0:09:35You're right, you could. Where's that video you made tonight?
0:09:35 > 0:09:37Quick, give it to me.
0:09:38 > 0:09:41Easy, easy.
0:09:41 > 0:09:44Did you know that you're a creative genius?
0:09:44 > 0:09:45LAUGHTER
0:09:45 > 0:09:49All right, maybe not a genius, but he certainly is creative.
0:09:49 > 0:09:51Know what you are? He's an artist.
0:09:51 > 0:09:53- I'm unemployed. - All good artists are!
0:09:53 > 0:09:58Till they find a manager, a guy like me who will mould their talents into cold, hard cash.
0:09:58 > 0:10:01A guy who will tap into that vast store of potential
0:10:01 > 0:10:04that lies dormant beneath that drab little exterior.
0:10:05 > 0:10:07You're so full of shit.
0:10:07 > 0:10:09Yeah, well, a lot of people out there
0:10:09 > 0:10:13who are full of shit are making money and I'm not gonna be the exception.
0:10:13 > 0:10:18This is our ticket and you are going to start making music videos.
0:10:18 > 0:10:21- Me?- Carshels...
0:10:21 > 0:10:22Carshels, the video guy.
0:10:22 > 0:10:24- Carshels...- Bottoms up, ace.
0:10:24 > 0:10:27Video Aces, that's what we'll call ourselves.
0:10:27 > 0:10:28Video Aces, would you like that?
0:10:28 > 0:10:33We are going to become the most sought-after team on Earth.
0:10:33 > 0:10:38You gave up jobs with security for show business?
0:10:38 > 0:10:41How many times have I told you, show business is a...
0:10:41 > 0:10:43Lousy business, right.
0:10:43 > 0:10:45But you're in show business.
0:10:45 > 0:10:50Yeah, but that's different, I'm Conan from the Universal Studio Tours.
0:10:50 > 0:10:54It's a great job. And for everybody in this business that makes it like me, 100 don't.
0:10:54 > 0:10:59Look, Dad, video is the future. We can't lose.
0:11:01 > 0:11:02Ha!
0:11:06 > 0:11:09I'm gonna make him eat that syllable.
0:11:09 > 0:11:11Roses are red,
0:11:11 > 0:11:14violets are blue.
0:11:14 > 0:11:18the Russians have satellite laser weapons,
0:11:18 > 0:11:20why can't we, too?
0:11:20 > 0:11:22OK, kids.
0:11:23 > 0:11:25Hit it.
0:11:25 > 0:11:29THEY SING RING-A-RING-A ROSES
0:11:32 > 0:11:35Vote for Norman Mart for President.
0:11:35 > 0:11:37Here's what the people have to say.
0:11:37 > 0:11:40The man knows something about foreign policy.
0:11:40 > 0:11:43"This country needs someone who's a winner."
0:11:43 > 0:11:46To be honest, he's a good politician.
0:11:46 > 0:11:48Be like me and vote for Norman Mart...
0:11:48 > 0:11:50Sidney!
0:11:50 > 0:11:51Ner, ner, ner, ner...
0:11:53 > 0:11:54Ahhhh!!
0:11:58 > 0:12:02Hello, and welcome to the world corporate headquarters of Video Aces.
0:12:02 > 0:12:05- How many phone lines do you presently have?- Hi, Mom.
0:12:05 > 0:12:07Josh, what is that cable doing in my living room?
0:12:07 > 0:12:10That's just until we get 220 installed in the house, Dad.
0:12:10 > 0:12:13Stu Beaumont told me you forgot to call him today.
0:12:13 > 0:12:15Dad, I finally realised what I wanna do with my life.
0:12:15 > 0:12:17You should be happy for me.
0:12:17 > 0:12:20I'm happy. You happy, Mum?
0:12:20 > 0:12:22I don't think so, Son.
0:12:22 > 0:12:23You just don't understand.
0:12:23 > 0:12:25Sid, Josh is a visual visionary.
0:12:25 > 0:12:29He communicates in images, not antiquated verbosity.
0:12:29 > 0:12:31That could be why he's difficult to understand.
0:12:31 > 0:12:34Well, I'm not gonna be difficult to understand.
0:12:34 > 0:12:36Get that crap out of here now!
0:12:36 > 0:12:39No! This is my big opportunity and I'm not gonna blow it.
0:12:41 > 0:12:44- Ow!- Could this be dangerous?
0:12:44 > 0:12:45Ow!
0:12:45 > 0:12:47IVAN SINGS TO MUSIC
0:12:54 > 0:13:00"Chino townhouse. 1,900 down." Not bad.
0:13:00 > 0:13:02You know, Josh, in primitive societies,
0:13:02 > 0:13:06after they sever the umbilical cord, they eat the placenta
0:13:06 > 0:13:07in a ritualistic ceremony.
0:13:09 > 0:13:12- Wanna bite?- Let's head downtown.
0:13:14 > 0:13:16We'll find something there, it's cheaper.
0:13:18 > 0:13:21Smoggy, harsh, ugly, rat-infested.
0:13:47 > 0:13:49This place looks pretty weird, Ivan.
0:13:52 > 0:13:54Hi, the door was open.
0:13:54 > 0:13:55We're here about the loft.
0:14:06 > 0:14:08You guys wanna share this space?
0:14:08 > 0:14:09Er...
0:14:11 > 0:14:16Well, we did. But we have some very specific needs.
0:14:16 > 0:14:18There is our corporate image to think about.
0:14:18 > 0:14:21Security. I mean, that door was wide open.
0:14:21 > 0:14:23Power, access to power, you understand.
0:14:23 > 0:14:26Of course, you probably also had to work out some sort of
0:14:26 > 0:14:29- mutually satisfactory rental agreement, so...- Is that it?
0:14:29 > 0:14:31This place is free, my dad owns it.
0:14:31 > 0:14:33Free?! We'll take it.
0:14:33 > 0:14:35- That sounds great.- Great.
0:14:35 > 0:14:38Oh, watch this. Congratulations, Josh...
0:14:38 > 0:14:41Come meet our new friend.
0:14:41 > 0:14:43Hi, I'm Belinda.
0:14:46 > 0:14:48You like it?
0:14:48 > 0:14:50Like it? What is it?
0:14:50 > 0:14:54- I call it destruction of art.- Uh-huh.
0:14:56 > 0:15:00Think of that little train, when you were in school and read that book.
0:15:00 > 0:15:02"I think I can, I think I can."
0:15:02 > 0:15:05But now the train's not saying, "I think I can,"
0:15:05 > 0:15:08it's saying, "Cash flow, cash flow, cash flow."
0:15:08 > 0:15:13Shouldn't you be on that train, going up that mountain to personal freedom?
0:15:13 > 0:15:15The book, Prosperity to Exploitation, I wrote
0:15:15 > 0:15:19when I was broke is like owning the keys to my brain.
0:15:19 > 0:15:24It's like having the ability to just reach in, open up my head and diving in.
0:15:24 > 0:15:25But without all the mess.
0:15:25 > 0:15:29Ivan, why aren't you helping Josh set up the equipment?
0:15:29 > 0:15:32He's an artist, he's hands on.
0:15:32 > 0:15:33You know what I do?
0:15:33 > 0:15:37Use my selling techniques to get my friend the personal freedom he needs.
0:15:37 > 0:15:39Freedom of choice is possibilities.
0:15:39 > 0:15:42That is what I'm about. Boring administrative stuff.
0:15:42 > 0:15:43I envy him.
0:15:43 > 0:15:45I'm not just any get-rich-quick guy...
0:15:45 > 0:15:48- Could you get me another drink? - Yeah.
0:15:48 > 0:15:52Look, Ivan. I hope you're not putting too much faith in me.
0:15:52 > 0:15:54I don't even know if I...
0:15:54 > 0:15:57If - Instant Failure. Fear - False Evidence Appearing Real.
0:15:57 > 0:16:01We've talked about this. Come on, now's not the time for doubt.
0:16:01 > 0:16:02Now's the time for action.
0:16:02 > 0:16:06Shit, man, you're a genius.
0:16:06 > 0:16:09- Yeah, right.- You are. - Your family saying, "I love you."
0:16:09 > 0:16:12- Thanks. - "Thanks a lot for listening."
0:16:14 > 0:16:17- Could you move?- What? - Move over, I can't... I can't see.
0:16:17 > 0:16:19Oh, right.
0:16:19 > 0:16:23We've got the lowest waffle prices and the lowest chicken prices in town.
0:16:23 > 0:16:28We have got the competition scared chicken with our low prices.
0:16:28 > 0:16:31- What a geek. - I don't think he's so bad.
0:16:31 > 0:16:32He's a moron.
0:16:32 > 0:16:34..drumstick economy dinner.
0:16:34 > 0:16:39- I feel he's evocative, without being too expansive.- Belinda, that's crap.
0:16:39 > 0:16:42- You could do better?- Yeah.
0:16:42 > 0:16:44Yeah, as a matter of fact, I could.
0:16:44 > 0:16:48...Lady Bird Johnson off ramp and cut in left. You can park in the...
0:16:48 > 0:16:51Hi, Roscoe, Ivan Alexeev, Video Aces.
0:16:51 > 0:16:53DIFFERENT VOICE: Yo, friends, check this out!
0:16:53 > 0:16:57# Roscoe's the name and they call me the king
0:16:57 > 0:17:00# Grand master of the chicken and the waffle thing
0:17:00 > 0:17:05# I said now read my lips, and, friends, don't miss a word
0:17:05 > 0:17:09# Cos the grandmaster's gonna give you the bird!
0:17:09 > 0:17:12# Come to Roscoe's for delicious food
0:17:12 > 0:17:16# We've got fuel for your attitude
0:17:16 > 0:17:19# Now, I'm the baddest DJ on the fast-food scene
0:17:19 > 0:17:24# And my food's so cheap you'll lick your plate clean
0:17:24 > 0:17:27# When I slow down, the ladies all beg
0:17:27 > 0:17:31# Roscoe. let me taste your chicken leg
0:17:31 > 0:17:35# Come on, Flygirls and wiggle them there bottoms
0:17:35 > 0:17:38# Waffles just pancakes with little squares on 'em
0:17:38 > 0:17:40SCRATCHING
0:17:42 > 0:17:46# Now when you salivate and hear Pavlov's bell
0:17:46 > 0:17:50# Don't go to no place where they serve you ill
0:17:50 > 0:17:53# Roscoe's, that's the place to be
0:17:53 > 0:17:56# Just like you see it on the TV
0:17:56 > 0:18:01# Come on, all you homeboys and bring your freaks down
0:18:01 > 0:18:04# And toss them chicken and waffles around
0:18:04 > 0:18:08# It may be ugly or smell real funny
0:18:08 > 0:18:12# Roscoe don't care cos it save you cash money
0:18:12 > 0:18:13# I ain't lying
0:18:13 > 0:18:15# Come to Roscoe's for delicious food
0:18:15 > 0:18:19# We've got fuel for your attitude
0:18:19 > 0:18:23# And we make the baddest waffles and cluck
0:18:23 > 0:18:27# And you get good value for your buck
0:18:27 > 0:18:31# Come to Roscoe's for delicious food
0:18:31 > 0:18:34# We've got fuel for your attitude
0:18:34 > 0:18:38# We make the baddest waffles and cluck
0:18:38 > 0:18:40- # And get you good val... - That's it.
0:18:40 > 0:18:42Yeah!
0:18:42 > 0:18:44That's really great, man.
0:18:44 > 0:18:46I wouldn't lie. I told you you were a genius.
0:18:46 > 0:18:49It's just a commercial. When am I going to do rock videos?
0:18:49 > 0:18:53- Patience, man, it's all part of my master plan.- Master plan!
0:18:53 > 0:18:55You do what you have to, so you can do what you want to.
0:18:55 > 0:18:59We do shitty little jobs like this So we can make money.
0:18:59 > 0:19:04- Money to do what? Money to do your art.- You mean like normal people?
0:19:04 > 0:19:07They gotta do what they don't wanna do all the time.
0:19:07 > 0:19:10Normal people don't get paid in chicken and waffles.
0:19:10 > 0:19:12Hey, eat up, man, this stuff is good.
0:19:12 > 0:19:15See now, we got like, a reel of our work.
0:19:15 > 0:19:18That'll get us those big, big, big, big, big money gigs.
0:19:18 > 0:19:21You won't be resting, you will be out on the streets
0:19:21 > 0:19:23bringing in the bread and butter jobs with these.
0:19:23 > 0:19:24You like pets?
0:19:24 > 0:19:27Now fluffy,
0:19:27 > 0:19:30concentrate with me if you will.
0:19:30 > 0:19:33Come from your heavenly pound, out of purgatory,
0:19:33 > 0:19:36we will help you make the transition now.
0:19:36 > 0:19:40Fluffy, come home now.
0:19:40 > 0:19:43Come on, Fluffy, come, little Fluffy.
0:19:43 > 0:19:45Here's a bone.
0:19:45 > 0:19:47Come... I feel Fluffy come!
0:19:47 > 0:19:48SQUEAKS AND WHIMPERS
0:19:52 > 0:19:54My dear,
0:19:54 > 0:19:56our Fluffy is in trouble.
0:19:56 > 0:20:00Hi, I'm Ivan Alexeev of Video Aces, we make rock videos.
0:20:00 > 0:20:03If you could find time to look us and call me. Your name was...?
0:20:03 > 0:20:05- Skip.- Ivan. Give us a call.
0:20:13 > 0:20:17Weird Al! I knew it. Mr Yankovic, My name is Ivan Alexeev,
0:20:17 > 0:20:20I work for Video Aces and we make rock videos.
0:20:20 > 0:20:21Let me give you my card.
0:20:25 > 0:20:28Remind me to get some hollow points.
0:20:28 > 0:20:30WOMAN: Your 3.30 has been cancelled.
0:20:34 > 0:20:36It was a very fine meeting, it was good to meet you.
0:20:38 > 0:20:39My briefcase!
0:20:39 > 0:20:44Video Aces make rock videos and I'm leaving the country,
0:20:44 > 0:20:46so if he wants to look at it, call me today. Ivan.
0:20:46 > 0:20:48Let me give you my card, here it is.
0:20:48 > 0:20:51Have him call. Thank you so much.
0:20:51 > 0:20:53BEATBOXES
0:21:04 > 0:21:06Fuzzball Records.
0:21:22 > 0:21:24Fuck it!
0:21:38 > 0:21:40WOMAN: The guy was all hands.
0:21:40 > 0:21:41I mean, get this, you know,
0:21:41 > 0:21:45he comes in, he opens the door, first thing he does? He gropes.
0:21:45 > 0:21:49I'd like to speak with the Director of Artist Development And Promotion, Video Department, please.
0:21:49 > 0:21:51So would I.
0:21:51 > 0:21:52No, I'm kidding.
0:21:52 > 0:21:56Mo Fuzz, President. What can I do for you?
0:21:56 > 0:21:58Sir, my name is Ivan Alexeev.
0:22:06 > 0:22:10- Take it down!- So you want to make videos for Mo Fuzz?
0:22:10 > 0:22:13- Yes.- I want you to.
0:22:13 > 0:22:15What kind of equipment do you got?
0:22:15 > 0:22:18Top of the line, we've got our own studio.
0:22:19 > 0:22:21BUZZING
0:22:22 > 0:22:25Hold my calls.
0:22:25 > 0:22:27I brought in a reel of our work.
0:22:27 > 0:22:31It's a little rough, but I believe it captures the energy of our company.
0:22:31 > 0:22:35- It shows... - I don't need to see it to know I'm already crazy about it.
0:22:35 > 0:22:37I've got a sense about you.
0:22:37 > 0:22:39An instinct.
0:22:39 > 0:22:41And I've got just the band.
0:22:41 > 0:22:43Cube Squared.
0:22:43 > 0:22:46This group is hotter than hot.
0:22:46 > 0:22:50They've sold more records in Sweden then Abba.
0:22:50 > 0:22:53Great! I want to thank you, Sir, for this opportunity.
0:22:53 > 0:22:56What I'll do, is I'll hook up with my partner,
0:22:56 > 0:22:59we'll drop a story board, come up with some concepts
0:22:59 > 0:23:01and get back to you in a couple of days.
0:23:01 > 0:23:05The Cube will be touring the Congo in a couple of days. I need it today.
0:23:05 > 0:23:09OK. OK. Great, we'll do it.
0:23:09 > 0:23:11What's the budget like?
0:23:11 > 0:23:12Budget?
0:23:12 > 0:23:15I'm going to let you do this one on spec.
0:23:15 > 0:23:17What is spec?
0:23:17 > 0:23:21It means you do this one for free.
0:23:21 > 0:23:23It's the way everybody starts out.
0:23:23 > 0:23:25Oh, spec.
0:23:25 > 0:23:29Yeah, right, right. Spec, I know about spec.
0:23:29 > 0:23:31Let's get into trouble, baby.
0:23:31 > 0:23:33My brother.
0:23:34 > 0:23:38Lets do it. Cube Squared, Baby Doll.
0:23:42 > 0:23:45SINGS IN SCANDI
0:23:55 > 0:23:58# My baby doll
0:23:59 > 0:24:00# My baby doll
0:24:00 > 0:24:02# Doll, baby doll
0:24:02 > 0:24:03# My baby doll
0:24:03 > 0:24:05# Baby, baby, baby doll
0:24:05 > 0:24:07# My baby doll
0:24:07 > 0:24:09# My baby doll
0:24:10 > 0:24:12SINGS VERSE IN SCANDI
0:24:17 > 0:24:19# My baby doll
0:24:20 > 0:24:22# My baby doll
0:24:22 > 0:24:23# Doll baby
0:24:23 > 0:24:25# My baby doll
0:24:25 > 0:24:27# Baby, baby, baby doll
0:24:27 > 0:24:29# My baby doll
0:24:29 > 0:24:31# My baby doll
0:24:32 > 0:24:33# Baby doll
0:24:33 > 0:24:34SINGS IN SCANDI
0:24:34 > 0:24:36# Baby doll
0:24:36 > 0:24:38SINGS IN SCANDI
0:24:38 > 0:24:39# Baby doll
0:24:39 > 0:24:41SINGS IN SCANDI
0:24:41 > 0:24:43# Baby doll
0:24:43 > 0:24:45SINGS IN SCANDI
0:24:45 > 0:24:47# Baby doll
0:24:48 > 0:24:50# Baby doll
0:24:51 > 0:24:53# Baby doll
0:24:55 > 0:24:56# Baby doll
0:24:58 > 0:25:01SINGS IN SCANDI
0:25:12 > 0:25:13# Baby doll
0:25:13 > 0:25:14SINGS IN SCANDI
0:25:14 > 0:25:16# Baby doll
0:25:16 > 0:25:18SINGS IN SCANDI
0:25:18 > 0:25:19# Baby doll
0:25:19 > 0:25:21SINGS IN SCANDI
0:25:21 > 0:25:23# Baby doll
0:25:23 > 0:25:25SINGS IN SCANDI
0:25:25 > 0:25:26# Baby doll
0:25:26 > 0:25:29SINGS IN SCANDI
0:25:29 > 0:25:30# Baby doll
0:25:30 > 0:25:32SINGS IN SCANDI
0:25:32 > 0:25:33# Baby doll
0:25:33 > 0:25:35SINGS IN SCANDI
0:25:35 > 0:25:36# Baby doll
0:25:36 > 0:25:38SINGS IN SCANDI
0:25:38 > 0:25:40# Baby doll...
0:25:41 > 0:25:44WHIMPERS FROM BAND
0:25:57 > 0:25:58Am I crying?
0:25:58 > 0:26:00No.
0:26:00 > 0:26:06Well, it wouldn't surprise me if I was. I was moved.
0:26:08 > 0:26:11I can't do anything with this.
0:26:11 > 0:26:15- Why not?- I need production value.
0:26:15 > 0:26:18What kind of production value did you have in mind for no money?
0:26:18 > 0:26:24- There's only one thing that adds real production value.- What's that?
0:26:24 > 0:26:26Tits and ass.
0:26:27 > 0:26:29Damn.
0:26:29 > 0:26:35- Tits and ass.- I'm going to do something I don't normally do, because I like you guys.
0:26:35 > 0:26:43You can do another one, and this time I'll give you three days to shoot...
0:26:43 > 0:26:45on spec.
0:26:45 > 0:26:48- Spec, look...- Don't thank me.
0:26:48 > 0:26:50I know, I'm too nice.
0:26:50 > 0:26:54Lets get into trouble, baby.
0:26:54 > 0:26:57Spec is spec. It's where everybody starts out.
0:26:57 > 0:26:59Yeah, but we don't have any money.
0:26:59 > 0:27:02- We don't even have gas in the car. - Somebody called about the flyer!
0:27:02 > 0:27:06- Yeah?- Yeah, you got a gig at the Hollywood Presbyterian.
0:27:06 > 0:27:09- Is it on spec? - No, it's on Wiltshire and Vermont.
0:27:09 > 0:27:14And the rest of my estate
0:27:14 > 0:27:17to be divided
0:27:17 > 0:27:22equally among my great-great grandchildren.
0:27:22 > 0:27:25- Cut.- That was great, man. Lets get out of here, Josh.
0:27:25 > 0:27:28- No, rewind the tape.- Again?
0:27:28 > 0:27:30Merlin, work with us.
0:27:30 > 0:27:32Is this how you want to be remembered?
0:27:32 > 0:27:35This is supposed to be a living will.
0:27:35 > 0:27:39- Lets try to give that dialogue some life.- Look, I'm not an actor.
0:27:39 > 0:27:40I'm in the garment business.
0:27:40 > 0:27:43This was my wife Miriam's idea.
0:27:43 > 0:27:46I know, I know, but I think Miriam was right. I think she had an instinct.
0:27:46 > 0:27:49Merlin, work with us, Goddamn it!
0:27:49 > 0:27:51Hey, hey, hey! Can't talk to actors that way!
0:27:55 > 0:27:57Now, I know you got it in you.
0:27:57 > 0:27:59We're talking about your money.
0:27:59 > 0:28:04- You and everybody else. - So, I want you to feel the moment.
0:28:04 > 0:28:08I want you to show us the generosity of spirit that is Merlin Hinkle.
0:28:08 > 0:28:11The passion, the pathos.
0:28:11 > 0:28:16Trust yourself, trust me, you can do it. Passion!
0:28:16 > 0:28:18Here we go.
0:28:18 > 0:28:19Here we go. Passion!
0:28:23 > 0:28:25And...
0:28:25 > 0:28:27from the top.
0:28:27 > 0:28:30Merlin Hinkle, living will, take 14.
0:28:30 > 0:28:33Get it right this time, Hinkle!
0:28:33 > 0:28:35And...action.
0:28:35 > 0:28:39Action! The passion.
0:28:39 > 0:28:44I, Merlin Hinkle, being of sound mind and body,
0:28:44 > 0:28:50do hereby bequeath to my loving wife Miriam, the sum of 5,000...
0:28:50 > 0:28:52HE GASPS
0:28:52 > 0:28:56Dollars, 5,000 dollars and all my worldly possessions.
0:28:59 > 0:29:04- Is he improvising? - No, Josh, he's dead.
0:29:04 > 0:29:07Oh, shit. No, no, don't die on me!
0:29:07 > 0:29:09- You can do it!- Josh, Josh!
0:29:09 > 0:29:10- You can do it!- The man is dead!
0:29:10 > 0:29:13You're not going to get a different line reading!
0:29:16 > 0:29:18- This is horrible. - Yeah, we're not going to get paid.
0:29:22 > 0:29:25Are you guys running? OK.
0:29:25 > 0:29:30And the rest of my estate shall be divided equally
0:29:30 > 0:29:34among my great-great grandchildren.
0:29:34 > 0:29:36OK?
0:29:36 > 0:29:40Oh, and be sure to pay Video Aces,
0:29:40 > 0:29:44my favourite video company.
0:29:44 > 0:29:46They're terrific guys.
0:29:46 > 0:29:48You get a lot for your dollar.
0:29:48 > 0:29:51Getting late, I'm going to go to sleep now.
0:29:51 > 0:29:55Great. That's a wrap. Nice working with you, Merlin.
0:29:57 > 0:30:00- Nice crib! - How did we get this job, Ivan?
0:30:00 > 0:30:02Shrewed market penetration.
0:30:02 > 0:30:04- What?- Belinda. Flyers, advertisment.
0:30:04 > 0:30:08- Oh. Sinking pretty low, Ivan. - That's where you got to go to catch the big fish.
0:30:08 > 0:30:11I don't like this Norman Mart guy.
0:30:11 > 0:30:13- It's a great opportunity, man.- What?
0:30:13 > 0:30:16- Where are the outlets here, man? - And elevator.
0:30:16 > 0:30:19Yeah, I got to go upstairs, I'm going to get my elevator.
0:30:24 > 0:30:27Let the prince dance with me.
0:30:27 > 0:30:31Please, Fairy Godmother, let the prince pick me.
0:30:31 > 0:30:33He'll pick you, he'll pick you.
0:30:47 > 0:30:51You must be the video gentlemen. I'm Kay Mart.
0:30:53 > 0:30:54Enchante.
0:30:55 > 0:30:57I need more money, Norman.
0:30:57 > 0:31:03- My condo needs new drapes. - Hey, Nikki...
0:31:04 > 0:31:08I'm tired of you snorting drapes up your damn nose.
0:31:08 > 0:31:12But you're not tired of going to the ball, are you, Norman?
0:31:14 > 0:31:16Hey, everybody, it's limbo time!
0:31:16 > 0:31:18CALYPSO MUSIC
0:31:27 > 0:31:29Oh, my God.
0:31:29 > 0:31:32You fool, you've knocked out my contact lense.
0:31:32 > 0:31:35Freeze. It's probably stuck to your body.
0:31:36 > 0:31:37I'll find it.
0:31:37 > 0:31:39Ivan.
0:31:39 > 0:31:42Samantha Gregory.
0:31:42 > 0:31:45Samantha Gregory. Yeah, you write for Rock Gossip.
0:31:45 > 0:31:47That's just a side gig.
0:31:49 > 0:31:50Find anything?
0:31:50 > 0:31:52No, not yet, better take another pass.
0:31:52 > 0:31:54What's that on your hand?
0:31:54 > 0:31:57Oh, good eye, good eye. There it is.
0:31:57 > 0:31:59Your image problems are just beginning, Norman.
0:32:09 > 0:32:12Nikki, your indescretion is really starting to bother me.
0:32:12 > 0:32:14I'm not joking, I got the goods on you.
0:32:14 > 0:32:17Sometimes it's difficult to believe a slut.
0:32:17 > 0:32:19C B Turkin.
0:32:19 > 0:32:23Everybody thought his company had closed down, but the Pres put him back in business.
0:32:23 > 0:32:25- What does he make?- Nerve gas.
0:32:31 > 0:32:34If Mr Mark wanted publicity pictures taken
0:32:34 > 0:32:37he would have invited Richard Avedon.
0:32:37 > 0:32:40Hey, wait a minute! You can't do this! Help!
0:32:40 > 0:32:41Video Aces, we're in the book!
0:32:43 > 0:32:45Where is Belinda?
0:32:45 > 0:32:47I don't know.
0:32:47 > 0:32:50But she asked me to ask you for that ten bucks you owe her.
0:32:55 > 0:32:56Twenty.
0:33:03 > 0:33:07They may not believe me, Norman, but they'll believe a video tape.
0:33:07 > 0:33:11- What? - Remember your Snow White period?
0:33:11 > 0:33:17I've got some awfully nasty footage of you and those elves.
0:33:17 > 0:33:19As of this moment, my dear Nikki,
0:33:19 > 0:33:21you cease to exist.
0:33:25 > 0:33:26Get her.
0:33:37 > 0:33:40Oh, I'm sorry, can I help you?
0:33:40 > 0:33:43- Here.- Don't worry about it.
0:33:43 > 0:33:46There you go. I gotta go or my boyfriend's going to kill me.
0:33:46 > 0:33:48Bye!
0:33:52 > 0:33:54You idiots.
0:33:54 > 0:33:59You're all going back to training guerillas in Honduras if I don't find that fucking tape.
0:33:59 > 0:34:01Sir, we searched her. She didn't have the tape.
0:34:01 > 0:34:04We scoured the grounds. The tape just isn't here.
0:34:04 > 0:34:07I theorise that in all probability, Norman,
0:34:07 > 0:34:11she slipped the tape to an accomplice who will shortly
0:34:11 > 0:34:13be contacting you with a tatty blackmail note,
0:34:13 > 0:34:17hoping to exctract some exorbitant payment in exchange for...
0:34:17 > 0:34:20Not frying your ass.
0:34:20 > 0:34:22MUSIC PLAYS
0:34:45 > 0:34:48Now that's production value.
0:34:48 > 0:34:51I've got goose bumps all over my body.
0:34:51 > 0:34:54Now we start making the big money right, Mo?
0:34:54 > 0:34:59Right, babe. As soon as you complete your trilogy.
0:34:59 > 0:35:03- Trilogy? What are you talking about? - I'm talking about a package.
0:35:03 > 0:35:07I'm talking about the way things work in nature.
0:35:07 > 0:35:09All good things come in threes.
0:35:09 > 0:35:12It's celebrity deaths that come in threes.
0:35:12 > 0:35:15I need one more video.
0:35:15 > 0:35:16- On spec?- Right.
0:35:16 > 0:35:18Forget it! We're out of here.
0:35:18 > 0:35:21Stay, stay.
0:35:21 > 0:35:23Am I crying?
0:35:26 > 0:35:27Funeral - take one.
0:35:27 > 0:35:31Josh, Josh are you rolling?
0:35:31 > 0:35:36God, if you guys had money, I know you'd be doing something meaningful.
0:35:36 > 0:35:39Well, thanks. You're all right too, Belinda.
0:35:39 > 0:35:43I mean, I feel comfortable with you. It's like you're one of the guys.
0:35:43 > 0:35:47- But I'm not a guy.- I know that.
0:35:50 > 0:35:52So why are you so shy?
0:35:52 > 0:35:54All right, Belinda.
0:35:54 > 0:35:57You want to know? All right, I'll tell you.
0:35:57 > 0:36:01- My first girlfriend really fucked me over, OK?- Sorry.
0:36:01 > 0:36:02Yeah, so was I.
0:36:04 > 0:36:07- When did you break up with her? - Kindergarten.
0:36:09 > 0:36:11What's so funny?
0:36:13 > 0:36:16Swanky Modes!
0:36:16 > 0:36:18FUNKY MUSIC
0:36:25 > 0:36:28Josh, me and you got the moves!
0:36:28 > 0:36:30- What are we doing?- Dancing, man!
0:36:30 > 0:36:32- Video Aces.- What we always do.
0:36:32 > 0:36:36Come on, man. You're missing a step. Get the step, man.
0:36:42 > 0:36:45What about the master plan, huh?
0:36:45 > 0:36:47Do what you gotta do so you do what you wanna do?
0:36:47 > 0:36:50When are we gonna do what we wanna do?
0:36:50 > 0:36:52I don't know.
0:36:52 > 0:36:54Great(!) So we do bullshit jobs
0:36:54 > 0:36:58so we can keep our equipment so we can do jobs on spec,
0:36:58 > 0:37:00so that maybe one day, we can do a music video.
0:37:00 > 0:37:02I mean, what's the point?
0:37:02 > 0:37:04The point is trying, man.
0:37:05 > 0:37:07Come on.
0:37:10 > 0:37:14All right. How long do we stave off the inevitable?
0:37:14 > 0:37:17Till they wrench the plug from our bloody hands.
0:37:24 > 0:37:26It's gonna be tomorrow.
0:37:28 > 0:37:31ROOSTER CROWS
0:37:52 > 0:37:53HE SCREAMS
0:37:53 > 0:37:55Problem?
0:37:55 > 0:37:56The guy's a wanker.
0:37:56 > 0:37:59I brought you the seven best directors in the business.
0:37:59 > 0:38:02Gimme somebody who's gonna just push buttons, will you?
0:38:02 > 0:38:04Dick, don't be a cunt.
0:38:05 > 0:38:08I think I have just the two for you.
0:38:08 > 0:38:11- Two what?- Directors.
0:38:11 > 0:38:13Miss Gregors, you look great.
0:38:13 > 0:38:15Glad you could make it.
0:38:15 > 0:38:18Video Aces reporting for duty.
0:38:18 > 0:38:21You've tried the best, now try the rest.
0:38:21 > 0:38:24Wow, so cool!
0:38:24 > 0:38:26Sorry, Girlie. No groupies.
0:38:26 > 0:38:28Oh, I work with Video Aces.
0:38:28 > 0:38:30That's not all you do.
0:38:35 > 0:38:37- What's that?- Product placement, man.
0:38:37 > 0:38:39Backbone of music videos.
0:38:39 > 0:38:42No way, no way. Take it off the stage.
0:38:46 > 0:38:47You guys all got your visors?
0:38:47 > 0:38:51- Fuck off, Prick. - Haven't got all bloody day!
0:38:51 > 0:38:54- Ivan, what's going on?- Is there an operating manual with that?
0:38:54 > 0:38:56Standard crane, right?
0:38:56 > 0:38:59- Yeah.- Ivan, hello?
0:38:59 > 0:39:01- Roll film.- Roll film?
0:39:01 > 0:39:05- I'm pointing towards a wall. - OK, let's make some money.
0:39:07 > 0:39:09Playback.
0:39:09 > 0:39:11MUSIC PLAYS
0:39:14 > 0:39:20# My name is Mr MX-7!
0:39:30 > 0:39:32# Go ahead and drop the bomb!
0:39:32 > 0:39:34# You don't want anyone!
0:39:34 > 0:39:36# You don't want anyone to live!
0:39:37 > 0:39:40# Go ahead and kill yourself!
0:39:40 > 0:39:43# You live in a living hell, radiating all your...
0:39:43 > 0:39:44WOMAN SCREAMS
0:39:47 > 0:39:49# ..Don't you know, it's gonna blow
0:39:49 > 0:39:53# Hide your heads, kill you dead See it blaze up till you blow
0:39:53 > 0:39:55# I wanna be disengaged
0:39:55 > 0:39:57# I wanna be disengaged
0:39:57 > 0:40:00# I wanna be dissipated, yeah
0:40:00 > 0:40:02FRENETIC GUITAR SOLO
0:40:22 > 0:40:24Good, Ivan!
0:40:24 > 0:40:27Enough, Ivan! Now, Ivan!
0:40:27 > 0:40:29How, Ivan?!
0:40:29 > 0:40:31Stop, Ivan!
0:40:31 > 0:40:32Now, Ivan!
0:40:34 > 0:40:36SCREAMING, PLAYBACK STOPS
0:40:44 > 0:40:47- He's an arsehole. Let's try again. - This is sabotage, man!
0:40:47 > 0:40:51This is just dandy, I put my butt on the line for you guys and you blew it.
0:40:51 > 0:40:53- We'll fix it...- Forget it, you suck!
0:40:53 > 0:40:55Just a sec...
0:40:55 > 0:40:57- Are you guys famous?- How do I look?
0:40:57 > 0:41:00- Sign my butt.- Teach me to read.
0:41:00 > 0:41:01Ivan!
0:41:06 > 0:41:09MUSIC PLAYS
0:41:16 > 0:41:18# Well, the overlords thought it would be a good deed
0:41:18 > 0:41:21# To mix the black with the white
0:41:21 > 0:41:23# But if you're a fly in the buttermilk
0:41:23 > 0:41:24# They'll chase y'all through the night...
0:41:24 > 0:41:26Cowboys?
0:41:28 > 0:41:30This ain't never happened in my day.
0:41:30 > 0:41:33# ..daughter will be my wife!
0:41:33 > 0:41:37# Round and around and around they go The bus is going mighty slow
0:41:37 > 0:41:39# Brothers in the back seat Cops in the front
0:41:39 > 0:41:42# People getting...
0:41:42 > 0:41:44You know, I think we killed 'em.
0:41:44 > 0:41:48- And I think we're gonna get the gig. - Oh, come on, Lester.
0:41:48 > 0:41:50And who would want this gig anyway,
0:41:50 > 0:41:53when the whole place is full of nothing but losers and white trash?
0:41:53 > 0:41:55How did we go wrong?
0:41:55 > 0:41:59What did I do? We had everything set,
0:41:59 > 0:42:02triangle of success, man, skills, attitude, knowledge.
0:42:02 > 0:42:04I got attitude, he's got skills and knowledge.
0:42:04 > 0:42:09Everything was cool, man, I had product placement.
0:42:09 > 0:42:10Ain't this a shame.
0:42:10 > 0:42:13Girl gave me a defective crane, now what have I got?
0:42:13 > 0:42:16Check it out, man, Billy and Lester, the Swanky Modes.
0:42:19 > 0:42:22Did you hear me? Billy and Lester...
0:42:22 > 0:42:25Those guys are legends.
0:42:25 > 0:42:30For the contribution they've given to mankind, they should be living like kings, nay gods!
0:42:31 > 0:42:33It's not the way it works, bro.
0:42:35 > 0:42:37Yeah, right.
0:42:37 > 0:42:41Assholes like The Blender Children get to be big stars?
0:42:41 > 0:42:43Where's the justice?
0:42:43 > 0:42:46- There's no justice.- None, man. - It's fucked up.
0:42:46 > 0:42:48Let's buy 'em a beer.
0:42:48 > 0:42:50Two more.
0:42:50 > 0:42:52Sorry, guys.
0:42:52 > 0:42:56Brothers Against Drunk Driving, they've been bustin' my ass.
0:42:56 > 0:43:00- Care to perform a sobriety test?- All right, all right.
0:43:00 > 0:43:01Close your eyes,
0:43:01 > 0:43:04real tight, no peeking.
0:43:04 > 0:43:07Now recite the alphabet backwards,
0:43:07 > 0:43:11skipping all the vowels, and give me the sign language for each letter as you pass by.
0:43:11 > 0:43:15Z-Y-X-W-V-T-S-R
0:43:15 > 0:43:21Q-P-N-M-L-K-J-H-G-F-D-C-B.
0:43:21 > 0:43:23You passed!
0:43:23 > 0:43:25I'll get those beers for you.
0:43:27 > 0:43:31- What's wrong?- They're gone. - Let's get out of here.
0:43:32 > 0:43:34Fuck this.
0:43:43 > 0:43:46Here's a KPLP real news update.
0:43:46 > 0:43:51Tragedy hit the Greek Theatre tonight when a fragment of Spy Lab 14 struck the stage,
0:43:51 > 0:43:56killing the surprised members of up and coming rock band, The Blender Children.
0:43:56 > 0:43:58We go live now to the scene.
0:43:58 > 0:44:02A terrible, terrible tragedy at the Greek tonight,
0:44:02 > 0:44:05where the only things casted are chaos and bedlam.
0:44:05 > 0:44:09We have with us a person who saw what happened and, Sir, what did happen?
0:44:09 > 0:44:14Dick Slaver was hammering on his axe, doing this blazing solo,
0:44:14 > 0:44:19when all of a sudden this thing that looked like a fireball from hell just slammed into him.
0:44:19 > 0:44:23It was the most excellent effect I've ever seen.
0:44:23 > 0:44:25I'm here front row next show, definitely!
0:44:25 > 0:44:28- Sir, there won't be a next time, they're all dead.- Awesome.
0:44:28 > 0:44:32The Blender Children were in town recording a rock video for their next single.
0:44:32 > 0:44:36No doubt fans will be clamouring to view that last video.
0:44:36 > 0:44:37Awesome.
0:44:42 > 0:44:47Oh, please, Fairy Godmother. I need to carriage to take me to the ball.
0:44:47 > 0:44:50- All right, all right.- Oh!
0:44:50 > 0:44:53Hop on.
0:44:53 > 0:44:54What are you doing here?
0:44:54 > 0:44:58I'm about to do Video Aces a big favour.
0:44:58 > 0:45:01Why don't you just leave them alone?
0:45:01 > 0:45:04- They'll be worse off than they are now.- That would be impossible.
0:45:06 > 0:45:10Belinda, are you balling Josh?
0:45:10 > 0:45:11It's none of your business.
0:45:11 > 0:45:13Too bad.
0:45:13 > 0:45:16Right now, I need the Blender Children video.
0:45:16 > 0:45:17Tough.
0:45:17 > 0:45:18Yeah?
0:45:52 > 0:45:56Two Ninja bitches about to kill each other.
0:45:56 > 0:45:59The Blender Children are mulch, they just bought the farm.
0:45:59 > 0:46:05And RVTV wants to premier the video now, live and exclusive - do you get it?
0:46:05 > 0:46:10Well, Samantha, even our shit is not without some endearing qualities.
0:46:10 > 0:46:13- Perfect for RVTV. - Belinda, let's make a copy.
0:46:13 > 0:46:17- Fuck you.- I'll do it myself, what's the big deal around here?
0:46:21 > 0:46:23I think I'll tape over this red one.
0:46:23 > 0:46:26- Don't do that! - Yes, it's very unprofessional.
0:46:26 > 0:46:30Tape over the Mangotti funeral, they didn't pay us.
0:46:32 > 0:46:36I'm going to meet you guys at the RVTV studios in about half an hour.
0:46:36 > 0:46:40OK, Video Aces world televised premiere live exclusive,
0:46:40 > 0:46:44- thousands and thousands...- Do you know what you're doing?- Yeah.
0:46:49 > 0:46:54I hold in my hand the last and first video made by The Blender Children,
0:46:54 > 0:46:59just before their "explosive" finale at the Greek Theatre.
0:46:59 > 0:47:01I can't believe they're screening this nationwide.
0:47:01 > 0:47:04- We're never going to work again. - We're not working now.
0:47:04 > 0:47:05Shh, it's starting.
0:47:07 > 0:47:10Mangotti funeral take one, Josh.
0:47:10 > 0:47:11MUSIC PLAYS
0:47:28 > 0:47:30I don't wanna go up this year.
0:47:30 > 0:47:34You go and learn till it's over and done with.
0:47:34 > 0:47:37There's no reason for this type of fear,
0:47:37 > 0:47:40but you keep building me, one by one.
0:47:40 > 0:47:45All I want is to be apart this year. No more threat to anyone.
0:47:47 > 0:47:51# Thy will be done
0:47:54 > 0:47:57HEAVY ROCK
0:48:02 > 0:48:04# Go ahead and drop the bomb!
0:48:04 > 0:48:06# You don't want anyone...
0:48:06 > 0:48:10- Brilliant. Just brilliant. - An astonishing example
0:48:10 > 0:48:12of post-modernism, a prospicious portent...
0:48:12 > 0:48:15- The emotion.- Raw, so raw.
0:48:15 > 0:48:20Interesting thing about that video, they chose to work with the video production team, Video Aces.
0:48:20 > 0:48:22We've heard that name before...
0:48:22 > 0:48:23How's it going?
0:48:23 > 0:48:25OK.
0:48:27 > 0:48:31- Did you watch RVTV tonight?- No.
0:48:31 > 0:48:34You missed it? We were hot!
0:48:35 > 0:48:37I mean,
0:48:37 > 0:48:40we have clients lined up for, like, Video Aces,
0:48:40 > 0:48:44and we're going to do non-stop videos for the rest of our lives!
0:48:44 > 0:48:45Look at all these business cards.
0:48:45 > 0:48:47Congratulations.
0:48:48 > 0:48:51Don't you know what this means?
0:48:51 > 0:48:53That you guys will become exactly like Samantha.
0:48:53 > 0:48:57To us, Ivan, and to our success.
0:48:57 > 0:48:59To you, Samantha,
0:48:59 > 0:49:02for helping make Video Aces what it is,
0:49:02 > 0:49:06for making me feel for the first time in my life like I'm on fire.
0:49:12 > 0:49:14Take my water.
0:49:15 > 0:49:18- You were saying? - You look ravishing,
0:49:18 > 0:49:20and I'd like to chew on your thighs.
0:49:20 > 0:49:23I thought we had a professional relationship.
0:49:23 > 0:49:24So I'll pay.
0:49:28 > 0:49:30Seriously, Ivan.
0:49:30 > 0:49:33I think we should start planning our future fame and fortune.
0:49:33 > 0:49:38I'd throw all of that away for one chance to flambe your flesh with my tongue.
0:49:38 > 0:49:42Only absolute success can bring total fulfilment.
0:49:42 > 0:49:43Want your cherry?
0:49:46 > 0:49:48Power IS happiness.
0:49:48 > 0:49:50And the media is the key to power.
0:49:50 > 0:49:53What makes you happy makes you happy.
0:49:55 > 0:49:57Fuck!
0:49:59 > 0:50:01Bill Hearst, Otis Chandler,
0:50:01 > 0:50:05Brooke Murdock, Ted Turner, Connie Chung -
0:50:05 > 0:50:11these people seduced the masses, and in turn became legends in their own time.
0:50:13 > 0:50:15That's what I want, Ivan.
0:50:17 > 0:50:22And that's what I'm going to get, any way I can.
0:50:23 > 0:50:25Want to dance?
0:50:25 > 0:50:27I'll lead.
0:50:32 > 0:50:34Samantha!
0:50:47 > 0:50:49It's awfully hot out here.
0:50:51 > 0:50:54How do you feel about representation?
0:50:54 > 0:50:55Looks good.
0:50:58 > 0:50:59You know, Ivan...
0:51:01 > 0:51:05..in business it's the personal relationships...
0:51:08 > 0:51:12..that make it all worthwhile.
0:51:12 > 0:51:14UNZIPPING
0:51:14 > 0:51:15Whatever.
0:51:17 > 0:51:20They're off to Utah, to the Osmonds Christmas Show.
0:51:20 > 0:51:23They're spending the month of January with peer.
0:51:23 > 0:51:27But I like you a lot, so I'm going to talk to my clients.
0:51:27 > 0:51:28You talk to them?
0:51:29 > 0:51:31I'll talk to them.
0:51:32 > 0:51:38What we're talking about is a live televised concert to 30 million people.
0:51:38 > 0:51:41Everybody loves Menudo.
0:51:41 > 0:51:44- Menudo?- And you know that.
0:51:44 > 0:51:46Yeah, we love Menudo.
0:51:48 > 0:51:50The last album.
0:51:54 > 0:51:56This is a small town.
0:51:56 > 0:51:59No, it's not.
0:51:59 > 0:52:01Don't worry about it, they'll be there.
0:52:01 > 0:52:06In a surprising upset tonight, two virtual unknowns have snatched top honours
0:52:06 > 0:52:11at the US Video Awards ceremony for The Blender Children's Mr MX-7.
0:52:11 > 0:52:14We've got an exclusive interview now with these two sizzling hot guys.
0:52:14 > 0:52:17We are live backstage at the US Video Awards...
0:52:17 > 0:52:20- SHOUTS OUT PHONE NUMBER - You'll get plenty of time to sell that!
0:52:20 > 0:52:25Norman, aren't those the boys I hired to videotape the ball?
0:52:25 > 0:52:27They never sent me the tape!
0:52:31 > 0:52:33I got a lead.
0:52:33 > 0:52:35I think I know who has my tape.
0:52:37 > 0:52:39Terminal Bar.
0:52:39 > 0:52:41Roger, that's a 10-4.
0:52:41 > 0:52:43I love you guys.
0:52:44 > 0:52:47# It would take a miracle
0:52:50 > 0:52:55# To ease my troubled mind
0:52:57 > 0:53:01# I know you tried help me
0:53:02 > 0:53:07# Trying hard to be so kind
0:53:10 > 0:53:14# Baby You are too good to be
0:53:16 > 0:53:20# Just an audience for my pain
0:53:26 > 0:53:28# I'm living in a prison
0:53:30 > 0:53:35# Though you can't see the bars
0:53:38 > 0:53:41# I've been wounded so many times
0:53:43 > 0:53:47# Though you cannot see the scars
0:53:51 > 0:53:54# I'm afraid you have to leave me now
0:53:56 > 0:54:00# And the reason is plain
0:54:03 > 0:54:06# Baby, you are too good to be
0:54:08 > 0:54:13# Just an audience for my pain
0:54:15 > 0:54:19# Audience for my pain
0:54:21 > 0:54:23# I don't want you to look at me now
0:54:27 > 0:54:30# Ohhhh, no
0:54:33 > 0:54:37# No, no, no
0:54:41 > 0:54:47# No, no, no, oh-ooh-oh
0:54:49 > 0:54:54# No, no, no. #
0:54:55 > 0:54:58That is music! Swanky Modes! All right!
0:54:58 > 0:55:01All right, that is music!
0:55:01 > 0:55:03The fabulous Brothers Diamond.
0:55:05 > 0:55:08# You hooked me, baby!
0:55:08 > 0:55:11# You threw a net around my heart
0:55:11 > 0:55:13Show's over, boys.
0:55:13 > 0:55:15Drinking time's begun.
0:55:15 > 0:55:17# I said you hooked me, baby
0:55:17 > 0:55:21We haven't sung that tune in 15 years.
0:55:21 > 0:55:23And I can't even remember back that far.
0:55:23 > 0:55:25Number three on the charts.
0:55:25 > 0:55:29Yeah, you performed on the Ed Sullivan show October 12th, 1970,
0:55:29 > 0:55:33- 8.22 Eastern Standard time, right after those dancing elephants.- Yeah!
0:55:35 > 0:55:38You boys buying?
0:55:38 > 0:55:41Yeah, sure, we love the Swanky Modes.
0:55:41 > 0:55:42Set 'em up, Jack.
0:55:42 > 0:55:45Except now, we're the Brothers Diamond.
0:55:45 > 0:55:47Jack, two Courvoisiers.
0:55:47 > 0:55:51The hottest acts in show business today are offshoots of you guys.
0:55:51 > 0:55:55- Yeah, they ripped you off. - And we're sittin' here all skinny.
0:55:58 > 0:56:02- Maybe we can help you guys.- Yeah!
0:56:02 > 0:56:05We'll do a video, man!
0:56:05 > 0:56:10A music video would broaden your demographics while retaining your integrity.
0:56:10 > 0:56:13Yeah, we can get you on RVTV.
0:56:13 > 0:56:15TV? Who'll want to see us?
0:56:15 > 0:56:17Look at him, he's ugly.
0:56:18 > 0:56:23There are a lot of people out there who are ugly who are making serious money.
0:56:23 > 0:56:25Now, that's not a problem, see, we can package you...
0:56:25 > 0:56:27- Package? No.- So the public will find you palpable.
0:56:27 > 0:56:30No, no!
0:56:30 > 0:56:34I got it! We're going to give these guys the real thing.
0:56:34 > 0:56:40As a matter of fact, we're going to start tomorrow night with a live simulcast of 20 - no, 30 countries!
0:56:40 > 0:56:43- We are?- Yeah! - Why are you guys doing this?
0:56:43 > 0:56:46Why? Because we have to!
0:56:46 > 0:56:49If it wasn't for your influence, we'd know nothing about soul,
0:56:49 > 0:56:51we'd be family men working for multi-nationals!
0:56:51 > 0:56:54Earning six figures, driving LeBarons.
0:56:55 > 0:56:58Hey, you can't pin that on us, we have lawyers.
0:56:58 > 0:57:02It's too late, we out of the gate, but that's our fate!
0:57:02 > 0:57:03This funky train!
0:57:03 > 0:57:07Yeah! Hey, pay the man, Ivan!
0:57:07 > 0:57:11I got some change here somewhere. We'll be in touch, man.
0:57:11 > 0:57:14Now, what is that all about?
0:57:15 > 0:57:17Nothing.
0:57:18 > 0:57:22Whoa! Yeah!
0:57:23 > 0:57:26I am totally psyched, man!
0:57:26 > 0:57:30As of this moment, we are cancelling all our jive job videos.
0:57:30 > 0:57:33- We are?- Except Menudo.
0:57:33 > 0:57:34Menudo?
0:57:34 > 0:57:37The master plan has come to fruition!
0:57:37 > 0:57:40Ah, yeah!
0:57:45 > 0:57:48That's how to drive safely!
0:57:48 > 0:57:51Anybody there?
0:57:51 > 0:57:58Yeah, caucasian female, somewhere between the ages of 15 and 35.
0:57:58 > 0:58:00Right, let's move.
0:58:02 > 0:58:05There's some tapes.
0:58:05 > 0:58:10- What's the definition of "fear"? - What's the definition of "if"? - Why Menudo?
0:58:13 > 0:58:15Beat it, you hoodlums.
0:58:21 > 0:58:25- Linda, what's happening? - I don't know.
0:58:27 > 0:58:29Bet you thought you'd seen the last of me.
0:58:31 > 0:58:32Damn, I'm out.
0:58:32 > 0:58:34Out of bullets, huh?
0:58:34 > 0:58:36My video protector.
0:58:36 > 0:58:38Say your prayers, slimeball.
0:58:42 > 0:58:45Thanks, Skip. Who the hell are you guys?
0:58:45 > 0:58:49- Gentlemen, we are the...- Hitmen.
0:58:49 > 0:58:51We need a video tape right away.
0:58:51 > 0:58:55It's two in the morning, we're tired, and we're not doing any more jive job videos.
0:58:55 > 0:58:58The only way we'd do a video with a limey garage man like you
0:58:58 > 0:59:03- is if we got paid the big bucks. - 90 thou in non-sequential 50s acceptable?
0:59:03 > 0:59:05Let's not haggle - 100 thou.
0:59:05 > 0:59:08What are you doing, we have to set up for the Modes concert tomorrow night.
0:59:08 > 0:59:11Josh, this is the capital we need to keep our equipment.
0:59:11 > 0:59:16Cash flow equals personal freedom, the freedom to do the videos you want to do -
0:59:16 > 0:59:18like the Swanky Modes. You can't pass this up.
0:59:20 > 0:59:22Think about it.
0:59:22 > 0:59:24All right,
0:59:24 > 0:59:29we'll do it during our coffee break tomorrow. You bring the doughnuts.
0:59:29 > 0:59:32- Now get out of here!- Gentlemen, let me show you to your car.
0:59:32 > 0:59:38You picked a fine company. I've seen your records, and I really respect your work quite a bit.
0:59:38 > 0:59:40- I'm flattered.- We're currently worked with Bonnie Ray.
0:59:40 > 0:59:43- Not THE Bonnie Ray. - Yeah, Bonnie Ray and Nigel Harrison.
0:59:43 > 0:59:46- What kind of car are you driving? - Well, you can see it...
0:59:46 > 0:59:48Gosh, that was incredible.
0:59:48 > 0:59:51You seem so changed.
0:59:51 > 0:59:54You're so committed,
0:59:54 > 0:59:55so reckless,
0:59:55 > 0:59:57so passionate.
0:59:57 > 1:00:00It's the Modes.
1:00:00 > 1:00:02My blood is boiling,
1:00:02 > 1:00:05and they stir up the thoughts and sensations that are pent up inside me.
1:00:05 > 1:00:07I feel like I'm ready to explode.
1:00:09 > 1:00:11Come here, you little filly.
1:00:13 > 1:00:15Shall I get my diaphragm?
1:00:15 > 1:00:20Damn straight, woman. We're going for a ride on the love train.
1:00:23 > 1:00:27Are you sure this is going to be good for our relationship?
1:00:27 > 1:00:29I don't know.
1:00:29 > 1:00:31(HUSKY) Let's find out.
1:00:32 > 1:00:34Hey, look who I ran into downstairs.
1:00:37 > 1:00:41Hey, everybody, it's limbo time!
1:00:46 > 1:00:48CALYPSO MUSIC
1:01:05 > 1:01:08Honey, look.
1:01:08 > 1:01:12See, that was just a front, this is beautiful.
1:01:12 > 1:01:15That's Josh. Do you love it?
1:01:15 > 1:01:17Aren't you proud?
1:01:17 > 1:01:19There's Ivan.
1:01:19 > 1:01:21- Let's surprise him.- Yeah.
1:01:21 > 1:01:22CALYPSO MUSIC
1:01:32 > 1:01:33Hi.
1:01:42 > 1:01:46Hi, Mom. Hi, Dad. This is Belinda.
1:01:46 > 1:01:48- She's a girl.- Hi.
1:01:51 > 1:01:54Don't say a word, not one word!
1:02:11 > 1:02:14All right, over here.
1:02:14 > 1:02:16Move it!
1:02:16 > 1:02:18All right, gentlemen, listen up.
1:02:18 > 1:02:21Now, we'll distract them while you find that red tape.
1:02:21 > 1:02:26And remember, there's a bonus for the man who puts it in my hand.
1:02:26 > 1:02:27WOMAN: RVTV.
1:02:30 > 1:02:32Hold on a second,
1:02:32 > 1:02:36- where's the doughnuts? - Standard Government issue.
1:02:36 > 1:02:40Right this way, we'll be working in Studio D.
1:02:40 > 1:02:42Watching? One, two...
1:02:42 > 1:02:44OK, come on, let's go.
1:02:44 > 1:02:46Come on, let's roll.
1:02:46 > 1:02:48Ivan!
1:02:48 > 1:02:51- Let's go.- Touch, step, touch, step.
1:02:51 > 1:02:54OK, ten minutes, ten minutes.
1:02:58 > 1:03:00Come on! Get to work!
1:03:04 > 1:03:07# No need to discuss it
1:03:09 > 1:03:13# Cos the message is clear
1:03:13 > 1:03:16# When I look into your loving eyes
1:03:16 > 1:03:20# I know you want me near...
1:03:20 > 1:03:21Shit!
1:03:21 > 1:03:24# Hush, baby, don't make a sound
1:03:24 > 1:03:27# We're only wasting precious time
1:03:29 > 1:03:32# I know in my heart and soul...
1:03:32 > 1:03:33A red tape.
1:03:33 > 1:03:37- Give me that. - Hey, fuck, give me that!
1:03:37 > 1:03:38I'm gonna shoot you!
1:03:38 > 1:03:41# Don't need no one, two, three
1:03:43 > 1:03:48# There's no need to speak When your knees get weak
1:03:48 > 1:03:49# It's the language of love
1:03:49 > 1:03:51Give it back! Gimme!
1:03:51 > 1:03:54# Don't need to hear you say
1:03:55 > 1:03:58# Won't let you feel this way
1:03:59 > 1:04:03- # Cos every time we kiss - # Our lips will never miss
1:04:03 > 1:04:06# That's the language of love
1:04:08 > 1:04:11Gimme that!
1:04:11 > 1:04:12That's a wrap.
1:04:14 > 1:04:16Patrick - that's a fine Irish name.
1:04:16 > 1:04:18What's on your mind, Patrick?
1:04:18 > 1:04:23As your party's leading presidential contender, you are a staunch advocate of nuclear proliferation?
1:04:23 > 1:04:28- That's right.- Does wanting more and bigger missiles stem from a penis envy of the Russians?
1:04:28 > 1:04:33No, that's not the case, son.
1:04:33 > 1:04:36Let's... Matter of fact, that's primitive thinking.
1:04:36 > 1:04:38But I will add,
1:04:38 > 1:04:43I'll throw my slab up on the yard stick against Gorby any day of the Goddamn week.
1:04:43 > 1:04:45APPLAUSE
1:04:47 > 1:04:48Thank you very much.
1:04:48 > 1:04:52Mr Mart, I hear that you're an avid video enthusiast?
1:04:53 > 1:04:55Video?
1:04:55 > 1:04:59Well, yeah, I mean, I dabble...
1:04:59 > 1:05:02I've seen your work.
1:05:02 > 1:05:03It's very provocative.
1:05:03 > 1:05:05And if I refuse?
1:05:05 > 1:05:11America would love to tune in to see its presidential candidate being spanked by a girl in a wetsuit.
1:05:13 > 1:05:14All right.
1:05:16 > 1:05:19Ten days.
1:05:19 > 1:05:23You'll be publishing in ten days. Now, where's my tape?
1:05:23 > 1:05:25Some place safe.
1:05:27 > 1:05:30- Sir, here's the tape from the Video Aces.- Entertain us, Mr G.
1:05:30 > 1:05:36I'm sure Miss Gregory here would like to see my provocative work one last time.
1:05:50 > 1:05:52You have 24 hours, Mart.
1:05:54 > 1:05:57RVTV just confirmed the satellite hook up.
1:05:57 > 1:06:01- Menudo's going to be pissed.- They're young, they'll get over it.
1:06:01 > 1:06:05Hey, now these are the Swanky Modes I remember.
1:06:05 > 1:06:07- You guys look great!- Yeah.
1:06:07 > 1:06:11All right. Modes are coming back in a big way.
1:06:11 > 1:06:13Kind of like old times, eh, Billy?
1:06:15 > 1:06:19- Not really. - Why don't you guys go into the video lounge and just kind of relax?
1:06:19 > 1:06:22There's some wine coolers if you want a drink.
1:06:22 > 1:06:25We've just got to do a couple more administrative type things.
1:06:25 > 1:06:28- Let's warm up, Billy.- OK.
1:06:28 > 1:06:31One, two, one, two, three.
1:06:31 > 1:06:34# Bet your bottom dollar on me
1:06:34 > 1:06:37# I'm as good as good can be
1:06:37 > 1:06:38TYRES SCREECH
1:06:38 > 1:06:40Holy shit!
1:06:47 > 1:06:48Some men are after me.
1:06:48 > 1:06:52- Count me in.- I'm serious, these guys are trying to kill me.
1:06:52 > 1:06:53..somebody on that roof!
1:06:53 > 1:06:56You, on top of that car, back him up.
1:06:56 > 1:06:57Hey, hey, it's the Hitmen!
1:06:57 > 1:06:59That's them.
1:06:59 > 1:07:02- No, they're completely harmless, we just did their last video.- Fire.
1:07:06 > 1:07:08No refunds!
1:07:19 > 1:07:20God!
1:07:20 > 1:07:24- Josh, give them the money back.- I'm not going down there!- You should.
1:07:24 > 1:07:26- Samantha.- No!- Fuck!
1:07:26 > 1:07:29If it'll help you guys out, we'll take it to them.
1:07:29 > 1:07:31Get here, Billy.
1:07:31 > 1:07:33We can do that much for you.
1:07:37 > 1:07:40We love the Swanky Modes.
1:07:44 > 1:07:48Come on, Lester. Lester! Come on!
1:07:48 > 1:07:50Hold your fire.
1:07:50 > 1:07:52Come on, Lester.
1:07:52 > 1:07:55- No problem, officer. - Give me that case.
1:07:55 > 1:07:56No problem, no problem.
1:07:58 > 1:08:02They're opening the case.
1:08:02 > 1:08:05- Looking inside the case. - It's not here.
1:08:07 > 1:08:10They're giving the case back to the Swanky Modes.
1:08:10 > 1:08:14- The Modes are walking away.- No, they're not, they're running away.
1:08:14 > 1:08:16Now they're pointing a machine gun at us.
1:08:16 > 1:08:18They're shooting at us again!
1:08:18 > 1:08:22- No shit!- They don't want your money, they're Mart's men!
1:08:22 > 1:08:25ALL: What?
1:08:26 > 1:08:28What are you doing?!
1:08:29 > 1:08:31Hold it! Hold it!
1:08:32 > 1:08:34They're talking to her.
1:08:34 > 1:08:38- What are you idiots doing here?! You almost killed me. - Are you OK?
1:08:38 > 1:08:40You bozo! I live here! Get out of here.
1:08:40 > 1:08:43- Get off that car! - They're putting away their guns.
1:08:43 > 1:08:45Get in the car, get out of here!
1:08:45 > 1:08:47Get off that roof!
1:08:47 > 1:08:49Come on, let's go, snap it up!
1:08:49 > 1:08:51Go on, get out of here!
1:08:51 > 1:08:53They're getting in their car.
1:08:55 > 1:08:58Driving away. We're safe! We're safe!
1:08:58 > 1:09:00We're safe!
1:09:02 > 1:09:05- We're safe!- Samantha, why did they want to kill us?
1:09:05 > 1:09:07How did you get them not to kill us?
1:09:07 > 1:09:11- Where the fuck did the Modes go with our money?!- I don't know.
1:09:11 > 1:09:12They'll be at the concert.
1:09:15 > 1:09:20Welcome to RVTV's exclusive coverage of the Menudo concert,
1:09:20 > 1:09:24beaming out to over 30 million households across the world,
1:09:24 > 1:09:27so stay tuned to RVTV.
1:09:32 > 1:09:34Bambinos!
1:09:34 > 1:09:39Hey! Que pasa? Me amo, Ivan. Est el directore, senor Josh Tagermeister.
1:09:39 > 1:09:41Hi, guys, it's going to be great working with you.
1:09:41 > 1:09:44Listen, I've got to see your green cards.
1:09:44 > 1:09:48Left them at the hotel? How could this have happened?
1:09:48 > 1:09:50This puts us in an embarrassing situation.
1:09:50 > 1:09:52The new immigration law and all.
1:09:52 > 1:09:57- We could be fined up to 1,000 per Menudo.- Why don't you jam back to the bungalow at the Bel Air Hotel,
1:09:57 > 1:09:58pick them up, come right back.
1:09:58 > 1:10:00I'm sorry, there's nothing we can do about it. Let's go, pull it out.
1:10:00 > 1:10:03SHOUTS IN SPANISH
1:10:06 > 1:10:08I hate to wait.
1:10:08 > 1:10:11What time is it?
1:10:11 > 1:10:12What time is it?
1:10:14 > 1:10:16Where are they?
1:10:16 > 1:10:18They're going to be here.
1:10:18 > 1:10:20- The Modes are going to open for them.- The Modes?
1:10:20 > 1:10:22Who the hell are the Modes?!
1:10:22 > 1:10:27- The Swanky Modes! They've been legends for 20 years, where have you been?- I'm only 17.
1:10:31 > 1:10:35TOUT: Anybody want these tickets? 25 bucks apiece is all I'm asking.
1:10:38 > 1:10:41What if they don't show up? I mean, what if we wanted this more for them
1:10:41 > 1:10:43than they wanted it for themselves?
1:10:43 > 1:10:46That's an intriguing premise, Josh.
1:10:46 > 1:10:48It means we've got a big problem.
1:10:48 > 1:10:49It means you really fucked up.
1:10:49 > 1:10:51Me! I fucked up, me?!
1:10:53 > 1:10:56You're the one who always imitated the Modes!
1:10:56 > 1:10:58You wanted us to be like Billy and Lester!
1:10:58 > 1:11:02Listen, I delivered on the business end, now you can't deliver
1:11:02 > 1:11:05on the creative end, so I'm going to take all the blame? Screw you!
1:11:05 > 1:11:07- Screw you!- Screw you!. - Screw you!- Screw you!
1:11:07 > 1:11:11If the Modes don't show up, we're both screwed, do you understand that?
1:11:13 > 1:11:15Hey, move it or lose it.
1:11:15 > 1:11:18- What did you say?- I said, "Move it."
1:11:18 > 1:11:19That's what I thought you said.
1:11:28 > 1:11:29I'll park it.
1:11:34 > 1:11:35Move it.
1:11:41 > 1:11:42Are you sure this is the place?
1:11:42 > 1:11:44- Yeah, this looks like it. - Sure?
1:11:44 > 1:11:48This seems to be the backstage area. I think people are going back there.
1:11:48 > 1:11:51That's him, that's the guy!
1:11:51 > 1:11:53Hey.
1:11:53 > 1:11:55Whoa! Shit!
1:11:55 > 1:11:58Hey! Hey! Stop that!
1:11:58 > 1:12:02- Hey, come on! - We were gonna pay to park here!
1:12:02 > 1:12:03NBC News?
1:12:03 > 1:12:07Listen, I've got a video tape showing a presidential candidate
1:12:07 > 1:12:10engaged in deviant sexual activities.
1:12:10 > 1:12:13What do you mean, I need a release? This is news.
1:12:13 > 1:12:16TOUT: 15.99, come on, who wants them? You want this?
1:12:17 > 1:12:20Just take the shirt!
1:12:28 > 1:12:29Here.
1:12:29 > 1:12:30Gun.
1:12:51 > 1:12:53CROWD CHEERS
1:12:58 > 1:13:04# Don't need no A, B, Cs Don't need no one, two, threes
1:13:04 > 1:13:05# Well, no need...
1:13:07 > 1:13:11Tension's really building up here back stage at the big concert,
1:13:11 > 1:13:12lots of surprises... Whoa. there!
1:13:12 > 1:13:16Look who's snagged Samantha Gregory from Rock Gossip fanzine?!
1:13:16 > 1:13:21- She's the face that discovered the Aces!- Where are Josh and Ivan hiding?
1:13:21 > 1:13:23Upstairs in the out-of-control booth!
1:13:23 > 1:13:25What's the new whammy, Sammy?
1:13:25 > 1:13:29Mart, Norman, congressmen, shape! Ahh!
1:13:29 > 1:13:33- It's another RVTV exclusive! - Step on it.
1:13:37 > 1:13:40Satellite uplink starts in one minute.
1:13:41 > 1:13:44- Which shot do you want to start with, Ivan?- I don't know.
1:13:44 > 1:13:46Anyone will do, that one, that one.
1:13:47 > 1:13:49There she is.
1:14:00 > 1:14:02Awesome!
1:14:06 > 1:14:09Mart's goons are after me again.
1:14:09 > 1:14:11Why did you come in here?
1:14:14 > 1:14:17Give me the tape, Samantha.
1:14:23 > 1:14:25Ahhh!
1:14:27 > 1:14:28Wah!
1:14:31 > 1:14:35Blackmail is not for the novice, Miss Gregory.
1:14:35 > 1:14:38You've got your tape, Mart, so why don't you crawl back into your hole?
1:14:38 > 1:14:42She didn't mean that, sir, she's been under a lot of stress.
1:14:42 > 1:14:45Lady, this'd better be the right fucking tape.
1:14:45 > 1:14:48What is the big deal? That charity ball was a dud.
1:14:48 > 1:14:52- You idiots. This isn't a charity ball! This could ruin me!- It could?
1:14:52 > 1:14:54You bet your sweet ass it could.
1:14:54 > 1:14:58I could be reduced to an insigificant pissant,
1:14:58 > 1:14:59just like you.
1:15:01 > 1:15:06- Well, then, let's check and make sure it's the right tape.- What?
1:15:06 > 1:15:09- I'll thread it up for you. - Maybe he'd like to watch it at home?
1:15:11 > 1:15:15No, I...I think Mr...
1:15:15 > 1:15:17- Josh.- Mr Josh is right.
1:15:19 > 1:15:22Let's take a look.
1:15:22 > 1:15:26This is nothing fancy, you understand that? It's just a little home camera,
1:15:28 > 1:15:29and it's all right, you know?
1:15:29 > 1:15:31Yeah, we understand.
1:15:46 > 1:15:48No, no, oh no!
1:15:48 > 1:15:50Ah-ah-ahhh!
1:15:50 > 1:15:51No, no, no, ahhh!
1:15:51 > 1:15:54Ahhhh!
1:15:59 > 1:16:01Call my lawyer!
1:16:05 > 1:16:07Ahhh! Ahh!
1:16:07 > 1:16:11No, no, no! No! Ah! No! No! Don't do it! Ahhh!
1:16:11 > 1:16:16RONALD REAGAN: Cancel my appointment with, what's his name, Norman Mart,
1:16:16 > 1:16:19and can you make the picture a little less fuzzy?
1:16:20 > 1:16:26- What the fuck's going on?- Well, the tape interlocked with the satellite,
1:16:26 > 1:16:30and it's being transmitted to downlinks throughout the world.
1:16:30 > 1:16:33Pretty impressive, huh?
1:16:33 > 1:16:36- Well, stop it!- Too late, man!
1:16:36 > 1:16:41You're ass has just gone out high speed
1:16:41 > 1:16:47to thousands of affiliate stations, and each now has their own copy.
1:16:47 > 1:16:49Say goodnight, Norman!
1:16:54 > 1:16:56No more politics, no more kickbacks!
1:16:56 > 1:16:59No more meet the Pres!
1:16:59 > 1:17:01Dad, what are you doing here?
1:17:01 > 1:17:04Dad?! This slimedog is your father?!
1:17:04 > 1:17:07- I've been meaning to tell you. - Well, thanks.
1:17:07 > 1:17:10Hey, where's Menudo?!
1:17:10 > 1:17:12Menudo!
1:17:12 > 1:17:14OTHERS SHOUT
1:17:14 > 1:17:17I won't get to be president! I want to be president!
1:17:17 > 1:17:20Oh, my, oh, my!
1:17:20 > 1:17:22I've lost everything, Belinda!
1:17:22 > 1:17:26- No, you haven't.- Whoa, whoa, whoa, I hate to break this up, Heidi,
1:17:26 > 1:17:30but we've got a satellite thing happening in, like, six seconds.
1:17:30 > 1:17:33- Did you find the Modes?- No.
1:17:33 > 1:17:35CROWD CHANTS: Menudo! Menudo!
1:17:55 > 1:17:58I love these guys.
1:18:01 > 1:18:03DRUMS, CHEERING
1:18:04 > 1:18:07Come on. Let's go.
1:18:07 > 1:18:09Open up! Coming through!
1:18:18 > 1:18:22This way. OK, everybody, move out of the way, move out of the way.
1:18:22 > 1:18:24Come on, move, out of the way!
1:18:24 > 1:18:26You're on!
1:18:30 > 1:18:34PA SYSTEM: Attention! Attention!
1:18:40 > 1:18:43CHEERING AND WHISTLING
1:18:45 > 1:18:48The Swanky Modes!
1:18:53 > 1:18:54# Any ordinary man
1:18:54 > 1:18:57# Would have given it up by now
1:19:00 > 1:19:02# Any ordinary man
1:19:02 > 1:19:05# Would have given it up by now
1:19:07 > 1:19:11# Any ordinary man wouldn't think twice
1:19:11 > 1:19:14# Taking his chances and rolling the dice
1:19:14 > 1:19:16# Any ordinary man
1:19:16 > 1:19:19# Would have given it up by now
1:19:23 > 1:19:26# In this job, you gotta be crazy
1:19:26 > 1:19:28# 50% out of your mind
1:19:29 > 1:19:33# They say, "Forget it, boy, stay on your knees"
1:19:33 > 1:19:36# They take the credit when you hit big time
1:19:36 > 1:19:38# Any ordinary man
1:19:38 > 1:19:40# Would have given it up by now
1:19:40 > 1:19:43# Now, now
1:19:43 > 1:19:45# Any ordinary man
1:19:45 > 1:19:48# Would have given it up by now
1:19:51 > 1:19:54# Any ordinary man wouldn't think twice
1:19:54 > 1:19:57# Taking his chances and rolling the dice
1:19:57 > 1:19:59# Any ordinary man
1:19:59 > 1:20:02# Would have given it up by now
1:20:05 > 1:20:09# You got to sacrifice You got to suffer
1:20:09 > 1:20:12# You got to daily pay your dues
1:20:12 > 1:20:16# He said, "There's no ain't no doubt that you being stubborn"
1:20:16 > 1:20:19# One day you are up One day you're last week's news
1:20:19 > 1:20:21# Any ordinary man
1:20:21 > 1:20:24# Would have given it up by now
1:20:27 > 1:20:29# Any ordinary man
1:20:29 > 1:20:31# Would have given it up by now
1:20:34 > 1:20:37# Any ordinary man wouldn't think twice
1:20:37 > 1:20:41# Taking his chances and rolling the dice
1:20:41 > 1:20:43# Any ordinary man
1:20:43 > 1:20:46# Would have given it up by now
1:21:31 > 1:21:33# Any ordinary man
1:21:33 > 1:21:36# Would have given it up by now
1:21:39 > 1:21:40# Any ordinary man
1:21:40 > 1:21:43# Would have given it up by now
1:21:46 > 1:21:50# Any ordinary man wouldn't think twice
1:21:50 > 1:21:53# Taking his chances and rolling the dice
1:21:53 > 1:21:55# Any ordinary man
1:21:55 > 1:21:58# Would have given it up by now
1:21:58 > 1:22:00# I wanna say it one more time
1:22:00 > 1:22:02# Any ordinary man
1:22:02 > 1:22:05# Would have given it up by now
1:22:07 > 1:22:09# Any ordinary man
1:22:09 > 1:22:12# Would have given it up by now
1:22:12 > 1:22:14# Yeah, yeah!
1:22:16 > 1:22:19# Any ordinary man wouldn't think twice
1:22:19 > 1:22:22# Taking his chances and rolling the dice
1:22:22 > 1:22:24# Any ordinary man
1:22:24 > 1:22:27# Would have given it up by now. #
1:22:32 > 1:22:34SONG ENDS
1:22:34 > 1:22:36WILD CHEERING
1:22:49 > 1:22:53- You really gotta hand it to those two.- They pulled it off.
1:22:53 > 1:22:58I'd like a champagne, and my friend would like a wine cooler.
1:22:58 > 1:23:00- You guys are Video Aces? - We'd like to talk to you.
1:23:00 > 1:23:03Who you guys with? NBC? CBS? MCA?
1:23:03 > 1:23:08- No, FBI.- It's against the law to broadcast pornography.
1:23:08 > 1:23:13You boys should have read the Commission reports before you tampered with the airwaves.
1:23:13 > 1:23:16- What?!- You have the right to remain silent...- No fucking way!
1:23:16 > 1:23:19- Remember what we did to Jello Biafra?- Help!
1:23:43 > 1:23:45# Hey, friends, check this out!
1:23:47 > 1:23:50# Hold on a minute Don't leave yet
1:23:50 > 1:23:53# Roscoe's end credits are your best bet
1:23:53 > 1:23:57# Little Video Aces went from rags to riches
1:23:57 > 1:24:00# Now they're in the can with no cash or bitches
1:24:00 > 1:24:05# When they serve their time them suckers'll see
1:24:05 > 1:24:08# 'Scoe's gone expanded vertically
1:24:08 > 1:24:13# Tapers of the world take a tip from me
1:24:13 > 1:24:16# You do what you gotta But don't do it for free
1:24:16 > 1:24:19# Wings and waffles was just a start
1:24:19 > 1:24:23# Now I'm making more money than Norman Mart
1:24:23 > 1:24:27# Come to Roscoe's for delicious food
1:24:27 > 1:24:31# We got fuel for your attitude
1:24:31 > 1:24:34# We make the best waffles and cluck
1:24:34 > 1:24:38# And you get good value for your buck
1:24:38 > 1:24:42SCRATCHING
1:24:42 > 1:24:46# Hamburgers are greasy and pizzas plain nasty
1:24:46 > 1:24:50# And them little tacos just messy and rasty
1:24:50 > 1:24:53# But my chicken's so fine it'll blow your mind
1:24:53 > 1:24:57# It'll shake your hips and pad your behind
1:24:57 > 1:25:01# Now when's the last time you had a wing with a waffle?
1:25:01 > 1:25:04# Well, that's too long It oughta be unlawful
1:25:04 > 1:25:08# Poultry ain't your bag? Well, that don't matter
1:25:08 > 1:25:12# Cos I'm down by law with my waffle batter
1:25:12 > 1:25:17# Come to Roscoe's for delicious food
1:25:17 > 1:25:19# We've got fuel for your attitude
1:25:19 > 1:25:20Go on, itch that scratch
1:25:20 > 1:25:22SCRATCHING
1:25:49 > 1:25:52# Everybody told me how good I was
1:25:52 > 1:25:56# So I got me a contract with Mo Fuzz
1:25:56 > 1:26:00# Anyone can be what they wanna be
1:26:00 > 1:26:04# If they watch Don Druzel on the TV
1:26:04 > 1:26:07# If you just can't seem to get enough of me
1:26:07 > 1:26:11# Pick up the record album, tape or CD
1:26:11 > 1:26:15# Now that I've come to the end of my tune
1:26:15 > 1:26:19# Drop another six bucks and come back soon
1:26:19 > 1:26:22# Come to Roscoe's for delicious food
1:26:22 > 1:26:26# We've got fuel for your attitude
1:26:26 > 1:26:30# We make the best waffles and cluck
1:26:30 > 1:26:34# And you get good value for your buck
1:26:34 > 1:26:37# Come to Roscoe's for delicious food
1:26:37 > 1:26:41# We've got fuel for your attitude
1:26:41 > 1:26:45# We make the best waffles and cluck
1:26:45 > 1:26:48# And you get good value for your buck
1:26:48 > 1:26:53GIRLS SING IN SPANISH