Three Men and a Little Lady

0:00:37 > 0:00:39# Every time that you go by

0:00:39 > 0:00:44# Boy, you smile at me and you take my breath away

0:00:44 > 0:00:48# Every time I catch your eye

0:00:48 > 0:00:51# I can see that you got a whole lot more to say

0:00:51 > 0:00:55# So don't be shy, cos I'm waiting here

0:00:55 > 0:00:59# Hoping you'll open your heart

0:00:59 > 0:01:03# The more I wait, the more I find

0:01:03 > 0:01:07# I can't get you off my mind

0:01:07 > 0:01:12# Whatever the season, whatever I'm going through

0:01:12 > 0:01:14# I'm always thinking of you

0:01:14 > 0:01:19# Cos you are the reason for all that I say and do

0:01:19 > 0:01:22# You've got to believe that it's true

0:01:22 > 0:01:25# Hey, baby

0:01:25 > 0:01:27# In big ways and small ways

0:01:27 > 0:01:31# I'm always thinking of you

0:01:47 > 0:01:49# How you do it, I don't know

0:01:50 > 0:01:55# But I keep having dreams and you're all I'm dreaming of

0:01:55 > 0:01:57# Every day my feelings grow

0:01:57 > 0:02:00# I keep thinking, baby

0:02:00 > 0:02:03# That maybe this is love

0:02:03 > 0:02:06# I was alone, but now that you're here

0:02:06 > 0:02:08# I'm finally feeling alive

0:02:09 > 0:02:13# The more I feel, the more I find

0:02:14 > 0:02:19# I can't get you off my mind

0:02:19 > 0:02:20# Whatever the season

0:02:20 > 0:02:23# Whatever I'm going through

0:02:23 > 0:02:25# I'm always thinking of you

0:02:25 > 0:02:27# Cos you are the reason

0:02:27 > 0:02:30# For all that I say and do

0:02:30 > 0:02:32# You've got to believe that it's true

0:02:32 > 0:02:35# Hey, baby

0:02:35 > 0:02:37# In big ways

0:02:37 > 0:02:41# And small ways, I'm always thinking of you

0:02:45 > 0:02:48# From the time I wake up

0:02:48 > 0:02:51# Till I fall into bed

0:02:51 > 0:02:55# I've got pictures of you

0:02:55 > 0:02:58# Runnin' straight through my head

0:02:58 > 0:03:01# I think it's clear as A B C

0:03:01 > 0:03:06# That's the way love's supposed to be

0:03:21 > 0:03:24# The more I feel, the more I find

0:03:24 > 0:03:29# I can't get you off my mind

0:03:29 > 0:03:32# Whatever the season

0:03:32 > 0:03:35# Whatever I'm going through

0:03:35 > 0:03:38# I'm always thinking of you

0:03:38 > 0:03:42# Cos you are the reason for all that I say and do

0:03:42 > 0:03:45# You've got to believe that it's true

0:03:45 > 0:03:48# Hey, baby. #

0:03:53 > 0:03:56- SYLVIA:- Mary, honey, come have your breakfast! >

0:04:07 > 0:04:11(MAN DOES VOICE EXERCISES)

0:04:11 > 0:04:15Oh, look at you. Just the person I've been waiting for.

0:04:15 > 0:04:18- Morning, buttercup. - Good morning, Jack. - Will you help me pick a tie

0:04:18 > 0:04:21for today's interview? How's this one grab you? No?

0:04:21 > 0:04:24Too traditional. Absolutely right.

0:04:24 > 0:04:26How about this one?

0:04:26 > 0:04:28Too avant-garde, I knew that.

0:04:28 > 0:04:29How about... No, I hate that one.

0:04:29 > 0:04:31- How about this one?- I like that one.

0:04:31 > 0:04:33Yeah, then this is the one.

0:04:33 > 0:04:35What would I do without you?

0:04:35 > 0:04:37Did you see my red shoe?

0:04:37 > 0:04:40Your red shoe... No, I don't think I have.

0:04:40 > 0:04:44But wait a minute, if I was a red shoe, where would I hide?

0:04:44 > 0:04:46I know, right under here... Ha ha!

0:04:46 > 0:04:48No. Here? No.

0:04:48 > 0:04:50What about back here? No... Whooo!

0:04:55 > 0:04:58Mary, honey, your breakfast is ready!

0:05:01 > 0:05:04MARY HUMS

0:05:09 > 0:05:11Are you going to the inter...?

0:05:11 > 0:05:12The interview? Of course I am.

0:05:12 > 0:05:17I'll to meet your teachers, tell them what a great kid you are and that they have to take you.

0:05:17 > 0:05:20- What should I wear? - Let's pick something out.

0:05:20 > 0:05:22Oh, thanks, I needed that.

0:05:24 > 0:05:28Mary! Go eat your breakfast, hurry up.

0:05:28 > 0:05:30Did you get the review I put on your desk?

0:05:30 > 0:05:34- Yes, thank you.- I love seeing that guy crow after what he said about you in Doll's House.

0:05:34 > 0:05:37Peter, don't you take my reviews too personally?

0:05:37 > 0:05:40- No, I don't think so. - Every time we are in a restaurant

0:05:40 > 0:05:42and see a critic, you want to throw your butter knife at him.

0:05:42 > 0:05:45I'd have got the last guy if he hadn't moved.

0:05:45 > 0:05:47Oh... You missed a spot.

0:06:04 > 0:06:08- Hello, lovely ladies.- Here is your breakfast, Michael.- Thanks.

0:06:08 > 0:06:11- Toast is done.- Damn!

0:06:12 > 0:06:15Jerry, I know what I'm talking about.

0:06:15 > 0:06:20I realise you're trying to save money but we are building an office for 12,000 people.

0:06:20 > 0:06:23You can't put a bathroom on every other floor.

0:06:23 > 0:06:27Well, what if they don't go before they come to work?

0:06:27 > 0:06:29Fine, OK.

0:06:29 > 0:06:31I'll hold. Morning, everyone.

0:06:31 > 0:06:34- Morning!- Can you believe how people try to save money?

0:06:34 > 0:06:38- Is that Jerry again?- Yeah, the Albert Schweitzer of real-estate(!)

0:06:39 > 0:06:41Oh, no! Oh, no, look!

0:06:41 > 0:06:44My foot must have grown last night.

0:06:44 > 0:06:46That's my shoe, silly.

0:06:46 > 0:06:49Thank God. Thought it was me.

0:06:49 > 0:06:51Mary, don't you like your oatmeal?

0:06:51 > 0:06:53- It tastes like rubber. - It's supposed to.

0:06:53 > 0:06:56- What a crock!- Hey, where did you hear that expression?

0:06:56 > 0:06:58What a crock!

0:07:01 > 0:07:02What, what do I do?

0:07:04 > 0:07:08- Finish getting dressed, honey, I'll fix you something else.- So scoot!

0:07:13 > 0:07:17- Oh, did I say overnight, I meant over light.- You don't like my eggs?

0:07:17 > 0:07:18You kidding me, I love your eggs.

0:07:18 > 0:07:21Best part about you, I've always loved your eggs.

0:07:21 > 0:07:24They're perfect, just like you are. Look, hey, you did your hair.

0:07:24 > 0:07:26Oh, someone noticed.

0:07:26 > 0:07:29Are we ready for the interview?

0:07:29 > 0:07:34Absolutely, yes, we are ready. What about your commercial shoot?

0:07:34 > 0:07:39- That's all right, they gave me an hour off.- Jack, this is the school we want Mary to go to.

0:07:39 > 0:07:42I've been here the five years it took to decide on this place, remember?

0:07:42 > 0:07:45Less research went into the Seoul Treaty.

0:07:45 > 0:07:48"Your choice of primary school is the first watershed of a child's life."

0:07:48 > 0:07:51- Have I said that before? - Not in the last five minutes.

0:07:51 > 0:07:53Hey, I'll be there.

0:07:53 > 0:07:55Just don't be late.

0:07:55 > 0:07:56Have I ever let you down before?

0:08:04 > 0:08:08Now, Mary, while we are talking with the ladies,

0:08:08 > 0:08:11- you'll be in a class with some of the other boys and girls.- OK.

0:08:29 > 0:08:31Relax.

0:08:31 > 0:08:33This isn't going to hurt.

0:08:33 > 0:08:36I think we'd better start, I think it's getting late.

0:08:36 > 0:08:38Yes, it is.

0:08:38 > 0:08:40So, you are the architect.

0:08:40 > 0:08:44- That's right. - And you are the cartoonist.

0:08:44 > 0:08:45Actually, I'm a satirist.

0:08:45 > 0:08:47Michael draws Johnny Cool.

0:08:47 > 0:08:49Oh, that cute kitten.

0:08:49 > 0:08:55He's really not a kitten, he's a cat who symbolises the angst of the single man in our times.

0:08:55 > 0:08:57I just adore that little hat he wears.

0:08:57 > 0:09:00- And Mr Holden is...- The actor.

0:09:00 > 0:09:02But very stable, salt of the earth.

0:09:02 > 0:09:07- Not one of these fellas that's...- Michael, I think they know actors are normal people.

0:09:09 > 0:09:13- Good afternoon!- Oh, my God!

0:09:14 > 0:09:18Oh, I'm sorry. I didn't mean to frighten you.

0:09:18 > 0:09:23Forgive the make-up, I'm in the middle of a commercial shoot for margarine. I play Count Cholesterol.

0:09:24 > 0:09:27You've probably seen me on TV, huh?

0:09:27 > 0:09:29How do you do?

0:09:29 > 0:09:31How do you do?

0:09:31 > 0:09:36I had a hell of a time catching a cab.

0:09:37 > 0:09:39What? Oh.

0:09:39 > 0:09:40Thank you.

0:09:40 > 0:09:46Ooh! Look - Mary's drawn a picture of her family. Isn't that wonderful?

0:09:46 > 0:09:49That's wonderful, Mary. Is that you?

0:09:49 > 0:09:52- Is that you? Yeah. Is that your mommy?- Yes.

0:09:52 > 0:09:54And who's that?

0:09:54 > 0:09:56That's my biological daddy.

0:09:56 > 0:09:58Oh. Who's that?

0:09:58 > 0:10:02That is my one honorary daddy and that's my other honorary daddy.

0:10:02 > 0:10:04We all live together.

0:10:06 > 0:10:07OK.

0:10:07 > 0:10:08BELL RINGS

0:10:08 > 0:10:13Everybody put the tops on your markers and take your drawings up to the front.

0:10:16 > 0:10:18You've got three daddies? That's weird.

0:10:18 > 0:10:22- How come?- Julie has two daddies, but not at the same time.

0:10:22 > 0:10:28- Why not? - Because you can't have more than one father at a time living with you...

0:10:28 > 0:10:29That's the law.

0:10:32 > 0:10:35What's the role of other women in the home? None whatsoever.

0:10:35 > 0:10:38Can't say I remember seeing any in the house. You, Michael?

0:10:38 > 0:10:40Strictly professional, down the line.

0:10:40 > 0:10:43- Oh, then you're gay?- What? - Gay?- Is she kidding me?

0:10:43 > 0:10:46Are we gay? Pete, how many women you been out with this month?

0:10:46 > 0:10:50This month? Hard to say. I'd need a calculator to count the number of...

0:10:50 > 0:10:54We have a rule that there are no overnight guests while Mary is in the house.

0:10:54 > 0:10:58Well, you realise this is a most unique family environment.

0:10:58 > 0:11:01As a school psychologist, I must say here, and they have told

0:11:01 > 0:11:06the committee in no uncertain terms, that I was most impressed by Mary.

0:11:06 > 0:11:10I found her to be a thoroughly delightful and happy child.

0:11:10 > 0:11:12- Yes, she is.- Thank you.

0:11:12 > 0:11:15Having said that, however, I must warn you that she's coming to an age

0:11:15 > 0:11:21when differences, even slight ones, can threaten her sense of fitting in.

0:11:21 > 0:11:22The littlest things.

0:11:22 > 0:11:27A parent's accent, how they dress, what they look like.

0:11:27 > 0:11:32And while we think of ourselves as progressive here at the Morgan School, I'd be less than candid

0:11:32 > 0:11:39if I said that three men without any legal responsibility didn't concern me a great deal.

0:11:39 > 0:11:41We have responsibilities.

0:11:41 > 0:11:45I know what you're trying to say, Mrs Hurd, and I feel I should be the one to respond to that.

0:11:45 > 0:11:49I know some of the children in this school and I know their parents.

0:11:49 > 0:11:52Family life is not easy.

0:11:52 > 0:11:56But of all the fathers, stepfathers, the half-fathers that I've known,

0:11:56 > 0:12:00no three men support and love a child like these men love Mary.

0:12:00 > 0:12:03There is nothing they wouldn't do for her.

0:12:03 > 0:12:09I can only hope that when it comes to fathers the children in this school are lucky as Mary is.

0:12:16 > 0:12:18Ha! Ha!

0:12:18 > 0:12:21Yeah, you're in. Congratulations!

0:12:21 > 0:12:23Look at you.

0:12:24 > 0:12:26What's the matter?

0:12:26 > 0:12:28Stuff.

0:12:28 > 0:12:29What kind of stuff?

0:12:29 > 0:12:32I dunno, I feel different.

0:12:32 > 0:12:33Says who?

0:12:33 > 0:12:35- People.- Oh.

0:12:35 > 0:12:40- Well, who cares what people think? People think I'm different.- You are.

0:12:40 > 0:12:42Yeah, well...

0:12:42 > 0:12:45See, that's good.

0:12:45 > 0:12:48Listen, let me tell you something here.

0:12:48 > 0:12:50It's OK to be different.

0:12:50 > 0:12:53You don't have to be like everybody else.

0:12:53 > 0:12:55OK?

0:12:55 > 0:12:59- OK.- OK.

0:12:59 > 0:13:04Now, unfortunately your daddy has to go off and be famous. But you...

0:13:06 > 0:13:10But you, you are mine forever!

0:13:10 > 0:13:12Ha ha ha! Booyah!

0:13:12 > 0:13:14Anything you want, money's no object.

0:13:14 > 0:13:17- The hamburgers look great. - What can I get for you?

0:13:17 > 0:13:19Do you have a penis?

0:13:26 > 0:13:28Can we hear your specials, please?

0:13:28 > 0:13:30This table is a little wobbly here.

0:13:30 > 0:13:32Give us a minute, please.

0:13:33 > 0:13:37Mary, that's a very adult word, where did you hear it?

0:13:37 > 0:13:41Jenny said her father and brother have a penis. What is it?

0:13:43 > 0:13:47Peter, you're the architect, why don't you explain it to her?

0:13:50 > 0:13:57The penis is the urinary and the copulatory organ of the male mammal. It's composed primarily...

0:13:57 > 0:14:00- Thank you.- What?! - Did you memorise that?

0:14:00 > 0:14:04I bet he says that to all the girls.

0:14:04 > 0:14:06Mary and I are going to wash our hands.

0:14:14 > 0:14:15I can't believe she said that.

0:14:15 > 0:14:19- I didn't know about sex till I was in college.- I'm stunned!

0:14:19 > 0:14:22- I was exaggerating, Pete. - I'm talking about Mary, Michael.

0:14:22 > 0:14:25She's not a baby any more. Don't you see, that one word

0:14:25 > 0:14:31was like a trumpet announcing her adulthood in deafening volume. First comes penis...

0:14:31 > 0:14:33- Pete!- Then...- Louder, I don't think the chef heard.

0:14:33 > 0:14:37It's like the psychologist said, she is susceptible to the outside world now.

0:14:37 > 0:14:39- Boys, sex.- You're over-reacting.

0:14:39 > 0:14:43I'm over-reacting? Yeah, what's a genital here and there?

0:14:43 > 0:14:46Be quiet, they're coming.

0:14:55 > 0:14:57Hee hee! Stop, Peter, stop!

0:14:57 > 0:15:00I can't, I can't, my lips are stuck.

0:15:00 > 0:15:03I can't get them unstuck - I'll never get off!

0:15:03 > 0:15:08- Hey, what are you doing? - His lips are stuck to my stomach.

0:15:08 > 0:15:11Oh, woah, boy that was a close one!

0:15:11 > 0:15:14- Good night, I gotta go.- Good night.

0:15:14 > 0:15:17You two are crazy!

0:15:17 > 0:15:22- It's time for you to go to bed, little lady. Have sweet dreams.- OK.

0:15:43 > 0:15:47Hi, Stan. How you doing?

0:15:58 > 0:16:01- Hello, gorgeous.- Hello, darling.

0:16:01 > 0:16:03Look what Mary made for you.

0:16:03 > 0:16:06What a talent.

0:16:06 > 0:16:08- Look, love, I need to talk to you. - Oh, what?

0:16:08 > 0:16:11I did something wrong last night, didn't I?

0:16:11 > 0:16:15- I knew it, I missed a cue at the end of the first act.- Sylvia, relax.

0:16:15 > 0:16:17You were your brilliant self.

0:16:19 > 0:16:25- I have been asked to direct Midsummer Night's Dream at the National in the autumn.- Really?

0:16:25 > 0:16:27Oh, congratulations!

0:16:27 > 0:16:30And I want you to play Helena.

0:16:30 > 0:16:34- Me?- Yes, you, you'll be sensational. Will you do it?

0:16:34 > 0:16:35Oh, I'd love to do it.

0:16:35 > 0:16:39- But...?- Mary's starting school here.

0:16:39 > 0:16:43Take her with you. We do have schools in England, remember?

0:16:43 > 0:16:45But her family is here.

0:16:45 > 0:16:47Your roommates, you mean?

0:16:47 > 0:16:48They are more than roommates.

0:16:48 > 0:16:51- Oh, I realise that. - It's a wonderful offer,

0:16:51 > 0:16:55but it's a crucial time for Mary.

0:16:58 > 0:17:01It's not because of our relationship, is it?

0:17:01 > 0:17:02No, not at all.

0:17:02 > 0:17:05Because my asking you is purely professional.

0:17:05 > 0:17:09You know that I never let my emotions interfere with my professional decisions.

0:17:09 > 0:17:11Except of course when I'm horny.

0:17:11 > 0:17:13THEY LAUGH

0:17:13 > 0:17:16Look, I won't pretend that I don't adore you...

0:17:16 > 0:17:20Or that I wouldn't give anything if you'd finally agreed to marry me.

0:17:20 > 0:17:24I know, but I have to consider Mary's needs.

0:17:30 > 0:17:32And what about your needs?

0:17:37 > 0:17:38I'll think about it.

0:17:48 > 0:17:51DOOR CLOSES

0:17:57 > 0:18:00- What does this button do? - Don't touch that.

0:18:00 > 0:18:03That's the delete button.

0:18:03 > 0:18:06How do I get it to move?

0:18:06 > 0:18:08- Try it.- I did it!

0:18:08 > 0:18:10Good, you see. That was easy, wasn't it?

0:18:12 > 0:18:14What about Mary's new shoes?

0:18:14 > 0:18:16Got them yesterday.

0:18:16 > 0:18:19Mary has a dentist appointment Friday morning.

0:18:19 > 0:18:21I've got my cooking class.

0:18:21 > 0:18:23- Jack, can you cover it? - consider it done.

0:18:23 > 0:18:26Does it say you're to come to the airport to pick up my mother?

0:18:26 > 0:18:29Your mom? Damn, I have that kidney operation this afternoon.

0:18:29 > 0:18:33- What about you, Pete?- Michael, I'll give you 1,000 if you do it.

0:18:33 > 0:18:35I would if I could, but I can't.

0:18:35 > 0:18:37I've got a meeting with my, um...

0:18:37 > 0:18:41- ..publisher. - I thought you had a date with Laurie tonight.- No, that's tomorrow night.

0:18:41 > 0:18:43You know something,

0:18:43 > 0:18:45- I like Laurie.- So do I.

0:18:45 > 0:18:48- It's been a while, huh, Michael? - She's been in LA.

0:18:48 > 0:18:51- How's it going?- That's what we're going to talk about tonight.

0:18:51 > 0:18:53Oh, time to fish or cut bait, huh?

0:18:53 > 0:18:56That's really romantic. "Time to fish or cut bait."

0:18:56 > 0:18:59You'd be surprised how practical women are about these things.

0:18:59 > 0:19:03No matter what they say, a woman wants to be swept off her feet.

0:19:03 > 0:19:05Like how I swept you off your feet.

0:19:05 > 0:19:07Knocked me off my feet is more like it.

0:19:07 > 0:19:09I think women want security.

0:19:09 > 0:19:11You know I want?

0:19:11 > 0:19:15I want a man who will make a fool of himself over me.

0:19:15 > 0:19:19Well, I'd make a fool of myself over you any day, honey.

0:19:20 > 0:19:24Anyway, Michael, you're not breaking up with Laurie, are you?

0:19:24 > 0:19:26No, we just need to shake our relationship up a bit.

0:19:26 > 0:19:29Nothing shakes up a relationship like marriage.

0:19:29 > 0:19:31Who said anything about marriage?

0:19:31 > 0:19:34Hey, I don't know if I like this attitude around Mary.

0:19:34 > 0:19:37- How come none of you are married? ALL:- Oh...Umm...

0:19:38 > 0:19:42- I'd like to get back to the penis question.- We never covered it.

0:19:42 > 0:19:44Come along, before you are permanently warped.

0:19:44 > 0:19:48'Announcing the arrival of flight 103 from London.'

0:19:48 > 0:19:51- Thank you for coming with me, I can always count on you.- Sure.

0:19:51 > 0:19:53Darling!

0:19:53 > 0:19:56Mother! It's wonderful to see you.

0:19:56 > 0:19:58Welcome, Mrs Bennington.

0:19:58 > 0:20:00- Michael.- Peter.- Oh, yes.

0:20:00 > 0:20:02Jack wanted to come, but he was busy.

0:20:02 > 0:20:05Spreading his seed, no doubt.

0:20:05 > 0:20:07How is Mary?

0:20:07 > 0:20:09You won't believe how she's grown.

0:20:09 > 0:20:11Really?

0:20:26 > 0:20:28What? No furniture.

0:20:33 > 0:20:36- Oh, thank you, Michael.- Peter.

0:20:38 > 0:20:42Oh, look. It's the biological one.

0:20:42 > 0:20:43Mom.

0:20:43 > 0:20:47Why, when you say it, does it sound frightening?

0:20:47 > 0:20:50Great to see you. You're looking... so close.

0:20:50 > 0:20:52Gosh, I hope you can stay for a while.

0:20:52 > 0:20:55Mother's staying at The Plaza.

0:20:55 > 0:20:58- I'm leaving the day after tomorrow. - Gee, so soon?

0:20:59 > 0:21:03Come along. I've made your favourite biscuits.

0:21:03 > 0:21:05Oh...

0:21:06 > 0:21:09- Good shot, Mom. - Don't you think you can stay longer?

0:21:09 > 0:21:11I tried to change her mind.

0:21:11 > 0:21:14Did someone leave a window open?

0:21:14 > 0:21:16In you get, darling. Lie down.

0:21:16 > 0:21:20That's it. Lovely.

0:21:20 > 0:21:24Tomorrow, we can do anything you want.

0:21:24 > 0:21:27Can we toss a Frisbee?

0:21:27 > 0:21:30We'll discuss that in the morning.

0:21:30 > 0:21:32Would you like me to sing you a lullaby?

0:21:32 > 0:21:34I want a rap song.

0:21:36 > 0:21:37Oh.

0:21:37 > 0:21:41ALL: Kick it! Tss, tss, tss, tss, tss, huh! THEY BEATBOX

0:21:45 > 0:21:47- HE RAPS:- # Introducing Mike, Peter and Jack

0:21:47 > 0:21:50# We're your rhymin' three dads doing the Mary rap

0:21:50 > 0:21:52# You're just a little lady and you need your sleep

0:21:52 > 0:21:54# Don't wanta hear no jive about something to eat

0:21:54 > 0:21:56# Break it down!

0:21:56 > 0:21:58# Lights out, here we go

0:21:58 > 0:22:00# Partying, lady-killing, dancing till dawn

0:22:00 > 0:22:03# Till your food-spittin', toilet-trainin' changed our song

0:22:03 > 0:22:05# We're bachelors, fathers-in-waiting

0:22:05 > 0:22:07# We'd rather hang with you than the one he's been dating

0:22:07 > 0:22:09# Say, Mary!

0:22:09 > 0:22:11- # Did you wash your face? - # Yo!

0:22:11 > 0:22:15# Say, Mary, did you brush your teeth? Yo!

0:22:15 > 0:22:18- # Mike be nimble - # Peter be quick

0:22:18 > 0:22:20# Jack bust a rhyme and make it slick

0:22:20 > 0:22:22# To little lady Mary, we say please

0:22:22 > 0:22:25# Just close your eyes and cop some Zs

0:22:25 > 0:22:26# Ooga-ooga-ooga

0:22:26 > 0:22:29# Just close them eyes and cop some Zs

0:22:29 > 0:22:30# Wink-a-wink-a-wink

0:22:30 > 0:22:33# Just close them eyes and cop some Zs

0:22:33 > 0:22:34# Ooga-ooga-ooga

0:22:34 > 0:22:37# Just close them eyes and cop some Zs... #

0:22:37 > 0:22:40I need a drink.

0:22:50 > 0:22:52Have you seen Jack?

0:22:52 > 0:22:54I think he went out with Cassie.

0:22:54 > 0:22:56Damn.

0:22:56 > 0:23:00He promised he'd rehearse this scene. I've got to do it in class.

0:23:00 > 0:23:02He probably forgot.

0:23:02 > 0:23:04Yeah.

0:23:04 > 0:23:06Sylvia, wait a minute.

0:23:06 > 0:23:08I'll do it with you.

0:23:08 > 0:23:11- You?- Yeah. Sure, why not?

0:23:11 > 0:23:15I rehearsed a couple of times with Jack. I was a terrific Lady Macbeth.

0:23:15 > 0:23:17What's the play?

0:23:17 > 0:23:18Rainmaker.

0:23:19 > 0:23:22Well, where do you want me?

0:23:22 > 0:23:25- All right. Stand here.- OK.

0:23:25 > 0:23:27- You're sure?- Yeah, this is great.

0:23:27 > 0:23:30- Then here.- All right.

0:23:30 > 0:23:33Ah, I'm Starbuck?

0:23:33 > 0:23:36Unless you want to play Lizzie.

0:23:36 > 0:23:38Starbuck will be fine.

0:23:38 > 0:23:39Peter, you should know,

0:23:39 > 0:23:43Starbuck is a very dynamic, passionate, very charismatic man.

0:23:43 > 0:23:46Right.

0:23:46 > 0:23:51- You ready?- Ready.- OK.

0:23:51 > 0:23:53"Let me ask you, Lizzie, are you pretty?"

0:23:54 > 0:23:56What's the matter?

0:23:56 > 0:23:57Nothing, nothing.

0:23:57 > 0:24:01- Just be natural. You're being a little too large.- OK.

0:24:01 > 0:24:04Natural. I can do that.

0:24:04 > 0:24:05Natural.

0:24:05 > 0:24:08"Let me ask you, Lizzie, are you pretty?"

0:24:08 > 0:24:10"No, I'm plain."

0:24:10 > 0:24:12"You don't know you're a woman?"

0:24:12 > 0:24:14"I am a woman! A plain one."

0:24:14 > 0:24:17- "Every woman is pretty."- "Not me."

0:24:17 > 0:24:20"Close your eyes, Lizzie."

0:24:20 > 0:24:21"Close 'em."

0:24:21 > 0:24:24"Now say, 'I'm pretty.'"

0:24:24 > 0:24:27- "I can't."- "Say it!"

0:24:27 > 0:24:29- "Say it, Lizzie."- "I'm pretty!"

0:24:34 > 0:24:36What'd you do that for?

0:24:36 > 0:24:40It's...it's in the script.

0:24:42 > 0:24:43Well, no.

0:24:43 > 0:24:47Actually, it says, "He kisses her."

0:24:47 > 0:24:49Right.

0:24:49 > 0:24:52Do you want to try it again?

0:24:52 > 0:24:53OK.

0:24:55 > 0:24:57- You ready?- Ready.

0:24:59 > 0:25:01"Close your eyes."

0:25:02 > 0:25:04"Say, 'I'm pretty.' "

0:25:04 > 0:25:07- "I can't."- "Say it, Lizzie."

0:25:07 > 0:25:08"I am pretty."

0:25:21 > 0:25:23Um...

0:25:23 > 0:25:25Jack should be doing this.

0:25:25 > 0:25:28He's the actor. I was terrible.

0:25:28 > 0:25:30You were doing so well!

0:25:30 > 0:25:32I was totally unbelievable.

0:25:33 > 0:25:35I thought you were very believable.

0:25:56 > 0:25:57LAURIE: Oh, my God.

0:25:57 > 0:26:02THEY SIGH

0:26:04 > 0:26:06I thought this was against the rules.

0:26:06 > 0:26:08No-one's home.

0:26:08 > 0:26:10Except Mary.

0:26:10 > 0:26:12And she's sound asleep.

0:26:12 > 0:26:15- Look, Laurie, I've been thinking about us.- Have you?

0:26:15 > 0:26:19I think that it's time for us to, er...

0:26:19 > 0:26:22To fish or cut bait.

0:26:23 > 0:26:26All my life, I've dreamt of a man saying that to me(!)

0:26:26 > 0:26:30I'm sorry. I don't know where that came from.

0:26:30 > 0:26:33LAURIE GIGGLES

0:26:39 > 0:26:40MARY SCREAMS

0:26:40 > 0:26:41There's snakes in my bed!

0:26:41 > 0:26:43Ah, Mary! What you you doing?

0:26:43 > 0:26:47- You remember my friend, Laurie. - Hi. It's nice to see you again.

0:26:47 > 0:26:50We were just making... Uh, uh...

0:26:51 > 0:26:55What were you saying? Snakes! Snakes, a-ha!

0:26:55 > 0:26:57There are no snakes in your bed.

0:26:57 > 0:26:59Maybe they were rats.

0:26:59 > 0:27:02- No rats, either. I'll be back.- Bye.

0:27:02 > 0:27:06- You're looking very tired.- I'm not tired.- Well, you're looking sleepy.

0:27:06 > 0:27:09- I'm not sleepy. - Well, you need a rest!

0:27:11 > 0:27:14- Is everything all right? - Why do you ask?

0:27:14 > 0:27:15You seem tense.

0:27:15 > 0:27:17I don't know.

0:27:19 > 0:27:22Sometimes, I feel like my life is one long improvisation.

0:27:22 > 0:27:25I don't have time to think, plan or take it in.

0:27:25 > 0:27:28Things are thrown at me and I react.

0:27:28 > 0:27:30I keep asking myself, "Am I a good mother?

0:27:30 > 0:27:32"Am I doing the right things for Mary?"

0:27:32 > 0:27:34Every mother asks herself that.

0:27:34 > 0:27:38- Did you?- Constantly.- Really?

0:27:38 > 0:27:40You're a wonderful mother.

0:27:41 > 0:27:44All you need now is a husband.

0:27:44 > 0:27:48Romance is the last thing on my mind right now.

0:27:48 > 0:27:51I'm not talking about romance, darling.

0:27:51 > 0:27:53I'm talking about marriage.

0:27:53 > 0:27:56What's happening between you and Edward?

0:27:58 > 0:28:00He proposed to me.

0:28:00 > 0:28:01And?

0:28:03 > 0:28:05Edward is a wonderful man.

0:28:05 > 0:28:07In some ways, I love him very much.

0:28:08 > 0:28:11But something keeps me from saying yes.

0:28:11 > 0:28:15Would that something happen to be a tall architect?

0:28:15 > 0:28:17What do you mean?

0:28:17 > 0:28:21I hate to be the one to tell you, but you're wasting your time with that one.

0:28:21 > 0:28:23Why do you say that?

0:28:23 > 0:28:28Some men are never comfortable with their feelings. They can't open up.

0:28:28 > 0:28:31He does with Mary. He's wonderful with her.

0:28:31 > 0:28:33That's different.

0:28:33 > 0:28:39If you think you can get him to open up to you, then, by all means, marry him.

0:28:40 > 0:28:46But you'll find you've wasted precious time waiting for nothing.

0:28:56 > 0:29:00- Mary, I told you to turn off the TV and go to sleep.- No!

0:29:00 > 0:29:03We leave her with you for a couple of hours and she's crazy.

0:29:03 > 0:29:06Don't blame me! She's going through some weird phase.

0:29:06 > 0:29:08It's no different than before.

0:29:08 > 0:29:11It's a lot different! Things have got to change!

0:29:11 > 0:29:14- I heard you. Give me that remote control and go to sleep!- No!

0:29:14 > 0:29:17It's not healthy for a guy to get that excited and have to stop!

0:29:17 > 0:29:20She wouldn't stop bothering us all night.

0:29:20 > 0:29:24- Give me that.- Laurie finally left. - That's it! I'm pulling the plug.

0:29:24 > 0:29:28- I'll probably never see her again. I've got a life, too, you know!- Ow!

0:29:28 > 0:29:29Pete, are you listening to me?

0:29:29 > 0:29:33- No, I'm electrocuting myself! - What is going on?!

0:29:33 > 0:29:37What are you doing up at this late hour, young lady?

0:29:37 > 0:29:38Excuse us.

0:29:42 > 0:29:45What started all this?

0:29:45 > 0:29:48I think we're getting into some uncharted territory.

0:29:54 > 0:29:57FAINT VOICES

0:30:08 > 0:30:12- Is that mine or yours?- It's me.

0:30:12 > 0:30:13I'll take that one.

0:30:13 > 0:30:16- How's Mary?- Asleep, for now.

0:30:16 > 0:30:18What's the matter with her?

0:30:18 > 0:30:21We're getting a taste of tough things ahead. Like school.

0:30:21 > 0:30:24- Adolescence!- Puberty.

0:30:24 > 0:30:25Puberty was my favourite stage.

0:30:25 > 0:30:30- I'm serious, Jack.- So am I! That's one thing I was good at!

0:30:31 > 0:30:34How long do you think we're going to be able to do this?

0:30:34 > 0:30:35Do what, honey?

0:30:35 > 0:30:39Live like this. Me, you, Mary.

0:30:41 > 0:30:43It's worked so far, hasn't it?

0:30:43 > 0:30:45Because it was necessary at first.

0:30:45 > 0:30:50- And now you're such a big star, you don't need us.- That's not fair, Jack.

0:30:50 > 0:30:56I just don't think we're meeting Mary's or my or your needs.

0:30:56 > 0:30:59What needs are you talking about?

0:30:59 > 0:31:01Passion, marriage...

0:31:01 > 0:31:03children, sex!

0:31:03 > 0:31:05You took the words right out of my mouth!

0:31:05 > 0:31:07I'll talk to Mary about sex if you want.

0:31:07 > 0:31:10Not sex for Mary, sex for me.

0:31:10 > 0:31:12Uh-oh. Time to dust off the old penis speech.

0:31:12 > 0:31:14I never have it with me when I need it.

0:31:14 > 0:31:17I'm serious! I want to get married.

0:31:17 > 0:31:19I want to have more children.

0:31:19 > 0:31:22What about you? This must be limiting for you.

0:31:22 > 0:31:25It is. That's the problem.

0:31:25 > 0:31:29If Mary and I hadn't moved in, you'd be in different places now.

0:31:29 > 0:31:31We'd be married.

0:31:31 > 0:31:33We'd be divorced. You saved us a fortune.

0:31:33 > 0:31:38Joke all you want, but Mary needs a more normal environment.

0:31:38 > 0:31:42She's very confused and, to be honest, so am I.

0:31:50 > 0:31:53OK, I'll live up to my responsibility.

0:31:55 > 0:31:58- You want to marry me? - Jack, be serious.

0:31:58 > 0:32:01I am being serious! We've had a child together.

0:32:01 > 0:32:03What do you say?

0:32:05 > 0:32:06Want to sleep on it?

0:32:06 > 0:32:08She did that once before, Jack.

0:32:08 > 0:32:09Hey, shut up!

0:32:13 > 0:32:16Do you want to marry me?

0:32:18 > 0:32:19No.

0:32:19 > 0:32:21No?

0:32:21 > 0:32:23But thank you for asking.

0:32:23 > 0:32:26Phew!

0:32:26 > 0:32:32- That was a close one.- Jack, you're a wonderful man and a great father, but you'd be a terrible husband.

0:32:32 > 0:32:36- I can live with that. - Besides, I don't love you.

0:32:36 > 0:32:39Not romantically. You don't love me either, not like that.

0:32:39 > 0:32:42- How do you know?- I know. - Maybe he does.

0:32:42 > 0:32:46No, he can't fool me. He's not that good an actor.

0:32:46 > 0:32:49- I know you too well. - I could fool you.- Never!

0:32:49 > 0:32:52I never know what to do with my hands.

0:32:52 > 0:32:54- My hands are always giving me away. - Look.

0:32:54 > 0:33:00I didn't come down here expecting you to draw straws for me.

0:33:00 > 0:33:05I'm just telling you a lot of things are changing. It's time we face it.

0:33:19 > 0:33:22KNOCK AT DOOR Come in.

0:33:24 > 0:33:26Oh, Peter! Is Mary all right?

0:33:26 > 0:33:27She's fine.

0:33:27 > 0:33:31Last time you came to the theatre, she had a raisin in her ear.

0:33:31 > 0:33:35- Actually, that was Jack who put the raisin in her ear. - I should've known.

0:33:35 > 0:33:38That's a very pretty dress.

0:33:38 > 0:33:40Thank you.

0:33:40 > 0:33:43- What brings you here?- You.

0:33:43 > 0:33:46- Me?- Yeah, I was thinking about what you said.

0:33:46 > 0:33:51You're right. We haven't been paying enough attention to your needs.

0:33:51 > 0:33:56There's something that I wanted to say to you without Michael and Jack around.

0:34:00 > 0:34:01What is it?

0:34:03 > 0:34:07Well, I think you should get married and have more kids.

0:34:07 > 0:34:10If they're anything like Mary, you should have a dozen.

0:34:12 > 0:34:15I just wanted you to know that.

0:34:16 > 0:34:21- Whatever you decide, I'll support you.- Is that all?

0:34:23 > 0:34:27Well, make sure you pick the right guy! Don't just rush into it.

0:34:28 > 0:34:30I'm not rushing into anything.

0:34:30 > 0:34:33That's what everybody thinks when they're doing it.

0:34:33 > 0:34:35This is a huge step.

0:34:35 > 0:34:37Maybe it's time we take some huge steps.

0:34:37 > 0:34:40Picking the wrong person is the worst mistake.

0:34:40 > 0:34:42- Believe me, I know.- Do you?

0:34:42 > 0:34:45- How many times have you been married?- Once.

0:34:45 > 0:34:46What?

0:34:48 > 0:34:50When?

0:34:50 > 0:34:53We've spent all this time together, and you've never told me.

0:34:53 > 0:34:57Well, it was a long time ago for about an hour.

0:34:58 > 0:34:59Do Jack and Michael know?

0:34:59 > 0:35:02- Jack knows.- No-one else?

0:35:02 > 0:35:05My ex-wife has a dim recollection.

0:35:05 > 0:35:08Obviously, it was a wonderful experience for you(!)

0:35:10 > 0:35:14One that can never be equalled, not without bloodshed.

0:35:15 > 0:35:19Are you ready, darling? Oh, sorry, Peter, I didn't know you were here.

0:35:19 > 0:35:26- Hello, darling. - I was just leaving, Edward.

0:35:32 > 0:35:34- Think about it.- I will.

0:35:38 > 0:35:41We can't force Sylvia to marry somebody we choose for her.

0:35:41 > 0:35:45All we're saying is that she wants to get married, that's a given,

0:35:45 > 0:35:48so let's introduce her to some nice guys, let nature take its course.

0:35:48 > 0:35:52If it's a friend, it'll make things easier on us.

0:35:52 > 0:35:53That's true.

0:35:53 > 0:35:56- Good. Read the list.- OK. Carl.

0:35:56 > 0:35:58Carl is too short.

0:35:58 > 0:36:00He won't be a threat to Mary.

0:36:00 > 0:36:02Because she's bigger than he is.

0:36:02 > 0:36:03What about Bill?

0:36:03 > 0:36:07- I like Bill.- So do I. But don't we need someone a little more elegant?

0:36:07 > 0:36:09Moose? Probably not.

0:36:09 > 0:36:11Denny. Denny's a great idea.

0:36:11 > 0:36:14- Denny's always broke. - What about Jim?

0:36:14 > 0:36:18Jim? Someone a little more mature than Mary would be preferable.

0:36:18 > 0:36:21- These are slim pickings.- Glad I'm not a lady searching for a husband!

0:36:21 > 0:36:24- I'm looking better all the time. - Greg?

0:36:24 > 0:36:25- Too young.- Matt.

0:36:25 > 0:36:28- Too old.- Trevor.- Too fat.

0:36:28 > 0:36:30Bill? Billy-Bob? Billy-Joe.

0:36:30 > 0:36:33- Peter, we're not asking you to marry the guy.- What about Edward?

0:36:35 > 0:36:36He's English.

0:36:36 > 0:36:38So is Sylvia.

0:36:38 > 0:36:40Nah, that's one of those actor-director things.

0:36:40 > 0:36:43They never last. Trust me.

0:36:44 > 0:36:47You know what I'm thinking?

0:36:47 > 0:36:49What?

0:36:49 > 0:36:52I'm thinking I'd like to have another child.

0:36:52 > 0:36:55Maybe two more.

0:36:55 > 0:36:57Maybe even a dozen!

0:36:59 > 0:37:00I'd like to have children.

0:37:02 > 0:37:04Really? You didn't before.

0:37:04 > 0:37:07I must be growing up.

0:37:07 > 0:37:10No, I thought you liked those opening night parties,

0:37:10 > 0:37:13the hotels, the stars! I thought that was the best part.

0:37:13 > 0:37:16I lied. You're the best part.

0:37:16 > 0:37:19I love you, Sylvia Bennington.

0:37:19 > 0:37:20Marry me.

0:37:24 > 0:37:26I'm getting married.

0:37:26 > 0:37:29I'm getting married! I'm...I'm...

0:37:30 > 0:37:32I'm getting married.

0:37:33 > 0:37:35Ah, no!

0:37:35 > 0:37:38- Sylvia, there's no more milk. - I'm getting married.

0:37:38 > 0:37:40Don't overreact. I can get some milk.

0:37:40 > 0:37:42Jack, I think she's serious.

0:37:42 > 0:37:44- You serious?- I'm very serious.

0:37:44 > 0:37:47- You're getting married?- Yes.

0:37:47 > 0:37:51- To someone specific? - No, to the Mormon Tabernacle Choir.

0:37:51 > 0:37:54We spent all night and couldn't come up with squat.

0:37:54 > 0:37:55What do you mean?

0:37:55 > 0:37:57Never mind.

0:37:58 > 0:38:01- Who is he?- Edward.- Yes.

0:38:01 > 0:38:05Sweetheart, come on, he's a director.

0:38:05 > 0:38:11- Why him?- Because he asked me, and because I love him.

0:38:11 > 0:38:14I've got so much to do. We're being married in England.

0:38:14 > 0:38:16- When?- As soon as possible.

0:38:16 > 0:38:21Edward's directing Midsummer Night's Dream and I'll be doing it with him.

0:38:21 > 0:38:24- Anything in it for me? - Jack, come on!

0:38:26 > 0:38:27Aren't you happy for me?

0:38:27 > 0:38:31- Yeah, yeah, of course, we are. - Of course. Thrilled!

0:38:31 > 0:38:35- How many times does a lady get married, huh?- Two, three times at the most?

0:38:35 > 0:38:37No, just once for me, thank you.

0:38:37 > 0:38:39Where are you going to live?

0:38:40 > 0:38:41London.

0:38:41 > 0:38:43London, England?

0:38:43 > 0:38:45No, London, New Jersey(!)

0:38:45 > 0:38:47And Mary?

0:38:49 > 0:38:50I'm taking Mary with me.

0:38:59 > 0:39:01Mommy, I can't find Sabrina. >

0:39:01 > 0:39:03I'll be right there, darling.

0:39:04 > 0:39:07Look, I know this is sudden.

0:39:07 > 0:39:09It's not easy for me, either.

0:39:09 > 0:39:12I love you all very, very much.

0:39:13 > 0:39:16I'm counting on you.

0:39:16 > 0:39:19I really need your understanding.

0:39:19 > 0:39:23I think it's the best thing for everyone, so try and support me in this, will you?

0:39:33 > 0:39:34Moving to London?

0:39:42 > 0:39:44I don't want to go to England.

0:39:44 > 0:39:47I know, but sometimes, we gotta do things

0:39:47 > 0:39:49that seem kinda hard at first.

0:39:49 > 0:39:53- Most of the time they turn out to be great.- No, they don't.

0:39:53 > 0:39:55Sure, they do. Like you.

0:39:55 > 0:39:58What do you mean?

0:39:58 > 0:40:02When you first showed up, we weren't sure we'd like you.

0:40:02 > 0:40:07- Why not? - All you did was eat, sleep and cry.

0:40:07 > 0:40:10Look how great it turned out.

0:40:12 > 0:40:14But I'll never see you again.

0:40:14 > 0:40:18Of course you will. We'll come visit you and you can visit us.

0:40:18 > 0:40:22- Not every day.- No, not every day.

0:40:22 > 0:40:25I'll tell you what. Close your eyes.

0:40:25 > 0:40:27- I don't want to. - Come on, close your eyes.

0:40:27 > 0:40:30Are you cheating? Are they closed?

0:40:30 > 0:40:34- OK. Can you see us?- No.

0:40:34 > 0:40:36Then you're not looking hard enough.

0:40:36 > 0:40:37Look real hard...

0:40:37 > 0:40:40way in the back there.

0:40:40 > 0:40:42Can you see us now?

0:40:44 > 0:40:47- Yeah, I can see you.- There you go.

0:40:47 > 0:40:50What are we doing? Michael's drawing.

0:40:50 > 0:40:51What's Jack doing?

0:40:51 > 0:40:54Jack's looking in the mirror.

0:40:54 > 0:40:57You are watching basketball on TV,

0:40:57 > 0:41:00yelling at Jack for not cleaning up the kitchen.

0:41:01 > 0:41:03See? That sounds about right to me.

0:41:03 > 0:41:08That's all you gotta do. When you need us, close your eyes real tight.

0:41:08 > 0:41:10You look for us...

0:41:10 > 0:41:12and we'll be right there with you.

0:41:13 > 0:41:15Sit on my lap.

0:41:27 > 0:41:33- Remember, don't open it unless you're prepared to love and care for what's in it.- What is it?

0:41:33 > 0:41:37- You won't know until you open it. - You're wonderful with her.

0:41:37 > 0:41:41Broadway's nothing compared to children - toughest audience in the world!

0:41:41 > 0:41:44- Glad you could come, Edward. - Good to see you, Peter.

0:41:44 > 0:41:47Michael, I adored your cartoon this morning.

0:41:47 > 0:41:51What astonishes me is the way a satirist, like yourself, can draw

0:41:51 > 0:41:55in one frame, what it takes two or three hours in a play to accomplish.

0:41:55 > 0:41:59I like to think I touch upon the deeper issues of society.

0:41:59 > 0:42:01And Jack! Jack, how are you?

0:42:01 > 0:42:03Unemployed.

0:42:03 > 0:42:07I meant to explain why I didn't cast you when you auditioned for me.

0:42:07 > 0:42:09You don't have.... It's all right.

0:42:09 > 0:42:11- Why didn't you? - No, that's all right.

0:42:11 > 0:42:15I realized that Jack is far too...

0:42:15 > 0:42:16large an actor for that part.

0:42:16 > 0:42:20Your comic expertise would've thrown the play out of balance.

0:42:20 > 0:42:23I loved your last commercial, by the way.

0:42:23 > 0:42:26- Oh, yeah, the laxative one. - You were hysterical.

0:42:26 > 0:42:28I don't want to sound conceited,

0:42:28 > 0:42:33but a lot of people say that when they watched it, they believed I was constipated.

0:42:33 > 0:42:34As I did. Truly.

0:42:35 > 0:42:39Hey, thanks. That means a lot to me.

0:42:39 > 0:42:40I think we need drinks.

0:42:43 > 0:42:45I think we need shovels.

0:42:48 > 0:42:52JACK LAUGHS

0:42:52 > 0:42:56This is crazy! All I'm doing is talking about myself.

0:42:56 > 0:42:57Can I fill your drink up for you, Ed?

0:42:57 > 0:43:01- You don't mind if I call you Ed, do you?- Not at all.

0:43:01 > 0:43:04- I opened my present.- You did?

0:43:04 > 0:43:06- What is it?- A picture of a horse.

0:43:06 > 0:43:09- You've got to love and care for that horse.- It's only a picture.

0:43:09 > 0:43:11That's my kind of horse.

0:43:11 > 0:43:14Here, it's only a picture, but back in England, it's a real horse.

0:43:14 > 0:43:17- It is?- You got her a real horse?

0:43:17 > 0:43:19Thank Edward.

0:43:21 > 0:43:23Thank you, Edward.

0:43:23 > 0:43:26Jack, Edward gave me a horse!

0:43:26 > 0:43:28You've made her day, her year.

0:43:28 > 0:43:32Edward? It can be dangerous to bargain for a child's affection.

0:43:32 > 0:43:34I'm sorry?

0:43:34 > 0:43:37Would anyone like my liver mousse hors d'oeuvres?

0:43:37 > 0:43:40You buy her a horse, what's next?

0:43:40 > 0:43:42Two horses? Three horses?

0:43:42 > 0:43:45They're made from fresh goat liver.

0:43:45 > 0:43:47Then what? A motorcycle, a car?

0:43:47 > 0:43:49Pete, put one in your mouth.

0:43:49 > 0:43:52- No, thank you. Where does it end? - I see your point.

0:43:55 > 0:43:57You've never been around a kid before, have you?

0:43:57 > 0:44:01No. Like yourself, I've never had a child of my own.

0:44:01 > 0:44:04Raising a child is not as easy as it looks.

0:44:04 > 0:44:05It doesn't look easy at all.

0:44:05 > 0:44:09It isn't. They see through people quicker than adults do.

0:44:09 > 0:44:11I think we should eat.

0:44:18 > 0:44:21I'm sorry about Peter. I don't know what he thought he was doing.

0:44:21 > 0:44:23I can handle him.

0:44:36 > 0:44:41My favourite was when he said he really thought Jack was constipated in that commercial.

0:44:41 > 0:44:43- Can you believe that?!- What a crock.

0:44:43 > 0:44:47- Are you saying you didn't think I was constipated? Is that what you're saying?- No.

0:44:47 > 0:44:49- And you? - Don't take it personally.

0:44:49 > 0:44:51What do you know about acting?

0:44:51 > 0:44:52Let's see you act constipated!

0:44:52 > 0:44:55- Go on, act constipated.- Peter.

0:44:55 > 0:44:58What you did today was totally uncalled-for!

0:45:00 > 0:45:04- What did I do?- Don't give me that. You acted like a spoilt child!

0:45:04 > 0:45:06Well, I don't like the guy.

0:45:06 > 0:45:08You never gave him a chance.

0:45:08 > 0:45:10He's not the right father for Mary.

0:45:10 > 0:45:14No-one supposes that he's as perfect as you are.

0:45:14 > 0:45:16I'm only thinking of Mary.

0:45:16 > 0:45:19No, you're not! You're only thinking of yourself,

0:45:19 > 0:45:25how you're going to miss Mary, how someone else will be with her when you're not.

0:45:25 > 0:45:28You haven't once thought of what she or I need out of this.

0:45:28 > 0:45:31- That's not true.- Do you know how hard today was for me?

0:45:31 > 0:45:36It was very hard. All I needed was a little support from you.

0:45:36 > 0:45:39Instead, all I got was a helping of your bruised ego!

0:45:39 > 0:45:42- You are a selfish...!- I'm selfish?

0:45:42 > 0:45:45I didn't leave my baby on a doorstep when she was six months old.

0:45:55 > 0:45:58DOOR SLAMS

0:46:07 > 0:46:09Really starting to hate each other.

0:46:09 > 0:46:11Nah, don't kid yourself.

0:46:11 > 0:46:13I still love the first woman who hit me.

0:46:19 > 0:46:23Do you remember the day that I got Sabrina and you left her on the bus?

0:46:23 > 0:46:25Remember that?

0:46:25 > 0:46:29Do you remember the day she fell in the pond in Central Park?

0:46:29 > 0:46:34- You dropped her in the pond when you were smiling at that lady.- I did?

0:46:34 > 0:46:37Oh, right, yes, I did. I forgot that.

0:46:37 > 0:46:42Anyway. See, me and Sabrina have this, well, we have a connection.

0:46:42 > 0:46:46So when you're in England with Sabrina, it will be like,

0:46:46 > 0:46:49like you're there with me. Deal?

0:46:49 > 0:46:52Will you miss me?

0:46:52 > 0:46:55Will I miss you? Mary, I love you.

0:46:57 > 0:47:01You're the most perfect thing I've ever done in my entire life.

0:47:01 > 0:47:04What do you mean? Some day I'll explain that,

0:47:04 > 0:47:08but right now I think you should go back to bed. OK?

0:47:10 > 0:47:11I'll see you later.

0:47:34 > 0:47:37- Well...- There, sweetie.

0:47:37 > 0:47:39I'm gonna miss you.

0:47:39 > 0:47:41I'm going to miss you too.

0:47:41 > 0:47:43OK, sweetie.

0:47:45 > 0:47:47OK, now.

0:47:47 > 0:47:49You be a strong little girl.

0:47:49 > 0:47:52And you help your mother, right?

0:47:52 > 0:47:54I will.

0:47:57 > 0:47:59OK.

0:48:04 > 0:48:07- Call when you get there.- We will.

0:48:41 > 0:48:43- You going to the wedding?- Nope.

0:48:45 > 0:48:49- You?- No. I got deadlines.

0:48:50 > 0:48:54- You?- No. No, I have that TV movie in Brazil.

0:48:54 > 0:48:58Besides, I don't think I could watch Sylvia getting married.

0:48:58 > 0:49:00It'd be like watching our family end.

0:49:06 > 0:49:09Let's have a party.

0:49:09 > 0:49:10Yeah? What kind of party?

0:49:10 > 0:49:13What kind? The kind we used to throw all the time.

0:49:13 > 0:49:15I like that idea.

0:49:15 > 0:49:17We could even have it on a school night.

0:49:17 > 0:49:21Yeah, it'd be like our return to bachelorhood.

0:49:21 > 0:49:23EIGHTIES MUSIC PLAYS

0:49:32 > 0:49:34- Hey!- Hi, how are you?

0:49:34 > 0:49:36- Is this fun or what?- Yeah!

0:49:36 > 0:49:38We got to make up for lost time here, fellas.

0:49:38 > 0:49:41Tell you what, why don't I take the blondes?

0:49:41 > 0:49:44I'll take the brunettes.

0:49:44 > 0:49:45I guess that leaves me the redheads.

0:49:47 > 0:49:50Excuse me. Would you like to dance?

0:49:50 > 0:49:51- Sure.- All right, I gotta warn you.

0:49:51 > 0:49:55- You're gonna have to keep up with me. I'm one hell of a dancer.- Oh!

0:50:02 > 0:50:05- JEANS RIP Ah!- Are you OK?

0:50:05 > 0:50:07Oh, don't worry.

0:50:08 > 0:50:13Look. Every picture, she gets cuter and cuter.

0:50:13 > 0:50:16- Did I tell you what Mary said last year?- Only until May.

0:50:16 > 0:50:20I'm gonna get a drink, and then we can start on what she said in June.

0:50:24 > 0:50:25I did some of the work myself.

0:50:25 > 0:50:29- I got all of the furniture...this bookcase is from a farm.- Where?

0:50:29 > 0:50:31What did you say your name was?

0:50:31 > 0:50:33- Lucia.- I'm Peter.

0:50:33 > 0:50:36The farm was in Vermont. It's old, it's from the 18th century.

0:50:36 > 0:50:39I like it. When are you gonna paint it?

0:50:40 > 0:50:41Wanna dance?

0:50:41 > 0:50:44# Get up, people and get down to it... #

0:50:44 > 0:50:47DANCE TRACK STOPS # Rubber duckie, you're the one

0:50:47 > 0:50:50# You make bathtime lots of fun

0:50:50 > 0:50:55# Rubber duckie, I'm awfully fond of you

0:50:55 > 0:50:56# Bo-bo, bo di oh

0:50:56 > 0:50:59# Rubber duckie, joy of joys

0:50:59 > 0:51:02# When I squeeze you, you make noise

0:51:02 > 0:51:06# Rubber duckie, I'm awfully fond... #

0:51:27 > 0:51:33Here it is. My speciality, liver mousse and poached eggs.

0:51:36 > 0:51:38An attractive combination.

0:51:38 > 0:51:41- It's great.- Don't you like it?

0:51:41 > 0:51:46- I love it, but we do have a cook for this sort of thing.- I like doing it.

0:51:46 > 0:51:49Try it, Edward. You'll like it.

0:51:49 > 0:51:53Whoever taught you to hold your teacup like that?

0:52:00 > 0:52:02I don't know anybody here.

0:52:02 > 0:52:04I thought Glenn was coming.

0:52:04 > 0:52:07- His kids have measles. - What about Martha?

0:52:07 > 0:52:10She had to stay home and make an asparagus costume for Tommy.

0:52:10 > 0:52:13So much for life in the fast lane.

0:52:13 > 0:52:16- What are we doing here?- Having a great time(!) Can't you tell?

0:52:16 > 0:52:19- Why aren't we in England? - Oh, Michael, come on.

0:52:19 > 0:52:20I'm tellin' ya.

0:52:20 > 0:52:23I spoke to Mary yesterday. I could sense she was not happy.

0:52:23 > 0:52:25She said she was having a good time.

0:52:25 > 0:52:27I know what I'm talking about.

0:52:27 > 0:52:30My parents sent me to camp every summer.

0:52:30 > 0:52:33The counsellors made us write postcards home.

0:52:33 > 0:52:37I'd be covered in poison ivy, sharing a cabin with a guy who collected farts,

0:52:37 > 0:52:41and I'd be praying the whole place would burn to the ground.

0:52:41 > 0:52:44But I'd always write what a good time I was having.

0:52:46 > 0:52:48Believe me, you guys,

0:52:48 > 0:52:50our little girl is miserable.

0:52:51 > 0:52:55And I'm going to England. You guys can stay here if you like.

0:52:55 > 0:52:58- I'm going. - THUNDER CRASHES

0:53:01 > 0:53:05MUSIC: "Rule Britannia"

0:53:12 > 0:53:14- CAR ENGINE WHEEZES - This thing run on batteries?!

0:53:14 > 0:53:16- Last one they had. - GEARBOX CRUNCHES

0:53:25 > 0:53:27I hate England. I always have.

0:53:27 > 0:53:30Pete, as long as we're here, let's look on the bright side.

0:53:30 > 0:53:32OK. You're right. I'm sorry.

0:53:32 > 0:53:36- The toilet paper's like Reynolds Wrap.- That's a start.

0:53:36 > 0:53:39It's so damn cold all the time. The only thing that's warm is the ice.

0:53:39 > 0:53:43You know what I hate most? The way they use words like "schedule."

0:53:43 > 0:53:44And "vitamins."

0:53:46 > 0:53:48- ONCOMING CAR BEEPS - Other side, Pete!

0:53:48 > 0:53:50Damn!

0:53:50 > 0:53:52- Want me to drive?- Relax.

0:53:52 > 0:53:53I'm telling you, we're lost.

0:53:53 > 0:53:57I haven't seen a road that's marked on this map in 20 minutes.

0:53:57 > 0:53:58What's that noise?

0:53:58 > 0:54:00Do you think it's the engine?

0:54:00 > 0:54:01Uh-uh.

0:54:04 > 0:54:06SHEEP BLEAT

0:54:08 > 0:54:11The next road that you come to...

0:54:11 > 0:54:14I can't hear a word he's saying.

0:54:14 > 0:54:18..and go right round the corner till you pass two more...

0:54:20 > 0:54:21OK, I got it.

0:54:21 > 0:54:26..On your right, you'll see two large trees and a grey stone,

0:54:26 > 0:54:30which my wife says reminds her of a tortoise.

0:54:30 > 0:54:35Now, in between those trees is a long, narrow road

0:54:35 > 0:54:41with a shallow brook running alongside, and a short hedge full of white blossoms.

0:54:41 > 0:54:45Now, don't take that road.

0:54:48 > 0:54:51Let's get out of here as fast as we possibly can.

0:55:07 > 0:55:08Maybe we should have called first.

0:55:08 > 0:55:10Nah, don't worry about it.

0:55:10 > 0:55:12This'll be more fun.

0:55:26 > 0:55:28CAR BACKFIRES

0:55:30 > 0:55:32This is it?

0:55:32 > 0:55:35- It's so huge.- Looks like a hotel.

0:55:40 > 0:55:42Wow, look at this place.

0:55:42 > 0:55:45- Family money.- Yeah.

0:55:48 > 0:55:50Hey. The medieval version of permanent press.

0:55:50 > 0:55:53How do you take a leak in one of these things?

0:55:53 > 0:55:56Carefully, very carefully.

0:56:06 > 0:56:08Come on.

0:56:13 > 0:56:14There she is!

0:56:16 > 0:56:18Look, it's Michael and Peter!

0:56:21 > 0:56:23My life is complete.

0:56:25 > 0:56:28- Yay!- Yeah!

0:56:30 > 0:56:33- We missed you!- Missed you more!

0:56:36 > 0:56:39- Welcome.- It was good of you to come.

0:56:39 > 0:56:41- Edward.- Hi, Edward.

0:56:41 > 0:56:44- Hi, Sylvia.- Where's Jack?

0:56:44 > 0:56:46- He's making a movie.- He got a job?

0:56:46 > 0:56:48Yeah, he did.

0:56:48 > 0:56:52- We thought we'd surprise you.- Oh, you certainly did. It's wonderful.

0:56:52 > 0:56:54You must stay with us.

0:56:54 > 0:56:58- Is that all right with you, darling? - Of course. Of course.

0:56:58 > 0:56:59How did you find us?

0:56:59 > 0:57:03- It was no trouble at all.- I'm not surprised. Everyone knows this house.

0:57:03 > 0:57:05I'll show you my horse. His name is Slamdunk.

0:57:05 > 0:57:09- Oh, let's go see him! - You'd probably like to unpack first.

0:57:09 > 0:57:10Oh, sure. Sorry.

0:57:10 > 0:57:15Barrow, would you show these gentlemen to the guest rooms in the west wing?

0:57:15 > 0:57:17Very good, miss.

0:57:21 > 0:57:24- Hmm, not bad.- Nice.

0:57:26 > 0:57:29The water closet is in here, sir.

0:57:31 > 0:57:34You were very well behaved before.

0:57:34 > 0:57:35Well, we're all civilised people.

0:57:37 > 0:57:41TRICKLING

0:57:41 > 0:57:42< Michael! Peter!

0:57:43 > 0:57:45Hey!

0:57:49 > 0:57:51What'd you guys bring me?

0:57:51 > 0:57:53I don't know. Pete, did we bring anything for Mary?

0:57:53 > 0:57:56I can't remember. Maybe you ought to look in that suitcase.

0:57:56 > 0:57:59Yeah! Look at that.

0:57:59 > 0:58:03- And Jack sent you a make-up case. - It's just like his!- Yeah.

0:58:05 > 0:58:09Dinner will be served promptly at eight, gentlemen.

0:58:17 > 0:58:22- You sure we're not overdressed? - Trust me. I saw Brideshead Revisited three times.

0:58:30 > 0:58:32Has someone died?

0:58:32 > 0:58:33Not yet.

0:58:36 > 0:58:38Peter, Michael, let me introduce you.

0:58:38 > 0:58:44This is Deirdre Coleman, with the Foreign Service, and Wilfred Blair, director of the National Theatre.

0:58:44 > 0:58:47- Edward's told me so much about your commune.- How do you do?

0:58:47 > 0:58:50And Reverend Hewitt, who'll be marrying us.

0:58:50 > 0:58:52How do you do? Is there any more salmon?

0:58:52 > 0:58:55This is Peter Mitchell, Michael Callum, friends of Sylvia's.

0:58:55 > 0:58:57- Yes, but is there any more salmon? - Yes, of course!

0:58:57 > 0:58:59Oh, there is Sylvia now.

0:58:59 > 0:59:02Peter, there's someone over here I'd love you to meet.

0:59:07 > 0:59:12Elspeth, I'd love you to meet Peter Mitchell. Miss Elspeth Lomax.

0:59:12 > 0:59:14- Oh. How do you do?- How do you do?

0:59:14 > 0:59:18- Miss Lomax is from Guernsey. - Oh, where the cows come from.

0:59:18 > 0:59:21- Mr Mitchell is...- An architect.

0:59:21 > 0:59:29- Oh. Well, then, do you align yourself with the post-modernists, or are you a bit more of a classicist?- What?

0:59:29 > 0:59:32Prince Charles is having war in this country with...

0:59:35 > 0:59:37Ooh! Bang!

0:59:37 > 0:59:41Sorry. Um...no, er...

0:59:46 > 0:59:49There's some roe on your nose.

0:59:49 > 0:59:53Oh, goodness. I'm sorry.

0:59:53 > 0:59:56It's all right. What is it that you do?

0:59:56 > 1:00:01Me? Well, I'm the headmistress of a girls' school in West Riding.

1:00:01 > 1:00:03You may have heard of it.

1:00:03 > 1:00:05The Pileforth Academy.

1:00:05 > 1:00:07Pileforth?

1:00:07 > 1:00:08No, I can't say that I have.

1:00:08 > 1:00:13Well, we've been turning out England's finest young ladies since the 18th century.

1:00:13 > 1:00:15Excuse me.

1:00:15 > 1:00:19- Mary'd like to see us. - Oh, sorry. Lovely to meet you.

1:00:19 > 1:00:21Very nice meeting you.

1:00:28 > 1:00:31I think he fancies you.

1:00:31 > 1:00:32Don't be such a rogue.

1:00:34 > 1:00:37- What makes you say that? - Well, he asked to meet you.

1:00:37 > 1:00:39- I know Peter pretty well.- Do you?

1:00:39 > 1:00:43- A woman has to walk a very fine line with him.- How so?

1:00:43 > 1:00:47She has to make it very clear that she's attracted to him, but she can't come on too strongly.

1:00:50 > 1:00:52Say no more.

1:00:54 > 1:00:56You ever get the feeling you're being watched?

1:00:56 > 1:00:58I make up stories about them.

1:00:58 > 1:01:02I think she was on the cover of Rolling Stone last year.

1:01:02 > 1:01:04Hey, we brought some super-chunk peanut butter.

1:01:04 > 1:01:06- Yeah, we brought some from New York. - Yeah!

1:01:06 > 1:01:07OK. Wait here.

1:01:07 > 1:01:09I'll get it.

1:01:15 > 1:01:17Oh, Peter.

1:01:17 > 1:01:19BOTH SPEAK AT ONCE I'm sorry!

1:01:19 > 1:01:21No, what were you gonna say?

1:01:21 > 1:01:24Er, is everything all right?

1:01:24 > 1:01:26Towels, blankets?

1:01:26 > 1:01:28Everything's fine.

1:01:28 > 1:01:30You look great.

1:01:30 > 1:01:32So do you.

1:01:32 > 1:01:34Well, Sylvia...

1:01:39 > 1:01:41You know how you,

1:01:41 > 1:01:45how you want to say something, and then you don't, and then

1:01:45 > 1:01:49by the time you say it, it's been such a long time.

1:01:49 > 1:01:56Well, I remember one time Sandra, she used to be my assistant, she never told me this guy called...

1:01:56 > 1:01:57Peter, what is it you want to say?

1:02:00 > 1:02:04I'm sorry about what I said before you left.

1:02:04 > 1:02:06So am I.

1:02:06 > 1:02:08I overreacted.

1:02:08 > 1:02:13Well, you got a pretty good right hook, but if anybody deserved it, I did.

1:02:13 > 1:02:16I was out of line, way out of line.

1:02:17 > 1:02:20Ahem. I beg your pardon, miss.

1:02:20 > 1:02:22Lady Eastwick is leaving.

1:02:25 > 1:02:26I have to go.

1:02:26 > 1:02:28Sure, it's all right.

1:02:37 > 1:02:38Jack, how's the movie going?

1:02:38 > 1:02:43'Oh, it's a fabulous role, Michael. Kind of a South American King Lear'.

1:02:43 > 1:02:46Anyway, I don't want to talk about me. Where's Mary?

1:02:46 > 1:02:48- 'She's asleep'.- Shoot.

1:02:49 > 1:02:53Well, how's she doing? Is she any bigger? Has she got the accent down yet?

1:02:53 > 1:02:56She's OK. She missed us.

1:02:56 > 1:02:58She misses you, Jack.

1:02:58 > 1:03:00Yeah. Tell her I miss her too.

1:03:00 > 1:03:02You gonna make the wedding?

1:03:02 > 1:03:07I don't know, Michael. You know, I really need the work, and I'm very pivotal to the plot.

1:03:07 > 1:03:09Jack, we need you here.

1:03:09 > 1:03:12Hey, fruit of the loom? You're on!

1:03:12 > 1:03:14I gotta go. Bye-bye.

1:03:51 > 1:03:55Not so splendid as your mighty erections, I imagine.

1:04:01 > 1:04:04- Did I frighten you? - I was expecting Mary, that's all.

1:04:04 > 1:04:06Little Mary, yes.

1:04:06 > 1:04:10What a delightful, if somewhat...wilful, child.

1:04:10 > 1:04:12She'll make an excellent Pileforth student.

1:04:12 > 1:04:15She's going to your school?

1:04:15 > 1:04:19Well, not immediately, no, no, but eventually.

1:04:19 > 1:04:22- I'm sorry, but she wouldn't like it. - What makes you say that?

1:04:22 > 1:04:26I just know, that's all. Boarding school is definitely not for her.

1:04:26 > 1:04:32Tell me, are you always such a slave to your instincts?

1:04:32 > 1:04:34No, not usually.

1:04:34 > 1:04:38Don't underestimate what a school like Pileforth can do for a young lady.

1:04:38 > 1:04:42After all, I am a Pileforth girl myself.

1:04:43 > 1:04:46Oh, that's reassuring.

1:04:46 > 1:04:50In fact, I'm going back there this morning.

1:04:50 > 1:04:56I was just...wondering whether you'd like to, um, visit.

1:04:59 > 1:05:01No. But thank you.

1:05:01 > 1:05:03No.

1:05:07 > 1:05:13I hope you don't mind my saying this, but you seem to be a little distracted.

1:05:13 > 1:05:16Do I?

1:05:16 > 1:05:18Well, you're right.

1:05:19 > 1:05:21I... I'm very confused right now.

1:05:21 > 1:05:26I can't make any sense out of anything.

1:05:26 > 1:05:28Really? How do you mean?

1:05:30 > 1:05:33- Well, you're a woman. - You are correct.

1:05:33 > 1:05:38Tell me something. How can a man look at a woman and not realise right away how he feels about her?

1:05:38 > 1:05:40Do you understand what I'm saying?

1:05:40 > 1:05:44Well, I must admit to not being the most worldly of women,

1:05:44 > 1:05:49but I can assure you I'm not oblivious of the ways of Eros.

1:05:49 > 1:05:52If I'm so attracted to her, why can't I tell her?

1:05:52 > 1:06:00Perhaps those of us who have...navigated the river of life singly...

1:06:00 > 1:06:02are wary of rocking the punt.

1:06:05 > 1:06:07I don't know what to do.

1:06:07 > 1:06:09Well, tell her.

1:06:10 > 1:06:15Seek the auspicious moment and, um, tell her.

1:06:22 > 1:06:27Colder, colder, colder, colder.

1:06:29 > 1:06:33Warmer, getting warmer.

1:06:33 > 1:06:36Warmer, warmer...

1:06:36 > 1:06:38METAL CLANGS

1:06:38 > 1:06:39Isn't this fun?

1:06:39 > 1:06:41A splendid game.

1:06:41 > 1:06:44I can see why so many cherish it.

1:06:46 > 1:06:48Warmer, hotter.

1:06:48 > 1:06:50Hotter. Very hot! Very hot!

1:06:51 > 1:06:54< For God's sake, what have you done now?

1:06:54 > 1:06:55I'm terribly sorry, sir!

1:06:55 > 1:06:57Do you have any idea how important these letters are?

1:06:57 > 1:06:59It's my fault. I made him play.

1:06:59 > 1:07:02I told you not to play your games in the house, didn't I?

1:07:04 > 1:07:07No, leave them alone! Barrow, get me some towels, will you?

1:07:09 > 1:07:12I'm sick of rearranging my life because of a child!

1:07:12 > 1:07:15You'll learn some manners at school. Now go to your room!

1:07:20 > 1:07:21He doesn't like me.

1:07:21 > 1:07:24He's always yelling at me.

1:07:24 > 1:07:28He yelled at me this morning when Miss Lomax was measuring me.

1:07:28 > 1:07:30When she was what, sweetie?

1:07:30 > 1:07:33Measuring me for my new clothes.

1:07:33 > 1:07:36What new clothes?

1:07:36 > 1:07:40A blue jacket, a patch right here

1:07:40 > 1:07:42like the other girls wear.

1:07:48 > 1:07:53She means a uniform. Miss Lomax was measuring Mary for a school uniform.

1:07:53 > 1:07:58- Why? - I think Edward's planning on sending Mary to that boarding school.

1:07:58 > 1:08:01At six years old? Those places are like reformatories!

1:08:01 > 1:08:03I think we should check this out.

1:08:11 > 1:08:14OMINOUS MUSIC

1:08:28 > 1:08:29Do you like it here?

1:08:29 > 1:08:31It's wonderful, sir.

1:08:37 > 1:08:39Hi, there.

1:08:45 > 1:08:47It's a Stepford school.

1:08:49 > 1:08:57- So...the sceptical American has changed his mind and come to judge for himself.- We had some time.

1:08:57 > 1:08:59So we got in the car and came up.

1:08:59 > 1:09:01Well, you must be hungry.

1:09:02 > 1:09:06Come, let me satisfy your appetite.

1:09:16 > 1:09:18What's the usual age of a girl who comes here?

1:09:18 > 1:09:23Well, the usual age of an enrolling student is eight.

1:09:23 > 1:09:26But we have made exceptions for children as young as six or seven.

1:09:26 > 1:09:27That sounds very young.

1:09:27 > 1:09:31Yes, but the system has worked for more than 200 years.

1:09:31 > 1:09:34We take great care of our girls.

1:09:34 > 1:09:37We have a registered nutritionist who supervises all our meals.

1:09:40 > 1:09:42Didn't you enjoy your lunch?

1:09:42 > 1:09:44I've never tasted anything better.

1:09:44 > 1:09:46But you haven't touched it.

1:09:52 > 1:09:54This is where the girls sleep.

1:09:54 > 1:10:01- Nice.- Well, it's not exactly the Hilton, but it's certainly conducive to study.

1:10:01 > 1:10:05I spent many a happy night in this dormitory.

1:10:06 > 1:10:13This is the very room where the late Duke of Pileforth used to kennel his hounds.

1:10:13 > 1:10:18- I can tell.- Look, it's not as cold as it might first appear.

1:10:18 > 1:10:25You know, sometimes beneath the most rigid surface lies a surprising...fervour.

1:10:35 > 1:10:37What's the matter, darling?

1:10:37 > 1:10:39I'm concerned about Mary.

1:10:39 > 1:10:41She'll come around. You'll see.

1:10:43 > 1:10:46I'm nervous about tomorrow.

1:10:46 > 1:10:48Don't you want to get married?

1:10:48 > 1:10:50Yes, of course I do. I think so.

1:10:50 > 1:10:53Yes, yes, I do. Why do you ask?

1:10:53 > 1:10:55Everything's going to be fine.

1:10:57 > 1:10:59You're planning on sending Mary to that boarding school!

1:10:59 > 1:11:03- What are you talking about? - We went to Pileforth this afternoon.

1:11:03 > 1:11:06- He's planning to send her! - In five or six years, possibly...

1:11:06 > 1:11:10- No, not in five or six years, next term!- That's not true.

1:11:10 > 1:11:12He's lying to you.

1:11:12 > 1:11:14Rubbish. Then why was Miss Lomax measuring Mary?

1:11:14 > 1:11:17- Was she?- For a uniform.

1:11:17 > 1:11:20A gift. She asked me if she could give Mary a blazer.

1:11:20 > 1:11:25- Why?- Because she said that with all the presents Sylvia and I were going to get, Mary might feel left out.

1:11:25 > 1:11:29- That's a very sweet thought. - I thought so.- What a crock!

1:11:29 > 1:11:32Did you come here just to stir up trouble, Mitchell?

1:11:32 > 1:11:34Darling, it's just a misunderstanding.

1:11:34 > 1:11:36No, it's not a misunderstanding.

1:11:36 > 1:11:40I'm telling you, you can't trust this guy. He's lying!

1:11:40 > 1:11:42Peter, you have no proof of that.

1:11:42 > 1:11:43I don't need any proof!

1:11:43 > 1:11:47- I feel it.- Who bloody cares?

1:11:49 > 1:11:52Edward, I made it! I'm here!

1:11:52 > 1:11:54Hallelujah.

1:11:55 > 1:11:59What...Sylvia, you can't marry this guy.

1:11:59 > 1:12:01- Why not?- Because...- Tell me, Peter.

1:12:01 > 1:12:02I want to know.

1:12:05 > 1:12:07For Mary's sake.

1:12:10 > 1:12:14You may not like Edward, but I love him and I'm marrying him.

1:12:14 > 1:12:17I'd tell you not to come, but Mary would be crushed.

1:12:17 > 1:12:20So for her sake, please do come.

1:12:20 > 1:12:24But as far as I'm concerned, stay out of my life.

1:12:26 > 1:12:28- Hi. - Hi.

1:12:37 > 1:12:40Glad to see you haven't lost your touch with women.

1:12:40 > 1:12:42Ever think about making an instructional video?

1:12:42 > 1:12:44What'd you want to say, Jack?

1:12:45 > 1:12:48Look, I know a lot of people don't take me seriously.

1:12:48 > 1:12:55They think I'm conceited, self-centred, I can't see anything except if it's happening to me.

1:12:55 > 1:12:58- Please correct me if I'm wrong. - I will.

1:13:05 > 1:13:08Look, Pete,

1:13:08 > 1:13:10I've lived with you for seven years now.

1:13:10 > 1:13:12I know you as well as anybody, better.

1:13:12 > 1:13:18These last five years with Mary and Sylvia and Michael and me,

1:13:18 > 1:13:21you have been the glue that kept us together.

1:13:23 > 1:13:24We depended on you.

1:13:24 > 1:13:28We made you the father, and it worked.

1:13:29 > 1:13:34But it's kept you from admitting how you feel about Sylvia.

1:13:34 > 1:13:35You love her, don't you?

1:13:37 > 1:13:39Why do you say that?

1:13:39 > 1:13:40Don't you?

1:13:43 > 1:13:47Oh, come on, Pete. Just say how you feel.

1:13:47 > 1:13:49- OK, I love her!- Damn, I knew it!

1:13:49 > 1:13:53I wish they had a category like this on Jeopardy. I'd clean up.

1:13:53 > 1:13:56- OK, Pete, what's holding you back? - I don't know.

1:13:56 > 1:13:57- You know!- I don't know!

1:13:57 > 1:13:59- Well, you, for one.- Me?

1:13:59 > 1:14:01Yeah, you're Mary's real father.

1:14:01 > 1:14:04- So?- Well, you're my best friend, too.

1:14:04 > 1:14:06And you and Sylvia are kissing all the time.

1:14:06 > 1:14:08You always tell her how much you love her.

1:14:08 > 1:14:10That's just actor stuff.

1:14:10 > 1:14:14- Well, I always figured you and she would eventually...- You were there.

1:14:14 > 1:14:17I asked her. She said no. She said I didn't love her that way.

1:14:17 > 1:14:18She was right too. I don't.

1:14:18 > 1:14:20Not that I couldn't fool her.

1:14:20 > 1:14:23But the point is that you do love her that way, and she loves you!

1:14:23 > 1:14:28- She loves me?- Yes! - Then why is she marrying Edward? - Because you never asked her!

1:14:31 > 1:14:33- Yeah, but you...- But what, Pete?

1:14:42 > 1:14:45I'm scared.

1:14:45 > 1:14:46Of what,

1:14:46 > 1:14:49- getting married again?- Yes!

1:14:49 > 1:14:54I love Sylvia. OK, I said it. I love her so much it's making me crazy.

1:14:54 > 1:14:58But I'm scared of screwing up, like I did the last time.

1:14:58 > 1:15:06I'm scared of hurting Sylvia. And Mary, and you, and Michael...and me.

1:15:08 > 1:15:10It's tough being Papa Bear, isn't it?

1:15:11 > 1:15:14I love you. You're a very special man.

1:15:14 > 1:15:18If anyone deserves to be happy, it's you.

1:15:18 > 1:15:21If you love her, you've gotta go for it.

1:15:21 > 1:15:24You can make it work, believe me.

1:15:28 > 1:15:29You're a good friend.

1:15:29 > 1:15:31I'm a great friend.

1:15:31 > 1:15:32I'm going back to Pileforth!

1:15:32 > 1:15:35- Maybe you should think this through again.- I think too much.

1:15:35 > 1:15:38- He does.- Don't try and talk me out of it. I love Sylvia.

1:15:38 > 1:15:40OK, then tell her that!

1:15:40 > 1:15:43- She's not gonna listen till I prove the guy's a fraud. - How are you gonna do that?

1:15:43 > 1:15:48Well, there's gotta be records or files to show that he's sending Mary there.

1:15:48 > 1:15:50- Suppose you're wrong? - What have I got to lose?

1:15:50 > 1:15:53Your words, Jack, "If you want something, go for it."

1:15:53 > 1:15:55- Jack!- Ah!

1:15:55 > 1:15:57There you are. Baby doll!

1:15:57 > 1:16:01I knew you would come. I told Sabrina you would.

1:16:01 > 1:16:03Where are you going?

1:16:03 > 1:16:05I'll be back.

1:16:05 > 1:16:08I love your mom.

1:16:08 > 1:16:10He's been really weird!

1:16:52 > 1:16:55SOMEONE BLOWS THEIR NOSE

1:17:14 > 1:17:16HINGES CREAK

1:17:19 > 1:17:21Is there someone there?

1:17:34 > 1:17:38Mr Mitchell! What are you doing in my closet?

1:17:38 > 1:17:40Sometimes a man has to be alone.

1:17:42 > 1:17:45And sometimes he needs companionship.

1:17:46 > 1:17:47Oh, no, wait, look.

1:17:47 > 1:17:50I'm sorry, but I've gotta be totally honest with you.

1:17:50 > 1:17:52Let's lay it on the table!

1:17:52 > 1:17:56- Oh, I'm glad your infatuation has at last found a voice.- It has?

1:17:56 > 1:17:58We have no more excuses now!

1:17:58 > 1:18:01We are creatures of the night.

1:18:01 > 1:18:03We are children of la luna!

1:18:03 > 1:18:06Wait, this isn't right. We're breaking the rules of propriety.

1:18:06 > 1:18:10Oh, rules, rules, rules are made to be broken! Oh, kiss me!

1:18:10 > 1:18:12- What about the girls? - They can't have you!

1:18:13 > 1:18:15I've never met your family.

1:18:16 > 1:18:19I've never asked your father's permission.

1:18:19 > 1:18:21My father's a doddering old fool!

1:18:21 > 1:18:24Then there's something I have to tell you.

1:18:24 > 1:18:26I'm impotent!

1:18:26 > 1:18:29Oh, I find that so charming in a man.

1:18:32 > 1:18:34Miss Lomax... Elspeth...

1:18:38 > 1:18:40Am I everything you expected?

1:18:40 > 1:18:43And more... Much more! No! We can't,

1:18:43 > 1:18:45not tonight! Not like this.

1:18:45 > 1:18:49We mustn't let one night of passion cloud our entire relationship.

1:18:49 > 1:18:51Oh, I understand what you're saying, but...

1:18:51 > 1:18:54As hard as it may be for both of us, we must control ourselves.

1:18:54 > 1:18:56Good night.

1:19:02 > 1:19:06Oh, you are a true gentleman.

1:19:08 > 1:19:09Dammit!

1:19:15 > 1:19:18GEARBOX CRUNCHES

1:19:29 > 1:19:31BONNET HISSES

1:19:33 > 1:19:34Damn!

1:19:39 > 1:19:41Darling, where have you been?

1:19:41 > 1:19:44- We have so much to do.- I just wanted a few moments by myself.

1:19:44 > 1:19:46Feeling nervous, are you?

1:19:46 > 1:19:49- A little.- Well, it's quite natural to feel nervous.

1:19:49 > 1:19:55After all, in less than two hours, you'll be leaving a whole part of

1:19:55 > 1:20:01your life behind you, and entering a lifelong contract that will change everything you've ever known.

1:20:01 > 1:20:02I feel so much better now.

1:20:02 > 1:20:05That's what mothers are for. Come on, darling.

1:20:23 > 1:20:27The good news is, I've got the proof. The bad news is, I'm still a long way away.

1:20:27 > 1:20:31'Don't worry. Jack and I are cooking up a plan. Just get here'.

1:20:31 > 1:20:33The cavalry just showed up. I'll be there.

1:20:36 > 1:20:37Wait! Stop!

1:20:37 > 1:20:39Am I glad to see you!

1:20:39 > 1:20:41Mr Mitchell!

1:20:41 > 1:20:44- What are you doing here? - I'll explain. Let's go.

1:20:44 > 1:20:47We've got to stall the wedding till Peter gets back.

1:20:47 > 1:20:49- I'm ready. - You with us?- Yes!

1:20:49 > 1:20:51All right, we've got one hour.

1:20:51 > 1:20:52Yo!

1:20:52 > 1:20:55- This way, vicar. - I haven't finished my breakfast.

1:20:55 > 1:20:56Where are you taking me?

1:20:56 > 1:20:59Didn't Sylvia tell you? The ceremony's moved to a new church.

1:20:59 > 1:21:03- No-one told me about this. Who are you?- Vicar, that's an interesting theological question.

1:21:03 > 1:21:05- Who are any of us?- Good point.

1:21:05 > 1:21:10I've often suggested my congregation ask itself that very question.

1:21:10 > 1:21:12And if, in fact, we exist at all.

1:21:12 > 1:21:17Well, I have a syllogism that answers that problem. It goes like this...

1:21:17 > 1:21:18All pigs exist.

1:21:18 > 1:21:21I exist. Therefore, I am a...pig.

1:21:21 > 1:21:25No, that's not right. Um...oh, yes! I've got it.

1:21:25 > 1:21:28All people exist. All pigs exist.

1:21:28 > 1:21:30Therefore, all people are pigs.

1:21:30 > 1:21:33No, that's not it either.

1:21:35 > 1:21:40I was under the impression that Sylvia knew that Mary was to be enrolled for next term.

1:21:40 > 1:21:42She has absolutely no idea.

1:21:42 > 1:21:44How extraordinary.

1:21:46 > 1:21:49All they said was, the vicar was ill.

1:21:49 > 1:21:51- Well, we'll have to find another one.- Yes.

1:21:51 > 1:21:55You can't swing a dead cat around the English countryside without hitting one.

1:21:55 > 1:21:58More news from the vicarage.

1:21:58 > 1:22:01- They're sending a replacement.- Oh!

1:22:01 > 1:22:07- There you are.- What's hard to believe is that it's taken five years to realise my true feelings for her.

1:22:07 > 1:22:09Look, I'm sorry if I misled you.

1:22:09 > 1:22:11Say no more.

1:22:11 > 1:22:13All is fair in love and war.

1:22:13 > 1:22:15You're a very attractive woman.

1:22:16 > 1:22:18Oh, I know.

1:22:18 > 1:22:21Well, we've got to get you to the church before the wedding.

1:22:21 > 1:22:24We shall succeed! I know a shortcut.

1:22:29 > 1:22:32HORN BEEPS Aaagh!

1:22:33 > 1:22:35Oh!

1:22:42 > 1:22:44You'll never get that out, lad. >

1:22:46 > 1:22:49Do you have a car we could use?

1:22:49 > 1:22:52A horse? Anything that moves?

1:23:17 > 1:23:19Ahem. Bride or groom, sir?

1:23:19 > 1:23:22Just a guest, thank you.

1:23:22 > 1:23:24I think that's the church up there.

1:23:27 > 1:23:30I certainly hope we haven't missed the champagne.

1:23:32 > 1:23:35Vicar, wait! I was wrong, this isn't the wedding!

1:23:35 > 1:23:37What?

1:23:39 > 1:23:41# All things bright and... #

1:23:41 > 1:23:46What a joyous event! We have come here to celebrate this glorious day.

1:23:54 > 1:23:56I look like a dork.

1:23:56 > 1:23:58You don't look like a dork.

1:23:58 > 1:24:00You look very beautiful.

1:24:00 > 1:24:02- Edward give you the ring?- Yes.

1:24:02 > 1:24:04- Where is it?- It's in my pocket.

1:24:06 > 1:24:09- Peter's not here yet.- He will be.

1:24:09 > 1:24:11It's not right without him.

1:24:12 > 1:24:15You're too young now, but one day you'll understand all this.

1:24:15 > 1:24:18- I understand now.- Do you?

1:24:18 > 1:24:20Peter loves you.

1:24:33 > 1:24:35Keep everybody happy. The vicar's not here yet.

1:24:47 > 1:24:50I'm starting a wave.

1:24:53 > 1:24:57Oh, vicar! We're grateful you could come on short notice.

1:24:57 > 1:25:00Oh, not to worry. I love weddings.

1:25:00 > 1:25:04People are always so hopeful.

1:25:04 > 1:25:07- No, this way.- Oh, yes.

1:25:08 > 1:25:09Oh!

1:25:14 > 1:25:15What time is it?

1:25:28 > 1:25:30Oh, you look lovely, darling.

1:25:30 > 1:25:33Now, we're going to have to go ahead without them.

1:25:33 > 1:25:36- But who'll give me away?- Oh.

1:25:36 > 1:25:40MUSIC: "Here Comes The Bride"

1:26:23 > 1:26:24(Sit down).

1:26:38 > 1:26:42Oh, what a beautiful girl!

1:26:42 > 1:26:44It's never too late, you know.

1:26:44 > 1:26:46You can always change your mind.

1:26:46 > 1:26:48I'm available.

1:26:51 > 1:26:52Just kidding.

1:26:54 > 1:26:56Dearly beloved,

1:26:56 > 1:27:02we are gathered here today to join in holy matrimony,

1:27:02 > 1:27:08Edward, and...oh, dear.

1:27:08 > 1:27:09Sylvia.

1:27:09 > 1:27:11Sylvia, of course.

1:27:13 > 1:27:19I knew a Sylvia once. She, er...er...no.

1:27:19 > 1:27:22She's dead. That's not you.

1:27:22 > 1:27:30Anyway, er, to join in holy matrimony...Ed and Sylvia.

1:27:30 > 1:27:32You don't mind if I call you Ed, do you?

1:27:35 > 1:27:37You're doing splendidly!

1:27:37 > 1:27:38Thank you.

1:27:40 > 1:27:41I can't see!

1:27:42 > 1:27:44Oh!

1:27:44 > 1:27:46I don't know where it is.

1:27:46 > 1:27:49She had it just now! You're doing this on purpose, aren't you?

1:27:49 > 1:27:51I'll handle this.

1:27:52 > 1:27:54Darling, where did you have it last?

1:27:54 > 1:27:56It was on the pillow.

1:27:57 > 1:27:59We can't wait for ever!

1:27:59 > 1:28:02Oh, dear, this does not bode well.

1:28:05 > 1:28:07Does anyone have a ring?

1:28:11 > 1:28:14Here.

1:28:14 > 1:28:16I have one.

1:28:36 > 1:28:38There's the chapel!

1:28:39 > 1:28:41Oh, dear. I hate this part.

1:28:41 > 1:28:44It is, after all, the rule book.

1:28:44 > 1:28:51If there be anyone here who knows of any reason, any reason whatsoever.

1:28:51 > 1:28:55It may not seem like an important detail to you,

1:28:55 > 1:28:59but you never can tell in the immortal scheme of things.

1:28:59 > 1:29:02One man's pie and all that.

1:29:02 > 1:29:07So, if there be any doubt, any doubt at all,

1:29:07 > 1:29:12we might as well lay it out on the table right now

1:29:12 > 1:29:18why these two lovely people should not be joined in holy matrimony.

1:29:18 > 1:29:22Speak now, or forever hold your peace.

1:29:23 > 1:29:25Hmm.

1:29:28 > 1:29:30Anyone?

1:29:30 > 1:29:33- I think it's safe to continue. - Hmm, oh.

1:29:34 > 1:29:35Oh, wait!

1:29:35 > 1:29:37Is that your hand up, back there?

1:29:37 > 1:29:41Yes, you. The lady in the back row.

1:29:41 > 1:29:43Second, third, fourth, fifth from the left!

1:29:43 > 1:29:45Oh!

1:29:45 > 1:29:47I'm sorry.

1:29:47 > 1:29:49It's your hat. Looked like your hand.

1:29:49 > 1:29:52Can we please get on with this?

1:29:52 > 1:29:54Where do they get these hats from?

1:29:54 > 1:29:58Imagine, a piece of millinery almost kept you from getting married!

1:30:08 > 1:30:09Hang on!

1:30:26 > 1:30:27- Good show!- Woo-hoo!

1:30:27 > 1:30:30Without further ado,

1:30:30 > 1:30:36with the power vested in me by Almighty God,

1:30:36 > 1:30:43I now pronounce you man and wife.

1:30:43 > 1:30:46About bloody time!

1:30:46 > 1:30:48You may kiss the bride.

1:30:58 > 1:31:00Why aren't you inside? Is it too late?

1:31:00 > 1:31:02Go on in, I'll explain later!

1:31:02 > 1:31:05Come on, Vicar! Vicar!

1:31:07 > 1:31:09Sylvia!

1:31:12 > 1:31:14- Don't marry him!- What are you doing?

1:31:14 > 1:31:17- He got it!- What are you talking about?- He went to Pileforth.

1:31:17 > 1:31:20I got the enrolment list for next term. Mary's on it.

1:31:20 > 1:31:22- Her tuition's all paid up. - Not this again!

1:31:22 > 1:31:25You shut up! Tell her, Elspeth.

1:31:26 > 1:31:27It's true.

1:31:34 > 1:31:36You lied to me.

1:31:36 > 1:31:39- This is not the time or place. - You lied to Mary. Peter was right.

1:31:39 > 1:31:42Wait a moment. I was going to tell you about this.

1:31:42 > 1:31:44Well, tell her now, Edward.

1:31:44 > 1:31:46I did it out of concern for Mary.

1:31:46 > 1:31:50We'll be on the road with a play. That's no way for a child to live.

1:31:50 > 1:31:52Why didn't you tell me?

1:31:52 > 1:31:57I didn't want to burden you with it while you were dealing with all this wedding confusion.

1:31:57 > 1:32:01What I did was wrong, terribly wrong, and I apologise for that.

1:32:01 > 1:32:04- What a crock! - Oh, shut up!- That's it!

1:32:07 > 1:32:08Sorry, Vicar.

1:32:08 > 1:32:10I'm getting out of here. Come along, Mary.

1:32:10 > 1:32:12Sylvia, wait! Wait!

1:32:12 > 1:32:15Sylvia, please! Now, let me finish.

1:32:15 > 1:32:16Marry me.

1:32:18 > 1:32:20Marry you?

1:32:22 > 1:32:23Why, Peter?

1:32:23 > 1:32:25For Mary's sake?

1:32:25 > 1:32:28Is that why you want me to marry you?

1:32:28 > 1:32:31You don't have to do that now. I'm going to New York.

1:32:31 > 1:32:34You can see as much of Mary as you'd like.

1:32:34 > 1:32:37It's not for Mary I'm doing this.

1:32:37 > 1:32:39I'm doing it for me!

1:32:39 > 1:32:41I love you.

1:32:45 > 1:32:46No, you don't.

1:32:46 > 1:32:48Yes, I do. I love you.

1:32:48 > 1:32:50I love the way you walk.

1:32:50 > 1:32:52I love the way you laugh.

1:32:52 > 1:32:56I love the way you get nervous and you bite your lower lip,

1:32:56 > 1:32:59like you're doing right now. I love the way you love Mary.

1:33:00 > 1:33:03I even love her liver mousse!

1:33:06 > 1:33:08I love you.

1:33:08 > 1:33:12If there were no Mary, if there were nothing else, I'd still love you.

1:33:14 > 1:33:16And I'd want to make Mary all over again with you.

1:33:21 > 1:33:23Am I making a big enough fool of myself?

1:33:23 > 1:33:25Yes.

1:33:27 > 1:33:29I love you, too.

1:33:45 > 1:33:49ONE PERSON APPLAUDS

1:33:49 > 1:33:52Lovely performance, Peter.

1:33:52 > 1:33:54Forgive me for bringing up a sticky point, darling,

1:33:54 > 1:33:56but we are married now.

1:33:56 > 1:33:58Oh, God, he's right. We are.

1:33:58 > 1:34:02I beg to differ with you, young man!

1:34:02 > 1:34:05- Who are you?- Never mind.

1:34:05 > 1:34:08The ceremony is not quite official yet.

1:34:08 > 1:34:10Shut up, you old fool!

1:34:11 > 1:34:13Did he call me an old fool?

1:34:13 > 1:34:17Oh, I can't believe my ears! Oooh!

1:34:19 > 1:34:23Boy, that hurt! Here, hold this for me, will you? Thank you.

1:34:23 > 1:34:26And you said I couldn't fool you!

1:34:26 > 1:34:29Yeah, well, ah, ha, ha!

1:34:30 > 1:34:33Lousy actor, eh?

1:34:33 > 1:34:35Constipated?

1:34:35 > 1:34:40Well, in your face, pal!

1:34:40 > 1:34:43Here you go. Don't be frightened. Here we go.

1:34:43 > 1:34:45Teeth. Thank you. There you go.

1:34:45 > 1:34:47Oh!

1:34:48 > 1:34:49Mom!

1:34:51 > 1:34:53I've died and gone to hell.

1:34:53 > 1:34:56Vicar, will you marry us?

1:34:56 > 1:34:58Certainly.

1:34:58 > 1:35:00Who are you?

1:35:00 > 1:35:05By giving and receiving a ring and by joining hands,

1:35:05 > 1:35:08I pronounce that they be man and wife.

1:35:11 > 1:35:15You may now kiss the bride...again.

1:35:26 > 1:35:30# I hear your name whispered on the wind

1:35:30 > 1:35:34# It's a sound that makes me cry

1:35:34 > 1:35:39# I hear a song blow again and again through my mind

1:35:39 > 1:35:42# And I don't know why

1:35:42 > 1:35:46# I wish I didn't feel so strong about you

1:35:46 > 1:35:50# My happiness and love revolve around you

1:35:50 > 1:35:53# Trying to catch your heart

1:35:53 > 1:35:58# Is like trying to catch a star

1:35:58 > 1:36:02# So many people love you, baby

1:36:02 > 1:36:04# That must be what you are

1:36:06 > 1:36:08# Waiting for a star to fall

1:36:08 > 1:36:12# And carry your heart into my arms

1:36:12 > 1:36:14# That's where you belong

1:36:14 > 1:36:17# In my arms, baby, yeah

1:36:18 > 1:36:20# Waiting for a star to fall

1:36:20 > 1:36:23# And carry your heart into my arms

1:36:23 > 1:36:26# That's where you belong

1:36:26 > 1:36:28# In my arms, baby, yeah

1:36:30 > 1:36:33# I've learned to feel what I cannot see

1:36:33 > 1:36:38# But with you I lose that feeling

1:36:38 > 1:36:41# I don't know how to dream your dreams

1:36:41 > 1:36:46# So I'm all caught up in superstition

1:36:46 > 1:36:49# I want to reach out and pull you to me

1:36:49 > 1:36:53# Who says I should let a wild one go free?

1:36:53 > 1:36:57# Trying to catch your heart is like...#