The Sky's the Limit

0:01:17 > 0:01:18GUNS FIRE

0:01:32 > 0:01:34OFFICER SPEAKS CHINESE

0:01:37 > 0:01:39CROWD CHEERS

0:01:39 > 0:01:41BAND PLAYS VICTORY MARCH

0:01:47 > 0:01:50Isn't it just too thrilling?

0:01:50 > 0:01:51What? Thrilling.

0:01:51 > 0:01:52You certainly are.

0:01:52 > 0:01:53Oh.

0:01:53 > 0:01:56Well, why don't you wave at all the nice people?

0:01:56 > 0:01:58You know, I heard you came back

0:01:58 > 0:02:00from a battle with those silly old Jap planes

0:02:00 > 0:02:02just practically on one wing.

0:02:02 > 0:02:03I did? My goodness,

0:02:03 > 0:02:04I hadn't heard that one.

0:02:10 > 0:02:12Look at that mug, will you?

0:02:12 > 0:02:14Say, he's doing all right.

0:02:14 > 0:02:15Where'd he find that girl?

0:02:15 > 0:02:17Why do I have to ride with you?

0:02:17 > 0:02:21I was thinking the same thing.

0:02:21 > 0:02:23I've always wanted to meet a flying tiger.

0:02:23 > 0:02:25Oh, we've been overrated.

0:02:25 > 0:02:28At heart, we're just like any ordinary wolf - tiger.

0:02:28 > 0:02:30What's your objective now?

0:02:30 > 0:02:32Oh, I thought we'd just ride around a little while.

0:02:32 > 0:02:34Oh, silly, I mean the war.

0:02:34 > 0:02:36Oh, the war. I'm in between,

0:02:36 > 0:02:37transferring to naval aviation.

0:02:37 > 0:02:39Oh. How much time you got?

0:02:39 > 0:02:40Ten days. That time enough?

0:02:40 > 0:02:43All depends on what y'all want to do, honey.

0:02:43 > 0:02:44Honey, y'all chart the course.

0:02:44 > 0:02:46What would you like to do first?

0:02:46 > 0:02:47Let me see.

0:02:47 > 0:02:49I mean, where would y'all like to go first?

0:02:49 > 0:02:50Well, I'll...

0:02:50 > 0:02:52You just surprise me.

0:02:52 > 0:02:54You'll be surprised.

0:02:55 > 0:02:57You, er, you haven't a roommate, have you?

0:02:57 > 0:03:00What? Oh, no. No, indeedy.

0:03:00 > 0:03:01Fine.

0:03:01 > 0:03:03We can have something sent up -

0:03:03 > 0:03:04champagne, pheasant...

0:03:04 > 0:03:06Now, don't you worry yourself, Tiger,

0:03:06 > 0:03:08because everything's been taken care of.

0:03:08 > 0:03:11What? Well, I just...

0:03:11 > 0:03:12WOMAN: I'm Miss Barr. I'm Miss May.

0:03:12 > 0:03:14I'm surprised.

0:03:14 > 0:03:15You're at the speaker's table,

0:03:15 > 0:03:18where you're going to be the guest of honour.

0:03:18 > 0:03:19TRAIN WHISTLE BLOWS

0:03:25 > 0:03:27So I followed this Jap right down to his own field,

0:03:27 > 0:03:29and he invites me to dinner.

0:03:29 > 0:03:30Go on.

0:03:30 > 0:03:31MAN: Attention, men.

0:03:31 > 0:03:33Here's a little further dope

0:03:33 > 0:03:34on your itinerary.

0:03:34 > 0:03:36We arrive in Salt Lake tomorrow morning,

0:03:36 > 0:03:39visit the Mormon Tabernacle.

0:03:39 > 0:03:41The parade will shove off at 12 noon.

0:03:41 > 0:03:44Chamber Of Commerce tour, 2.00 until 5.00.

0:03:44 > 0:03:45When do we eat?

0:03:45 > 0:03:47FRED WHISTLES

0:03:47 > 0:03:48Banquet at 8.30.

0:03:48 > 0:03:50Looks like you'll have a pretty full day.

0:03:50 > 0:03:51FRED: Ouch.

0:03:51 > 0:03:52Yeah, it sure does.

0:03:52 > 0:03:54Say, how long does this go on?

0:03:54 > 0:03:56Coast to coast.

0:03:56 > 0:03:57Lets me out.

0:04:02 > 0:04:04Hmm, we've stopped.

0:04:09 > 0:04:11I'll see you in Tokyo.

0:04:11 > 0:04:12What do you guys got?

0:04:12 > 0:04:13Three kings.

0:04:13 > 0:04:14Oh, take it away.

0:04:14 > 0:04:16ALL TALKING AT ONCE

0:04:18 > 0:04:19Ha ha ha!

0:04:19 > 0:04:21That's the way we used to play in China.

0:04:21 > 0:04:22Yep.

0:04:22 > 0:04:24Men, I'll be back in a minute.

0:04:34 > 0:04:36What's the matter with you?

0:04:36 > 0:04:37Get back on this train.

0:04:37 > 0:04:39Oh, I've had enough.

0:04:39 > 0:04:41We've only got ten days to have some fun,

0:04:41 > 0:04:43and that big personal appearance tour

0:04:43 > 0:04:44they've got mapped out in there

0:04:44 > 0:04:45doesn't sound like fun to me.

0:04:45 > 0:04:47You can have it, brother.

0:04:47 > 0:04:48Hey, we're moving.

0:04:48 > 0:04:49You want to get left behind?

0:04:49 > 0:04:50Sure.

0:04:50 > 0:04:52Why don't you be a man and get off?

0:04:52 > 0:04:53This is great!

0:04:53 > 0:04:55Are you crazy?

0:04:55 > 0:04:56Yeah! I'm nuts!

0:04:56 > 0:04:58Hey!

0:04:58 > 0:05:00Ah!

0:05:29 > 0:05:32Yeah, any fool can see it.

0:05:32 > 0:05:34There's only one way to win this war

0:05:34 > 0:05:36or any other war,

0:05:36 > 0:05:39and that's with men and bullets and bayonets.

0:05:39 > 0:05:42We got to give them a taste of cold American steel.

0:05:42 > 0:05:43That's what we're gonna do,

0:05:43 > 0:05:45whether those politicians in Washington

0:05:45 > 0:05:47like it or not.

0:05:47 > 0:05:48We got to fight.

0:05:48 > 0:05:50By the way, how do you stand in the draft?

0:05:50 > 0:05:52Me? 4F.

0:05:58 > 0:06:01SWING MUSIC PLAYS

0:06:01 > 0:06:02Good evening.

0:06:02 > 0:06:03Hello.

0:06:08 > 0:06:10Say, what kind of place is this?

0:06:10 > 0:06:11A nightclub. Oh.

0:06:11 > 0:06:13Take all the Broadway columns

0:06:13 > 0:06:14and shake out the names,

0:06:14 > 0:06:15and what do you get?

0:06:15 > 0:06:18The Colonial Club. See?

0:06:18 > 0:06:20Got a light?

0:06:20 > 0:06:21Yes, sir.

0:06:25 > 0:06:26Thanks.

0:06:26 > 0:06:28Ha ha! Kind of got yourself all dressed up,

0:06:28 > 0:06:29ain't you?

0:06:32 > 0:06:33You ain't doing so bad yourself.

0:06:33 > 0:06:35Ha ha ha!

0:06:42 > 0:06:44Now you're hip.

0:07:24 > 0:07:25Yes, sir? Hi.

0:07:27 > 0:07:29Can you look down the line and stop

0:07:29 > 0:07:31when you come to the most beautiful girl?

0:07:33 > 0:07:35I'm stopped.

0:07:35 > 0:07:36You know her name?

0:07:36 > 0:07:38Sure. Joan Manion, photographer.

0:07:38 > 0:07:40Gonna take pictures here tonight.

0:07:40 > 0:07:43Who's the character with her?

0:07:43 > 0:07:45That's the guy she works for -

0:07:45 > 0:07:46Phil Harriman, publisher of Eyeful.

0:07:46 > 0:07:48Eiffel?

0:07:48 > 0:07:51Eyeful. You know, the high-class peep magazine.

0:07:51 > 0:07:52Oh, yeah, yeah.

0:07:52 > 0:07:53Beside her, what would you like?

0:07:53 > 0:07:55Oh, just a little, er...

0:07:55 > 0:07:56and plain water...

0:07:56 > 0:07:57beside her.

0:08:02 > 0:08:04MAN: That must be obvious, my dear.

0:08:04 > 0:08:05Phil, the world is burning down,

0:08:05 > 0:08:07but I have to stay home and take pictures

0:08:07 > 0:08:09of celebrities in a nightclub.

0:08:09 > 0:08:11Why don't I get to go to London or China?

0:08:11 > 0:08:12Why not?

0:08:12 > 0:08:13Sure, why not?

0:08:13 > 0:08:14I have brains.

0:08:14 > 0:08:16I have, er...

0:08:16 > 0:08:17er, talent.

0:08:17 > 0:08:19And beauty. Don't overlook that.

0:08:19 > 0:08:21Oh, you can't sidetrack the issue with that palaver.

0:08:21 > 0:08:23Why didn't I get sent over there?

0:08:23 > 0:08:24Because I like you here.

0:08:24 > 0:08:26Besides, you're a girl.

0:08:26 > 0:08:27Margaret Bourke-White went to Russia.

0:08:27 > 0:08:31Well, I don't happen to be in love with Margaret Bourke-White.

0:08:31 > 0:08:34For a minute, I thought you were going to be on the level.

0:08:34 > 0:08:35I must be slipping.

0:08:35 > 0:08:36Slippery times.

0:08:36 > 0:08:38You said it.

0:08:41 > 0:08:43OK. I'll work for you tonight.

0:08:43 > 0:08:45I'll photograph this menagerie.

0:08:52 > 0:08:53Cute girl.

0:08:53 > 0:08:54I like her.

0:08:54 > 0:08:56She likes me, too.

0:08:56 > 0:08:58As a matter of fact, most women seem to like me.

0:08:58 > 0:09:00How do you account for that?

0:09:00 > 0:09:03I sometimes think it's because I don't understand women.

0:09:04 > 0:09:05Do I know you?

0:09:05 > 0:09:06No.

0:09:06 > 0:09:08But don't apologise.

0:09:16 > 0:09:18Hi, Freddie. I want to catch you in action.

0:09:21 > 0:09:23Thanks. Thank you.

0:09:29 > 0:09:30Hello, Pamela.

0:09:30 > 0:09:32I'd like to get a couple of candid shots.

0:09:32 > 0:09:35Yes, certainly. You know Mr Reed? Miss Manion.

0:09:35 > 0:09:36How do you do? How do you do?

0:09:36 > 0:09:38Let's see.

0:09:38 > 0:09:39That looks pretty good.

0:09:39 > 0:09:40REED: I beg your pardon.

0:09:40 > 0:09:42This young lady is trying to...

0:09:42 > 0:09:44Would you please? I'm sure you don't mind.

0:09:44 > 0:09:45I mind very well.

0:09:51 > 0:09:52Now look what you've done.

0:09:52 > 0:09:55I'm sorry. We'll take another.

0:09:55 > 0:09:56That's all right, Joan.

0:09:57 > 0:09:59Oh, Sir Charles, I think it might be better

0:09:59 > 0:10:00without the champagne.

0:10:00 > 0:10:03Oh, quite so. Wartime.

0:10:03 > 0:10:05Mm-hmm.

0:10:05 > 0:10:06Now...great big smile.

0:10:06 > 0:10:08How's that?

0:10:08 > 0:10:11All right. Hold it, Sir Charles.

0:10:13 > 0:10:16Gee, that was a pip.

0:10:16 > 0:10:17Pip?

0:10:20 > 0:10:22I'm sorry, Sir Charles. I'll have to get it again.

0:10:22 > 0:10:23Do you mind?

0:10:23 > 0:10:25Oh, quite so.

0:10:25 > 0:10:27JOAN: Mac, I'd like to have a nice candid shot of you.

0:10:27 > 0:10:30OK? Let's see.

0:10:30 > 0:10:32Uh-huh. Nice, big smile now.

0:10:33 > 0:10:35JOAN: Hello.

0:10:35 > 0:10:37Got it. Thanks, Mac.

0:10:37 > 0:10:39I'll send you a print for the family.

0:10:39 > 0:10:40Thank you.

0:10:40 > 0:10:42That's one for you and one for me.

0:10:42 > 0:10:43Shall we play off the tie?

0:10:43 > 0:10:46You know, purely in a sociological way,

0:10:46 > 0:10:47you interest me...

0:10:47 > 0:10:49a little.

0:10:49 > 0:10:50It's a beginning, isn't it?

0:10:50 > 0:10:51Don't get me wrong.

0:10:51 > 0:10:53What interests me is this passion you seem to have

0:10:53 > 0:10:55for getting your picture taken.

0:10:55 > 0:10:56Let's talk it over.

0:10:56 > 0:10:57I'll have the same, please.

0:10:57 > 0:10:59You know, I'm supposed to be taking pictures

0:10:59 > 0:11:00of celebrities.

0:11:00 > 0:11:01Couldn't I be the fella

0:11:01 > 0:11:03who never gets his name mentioned,

0:11:03 > 0:11:04the one they call "a friend,"

0:11:04 > 0:11:06you know, "Ginger Rogers and friend"?

0:11:06 > 0:11:10Uh, it's possible but extremely improbable.

0:11:10 > 0:11:11Why have you insisted on annoying me

0:11:11 > 0:11:13and ruining my pictures?

0:11:13 > 0:11:14I used to know a fella once

0:11:14 > 0:11:16who liked to fly a plane upside down.

0:11:16 > 0:11:17HE WHISTLES

0:11:19 > 0:11:21Me? I like to have my picture taken.

0:11:21 > 0:11:22Well, look at you.

0:11:22 > 0:11:24You want to go over and photograph

0:11:24 > 0:11:25a lot of burning buildings

0:11:25 > 0:11:27and bomb pits and all that kind of thing.

0:11:27 > 0:11:28You're crazy, too.

0:11:28 > 0:11:29It's democracy.

0:11:29 > 0:11:31It's wonderful.

0:11:31 > 0:11:34Thanks. That's all I wanted to know.

0:11:38 > 0:11:39That's that.

0:11:39 > 0:11:40I hereby inform you

0:11:40 > 0:11:42that I photographed my last highball.

0:11:42 > 0:11:43Have one?

0:11:43 > 0:11:45I should have stuck to a stage career.

0:11:45 > 0:11:47Couldn't be any tougher than getting a break.

0:11:47 > 0:11:49Want me to get you a job in this club?

0:11:49 > 0:11:50You think I couldn't?

0:11:50 > 0:11:52And I don't need any help from you either.

0:11:52 > 0:11:54MUSIC STOPS APPLAUSE

0:11:54 > 0:11:56She certainly doesn't.

0:11:56 > 0:11:57Oh.

0:11:57 > 0:11:59Freddie, do me a favour. Sure, Joan.

0:11:59 > 0:12:00- I want to do Shining Hour. - Certainly.

0:12:00 > 0:12:02Is she kidding?

0:12:02 > 0:12:03Just listen.

0:12:10 > 0:12:17# This will be my shining hour

0:12:17 > 0:12:20# Calm and happy and bright

0:12:20 > 0:12:22# ooh do do do ooh

0:12:22 > 0:12:28# In my dreams your face will flower

0:12:28 > 0:12:32# Through the darkness of the night

0:12:32 > 0:12:35# Ooh do do do do do do do do

0:12:35 > 0:12:41# Like the lights of home before me

0:12:41 > 0:12:48# Or an angel watching o'er me

0:12:48 > 0:12:55# This will be my shining hour

0:12:55 > 0:13:03# Till I'm with you again

0:13:40 > 0:13:47# This will be my shining hour

0:13:47 > 0:13:55# Till I'm with you again

0:13:55 > 0:13:59# Like the lights of home before me

0:13:59 > 0:14:03# Like an angel watching o'er me

0:14:03 > 0:14:09# This will be my shining hour

0:14:09 > 0:14:14# With you. #

0:14:14 > 0:14:18BAND STOPS

0:14:18 > 0:14:20APPLAUSE

0:14:20 > 0:14:22Kidding, huh?

0:14:29 > 0:14:30Here's your camera. I quit.

0:14:30 > 0:14:32PHIL: Oh, now, Joan, Joan.

0:14:32 > 0:14:33You take me too seriously

0:14:33 > 0:14:34at the wrong time.

0:14:34 > 0:14:35Now, here's your resignation.

0:14:35 > 0:14:36No.

0:14:36 > 0:14:38Look, I'm your boss, and you'll do as I say.

0:14:38 > 0:14:39Not anymore. I'm finished.

0:14:39 > 0:14:41Well, what do you want to do?

0:14:41 > 0:14:43I want to get into this war.

0:14:43 > 0:14:45I want to show the little guy at his war job.

0:14:45 > 0:14:47That might show hundreds of other little guys how they can help.

0:14:47 > 0:14:48Women and kids, too.

0:14:48 > 0:14:50Fine. Go ahead and do it.

0:14:50 > 0:14:51Then you mean I'm still working for you?

0:14:51 > 0:14:53Sure. That's right, isn't it?

0:14:53 > 0:14:54If you say so.

0:14:54 > 0:14:55You keep out of this.

0:14:55 > 0:14:56Thanks, Phil, and don't worry.

0:14:56 > 0:14:57I'll prove you wrong.

0:14:57 > 0:14:58Everybody does.

0:14:58 > 0:15:00Well, if I'm going to Russia,

0:15:00 > 0:15:02I better hurry home and start learning Russian.

0:15:02 > 0:15:03I'll take you.

0:15:03 > 0:15:05No thanks. I'll be all right. Good night.

0:15:08 > 0:15:10She'll never learn Russian.

0:15:12 > 0:15:14There you are, Miss Manion, just like you like it.

0:15:14 > 0:15:15Good. Like some coffee?

0:15:15 > 0:15:17No thanks, Mr Keifer.

0:15:20 > 0:15:22HE WHISTLES

0:15:35 > 0:15:37I used to make a living off those things.

0:15:37 > 0:15:38You again?

0:15:38 > 0:15:41PINBALL MACHINE RINGS

0:15:41 > 0:15:43Pretty good living, too.

0:15:43 > 0:15:44Who are you trying to impress

0:15:44 > 0:15:47with that dude ranch outfit?

0:15:47 > 0:15:49Now you've hurt my feelings.

0:15:49 > 0:15:51KEIFER: Care for something, sir.

0:15:51 > 0:15:53Just this young lady's cheque, if I may?

0:15:53 > 0:15:55Two bits.

0:15:55 > 0:15:56Here you are.

0:15:56 > 0:15:57Thank you.

0:15:59 > 0:16:01Don't try to tell me you just happened to walk in here.

0:16:01 > 0:16:03I wouldn't try to tell you anything.

0:16:03 > 0:16:05In other words, you're deliberately following me, huh?

0:16:05 > 0:16:07Deliberately.

0:16:07 > 0:16:09Well, what were you doing at the Colonial Club?

0:16:09 > 0:16:11Following you deliberately.

0:16:11 > 0:16:13How long has this been going on?

0:16:13 > 0:16:15Since the first time I saw you.

0:16:15 > 0:16:16May I ask why?

0:16:16 > 0:16:19You're entitled to the question.

0:16:19 > 0:16:20Well, why?

0:16:20 > 0:16:21Why?

0:16:21 > 0:16:22That's what I'm asking.

0:16:22 > 0:16:23Well, I don't know.

0:16:23 > 0:16:26Why does a kid go around kicking a tin can?

0:16:26 > 0:16:28Why do owls stay up so late?

0:16:28 > 0:16:30How should I know? It's just one of those things.

0:16:30 > 0:16:33Well, thanks for the hamburger.

0:16:42 > 0:16:43Hello.

0:16:43 > 0:16:45Look here, whatever your name is.

0:16:45 > 0:16:47Fred, er, Fred Burton.

0:16:47 > 0:16:48This has gone far enough, Mr Burton.

0:16:48 > 0:16:50Oh, now, you can do better than that.

0:16:50 > 0:16:52Can't a girl walk along the...

0:16:52 > 0:16:54Do I have to...? Call a cop?

0:16:54 > 0:16:55A sophisticated girl like you?

0:16:55 > 0:16:57I just happen to be going this way.

0:16:57 > 0:16:59You're not a snob. Can't I walk with you?

0:17:01 > 0:17:04Thanks.

0:17:09 > 0:17:12The world feels pretty good around here.

0:17:12 > 0:17:13Half the world is dying,

0:17:13 > 0:17:14and you feel pretty good.

0:17:14 > 0:17:15Don't you read the papers?

0:17:15 > 0:17:17Nope.

0:17:17 > 0:17:18Maybe you ought to try it.

0:17:18 > 0:17:19Did you know about the war?

0:17:19 > 0:17:20A piece of it.

0:17:20 > 0:17:22Just not very interested, huh?

0:17:22 > 0:17:23Not tonight.

0:17:23 > 0:17:26Not that I care, but what do you do for a living?

0:17:26 > 0:17:27Nothing at the moment.

0:17:27 > 0:17:28Well, what did you do?

0:17:28 > 0:17:30Oh, various things.

0:17:30 > 0:17:31Legitimate?

0:17:31 > 0:17:33Now, wait a minute. Relax, will you?

0:17:33 > 0:17:34You're not as tough as all that.

0:17:34 > 0:17:36You're just a little unhappy

0:17:36 > 0:17:38because you're not doing what you want to do.

0:17:38 > 0:17:41Why don't you just go ahead and do it?

0:17:41 > 0:17:42Don't tempt me.

0:17:42 > 0:17:44After all, you're the only one in the way

0:17:44 > 0:17:46of what you want to do. I thought that was something.

0:17:46 > 0:17:47Look. It's a penny.

0:17:47 > 0:17:49Put it in your shoe. It will bring you luck.

0:17:49 > 0:17:50Maybe you need it.

0:17:50 > 0:17:53Oh, no. I couldn't be luckier than I am tonight.

0:17:55 > 0:17:59HE WHISTLES "MY SHINING HOUR"

0:17:59 > 0:18:01Say, that's not a bad song you sang tonight,

0:18:01 > 0:18:02but it's like you.

0:18:02 > 0:18:04It takes itself a little too seriously.

0:18:04 > 0:18:05Oh, I suppose you could do better.

0:18:05 > 0:18:07Well, maybe.

0:18:07 > 0:18:09That I'd like to hear.

0:18:09 > 0:18:10I used to write songs.

0:18:10 > 0:18:11If I had written that one,

0:18:11 > 0:18:12I'd have made it a little lighter,

0:18:12 > 0:18:15something like...

0:18:15 > 0:18:21# This will be my shining hour

0:18:21 > 0:18:24# Lonely though it may be... #

0:18:24 > 0:18:26And then, er...

0:18:26 > 0:18:32# Like the face of Mischa Auer

0:18:32 > 0:18:35# On the music hall marquee... #

0:18:35 > 0:18:37Oh.

0:18:37 > 0:18:43# Were they stingers or Bacardis?

0:18:43 > 0:18:48# Was it Tony's? Was it Sardi's? #

0:18:48 > 0:18:49That's the idea.

0:18:49 > 0:18:51# This will be

0:18:51 > 0:18:55# My shining hour

0:18:55 > 0:19:00# Till I'm with you again. #

0:19:00 > 0:19:01See what I mean?

0:19:01 > 0:19:03Good night.

0:20:18 > 0:20:20HE RINGS DOORBELL

0:20:21 > 0:20:22Good evening. Well.

0:20:22 > 0:20:23You have a room for rent?

0:20:23 > 0:20:25This is a fine time of night

0:20:25 > 0:20:27for you to be looking for a room, young man.

0:20:27 > 0:20:28Well, I don't need a room until I go to bed,

0:20:28 > 0:20:29and I don't go to bed

0:20:29 > 0:20:31until a fine time of night.

0:20:31 > 0:20:33Try planning your life a day ahead sometime.

0:20:33 > 0:20:35No point in it. I may not be here.

0:20:35 > 0:20:37You may not be here. Who knows?

0:20:37 > 0:20:40Well, I'm sure I don't.

0:20:40 > 0:20:44Well, while we're still here, come in.

0:20:52 > 0:20:57Oh, this is the room right here.

0:21:00 > 0:21:03I think you'll find this very comfortable.

0:21:08 > 0:21:11It is a little stuffy in here.

0:21:11 > 0:21:12Very nice.

0:21:12 > 0:21:1617.50 a week in advance.

0:21:16 > 0:21:18That's in case you ain't here tomorrow.

0:21:18 > 0:21:19I'll buy it.

0:21:19 > 0:21:21What might your business be?

0:21:21 > 0:21:24It might be anything.

0:21:24 > 0:21:26Any baggage?

0:21:26 > 0:21:27No, ma'am.

0:21:27 > 0:21:28Oh.

0:21:28 > 0:21:30Uh, 17.50?

0:21:30 > 0:21:31You can bring me the change tomorrow.

0:21:31 > 0:21:33Thank you. Thank you.

0:21:33 > 0:21:34Good night, Miss, uh...

0:21:34 > 0:21:36Fisher, Mrs Fisher.

0:21:36 > 0:21:38Oh, I'd like to meet your husband,

0:21:38 > 0:21:39the lucky fellow.

0:21:39 > 0:21:40Yes. So would I.

0:21:40 > 0:21:44He hasn't been with me for 15 years.

0:21:44 > 0:21:47Lucky fellow.

0:21:47 > 0:21:48Did you say something?

0:21:48 > 0:21:50Who, me? No, ma'am.

0:21:50 > 0:21:51Good night.

0:21:51 > 0:21:52Good night.

0:21:52 > 0:21:53HE WHISTLES

0:21:55 > 0:21:57HE WHISTLES "MY SHINING HOUR"

0:22:25 > 0:22:27POTS BANG

0:22:47 > 0:22:49SIZZLING

0:22:52 > 0:22:53Good morning.

0:22:53 > 0:22:55Oh, come here, Waldo.

0:22:55 > 0:22:57What do you think you're doing?

0:22:57 > 0:22:58Cooking you breakfast.

0:22:58 > 0:22:59I used to be a chef.

0:22:59 > 0:23:00How did you get in here?

0:23:00 > 0:23:02The roof. Like to look your egg in the eye?

0:23:02 > 0:23:03Isn't that a beaut?

0:23:03 > 0:23:04Once over lightly - never mind that.

0:23:04 > 0:23:06You don't think you're gonna get away with this, do you?

0:23:06 > 0:23:08I certainly don't.

0:23:08 > 0:23:09Well, you can't come into my kitchen like that

0:23:09 > 0:23:10over the roof through my window.

0:23:10 > 0:23:11Now, just look at you.

0:23:11 > 0:23:13Here it is a beautiful morning,

0:23:13 > 0:23:15a beautiful life, a beautiful breakfast,

0:23:15 > 0:23:16and there you stand.

0:23:16 > 0:23:17Now, just look at you.

0:23:17 > 0:23:18What's the matter with me?

0:23:18 > 0:23:19Well, for one thing, your hair.

0:23:19 > 0:23:23I can't tell which one of you is Waldo.

0:23:26 > 0:23:27That got her, Waldo.

0:23:27 > 0:23:30Achilles had a heel, and women have their hair.

0:23:37 > 0:23:39Why, Miss Joan, you're looking

0:23:39 > 0:23:40perfectly lovely this morning.

0:23:40 > 0:23:41Good morning.

0:23:41 > 0:23:42I suppose you know I could have you arrested

0:23:42 > 0:23:44for illegal entry into this building.

0:23:44 > 0:23:46Oh, no. I live here.

0:23:46 > 0:23:47You what?

0:23:47 > 0:23:50I'm just across the hall.

0:23:50 > 0:23:53Uh, later, Waldo.

0:23:53 > 0:23:54That's a good boy.

0:23:54 > 0:23:55Coffee?

0:23:55 > 0:23:58Thanks.

0:23:58 > 0:24:00Waldo, you're a traitor. HE WHINES

0:24:00 > 0:24:01What you going to do today?

0:24:01 > 0:24:03Work, naturally.

0:24:03 > 0:24:04On a day like this?

0:24:04 > 0:24:06I had it all planned for us to do the town.

0:24:06 > 0:24:08You're too thoughtful of others.

0:24:08 > 0:24:10You see, you ought to let me mind my business,

0:24:10 > 0:24:12and I'd be only too glad to let you mind yours.

0:24:12 > 0:24:13I told you. I haven't any.

0:24:13 > 0:24:15Oh, I suggest you find one.

0:24:15 > 0:24:16Why?

0:24:16 > 0:24:17Why?

0:24:17 > 0:24:21Because it's an economic necessity,

0:24:21 > 0:24:22the law of-the law of survival.

0:24:22 > 0:24:23Haven't you heard?

0:24:23 > 0:24:24It's, er...

0:24:24 > 0:24:27Oh, I don't know what I'm talking about.

0:24:27 > 0:24:29I don't care.

0:24:29 > 0:24:31Say, didn't you ever want to accomplish anything?

0:24:31 > 0:24:33Isn't there anything you've ever wanted enough

0:24:33 > 0:24:35to get out and work and fight for?

0:24:35 > 0:24:37Eat your egg.

0:24:37 > 0:24:39Well, you have to fight to get anything.

0:24:39 > 0:24:40Don't you believe that?

0:24:40 > 0:24:42No.

0:24:42 > 0:24:44Well, what do you believe?

0:24:44 > 0:24:45Sometimes you have to fight to keep something.

0:24:45 > 0:24:46I believe that.

0:24:46 > 0:24:48Well, don't you have to get something

0:24:48 > 0:24:50in order to keep it?

0:24:50 > 0:24:52No more than you can be born with.

0:24:52 > 0:24:54What were you born with?

0:24:54 > 0:24:56Nothing much. Freedom maybe.

0:24:56 > 0:24:58- Freedom? - Yes, like you.

0:24:58 > 0:24:59Freedom for anything,

0:24:59 > 0:25:00to be anything you want to be,

0:25:00 > 0:25:02somebody or nobody if you want to.

0:25:02 > 0:25:05Me, right now I want to be nobody.

0:25:05 > 0:25:07I guess I don't tell it very well.

0:25:07 > 0:25:09You're not doing bad.

0:25:09 > 0:25:13Where are you gonna start this new job of yours?

0:25:13 > 0:25:14Down on the docks, east river.

0:25:14 > 0:25:16Good.

0:25:16 > 0:25:17Why?

0:25:17 > 0:25:18Well, it's just good, that's all.

0:25:18 > 0:25:20Are you going to look for work?

0:25:20 > 0:25:21For you, yes.

0:25:21 > 0:25:23For me?

0:25:23 > 0:25:24Well, for us.

0:25:26 > 0:25:28Oh, I give up.

0:25:28 > 0:25:29I've got to hurry.

0:25:43 > 0:25:45OFFICIAL CLEARS HIS THROAT

0:25:45 > 0:25:47I'd like to make a couple of shots up here.

0:25:47 > 0:25:49Sure, ma'am.

0:25:49 > 0:25:50Thank you.

0:25:58 > 0:25:59You-working?

0:25:59 > 0:26:01No less.

0:26:01 > 0:26:03I take it all back.

0:26:03 > 0:26:04Then you'll have dinner with me?

0:26:04 > 0:26:06Well, that's something else.

0:26:06 > 0:26:07If you don't, I quit.

0:26:07 > 0:26:08I can't work without inspiration.

0:26:08 > 0:26:11All right. call for me at 7.00.

0:26:11 > 0:26:13MAN: Hey, buddy.

0:26:13 > 0:26:14You looking for a job?

0:26:14 > 0:26:16FRED: Why, er, sure.

0:26:16 > 0:26:18You got a card? A card?

0:26:18 > 0:26:19JOAN: Hey, wait a minute.

0:26:19 > 0:26:20Is that man working for you?

0:26:20 > 0:26:21Not for my money, he ain't.

0:26:21 > 0:26:22You saw me working.

0:26:22 > 0:26:24You faker, you.

0:26:24 > 0:26:25Well, what's the difference? I'm working.

0:26:25 > 0:26:26Do I have to get paid for it?

0:26:26 > 0:26:28Yes, you do.

0:26:28 > 0:26:30That your wife?

0:26:30 > 0:26:31Yeah. I'm out of work.

0:26:31 > 0:26:32She follows me around.

0:26:32 > 0:26:33She's driving me crazy.

0:26:33 > 0:26:34I tried to make her think I'm working

0:26:34 > 0:26:35so she'll leave me alone.

0:26:35 > 0:26:37Lady, you hadn't ought to be that way.

0:26:37 > 0:26:39I'm not any way. You keep out of this.

0:26:39 > 0:26:41Just too bad it isn't my wife.

0:26:41 > 0:26:44She got that way, she'd get a good bust in the nose.

0:26:44 > 0:26:46I can't. She's - well, she's...

0:26:46 > 0:26:48What's he saying about me?

0:26:48 > 0:26:50(You see, I've got to be

0:26:50 > 0:26:52(Particularly gentle and considerate with her

0:26:52 > 0:26:53(when she's, uh...)

0:26:53 > 0:26:54Yeah. And sometimes it makes them

0:26:54 > 0:26:56kind of temporarily screwball.

0:26:56 > 0:26:59Oh, I'm screwball, huh?

0:26:59 > 0:27:00Take it easy, lady. Take it easy.

0:27:00 > 0:27:01Listen, I can get him a card

0:27:01 > 0:27:02and put him to work right away.

0:27:02 > 0:27:03Now, you take the advice

0:27:03 > 0:27:05of a daddy of eight kids.

0:27:05 > 0:27:07< Don't let it get you down.

0:27:07 > 0:27:08Oh!

0:27:10 > 0:27:11Don't pay no attention, son.

0:27:11 > 0:27:12Sometimes when they're like that,

0:27:12 > 0:27:14they get kind of bug-headed.

0:27:14 > 0:27:15Just leave her be.

0:27:15 > 0:27:16Now, you bring me your card

0:27:16 > 0:27:18and a birth certificate and your draft number

0:27:18 > 0:27:20and a health certificate and an FBI OK

0:27:20 > 0:27:21and a letter from your high-school supervisor...

0:27:21 > 0:27:23Thanks, pal.

0:27:25 > 0:27:26There still ain't nothing like

0:27:26 > 0:27:28a good bust in the nose.

0:27:35 > 0:27:37HE WHISTLES

0:27:37 > 0:27:39Oh, I wanted to see Miss Manion.

0:27:39 > 0:27:40She's in the darkroom.

0:27:40 > 0:27:41Thanks.

0:28:12 > 0:28:14Is that you, Helen?

0:28:14 > 0:28:16Turned out pretty well, didn't it?

0:28:16 > 0:28:17Do you think I smiled too much?

0:28:17 > 0:28:18What? Hello.

0:28:18 > 0:28:20What are you doing here?

0:28:20 > 0:28:21I thought the darkroom would be a great place

0:28:21 > 0:28:23to pitch a little woo.

0:28:23 > 0:28:24You'll pitch no woo at me.

0:28:24 > 0:28:25Now, get out of here.

0:28:25 > 0:28:27I'll pitch woo, or I'll... yell for help.

0:28:27 > 0:28:28You wouldn't dare.

0:28:28 > 0:28:29Oh, wouldn't I?

0:28:29 > 0:28:31Help! Help! Shh!

0:28:31 > 0:28:34Help! Help! Help!

0:28:34 > 0:28:36They're gonna hear you. Shh!

0:28:36 > 0:28:37Help! Help! Save me!

0:28:39 > 0:28:41FRED: I thought I heard somebody calling for help,

0:28:41 > 0:28:42didn't you?

0:28:42 > 0:28:44MAN: I thought I did.

0:28:44 > 0:28:45SECOND MAN: I know I did.

0:28:45 > 0:28:46So did I.

0:28:50 > 0:28:52May I, er...

0:28:52 > 0:28:54Whatever you're doing, stop it!

0:28:54 > 0:28:55You really are crazy, aren't you?

0:28:55 > 0:28:57Yeah, but it's all your fault.

0:28:57 > 0:28:58My fault?

0:28:58 > 0:29:01I've been this way since the first time I saw you.

0:29:07 > 0:29:08THUMP!

0:29:10 > 0:29:11Who are you?

0:29:11 > 0:29:13Nobody.

0:29:13 > 0:29:14What's the matter with you?

0:29:14 > 0:29:15Don't you have to work,

0:29:15 > 0:29:16or are you just rich?

0:29:16 > 0:29:18Church mice snubbed me.

0:29:18 > 0:29:20No. Really. What do you do?

0:29:20 > 0:29:21Nothing right now.

0:29:21 > 0:29:22I have done a lot of things.

0:29:22 > 0:29:24Is there anything you haven't done?

0:29:24 > 0:29:26Oh, a couple of things, but I'll get around to them.

0:29:26 > 0:29:27Oh, you think so?

0:29:30 > 0:29:32Did you ever work for a publishing firm?

0:29:32 > 0:29:34Sure. I studied journalism in college

0:29:34 > 0:29:36and then served time on a Chicago paper.

0:29:36 > 0:29:38Say, that's wonderful.

0:29:38 > 0:29:40What's wonderful about it?

0:29:40 > 0:29:42Would you mind doing yourself a favour?

0:29:42 > 0:29:44Like what?

0:29:44 > 0:29:46I want you to talk to the man I work for - Mr Phil Harriman -

0:29:46 > 0:29:47about getting a job.

0:29:47 > 0:29:49Will you do it?

0:29:49 > 0:29:50On one condition.

0:29:50 > 0:29:51What's that?

0:29:51 > 0:29:52Well, if I've got to go to work,

0:29:52 > 0:29:54we ought to celebrate tonight.

0:29:54 > 0:29:56Promise you won't skip out tomorrow?

0:29:56 > 0:29:57Not tomorrow.

0:29:57 > 0:29:59I don't like the way you say that,

0:29:59 > 0:30:00but I'll agree.

0:30:00 > 0:30:03Fair exchange.

0:30:04 > 0:30:05Is Mr Harriman in?

0:30:05 > 0:30:07WOMAN: 'No. He won't be in until tomorrow.'

0:30:07 > 0:30:09I want you to make an appointment for him

0:30:09 > 0:30:10to see Mr, uh...

0:30:10 > 0:30:12FRED: Schmaltz. Schmal...Schmaltz?

0:30:12 > 0:30:13Burton.

0:30:13 > 0:30:16Mr Burton. I'll confirm it later.

0:30:16 > 0:30:18WOMAN: 'Yes, Miss Manion.'

0:30:18 > 0:30:20JAZZ MUSIC PLAYS

0:30:26 > 0:30:29FRED: Hey. What's this?

0:30:29 > 0:30:31Oh, this is my night at the canteen, all right?

0:30:31 > 0:30:32But I wanted to be alone with you.

0:30:32 > 0:30:34Why?

0:30:34 > 0:30:35Why? When a fella takes a girl out,

0:30:35 > 0:30:36he wants to be alone with her.

0:30:36 > 0:30:38That's why he doesn't bring the whole family along.

0:30:38 > 0:30:40It's been going on for thousands of years, you know.

0:30:40 > 0:30:41Haven't you heard?

0:30:41 > 0:30:44Later you can be alone with me.

0:30:44 > 0:30:45All right.

0:30:46 > 0:30:49Hey, listen. I can't go in there.

0:30:49 > 0:30:50It's for soldiers and sailors.

0:30:50 > 0:30:51That's all right. I work here.

0:30:51 > 0:30:53Come on.

0:30:53 > 0:30:55Hello, sergeant. Hello.

0:30:55 > 0:30:56Uh, have you got a card?

0:30:56 > 0:30:57No.

0:30:57 > 0:30:58Well, this is for servicemen.

0:30:58 > 0:31:00Oh, it'll be all right. He's with me.

0:31:00 > 0:31:02OK.

0:31:07 > 0:31:09Sold out.

0:31:09 > 0:31:10Oh, there's one.

0:31:11 > 0:31:13Hello, Carol. Hello, Joan.

0:31:13 > 0:31:14Hi, Tom.

0:31:20 > 0:31:22Do you have to do this tonight?

0:31:22 > 0:31:24Aren't you ashamed of yourself?

0:31:24 > 0:31:25These men are lonely.

0:31:25 > 0:31:26They enjoy the shows we put on here.

0:31:26 > 0:31:28Is that too much to ask?

0:31:28 > 0:31:30Making a cup of coffee or singing a song

0:31:30 > 0:31:31for the men that are winning the war for us?

0:31:31 > 0:31:33No, it isn't, but where do you come in?

0:31:33 > 0:31:34Well, I sing if they need me,

0:31:34 > 0:31:36or serve, wash dishes, anything.

0:31:36 > 0:31:38Tonight I'll probably yodel.

0:31:38 > 0:31:39Yodel? That's marvellous.

0:31:39 > 0:31:40I used to be a yodeller...

0:31:40 > 0:31:41WOMAN: One of the acts can't get here.

0:31:41 > 0:31:42Can you fill in?

0:31:42 > 0:31:43Oh, sure. That's why I'm here.

0:31:43 > 0:31:44I'd like you to meet Mr Burton.

0:31:44 > 0:31:46Can he do anything? I can wash dishes.

0:31:46 > 0:31:47Oh, Mr Burton can do anything.

0:31:47 > 0:31:48Didn't you say you could, darling?

0:31:48 > 0:31:50In a way.

0:31:50 > 0:31:52Could you... Could you do anything with her?

0:31:52 > 0:31:54Could I!

0:31:54 > 0:31:56Oh, that's perfectly splendid.

0:31:56 > 0:31:57Oh, darling, that's wonderful.

0:31:57 > 0:31:59- Come along now. - You're wonderful children.

0:31:59 > 0:32:00Yes. You really are.

0:32:00 > 0:32:02Oh, you look marvellous!

0:32:02 > 0:32:03APPLAUSE

0:32:03 > 0:32:04Go on back. I was only kidding.

0:32:04 > 0:32:06Too late. It's your fault.

0:32:09 > 0:32:10Hello, Joan. They want me to do a number.

0:32:10 > 0:32:12Is this gentleman going to do something?

0:32:12 > 0:32:13No. I'll just mess around.

0:32:13 > 0:32:14No, you won't. Go on back to the table.

0:32:14 > 0:32:16Just ignore him. A verse and two choruses

0:32:16 > 0:32:17of A Lot In Common.

0:32:17 > 0:32:20Hi, soldier. Having fun?

0:32:20 > 0:32:21No. Are you?

0:32:21 > 0:32:22What's the matter?

0:32:22 > 0:32:25Oh, they don't like the way I dance.

0:32:25 > 0:32:27Want me to hold them way out here.

0:32:27 > 0:32:31Not for me. I got to go to town.

0:32:37 > 0:32:38Ha ha ha!

0:32:38 > 0:32:39DRUM ROLL PLAYS

0:32:44 > 0:32:46THEY PLAY MUSICAL INTRO

0:32:50 > 0:32:52Get out.

0:32:53 > 0:32:55# Psychiatrists have said

0:32:55 > 0:32:56# A man who's slightly cracked

0:32:56 > 0:33:01# Can like a maid who's tetched in the head... #

0:33:01 > 0:33:03FRED: # And so it goes with me

0:33:03 > 0:33:06# My addled brain can't see

0:33:06 > 0:33:08# Why a love such as ours

0:33:08 > 0:33:11# Shouldn't be

0:33:11 > 0:33:12# Think it over

0:33:12 > 0:33:15# You're lonesome, I'm stranded

0:33:15 > 0:33:17# You're truthful, I'm candid

0:33:17 > 0:33:20# And we're both left-handed

0:33:20 > 0:33:22# I seem to have a lot in common with you

0:33:22 > 0:33:25# You slay me, I floor you

0:33:25 > 0:33:28# You vex me, I bore you

0:33:28 > 0:33:30# But I can't ignore you

0:33:30 > 0:33:33BOTH: # We seem to have a lot in common, we two

0:33:33 > 0:33:37# Two noble souls designed above... #

0:33:37 > 0:33:38Get out of here, will you? I will not.

0:33:38 > 0:33:43# Two silly characters in love

0:33:43 > 0:33:46# You're woozy, you're whacked up

0:33:46 > 0:33:49# I saw you, I cracked up

0:33:49 > 0:33:51# you're breaking my act up

0:33:51 > 0:33:52# Lonesome, stranded

0:33:52 > 0:33:54# Truthful, candid

0:33:54 > 0:33:56# Silly or sappy, long as I'm happy

0:33:56 > 0:34:00BOTH: # I've got a lot in common with you

0:34:01 > 0:34:04# The stage was my born field

0:34:04 > 0:34:07# I've made it my sworn field

0:34:07 > 0:34:10# Get back in that cornfield

0:34:13 > 0:34:14# I think that we're slipping

0:34:14 > 0:34:17# You'd better start stripping

0:34:17 > 0:34:19# My zipper ain't zipping

0:34:22 > 0:34:27FRED: # Perhaps we'd better tell a gag

0:34:27 > 0:34:31# Perhaps we'd better wave the flag

0:34:32 > 0:34:35# What's all this horseplay worth?

0:34:35 > 0:34:37# These eggs that we lay worth?

0:34:37 > 0:34:39# Where's Cagney?

0:34:39 > 0:34:40# Where's Hayworth?

0:34:47 > 0:34:52BOTH: # I've got a lot in common with you. #

0:35:45 > 0:35:46APPLAUSE

0:35:58 > 0:36:00Where did you learn to dance like that?

0:36:00 > 0:36:02Arthur Murray.

0:36:07 > 0:36:08MAN: Thanks, Joan. OK, buddy.

0:36:08 > 0:36:10Thanks.

0:36:15 > 0:36:16WOMAN: Joan, darling, you were lovely.

0:36:16 > 0:36:19Oh, Mr What's-your-name, you were wonderful.

0:36:19 > 0:36:20You said you can wash dishes.

0:36:20 > 0:36:21The kitchen's right over there.

0:36:21 > 0:36:23Pardon, friend. You got a match?

0:36:23 > 0:36:24You got a cigarette to go with it?

0:36:24 > 0:36:25Oh, no. No. Not you guys.

0:36:25 > 0:36:26What are you doing here?

0:36:26 > 0:36:28We came to see you dance.

0:36:28 > 0:36:29It was lovely.

0:36:29 > 0:36:30How do you bill yourself these days?

0:36:30 > 0:36:31The Dancing Tiger?

0:36:31 > 0:36:32Who's the hep chick?

0:36:32 > 0:36:33Now, don't crowd my act, fellas.

0:36:33 > 0:36:35She doesn't know anything about me.

0:36:35 > 0:36:36Let's do a little reconnoitring.

0:36:36 > 0:36:37Very intelligent idea.

0:36:37 > 0:36:38Nothing doing. If she finds out who I am,

0:36:38 > 0:36:40I'll spend the rest of my leave telling her all about China.

0:36:40 > 0:36:41Beautiful girl.

0:36:41 > 0:36:42Not bad.

0:36:42 > 0:36:43There's lots of other beautiful girls.

0:36:43 > 0:36:45Yeah, but we like this one. Changed, hasn't he?

0:36:45 > 0:36:46Yeah. Become jittery and excitable.

0:36:46 > 0:36:47Nothing doing, see?

0:36:47 > 0:36:49Oh, you mean you don't want to go with us?

0:36:53 > 0:36:54Uh, Joan...

0:36:54 > 0:36:55these fellas wanted to meet you.

0:36:55 > 0:36:57This is, er, Reg, er, Fenton...

0:36:57 > 0:36:58and, er, Dick - what, uh..

0:36:58 > 0:37:00Merlin. Merlin.

0:37:00 > 0:37:01By the way, my name is Burton.

0:37:01 > 0:37:03B-U-R-T-O-N.

0:37:03 > 0:37:04JOAN: How do you do? Shall we sit down?

0:37:04 > 0:37:06Uh, well, they were just leaving.

0:37:06 > 0:37:07Thank you. Thank you.

0:37:07 > 0:37:08DICK: Nice to meet you.

0:37:08 > 0:37:10You boys are Flying Tigers, aren't you?

0:37:10 > 0:37:11Yes.

0:37:11 > 0:37:12FRED: Tell us about it, will you?

0:37:12 > 0:37:13I'll be glad to.

0:37:13 > 0:37:14What don't you know about it?

0:37:14 > 0:37:16I don't know everything about it.

0:37:16 > 0:37:18By the way, we've got to make that midnight show

0:37:18 > 0:37:19at the, er, aquarium.

0:37:19 > 0:37:21What show?

0:37:21 > 0:37:22REG: It certainly is swell of you

0:37:22 > 0:37:23to come up and dance for us fellas, mister.

0:37:23 > 0:37:24Mm-hmm. Helps our morale.

0:37:24 > 0:37:26You know, I feel better about the whole war already -

0:37:26 > 0:37:28just watching our friend here dance with you.

0:37:28 > 0:37:30Thanks. Glad to do my bit.

0:37:30 > 0:37:33Say, why don't you fellas take a bus ride?

0:37:33 > 0:37:34There's a special trip -

0:37:34 > 0:37:37Grant's tomb, Chinatown, the subway - marvellous.

0:37:37 > 0:37:38This is a great town. You ought to see it.

0:37:38 > 0:37:39You go see it.

0:37:39 > 0:37:40DICK: Would you care to dance?

0:37:40 > 0:37:42Surely.

0:37:46 > 0:37:47DICK: Sorry, Reg.

0:37:47 > 0:37:48It's all right. I'll wait my turn.

0:37:50 > 0:37:53Anything I can do to amuse you in the meantime?

0:37:53 > 0:37:55Yes. You can hop up on the table

0:37:55 > 0:37:56and do a snake dance.

0:37:57 > 0:37:59I said, hop up on the table

0:37:59 > 0:38:01and do a snake dance.

0:38:03 > 0:38:04Are you serious?

0:38:04 > 0:38:08Come on. Up, up, up, up.

0:38:08 > 0:38:10Maybe you'd rather I tell the young lady who you are.

0:38:10 > 0:38:14Reg, now, come on. All kidding aside.

0:38:14 > 0:38:18Fun is fun. Up, up, up.

0:38:18 > 0:38:19Say, what's the matter with you?

0:38:19 > 0:38:20Up, up.

0:38:20 > 0:38:22What? Get thrown in the brig or something?

0:38:28 > 0:38:29It's dangerous up here.

0:38:29 > 0:38:30Now what do you want?

0:38:44 > 0:38:46Is that all right? OK.

0:38:50 > 0:38:51What's the matter?

0:39:25 > 0:39:28Do your dancing on the floor, buddy.

0:39:28 > 0:39:29Thank you very much.

0:39:30 > 0:39:32And thank you, you...

0:39:32 > 0:39:33REG: Thank you.

0:39:38 > 0:39:39Reg.

0:39:40 > 0:39:41All right.

0:39:41 > 0:39:43Here it is.

0:39:43 > 0:39:44It's all I've got.

0:39:44 > 0:39:46Now, will you and Dick take it and peel off?

0:39:46 > 0:39:49Oh, what's money? Just lettuce.

0:39:49 > 0:39:50We got a date in the Pacific next week,

0:39:50 > 0:39:52and the Japs don't eat lettuce.

0:39:52 > 0:39:53It has taken me all this time

0:39:53 > 0:39:55to get where I am with this girl.

0:39:55 > 0:39:56Yeah, but where are you?

0:39:56 > 0:39:58That's what I'm trying to find out.

0:40:07 > 0:40:09Well, this is a fine how-do-you-do.

0:40:09 > 0:40:11Those fellas certainly ruined our evening.

0:40:11 > 0:40:12Oh, there'll be other nights for us.

0:40:12 > 0:40:14JOAN: The boys only have a few days.

0:40:14 > 0:40:15I know.

0:40:15 > 0:40:17You ought to be glad of a chance

0:40:17 > 0:40:18to do something for them.

0:40:18 > 0:40:21Someday maybe I'll get another chance.

0:40:21 > 0:40:23Say, tell me something, will you, please?

0:40:23 > 0:40:24Hmm?

0:40:24 > 0:40:27How does it happen that you never married your boss?

0:40:27 > 0:40:29Whatever made you think of that?

0:40:29 > 0:40:31He's asked you, hasn't he?

0:40:31 > 0:40:34Well, I suppose you'd call it a proposal.

0:40:34 > 0:40:37He digresses when he get flustered.

0:40:37 > 0:40:39Fumbles the ball, huh?

0:40:39 > 0:40:40Once he got off on the love life

0:40:40 > 0:40:42of a polyp.

0:40:42 > 0:40:43Long as it's love, what's the difference?

0:40:43 > 0:40:45Polyps, people.

0:40:45 > 0:40:47It's not particularly flattering

0:40:47 > 0:40:48to be compared to a fish

0:40:48 > 0:40:50in the middle of a proposal.

0:40:50 > 0:40:51HE CHUCKLES

0:40:51 > 0:40:54Maybe you don't give him the right cues.

0:40:54 > 0:40:57Maybe.

0:40:57 > 0:40:59But I like him, really.

0:40:59 > 0:41:02Well, Harriman seems like a perfectly swell fellow.

0:41:02 > 0:41:03He is.

0:41:05 > 0:41:09Tell me. Just what are you looking for in a man?

0:41:09 > 0:41:12Well, he...

0:41:12 > 0:41:14Oh, I don't know.

0:41:14 > 0:41:16Wordsworth put it pretty well.

0:41:16 > 0:41:17How?

0:41:19 > 0:41:21"A creature not too bright and good

0:41:21 > 0:41:24"for human nature's daily food,

0:41:24 > 0:41:26"for transient sorrows, simple wiles,

0:41:26 > 0:41:29"praise, blame, love, kisses, tears,

0:41:29 > 0:41:30"and smiles."

0:41:31 > 0:41:34MAN: Where do you think you are? In the parlour?

0:41:35 > 0:41:37Point killer.

0:41:39 > 0:41:41I guess this just isn't my night.

0:41:51 > 0:41:52You're not really as crazy

0:41:52 > 0:41:53as you pretend to be, are you?

0:41:53 > 0:41:55I couldn't be, could I?

0:41:55 > 0:41:57You haven't forgotten your promise about tomorrow?

0:41:57 > 0:42:00Oh, no, no. What was it?

0:42:00 > 0:42:01Seeing Mr Harriman.

0:42:01 > 0:42:03That's right. I won't forget.

0:42:03 > 0:42:06I'll pound on your door, get you up.

0:42:06 > 0:42:07Thanks.

0:42:11 > 0:42:13Good night, baby.

0:42:13 > 0:42:14Good night.

0:42:41 > 0:42:42KNOCK ON DOOR

0:42:42 > 0:42:44I'll be with you in a minute, dear.

0:42:44 > 0:42:45It's all right, honey.

0:42:45 > 0:42:46Take your time.

0:42:46 > 0:42:48Reg!

0:42:48 > 0:42:50What are you doing here? How'd you get in?

0:42:50 > 0:42:51I just sideslipped in.

0:42:51 > 0:42:52Well, sideslip out, will you?

0:42:52 > 0:42:53Listen. I got something to tell you.

0:42:53 > 0:42:55Look. KNOCK ON DOOR

0:42:55 > 0:42:56Yes?

0:42:56 > 0:42:57JOAN: Are you ready, Fred?

0:42:57 > 0:42:59Uh, wait for me downstairs, dear, will you?

0:42:59 > 0:43:02In the nice fresh air and beautiful sunshine.

0:43:02 > 0:43:03I'll be with you in a minute.

0:43:03 > 0:43:04All right, but hurry.

0:43:04 > 0:43:05All right.

0:43:05 > 0:43:07(Say, uh, how are things working out?)

0:43:07 > 0:43:09Oh, fine. Just a few more days,

0:43:09 > 0:43:10and everything is...

0:43:10 > 0:43:11What's that?

0:43:11 > 0:43:12Read it.

0:43:12 > 0:43:14What is it?

0:43:14 > 0:43:16"Report for duty"

0:43:17 > 0:43:19Say, that's day after tomorrow. Yeah.

0:43:19 > 0:43:20Did you and Dick get yours?

0:43:20 > 0:43:21Yep.

0:43:22 > 0:43:23Well, there it is. That's it.

0:43:23 > 0:43:25That's it. I don't suppose

0:43:25 > 0:43:26this'll change your plans any,

0:43:26 > 0:43:28Mr B-U-R-T-O-N?

0:43:28 > 0:43:30Oh, no. It only knocks them

0:43:30 > 0:43:34into a cocked H-A-T, that's all.

0:43:34 > 0:43:35Say, do me a favour, will you?

0:43:35 > 0:43:37Stick around here for five minutes

0:43:37 > 0:43:38until we get out of sight.

0:43:42 > 0:43:44Well...

0:43:44 > 0:43:46lot of fun while it lasted.

0:43:53 > 0:43:54Now, if Mr Harriman offers you a job,

0:43:54 > 0:43:56try to be enthusiastic, will you?

0:43:56 > 0:43:57Does Old Philly know I'm coming?

0:43:57 > 0:44:00Yes. Don't call him "Old Philly" to his face.

0:44:00 > 0:44:02Oh, mustn't call him "Old Philly" to his face.

0:44:02 > 0:44:04Be enthusiastic. Bow and scrape...

0:44:04 > 0:44:05Oh, you don't have to overdo it.

0:44:05 > 0:44:07Oh, mustn't overdo it.

0:44:07 > 0:44:08In here.

0:44:08 > 0:44:12Good luck and please don't be...fresh.

0:44:12 > 0:44:13I'll try.

0:44:28 > 0:44:29WOMAN: Good morning.

0:44:29 > 0:44:31Good morning.

0:44:34 > 0:44:35Have you an appointment

0:44:35 > 0:44:36with Mr Harriman?

0:44:36 > 0:44:37Yes, ma'am.

0:44:37 > 0:44:38Who shall I say?

0:44:38 > 0:44:40The name is Burton, I think.

0:44:40 > 0:44:41You think it's Burton?

0:44:41 > 0:44:43Burton.

0:44:45 > 0:44:46These are good. You want one?

0:44:46 > 0:44:48I'll get you one.

0:44:48 > 0:44:49No, thanks.

0:44:49 > 0:44:50PHIL: 'Yeah?'

0:44:50 > 0:44:52Mr Burton to see you, Mr Harriman.

0:44:52 > 0:44:54'I'll see him in just a minute.'

0:44:54 > 0:44:56Just have a chair, Mr Burton.

0:44:56 > 0:44:58Oh, darn it!

0:44:58 > 0:44:59What's the matter?

0:44:59 > 0:45:01My stocking caught on that chair again.

0:45:01 > 0:45:02A brand-new pair, too.

0:45:02 > 0:45:04Holy smokes. That's not so good.

0:45:04 > 0:45:06This is no time for girls

0:45:06 > 0:45:08to be catching their stockings in chairs, I always say.

0:45:08 > 0:45:11Ouch!

0:45:11 > 0:45:13Maybe I can help you. I used to be a hosiery salesman.

0:45:13 > 0:45:15Thanks, but I can manage.

0:45:15 > 0:45:16Have you, er,

0:45:16 > 0:45:18have you got a little colourless nail polish?

0:45:18 > 0:45:20Yeah. Here it is. This is it.

0:45:20 > 0:45:22That's awfully nice of you, Mr Burton,

0:45:22 > 0:45:23but I'd rather do it myself.

0:45:23 > 0:45:24Put your foot up here, honey.

0:45:24 > 0:45:25I'll fix this thing.

0:45:25 > 0:45:28Better let me do it because it takes an expert.

0:45:28 > 0:45:29I used to be a silkworm.

0:45:29 > 0:45:32I used to, um, um...

0:45:32 > 0:45:34Hmm.

0:45:35 > 0:45:37Yeah.

0:45:37 > 0:45:39This is a little like shoeing a horse, isn't it?

0:45:39 > 0:45:42Uh...there.

0:45:44 > 0:45:45Beautiful.

0:45:45 > 0:45:46I-I mean, a beautiful pair of stockings.

0:45:46 > 0:45:48Present from your boss, I guess.

0:45:48 > 0:45:49THEY CHUCKLE

0:45:49 > 0:45:51HE CLEARS HIS THROAT Oh, Mr Harriman,

0:45:51 > 0:45:52I caught my stocking on the chair...

0:45:52 > 0:45:54Oh, hello, Harriman.

0:45:54 > 0:45:55Be with you in just a second.

0:45:55 > 0:45:56Hold still, honey. Would you just turn around?

0:45:56 > 0:45:57Take your time. Take your time.

0:45:57 > 0:45:58Right here. Just around there.

0:45:58 > 0:45:59Need any help?

0:45:59 > 0:46:02No. I'm just doing my good deed for the day.

0:46:02 > 0:46:03Well, I'm busy,

0:46:03 > 0:46:05but I wouldn't want to leave you out on a limb.

0:46:05 > 0:46:07Oh, Mr Harriman.

0:46:07 > 0:46:08Well, I think that'll do it, honey.

0:46:08 > 0:46:10Now, just let that dry, and it'll stop the run.

0:46:10 > 0:46:11Oh, thank you, Mr Burton.

0:46:11 > 0:46:12You're wonderful.

0:46:12 > 0:46:13Thank you.

0:46:21 > 0:46:24Mr Harriman, remember me?

0:46:24 > 0:46:26Sure. Hey, by the way,

0:46:26 > 0:46:27how did you know, or, er,

0:46:27 > 0:46:28what made you think that those stockings

0:46:28 > 0:46:30were a gift from me?

0:46:30 > 0:46:31I just put one and one together.

0:46:31 > 0:46:34Beautiful, aren't they? Isn't she?

0:46:34 > 0:46:35Well, nothing serious.

0:46:35 > 0:46:36I just like to be in pleasant surrounding,

0:46:36 > 0:46:37that's all.

0:46:37 > 0:46:39Who doesn't?

0:46:39 > 0:46:41Frankly, Mr Burton, are you serious

0:46:41 > 0:46:44about wanting a job?

0:46:44 > 0:46:46Frankly, Mr Harriman, no.

0:46:46 > 0:46:49Well, I've got lots of decks

0:46:49 > 0:46:50of cards around here.

0:46:50 > 0:46:53People seem to give me gin rummy sets for Christmas.

0:46:53 > 0:46:55You wouldn't want to try a whirl, would you?

0:46:55 > 0:46:56Sure. I'll play you.

0:46:56 > 0:46:58One game.

0:46:58 > 0:47:00What will we play for?

0:47:00 > 0:47:01Oh, I don't know.

0:47:01 > 0:47:02Dollar a point.

0:47:02 > 0:47:04Ooh. All right.

0:47:07 > 0:47:09I've been wanting to talk to you.

0:47:09 > 0:47:11Why?

0:47:11 > 0:47:13Well, I've heard a lot about you lately.

0:47:13 > 0:47:15From Miss Manion, I suppose.

0:47:15 > 0:47:17Yeah. Joan.

0:47:17 > 0:47:21Well, since you're not here to discuss a job,

0:47:21 > 0:47:24I suppose it's to discuss Miss Manion.

0:47:24 > 0:47:26I don't mind saying I...

0:47:26 > 0:47:28I think a lot of your little protegee.

0:47:28 > 0:47:30I was afraid of that.

0:47:30 > 0:47:32I don't want that.

0:47:32 > 0:47:33I don't want it, either.

0:47:33 > 0:47:35Well, there's nothing to be afraid of.

0:47:35 > 0:47:36As far as I can see,

0:47:36 > 0:47:39she's waiting for a proposal from you.

0:47:39 > 0:47:42Well, that's where you're wrong.

0:47:42 > 0:47:43I've already put in my bid.

0:47:43 > 0:47:46You put in your bid?

0:47:46 > 0:47:49You make her sound like some sort of project.

0:47:49 > 0:47:50Have you ever given her to understand

0:47:50 > 0:47:52that your life is incomplete without her?

0:47:52 > 0:47:54Oh, uh... Of course you haven't.

0:47:54 > 0:47:55Asked her to marry you the same way

0:47:55 > 0:47:58that you'd ask somebody for a match.

0:47:58 > 0:48:00Well...

0:48:00 > 0:48:03You don't care how you throw those little cards, do you?

0:48:03 > 0:48:04I play a different type game

0:48:04 > 0:48:05from the averages.

0:48:05 > 0:48:06Yes, you do.

0:48:06 > 0:48:07Say, what's the name of this game?

0:48:07 > 0:48:08Gin.

0:48:08 > 0:48:10That's just what I have.

0:48:12 > 0:48:13Now I'll do the talking.

0:48:16 > 0:48:18Blitzzzz.

0:48:21 > 0:48:25Well, you just barely made it - 101.

0:48:25 > 0:48:27Well, I guess I owe you some money.

0:48:27 > 0:48:28Oh, let's forget it.

0:48:28 > 0:48:30Please give it to your pet charity or something.

0:48:30 > 0:48:33She's out at lunch. I'll give it to yours.

0:48:33 > 0:48:36Mr Harriman... Joan is for you.

0:48:36 > 0:48:37I've been in love before,

0:48:37 > 0:48:38and I probably will be again -

0:48:38 > 0:48:39plenty of times.

0:48:39 > 0:48:40I know myself better than you do.

0:48:40 > 0:48:42In other words, you don't want to marry.

0:48:42 > 0:48:44Live alone and wolf it, huh?

0:48:44 > 0:48:45Yeah.

0:48:45 > 0:48:47BUZZER SOUNDS

0:48:47 > 0:48:50Uh, I'm out, huh?

0:48:50 > 0:48:54If I ever get married, it'll be someone...

0:48:54 > 0:48:56"A creature not too bright and good

0:48:56 > 0:48:59"For human nature's daily food..."

0:48:59 > 0:49:00Et cetera, et cetera.

0:49:00 > 0:49:01Hey, that's a good line, that.

0:49:01 > 0:49:03Do you mind if I jot that down?

0:49:03 > 0:49:04No. Don't.

0:49:04 > 0:49:07That belongs to the only girl I'll never forget.

0:49:09 > 0:49:11Listen, Mr Harriman, I want to do something for you.

0:49:11 > 0:49:13Do you want to marry Joan? I do.

0:49:13 > 0:49:14OK.

0:49:14 > 0:49:15You have her up to your apartment for dinner,

0:49:15 > 0:49:18and I guarantee she'll marry you in 12 hours.

0:49:18 > 0:49:2012 hours? Well, I've been after her for two years.

0:49:20 > 0:49:21Yes, but how?

0:49:21 > 0:49:22What do you do?

0:49:22 > 0:49:25Well, I gather that you think

0:49:25 > 0:49:28that my technique leaves something to be desired?

0:49:28 > 0:49:29I'll say it does.

0:49:29 > 0:49:31All you do is just put in your bid.

0:49:31 > 0:49:32There's no finesse.

0:49:32 > 0:49:36You just buck the line. No lateral passes.

0:49:36 > 0:49:38No strategy. Where do you live?

0:49:38 > 0:49:40Beekman Place. "No lateral passes"?

0:49:40 > 0:49:42What kind of a layout have you?

0:49:42 > 0:49:43Oh, the usual penthouse.

0:49:43 > 0:49:45Chromium trimmings.

0:49:45 > 0:49:46View of the Dearmount.

0:49:46 > 0:49:48Not exactly sordid.

0:49:48 > 0:49:49I got a terrace.

0:49:49 > 0:49:51Have you ever had her up there for dinner?

0:49:51 > 0:49:53Yes. Many times.

0:49:53 > 0:49:54To dine out in the terrace?

0:49:54 > 0:49:56No, in the dining room, naturally.

0:49:56 > 0:49:57Well, there you are.

0:49:57 > 0:49:58Where am I?

0:49:58 > 0:50:00Give me your key. My what?

0:50:00 > 0:50:02The key to your apartment.

0:50:02 > 0:50:03Key to my apartment? Yeah. Come on.

0:50:03 > 0:50:05Whoa. What do you propose doing?

0:50:05 > 0:50:06You're gonna propose. I'm going to arrange.

0:50:06 > 0:50:08What do you mean? Arrange what? Why?

0:50:08 > 0:50:09Let's call it a military secret.

0:50:09 > 0:50:11Oh, but, hey, wait just a minute.

0:50:11 > 0:50:12Leave it to me, will you?

0:50:12 > 0:50:13I'll call you later.

0:50:13 > 0:50:15Yeah, but my dear man, I...

0:50:20 > 0:50:25"A creature not too bright or good...

0:50:25 > 0:50:28"For human nature's daily food..."

0:50:30 > 0:50:31KNOCK ON DOOR

0:50:31 > 0:50:32Come in.

0:50:34 > 0:50:35Remember me?

0:50:35 > 0:50:36What?

0:50:36 > 0:50:38Oh. Hello, Phil.

0:50:38 > 0:50:39How did you come out with him?

0:50:39 > 0:50:41It's rather indefinite.

0:50:41 > 0:50:42Well, is he working for you or isn't he?

0:50:42 > 0:50:44I think he is.

0:50:44 > 0:50:46You think he is?

0:50:46 > 0:50:49Well, he gave me a couple of very good ideas.

0:50:49 > 0:50:51Oh, you mean for the magazine?

0:50:51 > 0:50:53Indirectly, yes.

0:50:53 > 0:50:55Aren't you being rather mysterious?

0:50:55 > 0:50:57I hope so.

0:50:57 > 0:50:59Come on. What are you trying to build up to?

0:50:59 > 0:51:02A lateral pass-uh, an invitation to dinner.

0:51:02 > 0:51:04Oh, well, you don't have to be so subtle

0:51:04 > 0:51:05to ask me to dinner.

0:51:05 > 0:51:06I'd love to come.

0:51:06 > 0:51:08On the terrace?

0:51:08 > 0:51:09Why not?

0:51:09 > 0:51:12I think it'd be nice for a change.

0:51:12 > 0:51:13Gosh darn it.

0:51:13 > 0:51:15You're just the kind of girl I like.

0:51:17 > 0:51:19"A creature not too bright..."

0:51:19 > 0:51:20What? Let me finish.

0:51:20 > 0:51:22"A creature not too bright or good

0:51:22 > 0:51:25"for human nature's daily food,

0:51:25 > 0:51:29"for transient sorrows, simple wiles..."

0:51:29 > 0:51:30Er, something.

0:51:30 > 0:51:34"Praise, blame, love, kisses, tears, and smiles."

0:51:34 > 0:51:35That's it. Who told you?

0:51:35 > 0:51:37I told Fred.

0:51:39 > 0:51:40So you're the girl.

0:51:40 > 0:51:42You're the one he'll never forget.

0:51:42 > 0:51:43Did he say that?

0:51:43 > 0:51:46Don't tell me I've butched this one, too.

0:51:49 > 0:51:52Oh, but you haven't, Phil.

0:51:52 > 0:51:53Thanks a million.

0:51:53 > 0:51:55I, er, I have to go.

0:51:55 > 0:51:56He's at my apartment.

0:51:56 > 0:51:58Oh, he is? What's he doing there?

0:51:58 > 0:52:01He's fixing something for me...for us.

0:52:01 > 0:52:03He's fixing something.

0:52:03 > 0:52:05You're a darling. Thanks, Phil.

0:52:07 > 0:52:09HE SIGHS

0:52:09 > 0:52:11Not too bright.

0:52:21 > 0:52:22Very fine, Jackson. Very fine.

0:52:22 > 0:52:24Thank you, sir.

0:52:24 > 0:52:25In fact, it's excellent.

0:52:25 > 0:52:26You've even got the moon in the right place.

0:52:26 > 0:52:27Yes, sir. Thank you, sir.

0:52:27 > 0:52:29We do our best to oblige.

0:52:39 > 0:52:42Don't forget, Jackson. When they arrive, you leave.

0:52:42 > 0:52:43Very good, sir.

0:52:43 > 0:52:44Good night. Good night.

0:52:44 > 0:52:46DOORBELL BUZZES

0:52:46 > 0:52:48DOORBELL BUZZES

0:52:53 > 0:52:55DOORBELL BUZZES

0:52:58 > 0:52:59Good evening, Jackson.

0:52:59 > 0:53:00Good evening, Miss.

0:53:00 > 0:53:01How are you tonight?

0:53:01 > 0:53:03Well, I'm feeling a trifle haggard, Miss.

0:53:03 > 0:53:05You do look a little worried.

0:53:05 > 0:53:07Why don't you take the evening off?

0:53:07 > 0:53:08Go to a movie.

0:53:08 > 0:53:10Oh, yes, Miss, but what about the dinner?

0:53:10 > 0:53:11I want to be alone with him.

0:53:11 > 0:53:13With him, Miss?

0:53:13 > 0:53:14Oh, so he's in there.

0:53:14 > 0:53:16Get going, Jackson.

0:53:16 > 0:53:17Yes. Very good, Miss.

0:53:17 > 0:53:19If I weren't a gentleman's gentleman,

0:53:19 > 0:53:20I could be such a cad's cad.

0:54:11 > 0:54:14(Hey, Jackson?

0:54:14 > 0:54:15(Jackson?)

0:54:26 > 0:54:28MUSIC PLAYS

0:54:28 > 0:54:30JOAN: How is it in there? Stuffy?

0:54:30 > 0:54:31Oh, about like a nightclub.

0:54:35 > 0:54:36Thanks.

0:54:40 > 0:54:41Where's Phil?

0:54:41 > 0:54:44Oh, he said to say hello.

0:54:44 > 0:54:45Hello.

0:54:45 > 0:54:48Shall we go into the living room?

0:54:48 > 0:54:49Well, I think Phil would be kind of surprised

0:54:49 > 0:54:51to find me here.

0:54:51 > 0:54:53But he isn't coming.

0:54:53 > 0:54:54Does he know that?

0:54:54 > 0:54:57Oh, I think he has a vague idea, yes.

0:55:07 > 0:55:08What's the matter with Phil?

0:55:08 > 0:55:09What happened to him?

0:55:09 > 0:55:11Oh, let's not talk about that.

0:55:11 > 0:55:13Let's talk about us.

0:55:13 > 0:55:15Let's talk about you.

0:55:15 > 0:55:17Me? Yes.

0:55:17 > 0:55:19No. Let's not.

0:55:19 > 0:55:21Has anyone ever told you

0:55:21 > 0:55:24how fascinating you are to women?

0:55:24 > 0:55:27No.

0:55:27 > 0:55:29Do you like etchings?

0:55:29 > 0:55:30Not particularly.

0:55:30 > 0:55:31Oh, there's some beautiful ones here.

0:55:31 > 0:55:34Phone's off the hook.

0:55:34 > 0:55:37Isn't this exquisite?

0:55:37 > 0:55:39It's upside down.

0:55:39 > 0:55:41Oh, so it is.

0:55:41 > 0:55:44Oh, there's The Bread Line by Reginald Marsh.

0:55:44 > 0:55:45Don't you just love it?

0:55:45 > 0:55:47Mm-mm. I've been in it. Oh.

0:55:47 > 0:55:50I wonder where Jackson is.

0:55:50 > 0:55:53I've got to be leaving. It's late.

0:55:53 > 0:55:55Oh, no! Not yet.

0:55:55 > 0:55:56I know what we need -

0:55:56 > 0:55:59a little fresh air, champagne.

0:55:59 > 0:56:02I believe there's some out here on the terrace.

0:56:02 > 0:56:04Oh, yes.

0:56:10 > 0:56:13Ohh, isn't it perfect?

0:56:13 > 0:56:15Isn't it beautiful?

0:56:15 > 0:56:17Just look at that city.

0:56:17 > 0:56:20Look at the sky. Look at that moon.

0:56:20 > 0:56:22SHE SIGHS

0:56:22 > 0:56:23You know, this is the kind of night

0:56:23 > 0:56:25that doesn't belong to your life.

0:56:25 > 0:56:26You could just do anything,

0:56:26 > 0:56:28and it wouldn't count.

0:56:43 > 0:56:45I always like to drink the first one fast,

0:56:45 > 0:56:48then sip the next one, don't you?

0:56:53 > 0:56:55Come on, now. What's back of all this?

0:56:55 > 0:56:58Well...

0:56:58 > 0:57:01I just want to make sure that you'll never forget, darling.

0:57:01 > 0:57:04Oh, so Phil spilled it, did he?

0:57:04 > 0:57:06Yep. Phil spilled it.

0:57:09 > 0:57:12Why didn't you take that job with him?

0:57:12 > 0:57:14Why? I may have a bigger job coming up.

0:57:14 > 0:57:16You have? What?

0:57:16 > 0:57:18Airplanes.

0:57:18 > 0:57:21You know something about airplanes, too?

0:57:21 > 0:57:22A little.

0:57:22 > 0:57:23Why, that's perfect.

0:57:23 > 0:57:25I can take you with me tomorrow night.

0:57:25 > 0:57:27All the big, important people will be there.

0:57:27 > 0:57:29I'm sure I could arrange a meeting with Mr Sloan.

0:57:29 > 0:57:31Sloan? Who's he?

0:57:31 > 0:57:32Oh, you know him. He makes all those planes -

0:57:32 > 0:57:34head of Sloan Aircraft.

0:57:34 > 0:57:35Oh, yes. I've heard of him.

0:57:35 > 0:57:37I could have Phil talk to him first

0:57:37 > 0:57:38and break the ice.

0:57:38 > 0:57:40What ice?

0:57:40 > 0:57:42SLOW DANCE MUSIC PLAYS

0:57:42 > 0:57:43I like this tune.

0:57:43 > 0:57:45Hmm?

0:57:46 > 0:57:48We don't mind if it isn't a big job at first, do we?

0:57:48 > 0:57:50No.

0:57:50 > 0:57:51Oh, I forgot to tell you.

0:57:51 > 0:57:53We're going to be married.

0:57:53 > 0:57:54Who? You and Sloan?

0:57:54 > 0:57:55What happened to Harriman?

0:57:55 > 0:57:57JOAN: Oh, no!

0:57:57 > 0:57:59You and me, darling.

0:57:59 > 0:58:01Oh.

0:58:02 > 0:58:03Oh.

0:58:04 > 0:58:06Oh, is that all you've got to say?

0:58:06 > 0:58:07"Oh"?

0:58:07 > 0:58:09Now, wait a minute.

0:58:09 > 0:58:10I've been in some pretty tough spots in my life,

0:58:10 > 0:58:11but this is the first time

0:58:11 > 0:58:13a beautiful girl has ever proposed to me,

0:58:13 > 0:58:16and I'm - I'm all swept off my feet.

0:58:16 > 0:58:17Well, nevertheless, there it is.

0:58:17 > 0:58:18What are you going to do about it?

0:58:18 > 0:58:20Oh, don't rush me. Don't rush me. I...

0:58:20 > 0:58:22I mustn't be too hasty.

0:58:22 > 0:58:23After all, you know,

0:58:23 > 0:58:26how do I know my parents will give their consent?

0:58:26 > 0:58:29MY SHINING HOUR PLAYS

1:01:14 > 1:01:16MAN ON RADIO: 'Fate holds its breath tonight

1:01:16 > 1:01:17'as, far over the dark pacific,

1:01:17 > 1:01:19'two giant fighting fleets spar for an opening.

1:01:19 > 1:01:22'Powerful Jap units have swung to meet heavily outnumbered American forces,

1:01:22 > 1:01:24'but Navy bombers are swirling out to meet them.'

1:01:24 > 1:01:25TURNS OFF RADIO

1:01:25 > 1:01:26Why are we always outnumbered anyway?

1:01:26 > 1:01:29To make it even, I guess.

1:01:29 > 1:01:30TURNS ON RADIO

1:01:30 > 1:01:33BIG BAND MUSIC PLAYS

1:01:33 > 1:01:34HE WHISTLES

1:01:36 > 1:01:39Hey! Not that.

1:01:39 > 1:01:44Tonight, I think I shall get slightly inebriated.

1:01:44 > 1:01:45I think you won't.

1:01:45 > 1:01:46No stinkeroo?

1:01:46 > 1:01:47No stinkeroo.

1:01:47 > 1:01:48Oh, gee.

1:01:48 > 1:01:49You've got to stay sober tonight.

1:01:49 > 1:01:50All night?

1:01:50 > 1:01:51Well...

1:01:51 > 1:01:53After you've sold yourself to Mr Sloan,

1:01:53 > 1:01:54maybe you can have a few...

1:01:54 > 1:01:55little, bitty ones.

1:01:55 > 1:01:57Look out!

1:02:08 > 1:02:10I almost forgot.

1:02:10 > 1:02:11What?

1:02:12 > 1:02:15You've been walking around on that penny ever since?

1:02:15 > 1:02:16It brought me luck.

1:02:16 > 1:02:17I'm loaning it to you.

1:02:17 > 1:02:18You know, I've got a hunch about tonight.

1:02:18 > 1:02:20I think it's a great chance.

1:02:20 > 1:02:22JOAN: Promise me you won't bumble it up.

1:02:22 > 1:02:23Bumble it up? Me?

1:02:23 > 1:02:25Just behave like a gentleman.

1:02:25 > 1:02:27Don't overdo it now.

1:02:27 > 1:02:28Oh, don't overdo it.

1:02:28 > 1:02:29Be pleasant and don't insult the man.

1:02:29 > 1:02:31All right. It's a deal?

1:02:31 > 1:02:32Sure.

1:02:32 > 1:02:33Good.

1:02:33 > 1:02:35Mr Sloan, I'm very glad to make your acquaintance, sir.

1:02:35 > 1:02:37I've heard a lot of wonderful things about you.

1:02:37 > 1:02:39Pardon me. There's something on your coat.

1:02:39 > 1:02:41That's enough. Have a stogy?

1:02:41 > 1:02:42APPLAUSE

1:02:45 > 1:02:46Our guest of honour tonight -

1:02:46 > 1:02:47HE CLEARS THROAT

1:02:47 > 1:02:50Needs no introduction,

1:02:50 > 1:02:55but I have one or two points which I wanted to make

1:02:55 > 1:02:59by way of...introduction.

1:02:59 > 1:03:02Ah, I'm reminded of a story

1:03:02 > 1:03:05which probably most of you've heard.

1:03:05 > 1:03:07I think it's quite permissible to tell it here tonight,

1:03:07 > 1:03:10as we're all one big family.

1:03:10 > 1:03:13Uh, there were...

1:03:17 > 1:03:18HE CLEARS HIS THROAT

1:03:18 > 1:03:21The man that we have as guest of honour here tonight

1:03:21 > 1:03:24is the man, I feel free to say,

1:03:24 > 1:03:26who has made this company

1:03:26 > 1:03:29what it is today.

1:03:29 > 1:03:33The question now arises, what is this company today?

1:03:33 > 1:03:35I don't want to inject a serious note

1:03:35 > 1:03:37into the occasion,

1:03:37 > 1:03:42but, heh heh - what is anything today?

1:03:42 > 1:03:46So much for the production end.

1:03:46 > 1:03:49When this man entered the field,

1:03:49 > 1:03:55there was - let us face it - a bottleneck in the industry.

1:03:55 > 1:03:58You all know what a bottleneck is.

1:03:58 > 1:04:02But, er, it's not as easy as that.

1:04:02 > 1:04:04Now, I have prepared, or had prepared,

1:04:04 > 1:04:06some, er, charts

1:04:06 > 1:04:08which will show you more graphically

1:04:08 > 1:04:11just what this bottleneck was

1:04:11 > 1:04:15and how this one man -

1:04:15 > 1:04:19aided, of course, by thousands of you employees -

1:04:19 > 1:04:22er, eliminated the bottleneck

1:04:22 > 1:04:26and substituted for it, er...

1:04:33 > 1:04:37Now, er, here is a chart showing plastic production

1:04:37 > 1:04:42as compared with metal production in the year...

1:04:44 > 1:04:47well, the year doesn't seem to be shown on here,

1:04:47 > 1:04:51er, so we'll say 1936 for fun, huh?

1:04:51 > 1:04:54Uh, in 1936, you'll see -

1:04:54 > 1:04:57or whatever year it was -

1:04:57 > 1:05:01that these things, er, ran into fantastic figures.

1:05:01 > 1:05:06Uh, for instance, in 1936,

1:05:06 > 1:05:122,445,000 as compared with 3,350,000 in...

1:05:12 > 1:05:14some other year.

1:05:14 > 1:05:20Uh, or 25% of 1936,

1:05:20 > 1:05:24and by 1936 is meant 1934.

1:05:24 > 1:05:27This is all per capita, mind you.

1:05:27 > 1:05:29Now, we...

1:05:32 > 1:05:34oh, that's what I was afraid of.

1:05:34 > 1:05:37This is the wrong chart.

1:05:37 > 1:05:41Uh, I thought - you see, this has got aluminium

1:05:41 > 1:05:43and nickel and tin on it,

1:05:43 > 1:05:46and we were going to work on, er,

1:05:46 > 1:05:48man hours! Here, here.

1:05:48 > 1:05:51Well, that's more like it.

1:05:51 > 1:05:52See, this has the years on it.

1:05:52 > 1:05:55That makes it much easier to understand.

1:05:55 > 1:05:59Now, er, here we have the maximum peak.

1:05:59 > 1:06:02Now, I presume that means in man hours,

1:06:02 > 1:06:06per hour, per man hour,

1:06:06 > 1:06:10and the bottleneck here came in getting these man hours,

1:06:10 > 1:06:14er, from 1940 to 1939.

1:06:14 > 1:06:16HE CLEARS THROAT LOUDLY

1:06:16 > 1:06:19Uh, let's look at it from another angle.

1:06:19 > 1:06:23In 1942, 160 million, you see.

1:06:23 > 1:06:301941, until we reach the probable saturation point,

1:06:30 > 1:06:32and high time, too.

1:06:32 > 1:06:33HE CLEARS THROAT

1:06:33 > 1:06:37But, er, I don't know. It's, uh...

1:06:37 > 1:06:41when you consider that all of these were man hours

1:06:41 > 1:06:45and foot-pounds per hour,

1:06:45 > 1:06:48well, I just don't see

1:06:48 > 1:06:50how the man did it, frankly.

1:06:50 > 1:06:54Now we come to the mobilisation.

1:06:54 > 1:06:56HE CLEARS THROAT

1:07:03 > 1:07:08Well, I see that my time is up and, uh...

1:07:08 > 1:07:10some other time, perhaps.

1:07:10 > 1:07:13(I don't understand that one.)

1:07:13 > 1:07:17Uh, but the point that I wanted to make was

1:07:17 > 1:07:20that we're all here tonight and, uh,

1:07:22 > 1:07:23it now gives me great pleasure

1:07:23 > 1:07:26to introduce our eminent guest of honour,

1:07:26 > 1:07:29the man who, as I said before, needs no introduction...

1:07:29 > 1:07:31Mr Harvey Sloan.

1:07:31 > 1:07:35APPLAUSE

1:07:41 > 1:07:44Ladies and gentlemen, we are here to celebrate

1:07:44 > 1:07:47the completion of the first 10,000

1:07:47 > 1:07:49of the many thousand bombers

1:07:49 > 1:07:52that will come from our assembly line.

1:07:52 > 1:07:55In commemoration of this event,

1:07:55 > 1:07:56we have elected one of our workers

1:07:56 > 1:07:58who helped build these bombers

1:07:58 > 1:08:00to dedicate this ship.

1:08:00 > 1:08:03It will be christened by Mrs Leo Roskowski,

1:08:03 > 1:08:05who helped rivet it together.

1:08:05 > 1:08:10I am honoured to introduce Mrs Leo Roskowski.

1:08:10 > 1:08:12APPLAUSE

1:08:19 > 1:08:21Who's Mrs Leo Roskowski?

1:08:21 > 1:08:23Her husband was killed on Bataan.

1:08:36 > 1:08:40I dedicate this plane to the memory of Leo Roskowski.

1:08:55 > 1:08:57Awfully close call.

1:08:57 > 1:08:59I think that calls for a short snort, don't you?

1:08:59 > 1:09:00Pardon me, general.

1:09:00 > 1:09:01Yes, sir.

1:09:01 > 1:09:04You'll get a chance to talk to Sloan in a minute.

1:09:04 > 1:09:06Hmm? Oh, yeah.

1:09:06 > 1:09:07Want to dance?

1:09:07 > 1:09:09Mm-hmm.

1:09:17 > 1:09:18Oh, he's going over to the bar now with Phil.

1:09:18 > 1:09:19Who?

1:09:19 > 1:09:20Sloan.

1:09:20 > 1:09:22Come on. Now's our chance.

1:09:24 > 1:09:25Well, he's a man that you might have

1:09:25 > 1:09:27a little trouble with

1:09:27 > 1:09:28if he got his head down,

1:09:28 > 1:09:30but I think it'll be worth taking.

1:09:30 > 1:09:31Oh, hello.

1:09:31 > 1:09:32This is Mr Burton, Mr Sloan -

1:09:32 > 1:09:33the young man I was telling you about.

1:09:33 > 1:09:34Oh, how do you do?

1:09:34 > 1:09:35JOAN: Dance?

1:09:35 > 1:09:36PHIL: Well, no, but it'd be

1:09:36 > 1:09:38a pleasure to try.

1:09:38 > 1:09:40If you'll excuse us, please.

1:09:40 > 1:09:42Sit down, young man.

1:09:44 > 1:09:46I heard some good things about you, son.

1:09:46 > 1:09:48Miss Manion phoned me this morning.

1:09:48 > 1:09:49Is that so?

1:09:49 > 1:09:51I understand you're looking for a position.

1:09:51 > 1:09:52I am?

1:09:52 > 1:09:54Lots of good jobs open nowadays.

1:09:54 > 1:09:58I assume you're unqualified to enter the service.

1:09:58 > 1:09:59Emotionally unstable.

1:09:59 > 1:10:03Ever have any experience in the aircraft industry?

1:10:03 > 1:10:04A little. Have you?

1:10:04 > 1:10:08Young man, I'm the founder of the Sloan Aircraft Company.

1:10:08 > 1:10:09Did you ever pilot a plane?

1:10:09 > 1:10:11No. I get airsick.

1:10:11 > 1:10:13Do you know what your pursuit can do in a dogfight?

1:10:13 > 1:10:17I have technical experts that know their job, sir. I, uh...

1:10:17 > 1:10:19I see. You furnish the money, huh?

1:10:19 > 1:10:21Young man, there are certain matters that I never...

1:10:21 > 1:10:22Let me tell you something.

1:10:22 > 1:10:23You ought to see what happens to that thing

1:10:23 > 1:10:25when you try to pull it out of a steep dive

1:10:25 > 1:10:27without losing more than 2,000 feet of altitude.

1:10:27 > 1:10:28Well, what does happen?

1:10:28 > 1:10:29It's murder.

1:10:29 > 1:10:31Y-You spin in.

1:10:31 > 1:10:32You know what that means?

1:10:35 > 1:10:37And those ailerons.

1:10:37 > 1:10:38What about them?

1:10:38 > 1:10:39They're horrible.

1:10:39 > 1:10:41Why, if you try to bank at 350 miles an hour,

1:10:41 > 1:10:43the wings begin to flutter like a butterfly.

1:10:43 > 1:10:45You need an extra pair of hands to keep that stick

1:10:45 > 1:10:48from jumping about in the place like a pneumatic drill.

1:10:48 > 1:10:49What do you think can be done about that?

1:10:49 > 1:10:51Simple.

1:10:51 > 1:10:53Put an extra pair of hands in every plane.

1:10:53 > 1:10:56Well, that's easy - what did you say?

1:10:56 > 1:10:57Your experts can explain it to you.

1:10:57 > 1:10:59Look here. Do you want a job - a good job?

1:10:59 > 1:11:00No.

1:11:00 > 1:11:01You don't? Why not?

1:11:01 > 1:11:03I like to poke my nose

1:11:03 > 1:11:04in other people's business.

1:11:04 > 1:11:05If I worked for you, I'd go stale.

1:11:05 > 1:11:07Well, I thought you wanted the job.

1:11:07 > 1:11:08You've been misinformed.

1:11:08 > 1:11:10Miss Manion thought I wanted a job.

1:11:10 > 1:11:12Oh.

1:11:12 > 1:11:14Take my advice, Mr Sloan.

1:11:14 > 1:11:15Go all out with everything you've got.

1:11:15 > 1:11:17This is no pushover.

1:11:17 > 1:11:20Rather curious advice, considering the source.

1:11:20 > 1:11:22Just when are you coming down to earth, young man?

1:11:22 > 1:11:26When it's all over, I hope.

1:11:26 > 1:11:28You know, sometimes I don't understand myself.

1:11:28 > 1:11:29You, too?

1:11:29 > 1:11:31Why should I do anything for him?

1:11:31 > 1:11:34Oh, I thought perhaps you were doing it for me.

1:11:34 > 1:11:35That's different.

1:11:42 > 1:11:44Looks as though he's working for Sloan.

1:11:44 > 1:11:47five to three, Sloan will be working for him in six months.

1:11:47 > 1:11:48Oh, give him a year.

1:11:48 > 1:11:51Say, waiter, would you clear those glasses away, please,

1:11:51 > 1:11:52and bring me a cup of coffee?

1:11:52 > 1:11:53Very good, sir.

1:11:59 > 1:12:00How did it go, Mr Sloan?

1:12:00 > 1:12:02I mean, Fred, er, Mr Burton?

1:12:02 > 1:12:03Very clever young man.

1:12:03 > 1:12:06Told me how to run my business in one easy lesson.

1:12:06 > 1:12:08You mean, he didn't...

1:12:08 > 1:12:10I'm afraid your friend, in spite of his talents,

1:12:10 > 1:12:11doesn't want to work.

1:12:11 > 1:12:13Too bad. Very clever young man.

1:12:15 > 1:12:17Excuse me, Phil.

1:12:26 > 1:12:29Hello. Want some coffee?

1:12:29 > 1:12:31Mr Sloan says you don't want to work.

1:12:33 > 1:12:34He's a mind reader.

1:12:34 > 1:12:35Why did you do this to me?

1:12:35 > 1:12:37You promised.

1:12:38 > 1:12:41I tried. I thought it might work out,

1:12:41 > 1:12:43and then I got talking to him and -

1:12:43 > 1:12:45and all of a sudden, the whole thing closed in on me.

1:12:45 > 1:12:48I-I just couldn't go through with it.

1:12:48 > 1:12:50You don't really care about me at all, do you?

1:12:50 > 1:12:52It's not that.

1:12:52 > 1:12:54It's just that -

1:12:54 > 1:12:56I'm not cut out for that kind of life,

1:12:56 > 1:12:57don't you see?

1:12:57 > 1:13:00I'm used to wandering around all over the place.

1:13:00 > 1:13:01Oh, I don't know.

1:13:01 > 1:13:05I guess it's just that I haven't got any character or something.

1:13:05 > 1:13:08There are a lot of things you haven't got,

1:13:08 > 1:13:09and I'm one of them.

1:13:20 > 1:13:24No strategy. No finesse. No lateral passes, huh?

1:13:24 > 1:13:26Oh, I haven't any character.

1:13:26 > 1:13:27Neither have I.

1:13:27 > 1:13:28Come on. Let's get out of here.

1:13:28 > 1:13:29It's too respectable.

1:13:29 > 1:13:32I want to ask you some questions, anyway. Come on.

1:13:39 > 1:13:41I think you're going to like this.

1:13:41 > 1:13:43Slip a jigger of this in there, will you, Joe?

1:13:43 > 1:13:44Yes, sir.

1:13:44 > 1:13:45You know, this drink didn't just happen.

1:13:45 > 1:13:47This is the culmination

1:13:47 > 1:13:50of years of patient research

1:13:50 > 1:13:52and has a mild bouquet, lighter body,

1:13:52 > 1:13:55but an enormous amount of esters.

1:13:55 > 1:13:57How are your taste buds?

1:13:57 > 1:13:59Still got them, I guess.

1:13:59 > 1:14:01Pour them out, Joe. Pour them out.

1:14:04 > 1:14:06Good night. It's raining out.

1:14:06 > 1:14:07Don't you like rain?

1:14:07 > 1:14:08No.

1:14:08 > 1:14:09Turn the rain off, Joe.

1:14:09 > 1:14:11It depresses my friend here.

1:14:17 > 1:14:18Hey, how do you do that?

1:14:18 > 1:14:20PHIL: Here, here. Come on now.

1:14:20 > 1:14:22That may look a little strong,

1:14:22 > 1:14:25but you won't begin to feel it till the second day, I'm sure.

1:14:25 > 1:14:29I don't think anybody ever made a drink quite like this before.

1:14:29 > 1:14:30What do you call it?

1:14:30 > 1:14:32Well, it didn't have a name up until now,

1:14:32 > 1:14:36but, in honour of you, I'm calling it The Flying Tiger...

1:14:36 > 1:14:38Lieutenant Atwell.

1:14:38 > 1:14:39Where'd you get that?

1:14:39 > 1:14:40You didn't have a twin brother

1:14:40 > 1:14:42in the Flying Tigers, did you?

1:14:44 > 1:14:45Oh, I see.

1:14:45 > 1:14:49Our San Francisco office dug that up for me.

1:14:50 > 1:14:53Oh! Too sweet.

1:14:53 > 1:14:56You'll have to be shoving off pretty soon, won't you?

1:14:56 > 1:14:58Does she know?

1:14:58 > 1:15:00No.

1:15:00 > 1:15:02Well, do me a favour and forget it, will you, please?

1:15:02 > 1:15:04Oh, I'll be doing myself a favour.

1:15:04 > 1:15:06You've got one coming.

1:15:06 > 1:15:07What about her?

1:15:07 > 1:15:09She'll forget.

1:15:09 > 1:15:11Will you?

1:15:11 > 1:15:12Me?

1:15:12 > 1:15:13Oh, I'm just walking a tightrope

1:15:13 > 1:15:14between somewhere and somewhere else.

1:15:14 > 1:15:17I-I got to walk it alone, understand?

1:15:17 > 1:15:18So I got myself in over my head,

1:15:18 > 1:15:20and I had to get out, that's all.

1:15:20 > 1:15:24I see. Well, keep the change, Joe.

1:15:24 > 1:15:26Thanks.

1:15:26 > 1:15:27Can I give you a lift anywhere?

1:15:27 > 1:15:30No, thanks. I think I'll just stick around here awhile,

1:15:30 > 1:15:32then walk home.

1:15:32 > 1:15:36Well, good luck, Atwell.

1:15:36 > 1:15:37Thanks, Phil.

1:15:37 > 1:15:39Same to you...both.

1:15:39 > 1:15:41You've been swell.

1:16:09 > 1:16:10Hey, Joe.

1:16:10 > 1:16:12Yeah?

1:16:12 > 1:16:14# It's quarter to 3.00

1:16:14 > 1:16:16# There no-one in the place

1:16:16 > 1:16:19# Except you and me

1:16:21 > 1:16:23# so set 'em up, Joe

1:16:23 > 1:16:28# I've got a little story you oughta know

1:16:30 > 1:16:32# We're drinkin', my friend

1:16:32 > 1:16:37# To the end of a brief episode

1:16:38 > 1:16:41# Make it one for my baby

1:16:41 > 1:16:45# And one more for the road

1:16:47 > 1:16:49# I got the routine

1:16:49 > 1:16:54# So drop another nickel in the machine

1:16:56 > 1:16:58# I'm feelin' so bad

1:16:58 > 1:17:03# I wish you'd make the music dreamy and sad

1:17:04 > 1:17:07# Could tell you a lot

1:17:07 > 1:17:12# But that's not in a gentleman's code

1:17:12 > 1:17:16# Make it one for my baby

1:17:16 > 1:17:20# And one more for the road

1:17:21 > 1:17:24# You'd never know it

1:17:24 > 1:17:26# But, buddy, I'm a kind of poet

1:17:26 > 1:17:30# And I got a lot of things to say

1:17:30 > 1:17:32# And when I'm gloomy

1:17:32 > 1:17:35# You simply gotta listen to me

1:17:35 > 1:17:39# Until it's talked away. #

1:19:59 > 1:20:01Hey, what's the idea?

1:20:02 > 1:20:04Well, that's how it goes.

1:20:04 > 1:20:09# And, Joe, I know you're getting anxious to close

1:20:11 > 1:20:14# So thanks for the beer

1:20:14 > 1:20:18# I hope you didn't mind my bending your ear

1:20:21 > 1:20:23# Don't let it be said

1:20:23 > 1:20:29# Little Freddy can't carry his load

1:20:31 > 1:20:34# Make it one for my baby

1:20:34 > 1:20:39# And one more for the road

1:20:39 > 1:20:45# That long, long road. #

1:21:04 > 1:21:07Hey, why don't you wipe that smile off your face?

1:21:07 > 1:21:08The fun's over.

1:21:10 > 1:21:12Some fun.

1:21:13 > 1:21:15Sure you won't have any?

1:21:15 > 1:21:16No, thanks.

1:21:16 > 1:21:17No appetite?

1:21:17 > 1:21:18I had a late breakfast.

1:21:18 > 1:21:20Maybe something a little more delicate?

1:21:20 > 1:21:22Oh, no, Phil. Thanks.

1:21:22 > 1:21:23Why don't you take the day off?

1:21:23 > 1:21:26Philip, please don't baby me.

1:21:26 > 1:21:29Why don't you say, "I told you so"?

1:21:29 > 1:21:31Why don't you tell me what a sap I've been?

1:21:31 > 1:21:33Well, I could tell you what a sap you might be.

1:21:33 > 1:21:34You might marry me.

1:21:34 > 1:21:37Oh, I'm sorry, Phil.

1:21:37 > 1:21:39Pretty small of me taking it out on you.

1:21:39 > 1:21:42You're ignoring a little suggestion I just made.

1:21:42 > 1:21:46Not just now, Phil.

1:21:46 > 1:21:48It's no use pretending that I didn't get hurt.

1:21:48 > 1:21:50You know I did,

1:21:50 > 1:21:52but I'll get over it.

1:21:52 > 1:21:54Well, if you won't marry me,

1:21:54 > 1:21:56I might as well be noble about it.

1:21:56 > 1:21:57I have an assignment for you.

1:21:57 > 1:21:58A good one?

1:21:58 > 1:22:00You couldn't ask for a better one.

1:22:00 > 1:22:02You've always wanted to shoot something different.

1:22:02 > 1:22:03How would you like to cover

1:22:03 > 1:22:05a "Bombers For Australia" story we're running?

1:22:05 > 1:22:07Where do I go?

1:22:07 > 1:22:08Well, there's a squadron of American bombers

1:22:08 > 1:22:10leaves the west coast pretty soon.

1:22:10 > 1:22:12As a matter of fact, you'll have to fly today

1:22:12 > 1:22:13if you want to make it.

1:22:13 > 1:22:14So I get my big break at last?

1:22:14 > 1:22:16At last.

1:22:16 > 1:22:17I won't let you down, Phil.

1:22:17 > 1:22:18You're a swell guy.

1:22:18 > 1:22:19You tell me that when you come back.

1:22:19 > 1:22:20I will.

1:22:20 > 1:22:22I think coffee just for me, please.

1:22:22 > 1:22:23You've got to hurry.

1:22:23 > 1:22:24You get packed, and I'll meet you

1:22:24 > 1:22:25at La Guardia at 3.00.

1:22:25 > 1:22:26All right.

1:22:26 > 1:22:28I'll be the fat man with the broken heart.

1:22:28 > 1:22:30Oh, Phil.

1:22:30 > 1:22:32See you then.

1:22:37 > 1:22:39I got it.

1:22:39 > 1:22:41OK. You win this time.

1:22:58 > 1:23:00Lieutenant, may I take a shot of the boys from over there?

1:23:00 > 1:23:02Sure. Go ahead.

1:23:02 > 1:23:03Thank you.

1:23:07 > 1:23:08Hello. MAN: hello.

1:23:08 > 1:23:11What about that nice smile I just saw there?

1:23:12 > 1:23:15MAN OVER PA: 'Attention, men who are leaving.

1:23:15 > 1:23:18'Go to your planes. Prepare to take off immediately.'

1:23:18 > 1:23:20MEN MURMUR

1:23:39 > 1:23:42Is it all right to photograph the boys getting on the planes?

1:23:42 > 1:23:43Oh, certainly.

1:23:43 > 1:23:45Good.

1:24:10 > 1:24:12Fred.

1:24:13 > 1:24:14Fred!

1:24:19 > 1:24:21It's all right. I-I've got time.

1:24:21 > 1:24:22I'm in the last ship.

1:24:22 > 1:24:25Oh, darling.

1:24:27 > 1:24:28Why didn't you tell me, Fred?

1:24:28 > 1:24:30Oh, I thought I'd better just clear out.

1:24:30 > 1:24:31You always were crazy.

1:24:31 > 1:24:32I guess I am.

1:24:32 > 1:24:34It's all right now.

1:24:34 > 1:24:36- Hey! - All right.

1:24:38 > 1:24:40Oh, now, you mustn't do that.

1:24:40 > 1:24:42I-It's all clear now.

1:24:42 > 1:24:45Look. Here's our lucky penny.

1:24:45 > 1:24:46You keep it.

1:24:46 > 1:24:47Oh, no. You keep it.

1:24:47 > 1:24:48I've had all my luck.

1:24:48 > 1:24:50We need just a bit more.

1:24:50 > 1:24:52You've got to come back to me.

1:24:52 > 1:24:53I'll be back.

1:24:53 > 1:24:54Sure, you will.

1:24:54 > 1:24:56Hey, Fred!

1:24:56 > 1:24:59Yeah. That's us.

1:25:01 > 1:25:02You know something?

1:25:02 > 1:25:04I think you're just about the sweetest thing

1:25:04 > 1:25:06I ever hope to meet on this earth.

1:25:08 > 1:25:11MAN: Sorry, Fred.

1:25:11 > 1:25:12So long, baby.

1:25:12 > 1:25:14So long, darling.

1:25:15 > 1:25:18Oh, I almost forgot! I love you!

1:25:18 > 1:25:20This is a fine time to tell me!

1:25:24 > 1:25:25Goodbye, darling!

1:25:40 > 1:25:42SHE MOUTHS

1:25:57 > 1:25:59Subtitles by Red Bee Media Ltd

1:25:59 > 1:26:02E-mail us at subtitling@bbc.co.uk