0:00:02 > 0:00:04This programme contains strong language and scenes of a sexual nature
0:00:04 > 0:00:07"It's 73 degrees on this beautiful morning."
0:00:07 > 0:00:11"It's 6:59 in the am. Enjoy Mr Sunshine while you can."
0:00:11 > 0:00:14"Accuweather is predicting thunderstorms tomorrow."
0:00:14 > 0:00:18"So it's time to wake up and enjoy the day. Wake up."
0:00:18 > 0:00:21"Wake up, Julian. Julian."
0:00:22 > 0:00:25"Julian... (YELLS) Julian!"
0:00:25 > 0:00:26(GASPS)
0:00:26 > 0:00:30(RADIO) "The Sixth Avenue Freeway is tied up around Lincoln
0:00:30 > 0:00:33"but 685 is looking just dandy in both directions."
0:00:33 > 0:00:36(RADIO FADES)
0:00:43 > 0:00:45(GROANS)
0:00:54 > 0:00:56(EXHALES)
0:01:36 > 0:01:37(CHUCKLES)
0:01:42 > 0:01:44# "A Town Called Malice" - The Jam
0:03:29 > 0:03:33- Hey, mister, is that your car? - What?
0:03:33 > 0:03:37The cool Porsche. You keep staring at it.
0:03:37 > 0:03:39- Why don't you shoo? - I don't want to shoo.
0:03:39 > 0:03:42Didn't your mother tell you never to talk to strangers?
0:03:42 > 0:03:45She's over there and says that I should talk to you.
0:03:45 > 0:03:47- She did? - Yeah.
0:03:47 > 0:03:51She wants to know what you're doing here. She thinks you're cute.
0:03:53 > 0:03:56I don't know anything about that car.
0:03:56 > 0:03:59I'm only interested in your mother if she lost 20 pounds and 30 years.
0:03:59 > 0:04:02So I'd like it if you got the fuck away.
0:04:02 > 0:04:04- Whatever. - Yeah, whatever. Goodbye. Scadoodle.
0:04:04 > 0:04:08- See ya. Wouldn't wanna be ya. - Smell ya. Shouldn't have to tell ya.
0:04:36 > 0:04:38(EXPLOSION)
0:04:39 > 0:04:42(CAR ALARMS WAIL)
0:04:49 > 0:04:51(THUNDER)
0:05:04 > 0:05:07(RADIO ON / RADIO OFF)
0:05:20 > 0:05:22(THUNDER)
0:05:25 > 0:05:28- Hi. - Bean.
0:05:29 > 0:05:31- You're up early. - The thunder woke me up.
0:05:32 > 0:05:35And I wanted to see you before you left.
0:05:36 > 0:05:40- I'm gonna miss that. - Me, too. I'm gonna miss everything.
0:05:40 > 0:05:43It's only two nights.
0:05:43 > 0:05:46With this weather and our luck, it scares me.
0:05:46 > 0:05:49Honey, you know I've got to go
0:05:49 > 0:05:52but I'm coming home to you in two days
0:05:52 > 0:05:54with really good news, I promise.
0:06:00 > 0:06:02- Hmm!- Oh! - Oh!
0:06:03 > 0:06:06- Danny!- Bean. - Are you sure you have time?
0:06:06 > 0:06:08Maybe not for dinner and a movie.
0:06:08 > 0:06:11Oh! Danny.
0:06:14 > 0:06:16(CRASH OF THUNDER)
0:06:16 > 0:06:19- (CREAKING) - Tree!
0:06:25 > 0:06:27(THUNDER)
0:06:43 > 0:06:45Still horny?
0:06:46 > 0:06:48(LAUGHS)
0:07:01 > 0:07:04(TANNOY) "Flight 421 to Salt Lake City has been delayed."
0:07:04 > 0:07:06Danny. Danny!
0:07:06 > 0:07:09- Oh. - "Flight 072 has been cancelled."
0:07:09 > 0:07:12- I'm so sorry, Phil. - It's fine. Is Bean alright?
0:07:12 > 0:07:15- Yeah. - The fire department's over there.
0:07:15 > 0:07:18Our crazy neighbours, the tyrannists...
0:07:18 > 0:07:21She's fine. She practically forced me to get over here.
0:07:21 > 0:07:23She knows what this job means.
0:07:23 > 0:07:26Somebody has to pay for a new kitchen.
0:07:26 > 0:07:29- Now, we better make this flight. - Yeah. Yeah, we will.
0:07:29 > 0:07:33- We have to. - Hope the weather's better in Mexico.
0:07:55 > 0:07:59- Mr Noble, how are you today? - Couldn't be better.
0:07:59 > 0:08:02But more importantly, how are you,...
0:08:03 > 0:08:06..Genevive?
0:08:19 > 0:08:21# Uno, dos, tres, cuatro
0:08:38 > 0:08:40Gracias.
0:09:01 > 0:09:04(SINGING IN SPANISH)
0:09:04 > 0:09:06Buenas tardes.
0:09:07 > 0:09:11Una margarita, por favor, con mucha sal.
0:09:23 > 0:09:25(RATTLING)
0:09:29 > 0:09:31(RATTLING BECOMES MORE DISTINCT)
0:09:48 > 0:09:50Cerveza, por favor.
0:09:54 > 0:09:56(SPEAKS SPANISH)
0:10:13 > 0:10:16- (BOTH CONTINUE TO SPEAK SPANISH) - Gracias.
0:10:22 > 0:10:24My business is my pleasure.
0:10:50 > 0:10:53- How are you doing? - I'm... I'm a nervous wreck.
0:10:53 > 0:10:58- Yeah, well, think positive. - I'm sweating through my suit.
0:11:30 > 0:11:33(GIRLS GIGGLE)
0:11:43 > 0:11:45Hello, Julian.
0:11:46 > 0:11:48- Getting some culture? - Indeed.
0:11:48 > 0:11:52Isn't she a tad pubescent, even for you?
0:11:52 > 0:11:56- I'd make an exception for her. - Did you study the assignment?
0:11:56 > 0:12:01No, I shredded it. Then I humped the bellboy on the room-service cart.
0:12:01 > 0:12:04Am I supposed to be shocked?
0:12:04 > 0:12:05Adios.
0:12:05 > 0:12:08(SPEAKS SPANISH)
0:12:08 > 0:12:10I hate these Catholic countries.
0:12:10 > 0:12:14All blushy-blushy. No sucky-fucky.
0:12:14 > 0:12:18(CHUCKLES) Well, somehow, I think you'll find your way.
0:12:19 > 0:12:22There's been a change of plans.
0:12:22 > 0:12:25The portfolio has to be delivered sooner than we discussed.
0:12:25 > 0:12:28- What are you saying? - She's leaving for Europe tomorrow.
0:12:28 > 0:12:31- I'm not a fucking magician. - Get it done today.
0:12:40 > 0:12:42- I almost forgot. - Yeah?
0:12:42 > 0:12:44Happy birthday.
0:12:53 > 0:12:55Happy birthday?
0:12:56 > 0:12:58Fuck!
0:13:17 > 0:13:18(GUNSHOT)
0:13:18 > 0:13:21- Incredible! - What did they say?
0:13:21 > 0:13:25(BOTH) "We shouldn't even need to think about it."
0:13:25 > 0:13:28- That's good! Right? - Yes, I think so.
0:13:28 > 0:13:31Dos margaritas, por favor.
0:13:31 > 0:13:33Phil, I think we did it.
0:13:33 > 0:13:37I don't know why you were freaking out. You were remarkable.
0:13:37 > 0:13:39- No, you were. - No, you. It was you. (LAUGHS)
0:13:39 > 0:13:43- No way they can't give us this job. - You think that?- I know.
0:13:45 > 0:13:47- (YELLS) - Yeah!
0:13:47 > 0:13:49Shh. Give me two more.
0:13:53 > 0:13:58(MUSIC PLAYS) "# Once a boy I know went to Mexico"
0:13:58 > 0:14:01"# He knew just four words to tell his love"
0:14:01 > 0:14:03- "# Yo te amo mucho" - "# And that's that"
0:14:03 > 0:14:05- "# Yo te amo mucho" - "# And that's that"
0:14:05 > 0:14:06- "# Yo te amo mucho" - "# And that's that"
0:14:06 > 0:14:08- "# Yo te amo mucho" - "# And that's that"
0:14:08 > 0:14:10"# Though his words were few"
0:14:10 > 0:14:12"# Still the lady knew"
0:14:12 > 0:14:15"# What this Brooklyn boy was dreaming of"
0:14:15 > 0:14:17- "# Yo te amo mucho" - "# And that's that"
0:14:17 > 0:14:19- "# Yo te amo mucho" - "# And that's that"
0:14:19 > 0:14:20- "# Yo te amo mucho" - "# And that's that"
0:14:20 > 0:14:22- "# Yo te amo mucho" - "# And that's that..."
0:14:23 > 0:14:26(MUSIC FADES)
0:14:26 > 0:14:28(LOUD THUD)
0:14:38 > 0:14:41- "Hello."- Eddie? - "Yeah?"- (CHUCKLES)
0:14:41 > 0:14:44Hi, Eddie, you crazy limey bastard, it's me.
0:14:44 > 0:14:47- "Who?" - (CHUCKLES) Julian.- "Who?"
0:14:47 > 0:14:49Julian Noble from Portugal. Remember?
0:14:49 > 0:14:52- "Who?" - Julian Noble.
0:14:52 > 0:14:57Yeah. I just thought I'd see how you're doing. It's my birthday.
0:14:57 > 0:14:59(LINE GOES DEAD)
0:14:59 > 0:15:02Eddie? Hello? (LINE CLICKS / DIAL TONE)
0:15:11 > 0:15:13Hello. Is Cindy there?
0:15:22 > 0:15:23Fuck it.
0:15:39 > 0:15:41Now this smells like a party!
0:15:42 > 0:15:44(APPLAUSE)
0:15:56 > 0:15:59- Margarita, por favor. - Si, senor.
0:16:02 > 0:16:04You look like you could use one.
0:16:09 > 0:16:11Hmm. Who couldn't?
0:16:11 > 0:16:14I've had... (EXHALES)
0:16:14 > 0:16:18..four, five maybe. I dunno. They're darn tasty.
0:16:18 > 0:16:22Margaritas always taste better in Mexico.
0:16:22 > 0:16:26- They certainly do. - Margaritas and cock.
0:16:28 > 0:16:32Gracias. And one for my friend over there.
0:16:32 > 0:16:36- Er, no, no, no. That's... - I'm not making a pass at you.
0:16:36 > 0:16:39- I'm not worried. Thank you. - If you're that type of guy...
0:16:39 > 0:16:42- I don't mean to be rude but... - I'm just messing with you.
0:16:53 > 0:16:57I'm sorry about the cock comment. Kinda conversation stopper.
0:16:57 > 0:16:59Kinda?
0:17:03 > 0:17:06So, what are you doing in Mexico?
0:17:12 > 0:17:16- Tell me something, erm...? - Dan, Danny, Danny Wright.
0:17:16 > 0:17:19Garrison & Wright.
0:17:20 > 0:17:25- Tell me something, Danny Wright. - Yes, sir.
0:17:27 > 0:17:30Why the hell do you care why I'm in Mexico, huh?
0:17:30 > 0:17:33- Why so interested? - No reason, just...
0:17:34 > 0:17:38- Hotel bar conversation, I guess. - Are you with The Farm?
0:17:38 > 0:17:40- (CHUCKLES) What's that? - The Agency.
0:17:40 > 0:17:42- What? - Are you following me?
0:17:42 > 0:17:44- No, no. - I make you?
0:17:44 > 0:17:48- I have no idea what you're talking- - I fucking make you. Hmm?
0:17:48 > 0:17:51OK, I'm gonna excuse myself.
0:17:51 > 0:17:54- I have to go. Thank you. - No, no, please...
0:17:54 > 0:17:57No, I'm extremely tired.
0:17:57 > 0:17:59- No, no, no, please. - Thank you. It's OK.
0:17:59 > 0:18:04I just get paranoid sometimes. I was wrong. Please. (SIGHS)
0:18:04 > 0:18:09I'm drunk. I'm tired and I've been fornicating for the last two hours
0:18:09 > 0:18:13and before that, I was doing shit, horrible business shit.
0:18:13 > 0:18:16Please, come on. I was out of order.
0:18:16 > 0:18:18Let's finish our drink. Come on. Here you go.
0:18:19 > 0:18:22Here's your drink. Danny, here you go.
0:18:23 > 0:18:28I mean, you seem like a nice guy. You know, a normal guy.
0:18:28 > 0:18:30I'm sorry.
0:18:31 > 0:18:33Really, it's alright.
0:18:34 > 0:18:39So, are you in town on business?
0:18:39 > 0:18:42Hmm? You have that way about you, Danny.
0:18:48 > 0:18:50(IMITATES JULIAN) Why so interested?
0:18:51 > 0:18:54(LAUGHS)
0:18:54 > 0:18:56That was... (CHUCKLES)
0:18:56 > 0:18:58- Very good. - Yeah?
0:18:59 > 0:19:02- Oh, I'm here on business. - Is it going well?
0:19:02 > 0:19:07Very well, I hope. My partner and I... He's upstairs.
0:19:07 > 0:19:10We just had a very good pitch session.
0:19:10 > 0:19:13- No shit. - Very good.
0:19:13 > 0:19:17- Oh, that's fantastic. That's great, Danny.- I needed a day like this.
0:19:17 > 0:19:21- I hear you. - I've had a tough couple of years.
0:19:21 > 0:19:26I was with this business out of Denver for nine years
0:19:26 > 0:19:28and, out of the blue, they just...
0:19:29 > 0:19:33- They laid me off.- Oh. - Yeah, just like that.
0:19:33 > 0:19:38That was two and a half years ago. I've been struggling back since.
0:19:38 > 0:19:42- And today you got back? - Well, I hope.
0:19:42 > 0:19:45Today, you're a man again.
0:19:46 > 0:19:48Yeah.
0:19:48 > 0:19:51And to be a man after they fuck you
0:19:51 > 0:19:54and destroy your self-respect,...
0:19:56 > 0:19:58..well, that is a great thing.
0:19:59 > 0:20:01Thank you.
0:20:01 > 0:20:03Dos margaritas, por favor.
0:20:07 > 0:20:10- Are you married, Danny? - Oh, yeah!
0:20:10 > 0:20:1214 years.
0:20:12 > 0:20:16- Let me guess, high-school sweetheart. - It's true.
0:20:16 > 0:20:20(BOTH CHUCKLE) Unbelievable! The fucking American dream, huh?
0:20:20 > 0:20:24Well... What about you? What do you do for a living?
0:20:26 > 0:20:30Any kids? You got kids, Danny?
0:20:31 > 0:20:35- Oh, no, I crossed the line. - No, no, you did not.
0:20:35 > 0:20:37- No, I did. - You did not cross the line. No.
0:20:37 > 0:20:39- I'm sorry. - It's fine. It's fine.
0:20:46 > 0:20:49We lost our son three years ago.
0:20:53 > 0:20:55It was a school bus accident.
0:20:57 > 0:21:0114 children lived that day and one died.
0:21:05 > 0:21:07That was Henry.
0:21:10 > 0:21:14We had a bad run there for a while.
0:21:14 > 0:21:17Two Mexicans walk into a cantina.
0:21:17 > 0:21:19What?
0:21:19 > 0:21:22Two Mexicans walk into a cantina. One is a midget.
0:21:22 > 0:21:26- The other's dick is 15 inches long. - W-W-What are you saying?
0:21:26 > 0:21:30Changing the subject. The midget says to the bartender,
0:21:30 > 0:21:34"They call my amigo the human swizzle stick. Know what they call me?"
0:21:34 > 0:21:38- (SNIGGERS) - This is incredible.- What?
0:21:39 > 0:21:41You're very rude.
0:21:41 > 0:21:45- I'm trying to change the subject. - Thank you for the drink.
0:21:45 > 0:21:48Goodbye. Good night. Thank you.
0:21:49 > 0:21:52Don't you want to hear the punch line?
0:21:56 > 0:21:58It's a fucking good one. (LAUGHS)
0:22:03 > 0:22:05Gracias.
0:22:11 > 0:22:13# "Garbageman" - The Cramps
0:22:17 > 0:22:19# You ain't no punk, you punk
0:22:19 > 0:22:23# You wanna talk about the real junk?
0:22:23 > 0:22:26# If I ever slip, I'll be banned
0:22:26 > 0:22:29# Cos I'm your garbageman
0:22:30 > 0:22:34# Well, if you can't dig me, you can't dig nothing
0:22:34 > 0:22:37# Do you want the real thing or are you just talking?
0:22:37 > 0:22:39# Do you understand?
0:22:40 > 0:22:42# I'm your garbageman
0:22:43 > 0:22:45# Yeah, something...
0:23:01 > 0:23:04- Sure you don't wanna switch? - No, get out of here.
0:23:04 > 0:23:07- You have kids. - You have a tree in your kitchen.
0:23:07 > 0:23:10Want to flip another coin? Somebody's got to stay.
0:23:10 > 0:23:14- I'll call the minute I hear. - Call me sooner.- Yeah.- Oh, God!
0:23:14 > 0:23:17- What? - Cellphone. I left it at the desk.
0:23:17 > 0:23:20- Watch my stuff. - Yeah.
0:23:20 > 0:23:23- So, you're staying an extra few days? - What?
0:23:23 > 0:23:25I couldn't help but overhear.
0:23:25 > 0:23:29So, you're spying on my personal conversations now? Great(!)
0:23:29 > 0:23:33Something about the asshole buyers not being completely convinced,
0:23:33 > 0:23:35wanting to hear other pitches.
0:23:36 > 0:23:38Sorry about that.
0:23:38 > 0:23:42I knew things were too good to be true, anyway.
0:23:42 > 0:23:45I'm sorry about the circumstances but I'm glad you're still in town.
0:23:45 > 0:23:50It gives me an opportunity to say how embarrassed I am about last night.
0:23:50 > 0:23:52You see... You see, the thing is...
0:23:54 > 0:23:56..I liked you.
0:23:56 > 0:24:00I kinda enjoyed talking to someone, you know. Just talking.
0:24:00 > 0:24:03- Really? - Yeah.
0:24:03 > 0:24:06And yet...
0:24:07 > 0:24:10..I tell you about my dead son and you mock it.
0:24:14 > 0:24:17I lost my wife.
0:24:18 > 0:24:21I was 24 years old. I was drunk.
0:24:21 > 0:24:24- I ploughed our car into an oak tree. - Jesus!
0:24:26 > 0:24:30Since then, I've soiled my way through life.
0:24:30 > 0:24:33I've been a magnificently cold moron.
0:24:33 > 0:24:37I run away from anything that remotely resembles an emotion.
0:24:37 > 0:24:39Thus, you tell me about your son,
0:24:39 > 0:24:42I tell you a joke about a 15-inch schlong.
0:24:44 > 0:24:47- So, you can forgive me, right? - Got it!
0:24:47 > 0:24:51- Better I remember it now than somewhere over Amarillo.- Right.
0:24:51 > 0:24:55- Alright, speak to you manana. - Yeah. Yeah. Yeah.
0:24:55 > 0:24:57- It's gonna be alright. - I know.- OK.
0:25:04 > 0:25:07Danny! Hey, hey, Danny, wait.
0:25:07 > 0:25:10Hey, I've got an extra ticket to the bullfights this afternoon.
0:25:10 > 0:25:14It would mean a great deal to me if you would join me.
0:25:14 > 0:25:16Oh.
0:25:16 > 0:25:20Thank you. Thank you very much. That's very nice of you.
0:25:20 > 0:25:23And I... I can't. I can't. I have work.
0:25:23 > 0:25:27On a Sunday afternoon? Never seen a bullfight?
0:25:27 > 0:25:29No.
0:25:29 > 0:25:33You haven't seen the real Mexico City until you've seen a bullfight.
0:25:33 > 0:25:36(BOTH CHUCKLE)
0:25:36 > 0:25:38Come on.
0:25:46 > 0:25:48(DISTANT YELLING)
0:25:48 > 0:25:50(ALL YELL) Ole!
0:25:52 > 0:25:53Ole!
0:25:53 > 0:25:55Ole!
0:25:55 > 0:25:57Ole!
0:25:57 > 0:25:59Ole!
0:25:59 > 0:26:00Ole!
0:26:14 > 0:26:16(CHEERING)
0:26:16 > 0:26:18Ole!
0:26:18 > 0:26:20Ole!
0:26:22 > 0:26:25Bean is not gonna believe this. I can't wait to tell her.
0:26:25 > 0:26:29(CHUCKLES) Where did you ever find a woman like that?
0:26:29 > 0:26:32- A woman you can share everything with.- She's pretty special.
0:26:32 > 0:26:35You must be, too. I could learn from you.
0:26:35 > 0:26:39Learn what? Do you want my mortgage, my blood pressure?
0:26:39 > 0:26:43I've never had my blood pressure taken and I couldn't get a mortgage
0:26:43 > 0:26:46for all the teenage twat in Thailand.
0:26:46 > 0:26:49- You don't own a house? - No house.
0:26:49 > 0:26:51No apartment. No address.
0:26:52 > 0:26:56- Are you bullshitting me? - I shit you not.- Monte Cristo?
0:26:56 > 0:26:59Er, yeah. Thanks.
0:26:59 > 0:27:02You don't have a permanent address? Where do you live?
0:27:02 > 0:27:05- I live wherever I'm working. - So, what do you do, Julian?
0:27:05 > 0:27:10What do you possibly do? You don't have a permanent home or address.
0:27:12 > 0:27:15I'd rather not say.
0:27:16 > 0:27:21- Oh, my God, did you see that? - Jeez, that's so bloody!
0:27:21 > 0:27:23You're lucky. That matador was good.
0:27:23 > 0:27:26- It's worse when they're mediocre. - Why?
0:27:26 > 0:27:30A great matador can kill the bull with one plunge of the blade.
0:27:30 > 0:27:33A lesser one has to plunge that blade more than once.
0:27:33 > 0:27:36That makes the crowd unhappy.
0:27:36 > 0:27:39- They don't like to see the bull suffer.- No.
0:27:39 > 0:27:44No, no, they clearly care so very much about these animals.
0:27:44 > 0:27:48They respect these beasts. They want them to die with honour.
0:27:48 > 0:27:51Ridiculous. There's no honour in being killed by a man with a sword,
0:27:51 > 0:27:54- whether it's one plunge or 20. - You're wrong.
0:27:54 > 0:27:58- You're very wrong. There is honour. - How would you know?
0:28:00 > 0:28:02I do.
0:28:05 > 0:28:09- You're a mysterious man, Julian. - Uh-huh.
0:28:13 > 0:28:17- Yet you won't tell me what you do. - It's confidential.
0:28:18 > 0:28:21Confidential? Do you work for the government?
0:28:21 > 0:28:24For the government? Please!
0:28:24 > 0:28:28Do you know what they pay? Forget it. Watch the picadors.
0:28:28 > 0:28:32- Are you a spy or something? - You read too many novels, Danny.
0:28:32 > 0:28:34Huh? You a spy?
0:28:34 > 0:28:36Huh?
0:28:38 > 0:28:41- (SIGHS) - You're not gonna tell me. It's OK.
0:28:41 > 0:28:44It's OK.
0:28:44 > 0:28:45Alright.
0:28:47 > 0:28:51- It's alright.- If I tell you, will you keep your cool?
0:28:51 > 0:28:55- What do you mean? - I don't want you to lose your shit.
0:28:55 > 0:28:58Lose my shit?
0:28:59 > 0:29:02- My God, what are you gonna tell me? - Sometimes...
0:29:09 > 0:29:11- Sometimes, what? - Sometimes...
0:29:12 > 0:29:15..people need to be eliminated.
0:29:18 > 0:29:20Oh, come on! (LAUGHS)
0:29:22 > 0:29:27- What, you're a hit man? - Oh, please. Please!
0:29:27 > 0:29:31My handler calls me a facilitator.
0:29:32 > 0:29:36- A facilitator of fatalities. - That's insane!- Think what you like.
0:29:36 > 0:29:41You're one of the best bullshit artists I've met and I've met some.
0:29:41 > 0:29:45You're absolutely right, Danny. My name's Earl Johnson.
0:29:45 > 0:29:48I sell aluminum siding in Minneapolis.
0:29:50 > 0:29:52You kill people for a living?
0:29:52 > 0:29:57- I do what I'm asked to do, what makes sense to me.- For, like, the mob?
0:29:57 > 0:30:02I tend to be hired on the more, kind of, anonymous high-paying jobs.
0:30:02 > 0:30:04Corporate gigs.
0:30:04 > 0:30:07Corporate gigs?
0:30:08 > 0:30:11I'm a great helper in getting deals closed.
0:30:14 > 0:30:19- (LAUGHS) I don't believe you. - I don't believe in the Easter Bunny.
0:30:19 > 0:30:21I don't believe you for a second.
0:30:21 > 0:30:25- Corporate gigs.- Think what you will. - That's ridiculous!- Yes.
0:30:25 > 0:30:28- Corporate gigs! - Yes! My God.
0:30:28 > 0:30:31I knew there was a reason I never told anyone what I did.
0:30:31 > 0:30:33Uh-huh.
0:30:33 > 0:30:37- See that guy over there? - The fat man and little girl?- Yeah.
0:30:37 > 0:30:42Say I want him dead. I want him dead, his family dead. Right now.
0:30:42 > 0:30:45- Right here.- Now? Couldn't happen. - I know but say that it could.
0:30:45 > 0:30:48- Money's no object. - OK.
0:30:48 > 0:30:51- Are you sure you want to know? - Yeah.- You're sure?
0:30:51 > 0:30:54Yeah, I want you to facilitate it.
0:30:55 > 0:30:59- OK, Danny. Alright, come with me. - Where?- Let's go.
0:31:02 > 0:31:04(ALL) Ole!
0:31:04 > 0:31:06Ole!
0:31:06 > 0:31:09Ole!
0:31:10 > 0:31:11Ole!
0:31:12 > 0:31:16I'm a big fan of the got-to-pee theory of assassinations.
0:31:16 > 0:31:19- Got to pee? - Everyone's got to pee.
0:31:19 > 0:31:24- Ah. - Now, ask me for a cigarette.
0:31:24 > 0:31:26- What? - Do it.
0:31:27 > 0:31:30- Can I have a cigarette, please? - Sure.
0:31:30 > 0:31:32These things will kill you, you know. (CHUCKLES)
0:31:33 > 0:31:36Now, look around.
0:31:38 > 0:31:40(COUGHS) They're scary.
0:31:40 > 0:31:43- Yes and no. - Why?
0:31:43 > 0:31:47They seem more interested in the women coming from the ladies' room.
0:31:47 > 0:31:51That's good for us. Just like those men at the concession stand.
0:31:51 > 0:31:55They're only interested in us if they see our wallets open.
0:31:55 > 0:31:58No-one is watching the men's room.
0:31:58 > 0:32:01- The got-to-pee theory. - You're catching on.
0:32:01 > 0:32:04- Now, escape routes. - Escape routes?
0:32:04 > 0:32:07- Don't get caught. It sucks. - Right.
0:32:07 > 0:32:09See the main exit? That's a traffic jam.
0:32:09 > 0:32:12- Where else? - You tell me.
0:32:12 > 0:32:16OK, OK, that door over there if it weren't locked.
0:32:16 > 0:32:20A Vietnamese girl I knew had her legs so locked together,
0:32:20 > 0:32:22I couldn't get a whiff of her spring roll.
0:32:22 > 0:32:26Two drinks, half a Quaalude later, I was at an all-you-can eat buffet.
0:32:26 > 0:32:28Every lock can be broken.
0:32:28 > 0:32:31It's just a matter of will. Whether it's worth it.
0:32:32 > 0:32:34This looks like it's worth it.
0:32:36 > 0:32:40- Cigarrillos, por favor. - Why are we buying the cigarettes?
0:32:40 > 0:32:44- Cos I want to smoke.- Gracias. - Come over here.
0:32:47 > 0:32:49Now, do your shoe laces up.
0:32:54 > 0:32:57What time's our flight to Florida, Seymour?
0:32:58 > 0:33:00I think two o'clock, Derek.
0:33:04 > 0:33:06Let's go, Seymour.
0:33:06 > 0:33:09(BAND PLAYS)
0:33:16 > 0:33:18(CROWD ROARS)
0:33:30 > 0:33:33- Holy shit! - (LAUGHS)
0:34:14 > 0:34:16- Are you ready? - Ready for what?
0:34:16 > 0:34:19- You wanted to see what I do. - Yes.
0:34:19 > 0:34:22Yes, I've been watching but, you know...
0:34:22 > 0:34:26Show-and-tell is over. The real deal's about to start.
0:34:27 > 0:34:29- The real deal? - Hmm.
0:34:31 > 0:34:34- Show-and-tell is for sissies. - Right.- But a sissy I'm not.
0:34:36 > 0:34:38- Oh, my God! - Come on.- My God! Fire!
0:34:38 > 0:34:41- Are you crazy? - It's a distraction. Fire or tits.
0:34:41 > 0:34:44Either one will distract most cops.
0:34:44 > 0:34:47- Ready to finish what we started? - That was extremely dangerous.
0:34:47 > 0:34:50- I think you proved your point. - Baloney!
0:34:50 > 0:34:54The cops may have gone to the fire. His bodyguard probably stood firm.
0:34:54 > 0:34:58- Bodyguard?- If I'm asked to kill a person, they always have a bodyguard.
0:34:58 > 0:35:01- I slit the guard's throat. - Christ!
0:35:01 > 0:35:03Push him into the bathroom.
0:35:04 > 0:35:06Now we set out for the kill.
0:35:11 > 0:35:13- Where did you get the knife? - He's not peeing.
0:35:13 > 0:35:17- It must be number dos.- Joke's over. Point made, Julian. Let's go.
0:35:17 > 0:35:21- Not yet. It's not made. - No, no, the point's made.
0:35:21 > 0:35:25- Let's get out of here. - Don't fucking ruin things! Don't.
0:35:31 > 0:35:33OK. Julian...
0:35:33 > 0:35:37- I'm asking you to stop this! - No way. Job's not done.
0:35:37 > 0:35:41- It's not a job! - You said money was no object.
0:35:42 > 0:35:45# Bingo was his name-o # This is what you wanted.
0:35:45 > 0:35:48- No.- You helped me. - I didn't help you.- Yes, you did!
0:35:48 > 0:35:50- Yes, you did. - No.
0:35:52 > 0:35:55Oh, God, no!
0:35:57 > 0:36:00Oh! Disculpa, por favor. Lo siento.
0:36:04 > 0:36:07Fun, eh? (LAUGHS)
0:36:08 > 0:36:11Come on. (CHUCKLES)
0:36:11 > 0:36:13- Whoo-hoo! That was incredible. - (LAUGHS)
0:36:13 > 0:36:16- You scared the hell out of me! - Like that?- Oh!
0:36:16 > 0:36:19- I really thought it. - What, that I'd stab a stranger?
0:36:19 > 0:36:21- I don't know. - Just like that?
0:36:21 > 0:36:25- (LAUGHS) A complete stranger? - Yes! Yes, I did.
0:36:25 > 0:36:27- I'm not psychotic, Danny. - I know.
0:36:27 > 0:36:30- Psychopathic but not psychotic. - I don't think you're psychopathic.
0:36:30 > 0:36:34I kill people. Doesn't that seem a wee bit psychopathic?
0:36:34 > 0:36:37- Yeah, but you know... - Don't get the wrong impression.
0:36:37 > 0:36:40Just because we shared a laugh doesn't mean I'm not unsavoury.
0:36:40 > 0:36:42No, no, what you do is unsavoury.
0:36:42 > 0:36:45You know what they say. You are what you do.
0:37:01 > 0:37:04- Gracias. - Gracias.
0:37:05 > 0:37:08Tell me,...
0:37:08 > 0:37:12..will Bean stay with you if this job doesn't come through?
0:37:12 > 0:37:14What?
0:37:14 > 0:37:18Will Bean stay with you if you continue this losing streak?
0:37:18 > 0:37:22- If she ever left me, I'd fall apart. - You're not answering my question.
0:37:25 > 0:37:27To be quite honest,...
0:37:28 > 0:37:32..I don't know how much faith the woman has left in her.
0:37:33 > 0:37:35(EXHALES) Hey.
0:37:35 > 0:37:37Hey.
0:37:38 > 0:37:41- Comforting me? - (CHUCKLES)
0:37:42 > 0:37:45- Let's change the subject, please. - I agree.
0:37:45 > 0:37:48- Something sunnier. - Sunnier!
0:37:49 > 0:37:53Absolutely! There was something I wanted to talk to you about.
0:37:53 > 0:37:57- It's a favour.- Sure. - It's a pretty big favour.- It's OK.
0:37:57 > 0:38:01See,... the thing is, I could use your help.
0:38:02 > 0:38:05- Help in, what? - I'm down here.
0:38:05 > 0:38:09- I finished my other job early so I let it be known.- Let it be known?
0:38:09 > 0:38:13Yeah, to the powers that be, that I was available.
0:38:13 > 0:38:16- The powers that be? - Yeah. They called me up.
0:38:16 > 0:38:21- An urgent thing. Has to happen today. - Another job?
0:38:21 > 0:38:23- Uh-huh. - Jesus Christ!
0:38:23 > 0:38:27The things is, I could really use your help.
0:38:30 > 0:38:31Oh!
0:38:32 > 0:38:37- You're kidding right now.- I'm as serious as an erection problem.
0:38:37 > 0:38:39- I mean, I... - Gracias.
0:38:39 > 0:38:43- I can't help you, Julian. - You could.
0:38:43 > 0:38:47I could but I can't. I'm not gonna help you kill an innocent man.
0:38:47 > 0:38:50- Who says he's innocent? - Ridiculous.- Just assist.
0:38:50 > 0:38:52- No!- You just have to - - I'm not listening.
0:38:52 > 0:38:57- I can't hear you. I can't hear you. (CHATTERS)- You're being childish.
0:38:57 > 0:39:00- Ooga-shacka.- You're being childish. - Not listening.
0:39:00 > 0:39:04- You're being childish. All I'm asking...- Da, da-da, da, da.
0:39:04 > 0:39:06Alright, alright. I won't tell you.
0:39:06 > 0:39:09- Good. - I won't mention it.
0:39:09 > 0:39:12- Great. - Just trip on the street next to him.
0:39:12 > 0:39:17- I can't believe you. - Trip so his bodyguards look away.
0:39:17 > 0:39:19No way.
0:39:20 > 0:39:24- 50,000. That's what I've got. - No!- That's a lot of money. Cash.
0:39:24 > 0:39:29- It could be real interesting. - No. I said no.- He's a real prick.
0:39:29 > 0:39:32I don't give a darn who he is or what he did or anything.
0:39:32 > 0:39:36I'm not gonna help you, Julian. I'm not gonna do that.
0:39:36 > 0:39:39If you bring it up again, I'll leave.
0:39:45 > 0:39:48- Fine.- Fine. - Change the subject.- You.
0:39:51 > 0:39:54- Change it.- You. - Fine.- OK.
0:39:56 > 0:40:00When I was a kid, I wanted to be a cheerleader.
0:40:02 > 0:40:05- Really, a cheerleader? - Yeah.
0:40:05 > 0:40:08I wanted to be thrown in the air and march in the band.
0:40:10 > 0:40:13- Seriously? - Uh-huh.
0:40:15 > 0:40:19That's so funny. My brother-in-law is a male cheerleader -
0:40:19 > 0:40:23Jesus Christ, I'm fucking kidding! I didn't want to be a cheerleader.
0:40:23 > 0:40:26All I want to do with cheerleaders is shower with them.
0:40:26 > 0:40:29I want to talk about what I wanted to talk about.
0:40:29 > 0:40:31There's nothing to talk about.
0:40:34 > 0:40:37Well, then, it was nice knowing you.
0:40:37 > 0:40:41Oh, Julian! Come on! What, are you just leaving?
0:40:41 > 0:40:43I've got business to attend to.
0:40:43 > 0:40:46- I really thought... - Nothing. Think nothing.
0:40:46 > 0:40:50Just consider me the best cocktail-party story you ever met.
0:40:50 > 0:40:53Bye, Danny.
0:40:55 > 0:40:57Julian!
0:41:05 > 0:41:07(PHIL) "Unfortunately, I was right."
0:41:07 > 0:41:11"I got in touch with Alejandra. She said her bosses are leaning
0:41:11 > 0:41:14towards Cardenas and his group and not us."
0:41:15 > 0:41:20"Things might break in our favour. Their instinct was to go with us
0:41:20 > 0:41:24but they're getting intense pressure to sign with a Mexican company."
0:41:24 > 0:41:28"I'm trying to get Antonia so I can set up one more meeting tomorrow."
0:41:28 > 0:41:32"I'll call when I hear something. Hang in there. It's not over yet."
0:41:32 > 0:41:36- (ANSWER PHONE BEEPS) - "Es el fin de sus mensajes."
0:41:57 > 0:41:59(KNOCK AT DOOR) 'Danny.'
0:42:00 > 0:42:03'Danny, it's Julian.'
0:42:04 > 0:42:06'Danny, I just want to say I'm sorry.'
0:42:06 > 0:42:10'I know it's late and I'm a little fucked up but I'm sorry.'
0:42:12 > 0:42:15I'm a mess. I'm a fucker! (CHUCKLES)
0:42:20 > 0:42:23Look, I shouldn't have asked you to help me.
0:42:23 > 0:42:27I infringed... I infringed on your kindness.
0:42:27 > 0:42:30But please, let me tell you I'm sorry.
0:42:30 > 0:42:32'Let me apologise.'
0:42:32 > 0:42:35'Can't you see how guilty I feel?'
0:42:37 > 0:42:40'Danny! Danny!'
0:42:40 > 0:42:42(GLASS SHATTERS)
0:42:48 > 0:42:50# "It's Not Unusual" - Tom Jones
0:42:50 > 0:42:53Oh, yeah, yeah! Oh, yes.
0:42:58 > 0:43:02# It's not unusual to be loved by anyone
0:43:02 > 0:43:04(DOG GROWLS)
0:43:04 > 0:43:07# It's not unusual to have fun with anyone
0:43:08 > 0:43:12# But when I see you hanging about with anyone
0:43:13 > 0:43:17# It's not unusual to see me cry
0:43:17 > 0:43:20# I wanna die
0:43:21 > 0:43:25# It's not unusual to go out at any time
0:43:26 > 0:43:28# But when I see you out and about
0:43:28 > 0:43:31# It's such a crime
0:43:31 > 0:43:35# If you should ever wanna be loved by anyone
0:43:35 > 0:43:39# It's not unusual, it happens every day
0:43:40 > 0:43:43# No matter what you say
0:43:43 > 0:43:45(BELL CHIMES)
0:43:50 > 0:43:52(GENTLE CLASSICAL MUSIC)
0:44:17 > 0:44:19Hello, Julian.
0:44:19 > 0:44:21Getting some culture?
0:44:23 > 0:44:26- Any time I can. - You look tired.
0:44:27 > 0:44:32- I am. I need a break. - What are you saying, Julian?
0:44:32 > 0:44:35Moscow, Las Vegas, Vienna, the Philippines.
0:44:35 > 0:44:39- Now Budapest. I'm exhausted. - You know what it's like.
0:44:39 > 0:44:42You take a break, we go with a younger, cheaper kid.
0:44:42 > 0:44:46He does alright and then maybe we don't want you back.
0:44:46 > 0:44:50- You'll always want me. - No, no, not always.
0:44:50 > 0:44:52Not if we can save a few dollars.
0:44:53 > 0:44:56Not if it gets sloppy again, like in Manila.
0:44:56 > 0:44:59- That was one time. - It made some people nervous.
0:44:59 > 0:45:02- It made me nervous. - That's why I need a break.
0:45:02 > 0:45:04I don't want that to happen again.
0:45:04 > 0:45:08- It can't.- I know, that's what I'm saying. I'm feeling burnt out.
0:45:08 > 0:45:11I'm feeling... shaky.
0:45:12 > 0:45:16Can you believe this shit, the words coming out of my mouth?
0:45:18 > 0:45:22- Did you ever think you'd live to see the day?- I never thought you would.
0:45:22 > 0:45:25There's not a retirement home for assassins, is there?
0:45:25 > 0:45:29Archery at 4:00. Riflery at 5:00. Early-bird dinner at 6:00.
0:45:29 > 0:45:32Goddamn it, you leave the game, even for a while,
0:45:32 > 0:45:35I don't know if they'll let you back in. Then what are you gonna do?
0:45:35 > 0:45:38Waste your days picking up illiterate teenagers
0:45:38 > 0:45:41for suck-and-fuck sessions?
0:45:41 > 0:45:44- Sounds delightful to me. - Julian, do this job.
0:45:44 > 0:45:48- If you don't, you'll regret it. I promise you that.- How do you know?
0:45:53 > 0:45:56Just do it, Julian. Please do it. OK?
0:47:28 > 0:47:30(GASPS)
0:47:44 > 0:47:46(PANTS)
0:47:59 > 0:48:01(GUNSHOT)
0:48:03 > 0:48:05(BELLS CHIME)
0:48:17 > 0:48:19We have a problem, Mr Randy.
0:48:19 > 0:48:22The problem is Julian Noble.
0:48:22 > 0:48:25It seems he didn't deliver the portfolio.
0:48:26 > 0:48:32You know, it says it took 53 years to paint this ceiling.
0:48:34 > 0:48:37People are upset, Mr Randy.
0:48:37 > 0:48:39Mr Stick is upset.
0:48:41 > 0:48:44- Mr Stick knows? - Mr Stick knows.
0:48:46 > 0:48:49Well, he knows we can fix it.
0:48:52 > 0:48:56- I'm just the messenger. - But he knows we can fix it.
0:48:56 > 0:48:59- We always fix any problems. - You can't fix it with Noble.
0:49:00 > 0:49:02Ladies.
0:49:03 > 0:49:05Alright, I'll replace him.
0:49:05 > 0:49:08No. Yes.
0:49:08 > 0:49:11You'll replace him but, no.
0:49:11 > 0:49:15Mr Stick has asked for other things.
0:49:15 > 0:49:19No, it's ridiculous. Julian's been with us for 22 years.
0:49:19 > 0:49:24- Two little mistakes... - Julian Noble is a dead man.
0:49:33 > 0:49:35- (GRUNTING) Oh, yeah! - (DRYER RUMBLES)
0:49:35 > 0:49:38- That's it, Danny. - Oh, yeah!
0:49:38 > 0:49:40- That's my Danny boy. - Oh, yeah!
0:49:40 > 0:49:42(MOANS)
0:49:43 > 0:49:46Oh, Danny boy. Oh!
0:49:46 > 0:49:48- (GRUNTS) - (MOANS)
0:49:55 > 0:49:57(SIGHS) Excellent.
0:49:58 > 0:50:02- (LOUD BUZZING / DRYER STOPS) - Laundry's done.
0:50:16 > 0:50:18Tomorrow's four years.
0:50:19 > 0:50:21I know.
0:50:23 > 0:50:26It's such a long time when you think about it.
0:50:29 > 0:50:32It seems like yesterday, right?
0:50:33 > 0:50:36Henry was alive.
0:50:36 > 0:50:38Here.
0:50:43 > 0:50:47When I was in high school, I told you they made fun of me.
0:50:47 > 0:50:53They called me Hippo Hips and Plate Of Beans, the works.
0:50:55 > 0:50:59Even though I did basketball and chorus
0:50:59 > 0:51:05and I had a few friends, and I acted strong,... I never was.
0:51:08 > 0:51:11Because I believed them, always, every last cruel word.
0:51:13 > 0:51:16And I... I always thought I would believe them.
0:51:18 > 0:51:20Until I met you.
0:51:23 > 0:51:26You arrived in 12th grade.
0:51:28 > 0:51:32And you told me that I was pretty.
0:51:32 > 0:51:34For the first time, I believed that.
0:51:34 > 0:51:37You told me that I was sexy.
0:51:38 > 0:51:41You were sexy back there on the dryer.
0:51:41 > 0:51:44And when Henry died,
0:51:44 > 0:51:47you told me to stay strong...
0:51:48 > 0:51:51..and that we would get through it.
0:51:52 > 0:51:55And we did.
0:51:56 > 0:51:58We did.
0:52:06 > 0:52:09- Because you never gave up on me. - I never could.
0:52:10 > 0:52:13I never will.
0:52:21 > 0:52:24(DOORBELL CHIMES)
0:52:25 > 0:52:27Who could that be at 11:30 at night?
0:52:29 > 0:52:31(DOORBELL CHIMES)
0:52:31 > 0:52:34(KNOCK AT DOOR)
0:52:34 > 0:52:36- (THUDDING AT DOOR) - Yeah?
0:52:36 > 0:52:40- 'Danny Wright?' - Yes. Who's there?
0:52:40 > 0:52:43'Danny, Danny!'
0:52:43 > 0:52:46Danny with the large white fanny!
0:52:47 > 0:52:50- Julian! - 'Would you mind opening up, Danny?'
0:52:50 > 0:52:53'It's freezing out here. My balls are like bonbons.'
0:52:54 > 0:52:57(LAUGHS)
0:52:58 > 0:53:02I was praying you'd remember me. It's been a spell.
0:53:02 > 0:53:06- (CHUCKLES)- Please, come on in. - Thank you. Thank you.
0:53:08 > 0:53:10(CHUCKLES)
0:53:13 > 0:53:16- Hey! - I decided to...
0:53:16 > 0:53:20- How did you find me?- I found a whore with a heart of gold once.
0:53:20 > 0:53:25I can certainly find Danny's card in my address book. (CHUCKLES)
0:53:25 > 0:53:29- Oh, excuse me. I didn't realise. - It's OK.
0:53:30 > 0:53:33You must be Bean.
0:53:33 > 0:53:35My wife.
0:53:35 > 0:53:37Oh, this...
0:53:39 > 0:53:41My boots...
0:53:42 > 0:53:46- I've heard so much about you. - And me you.
0:53:50 > 0:53:55There's no doubt you're every bit as lovely as Danny said. (CHUCKLES)
0:53:55 > 0:53:59Danny! I always said you were the luckiest man I ever met.
0:54:02 > 0:54:04Well...
0:54:07 > 0:54:10What are you doing here, Julian?
0:54:20 > 0:54:24I really don't know. I don't know.
0:54:26 > 0:54:31I hope it's alright my being here. I guess it's the middle of the night.
0:54:31 > 0:54:33- Yes. - Well...
0:54:33 > 0:54:37I could sure use some coffee. Just a cup.
0:54:38 > 0:54:40Yes, alright.
0:54:40 > 0:54:43- I can get some coffee. - That'd be great.
0:54:43 > 0:54:45- Or maybe some whiskey. - That's even better.
0:54:45 > 0:54:50- Mmm!- Tonight's a night for whiskey. - And song and dance.
0:54:51 > 0:54:54Well, whiskey at least.
0:54:56 > 0:55:00This is really odd. Really, really odd.
0:55:01 > 0:55:04- I could ask him to leave. - We just asked him to stay.
0:55:05 > 0:55:10- We could change our minds. - Why? Do you think he's dangerous?
0:55:11 > 0:55:14He's an assassin, Bean. Of course he's dangerous.
0:55:14 > 0:55:17But I mean dangerous dangerous. You said he was a nice guy.
0:55:17 > 0:55:21He is. For an assassin, he's very nice.
0:55:22 > 0:55:24Fuck!
0:55:24 > 0:55:26Fuckity fuck!
0:55:26 > 0:55:31What? I'm allowed to curse. Especially now. If not now, when?
0:55:31 > 0:55:32True.
0:55:32 > 0:55:36This is the fucking perfect time to be fucking cursing.
0:55:36 > 0:55:40There's a fucking killer standing in our fucking living room.
0:55:43 > 0:55:46Do you think he would show me his gun?
0:55:52 > 0:55:54A toast, maybe?
0:55:55 > 0:55:59To a stranger arriving in the middle of the night.
0:55:59 > 0:56:02- Well, you're not a stranger. - No, I'm pretty strange.
0:56:02 > 0:56:06Be that as it may, you're not a stranger, Julian. Far from it.
0:56:06 > 0:56:09The toast really should be to you, Danny.
0:56:09 > 0:56:11And to you, Bean.
0:56:11 > 0:56:14For your hospitality and your warmth.
0:56:21 > 0:56:26- (COUGHS)- (CLEARS THROAT / CHUCKLES) - I never thought I'd see you again.
0:56:26 > 0:56:28I never thought I'd see you again, Danny.
0:56:28 > 0:56:31Well, things...
0:56:31 > 0:56:33Things change.
0:56:33 > 0:56:36They just change.
0:56:36 > 0:56:38Is that...?
0:56:39 > 0:56:42- You saved it. - I did.
0:56:42 > 0:56:46- You saved it. I can't believe it. - He still talks about that all time.
0:56:46 > 0:56:50- No. It's... - It touches me that you kept it.
0:56:50 > 0:56:53- How could I not? - That was a special day.
0:56:53 > 0:56:56- Yes. - So, Danny told you what I did?
0:56:56 > 0:56:58Professionally?
0:57:00 > 0:57:02Did you bring your gun?
0:57:03 > 0:57:06Yes, as a matter of fact.
0:57:06 > 0:57:09- May I see it? - Really?
0:57:09 > 0:57:13- Yes, please.- He's not just gonna... - Here you go.- OK.
0:57:21 > 0:57:24- That a .38? - Yes, it is.
0:57:25 > 0:57:29- You know your guns, Bean. - Yes, well...
0:57:29 > 0:57:33- My God! You are a magnificent woman. - (CHUCKLES)
0:57:35 > 0:57:38Bean knows a lot of things about a lot of things.
0:57:38 > 0:57:40Bean, tell me,
0:57:40 > 0:57:44did Danny tell you everything about our time in Mexico together?
0:57:44 > 0:57:46Yes, I'm sure. Why?
0:57:47 > 0:57:49Oh.
0:57:51 > 0:57:55My God, you look great, Danny. (CHUCKLES) Really great.
0:57:55 > 0:57:58- You do, too, Julian. - No, no.
0:57:58 > 0:58:02I look like a Bangkok hooker the morning after the Navy left town.
0:58:02 > 0:58:06But you, life's been good to you, am I right?
0:58:06 > 0:58:08- Pretty good, yeah. - Your work?
0:58:08 > 0:58:13- You have that respect you wanted back again?- I do.- Yeah?
0:58:13 > 0:58:16- So, you got that job in Mexico? - We did.
0:58:16 > 0:58:20And your luck? It's better, right? No more trees in the kitchen?
0:58:20 > 0:58:23- (ALL LAUGH) - You told him about that?
0:58:23 > 0:58:26And you love Bean more than ever.
0:58:26 > 0:58:30- That I do. - Then, what more could you want?
0:58:31 > 0:58:35Here's a toast. To a man with respect again.
0:58:36 > 0:58:39To a woman who's more lovely than any man deserves.
0:58:40 > 0:58:42And to me. (GLASSES CHINK)
0:58:42 > 0:58:46- What is the toast to you for? - Toast to a dead man, Bean.
0:58:47 > 0:58:49Toast to a dead man.
0:58:52 > 0:58:55About three months ago, I had this job in Manila.
0:58:56 > 0:58:59Normally, this would make me happy. I like the hot climate.
0:58:59 > 0:59:02Guys look like chicks. It's fucking fantastic.
0:59:02 > 0:59:06The thing was, I was burnt out. I didn't know it.
0:59:06 > 0:59:10I didn't know what burnt out meant at the time. But I was.
0:59:10 > 0:59:13I was a classic textbook case.
0:59:19 > 0:59:23'I was having panic attacks, completely losing control of myself.'
0:59:23 > 0:59:27'I tried to counter this with booze, of course, but nothing was working.'
0:59:27 > 0:59:29'I drank and drank and...'
0:59:31 > 0:59:33'Nothing! I was still feeling edgy.'
0:59:33 > 0:59:36'Still feeling like my head was going to explode.'
0:59:36 > 0:59:41'So I moved on to my other usual diversions,
0:59:41 > 0:59:45a wonderful little whorehouse I knew right off of Robini Street.'
0:59:46 > 0:59:51'That wasn't working either. And a good fuck usually does.'
0:59:51 > 0:59:54- Excuse my French. - Go on.
0:59:54 > 0:59:56So I had this assignment. Nothing special.
0:59:56 > 1:00:01Some copper-wire executive someone doesn't want around. My usual gig.
1:00:01 > 1:00:04Well, I knew that this copper-wire guy
1:00:04 > 1:00:08always came to a little outdoor market every Thursday to buy fruit.
1:00:10 > 1:00:12'The guy liked his fruit.'
1:00:18 > 1:00:20'It was a simple plan.'
1:00:20 > 1:00:25'As he walks through the crowds, I bump into him and stab him.'
1:00:34 > 1:00:38'The thing was, I was still a mess.'
1:00:40 > 1:00:43'Every time I looked at the guy, I didn't see him,
1:00:43 > 1:00:46but I saw a little boy instead.'
1:00:53 > 1:00:57'And it wasn't just any boy.'
1:00:57 > 1:00:59'It was me.'
1:00:59 > 1:01:01Me as a child.
1:01:04 > 1:01:06Freaky shit, right?
1:01:08 > 1:01:11'Real nervous-breakdown sort of stuff.'
1:01:17 > 1:01:22'I still readied the knife, I still prepared for the job but...'
1:01:25 > 1:01:29'I couldn't do it. I just couldn't do it.'
1:01:40 > 1:01:44- Then what happened? - I woke up in a pile of donkey shit.
1:01:44 > 1:01:46'I fainted.'
1:01:46 > 1:01:50I guess I landed in a pile of donkey shit.
1:01:50 > 1:01:52(BRAYING)
1:01:54 > 1:01:58And since then, it's been extremely hot and cold.
1:01:58 > 1:02:02Some jobs go OK, others not so OK.
1:02:04 > 1:02:08A few weeks ago, I fucked up again in Budapest.
1:02:08 > 1:02:11Froze right at the moment I should've been firing.
1:02:12 > 1:02:16I didn't finish the job. And that was that.
1:02:17 > 1:02:19Now it's just a matter of time.
1:02:20 > 1:02:23Well, isn't there somebody that you can talk to?
1:02:23 > 1:02:26Like Mary Beth in Human Resources?
1:02:26 > 1:02:30Come on, this is insane. They're gonna kill you for botching a job?
1:02:30 > 1:02:34- Uh-huh. - Well, can't you just say to them,
1:02:34 > 1:02:39"You know what? I'm sorry. I was a little burnt out
1:02:39 > 1:02:42and I'm a little messed up." Can't you do that?
1:02:43 > 1:02:47But you were seeing images of yourself as a small boy.
1:02:47 > 1:02:50If that's not a Freudian meltdown, I don't know what is.
1:02:50 > 1:02:54- Certainly they have to see that. - No, they don't. They don't.
1:02:54 > 1:02:57I mean, I'd be dead today
1:02:57 > 1:03:00if my handler hadn't tipped me off on the company plans.
1:03:00 > 1:03:03I barely got out of Budapest alive.
1:03:03 > 1:03:07And how did you end up here, in Denver?
1:03:10 > 1:03:12It's funny.
1:03:13 > 1:03:16Some people run home in a time of crisis.
1:03:17 > 1:03:21My problem, the problem I shared with Danny in Mexico,
1:03:21 > 1:03:23is that I don't have a home.
1:03:24 > 1:03:28I mean,... that's why I'm here.
1:03:30 > 1:03:34- You're the only friend I have. - Oh!
1:03:34 > 1:03:38But that's ridiculous. You have... You have friends.
1:03:41 > 1:03:44I don't. I really don't.
1:03:45 > 1:03:48You're it. (LAUGHS)
1:03:48 > 1:03:50It's fucking crazy, right?
1:03:50 > 1:03:54You're my only friend and I barely know you. (LAUGHS)
1:03:54 > 1:03:57This home...
1:03:59 > 1:04:01Your home...
1:04:02 > 1:04:05It's the only home I know.
1:04:07 > 1:04:11'God, she's really fantastic, Danny.'
1:04:11 > 1:04:13She's lovely.
1:04:13 > 1:04:17- She's everything to me. - Yeah, you said that in Mexico.
1:04:18 > 1:04:20I nodded and listened.
1:04:20 > 1:04:23But now I see.
1:04:24 > 1:04:26I see.
1:04:27 > 1:04:29You were right.
1:04:33 > 1:04:36You told her everything that happened in Mexico?
1:04:38 > 1:04:41I told her about our time together, yes.
1:04:43 > 1:04:46And where does that story end?
1:04:49 > 1:04:53She knows the last I heard of you you were knocking on my hotel room
1:04:53 > 1:04:56asking forgiveness for trying to involve me in a job.
1:04:59 > 1:05:01That's what you said,
1:05:01 > 1:05:06that I knocked and knocked and you never answered?
1:05:07 > 1:05:09Yes.
1:05:11 > 1:05:13Gentlemen.
1:05:14 > 1:05:16- I'm a bit drunk. - (CHUCKLES)
1:05:16 > 1:05:19That's a nice place to be.
1:05:19 > 1:05:22Julian, you will stay the night of course.
1:05:22 > 1:05:26Thank you, Bean. I promise I'll be out of here tomorrow.
1:05:26 > 1:05:30Let's not talk about that now. You know, I don't think
1:05:30 > 1:05:33I've been up with a guest until 2:30 in the morning in a long time.
1:05:33 > 1:05:36- It's good, right? - Oh, it's very good.
1:05:36 > 1:05:40- Hey, can I turn on your stereo? - Sure. Now?
1:05:40 > 1:05:44I saw a record I wanted to hear, In The Wee Small Hours Of The Morning,
1:05:44 > 1:05:48since we're in the wee small hours of the morning.
1:05:48 > 1:05:51- Is that OK? - Certainly, I guess.
1:05:54 > 1:05:58# "In The Wee Small Hours Of The Morning" - Dave Van Norden
1:06:06 > 1:06:08- Danny - Hmm?
1:06:08 > 1:06:13I hope you approve, but I'd really like to ask your wife to dance.
1:06:16 > 1:06:19Julian, you have had too much to drink.
1:06:21 > 1:06:25Bean, please, may I have this dance?
1:06:25 > 1:06:31# In the wee small hours of the morning
1:06:32 > 1:06:38# While the whole wide world is fast asleep
1:06:41 > 1:06:44# You lie awake
1:06:44 > 1:06:48# And think about the girl
1:06:49 > 1:06:56# And never ever think of counting sheep
1:06:57 > 1:07:04# When your lonely heart has learned its lesson
1:07:06 > 1:07:13# You'd be hers if only she would call
1:07:13 > 1:07:20# In the wee small hours of the morning
1:07:22 > 1:07:24- # That's the time... - Bravo!
1:07:24 > 1:07:27- (CHUCKLES) - Bravo!
1:07:29 > 1:07:32I learned to dance in a South American jail by a man named Morales.
1:07:32 > 1:07:35Anyway, that's another story. Another time.
1:07:35 > 1:07:36A final nightcap.
1:07:36 > 1:07:39I can't think of the headache I'm gonna have. Then don't.
1:07:39 > 1:07:43Or do. Take three aspirins and a raw egg before you go to bed.
1:07:43 > 1:07:47Where did you hear that one, The Assassin's Book Of Home Remedies?
1:07:47 > 1:07:49(ALL LAUGH)
1:07:51 > 1:07:55The only woman I ever loved, my mother.
1:07:56 > 1:07:58- What about your wife? - Hmm?
1:07:58 > 1:08:00My wife?
1:08:00 > 1:08:05Danny told me that she died in a car accident. You loved her.
1:08:17 > 1:08:20Oh, my God! I can't believe this!
1:08:20 > 1:08:22(SIGHS) I was never married.
1:08:22 > 1:08:26- I can't believe this. - There wasn't a car accident?- No.
1:08:26 > 1:08:29I'd been insensitive about your son. I was trying to win Danny over.
1:08:29 > 1:08:33- It was juvenile, stupid. - I'm the one that was stupid.
1:08:33 > 1:08:35No. You're not stupid. I'm a prick.
1:08:35 > 1:08:37It's me, not you.
1:08:37 > 1:08:42I could've kept lying to you but I chose not to as a sign of respect
1:08:42 > 1:08:46- because, well, now we're friends. - Oh!
1:08:46 > 1:08:48We are friends, aren't we?
1:08:48 > 1:08:51So, what other bullshit did you pour over me?
1:08:51 > 1:08:53Are you even a hit man, Julian?
1:08:53 > 1:08:57A facility fatalitator, whatever the fuck you call yourself.
1:08:57 > 1:09:00Yes, I am. To answer you question, Danny.
1:09:00 > 1:09:03I lie when I need to, tell the truth when I can.
1:09:03 > 1:09:08With you,... it's mostly been the truth.
1:09:17 > 1:09:19Shall I go?
1:09:23 > 1:09:26- No. - No.
1:09:31 > 1:09:35(LAUGHS) Aren't we fucking cosmopolitan?
1:09:35 > 1:09:39Having a trained assassin stay over the night.
1:09:39 > 1:09:41Letting heartbreaking lies
1:09:41 > 1:09:45just roll over us like the summer breeze.
1:09:45 > 1:09:47Next, we shall be wife swapping.
1:09:49 > 1:09:52You don't have a wife, remember?
1:09:54 > 1:09:56(BOTH LAUGH)
1:09:56 > 1:09:59(LAUGHS)
1:09:59 > 1:10:01That's a good point.
1:10:16 > 1:10:18(WHISPERS) Danny.
1:10:19 > 1:10:20Danny.
1:10:26 > 1:10:29- (LOUDER) Danny. - Oh! I want chicken.
1:10:29 > 1:10:31Come on. I've got to talk to you.
1:10:35 > 1:10:39- What is it? What do you want? - I can't talk about it here.
1:10:40 > 1:10:42- What? - Come on.
1:10:44 > 1:10:48OK, Julian. We're in your rent-a-car. What is it?
1:10:48 > 1:10:52The thing is, Danny, the thing I didn't tell you,...
1:10:53 > 1:10:56..the thing that I omitted because Bean was present,
1:10:56 > 1:11:00was that I've been offered a way out of my fatal predicament.
1:11:01 > 1:11:06- Well, that's good.- I know. I know. - No, that's really good. What is it?
1:11:06 > 1:11:09My handler, Mr Randy, contacted me like he always does
1:11:09 > 1:11:13with an ad in the International Tribune for cat-sitters in Bali.
1:11:13 > 1:11:16Is that how you stay in contact, cat-sitter ads?
1:11:16 > 1:11:20- Yeah. - OK, you know, this is ridiculous.
1:11:20 > 1:11:23- I'm so tired, Julian. - He contacted me four days ago.
1:11:23 > 1:11:28Basically, he said he'd been to the higher-ups and got me a reprieve.
1:11:28 > 1:11:31Well, like I said, that's great news.
1:11:31 > 1:11:36The thing is,... he's asked me to do one more job.
1:11:36 > 1:11:39- I have no choice. It's do the job or else.- Alright.
1:11:39 > 1:11:42That brings us to the dirty little problem.
1:11:44 > 1:11:46Alright.
1:11:46 > 1:11:48What's the problem?
1:11:48 > 1:11:51It's a pretty big problem. and you're not going to like it.
1:11:51 > 1:11:54- I'm not going to like it? - Not at all.
1:11:55 > 1:11:59Because the job involves you.
1:12:03 > 1:12:05You're not saying what I think you're saying.
1:12:05 > 1:12:07What do you think I'm saying?
1:12:07 > 1:12:10You know what I think you're saying.
1:12:10 > 1:12:14No. I don't think I know what you think I'm saying.
1:12:16 > 1:12:19Does somebody want me dead?
1:12:28 > 1:12:31- No.- What's that? - No-one wants you dead, Danny.
1:12:31 > 1:12:35- Jesus! - (WHIMPERS) You got your gun cocked.
1:12:35 > 1:12:38No, no.
1:12:38 > 1:12:40You were doing that.
1:12:40 > 1:12:43- I need your help in facilitating a fatality.- What?
1:12:43 > 1:12:47- I need your help.- No, my help is exactly what you don't need.
1:12:47 > 1:12:50I'm a mess, Danny. I'm a complete mess.
1:12:50 > 1:12:52I don't know if I can this job by myself.
1:12:52 > 1:12:55Talk to somebody else, a colleague.
1:12:55 > 1:12:57- I don't know any colleagues. - You must.- I don't.
1:12:57 > 1:12:59Well, I can't help you.
1:12:59 > 1:13:02- I know you're not the ideal candidate.- Ideal?
1:13:02 > 1:13:05I'm far, far from ideal, Julian.
1:13:05 > 1:13:08Remember my reaction last time you proposed something this asinine?
1:13:08 > 1:13:11I was trying to show you a good time.
1:13:11 > 1:13:15- Killing somebody is a good time? - Can be.
1:13:15 > 1:13:19- I'm going to sleep.- Danny, come on. - You don't need a second person.
1:13:19 > 1:13:23- You've done these things yourself. - Some jobs are better with two men.
1:13:23 > 1:13:27I think it's better if the second man isn't scared shitless
1:13:27 > 1:13:30and unprepared and unqualified and uninterested.
1:13:30 > 1:13:34- I'm going to go to bed, Julian. - I'm in a very dangerous position.
1:13:34 > 1:13:36I'm in no shape to try this myself.
1:13:36 > 1:13:39An assassin without confidence is a horrible thing.
1:13:39 > 1:13:43It's like a relief pitcher who fumbles the ball.
1:13:43 > 1:13:46Please tell me you know you mixed two sports in your metaphor.
1:13:46 > 1:13:48I can't do that.
1:13:51 > 1:13:55Danny, please! I need your help. Someone's going to die.
1:13:55 > 1:13:58A stranger or me, which would you rather?
1:13:59 > 1:14:03Look, if I can do the job successfully, I'm free and clear.
1:14:03 > 1:14:05Free and clear.
1:14:05 > 1:14:09I can retire to a beautiful Greek island with beautiful Greeks.
1:14:09 > 1:14:13- Heaven awaits me if you and I do this job.- I can't
1:14:13 > 1:14:18- Damn it, Danny! You're my only friend.- Oh, Julian!- It's true.
1:14:18 > 1:14:20And... Oh!
1:14:20 > 1:14:23- And, what? - And...
1:14:23 > 1:14:25(SIGHS)
1:14:25 > 1:14:27You owe me.
1:14:31 > 1:14:34If this were to happen, when would it take place?
1:14:34 > 1:14:36Today, at the horse races.
1:14:37 > 1:14:39- Today? - Yeah, Arizona.
1:14:39 > 1:14:42- No, that couldn't happen. - Sorry, no choice.
1:14:42 > 1:14:47No, today is the four-year anniversary of my son Henry's death.
1:14:47 > 1:14:50- We go to the cemetery. - What time does the cemetery close?
1:14:50 > 1:14:53I don't know.
1:14:53 > 1:14:57We'll have you back here 4:30, flowers in hand, I promise.
1:14:57 > 1:15:00Oh, you will? How will you do that, Julian?
1:15:00 > 1:15:04We have a 7:40 plane reservation to Tucson this morning.
1:15:04 > 1:15:08- Plenty of time to catch the 2:30 back.- We do?- I made it yesterday.
1:15:08 > 1:15:10First class. Real fancy.
1:15:10 > 1:15:14Chop-chop. Upstairs. Get dressed. Make a story up to Bean.
1:15:14 > 1:15:19We've got to get this road on the show, eh? Danny.
1:15:22 > 1:15:25# "Heat Of The Moment" - Asia
1:15:31 > 1:15:35# I never meant to be so bad to you
1:15:36 > 1:15:40# One thing I said that I would never do
1:15:41 > 1:15:44# A look from you and I would fall from grace
1:15:45 > 1:15:51# And that would wipe the smile right from my face
1:15:52 > 1:15:55# Do you remember when we used to dance?
1:15:56 > 1:16:00# And incidents arose from circumstance
1:16:01 > 1:16:04# One thing led to another, we were young
1:16:05 > 1:16:10# And we would scream together songs unsung
1:16:11 > 1:16:14# It was the heat of the moment
1:16:15 > 1:16:18# Telling you what your heart meant
1:16:18 > 1:16:20# The heat of the moment
1:16:20 > 1:16:25# Shone in your eyes
1:16:42 > 1:16:44(YAWNS)
1:16:44 > 1:16:46# Heat of the moment (ALARM)
1:16:48 > 1:16:50# Telling you what your heart meant
1:16:50 > 1:16:54- # Heat of the moment... - I'm sorry. I'm sorry. I-I...
1:16:54 > 1:16:56I did it. I did it.
1:16:56 > 1:17:00I leaned against that. I was yawning and I apologise.
1:17:00 > 1:17:04Agh! Turn it off. I'm sorry.
1:17:19 > 1:17:21Bingo.
1:18:14 > 1:18:16(TRUMPET PLAYS FANFARE)
1:18:56 > 1:18:58(CROWD CHEERS)
1:19:26 > 1:19:29Oh, I'm sorry. I'm sorry.
1:19:50 > 1:19:53(WHISPERS) Julian?
1:19:53 > 1:19:55Hey, Julian.
1:20:04 > 1:20:06Julian?
1:20:08 > 1:20:11Julian!
1:20:17 > 1:20:19Julian?
1:20:21 > 1:20:22Hey.
1:20:23 > 1:20:25What the hell is going on?
1:20:25 > 1:20:27Julian.
1:20:31 > 1:20:37You dragged me out to Arizona, to the goddamn horse races,
1:20:37 > 1:20:39to do this job, right?
1:20:39 > 1:20:41To do this job, this one last job.
1:20:41 > 1:20:44To kill somebody that I don't even know
1:20:44 > 1:20:47so you can live your life with Greeks.
1:20:47 > 1:20:49(MIMICS JULIAN) "Beautiful Greeks, Danny."
1:20:49 > 1:20:53I do everything perfectly. Not you. Me. Did you see me?
1:20:53 > 1:20:57I was brilliant! You had a clean shot and you don't take it?
1:20:57 > 1:21:00- What's going on? - I've lost it, Danny.
1:21:00 > 1:21:02They're gonna kill you, Julian.
1:21:02 > 1:21:07- But I've lost it. - That's an unacceptable answer.
1:21:07 > 1:21:09- But it's the truth. - Oh, jeez!
1:21:09 > 1:21:14Hey, concentrate here, OK? I need you to concentrate.
1:21:15 > 1:21:19Look at me, Danny, look at me. I'm a wreck. I'm a parody.
1:21:19 > 1:21:22You've got to go up there and finish this job.
1:21:22 > 1:21:26No, no, no, just leave me alone. Please just forget everything.
1:21:26 > 1:21:29I can't believe I'm in a stairwell
1:21:29 > 1:21:31trying to convince you to assassinate somebody!
1:21:31 > 1:21:35Just go. Just go, Danny. Just go. Go.
1:21:46 > 1:21:48No.
1:21:49 > 1:21:53- No, we're gonna do this. - I can't.
1:21:53 > 1:21:56- Julian, you have to. - You have to, OK?
1:21:56 > 1:22:00- If you don't, they're gonna kill you, understand?- Yeah. Understand?
1:22:00 > 1:22:03And I won't let that happen.
1:22:03 > 1:22:06Huh? I refuse to let that happen. How about that?
1:22:06 > 1:22:10We're gonna go up there together. I'm gonna talk you through it.
1:22:10 > 1:22:14I'll talk you through it. You are gonna do the job you came to do.
1:22:14 > 1:22:15OK?
1:22:16 > 1:22:18OK? Alright?
1:22:18 > 1:22:21- Huh?- Yeah. - Huh?- Yeah, OK.
1:22:21 > 1:22:24- OK.- OK. - Alright, up, up, up, up, up.
1:22:25 > 1:22:27There you go. OK?
1:22:27 > 1:22:30- You're gonna stay up there with me? - Oh, yes.
1:22:30 > 1:22:33- You're gonna talk me through it? - That's right.
1:22:33 > 1:22:36- Thank you. - Alright, then.
1:22:36 > 1:22:40- Let's go kill this motherfucker and get the hell out of here.- OK.
1:22:40 > 1:22:43(CHEERLEADERS) Go, Julian! (CHEERING)
1:23:00 > 1:23:02Thank you.
1:23:03 > 1:23:06No, really, I mean it.
1:23:06 > 1:23:09I was a mess back there. You helped me.
1:23:10 > 1:23:12You helped me a lot.
1:23:16 > 1:23:19You know, I think can handle the deviant Julian.
1:23:19 > 1:23:23I can handle the lying Julian. I can even handle the killing Julian.
1:23:24 > 1:23:27I just don't know if I can handle the humble-pie Julian.
1:23:27 > 1:23:29(CHUCKLES)
1:23:29 > 1:23:32Well, enjoy it. It won't last.
1:23:32 > 1:23:34That's a given.
1:23:38 > 1:23:40Really, it's no problem.
1:23:43 > 1:23:46You said it yourself. I owed you.
1:23:48 > 1:23:52Do you think if you hadn't opened the door in Mexico City
1:23:52 > 1:23:54we'd be sitting on this plane?
1:23:57 > 1:23:59Probably not.
1:24:03 > 1:24:06'(KNOCK AT DOOR)' 'I just want to say I'm sorry.'
1:24:06 > 1:24:11I know it's late and I'm a little fucked up but I'm sorry.
1:24:11 > 1:24:13'Can't you see how guilty I feel?'
1:24:14 > 1:24:17'Danny! Danny!'
1:24:17 > 1:24:22- Hold on, Julian. I'm coming. - (GLASS SMASHES)
1:24:24 > 1:24:27I don't know what I'll do if I don't get this job.
1:24:29 > 1:24:33You're sure if I kill this Cardenas guy, you'll get the contract?
1:24:33 > 1:24:38- He's our only competition. - And you can live with that?
1:24:38 > 1:24:40Yeah.
1:24:40 > 1:24:43You can live with blood on your hands?
1:24:43 > 1:24:45Isn't that what people do?
1:24:46 > 1:24:50Don't people,... successful people,
1:24:50 > 1:24:54always live with blood on their hands?
1:24:57 > 1:25:00'You became my friend that night, Julian.'
1:25:00 > 1:25:02You became my lifelong friend.
1:25:21 > 1:25:24I'm not gonna do it for you.
1:25:25 > 1:25:29You're making a late-night, exhausted, desperate decision.
1:25:29 > 1:25:33If I did it, you would regret it instantly
1:25:33 > 1:25:36and feel nothing but guilt and shame for the rest of your life.
1:25:38 > 1:25:40I'm so scared, Julian.
1:25:41 > 1:25:45Guys like you, you think you have no luck,...
1:25:46 > 1:25:49..but you have all the luck in the world.
1:25:49 > 1:25:54You just need to see it. She's at home waiting for you.
1:25:57 > 1:25:59If I did that job for you,
1:25:59 > 1:26:02your luck would run bad for the rest of your days.
1:26:04 > 1:26:09You don't want me to do it. You're not that type of person.
1:26:15 > 1:26:20That's why I like you. (LAUGHS) You're the exact opposite of me.
1:26:24 > 1:26:27'You surprised me that night.'
1:26:27 > 1:26:29I surprised myself.
1:26:32 > 1:26:36Well, I guess your boss must be satisfied, right?
1:26:37 > 1:26:41You completed the assignment. No longer on the hit list.
1:26:42 > 1:26:47I'm no longer on the hit list but I didn't do any assignment.
1:26:48 > 1:26:50I don't understand.
1:26:50 > 1:26:53I thought your boss wanted you to do this job.
1:26:57 > 1:26:59My boss, Mr Stick,...
1:27:00 > 1:27:03..he was the job.
1:27:04 > 1:27:06You mean, we just killed...
1:27:06 > 1:27:11We killed the man who wanted to kill me. Problem solved.
1:27:16 > 1:27:18You...
1:27:18 > 1:27:20(CHUCKLES)
1:27:20 > 1:27:24- You sonofabitch! - Among many other things.
1:27:25 > 1:27:28- Don't ever hit me again. - Sorry.- (CHUCKLES)
1:27:29 > 1:27:34# When there's nowhere else to run
1:27:34 > 1:27:39# Is there room for one more son
1:27:41 > 1:27:44# One more son
1:27:46 > 1:27:49# If you can hold on
1:27:50 > 1:27:54# If you can hold on
1:27:54 > 1:27:56# Hold on
1:28:19 > 1:28:21# I wanna stand up
1:28:21 > 1:28:23# I wanna let go
1:28:23 > 1:28:27# You know, you know, no, you don't, you don't
1:28:27 > 1:28:31# I wanna shine on in the hearts of men
1:28:31 > 1:28:35# I want a meaning from the back of my broken hand
1:28:35 > 1:28:37# Another head aches
1:28:37 > 1:28:39# Another heart breaks
1:28:39 > 1:28:43# I am so much older than I can take
1:28:43 > 1:28:45# And my affection
1:28:45 > 1:28:47# Well, it comes and goes
1:28:47 > 1:28:49# I need direction to perfection, no, no, no, no
1:28:49 > 1:28:52# Help me out, yeah
1:28:52 > 1:28:55# You know, you got to help me out
1:28:55 > 1:28:56# Yeah
1:28:56 > 1:29:00# Oh, don't you put me on the backburner
1:29:00 > 1:29:03# You know, you got to help me out
1:29:03 > 1:29:05# Yeah #
1:29:19 > 1:29:21# "El Matador" - Los Fabuloso Cadillacs
1:29:33 > 1:29:36(SINGING IN SPANISH)