0:00:02 > 0:00:05This film contains strong language.
0:00:20 > 0:00:23SPEAKS ITALIAN
0:00:35 > 0:00:37APPLAUSE
0:01:01 > 0:01:03The Oubyamywe Peninsula,
0:01:03 > 0:01:05a remote and fascinating region
0:01:05 > 0:01:08teeming with extraordinary marine life.
0:01:08 > 0:01:10We chose its mysterious waters
0:01:10 > 0:01:12as The Belafonte's next destination.
0:01:12 > 0:01:14In preparation for our voyage,
0:01:14 > 0:01:15the members of Team Zissou
0:01:15 > 0:01:17gathered at my oceanographic observatory
0:01:17 > 0:01:19here on Pescespada Island.
0:01:19 > 0:01:22This was to be our most ambitious adventure to date
0:01:22 > 0:01:26and, ultimately, a tragic one.
0:01:26 > 0:01:29Our team included Esteban Du Plantier, chief diver.
0:01:29 > 0:01:31Our senior statesman,
0:01:31 > 0:01:33my closest colleague for 27 years.
0:01:33 > 0:01:35Klaus Daimler, 40, engineer.
0:01:35 > 0:01:37Calm, collected, German.
0:01:37 > 0:01:39Vikram Ray, 28, cameraman.
0:01:39 > 0:01:41Born on the Ganges.
0:01:41 > 0:01:44Bobby Ogata, 22, frogman.
0:01:44 > 0:01:47Renzo Pietro, 45, editor, soundman.
0:01:47 > 0:01:49Vladimir Wolodarsky, 33,
0:01:49 > 0:01:51physicist, original score composer.
0:01:51 > 0:01:54Anne-Marie Sakowitz, 25, script girl.
0:01:54 > 0:01:57Pele Dos Santos, 30, safety expert.
0:01:58 > 0:02:00Eleanor Zissou, my wife,
0:02:00 > 0:02:02vice-president of the Zissou Society.
0:02:02 > 0:02:05We had also invited seven marine science students
0:02:05 > 0:02:06from the university of North Alaska
0:02:06 > 0:02:08to accompany us as unpaid interns
0:02:08 > 0:02:10in exchange for school credit.
0:02:12 > 0:02:13October 12th.
0:02:13 > 0:02:15Esteban and I explore the blue reefs
0:02:15 > 0:02:17beyond the peninsula.
0:02:20 > 0:02:23Fluorescent snapper unexpectedly appear in the shallows,
0:02:23 > 0:02:24extremely rare at this depth.
0:02:35 > 0:02:37Where's your gun?
0:02:38 > 0:02:40Steve? Steve?
0:02:40 > 0:02:42Where's Esteban? Is that thing rolling, Vikram?
0:02:42 > 0:02:46Encounter with highly abnormal shark-like fish, ten meters in length,
0:02:46 > 0:02:49unfamiliar dorsal features, spots all over it.
0:02:49 > 0:02:51I shot it dorsally with a homing dart.
0:02:51 > 0:02:52Esteban was eaten.
0:02:52 > 0:02:54Check the scanning monitor.
0:02:54 > 0:02:56Start tracking it before it goes too deep!
0:02:56 > 0:02:58Esteban was bitten? Eaten!
0:02:58 > 0:03:00Is he dead?
0:03:00 > 0:03:02Esteban was eaten. He was swallowed whole?
0:03:02 > 0:03:06No! Chewed. Check the scanning monitor!
0:03:06 > 0:03:08He's got hydrogen psychosis -
0:03:08 > 0:03:10"crazy eye."
0:03:10 > 0:03:12Steve, we think you got crazy eye.
0:03:12 > 0:03:14Get him out of the fucking water.
0:03:14 > 0:03:15Esteban!
0:03:15 > 0:03:18Esteban! Esteban!
0:03:18 > 0:03:19Esteban!
0:03:19 > 0:03:20Esteban!
0:03:20 > 0:03:23Steve! Esteban!
0:03:23 > 0:03:24Esteban!
0:03:24 > 0:03:25Esteban!
0:03:25 > 0:03:28Esteban!
0:03:36 > 0:03:39SPEAKS ITALIAN
0:03:39 > 0:03:42Was it a deliberate choice never to show the jaguar shark?
0:03:44 > 0:03:46No, I dropped the camera.
0:03:46 > 0:03:48LAUGHTER
0:03:48 > 0:03:51SPEAKS ITALIAN LAUGHTER
0:03:51 > 0:03:54Why are they laughing?
0:03:54 > 0:03:56SPEAKS ITALIAN
0:03:58 > 0:04:00Yes. What's next for Team Zissou?
0:04:00 > 0:04:02Well, that was only part one.
0:04:02 > 0:04:04It's a cliff-hanger.
0:04:04 > 0:04:06Now I'm gonna go hunt down that shark,
0:04:06 > 0:04:08or whatever it is,
0:04:08 > 0:04:11and hopefully kill it.
0:04:11 > 0:04:13I don't know how yet. Maybe dynamite.
0:04:13 > 0:04:16MURMURING: You don't know what it is?
0:04:16 > 0:04:19No, I've never seen anything like it before in my life.
0:04:19 > 0:04:21You say it is a jaguar shark. That's the title of your film.
0:04:21 > 0:04:22It was coming right at us.
0:04:22 > 0:04:25I just said the first two words that came into my head.
0:04:25 > 0:04:27SPEAKS FRENCH
0:04:27 > 0:04:29That's an endangered species at most.
0:04:29 > 0:04:31What would be the scientific purpose
0:04:31 > 0:04:33of killing it?
0:04:36 > 0:04:37Revenge.
0:04:46 > 0:04:49Bravo. What fun.
0:04:49 > 0:04:51Steve, I'd like to introduce you to Antonia Cook.
0:04:51 > 0:04:54She's the new head of the film society.
0:04:54 > 0:04:56You must be so excited.
0:04:56 > 0:04:58I hope so. You think it went OK?
0:04:58 > 0:05:01No. Congratulations, seriously.
0:05:01 > 0:05:05Thanks. I wish it didn't require the "seriously," but thank you.
0:05:05 > 0:05:09Well, I just don't think they got it.
0:05:09 > 0:05:11Steve... Good turnout tonight.
0:05:11 > 0:05:14..you know Larry Amin, chairman of Saudi Film. Oh, yeah. Hi.
0:05:14 > 0:05:16Larry and I were discussing our financial predicament.
0:05:16 > 0:05:18I thought it would be nice if the three of us rode out
0:05:18 > 0:05:19to the party together, just the three of us.
0:05:19 > 0:05:22Why? Does Larry have that kind of spending bread to invest?
0:05:22 > 0:05:25The king's backing him now... I just got 500 million capitalization from the king.
0:05:25 > 0:05:27Captain Zissou, can I get a shot of you with Captain Hennessey?
0:05:27 > 0:05:29Where?
0:05:32 > 0:05:33Make it quick.
0:05:33 > 0:05:36Hey, Steven. How's everything going with your...
0:05:36 > 0:05:37What are you calling it? Leopard fish?
0:05:37 > 0:05:41Jaguar shark. Jaguar shark. Exactly.
0:05:41 > 0:05:43I love it. Tell me something.
0:05:43 > 0:05:45Does it actually exist?
0:05:45 > 0:05:48You know, Ali, I don't want to give away the ending.
0:05:49 > 0:05:50Good man.
0:05:50 > 0:05:54Oh, here comes our girl.
0:05:55 > 0:05:57You're the most ravishing creature
0:05:57 > 0:05:59that I've ever seen in my life.
0:05:59 > 0:06:00Hello, skinny. Hello, Eleanor.
0:06:00 > 0:06:02Is that a new merit badge?
0:06:02 > 0:06:04Oh, yeah, as a matter of fact, it is.
0:06:04 > 0:06:06I just became a knight in Portugal.
0:06:06 > 0:06:08The presidente gave a special ball...
0:06:08 > 0:06:12Don't be nice to Ali. He's my nemesis.
0:06:12 > 0:06:13How could you lay that slick faggot?
0:06:13 > 0:06:16Well, I was in love with him at the time.
0:06:16 > 0:06:19Yeah, he's charismatic.
0:06:19 > 0:06:20How are you feeling?
0:06:20 > 0:06:22I'm right on the edge.
0:06:22 > 0:06:24I don't know what comes next.
0:06:24 > 0:06:26Wait here. I'll be right back.
0:06:30 > 0:06:33I just wanted to say hello. Hi.
0:06:33 > 0:06:35Hey, baby.
0:06:35 > 0:06:37I said I wanted to say hello.
0:06:37 > 0:06:40I didn't say I wanted you to touch me.
0:06:40 > 0:06:43I'm here with my wife. Eleanor, this is Mendeeza.
0:06:43 > 0:06:46Do we really want to put me through this?
0:06:48 > 0:06:51People say Eleanor is the brains behind Team Zissou.
0:06:51 > 0:06:52What is Steve?
0:06:52 > 0:06:54LAUGHS
0:06:54 > 0:06:57He's the Zissou.
0:06:58 > 0:07:00INTERVIEW CONTINUING
0:07:03 > 0:07:07Steve, this is my little nephew, Werner.
0:07:07 > 0:07:10He wanted to meet you.
0:07:10 > 0:07:11How you doing, Werner?
0:07:11 > 0:07:13He brought you a present.
0:07:15 > 0:07:17A crayon pony fish.
0:07:17 > 0:07:19Wow.
0:07:19 > 0:07:21Interesting specimen.
0:07:23 > 0:07:24Thanks, pal.
0:07:24 > 0:07:26You're welcome.
0:07:26 > 0:07:28Steve...
0:07:28 > 0:07:31you don't look too good.
0:07:31 > 0:07:33How's this?
0:07:33 > 0:07:36Steve, there's a bloke over there wants a word with you.
0:07:36 > 0:07:41What do you need, old man? SPEAKS ITALIAN
0:07:56 > 0:07:58How many of these do you have?
0:07:58 > 0:08:00All right, look,
0:08:00 > 0:08:03just forge the rest of them yourself, all right?
0:08:05 > 0:08:07Get outta here.
0:08:26 > 0:08:30Hey, Steve, how come you're not sitting Shivah for your friend Esteban?
0:08:32 > 0:08:34What'd you say?
0:08:35 > 0:08:38Who you gonna kill in part two?
0:08:42 > 0:08:43CROWD GASPS Steve.
0:08:46 > 0:08:48STEVE: Ow!
0:09:10 > 0:09:13SINGS "ZIGGY STARDUST" IN PORTUGUESE
0:09:32 > 0:09:34Larry Amin's flying back to Mecca tonight,
0:09:34 > 0:09:35see if he can make the numbers work.
0:09:35 > 0:09:37He should have an answer for us in ten days.
0:09:37 > 0:09:40Tell him we need to know by Sunday.
0:09:40 > 0:09:42Why would I do that, my darling?
0:09:42 > 0:09:46To call his bluff, damn it, to light a fire under his ass.
0:09:46 > 0:09:49My darling, we haven't made a hit documentary in nine years.
0:09:49 > 0:09:51Let's not fuck with Larry Amin.
0:09:51 > 0:09:53Doubles. Explain it to him, will you, Eleanor?
0:09:53 > 0:09:55Screwdriver. He understands.
0:09:55 > 0:09:58Amin needs to make a projection of the world grosses
0:09:58 > 0:10:01to see if he can get a tax break and run it through his output deal.
0:10:01 > 0:10:04I don't understand, but I can tell it's bullshit.
0:10:04 > 0:10:06Oh, what the hell is going on?
0:10:06 > 0:10:08Play the black jack on the red queen.
0:10:08 > 0:10:10GENERATOR WHIRS
0:10:10 > 0:10:12Well, if you'll excuse me,
0:10:12 > 0:10:13I'm gonna go on an overnight drunk,
0:10:13 > 0:10:15and in ten days, I'm gonna set out
0:10:15 > 0:10:17to find the shark that ate my friend and destroy it.
0:10:17 > 0:10:20Anyone that would care to join me is more than welcome.
0:10:24 > 0:10:25Captain Zissou, I'm sorry to bother you.
0:10:25 > 0:10:27I'm Ned Plimpton.
0:10:27 > 0:10:29OK, man.
0:10:29 > 0:10:31My mother's Catherine Plimpton.
0:10:35 > 0:10:36You're kidding.
0:10:36 > 0:10:38No.
0:10:38 > 0:10:39How is she?
0:10:39 > 0:10:41She died last month.
0:10:43 > 0:10:45I'm sorry. Shit.
0:10:45 > 0:10:48She was...
0:10:48 > 0:10:50Hmm.
0:10:53 > 0:10:55I've heard of you.
0:11:03 > 0:11:06I don't know if it's true or not, by the way. Do you?
0:11:06 > 0:11:08No, I don't.
0:11:08 > 0:11:11I haven't heard from her in 30 years.
0:11:13 > 0:11:15I guess it's too late now.
0:11:18 > 0:11:21She never contacted me, you know.
0:11:21 > 0:11:23Yes, I see.
0:11:26 > 0:11:28You're supposed to be my son, right?
0:11:28 > 0:11:30I don't know,
0:11:30 > 0:11:32but I did want to meet you,
0:11:32 > 0:11:35just in case.
0:11:35 > 0:11:37I appreciate that.
0:11:44 > 0:11:47I'll be right back. don't go away?
0:11:47 > 0:11:49MUSIC: "Life On Mars" by David Bowie
0:12:38 > 0:12:39Sorry about that.
0:12:39 > 0:12:42You caught me with one foot off the merry-go-round tonight.
0:12:42 > 0:12:44Oh, that's all right. I don't wanna take up too much of your time,
0:12:44 > 0:12:46and I wanna thank you for talking to me and...
0:12:46 > 0:12:49We'll find a way, mate. I know we will.
0:12:49 > 0:12:51I just had a lovely chat with Sy Perlman.
0:12:51 > 0:12:54He wants to make a big to-do of the Oceanographic Explorer article,
0:12:54 > 0:12:56possibly give you the front cover,
0:12:56 > 0:12:59so do be nice to this girl Miss Winslett-Richardson, won't you?
0:12:59 > 0:13:03Apparently she worships you, and we dearly need the press.
0:13:03 > 0:13:06Oseary, this is probably my son Ned.
0:13:06 > 0:13:07We just met.
0:13:07 > 0:13:09Ah. Oh, how delightful.
0:13:09 > 0:13:11Hello.
0:13:11 > 0:13:13Anyway, his mother just died.
0:13:13 > 0:13:15Plus, we're having some problems.
0:13:15 > 0:13:17I just think it'd be a very special opportunity
0:13:17 > 0:13:18for all of us, especially him.
0:13:18 > 0:13:21He needs this deal. OK, bring him over.
0:13:21 > 0:13:23Well, he's right here.
0:13:27 > 0:13:29I'm sorry. How do you do?
0:13:33 > 0:13:35So what do you do?
0:13:35 > 0:13:38I'm a pilot. Air Kentucky.
0:13:38 > 0:13:40Air Kentucky. Co-pilot, actually.
0:13:40 > 0:13:42Yeah, I don't know that one.
0:13:42 > 0:13:44We hub out of Louisville.
0:13:44 > 0:13:47Well, sure, there's some pretty country in those parts.
0:13:47 > 0:13:48Landlocked.
0:13:48 > 0:13:49I have to tell you
0:13:49 > 0:13:53I've been a member of the Zissou Society since I was 11.
0:13:54 > 0:13:56Well, I'll be damned. Look at that.
0:13:58 > 0:14:00Wanna kill this?
0:14:00 > 0:14:04Frankly, I better not. I don't usually try grass.
0:14:09 > 0:14:12Let me tell you about my boat.
0:14:18 > 0:14:20The Belafonte was a long-range subhunter
0:14:20 > 0:14:22during the Second World War,
0:14:22 > 0:14:25which we bought from the US Navy for 900,000.
0:14:25 > 0:14:27This is my mentor, Lord Mandrake.
0:14:27 > 0:14:29He's dead now.
0:14:29 > 0:14:32The sauna was designed
0:14:32 > 0:14:34by an engineer from the Chinese space programme,
0:14:34 > 0:14:38and we keep a Swedish masseuse on staff.
0:14:38 > 0:14:41Here's where we do all our different science projects
0:14:41 > 0:14:44and experiments and so on.
0:14:44 > 0:14:46This is the kitchen, which contains probably
0:14:46 > 0:14:49some of the most technologically advanced equipment on the ship.
0:14:51 > 0:14:53Eleanor put together a top-notch research library for us,
0:14:53 > 0:14:55with a complete first-edition set
0:14:55 > 0:14:58of The Life Aquatic companion series.
0:14:58 > 0:15:01We process our own rushes and keep a cutting room on board
0:15:01 > 0:15:03so we can do an assembly while we're shooting.
0:15:03 > 0:15:06I can't find them. Once again, please.
0:15:07 > 0:15:09This is the observation bubble,
0:15:09 > 0:15:11which I thought up in a dream, actually.
0:15:13 > 0:15:15Two albino scouts swim with the ship.
0:15:15 > 0:15:17They're supposedly very intelligent,
0:15:17 > 0:15:20although I've never seen any evidence of it.
0:15:20 > 0:15:22Here's the engine room.
0:15:22 > 0:15:24The bearing casings aren't supposed to look like that,
0:15:24 > 0:15:27but we can't afford to fix 'em this year.
0:15:27 > 0:15:29Topside we've got the bridge, the minisub, an old chopper
0:15:29 > 0:15:31and all kinds of radar and sonar
0:15:31 > 0:15:33and underwater movie gadgets.
0:15:33 > 0:15:36NED: What happened to Jacqueline?
0:15:36 > 0:15:39She didn't really love me.
0:15:50 > 0:15:52Lord Mandrake.
0:15:54 > 0:15:57It's wonderful. Very lifelike.
0:15:57 > 0:15:59I'm not crazy about it.
0:16:04 > 0:16:06This guy's a big-time asshole.
0:16:06 > 0:16:08We were roommates at the Academy.
0:16:08 > 0:16:11He used to be married to Eleanor.
0:16:11 > 0:16:14He hogs up all the grant money.
0:16:14 > 0:16:16You think you'll want to change your name?
0:16:16 > 0:16:17Ned?
0:16:17 > 0:16:20No, not the Ned part, unless you want to.
0:16:20 > 0:16:21I meant your last name.
0:16:21 > 0:16:25I thought you might like to let me give you mine.
0:16:26 > 0:16:27Ned Zissou?
0:16:27 > 0:16:29Ned Zissou. Exactly.
0:16:29 > 0:16:31Or if you want to, you can change the first part, too.
0:16:31 > 0:16:34I would have named you Kingsley if I'd had a say in it.
0:16:34 > 0:16:36Kingsley.
0:16:36 > 0:16:37I don't know.
0:16:37 > 0:16:40Maybe I'll stick with Ned for now.
0:16:40 > 0:16:41Sure. That's OK.
0:16:41 > 0:16:45Anyway, I'll order you some correspondence stock.
0:16:45 > 0:16:47What are you doing? I ordered the wine.
0:16:47 > 0:16:51Pour it over here, please. He doesn't know anything about wine.
0:16:53 > 0:16:55MEN SPEAK ITALIAN
0:16:58 > 0:17:00Are those assholes talking about me?
0:17:16 > 0:17:18People say when someone says something like that about you,
0:17:18 > 0:17:20it's because they re jealous,
0:17:20 > 0:17:23but it still hurts.
0:17:23 > 0:17:24It hurts bad.
0:17:24 > 0:17:27That man was damn rude. He can go straight to hell.
0:17:44 > 0:17:47How did she die, by the way, your mother?
0:17:47 > 0:17:52She took her own life. She took sleeping pills.
0:17:52 > 0:17:55Why would she do that?
0:17:55 > 0:17:59Well, she was in a great deal of pain, you know.
0:17:59 > 0:18:01Oh.
0:18:01 > 0:18:04I see, yeah.
0:18:04 > 0:18:08You know, my best friend just got killed, Esteban.
0:18:08 > 0:18:10Yeah, I know.
0:18:10 > 0:18:12The old man.
0:18:14 > 0:18:17Let's go to my island.
0:18:17 > 0:18:19Well, I...
0:18:19 > 0:18:21I have to be back in Kentucky on Thursday.
0:18:21 > 0:18:26Thursday? OK. That's OK.
0:18:26 > 0:18:29MUSIC: "Rebel Rebel" by David Bowie
0:19:01 > 0:19:03Your cat's dead.
0:19:03 > 0:19:05What? Which one?
0:19:05 > 0:19:08Marmalade. I'm sorry.
0:19:08 > 0:19:09What happened?
0:19:10 > 0:19:12A rattlesnake bit it in the throat.
0:19:14 > 0:19:17Goddamn it, Eleanor, why do you have to say it like that?
0:19:17 > 0:19:20You couldn't try to break it a little bit nicer?
0:19:24 > 0:19:26She's a rich bitch, you know.
0:19:26 > 0:19:29She was raised by maids.
0:19:29 > 0:19:33Her parents paid for this island and two of my worst movies.
0:19:35 > 0:19:38People say she's the brains behind Team Zissou.
0:19:38 > 0:19:40People say a lot of things.
0:19:40 > 0:19:42What kind of cat was it?
0:19:43 > 0:19:47Who gives a shit? I think it was a tabby.
0:19:47 > 0:19:51Ned? Wanna come inside, we'll make up a room for you?
0:19:51 > 0:19:53Steve, that reporter called.
0:20:08 > 0:20:10STEVE: Ned, wake up.
0:20:10 > 0:20:11Yes. I'm on the echo box.
0:20:11 > 0:20:13Push the red button to answer.
0:20:13 > 0:20:15Throw on your slob and meet me on the beach in 12 minutes.
0:20:15 > 0:20:17The white button? OK.
0:20:20 > 0:20:22Action!
0:20:22 > 0:20:24Only twice before have I had the good fortune
0:20:24 > 0:20:26to observe a rubber tide,
0:20:26 > 0:20:29that rare occurrence when hundreds of electric jellyfish
0:20:29 > 0:20:32spontaneously wash onto a beachhead at once.
0:20:32 > 0:20:34Bobby Ogata brings exactly this
0:20:34 > 0:20:36to our attention tonight.
0:20:39 > 0:20:42Steve, what produces this effect of illumination?
0:20:42 > 0:20:46Is there a chemical inside the organism?
0:20:46 > 0:20:49No, Ned. Actually, it's the reflection of the moonlight
0:20:49 > 0:20:51on their outer membranes.
0:20:53 > 0:20:56That's a very good ad lib.
0:20:56 > 0:20:58Klaus, come over here and get a two-shot of me and Ned.
0:20:58 > 0:21:00Ned, come in here.
0:21:04 > 0:21:07Would you like to join my crew?
0:21:07 > 0:21:11Would I like to... I want you on Team Zissou.
0:21:11 > 0:21:13I don't think I can do that. Why not?
0:21:13 > 0:21:17Well, it's not my field. I don't have the background for it.
0:21:17 > 0:21:18No-one here does.
0:21:18 > 0:21:20Klaus used to be a bus driver.
0:21:20 > 0:21:23Wolodarsky was a high-school substitute teacher.
0:21:23 > 0:21:25We're a pack of strays, don't you get it?
0:21:25 > 0:21:28Steve, I'm not even that strong a swimmer.
0:21:30 > 0:21:32The answer's yes.
0:21:32 > 0:21:34Well, it's got to be.
0:21:34 > 0:21:36I'll order you a red cap and a Speedo.
0:21:36 > 0:21:39Cut. Klaus, why aren't you rolling?
0:21:39 > 0:21:40Could I have a word with you, please?
0:21:40 > 0:21:44STEVE: Why aren't you getting this?
0:21:44 > 0:21:46That was a goddamn tearjerker.
0:21:46 > 0:21:48Why did you cut it, man?
0:21:48 > 0:21:50Because the sound is going to be shit.
0:21:50 > 0:21:53He doesn't even know how to hold a boom.
0:21:53 > 0:21:56He doesn't know diddly-Jack about what we're doing.
0:21:56 > 0:21:58Don't cut unless I say cut.
0:21:58 > 0:22:02I've never seen so many electric jellyfish in all my life.
0:22:02 > 0:22:04Those are Vietcong man-of-wars.
0:22:13 > 0:22:15Oh, shit, she's right.
0:22:15 > 0:22:18I guess we'll have to loop that line.
0:22:18 > 0:22:20Where'd you come from? You look pregnant.
0:22:20 > 0:22:21I am pregnant.
0:22:21 > 0:22:23I'm not even going to ask what you men are doing out here
0:22:23 > 0:22:25in your matching pyjamas, by the way.
0:22:25 > 0:22:29We're producing a film, as a matter of fact. Who are you?
0:22:29 > 0:22:31I'm Jane Winslett-Richardson.
0:22:31 > 0:22:34I'm the reporter from The Oceanographic Explorer.
0:22:34 > 0:22:35Oh, yeah, sure. How'd you get out here?
0:22:35 > 0:22:38I hired some drunk in a fishing boat.
0:22:38 > 0:22:41That would take four hours. Why would you do that?
0:22:41 > 0:22:43Because no-one picked me up at the effing airport.
0:22:43 > 0:22:46Jesus Christ, Klaus.
0:22:46 > 0:22:48One of my guys was supposed to do that.
0:22:48 > 0:22:51How long have you been working with Zissou?
0:22:51 > 0:22:53Uh, approximately...
0:22:53 > 0:22:55only ten minutes, actually.
0:22:55 > 0:22:56I was hired during the scene on the beach.
0:22:56 > 0:22:59He's Steve's son, supposedly. You are?
0:22:59 > 0:23:01No, you're not. He doesn't have one.
0:23:01 > 0:23:03Well, we're not 100% sure about that yet.
0:23:03 > 0:23:07We just met yesterday.
0:23:07 > 0:23:10Not this one, Klaus. Hmm?
0:23:14 > 0:23:16You heard me. Not this one.
0:23:16 > 0:23:18OK.
0:23:18 > 0:23:20First thing in the morning, huh? Just print everything?
0:23:20 > 0:23:23Yeah, tell him to push it a stop and a half. OK.
0:23:24 > 0:23:26What are you gonna do with him?
0:23:26 > 0:23:28Who?
0:23:28 > 0:23:30Ned? What do you mean?
0:23:32 > 0:23:35I don't understand the question.
0:23:39 > 0:23:43I offered him a spot on The Belafonte.
0:23:43 > 0:23:45He didn't take it, did he?
0:23:45 > 0:23:47Of course he took it.
0:23:47 > 0:23:50We're gonna put him on the map, Eleanor.
0:23:50 > 0:23:52We're gonna throw him a life preserver.
0:23:52 > 0:23:56I believe in this boy. Why?
0:23:59 > 0:24:01Because he looks up to me.
0:24:01 > 0:24:05Yes, sir, and McKennan's willing to take over my shuttle flights.
0:24:05 > 0:24:07That's right.
0:24:11 > 0:24:14Well, I just feel I need to see this thing through, sir.
0:24:16 > 0:24:18Thank you for understanding.
0:24:18 > 0:24:21I'll check in with the Louisville office again next month.
0:24:21 > 0:24:23PIANO ON RADIO
0:24:23 > 0:24:24JANE: "...As I have not, as they say,
0:24:24 > 0:24:26"enough power of observation
0:24:26 > 0:24:28"to isolate their sense of colour.
0:24:28 > 0:24:31"For a long time afterwards, whenever I thought of her,
0:24:31 > 0:24:33"the memory of those bright eyes
0:24:33 > 0:24:38"would at once present itself to me as a vivid azure,
0:24:38 > 0:24:41"so much so that perhaps if her eyes had not been quite so black,
0:24:41 > 0:24:43"which was what struck one most forcibly
0:24:43 > 0:24:44"on first meeting her,
0:24:44 > 0:24:46"I should not have been, as I was,
0:24:46 > 0:24:49"so especially enamoured of their imagined blue."
0:24:54 > 0:24:55Hold it.
0:24:59 > 0:25:00That's poetry?
0:25:00 > 0:25:03No, it's a six-volume novel.
0:25:03 > 0:25:06Oh, so you're gonna read that whole thing to yourself out loud.
0:25:06 > 0:25:09I'm not reading it to myself, I'm reading it to him.
0:25:12 > 0:25:16When did you learn Zissou was your father?
0:25:16 > 0:25:19Does it freak you out for me to ask that?
0:25:19 > 0:25:21No, it doesn't, but it's a difficult question.
0:25:21 > 0:25:24I sort of pieced it together over the years.
0:25:24 > 0:25:26Well, how did he first contact you?
0:25:26 > 0:25:27He didn't.
0:25:27 > 0:25:30I went looking for him last month after my mother died.
0:25:30 > 0:25:32She had ovarian cancer,
0:25:32 > 0:25:35then it spread to her stomach and liver, and she took her own life.
0:25:35 > 0:25:37Oh.
0:25:37 > 0:25:39Well, good night, I guess.
0:25:39 > 0:25:42Oh, good night.
0:25:42 > 0:25:44You mind if I stay and listen for a little while?
0:25:47 > 0:25:48OK.
0:25:54 > 0:25:56SHE CLEARS HER THROAT
0:25:56 > 0:25:58Do you want me to catch you up on the story?
0:25:58 > 0:26:01No, I'll be able to figure it out.
0:26:01 > 0:26:03I'll just catch as catch can.
0:26:06 > 0:26:09They made these for about...
0:26:09 > 0:26:12three and a half years before they terminated my sponsorship.
0:26:20 > 0:26:22These are great.
0:26:22 > 0:26:24May I turn this on? Fire one.
0:26:27 > 0:26:29So what happened, in your opinion?
0:26:31 > 0:26:33What are you talking about?
0:26:33 > 0:26:35Don't you think public perception of your work
0:26:35 > 0:26:37has significantly altered in the last five years?
0:26:37 > 0:26:39That's your first question? I thought this was supposed to be a puff piece.
0:26:39 > 0:26:41Should we come back to it?
0:26:41 > 0:26:42Yeah.
0:26:42 > 0:26:44OK.
0:26:44 > 0:26:48Is it true that this is going to be your last voyage?
0:26:48 > 0:26:51Wow. No comment.
0:26:51 > 0:26:54Who told you that?
0:26:54 > 0:26:57No, goddamn it. I'm only 52.
0:26:57 > 0:27:00How about we start out with some stock dialogue?
0:27:00 > 0:27:02You know, favourite colour - blue.
0:27:02 > 0:27:04Favourite food - sardines.
0:27:04 > 0:27:06How do you feel about part one of your new film?
0:27:06 > 0:27:10Why? How do you feel about part one of my new film?
0:27:10 > 0:27:13Well, I'm honest, you know, so... Just say it.
0:27:15 > 0:27:17I thought aspects of it seemed slightly fake.
0:27:17 > 0:27:20Wolodarsky...
0:27:20 > 0:27:23I'll take five, Steve. ..How about taking five?
0:27:24 > 0:27:27Did it seem fake
0:27:27 > 0:27:30when my best friend was bitten in half right in front of me,
0:27:30 > 0:27:32then eaten alive, screaming?
0:27:32 > 0:27:35I think you're a fake.
0:27:35 > 0:27:37I think you're a phoney
0:27:37 > 0:27:39and a bad reporter.
0:27:39 > 0:27:40How does that feel?
0:27:40 > 0:27:43Now, tell me something...
0:27:43 > 0:27:45does this seem fake?
0:27:45 > 0:27:48How dare you.
0:27:48 > 0:27:50This entire article was my idea.
0:27:50 > 0:27:52No-one else gives a shit.
0:27:52 > 0:27:53What about Sy Perlman?
0:27:55 > 0:27:58Are you joking? He's not even covering my expenses.
0:28:01 > 0:28:02You're taking something out on me.
0:28:10 > 0:28:11SHE SNIFFS
0:28:11 > 0:28:13Stop crying.
0:28:13 > 0:28:14What's the deal here?
0:28:14 > 0:28:16I was only trying to defend myself.
0:28:16 > 0:28:19Well, you did a great job.
0:28:19 > 0:28:22SHE TURNS RECORDER ON I'm sure you'll make a terrific father.
0:28:28 > 0:28:32So, you really think you're a Zissou?
0:28:33 > 0:28:35I don't know.
0:28:35 > 0:28:38You travelled a long way for "I don't know", sonny.
0:28:38 > 0:28:40That's true,
0:28:40 > 0:28:43but it's important to me.
0:28:43 > 0:28:45Ja, well, there are a lot of things
0:28:45 > 0:28:48that are important to some people around here, sonny.
0:28:48 > 0:28:50Klaus, don't call me sonny. One more thing.
0:28:50 > 0:28:54It's the Steve Zissou show, not the Ned show.
0:28:57 > 0:28:58You hear me?
0:28:58 > 0:29:01Yes, I do.
0:29:01 > 0:29:02Klaus!
0:29:02 > 0:29:04Ja?
0:29:04 > 0:29:06If you ever touch me again,
0:29:06 > 0:29:10I will kick your goddamned teeth out, is that understood?
0:29:11 > 0:29:14Not if I don't see you first, sonny.
0:29:24 > 0:29:26We gotta watch ourselves around this Jane character.
0:29:26 > 0:29:28Don't tell her anything personal.
0:29:28 > 0:29:30If you're not sure about something,
0:29:30 > 0:29:33change the subject and look for me.
0:29:33 > 0:29:36This bull dyke's got something against us.
0:29:36 > 0:29:39I don't think she's a lesbian. She's pregnant.
0:29:39 > 0:29:42Bull dykes can get pregnant.
0:29:42 > 0:29:46Anyway, I'd back out now, but we need the press.
0:29:46 > 0:29:48See you in the morning.
0:29:48 > 0:29:50Steve?
0:29:50 > 0:29:52Hmm?
0:29:52 > 0:29:54When'd you first hear about me?
0:29:57 > 0:29:58About five years ago.
0:29:58 > 0:30:01I read it in an article about myself.
0:30:01 > 0:30:04Did you believe it?
0:30:05 > 0:30:07It was in the paper.
0:30:07 > 0:30:09I assumed they... checked their facts.
0:30:12 > 0:30:14Why didn't you contact me?
0:30:16 > 0:30:20Because I hate fathers, and I never wanted to be one.
0:30:28 > 0:30:30I forgot.
0:30:30 > 0:30:32Your correspondence stock came in.
0:30:38 > 0:30:40ANSWERING MACHINE BEEPS
0:30:40 > 0:30:42JANE: Hi, Ross. Started today.
0:30:42 > 0:30:46I'll forward some pages to you through the copy department.
0:30:47 > 0:30:49You're probably right, though.
0:30:49 > 0:30:51DISTANT SINGING
0:30:51 > 0:30:55What am I doing here?
0:30:55 > 0:30:58I miss you and...
0:30:58 > 0:31:01Oh, God, I don't know, Ross.
0:31:01 > 0:31:03Where are you?
0:31:06 > 0:31:09Listen, I'm not leaving this message.
0:31:09 > 0:31:12Don't even know why I'm still pregnant.
0:31:12 > 0:31:14PHONE HANGS UP
0:31:20 > 0:31:23The script girl uses these for continuity.
0:31:24 > 0:31:26Here. Oh, no, no, no.
0:31:26 > 0:31:28No exceptions. Everyone gets one.
0:31:28 > 0:31:32Anne-Marie, do the interns get glocks?
0:31:32 > 0:31:34No, they all share one.
0:31:34 > 0:31:37Take it, Ned.
0:31:37 > 0:31:38Steve! What?
0:31:38 > 0:31:41Whack on the echo box.
0:31:42 > 0:31:44Zissou here.
0:31:44 > 0:31:47KLAUS: Steve, Oseary Drakoulias on line two.
0:31:47 > 0:31:49Yeah?
0:31:49 > 0:31:51I spoke with Larry Amin,
0:31:51 > 0:31:53and it's a pass.
0:31:53 > 0:31:55In other words, you fucked us.
0:31:55 > 0:31:59Let's not cast stones at one another, my boy.
0:31:59 > 0:32:01Do you hear me, damn it? Do you?! No, I don't!
0:32:01 > 0:32:04I told you how to play it! Bloody hell. Listen here, mate...
0:32:04 > 0:32:06May I interrupt for a moment?
0:32:06 > 0:32:09Who the blazes is that?
0:32:09 > 0:32:11It's me - Ned.
0:32:11 > 0:32:13Maybe this is nothing, maybe it's something.
0:32:13 > 0:32:17I don't know your problems. I don't know...
0:32:17 > 0:32:20but I just inherited 275,000.
0:32:20 > 0:32:24Would that amount make any difference?
0:32:24 > 0:32:27What sort of expression is the lad wearing on his face?
0:32:27 > 0:32:30Can you fly a chopper?
0:32:30 > 0:32:34I have, but I'm certainly not licensed in any way, shape or form.
0:32:34 > 0:32:36Great. Let's go.
0:32:42 > 0:32:44METAL CLANKS
0:32:44 > 0:32:46When was this whirlybird last serviced?
0:32:46 > 0:32:47I don't know.
0:32:47 > 0:32:49Klaus is supposed to check it every six months.
0:32:57 > 0:32:58You're back on the water, boys.
0:32:58 > 0:33:01The wire transfer came straight through from Kentucky,
0:33:01 > 0:33:02and Jackman and Worsley
0:33:02 > 0:33:04are going to gap-finance the rest.
0:33:04 > 0:33:08But we have a few hooks on it, so take a pew for a spell.
0:33:08 > 0:33:12Number one, the bank want a drug screen for everyone on the crew
0:33:12 > 0:33:13before they'll forward the money.
0:33:13 > 0:33:16A piss test? Yes, a piss test.
0:33:16 > 0:33:18Two, a stooge from the bond company
0:33:18 > 0:33:20will be riding everywhere during the whole shoot
0:33:20 > 0:33:22to keep you on budget. Who's the stooge?
0:33:22 > 0:33:24A chap by the name of Bill Ubell,
0:33:24 > 0:33:26and there's not a damn thing you can do about that, Steve.
0:33:26 > 0:33:29Three, you must swear, legally swear,
0:33:29 > 0:33:32that you'll not kill that shark, or whatever it is,
0:33:32 > 0:33:34if it actually exists.
0:33:35 > 0:33:39I'm going to fight it, but I'll let it live.
0:33:39 > 0:33:40What about my dynamite?
0:33:40 > 0:33:41Phillip, dynamite.
0:33:41 > 0:33:44I'm off to Zurich. Follow me, chaps.
0:33:44 > 0:33:47Mr Ubell, I'd like for you to know Steve Zissou
0:33:47 > 0:33:49and our equity partner, Ned.
0:33:56 > 0:34:00I hope you're not gonna bust our chops, Bill.
0:34:00 > 0:34:02Why would I do that?
0:34:02 > 0:34:06Because you're a bond company stooge.
0:34:06 > 0:34:08Well, I'm also a human being.
0:34:10 > 0:34:12All right, I take that back.
0:34:12 > 0:34:14Yeah.
0:34:14 > 0:34:16Let's have some teamsmanship.
0:34:20 > 0:34:21Ho!
0:35:51 > 0:35:521, 2, 3.
0:35:52 > 0:35:53Come on.
0:35:59 > 0:36:011, 2, 3.
0:36:01 > 0:36:03Attaboy. Attaboy.
0:36:03 > 0:36:04Here he is. Here he is.
0:36:04 > 0:36:07Come on. You OK, Ned? You OK?
0:36:07 > 0:36:10All right, all right. Give him some room. He's OK.
0:36:10 > 0:36:12He just drank a little too much water.
0:36:16 > 0:36:18How are you shooting this, Vikram? Wide open?
0:36:18 > 0:36:20Light, 5/6.
0:36:31 > 0:36:35As always, even in the most challenging circumstances,
0:36:35 > 0:36:39the members of Team Zissou find ways to keep morale high.
0:36:39 > 0:36:41CHEERING
0:36:44 > 0:36:45Wait. Hold it.
0:36:45 > 0:36:47Is that a distress bark?
0:36:51 > 0:36:53Is something wounded out there?
0:36:53 > 0:36:56NARRATING: We quickly locate the source of the mysterious cry.
0:36:59 > 0:37:00What is she, Steve?
0:37:00 > 0:37:03A wild snow mongoose.
0:37:03 > 0:37:04We thought they were extinct.
0:37:04 > 0:37:07Her ankle's broken. Ogata? Yeah.
0:37:07 > 0:37:09Run and get some hot milk
0:37:09 > 0:37:10and put these guys in the incubator.
0:37:10 > 0:37:12We radio for the emergency transport
0:37:12 > 0:37:15of our rare, beautiful new friends.
0:37:16 > 0:37:20That's what it used to be like.
0:37:20 > 0:37:21SQUEAKING
0:37:21 > 0:37:23STRUMMING GUITAR
0:37:26 > 0:37:29BIRDS CHIRPING
0:37:31 > 0:37:33ELEANOR: Had Ned's heart stopped beating
0:37:33 > 0:37:36before you pulled him out of the water?
0:37:36 > 0:37:38Had Ned's heart stopped beating
0:37:38 > 0:37:41before we pulled him out of the water?
0:37:41 > 0:37:45Yes, but we got him started again pretty quickly.
0:37:45 > 0:37:47Don't go on this voyage right now, Steve.
0:37:47 > 0:37:50One of you is already dead, after all.
0:37:50 > 0:37:52Who?
0:37:54 > 0:37:58Oh, you mean Esteban? Thanks for bringing that up.
0:38:01 > 0:38:03Who's gonna tell us the Latin names
0:38:03 > 0:38:04of all the fishes and everything?
0:38:04 > 0:38:06You know I can't remember all that shit.
0:38:06 > 0:38:09Please stop, Eleanor. Eleanor, stop.
0:38:09 > 0:38:11Why are you leaving? I'm leaving because I don't want to be a part
0:38:11 > 0:38:13of whatever's gonna happen out there.
0:38:13 > 0:38:15Nobody knows what's going to happen, and then we film it.
0:38:15 > 0:38:17That's the whole concept.
0:38:17 > 0:38:18That's how we've always done it.
0:38:18 > 0:38:21I can't believe you took that boy's money.
0:38:21 > 0:38:24He's an investor.
0:38:24 > 0:38:27He's my sidekick.
0:38:27 > 0:38:29The sugar crabs are back.
0:38:31 > 0:38:32They're early this year.
0:38:32 > 0:38:36I've never seen them mating before the solstice.
0:38:36 > 0:38:37Is that mating?
0:38:45 > 0:38:46Goodbye, Steve.
0:38:48 > 0:38:49Don't say that.
0:38:49 > 0:38:52Even if it's true... don't say that.
0:38:52 > 0:38:53It's too painful.
0:38:53 > 0:38:55What do you want me to say?
0:38:57 > 0:38:59Say, "Bon voyage."
0:39:04 > 0:39:05Bon voyage.
0:39:05 > 0:39:08PELE SINGS IN PORTUGUESE
0:39:43 > 0:39:45STEVE: Kingsley Ned Zissou, 29,
0:39:45 > 0:39:47junior-grade diving tech, executive producer.
0:39:47 > 0:39:49Energetic, spirited, youthful.
0:39:52 > 0:39:54Normally we would track the jaguar shark
0:39:54 > 0:39:56with the scanning monitor we keep on board The Belafonte,
0:39:56 > 0:39:59but its power tubes have seized up and blown a gasket.
0:40:01 > 0:40:03We now proceed to the more advanced system
0:40:03 > 0:40:07located on a colleague's offshore facility.
0:40:09 > 0:40:12This will be Team Zissou's next stop.
0:40:16 > 0:40:18See, Renzo, this is what I'm talking about -
0:40:18 > 0:40:20a relationship subplot.
0:40:20 > 0:40:23There's chemistry between us, you know?
0:40:23 > 0:40:25Huh?
0:40:25 > 0:40:28Here's a quote. Wait up. Who from?
0:40:28 > 0:40:30"Zissou has an almost magical connection
0:40:30 > 0:40:31"to the life of the sea.
0:40:31 > 0:40:33"He speaks its language fluently.
0:40:33 > 0:40:37"I've never met a boy like that in all my life.
0:40:37 > 0:40:38"Lord Mandrake."
0:40:38 > 0:40:40You should have opened with that one.
0:40:40 > 0:40:41He was your mentor.
0:40:41 > 0:40:44Hey, intern, get me a campari, will ya?
0:40:44 > 0:40:46On the rocks?
0:40:47 > 0:40:50You wanna go up in my balloon?
0:40:53 > 0:40:55I like her hairdo.
0:40:55 > 0:40:57Me, too, but Steve called her first.
0:41:00 > 0:41:04I'm sorry I made you cry the other day.
0:41:04 > 0:41:06Oh. That's OK.
0:41:06 > 0:41:08It's not completely your fault, anyway.
0:41:08 > 0:41:10I'm going through some personal problems.
0:41:10 > 0:41:13Really? What do you got?
0:41:13 > 0:41:15Well, I'm... five months pregnant.
0:41:15 > 0:41:16My editor's the father.
0:41:16 > 0:41:20He's married, but...not to me.
0:41:20 > 0:41:22Wow. That's a rough ticket.
0:41:22 > 0:41:27You know, my first wife left me when I was your age.
0:41:29 > 0:41:31What's Deep Search?
0:41:31 > 0:41:32My submarine.
0:41:34 > 0:41:37I had this exact image of you tacked up on the wall
0:41:37 > 0:41:39above my aquarium all through primary school.
0:41:39 > 0:41:43Oh, yeah? You mean, the official photograph, where I'm doing this?
0:41:43 > 0:41:45That's the one.
0:41:45 > 0:41:46Mm-hmm.
0:41:46 > 0:41:48Well, maybe it's just me,
0:41:48 > 0:41:50but I don't feel like that person.
0:41:50 > 0:41:52I never did.
0:41:52 > 0:41:57MUSIC ON RADIO: "Here's To You" by Joan Baez
0:42:05 > 0:42:09Why did you abandon Ned?
0:42:09 > 0:42:12I didn't. I never even met him.
0:42:15 > 0:42:18What kind of piece are you writing, cubby?
0:42:18 > 0:42:20Are you gonna screw us on this deal?
0:42:22 > 0:42:23I hope not.
0:42:23 > 0:42:25SHE SPITS
0:42:30 > 0:42:32You really think it's cool to hit the sauce
0:42:32 > 0:42:34when you got a bun in the oven?
0:42:36 > 0:42:38Pele, bring us back down, please.
0:42:38 > 0:42:39GAS BLOWS
0:42:43 > 0:42:45I don't have a problem with objective reporting.
0:42:45 > 0:42:47What I have a problem with
0:42:47 > 0:42:49is some wombat coming on my boat,
0:42:49 > 0:42:51trying to railroad me, you know?
0:42:53 > 0:42:55Why don't you see if you can get one of these dolphins
0:42:55 > 0:42:57to swim under the hull and give us a look.
0:43:00 > 0:43:03BEEPING
0:43:06 > 0:43:10No. Either they can't hear us, or they don't understand.
0:43:11 > 0:43:15Son of a bitch. I'm sick of these dolphins.
0:43:16 > 0:43:18Quiet out there tonight.
0:43:18 > 0:43:21Can you hear the Jack whales singing?
0:43:21 > 0:43:23FOGHORN SOUNDS
0:43:23 > 0:43:25Beautiful. I wonder what they're saying.
0:43:25 > 0:43:27Well, that was the sludge tanker over there, but...
0:43:27 > 0:43:29STRANGE ECHO
0:43:29 > 0:43:31There you go. That's them.
0:43:34 > 0:43:37By the way, would you mind if I made a few modifications
0:43:37 > 0:43:39to the Team Zissou insignia?
0:43:39 > 0:43:41I have some ideas. You mean the patch?
0:43:41 > 0:43:43Yes. The insignia.
0:43:43 > 0:43:46Yeah. It's probably kind of dated, isn't it?
0:43:46 > 0:43:49Sure. Take a crack at it. Make it a little trendier.
0:43:51 > 0:43:54All right.
0:43:55 > 0:43:59Are you finding what you were looking for
0:43:59 > 0:44:01out here with me?
0:44:01 > 0:44:03I hope so.
0:44:04 > 0:44:08I wrote you a letter about 17 years ago.
0:44:08 > 0:44:12You mean like a fan letter?
0:44:12 > 0:44:14Did I write you back?
0:44:14 > 0:44:18I try to answer as many personally as I can.
0:44:18 > 0:44:19"Dear Ned Plimpton,
0:44:19 > 0:44:22"first, in answer to your question, always.
0:44:22 > 0:44:25"Second, thank you very much for naming your bug after me.
0:44:25 > 0:44:28"My wife tells me it is actually a type of gnat.
0:44:28 > 0:44:30"You strike me as a very special boy
0:44:30 > 0:44:32"and a key member of the Zissou Society.
0:44:32 > 0:44:34"I wish I could come visit you in Kentucky
0:44:34 > 0:44:36"and assist you with your work.
0:44:36 > 0:44:38"I remember your mother.
0:44:38 > 0:44:40"Take care of yourself, Ned Plimpton.
0:44:40 > 0:44:41"You've served well.
0:44:41 > 0:44:43"Your friend, Captain Steve Zissou.
0:44:43 > 0:44:45"Dictated, but not read."
0:44:49 > 0:44:52Yeah, more or less standard boilerplate, I guess.
0:44:54 > 0:44:58There's some real high-tech gear inside this deal, believe me.
0:44:58 > 0:45:00First we go downstairs and turn on that tracking system,
0:45:00 > 0:45:02then, as long as the batteries on that homing dart haven't gone dead...
0:45:02 > 0:45:06Who locked us out? ANNE-MARIE: No-one. We're trespassing.
0:45:06 > 0:45:08Steve, are we allowed in here?
0:45:08 > 0:45:10It's a scientific community, man.
0:45:10 > 0:45:12Captain, I am required by law
0:45:12 > 0:45:14to notify the bank of any illegal activities.
0:45:14 > 0:45:17Just do what you gotta do to cover your ass, Bill.
0:45:17 > 0:45:18Got it.
0:45:24 > 0:45:27ALARM WAILS Fuck! They wired it.
0:45:27 > 0:45:29Klaus, go down and get me some cable snippers.
0:45:29 > 0:45:31OVER PA: This is Captain Hennessey.
0:45:31 > 0:45:33You have trespassed on a private facility.
0:45:33 > 0:45:35The coast guard is being alerted via satellite.
0:45:35 > 0:45:37Again, this is Captain Hennessey.
0:45:37 > 0:45:39Immediately leave the prem...
0:45:39 > 0:45:41BEEPING
0:45:42 > 0:45:43OK, action.
0:45:43 > 0:45:45Well, look who's back in town.
0:45:45 > 0:45:48You travelled over 150 miles since we last heard from you.
0:45:48 > 0:45:51This son of a bitch is heading for the South Pacific.
0:45:51 > 0:45:52DOOR OPENS
0:45:52 > 0:45:54Turn on your tape recorder, Cubby.
0:45:54 > 0:45:57Is it the jaguar shark? On the record, yes.
0:45:57 > 0:45:58Cut.
0:45:58 > 0:45:59Print both takes, Vikram.
0:45:59 > 0:46:02Was I just in the film? Yeah.
0:46:02 > 0:46:04You're gonna have to sign a release.
0:46:04 > 0:46:06But you've actually located the shark.
0:46:06 > 0:46:08You better bet your fucking ass we did.
0:46:08 > 0:46:10All right, everybody, we got about 25 to 30 minutes
0:46:10 > 0:46:12before the coast guard gets here to arrest us.
0:46:12 > 0:46:14I want you all to get Hennessey's best gear
0:46:14 > 0:46:16onto The Belafonte in 15.
0:46:16 > 0:46:18You're gonna steal his stuff?
0:46:18 > 0:46:19No, we'll get it back to him.
0:46:19 > 0:46:21Interns, let's see some hustle.
0:46:21 > 0:46:25Uh, what is this, Pele?
0:46:25 > 0:46:27I don't know. Uh, it's a map.
0:46:27 > 0:46:29Steve?! Uh-huh?
0:46:29 > 0:46:31Do you know that you just charted us
0:46:31 > 0:46:33on a course through unprotected waters?
0:46:33 > 0:46:35Yeah, we're taking the shortcut.
0:46:35 > 0:46:37But it's outside IMU jurisdiction.
0:46:37 > 0:46:39There isn't any protection... I know, honey. Look at the map.
0:46:39 > 0:46:42We go your way, that's about...four inches.
0:46:42 > 0:46:44We go my way, it's an inch and a half.
0:46:44 > 0:46:46You wanna pay for the extra gas?
0:46:46 > 0:46:48What kind of system is this?
0:46:48 > 0:46:51You have the Bernstein 9. Just upgraded last summer.
0:46:51 > 0:46:53The 9s are out already?
0:46:53 > 0:46:55- Does this do cappuccino? - Ja.
0:46:55 > 0:46:57Wait a second. Steve, this isn't the procedure.
0:46:57 > 0:46:59CLANGING
0:46:59 > 0:47:01Steve, one of the interns just fell down the stairs
0:47:01 > 0:47:03with the main tracking processor.
0:47:03 > 0:47:05All right, just make sure we steal the backup.
0:47:05 > 0:47:07Are you listening to me? Eleanor told me that under no circumstances...
0:47:07 > 0:47:11Shut up before you jinx us, Anne-Marie.
0:47:24 > 0:47:25You catching anything?
0:47:25 > 0:47:26Mnh-mnh.
0:47:29 > 0:47:32Hook this up and make me a latte.
0:47:37 > 0:47:40You know, Cubby's kind of a sucker-maker,
0:47:40 > 0:47:43but she's got some moves.
0:47:43 > 0:47:45I agree.
0:47:45 > 0:47:47If she wasn't a bull dyke,
0:47:47 > 0:47:50I think I might have a bit of a thing for her.
0:48:01 > 0:48:03As you can see,
0:48:03 > 0:48:06if the creature continues its current migratory route,
0:48:06 > 0:48:09our paths should converge in less than four days.
0:48:09 > 0:48:11I wanna get there in three. Ogata...
0:48:11 > 0:48:13Vladimir, what's this blip right over here?
0:48:13 > 0:48:16I don't know. I've been trying to figure that out.
0:48:16 > 0:48:18We might have them both mixed up, or it could be the other way around.
0:48:18 > 0:48:20But anyway, we're gonna be right on top of it
0:48:20 > 0:48:22first thing in the morning. Hmm.
0:48:24 > 0:48:25Good eye, Ned.
0:48:25 > 0:48:29Thank you. Should we investigate it?
0:48:29 > 0:48:31Yeah. Let's make a quick dive at 6am,
0:48:31 > 0:48:33and we'll scope out the phantom signal.
0:48:33 > 0:48:35It's probably just one of Hennessey's research turtles.
0:48:35 > 0:48:38I wanna be back on the road by lunch.
0:48:41 > 0:48:42Do me a favour.
0:48:42 > 0:48:45Next time you get a hot idea in front of the reporter,
0:48:45 > 0:48:47whisper it in my ear first.
0:48:47 > 0:48:50Otherwise, I look like kind of a daydream Johnny, you know?
0:48:50 > 0:48:52Daydream Johnny, yes.
0:48:52 > 0:48:54JANE: You let him change your name?
0:48:54 > 0:48:58Well, we changed it together. What was it before?
0:48:58 > 0:49:01Edward Plimpton. That's a million times better.
0:49:01 > 0:49:04Change it back, Ned. I really don't see you as a Kingsley Zissou.
0:49:04 > 0:49:08Do you think Steve and I have a family resemblance?
0:49:08 > 0:49:10No.
0:49:11 > 0:49:14I guess it doesn't really matter, anyway.
0:49:20 > 0:49:21Here.
0:49:21 > 0:49:25I stole it back...
0:49:25 > 0:49:27and strung it on some peppermint dental floss
0:49:27 > 0:49:30in case you want to wear it like a necklace.
0:49:48 > 0:49:50SHE GASPS
0:49:50 > 0:49:51Happy with the piece, Jane?
0:49:51 > 0:49:55What are you doing in here? Am I? No.
0:49:55 > 0:49:56Put that down.
0:49:56 > 0:49:58I assume I'm Mr Z.
0:49:58 > 0:50:01I'm sorry that you think my red hat is, er...
0:50:01 > 0:50:04what's the word you use? "..contrived."
0:50:04 > 0:50:06And that...
0:50:06 > 0:50:08"the Zissou of my childhood
0:50:08 > 0:50:12"represents all the dreams I've come to regret."
0:50:12 > 0:50:14What? Why?
0:50:14 > 0:50:16I'm going to have to start locking my effing door.
0:50:16 > 0:50:19It was locked. I kicked it in.
0:50:19 > 0:50:21Why don't you just curse, like other people?
0:50:21 > 0:50:24Because I'm trying to get out of the habit before I have my fucking baby.
0:50:24 > 0:50:27OK. That makes sense.
0:50:27 > 0:50:29Well, please clean up your room, anyway.
0:50:29 > 0:50:32It looks like a goddamn typhoon hit it. Oh, get out.
0:50:38 > 0:50:43Please don't make fun of me. I just wanted to flirt with you.
0:50:43 > 0:50:45I'll have an intern come and fix the door.
0:50:57 > 0:51:00This is a message from the IMU coast guard.
0:51:00 > 0:51:04Apparently some crooked fuckers broke into my sea-lab yesterday.
0:51:04 > 0:51:06How awful. Did they nick anything?
0:51:06 > 0:51:08Uh, it doesn't say. They probably just trashed the place.
0:51:08 > 0:51:11I'm so...pissed, I wanna spit.
0:51:11 > 0:51:12Hugo... HE SPITS
0:51:12 > 0:51:14..tell Carl to load my elephant gun
0:51:14 > 0:51:16with buckshot.
0:51:17 > 0:51:20We're gonna hunt down these sickos.
0:51:22 > 0:51:24Supposedly, Cousteau and his cronies
0:51:24 > 0:51:27invented the idea of putting walkie-talkies into the helmet,
0:51:27 > 0:51:30but we made ours with a special rabbit ear on the top
0:51:30 > 0:51:32so we could pipe in some music.
0:51:32 > 0:51:35SYNTH MUSIC PLAYS
0:52:16 > 0:52:18Let's start with the reverse.
0:52:28 > 0:52:32OK, roll it, Vikram.
0:52:32 > 0:52:36Would it be possible for me to address you as "Dad" in this scene?
0:52:36 > 0:52:37No. Why?
0:52:40 > 0:52:43Oh, excuse me. I'm sorry. I forgot. I'm sorry.
0:52:43 > 0:52:46Where you coming from, jack-off? Shit.
0:52:46 > 0:52:48It's not a bad impulse, though,
0:52:48 > 0:52:50some kind of nickname.
0:52:50 > 0:52:53Not that one. It's too specific.
0:52:53 > 0:52:56But try to think of something else.
0:52:56 > 0:52:58Another name?
0:52:58 > 0:53:02How about "Stevesie"?
0:53:02 > 0:53:03That's good. Try it.
0:53:03 > 0:53:05What were you gonna say before?
0:53:08 > 0:53:10Good luck, Stevesie.
0:53:10 > 0:53:12Fantastic. Let's go.
0:53:20 > 0:53:21OK, action.
0:53:28 > 0:53:29Look, Ned,
0:53:29 > 0:53:31there's a sunken airplane down there.
0:53:31 > 0:53:32Let's check it out.
0:53:41 > 0:53:43We examine the crash site,
0:53:43 > 0:53:47but are careful not to disturb the forensic evidence.
0:53:47 > 0:53:49How was that? Not bad.
0:53:49 > 0:53:50The first take was a little faster.
0:53:50 > 0:53:53KLAUS: Is it loose?
0:53:53 > 0:53:54MUTTERS: Klaus.
0:53:54 > 0:53:56Klaus? Ja.
0:53:56 > 0:53:58May I have a word with you, please?
0:54:01 > 0:54:02What?
0:54:03 > 0:54:06Why'd you do that? Because I owed you one.
0:54:06 > 0:54:08But you gave me a warning already.
0:54:08 > 0:54:10You stood up for yourself.
0:54:10 > 0:54:12I still owed you one.
0:54:12 > 0:54:15Now I owe you one. No. Now we're even.
0:54:15 > 0:54:17Why are you doing this? He's not my father, you know.
0:54:17 > 0:54:20I don't have that.
0:54:20 > 0:54:22What are you talking about?
0:54:22 > 0:54:25We're even, damn it. That's it!
0:54:43 > 0:54:47No, it was like a beat-up little jalopy.
0:54:47 > 0:54:50I don't know what you'd call it. You didn't see it?
0:54:50 > 0:54:52I didn't see it, boss.
0:54:52 > 0:54:55Well, keep your eyes peeled.
0:54:55 > 0:54:58Klaus, check who's on watch. I'll be in the sauna.
0:54:58 > 0:55:02Pele and...
0:55:02 > 0:55:04Who the shit is Kingsley Zissou?
0:55:06 > 0:55:07Is that him?
0:55:07 > 0:55:10Mm-hmm. That's him.
0:55:10 > 0:55:13I've never felt a baby in someone's stomach before.
0:55:17 > 0:55:20I think you'll make a very good single mother.
0:55:23 > 0:55:24Thanks.
0:55:24 > 0:55:28Although it does put you both at a tremendous disadvantage.
0:55:43 > 0:55:46You know...
0:55:46 > 0:55:48Steve's got a little bit of a thing for you.
0:55:50 > 0:55:52Why do you say that?
0:55:52 > 0:55:54Because he told me.
0:55:54 > 0:55:58Really? I thought he hated my guts.
0:55:58 > 0:56:01Well, I think you hurt his feelings, but that doesn't mean...
0:56:01 > 0:56:03He says I hurt his feelings?
0:56:05 > 0:56:10So...effed up.
0:56:31 > 0:56:34HE SINGS "SPACE ODDITY" IN PORTUGUESE
0:56:40 > 0:56:42Five...
0:56:42 > 0:56:44four...
0:56:44 > 0:56:45three...
0:56:45 > 0:56:47two...
0:57:01 > 0:57:04THUD
0:57:04 > 0:57:06HEAVY FOOTSTEPS
0:57:06 > 0:57:07SHOUTING
0:57:07 > 0:57:09GLASS SHATTERS
0:57:09 > 0:57:11THUD
0:57:11 > 0:57:14SHOUTING IN FILIPINO
0:57:14 > 0:57:16KNOCK ON DOOR
0:57:16 > 0:57:18WARILY: Yeah?
0:57:18 > 0:57:20KLAUS: Steve, would you please open the door?
0:57:30 > 0:57:31KNOCK ON DOOR
0:57:31 > 0:57:33Mm-hmm?
0:57:33 > 0:57:37STEVE: Jane, is, er, Ned in there?
0:57:37 > 0:57:40SHOUTING IN FILIPINO
0:57:40 > 0:57:41Stevesie?
0:57:41 > 0:57:43Stevesie, what's happening?
0:57:43 > 0:57:45Are those hijackers?!
0:57:45 > 0:57:48Well, we call them "pirates" out here, Ned.
0:57:48 > 0:57:50You were supposed to be on watch, by the way.
0:57:50 > 0:57:52Oh, my God, you're right.
0:57:52 > 0:57:54Stevesie, look...
0:57:54 > 0:57:56SHOUTING
0:57:56 > 0:57:58Whoa! No!
0:57:59 > 0:58:02So, tell me, you were reading to each other in French?
0:58:02 > 0:58:04No, it's in English. It was translated.
0:58:04 > 0:58:07Well, you're not supposed to go into each other's cabins on a boat.
0:58:07 > 0:58:09Why not?
0:58:09 > 0:58:13It's just kind of an unwritten maritime rule when you're at sea.
0:58:13 > 0:58:16Especially the goddamn lookout.
0:58:16 > 0:58:17I'm so sorry.
0:58:17 > 0:58:18So am I.
0:58:18 > 0:58:20You hung us out to dry.
0:58:22 > 0:58:27We don't handle this right, we're gonna all get murdered,
0:58:27 > 0:58:30including her unborn British child.
0:58:33 > 0:58:35Aah! Aah!
0:58:37 > 0:58:39I'm gonna kill you for that, asshole!
0:58:39 > 0:58:43I'm gonna hit you so fucking hard, you'll be blind!
0:58:45 > 0:58:47Please don't hurt him!
0:58:50 > 0:58:52Watch me. I'll let you know when I'm gonna make a move.
0:58:52 > 0:58:56Steve, it's way safer for us to do what they say.
0:58:56 > 0:58:57They probably just want our money and jewels and shit.
0:58:57 > 0:58:59Yeah, then how I'm gonna finish my movie, then?
0:58:59 > 0:59:02Jesus. Holy fuck.
0:59:02 > 0:59:04They're gonna kill us, Steve.
0:59:04 > 0:59:07I'm patting you on the back right now, Klausy.
0:59:07 > 0:59:10Don't be scared. I'm gonna get us through this, everybody.
0:59:10 > 0:59:11SPEAKS IN SPANISH
0:59:15 > 0:59:18Wake up, Ned-o! I'm sorry I yelled at you.
0:59:18 > 0:59:21I need to speak with the man in charge, fellas.
0:59:21 > 0:59:23SPEAKS IN FILIPINO
0:59:23 > 0:59:27Don't point that gun at him. He's an unpaid intern.
0:59:27 > 0:59:29Vikram, what kind of coverage you get?
0:59:29 > 0:59:32I just kept it rolling till they put this hood over my head.
0:59:32 > 0:59:34SPEAKS IN FILIPINO
0:59:34 > 0:59:37Bill speaks their language. What are they saying, Billy?
0:59:37 > 0:59:38Hold on.
0:59:38 > 0:59:40THEY SPEAK IN FILIPINO
0:59:43 > 0:59:48OK. Apparently, they're taking a hostage. Obviously they've chosen Ned.
0:59:48 > 0:59:50THEY SPEAK IN FILIPINO
0:59:51 > 0:59:54Now they've found out I speak Filipino,
0:59:54 > 0:59:56they seem to be changing their minds.
0:59:56 > 0:59:59THEY SPEAK IN FILIPINO
1:00:01 > 1:00:04Do you have a vault? They wanna know if there's a vault. There's no vault.
1:00:04 > 1:00:06Our vault contains at least ten different currencies
1:00:06 > 1:00:08from all over the world at any given moment,
1:00:08 > 1:00:11and we are prepared for every kind of financial necessity.
1:00:13 > 1:00:15There goes Ned's inheritance.
1:00:15 > 1:00:19Tell them if they don't get off my boat right now,
1:00:19 > 1:00:21there's gonna be a major shit storm.
1:00:21 > 1:00:24SPEAKS IN FILIPINO
1:00:29 > 1:00:31Ohh.
1:00:33 > 1:00:37Ned-o, can you hear me?! We'll get you back, Billy.
1:00:37 > 1:00:40Is everybody else safe? Anne-Marie, are you OK, honey?
1:00:40 > 1:00:43No, I'm not. I told you these were unprotected waters.
1:00:43 > 1:00:45What a fucking nightmare.
1:00:48 > 1:00:51Be cool on this shit, OK, Cubby?
1:00:51 > 1:00:54I mean, at least try to show both sides.
1:00:54 > 1:00:56I need to find a baby for this father.
1:00:56 > 1:00:59Yeah, I think I know what you mean.
1:01:01 > 1:01:03MURMURING
1:01:03 > 1:01:06WHISPERING
1:01:14 > 1:01:16ROPES SNAP LOOSE Here we go.
1:01:16 > 1:01:18Steve, what are you...?
1:01:18 > 1:01:22I said get your ass the hell off my boat!
1:01:22 > 1:01:25MUSIC: "Search And Destroy" by Iggy Pop And The Stooges
1:01:46 > 1:01:48Agh!
1:02:24 > 1:02:28I've never seen a bond company stooge stick his neck out like that.
1:02:33 > 1:02:35STRANGE ECHOING
1:02:37 > 1:02:39What's that sound? Is that...?
1:02:39 > 1:02:42The Arctic night lights, yeah.
1:02:42 > 1:02:46"As if the natural world's been turned upside down."
1:02:46 > 1:02:48Lord Mandrake.
1:02:48 > 1:02:50CHUCKLING
1:02:51 > 1:02:54Vikram, get some cutaways of this miracle.
1:02:54 > 1:02:58Klaus, Ogata, put out the deck fires before we sink.
1:02:58 > 1:03:00WHIMPERING
1:03:00 > 1:03:02Those fucking amateurs.
1:03:02 > 1:03:05You left your dog, you idiots.
1:03:05 > 1:03:06BARKING
1:03:08 > 1:03:10Wrap this stiff in a tablecloth.
1:03:10 > 1:03:13We're gonna bury him at sea.
1:03:13 > 1:03:15Shouldn't we give him to the authorities or something?
1:03:17 > 1:03:19No.
1:03:19 > 1:03:22I'll write up a few words to read over him.
1:03:22 > 1:03:25How you holding up there, intern? Doing OK?
1:03:28 > 1:03:32Ned, how many fingers am I holding up?
1:03:32 > 1:03:35I don't know. That's not my job.
1:03:35 > 1:03:38Too many to tell. How many...?
1:03:38 > 1:03:40He's gonna be just fine.
1:03:47 > 1:03:50I believe it's criminal that Steve allowed this to happen to us,
1:03:50 > 1:03:52by which I mean illegal.
1:03:52 > 1:03:58We're being led on an illegal suicide mission by a selfish maniac.
1:03:58 > 1:04:02I hear what you're saying, but I think you misjudge the guy.
1:04:06 > 1:04:09Saint Paul said to the Corinthians,
1:04:09 > 1:04:14"Without kin, no man may regard himself kindly.
1:04:14 > 1:04:15"Without s..."
1:04:15 > 1:04:17Holy shit! Son of a bitch. Cut.
1:04:17 > 1:04:20HORN BLOWS
1:04:20 > 1:04:21This is Captain Hennessey.
1:04:21 > 1:04:23We've come in response to your distress signal.
1:04:23 > 1:04:25Remain calm...
1:04:27 > 1:04:31Good God, is that you, Steven?
1:04:31 > 1:04:33Ogata, run downstairs, put a tarp over anything
1:04:33 > 1:04:34that says "Operation Hennessey" on it.
1:04:34 > 1:04:36What about this guy?
1:04:36 > 1:04:38Just throw him over the other side.
1:04:43 > 1:04:47Your engine blew up and all your fuel's been stolen, is that correct?
1:04:47 > 1:04:49Uh-huh. I certainly know how you feel.
1:04:49 > 1:04:51Some crooked fuckers just stripped my sea-lab.
1:04:51 > 1:04:54Probably the same dudes.
1:04:55 > 1:04:59I can tow you as far as Port-au-Patois.
1:04:59 > 1:05:01I'll need your signature on that invoice first.
1:05:01 > 1:05:04It accounts for the expenses of the rescue operation,
1:05:04 > 1:05:06as well as my time and that of my crew.
1:05:06 > 1:05:08This is more than the budget of my whole project.
1:05:08 > 1:05:10It's an estimate. What's your dog's name?
1:05:14 > 1:05:15Cody.
1:05:15 > 1:05:17DOG WHIMPERS
1:05:20 > 1:05:22Be still, Cody.
1:05:27 > 1:05:29I have to run this by my bond company stooge.
1:05:29 > 1:05:32He's been kidnapped. It's true.
1:05:32 > 1:05:33I have to rescue him first.
1:05:33 > 1:05:36Sign it now, or I'm leaving you out here.
1:05:41 > 1:05:44Oh, I dined with Eleanor last weekend.
1:05:44 > 1:05:48By the way, she's summering at my villa in west Port-au-Patois.
1:05:48 > 1:05:52Say, how's Team Zissou holding up without her?
1:06:01 > 1:06:02The first thing that goes through a captain's head
1:06:02 > 1:06:05when he hears there's low morale going around
1:06:05 > 1:06:08is, "What'd I do? Is it all my fault?"
1:06:08 > 1:06:10Well, he's probably right.
1:06:10 > 1:06:13Most of us have been together a long time.
1:06:13 > 1:06:15There are others that were here before that.
1:06:15 > 1:06:19Do you all... not like me anymore?
1:06:19 > 1:06:23I mean, what am I supposed to do? I don't know.
1:06:23 > 1:06:29Look, if you're not against me, don't cross this line.
1:06:29 > 1:06:32If yes, do.
1:06:32 > 1:06:34I love you all.
1:06:38 > 1:06:40Are you sure?
1:06:40 > 1:06:41Yes, I am.
1:06:41 > 1:06:45I don't understand. Why? What do you mean?
1:06:45 > 1:06:47Wait a second. What are we doing?
1:06:47 > 1:06:49You said cross the line if...
1:06:49 > 1:06:51Cross the line if you're going to quit.
1:06:51 > 1:06:54Oh. Do it again. I misunderstood.
1:07:01 > 1:07:05Hi, Ross. I got your corrections on the proofs.
1:07:05 > 1:07:07They're fine, but...
1:07:07 > 1:07:09I'm not coming back.
1:07:09 > 1:07:11It's over. Please don't try to contact me, OK?
1:07:11 > 1:07:14You'll hear from us, sometime.
1:07:18 > 1:07:20We got attacked by pirates.
1:07:20 > 1:07:23I feel as if life has...
1:07:26 > 1:07:30Well, you get the idea. Anyway, take care of yourself.
1:07:30 > 1:07:33Will you write to me?
1:07:33 > 1:07:36Of course. Give me the address.
1:07:36 > 1:07:41Actually, I went ahead and stamped and self-addressed 50 or so envelopes
1:07:41 > 1:07:45just to make it easier for you.
1:07:45 > 1:07:47Thanks. I'll use them.
1:07:47 > 1:07:52Each one has three blank pages in it, and...
1:07:52 > 1:07:54there's a pen.
1:07:54 > 1:07:57Maybe I'm going to write you a letter right now.
1:08:00 > 1:08:02OK.
1:08:10 > 1:08:13I'm gonna really miss you, Ned.
1:08:15 > 1:08:18I'm gonna miss you, too.
1:08:18 > 1:08:21In fact, I feel I... I don't know,
1:08:21 > 1:08:24I feel like my heart's almost getting broken.
1:08:24 > 1:08:27I guess I'm overreacting.
1:08:30 > 1:08:32Is that really true?
1:08:34 > 1:08:37Yes, it is.
1:08:37 > 1:08:41That was all off the record, Cubby, that whole deal.
1:08:41 > 1:08:44Actually, I'm surprised you didn't cross the line yourself.
1:08:44 > 1:08:46What line?
1:08:46 > 1:08:49The line I drew on the deck just now. You weren't up there?
1:08:49 > 1:08:50No.
1:08:50 > 1:08:52You're kidding.
1:08:52 > 1:08:56That was one of the most dramatic things that's ever happened on this boat.
1:08:56 > 1:08:58I just lost all my best interns.
1:08:58 > 1:09:01I thought you were supposed to be covering this story.
1:09:01 > 1:09:02You just said it was all off the record.
1:09:02 > 1:09:05Yeah, but you didn't know that. I was down here packing.
1:09:05 > 1:09:07I'm at the wrong breaker.
1:09:08 > 1:09:11So you are leaving.
1:09:11 > 1:09:14You're jumping ship on me.
1:09:14 > 1:09:16I'm going to scrap the article.
1:09:16 > 1:09:20You mean you're not even gonna write the cover story on me?
1:09:20 > 1:09:23Man, I just don't have any stature anymore.
1:09:23 > 1:09:26Sorry, Steve. Everything just got too weird, that's all.
1:09:26 > 1:09:30But I gave you a goddamn show-stopper up there.
1:09:32 > 1:09:34Are you sleeping with Ned?
1:09:34 > 1:09:36That's none of your business.
1:09:36 > 1:09:39OK. Are you?
1:09:39 > 1:09:41No, I'm not.
1:09:43 > 1:09:46You're gonna miss the jaguar shark,
1:09:46 > 1:09:48or whatever it is, if it actually exists.
1:09:48 > 1:09:50SOBBING Are you crying?
1:09:52 > 1:09:55You cry easily, don't you?
1:09:55 > 1:09:59OSEARY: Bloody hell, God save that poor little stooge.
1:09:59 > 1:10:02This never would've happened if Eleanor was with us.
1:10:02 > 1:10:03Thanks, man.
1:10:03 > 1:10:05Your luck had better damn well change soon, mate.
1:10:05 > 1:10:08Now, I must away. I'll send you a postcard from my travels.
1:10:08 > 1:10:10What? Where are you going?
1:10:10 > 1:10:12Abroad for a spell, my darling.
1:10:12 > 1:10:14It's my passport status, you see.
1:10:14 > 1:10:16I'm X9 at the moment. Legally, I'm a fugitive.
1:10:16 > 1:10:21Wait a second. They stole my budget, my boat's broken,
1:10:21 > 1:10:23you're ditching me up the creek.
1:10:23 > 1:10:25What am I supposed to do here?
1:10:25 > 1:10:27Well, I must say, nothing's jumping to mind.
1:10:27 > 1:10:29Phillip, any suggestions?
1:10:29 > 1:10:30No, he's shaking his head.
1:10:32 > 1:10:33Land ho!
1:10:33 > 1:10:36Port-au-Patois, dead ahead.
1:10:36 > 1:10:40Port-au-Patois. Port-au-Patois ho!
1:10:40 > 1:10:43Ho!
1:10:43 > 1:10:44Ho!
1:10:44 > 1:10:47Land ho!
1:10:47 > 1:10:49Ho!
1:10:51 > 1:10:53No, I can't give you full credit,
1:10:53 > 1:10:55but I'm not gonna flunk you, either.
1:10:55 > 1:10:58You're all getting "incompletes".
1:11:00 > 1:11:01This is bullshit.
1:11:01 > 1:11:04FLAMENCO MUSIC PLAYS
1:11:34 > 1:11:38Oh, shit. What do you want?
1:11:38 > 1:11:40Do you mind if I butter you up a little bit before I answer that question?
1:11:40 > 1:11:42Yes, I do. Tell me now.
1:11:44 > 1:11:46I need some money to get the boat out of hock
1:11:46 > 1:11:49and rescue my bond company stooge who got kidnapped.
1:11:49 > 1:11:51Could we ask your parents to loan it to me?
1:11:51 > 1:11:53No.
1:11:55 > 1:11:58OK.
1:11:58 > 1:12:00Could I go ahead and butter you up, anyway?
1:12:00 > 1:12:02It took me two and a half hours to get out here.
1:12:05 > 1:12:06Who's that dude?
1:12:06 > 1:12:09It's my research assistant Javier.
1:12:09 > 1:12:11Javier, presento Steve.
1:12:11 > 1:12:14Hi, Steve.
1:12:17 > 1:12:19RECORD STOPS PLAYING
1:12:19 > 1:12:23Necesito cinco minutos, por favour.
1:12:23 > 1:12:25You know, I'd be jealous about you staying at Ali's place,
1:12:25 > 1:12:28except I always thought he was kind of a closet queer.
1:12:28 > 1:12:33So how's your father-son relationship coming along?
1:12:33 > 1:12:35Well, nobody has a real lock on any of this,
1:12:35 > 1:12:37so I don't know how it all times out.
1:12:37 > 1:12:41I know I want him to think of me like a father.
1:12:41 > 1:12:43But the fact that there's an outside chance
1:12:43 > 1:12:47that he could really be my actual...biological son...
1:12:50 > 1:12:52..is very difficult for me.
1:12:58 > 1:13:01You know I'm not big on apologizing,
1:13:01 > 1:13:03so I'll just skip it, if it's all the same to you.
1:13:03 > 1:13:05OK.
1:13:05 > 1:13:06Anyway, I'm sorry.
1:13:08 > 1:13:11I know I haven't been at my best this past decade.
1:13:11 > 1:13:14That's true.
1:13:14 > 1:13:17What happened to me?
1:13:18 > 1:13:21Did I lose my talent?
1:13:21 > 1:13:23Am I ever gonna be good again?
1:13:24 > 1:13:27I don't know.
1:13:29 > 1:13:30Doesn't matter, anyway.
1:13:30 > 1:13:33It's probably the last adventure I've got in me.
1:13:33 > 1:13:35I was hoping to go out in a flash of blazes,
1:13:35 > 1:13:39but I'll probably just end up going home.
1:13:39 > 1:13:42Unless you're planning to sell the island.
1:13:42 > 1:13:45I wonder how much I could get for it.
1:13:45 > 1:13:47In this market?
1:13:49 > 1:13:53You were probably right all along. We should've had a kid together.
1:13:53 > 1:13:58Of course, you were kinda already...
1:13:58 > 1:14:01on the edge of being too old.
1:14:01 > 1:14:03Unless maybe that's a copout.
1:14:07 > 1:14:10It's worse than a copout. I was 34.
1:14:15 > 1:14:17It's good to see you, Eleanor.
1:14:21 > 1:14:23I'm about to blow my stack.
1:14:23 > 1:14:26I turn my back, and the bullshit begins.
1:14:26 > 1:14:28Ned, you're a scumbag.
1:14:28 > 1:14:31And, Jane, you're a goddamn liar.
1:14:31 > 1:14:33What the fuck are you doing in here?
1:14:33 > 1:14:36What the eff are YOU doing in here?
1:14:36 > 1:14:38I warned you about being in other people's cabins.
1:14:38 > 1:14:40You were supposed to go home.
1:14:40 > 1:14:42Well, you convinced me to stay and finish the story.
1:14:42 > 1:14:45Is it still the cover?
1:14:45 > 1:14:48I don't fucking know.
1:14:49 > 1:14:53Don't you dare put on that uniform.
1:14:53 > 1:14:55It's all I have with me.
1:14:55 > 1:14:57I told you I have a bit of a thing for her.
1:14:57 > 1:14:59"Not this one," I said.
1:14:59 > 1:15:01You said, "Not this one, Klaus."
1:15:01 > 1:15:03So you heard me?
1:15:03 > 1:15:05You're too old for me, Steve.
1:15:05 > 1:15:08Well, you're pregnant.
1:15:08 > 1:15:10Can I have a word with you privately?
1:15:10 > 1:15:12Yes.
1:15:16 > 1:15:18Follow me.
1:15:21 > 1:15:23Are you two fighting?
1:15:23 > 1:15:26I'll deal with you later.
1:15:26 > 1:15:28Look, Steve, I know we both like her
1:15:28 > 1:15:32and you're angry and embarrassed, but leave her out of it.
1:15:32 > 1:15:34You think that's what this is about?
1:15:34 > 1:15:37Shit, Ned, what has that bull dyke been telling you?
1:15:37 > 1:15:41All right, I'm gonna warn you now, be a gentleman.
1:15:41 > 1:15:44What are you doing here? I thought all you interns ran out on me.
1:15:44 > 1:15:45I wanna help you find that shark.
1:15:45 > 1:15:48Goddamn it. Thank you, intern. You're gettin' an "A".
1:15:48 > 1:15:50His name's Niko. Who?
1:15:50 > 1:15:52Hello, Vikram.
1:15:52 > 1:15:56Gimme that camera. Gonna smash it over your head.
1:15:56 > 1:15:59Cut!
1:15:59 > 1:16:01I misread you, man.
1:16:01 > 1:16:03I'm gonna have to rethink some shit.
1:16:03 > 1:16:06You don't know me. You never wanted to know me.
1:16:06 > 1:16:09I'm just a character in your film.
1:16:09 > 1:16:12It's a documentary. It's all really happening.
1:16:12 > 1:16:14Well, damn you for that.
1:16:16 > 1:16:19Go to bed, you sons of bitches.
1:16:23 > 1:16:25That pregnant slut's been playing us like a cheap fiddle.
1:16:25 > 1:16:28That's it. I'm gonna fight you, Steve.
1:16:30 > 1:16:32You never say, "I'm gonna fight you, Steve."
1:16:32 > 1:16:36You just smile and act natural, and then you sucker-punch him.
1:16:36 > 1:16:38You fight your way, and I'll fight mine.
1:16:38 > 1:16:40Oh, listen, Ned, don't you try...
1:16:45 > 1:16:48I think your Team Zissou ring might've caught me on the lip.
1:16:52 > 1:16:56You call yourself my son, but...
1:16:56 > 1:16:58I just don't see it.
1:16:58 > 1:17:00It's nothing personal.
1:17:00 > 1:17:02What do you want?
1:17:04 > 1:17:06Nothing.
1:17:06 > 1:17:12That's so arrogant. That's... Screw off.
1:17:12 > 1:17:15I can't believe I asked if I could call you "Dad".
1:17:15 > 1:17:16Of course you said no.
1:17:16 > 1:17:19I let you call me Stevesie. It sounds better.
1:17:22 > 1:17:24It doesn't mean the same thing.
1:17:28 > 1:17:30A week before she killed herself,
1:17:30 > 1:17:34my mother told me that you'd known about me since the day I was born.
1:17:34 > 1:17:37Is that a fact?
1:17:37 > 1:17:39That's a fact.
1:17:39 > 1:17:44I ought to have stayed in Kentucky where I belong.
1:17:45 > 1:17:47BARKING
1:17:50 > 1:17:53Quiet.
1:17:53 > 1:17:56Somebody pay for this water taxi.
1:17:59 > 1:18:01You got any petty cash on you?
1:18:03 > 1:18:06Remind me to send Eleanor's parents a thank you note
1:18:06 > 1:18:08on the good correspondence stock. OK.
1:18:10 > 1:18:13This is the message we received earlier tonight
1:18:13 > 1:18:17on our answering machine at Pescespada Island.
1:18:17 > 1:18:19ANSWER MACHINE: Bill Ubell here.
1:18:19 > 1:18:22I'm on a pay phone. I am still blindfolded and my arms are bound,
1:18:22 > 1:18:25but a young boy has been kind enough to assist me,
1:18:25 > 1:18:28and there's not much chance I'll get another opportunity to call,
1:18:28 > 1:18:31so I thought I would ask if... What? No.
1:18:31 > 1:18:33HANGS UP PHONE
1:18:35 > 1:18:37Well, thanks for checking in, Bill.
1:18:37 > 1:18:40Next time, maybe you could let us know where you're at.
1:18:40 > 1:18:43Based on the quality of the connection,
1:18:43 > 1:18:45the variety of wildlife in the background,
1:18:45 > 1:18:50and the elapsed time between Mr Ubell's capture and this message,
1:18:50 > 1:18:54there's a good chance he's on one of the Ping Islands.
1:18:54 > 1:18:58There used to be a four-star hotel on Little Ping.
1:18:58 > 1:19:01But the entire island was destroyed by a monsoon five years ago.
1:19:01 > 1:19:03It's been uninhabited ever since.
1:19:03 > 1:19:07I know the place - Hotel Citroen.
1:19:07 > 1:19:11Cubby, I'd like to speak on the record for a moment.
1:19:11 > 1:19:14Eleanor has always been the brains behind Team Zissou.
1:19:14 > 1:19:17By the way, are you gonna put in a good description
1:19:17 > 1:19:19of the command centre I've set up down here?
1:19:21 > 1:19:24OK, gang, that's the plan.
1:19:24 > 1:19:26Set a course for Ping Island, full speed ahead.
1:19:26 > 1:19:31You'll need to hire a team of mechanics to rebuild the engine first, of course.
1:19:31 > 1:19:33I know. I'm saying after that.
1:19:33 > 1:19:35Just because I've decided
1:19:35 > 1:19:37to save your neck again and help you do this rescue
1:19:37 > 1:19:39doesn't mean you've won me back.
1:19:39 > 1:19:41Yes, ma'am.
1:19:41 > 1:19:43BEEPING
1:19:50 > 1:19:53Thanks.
1:19:53 > 1:19:55Is the father out of the picture?
1:19:55 > 1:20:00Mm-hmm. Actually, I was sort of terrified about having this baby.
1:20:00 > 1:20:04Right now, I'm not really scared of anything.
1:20:04 > 1:20:06Maybe it's my hormones.
1:20:06 > 1:20:09That makes sense.
1:20:09 > 1:20:12I'm gonna tell you something confidentially
1:20:12 > 1:20:14which won't be mentioned again.
1:20:14 > 1:20:18I'm pretty sure I'm the only person who can say this, including Steve...
1:20:18 > 1:20:21Never mind how I found out - I'm a scientist.
1:20:21 > 1:20:24It's the thing that puzzles me about Ned's situation.
1:20:24 > 1:20:27What is it? Zissou shoots blanks.
1:20:28 > 1:20:29Huh.
1:20:29 > 1:20:34I think maybe it's because he spent half his life underwater.
1:20:37 > 1:20:39PELE SINGS "LIFE ON MARS" IN PORTUGUESE
1:21:06 > 1:21:09Let's try track three against picture.
1:21:14 > 1:21:17A treacherous reef surrounds the Ping Islands,
1:21:17 > 1:21:19warning intruders to keep their distance.
1:21:21 > 1:21:24Today, we discover one of its victims off the coast of Ping 3.
1:21:27 > 1:21:30Our colleague, Alistair Hennessey, and his crew
1:21:30 > 1:21:32are nowhere to be found.
1:21:32 > 1:21:34We will land at dawn.
1:21:35 > 1:21:37Not bad.
1:21:37 > 1:21:39We'll tamper with that, anyway.
1:22:13 > 1:22:14All right, let's go.
1:22:36 > 1:22:38Oh, shit. Swamp leeches.
1:22:38 > 1:22:41Everybody check for swamp leeches and pull 'em off.
1:22:45 > 1:22:48Nobody else got hit? I'm the only one? What's the deal?
1:22:51 > 1:22:53What a shame. They had a bartender here, Keno,
1:22:53 > 1:22:56made the best rum cannonball I've ever tasted.
1:22:57 > 1:23:01You ready, Vikram?
1:23:01 > 1:23:02We're at six and a half.
1:23:02 > 1:23:04All right, shall we do this?
1:23:27 > 1:23:29The barometer's falling. It's gonna rain in five minutes.
1:23:29 > 1:23:31We gotta be quick. Where are they?
1:23:31 > 1:23:32Unknown. Split into two groups.
1:23:32 > 1:23:35I'll take Ned, Ogata and Wolodarsky.
1:23:35 > 1:23:38Thanks. Thanks a lot for not picking me.
1:23:38 > 1:23:41What? We're smack in the middle
1:23:41 > 1:23:43of a lightning-strike rescue op, Klaus. What's the deal?
1:23:43 > 1:23:45I'm sick of being on B squad.
1:23:45 > 1:23:46Listen, you may be on B squad,
1:23:46 > 1:23:48but you're the B squad leader.
1:23:50 > 1:23:54Don't you know me and Esteban always thought of you as our baby brother?
1:23:54 > 1:23:58I've always thought of you two as my dads.
1:23:58 > 1:24:02Please don't let anyone make fun of me for saying so.
1:24:02 > 1:24:04I can't guarantee that, Klausy, but I'll try.
1:24:04 > 1:24:06Can we get on with the manoeuvres now?
1:24:06 > 1:24:09Wolodarsky, you got something?
1:24:09 > 1:24:11Not yet.
1:24:16 > 1:24:18Anybody see anybody?
1:24:18 > 1:24:20Empty.
1:24:23 > 1:24:26Klaus, pirates?
1:24:26 > 1:24:28No. I think this whole place is deserted.
1:24:28 > 1:24:31Shit. We played a bum hunch.
1:24:31 > 1:24:34Fuck. OK, let's not get down on ourselves.
1:24:34 > 1:24:36We still got two more Ping Islands to check out,
1:24:36 > 1:24:40except I don't know if we have enough gas to do it. Damn it, Steve!
1:24:40 > 1:24:42THUNDER
1:24:42 > 1:24:45This sucks.
1:24:45 > 1:24:48I'm disappointed in myself.
1:24:52 > 1:24:56My first wife, Jacqueline, and I spent our honeymoon here.
1:24:58 > 1:25:01Things are pretty different now.
1:25:04 > 1:25:07All right, let's check out.
1:25:11 > 1:25:14Did you get that, Vikram?
1:25:14 > 1:25:15Uh, yeah.
1:25:15 > 1:25:18Good. We'll give them the reality this time.
1:25:18 > 1:25:23A washed-up old man with no friends, no distribution deal,
1:25:23 > 1:25:25wife on the rocks, people laughing at him,
1:25:25 > 1:25:28feelin' sorry for himself.
1:25:28 > 1:25:31Can I have a word alone with my son, please?
1:25:33 > 1:25:35Are you all right?
1:25:35 > 1:25:37Not really.
1:25:38 > 1:25:41By the way, I've been trying to think of a nickname
1:25:41 > 1:25:45that might mean the right thing.
1:25:45 > 1:25:46I came up with "papa Steve".
1:25:56 > 1:26:01I'm sorry I never acknowledged your existence all those years.
1:26:01 > 1:26:04It won't happen again. I mean it.
1:26:06 > 1:26:09You are my son to me.
1:26:09 > 1:26:12Almost more so.
1:26:12 > 1:26:15See, for me to meet a guy like you at this time in my life...
1:26:17 > 1:26:21..I don't know... Uh... It's just...
1:26:21 > 1:26:24I wanna communicate my feelings to you,
1:26:24 > 1:26:28but I think I might start to cry.
1:26:30 > 1:26:32That's OK.
1:26:32 > 1:26:33KLAUS: Psst.
1:26:35 > 1:26:37There's something in the coat check.
1:26:44 > 1:26:46Hey, Billy. You OK?
1:26:46 > 1:26:48Did you get my message?
1:26:48 > 1:26:50Yeah. It was kinda garbled.
1:26:57 > 1:27:01Jesus, these pirates are monsters.
1:27:01 > 1:27:03Well, yeah, but remember, I shot one of their guys
1:27:03 > 1:27:06in the neck last week and killed him, so...
1:27:06 > 1:27:09I think we're OK, too.
1:27:09 > 1:27:10Where's Cody?
1:27:13 > 1:27:15BARKING
1:27:15 > 1:27:18Cody?
1:27:18 > 1:27:19WHIMPERING
1:27:30 > 1:27:32Steven.
1:27:33 > 1:27:37Steven, are you rescuing me?
1:27:41 > 1:27:43Fold.
1:27:58 > 1:28:01Klaus, bring the dynamite.
1:28:15 > 1:28:19They're in there after all! Run! Go! Move now!
1:28:29 > 1:28:31Vikram got some great footage of your boat out there.
1:28:31 > 1:28:33I guess it's totalled, huh?
1:28:33 > 1:28:35Perhaps. We were extremely well insured.
1:28:35 > 1:28:37I'll probably come out ahead in the end.
1:28:37 > 1:28:41Although we'll obviously have to crew up from scratch next time.
1:28:41 > 1:28:43They made soup out of my research turtles.
1:28:43 > 1:28:44YELLING
1:28:53 > 1:28:56Ogata, give some first aid to Pele.
1:28:56 > 1:29:00Klausy, Ned-o, dig in here and hold these rustlers off
1:29:00 > 1:29:02while I call in to rendezvous.
1:29:02 > 1:29:03We'll meet on the beach.
1:29:03 > 1:29:06You're a squad.
1:29:08 > 1:29:11Renzo, Renzo, Renzo. Anybody, hello? Hello?
1:29:11 > 1:29:13This gizmo's out of juice.
1:29:16 > 1:29:17Thanks.
1:29:21 > 1:29:26No, Captain. That's Cedric. He's a friend.
1:29:26 > 1:29:28Merci, Cedric.
1:29:28 > 1:29:32Remind me, we'll send him a red cap and a Speedo.
1:29:34 > 1:29:36Wolodarsky,
1:29:36 > 1:29:38go get the keys to that fishing boat and throw them in the water.
1:29:38 > 1:29:41No, wait. They might have another set. Just blow it up.
1:29:41 > 1:29:43GUNFIRE CONTINUES
1:29:43 > 1:29:45Hey, Ned,
1:29:45 > 1:29:48it looks like we recovered your inheritance.
1:29:49 > 1:29:51Klausy...
1:30:01 > 1:30:04That's it, I'm retired.
1:30:17 > 1:30:20Oh, no, we forgot Cody. We gotta go back.
1:30:26 > 1:30:28Goodbye, Cody.
1:30:46 > 1:30:49See, this represents The Belafonte,
1:30:49 > 1:30:51and here's Pescespada Island,
1:30:51 > 1:30:53and that circle represents friendship,
1:30:53 > 1:30:56and the "K" here stands for Klaus.
1:30:56 > 1:30:58Where's your symbol, Ned?
1:30:58 > 1:31:00I didn't wanna impose myself.
1:31:00 > 1:31:03Klaus is right. The flag needs a Ned symbol.
1:31:03 > 1:31:08I suppose we could put an "N" on the side of that octopus.
1:31:08 > 1:31:11What's that stand for over there?
1:31:11 > 1:31:12That's Esteban.
1:31:12 > 1:31:15It was working OK until late last night,
1:31:15 > 1:31:18but now the whole tracking system's gone completely on the fritz.
1:31:18 > 1:31:21Screw it. We'll sell it for scrap
1:31:21 > 1:31:24along with the boat and the submarines. I'm going home.
1:31:24 > 1:31:28Let's take up the whirlybird and see what we find out there, anyway.
1:31:28 > 1:31:31I got a feeling we can spot this fish from 111 feet up.
1:31:31 > 1:31:35Ned, I don't know if I ever even saw the bastard.
1:31:35 > 1:31:40I have 275,000 invested in this damn production.
1:31:40 > 1:31:42Something ate Esteban, didn't it?
1:31:42 > 1:31:44Now lead!
1:31:44 > 1:31:46Right?
1:31:46 > 1:31:49Right? Ho!
1:31:49 > 1:31:52MUSIC: "30 Century Man" by Scott Walker
1:31:52 > 1:31:53Ho.
1:32:11 > 1:32:13What's that?
1:32:13 > 1:32:15A letter from Jane.
1:32:15 > 1:32:18What's she say?
1:32:18 > 1:32:20Nothing to speak of.
1:32:28 > 1:32:31Thank you for putting me on the flag, Ned.
1:32:31 > 1:32:34Of course, Klaus. It was my pleasure.
1:32:34 > 1:32:36Yeah, but you stitched me onto the dolphin,
1:32:36 > 1:32:38and I wanted you to know how much that means to me.
1:32:38 > 1:32:40Well, I'm very pleased you liked it.
1:32:40 > 1:32:43You're not listening! I didn't just like it...
1:32:49 > 1:32:51You understand?
1:32:51 > 1:32:54Yes, I do. Thank you, Klaus.
1:33:05 > 1:33:07I've still got yours, of course.
1:33:07 > 1:33:09My what?
1:33:14 > 1:33:15"Dear Captain Zissou,
1:33:15 > 1:33:18"I am 12 years old and live in Jawbone, Kentucky.
1:33:18 > 1:33:21"A creek runs behind our house where I live with my mother.
1:33:21 > 1:33:23"She met you once some years ago,
1:33:23 > 1:33:27"and I collect and catalogue amphibians, reptiles and insects.
1:33:27 > 1:33:30"I don't know what this one's called, so I named it myself.
1:33:30 > 1:33:34"You are probably my one of, if not the favourite, person I've ever studied.
1:33:34 > 1:33:36"I plan to be either a) an oceanographer,
1:33:36 > 1:33:39"b) an architect, c) a pilot.
1:33:39 > 1:33:40"Thank you very much for your good work.
1:33:40 > 1:33:43"Sincerely, Ned Plimpton, Blue Star Cadet,
1:33:43 > 1:33:45"Zissou Society.
1:33:45 > 1:33:47"PS Do you ever wish you could breathe underwater?"
1:33:50 > 1:33:53I still wish I could breathe underwater.
1:33:53 > 1:33:56Me, too, Ned.
1:34:02 > 1:34:04Fluorescent snapper.
1:34:04 > 1:34:05What? Really? What's that?
1:34:05 > 1:34:09A good sign. The last time we saw that big shitkicker...
1:34:09 > 1:34:10THUD
1:34:12 > 1:34:14CLANK
1:34:14 > 1:34:16Something popped up there, didn't it?
1:34:16 > 1:34:19I heard a pin snap loose at the rotator mechanism.
1:34:19 > 1:34:21ALARM RINGS
1:34:24 > 1:34:26This is gonna hurt.
1:34:43 > 1:34:46Ned!
1:34:46 > 1:34:47Ned!
1:34:51 > 1:34:54Ned. Hey, Stevesie.
1:35:02 > 1:35:04Are you OK?
1:35:05 > 1:35:07I think I'm OK.
1:35:10 > 1:35:11What happened? Did we hit something?
1:35:13 > 1:35:16Most likely not.
1:35:16 > 1:35:21I think maybe the pushrod failed.
1:35:21 > 1:35:24I'm sorry, Ned. I should've scrapped this chopper ten years ago.
1:35:24 > 1:35:29You know, maybe I should've auto-rotated and performed a high-bank draw descent.
1:35:29 > 1:35:34We might've crashed a little softer.
1:35:34 > 1:35:37Probably wouldn't have made any difference, though.
1:36:03 > 1:36:08# Should I try to hide
1:36:08 > 1:36:11# The way I feel inside
1:36:11 > 1:36:14# My heart for you?
1:36:14 > 1:36:19# Would you say that you
1:36:19 > 1:36:22# Would try to love me, too?
1:36:22 > 1:36:27# In your mind, could you ever be really close to me?
1:36:27 > 1:36:31# I can tell the way you smile
1:36:31 > 1:36:34# If I feel that I could be certain then
1:36:34 > 1:36:40# I would say the things I want to say tonight
1:36:40 > 1:36:43# But till I can see... #
1:36:43 > 1:36:45All hands, bury the dead.
1:36:45 > 1:36:48# ..That you'd really care for me
1:36:48 > 1:36:51# I will dream that someday you'll be
1:36:51 > 1:36:54# Really close to me
1:36:54 > 1:36:57# I can tell the way you smile
1:36:57 > 1:37:01# If I feel that I could be certain then
1:37:01 > 1:37:06# I would say the things I want to say tonight
1:37:06 > 1:37:10# But till I can see
1:37:10 > 1:37:14# That you'd really care for me
1:37:14 > 1:37:20# I'll keep trying to hide the way I feel inside. #
1:37:25 > 1:37:30PELE SINGS IN PORTUGUESE
1:37:48 > 1:37:50This is the first time Eleanor's ever cried in front of me
1:37:50 > 1:37:52as long as I've known her.
1:37:52 > 1:37:55Except for once when she got her arm caught in the deck winch.
1:37:57 > 1:38:00Is this my espresso machine?
1:38:00 > 1:38:03How did you get my espresso machine?
1:38:03 > 1:38:08Well, er, we fuckin' stole it, man.
1:38:11 > 1:38:13Ali, why don't you go powder your nose?
1:38:13 > 1:38:16I need to talk to your ex-wife.
1:38:21 > 1:38:25We've never made great husbands, have we?
1:38:25 > 1:38:29Of course, I have a good excuse - I'm part gay.
1:38:29 > 1:38:32Supposedly, everyone is.
1:38:43 > 1:38:46I never told you this, but I was hoping...
1:38:46 > 1:38:48we might get the chance to adopt Ned.
1:38:48 > 1:38:51I think he would've wanted it that way.
1:38:51 > 1:38:52Would you have gone along with me on that?
1:38:52 > 1:38:56He was 30, Steve, but I'd have considered it.
1:38:56 > 1:38:58Thanks, Eleanor.
1:38:58 > 1:39:00We're a dying breed.
1:39:00 > 1:39:04Yeah. I guess we were all right
1:39:04 > 1:39:06while we lasted, though, weren't we?
1:39:06 > 1:39:08Oh, we were like Glory's Gate, my darling.
1:39:08 > 1:39:10We were like that bloody shark of yours.
1:39:10 > 1:39:12We swam with the, um, er...
1:39:12 > 1:39:15Oh, damn it. I had it on the plane.
1:39:15 > 1:39:19What was I gonna say? Ah, well, it's good to see you.
1:39:19 > 1:39:20How's your passport status?
1:39:20 > 1:39:23Much better, thank you. I'm back down to X4.
1:39:23 > 1:39:28Tell me, who knocked up the reporter?
1:39:28 > 1:39:29I don't know.
1:39:36 > 1:39:39By the way, thanks for showing me the first draft.
1:39:39 > 1:39:41You read it. What did you think?
1:39:41 > 1:39:44Well, I was a little embarrassed at first.
1:39:44 > 1:39:49Obviously people are gonna think I'm a showboat and a little bit of a prick,
1:39:49 > 1:39:51but then I realised...
1:39:51 > 1:39:53that's me.
1:39:53 > 1:39:57I said those things, I did those things.
1:39:57 > 1:40:00I can live with that.
1:40:01 > 1:40:03You're a good writer, Jane.
1:40:03 > 1:40:06It's the effing cover.
1:40:06 > 1:40:09That a girl.
1:40:09 > 1:40:12Excuse me.
1:40:12 > 1:40:13Excuse me. I'm sorry to interrupt,
1:40:13 > 1:40:15but we just got the scanning monitor back up,
1:40:15 > 1:40:18and it looks like the jaguar shark, or whatever it is we're tracking,
1:40:18 > 1:40:21is in a trench on the far side of the reef.
1:40:24 > 1:40:26Aw.
1:40:26 > 1:40:29What the hell is going on in here with the wiring?
1:40:32 > 1:40:35Anybody feel like going for a ride?
1:40:36 > 1:40:39SONAR PINGING
1:40:44 > 1:40:46WOLODARSKY: Ned's Theme. Take one.
1:40:46 > 1:40:49SYNTH MUSIC PLAYS
1:40:51 > 1:40:54I hooked a rhinestone bluefin on a rope
1:40:54 > 1:40:56to give him something to eat.
1:41:39 > 1:41:41Is that one of mine?
1:41:41 > 1:41:45I think one of my research turtles survived.
1:42:14 > 1:42:16HE TURNS OFF MUSIC
1:42:23 > 1:42:25Yeah, looks good.
1:43:31 > 1:43:33Is that him?
1:43:33 > 1:43:35That's him, Klaus.
1:43:55 > 1:43:58Are we...are we safe in here?
1:43:58 > 1:44:01I doubt it.
1:44:01 > 1:44:04You still want to blow him up?
1:44:04 > 1:44:07No. We're out of dynamite, anyway.
1:44:11 > 1:44:13It is beautiful, Steve.
1:44:15 > 1:44:17Yeah, it's pretty good, isn't it?
1:44:20 > 1:44:23I wonder if it remembers me.
1:44:47 > 1:44:51In 12 years, he'll be 11½.
1:44:53 > 1:44:56That was my favourite age.
1:45:09 > 1:45:11Like this?
1:45:11 > 1:45:13Just like that.
1:45:13 > 1:45:16You do it, too.
1:45:16 > 1:45:18STEVE: We complete the adventure,
1:45:18 > 1:45:21but another member of our crew has been lost.
1:45:21 > 1:45:24This one was my son.
1:45:24 > 1:45:27Also our equity partner.
1:45:27 > 1:45:30We start the voyage home in our wounded vessel.
1:46:23 > 1:46:26DISTANT APPLAUSE
1:46:32 > 1:46:33Ho.
1:46:33 > 1:46:35Ho.
1:46:47 > 1:46:49This is an adventure.
1:46:49 > 1:46:52DOORS OPEN
1:47:05 > 1:47:08MUSIC: "Queen Bitch" by David Bowie
1:47:14 > 1:47:16# Aw, yeah
1:47:18 > 1:47:19# Oh, yeah
1:47:21 > 1:47:23# I'm up on the 11th floor
1:47:23 > 1:47:26# And I'm watchin' the cruisers below
1:47:28 > 1:47:30# He's down on the street
1:47:30 > 1:47:33# And he's trying hard to pull sister Flo
1:47:35 > 1:47:37# Oh, my heart's in the basement
1:47:37 > 1:47:40# My weekend's at an all-time low
1:47:42 > 1:47:43# Cos she's hopin' to score
1:47:43 > 1:47:46# So I can't see her letting him go
1:47:46 > 1:47:50# Walk out of her heart walk out of her mind
1:47:50 > 1:47:52# Oh, not her
1:47:52 > 1:47:55# She's so swishy in her satin and tat
1:47:55 > 1:47:58# In her frock coat and bippity-boppity hat
1:47:58 > 1:48:02# Oh, God, I could do better than that
1:48:03 > 1:48:04# Oh, yeah
1:48:07 > 1:48:09# She's an old-time ambassador
1:48:09 > 1:48:11# Of sweet-talking night-walking games
1:48:13 > 1:48:15# Oh, and she's known in the darkest clubs
1:48:15 > 1:48:18# For pushing ahead of the dames
1:48:20 > 1:48:23# If she says she can do it then she can do it
1:48:23 > 1:48:25# She don't make false claims
1:48:26 > 1:48:28# But she's a queen and such are queens
1:48:28 > 1:48:31# That your laughter is sucked in their brains
1:48:31 > 1:48:33# Now she's leading him on
1:48:33 > 1:48:35# And she'll lay him right down
1:48:35 > 1:48:37# Now she's leading him on and she'll lay him right down
1:48:37 > 1:48:41# But it could've been me yes, it could've been me
1:48:41 > 1:48:43# Why didn't I say?
1:48:43 > 1:48:46# Why didn't I say? No, no, no
1:48:46 > 1:48:50# She's so swishy in her satin and tat
1:48:50 > 1:48:53# In her frock coat and bippity-boppity hat
1:48:53 > 1:48:57# Oh, God, I could do better than that, yeah
1:49:02 > 1:49:06# So I lay down a while and I gaze at my hotel wall
1:49:08 > 1:49:10# Oh, the cot is so cold
1:49:10 > 1:49:13# It don't feel like no bed at all
1:49:15 > 1:49:20# Yeah, I lay down a while and look at my hotel wall
1:49:21 > 1:49:23# And she's down on the street
1:49:23 > 1:49:26# So I throw both his bags down the hall
1:49:26 > 1:49:30# And I'm phoning a cab cos my stomach feels small
1:49:30 > 1:49:33# There's a taste in my mouth and it's no taste at all
1:49:33 > 1:49:36# It could've been me oh, yeah, it could've been me
1:49:36 > 1:49:38# Why didn't I say?
1:49:38 > 1:49:42# Why didn't I say? No, no, no
1:49:42 > 1:49:45# She's so swishy in her satin and tat
1:49:45 > 1:49:49# In her frock coat and bippity-boppity hat
1:49:49 > 1:49:53# Oh, God, I could do better than that
1:49:55 > 1:49:58# Ooh, you betcha
1:49:58 > 1:50:00# Oh, yeah
1:50:00 > 1:50:01# Uh-huh!
1:50:04 > 1:50:06# Mmm. #
1:50:06 > 1:50:10HE SINGS "QUEEN BITCH" IN PORTUGUESE