0:00:37 > 0:00:41# Flashbulbs go off in my face
0:00:41 > 0:00:44# Think a small town with disgrace
0:00:44 > 0:00:47# Just how did it come to this?
0:00:47 > 0:00:50# All they see is a vacant face
0:00:50 > 0:00:53# Yeah, come on, come on, come on
0:00:53 > 0:00:56# We can turn it on
0:00:56 > 0:00:59# Yeah, come on
0:00:59 > 0:01:03# Cos you never really die, die, die
0:01:03 > 0:01:08# It goes over and over and over and over, but yet
0:01:08 > 0:01:11# There's something beautiful, mystical
0:01:11 > 0:01:15# Over and over, goes over and over, but yet
0:01:15 > 0:01:18# Still something beautiful, mystical
0:01:18 > 0:01:22# Over and over, goes over and over, but yet
0:01:22 > 0:01:25# There's something beautiful, yeah, come on
0:01:25 > 0:01:29# Over and over, goes over and over, but yet
0:01:29 > 0:01:32# Still something beautiful, mystical, come on
0:01:32 > 0:01:34# Won't you wake me up from this
0:01:34 > 0:01:38# All I need is a prince to kiss
0:01:38 > 0:01:41# Then my beauty will be back mine
0:01:41 > 0:01:44# It's my soul, my soul I'll find
0:01:44 > 0:01:48# I'm calling Nike, Nike, Italy, France
0:01:48 > 0:01:50# Romance
0:01:52 > 0:01:55# The situation, the situation is
0:01:55 > 0:01:58# Beethoven, roll over... #
0:02:16 > 0:02:21RADIO: And now, for all you romantics out there, this one is for you.
0:02:21 > 0:02:24JAZZ PLAYS ON RADIO
0:02:25 > 0:02:26Hello, Betty.
0:02:28 > 0:02:34Shouldn't you be at the hospital looking after a certain other soldier?
0:02:34 > 0:02:37Is there any way you can find it in your heart to forgive me?
0:02:39 > 0:02:41I wonder if these two get together.
0:02:41 > 0:02:43Shh!
0:02:43 > 0:02:45SLURPS
0:02:45 > 0:02:48I'll forgive you on one condition.
0:02:48 > 0:02:50What's that?
0:02:50 > 0:02:52Dance with me.
0:02:52 > 0:02:57# A morning sky, an afternoon... #
0:02:57 > 0:02:58BOTH SIGH
0:02:58 > 0:03:01# As long I'm here with you
0:03:01 > 0:03:05# Oh, you make me happy
0:03:05 > 0:03:11# Very happy once again. #
0:03:11 > 0:03:14APPLAUSE
0:03:18 > 0:03:20Explain one thing to me.
0:03:20 > 0:03:23What kind of desperate
0:03:23 > 0:03:26and pathetic emotional cripple
0:03:26 > 0:03:30would actually buy that as an ending?
0:03:35 > 0:03:37- Rosie?- Hmm?
0:03:37 > 0:03:39Do you think that in real life
0:03:39 > 0:03:42Tad Hamilton is the man he seems to be on the screen?
0:03:42 > 0:03:44- Absolutely.- Yeah?
0:03:44 > 0:03:48I mean, you just can't fake that kind of thing.
0:03:48 > 0:03:53What do you think Tad Hamilton is doing right now?
0:03:53 > 0:03:56I'll bet he's in church.
0:03:57 > 0:03:59ROCK MUSIC PLAYS
0:04:01 > 0:04:02Watch this.
0:04:02 > 0:04:04TYRES SCREECHING
0:04:05 > 0:04:06HORN BLOWS
0:04:06 > 0:04:07Whoo!
0:04:09 > 0:04:12Whoa!
0:04:13 > 0:04:15Told you that was him, right?
0:04:15 > 0:04:16Ooh, Tad Hamilton.
0:04:16 > 0:04:20- You don't make it easy on us, Tad.- What do you mean?
0:04:20 > 0:04:24This is the shot the paparazzi got.
0:04:24 > 0:04:25Congratulations.
0:04:25 > 0:04:28You're actually drinking, driving, smoking, leering
0:04:28 > 0:04:30and groping at the same time.
0:04:30 > 0:04:32Which, on the one hand,
0:04:32 > 0:04:35is just about the coolest thing I've ever seen.
0:04:35 > 0:04:38- Richard.- But, on the other hand, it can be argued
0:04:38 > 0:04:41that this might be a little bad for the image.
0:04:41 > 0:04:45You play characters who have heart. This person will have a heart attack.
0:04:45 > 0:04:48I can't believe you guys are blaming my unemployment
0:04:48 > 0:04:49on this photograph.
0:04:49 > 0:04:52OK, first of all, you are not unemployed.
0:04:52 > 0:04:54Dock workers are unemployed.
0:04:54 > 0:04:58You are simply between million-dollar pay days.
0:04:58 > 0:04:59As are we...
0:04:59 > 0:05:03since we both get a percentage of your payday.
0:05:03 > 0:05:06But this isn't about us.
0:05:06 > 0:05:11Whatever happened to that part in the Jimmy Ing movie? I'm perfect for that.
0:05:11 > 0:05:13Well, he's taking a breath.
0:05:13 > 0:05:15He's what?
0:05:15 > 0:05:17He's taking a breath.
0:05:17 > 0:05:20He's pausing before deciding.
0:05:20 > 0:05:22He's pausing and taking a breath.
0:05:22 > 0:05:24And this is only gonna make him breathe more.
0:05:24 > 0:05:26Well, what do we do?
0:05:26 > 0:05:28We figure out how to asphyxiate the son of a bitch.
0:05:28 > 0:05:32- We generate a little positive PR. - Are you an interpreter now?
0:05:32 > 0:05:36I'm saying we just need to do something, Tad,
0:05:36 > 0:05:38to remind Jimmy Ing and America
0:05:38 > 0:05:40that you are the boy next door.
0:05:40 > 0:05:42Hey, I am the boy next door...
0:05:42 > 0:05:47if you happen to live in a very dysfunctional neighbourhood.
0:05:55 > 0:05:59# I ride in on the train
0:05:59 > 0:06:03# Every day it's the same old thing
0:06:03 > 0:06:06# It's nine to five
0:06:06 > 0:06:09# Don't know if I'm dead or alive
0:06:09 > 0:06:16# I'm looking for a hallelujah
0:06:16 > 0:06:22# I need a little something special... #
0:06:22 > 0:06:24CRUNCHING
0:06:24 > 0:06:27Congratulations.
0:06:27 > 0:06:30You've eaten your body weight in Pringles.
0:06:30 > 0:06:32What's your favourite Pringle?
0:06:32 > 0:06:35Sour cream and onion or original?
0:06:35 > 0:06:39Well, the sour cream and onion has a very strong taste.
0:06:39 > 0:06:42If you're eating a small amount, say, half a can, you want that strength.
0:06:42 > 0:06:44But if you're eating more than that,
0:06:44 > 0:06:46you want the original. It's a cleaner flavour.
0:06:46 > 0:06:48Wait until you discover barbecue flavour.
0:06:48 > 0:06:51You'll finally become a woman.
0:06:51 > 0:06:54How's "Modern Grocer" treating you over there?
0:06:54 > 0:06:56Hey, this is the swimsuit issue.
0:07:00 > 0:07:02COMPUTER BLIPS
0:07:02 > 0:07:04Oh, my God!
0:07:04 > 0:07:05What is it?
0:07:05 > 0:07:08- Win a date with Tad Hamilton! - What?!
0:07:08 > 0:07:11It's to benefit Save The Children.
0:07:11 > 0:07:13God, that is so like him.
0:07:13 > 0:07:15Saving children, I know.
0:07:17 > 0:07:18Should I enter?
0:07:18 > 0:07:20Why not?
0:07:20 > 0:07:23Sure, heaven is just a mouse click away.
0:07:24 > 0:07:26A mouse click and a hundred buck donation.
0:07:26 > 0:07:28Oh, we can raise a hundred bucks.
0:07:32 > 0:07:35With your permission, Petey.
0:07:35 > 0:07:36I'm sorry?
0:07:39 > 0:07:41- Paper or plastic? - Paper, please.
0:07:41 > 0:07:44Would you like to help Rosalee win a date with Tad Hamilton
0:07:44 > 0:07:46and help Save The Children?
0:07:46 > 0:07:47I certainly would.
0:07:54 > 0:07:56- Aren't these great?- The best.
0:07:56 > 0:07:59Along with a 125 cheque
0:07:59 > 0:08:01in recognition of yet another
0:08:01 > 0:08:04Piggly Wiggly store Manager Of The Month award. Congratulations.
0:08:04 > 0:08:07Thank you, Mr Ruddy.
0:08:07 > 0:08:09So, Pete, when do we lose you to Richmond?
0:08:09 > 0:08:12Cos you're running out of wall space here.
0:08:12 > 0:08:17Well, I got my acceptance letter to Virginia State.
0:08:17 > 0:08:19And I got my student loan.
0:08:19 > 0:08:22So, er, it's just one more thing.
0:08:22 > 0:08:24What?
0:08:24 > 0:08:28There's someone here that I-I-I...
0:08:28 > 0:08:31that I need to have a discussion with
0:08:31 > 0:08:34about the going-to- Richmond-with-me issue.
0:08:34 > 0:08:36DOOR OPENS
0:08:36 > 0:08:38Jars are full.
0:08:40 > 0:08:42I love everybody in the store so much.
0:08:42 > 0:08:45Sorry for interrupting.
0:08:45 > 0:08:47Sorry.
0:09:02 > 0:09:04It was nice to meet you.
0:09:04 > 0:09:07It was nice to meet you, too.
0:09:07 > 0:09:09Goodnight. Goodnight.
0:09:14 > 0:09:16- You taking off?- Yes, sir.
0:09:16 > 0:09:17Muchas gracias.
0:09:17 > 0:09:21Hasta el proximo miercoles.
0:09:21 > 0:09:24I am the Albanian one, Mr Hamilton.
0:09:24 > 0:09:26I'm sorry.
0:09:26 > 0:09:28Uh, could you tell the other one
0:09:28 > 0:09:32- muchas gracias and hasta el proximo miercoles?- Will do.
0:09:35 > 0:09:37BARRY WHITE: # I've heard people say that
0:09:39 > 0:09:42# Too much of anything is not good for you, baby
0:09:42 > 0:09:47# But I don't know about that
0:09:48 > 0:09:51# As many times as we've loved
0:09:51 > 0:09:54# And we've shared love and made love
0:09:56 > 0:09:59# It doesn't seem to me like it's enough
0:10:01 > 0:10:03# It's just not enough, baby
0:10:03 > 0:10:05# It's just not enough
0:10:05 > 0:10:08# Oh, oh, baby
0:10:09 > 0:10:11# Oh, baby
0:10:11 > 0:10:13# My darling, I
0:10:14 > 0:10:17# Can't get enough of your love, babe
0:10:20 > 0:10:22# Girl, I don't know, I don't know why
0:10:22 > 0:10:26# Can't get enough of your love, babe
0:10:27 > 0:10:31# Lord, some things I can't get used to
0:10:31 > 0:10:34# No matter how I try
0:10:36 > 0:10:39# It's like the more you give, the more I want
0:10:39 > 0:10:42# And, baby, that's no lie... #
0:10:45 > 0:10:47OK, what do I need to beat you?
0:10:47 > 0:10:50Double 14
0:10:50 > 0:10:51or it's all over.
0:10:51 > 0:10:53That's not gonna be a problem.
0:10:56 > 0:10:57Don't miss. Don't miss.
0:10:57 > 0:11:00Don't miss, don't miss, don't miss, don't miss. Don't miss, don't miss.
0:11:00 > 0:11:03- Um, are you actually doing that? - Yeah.
0:11:06 > 0:11:07SQUEALS
0:11:11 > 0:11:12GROANS
0:11:14 > 0:11:18And now Pete will get the bartendress' attention.
0:11:18 > 0:11:20She's waiting for you.
0:11:20 > 0:11:22We're waiting for our round, Pete.
0:11:22 > 0:11:25Fine.
0:11:26 > 0:11:28Angelica.
0:11:28 > 0:11:29GLASS BREAKS
0:11:34 > 0:11:36Yes, Pete?
0:11:36 > 0:11:39What is the object of your desire?
0:11:41 > 0:11:43Um...we need another round.
0:11:44 > 0:11:47One day, Pete, one day...
0:11:47 > 0:11:50I know that the answer to that question will be,
0:11:50 > 0:11:55"You, Angelica. You are the object of my desire."
0:11:56 > 0:11:58OK.
0:11:58 > 0:12:02But, er, for now, we'll just go with the beers.
0:12:08 > 0:12:11Oh, Pete.
0:12:12 > 0:12:14Enough. Thank you, ladies.
0:12:14 > 0:12:17You don't like her the teeniest, littlest, tiniest bit?
0:12:17 > 0:12:23- What? No, she's not my type! - You are so particular.
0:12:23 > 0:12:26Who the heck are they?
0:12:26 > 0:12:29If that fire alarm went off again...
0:12:29 > 0:12:31Why would they send a news crew for that?
0:12:31 > 0:12:33Wait a second.
0:12:33 > 0:12:36# Everybody, get up
0:12:36 > 0:12:37# Let me do, let me see, yeah
0:12:37 > 0:12:40# Shake it through till you're dead...
0:12:40 > 0:12:44# You know you got to get it up
0:12:44 > 0:12:47- # What you want, what I need, yeah...- #
0:12:47 > 0:12:52They said in first-class, you get a personal DVD player and may view the film of your choice.
0:12:52 > 0:12:55OK. I would like to touch intimately the person who thought of that.
0:12:55 > 0:12:58- TANNOY:- We would like to begin boarding first-class passengers.
0:12:58 > 0:12:59That's you!
0:12:59 > 0:13:00I know!
0:13:00 > 0:13:02Guys, guys, guys, guys, guys.
0:13:02 > 0:13:04- Just take it easy, OK? - Oh, Pete,
0:13:04 > 0:13:06just give me a hug and tell me to have a good time!
0:13:06 > 0:13:08OK.
0:13:11 > 0:13:15Just...you know, just be careful, OK?
0:13:15 > 0:13:16What do you mean?
0:13:16 > 0:13:19I mean, that this guy is Tad Hamilton, OK?
0:13:19 > 0:13:21In his life, he's probably slept with,
0:13:21 > 0:13:24like, 15, 20 women.
0:13:24 > 0:13:27No way. That's not even physically possible.
0:13:27 > 0:13:29Besides, like he's going to be interested in me.
0:13:29 > 0:13:30OK. You know what?
0:13:30 > 0:13:31If at any point on your date
0:13:31 > 0:13:34he claims that he doesn't really like watching sports,
0:13:34 > 0:13:38- he's just trying to sleep with you. - Got it.- Oh, and if he claims
0:13:38 > 0:13:40to love animals, then he's really just trying to sleep with you.
0:13:40 > 0:13:42- OK.- Guys are guys, Rosie,
0:13:42 > 0:13:45rich or poor, famous or...
0:13:45 > 0:13:46grocers.
0:13:46 > 0:13:49Just do me one favour, OK?
0:13:50 > 0:13:52- Guard your carnal treasure.- OK.
0:13:52 > 0:13:54No, just guard your carnal treasure.
0:13:54 > 0:13:57- Thanks, Pete. - Remember everything.
0:13:57 > 0:14:00- I will.- Remember how he smells.
0:14:00 > 0:14:02- I will.- But not just vaguely.
0:14:02 > 0:14:04I want good, solid similes.
0:14:04 > 0:14:05For example...
0:14:05 > 0:14:10He smells like a forest on the first day of spring...
0:14:10 > 0:14:13OK, Cathy, let's... You're gonna miss your flight.
0:14:13 > 0:14:15- I will bring you similes. - Thank you.
0:14:15 > 0:14:17Ladies and gentlemen...
0:14:17 > 0:14:18Oh, I almost forgot.
0:14:18 > 0:14:20I got you something.
0:14:20 > 0:14:23It's regular flavour.
0:14:23 > 0:14:27In case you don't like the prime rib in first class.
0:14:27 > 0:14:29Thank you, Pete.
0:14:31 > 0:14:34MAN: Right this way.
0:14:37 > 0:14:39Just guard your carnal treasure!
0:14:39 > 0:14:42I heard you.
0:14:46 > 0:14:49# We got more bounce in California
0:14:49 > 0:14:51# Than all y'all combined
0:14:51 > 0:14:53# We got more bounce in California
0:14:53 > 0:14:55# We like to party all the time
0:14:55 > 0:14:57# We got more bounce in California... #
0:14:57 > 0:15:00MOBILE PHONES RING
0:15:04 > 0:15:06# Well, excuse me for a while
0:15:06 > 0:15:08# But there's something I should say
0:15:08 > 0:15:09# I'm comin' from the land
0:15:09 > 0:15:11# Where the seasons never change
0:15:11 > 0:15:13# Where all around the world
0:15:13 > 0:15:15- # They're all lookin' to LA... # - That's me.
0:15:15 > 0:15:18- Welcome to Los Angeles. - Thank you.
0:16:12 > 0:16:14Thanks.
0:16:23 > 0:16:24Hey, can I have these?
0:16:24 > 0:16:26No.
0:16:26 > 0:16:28Do you want to think about it?
0:16:28 > 0:16:30Gee, you know, what...
0:16:30 > 0:16:32Tell me again why you're making me have dinner with and Okie.
0:16:32 > 0:16:34Because she's wholesome.
0:16:34 > 0:16:36Wholesome as the amber waves of grain.
0:16:36 > 0:16:39And she's not an Okie, she's from West Virginia.
0:16:39 > 0:16:41So sorry.
0:16:41 > 0:16:44I mean...you never, you never wear them.
0:16:44 > 0:16:45Can I just have them?
0:16:45 > 0:16:48So what's her name anyway?
0:16:48 > 0:16:49Rosalee Futch.
0:16:49 > 0:16:51Wow, sounds insanely hot.
0:16:51 > 0:16:55It's very nice to meet you, Tad.
0:16:55 > 0:16:58So nice to meet you, Tad.
0:16:58 > 0:17:02It's great to meet you.
0:17:02 > 0:17:03Please, just follow the rules.
0:17:03 > 0:17:07BOTH: Keep smiling for the cameras, and no brown liquor or cigarettes.
0:17:07 > 0:17:09- Fine.- Very good.
0:17:09 > 0:17:11What about Jimmy Ing? Have we heard anything about that yet?
0:17:11 > 0:17:12No. Still breathing.
0:17:12 > 0:17:14I passed Ashton Kutcher in my car
0:17:14 > 0:17:16and he seemed pretty happy about something.
0:17:16 > 0:17:18He's happy for other reasons.
0:17:18 > 0:17:20I'm sorry, we have not heard from Jimmy Ing.
0:17:20 > 0:17:23Hey, guys, how's this in the shoulders?
0:17:23 > 0:17:25Seriously.
0:17:25 > 0:17:29Cos I got, I got some yoga stuff.
0:17:29 > 0:17:33Your films will stand the test of time.
0:17:36 > 0:17:40Y-your films will stand the test of time.
0:17:40 > 0:17:42KNOCKING
0:17:48 > 0:17:52Hi. I'm Tad.
0:17:52 > 0:17:54SHALLOW GASP
0:17:54 > 0:17:58Your standing films will time and test themselves.
0:17:59 > 0:18:04Thank you. Uh, you're...pretty.
0:18:05 > 0:18:06It's Roseanne, right?
0:18:06 > 0:18:10I'm sorry. What is it?
0:18:10 > 0:18:12Uh, Ricki? R-rah...
0:18:12 > 0:18:17- It's Rosalee. - Rosalee. Rosalee. Nice to meet you.
0:18:19 > 0:18:20So, you ready?
0:18:20 > 0:18:21OK.
0:18:21 > 0:18:24Let's...
0:18:27 > 0:18:29Yikes-a-bee.
0:18:32 > 0:18:34So, how was your flight?
0:18:34 > 0:18:37Your films will stand the test of time.
0:18:37 > 0:18:40Ah...thank you.
0:18:41 > 0:18:42So, you ready?
0:18:42 > 0:18:44For what?
0:18:44 > 0:18:45Right this way.
0:18:50 > 0:18:54PHOTOGRAPHERS SHOUTING
0:18:57 > 0:19:02CAMERAS SHUTTERS CLICKING
0:19:02 > 0:19:05Rosalee. Futch.
0:19:14 > 0:19:18It'll take a few minutes for those spots in your eyes to go away, but they will.
0:19:18 > 0:19:19OK.
0:19:19 > 0:19:22Now, we're right here.
0:19:22 > 0:19:25Is it always like that?
0:19:27 > 0:19:28Well...
0:19:28 > 0:19:30pretty much.
0:19:30 > 0:19:31CHUCKLES
0:19:31 > 0:19:34- Shake-a-doo. - Shake a what?
0:19:34 > 0:19:37Oh, it just means, "wow".
0:19:37 > 0:19:38Ah.
0:19:38 > 0:19:40Shake-a-doo.
0:19:42 > 0:19:45So...
0:19:45 > 0:19:47you excited?
0:19:47 > 0:19:49Are you kidding?
0:19:49 > 0:19:51This is like a fairy tale.
0:19:51 > 0:19:52Yeah, I figured.
0:19:57 > 0:19:58You OK?
0:19:58 > 0:20:00Oh, yeah.
0:20:00 > 0:20:03I'm just not used to sitting sideways like this.
0:20:03 > 0:20:05Mm.
0:20:05 > 0:20:08We don't have sideways seating in West Virginia.
0:20:08 > 0:20:11And I think the cigarette smoke is kind of...
0:20:11 > 0:20:13Well, you can come sit back here if you like.
0:20:13 > 0:20:14Uh...
0:20:14 > 0:20:17I can't really move right now.
0:20:17 > 0:20:19Ooh, I don't feel well.
0:20:19 > 0:20:22I've always been kind of motion sicknessy.
0:20:22 > 0:20:24Once this carnival came to Fraziers Bottom,
0:20:24 > 0:20:28and they had that ride where it spins around
0:20:28 > 0:20:31and you have to stand against the side
0:20:31 > 0:20:33and the centre falls out.
0:20:33 > 0:20:36- And I, um... - Damn it.
0:20:36 > 0:20:38Um... Pardon me.
0:20:38 > 0:20:40VOMITING
0:20:43 > 0:20:46This is so far from the way I imagined the evening going.
0:20:46 > 0:20:48Hey, hey, it's, er...
0:20:48 > 0:20:51it's perfectly all right.
0:20:51 > 0:20:52Right, Mickey?
0:20:52 > 0:20:54Perfectly all right.
0:20:54 > 0:20:56Shall we?
0:20:56 > 0:20:59MICKEY: Have a nice dinner. I'll just be...out here scrubbing.
0:20:59 > 0:21:00- Hey, Steve.- Thank you. This way.
0:21:00 > 0:21:02Good to see you. Good to see you, Larry.
0:21:02 > 0:21:03Hey, Tad.
0:21:03 > 0:21:05Hey, man, how are you?
0:21:05 > 0:21:07- Hi, Tad.- Hey, man.
0:21:20 > 0:21:22This way.
0:21:26 > 0:21:29Doesn't it hurt, smiling like that all the time?
0:21:31 > 0:21:34You get used to it, yeah.
0:21:34 > 0:21:35Should I do it?
0:21:35 > 0:21:37Yeah, you might not be able to hold it
0:21:37 > 0:21:39for very long, but go for it.
0:21:39 > 0:21:40Sure I will.
0:21:46 > 0:21:47See that?
0:21:47 > 0:21:50It sort of gets you right there.
0:21:50 > 0:21:51That's horrible.
0:21:51 > 0:21:52I told you.
0:21:53 > 0:21:56You sure do have a lot of stuff.
0:21:56 > 0:21:57Oh, yeah, sorry.
0:21:57 > 0:21:59I got to make sure I'm never out of touch
0:21:59 > 0:22:01with the people who torture and torment me.
0:22:01 > 0:22:03Who are they?
0:22:03 > 0:22:05Agents, managers, people like that.
0:22:05 > 0:22:08This man, Jimmy Ing, who's, er, making this movie
0:22:08 > 0:22:11which I'm exactly right for, but for whatever reasons, he's taking a breath.
0:22:11 > 0:22:14- A what?- He's thinking it over.
0:22:14 > 0:22:15Oh.
0:22:15 > 0:22:17It's just all very competitive,
0:22:17 > 0:22:19this business, that's all.
0:22:19 > 0:22:21Everybody seems to be chasing the same thing.
0:22:21 > 0:22:24The same parts in the same movies,
0:22:24 > 0:22:27the same awards, the same big money.
0:22:27 > 0:22:30Well, I'm sure you have much too much common sense
0:22:30 > 0:22:32to get caught up in all that.
0:22:32 > 0:22:37I mean, it's just a recipe for an unsatisfying life.
0:22:37 > 0:22:40Mm...
0:22:40 > 0:22:43Obviously you have your priorities straight, so...
0:22:43 > 0:22:45So...
0:22:45 > 0:22:47Rosalee, what do you do?
0:22:47 > 0:22:49I work in a Piggly Wiggly.
0:22:49 > 0:22:52- I'm sorry. A supermarket.- Ah.
0:22:52 > 0:22:53I bag and check.
0:22:53 > 0:22:56- Cool.- Yeah, it's a real dream come true.
0:22:56 > 0:22:57CHUCKLING
0:22:57 > 0:23:00But it's fun. My two best friends work there.
0:23:04 > 0:23:06So, um...
0:23:06 > 0:23:08what do you do, Tad?
0:23:09 > 0:23:12Oops.
0:23:12 > 0:23:17What I mean is, what do you do when you're not doing...what you do?
0:23:17 > 0:23:19Uh, not a lot, you know?
0:23:19 > 0:23:23I, er... There's not a lot of time left for hobbies, really.
0:23:23 > 0:23:29And I don't really like watching sports, so I, er, I read.
0:23:29 > 0:23:32Play with my dog, my cat, my bird.
0:23:32 > 0:23:34You know?
0:23:34 > 0:23:38I-I-I... I love animals.
0:23:38 > 0:23:40You know?
0:23:42 > 0:23:44What do you think they're doing right now?
0:23:44 > 0:23:47Mm, I bet they're in her hotel room.
0:23:47 > 0:23:50Straining for breath.
0:23:50 > 0:23:53His manhood yearning to be free.
0:23:53 > 0:23:57Her hands running over the ripples in his abdomen.
0:23:57 > 0:24:01Her perfect bosom crying out in ecstasy.
0:24:01 > 0:24:04QUIVERING BREATHS
0:24:04 > 0:24:06Oh, great.
0:24:06 > 0:24:08All righty.
0:24:22 > 0:24:24I had one of those.
0:24:24 > 0:24:26A retainer?
0:24:26 > 0:24:27Yeah, yeah, on the lowers.
0:24:27 > 0:24:30And a night brace for the uppers.
0:24:30 > 0:24:32I had really bad teeth as a kid.
0:24:32 > 0:24:34Yeah, I'm sure you were a real ugly duckling.
0:24:34 > 0:24:36I was like anybody else.
0:24:36 > 0:24:40A little gawky, unsure who I was, combination skin.
0:24:42 > 0:24:44- Well, you came together nicely. - Thank you.
0:24:46 > 0:24:47So did you.
0:24:52 > 0:24:55- Bon- appetit. Mm-hmm.
0:25:13 > 0:25:15Thanks, Mickey.
0:25:20 > 0:25:21Oh, wow.
0:25:21 > 0:25:23This is beautiful.
0:25:23 > 0:25:26These people sure leave a lot of lights on.
0:25:26 > 0:25:29It's beautiful.
0:25:29 > 0:25:31It is.
0:25:34 > 0:25:38And you, if I may say so, are also very beautiful.
0:25:41 > 0:25:45How would you like to come back to my house for a little bit?
0:25:46 > 0:25:48Um...
0:25:55 > 0:25:58Sure. For a little bit.
0:26:22 > 0:26:24Shake-a-doo?
0:26:24 > 0:26:27No. Shake...a-doo.
0:26:27 > 0:26:28Good.
0:26:34 > 0:26:37Miss Ramirez!
0:26:37 > 0:26:39Sonja?
0:26:39 > 0:26:41Anybody in the casa?
0:26:47 > 0:26:49I think we're all alone.
0:26:49 > 0:26:50Oh...
0:26:54 > 0:26:57Do you want to come in a little further?
0:26:57 > 0:26:59Um...
0:26:59 > 0:27:01You know what, Tad?
0:27:01 > 0:27:03Thank you, but I think I should be getting back to the hotel.
0:27:03 > 0:27:05Wow.
0:27:06 > 0:27:09OK, er...
0:27:09 > 0:27:14- I don't want the concierge to worry, you know?- Good for you.
0:27:14 > 0:27:17Good for you. Uh...
0:27:17 > 0:27:19- I'll take you home.- Oh, no, no.
0:27:19 > 0:27:21You don't have to do that. I mean, you're already here.
0:27:21 > 0:27:23No, no, no. No, no, no. Be my pleasure.
0:27:23 > 0:27:25OK. Thanks.
0:27:25 > 0:27:26That's really nice.
0:27:29 > 0:27:32Rosalee, it's been wonderful to meet you,
0:27:32 > 0:27:35and I wish you only good things in life.
0:27:35 > 0:27:39And to me, wonderfulness, too.
0:27:39 > 0:27:42And to you, only those selfsame good wishes.
0:27:42 > 0:27:45You know what I'm saying?
0:27:45 > 0:27:48- Yeah, of course.- Thank you for the best night of my life.
0:27:48 > 0:27:51No, thank you.
0:27:54 > 0:27:58May I give you a kiss goodbye?
0:27:58 > 0:28:02Oh, I think you might maybe may.
0:28:16 > 0:28:17Good evening.
0:28:17 > 0:28:19Thank you.
0:28:21 > 0:28:23Good night, Rosalee.
0:28:27 > 0:28:29Sweet dreams.
0:28:47 > 0:28:51SHE WHOOPS
0:28:56 > 0:29:00AIRLINER PASSING
0:29:02 > 0:29:05The limo door swung open...
0:29:05 > 0:29:09my foot hit the ground
0:29:09 > 0:29:12and I turned to take one last look at Tad...
0:29:12 > 0:29:16at those eyes, at that smile.
0:29:16 > 0:29:17And then, regretfully,
0:29:17 > 0:29:20I headed back for the hotel.
0:29:20 > 0:29:22Please tell me we're done now.
0:29:22 > 0:29:24- We're done.- Wow.
0:29:24 > 0:29:26I cannot remember a time...
0:29:26 > 0:29:30before you started telling that story.
0:29:30 > 0:29:31Peter, I was asked to provide
0:29:31 > 0:29:33a detailed description of the evening.
0:29:33 > 0:29:36Yeah, and you did. Actually, Rosie, you did a great job.
0:29:36 > 0:29:37I felt like I was there.
0:29:38 > 0:29:40Sort of against my will, but, I did.
0:29:40 > 0:29:42OK, guys, er, with your permission,
0:29:42 > 0:29:47I think we should all now return to our normal lives.
0:29:48 > 0:29:50Mm... OK.
0:29:50 > 0:29:52Actually, er...
0:29:54 > 0:29:57Rosie, I kind of had something that...
0:29:57 > 0:29:59that I wanted to ask you.
0:30:04 > 0:30:05Rosie.
0:30:09 > 0:30:10Whatever.
0:30:12 > 0:30:14Um, it's something that...
0:30:14 > 0:30:16I think you're going to like.
0:30:16 > 0:30:17I hope you're going to like.
0:30:19 > 0:30:21Something I really hope you're going to like.
0:30:21 > 0:30:24Um...it's kind of been a long time coming,
0:30:24 > 0:30:27so it might be kind of a surprise.
0:30:27 > 0:30:30Or not, or maybe not. I don't know.
0:30:30 > 0:30:32I'm like...wah!
0:30:32 > 0:30:34Look, OK, look.
0:30:34 > 0:30:36What I'm trying to say
0:30:36 > 0:30:39is that...
0:30:39 > 0:30:40I've...
0:30:42 > 0:30:44- WHISPERS:- Hey.
0:30:50 > 0:30:54Let me ask you, what would be the absolute worst thing
0:30:54 > 0:30:57that could happen to me... right now?
0:30:57 > 0:30:58SCREAMS
0:31:08 > 0:31:09Hi.
0:31:09 > 0:31:11Hi.
0:31:12 > 0:31:14I'm Tad.
0:31:15 > 0:31:18Oh, er, this is my Cathy friend.
0:31:19 > 0:31:20WHIMPERS
0:31:20 > 0:31:21Hey.
0:31:21 > 0:31:22And my Pete friend.
0:31:22 > 0:31:24Hey, I'm Tad.
0:31:24 > 0:31:27It's quite pleased and pleasant to me...
0:31:27 > 0:31:30Uh, I've heard a lot about you both.
0:31:30 > 0:31:33- Have you?- Yeah. Yeah.
0:31:33 > 0:31:35Um...so what are you doing here?
0:31:35 > 0:31:38- I came to see you.- No way.
0:31:38 > 0:31:40- You're just...- No.
0:31:40 > 0:31:41- That's just...- Yeah.
0:31:41 > 0:31:44- You can't... Here? - It's true.
0:31:44 > 0:31:48You mean to say your normal business itinerary does not include Fraziers Bottom, West Virginia?
0:31:48 > 0:31:50No.
0:31:50 > 0:31:52OK, Cathy.
0:31:53 > 0:31:56- So, am I too late to take you to lunch?- No.
0:31:56 > 0:31:58Great. Shall we?
0:31:58 > 0:32:00Yeah.
0:32:00 > 0:32:01Um, if that's OK, Pete.
0:32:01 > 0:32:03Well, actually...
0:32:03 > 0:32:05- If that's OK, Pete? - No, it's OK.
0:32:05 > 0:32:06At which point, Tad,
0:32:06 > 0:32:08if you're going back to the airport, I'll ride with you,
0:32:08 > 0:32:10and by the Route 73 cloverleaf,
0:32:10 > 0:32:11I will have given myself to you
0:32:11 > 0:32:13in ways you've only read about in the drugstore.
0:32:16 > 0:32:18- It was great to meet you.- You, too.
0:32:18 > 0:32:23Oh, was there something that you wanted to tell me?
0:32:25 > 0:32:29- You know, it was nothing.- OK.
0:32:43 > 0:32:45Wow, nice car.
0:32:45 > 0:32:49Thanks. I asked the manager at the rental place for a convertible,
0:32:49 > 0:32:50and he gave me his wife's car.
0:32:50 > 0:32:51Really?
0:32:51 > 0:32:55And that was the last time we ever saw her.
0:32:55 > 0:32:56CHUCKLES SOFTLY
0:32:56 > 0:32:58Cathy...
0:32:58 > 0:33:00he's not her type.
0:33:00 > 0:33:03No. Rich, famous, handsome,
0:33:03 > 0:33:06ass like cement.
0:33:06 > 0:33:08You are absolutely right.
0:33:12 > 0:33:14Move these cheeseburgers.
0:33:14 > 0:33:17All right, here you go, sweet pea.
0:33:17 > 0:33:19Oh, my God.
0:33:19 > 0:33:22- Here you go, Rosie.- Thanks.
0:33:22 > 0:33:24- Thank you.- Mm-hmm.
0:33:33 > 0:33:36I... I still can't believe you're here.
0:33:36 > 0:33:38It was something I had to do.
0:33:38 > 0:33:40Sure. Fly clear across the country
0:33:40 > 0:33:43to have lunch at the Fraziers Bottom diner.
0:33:43 > 0:33:46I couldn't let the other night be the last time I ever saw you.
0:33:46 > 0:33:48Can I just stop you right there and remind you of one thing?
0:33:48 > 0:33:51- What's that?- I'm nobody.
0:33:51 > 0:33:54Rosalee, nobody is nobody.
0:33:54 > 0:33:56Fine.
0:33:56 > 0:34:01I'm following my gut. Sometimes you have to do that,
0:34:01 > 0:34:03even if what you're doing seems crazy.
0:34:03 > 0:34:09Because...in the gap between what prudence says we should do
0:34:09 > 0:34:14and what our heart tells us we must do, well, Rosie...
0:34:14 > 0:34:16therein lies our humanity.
0:34:18 > 0:34:22That's from The Road To El Dorado.
0:34:22 > 0:34:25You really are a big fan, aren't you?
0:34:26 > 0:34:28Is that how you get women?
0:34:28 > 0:34:32- You steal lines from your own movies?- Not any more.
0:34:32 > 0:34:35I hope not, cos that would seriously shoot a hole in your credibility.
0:34:35 > 0:34:39OK, Rosie, the truth...is... that when we went on our date,
0:34:39 > 0:34:43you said something that really resonated with me.
0:34:43 > 0:34:47You said...you were sure I had my priorities straight,
0:34:47 > 0:34:49but...here's the thing.
0:34:49 > 0:34:51I don't. I really don't.
0:34:51 > 0:34:54My entire life since I was a teenager has been
0:34:54 > 0:34:57about becoming successful, becoming famous,
0:34:57 > 0:34:59becoming this... this thing that I am,
0:34:59 > 0:35:01and you're right, it really is unsatisfying.
0:35:01 > 0:35:03I need a positive influence.
0:35:03 > 0:35:06I need somebody with solid and substantial qualities,
0:35:06 > 0:35:08somebody who seems to understand life
0:35:08 > 0:35:11and how to live it in a good and happy way, like you.
0:35:11 > 0:35:14I just want to be around you.
0:35:14 > 0:35:17I want some of that goodness to rub off on me.
0:35:17 > 0:35:20Do you mean goodness in a romantic way?
0:35:20 > 0:35:23No, no, I mean a platonic goodness.
0:35:23 > 0:35:27And I mean that very seriously. No funny business here.
0:35:27 > 0:35:29Did I say something wrong?
0:35:29 > 0:35:32No. No, no, no.
0:35:32 > 0:35:34No.
0:35:34 > 0:35:38So, are you going to be in Fraziers Bottom for a while, then?
0:35:38 > 0:35:42I think I have to. If I'm going to reset my priorities, I got to get out of LA. I gotta...
0:35:42 > 0:35:45I got to get out that fish bowl.
0:35:52 > 0:35:54So, what do you say?
0:35:57 > 0:36:00I say, yikes-a-bee!
0:36:00 > 0:36:05- What does that mean?- Oh, it's just something my dad and I say sometimes
0:36:05 > 0:36:09when life surprises you in the way that it does and there's nowhere to go but forward.
0:36:09 > 0:36:11Is that like "yes"?
0:36:11 > 0:36:14- Yes.- Yes.
0:36:19 > 0:36:22Thanks for lunch.
0:36:23 > 0:36:25See you at 7:00, then.
0:36:25 > 0:36:28- See you at 7:00.- OK.
0:36:52 > 0:36:54You go, girl! You get your man!
0:37:20 > 0:37:22It's room eight.
0:37:22 > 0:37:25You just go down to the door marked eight.
0:37:25 > 0:37:26Right.
0:37:26 > 0:37:30It's just past seven, and if you hit nine, you've gone too far.
0:37:30 > 0:37:32Gotcha. Uh, no phone calls, please.
0:37:32 > 0:37:33Thank you.
0:37:33 > 0:37:36- Have a great night.- You, too.
0:37:36 > 0:37:39- Uh, I'll see you tomorrow. - Very good.
0:37:39 > 0:37:43- I'm on at- 11:00. OK.
0:37:54 > 0:37:56FLY BUZZES
0:37:56 > 0:37:58CART SQUEAKS
0:38:27 > 0:38:29He wants your goodness
0:38:29 > 0:38:31to rub off on him.
0:38:31 > 0:38:33I know, right?
0:38:33 > 0:38:35I see.
0:38:35 > 0:38:39And you...actually believe this?
0:38:39 > 0:38:41- Why wouldn't I?- Wow, Rosie.
0:38:41 > 0:38:43Wow. There's innocent, there's childlike,
0:38:43 > 0:38:46- and then there's just asking for it.- OK, Pete...
0:38:46 > 0:38:48Look, he wants your goodness to rub off on him?
0:38:48 > 0:38:51He wants your ass to rub off on him, is more like it.
0:38:51 > 0:38:54- Oh, my God.- Yeah. Whatever. You can't go out with him tonight anyway.
0:38:54 > 0:38:57Wait, what do you mean, I can't go out with him tonight?
0:38:57 > 0:39:01I mean that...I need you to stay for the late shift.
0:39:01 > 0:39:04Uh, Janine's sick. Yeah, she's got a cough.
0:39:04 > 0:39:07- She does not.- Yeah, no, not...
0:39:07 > 0:39:11yet, but she will. She's definitely coming down with something.
0:39:11 > 0:39:12No, she's not.
0:39:12 > 0:39:15- Janine, cough for me.- Huh?
0:39:15 > 0:39:16Cough for me, Janine.
0:39:18 > 0:39:19See? God, it's all in your lungs.
0:39:19 > 0:39:21- What is?- Nothing, Janine.
0:39:21 > 0:39:23- You're fine.- You're not. Do not tell my employees
0:39:23 > 0:39:27- when they are and when they are not fine.- She's fine!
0:39:27 > 0:39:29And even if she weren't, you'd have to find
0:39:29 > 0:39:31somebody else to take the late shift, Petey,
0:39:31 > 0:39:33because I am going out with Tad Hamilton.
0:39:36 > 0:39:39- Stop that.- You know, I did feel something in my lungs.
0:39:39 > 0:39:41You're not getting off tonight, Janine.
0:39:41 > 0:39:44Bob, not now!
0:39:44 > 0:39:46PHONE LINE RINGING
0:39:46 > 0:39:47'Everywhere Inn.'
0:39:47 > 0:39:51Yeah, er...do you guys have any other rooms?
0:39:51 > 0:39:54- Or how about suites?- Oh, well, yeah, we've got sweets.
0:39:54 > 0:39:56We've got some lollies down here by the register,
0:39:56 > 0:39:59if you want to come on by and get yourself a lolly.
0:39:59 > 0:40:03No, I mean, maybe something a little bigger? Or newer?
0:40:03 > 0:40:08- Bigger and newer?- Yeah, I understand what you mean, and no.
0:40:08 > 0:40:10No, we don't have suites like that.
0:40:10 > 0:40:12OK, I guess, that's cool.
0:40:12 > 0:40:14- PHONE RINGING - That's cool, I guess.
0:40:14 > 0:40:17- Can you hold on a second? - Yeah, yeah, sure.
0:40:17 > 0:40:19Hello?
0:40:19 > 0:40:20'Hi, big guy!'
0:40:20 > 0:40:22- Hey!- 'Where are you?'
0:40:22 > 0:40:25I'm at a motel in Fraziers Bottom, West Virginia.
0:40:25 > 0:40:28OK. Words I never heard anyone utter.
0:40:28 > 0:40:31- Oh, she's special, Richard.- Who?
0:40:31 > 0:40:32The girl from the charity thing.
0:40:32 > 0:40:34- The win-a-date girl?- Yeah.
0:40:34 > 0:40:38You flew to a place actually called Fraziers Bottom, West Virginia,
0:40:38 > 0:40:41and are staying in a motel in order to nail the win-a-date girl?
0:40:41 > 0:40:42Whoa, whoa, whoa, whoa.
0:40:42 > 0:40:46I don't want to nail her. Please don't put it in those terms.
0:40:46 > 0:40:48Oh. Forgive me, Lord Byron.
0:40:48 > 0:40:50I want to be around her, you know?
0:40:50 > 0:40:52- Mm-hmm.- She has a goodness.- Right.
0:40:52 > 0:40:54There's a lot that I can learn from her.
0:40:54 > 0:40:56I'm trying to feed my soul, OK?
0:40:56 > 0:40:59I'm trying to find a way to actually be happy.
0:40:59 > 0:41:00You want to be happy now?!
0:41:00 > 0:41:01This is big for me, Richard.
0:41:01 > 0:41:04This is a turning point for me.
0:41:04 > 0:41:06That's what you think today,
0:41:06 > 0:41:08but by the end of the week, when you've nailed her...
0:41:08 > 0:41:13you're going to feel differently, and...
0:41:13 > 0:41:15and what do you suppose happens then?
0:41:15 > 0:41:19I will tell you what happens then.
0:41:19 > 0:41:22You pulverise her heart,
0:41:22 > 0:41:23and then the press finds out,
0:41:23 > 0:41:25and all the good that was done
0:41:25 > 0:41:27by the Win-a-date promotion gets washed away,
0:41:27 > 0:41:30and Jimmy Ing continues breathing.
0:41:30 > 0:41:33A person like you cannot have a relationship with a girl from Montana.
0:41:33 > 0:41:36- West Virginia.- Whatever it is! - Why not?- You're too different.
0:41:36 > 0:41:40Your values are different. For example...she has them!
0:41:40 > 0:41:41No, no, this can work.
0:41:41 > 0:41:44It can't, and when it ends, very bad for business.
0:41:44 > 0:41:48There are more important things than business, for God's sakes.
0:41:48 > 0:41:50I don't even know who I'm talking to now.
0:41:50 > 0:41:51Hello? Hello? Is this Tad?
0:41:51 > 0:41:53What have you done with Tad?
0:41:53 > 0:41:54I gotta go, OK?
0:41:54 > 0:41:56No, you don't. You do not gotta go.
0:41:56 > 0:41:57What you gotta do is understand
0:41:57 > 0:42:00that you're going through some kind of a phase right now,
0:42:00 > 0:42:02some kind of an extreme version
0:42:02 > 0:42:04of your normal, in-between-jobs insanity,
0:42:04 > 0:42:05and it has a hold of you.
0:42:05 > 0:42:09You need to come back to LA, have a Bushmills and a Percocet,
0:42:09 > 0:42:11go out on a date with an actress looking to advance her career,
0:42:11 > 0:42:14and put an end to all this self-destructive behaviour.
0:42:14 > 0:42:16- I'll talk to you soon. - No! No, Tad! Bad Tad!
0:42:16 > 0:42:19- Bye, Richard. - Don't hang up on me!
0:42:23 > 0:42:25Ow...!
0:42:26 > 0:42:28Hello?
0:42:28 > 0:42:30Yes, Mr Hamilton, I am here, sir.
0:42:30 > 0:42:33You guys wouldn't happen to have a masseuse on staff, would you?
0:42:33 > 0:42:36Uh, no, but I am a very fast learner,
0:42:36 > 0:42:39and I could, um...
0:42:39 > 0:42:40Hello?
0:42:51 > 0:42:53# Back to you
0:42:53 > 0:42:56# It always comes around
0:42:56 > 0:42:58# Back to you
0:42:58 > 0:43:01# I walk with your shadow
0:43:01 > 0:43:03# I'm sleeping in my bed
0:43:03 > 0:43:07# With your silhouette
0:43:08 > 0:43:13# Yeah, should have smiled in that picture
0:43:14 > 0:43:18# If it's the last that I'll see of you
0:43:18 > 0:43:25# It's the least that you could not do... #
0:43:39 > 0:43:42DOORBELL RINGS Coming.
0:43:45 > 0:43:47You must be Tad.
0:43:47 > 0:43:50Must be. You are Tad. I know what you look like.
0:43:50 > 0:43:54- Nice to meet you, Mr Futch.- Henry, for God's sake. Please come in.
0:43:54 > 0:43:55Thank you.
0:43:55 > 0:43:57Rosie'll be down in a minute.
0:43:57 > 0:43:59OK, great.
0:43:59 > 0:44:03May I, er, offer you a chocolate martini?
0:44:05 > 0:44:09- Oh, wow, look at that.- I hear they're very big out your way.
0:44:09 > 0:44:11Yeah, yeah, I guess they are.
0:44:11 > 0:44:14But I'm driving, so...
0:44:14 > 0:44:16That-a-boy.
0:44:17 > 0:44:19Have a seat.
0:44:27 > 0:44:29So...
0:44:29 > 0:44:31it looks like, Emperor's New Clothes
0:44:31 > 0:44:34will top 100 mil in domestic BO, huh?
0:44:34 > 0:44:36Mm-hmm. Yeah.
0:44:36 > 0:44:38And that Quantum Studios, I-I...
0:44:38 > 0:44:40I think they're looking to vertically integrate,
0:44:40 > 0:44:43either by buying a Web or a Weblet.
0:44:43 > 0:44:45- Could be.- I...
0:44:45 > 0:44:49Oh-ho, yes. Yeah.
0:44:54 > 0:44:56Hey.
0:44:56 > 0:44:58- Hi.- I see you've met Dad.
0:44:58 > 0:45:01Yeah. We've been talking shop.
0:45:01 > 0:45:03So, what do you want to do tonight?
0:45:03 > 0:45:05Well, er...do you guys have a movie theatre?
0:45:05 > 0:45:07The Warner.
0:45:07 > 0:45:09It's part of the Loews family of theatres.
0:45:09 > 0:45:12Have you seen King Arthur of Britain yet?
0:45:12 > 0:45:13I've been wanting to.
0:45:13 > 0:45:15Well, you two enjoy yourselves.
0:45:15 > 0:45:17Have her back by dawn and no cocaine, huh?
0:45:18 > 0:45:20No, sir.
0:45:25 > 0:45:26How was I?
0:45:26 > 0:45:28- You were great, Daddy.- OK.
0:45:30 > 0:45:34Goodnight. Bye-bye.
0:45:34 > 0:45:36I'm telling you, that's him.
0:45:36 > 0:45:37Oh, yeah.
0:45:37 > 0:45:39Mom, I swear it's him.
0:45:39 > 0:45:41You think so?
0:45:41 > 0:45:43You look so sad there.
0:45:45 > 0:45:49Give me a break - I'd just lost my wife and my goat.
0:45:49 > 0:45:54TV: 'Next week, on a very special Paramedic Rescue...'
0:46:02 > 0:46:05'And what were your respective ages?
0:46:05 > 0:46:09'I was 12, and she was, er...30.
0:46:09 > 0:46:11'Did your mother...'
0:46:12 > 0:46:15'Hasta el proximo miercoles.'
0:46:15 > 0:46:18ANNOUNCER: 'Ahora disponsible en viernes...'
0:46:19 > 0:46:21TURNS TV OFF
0:46:21 > 0:46:24So, what do people do at this point in the evening
0:46:24 > 0:46:27in Fraziers Bottom, West Virginia?
0:46:27 > 0:46:29Well, they go to the diner.
0:46:29 > 0:46:32We could do that. We haven't eaten anything in almost 15 minutes.
0:46:32 > 0:46:34Or they go home.
0:46:34 > 0:46:36Well, it is a school night, so...
0:46:36 > 0:46:42Of course, if it were a date, we might go to the Watergap... Overlook.
0:46:42 > 0:46:45And...what do people do there?
0:46:45 > 0:46:48They park.
0:46:48 > 0:46:50And then?
0:46:51 > 0:46:55And then they marvel at what a feat of engineering the gap is.
0:46:55 > 0:46:57But, you know, this isn't a date - we can't do that.
0:46:57 > 0:47:00- No.- Rosalee, I don't want to do anything
0:47:00 > 0:47:02that might harm the friendship.
0:47:02 > 0:47:04Me, neither.
0:47:06 > 0:47:09Over two trillion tons of water...
0:47:09 > 0:47:12pass through the gap every hour.
0:47:15 > 0:47:17That's enough water to float a battleship.
0:47:19 > 0:47:21Or put out every fire in West Virginia.
0:47:21 > 0:47:23- PHONE RINGING - No kidding.
0:47:23 > 0:47:26Excuse me.
0:47:26 > 0:47:29RINGING CONTINUES
0:47:29 > 0:47:30RINGING FADES
0:47:30 > 0:47:32RINGING IN DISTANCE
0:47:32 > 0:47:33SPLASHING
0:47:35 > 0:47:37CHUCKLES
0:47:38 > 0:47:39PHONE RINGING
0:47:46 > 0:47:49- Hello? - Hi, Mr Futch. Uh, it's Pete.
0:47:49 > 0:47:52Hiya, Pete. Uh, Rosie's not here.
0:47:52 > 0:47:54She's out with Tad Hamilton.
0:47:54 > 0:47:56Really? I hadn't... OK, cool.
0:47:56 > 0:47:58Well, good for her, then.
0:47:58 > 0:48:00He seems like a very nice guy.
0:48:00 > 0:48:02He does. Lovely...
0:48:02 > 0:48:04lovely guy.
0:48:04 > 0:48:07So, like, er, where'd they go?
0:48:07 > 0:48:10- The movies.- Oh, the movies.
0:48:10 > 0:48:12OK, well, it looks like the...
0:48:12 > 0:48:157:00 would get out 8:45, 8:50...
0:48:15 > 0:48:19Or...so someone happened to...
0:48:19 > 0:48:22just mention to me in passing.
0:48:22 > 0:48:24So, I guess that would put them...
0:48:24 > 0:48:26out and about and on to their...
0:48:26 > 0:48:29next activity.
0:48:29 > 0:48:30Yeah, I guess it would, Pete.
0:48:30 > 0:48:33I'll leave Rosie a note that you called.
0:48:33 > 0:48:36Oh, yeah. I had a little, er, inventory question,
0:48:36 > 0:48:40a little...dairy case...query,
0:48:40 > 0:48:42but, you know, we-we can, er, clear that up tomorrow.
0:48:42 > 0:48:44OK, Pete. Goodbye.
0:48:44 > 0:48:47All right.
0:48:49 > 0:48:52- Rosie?- Huh?
0:48:54 > 0:48:57SIREN BLARES
0:48:59 > 0:49:02Hi. Could I see your driver's licence and regis...
0:49:02 > 0:49:04Yikes-a-bee.
0:49:04 > 0:49:06Hello, officer.
0:49:06 > 0:49:08Rosalee?
0:49:08 > 0:49:10- Hi, Tom.- Hi.
0:49:10 > 0:49:13Wow. Oh, boy.
0:49:13 > 0:49:16OK. OK, then.
0:49:16 > 0:49:20- We, er, we heard you were in town there, Mr Hamilton.- Did you?
0:49:20 > 0:49:22Pretty fond of our Rosalee there, huh?
0:49:22 > 0:49:24Uh-huh, yes... yes, I am, Officer.
0:49:24 > 0:49:27Oh, er, right, right.
0:49:27 > 0:49:29Uh, listen, we got a call saying
0:49:29 > 0:49:31that there was someone parked here,
0:49:31 > 0:49:33and well, you know it's illegal after sunset, so...
0:49:33 > 0:49:35You got a call this hour?
0:49:35 > 0:49:36Yeah, yeah, we got a call.
0:49:36 > 0:49:37From who, a raccoon?
0:49:37 > 0:49:40ENGINE STARTS
0:49:44 > 0:49:46Never mind.
0:49:46 > 0:49:47I am gonna kill that Pete,
0:49:47 > 0:49:50bring him back to life and then kill him again.
0:49:50 > 0:49:52OK, calm down, calm down.
0:49:52 > 0:49:54Well, why aren't you upset?
0:49:54 > 0:49:59Because it doesn't matter. OK?
0:50:00 > 0:50:04What happened here tonight...
0:50:04 > 0:50:06was a force of nature.
0:50:06 > 0:50:08Yeah.
0:50:08 > 0:50:12Two people set out to be friends, but...
0:50:12 > 0:50:14nature would have none of it.
0:50:14 > 0:50:18Nature wanted them to be more...
0:50:18 > 0:50:22and nature is gonna want that tomorrow.
0:50:41 > 0:50:43What did I tell you?
0:50:43 > 0:50:47What did I tell you about your...
0:50:47 > 0:50:48carnal treasure?
0:50:48 > 0:50:50You said to guard it.
0:50:50 > 0:50:52I said, "Guard it," and what did you do?
0:50:52 > 0:50:55You-you...practically chucked it at him.
0:50:55 > 0:50:57You're acting like it was some sleazy night.
0:50:57 > 0:50:59- It wasn't. It was classy.- Oh, that's right.
0:50:59 > 0:51:01I mean, it's not like he took you to the movies
0:51:01 > 0:51:04- and then felt you up in his car. - The evening evolved, Pete.
0:51:04 > 0:51:07Oh, my God. Did he actually say that?
0:51:07 > 0:51:09It started out as two friends going to the movies...
0:51:09 > 0:51:12And it evolved into dry humping.
0:51:12 > 0:51:14He fought it. He didn't want to do anything
0:51:14 > 0:51:18- that might wreck the friendship.- Wow. I... Um...
0:51:18 > 0:51:19Wow, did he actually...um...
0:51:19 > 0:51:22I can't believe he used that line.
0:51:22 > 0:51:25- And I can't believe that you bought it.- It's not a line.
0:51:25 > 0:51:28OK, fellas, a show of hands.
0:51:28 > 0:51:30Who here has used some form of the
0:51:30 > 0:51:33"don't want to harm the friendship" line?
0:51:36 > 0:51:38- Oh.- Father Newell?
0:51:38 > 0:51:39Well, prior to my enfrockment.
0:51:42 > 0:51:45Rosie, what are Tad's pectorals like to the touch?
0:51:45 > 0:51:47Are they warm yet firm, like...?
0:51:47 > 0:51:49Cath, it's really not helping right now.
0:51:49 > 0:51:51Sorry, Pete, got caught up.
0:51:51 > 0:51:55Thanks. Listen, Rosie, just...
0:51:57 > 0:51:59Listen to me. Bottom line...
0:51:59 > 0:52:01Tad Hamilton is an actor.
0:52:01 > 0:52:06OK? How do you know that he's not acting with you?
0:52:06 > 0:52:09He's not acting.
0:52:09 > 0:52:11No. He is.
0:52:11 > 0:52:13He's playing a role.
0:52:13 > 0:52:17The role of Hollywood bad boy trying to find virtue.
0:52:19 > 0:52:20OK, after you guys...
0:52:22 > 0:52:24..after you guys have, like,
0:52:24 > 0:52:28been together a couple times,
0:52:28 > 0:52:30he is out of here, OK?
0:52:32 > 0:52:34You will never see him again.
0:52:36 > 0:52:38Hey, Rosie, guess what?
0:52:38 > 0:52:41I bought a house. I bought a house!
0:52:41 > 0:52:43Can you believe it?
0:52:43 > 0:52:47It's actually a farm with a house and a silo for my wheat.
0:52:47 > 0:52:50- Really?- Yeah.- You bought a house?! - I bought a house.
0:52:50 > 0:52:53Now we're putting down roots, baby.
0:52:53 > 0:52:56What do you think of that?
0:52:56 > 0:52:58- I think that's good.- So, come see it. Maybe after work?
0:52:58 > 0:53:01- I'd love to.- Yeah, I'd love to.
0:53:04 > 0:53:06Great.
0:53:28 > 0:53:31So, he's going to stay in the motel while he fixes up the farm.
0:53:31 > 0:53:33What, like he's a farmer all of a sudden?
0:53:33 > 0:53:35I think he'll be a good farmer.
0:53:35 > 0:53:38Rosie, he's from Malibu, California, OK?
0:53:38 > 0:53:41- The only thing they grow there are breasts. - Could you smile a little bit?
0:53:41 > 0:53:44- This means nothing.- You are unbelievable.
0:53:44 > 0:53:47What? Rosie, people like this buy houses all the time.
0:53:47 > 0:53:49It's called a tax shelter.
0:53:49 > 0:53:50Oh, Peter!
0:53:50 > 0:53:53I can guarantee you that by the end of today,
0:53:53 > 0:53:56Tad's farm and his house...
0:53:56 > 0:53:58his fricking wheat...
0:53:58 > 0:54:00right back on the market.
0:54:00 > 0:54:03Why? What are you gonna do?
0:54:03 > 0:54:06Nothing. Just, you know... just be a good neighbour.
0:54:13 > 0:54:14Howdy!
0:54:14 > 0:54:16Tad, this place is unbelievable.
0:54:16 > 0:54:18Thanks, little lady.
0:54:20 > 0:54:24Well, this barn sits on what they call the "south 40".
0:54:24 > 0:54:28Yep. I'm not sure exactly how many acres that is, but, er...
0:54:28 > 0:54:30I'm gonna guess that's a lot.
0:54:31 > 0:54:34I'm gonna guess 40.
0:54:34 > 0:54:36Oh, yeah.
0:54:36 > 0:54:38Could be.
0:54:38 > 0:54:43Being a new farm owner and all, I know you'll probably get some people
0:54:43 > 0:54:44to run this place for you,
0:54:44 > 0:54:48but, hell, I'd be happy to show you a couple of everyday farm chores.
0:54:48 > 0:54:51Really? Wow, that'd be great. Thank you.
0:54:51 > 0:54:54Oh, Tad... that's not a problem.
0:54:54 > 0:54:57Tad, what you're gonna do here
0:54:57 > 0:54:59is grab on to one of the-the...
0:54:59 > 0:55:01COW MOOING
0:55:01 > 0:55:03Essentially, one of the nipples.
0:55:03 > 0:55:06And, er, you know, just pull it firmly but gently towards the pail.
0:55:06 > 0:55:08Now, you're gonna freak out...
0:55:08 > 0:55:09MILK SPLASHING
0:55:09 > 0:55:11Mmm, look at all that creamy milk.
0:55:11 > 0:55:13That-a-girl, Arleen!
0:55:13 > 0:55:15That-a-girl.
0:55:15 > 0:55:17Boy, you are making old Tad thirsty. Mmm!
0:55:17 > 0:55:19Where'd you learn to do that?
0:55:19 > 0:55:21Remember my remake of The Grapes Of Wrath?
0:55:26 > 0:55:31OK, so, trick is to take a full swing,
0:55:31 > 0:55:35so as to split the log in one swift...
0:55:37 > 0:55:39..stroke.
0:55:39 > 0:55:41OK...
0:55:41 > 0:55:44Yeah.
0:55:44 > 0:55:46Let's do this.
0:55:46 > 0:55:49Hey, so, er...you work out?
0:55:49 > 0:55:51Nah.
0:55:51 > 0:55:52Yeah, me, neither.
0:55:52 > 0:55:54I know, it's like... me, neither.
0:55:54 > 0:55:59OK, er...just basically one... swift...stroke.
0:56:01 > 0:56:04And sometimes, you know, basically,
0:56:04 > 0:56:06you get a bad piece of wood... basically.
0:56:06 > 0:56:08And you know, sometimes you don't.
0:56:08 > 0:56:11- That's good. - Beginner's luck, you know?
0:56:11 > 0:56:12First time's the charm.
0:56:14 > 0:56:15And the luck continues.
0:56:15 > 0:56:17That's great. Good for you, man.
0:56:17 > 0:56:21Pete, you ever see a movie I did called "A Man Named Jackson"?
0:56:21 > 0:56:24If it came out, Tad...
0:56:24 > 0:56:26then I saw it.
0:56:28 > 0:56:32No, I think the axe is actually broken, yeah.
0:56:32 > 0:56:33You got it? Good. Yeah.
0:56:53 > 0:56:56Which is why I try to stay away from melodramas.
0:56:56 > 0:56:58Oh, my God. I finally did it.
0:56:58 > 0:57:01People...are you watching this?
0:57:01 > 0:57:03Rosie?
0:57:44 > 0:57:46Whoa! Pete!
0:57:46 > 0:57:48- Hey, Tad.- Um...hey!
0:57:48 > 0:57:50Can I talk to you for a sec?
0:57:50 > 0:57:53Yeah. Sure.
0:57:53 > 0:57:56- Forgive the intrusion, but, er... - No, no, no, no.
0:57:56 > 0:57:58Please, er, er, fire away.
0:57:58 > 0:58:02OK. Here it is.
0:58:06 > 0:58:08You win.
0:58:08 > 0:58:11OK? Fair and square.
0:58:11 > 0:58:13You win.
0:58:13 > 0:58:14Thank you.
0:58:14 > 0:58:18I mean, you did have an advantage or two going in.
0:58:18 > 0:58:22Excuse me! We're...in the middle of something here.
0:58:22 > 0:58:24Yeah. No problem.
0:58:28 > 0:58:31I want Rosie to be happy,
0:58:31 > 0:58:35so, er, I gotta ask you, like, a couple questions. Uh...
0:58:35 > 0:58:38Do you know how long she keeps her hair in straight mode
0:58:38 > 0:58:42- and how long in curly? - Uh, wh-what?
0:58:42 > 0:58:46- Or why her favourite necklace is a starfish clasp?- No.
0:58:46 > 0:58:50- Do you even know that she has six different smiles?- Six smiles?
0:58:50 > 0:58:53Yeah. One when something just flat-out makes her laugh,
0:58:53 > 0:58:55and one when she's laughing out of politeness.
0:58:55 > 0:58:57But there's one when she makes plans,
0:58:57 > 0:58:59one when she makes fun of herself,
0:58:59 > 0:59:02one when she's uncomfortable...
0:59:02 > 0:59:04and one...
0:59:04 > 0:59:07one when she's talking about her friends.
0:59:09 > 0:59:12Uh... I don't know those things yet, Pete.
0:59:12 > 0:59:14No, you don't, Tad.
0:59:14 > 0:59:18I'm telling you, she is more of a-a...
0:59:18 > 0:59:21a treasure than you can possibly know.
0:59:21 > 0:59:25She is not just some wholesome, small-town girl,
0:59:25 > 0:59:27some, like, good-for-you breath of fresh air.
0:59:27 > 0:59:31Tad, she is a wonderful person with a huge heart.
0:59:31 > 0:59:35And the kind of beauty that a guy only sees once, you know, once.
0:59:37 > 0:59:41Listen, Tad, if there's even a chance
0:59:41 > 0:59:45that you could break her heart, please, just,
0:59:45 > 0:59:47for her sake...
0:59:47 > 0:59:50walk away, man.
0:59:52 > 0:59:55I could never break Rosalee's heart, OK?
0:59:55 > 0:59:56Good.
0:59:56 > 0:59:58Cos if you do, I swear to God,
0:59:58 > 1:00:00I will tear you to pieces with my bare hands.
1:00:00 > 1:00:03Or...vicious rhetoric.
1:00:08 > 1:00:10You're a good guy, Pete.
1:00:10 > 1:00:13But you know, it's...
1:00:13 > 1:00:16apparently, not good enough.
1:00:27 > 1:00:29Do you mind if I, er...?
1:00:29 > 1:00:31Oh, yeah, no. My bad.
1:00:31 > 1:00:34- Finish up in here. Sorry.- Thanks.
1:00:36 > 1:00:38MUSIC PLAYING
1:00:42 > 1:00:44You're a good kisser.
1:00:44 > 1:00:49- But I guess it doesn't come as a shock to you to hear that.- No.
1:00:49 > 1:00:51You're a really good kisser.
1:00:51 > 1:00:55Even compared to Hollywood girls?
1:00:55 > 1:00:59- Mm-hmm.- Well, that's just ridiculous.
1:01:05 > 1:01:08- KNOCK ON DOOR - < Oh, Tad Hamilton!
1:01:08 > 1:01:11- Your favourite two people are here. - You gotta be kidding me.
1:01:11 > 1:01:13- Who is it?- Guess who?
1:01:13 > 1:01:15It's my agent and my manager.
1:01:15 > 1:01:18Taddy?
1:01:18 > 1:01:19Oh, this is a nightmare.
1:01:19 > 1:01:21< Housekeeping!
1:01:21 > 1:01:23< Let us in!
1:01:23 > 1:01:25< Hey, Tad...
1:01:25 > 1:01:27I'd like to apologise for...
1:01:27 > 1:01:30< Open zee zleibenshlocken!
1:01:30 > 1:01:33Come on! You're not gonna be punk'd.
1:01:33 > 1:01:35- Fellas.- Tad!
1:01:35 > 1:01:37Tad Edward Hamilton.
1:01:40 > 1:01:42Oh, howdy, little lady.
1:01:42 > 1:01:43Hi.
1:01:45 > 1:01:48Uh... my manager, Richard Levy
1:01:48 > 1:01:50and my agent, Richard Levy.
1:01:50 > 1:01:54- Uh...you're both named Richard Levy?- Who isn't?
1:01:57 > 1:02:02- You... you must be Rosalee.- Yes.
1:02:02 > 1:02:05- Uh, did we come at a bad time? - I hope so.
1:02:05 > 1:02:08- Actually, yes.- Well, Tad...
1:02:08 > 1:02:11Jimmy Ing stopped breathing.
1:02:12 > 1:02:14- What?- You got the part, pal.
1:02:14 > 1:02:18Seems he saw something that reminded him that he had to have you.
1:02:18 > 1:02:21It was... It was the body of your work.
1:02:21 > 1:02:25- I knew it!- Your credits. The reality of you and who you are.
1:02:25 > 1:02:28That's right. He called me up, and he said, "Who am I kidding?
1:02:28 > 1:02:30"Tad Hamilton has to play this part. There's nobody else!"
1:02:33 > 1:02:34Oh, oh, fellas, I gotta tell you.
1:02:34 > 1:02:37I have never felt better than I do at this moment.
1:02:37 > 1:02:40Yeah, except for that weekend in Cabo.
1:02:40 > 1:02:41That is exactly what...
1:02:41 > 1:02:44Yes! That's what I'm talking about!
1:02:44 > 1:02:47Oh, easy! I got a bad back. Oh!
1:02:47 > 1:02:49That's exactly what I'm talking about!
1:02:49 > 1:02:53Ah! I told you all you needed was a little good career news
1:02:53 > 1:02:54to put your head back on straight.
1:02:54 > 1:02:57Oh! Yes!
1:02:57 > 1:03:00- So then, you're leaving?- Yes.
1:03:00 > 1:03:03You've got fittings all day Monday and rehearsals start Tuesday.
1:03:03 > 1:03:05You're back on the beam, Pally.
1:03:06 > 1:03:09Boy, things happen fast, huh?
1:03:17 > 1:03:20Oh, my God. You're right.
1:03:20 > 1:03:22No, no, no. It's fine.
1:03:22 > 1:03:25- I'm going to turn it down.- What? - What?- Wha...?
1:03:25 > 1:03:27I came here vowing to change my priorities,
1:03:27 > 1:03:29and at the first opportunity, I'm...
1:03:29 > 1:03:31I'm abandoning that.
1:03:31 > 1:03:33Tad, come on. You're not going to turn down the part.
1:03:33 > 1:03:36- We both know that.- Yeah.
1:03:36 > 1:03:39Give us a minute, will you, fellas?
1:03:39 > 1:03:41We will be in the lobby.
1:03:44 > 1:03:47I wonder if they have a masseuse on staff.
1:03:57 > 1:04:00- I want you to go with me.- What?
1:04:00 > 1:04:02- What?!- Shh!
1:04:02 > 1:04:05She absolutely cannot go with him.
1:04:05 > 1:04:08I'm not taking the part unless you go with me.
1:04:08 > 1:04:10Although I'm sure we could work something out.
1:04:10 > 1:04:12- Really?- Yes. Really.
1:04:12 > 1:04:16Rosie, have you been listening to anything I've been telling you?
1:04:16 > 1:04:19I love you.
1:04:21 > 1:04:25How many times in your life have you said that?
1:04:25 > 1:04:27Ay, yi, yi.
1:04:27 > 1:04:30Uh...not counting the movies?
1:04:30 > 1:04:32Not counting.
1:04:35 > 1:04:37I've said it a few times.
1:04:37 > 1:04:39But...
1:04:41 > 1:04:45But I-I never knew what it meant.
1:04:49 > 1:04:51I can't go with you, Tad.
1:04:53 > 1:04:54Because you don't love me.
1:04:54 > 1:04:56Oh...
1:04:56 > 1:04:57You maybe want to love me,
1:04:57 > 1:05:02but I think what you love right now is the idea of me.
1:05:02 > 1:05:06You can't love someone for what they stand for, or what they seem to be.
1:05:06 > 1:05:08You have to love them for their details,
1:05:08 > 1:05:11for the little things that are true of them and only them.
1:05:11 > 1:05:14- But I do love you for your details, Rosie.- You don't.- Yes, I do.
1:05:14 > 1:05:17You couldn't possibly. You don't even know what they are.
1:05:26 > 1:05:28You have six smiles.
1:05:28 > 1:05:31What?
1:05:31 > 1:05:35You have six smiles. Did you know that?
1:05:36 > 1:05:40One when something really makes you laugh,
1:05:40 > 1:05:43and one when you're just...
1:05:43 > 1:05:45laughing out of politeness.
1:05:45 > 1:05:48One when you're making plans,
1:05:48 > 1:05:51and one when you're making fun of yourself.
1:05:51 > 1:05:53And one when you're uncomfortable,
1:05:53 > 1:05:56and one when...
1:05:56 > 1:05:59one when you're talking about your friends.
1:05:59 > 1:06:02- How many is that?- Like 50.
1:06:03 > 1:06:06I told you. I told you.
1:06:08 > 1:06:12That is so much better than any speech from any of your movies.
1:06:12 > 1:06:14I had a better writer.
1:06:14 > 1:06:17LAUGHS
1:06:17 > 1:06:19So...
1:06:20 > 1:06:22..will you go?
1:06:31 > 1:06:33Yes.
1:06:35 > 1:06:39# I'm goin' back to Cali, to Cali, to Cali... #
1:06:41 > 1:06:44- What are you thinking?- Nothing.
1:06:44 > 1:06:45I'm done thinking.
1:06:45 > 1:06:49If I'm making some huge mistake, I don't even want to know.
1:06:49 > 1:06:51You're not making a mistake.
1:07:01 > 1:07:03You know, as a bartender,
1:07:03 > 1:07:06you do learn to kind of recognise
1:07:06 > 1:07:09those customers who...need to talk.
1:07:09 > 1:07:15Angelica, I'm fine. But could I have, like, six more of these?
1:07:15 > 1:07:19No, Pete, you really need to talk.
1:07:22 > 1:07:24OK.
1:07:24 > 1:07:29Um... I think that, er, our friend, Rosie,
1:07:29 > 1:07:34- might be falling in love with Tad Hamilton.- Yeah.
1:07:34 > 1:07:37Didn't have to be a bartender to see that one coming.
1:07:37 > 1:07:40But the problem with that is...
1:07:42 > 1:07:44..that I'm in love with Rosie.
1:07:47 > 1:07:52You know...I always thought that maybe you were.
1:07:59 > 1:08:01So, how much do you love her?
1:08:03 > 1:08:06Is it love? Is it big love?
1:08:06 > 1:08:08Or is it great love?
1:08:08 > 1:08:10Wh...like, how... what do you mean?
1:08:10 > 1:08:15Well, love you get over in two months, big love, two years,
1:08:15 > 1:08:17and great love...
1:08:19 > 1:08:20Yeah...?
1:08:20 > 1:08:23Great love changes your life.
1:08:31 > 1:08:33Oh, my God.
1:08:33 > 1:08:35It's great love.
1:08:40 > 1:08:42Isn't that great?
1:08:42 > 1:08:45Well, you've got to win her back.
1:08:45 > 1:08:47Angelica...
1:08:47 > 1:08:49trust me.
1:08:49 > 1:08:51I have tried...
1:08:51 > 1:08:53everything.
1:08:53 > 1:08:56Well, what did she say when you told her that you love her?
1:08:59 > 1:09:00Well...er...
1:09:00 > 1:09:04actually, maybe not everything, but, er...
1:09:04 > 1:09:07What did she say when you kissed her?
1:09:07 > 1:09:10OK, maybe it's more like, er... two things I haven't tried.
1:09:10 > 1:09:13Well...what have you tried?
1:09:13 > 1:09:20I have very unsubtly implied how I feel about her.
1:09:20 > 1:09:21OK. Get up.
1:09:21 > 1:09:23- What?- Get your ass off the barstool.
1:09:23 > 1:09:24Angelica...
1:09:24 > 1:09:26Hey, if you feel it
1:09:26 > 1:09:30and you don't do everything in your power to reach for it,
1:09:30 > 1:09:32you are basically slapping life in the face.
1:09:32 > 1:09:35Hey, I hate to break it to you,
1:09:35 > 1:09:37but I don't stand a chance here, OK?
1:09:37 > 1:09:40As my father told me when I said
1:09:40 > 1:09:42I'd never get that job in a bar,
1:09:42 > 1:09:47"Honey, your odds go up when you file an application."
1:09:47 > 1:09:51Sure, but, um... I'm up against...
1:09:51 > 1:09:54Tad Hamilton.
1:09:57 > 1:09:59You are Tad Hamilton.
1:10:00 > 1:10:02- What?- Don't you see?
1:10:02 > 1:10:06Everybody's Tad Hamilton to somebody, Pete.
1:10:06 > 1:10:12Rosalee's Tad Hamilton to you, and you're Tad Hamilton to me.
1:10:14 > 1:10:18Angelica, thank you.
1:10:18 > 1:10:20So start acting like it.
1:10:20 > 1:10:22OK.
1:10:22 > 1:10:25Yeah. OK.
1:10:26 > 1:10:29You are a really good bartender.
1:10:41 > 1:10:45- Hi.- Hey.- Come in, come in.
1:10:50 > 1:10:53- I have something I want to talk to you about.- Me, too.
1:10:53 > 1:10:55- Really? You go first. - No, you go first.
1:10:55 > 1:10:58- No, seriously, you go first.- OK.
1:10:58 > 1:11:01Tad got a part in this huge movie,
1:11:01 > 1:11:05and he asked me to go with him to California for the shoot.
1:11:05 > 1:11:07We leave tomorrow afternoon. Isn't that great?
1:11:07 > 1:11:11I probably should have gone first.
1:11:11 > 1:11:13Why? what were you going to say?
1:11:16 > 1:11:18It's nothing.
1:11:18 > 1:11:20It was nothing.
1:11:20 > 1:11:21Just, you know...
1:11:21 > 1:11:23Travel safely, OK?
1:11:23 > 1:11:25And just really enjoy the shoot.
1:11:30 > 1:11:32Actually, no. I remember what I was going to say.
1:11:44 > 1:11:46I love you, Rosie.
1:11:46 > 1:11:48I always have.
1:11:48 > 1:11:51If I've been a jerk this last week,
1:11:51 > 1:11:53it's because I have been fighting.
1:11:53 > 1:11:56I have been fighting for you.
1:11:56 > 1:12:02I don't want to lose you to Tad Hamilton or anyone else.
1:12:06 > 1:12:07You're the one.
1:12:13 > 1:12:18So, er...any reaction to any of this?
1:12:18 > 1:12:21Because now would be an excellent time.
1:12:24 > 1:12:28Now? You kiss me now?
1:12:30 > 1:12:34You say this to me now after 22 years of being my friend?
1:12:36 > 1:12:40Yes, um... to all questions.
1:12:43 > 1:12:45I'm...
1:12:48 > 1:12:50I have to pack.
1:12:51 > 1:12:53You, um...
1:12:53 > 1:12:56You're telling me that you can't answer
1:12:56 > 1:13:00the most important question that I'll ever ask in my entire life,
1:13:00 > 1:13:01because you have to pack?
1:13:01 > 1:13:03Well, not only do I have to pack,
1:13:03 > 1:13:06but I have, like, a load of whites in the dryer, and, um,
1:13:06 > 1:13:08my dad called my relatives from San Clemente
1:13:08 > 1:13:12and they're expecting me, so, you know, it's all in the works.
1:13:12 > 1:13:13But this is...
1:13:15 > 1:13:16Rosie...
1:13:16 > 1:13:19what's in your heart?
1:13:28 > 1:13:31I'm sorry.
1:13:38 > 1:13:40I'm sorry, too.
1:13:55 > 1:13:57You OK, Pete?
1:13:57 > 1:13:59Yes, sir.
1:13:59 > 1:14:03Listen, Pete, obviously we've all been a little seduced
1:14:03 > 1:14:05by Tad Hamilton's presence.
1:14:07 > 1:14:09No-one more so than me.
1:14:10 > 1:14:13But that doesn't mean I don't know, at the end of the day,
1:14:13 > 1:14:15who cares about my daughter the most
1:14:15 > 1:14:19and who she would be with if the world were fair.
1:14:22 > 1:14:24Well, it's not.
1:14:24 > 1:14:27No. No, it's not.
1:14:27 > 1:14:29You know, when I was your age,
1:14:29 > 1:14:33I was completely in love with Eleanor Hershey.
1:14:35 > 1:14:38Of the chocolate Hersheys.
1:14:38 > 1:14:41The Hershey chocolates.
1:14:43 > 1:14:44She was a great girl.
1:14:44 > 1:14:46Completely unpretentious.
1:14:46 > 1:14:49I actually met her filling her Cadillac up with gas.
1:14:49 > 1:14:51Anyway, there was this French guy.
1:14:51 > 1:14:54He was really rich.
1:14:54 > 1:14:57He owned, like...France.
1:14:57 > 1:15:00And I didn't stand a chance.
1:15:00 > 1:15:02It happens that way sometimes, Pete.
1:15:02 > 1:15:07It shouldn't, but it does. Sometimes Goliath kicks the shit out of David.
1:15:07 > 1:15:10It's just nobody bothers to tell that story.
1:15:12 > 1:15:14Well, thanks, Mr Futch.
1:15:14 > 1:15:18That's... I feel much better now.
1:15:21 > 1:15:24Goodnight, Mr Futch.
1:15:24 > 1:15:26Take it easy, Pete.
1:15:41 > 1:15:44- Are you sure you know what you're doing?- No.
1:15:44 > 1:15:49- Ever feel more confused or alone?- No.
1:15:49 > 1:15:52Have a nice flight.
1:16:01 > 1:16:06- So, see you after principal photography.- Yes, Daddy.
1:16:06 > 1:16:09Hey, you guys don't mind not flying with us, right?
1:16:09 > 1:16:12- We kind of need our privacy. - It's fine.
1:16:12 > 1:16:15Yeah, we're looking forward to our shit-ass commercial flight.
1:16:15 > 1:16:18- We'll be fine.- I always wanted to have a layover in Cincinnati.
1:16:18 > 1:16:21- We will be absolutely fine. - And another one in Chicago.
1:16:21 > 1:16:23So we'll be in LA by...April.
1:16:25 > 1:16:26We'll be fine.
1:16:29 > 1:16:31- It's, um...it's time.- OK.
1:16:31 > 1:16:33Have a safe trip, Tad.
1:16:33 > 1:16:35Bye, honey.
1:16:37 > 1:16:40- Welcome aboard, Mr Hamilton.- Bye.
1:16:40 > 1:16:42- Miss.- Thank you.
1:16:47 > 1:16:51Stop it. Stop it. What's the matter with you? Oh, come on.
1:16:51 > 1:16:53Commercial isn't so bad.
1:16:53 > 1:16:56Please! there's got to be room for one more!
1:16:56 > 1:17:00Will you pull yourself together? Thank you.
1:17:00 > 1:17:03Would you like a Vicodin?
1:17:05 > 1:17:08JET ENGINES ROAR
1:17:08 > 1:17:11# I sit alone
1:17:11 > 1:17:15# In a dark theatre, watching the people go by
1:17:15 > 1:17:19# Hand in hand, everybody but me
1:17:19 > 1:17:21# Oh...
1:17:21 > 1:17:25# I stay behind
1:17:25 > 1:17:28# Watching the credits roll by
1:17:28 > 1:17:32# Roll, roll, roll right by me
1:17:32 > 1:17:37# But I know I won't cry
1:17:38 > 1:17:40# I won't cry
1:17:40 > 1:17:42# Not tonight... #
1:17:42 > 1:17:45Jimmy, being in your movie is a privilege.
1:17:45 > 1:17:51In fact, it's more than a privilege, it's a, er, a real privilege.
1:17:51 > 1:17:54Do you mind if I call you back in a few minutes?
1:17:54 > 1:17:57OK. Thank you, sir.
1:18:09 > 1:18:11You OK?
1:18:11 > 1:18:16Mm-hmm. I'm just a little nervous for some reason.
1:18:16 > 1:18:21I have a little nervous feeling in my self.
1:18:21 > 1:18:24- But that's only natural, right? - Yeah.
1:18:24 > 1:18:27I mean, this is a pretty huge thing I'm doing.
1:18:27 > 1:18:29Kind of a great leap of faith.
1:18:29 > 1:18:34But I have that faith...in you.
1:18:34 > 1:18:37- So I'm fine. It's going to be great.- Good.
1:18:37 > 1:18:38Can't you tell by my smile?
1:18:43 > 1:18:45Which one is it?
1:18:47 > 1:18:50- What?- What number smile is it?
1:18:50 > 1:18:51It's, er...
1:18:52 > 1:18:55It was, er...one.
1:18:58 > 1:19:02No, one was when something really made me laugh.
1:19:02 > 1:19:05Right?
1:19:05 > 1:19:07One and a half.
1:19:22 > 1:19:25Rosie...
1:19:26 > 1:19:30..I didn't know about your six smiles. Pete told me about them.
1:19:30 > 1:19:33He made me swear that I wasn't going to break your heart,
1:19:33 > 1:19:35or he would tear me to pieces,
1:19:35 > 1:19:39either with his bare hands or his...rhetoric.
1:19:39 > 1:19:44I stole the speech from Pete to get you to come here with me. I lied.
1:19:44 > 1:19:46And I'm sorry.
1:19:46 > 1:19:50And I know you're going to be very upset, I-I just...
1:19:53 > 1:19:56- So Pete told you about the six smiles?- Yeah.
1:19:56 > 1:20:00- And made you swear that you wouldn't break my heart?- Mm-hmm.
1:20:00 > 1:20:05Or he'd tear you to pieces with either his bare hands or his rhetoric?
1:20:05 > 1:20:07Yeah.
1:20:09 > 1:20:12That is just so...
1:20:16 > 1:20:17..adorable.
1:20:20 > 1:20:21What?
1:20:23 > 1:20:27Do you think it's possible to love someone your whole life
1:20:27 > 1:20:30and never really realise it
1:20:30 > 1:20:35until something happens that makes you see?
1:20:35 > 1:20:37What's that from?
1:20:37 > 1:20:40No, it's not from anything.
1:20:40 > 1:20:42I'm just saying it to you.
1:20:42 > 1:20:43Oh...
1:20:46 > 1:20:47Wow.
1:20:58 > 1:21:00Man, what a week.
1:21:00 > 1:21:03Fell in love for the first time,
1:21:03 > 1:21:06got my heart broken for the first time,
1:21:06 > 1:21:08was honourable for the first time.
1:21:08 > 1:21:12Got bit in the ass for being honourable for the first time.
1:21:12 > 1:21:15Bought a farm.
1:21:15 > 1:21:18I'm sorry about the broken heart part.
1:21:27 > 1:21:30Do you think you could take me home now?
1:21:32 > 1:21:33Yeah.
1:21:39 > 1:21:42THUNDER RUMBLING
1:21:45 > 1:21:46Thank you.
1:21:49 > 1:21:51Cathy!
1:21:51 > 1:21:53- Rosie?!- Where's Pete?
1:21:53 > 1:21:56He's not here. Honey, what are you doing here?
1:21:56 > 1:22:00- He's always here. He's Pete. - No, he didn't come in today.
1:22:01 > 1:22:03Can I borrow your car?
1:22:04 > 1:22:06Well, yes.
1:22:08 > 1:22:09Thank you.
1:22:22 > 1:22:25Pete! Pete!
1:22:32 > 1:22:34Not Pete.
1:22:34 > 1:22:37THUNDER RUMBLES
1:22:37 > 1:22:39Wow.
1:22:52 > 1:22:56I'm just here cos Pete asked me to box up some stuff.
1:22:56 > 1:22:59Oh. Why? Where's he going?
1:22:59 > 1:23:00Richmond.
1:23:00 > 1:23:03And he isn't going.
1:23:03 > 1:23:04He's gone.
1:23:07 > 1:23:09He's gone to Richmond?
1:23:09 > 1:23:11Why?
1:23:12 > 1:23:16I cannot believe I'm taking my work home with me.
1:23:19 > 1:23:25When great love is rejected, Rosalee, something inside a man dies.
1:23:25 > 1:23:27So all he can do is run away,
1:23:27 > 1:23:30where he can meet the girl he'll love second most.
1:23:34 > 1:23:37- Unless, um...- Unless what?
1:23:37 > 1:23:41Unless you can get to him before he closes the book on you.
1:23:43 > 1:23:46But once it's closed, it's closed.
1:23:46 > 1:23:49It's finished, it's gone, dead.
1:23:49 > 1:23:54It's crushed, it's beaten, it's buried. It is lost for all of time in a sea...
1:23:54 > 1:23:57- Uh, Angelica.- OK. Yeah.
1:23:57 > 1:24:00I owe you.
1:24:03 > 1:24:04Go.
1:24:07 > 1:24:12# I will not be beaten
1:24:12 > 1:24:18# You have yet to see me shinin'
1:24:18 > 1:24:20# Shinin'
1:24:20 > 1:24:22# I won't take this
1:24:22 > 1:24:25# Lyin' down... #
1:24:25 > 1:24:27COUNTRY WESTERN PLAYING
1:24:27 > 1:24:30# You're gonna lose her
1:24:30 > 1:24:33# To another guy... #
1:24:33 > 1:24:34BUTTON CLICKS
1:24:34 > 1:24:37'If you've been dumped recently, give us a call at Late Night Talk.
1:24:37 > 1:24:39'Let's go to line one.'
1:24:39 > 1:24:42EASY ROCK INTRO PLAYS
1:24:42 > 1:24:46# There's a million little things I'm gonna miss... #
1:24:46 > 1:24:49HORN HONKING
1:24:49 > 1:24:51What? Pass me.
1:24:51 > 1:24:54HONKING
1:24:54 > 1:24:56Pete! Pete!
1:24:56 > 1:24:58TYRES SQUEALING
1:25:09 > 1:25:11- Are- you OK? Yeah.
1:25:11 > 1:25:14No...oh, no. I meant to do that.
1:25:32 > 1:25:34The...
1:25:36 > 1:25:37He...
1:25:46 > 1:25:48You have five smiles, Pete.
1:25:50 > 1:25:53One when you think someone's an idiot.
1:25:53 > 1:25:57One when you think someone's really an idiot.
1:26:00 > 1:26:04One when you're getting all dressed up.
1:26:04 > 1:26:08One when you're singing Barry White.
1:26:08 > 1:26:10And one...
1:26:10 > 1:26:13when you're looking at me.
1:26:32 > 1:26:35DJ: For all you lovers out there, this one's for you.
1:26:35 > 1:26:39# I welcome you
1:26:39 > 1:26:42# Inside my life
1:26:42 > 1:26:45# Do what you do... #
1:26:45 > 1:26:49I can't believe I'm going to say this, but...
1:26:51 > 1:26:53..would you like to dance?
1:26:55 > 1:26:57Yeah.
1:26:57 > 1:27:02# I never thought I would love again
1:27:02 > 1:27:06# I never thought I'd let somebody else in
1:27:06 > 1:27:09# I never believed it
1:27:09 > 1:27:13# I never thought I could love again
1:27:13 > 1:27:14# No...
1:27:14 > 1:27:18# Never thought I'd let somebody else in
1:27:18 > 1:27:20# Never thought, I never thought, no
1:27:20 > 1:27:27# I never thought I could trust in me, yeah
1:27:27 > 1:27:30# But here I am in love once again
1:27:30 > 1:27:33# Once again
1:27:33 > 1:27:37# Oh, you make me happy
1:27:37 > 1:27:43# So very happy, once again... #
1:28:34 > 1:28:38Subtitles by Red Bee Media Ltd