0:00:10 > 0:00:15THIS FILM CONTAINS SOME STRONG LANGUAGE.
0:00:27 > 0:00:30MUSIC: "The Pearl Fishers" by Bizet
0:00:50 > 0:00:53PLUGHOLE GURGLES
0:04:03 > 0:04:05You all right? Got everything?
0:04:11 > 0:04:13- NORTHERN ACCENT: I've got a scholarship.- Wow.
0:04:13 > 0:04:19I went to Girton in Cambridge, university, and um...
0:04:19 > 0:04:23I did the classics, that's how I ended up where I am.
0:04:26 > 0:04:30I found it very difficult, they used to call me Joyless.
0:04:30 > 0:04:34- No.- It was me accent, they were all very posh.
0:04:34 > 0:04:37It was very difficult.
0:04:37 > 0:04:39I think it's very pretty, your accent.
0:04:39 > 0:04:42Thank you.
0:04:42 > 0:04:45- That would suit you.- Oh.
0:04:45 > 0:04:47I don't know about that.
0:04:48 > 0:04:52- I think the colours would suit you. - Ooh.
0:04:52 > 0:04:54- It's a bit daring. - Let's go and try it on.
0:04:54 > 0:04:56Oh.
0:04:56 > 0:05:00- D'you think so?- Definitely.
0:05:00 > 0:05:04- I think a halter-neck top would really suit you.- Oh.
0:05:04 > 0:05:07Yeah, it would suit you. It would look good.
0:05:08 > 0:05:10It's my favourite colour.
0:05:10 > 0:05:12Try it on. I'll take you down.
0:05:15 > 0:05:17Wow!
0:05:17 > 0:05:20Wow! You look great.
0:05:20 > 0:05:22Yeah, we're gonna get that one.
0:05:22 > 0:05:26- Really?- Yes, pack it up, we're gonna get that one.
0:05:26 > 0:05:29The halter-neck there, but in the square, how much is it?
0:05:37 > 0:05:39Yeah, it's fine.
0:05:39 > 0:05:42Here, I want to show you something.
0:05:42 > 0:05:44Come with me.
0:05:47 > 0:05:50I come here every day in me lunch hour.
0:05:55 > 0:05:58Look, can you smell them?
0:05:58 > 0:05:59Old.
0:05:59 > 0:06:02Lives, histories.
0:06:02 > 0:06:04Look, Mansfield Park.
0:06:04 > 0:06:08I think it's recently bound in full-calf.
0:06:08 > 0:06:10Red, my favourite colour.
0:06:12 > 0:06:13Oh, look, lovely.
0:06:18 > 0:06:24"An affection so amiable was advancing, each in the opinion of all who had hearts."
0:06:30 > 0:06:32Enid Blyton, my favourite.
0:06:32 > 0:06:35Not now, when I was a child.
0:06:35 > 0:06:38Have you read Shadow The Sheepdog? It's not there.
0:06:38 > 0:06:44No, Just all Five, mystery, Famous Five, Shadow The Sheepdog.
0:06:44 > 0:06:47I always wanted a dog. I've got a cat.
0:06:47 > 0:06:53I call her Shadow The Sheepdog, because I'm not allowed a dog in the flat.
0:06:53 > 0:06:54So I've got my cat.
0:08:18 > 0:08:21MOBILE RINGS
0:08:24 > 0:08:27- All right.- 'Hey, Trev.'
0:08:27 > 0:08:30'Five minutes.'
0:08:30 > 0:08:31OK.
0:09:38 > 0:09:43Is there mustard in the sauce with the pork?
0:09:43 > 0:09:44No.
0:09:46 > 0:09:49- Can I use this cloth?- Yeah.
0:09:49 > 0:09:51Got it in Morleys.
0:09:51 > 0:09:53- Morleys?- Yeah. Use the other one.
0:09:53 > 0:09:55- That one?- Yeah.
0:09:55 > 0:09:58They've got some marvellous napkins in there.
0:09:58 > 0:10:00When were you in Morleys? You don't shop in Morleys.
0:10:00 > 0:10:03- I popped in the other day.- What for?
0:10:03 > 0:10:07I just was having a look at, er... for a, erm...
0:10:07 > 0:10:12Uh,...Alicia had mentioned... that she had seen some cotton...
0:10:12 > 0:10:16some very fine cotton bedspreads in there.
0:10:16 > 0:10:18You told me that I should always...
0:10:18 > 0:10:23That he was the place... the word is it is the place to get cotton, that's very true.
0:10:23 > 0:10:28- I'll get that in future. - Yeah, yeah, I was just following your instructions about being aware.
0:10:28 > 0:10:32- Absolutely. But if you want something, let me know and I'll get it for you.- Yeah.
0:10:42 > 0:10:43SWITCHES RADIO ON
0:11:03 > 0:11:05Oh, hello, Meridien?
0:11:05 > 0:11:07Yeah, is that Sue?
0:11:07 > 0:11:10Sue, hi, it's Trevor here in Sasha's office, how are you doing?
0:11:10 > 0:11:12- 'Fine, hello.'- Great.
0:11:12 > 0:11:17- I'm gonna need a room next week, next Friday, if you have one. - 'Sure.'
0:11:17 > 0:11:21- And how about 103?- '103's fine.'
0:11:21 > 0:11:25Or 123, yeah, that's it, over the park.
0:11:26 > 0:11:29OK. That would be lovely.
0:11:29 > 0:11:32- If you can put some juice and fruit in there as normal...- 'No problem.'
0:11:32 > 0:11:34Thanks, and some extra towels.
0:11:44 > 0:11:51# Just cos I ain't never 'ad, no, nothing worth having, never ever, never
0:11:51 > 0:11:52# Ever
0:11:56 > 0:12:02# You ain't got no call, no, to think I wouldn't fall into thinking that I ain't too clever
0:12:06 > 0:12:09# And it ain't not having one thing nor not another either
0:12:09 > 0:12:11# Neither is it anything, whatever
0:12:17 > 0:12:21# And it's not not knowing that there ain't nothing showing and I answer to the name of Trevor
0:12:23 > 0:12:25# However
0:12:29 > 0:12:36# Knock me down with a feather, Clever Trevor
0:12:40 > 0:12:45# Wide brows wonder whether Clever Trevor's clever... #
0:12:45 > 0:12:47Lovely. Thanks very much for that.
0:12:47 > 0:12:50See you next week.
0:12:50 > 0:12:54# Either have they got, nor neither haven't not
0:12:54 > 0:12:58# Got no right to make a clot out of Trevor... #
0:13:45 > 0:13:48- There you go.- Thank you. - OK.- Take care.- See you later.
0:13:48 > 0:13:50Bye.
0:14:09 > 0:14:11SNIFFS DEEPLY
0:14:14 > 0:14:17Have you tried lonely hearts, Trevor?
0:14:18 > 0:14:20What, placing an ad?
0:14:20 > 0:14:24Yeah, I've covered you for...
0:14:24 > 0:14:27Time Out, City Limits and the Standard.
0:14:29 > 0:14:31- I meant for you, Trev.- Oh.
0:14:36 > 0:14:40Right, now, do we need to walk through tonight?
0:14:40 > 0:14:44Lady James, now might be a good time to discuss Lord Mackie's proposal.
0:14:44 > 0:14:46Run through my appointments to Monday, would you?
0:14:46 > 0:14:50- They have a new wine, which I've asked to be set aside for you, the Montrachet.- The Montrachet.
0:14:50 > 0:14:56OK, we know she likes it, she had it a couple of weeks ago at a business dinner.
0:14:56 > 0:14:58OK.
0:14:58 > 0:15:00Good.
0:15:01 > 0:15:06- An excellent performance in the House today, Lady James.- Too kind.
0:15:10 > 0:15:13'Did you get my cigarettes, Trev?'
0:15:13 > 0:15:14- Oh, did I get them?- Yeah.
0:15:14 > 0:15:17No, no, no, no.
0:15:17 > 0:15:22- You, you...- You worried about going down there, down to the shop? - What shop?
0:15:22 > 0:15:26The Budgens, you worried about going down there?
0:15:26 > 0:15:27No.
0:15:27 > 0:15:33I've just been shopping or around Mayfair, I could have bought you cigarettes at any time.
0:15:34 > 0:15:36- She's a very pretty girl on the... - HE SNIFFS
0:15:39 > 0:15:42Er, we've got to do another print run,
0:15:42 > 0:15:45because I need new letterheads, you need new cards.
0:15:45 > 0:15:47What do you want on them? Same again?
0:15:47 > 0:15:49- Erm...- You said you might have some new ideas.
0:15:49 > 0:15:52Did you say, "Mmm" when I said she was a very pretty girl?
0:15:52 > 0:15:53- I didn't say anything.- Oh, OK.
0:16:12 > 0:16:15Oh! I thought I was going to be late. Good evening.
0:16:15 > 0:16:17Good evening to you.
0:16:17 > 0:16:20Reservation's for Mr Butler and Miss O'Hara.
0:16:20 > 0:16:22Fine. Your usual table, please.
0:16:22 > 0:16:25- Thank you.- Thank you.
0:16:34 > 0:16:36Well, of course, they wouldn't know.
0:16:36 > 0:16:39They're not a bit interested, of course, they couldn't care less.
0:16:39 > 0:16:42- Men of small intellect.- And they're totally self-obsessed, of course.
0:16:42 > 0:16:49They don't really think about the job, not at all, or what we are actually doing.
0:16:49 > 0:16:52They've got their own careers in mind.
0:16:52 > 0:16:55But, as I say, it's the way of the world, so...
0:16:55 > 0:16:58But they're blessed to be working with you.
0:16:58 > 0:16:59Lucky.
0:16:59 > 0:17:02I'm not gonna think about them.
0:17:02 > 0:17:05You don't think about them. They're nothing, they're schoolboys.
0:17:05 > 0:17:08- They're less than dust tonight. - Exactly, exactly.
0:17:08 > 0:17:10Would you like to come and work for me?
0:17:10 > 0:17:13I'd love to, I'd love to.
0:17:13 > 0:17:15I'd be very good as a diplomat.
0:17:27 > 0:17:31Um... the sommelier's got a bottle of Montrachet for us. Thank you.
0:17:31 > 0:17:33Oh, what a good idea.
0:17:38 > 0:17:41I would never have thought of wearing the skirt
0:17:41 > 0:17:45as short as the skirt you suggested, but it was perfectly proper and looked rather nice, I thought.
0:17:45 > 0:17:48I wouldn't dare turn up on Thursday
0:17:48 > 0:17:51unless I'd done what I was told during the week.
0:17:51 > 0:17:53And you always look your best.
0:17:53 > 0:17:54- I always try.- And I appreciate it.
0:17:59 > 0:18:02MUSIC: "Don Giovanni" by Mozart
0:18:36 > 0:18:39We're quite... We're quite in synch.
0:18:39 > 0:18:41- I wouldn't go that far.- We are.
0:18:41 > 0:18:43- I mean...- I'm sorry,
0:18:43 > 0:18:46- Lady James, we dance well.- No...
0:18:51 > 0:18:54- Well, I think we should have a cognac tonight.- Oh, I don't think so.
0:18:54 > 0:18:57I'll never get up in the morning.
0:19:24 > 0:19:27- Hello, Russ. - The usual?- Yeah, the usual.
0:19:37 > 0:19:38Thank you.
0:19:42 > 0:19:46Yeah, um... I owe you a cheque, don't I?
0:19:46 > 0:19:50Er... I'll bring it in the beginning of next week, if that's all right.
0:19:50 > 0:19:53- All right, Trevor.- Thank you.
0:19:57 > 0:19:59It's all right, I've got this.
0:20:01 > 0:20:04- One for me, as well.- Sure. Thank you.
0:20:06 > 0:20:09Seen you around, you must be Trevor.
0:20:09 > 0:20:11I'm Ben. How you doing?
0:20:11 > 0:20:13- Thanks, Russ. Keep the change. - Mmm-hmm.
0:20:15 > 0:20:18Cheers.
0:20:18 > 0:20:19Very kind of you, Ben.
0:20:19 > 0:20:21It's a pleasure.
0:20:23 > 0:20:25So, I hear you work with Sacha?
0:20:26 > 0:20:29You do work with Sacha, don't you?
0:20:29 > 0:20:31Yeah, that's right.
0:20:31 > 0:20:34A new player, are you?
0:20:34 > 0:20:36That's right, I'm a new player.
0:20:36 > 0:20:40- Not working tonight? - No, not tonight.
0:20:40 > 0:20:42- It's a good wine.- Yes, delicious.
0:20:42 > 0:20:43Absolutely wonderful.
0:20:43 > 0:20:46Well, we need a bit of lubrication before we dance.
0:20:46 > 0:20:48We certainly do.
0:20:48 > 0:20:51I'll just go and powder my nose.
0:20:51 > 0:20:54How long have you been in the game? Quite a while?
0:20:54 > 0:20:58Yeah. I did something similar in Dubai for a while, actually.
0:20:58 > 0:21:01- Really?- I've been here for five or six years.
0:21:01 > 0:21:03Whereabouts do you live?
0:21:05 > 0:21:07- Just over the river.- Mmm.
0:21:20 > 0:21:22Am I keeping you?
0:21:22 > 0:21:23Not at all.
0:21:25 > 0:21:28Probably have a word with Basil if you're looking to meet people.
0:21:28 > 0:21:33- Is he around tonight? - No, he's usually in a bit later.
0:21:33 > 0:21:36- He will be.- Good, good.
0:21:36 > 0:21:38So how long has Basil run this place?
0:21:38 > 0:21:40- 40 years.- Really?!- Yeah.
0:21:40 > 0:21:42Wow!
0:21:42 > 0:21:44Quite impressive.
0:21:44 > 0:21:46Yeah. He...
0:21:47 > 0:21:50He started the whole thing, really.
0:21:50 > 0:21:53He stole all his business from a player called Maurice.
0:21:54 > 0:21:57Maurice had seven of the...
0:21:57 > 0:21:59seven of the main women eating out of his hand.
0:21:59 > 0:22:02You know, the Duchess of Cirencester and a few of her friends.
0:22:02 > 0:22:05So Bas thinks, "Well, how can I get in on this?"
0:22:05 > 0:22:10And one by one, he went and met each of the women
0:22:10 > 0:22:13and seduced them.
0:22:19 > 0:22:26So three months later, he's seeing each of these seven women exclusively.
0:22:26 > 0:22:30Seeing one of them for breakfast, one of them mid-morning,
0:22:30 > 0:22:34one of them lunchtime, one of them... You get the picture.
0:22:34 > 0:22:39And each of them thinks that he is only going out with her,
0:22:39 > 0:22:42- that he's there all the time for her, you know?- That's incredible.
0:22:42 > 0:22:45The stamina of the man was absolute... it's the stuff of...
0:22:45 > 0:22:48It's in a book upstairs, actually.
0:22:48 > 0:22:51- Really?- Playing For Money, yeah. You can read all about it.
0:22:51 > 0:22:54# From a pebble someone tosses in a stream
0:22:57 > 0:23:03# Like a clock whose hands are sweeping past the minutes of its face... #
0:23:03 > 0:23:05Well, you can imagine what happens after a while.
0:23:05 > 0:23:08He starts to make little errors here and there, you know?
0:23:08 > 0:23:13He forgets the name of one of them, he forgets the birthday of another one,
0:23:13 > 0:23:16and the whole operation's in danger.
0:23:16 > 0:23:19But Basil was a clever guy.
0:23:19 > 0:23:21- First up, he got some help.- Right.
0:23:21 > 0:23:23He got a guy called Audley.
0:23:23 > 0:23:28Audley was, I dunno what he was, a sort of Town Hall solicitor or something, out of a job at the time.
0:23:28 > 0:23:31But he had a lot of good admin skills.
0:23:31 > 0:23:34He comes in and helps Bas and he starts to run that entire...
0:23:34 > 0:23:36He was the first gent.
0:23:38 > 0:23:39Close your eyes.
0:23:41 > 0:23:47# Lovers walk along the shore and leave their footprints in the sand...
0:23:50 > 0:23:52And Audley died a couple of years later.
0:23:52 > 0:23:56So he named it after him, Audley's.
0:23:58 > 0:24:00So this...
0:24:02 > 0:24:04elderly client of yours, cos I...
0:24:04 > 0:24:08I sort of tend to focus a bit more on the younger...
0:24:08 > 0:24:10girls, but I just...
0:24:10 > 0:24:12What is her name? Lady...
0:24:12 > 0:24:15I can't... They were talking about it round here, but I can't remember.
0:24:15 > 0:24:17What was it? Lady...
0:24:17 > 0:24:19Lady Whatsit? Lady...
0:24:19 > 0:24:21- We don't...- What's her name?
0:24:23 > 0:24:26We don't usually ask questions like that here, Ben.
0:25:02 > 0:25:04- It's just that, you know, I'm sort of working...- Excuse me just a second.
0:25:10 > 0:25:12Hello?
0:25:12 > 0:25:15Yeah, I'm in the club.
0:25:15 > 0:25:17You all right?
0:25:17 > 0:25:19What's wrong?
0:25:21 > 0:25:23OK. Look, I'll come to you.
0:25:23 > 0:25:26'Stay where you are. Where are you?'
0:25:26 > 0:25:28Just outside Ralph Lauren, actually.
0:25:28 > 0:25:30'OK, I'm leaving now.'
0:25:30 > 0:25:32OK, great. All right, great. Great.
0:25:38 > 0:25:41Thank you for the drink. It was a pleasure.
0:25:41 > 0:25:45- Nice talking to you, Trev. - You should... have a word with Basil when you see him.
0:25:45 > 0:25:47- Yeah, I will do. - And don't tip the barman here, OK?
0:26:33 > 0:26:35It's quiet down the club anyway, tonight.
0:26:35 > 0:26:37- Is it?- Nobody there.
0:26:37 > 0:26:39Well, a couple. The usual.
0:26:39 > 0:26:42Nothing going on.
0:26:42 > 0:26:44- So...- Basil there?
0:26:44 > 0:26:47Well, I think he was upstairs or...
0:26:47 > 0:26:49flitting around or something.
0:26:52 > 0:26:54It's quite nice to come down here.
0:26:56 > 0:26:57What? To Bond Street?
0:26:57 > 0:27:01Yeah, well, you know, watch people go by and...
0:27:05 > 0:27:07Maybe catch a movie or something.
0:27:11 > 0:27:13How'd it go?
0:27:13 > 0:27:17Everything was peachy, and conversation and... the Montrachet?
0:27:17 > 0:27:21Just after 9:45, the Montrachet, second bottle.
0:27:23 > 0:27:25Just after 9:45?
0:27:25 > 0:27:26Yeah.
0:27:28 > 0:27:30Oh! I...
0:27:33 > 0:27:35Well...
0:27:38 > 0:27:40I looked at my watch,
0:27:40 > 0:27:42but I don't think she saw.
0:27:44 > 0:27:47- You looked at your watch?- Mmm.
0:27:50 > 0:27:52She was in the toilet.
0:27:52 > 0:27:57She was in the toilet and I glanced at it. Just a glance.
0:27:57 > 0:27:59Did she see you?
0:28:00 > 0:28:05- I don't think she saw me, but she might have.- Was she at the table?
0:28:05 > 0:28:08No, she'd gone to the toilet and she was coming back.
0:28:10 > 0:28:13From her angle of looking,
0:28:13 > 0:28:18she might, might... But anyway, it was all very friendly, it was all very funny,
0:28:18 > 0:28:20I think she made some joke about,
0:28:20 > 0:28:25"I'm not keeping you, am I?" And I laughed and she laughed and it was all... It was all fine.
0:28:29 > 0:28:32She has a tough week at work, and all she wants to do on a Thursday night
0:28:32 > 0:28:37is to let down her hair, be made to feel like she's got all the time in the world to enjoy
0:28:37 > 0:28:40your company and that you're, most importantly, enjoying hers.
0:28:40 > 0:28:43- Come on, Sacha, we live in her flat. - We were joking about it afterwards.
0:28:43 > 0:28:47Do not make a lady feel like you're in a rush to leave.
0:28:49 > 0:28:51It went very well, Trev. It went very well.
0:28:51 > 0:28:55That's exactly what she would say if it had gone really badly.
0:28:59 > 0:29:01She's that kind of woman, you know?
0:29:03 > 0:29:05You haven't even met her, Trevor.
0:29:39 > 0:29:41Hey!
0:29:41 > 0:29:43Thank you! What are you doing?!
0:29:47 > 0:29:51There a couple of girls up there, I think they want us to come up and party.
0:29:53 > 0:29:55Hey!
0:29:55 > 0:29:57We'll come and join you!
0:29:57 > 0:30:00Yeah? We'll come up. I'm here with someone very special.
0:30:00 > 0:30:02I'll bring him up, too.
0:30:06 > 0:30:08Who'd go to the Gigolos club if...
0:30:16 > 0:30:20LOUD DANCE MUSIC PLAYS
0:30:23 > 0:30:24Come in, come in, come in.
0:30:24 > 0:30:27This is Trevor.
0:30:44 > 0:30:46You have to believe me...
0:30:49 > 0:30:53Look at him, look at those teeth!
0:30:57 > 0:31:01# I'd be safe and warm
0:31:02 > 0:31:04# If I was in LA
0:31:06 > 0:31:09# California dreaming
0:31:10 > 0:31:14# On such a winter's da-a-y
0:31:20 > 0:31:23# Somebody help me now
0:31:25 > 0:31:28# I wanna go so bad, yeah
0:31:33 > 0:31:37# Cos all the leaves are brown
0:31:37 > 0:31:40# And the sky's grey, yeah
0:31:42 > 0:31:43# I went for a walk
0:31:47 > 0:31:51# On a winter's day, oh-h-h
0:31:51 > 0:31:53# I'd be safe and warm
0:31:54 > 0:31:56# If I was in LA
0:31:59 > 0:32:01# California dreaming... #
0:32:01 > 0:32:04Hello, Sian. Delivery for Baroness James.
0:32:04 > 0:32:08# ..Such a winter's da-a-y
0:32:08 > 0:32:10# Such a winter's day
0:32:11 > 0:32:14# On such a winter's day
0:32:14 > 0:32:15# Yeah, yeah
0:32:17 > 0:32:19# California dreaming
0:32:20 > 0:32:23# California dreaming
0:32:24 > 0:32:28# Gotta, gotta, gotta get some sunshine
0:32:29 > 0:32:31# Before I blow my mind
0:32:32 > 0:32:35# Gotta get some sunshine
0:32:37 > 0:32:39# California dreaming
0:32:41 > 0:32:45# California dreaming, oh-h-h
0:32:45 > 0:32:47# California dreaming... #
0:33:06 > 0:33:09FOOTSTEPS APPROACH
0:33:09 > 0:33:11- Evening, Sacha.- Thanks, Russ.
0:33:11 > 0:33:14- Hey, erm...you must be Sacha.- Yeah.
0:33:14 > 0:33:18- I'm Ben.- Hi.- Hi, how are you?- Yeah, very well, thanks.- Good, good.
0:33:18 > 0:33:21I'm... I'm new round here. I just...
0:33:21 > 0:33:24wanted to meet you, I've heard a lot about you.
0:33:24 > 0:33:25Wow.
0:33:45 > 0:33:50So there's this one girl, she's about 26, 27. She's in marketing.
0:33:50 > 0:33:52And, erm...
0:33:52 > 0:33:54You know, she gets lonely and...
0:33:54 > 0:33:59I take her out, it's fine, but it gets to this point where I don't know
0:33:59 > 0:34:02whether she wants to go physical or not, you know? She's sort of...
0:34:02 > 0:34:06insisting, she's kind of touching her glass,
0:34:06 > 0:34:09she's touching her hair, but I dunno. I dunno.
0:34:09 > 0:34:14I mean, do I make the move? I don't even know if she wants to get physical, you know?
0:34:14 > 0:34:17It takes time, and you're young. I mean...
0:34:17 > 0:34:20- you don't have to... - PHONE RINGS
0:34:20 > 0:34:22step it up straight away. I mean, take it slow.
0:34:22 > 0:34:29- You know, I mean, any dates are good to start off with, as long as they're paying.- Sure.
0:34:29 > 0:34:31RINGING CONTINUES
0:34:31 > 0:34:34Hang on a sec.
0:34:34 > 0:34:36- How you doing?- 'Yeah, fine.
0:34:36 > 0:34:39'I think I might go straight from here down to Edwina's.'
0:34:39 > 0:34:41Oh, are you? OK.
0:34:41 > 0:34:42'What are you up to?'
0:34:42 > 0:34:46Yeah, no. That works great, actually, cos I'm just gonna
0:34:46 > 0:34:49have a quiet night in and catch up with the invoices or something.
0:34:49 > 0:34:53'OK. Well, I suppose I'll just see you back at the flat later.'
0:34:53 > 0:34:56Yeah. Yeah, yeah, yeah. That'd be perfect, yeah. Have a great night.
0:34:56 > 0:34:59'Thanks, Trev. See you later, then.'
0:35:04 > 0:35:05Finding it quite...
0:35:07 > 0:35:10I'm finding it quite tiring, to be honest.
0:35:14 > 0:35:16It's not about the energetic, though.
0:35:18 > 0:35:21What do you mean? Cos I'm... I'm... I'm working away, I'm...
0:35:21 > 0:35:24working away, you know what I mean?
0:35:24 > 0:35:29- Good for you, good for you.- Yeah, yeah, yeah, yeah.- It's about what...
0:35:29 > 0:35:31she needs...
0:35:31 > 0:35:33and it could be...
0:35:33 > 0:35:37having to remember something, it could be having to forget something.
0:35:37 > 0:35:39It could be...
0:35:39 > 0:35:42needing to feel something, it could be...
0:35:42 > 0:35:44wanting to be someone.
0:35:44 > 0:35:47And if you can work that one out...
0:35:49 > 0:35:52I guess I'm just not reading it properly, that's all.
0:35:52 > 0:35:55It's not really to do with downstairs.
0:37:37 > 0:37:40Hiya. Sit down, would you?
0:37:42 > 0:37:44What are you drinking?
0:37:44 > 0:37:46It's disgusting.
0:37:48 > 0:37:50I mean, look at this lot.
0:37:51 > 0:37:55They're just beginners, Sach. They're beginners.
0:37:55 > 0:37:58You know, when I was... When I was their age,
0:37:58 > 0:38:00it was a different matter.
0:38:00 > 0:38:02You know, Sach...
0:38:02 > 0:38:07sometimes when I'm on the... well, I'm working...
0:38:08 > 0:38:10..I feel as if maybe I'm...
0:38:10 > 0:38:14I'm giving a lieder recital, maybe at the Wigmore Hall.
0:38:14 > 0:38:16Schubert or Brahms, or...
0:38:16 > 0:38:21just coming to the end of... Wotan's Farewell at Covent Garden.
0:38:25 > 0:38:29You know, Sach... Do you know something? The great...
0:38:29 > 0:38:33the great singers, they give... They give masterclasses.
0:38:33 > 0:38:38They pass on their art, Sacha, their experience, their technique.
0:38:43 > 0:38:44Sorry, Sacha.
0:38:44 > 0:38:47- Hello, Basil, how are you? - Fine, thank you, Trev. You OK?
0:38:47 > 0:38:49Good, thank you.
0:38:50 > 0:38:53Where have you been?
0:38:57 > 0:39:00Sorry, Bas.
0:39:00 > 0:39:05She's a pioneer in the '80s, she discovered the African look, whatever that is. Well, I mean...
0:39:05 > 0:39:08- What is the African look? - Probably guess what it is.- What?
0:39:08 > 0:39:13She picked girls up from Africa, brought them to London, Italy, New York, whatever.
0:39:13 > 0:39:16First time they sort of got real, you know... The skin.
0:39:16 > 0:39:20She did well, you know? Waris Dirie and Iman, or whatever, everybody worked with her
0:39:20 > 0:39:23and now she's got, you know, top two or three...
0:39:23 > 0:39:27- top two or three names. - How old is she?- She's about 59.
0:39:29 > 0:39:31Maybe... Maybe 58.
0:39:31 > 0:39:33- About 59?- Yeah, or maybe 58.
0:39:33 > 0:39:35OK.
0:39:35 > 0:39:37And...
0:39:37 > 0:39:40that's work. Beautiful apartment.
0:39:40 > 0:39:42How tall?
0:39:42 > 0:39:44She's, erm...
0:39:45 > 0:39:47..sort of... She's very thin.
0:39:47 > 0:39:50- Right.- Yeah. I don't know if it's an industry thing.
0:39:50 > 0:39:52But I need to know which one she is one when I go in.
0:39:52 > 0:39:55- Well, look for a very thin one. - A thin one?- Yeah.
0:39:55 > 0:39:59- Short hair? Long hair? - Yeah, she does. Definitely.
0:40:29 > 0:40:31Tanya's going to be worth 500k.
0:40:31 > 0:40:37She was on the cover of Vogue, Tatler, Harpers, the last two months.
0:40:38 > 0:40:40- Yes?- Sacha.
0:40:40 > 0:40:42Oh, hello. Hello, Sacha. Hello.
0:40:42 > 0:40:45Will you call them?
0:40:45 > 0:40:47SHE SIGHS No, you call them.
0:40:47 > 0:40:49OK, there. You're off?
0:40:49 > 0:40:51Fine, yeah, OK.
0:40:51 > 0:40:54- And get...Stephen to call me, will you?- Yeah, sure.
0:40:54 > 0:40:58- You look fierce. Ciao. - Ciao. Good night.- Ciao.
0:41:01 > 0:41:04- Sorry about that. - No problem. You're Tessa?
0:41:04 > 0:41:07- I am Tessa.- I'm Sacha.
0:41:07 > 0:41:12- How do you do, Sacha? - Very well. Would you like a drink?
0:41:13 > 0:41:15Yes, I'll have a Chablis.
0:41:15 > 0:41:17Excuse me?
0:41:17 > 0:41:21Could we get the Chablis and a Scotch, please? Thanks.
0:41:24 > 0:41:26- Thanks.- Thank you.
0:41:29 > 0:41:31- Cheers.- Cheers.
0:41:36 > 0:41:38Where did your necklace come from?
0:41:38 > 0:41:41Why don't you guess?
0:41:45 > 0:41:47- Versace?- Guess again.
0:41:47 > 0:41:49Dolce and Gabbana?
0:41:49 > 0:41:53You know them all, don't you? This came from the sub-Sahara.
0:41:53 > 0:41:55Wow.
0:41:55 > 0:41:58You've seen so much of the world.
0:41:58 > 0:42:01Yeah, I've seen a certain amount.
0:42:01 > 0:42:05Well, I have a flat in New York, a flat in Paris, a flat in Milan,
0:42:05 > 0:42:09and I come to London, at the moment, on sufferance.
0:42:12 > 0:42:16Mmm-hmm. Quite boring, you know?
0:42:16 > 0:42:18The London men...
0:42:18 > 0:42:20you know?
0:42:21 > 0:42:23So...
0:42:25 > 0:42:28..I think I'm going to get back to my cat.
0:42:44 > 0:42:45Tess?
0:42:49 > 0:42:52- Forgot your phone.- Oh.
0:42:54 > 0:42:56Thank you.
0:42:56 > 0:43:00Let's go and do something fun, something crazy.
0:43:00 > 0:43:01Go on, then.
0:43:01 > 0:43:04OK. I'm gonna make you eat your words.
0:43:09 > 0:43:12MOBILE RINGS
0:43:17 > 0:43:20- Hello?- Trevor, Sacha.
0:43:20 > 0:43:24- 'What time is it?'- I'm with Tessa and I'm gonna need a snorkel.
0:44:02 > 0:44:04- HE WHISPERS - Your shoes!
0:44:08 > 0:44:11And I'll find you a beach towel if you just wait there.
0:44:11 > 0:44:13Thank you.
0:44:16 > 0:44:20MUSIC DROWNS CONVERSATION
0:45:46 > 0:45:48One, two, three, go!
0:46:16 > 0:46:20We're gonna have to get someone in on a temp contract,
0:46:20 > 0:46:23find someone to cover for you.
0:46:23 > 0:46:26I blame the chlorine in the pool.
0:46:26 > 0:46:29It smelt funny. I think there was some...
0:46:29 > 0:46:31It had just been chemicalised.
0:46:31 > 0:46:33The surface around the pool was slippery.
0:46:33 > 0:46:38I mean, you can't account for something like that when you're...
0:46:38 > 0:46:39at work, can you?
0:46:50 > 0:46:52I can't dance.
0:46:58 > 0:47:01I do not want to annoy this woman.
0:47:04 > 0:47:06What about Strange D?
0:47:08 > 0:47:12No, no. I've...never liked him.
0:47:12 > 0:47:14Er... What about Rico?
0:47:14 > 0:47:18I don't think that's what the Baroness is after.
0:47:19 > 0:47:21What about The Finger?
0:47:23 > 0:47:26No, he's broken his finger.
0:47:26 > 0:47:28OK, I've got it.
0:47:30 > 0:47:33Who really knows Lady James?
0:47:57 > 0:48:00Open the box, produce me a cigarette.
0:48:17 > 0:48:20- The hand!- That's good, that one.
0:48:31 > 0:48:37Guy walks into a doctor and he says, "Doctor, I'm depressed, I'm lonely.
0:48:37 > 0:48:40"Life ahead is so vague and uncertain."
0:48:40 > 0:48:42The doctor says to him, "I've got the answer for you.
0:48:42 > 0:48:46"The treatment is, you go and see Pagliacci, the great clown." OK?
0:48:46 > 0:48:48Yeah?
0:48:48 > 0:48:53And the man, he starts crying and he says, "But, doctor...
0:48:53 > 0:48:54"I am Pagliacci."
0:49:02 > 0:49:06- Is that the punchline? - Yeah, cos the guy's sad...
0:49:06 > 0:49:09- he's depressed. - Yeah, so why's that funny?
0:49:09 > 0:49:13It's quirky funny. It's the sort of thing the lady likes.
0:49:13 > 0:49:15I want you to have fun.
0:49:15 > 0:49:17OK...
0:49:17 > 0:49:20- OK?- I'm having fun.
0:49:20 > 0:49:23- You don't look like you're having fun.- I am.
0:49:23 > 0:49:26This is having fun. That's it!
0:49:26 > 0:49:29This is having fun! OK, look at me.
0:49:29 > 0:49:31Look at me. Look at me.
0:49:31 > 0:49:34- Slightly annoying.- OK, but you're smiling, you're beginning to smile.
0:49:34 > 0:49:38Slightly annoying is cool, cos you needed slightly annoying.
0:49:38 > 0:49:40- Yeah?- I spotted what you needed and we're having fun.
0:49:40 > 0:49:42So should I do this to the Baroness?
0:49:42 > 0:49:46No. Your natural instincts mean having fun...
0:49:46 > 0:49:49but you're also outside yourself,
0:49:49 > 0:49:54monitoring the date. And remember, it's not a date.
0:49:54 > 0:49:57Hang on...
0:49:58 > 0:50:02Monitoring...not date... outside self.
0:50:02 > 0:50:03OK.
0:50:03 > 0:50:06Give the notebook a rest for the minute.
0:50:06 > 0:50:10Hang on. Let me just make sure... I've just got one more...
0:50:10 > 0:50:12Stop worrying so much.
0:50:13 > 0:50:14OK.
0:50:15 > 0:50:17Don't write, "Stop worrying so much."
0:50:17 > 0:50:21I just, you know, I forget things if I don't write them down.
0:50:21 > 0:50:23Sash, I need that!
0:50:23 > 0:50:29"Stop worrying so much"...is an absurd thing to write down. OK?
0:50:31 > 0:50:33Right, Sash.
0:50:33 > 0:50:39Sasha really is very sorry he couldn't be here tonight, but it's just a temporary injury.
0:50:39 > 0:50:42But I'm delighted you could stay and have a drink with me.
0:50:44 > 0:50:46You're not concentrating.
0:50:46 > 0:50:49- I am concentrating.- Stop talking.
0:50:49 > 0:50:52- You keep asking me a deliberate line. - OK?
0:50:52 > 0:50:54Start feeling, Trevor.
0:50:54 > 0:50:57I am feeling, Sash. I'm feeling a lot of things at the moment.
0:50:57 > 0:51:01OK. Fix my eyes. Now give me the line in French.
0:51:03 > 0:51:04- French?- French.
0:51:08 > 0:51:11Salut. Je m'appelle Trevor.
0:51:14 > 0:51:17OK, give me the same line, Trevor,
0:51:17 > 0:51:20with just your eyes. Just do it visually.
0:51:37 > 0:51:40No? What was wrong with that?
0:51:49 > 0:51:52You're gonna lead, Trevor.
0:51:52 > 0:51:54Oh. Show me what you do.
0:51:54 > 0:51:56You should lead.
0:52:07 > 0:52:09- You're the Baroness?- Yes.
0:52:32 > 0:52:33Keep them closed.
0:52:38 > 0:52:40This is absolutely ridiculous.
0:53:23 > 0:53:25Good evening.
0:53:25 > 0:53:27DISTANT FOOTSTEPS
0:53:27 > 0:53:29Trevor?
0:53:34 > 0:53:37- MAN: You look lovely tonight. - Thank you.
0:53:37 > 0:53:41INDISTINCT CONVERSATION
0:53:41 > 0:53:44- WOMAN:- You have a very exotic background.
0:53:44 > 0:53:49- How's the wine? - Oh, it's excellent, thank you.
0:53:50 > 0:53:52- Is he all right?- Yes, he's fine.
0:53:52 > 0:53:56He's just flat on his back on the sofa at the moment. WOMAN LAUGHS
0:53:56 > 0:53:58Watching Parliament, of course.
0:53:58 > 0:54:00You're not serious!
0:54:02 > 0:54:06I wasn't even sure that he had subscribed to the Parliamentary Channel.
0:54:06 > 0:54:08- He did?- Monthly.
0:54:08 > 0:54:13- I suppose that sounds rather sad, doesn't it?- No, no, no, not at all.
0:54:13 > 0:54:14A little worrying...
0:54:14 > 0:54:17- A little worrying!- Not worrying.
0:54:17 > 0:54:20No, you're right, you're absolutely right.
0:54:20 > 0:54:22- How wonderful! - SHE LAUGHS
0:54:25 > 0:54:26Thank you.
0:54:45 > 0:54:47- DOOR OPENS AND CLOSES - Trevor?
0:54:51 > 0:54:52Hello.
0:54:54 > 0:54:56Your collars are outside.
0:54:58 > 0:54:59Are they? Oh.
0:55:01 > 0:55:07- Probably tuck them in.- Well, I'll take this off in the sec, I'd have thought, then it won't be an issue.
0:55:10 > 0:55:12You've had a nice evening.
0:55:34 > 0:55:37What was the sneer? Did it go badly?
0:55:37 > 0:55:41- What was the what? - What was the sneer? Is she upset?
0:55:41 > 0:55:44- What sneer?- The sneer you just gave me on your way out.
0:55:44 > 0:55:46No, I was just...
0:55:46 > 0:55:51I thought maybe you could have tidied up your own cartons, that's all. But, I mean...
0:55:51 > 0:55:56Just me being silly. Don't worry about it. No, it didn't go badly at all. It went great.
0:55:58 > 0:56:02It didn't start as well as it might have.
0:56:02 > 0:56:05I think I just needed to relax or whatever.
0:56:05 > 0:56:08But after the first drink, we got talking about just silly things like
0:56:08 > 0:56:13the conference she'd just been on, stuff like that, and just took off.
0:56:13 > 0:56:16We stayed at the bar all evening, just drinking and chatting.
0:56:16 > 0:56:19Sorry...
0:56:19 > 0:56:22did you say you talked about the conference?
0:56:22 > 0:56:25Yeah, I'd read a little bit about it, actually,
0:56:25 > 0:56:30so I just had a couple of suggestions to make about some of the papers.
0:56:30 > 0:56:33You...talked about the conference?
0:56:33 > 0:56:38We didn't have dinner. We stayed at the bar and talked for a long time about all sorts of different things.
0:56:38 > 0:56:41- It's not on next week, is it? - It is on next week.
0:56:41 > 0:56:44Why wouldn't it be on next week? I did a great job, Sash.
0:56:46 > 0:56:48Did I do something wrong here?
0:56:52 > 0:56:56Sorry, can I have an answer, please? Did I do something wrong?
0:57:02 > 0:57:05£100.
0:57:12 > 0:57:15Tip.
0:57:15 > 0:57:17Give me the money, Trev.
0:57:17 > 0:57:21- Give me the money.- What, you're taking over accounts now, are you?
0:57:21 > 0:57:23Are we a partnership or a couple of fucking idiots?
0:57:23 > 0:57:26- Are you taking over accounts now? - Give me the fucking money!
0:57:26 > 0:57:31I'm not giving you the money! I will give you your cut when I sort all the accounts for the week out.
0:57:33 > 0:57:38- I'll give you a quarter. - No, Trev, you'll give me what you always give me.
0:57:55 > 0:57:56I covered for you tonight.
0:58:35 > 0:58:38# I know it's getting late
0:58:42 > 0:58:46# But if you'd like to talk a little more
0:58:49 > 0:58:51# Well, that's all right with me
0:58:55 > 0:58:58# I'm feeling kind of tired
0:59:01 > 0:59:06# But it ain't exactly beating down my door
0:59:08 > 0:59:10# Now just why could this be?
0:59:14 > 0:59:17# And I know I shouldn't say
0:59:21 > 0:59:25# But you've been acting strange the last few days
0:59:28 > 0:59:30# And this has made me think
0:59:34 > 0:59:37# Your pills have cost too much
0:59:41 > 0:59:45# And you can't feel them working any more
0:59:47 > 0:59:50# So pour them down the sink
0:59:54 > 0:59:58# And listen to me
0:59:59 > 1:00:02# All you've gotta do is, baby
1:00:02 > 1:00:07# Kick off your shoes and lay down
1:00:11 > 1:00:19# Climb up here with me and let's forget about sleep and lay down
1:00:25 > 1:00:28# I know I shouldn't say
1:00:32 > 1:00:36# But you've been acting strange the last few days
1:00:39 > 1:00:42# And this has made me think,
1:00:42 > 1:00:45# You know it got me thinking
1:00:46 > 1:00:48# Your pills have cost too much
1:00:52 > 1:00:57# And you can't feel them working any more
1:00:59 > 1:01:05# So pour them all right down the sink. #
1:01:09 > 1:01:12ALARM RINGS IN DISTANCE
1:01:19 > 1:01:21Trev!
1:01:21 > 1:01:24RINGING CONTINUES
1:01:24 > 1:01:25Trevor!
1:01:29 > 1:01:31Trevor!
1:01:40 > 1:01:42You know I need my sleep.
1:01:46 > 1:01:48Trev?
1:02:14 > 1:02:15RINGING STOPS
1:02:49 > 1:02:52Yes. Do you deliver breakfast?
1:03:17 > 1:03:20You look marvellous.
1:03:20 > 1:03:26- Thank you, Sacha. Do you like my outfit?- I think it sparkles.
1:03:26 > 1:03:27Will I be warm enough?
1:03:31 > 1:03:32Who's going to be there tonight?
1:03:32 > 1:03:38Davide and Laurent will be there. You remember them from, erm...Fabrice's?
1:03:38 > 1:03:41Oh, yes. Describe them to me.
1:03:41 > 1:03:44The guy with the sort of spiky, dark hair...
1:03:44 > 1:03:46- Is he French?- French, French.
1:03:46 > 1:03:49Oh, yes, I remember them. Yes, they're charming.
1:03:49 > 1:03:51- Will they be there? - They're gonna be there.- Nice.
1:03:51 > 1:03:54We'll have to give them your autograph this time.
1:03:54 > 1:03:58- They didn't know who I was. - Well, I think they did.
1:03:58 > 1:04:03- Schiaparelli.- Schiaparelli? - Yes, but I had it turned up. It was very long.
1:04:03 > 1:04:06I find it difficult to walk in a very long dress nowadays.
1:04:07 > 1:04:11Oh, dear. Old age, Sacha - don't have anything to do with it.
1:04:26 > 1:04:29How near are we to the Funky...?
1:04:29 > 1:04:31- What is it?- The Funky Buddha.
1:04:31 > 1:04:34I keep on forgetting that word, Buddha. How far?
1:04:34 > 1:04:36About three or four minutes.
1:04:36 > 1:04:40Three or four minutes?! I've still got my face!
1:04:40 > 1:04:43Did you sleep well last night?
1:04:43 > 1:04:46I never sleep. Two hours maximum.
1:05:02 > 1:05:07- Will I be safe there? - Yes. We've got a private room.
1:05:07 > 1:05:09The men at the door are gonna take us straight through.
1:05:09 > 1:05:12I'm hungry, I'm thirsty and excited.
1:05:12 > 1:05:14Oh, fantastic. Me too.
1:05:14 > 1:05:16Oh.
1:05:16 > 1:05:19We're turning off now, into...where?
1:05:19 > 1:05:22We are now, I think, Conduit Street.
1:05:22 > 1:05:25We've just left the Ritz.
1:05:25 > 1:05:27# There were angels dining at the Ritz
1:05:34 > 1:05:37# I may be right
1:05:37 > 1:05:39# I may be wrong
1:05:40 > 1:05:42# But I'm perfectly willing to swear
1:05:44 > 1:05:46# That when you turned and smiled at me
1:05:48 > 1:05:54# A nightingale sang in Berkeley Square. #
1:05:56 > 1:06:01Roberto never liked me singing. He said it was depressing.
1:06:01 > 1:06:02It relaxes me.
1:06:04 > 1:06:11Roberto and I used to walk around Berkeley Square. Very romantic.
1:06:20 > 1:06:22They never found his body, you know.
1:06:33 > 1:06:37- Can you see all the people? And the photographers?- Yes.
1:06:37 > 1:06:39I did see them.
1:07:47 > 1:07:51I'd say we all put a wedge behind the bar.
1:07:51 > 1:07:56If it runs out, I'm very happy to dig a little bit deeper, but that's a nice starting point.
1:08:04 > 1:08:07- 40th anniversary?- Yeah, that's true.
1:08:07 > 1:08:10Where's your cocktails? That's what I say.
1:08:16 > 1:08:18In you come.
1:08:21 > 1:08:23- Where are we?- John, just a question.
1:08:23 > 1:08:25Who's coming to this? How many?
1:08:27 > 1:08:31That's a point. I mean, Basil's lot, they've all gone now, haven't they?
1:08:31 > 1:08:33- It's only Basil left.- That's true.
1:08:33 > 1:08:34Yeah.
1:08:36 > 1:08:38So let's do it properly.
1:08:38 > 1:08:40Let's have a proper band,
1:08:40 > 1:08:45and speeches. All of us collectively do a little speech about what he's meant to us.
1:08:45 > 1:08:48Good food, no pay bar, proper bar...
1:08:50 > 1:08:52..couple of things on sticks.
1:08:52 > 1:08:54Seems good for me.
1:08:58 > 1:09:00Right.
1:09:00 > 1:09:02Meeting closed.
1:09:02 > 1:09:04This is the fat bloke singing.
1:09:27 > 1:09:29- You all right?- Yeah, I'm good.
1:09:31 > 1:09:33Is Ben helping you now?
1:09:36 > 1:09:37Sort of.
1:09:42 > 1:09:44Well, good luck.
1:09:44 > 1:09:45Yeah, you too.
1:09:49 > 1:09:53It's Beryl's birthday, Friday.
1:09:53 > 1:09:54Don't forget.
1:09:56 > 1:09:58Thanks.
1:10:11 > 1:10:14- 'Hello?'- Oh, hello. Could I speak with Lady James, please?
1:10:14 > 1:10:17- 'Can I say who's calling, please?' - It's Sacha.
1:10:17 > 1:10:18One moment, please.
1:10:18 > 1:10:20Hi, it's Trevor.
1:10:20 > 1:10:24Yeah, yeah, yeah. In Sacha's office.
1:10:24 > 1:10:27Yes, yes. I'm just touching base, really.
1:10:28 > 1:10:33Erm, I'm working with someone else now actually, yep.
1:10:33 > 1:10:37So I just wondered if Mrs T was kind of still looking for...
1:10:37 > 1:10:39'Possibly.'
1:10:39 > 1:10:41Maybe? Good, good, excellent.
1:10:41 > 1:10:42'Let me talk to her.'
1:10:42 > 1:10:47About six foot two, brown hair, about 30.
1:10:47 > 1:10:49'Great, lovely.'
1:10:49 > 1:10:51'I'm afraid she's unavailable, caller.'
1:10:51 > 1:10:54OK. If you could just say Sacha called, that'd be great. Thanks.
1:10:54 > 1:10:56- 'OK, will do.'- OK, bye.
1:11:22 > 1:11:23There we go, Sach.
1:11:26 > 1:11:28Thanks for that.
1:11:31 > 1:11:34Er...
1:11:34 > 1:11:36I need a cake.
1:11:37 > 1:11:40I've got a delivery to make, I just need a small cake.
1:11:44 > 1:11:50Here, take that. A smart but not ostentatious birthday cake.
1:11:50 > 1:11:52Er, keep the rest.
1:11:54 > 1:11:56Thanks.
1:12:30 > 1:12:32DISTANT SINGING
1:12:45 > 1:12:47LOUDER SINGING
1:12:52 > 1:12:53Basil?
1:12:58 > 1:13:02Trevor! What the hell are you doing here?
1:13:16 > 1:13:20# Happy birthday to you
1:13:20 > 1:13:24# Happy birthday to you
1:13:24 > 1:13:30# Happy birthday, wonderful Beryl! #
1:13:33 > 1:13:35It's a year since Beryl's husband died.
1:15:33 > 1:15:34Come on.
1:16:02 > 1:16:03(Sacha!)
1:16:05 > 1:16:06(Come here!)
1:16:07 > 1:16:09(Sacha! Come here!)
1:17:26 > 1:17:27HE WHISTLES
1:17:49 > 1:17:50Thank you.
1:17:57 > 1:17:59Well?
1:17:59 > 1:18:02- Did you find her? - Russell Square, her old college.
1:18:08 > 1:18:11Fucking fake tan, stained my shirt.
1:18:13 > 1:18:15Are you going to the club later?
1:18:15 > 1:18:17Yeah.
1:18:17 > 1:18:18Sach, erm...
1:18:18 > 1:18:21What sort of time will you be at the club?
1:18:21 > 1:18:24I don't know, about ten?
1:18:24 > 1:18:26OK, see you later.
1:19:08 > 1:19:10I love the place.
1:19:10 > 1:19:17- It is nice, isn't it?- A man I knew in Dubai had a place just like this. - I do want to know about it...
1:21:24 > 1:21:25Hello.
1:21:36 > 1:21:38- See you at Del Monaco's. - But of course.
1:21:39 > 1:21:41- Goodnight, dear.- Goodnight.
1:22:16 > 1:22:18My little Belgian chocolate!
1:22:18 > 1:22:19My little Belgian chocolate!
1:22:52 > 1:22:53KNOCK ON THE DOOR
1:22:53 > 1:22:57- Who is that?- It's me, Sacha.
1:23:09 > 1:23:10Hi, Edwina.
1:23:11 > 1:23:15- What day is it?- It's, er...Thursday.
1:23:15 > 1:23:17We have no date.
1:23:17 > 1:23:18No.
1:23:19 > 1:23:21I've got some sherry.
1:23:21 > 1:23:26I just thought, erm, we could, er, have a nightcap.
1:23:26 > 1:23:28No, I've taken a sleeping pill.
1:23:29 > 1:23:34Er... Well, I'll have a nightcap and we can just chat and...
1:23:36 > 1:23:38What's wrong with you?
1:23:38 > 1:23:43- I've, er... Yeah.- Hmm?
1:23:43 > 1:23:47Er... We'll see each other on our next date.
1:25:31 > 1:25:33I thought we were...
1:25:33 > 1:25:35I've got to go.
1:25:37 > 1:25:39Why don't we go for a drink now, or...?
1:26:00 > 1:26:02MOBILE RINGS
1:29:09 > 1:29:11You all right?
1:29:15 > 1:29:16Yeah.
1:29:20 > 1:29:22You looked good in there.
1:29:27 > 1:29:28Bit gay.
1:29:29 > 1:29:31I'd love some cigarettes.
1:30:18 > 1:30:20You should cut down.
1:30:20 > 1:30:22You should go back in.
1:31:17 > 1:31:19Subtitles by Red Bee Media Ltd
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