0:00:02 > 0:00:07This film contains some strong language.
0:00:17 > 0:00:19SEAGULLS SQUAWK
0:00:28 > 0:00:31LAUGHTER AND CHATTER
0:00:34 > 0:00:37MUSIC: The Prettiest Star by David Bowie
0:00:37 > 0:00:40# You've got everything but cold fire
0:00:40 > 0:00:44# You will be my rest and peace, child
0:00:44 > 0:00:50# I moved up to take a place... near you
0:00:50 > 0:00:53# So tired
0:00:53 > 0:00:57# It's the sky that makes you feel tried
0:00:57 > 0:01:00# It's a trick to make you see wide
0:01:00 > 0:01:05# It can all but break your heart
0:01:05 > 0:01:08# In pieces
0:01:08 > 0:01:11# Staying back in your memory
0:01:11 > 0:01:14# Are the movies in the dark
0:01:16 > 0:01:19# How you moved is all it takes
0:01:19 > 0:01:24# To sing a song of when I loved
0:01:24 > 0:01:27# The prettiest star... #
0:01:27 > 0:01:29GUITAR SOLO
0:01:36 > 0:01:38MUSIC STOPS
0:01:38 > 0:01:39HE GASPS
0:01:39 > 0:01:41Come on.
0:01:54 > 0:01:56Come on, you stupid boy!
0:02:13 > 0:02:15OK, now, Charlie.
0:02:15 > 0:02:20I'm going to show you the most beautiful thing in the world.
0:02:20 > 0:02:22- Do you know what it is? - A shoe?
0:02:22 > 0:02:26A lot of people would say it would be an oak tree in spring.
0:02:26 > 0:02:31- It's a shoe.- A lot of people would say a field of woodland flowers.
0:02:31 > 0:02:34- Do you know what I think it is, Charlie?- A shoe.
0:02:34 > 0:02:38I think it's a shoe.
0:02:38 > 0:02:40HE CHUCKLES
0:02:54 > 0:02:57THEY LAUGH
0:03:08 > 0:03:10Every machine.
0:03:10 > 0:03:13You learn how to work every machine, Charlie.
0:03:13 > 0:03:18By the time you're old enough and married and taken over the factory,
0:03:18 > 0:03:22believe me, first thing you'll notice about a person
0:03:22 > 0:03:24is their shoes.
0:03:25 > 0:03:28Come on.
0:03:28 > 0:03:30Whoo-hoo!
0:03:59 > 0:04:03You know, it's funny. It's always struck me that in terms of love,
0:04:03 > 0:04:07strength and attention to detail,
0:04:07 > 0:04:10marriage is pretty much like...
0:04:10 > 0:04:12ALL: A pair of shoes!
0:04:12 > 0:04:13THEY LAUGH
0:04:13 > 0:04:16And today again, I'm not wrong.
0:04:16 > 0:04:18HE STAMPS HIS FEET
0:04:18 > 0:04:21They take you places perhaps you weren't expecting.
0:04:23 > 0:04:26My son, off to London.
0:04:26 > 0:04:30His fiancee being transferred to an even bigger estate agents.
0:04:31 > 0:04:35And Charlie, what have you decided to try your hand at down there?
0:04:36 > 0:04:38Marketing.
0:04:39 > 0:04:42Marketing.
0:04:44 > 0:04:46To my future daughter-in-law.
0:04:49 > 0:04:51And to my wonderful son.
0:04:55 > 0:04:56Charlie!
0:04:56 > 0:04:58ALL: Charlie!
0:05:00 > 0:05:03TRAIN HORN BLARES
0:05:07 > 0:05:10PHONE RINGS
0:05:10 > 0:05:13Ah, Mr Price. Do let me show you around.
0:05:13 > 0:05:17This is the new layout, designed with the young couple in mind.
0:05:17 > 0:05:21As you can see, one good-size bedroom with en-suite shower room.
0:05:21 > 0:05:25And through here, fully furnished lounge.
0:05:25 > 0:05:29Oh, and best of all, Mr Price, best of all...
0:05:31 > 0:05:33DRILLING NOISE AND SIRENS WAIL
0:05:33 > 0:05:35..the view.
0:05:37 > 0:05:41- It's not Northampton! - It's not Northampton.- No!
0:05:41 > 0:05:45# Not Northampton, not Northampton!
0:05:45 > 0:05:47# We're not in Northampton any more. #
0:05:47 > 0:05:49MOBILE RINGS
0:05:49 > 0:05:50Oh!
0:05:50 > 0:05:53# We're going where the sun shines brightly... #
0:05:53 > 0:05:56- Hello? - # We're going where the sky is blue
0:05:56 > 0:05:58# The best thing about London is... #
0:05:58 > 0:05:59Sorry, yeah.
0:05:59 > 0:06:03# No more bloody shoes! #
0:06:03 > 0:06:06Yeah, this is his son.
0:06:06 > 0:06:09MUSIC: Wild Is The Wind by Nina Simone
0:06:10 > 0:06:14# Love me, love me, love me
0:06:14 > 0:06:18# Say you do
0:06:23 > 0:06:28# Let me fly away
0:06:28 > 0:06:31# With you
0:06:32 > 0:06:35# For my love
0:06:35 > 0:06:39# Is like the wind
0:06:40 > 0:06:46# And wild is the wind
0:06:52 > 0:06:56# Give me more
0:06:56 > 0:07:00# Than one caress
0:07:03 > 0:07:06# Satisfy
0:07:06 > 0:07:11# This hungriness
0:07:14 > 0:07:21# Let the wind blow through your heart
0:07:21 > 0:07:25# Daddy, you're spring to me
0:07:27 > 0:07:33# All things...
0:07:33 > 0:07:36# To me. #
0:07:49 > 0:07:50DOOR BANGS OPEN
0:07:50 > 0:07:56- Mr Price! He'd have been proud of you coming back, Mr Price.- Charlie.
0:07:56 > 0:08:01Price Factory has to have a Mr Price, Mr Price.
0:08:03 > 0:08:05George...
0:08:15 > 0:08:17HE SIGHS
0:08:27 > 0:08:29(Bugger!)
0:08:42 > 0:08:44Erm,...
0:08:45 > 0:08:47Dad always used to say that...
0:08:47 > 0:08:49INAUDIBLE
0:08:49 > 0:08:50MUTED LAUGHTER
0:08:50 > 0:08:54And, in a sense...
0:08:54 > 0:08:56INAUDIBLE
0:08:57 > 0:08:59He hasn't pressed the button.
0:08:59 > 0:09:00THEY CHUCKLE
0:09:00 > 0:09:04- ..my heart is... - Press the red button.
0:09:07 > 0:09:08MICROPHONE FEEDBACK
0:09:08 > 0:09:10THEY GROAN
0:09:12 > 0:09:14'That was a good start(!)'
0:09:14 > 0:09:15LAUGHTER
0:09:15 > 0:09:17HE SIGHS
0:09:17 > 0:09:19Right.
0:09:21 > 0:09:23HE COUGHS
0:09:25 > 0:09:27HE STAMPS HIS FEET
0:09:27 > 0:09:32I'm not my dad, OK? You shouldn't expect that.
0:09:32 > 0:09:36But I have spent my life with each one of you at some point,
0:09:36 > 0:09:39training on these machines.
0:09:41 > 0:09:43- I was bloody useless!- Too right.
0:09:43 > 0:09:45THEY LAUGH
0:09:45 > 0:09:46Thanks, Don.
0:09:48 > 0:09:54Listen, Dad believed there would always be a place for craftsmanship.
0:09:54 > 0:09:58Whether you realise it or not, that is what you all are...
0:09:58 > 0:10:01craftsmen.
0:10:01 > 0:10:04So let's make shoes!
0:10:06 > 0:10:07THEY MUTTER
0:10:07 > 0:10:09"Let's make shoes?!"
0:10:09 > 0:10:11BUZZING
0:10:14 > 0:10:17- Oh!- Oh!
0:10:17 > 0:10:21Don't worry, love. Don't get it on your jacket. I'll get some roll.
0:10:59 > 0:11:03Pat, what order is the company working on at the moment?
0:11:03 > 0:11:05It's a big one, love.
0:11:05 > 0:11:08Chambers Wholesale. Why?
0:11:18 > 0:11:20What the hell was he playing at?!
0:11:20 > 0:11:23I mean, why didn't he...?
0:11:23 > 0:11:26Why did he carry on making them?
0:11:26 > 0:11:28This happened before.
0:11:28 > 0:11:321992. Customer went into receivership
0:11:32 > 0:11:35and your dad got stuck with 600 Oxfords.
0:11:35 > 0:11:39- And?- Bill Sampson in London took 'em at cost.
0:11:40 > 0:11:42HE SIGHS
0:11:45 > 0:11:48Right, Pat, I'm going to London.
0:11:59 > 0:12:03See, Harry, I just happened to find myself 1,200 pairs of brogues.
0:12:03 > 0:12:07I know a few years back your dad took some at cost off my dad and I...
0:12:07 > 0:12:11Yeah, but that was a few years back, Charlie. Things have changed a bit.
0:12:11 > 0:12:16Look, I'll tell you what, I'll take 200 pairs off your hands
0:12:16 > 0:12:19for old times' sake. Hey, and this hurts,
0:12:19 > 0:12:22being a Forest fan, giving charity to a Northampton...
0:12:22 > 0:12:27I mean, when I say "charity", I'm not, er,... you know...
0:12:29 > 0:12:32Imported from Slovakia. Do you want to know how much?
0:12:35 > 0:12:39Harry! A Price's shoe will last a man a lifetime.
0:12:39 > 0:12:43- The poor sod who buys these will be buy new ones in ten months.- I know.
0:12:43 > 0:12:45And isn't that great?
0:12:46 > 0:12:48HE SIGHS
0:12:53 > 0:12:56Spare some change, guv?
0:12:57 > 0:12:59Here.
0:13:00 > 0:13:02This is a Price's shoe.
0:13:02 > 0:13:05It'll last a man a lifetime.
0:13:07 > 0:13:09Got it in a size ten?
0:13:09 > 0:13:11BOTTLE SMASHES
0:13:11 > 0:13:14Slow yourself down a bit, will ya?
0:13:23 > 0:13:25LAUGHTER
0:13:25 > 0:13:26Come here!
0:13:28 > 0:13:31- Come on, Princess! - Where's the fire, love?
0:13:31 > 0:13:32HE LAUGHS
0:13:32 > 0:13:36- Whoa!- Where do you think you're going, you silly cow?!
0:13:36 > 0:13:39- We're not going to hurt you. - All right, lads?
0:13:40 > 0:13:41Oof!
0:13:41 > 0:13:44HE LAUGHS
0:13:44 > 0:13:48Hey, easy, love, easy!
0:13:48 > 0:13:53- We should just leave her alone now, don't you think?- Come on, then!
0:13:53 > 0:13:55- Don't you? - What are you going to do?
0:13:58 > 0:13:59HE LAUGHS
0:13:59 > 0:14:01Whoa!
0:14:58 > 0:15:00HE GROANS
0:15:00 > 0:15:04- MAN'S VOICE: - Very sweet, you riding to my rescue.
0:15:04 > 0:15:08Very...Prince Charming.
0:15:08 > 0:15:10Pass me my boobs, will ya?
0:15:16 > 0:15:19You didn't look like you needed much rescuing.
0:15:19 > 0:15:23Well, a girl has to know how to look after herself these days.
0:15:23 > 0:15:28- There are some very funny people out there.- Yeah.
0:15:29 > 0:15:32- How's that wound? Let's have a look. - Get off!
0:15:32 > 0:15:34HE LAUGHS
0:15:34 > 0:15:37Don't flatter yourself.
0:15:37 > 0:15:41Vodka. Helps you forget pain.
0:15:41 > 0:15:44Well, it does me.
0:15:52 > 0:15:54HE COUGHS
0:15:54 > 0:15:59- Oh!- God! Clean off again!
0:15:59 > 0:16:03Like most things in life, it cannot stand the weight of a man.
0:16:04 > 0:16:07Here we go. Oh, God!
0:16:07 > 0:16:09Er, hold on.
0:16:13 > 0:16:15HE CHUCKLES
0:16:17 > 0:16:19Oh!
0:16:19 > 0:16:24Thank you again, Mr... Sorry to be presumptive. Are you a Mr?
0:16:24 > 0:16:27I'm a Charlie, from Northampton.
0:16:27 > 0:16:30Well, I rather thought you might be.
0:16:41 > 0:16:44Hmm...
0:16:46 > 0:16:49DISTANT CHEERING AND APPLAUSE
0:16:57 > 0:17:00LAUGHTER
0:17:00 > 0:17:02Hmm...
0:17:09 > 0:17:12# Prim and proper
0:17:12 > 0:17:14# A girl who's never been kissed
0:17:14 > 0:17:18# I'm tired of being pure
0:17:18 > 0:17:20# And not chased
0:17:20 > 0:17:24# Like something that seeks its level
0:17:25 > 0:17:27# I wanna go to the devil
0:17:27 > 0:17:29# I wanna be evil!
0:17:29 > 0:17:31# I wanna spit tacks
0:17:31 > 0:17:33# I wanna be evil
0:17:33 > 0:17:35# And cheat at jacks
0:17:35 > 0:17:37# I wanna be wicked
0:17:37 > 0:17:39# I wanna tell lies
0:17:39 > 0:17:41# I wanna be mean
0:17:41 > 0:17:44# And throw my pies
0:17:44 > 0:17:46# I want to wake up in the morning
0:17:46 > 0:17:48# With that dark brown taste
0:17:48 > 0:17:52# I wanna see some dissipation in my face
0:17:52 > 0:17:54# I wanna be evil
0:17:54 > 0:17:56# I wanna be mad
0:17:56 > 0:17:58# But more than that
0:17:58 > 0:18:01# I wanna be bad
0:18:01 > 0:18:03# I wanna be evil and trump an ace... #
0:18:03 > 0:18:04AUDIENCE WHOOPS
0:18:04 > 0:18:06# Just to see
0:18:06 > 0:18:09# My partner's face
0:18:09 > 0:18:11# I wanna be nasty
0:18:11 > 0:18:13# I wanna be cruel
0:18:13 > 0:18:15# I wanna be daring
0:18:15 > 0:18:17# I wanna shoot pool
0:18:17 > 0:18:20# And in the theatre
0:18:20 > 0:18:22# I want to change my seat
0:18:22 > 0:18:25# Just so I can step on everybody's feet. #
0:18:27 > 0:18:29MACHINERY WHIRS
0:18:44 > 0:18:47- Oh, no! - Trish, the thing is...
0:18:47 > 0:18:49Please, please!
0:18:49 > 0:18:53They just started school. They just started school this month, Charlie.
0:18:53 > 0:18:57This is the uniforms, love. This is the dinners.
0:18:57 > 0:19:00We lost the contract with Chambers, Trish.
0:19:00 > 0:19:05- The thing is, we lost the contract with Chambers...- Actually, don't.
0:19:05 > 0:19:10This is like apologies for your late train. It doesn't mean anything.
0:19:10 > 0:19:13- It's not like that. - I'd rather not hear it.
0:19:13 > 0:19:16I do mean it!
0:19:29 > 0:19:33Bernard Caley, come up here, please.
0:19:33 > 0:19:36This is not what I want, Bernie.
0:19:36 > 0:19:40I don't want to be sitting here doing this,
0:19:40 > 0:19:44but, you know, nine out of ten shoe factories are shut down.
0:19:46 > 0:19:49What can I do?
0:19:58 > 0:20:01I am sorry it's come to this, Anthony.
0:20:01 > 0:20:03Daphne. Janice.
0:20:03 > 0:20:06- Derek?- Eric.- Eric.
0:20:12 > 0:20:15- What can I do? ..do? ..do? ..do? - Change the product.
0:20:15 > 0:20:18- Sorry?- Like Liptons.
0:20:18 > 0:20:22Start making equestrian boots. Browns, they're making...
0:20:22 > 0:20:26Oh, whatever! Climbing boots. All them other sods,
0:20:26 > 0:20:29they went looking for their niche markets.
0:20:29 > 0:20:33They just didn't sit back in their offices going, "What can I do?!"
0:20:36 > 0:20:38I'm sorry.
0:20:41 > 0:20:45I was just really, really looking forward to a Chinese tonight.
0:20:46 > 0:20:49Now I'm not sure if I can afford it.
0:21:05 > 0:21:11In a sense, it was lucky they hadn't got round to advertising your job.
0:21:11 > 0:21:13Yeah, lucky.
0:21:14 > 0:21:17- Listen, Nic...- Oh, wow!
0:21:17 > 0:21:21That's the kind of shoe, isn't it? Don't you think?!
0:21:21 > 0:21:23- What? - For the wedding, at the altar.
0:21:23 > 0:21:27- Is that the kind of thing you were thinking of?- Yeah.
0:21:27 > 0:21:30On my foot. It needs to be a Jimmy Choo, doesn't it? To work...
0:21:30 > 0:21:34- Or a Manolo.- We might have to think about the wedding, Nic.
0:21:34 > 0:21:37- Hmm? - Not the "wedding" wedding,
0:21:37 > 0:21:42but it doesn't have to be all live band and shoes at the altar.
0:21:42 > 0:21:48Does it? At the end of the day, it's about the two of us, isn't it?
0:21:51 > 0:21:55I've made 15 people redundant today, Nic.
0:22:17 > 0:22:20GLASS BREAKS AND LAUGHTER
0:22:24 > 0:22:26LAUGHTER
0:22:45 > 0:22:47- Lauren.- Oh...
0:22:47 > 0:22:50Lauren, you haven't heard what I was going to say!
0:22:50 > 0:22:54Does it involve the words "job back"?
0:22:54 > 0:22:55Potentially.
0:22:55 > 0:22:56TRAIN HORN BLARES
0:23:00 > 0:23:02CHEERING
0:23:02 > 0:23:04OK, brace yourself.
0:23:04 > 0:23:07Ladies, gentlemen,
0:23:07 > 0:23:11and those who are yet to make up your mind.
0:23:11 > 0:23:13MUSIC STARTS
0:23:16 > 0:23:18# Whatever Lola wants
0:23:20 > 0:23:23# Lola gets
0:23:23 > 0:23:28# And, little man, little Lola wants you
0:23:28 > 0:23:33- # Make up your mind to have - # Mind to have
0:23:33 > 0:23:36- # No regrets - # No regrets
0:23:36 > 0:23:40# Recline yourself, resign yourself, you're through
0:23:41 > 0:23:44# I always get
0:23:45 > 0:23:48# What I aim for
0:23:48 > 0:23:51# And your heart and soul
0:23:51 > 0:23:55# Is what I came for
0:23:55 > 0:23:59- # Whatever Lola wants - # Lola wants
0:23:59 > 0:24:01- # Lola gets - # Lola gets
0:24:01 > 0:24:03# Take off your coat
0:24:03 > 0:24:08- # Don't you know you can't win? - # Can't win, you'll never, never win
0:24:08 > 0:24:11# You're no exception to the rule
0:24:11 > 0:24:14# I'm irresistible, you fool
0:24:14 > 0:24:17# Give in. #
0:24:24 > 0:24:27Lola!
0:24:28 > 0:24:31SHE LAUGHS
0:24:39 > 0:24:42All me, sweetheart. I design everything in that club.
0:24:42 > 0:24:44It's my costumes, my lighting,
0:24:44 > 0:24:47my dancers, my show, love.
0:24:47 > 0:24:48HE LAUGHS
0:24:48 > 0:24:53I mean, it's me. Bit of a dark horse, your boyfriend.
0:24:53 > 0:24:55Oh, he's my boss.
0:24:55 > 0:24:58Well, he was my boss. I got laid off.
0:24:58 > 0:25:01But now he seems to think I'm his business analyst or...
0:25:01 > 0:25:05Excuse Charlie. We don't have many transvestites in Northampton.
0:25:05 > 0:25:08I'm not merely a transvestite, sweetheart.
0:25:08 > 0:25:11I'm also a drag queen. It's a simple equation.
0:25:11 > 0:25:14A drag queen puts on a frock - looks like Kylie.
0:25:14 > 0:25:17A transvestite puts on a frock -
0:25:17 > 0:25:21looks like Boris Yeltsin in lipstick.
0:25:21 > 0:25:23Ta.
0:25:23 > 0:25:28Whatever. You're never more than ten feet away from a transvestite.
0:25:30 > 0:25:33You made her redundant, you miserable sod!
0:25:34 > 0:25:37- Things aren't very good in men's shoes.- No.
0:25:37 > 0:25:42- I'm not, certainly! - Yes, precisely.
0:25:42 > 0:25:45How much do you weigh?
0:25:46 > 0:25:49- The right amount. How much do you drink?- Oh.
0:25:49 > 0:25:54I mean, erm, they're women's boots, aren't they, that you buy?
0:25:54 > 0:25:58You have to buy women's boots because you...
0:26:00 > 0:26:04You see, the distribution of pressure in the conventional female heel
0:26:04 > 0:26:07cannot be expected to support a man's weight
0:26:07 > 0:26:10and if trans...
0:26:10 > 0:26:13you know, whatevers, drag queens are everywhere,
0:26:13 > 0:26:15like you said, then...
0:26:15 > 0:26:21Not in a, oooh, living-dead kind of way, but...
0:26:21 > 0:26:25Then do you think there is a niche market
0:26:25 > 0:26:30for proper, good, decent, built-to-last boots
0:26:30 > 0:26:32for women...
0:26:32 > 0:26:34that are men?
0:26:37 > 0:26:40All this way for my advice. I feel like Oprah.
0:26:40 > 0:26:45I'd like to measure your foot, go home, make a pair.
0:26:50 > 0:26:52HE SIGHS
0:27:14 > 0:27:18Who gets to keep the boots? A little warning...
0:27:18 > 0:27:22..the answer is, "You do, Lola."
0:27:22 > 0:27:24You do, Lola.
0:27:24 > 0:27:28Where do I can to pick it up? Price's of Northampton, is it?
0:27:28 > 0:27:30Yeah, but I'll come to you.
0:27:30 > 0:27:34Oh, no. As they say, a good pair of boots is worth walking for.
0:27:34 > 0:27:38No, you see, I come here all the time and, er...
0:27:38 > 0:27:42- I'll come to you.- Right.
0:27:44 > 0:27:45HE COUGHS
0:27:45 > 0:27:47Erm, look behind you.
0:27:47 > 0:27:49What? What is it?
0:27:49 > 0:27:52It's your niche market, Charlie.
0:27:55 > 0:27:57Big niche.
0:28:26 > 0:28:28Ladies, gentlemen,
0:28:28 > 0:28:32and those of you who are yet to make up your mind,
0:28:32 > 0:28:34our very own Lola!
0:28:34 > 0:28:36MUSIC STARTS
0:28:36 > 0:28:37CHEERING
0:28:43 > 0:28:45# He walked into my life
0:28:47 > 0:28:50# And now he's taking over
0:28:52 > 0:28:54# And it's beautiful
0:28:54 > 0:28:56# Mmm!
0:28:56 > 0:28:59# Yes, it's beautiful
0:28:59 > 0:29:03# I've gone with better-looking guys
0:29:04 > 0:29:08# He's gone with prettier-looking girls
0:29:09 > 0:29:11# But now we're beautiful
0:29:12 > 0:29:15# I think we're beautiful
0:29:17 > 0:29:20# I don't need love affairs
0:29:20 > 0:29:24- # Any more - # Love affairs no more
0:29:24 > 0:29:28# I don't need love affairs
0:29:28 > 0:29:30# Any more
0:29:33 > 0:29:38# Can't you see it's the chemistry? You really must agree
0:29:38 > 0:29:44- # Together we are beautiful - # Beautiful
0:29:44 > 0:29:46# We are beautiful. #
0:30:07 > 0:30:09ZIPPER CLOSES
0:30:19 > 0:30:21Well?
0:30:28 > 0:30:31I was thinking, er, you should,...
0:30:31 > 0:30:37if you haven't got anything else on, that maybe you could come back to...
0:30:39 > 0:30:42To your house?
0:30:43 > 0:30:46The factory.
0:30:48 > 0:30:51I'm going to need someone on the Web to research markets
0:30:51 > 0:30:55and...if Pat got on some of those websites, she'd have a heart attack!
0:30:55 > 0:30:57Yeah.
0:30:57 > 0:31:00Besides, you started it, being in that strop.
0:31:00 > 0:31:03Oh, well, I mean, I just had the strop, Charlie.
0:31:03 > 0:31:06You saw the idea.
0:31:06 > 0:31:10And that is why some of us end up with our names above the factories
0:31:10 > 0:31:13and others just on the clocking-in cards.
0:31:15 > 0:31:17Right.
0:31:17 > 0:31:20Well, as someone with their name on a factory,
0:31:20 > 0:31:24can I invite you to have your name on one of my clocking-in cards?
0:31:28 > 0:31:30CHEERING AND APPLAUSE
0:31:33 > 0:31:35They say... Calm down.
0:31:35 > 0:31:38Whatever life throws at you, whatever emotions you could feel,
0:31:38 > 0:31:41somebody has written a song about it.
0:31:41 > 0:31:43Now I hope that's true,
0:31:43 > 0:31:47but until somebody writes a song called, No-one Stays Young Forever
0:31:47 > 0:31:51And One Day I Hope You Get Dumped For A Younger Model,
0:31:51 > 0:31:54- I'll just sing you Memories! - Show us your tits!
0:31:54 > 0:31:57CHEERING
0:31:57 > 0:31:59Certainly. Ladies and gentlemen, there they are!
0:31:59 > 0:32:01Give them a round of applause.
0:32:01 > 0:32:03THEY CHEER
0:32:05 > 0:32:08Are they as wrinkly as your arms, love?!
0:32:08 > 0:32:09THEY LAUGH
0:32:09 > 0:32:12'Yeah, good one!'
0:32:12 > 0:32:14I have to... I have to tell you, sweetheart,
0:32:14 > 0:32:19my breasts are as smooth and beautiful as the day I bought them.
0:32:19 > 0:32:20CHEERING
0:32:20 > 0:32:23'Get yourself a refund!'
0:32:23 > 0:32:25SHOUTING AND CHEERING
0:32:25 > 0:32:27HE SIGHS
0:32:29 > 0:32:32That was so bitchy, wasn't it?
0:32:37 > 0:32:39Bastard!
0:32:39 > 0:32:41Oh!
0:33:10 > 0:33:13DISTANT CHATTER
0:33:29 > 0:33:32MUSIC: In These Shoes by Kirsty MacColl
0:33:35 > 0:33:38Aye!
0:33:38 > 0:33:41- Forget it, Don, out of your league. - Na.
0:33:41 > 0:33:45You seem to forget, women get turned on by the sight of the working man.
0:33:55 > 0:33:58- Morning, Charlie!- Lola.
0:33:59 > 0:34:01Come in.
0:34:01 > 0:34:04Er, sorry it's a bit messy. We, erm...
0:34:05 > 0:34:08I thought we agreed I'd come to London.
0:34:08 > 0:34:10I have to warn you, Charlie,
0:34:10 > 0:34:14I have a habit of doing exactly the opposite of what people want.
0:34:14 > 0:34:18In fact, some might say that attempts to make a man out of me,
0:34:18 > 0:34:21is exactly the reason that I now wear a frock.
0:34:21 > 0:34:25- If, therefore, I get the feeling somebody didn't want me here...- No.
0:34:25 > 0:34:29I can tell from years of experience when I'm being smuggled in.
0:34:30 > 0:34:34- That's the rough-stuff room. - Is it?!- It's where we dump off-cuts
0:34:34 > 0:34:38- and misshapes.- I wondered why I was being drawn to it.
0:34:38 > 0:34:40- Pardon?- Nothing.
0:34:40 > 0:34:42I'll raise that.
0:34:48 > 0:34:50Hmm?
0:34:50 > 0:34:51SIREN WAILS
0:34:51 > 0:34:52Oh!
0:34:52 > 0:34:53HE LAUGHS
0:34:53 > 0:34:55George.
0:34:55 > 0:34:56Listen, Mel,
0:34:56 > 0:35:02- when it comes to attracting women, some men don't have to speak.- Ha!
0:35:06 > 0:35:08This is cosy.
0:35:25 > 0:35:27Here we are.
0:35:36 > 0:35:38Well?
0:35:47 > 0:35:49What do you think?
0:35:58 > 0:36:00Burgundy...
0:36:01 > 0:36:06Please, God, tell me I have not inspired something burgundy!
0:36:09 > 0:36:12Red.
0:36:14 > 0:36:16Red.
0:36:17 > 0:36:20Red!
0:36:20 > 0:36:22Red, Charlie boy!
0:36:22 > 0:36:23PA WHINES
0:36:23 > 0:36:27Rule one - red is the colour of sex!
0:36:27 > 0:36:32Burgundy is the colour of hot-water bottles! Red is sex and fear
0:36:32 > 0:36:37and danger and signs that say, "Do-not-enter"!
0:36:37 > 0:36:40'All of my favourite things in life.'
0:36:40 > 0:36:44- Who's that?!- He's got your new girlfriend in there.
0:36:44 > 0:36:46- They're comfy.- Comfy?!
0:36:46 > 0:36:49Sex shouldn't be comfy!
0:36:49 > 0:36:52Thank God, I thought it was just me.
0:36:52 > 0:36:53THEY LAUGH
0:36:53 > 0:36:57I don't know what you're used to making, but now you're making sex!
0:36:57 > 0:37:002½ feet of irresistible, tubular sex!
0:37:00 > 0:37:05- The heel! For God's sake!- It won't break. That's what you wanted.
0:37:05 > 0:37:09- Not if I'm looking like a Ukrainian peasant!- It's better than...
0:37:09 > 0:37:14You want to show your niche market a little more respect, Charlie boy.
0:37:14 > 0:37:17- I mean, let's ask your girls. - No!
0:37:17 > 0:37:20- Girls, would you wear this to go out?- GIRLS: No!
0:37:20 > 0:37:24- I bet you'd look all right in them, sweetheart!- Ooh!
0:37:26 > 0:37:28You've pulled.
0:37:32 > 0:37:35Oh, yeah...
0:37:37 > 0:37:39Ladies.
0:37:43 > 0:37:45Oh...
0:37:53 > 0:37:56- Ooh! - Well, I'm very flattered,
0:37:56 > 0:38:00but frankly, if you can't get women to wear 'em...
0:38:00 > 0:38:04- DEEP VOICE:- ..you'll never get blokes like me to wear 'em.
0:38:04 > 0:38:07SNIGGERING
0:38:10 > 0:38:12Oh!
0:38:14 > 0:38:16'Oh!'
0:38:16 > 0:38:19- 'Oh!' - Do we still have a workforce?
0:38:19 > 0:38:23Don'll come around, once he's stopped, er...
0:38:23 > 0:38:25DISTANT SHOUTING
0:38:25 > 0:38:27..walking up and down, swearing.
0:38:27 > 0:38:32- That's his problem.- No, it's our problem, Lola. This is Northampton.
0:38:32 > 0:38:35You have no idea what it's like. It's not Soho!
0:38:35 > 0:38:37Amen.
0:38:39 > 0:38:42Look to the heel, young man.
0:38:45 > 0:38:49The sex is in the heel.
0:38:58 > 0:39:00What's that supposed to mean?
0:39:00 > 0:39:04"Sex is in the heel."
0:39:04 > 0:39:08Stilettos require constant balance from the upper leg,
0:39:08 > 0:39:12causing the muscles of the backside to tense and appear pert
0:39:12 > 0:39:15and ready for mating.
0:39:16 > 0:39:21It's physically impossible. I mean, am I missing something?
0:39:21 > 0:39:24To make a stiletto, something that thin,
0:39:24 > 0:39:27- bear the weight of a man is just... - Steel shank.
0:39:27 > 0:39:29What?
0:39:29 > 0:39:32A steel shank cut thinly,
0:39:32 > 0:39:37then moulded in a continuous section
0:39:37 > 0:39:39from toe to heel, without pinning.
0:39:39 > 0:39:42Not even Don would crush that.
0:39:45 > 0:39:48Lola!
0:39:49 > 0:39:53Lola, we might be able to do it. Steel shanks without underpinning.
0:39:53 > 0:39:56We might be able to make those boots,
0:39:56 > 0:40:01- if you were willing to...- Don would have something to say about that.
0:40:01 > 0:40:05I gave up the provinces and I've just been reminded why.
0:40:05 > 0:40:07Lola doesn't do North.
0:40:07 > 0:40:11- Northampton's the Midlands. - No, Tottenham Court Road is.
0:40:11 > 0:40:15If you'll excuse me, I have a show tonight.
0:40:15 > 0:40:19I'm stood here trying to save a factory of four generations -
0:40:19 > 0:40:23- my father, his father's father - - Tell me when it applies to me.
0:40:23 > 0:40:27Now it applies to you! I'm about to take an almighty fucking gamble
0:40:27 > 0:40:32and in one afternoon, one drawing, you've said more about boots than...
0:40:32 > 0:40:36I just... Five weeks, Lola. That's it.
0:40:36 > 0:40:40If I don't have a new collection for the Milan shoe fair in five weeks,
0:40:40 > 0:40:43I'm going to have to sell the place.
0:40:43 > 0:40:45HE SIGHS
0:40:45 > 0:40:48All right, I'll tell you what, don't hang around.
0:40:48 > 0:40:50It's never going to apply to you.
0:40:50 > 0:40:54What you don't realise, Lola,
0:40:54 > 0:40:57is this is not my world either.
0:40:59 > 0:41:01CAR ENGINE STARTS
0:41:02 > 0:41:05Where are you going, darling?
0:41:05 > 0:41:07By the sound of it,...
0:41:08 > 0:41:11..Milan.
0:41:14 > 0:41:15THEY CHATTER
0:41:15 > 0:41:17..A packet of satsumas.
0:41:31 > 0:41:33I see this as a very positive step
0:41:33 > 0:41:37for a company who spent last century making a range of shoes for men,
0:41:37 > 0:41:40to start the next century making shoes for...
0:41:41 > 0:41:43..a range of men.
0:41:43 > 0:41:46Any questions?
0:41:51 > 0:41:53DISTANT BUZZING
0:41:55 > 0:41:58BUZZING GROWS LOUDER
0:41:58 > 0:42:00Oh, sorry, love. Sorry.
0:42:00 > 0:42:04- I thought you said you were going into work at nine.- No, I did. I was.
0:42:04 > 0:42:06I am.
0:42:06 > 0:42:09Sorry.
0:42:23 > 0:42:25Don!
0:42:38 > 0:42:41Have you got any toilets down here?
0:42:41 > 0:42:45I'm afraid we've only got men's and women's.
0:42:48 > 0:42:51Charlie, she's locked herself in the loo.
0:42:51 > 0:42:53- What? - Come on!
0:42:55 > 0:42:59- Right, go in there, tell her... - No, the gents' loo.
0:42:59 > 0:43:01Right.
0:43:02 > 0:43:06What's up, Mum? Hmm?
0:43:13 > 0:43:15Lola, it's Charlie.
0:43:15 > 0:43:17Are you OK?
0:43:20 > 0:43:24- Are you ill?- Yeah, I'm sick.
0:43:24 > 0:43:26Ask your boys.
0:43:26 > 0:43:28Oh, is this Don?
0:43:28 > 0:43:31HE SIGHS
0:43:31 > 0:43:33Oh, has he nicked your dress?!
0:43:33 > 0:43:35I came like this.
0:43:37 > 0:43:39God!
0:43:40 > 0:43:45Put on a frock and I can sing Stand By Your Man in front of 500 people.
0:43:45 > 0:43:49Put on a pair of jeans and I can't even sodding well say hello.
0:43:50 > 0:43:52I have to say,
0:43:52 > 0:43:55I was going to suggest dressing down.
0:43:59 > 0:44:02Well, thank you for your concern.
0:44:06 > 0:44:08THEY MUTTER
0:44:08 > 0:44:11- Sh. - 'Come on, tell me.'
0:44:11 > 0:44:15- Boxer.- Get out of here!- I'm serious.
0:44:15 > 0:44:18Yeah, he had me doing training, weights...
0:44:18 > 0:44:21I could bench-press 93 kilos.
0:44:21 > 0:44:25I owe all my spectacular muscle definition to my father.
0:44:25 > 0:44:28And he never... The wearing frocks...
0:44:28 > 0:44:30He wasn't stupid.
0:44:30 > 0:44:32He knew there'd be very few
0:44:32 > 0:44:36cross-dressing heavyweight champions of the world.
0:44:37 > 0:44:41No, he disowned me.
0:44:42 > 0:44:44Wouldn't see me.
0:44:49 > 0:44:52Even when he got lung cancer, he wouldn't.
0:44:57 > 0:45:00It's ironic, really.
0:45:03 > 0:45:05Fags got him in the end.
0:45:05 > 0:45:08HE LAUGHS
0:45:08 > 0:45:10IMITATES DRUM ROLL
0:45:10 > 0:45:12THEY MUTTER
0:45:12 > 0:45:16I mean, that's what it was all about - fitting in,
0:45:16 > 0:45:20melding in, not standing out.
0:45:21 > 0:45:25As far as he was concerned, if you're big, black and a boxer,
0:45:25 > 0:45:27then you are sorted.
0:45:27 > 0:45:30If you're big and you're black and you're in a...
0:45:30 > 0:45:35you know, strapless cocktail dress, that's not so good.
0:45:35 > 0:45:37That's what my dad wanted an' all.
0:45:37 > 0:45:40- A strapless cocktail dress?- No.
0:45:40 > 0:45:41THEY LAUGH
0:45:41 > 0:45:44For me to fit in to this place.
0:45:44 > 0:45:47You know, it should be me that's hiding in here, not you.
0:45:47 > 0:45:51I'm the one who doesn't know what he's doing.
0:45:51 > 0:45:54It would kill him to hear me say that, too.
0:45:54 > 0:45:57Although, he probably knew and that's probably what did.
0:46:01 > 0:46:03Well...
0:46:05 > 0:46:09..perhaps we just have to pretend we do know what we're doing.
0:46:10 > 0:46:13Charlie from Northampton,
0:46:13 > 0:46:16Simon from Clacton.
0:46:22 > 0:46:25Come on, let's make boots.
0:46:25 > 0:46:27All right then, everybody.
0:46:27 > 0:46:28THEY MUTTER
0:46:28 > 0:46:31MUSIC: Mr Big Stuff by Lyn Collins
0:46:31 > 0:46:34# Oh, yeah!
0:46:37 > 0:46:40# Mr Big Stuff, who do you think you are?
0:46:40 > 0:46:42# Mr Big Stuff
0:46:42 > 0:46:45# You're never gonna get my love
0:46:45 > 0:46:50# Not because you wear all those fancy clothes
0:46:50 > 0:46:54# And drive a big, fine car, oh, yes, you do now
0:46:54 > 0:46:58# Do you think I can afford to give you my love?
0:46:58 > 0:47:02# You think you're higher than every star above
0:47:02 > 0:47:07# Mr Big Stuff, tell me, tell me, who do you think you are?
0:47:07 > 0:47:11# Mr Big Stuff, you're never gonna get my love
0:47:11 > 0:47:14# Oh, yeah!
0:47:16 > 0:47:20- # Mr Big Stuff... # - Cover me, girls. I'm going in.
0:47:20 > 0:47:24# Mr Big Stuff, tell me, tell me, who do you think you are?
0:47:24 > 0:47:26# Mr Big Stuff
0:47:26 > 0:47:29# You're never gonna get my love
0:47:29 > 0:47:32# Hey!
0:47:32 > 0:47:36# Whoa, yeah! Whoo! #
0:47:36 > 0:47:40Oh! For fu...
0:49:06 > 0:49:08INAUDIBLE
0:49:16 > 0:49:21# While tearing off a game of golf
0:49:21 > 0:49:25# I might make a play for the caddie
0:49:26 > 0:49:31# But when I do, I don't follow through
0:49:31 > 0:49:35# Cos my heart belongs to Daddy
0:49:35 > 0:49:39# If I invite
0:49:39 > 0:49:41# A boy some night
0:49:41 > 0:49:45# To dine on my fine finnan haddie
0:49:45 > 0:49:48# Though I just adore
0:49:48 > 0:49:51# His asking for more
0:49:51 > 0:49:54# But my heart belongs
0:49:54 > 0:49:57# To Daddy. #
0:49:58 > 0:50:00It's where you applaud, Charlie.
0:50:12 > 0:50:15Didn't you, er, have a show tonight?
0:50:15 > 0:50:17Sore throat.
0:50:17 > 0:50:19# But my heart... #
0:50:19 > 0:50:21HE COUGHS
0:50:25 > 0:50:29You know, you don't have to work in the rough-stuff room.
0:50:29 > 0:50:32Oh, but I feel at home here.
0:50:32 > 0:50:35They're my friends.
0:50:35 > 0:50:40One never knows what joy one might find amongst the unwanted...
0:50:44 > 0:50:47..and abandoned.
0:50:58 > 0:51:01Charlie boy.
0:51:07 > 0:51:09- Oh.- Aw!
0:51:10 > 0:51:13Morning, stranger.
0:51:14 > 0:51:17- Thank you.- Nic, er, look... About last night.
0:51:17 > 0:51:22- Hmm?- Things got a little crazy at work. It won't always be like that,
0:51:22 > 0:51:25- I promise. No, really, it won't be. - OK.
0:51:25 > 0:51:28And, erm...
0:51:28 > 0:51:31See, I think I've found a solution for the factory.
0:51:31 > 0:51:35Well, that makes two of us. Come on.
0:51:35 > 0:51:36KNOCK ON DOOR
0:51:36 > 0:51:38One second, Mrs Cobb.
0:51:43 > 0:51:46God... Come in!
0:51:49 > 0:51:51- There we go.- Thank you.
0:51:51 > 0:51:56- And the room's all right for you, love, is it?- It's absolutely lovely.
0:51:56 > 0:52:00Yes, lots of, erm,... lots of trinkets.
0:52:00 > 0:52:04Ah, now the little pottery shoes, they're good luck, you see?
0:52:04 > 0:52:07You know, like Whitby has lucky glass ducks.
0:52:07 > 0:52:10Northampton has lucky pottery shoes.
0:52:10 > 0:52:14Can I just ask, are you a man?
0:52:15 > 0:52:18- I am, love, yes. - Ah, that's fine.
0:52:18 > 0:52:23Just so that I know how to leave the toilet seat. I'll get some biscuits.
0:52:36 > 0:52:38BUZZING
0:52:50 > 0:52:52Mr Price.
0:52:52 > 0:52:56- Charlie, this is Richard Bailey. - Sorry to hear about your dad.
0:52:56 > 0:52:58Shall we?
0:52:58 > 0:53:01The beauty is the building.
0:53:01 > 0:53:04For us developers, it's more a case of what we don't do.
0:53:04 > 0:53:08- Isn't it?- And if you look in here, you will see...
0:53:08 > 0:53:10the bedroom.
0:53:21 > 0:53:24So, what do you think?
0:53:24 > 0:53:26Er...
0:53:26 > 0:53:29I mean, one day, Nic, if this is what you want, but...
0:53:29 > 0:53:33Isn't it slightly out of our price range?
0:53:38 > 0:53:41Not all buildings deserve a second life, Mr Price.
0:53:41 > 0:53:45Factories like this, like yours,
0:53:45 > 0:53:47they're special.
0:53:50 > 0:53:52Sorry?
0:53:52 > 0:53:56Are you under the illusion that Price's is for sale?
0:53:58 > 0:54:02Look, I know you're trying to help, but I'll make you this promise...
0:54:02 > 0:54:06- Is this a promise like the Jimmy-Choo-shoes promise?- Hang on.
0:54:06 > 0:54:10- You're talking about the history of my family.- This is the future here.
0:54:10 > 0:54:12I don't know, Nicola, is it?
0:54:12 > 0:54:16- If I can't get you to summon up some faith and...- OK, give me it, Charlie.
0:54:16 > 0:54:20Come on. What have I got to have faith in?
0:54:20 > 0:54:24I've suggested selling the factory to a brilliant developer
0:54:24 > 0:54:28who's done all that, made all that happen.
0:54:28 > 0:54:32- What's your plan?- Charlie boy!
0:54:32 > 0:54:34I've found Soho!
0:54:34 > 0:54:35HE LAUGHS
0:54:35 > 0:54:39A little corner of Soho in Northampton, that brasserie.
0:54:39 > 0:54:44I'm Lola. I'm the one designing his range of transvestite boots.
0:54:47 > 0:54:50HE CLEARS THROAT
0:54:50 > 0:54:55There's... There's a slight chill in the air.
0:54:55 > 0:54:58Isn't there?
0:55:05 > 0:55:07HE LAUGHS
0:55:10 > 0:55:14- That is the...- Plan.- Yeah.
0:55:14 > 0:55:18Listen, Nic, I have not gone into this lightly. There is a market f...
0:55:18 > 0:55:23Can I say, before you make a fool of yourself trying to save the factory
0:55:23 > 0:55:29because, "It's the history of my family," Richard came to see me
0:55:29 > 0:55:33because your dad had approached him about selling up.
0:55:35 > 0:55:38You see, you owe your father nothing, Charlie.
0:55:38 > 0:55:42You are free
0:55:42 > 0:55:44to walk.
0:56:50 > 0:56:54Right, that's it! We've terminated production on all Derbys,
0:56:54 > 0:56:58brogues and Oxfords. From now on, the factory is 100% on the new range
0:56:58 > 0:57:03or we will not hit Milan. So, we need at least 15 new designs
0:57:03 > 0:57:09and at least six samples of each. Remember, you're not making footwear.
0:57:09 > 0:57:15You are not making boots. You are making 2½ feet
0:57:15 > 0:57:19of irresistible, tubular sex!
0:57:22 > 0:57:24None of the major firms take a stand.
0:57:24 > 0:57:29All of the big boys hire the main runway, so we will need that.
0:57:29 > 0:57:34We need Milan to go, like, pow! Like the two of us did at the Angel.
0:57:34 > 0:57:37We need to take the Angel club to Milan.
0:57:37 > 0:57:40We will take the Angel club to Milan.
0:57:44 > 0:57:46You wouldn't put a frock on.
0:57:46 > 0:57:50If you don't want to get off with blokes, why put a frock on?
0:57:50 > 0:57:53The thing is, ask any woman what she likes most in a man -
0:57:53 > 0:57:56compassion, tenderness, sensitivity.
0:57:56 > 0:58:01Traditionally, the female virtues. Perhaps what women secretly desire
0:58:01 > 0:58:04is a man who is fundamentally a woman.
0:58:09 > 0:58:11Huh?
0:58:15 > 0:58:18Er...
0:58:20 > 0:58:23Hmm...
0:58:23 > 0:58:25THEY LAUGH
0:58:29 > 0:58:31- He's coming.- Right.
0:58:32 > 0:58:34HE LAUGHS
0:58:49 > 0:58:54- Hello, Don.- What do you think I could do to make me more of a man?
0:58:54 > 0:58:59I've got paper. Write down what you think would make me more of a man
0:58:59 > 0:59:03and I'll write down what I think would make you more of a man.
0:59:03 > 0:59:07If I do what's on yours, you do what's on mine, right?
0:59:07 > 0:59:09Piss off.
0:59:14 > 0:59:16Fine.
0:59:17 > 0:59:20So, is our Don a man, do you think?
0:59:20 > 0:59:22Well, he dresses like one.
0:59:22 > 0:59:25THEY LAUGH
0:59:25 > 0:59:28- Good answer.- I was pleased with it.
0:59:28 > 0:59:30THEY LAUGH
0:59:30 > 0:59:33Come on, Don, be a man!
0:59:40 > 0:59:43- You don't have to do this. - I do. You know why?
0:59:43 > 0:59:48Cos what Don's written for me is easy compared to what I've written.
0:59:48 > 0:59:53- We've 24 hours. I could do without unrest.- Calm down. It's not boxing.
0:59:53 > 0:59:56BELL RINGS
0:59:57 > 1:00:00BELL GETS MUFFLED
1:00:01 > 1:00:03Sorry.
1:00:03 > 1:00:06'Whoo-hoo!'
1:00:06 > 1:00:09THEY CHEER
1:00:10 > 1:00:12HIS NECK CRACKS
1:00:12 > 1:00:13'Wahey!'
1:00:57 > 1:00:59HE SNIFFS
1:01:03 > 1:01:04Play.
1:01:04 > 1:01:05BELL RINGS
1:01:05 > 1:01:07Go on, Don!
1:01:07 > 1:01:09THEY SHOUT ENCOURAGEMENT
1:01:10 > 1:01:13Do it! Do it!
1:01:15 > 1:01:18Come on, Lola! Come on, Lola! Push, love! Push!
1:01:18 > 1:01:21You can do it! You can do it!
1:01:21 > 1:01:24Don't let him win!
1:01:24 > 1:01:26Push!
1:01:26 > 1:01:28- Do it!- Come on, Don!
1:01:28 > 1:01:32- Lola, push it!- Come on, Don!
1:01:32 > 1:01:34ALL SHOUT AT ONCE
1:01:41 > 1:01:44Come on!
1:01:44 > 1:01:47Come on, Lola! That's it! That's it!
1:01:48 > 1:01:52You're going to win!
1:01:52 > 1:01:55Come on! Whoo-hoo!
1:01:55 > 1:01:58Come on, Lola!
1:01:58 > 1:02:00ALL SHOUT AT ONCE
1:02:00 > 1:02:02That's it! That's it! Yes!
1:02:06 > 1:02:09FRENZIED SHOUTING
1:02:09 > 1:02:12You're going to win! You're going to win!
1:02:12 > 1:02:16That's it, Lola! Come on! Push!
1:02:17 > 1:02:20VOICES FADE
1:02:34 > 1:02:36CROWD CHEER
1:02:36 > 1:02:40Yes! Come on! Come on!
1:02:40 > 1:02:43Well done, Don!
1:02:46 > 1:02:49Come on! Come on!
1:02:51 > 1:02:53What are you looking at?!
1:02:53 > 1:02:55Go on, Don! Come on!
1:03:02 > 1:03:04HE SNIFFS AND CLEARS THROAT
1:03:06 > 1:03:09So, the, er...
1:03:09 > 1:03:11Yeah, well...
1:03:15 > 1:03:17Why did you stop?
1:03:17 > 1:03:20I wouldn't want you to walk into the factory
1:03:20 > 1:03:24and feel that people didn't respect you, Don.
1:03:24 > 1:03:26I wouldn't want anyone else to know what that feels like.
1:03:39 > 1:03:42Change your mind about someone.
1:03:46 > 1:03:50- Nice one, chap. Get the beers in. - Yeah, yeah, yeah.
1:04:17 > 1:04:20Oh, Christ!
1:04:21 > 1:04:24How much does that buy us?
1:04:25 > 1:04:28The main runway from between 4.30 to five,
1:04:28 > 1:04:31after Closerie and before Trickers.
1:04:38 > 1:04:42Hi, erm, listen, I'm sorry, we can't afford it.
1:04:42 > 1:04:44HE SPEAKS ITALIAN
1:04:44 > 1:04:45Just, just...
1:04:45 > 1:04:48How much for the dancers?
1:04:48 > 1:04:53Oh... This is Lola's estimate for the Blue Angel Boys and expenses.
1:04:53 > 1:04:56- Could you get the whole thing for under 20,000?- Why 20?
1:04:56 > 1:05:01- Could you?- Tell me, why 20? - I can get that against my house.
1:05:03 > 1:05:05What?
1:05:05 > 1:05:07Take it.
1:05:09 > 1:05:13At least one Mr Price didn't sit around saying, "What can I do?"
1:05:13 > 1:05:15Take it.
1:05:20 > 1:05:23Come on, Mel! Tea break finished five minutes ago!
1:05:23 > 1:05:25Come on, you know where that goes.
1:05:27 > 1:05:30- How are you getting on, George? - Fine.
1:05:30 > 1:05:34It's surprisingly easy if I just imagine Pat wearing them.
1:05:34 > 1:05:36Is it?
1:05:36 > 1:05:42George, there's an indentation in the leather. Bin it. Do it again.
1:05:42 > 1:05:44I don't care. Redo it!
1:05:44 > 1:05:48- What if they're not assembled? - They'll be assembled!
1:05:48 > 1:05:52- It's four o'clock.- I know! If they have to work over, they will!
1:05:52 > 1:05:54You don't get marks for effort.
1:05:56 > 1:05:59Hmm, caffeine.
1:05:59 > 1:06:01Give us a hand, would ya?
1:06:02 > 1:06:06- I needed a break from Mr Shouty back there.- He's just tense.
1:06:06 > 1:06:08HE LAUGHS
1:06:08 > 1:06:11- What? - Are you aware that you do that?
1:06:11 > 1:06:15That you instinctively defend him? Wow!
1:06:17 > 1:06:19Look at those puppies!
1:06:19 > 1:06:23You know, Charlie's dad used to have this theory
1:06:23 > 1:06:27that you could tell everything about a person from their shoes.
1:06:29 > 1:06:32- Right, come on then. - Oh, no.- Oh.
1:06:33 > 1:06:36Cheap, but happy.
1:06:36 > 1:06:37HE LAUGHS
1:06:37 > 1:06:39HE SNIGGERS
1:06:39 > 1:06:42Oh, very eager to please.
1:06:42 > 1:06:44All right, those, those.
1:06:44 > 1:06:48Shiny, but dull.
1:06:48 > 1:06:50Oh, my God!
1:06:50 > 1:06:51HE LAUGHS
1:06:51 > 1:06:56- Hello, Lauren.- Hello, Nicola. Oh, I love those shoes!- Mmm.
1:06:56 > 1:07:00- Charlie's treat? - Yeah, once upon a time.
1:07:00 > 1:07:03- What?- A girl can live with so many once upon a times
1:07:03 > 1:07:06before she finally has to get the Visa out and buy them.
1:07:06 > 1:07:10- It's not like that with the factory. - Sorry?- Charlie.
1:07:10 > 1:07:13He said he was going to save it. Most guys would've said,
1:07:13 > 1:07:14"What can I do?"
1:07:14 > 1:07:17- Yeah, I know. - Never mind remortgaging their house.
1:07:17 > 1:07:23You should see him in that factory. It's made him twice as determined.
1:07:23 > 1:07:26I'm sorry, remortgage their...what?
1:07:37 > 1:07:39No, no, no.
1:07:39 > 1:07:45For God's sake, Melly, this is Milan! These seams aren't straight.
1:07:45 > 1:07:49- You're rushing it. - Pardon?
1:07:49 > 1:07:53- You're going to have to unpick all this and start again.- Sod that, mate.
1:07:53 > 1:07:56- It's a Saturday!- What? - You've got enough completed.
1:07:56 > 1:08:01- No, I haven't.- Some of us have got a life outside this factory.
1:08:01 > 1:08:04You're going to have a bloody lot more of it in a bit!
1:08:04 > 1:08:09Mel, you don't understand, this is Milan.
1:08:09 > 1:08:13It's Mi... How do you know what Milan is?
1:08:13 > 1:08:16You don't know. You're guessing.
1:08:16 > 1:08:19Perhaps you'd have it finished now
1:08:19 > 1:08:24if you hadn't made us undo every single bloody stitch!
1:08:24 > 1:08:28- Mel, they weren't good enough. - They were good enough for your dad.
1:08:28 > 1:08:32- I am not my dad!- Hey, I'll tell you what, Charlie Price,
1:08:32 > 1:08:35- never a bloody truer word! - Mel.
1:08:35 > 1:08:36SIREN WAILS
1:08:36 > 1:08:40We have to leave at six in the morning. Please!
1:08:40 > 1:08:43- Hello, Charlie!- Sorry. Actually, I'm in a bit of a...
1:08:43 > 1:08:48- crisis here.- Oh, I think so.
1:08:50 > 1:08:54It's bad enough you're making this kind of crap
1:08:54 > 1:08:58thinking you'll save the factory, but you've remortgaged the house!
1:08:58 > 1:09:01- What?! I... - Charlie, Lauren didn't realise!
1:09:01 > 1:09:06Our house! No-one will ever say I didn't stand by my man, Charlie.
1:09:06 > 1:09:08I've done it.
1:09:08 > 1:09:11I'll stand by you now, just... Reason.
1:09:11 > 1:09:16- Nicola. - Give me a reason!- Down there.
1:09:16 > 1:09:21I'm looking at you, Charlie! Give me a reason! Making porn wear for...
1:09:21 > 1:09:23hermaphrodites!
1:09:23 > 1:09:28- Actually, love, hermaphrodites have both reproductive organs.- GET OUT!
1:09:28 > 1:09:31SHE SOBS
1:09:36 > 1:09:40Where was it for London, all this money?
1:09:43 > 1:09:47Don't. Flat's the size of a postage stamp
1:09:47 > 1:09:51- because "We have to be careful, Nic."- London was for you.
1:09:53 > 1:09:58London was for us. You wouldn't spend another five grand on us,
1:09:58 > 1:10:02but you'll remortgage the house to keep strangers in a job!
1:10:02 > 1:10:06I know them. It's you that doesn't know them because you never come in.
1:10:06 > 1:10:12I've already had to fire 15 and they were the 15 worst times of my life!
1:10:12 > 1:10:16- So sell it!- Nicola!- I don't get...
1:10:16 > 1:10:20'Do they know your dad was going to sell up?'
1:10:20 > 1:10:23You know, even your dad... Have you told them that?
1:10:23 > 1:10:28I don't care what he was going to do! I don't care he was going to sell it!
1:10:28 > 1:10:33I, Charlie Price, doesn't actually enjoy making people redundant!
1:10:33 > 1:10:37'If you can't hear a reason yet, maybe you won't ever get it!'
1:10:37 > 1:10:39Maybe you won't ever get me.
1:10:39 > 1:10:44Maybe Nicola Marsden will never, ever quite get Charlie Price!
1:10:48 > 1:10:51Maybe I won't.
1:11:47 > 1:11:48HE SIGHS
1:11:48 > 1:11:50Sod it!
1:11:52 > 1:11:57It's probably my fault, putting Dad up, making some hero out of him.
1:11:57 > 1:11:59You shouldn't do that.
1:12:00 > 1:12:04I suppose I just didn't want to be the last photo in the line, you know?
1:12:04 > 1:12:07The Price who left nothing.
1:12:07 > 1:12:10Maybe you shouldn't judge it in bricks, Charlie.
1:12:10 > 1:12:15Maybe you judge what you leave by what you inspire in other people.
1:12:22 > 1:12:25MACHINERY RUMBLES
1:12:28 > 1:12:30Charlie?
1:12:32 > 1:12:34MACHINERY RUMBLES LOUDER
1:12:36 > 1:12:39Excuse me. Excuse me. Excuse me, please.
1:12:39 > 1:12:42- Coming through! - Hurry up, Mum!- Beep! Beep!
1:12:42 > 1:12:45Coffee? Cup of tea?
1:12:47 > 1:12:49- Lola.- Charlie.
1:12:49 > 1:12:52Did you get them to do this?
1:12:52 > 1:12:57Brother rose to the challenge of changing his mind about someone.
1:12:57 > 1:12:59- You?- No, Charlie.
1:12:59 > 1:13:01You.
1:13:46 > 1:13:48Here we go!
1:14:15 > 1:14:18My God.
1:14:18 > 1:14:24Hey, everyone, the man from Milan, he say yes!
1:14:24 > 1:14:26THEY CHEER
1:14:34 > 1:14:37MUSIC: It's A Man's Man's Man's World by James Brown
1:14:43 > 1:14:45Cheers!
1:14:46 > 1:14:49# This is a man's world
1:14:51 > 1:14:54# This is a man's world
1:14:55 > 1:14:57# But it wouldn't be nothing
1:14:59 > 1:15:04# Without a woman or a girl... #
1:15:06 > 1:15:10- Wahey! - # This is a man's world
1:15:11 > 1:15:13# This is a man's world... #
1:15:13 > 1:15:15THEY CHEER
1:15:15 > 1:15:16HE LAUGHS
1:15:16 > 1:15:19# But it wouldn't be nothing
1:15:19 > 1:15:24# Without a woman or a girl
1:15:26 > 1:15:30- Come on, Lauren.- Oh, no. No.
1:15:30 > 1:15:32# Man made the car... #
1:15:32 > 1:15:33ALL: Ooh!
1:15:33 > 1:15:35# To take us over the road
1:15:37 > 1:15:39# Man made the train
1:15:39 > 1:15:42# To carry the heavy load
1:15:43 > 1:15:46# Man made the electric light
1:15:46 > 1:15:49# To take us out of the dark
1:15:50 > 1:15:52# Man made a boat for the water
1:15:52 > 1:15:54# Like Noah made the Ark
1:15:54 > 1:15:57# This is a man's world
1:15:59 > 1:16:04# But it wouldn't be nothing, nothing, without a woman or a girl...
1:16:08 > 1:16:12He's had quite an impact on us girls, hasn't he?
1:16:14 > 1:16:16Charlie Price.
1:16:16 > 1:16:18# Man makes them happy
1:16:18 > 1:16:22# Cos man makes them toys
1:16:23 > 1:16:26# And after man make everything he can
1:16:28 > 1:16:31# Man makes money
1:16:31 > 1:16:34# To buy from other men
1:16:34 > 1:16:37# This is a man's world
1:16:39 > 1:16:44# But it wouldn't be nothing, nothing, without a woman or a girl
1:16:45 > 1:16:48# Oh!
1:16:48 > 1:16:51# How man needs a woman... #
1:16:55 > 1:16:57I saw a documentary once.
1:16:57 > 1:17:00Potholers. They'd have a celebration the night before
1:17:00 > 1:17:02in case they never came out.
1:17:02 > 1:17:06Of course, now Northampton is the perfect venue.
1:17:06 > 1:17:08- Oh, I...- Oh, a little warning.
1:17:08 > 1:17:11The answer is, "I'd love to, Lola."
1:17:16 > 1:17:18CHATTER
1:17:19 > 1:17:21WOMAN LAUGHS
1:17:21 > 1:17:22Stop it!
1:17:24 > 1:17:26- Table for one?- Er, for two.
1:17:26 > 1:17:29- Two? Right here. - I'll use the toilet.
1:17:29 > 1:17:32Toilets, yes. Just down the stairs on the left.
1:17:39 > 1:17:41Richard.
1:17:42 > 1:17:45- Oh, Christ!- It's Charlie Price.
1:17:45 > 1:17:48I know, absolutely. From Price's, yeah.
1:17:48 > 1:17:52Wow. Erm... I didn't expect to see you at La Conceria.
1:17:52 > 1:17:55Not one of your normal haunts, is it?
1:17:55 > 1:17:59- I'm here having a meeting. A business thing.- Business?
1:17:59 > 1:18:01It never lets up, does it?
1:18:07 > 1:18:09HE SPEAKS ITALIAN
1:18:09 > 1:18:11HE SPEAKS ITALIAN
1:18:13 > 1:18:15Hey, they're running away.
1:18:15 > 1:18:17HE SPEAKS ITALIAN AND LAUGHS
1:18:35 > 1:18:37HE GRUNTS
1:18:50 > 1:18:53Charlie boy!
1:18:53 > 1:18:56HE LAUGHS
1:18:56 > 1:19:00Sorry I'm late. You know how it is. I was sitting with all my dresses
1:19:00 > 1:19:04and I'm thinking, "Is it hot in Milan? Does it get cold at night?"
1:19:04 > 1:19:08Oh! Thank you.
1:19:08 > 1:19:12Ooh! You couldn't get me a Bloody Mary, could you, sweetheart?
1:19:12 > 1:19:15- Bloody Mary for the lady. - The potholing, I didn't mean it.
1:19:15 > 1:19:19I don't think it will go tits up. The show, the routine!
1:19:19 > 1:19:22Wait till you see what I've got planned for the catwalk.
1:19:22 > 1:19:28- Lola, can you talk a bit...? - The whole metrosexual crowd...- Stop.
1:19:28 > 1:19:32- What?- People are staring. Come on, what do you want?
1:19:34 > 1:19:38- I don't think anybody's staring. - You're a man in a frock.
1:19:38 > 1:19:42Even if they're not looking, they're staring.
1:19:42 > 1:19:46I'm a... I'm a Northampton shoe designer, Charlie.
1:19:46 > 1:19:49You're also a man in a dress.
1:19:49 > 1:19:52You make it sound as if I put this on...
1:19:52 > 1:19:55because of a lack of a pair of trousers.
1:19:58 > 1:20:00Does a part of you believe that?
1:20:00 > 1:20:04I don't know why you wear dresses and I don't think you do either!
1:20:09 > 1:20:12- I didn't realise I was causing you trouble!- Forget it.
1:20:12 > 1:20:14You are a very good designer.
1:20:14 > 1:20:18You'd like me to design and then disappear when I'm me.
1:20:18 > 1:20:21You is the designer. This is you in a dress looking daft.
1:20:21 > 1:20:24You don't have to do it. I don't know what you think.
1:20:24 > 1:20:27Is it part of dodging what sex you get off on?!
1:20:27 > 1:20:32If you think you're being mystical, being the best of either sex,
1:20:32 > 1:20:34I have to tell you, Simon...
1:20:36 > 1:20:38Simon.
1:20:38 > 1:20:41Stood there in a frock right now,
1:20:41 > 1:20:45you look like the worst bits of both.
1:20:56 > 1:20:59Stop hiding. Be brave.
1:20:59 > 1:21:02Decide one way or the other.
1:21:02 > 1:21:04For my sake, tomorrow,
1:21:04 > 1:21:07turn up looking like the picture on your passport.
1:21:53 > 1:21:56I can't change what I want, Charlie.
1:21:57 > 1:22:01I cannot...change what I want.
1:22:02 > 1:22:04I cannot do that.
1:22:11 > 1:22:13George.
1:22:13 > 1:22:15Hey. No Lola?
1:22:15 > 1:22:17- Hmm? George.- Mr Price.
1:22:17 > 1:22:21- Are we all set?- Did she say she was going to be late?
1:22:21 > 1:22:25No, actually, she said she was going to fly out with the girls.
1:22:25 > 1:22:29- What, from London?- Hey, Lola!
1:22:34 > 1:22:36SEAGULLS SQUAWK
1:22:43 > 1:22:45MUSIC: The Prettiest Star by David Bowie
1:22:55 > 1:22:57# Cold fire
1:22:57 > 1:23:01# You've got everything but cold fire
1:23:01 > 1:23:05# You will be my rest and peace, child
1:23:05 > 1:23:08# I moved up to take a place
1:23:10 > 1:23:12# Near you. #
1:23:12 > 1:23:14HE GASPS
1:23:31 > 1:23:34SEAGULLS SQUAWK
1:23:36 > 1:23:41MUSIC: Largo Al Factotum from The Barber Of Seville by Rossini
1:24:09 > 1:24:12CHATTER AND MUSIC PLAYS
1:24:29 > 1:24:32Funny, isn't it? They look quite dead like this.
1:24:32 > 1:24:36Don't worry, George. It'll be a different story tomorrow.
1:24:36 > 1:24:37CHEERING
1:24:37 > 1:24:39HE GASPS
1:24:39 > 1:24:42Look! That's us.
1:24:42 > 1:24:46Milan main catwalk.
1:24:46 > 1:24:48The Angel girls wearing our boys, eh, Charlie?
1:25:03 > 1:25:05Hey.
1:25:07 > 1:25:12You know, as Lola would say, "There's a slight chill in the air."
1:25:15 > 1:25:19- And I'm getting worried because... - I had an argument with her.
1:25:19 > 1:25:21- What?- Lola.
1:25:21 > 1:25:23Last night in the restaurant.
1:25:23 > 1:25:27You see... You see, she turned up in a dress
1:25:27 > 1:25:29and I just...
1:25:29 > 1:25:31I just... Oh.
1:25:36 > 1:25:41She didn't go to London, did she? She didn't get on a plane at all.
1:25:43 > 1:25:47Lauren, it was a bloke that wanted to buy the factory, Richard Bailey.
1:25:47 > 1:25:50He was there with Nicola and I...
1:25:50 > 1:25:55Your love life does not apply to me. There is nobody to wear our boots
1:25:55 > 1:25:58that we have worked our arses off to get here, Charlie.
1:25:58 > 1:26:04OK, yes, I am sorry. It's just I felt somehow useless as a man!
1:26:04 > 1:26:06ROOM FALLS SILENT
1:26:07 > 1:26:10Sitting there in the restaurant, I felt...
1:26:12 > 1:26:14..somehow useless as a man.
1:26:17 > 1:26:19So here we are again, eh?
1:26:19 > 1:26:23Charlie Price standing in front of me
1:26:23 > 1:26:29saying, "It's not my fault. What can I do?"
1:26:42 > 1:26:44MOBILE BEEPS
1:26:44 > 1:26:46MOBILE RINGS
1:26:46 > 1:26:49- "Hello, this is Lola."- Lola.
1:26:49 > 1:26:53"I'm not here now. Well, I am here. You know what to do."
1:26:53 > 1:26:55BEEPING
1:26:55 > 1:26:59Lola, when you pick this up, this is a Charlie from Northampton.
1:27:22 > 1:27:24CHURCH BELL TOLLS
1:27:28 > 1:27:30CAMERAS CLICK
1:27:33 > 1:27:36CHATTERING IN ITALIAN
1:27:38 > 1:27:40Lorenzo! Lorenzo!
1:27:40 > 1:27:41HE SPEAKS ITALIAN
1:27:41 > 1:27:47OK, we have the exhibitors, please, for Price's.
1:27:48 > 1:27:50That's me.
1:27:50 > 1:27:53- And the dressers?- That's me.
1:27:53 > 1:27:56And the models?
1:27:58 > 1:28:00That's you, as well, isn't it?
1:28:04 > 1:28:07George.
1:28:07 > 1:28:09OK, he's all set. He looks fantastic!
1:28:09 > 1:28:11ITALIAN ANNOUNCEMENT
1:28:11 > 1:28:13- ..Price's."- Go!
1:28:13 > 1:28:17- Go!- "Ladies and gentlemen, take your seats for the Price's collection."
1:28:17 > 1:28:20Does he look sexy?
1:28:20 > 1:28:23He does to me, George.
1:28:32 > 1:28:38"Ladies and gentlemen, take your seats for the Price's collection."
1:28:43 > 1:28:45HE MUMBLES IN ITALIAN
1:28:45 > 1:28:46OK?
1:28:46 > 1:28:48OK.
1:28:48 > 1:28:52This is it. It's you, Mr Price.
1:29:06 > 1:29:09AUDIENCE FALLS SILENT
1:29:09 > 1:29:11(Shit!)
1:29:11 > 1:29:13ALL MURMUR
1:29:18 > 1:29:20Bellissimo!
1:29:20 > 1:29:22LAUGHTER
1:29:27 > 1:29:29AUDIENCE LAUGHS
1:29:43 > 1:29:45AUDIENCE GASPS
1:29:45 > 1:29:47AUDIENCE GASPS AND DOG BARKS
1:29:49 > 1:29:51LAUGHTER
1:29:56 > 1:29:59AUDIENCE GASPS
1:29:59 > 1:30:02CAMERAS CLICK RAPIDLY
1:30:08 > 1:30:12AUDIENCE GASPS LOUDLY
1:30:21 > 1:30:23DOG WHINES
1:30:48 > 1:30:50# You keep lying when you oughtta be truthing
1:30:52 > 1:30:56# And you keep losing when you oughtta not bet... #
1:30:56 > 1:30:58AUDIENCE GASPS
1:30:58 > 1:31:01# You keep saming when you oughtta be changing
1:31:02 > 1:31:07# Now what's right is right, but you ain't been right yet
1:31:07 > 1:31:10# These boots are made for walking
1:31:10 > 1:31:13# And that's just what they'll do
1:31:13 > 1:31:17# One of these days these boots are gonna walk all over you... #
1:31:17 > 1:31:20WHISTLING
1:31:23 > 1:31:26# I once met a man with a sense of adventure
1:31:26 > 1:31:29# He was dressed to thrill wherever he went
1:31:29 > 1:31:34# He said, "Let's make love on a mountain top"
1:31:34 > 1:31:36# "Under the stars on a big hard rock"
1:31:36 > 1:31:40# I said, "In these shoes?! I don't think so"
1:31:40 > 1:31:44# Here I am looking for crime, I'm looking for some action
1:31:44 > 1:31:47# What I have a million times will give you satisfaction
1:31:47 > 1:31:51# Don't you mess around with me, you won't know what to do
1:31:51 > 1:31:55# Cos I'll put on my cha-cha heels and walk all over you
1:31:55 > 1:31:58# Gimme, gimme cha-cha heels
1:31:58 > 1:32:02# All I want is cha-cha heels
1:32:02 > 1:32:05# Gimme, gimme cha-cha heels
1:32:05 > 1:32:08# If I don't get my cha-cha heels
1:32:08 > 1:32:10# I'll walk all over you. #
1:32:10 > 1:32:13WHOOPING
1:32:13 > 1:32:15# Zipping up my boots
1:32:17 > 1:32:20# Going back to my roots, yeah
1:32:21 > 1:32:24# To the place of my birth
1:32:25 > 1:32:28# Back down to earth
1:32:29 > 1:32:35# I'm homeward bound, got my head turned around
1:32:35 > 1:32:38# Zipping up my boots
1:32:38 > 1:32:41# Going back to my roots. #
1:32:41 > 1:32:44WILD CHEERING AND APPLAUSE
1:32:44 > 1:32:46Whoo-hoo!
1:32:50 > 1:32:53MAN SHOUTS IN ITALIAN
1:32:56 > 1:32:59WOMAN SHOUTS IN ITALIAN
1:33:04 > 1:33:07Come on, Lauren!
1:33:11 > 1:33:14Stand by your man, Lauren.
1:33:16 > 1:33:17Thank you.
1:33:23 > 1:33:26'Bellissimo!'
1:33:38 > 1:33:40AUDIENCE APPLAUDS LOUDER
1:33:40 > 1:33:41'Aw, that's sweet!'
1:33:57 > 1:34:01'Lola, this is a Charlie from Northampton.
1:34:01 > 1:34:05'I'm looking at a shoe-fair programme with a big gap where you should be.
1:34:06 > 1:34:11'I have to say, unlike most people, whenever you leave, you leave a gap.
1:34:11 > 1:34:14'You will in Northampton, you have in Milan.'
1:34:16 > 1:34:20'Listen, if people ever tell you you look half a man, that's fine."
1:34:20 > 1:34:23'I don't know what half a man is."
1:34:23 > 1:34:26'I don't know what the hell a man is,
1:34:26 > 1:34:29'but I know that if it involves being brave,
1:34:29 > 1:34:34'you are more of a man than I will ever be. Goodbye, Lola.'
1:34:44 > 1:34:47Don't think that's why I came.
1:34:47 > 1:34:49I came for the adulation.
1:35:07 > 1:35:11- Why am I leaving you? - AUDIENCE: Aw!
1:35:11 > 1:35:17I'm afraid in life, Lola has always been drawn to the most exciting,
1:35:17 > 1:35:19the most daring,
1:35:19 > 1:35:22the most...
1:35:22 > 1:35:24sexy.
1:35:24 > 1:35:26AUDIENCE WHOOP
1:35:26 > 1:35:30There is tell of a mystical place far north of here
1:35:30 > 1:35:33- called Northampton. - AUDIENCE: Ooh!
1:35:33 > 1:35:37Exciting because is contains a shoe factory
1:35:37 > 1:35:40struggling to survive against all the odds.
1:35:40 > 1:35:45Daring because it's run by a man brave enough to recognise
1:35:45 > 1:35:49that a factory is its people, not its bricks.
1:35:49 > 1:35:52And sexy, well,
1:35:52 > 1:35:55because now I work there.
1:35:55 > 1:35:57AUDIENCE: Ooh!
1:35:57 > 1:36:02Craftsmen of fantasy for ladies, gentlemen
1:36:02 > 1:36:06- and those of you who are yet... - AUDIENCE: To make up your mind!
1:36:06 > 1:36:11Tonight, I give you the Kinky Boot Factory!
1:36:11 > 1:36:13AUDIENCE CHEERS
1:36:26 > 1:36:29# Yes, sir, I can boogie
1:36:29 > 1:36:32# If you stay, you can't go wrong
1:36:32 > 1:36:35# I can boogie
1:36:35 > 1:36:37# Boogie-woogie
1:36:37 > 1:36:40# All night long
1:36:40 > 1:36:43# No, sir
1:36:43 > 1:36:46# I don't feel very much like talking
1:36:48 > 1:36:50# Nor neither walking
1:36:50 > 1:36:54# You want to know if I can dance
1:36:56 > 1:36:58# Yes, sir
1:36:58 > 1:37:01# Already told you in the first verse
1:37:03 > 1:37:05# And in the chorus
1:37:06 > 1:37:09# But I will give you one more chance
1:37:09 > 1:37:12# Oh, yes, sir
1:37:12 > 1:37:15# I can boogie
1:37:15 > 1:37:18# But I need a certain song
1:37:18 > 1:37:20# I can boogie
1:37:20 > 1:37:22# Boogie-woogie
1:37:22 > 1:37:26# All night long
1:37:26 > 1:37:29# Yes, sir, I can boogie
1:37:29 > 1:37:33# If you stay, you can't go wrong
1:37:33 > 1:37:35# I can boogie
1:37:35 > 1:37:37# Boogie-woogie
1:37:37 > 1:37:42# All night long
1:37:42 > 1:37:44# Yes, sir, I can boogie
1:37:44 > 1:37:48# But I need a certain song
1:37:48 > 1:37:50# I can boogie
1:37:50 > 1:37:52# Boogie-woogie
1:37:52 > 1:37:56# All night long. #
1:38:05 > 1:38:08MUSIC: In These Shoes by Kirsty MacColl
1:38:18 > 1:38:22# I once met a man with a sense of adventure
1:38:22 > 1:38:25# He was dressed to thrill wherever he went
1:38:25 > 1:38:28# He said, "Let's make love on a mountain top"
1:38:28 > 1:38:32# "Under the stars on a big hard rock"
1:38:32 > 1:38:34# I said, "In these shoes?"
1:38:36 > 1:38:39# "I don't think so"
1:38:39 > 1:38:42# I said, "Honey, let's do it here"... #