Bandits

0:00:03 > 0:00:06This film contains some strong language.

0:00:13 > 0:00:17# Tweedle Dum and Tweedle Dee

0:00:17 > 0:00:21# They're throwing knives into the tree

0:00:21 > 0:00:24# Two big bags of dead man's bones

0:00:24 > 0:00:27# Got their noses to the grindstone

0:00:29 > 0:00:32# Living in the land of nod

0:00:35 > 0:00:39# Trusting their fate to the hands of God

0:00:40 > 0:00:44# They pass by so silently

0:00:46 > 0:00:50# Tweedle Dum and Tweedle Dee... #

0:00:51 > 0:00:55Joe Blake and Terry Collins, this is Lieutenant McCormick

0:00:55 > 0:00:59of the Los Angeles police department. Put down your weapons

0:00:59 > 0:01:04and come out of the bank with your hands in the air.

0:01:04 > 0:01:05One last big heist.

0:01:05 > 0:01:07What a great idea.

0:01:07 > 0:01:08Yeah, Joe knows best.

0:01:08 > 0:01:11Yes, sirree, Joe knows exactly what he's doing...

0:01:11 > 0:01:14Exactly what he's doing. And what does Joe get me?

0:01:14 > 0:01:16Stuck in a bank called the Alamo, surrounded by

0:01:16 > 0:01:19the entire Los Angeles police department. Look out there.

0:01:19 > 0:01:24Remember now, people, these guys haven't been prone to violence yet in any of these incidents.

0:01:24 > 0:01:27So everybody just stay real calm, all right?

0:01:27 > 0:01:29Joe Blake and Terry Collins have finally met their match.

0:01:29 > 0:01:31They're running out of luck very quickly.

0:01:31 > 0:01:32They'll need more tricks up their sleeve

0:01:32 > 0:01:34than Siegfried and Roy to get out of this one.

0:01:34 > 0:01:37If you're just tuning in, we're at the Alamo Savings and Loan

0:01:37 > 0:01:39in Century City. The place looks like a war zone.

0:01:39 > 0:01:43The troops are moving in here. The SWAT Team is moving in...

0:01:43 > 0:01:46Lao Tzu says that even the softest of things

0:01:46 > 0:01:49can pass through a horse like invisible water.

0:01:49 > 0:01:52Thank you for that completely useless bit of information, Joe.

0:01:52 > 0:01:55- You know what your problem is, huh? - My problem?

0:01:55 > 0:01:56Yeah. I'm trapped like a rat!

0:01:56 > 0:01:59Destined for an early grave.

0:01:59 > 0:02:01Kate Wheeler.

0:02:01 > 0:02:03You remember Kate...

0:02:03 > 0:02:05Traitor, liar,

0:02:05 > 0:02:10Queen of double cross, Empress of deceit, Duchess...

0:02:10 > 0:02:12OK, I get your point, all right?

0:02:12 > 0:02:13Oh, do you, Joe?

0:02:13 > 0:02:15Do you really?

0:02:15 > 0:02:17Because as I recall, I remember warning you

0:02:17 > 0:02:21in the strongest language possible that taking on a full-time hostage

0:02:21 > 0:02:24- was an error of epic proportions. - We had no choice, OK?- Yes, we did.

0:02:24 > 0:02:27Shoot her and bury her body in the woods - that was a choice.

0:02:27 > 0:02:29Hey, you brought her in, OK? I recall that!

0:02:29 > 0:02:32If we'd have let her go, She'd have gone right to the cops, OK?

0:02:32 > 0:02:33Joe, look outside.

0:02:33 > 0:02:35She did.

0:02:36 > 0:02:38That's exactly what she did.

0:02:38 > 0:02:42Kate Wheeler's gonna get the thanks of a grateful nation,

0:02:42 > 0:02:44not to mention a sizable reward.

0:02:44 > 0:02:46GUNSHOT SCREAMING

0:02:47 > 0:02:49We've got shots fired in the location.

0:02:58 > 0:03:00Good evening, everybody. I'm Darren Head,

0:03:00 > 0:03:02and tonight we have an incredible story for you.

0:03:02 > 0:03:05It's a story that's part soap opera, part crime drama,

0:03:05 > 0:03:07a story of betrayal and greed.

0:03:07 > 0:03:10It's part Bonnie & Clyde, it's part Barnum & Bailey.

0:03:10 > 0:03:12It's the story of Joe Blake and Terry Collins,

0:03:12 > 0:03:16the most successful bank robbers in the history of the United States.

0:03:16 > 0:03:19Shortly before the bloody shootout that took their lives,

0:03:19 > 0:03:23I had the opportunity for an exclusive interview when they broke into my house

0:03:23 > 0:03:26and, by gunpoint, made me tell their story from their point of view.

0:03:26 > 0:03:29The reason I bring this up is that the footage you're about to see

0:03:29 > 0:03:32was shot on a home video camera by my personal assistant Julio,

0:03:32 > 0:03:35so it's a little shaky and wobbly - not exactly professional.

0:03:35 > 0:03:39What happened in the exchange is Blake and Collins revealed to me for the first time anywhere

0:03:39 > 0:03:43the inside story of the daring robberies that made them so famous.

0:03:43 > 0:03:4624 hours later, Blake and Collins were dead,

0:03:46 > 0:03:48and we have an exclusive... OK. Again.

0:03:48 > 0:03:5224 hours later, Blake and Collins were dead.

0:03:52 > 0:03:55So tonight on a very special edition of Criminals At Large,

0:03:55 > 0:03:58the inside story, the true story,

0:03:58 > 0:04:00of the Sleepover Bandits.

0:04:00 > 0:04:02And...fade to black.

0:04:02 > 0:04:05That was great, guys. We're gonna keep that one. All right.

0:04:05 > 0:04:07Cut it. We'll use that with the B-roll.

0:04:07 > 0:04:08BELL RINGS

0:04:20 > 0:04:23It's ridiculous.

0:04:23 > 0:04:26If it's not one thing, it's another, if it's not downright apathy.

0:04:26 > 0:04:29It's just meanness, plain meanness.

0:04:29 > 0:04:31I can't get any support from anybody.

0:04:32 > 0:04:35Nobody else has to eat this crap like I do.

0:04:40 > 0:04:42Hey, Joe.

0:04:42 > 0:04:43Joe...

0:04:43 > 0:04:45May I have a word with you, please? Hey, Joe.

0:04:45 > 0:04:48It's a violation of my civil rights,

0:04:48 > 0:04:49that's what it is.

0:04:49 > 0:04:51Cruel and unusual punishment,

0:04:51 > 0:04:53expressly forbidden by the constitution, you hear?

0:04:53 > 0:04:57Prison is supposed to be cruel and unusual, Terry. It's the whole idea.

0:04:57 > 0:04:59That's not what I'm talking about.

0:05:00 > 0:05:02What are you talking about?

0:05:02 > 0:05:04Garlic.

0:05:04 > 0:05:08Warden Currier has banned the sale of fresh garlic in the commissary

0:05:08 > 0:05:10because he doesn't like the smell. You see, Joe,

0:05:10 > 0:05:13It's like a... it's a miracle drug.

0:05:13 > 0:05:17High blood pressure and arthritis and cancer.

0:05:17 > 0:05:18Emphysema,

0:05:18 > 0:05:20allergies, anything.

0:05:20 > 0:05:23- Garlic is the first line of defence, always.- Hold on one second, Mario.

0:05:23 > 0:05:26You see what I'm saying?

0:05:28 > 0:05:30And I've got symptoms.

0:05:30 > 0:05:32I don't care what that doctor says.

0:05:33 > 0:05:36Maybe now's not a good time to talk about garlic?

0:05:36 > 0:05:38Yeah.

0:05:38 > 0:05:42Hey, Joe. You...you know, don't worry about it. Once you come down out of the ring,

0:05:42 > 0:05:44don't do what I think you're gonna do, please.

0:05:44 > 0:05:46You remember what I told you, right, Joe?

0:05:46 > 0:05:48Don't...uh, don't do the, uh...

0:05:48 > 0:05:50You nearly chipped my tooth, Mario.

0:05:50 > 0:05:52Joe, for God's sake.

0:05:52 > 0:05:53Joe.

0:05:59 > 0:06:02Joe! Joe, wait, wait, wait, wait. Joe, hey, hey, hey, hey!

0:06:02 > 0:06:05Hey, hey, hey. Joe. Joe, anger management.

0:06:05 > 0:06:07Anger mana...Joe! Joe! Joe!

0:06:07 > 0:06:08Anger management!

0:06:08 > 0:06:10Joe.

0:06:10 > 0:06:11Calm down.

0:06:11 > 0:06:13Breathe.

0:06:15 > 0:06:17# Keep me from the gallows pole

0:06:22 > 0:06:24# I couldn't get no silver

0:06:24 > 0:06:27# I couldn't get no gold... #

0:06:27 > 0:06:29You ever read the Tao?

0:06:29 > 0:06:30I'm sorry?

0:06:31 > 0:06:34You know, the guy, uh, Lao...

0:06:34 > 0:06:37Lay, uh, Lo-wi...Lu...

0:06:37 > 0:06:40- Lao Tzu. - There you go. Lao Tzu.

0:06:40 > 0:06:43You know, Joe, I begged you to stay out of the library.

0:06:43 > 0:06:45You begged me to work on my anger management.

0:06:45 > 0:06:48Yeah, well, medication's quicker.

0:06:49 > 0:06:50It's much more effective.

0:06:55 > 0:06:58- You know what?- Huh?

0:06:58 > 0:07:02I would like to sleep in a comfortable bed tonight.

0:07:02 > 0:07:04I'd like to have me a cheeseburger...

0:07:06 > 0:07:07French fries...

0:07:07 > 0:07:10A big old chocolate milkshake for dinner.

0:07:10 > 0:07:13Ancient chinese wisdom?

0:07:13 > 0:07:14No. Just hungry.

0:07:17 > 0:07:19I definitely chipped my tooth.

0:07:19 > 0:07:20Aah!

0:07:20 > 0:07:22For the love of God,

0:07:22 > 0:07:25Does no one else hear that infernal ringing?

0:07:26 > 0:07:28Oh, yeah, sure, go ahead and laugh,

0:07:28 > 0:07:30but according to the latest research,

0:07:30 > 0:07:34tinnitus, which is what they call it - that's what I've got in my ear,

0:07:34 > 0:07:36I don't make this shit up, is an actual disease.

0:07:36 > 0:07:41# I couldn't get no silver I couldn't get no gold... #

0:07:41 > 0:07:42Go ahead and laugh.

0:07:42 > 0:07:44Play basketball, have fun.

0:07:44 > 0:07:47In the meantime, I've got Goddamn Quasimodo going off in my head...

0:07:47 > 0:07:49Bell tower, you understand me?

0:07:49 > 0:07:52I got a bell tower in my head!

0:07:52 > 0:07:54# Hangman, hangman

0:07:54 > 0:07:57# Hold it a little while... #

0:07:57 > 0:07:59- Hey, you the driver of this thing?- Yeah.

0:07:59 > 0:08:02Pretty easy to drive, is it?

0:08:02 > 0:08:03Pretty easy. Uh-huh.

0:08:03 > 0:08:05Aargh!

0:08:06 > 0:08:08Joe?

0:08:09 > 0:08:12# Did you get some silver? Did you get a little gold? #

0:08:12 > 0:08:14Oh, my God,

0:08:14 > 0:08:17Joe, what are you doing in the cement truck? Joe? Joe?

0:08:22 > 0:08:23CHEERING

0:08:23 > 0:08:26Joe, what am I doing?

0:08:26 > 0:08:27What am I doing?

0:08:28 > 0:08:32HORN HONKS

0:08:32 > 0:08:33GUNSHOT

0:08:35 > 0:08:38CHEERING

0:08:46 > 0:08:49Why are we in the concrete thing, getting shot at?

0:08:49 > 0:08:51Just keep your head down!

0:09:00 > 0:09:01Joe!

0:09:04 > 0:09:05Take it down!

0:09:05 > 0:09:07# Save me from the wrath of this man, man

0:09:07 > 0:09:09# Man, man, man, man, man

0:09:09 > 0:09:10# Hangman... #

0:09:10 > 0:09:14Joe. Jesus. There's, like, a truck! Aah!

0:09:26 > 0:09:27# You got a fine sister

0:09:27 > 0:09:28# She warmed my blood

0:09:28 > 0:09:31# To keep me from the gallows pole... #

0:09:31 > 0:09:33ALL: Joe, Joe, Joe, Joe!

0:09:33 > 0:09:35# Your brother, he brought me silver

0:09:35 > 0:09:37# Your sister, she warmed my soul

0:09:37 > 0:09:40# But now I laugh and pull so hard... #

0:09:40 > 0:09:44- How long you been planning this? - It just sort of came up.

0:09:44 > 0:09:46# Cos now I laugh and pull so hard

0:09:46 > 0:09:49# And see you swinging on the gallows pole... #

0:09:50 > 0:09:52Hang on to something.

0:09:52 > 0:09:54# Swinging on the gallows pole

0:09:54 > 0:09:55# Swinging on the gallows pole

0:09:55 > 0:09:57# Swinging on the gallows pole

0:09:57 > 0:10:00# Swinging on the gallows pole Whoo

0:10:00 > 0:10:03# I keep swinging

0:10:03 > 0:10:05# I keep swinging... #

0:10:05 > 0:10:06Deer!

0:10:07 > 0:10:08Plastic.

0:10:13 > 0:10:15Don't you think we should be looking for a road?

0:10:31 > 0:10:33- Joe.- Stop. Stop, please.

0:10:33 > 0:10:36- Ma'am.- Uh-huh?- We're gonna need to borrow your car.

0:10:36 > 0:10:37- You are?- Yes.

0:10:37 > 0:10:39Would you just unhook your seat belt, please?

0:10:42 > 0:10:44Come on. Here you go. Very nice.

0:10:44 > 0:10:45Thank you.

0:10:47 > 0:10:49That's a really lovely dress.

0:10:49 > 0:10:51Thank you.

0:10:52 > 0:10:53Come on.

0:10:53 > 0:10:56- Thank you! - Get in the car!- OK.

0:10:56 > 0:10:58Ma'am.

0:10:58 > 0:11:00- Yes?- Don't forget your purse.

0:11:00 > 0:11:02Thank you.

0:11:12 > 0:11:15OK. First things first. We need... What do we need? We need clothes.

0:11:15 > 0:11:18We're gonna need money.

0:11:18 > 0:11:20A place to hide. We better get a new car pretty quick.

0:11:20 > 0:11:26I don't feel good driving down Main Street wearing clothes that say, "inmate," you know what I mean?

0:11:26 > 0:11:30- Hey, why are we stopping here? - This is where they keep the cash.

0:11:35 > 0:11:36Hey! Stupid!

0:11:36 > 0:11:38HORNS HONK

0:11:39 > 0:11:40What cash?

0:11:43 > 0:11:46- Didn't you say something about needing money? - Well, yeah, but not right now.

0:11:46 > 0:11:49Look, Joe, let's just discuss this for a minute, OK?

0:11:49 > 0:11:52I mean, I know money's on the list, but it's not at the top of the list.

0:11:52 > 0:11:54- Bingo! - Bingo what?

0:11:54 > 0:11:56What do you mean, bingo?

0:11:56 > 0:11:59Are you gonna knock over a bank with a magic marker?

0:11:59 > 0:12:02What are you gonna do, write on them? We don't even have a plan.

0:12:02 > 0:12:05You have to have some kind of plan to rob a bank.

0:12:05 > 0:12:07We're wearing denim uniforms that say "inmate".

0:12:07 > 0:12:11Unless these people are blind, I don't think this is gonna work.

0:12:11 > 0:12:12You understand?

0:12:15 > 0:12:16Don't move.

0:12:16 > 0:12:17Take out your gun,

0:12:17 > 0:12:19Thumb and middle finger on the butt.

0:12:19 > 0:12:21Hand it to me slowly.

0:12:21 > 0:12:23Here we go. Here we go. Here we go.

0:12:23 > 0:12:27Ladies and gentlemen, we'll be out of your way in just a second. No phone calls, no alarms, please.

0:12:27 > 0:12:29Cash drawers open. Take a bag, fill it with cash.

0:12:29 > 0:12:32Take a bag, fill it with cash. Cash, please.

0:12:32 > 0:12:34- Ma'am, is there any other cash in the back?- No.

0:12:34 > 0:12:37- Don't touch that phone, sir. Are you sure?- I'm positive. - Are you telling me the truth?

0:12:37 > 0:12:39- I'm telling you the truth. - You look very honest.

0:12:39 > 0:12:44- Quickly, please. Thank you. - He made no plan whatsoever for this.

0:12:44 > 0:12:46Put that right in there. We'll take that. Thank you.

0:12:46 > 0:12:48Thank you, thank you. I'll take that. Here we go.

0:12:48 > 0:12:50OK. Thank you very much.

0:12:52 > 0:12:56Oh, there's just never enough time when you're working.

0:12:56 > 0:12:59Thank you for your cooperation. No phone calls, no alarms.

0:12:59 > 0:13:02Here we go. Come on. Take that. Come on. Take this.

0:13:02 > 0:13:06Sir, in case you need to highlight anything. Here we go. Come on.

0:13:09 > 0:13:11Hey, hey, hey. Stop, stop.

0:13:11 > 0:13:12Hey, whoa, ho, ho, ho! Ho!

0:13:12 > 0:13:14- Ho! Ho!- What?

0:13:14 > 0:13:17- Sir, we need to borrow your car. - Find a bus, asshole.

0:13:19 > 0:13:20Hey, come over here. This car.

0:13:20 > 0:13:23# Let's steer it awhile let's steer it about

0:13:23 > 0:13:24# Take the long way home

0:13:24 > 0:13:27# Long way home

0:13:27 > 0:13:30# Take the long way home

0:13:30 > 0:13:31# Long way home

0:13:31 > 0:13:33# Make this night last

0:13:36 > 0:13:38# Well we drove downtown and out in the woods... #

0:13:38 > 0:13:39You got the gun?

0:13:39 > 0:13:41GUNSHOT

0:13:41 > 0:13:43No.

0:13:43 > 0:13:44# And all this time I was driving about

0:13:44 > 0:13:46# She was fondling my hair and holding my neck

0:13:46 > 0:13:48# And all I was thinking was Oh, what the heck? #

0:13:48 > 0:13:49- Come back here, Goddamn it. - Hold it!

0:13:49 > 0:13:51Come on. Sit up and act regular.

0:13:53 > 0:13:56# Take the long way home

0:13:56 > 0:13:58# Make this night last. #

0:14:02 > 0:14:04Hold it right there.

0:14:12 > 0:14:14Chest pain, left arm a little numb,

0:14:14 > 0:14:16accelerated heartbeat, spots.

0:14:16 > 0:14:18I'm actually seeing spots.

0:14:25 > 0:14:26Hang on. Hang on. Hang on.

0:14:26 > 0:14:28I'm feeling nauseous.

0:14:28 > 0:14:30# Two big red lights shining in my eyes

0:14:30 > 0:14:32# I pull over and he drove alongside

0:14:32 > 0:14:34# And out of his car and up to my right

0:14:34 > 0:14:36# He looked at her, and she looked at him... #

0:14:36 > 0:14:38Out! Out! Out! Out! Out!

0:14:40 > 0:14:42Terry, come here.

0:15:03 > 0:15:04Are you all right?

0:15:05 > 0:15:08May I please go back to prison?

0:15:08 > 0:15:09Not yet.

0:15:13 > 0:15:14DISTANT MUSIC PLAYS

0:15:14 > 0:15:17# I can handle this, but I can't handle anything else

0:15:17 > 0:15:19# It's my own mistake

0:15:19 > 0:15:21# It's based on me and not on my grades

0:15:21 > 0:15:22# It's the little things in my pants

0:15:22 > 0:15:24# That we're all livin' for

0:15:24 > 0:15:25# I never really knew

0:15:25 > 0:15:27# What that thing down there was used for

0:15:27 > 0:15:29# Yo, yo, yo, yo, yo, yo

0:15:29 > 0:15:32# Yo I kill the rock, rock, Rock, rock, rock, yo

0:15:32 > 0:15:33# Then she killed my

0:15:33 > 0:15:34# Brain, brain, brain, brain

0:15:34 > 0:15:36# Brain, brain, brain, brain

0:15:36 > 0:15:38# Nothing hurts anymore

0:15:38 > 0:15:39# Never mind, then she killed my

0:15:39 > 0:15:41# You wicked gay But then today

0:15:41 > 0:15:43# I think I'll be hardcore

0:15:43 > 0:15:45# If I forget to take my medicine

0:15:45 > 0:15:47# Then I'll be sick I'm so hot to trot

0:15:47 > 0:15:49# I'm stealing all my beats from the blacks

0:15:49 > 0:15:52# And from all the young girls is where I steal my act

0:15:52 > 0:15:54# Yo, yo, yo, yo, yo, yo

0:15:54 > 0:15:57# I kill the rock, Rock, rock, rock, yo

0:15:57 > 0:15:58Oh, shit!

0:15:58 > 0:15:59# Brain, brain, brain, brain, brain

0:15:59 > 0:16:02# Brain, brain, brain

0:16:02 > 0:16:04# Nothing hurts anymore Never mind

0:16:04 > 0:16:06# Then she killed my brain

0:16:06 > 0:16:08# Oh, ooh

0:16:08 > 0:16:09# Oh, ooh

0:16:09 > 0:16:12# Whoa, whoa, whoa, whoa, whoa

0:16:12 > 0:16:13# Oh, ooh

0:16:13 > 0:16:15# Oh, ooh

0:16:15 > 0:16:18# Whoa, whoa, whoa, Whoa, whoa

0:16:19 > 0:16:21# I can't stand it

0:16:22 > 0:16:23# I can't stand it... #

0:16:25 > 0:16:27MUSIC STOPS

0:16:29 > 0:16:30What's your name?

0:16:30 > 0:16:32Cheri.

0:16:32 > 0:16:34Zip up your pants, Cheri.

0:16:37 > 0:16:39You, too.

0:16:39 > 0:16:41I'm Phil.

0:16:42 > 0:16:45So where's your mom, Cheri?

0:16:45 > 0:16:48- My mom doesn't live here anymore. - And your dad?

0:16:48 > 0:16:51Oh, he's fishing for the weekend.

0:16:51 > 0:16:53So your dad left you here all alone.

0:16:53 > 0:16:57Oh, no. He thinks I'm at a friend's house.

0:16:57 > 0:16:59And how about you, Scooter?

0:16:59 > 0:17:02Oh, I told my folks I had a soccer trip.

0:17:02 > 0:17:05You lied to your parents?

0:17:05 > 0:17:07Oh, you're kidding, right?

0:17:07 > 0:17:09No, I'm not kidding.

0:17:14 > 0:17:18I'm sorry...who are you guys?

0:17:18 > 0:17:20Hey, you're inmates.

0:17:22 > 0:17:24What did you say your name was?

0:17:24 > 0:17:26Uh, Phil.

0:17:26 > 0:17:33You think there's something funny about being an inmate, Phil?

0:17:33 > 0:17:36We're bank robbers, OK?

0:17:45 > 0:17:47So what's on our mind?

0:17:49 > 0:17:51Parizo Del Mar.

0:17:51 > 0:17:52Parizo?

0:17:52 > 0:17:57Paradise. My uncle owns this little hotel on the water,

0:17:57 > 0:17:59about 100 miles south of Acapulco.

0:17:59 > 0:18:01That's Mexico.

0:18:01 > 0:18:04Right. That's where they keep Acapulco, Terry.

0:18:04 > 0:18:06But I have sanitation issues, Joe.

0:18:06 > 0:18:10We'll buy the hotel, turn it into a nightclub and resort.

0:18:10 > 0:18:14I could wear a tuxedo, sell margaritas to the tourists.

0:18:14 > 0:18:16We could have some fun.

0:18:18 > 0:18:20You'd do that?

0:18:20 > 0:18:21I mean, you and me?

0:18:21 > 0:18:23Yeah.

0:18:23 > 0:18:24Partners?

0:18:24 > 0:18:26Partners.

0:18:28 > 0:18:31Tuxedos and margaritas?

0:18:31 > 0:18:33- Good, right?- Yeah.

0:18:33 > 0:18:34I can run the kitchen.

0:18:34 > 0:18:36You could work the room.

0:18:36 > 0:18:39It's a high-risk business, but, I mean, considering the alternatives,

0:18:39 > 0:18:42I got to say I think that sounds really good.

0:18:44 > 0:18:46I just have one question. How do we pay for it?

0:18:46 > 0:18:48Well...

0:18:50 > 0:18:52We ARE bank robbers.

0:18:55 > 0:18:57So where is it?

0:18:57 > 0:18:59Below my belt and above my knees.

0:18:59 > 0:19:01No. You know what I mean.

0:19:01 > 0:19:03You are gonna get us killed.

0:19:04 > 0:19:08Maybe I'll save the day, and we'll both be rich and famous and on TV.

0:19:08 > 0:19:12I think there's a way to do it right. I'm sure of it.

0:19:12 > 0:19:14So, where is it?

0:19:14 > 0:19:18In Daddy's closet, behind the golf clubs.

0:19:20 > 0:19:21All right. I'm going.

0:19:23 > 0:19:25What's the biggest problem every time you rob a bank?

0:19:25 > 0:19:28- Getting caught?- Exactly.

0:19:28 > 0:19:31There's guards to shoot at you. There's tellers to hit alarms.

0:19:31 > 0:19:34- There's customers to get in the way, right?- Right.- Huh?

0:19:34 > 0:19:36You need to control the environment...

0:19:36 > 0:19:39No guards, no tellers, no customers.

0:19:39 > 0:19:42Yeah, but if you work at night, you still got to deal with the alarms.

0:19:42 > 0:19:44But we don't work at night.

0:19:45 > 0:19:47When do you do it? Holidays?

0:19:47 > 0:19:48No.

0:19:51 > 0:19:55We do it with the bank manager in the morning,

0:19:55 > 0:19:59with the bank manager's keys and the bank manager's vault codes

0:19:59 > 0:20:01because we kidnap him the night before.

0:20:03 > 0:20:04I mean, think about it.

0:20:04 > 0:20:06We pick a town. We pick a bank.

0:20:06 > 0:20:09We find out who's in charge. We pay him a visit.

0:20:09 > 0:20:11We spend the night with him, like we are here.

0:20:11 > 0:20:13The next morning, we all go to work together

0:20:13 > 0:20:15before anybody else gets there...

0:20:17 > 0:20:19..and we take the money and run.

0:20:21 > 0:20:24Tuxedos and margaritas, Joe, just like you said.

0:20:24 > 0:20:27Life will be like one big sunset.

0:20:54 > 0:20:56Want to see something neat?

0:20:57 > 0:20:59Aim the shotgun at me.

0:20:59 > 0:21:01What?

0:21:01 > 0:21:03Aim it at me.

0:21:09 > 0:21:11Freeze?

0:21:11 > 0:21:15Pretty good. But first you got to pump a shell into the chamber.

0:21:15 > 0:21:16Like this.

0:21:22 > 0:21:25Neat.

0:21:25 > 0:21:27The conversation is over, all right?

0:21:27 > 0:21:30I feel good in this collar, I've always liked this kind of collar.

0:21:30 > 0:21:32But you boned me on the pants, Joe.

0:21:32 > 0:21:34It's really not fair. It's a low blow.

0:21:34 > 0:21:36I picked those pants out for me.

0:21:36 > 0:21:38I laid them out. I specifically chose those.

0:21:38 > 0:21:41Well, well, look at you gentlemen.

0:21:41 > 0:21:42Are the clothes all right?

0:21:42 > 0:21:45Ooh! Aren't we looking a bit spiffy in plaid?

0:21:45 > 0:21:47Oh, he likes plaid.

0:21:48 > 0:21:50- Oh, two sugars, right? - Thank you very much.

0:21:50 > 0:21:53- Cheri, we're gonna have to borrow Phil's car.- Hey!

0:21:53 > 0:21:55- That's OK. He doesn't mind. - The hell I don't.

0:21:55 > 0:21:57That's a new transmission.

0:22:00 > 0:22:01So where are we headed?

0:22:01 > 0:22:03- Rufus.- Where's Rufus?

0:22:03 > 0:22:07- It's up the road a little ways. - What's at Rufus?

0:22:07 > 0:22:08Pow.

0:22:08 > 0:22:10Pollard...

0:22:10 > 0:22:12Harvey Pollard.

0:22:12 > 0:22:13What?

0:22:13 > 0:22:15Oh, you feel the need to shoot?

0:22:17 > 0:22:19Well, go ahead and shoot, then.

0:22:21 > 0:22:23- CLICK CLICK - Mmm!

0:22:27 > 0:22:30What, you feel the need to shoot?

0:22:30 > 0:22:32Well, go ahead and shoot, then.

0:22:32 > 0:22:34CLICK

0:22:36 > 0:22:38Oh, to hell with it.

0:22:40 > 0:22:41Feel the need...

0:22:41 > 0:22:42Draw! Oh!

0:22:42 > 0:22:45IMITATES GUNSHOTS

0:22:46 > 0:22:47Aah!

0:22:47 > 0:22:49Ooh! Uhh!

0:22:52 > 0:22:53Hey!

0:22:55 > 0:22:58Yo, dog!

0:22:58 > 0:23:01- Joe!- Ha ha ha!

0:23:01 > 0:23:03Joe?

0:23:03 > 0:23:04HE BARKS

0:23:04 > 0:23:06- Heh heh heh.- Joe.

0:23:06 > 0:23:09- HE GROWLS - Woof woof!

0:23:09 > 0:23:12- What's up? I thought you were still in...- No, no. No. Got out early.

0:23:12 > 0:23:14Let out early. Terry...

0:23:14 > 0:23:17say hello to my cousin Harvey Pollard.

0:23:17 > 0:23:19Glad to know you. Any friend of Joe's, man...

0:23:19 > 0:23:20Was it Harry?

0:23:21 > 0:23:23Terry.

0:23:23 > 0:23:25Those are wicked pants.

0:23:27 > 0:23:29So, what are you doing? Working?

0:23:29 > 0:23:30Special effects.

0:23:30 > 0:23:32Well, stunt work, primarily.

0:23:32 > 0:23:36Well, mostly training right now. Damn squibs won't fire.

0:23:36 > 0:23:39We're looking for somebody who can handle a car.

0:23:39 > 0:23:40Oh, I can do that. Why?

0:23:40 > 0:23:42Banks.

0:23:44 > 0:23:46You're fooling with me.

0:23:49 > 0:23:51Hell, Joe, I'm just the man you're looking for.

0:23:51 > 0:23:52You want a beer?

0:23:52 > 0:23:54- Yeah, I'll take a beer.- OK.

0:23:54 > 0:23:56BANG

0:23:57 > 0:23:59BANG BANG

0:24:01 > 0:24:02Timer malfunction.

0:24:02 > 0:24:03Draw!

0:24:03 > 0:24:05Heh heh heh.

0:24:05 > 0:24:07I'm gonna get a beer.

0:24:10 > 0:24:15He's honest, and he falls real good.

0:24:15 > 0:24:17Heh heh heh!

0:24:17 > 0:24:22Me, I'm gonna make a name for myself in fire.

0:24:22 > 0:24:24I've been practicing with gels,

0:24:24 > 0:24:28you know, mostly on my hands, but I need a suit.

0:24:28 > 0:24:29Harvey, speaking of the job...

0:24:29 > 0:24:32You ever wonder why a man set himself on fire

0:24:32 > 0:24:35- and jump off the top of a 12-storey building?- Gosh, no, I didn't, Harv.

0:24:35 > 0:24:38Women love a man who loves danger.

0:24:38 > 0:24:40HE CHUCKLES

0:24:41 > 0:24:45'You guys were talking about the frontman. You kept mentioning this guy.

0:24:45 > 0:24:48'Will you explain what exactly the frontman does and who he is?'

0:24:48 > 0:24:52Well, Darren, the frontman handles

0:24:52 > 0:24:54pretty much everything else except robbing the bank.

0:24:54 > 0:24:56He rents the rooms.

0:24:56 > 0:25:00He gets the supplies, the food that, you know, we would eat.

0:25:00 > 0:25:02He drives the getaway car.

0:25:02 > 0:25:07Right. Joe and I maintain what you call a low profile.

0:25:07 > 0:25:10- Right.- If the frontman is never seen in a bank,

0:25:10 > 0:25:11we're never seen out of one.

0:25:11 > 0:25:15And I plotted all the banks that we would rob from Oregon to California.

0:25:15 > 0:25:19Our first bank on the list was the Oregon City Bank.

0:25:19 > 0:25:23So the schedules and the routines and the bank guards, the tellers,

0:25:23 > 0:25:24we got it all down,

0:25:24 > 0:25:26but mostly we watched our first hostage.

0:25:26 > 0:25:29Darill Miller, the bank president, who didn't know it yet,

0:25:29 > 0:25:32- but he was about to spend the night with the sleepover bandits.- Whoa.

0:25:32 > 0:25:34- That sounded good, right? - Yeah, it's pretty...

0:25:34 > 0:25:38"..didn't know it yet, but he was about to spend the night with the sleepover bandits."

0:25:38 > 0:25:39It's very newsworthy.

0:25:39 > 0:25:41Look, it's his job, all right?

0:25:41 > 0:25:43I asked him to get me a good moustache,

0:25:43 > 0:25:46but this looks like it come out of a cracker jack box.

0:25:46 > 0:25:48This is not about the moustache. We're going to work.

0:25:48 > 0:25:49He got you a nice wig.

0:25:49 > 0:25:51Look at you. You look great.

0:25:51 > 0:25:54Have you noticed the burns? They're kind of flapping.

0:25:54 > 0:25:55DOORBELL RINGS

0:25:56 > 0:25:58WOMAN: Hon, can you get the door?

0:26:01 > 0:26:04Everybody, dinner in a half-hour!

0:26:11 > 0:26:13Howdy. TRIGGER COCKS

0:26:13 > 0:26:16We're here to rob your Goddamn bank. Now just get in there.

0:26:19 > 0:26:21WOMAN SOBS

0:26:24 > 0:26:26It's OK, Mommy.

0:26:38 > 0:26:40The important thing here...

0:26:46 > 0:26:49The important thing to remember...

0:26:49 > 0:26:52The important thing is that we spend a quiet night together,

0:26:52 > 0:26:54then tomorrow morning, bright and early,

0:26:54 > 0:26:56we all go down to the bank together and...

0:26:56 > 0:27:00It's really a reasonable proposition if you think about it.

0:27:00 > 0:27:02Sure.

0:27:02 > 0:27:03Whatever you say.

0:27:03 > 0:27:05That's the spirit.

0:27:07 > 0:27:12- Stop playing with your food, Erika. - But it's too long.

0:27:12 > 0:27:15Here. Next time, I want you to try to wrap it around your fork...

0:27:15 > 0:27:16just like daddy does.

0:27:18 > 0:27:20- Cut mine, mom.- Just a second, hon.

0:27:20 > 0:27:23- The sauce is too red. - It's not too red.

0:27:23 > 0:27:25Yes, it is. The sauce is too red.

0:27:33 > 0:27:36You know, actually, Mrs Miller, this sauce is quite terrific.

0:27:36 > 0:27:38- It's delicious.- Isn't it?

0:27:38 > 0:27:40I hate it.

0:27:40 > 0:27:41Thank you.

0:27:43 > 0:27:46- What time's the vault set for? - 7:30.

0:27:46 > 0:27:49- Tomato lemon?- Yes.- Mm-hmm.

0:27:49 > 0:27:53Lemon zest, oregano, a little cream... See, I cook a little.

0:27:53 > 0:27:54Keys?

0:27:54 > 0:27:56Two.

0:27:56 > 0:27:57I have one.

0:27:57 > 0:28:00The operations officer has the other one.

0:28:00 > 0:28:04There's something in here I can't identify, though. Is it basil?

0:28:04 > 0:28:06- No.- Hmm?

0:28:06 > 0:28:08Rosemary? No, don't tell me.

0:28:08 > 0:28:09Don't tell me.

0:28:09 > 0:28:11It's not that big of a deal.

0:28:11 > 0:28:13It's saffron.

0:28:15 > 0:28:16Yes.

0:28:16 > 0:28:18Yes, it's saffron.

0:28:18 > 0:28:20Bingo. I knew it.

0:28:20 > 0:28:24You know, sometimes I put a little sugar in mine. It cuts the acidity.

0:28:24 > 0:28:27- Sugar.- Thank you. I'll...

0:28:27 > 0:28:30- try to remember that. - Little tricks, you know.

0:28:30 > 0:28:32Want to see something cool that I can do?

0:28:32 > 0:28:34Sure.

0:28:35 > 0:28:37SHE BELCHES LOUDLY

0:28:37 > 0:28:40THEY GIGGLE

0:28:40 > 0:28:41- Monica!- What?

0:28:41 > 0:28:43We've got guests...

0:28:43 > 0:28:45Sort of.

0:28:45 > 0:28:49# Tweedle Dum and Tweedle Dee

0:28:49 > 0:28:52# They're throwing knives into the tree... #

0:28:52 > 0:28:55You really think you're gonna fool anybody in that getup?

0:28:55 > 0:28:58You look like Neil Young from that... What was that album?

0:28:58 > 0:29:01After...The Horses or...

0:29:01 > 0:29:04It was After The Gold Rush, and that's not the one.

0:29:04 > 0:29:06It's the one where he's leaning against a tree in the snow.

0:29:06 > 0:29:08That's what I was actually going for.

0:29:08 > 0:29:12'Getting out of the bank is almost as important as getting into it.

0:29:12 > 0:29:15'The hostages were kept under the strictest possible guard

0:29:15 > 0:29:19'To prevent escape or alarm of any type, you see?'

0:29:19 > 0:29:22See, we had to bring their kids along,

0:29:22 > 0:29:24uh, the Miller children.

0:29:25 > 0:29:28- Butane?- Copy. This is Butane.

0:29:28 > 0:29:31You're all clear and ready to rock and roll.

0:29:31 > 0:29:34Please turn your music down. I can't hear a word you said.

0:29:34 > 0:29:37- You're ready to rock and roll!- Thank you.

0:29:37 > 0:29:40OK, girls. You just stay right here.

0:29:40 > 0:29:43Everybody should be here in ten minutes.

0:29:43 > 0:29:47- What's the all clear?- What's that?

0:29:52 > 0:29:54Washington... on the inside.

0:29:54 > 0:29:56What?

0:29:56 > 0:29:57George Washington.

0:29:57 > 0:30:00When it's all clear, he's facing in.

0:30:00 > 0:30:02Oh.

0:30:02 > 0:30:04Make it all clear, Darill.

0:30:06 > 0:30:10# They walk among the stately trees

0:30:10 > 0:30:15# They know the secrets of the breeze

0:30:15 > 0:30:18# Tweedle Dum said to Tweedle Dee... #

0:30:20 > 0:30:21Cool.

0:30:21 > 0:30:24# Your presence is obnoxious to me

0:30:26 > 0:30:31# Feel like baby sittin' on a woman's knee

0:30:32 > 0:30:35# Tweedle Dum and Tweedle Dee

0:30:36 > 0:30:38Three more.

0:30:40 > 0:30:42- Good morning.- Good morning, Darill.

0:30:42 > 0:30:44- Good morning, Darill.

0:30:44 > 0:30:45Good morning, ladies.

0:30:46 > 0:30:49Is this a joke?

0:30:49 > 0:30:52No, ma'am. This is a bank robbery.

0:30:52 > 0:30:54Hurry it up. It's not a parade. Come on.

0:30:54 > 0:30:57All righty, then. Just have a seat with everybody else.

0:30:57 > 0:30:59It's not gonna take long. Monica?

0:30:59 > 0:31:02- I have to go to the bathroom. - No more juice boxes, Chloe, OK?

0:31:02 > 0:31:05If it weren't for the fact that the kids had bladders

0:31:05 > 0:31:08the size of hummingbirds, it would have been done.

0:31:08 > 0:31:10Well, they drank a lot of juice.

0:31:10 > 0:31:14One of these days, you're gonna get caught. It's a very dangerous job.

0:31:14 > 0:31:16Aren't you ever scared and afraid?

0:31:16 > 0:31:18Ha! When you know danger the way we do,

0:31:18 > 0:31:21I know it like an animal, Like a wild animal.

0:31:21 > 0:31:23You know what they call me in jail?

0:31:23 > 0:31:25- No, I don't.- The panther.

0:31:25 > 0:31:28Thank you very much for your cooperation.

0:31:28 > 0:31:32Please make no attempt to escape. We'll monitor the police scanners, and we'll kill you if you do.

0:31:32 > 0:31:33When you're a well-oiled machine,

0:31:33 > 0:31:36- you exude danger.- Sure.

0:31:36 > 0:31:38People fear you.

0:31:39 > 0:31:40They fear your presence.

0:31:40 > 0:31:42The gun, really, is secondary.

0:31:42 > 0:31:44- OK!- Thank you.

0:31:48 > 0:31:52# They run a brick and tile company

0:31:55 > 0:31:58# Tweedle Dum and Tweedle Dee... #

0:32:16 > 0:32:19Now listen. We go our separate ways.

0:32:19 > 0:32:21- Two weeks from today, we meet... - Klamath Falls.

0:32:21 > 0:32:23Right. You take this map. It's on there.

0:32:23 > 0:32:25- I want to go with Joe. - You can't do that.

0:32:25 > 0:32:29They're looking for two men, that's why we're splitting up and going solo as planned.

0:32:29 > 0:32:31What am I supposed to do for two weeks?

0:32:31 > 0:32:34- You stay out of trouble. Try that. - What about the minivan?

0:32:34 > 0:32:37- You leave it here. - I like the minivan. It's roomy.

0:32:37 > 0:32:40I appreciate that, but as it's a stolen minivan,

0:32:40 > 0:32:43It's probably better that you leave it here.

0:32:43 > 0:32:44- Let's go. - What about my money?

0:32:44 > 0:32:47There's yours right there. We split it three ways, nothing fancy.

0:32:47 > 0:32:49I'm gonna buy me a fire suit, first thing.

0:32:49 > 0:32:53- I bet I can mail-order one out of LA.- Way to go.- Good job, man.

0:32:53 > 0:32:54- You too, buddy. - Did good.- Be careful.

0:32:54 > 0:32:59- Be careful. Stay out of trouble. - What are you gonna buy with your shares?- Paradise.

0:32:59 > 0:33:03Two weeks. Klamath Falls. Be careful!

0:33:06 > 0:33:08MEGAPHONE: Joe Blake and Terry Collins,

0:33:08 > 0:33:12This is Lieutenant McCormick of the Los Angeles police department.

0:33:12 > 0:33:15Put down your weapons and come out of the bank

0:33:15 > 0:33:17with your hands in the air.

0:33:22 > 0:33:24This could be a bad time, but I just want to point out

0:33:24 > 0:33:28- that I did warn you that that woman would be the ruin of us.- Right.

0:33:28 > 0:33:31Understood.

0:33:31 > 0:33:34But as our future looks rather bleak and miserable,

0:33:34 > 0:33:39I suggest we figure out what got us here in the first place...

0:33:40 > 0:33:43Which brings us back to that woman.

0:34:10 > 0:34:13TAPE RECORDER: 'The most common symptom of vaginitis

0:34:13 > 0:34:16'is an abnormal vaginal discharge, often...'

0:34:16 > 0:34:18TAPE FAST FORWARDS

0:34:18 > 0:34:21'..probably from an allergic reaction to mites.'

0:34:24 > 0:34:27MUSIC: "Holding Out For A Hero" by Bonnie Tyler

0:34:35 > 0:34:37# I need a hero

0:34:37 > 0:34:41# I'm holding out for a hero till the morning light

0:34:41 > 0:34:44# He's got to be sure and it's got to be soon

0:34:44 > 0:34:47# And he's got to be larger than life

0:34:47 > 0:34:49# Larger than life

0:34:51 > 0:34:58# It's gonna take a superman to sweep me off my feet

0:34:58 > 0:35:00# I need a hero

0:35:00 > 0:35:04# I'm holding out for a hero till the end of the night

0:35:04 > 0:35:07# He's got to be strong and he's got to be fast

0:35:07 > 0:35:10# And he's got to be fresh from the fight

0:35:10 > 0:35:12# I need a hero

0:35:12 > 0:35:16# I'm holding out for a hero till the end of the night... #

0:35:16 > 0:35:17Out of gas.

0:35:17 > 0:35:18Shit.

0:35:47 > 0:35:49What is that smell?

0:35:50 > 0:35:52It's a gratin of Florence fennel,

0:35:52 > 0:35:54new potatoes,

0:35:54 > 0:35:56clam and sorrel soup

0:35:56 > 0:35:57with cream and mirepoix

0:35:59 > 0:36:01and stuffed quail.

0:36:01 > 0:36:05Kate, I have a dinner tonight - clients.

0:36:05 > 0:36:06Tonight?

0:36:10 > 0:36:12Oh, well, it's just for fun.

0:36:15 > 0:36:17I'm going to the gym. See you.

0:36:28 > 0:36:30- Sweetheart?- Yeah?

0:36:30 > 0:36:32Why don't you go see a movie?

0:36:43 > 0:36:45TYRES SCREECH

0:36:45 > 0:36:48# We'll be holding on forever

0:36:48 > 0:36:52# And we'll only be making it right

0:36:52 > 0:36:54# Cos we'll never be wrong

0:36:54 > 0:36:57# Together we can take it to the end of the line

0:36:57 > 0:37:01# Your love is like a shadow on me all of the time

0:37:01 > 0:37:05# All of the time All of the time

0:37:05 > 0:37:08# I don't know what to do and I'm always in the dark

0:37:08 > 0:37:11# We're living in a powder keg and giving off sparks

0:37:11 > 0:37:14# I really need you tonight

0:37:14 > 0:37:18# Forever's gonna start tonight

0:37:18 > 0:37:20# Forever's gonna start tonight

0:37:20 > 0:37:23# Once upon a time I was falling in love

0:37:23 > 0:37:26# Now I'm only falling apart

0:37:29 > 0:37:30# There's nothing I can do

0:37:30 > 0:37:33# A total eclipse of the heart... #

0:37:37 > 0:37:38Aah!

0:37:41 > 0:37:43Stop!

0:37:48 > 0:37:50- Oh, my God!- Ow!- Oh, my God!

0:37:50 > 0:37:52Are you all right? Are you OK?

0:37:52 > 0:37:56HORNS HONK

0:37:56 > 0:37:58Come on. I'm so sorry.

0:37:58 > 0:38:00Come on. Hospital, hospital.

0:38:00 > 0:38:02'Cascade Memorial Hospital is located at...'

0:38:02 > 0:38:04Can you wiggle your toes?

0:38:04 > 0:38:06Voices...

0:38:06 > 0:38:07'22nd Avenue...'

0:38:07 > 0:38:09Hearing voices.

0:38:09 > 0:38:12Where are the voices? Are they... Are those in my...

0:38:12 > 0:38:14Hey, wait.

0:38:14 > 0:38:17Uh, hey. You pull... You pull...

0:38:17 > 0:38:20You pull over and... You pull over and get out of the car.

0:38:20 > 0:38:22You don't have to get all huffy about it.

0:38:22 > 0:38:25You need to pull the car over.

0:38:25 > 0:38:29- It was an accident.- Listen, I'll shoot you with this thing.

0:38:29 > 0:38:33Oh, go ahead. It'll be an improvement, believe me.

0:38:33 > 0:38:35- Will you listen to me, miss? - Kate.

0:38:35 > 0:38:37Kate. I'm a desperate man.

0:38:37 > 0:38:40- Desperate?- Yes.- You don't know the meaning of the word.

0:38:40 > 0:38:42Desperate is when you wake up in the morning and wish you hadn't.

0:38:42 > 0:38:46It's knowing that every time you get behind the wheel of a car,

0:38:46 > 0:38:48you're only a tree away from ending the empty charade

0:38:48 > 0:38:52that your life has become. So don't talk to me about desperate.

0:38:52 > 0:38:53TYRES SCREECH

0:38:53 > 0:38:57On second thought, why don't you just pull over and let me out here?

0:38:57 > 0:38:59- Thank you for the lift, but I'll be fine.- No! - I'll walk from here.- Why?

0:38:59 > 0:39:05- I'm feeling very fragile at the moment. I don't think I should be alone.- You're insane!

0:39:05 > 0:39:06TRUCK HORN HONKS

0:39:06 > 0:39:08I'm unhappy.

0:39:08 > 0:39:10It's not the same thing.

0:39:10 > 0:39:13Hey. I'm a fugitive from justice.

0:39:13 > 0:39:14I'm a dangerous criminal.

0:39:14 > 0:39:17- Oh, well, that explains the hijacking.- You hit me!

0:39:17 > 0:39:20You can't step in front of a moving automobile and expect it to stop.

0:39:20 > 0:39:23- Yes, you can. I've seen it done. - Would you not yell at me?

0:39:23 > 0:39:26Can you slow down or something? I want to get out of here.

0:39:26 > 0:39:28I'll jump. That's what I'm gonna do.

0:39:28 > 0:39:30How do you unlock this door?

0:39:30 > 0:39:33Push a button. Let...let... Unlock this door.

0:39:33 > 0:39:35So, where you headed? I'll drop you.

0:39:35 > 0:39:37You're in no shape to drive.

0:39:37 > 0:39:39So you're a fugitive, huh? What did you do wrong?

0:39:39 > 0:39:41Everything.

0:39:41 > 0:39:45'Alert. Your global positioning system is rerouting.'

0:39:45 > 0:39:48Where is that coming from? What is that?

0:39:52 > 0:39:54Between the second set of trees.

0:39:54 > 0:39:56The second set of trees right here.

0:39:56 > 0:40:01Look at me! I'm on fire! Ha ha ha ha!

0:40:01 > 0:40:03Just don't ask.

0:40:03 > 0:40:05Lookee! Yeah!

0:40:12 > 0:40:14What the hell is this?

0:40:14 > 0:40:16Kate, Paul Bunyan. Paul, Kate.

0:40:16 > 0:40:17Kate?

0:40:17 > 0:40:19- I ran out of gas.- And?

0:40:19 > 0:40:22And she hit me...with her car.

0:40:22 > 0:40:24OK. She hit you with her car.

0:40:24 > 0:40:26What the hell did you bring her here for?

0:40:26 > 0:40:28Well, one...I had no choice.

0:40:28 > 0:40:30Two...I may have suffered a slight concussion,

0:40:30 > 0:40:33and three...she's mentally unbalanced to a spectacular degree.

0:40:33 > 0:40:34I can hear you.

0:40:34 > 0:40:37I tried to escape. She wouldn't stop.

0:40:37 > 0:40:42I almost jumped from a speeding car, do you hear me? I had double vision.

0:40:42 > 0:40:43What was I gonna do?

0:40:58 > 0:41:01Your left eye's a fraction darker than your right one.

0:41:02 > 0:41:04Nobody ever noticed.

0:41:04 > 0:41:06I'm Joe.

0:41:06 > 0:41:07I'm Kate.

0:41:10 > 0:41:12- Oh, what happened to your tooth?- All right. OK.

0:41:12 > 0:41:14Why don't you just go on your way, OK?

0:41:14 > 0:41:16Act like you never met us.

0:41:16 > 0:41:18- Send us a postcard from crazy town. - Can I stay here?

0:41:18 > 0:41:21Just that I don't know where else to go.

0:41:21 > 0:41:23It'll only be one night.

0:41:23 > 0:41:25- Please?- I'm not sure we can do that.

0:41:25 > 0:41:28Absolutely no way. There's... that's not possible.

0:41:28 > 0:41:30I can't go home.

0:41:30 > 0:41:32I can't.

0:41:32 > 0:41:34I could go to the police.

0:41:34 > 0:41:38I mean, what's to stop me leading them straight to your hideout?

0:41:38 > 0:41:41What are you hiding from, anyway? He wouldn't tell me.

0:41:41 > 0:41:43He's very, very discreet.

0:41:43 > 0:41:45- Come here, Joe.- What are you...

0:41:45 > 0:41:48- What's with the pulling? - I want to talk with you.

0:41:48 > 0:41:51Jeez, this is a very, very bad idea.

0:41:51 > 0:41:53In the history of bad ideas, this is a humdinger, OK?

0:41:53 > 0:41:56- No. She's right about the police.- Shoot her.

0:41:56 > 0:41:59- Bury her body in the woods. - What am I, invisible?

0:41:59 > 0:42:02- She doesn't have anyplace to stay. - It's none of our business.

0:42:02 > 0:42:05- It is now you've brought her here, isn't it?- I needed a ride, OK?

0:42:05 > 0:42:09I mean, there I was sprawled out on the asphalt, OK?

0:42:09 > 0:42:12You know the hardest thing about being smart?

0:42:12 > 0:42:15- No.- I always pretty much know what's gonna happen next.

0:42:15 > 0:42:16There's no suspense.

0:42:16 > 0:42:19And don't think I didn't see the look in your eye over there

0:42:19 > 0:42:21and feeling her little hair and all that kind of stuff.

0:42:21 > 0:42:24I'm implementing a 24-hour rule from now on, OK?

0:42:24 > 0:42:26It's in effect.

0:42:26 > 0:42:2724 hours.

0:42:27 > 0:42:30- 24 hours and not a minute longer, missy.- Thank you.

0:42:30 > 0:42:32"Missy."

0:42:32 > 0:42:33Hey. I'll cook dinner.

0:42:33 > 0:42:35I cook the dinners around here.

0:42:35 > 0:42:38Sorry. Not familiar with the outlaw code.

0:42:39 > 0:42:41Does that mean I'm a hostage?

0:42:42 > 0:42:44Well, I was in Las Vegas. Don't get excited.

0:42:44 > 0:42:47I'm not talking to you. Well, Joe, you know the costs.

0:42:47 > 0:42:50Hotel remodelling, real estate.

0:42:50 > 0:42:52I've estimated 20,000 for the kitchen alone.

0:42:52 > 0:42:55We're talking about restaurant quality here

0:42:55 > 0:42:58- and that's not to mention the nightclub.- I got a crippled cousin

0:42:58 > 0:43:01in New Hampshire that's going in for her seventh operation on her leg.

0:43:01 > 0:43:04I got my mother's people up in Ottawa, the aunts and the uncles.

0:43:04 > 0:43:07- These bills add up, Terry, OK? - Listen, I'm duly impressed

0:43:07 > 0:43:10by any and all charitable contributions. How crippled?

0:43:10 > 0:43:13Did you know you could bet on Irish hurling?

0:43:13 > 0:43:14Hey, hey, hey. Excuse me, Harvey.

0:43:14 > 0:43:17I'm trying to figure out why my partner here,

0:43:17 > 0:43:21when he wasn't helping improve the Blake family standard of living,

0:43:21 > 0:43:23managed to spend 200,000.

0:43:23 > 0:43:27- I met a very lovely young lady from the Netherlands down in San Diego... - Oh, colour me surprised.

0:43:27 > 0:43:30..who took me to this Oktoberfest deal and they had a big parade

0:43:30 > 0:43:33and she wanted to ride on one of the floats, OK?

0:43:33 > 0:43:34So I bought her one.

0:43:34 > 0:43:37Now, we're drinking these big steins of, uh...Holland beer,

0:43:37 > 0:43:42and one thing leads to another and I'm throwing 50 bills out to the crowd!

0:43:42 > 0:43:46- The thing about Irish hurling is that it's like football with sticks.- Stop it.

0:43:46 > 0:43:48Stop it, please.

0:43:48 > 0:43:51For God's sake, Pollard, OK?

0:43:52 > 0:43:55OK. You meet a girl. You go to a festival.

0:43:55 > 0:43:58- October festival.- Oktoberfest. You throw 50 bills to the crowd.

0:43:58 > 0:44:01- I notice you got a new gold watch. - An 18 carat gold watch.

0:44:01 > 0:44:03- I don't give a shit how many carats it is.- 36 grand. It's no big deal.

0:44:03 > 0:44:08You could ask somebody for the time, it's a lot cheaper. Anything else?

0:44:08 > 0:44:11Well, yeah. We stayed a couple days longer than I thought we were gonna

0:44:11 > 0:44:14down in San Diego, and I had to get her back to the Netherlands,

0:44:14 > 0:44:17So I chartered a private jet to take her home.

0:44:17 > 0:44:18Oh, of course you did.

0:44:18 > 0:44:20- The Netherlands.- Yeah.

0:44:20 > 0:44:22Joe.

0:44:22 > 0:44:24What?

0:44:24 > 0:44:25Listen.

0:44:27 > 0:44:32Let me try to explain something to you. Paradise doesn't come cheaply.

0:44:32 > 0:44:34Now, I've figured this down to the last nickel.

0:44:34 > 0:44:36Now, and here's the important part...

0:44:36 > 0:44:40Every nickel that we spend is a nickel that we have to steal.

0:44:40 > 0:44:42Now, that's a lot of nickels, Joe.

0:44:42 > 0:44:44I don't want to rob banks for the rest of my life.

0:44:44 > 0:44:47The stress level is just too damned high.

0:44:48 > 0:44:50Harvey? Joe?

0:44:50 > 0:44:52Dinner's almost ready.

0:44:53 > 0:44:56Now, this is not bad.

0:44:56 > 0:44:58It's a little...

0:44:58 > 0:45:00It's a little chewy, but...

0:45:09 > 0:45:13You boys ever eat and talk at the same time?

0:45:15 > 0:45:16We used to.

0:45:21 > 0:45:24So, what sort of work do you do, crimewise?

0:45:24 > 0:45:26Bank robbery.

0:45:26 > 0:45:28Well, they rob banks. I drive the getaway car.

0:45:28 > 0:45:30Harvey.

0:45:30 > 0:45:32That's enough, Harvey.

0:45:34 > 0:45:36Wait a minute. You're not the...

0:45:36 > 0:45:38The guys who go to the bank manager's house

0:45:38 > 0:45:41- the night before, and you... - They do. I drive the getaway car.

0:45:41 > 0:45:42Harvey!

0:45:43 > 0:45:46For the love of God.

0:45:49 > 0:45:51You're the Sleepover Bandits.

0:45:53 > 0:45:55Oh, my God, you're practically famous.

0:45:55 > 0:45:58The Sleepover Bandits?

0:45:58 > 0:46:02- That's us? - Don't you watch Criminals At Large?

0:46:02 > 0:46:05You should. They're watching you.

0:46:05 > 0:46:07You're astounding, Harvey.

0:46:07 > 0:46:09So...

0:46:09 > 0:46:11You rob banks. Well, that's impressive.

0:46:11 > 0:46:15What, some little old lady's savings account and cub scout dues

0:46:15 > 0:46:20and homeless orphan Christmas funds? Is that what...

0:46:20 > 0:46:24We never stole a penny from anybody who earned it, lady.

0:46:24 > 0:46:27That money's federally insured by the government.

0:46:28 > 0:46:33The government steals money from people and we just take it back from them.

0:46:39 > 0:46:42Any more questions, Kate?

0:46:50 > 0:46:52Got a spare toothbrush?

0:46:52 > 0:46:54Didn't have time to pack.

0:46:55 > 0:46:57God, nobody could be that sick.

0:46:57 > 0:46:59Put that down.

0:47:01 > 0:47:04May I?

0:47:04 > 0:47:05What are you doing here?

0:47:05 > 0:47:06Cleaning my teeth.

0:47:06 > 0:47:10I mean, manic depression, delusion,

0:47:10 > 0:47:12I understand all of that. It's very impressive, but...

0:47:12 > 0:47:17Do you know how many germs are on your finger? That kind of defeats the purpose.

0:47:17 > 0:47:23Well, if you don't give me a toothbrush, I don't have much option, do I?

0:47:23 > 0:47:25I don't think you're crazy at all, You know that?

0:47:25 > 0:47:27I think you're bored.

0:47:27 > 0:47:29I think you're bored with your life

0:47:29 > 0:47:32and you're expecting that some miracle's gonna drop out of the sky

0:47:32 > 0:47:36and suddenly make everything better or at least hopeful,

0:47:36 > 0:47:38because you lost hope a long time ago

0:47:38 > 0:47:40and your marriage sucks.

0:47:43 > 0:47:45But I'm sorry, Kate. We can't help you.

0:47:49 > 0:47:51You don't know me. You only think you do.

0:47:53 > 0:47:55You're joking.

0:47:55 > 0:47:57Saw it in a movie.

0:47:57 > 0:47:59How does it end?

0:48:00 > 0:48:02With a wedding.

0:48:11 > 0:48:13Beavers and ducks!

0:48:14 > 0:48:16Suckers.

0:48:16 > 0:48:19I'm not waiting for anything to fall out of the sky.

0:48:19 > 0:48:21I'm not bored. I'm angry.

0:48:26 > 0:48:28Maybe he's right about running out of hope.

0:48:28 > 0:48:31It's not entirely my fault.

0:48:31 > 0:48:33It's just that I picked the wrong life.

0:48:41 > 0:48:44SHE SOBS

0:48:45 > 0:48:48The Valley Spirit is a woman.

0:48:48 > 0:48:50Use her root at the gateway of heaven

0:48:50 > 0:48:53and it will never fail.

0:48:53 > 0:48:56What the hell is that supposed to mean?

0:48:57 > 0:48:58Not a clue.

0:49:00 > 0:49:03I'm hoping it means, "Figure out what you want and just take it."

0:49:03 > 0:49:06Oh, please.

0:49:06 > 0:49:09What, like robbing a bank?

0:49:09 > 0:49:10Like that, yeah.

0:49:12 > 0:49:14If only life were that simple.

0:49:18 > 0:49:21# Like a shadow on me all of the time... #

0:49:23 > 0:49:26I don't know what to do...

0:49:26 > 0:49:28I'm always in the dark...

0:49:28 > 0:49:31We're living in a powder keg giving off sparks...

0:49:39 > 0:49:42Once upon a time I was falling in love...

0:49:42 > 0:49:45Now I'm only falling apart...

0:49:45 > 0:49:48Nothing I can do...

0:49:48 > 0:49:50Total eclipse of the heart.

0:49:56 > 0:49:59# Once upon a time there was light in my life

0:49:59 > 0:50:02# Now there's only love in the dark

0:50:02 > 0:50:04Nothing I can do...

0:50:04 > 0:50:06Total eclipse of the heart.

0:50:07 > 0:50:09Oh, my God.

0:50:09 > 0:50:11Give me a break.

0:50:11 > 0:50:15Turn around, bright eyes.

0:50:15 > 0:50:18I can't believe you know that song.

0:50:18 > 0:50:20Yeah. Bonnie Tyler.

0:50:20 > 0:50:23Total Eclipse Of The Heart. It's the ultimate sappy chick song.

0:50:23 > 0:50:25- It's not a sappy chick song. - It's very sappy.

0:50:25 > 0:50:28No, it's not. Please don't argue. I'm having a really hard day.

0:50:28 > 0:50:30This is the song that all girls...

0:50:30 > 0:50:32- It is an epic haiku to the complex...- A what?

0:50:32 > 0:50:34It's a haiku to the complexity of love.

0:50:34 > 0:50:37It's also pretty embarrassing for guys.

0:50:37 > 0:50:41When that song was out, I used to listen to it on the radio.

0:50:41 > 0:50:43I have to admit,

0:50:43 > 0:50:45I would get a little misty.

0:50:45 > 0:50:46Really?

0:50:46 > 0:50:48Yeah, a little.

0:50:48 > 0:50:53And...I would appreciate it if you didn't mention that to anyone.

0:50:53 > 0:50:57I won't...I won't tell a soul.

0:50:58 > 0:51:01Thanks.

0:51:08 > 0:51:10- Oops. - HE LAUGHS

0:51:10 > 0:51:12THEY BOTH LAUGH

0:51:12 > 0:51:15- That's all right. I'll get it. - Oh, I'll get it.

0:51:15 > 0:51:18No, no. Why don't you just stay under the covers there?

0:51:18 > 0:51:21You know what other song jacked me up when I was a kid?

0:51:21 > 0:51:23That song about the pony - Wildfire. You know that song?

0:51:23 > 0:51:27Oh, I love that pony song. I love all pony songs.

0:51:27 > 0:51:29- Really? You know...- Yeah.

0:51:29 > 0:51:32It's the one that goes # Ride, pony, ride... #

0:51:32 > 0:51:34That's Mustang Sally. Close. It's a horse.

0:51:34 > 0:51:39- Wasn't the pony called Sally? - Not this pony. He was called Wildfire. He busted down the stall.

0:51:39 > 0:51:42# Busted down his stall... # You don't remember that?

0:51:42 > 0:51:44And they called him Wildfire.

0:51:50 > 0:51:51Joe?

0:51:51 > 0:51:53Yeah.

0:51:55 > 0:51:57I think I know what I want.

0:52:07 > 0:52:09Amazing.

0:52:28 > 0:52:31Joe, the 24-hour rule is all that stands between us and chaos.

0:52:33 > 0:52:34Are you listening to me?

0:52:34 > 0:52:39We're at kind of a crossroads here and I want you to be very clear about my meaning.

0:52:39 > 0:52:41I'm changing the 24-hour rule, OK?

0:52:41 > 0:52:43No, you don't understand. She's a missing person.

0:52:43 > 0:52:47Missing...meaning that someone's looking for her. You get it?

0:52:47 > 0:52:49I'm changing the 24-hour rule.

0:52:49 > 0:52:51May I help you?

0:52:51 > 0:52:54Oh, I'm sorry. We're here to rob your bank.

0:52:58 > 0:52:59What the hell's that?

0:52:59 > 0:53:03It's a disorder that affects your ability to regulate sleep and wakefulness.

0:53:03 > 0:53:05I thought he was dead.

0:53:05 > 0:53:09No. That's cataplexy, a secondary symptom.

0:53:09 > 0:53:12Sudden loss of voluntary muscle control.

0:53:12 > 0:53:15I just have one question. Why now?

0:53:15 > 0:53:16Well, in Lare's case

0:53:16 > 0:53:19emotional stress is the primary ignitor.

0:53:19 > 0:53:23Do you have a guest bedroom here, ma'am?

0:53:26 > 0:53:31- Now we're just gonna ask you to step right over here in the manager's office.- Go ahead.

0:53:31 > 0:53:33'You never know what's gonna happen during a robbery.

0:53:33 > 0:53:37- That's the thing.- Sure.- There's always a surprise of some kind...

0:53:37 > 0:53:40I mean, beyond your control... But, I mean, the thing is

0:53:40 > 0:53:43that you have to remain calm under pressure and think on your feet.

0:53:43 > 0:53:47All I'm saying is it just seems a little silly falling asleep during a bank robbery.

0:53:47 > 0:53:49Well, it may appear silly to you

0:53:49 > 0:53:51but there's a perfectly reasonable explanation.

0:53:54 > 0:53:56Uh...

0:53:56 > 0:53:58I'm sorry. I'm a little nervous.

0:53:58 > 0:54:02It's OK, Larry. There's nothing to be nervous about.

0:54:02 > 0:54:04You see, my body chemistry

0:54:04 > 0:54:07is extraordinarily sensitive to suggestion.

0:54:07 > 0:54:10Any symptom can be manufactured, given the right circumstances,

0:54:10 > 0:54:12and that, by the way, doesn't mean it isn't real.

0:54:12 > 0:54:15Aah! Jesus, this stuff is hot.

0:54:15 > 0:54:18THUMP

0:54:18 > 0:54:20Go get Mrs Fife.

0:54:20 > 0:54:24So I met this girl, and, you know, I wanted to impress her, so I said,

0:54:24 > 0:54:26"You want to see me light my hands on fire?"

0:54:26 > 0:54:29You know, because I bet she'd never seen anything like that before,

0:54:29 > 0:54:31and she said, "What about your head?"

0:54:31 > 0:54:34- Your head?- Yeah, my head. Like, I don't have the proper gear

0:54:34 > 0:54:38for that kind of stunt, at least not yet. I said, "No way,"

0:54:38 > 0:54:40but she wouldn't listen, you know?

0:54:40 > 0:54:42Flaming hands wasn't enough.

0:54:42 > 0:54:44She wanted to see me set my head on fire.

0:54:44 > 0:54:46So what did you do?

0:54:46 > 0:54:48Singed off half my hair.

0:54:49 > 0:54:51A little bit more, sweetheart. Here you go.

0:54:51 > 0:54:52- Is he coming around?- Yeah.

0:54:52 > 0:54:56- Because we really need him to come around.- He's coming around.

0:54:56 > 0:54:59We don't have much time. This is ridiculous.

0:54:59 > 0:55:02- It's the emotion thing. - Nervous breakdown here.

0:55:02 > 0:55:04Guys, we have a problem.

0:55:04 > 0:55:07We got multiple bogies at 9 o'clock.

0:55:08 > 0:55:10- BELL RINGS - What the hell is that?

0:55:10 > 0:55:13It's the drive-up window. Someone's at the drive-up.

0:55:13 > 0:55:14At 8:00 in the morning?

0:55:14 > 0:55:16HORN HONKS

0:55:16 > 0:55:17- What do we do?- Nothing.

0:55:17 > 0:55:20- Hello? - HORN HONKS

0:55:20 > 0:55:22I'm telling you, you act too eager,

0:55:22 > 0:55:24Dottie's never gonna give you a second look.

0:55:24 > 0:55:27Women do not respond to need.

0:55:27 > 0:55:29HORN HONKS

0:55:29 > 0:55:31It's the police.

0:55:34 > 0:55:37Good morning.

0:55:39 > 0:55:40Where's Dottie?

0:55:40 > 0:55:41Who?

0:55:41 > 0:55:44The drive-up girl.

0:55:44 > 0:55:48Oh, I'm sorry. Dottie. Of course. Uh, she's sick.

0:55:48 > 0:55:50Sick with what?

0:55:50 > 0:55:55Vaginitis. She's been suffering from an abnormal vaginal discharge.

0:55:55 > 0:55:59It's a common symptom - a viscous fluid usually associated with, uh...

0:55:59 > 0:56:01Well, vaginitis.

0:56:01 > 0:56:03It's usually is associated with...

0:56:13 > 0:56:14All clear, bubba.

0:56:14 > 0:56:16- You all right?- That was great.

0:56:16 > 0:56:19- It's exciting, right?- Yeah.

0:56:23 > 0:56:25Why a college parking lot?

0:56:25 > 0:56:28Always lots of cars around, even in the morning.

0:56:28 > 0:56:30Leave the Jaguar here.

0:56:30 > 0:56:31No gambling.

0:56:33 > 0:56:36I'll see you in Tonopah in two weeks, you understand?

0:56:36 > 0:56:38- Yeah. All right. - You hear me?

0:56:47 > 0:56:51Eh, he'll get tired of her. It just takes time. You'll see.

0:56:51 > 0:56:54I don't know. Kate's a special lady.

0:56:54 > 0:56:57Kate is an iceberg waiting for the Titanic.

0:56:59 > 0:57:03Has anybody seen Kate Wheeler? Local authorities are investigating the possible connection

0:57:03 > 0:57:07between the missing woman and the latest in a series of bank robberies

0:57:07 > 0:57:10committed by the Sleepover Bandits. Wheeler vanished just 24 hours

0:57:10 > 0:57:12before the robbery of the San Andreas Bank.

0:57:12 > 0:57:15Her abandoned automobile was discovered a short distance

0:57:15 > 0:57:18from the automobile belonging to bank manager Lawrence Fife.

0:57:18 > 0:57:21But a much bigger question remains unanswered, people.

0:57:21 > 0:57:22Who exactly are these mystery men?

0:57:22 > 0:57:26In a related development, a federal task force has been assembled

0:57:26 > 0:57:27to try to piece together this mystery.

0:57:27 > 0:57:30Is there a connection between her and the Sleepover Bandits?

0:57:30 > 0:57:34Is Kate Wheeler associated with the Sleepover Bandits or part of the gang?

0:57:34 > 0:57:35We'll keep you updated right here

0:57:35 > 0:57:39as this whole story unfolds on Criminals At Large.

0:57:51 > 0:57:55# All God's children need travelling shoes

0:57:55 > 0:57:58# Drive your problems from here

0:57:59 > 0:58:03# All good people read good books

0:58:03 > 0:58:05# Now your conscience is clear

0:58:05 > 0:58:07# I hear you talk, girl

0:58:07 > 0:58:10# Now your conscience is clear

0:58:11 > 0:58:15# In the morning when I wipe my brow

0:58:15 > 0:58:18# Wipe the miles away... #

0:58:20 > 0:58:22- Harvey?- Yeah?

0:58:22 > 0:58:27- Do you remember what I said about conspicuous behaviour? - Keeping a low profile.

0:58:27 > 0:58:29- Are you achieving it, do you think?- You bet.

0:58:29 > 0:58:31Good boy.

0:58:31 > 0:58:33What do you think of my boots?

0:58:33 > 0:58:35Very lifelike.

0:58:36 > 0:58:40# Look, your love has drawn red from my hands

0:58:40 > 0:58:44# From my hands you know you'll never be

0:58:44 > 0:58:48# More than twist in my sobriety... #

0:58:48 > 0:58:53Hey! 19.

0:58:53 > 0:58:55We'll be right there, and just so you know,

0:58:55 > 0:58:58I got a bee up my ass about you two.

0:59:00 > 0:59:03Congratulations, Kate, you're a famous missing person,

0:59:03 > 0:59:05practically a TV star.

0:59:05 > 0:59:08Different for you, bad for us. We pretty much try to keep ourselves

0:59:08 > 0:59:12- out of the spotlight whenever possible.- Nobody saw me. We barely left the room.

0:59:12 > 0:59:15- Go home!- No.- Yes!

0:59:15 > 0:59:16Joe.

0:59:16 > 0:59:18It's up to Kate.

0:59:18 > 0:59:19What do you mean, it's up to Kate?

0:59:19 > 0:59:23Relax, Terry Lee. We went shopping.

0:59:23 > 0:59:24Bought me my first disguise.

0:59:24 > 0:59:26You went shopping?

0:59:26 > 0:59:29Yeah, we went shopping. What's the big deal? Man!

0:59:29 > 0:59:31We have a wig.

0:59:31 > 0:59:34We have a hat for those long sunny days on the lam.

0:59:34 > 0:59:37- What do you think?- I don't care about it. I've told you.

0:59:37 > 0:59:40Hey. What happened to Kate?

0:59:40 > 0:59:41You made a joke.

0:59:41 > 0:59:44Oh, that's cute. They made a little love joke.

0:59:49 > 0:59:51So, Joe, is she worth it?

0:59:51 > 0:59:54I mean, in theory, isn't one woman just like the next?

0:59:54 > 0:59:57So I was just wondering, you know? I mean, is she worth it?

0:59:57 > 1:00:01- She's got saliva in her mouth. - Well, of course she's got saliva in her mouth.

1:00:01 > 1:00:04- Everybody does. It's glandular. - She's got more.

1:00:04 > 1:00:05- Really? How much?- A lot.

1:00:05 > 1:00:09A lot? Well, that sounds like some sort of tumour in the parotid gland.

1:00:09 > 1:00:13- You know, rabies is transferred that way...by saliva.- Terry...

1:00:13 > 1:00:16No one has ever kissed me like that before...

1:00:17 > 1:00:18..ever.

1:00:22 > 1:00:24Law enforcement officials have finally discovered

1:00:24 > 1:00:26the identities of the Sleepover Bandits.

1:00:26 > 1:00:31Joe Blake and Terry Collins escaped from an Oregon state penitentiary just three months ago.

1:00:31 > 1:00:34Today, for the first time ever, Blake and Collins were added to both

1:00:34 > 1:00:38the FBI and the Federal Marshal's top ten most wanted list.

1:00:38 > 1:00:41Not only that, but a 500,000 reward was offered for their capture.

1:00:41 > 1:00:46The identities of these modern-day Robin Hoods were first confirmed by two teenage hostages

1:00:46 > 1:00:49who were taken after the amazing prison break.

1:00:49 > 1:00:50MAN: Darren, here they are.

1:00:50 > 1:00:53Cheri Woods, wait. Cheri Woods?

1:00:53 > 1:00:54- Please get back. - WOMAN: Are you hurt?

1:00:54 > 1:00:57What was it like? Did they tie you up?

1:00:57 > 1:01:01No, they were really nice. We had pizza and played video games.

1:01:01 > 1:01:04- MAN: Please back up. - WOMAN: Did they take anything?

1:01:04 > 1:01:09PHIL: Yeah, they took my car. CHERI: They didn't do anything. They were very nice.

1:01:09 > 1:01:12Ladies and gentlemen, thank you for your cooperation.

1:01:12 > 1:01:16Please make no attempt to escape as we will monitor police scanners and kill you if you do.

1:01:16 > 1:01:19- Thanks again for your cooperation. - Bye, Joe. Bye, Terry.

1:01:19 > 1:01:22That's great. "Bye, Joe. Bye, Terry." Did you hear that?

1:01:34 > 1:01:37Harvey? Harvey?

1:01:37 > 1:01:41Harvey, aren't we supposed to be following the guys to the rendezvous?

1:01:41 > 1:01:43- Pink.- The girl?

1:01:43 > 1:01:47- Pink boots.- Number one lesson on how to get a girl, play hard to get.

1:01:47 > 1:01:50- Let's go, sweetheart. - You think she needs a ride?- No.

1:01:50 > 1:01:53- I think she needs a ride. - I think I need a ride. Let's go.

1:01:55 > 1:01:59Accelerate and go. Go.

1:02:02 > 1:02:05# Do you ever feel the same?

1:02:07 > 1:02:10# You wear it so well

1:02:10 > 1:02:13# Wear it so well

1:02:13 > 1:02:16# Suits you just fine... #

1:02:21 > 1:02:24- Is this the only road? - Don't worry. We'll find them.

1:02:24 > 1:02:26You just rest your little head, young lady.

1:02:28 > 1:02:30There they are.

1:02:30 > 1:02:31It's OK.

1:02:31 > 1:02:35We got them. Whoo!

1:02:35 > 1:02:36HONKS HORN

1:02:39 > 1:02:40All righty!

1:02:46 > 1:02:49HONKING

1:02:50 > 1:02:53- We thought we'd lost you.- Go!

1:02:53 > 1:02:54You are so cute.

1:02:54 > 1:02:56You are really cute.

1:03:02 > 1:03:03Harvey. The truck!

1:03:03 > 1:03:05Harvey! No!

1:03:09 > 1:03:11Aah!

1:03:11 > 1:03:13Aah!

1:03:27 > 1:03:30Dispatch, you better call 911. We've got a major accident here.

1:03:30 > 1:03:32We're probably gonna need an ambulance.

1:03:34 > 1:03:36Oh, God.

1:03:36 > 1:03:39I think the condition of things is just...

1:03:39 > 1:03:41I don't think they should probably even move us.

1:03:41 > 1:03:43I'm not sure we should even be moving at all.

1:03:43 > 1:03:46I mean, we should be, like, restrained.

1:03:54 > 1:03:58We're in Scotland with a bunch of sheep.

1:03:58 > 1:04:00- I don't know what this is all about.- Hey.

1:04:00 > 1:04:03- Our hoses should be like... - You all right? Are you all right?

1:04:03 > 1:04:06I need a stabilizing collar. You probably do, too. You can't just...

1:04:06 > 1:04:09We shouldn't even be moving around, and now there's sirens in my head.

1:04:09 > 1:04:12- I probably have a concussion. - Wait. Shh.- Do you understand?

1:04:12 > 1:04:14That's not your head. SIRENS

1:04:14 > 1:04:16- Listen. Those are... - You hear them, too?

1:04:16 > 1:04:20- It's the police. We should go. Come on. Let's go right now.- Oh, sirens!

1:04:20 > 1:04:21Come on down here. Hey!

1:04:21 > 1:04:22Listen. Yeah. Like, real sirens.

1:04:22 > 1:04:24Listen to me. Pay attention to me.

1:04:24 > 1:04:28Listen to me. Listen to me. You got to get Kate and get out of here now.

1:04:28 > 1:04:30- I'll get the money, all right? - I'm going with you.

1:04:30 > 1:04:33- No. No. Go now. Go. Go.- You OK?

1:04:33 > 1:04:36Go with Terry and get out of here now! Get going.

1:04:36 > 1:04:38You all right?

1:04:38 > 1:04:40- Kate, go with Terry now!- The police!

1:04:40 > 1:04:43- I know.- The police!- Just go with Terry now! Go! Just go on!

1:04:43 > 1:04:46I'm just gonna put her in Pollard's car.

1:04:46 > 1:04:49Terry, that's Kate right there. Take her.

1:04:49 > 1:04:50The police! The police!

1:04:55 > 1:04:58No. We can't go. We can't leave them.

1:04:59 > 1:05:01Stop flailing your arms!

1:05:08 > 1:05:09Go!

1:05:15 > 1:05:19SIRENS

1:05:19 > 1:05:23- Do you hear sirens? Because I still hear sirens. Are they real or not?- Calm down.

1:05:23 > 1:05:26- Joe will know what to do.- Joe and Pollard are long gone by now.

1:05:26 > 1:05:30- His car's still here. - Well, he can get another car.

1:05:30 > 1:05:32As a matter of fact, he can get another girl.

1:05:32 > 1:05:34He wouldn't leave without me.

1:05:36 > 1:05:37Kate, memo to yourself...

1:05:37 > 1:05:40Joe is not exactly the flowers and hearts kind of guy,

1:05:40 > 1:05:44if you haven't noticed. And when it comes to running from the police,

1:05:44 > 1:05:47you don't figure into his thinking or mine, either, OK?

1:05:47 > 1:05:49Well, I'm not leaving without him.

1:05:49 > 1:05:51Suit yourself.

1:05:51 > 1:05:54Well, what are you gonna do?

1:05:54 > 1:05:57What am I gonna do? I'll tell you exactly what I'm gonna do.

1:05:57 > 1:06:00I'm gonna flee from the scene of the crime in the nick of time.

1:06:00 > 1:06:04I'm gonna give myself a couple of weeks to get my heart rate back to normal,

1:06:04 > 1:06:06and then join Joe at the other bank, OK?

1:06:06 > 1:06:08That's what I'm gonna do.

1:06:14 > 1:06:17Well, I'm going with you.

1:06:17 > 1:06:18You stay away from me forever.

1:06:18 > 1:06:20Please don't make me beg.

1:06:21 > 1:06:26# Rudiger stands in the rain and the snow

1:06:29 > 1:06:33# Briefcase and spectacles

1:06:33 > 1:06:36# Strange and respectable

1:06:36 > 1:06:40# He knows the meaning of being alone

1:06:42 > 1:06:47# Oh, Rudiger

1:06:47 > 1:06:51# Rudiger

1:06:51 > 1:06:54# Rudiger

1:06:54 > 1:06:57# Oh, Rudiger... #

1:07:15 > 1:07:19- MAN: you are one lucky fella. - I am?

1:07:19 > 1:07:21I got the last room in town.

1:07:21 > 1:07:23Oh, but that won't do. I need two rooms.

1:07:23 > 1:07:26No. No such thing. You see all those cars out there?

1:07:26 > 1:07:28It's a Debbie Day Cosmetic Convention.

1:07:28 > 1:07:31I've never seen so much pink in my Goddamn life.

1:07:31 > 1:07:35- It's a hell of a thing to do to an automobile. - Right. I don't care what it is.

1:07:35 > 1:07:37- I have to have two rooms. - Do you want the room or not?

1:07:49 > 1:07:53DISTANT SINGING

1:07:54 > 1:07:55You asleep?

1:07:55 > 1:07:59Uh, no, this weeble-wobble song or whatever it is,

1:07:59 > 1:08:00it scared me half to death.

1:08:00 > 1:08:03You?

1:08:03 > 1:08:06I was just wondering where Joe was...is.

1:08:10 > 1:08:13Joe pretty much just likes to have a good time and a...

1:08:13 > 1:08:15A good time, basically.

1:08:15 > 1:08:16Alone?

1:08:16 > 1:08:20You know Joe - cultural events, museums, that kind of thing.

1:08:20 > 1:08:23- He's a very dedicated traveller. - He's not alone.

1:08:26 > 1:08:29My husband is a terrible kisser.

1:08:29 > 1:08:33That's random. Like...like how? What do you mean?

1:08:33 > 1:08:35Oh, the first time, you know,

1:08:35 > 1:08:37he took me to a movie.

1:08:37 > 1:08:41He brought me home and I'm standing at the front door, you know,

1:08:41 > 1:08:44waiting for the inevitable, and...

1:08:44 > 1:08:45he looms, and I'm thinking,

1:08:45 > 1:08:49"OK, it's about time," and then he...

1:08:49 > 1:08:51He just comes at me with his mouth.

1:08:51 > 1:08:53It's just open so...

1:08:53 > 1:08:56Oh, God, it was really wide.

1:08:57 > 1:08:59That's not funny. No, I actually...

1:08:59 > 1:09:01I tried to adjust to the kiss size.

1:09:01 > 1:09:03It was huge -

1:09:03 > 1:09:06and I dislocated my jaw.

1:09:07 > 1:09:09It still clicks.

1:09:12 > 1:09:14You can't hear that?

1:09:14 > 1:09:15Kind of.

1:09:15 > 1:09:17Can I hear it once?

1:09:17 > 1:09:18It's really loud.

1:09:21 > 1:09:23Oh, yeah, baby.

1:09:23 > 1:09:25That's, uh, I mean, you know, that's loud.

1:09:25 > 1:09:28He dislocated my jaw, and I still married him.

1:09:28 > 1:09:30Hmm.

1:09:30 > 1:09:32Oh, I don't know the first thing about love.

1:09:32 > 1:09:36Oh, I know I look like I do, but I...

1:09:36 > 1:09:37I don't.

1:09:37 > 1:09:39Not really.

1:09:44 > 1:09:46Love is a wish that hides in your heart

1:09:46 > 1:09:49and nobody knows about it but you.

1:09:55 > 1:09:57Love is blinding.

1:09:58 > 1:10:01An eternity in a single moment.

1:10:01 > 1:10:03A religion worth dying for.

1:10:07 > 1:10:12- But it's also time-consuming.- Yeah.

1:10:12 > 1:10:13And, uh, you know, a pain in the ass

1:10:13 > 1:10:16and a hole in the heart and that sort of thing,

1:10:16 > 1:10:18not necessarily in that order,

1:10:18 > 1:10:21but I'd like to think it is that order, really.

1:10:24 > 1:10:25HE SNEEZES

1:10:25 > 1:10:27Oh! Bless you.

1:10:27 > 1:10:28HE SNEEZES

1:10:28 > 1:10:30Gesundheit.

1:10:31 > 1:10:32HE SNEEZES

1:10:32 > 1:10:34Many happy returns... oh, gosh.

1:10:34 > 1:10:37- Oh, this is gonna be one of those.- Really?

1:10:37 > 1:10:38HE SNEEZES

1:10:38 > 1:10:39Do you...

1:10:39 > 1:10:40Hey, do you want me...

1:10:40 > 1:10:42You want me to scare you?

1:10:42 > 1:10:44No. That's for, uh... This is...

1:10:44 > 1:10:45Oh, no, it works. Aah!

1:10:45 > 1:10:47No! Don't! That's not...

1:10:47 > 1:10:48HE SNEEZES

1:10:48 > 1:10:49Um...

1:10:49 > 1:10:51- HE SNEEZES - Now, don't be frightened.

1:10:51 > 1:10:54- What are you doing to me? - I'm just trying to block the flow.

1:10:54 > 1:10:55You're not helping!

1:10:55 > 1:10:57Good...ow! Jeez!

1:10:57 > 1:10:59I'm sorry.

1:11:03 > 1:11:05Did I scare you?

1:11:05 > 1:11:06Oh.

1:11:06 > 1:11:07I'm sorry.

1:11:07 > 1:11:09It was a bit hard there.

1:11:09 > 1:11:12You're dribbling a bit, but you're not sneezing.

1:11:17 > 1:11:20I have food allergies.

1:11:20 > 1:11:21Tell me about it.

1:11:21 > 1:11:23And other phobias.

1:11:23 > 1:11:24Like what?

1:11:24 > 1:11:28Like, uh, descrophobia which, is, uh...

1:11:28 > 1:11:30- What's that? - Well, I was in high school.

1:11:30 > 1:11:32It's a fear of getting smaller.

1:11:32 > 1:11:35I lost two inches in six months. I mean that's quite significant.

1:11:35 > 1:11:39- Terry, you're still here.- Antique furniture scares me half to death.

1:11:39 > 1:11:40What's that called?

1:11:40 > 1:11:43I don't think there's a name for it. I believe I'm the only one.

1:11:43 > 1:11:46Oh, no. Anything before 1950 just gives me the heebie-jeebies.

1:11:46 > 1:11:49Uh, Benjamin Disraeli's hair. There's a problem there.

1:11:49 > 1:11:51I'm afraid of Charles Laughton, actually.

1:11:51 > 1:11:53- BOTH: Black and white movies. - Black-and-white movies?

1:11:53 > 1:11:57- I just can't eat in front of them. - Oh, my God, I can't either.

1:11:57 > 1:12:00You know what? I think it's better to feel too much

1:12:00 > 1:12:02than feel too little.

1:12:02 > 1:12:04I, uh...

1:12:04 > 1:12:07I never thought of it that way, but, uh...

1:12:08 > 1:12:11Oh, no. You're blinking again.

1:12:11 > 1:12:13Well, that...that's just a ventromedial anomaly.

1:12:13 > 1:12:16Well, maybe if I, um...is that OK?

1:12:16 > 1:12:19You see, there's this neural factory between the eyes.

1:12:19 > 1:12:21- Between the eyes? - It's sort of right in...- There?

1:12:21 > 1:12:23- Exactly.- Oh, OK.

1:12:23 > 1:12:24Oh.

1:12:24 > 1:12:26Oh, yes, uh...

1:12:26 > 1:12:27Yeah. I can...

1:12:27 > 1:12:29That kind of thing. It's a...oh, yeah.

1:12:29 > 1:12:33Outgoing messages to the nervous system, that kind of thing. It's a...

1:12:35 > 1:12:37Embarrassment, fear...

1:12:37 > 1:12:41Oh, it's...big.

1:12:41 > 1:12:43Love and hate.

1:12:43 > 1:12:44That's a biggie.

1:12:44 > 1:12:47# The heart is a bloom

1:12:48 > 1:12:51# Shoots up through the stony ground

1:12:51 > 1:12:53# There's no room...

1:12:53 > 1:12:55Oh, my God.

1:12:55 > 1:12:58# No space to rent in this town

1:12:58 > 1:13:00# You're out of luck

1:13:02 > 1:13:04# And the reason that you had to care

1:13:04 > 1:13:07# The traffic is stuck

1:13:08 > 1:13:11# And you're not moving anywhere

1:13:11 > 1:13:14# You thought you'd found a friend

1:13:14 > 1:13:15ENGINE SPUTTERS

1:13:15 > 1:13:17# To take you out of this place... #

1:13:17 > 1:13:19There's a scientist in London

1:13:19 > 1:13:24who used electric shock to prove that cockroaches have feelings.

1:13:24 > 1:13:27Terry, you're not a cockroach.

1:13:27 > 1:13:28You're more like a...

1:13:28 > 1:13:30You're more like a beaver.

1:13:30 > 1:13:31A beaver?

1:13:31 > 1:13:33In a good way.

1:13:34 > 1:13:36In a cute way.

1:13:36 > 1:13:38# Don't let it get away

1:13:38 > 1:13:40# You're on the road... #

1:13:40 > 1:13:42I feel like a cockroach.

1:13:42 > 1:13:45I mean, that's assuming that cockroaches are capable of making

1:13:45 > 1:13:48mistakes that blow apart the world they live in.

1:13:48 > 1:13:51Well, if you're a cockroach,

1:13:51 > 1:13:53what does that make me?

1:13:55 > 1:13:56Dangerous.

1:13:56 > 1:13:58YELLING

1:13:58 > 1:14:00# ..doesn't ring true

1:14:00 > 1:14:03# You've been all over

1:14:03 > 1:14:05# And it's been all over you

1:14:05 > 1:14:07# It's a beautiful day

1:14:10 > 1:14:12# Don't let it get away

1:14:12 > 1:14:14# It's a beautiful day

1:14:16 > 1:14:19# Whoo-hoo

1:14:20 > 1:14:22# Touch me

1:14:23 > 1:14:27# Take me to that other place

1:14:27 > 1:14:28# Teach me... #

1:14:30 > 1:14:32They're here.

1:14:37 > 1:14:40Well, were we ever wondering about you two guys.

1:14:40 > 1:14:44We were wondering and wondering and wondering.

1:14:44 > 1:14:46Hey, Joe.

1:15:01 > 1:15:02Hi.

1:15:09 > 1:15:10Welcome back.

1:15:15 > 1:15:16Missed you.

1:15:16 > 1:15:20- Yeah. - We missed you, too.

1:15:24 > 1:15:27Joe, can I talk to you for a minute in private?

1:15:29 > 1:15:30Be right back.

1:15:35 > 1:15:38..because God knows, it was a shock to me.

1:15:38 > 1:15:41It was more like a revelation of some kind...

1:15:41 > 1:15:44and yet shocking... Like a shocking revelation.

1:15:44 > 1:15:47I was right about Kate's kisses, wasn't I?

1:15:47 > 1:15:48Hmm?

1:15:48 > 1:15:51Let me keep her, OK?

1:15:51 > 1:15:52I mean, even if you kill me,

1:15:52 > 1:15:54I don't give a shit. I just...

1:15:54 > 1:15:58I just want to know what it feels like to have her to myself before I die, OK?

1:15:58 > 1:16:00- I'm not gonna do that. I can't do that.- Why, Joe?

1:16:00 > 1:16:03I mean, remember, this is like a hobby to you.

1:16:03 > 1:16:06It happens to you all the time. It sort of makes you,

1:16:06 > 1:16:08- makes you feel like a million bucks...- No way.

1:16:08 > 1:16:11But it never happens for me. Not once, Joe.

1:16:11 > 1:16:13Not once has this ever happened for me.

1:16:13 > 1:16:15Do you understand the significance of that?

1:16:18 > 1:16:19Yeah.

1:16:20 > 1:16:22You do?

1:16:22 > 1:16:24- So we agree? - We let Kate choose, right?

1:16:24 > 1:16:25No, no, no. Of course not.

1:16:25 > 1:16:28- That's a terrible idea. - What's wrong with it? Because she'll choose you.

1:16:28 > 1:16:35Are you sure you don't want to kick my tyres first? You could arm-wrestle.

1:16:35 > 1:16:36Oh, that's...yeah.

1:16:36 > 1:16:39Or, I don't know, flip a coin.

1:16:39 > 1:16:42- You know, if it was best four out of seven...- Unless...

1:16:42 > 1:16:45Unless you think these are incredibly shallow solutions

1:16:45 > 1:16:50to a complicated problem that may require a little delicacy and understanding.

1:16:50 > 1:16:52Yeah, that...

1:16:52 > 1:16:55The last part.

1:16:58 > 1:17:00Maybe you're right, Kate. You should choose.

1:17:00 > 1:17:02So choose.

1:17:02 > 1:17:04What's it gonna be? Gonna be, uh...

1:17:04 > 1:17:06Mr Action Figure Hero Guy here

1:17:06 > 1:17:09or brains and sensitivity

1:17:09 > 1:17:11and a lot of other things I can name?

1:17:11 > 1:17:14In other words, me or that guy?

1:17:14 > 1:17:15Yeah.

1:17:15 > 1:17:17Good-looking or itchy?

1:17:17 > 1:17:20What if I don't want to?

1:17:20 > 1:17:21Don't want to what?

1:17:21 > 1:17:23Choose.

1:17:23 > 1:17:24You have to choose.

1:17:24 > 1:17:28What are you talking about? That's the point, right?

1:17:28 > 1:17:29I know this is confusing.

1:17:29 > 1:17:30I mean, believe me,

1:17:30 > 1:17:34I'm a little...confused myself.

1:17:34 > 1:17:38You stole my girl? You take her away for two weeks and you brainwashed her.

1:17:38 > 1:17:40Brainwashed. You brainwashed her?

1:17:40 > 1:17:41I was not stolen.

1:17:41 > 1:17:43Hey! Hey! Hey!

1:17:43 > 1:17:44Would you stop it!

1:17:44 > 1:17:46Stop it! Excuse me.

1:17:46 > 1:17:48Would you stop this!

1:17:48 > 1:17:51- You're getting his coat dirty!- Coat?

1:17:51 > 1:17:53I mean, look at me. Hello!

1:17:53 > 1:17:55Would you look at me just for a second?

1:17:55 > 1:17:57I ran away with bank robbers.

1:17:57 > 1:17:59Now, that's a... that's a strange choice,

1:17:59 > 1:18:03but it's understandable given my state of mind, then what do I do?

1:18:03 > 1:18:08I sleep with bank robber number one because he's strong and he...

1:18:08 > 1:18:11- Handsome.- Handsome, and he... He knows what he wants.

1:18:11 > 1:18:14- There you go. Makes sense to me. - But I don't stop there.

1:18:14 > 1:18:16Oh, no. Not this little red hen.

1:18:16 > 1:18:19Due to circumstances beyond the boundaries of any life I've ever known,

1:18:19 > 1:18:23I sleep with bank robber number two.

1:18:23 > 1:18:25And he is sweet

1:18:25 > 1:18:27and smart and...

1:18:27 > 1:18:28Cute as a beaver.

1:18:28 > 1:18:31- Yeah, and he deserves more than he thinks he does.- Exactly.

1:18:31 > 1:18:35Now, the heart's a mysterious organ,

1:18:35 > 1:18:38and it, you know, plays by its own rules.

1:18:38 > 1:18:40I don't want to choose.

1:18:40 > 1:18:42You know, I don't think I can,

1:18:42 > 1:18:44and, you know, if that's scary

1:18:44 > 1:18:49or against the laws of, you know, man or whatever, then...

1:18:49 > 1:18:52I mean, you're outlaws, right?

1:18:53 > 1:18:55So...

1:18:56 > 1:18:58I guess I'm an outlaw, too.

1:19:02 > 1:19:05OK. So, Harvey, you should park in this alley toward this end.

1:19:05 > 1:19:09See? By the corner of this building. There's a door here.

1:19:09 > 1:19:14- '..and I look up, and I see these two cars headed, you know, right by each other...'- Oh, guys.

1:19:14 > 1:19:18'..They collide, right? There's this red-headed woman,

1:19:18 > 1:19:21'She's getting hauled off into the other car.'

1:19:21 > 1:19:24'The teenager had no way of knowing he was about to capture

1:19:24 > 1:19:28'this stunning footage of the Sleepover Bandits and the missing woman Kate Wheeler.

1:19:28 > 1:19:31'In this exclusive, the missing woman's husband

1:19:31 > 1:19:34'taped a plea to the men who hold his wife hostage.'

1:19:34 > 1:19:36'Please, wherever you are,

1:19:36 > 1:19:40'return my wife to me.

1:19:40 > 1:19:45'Kate, if you're listening, I want you to know that, uh...

1:19:45 > 1:19:47'I'm OK. I hope you're holding up well.

1:19:47 > 1:19:52'I hope these gentlemen are treating you correctly, in the way you should be treated,

1:19:52 > 1:19:55'and speaking of which, I'm going to Spain next week,

1:19:55 > 1:20:00'so, um, if your kidnappers would like to contact me,

1:20:00 > 1:20:03'they can get in touch with my people and you know who they are.

1:20:03 > 1:20:07'And, uh, the house is waiting for you right here,

1:20:07 > 1:20:09'where...where you belong.

1:20:09 > 1:20:12'And, uh... and the house misses you.

1:20:12 > 1:20:13'I miss you.

1:20:13 > 1:20:15'I miss...'

1:20:15 > 1:20:16TURNS TV OFF

1:20:16 > 1:20:18He has no idea where I belong.

1:20:21 > 1:20:22You belong here.

1:20:24 > 1:20:26Yeah, with us.

1:20:29 > 1:20:33# You said that I should get away from it all

1:20:33 > 1:20:36# And bury my head in the sand if I want to

1:20:36 > 1:20:40# I think you

1:20:40 > 1:20:44# Should thank me now

1:20:44 > 1:20:49# You will lie wide awake in the garden

1:20:49 > 1:20:53# Trying to get over your stardom

1:20:53 > 1:20:56# And I could never see you depart us

1:20:56 > 1:21:00# And you're my baby

1:21:00 > 1:21:04# You're just another girl... #

1:21:04 > 1:21:06- What are we gonna do if the sun sets?- Paradise.- Yeah.

1:21:06 > 1:21:10We buy the restaurant and turn it into a nightclub and a resort.

1:21:10 > 1:21:12- A nightclub?- Yep.

1:21:12 > 1:21:15And Joe will work the room and I'll run the kitchen, naturally.

1:21:15 > 1:21:17Have a spa or something.

1:21:17 > 1:21:19What does a lady like me do in paradise?

1:21:19 > 1:21:20JOE LAUGHS

1:21:20 > 1:21:23- Don't be rude. - You can do whatever you want.

1:21:23 > 1:21:25- Do whatever you want. - Whatever I want?

1:21:25 > 1:21:27Drink margaritas, get your toes painted.

1:21:27 > 1:21:29You pick it, if you could do anything, what would it be?

1:21:29 > 1:21:32- Whatever I want?- Whatever you want.

1:21:32 > 1:21:34All right.

1:21:35 > 1:21:36I want to sing.

1:21:36 > 1:21:39- Sing? - Well, we need a singer.

1:21:39 > 1:21:42- We need a singer for a nightclub. We talked about that.- Yeah.

1:21:42 > 1:21:43Do you want to...

1:21:43 > 1:21:47- You're gonna sing right now? - Do you want me to sing for you? - Come on.- OK.- There it is.

1:21:47 > 1:21:49All right, come on.

1:21:50 > 1:21:52OK, oldie but a goodie.

1:21:55 > 1:21:58# If you see me walking down the street

1:21:58 > 1:22:00# And I start to cry

1:22:00 > 1:22:02# Each time we meet

1:22:02 > 1:22:07# Walk on by

1:22:07 > 1:22:10# Just walk on by

1:22:10 > 1:22:12# Make believe

1:22:12 > 1:22:13# That you don't see my tears

1:22:13 > 1:22:17# Just let me grieve in private

1:22:17 > 1:22:19# Cos each time I see you

1:22:19 > 1:22:23# I break down and cry

1:22:23 > 1:22:25# So walk on by

1:22:25 > 1:22:27# Don't stop

1:22:27 > 1:22:28# Walk on by

1:22:28 > 1:22:31# I remember walking by... #

1:22:40 > 1:22:41Hi.

1:22:41 > 1:22:43How are you feeling?

1:22:43 > 1:22:46Well, my system's been a flurry of activity tonight.

1:22:46 > 1:22:48First I had a rapid heartbeat, seeing spots,

1:22:48 > 1:22:49had a prickly sensation on my feet.

1:22:49 > 1:22:53- Then there's this sudden hearing loss in one ear. - That's not what I mean.

1:22:56 > 1:23:01Kate, there are guys who leave and there are guys who get left.

1:23:01 > 1:23:04I don't think it's any mystery as to which category I fall into.

1:23:04 > 1:23:07Terry Lee, I'm not leaving you.

1:23:09 > 1:23:11- You're staying? - Yeah.

1:23:14 > 1:23:16Good night.

1:23:16 > 1:23:19Good night? That's not staying, it's going. Where are you going?

1:23:19 > 1:23:22# You're my baby

1:23:22 > 1:23:27# You were lying wide awake in the garden

1:23:27 > 1:23:31# Trying to get over your stardom

1:23:31 > 1:23:33# And I could never see you depart us... #

1:23:33 > 1:23:35Did I get the secret knock right?

1:23:35 > 1:23:38Yeah. Yeah, it was perfect.

1:23:38 > 1:23:42I really missed you when we were away.

1:23:51 > 1:23:52Good night.

1:23:57 > 1:24:03# Ooh ooh ooh

1:24:03 > 1:24:07# You're just another girl

1:24:07 > 1:24:14# You're just another girl

1:24:14 > 1:24:18# Ooh

1:24:18 > 1:24:23# Ooh ooh ooh... #

1:24:23 > 1:24:25If you want to talk about headaches,

1:24:25 > 1:24:27my brother Albert had horrible headaches.

1:24:27 > 1:24:30- Migraines?- No. Brain tumour.

1:24:30 > 1:24:33- He smelled burning feathers for a whole year.- You're joking.

1:24:33 > 1:24:37No. His...the tumour was pressing on some gland or something.

1:24:37 > 1:24:38Olfactory gland.

1:24:38 > 1:24:42Olfactory gland. Yeah, that's it and apparently it affects your sense of smell.

1:24:42 > 1:24:43Burning feathers?

1:24:43 > 1:24:45Yeah. Weird, isn't it?

1:24:45 > 1:24:47- Did he smell them all the time? - All the time. 24 hours a day.

1:24:47 > 1:24:49Burning feathers. Great.

1:24:49 > 1:24:51Were there any other symptoms?

1:24:52 > 1:24:56Oh! Hot damn, I knew it. You're the boys from TV,

1:24:56 > 1:24:58the Sleepover Bandits.

1:24:58 > 1:25:01I guess that means I'm a hostage. Oh, you better come on in.

1:25:01 > 1:25:05We got to get started. Come on. Come on.

1:25:05 > 1:25:06Jeez.

1:25:06 > 1:25:08Could you do me a favour?

1:25:08 > 1:25:11Could you look at my pupils and tell me if they're the same?

1:25:11 > 1:25:14Are they different sizes? Are they the same?

1:25:14 > 1:25:15I'm not a doctor.

1:25:15 > 1:25:20- Please, humour me. - Well, the right one looks smaller.

1:25:20 > 1:25:23- Jesus Christ, don't tell me that. - You asked.

1:25:23 > 1:25:26- Do you smell burning feathers?- No.

1:25:26 > 1:25:28- Brain tumour... I know I do.- What?

1:25:28 > 1:25:32- Yeah, that guy told me my pupils are different sizes.- You're kidding.

1:25:32 > 1:25:36- Uh-huh.- Jesus. First my brother, now you?

1:25:36 > 1:25:37God.

1:25:46 > 1:25:47Pink.

1:25:49 > 1:25:51Harvey. Harvey.

1:25:53 > 1:25:54Hey.

1:25:58 > 1:26:00What do you mean, no?

1:26:00 > 1:26:02That's what I said. No.

1:26:02 > 1:26:04Good manners are no excuse for criminal behaviour.

1:26:04 > 1:26:06I am not opening the safe.

1:26:06 > 1:26:10- I am not giving you the money. - You know we're armed, right?

1:26:10 > 1:26:14Oh, you wouldn't hurt a flea, Joe. Everybody knows that.

1:26:14 > 1:26:17I'm stumped. How about you?

1:26:22 > 1:26:23Shit.

1:26:31 > 1:26:36Just give us a bit of the money. Be reasonable. 100 grand of it is insured by the government.

1:26:36 > 1:26:38Joe?

1:26:44 > 1:26:46Hey, just get back there. Go on. Just get back there.

1:26:46 > 1:26:48- What the hell is wrong with you? - It's my bank.

1:26:48 > 1:26:50I'm guessing there's a good reason for this.

1:26:50 > 1:26:53Oh, it's the missing woman. I'd almost forgot.

1:26:53 > 1:26:56- There's police outside. - Where's Harvey?- I don't know.

1:26:56 > 1:26:59- Get back there, please, ma'am? - Look, look. There's the policeman right there.

1:26:59 > 1:27:02- Do you know where the bathroom is? - It's in the back.

1:27:02 > 1:27:05- There are home display towels in there.- I can't believe this.

1:27:10 > 1:27:13Hi. I'm sorry to bother you, Mrs Carver, but it's after 8:00,

1:27:13 > 1:27:15and you haven't turned the sign on yet.

1:27:15 > 1:27:19- and I figured maybe you'd forgotten the all clear again. - Aww, Edgar, aren't you sweet?

1:27:19 > 1:27:24- Well, I'll get right on it. - Um, say, you know, I was wondering.

1:27:24 > 1:27:28I sure could use some cash and, uh, since I'm here...

1:27:28 > 1:27:31Oh, sure. Since you're here.

1:27:31 > 1:27:32Come in, Officer.

1:27:32 > 1:27:35- Right this way.- Thanks.

1:27:45 > 1:27:47Hello.

1:27:47 > 1:27:49Uh, 50 bucks OK?

1:27:49 > 1:27:52You've been very successful. What do you attribute that to?

1:27:52 > 1:27:54Courage - it takes a lot of that.

1:27:54 > 1:27:55This is 500.

1:27:55 > 1:27:57These are hundreds.

1:27:57 > 1:28:00Oh, bank error in your favour.

1:28:00 > 1:28:02Game board kind of joke thing.

1:28:02 > 1:28:03Surprise.

1:28:03 > 1:28:05You know, it's funny.

1:28:05 > 1:28:07I think I've seen you someplace before.

1:28:07 > 1:28:10It's my face. I have, you know, an average face.

1:28:10 > 1:28:12You know how people think you look like everyman.

1:28:13 > 1:28:16I don't know. Thanks, Mrs Carver.

1:28:16 > 1:28:17Have a good day.

1:28:22 > 1:28:23All right. Let's go.

1:28:23 > 1:28:25Wait. I forgot my glasses.

1:28:25 > 1:28:26- Come on.- Coming.- Oh, shit!

1:28:26 > 1:28:28ALARM SOUNDS

1:28:30 > 1:28:32Come on. What?

1:28:32 > 1:28:33Terry has the keys.

1:28:33 > 1:28:35Terry!

1:28:35 > 1:28:37Come on. Get in the cop car.

1:28:40 > 1:28:43- Where are they? Where are they?- Uh, that way.

1:28:43 > 1:28:45It might have been that way. They're outside. Yes.

1:28:48 > 1:28:49Stop. Stop. Stop.

1:28:49 > 1:28:51Stop the car. Police emergency.

1:28:51 > 1:28:54There's the car... a police car. Look! Just go. Follow that car!

1:28:54 > 1:28:55Go! Go! Go!

1:28:55 > 1:28:57We can't just leave him there.

1:28:57 > 1:28:58There's nothing we can do for him now.

1:28:58 > 1:29:00He'd go back for you if he had to.

1:29:00 > 1:29:01Don't be so sure about that.

1:29:01 > 1:29:04Joe, this is Terry we're talking about.

1:29:04 > 1:29:05Remember your friend Terry?

1:29:15 > 1:29:16That's it. That's them.

1:29:16 > 1:29:18Found Pollard.

1:29:18 > 1:29:20You know, Darren, I mean, I got to be honest with you.

1:29:20 > 1:29:21It's not that difficult.

1:29:21 > 1:29:24You walk in, you ask for the money, you walk out.

1:29:24 > 1:29:27Listen, I don't want to rush you but this would probably be

1:29:27 > 1:29:29a good time to make your getaway.

1:29:29 > 1:29:30Let's go. Come on.

1:29:31 > 1:29:34Get away from him. Get away. Put that down.

1:29:34 > 1:29:36Come on, let's go. Get up. Come on.

1:29:36 > 1:29:37It's only money.

1:29:37 > 1:29:39Thank you.

1:29:39 > 1:29:41Drive carefully!

1:29:44 > 1:29:45Now, let's go.

1:29:58 > 1:30:01Dispatch, this is Lincoln 6. We have an armed robbery...

1:30:18 > 1:30:21Is it not enough that every cop in the Western States,

1:30:21 > 1:30:24along with every mouth-breathing reporter is on our ass?

1:30:24 > 1:30:25Do you have to sabotage us from within?

1:30:25 > 1:30:28- I didn't do it on purpose. - That's not the point.

1:30:28 > 1:30:32The point is you're dangerous, and you're dense and you're stupid.

1:30:32 > 1:30:34- You're fired.- No way. I quit.

1:30:34 > 1:30:36- Harvey...- Call it what you want.

1:30:36 > 1:30:37He's right, you know?

1:30:37 > 1:30:41I'm not a bank robber. I'm a stunt man.

1:30:41 > 1:30:43Besides, you don't need me. You got Kate.

1:30:43 > 1:30:45Are you sure?

1:30:45 > 1:30:48Yeah.

1:30:48 > 1:30:49I quit.

1:30:51 > 1:30:53You could have put us back in jail, Harvey.

1:30:54 > 1:30:56I'm sorry, Joe.

1:31:02 > 1:31:04Maybe I'll see you guys in Mexico.

1:31:04 > 1:31:08# I can't stand to fly

1:31:08 > 1:31:12# I'm not that naive

1:31:12 > 1:31:13OK.

1:31:13 > 1:31:17# I'm just out to find

1:31:17 > 1:31:20# The better part of me

1:31:20 > 1:31:22# I'm more than a bird

1:31:22 > 1:31:25# I'm more than a plane

1:31:25 > 1:31:29# I'm more than some pretty face beside a train

1:31:29 > 1:31:32# And it's not easy

1:31:32 > 1:31:35# To be me

1:31:38 > 1:31:41# I wish that I could cry

1:31:42 > 1:31:46# Fall upon my knees

1:31:47 > 1:31:50# Find a way to lie... #

1:31:50 > 1:31:52Nice car.

1:31:52 > 1:31:56It's not mine. I stole it.

1:31:56 > 1:31:58What are you gonna do now?

1:31:58 > 1:32:00Drive it to Hollywood.

1:32:00 > 1:32:01Yeah, why?

1:32:01 > 1:32:04I'm a stunt man.

1:32:05 > 1:32:06Oh.

1:32:09 > 1:32:11Do you want to come with me?

1:32:13 > 1:32:14No.

1:32:14 > 1:32:16Aw.

1:32:20 > 1:32:22# Up, up, and away

1:32:22 > 1:32:25# Away from me

1:32:25 > 1:32:28# Well, it's all right

1:32:28 > 1:32:31# You can all sleep sound tonight

1:32:31 > 1:32:34# I'm not crazy

1:32:36 > 1:32:38# Or anything... #

1:32:41 > 1:32:43- Hey, Terry?- Yeah?

1:32:43 > 1:32:44Remember what I told you about my brother?

1:32:44 > 1:32:48The one with the brain tumour who was always smelling burning feathers?

1:32:48 > 1:32:51It's emblazoned on my brain forever.

1:32:51 > 1:32:52You know, he never quit.

1:32:54 > 1:32:57Never gave up trying, right to the very end.

1:32:57 > 1:32:59Hey, Joe...

1:32:59 > 1:33:01I know just how he feels.

1:33:04 > 1:33:05Good night, Joe.

1:33:05 > 1:33:07DARREN: You guys...

1:33:07 > 1:33:10You've been together for quite a while.

1:33:10 > 1:33:12- Do you consider yourselves good friends still?- Oh, sure.

1:33:12 > 1:33:15Absolutely. People say there's no honour among thieves.

1:33:15 > 1:33:17- Totally wrong. Right, Joe? - Totally wrong.

1:33:17 > 1:33:20Darren, it's like, uh... uh, Lewis and Clark.

1:33:20 > 1:33:22You got Lewis,

1:33:22 > 1:33:27He's stuck somewhere out there in Africa, lost in the African wilderness.

1:33:27 > 1:33:31And, uh...Clark...

1:33:31 > 1:33:33Al Clark, I think his name was...

1:33:33 > 1:33:35He drops what he's doing and he goes to find him.

1:33:35 > 1:33:38He goes to find Lewis, and you know why?

1:33:38 > 1:33:39Because of friendship, that's why.

1:33:41 > 1:33:42For God's sake, Joe,

1:33:42 > 1:33:45It was Stanley and Livingstone, not Lewis and Clark.

1:33:45 > 1:33:47Lewis and Clark tried to find the Northwest Passage

1:33:47 > 1:33:50with the help of this statuesque Indian lady. but you probably...

1:33:50 > 1:33:52- But they were friends, OK? - Of course they were.

1:33:52 > 1:33:55He was asking us about friendship. You always got to correct me.

1:33:55 > 1:33:57I'm sorry. You're right.

1:33:57 > 1:33:59- You're up.- I couldn't sleep.

1:33:59 > 1:34:01I was thinking maybe that you and I could go to this place.

1:34:01 > 1:34:04- Where is Joe? - He's asleep, sound asleep.

1:34:04 > 1:34:05Terry?

1:34:05 > 1:34:07He is. He's sound asleep. If we could maybe come down to

1:34:07 > 1:34:10this bar down here at the thing and maybe just sit there

1:34:10 > 1:34:13and have a nightcap or something like that.

1:34:13 > 1:34:16- It's a little late, don't you think? - Oh, no. Gosh, not at all.

1:34:16 > 1:34:18It's the... You know, live.

1:34:18 > 1:34:20You know, act like it's the last...

1:34:20 > 1:34:23most important thing you'll ever do in your life. Please?

1:34:23 > 1:34:25All right. I'll just get a coat.

1:34:25 > 1:34:26OK.

1:34:36 > 1:34:38# I see the crystal raindrops fall

1:34:38 > 1:34:41# And the beauty of it all

1:34:41 > 1:34:45# Is when the sun comes shining through

1:34:45 > 1:34:46# To make... #

1:34:46 > 1:34:48I love this song.

1:34:48 > 1:34:52Actually, I never heard it before.

1:34:52 > 1:34:53I have to press A1 on these things.

1:34:53 > 1:34:55It's an obsessive-compulsive thing.

1:34:55 > 1:34:58It's a pretty song, though. I played it six times.

1:34:58 > 1:34:59# ..if we try

1:34:59 > 1:35:01# Just the two of us

1:35:01 > 1:35:04# Just the two of us... #

1:35:04 > 1:35:06Just run away with me, Kate, please.

1:35:06 > 1:35:08# Building castles in the sky... #

1:35:08 > 1:35:09Let's get in the car

1:35:09 > 1:35:11and we'll just drive and drive

1:35:11 > 1:35:14and drive and drive and then we'll stop at the perfect place

1:35:14 > 1:35:16and we'll stay there for as long as we want to

1:35:16 > 1:35:19and then we'll get back in the car and drive and drive and drive

1:35:19 > 1:35:21and we'll find another perfect place.

1:35:22 > 1:35:24I'm just...

1:35:24 > 1:35:26This is kind of sudden, isn't it?

1:35:26 > 1:35:28This is crazy.

1:35:28 > 1:35:30Well, not to me, it isn't.

1:35:32 > 1:35:35# Just the two of us

1:35:35 > 1:35:36# We can make it if we try... #

1:35:36 > 1:35:38I need a whisky.

1:35:38 > 1:35:42Can I have a whisky, please?

1:35:42 > 1:35:43# Just the two of us... #

1:35:43 > 1:35:45I'd like a vodka, please

1:35:45 > 1:35:47and a glass of milk.

1:35:47 > 1:35:49Could you warm the milk?

1:35:49 > 1:35:51# You and I... #

1:35:51 > 1:35:56Got a right-side problem of some sort.

1:35:56 > 1:35:58God, I hope I'm not having a brain tumour.

1:35:58 > 1:36:00- Hi, Terry.- Oh!

1:36:02 > 1:36:05How's it going?

1:36:05 > 1:36:06Hi, Joe.

1:36:06 > 1:36:07What's going on?

1:36:09 > 1:36:11Not much. Just...

1:36:11 > 1:36:12You're here by yourself?

1:36:17 > 1:36:19You OK?

1:36:19 > 1:36:21I'm having trouble feeling my lips a little.

1:36:21 > 1:36:23- They're not numb, are they? - A bit numb.- Oh, boy.

1:36:23 > 1:36:25Joe.

1:36:25 > 1:36:26Hi.

1:36:26 > 1:36:28I thought you were asleep.

1:36:28 > 1:36:30Yeah. I WAS asleep.

1:36:30 > 1:36:32He woke up.

1:36:34 > 1:36:35Anybody want to dance?

1:36:35 > 1:36:38No, I don't think so. Why don't you dance with Kate?

1:36:38 > 1:36:40- Not me.- Go ahead. Go ahead.

1:36:40 > 1:36:41I'm not really a dancer.

1:36:41 > 1:36:44Come on...Terry? Dance with her.

1:36:44 > 1:36:46I can't feel my arm. I'd rather not, Kate.

1:36:46 > 1:36:48Kate's got her dancing clothes on.

1:36:48 > 1:36:49I actually want to sit.

1:36:49 > 1:36:52Go on over there and dance.

1:36:52 > 1:36:55# Building big castles way up high... #

1:36:55 > 1:36:57- You all right?- You kids have fun.

1:36:57 > 1:36:59- You all right? - Oh, yeah. I'm just fine.

1:36:59 > 1:37:01You're kind of tilting.

1:37:01 > 1:37:03Well, it's just a momentary thing.

1:37:07 > 1:37:09Actually, I'm very, very light on my feet.

1:37:09 > 1:37:10Yeah. Oh, yeah.

1:37:10 > 1:37:12I'm a pretty good dancer.

1:37:12 > 1:37:15- Maybe, you know, an all-right dancer.- Looking good, Terry.

1:37:15 > 1:37:17Such a pretty song.

1:37:17 > 1:37:19Dance with me, Kate.

1:37:19 > 1:37:22Oh, maybe you should do most of the dancing.

1:37:22 > 1:37:23- Happy?- What, honey?

1:37:23 > 1:37:26THUD

1:37:29 > 1:37:31- Mind if I cut in?- Yeah, sure.

1:37:31 > 1:37:33I've lost the beat.

1:37:33 > 1:37:37- Don't you think we should... - No, he'll be fine. Just take a little rest.

1:37:41 > 1:37:44You guys sure, um...

1:37:44 > 1:37:46Come here. Dance with me.

1:37:47 > 1:37:49Run away with me, Kate.

1:37:49 > 1:37:52We can get in the car and just drive and drive and drive.

1:37:52 > 1:37:54You know what? That is a great idea.

1:37:56 > 1:37:59What about Mexico?

1:37:59 > 1:38:00Mexico will wait.

1:38:02 > 1:38:03Well, what about Terry?

1:38:08 > 1:38:12Terry will just have to wait, too. Come on.

1:38:12 > 1:38:14I am so confused.

1:38:14 > 1:38:16In what way?

1:38:16 > 1:38:19In every possible way.

1:38:19 > 1:38:21Just come on outside with me for a minute...

1:38:21 > 1:38:23- I've got a hot milk.- What?

1:38:23 > 1:38:25I got Terry some hot milk.

1:38:25 > 1:38:29I'll just get him the hot milk. I'll check on Terry.

1:38:33 > 1:38:34You all right?

1:38:35 > 1:38:38Here, I got you some milk. Help you sleep.

1:38:38 > 1:38:39I'm lactose intolerant.

1:38:39 > 1:38:40You're what?

1:38:40 > 1:38:44- Lactose intolerant. - You're lactose intolerant?

1:38:44 > 1:38:45Gives me severe diarrhoea.

1:38:45 > 1:38:48Severe diar... Right.

1:38:48 > 1:38:50I'll just be outside here on the porch.

1:38:54 > 1:38:57- Kate, can you smell burning feathers?- Burning feathers?

1:38:57 > 1:38:59Joe's older brother - Albert -

1:38:59 > 1:39:01he smelled burning feathers.

1:39:01 > 1:39:03He had a brain tumour.

1:39:03 > 1:39:06Joe doesn't have an older brother.

1:39:06 > 1:39:10- I have no right side.- No right side? Is that what Joe told you?

1:39:10 > 1:39:12- Can you feel this?- Ohh! Ohh!

1:39:12 > 1:39:14Yes, I feel that. It hurt.

1:39:17 > 1:39:19Joe doesn't have a brother?

1:39:19 > 1:39:21- No brother.- Albert?

1:39:21 > 1:39:23No Albert.

1:39:23 > 1:39:24So the burning feathers was a lie.

1:39:26 > 1:39:28Yup.

1:39:28 > 1:39:30- You're sure?- Positive.

1:39:34 > 1:39:36Where is Joe?

1:39:36 > 1:39:37Outside.

1:39:37 > 1:39:40- Joe, I've been thinking. - Yeah, me, too.

1:39:40 > 1:39:44I've been thinking that I don't have a brain tumour because you never had a brother.

1:39:44 > 1:39:46I can walk, too. Did you notice that, Joe?

1:39:46 > 1:39:48Look at me. I'm walking. I'm walking around you. See?

1:39:48 > 1:39:51Never cheat a pal. Isn't that what you always say?

1:39:51 > 1:39:52- You cheated me first.- I did not.

1:39:52 > 1:39:55- You cheated me first!- No! Bullshit!

1:39:55 > 1:39:59- What about Paradise? - I don't give a damn about Paradise.

1:39:59 > 1:40:01- I'm out of here.- Well, guess what.

1:40:01 > 1:40:02Me, too, OK? Happy?

1:40:02 > 1:40:04You won't make it a week without me and you know it.

1:40:04 > 1:40:06I will with Kate.

1:40:06 > 1:40:08Over my dead body!

1:40:15 > 1:40:17That hurt! You little shithead!

1:40:17 > 1:40:18You bit me!

1:40:18 > 1:40:20- Stop it!- You hit me!

1:40:20 > 1:40:22Would you stop it!

1:40:22 > 1:40:24Oh, God. This is over.

1:40:24 > 1:40:27Not until somebody is either dead or in a coma.

1:40:27 > 1:40:29And I hope it's him.

1:40:29 > 1:40:30No, I'm talking about us.

1:40:32 > 1:40:34I won't watch you do this to each other.

1:40:34 > 1:40:37I just...I can't.

1:40:37 > 1:40:38I'd rather see you in prison.

1:40:38 > 1:40:40At least there you'd be safe from each other.

1:40:40 > 1:40:43And yes, I'm aware that this is entirely my own fault.

1:40:43 > 1:40:44It's just that I...

1:40:44 > 1:40:48I bit off a little bit more than I could chew, but I...

1:40:48 > 1:40:51I've just never felt this way before, and...

1:40:51 > 1:40:53I...

1:40:53 > 1:40:55I can't choose between you.

1:40:57 > 1:40:59What if everyone only has one big love?

1:40:59 > 1:41:05I mean, I know this one's a little bit bigger than usual, but...

1:41:05 > 1:41:07What if we only have one?

1:41:10 > 1:41:13And you know why I can't choose between you?

1:41:15 > 1:41:19Because together, you're... you're the perfect man.

1:41:19 > 1:41:21Kate...

1:41:21 > 1:41:24Kate, we weren't really gonna even...right?

1:41:24 > 1:41:26Yeah.

1:41:28 > 1:41:30I'm sorry, boys.

1:41:35 > 1:41:36This is over.

1:41:42 > 1:41:45Kate!

1:41:45 > 1:41:46Kate!

1:42:27 > 1:42:29Big, isn't it?

1:42:29 > 1:42:32It's just a bank.

1:42:32 > 1:42:34Big though.

1:42:34 > 1:42:36Yeah. Big.

1:42:41 > 1:42:43PHONE BEEPS

1:42:48 > 1:42:51Oh, my God. It's them. They're here.

1:42:51 > 1:42:53Oh, mama.

1:42:53 > 1:42:56'Kate Wheeler may have started out as a hostage,

1:42:56 > 1:42:58- 'But she's looking like a bank robber to me.'- 'That's ridiculous.'

1:42:58 > 1:43:01'There's no way you can calculate the impact of her captivity.

1:43:01 > 1:43:03'This is Patty Hearst all over again.'

1:43:03 > 1:43:05- 'Patty Hearst went to prison.' - 'Which was a mistake!'

1:43:05 > 1:43:09Excuse me. It's long distance.

1:43:09 > 1:43:12Hold on a minute. Don't tell her you love her right now.

1:43:12 > 1:43:14- Both of us.- Yeah, she knows it.

1:43:14 > 1:43:16Listen. Listen.

1:43:16 > 1:43:18I miss you.

1:43:18 > 1:43:20And Joe misses you.

1:43:20 > 1:43:23- What I'm trying to say is we both miss you.- Equally.

1:43:23 > 1:43:27- Equally. We both miss you equally. - Hi. Hi. How you doing?

1:43:27 > 1:43:29Mm-hmm. Well, we've been...

1:43:29 > 1:43:31We've been, um, thinking.

1:43:31 > 1:43:34I've been doing some thinking, too.

1:43:34 > 1:43:36Uh-huh. What were you thinking?

1:43:36 > 1:43:39I can't live like this. I mean, that's the first thing.

1:43:39 > 1:43:40Well...take it.

1:43:40 > 1:43:43Which is entirely our fault and we take full responsibility.

1:43:43 > 1:43:44Full.

1:43:44 > 1:43:47- Really.- Absolutely.

1:43:47 > 1:43:49No, it doesn't matter whose fault it is.

1:43:49 > 1:43:51Not anymore.

1:43:51 > 1:43:52Let me talk to her.

1:43:52 > 1:43:54Listen to me.

1:43:54 > 1:43:57What if I told you there was a way out of this?

1:43:57 > 1:43:59One more big score, OK?

1:43:59 > 1:44:01Just one, nice and safe.

1:44:01 > 1:44:05Oh, I don't like the sound of this.

1:44:05 > 1:44:08Well, no, no. No more tricks.

1:44:08 > 1:44:10No more tricks. No more sleepovers.

1:44:10 > 1:44:13We just walk in, we show them our guns, we take the money.

1:44:13 > 1:44:14You show them your guns?

1:44:14 > 1:44:16But we got it all figured out.

1:44:16 > 1:44:19No, I can't let you do this.

1:44:19 > 1:44:21Oh, no, please don't do this.

1:44:21 > 1:44:23It's a really bad idea.

1:44:23 > 1:44:26Kate, Kate, listen to me. Listen to me.

1:44:26 > 1:44:29This will work. OK?

1:44:29 > 1:44:32'The reward for the capture of Joe Blake and Terry Collins

1:44:32 > 1:44:34'has been doubled to a million dollars.

1:44:34 > 1:44:38'The question now is how much longer the two can continue their crime spree.

1:44:38 > 1:44:41'Their faces are known to just about everyone...'

1:44:44 > 1:44:47- Good morning. - How you doing? Let's go.

1:44:47 > 1:44:50Outside. Come on. Go on.

1:44:50 > 1:44:51Keep moving, Shorty.

1:44:51 > 1:44:53DARREN: Oh, my God. What are you guys doing here?

1:44:53 > 1:44:56- Shut up. Let's go. - All right. All right.

1:44:56 > 1:44:57Come on. You, too.

1:44:57 > 1:44:59In front of us. Here we go.

1:44:59 > 1:45:02Good evening, I'm Darren Head, and welcome to Criminals at Large.

1:45:02 > 1:45:05We have a very interesting and unusual show for you this evening.

1:45:05 > 1:45:08If you can look behind me, you see that we're not here on the set.

1:45:08 > 1:45:10We're broadcasting out of my home, my living room.

1:45:10 > 1:45:14The Sleepover Bandits, Joe Blake and Terry Collins, are sitting with me.

1:45:14 > 1:45:17They want to set the record straight about Kate Wheeler.

1:45:17 > 1:45:20I want to say to you, to the American public,

1:45:20 > 1:45:22to all of the law enforcement agencies

1:45:22 > 1:45:26out there across America, Kate Wheeler was never involved

1:45:26 > 1:45:28in the bank robberies with us.

1:45:28 > 1:45:30She was our hostage.

1:45:30 > 1:45:32She was an unwilling hostage.

1:45:32 > 1:45:35She was never, ever involved.

1:46:07 > 1:46:09Ladies and gentlemen, good morning. You are about to be robbed.

1:46:14 > 1:46:15I'm Kate Wheeler.

1:46:17 > 1:46:20Keep your hands where I can see them. Where's the bank manager?

1:46:30 > 1:46:32Very good, sir. Come with me.

1:46:33 > 1:46:35OK, nobody move.

1:46:35 > 1:46:39- ...gentleman right there on the corner.- Lay down.

1:46:39 > 1:46:41I'd never heard them talk like that before,

1:46:41 > 1:46:46they're armed, and dangerous and I think they're serious.

1:46:46 > 1:46:47GUNSHOT

1:46:47 > 1:46:48SCREAMING

1:46:52 > 1:46:54All right. Let's make contact with them.

1:46:54 > 1:46:57The SWAT Team is standing around, helicopters are overhead.

1:46:57 > 1:46:59It's an incredible scene here at the Alamo Savings & Loan.

1:46:59 > 1:47:01It's ringing.

1:47:06 > 1:47:09Let me tell you something. This is Joe Blake, OK?

1:47:09 > 1:47:11You will never take us alive.

1:47:11 > 1:47:12Do you understand me?

1:47:12 > 1:47:14Now, we want safe passage to Burbank Airport

1:47:14 > 1:47:17and we want a plane to fly us out of there.

1:47:17 > 1:47:20No, no more phone calls, OK?

1:47:20 > 1:47:22You just do what I ask you.

1:47:22 > 1:47:25Hey, you are not gonna take us alive!

1:47:25 > 1:47:26GASPING AND SCREAMING

1:47:28 > 1:47:30"You're not gonna take us alive"?

1:47:30 > 1:47:32That's right.

1:47:32 > 1:47:33Great thinking, Joe.

1:47:33 > 1:47:35How about they will not take YOU alive?

1:47:35 > 1:47:38I'm flattered that you included me in your little

1:47:38 > 1:47:42"going out in a hail of gunfire" kind of concept and everything,

1:47:42 > 1:47:43but I think you've gone nuts, frankly.

1:47:43 > 1:47:46The troops are moving in here. The SWAT Team is moving in.

1:47:46 > 1:47:47The helicopters are overhead.

1:47:47 > 1:47:50If you look in the background, you can see Joe Blake and Terry Collins.

1:47:50 > 1:47:51They're in the bank with the hostages.

1:47:51 > 1:47:53Everybody hold your positions.

1:47:53 > 1:47:55I'm all through running, Terry.

1:47:55 > 1:47:58Well, guess what? I am, too, but I got a better idea.

1:47:58 > 1:48:02I'm gonna throw down my weapon and put my hands in the air

1:48:02 > 1:48:05and go back to the Federal Penitentiary where Kate Wheeler wants us.

1:48:05 > 1:48:08- Can't let you do that. - Really? What if I don't give you that option?

1:48:08 > 1:48:10Everybody hold your position.

1:48:10 > 1:48:12Guys, just hold on one second.

1:48:12 > 1:48:14- Put that gun down.- Make me.

1:48:14 > 1:48:16- Make me?- Yes, make me! - What is this, the third grade?

1:48:16 > 1:48:19- You can't do any better than that? - I'm all out of well-turned phrases at this point.

1:48:19 > 1:48:21The suspects are in a standoff with themselves.

1:48:21 > 1:48:24- Put your gun down! - Don't even think about it!

1:48:24 > 1:48:25Don't point that gun at him!

1:48:25 > 1:48:27Now, get out of here, mister! The rest of you, too!

1:48:27 > 1:48:29Don't move! Shut up!

1:48:29 > 1:48:30Hey! Hey! Hey!

1:48:30 > 1:48:33That's a hostage coming out. That's a hostage.

1:48:33 > 1:48:35It looks like somebody's coming out of the bank.

1:48:35 > 1:48:37Joe Blake and Terry Collins are in there.

1:48:37 > 1:48:39Hold it down. Shut them...shut up!

1:48:39 > 1:48:41GUNSHOT

1:48:41 > 1:48:42SCREAMING

1:48:43 > 1:48:44We got shots fired inside.

1:48:47 > 1:48:48You shot me!

1:48:51 > 1:48:53Aah!

1:48:53 > 1:48:55Stinking bastard!

1:48:55 > 1:48:57Oh, God!

1:48:57 > 1:48:59Be advised. The suspects are shooting at each other.

1:49:02 > 1:49:04GROANING

1:49:07 > 1:49:09MOANING

1:49:11 > 1:49:14You son of a bitch!

1:49:20 > 1:49:24GIRL: All right. On Terry. Stand by.

1:49:24 > 1:49:25Hold your position.

1:49:25 > 1:49:27On red team. Everybody just hold.

1:49:27 > 1:49:29GRUNTING

1:49:32 > 1:49:34All right. This'll be the shotgun on Terry.

1:49:37 > 1:49:38Now.

1:49:41 > 1:49:43Wonderful.

1:49:43 > 1:49:45The suspects appear to be down inside.

1:49:45 > 1:49:47MAN: Get out.

1:49:49 > 1:49:52Applause.

1:49:52 > 1:49:54Red team, go. Red team, go.

1:49:54 > 1:49:56Secure them.

1:49:57 > 1:49:59What is she doing?

1:49:59 > 1:50:00Come on. Let's go.

1:50:08 > 1:50:10This is unbelievable. Joe Blake and Terry Collins are down.

1:50:16 > 1:50:19We can't tell if the police shot them or they shot themselves,

1:50:19 > 1:50:22and it looks like Kate Wheeler's fainted.

1:50:22 > 1:50:24If you followed this story, you know that Kate Wheeler is the woman

1:50:24 > 1:50:27that turned in the Sleepover Bandits.

1:50:32 > 1:50:35I need some help up here for Ms Wheeler. Let's move. Now.

1:50:40 > 1:50:43Pick her up. Come on. Get a shot! Get a shot of her, right there.

1:50:50 > 1:50:53You fainted on the steps there. Was that... were you in shock?

1:50:53 > 1:50:56- What happened there? - Yes. I was in complete shock.

1:51:09 > 1:51:13Ms Wheeler, is it true that you tipped off the police to today's bank robbery?

1:51:13 > 1:51:16Yes, uh, I did.

1:51:16 > 1:51:19But none of this was, um... was supposed to happen.

1:51:19 > 1:51:21I just wanted them to, um, to stop.

1:51:22 > 1:51:24- I'm stuck.- Hey!

1:51:28 > 1:51:30Good morning, sunshine.

1:51:31 > 1:51:34Open the bag!

1:51:34 > 1:51:35Come on. Let's go.

1:51:35 > 1:51:39Great job, you guys. Great job. We're getting out of here.

1:51:39 > 1:51:40OK. Let's go.

1:51:40 > 1:51:43Grab the money. Come on. Come on.

1:51:43 > 1:51:46THEY LAUGH

1:51:46 > 1:51:47Let's go. Let's get out of here.

1:51:50 > 1:51:52SIREN

1:52:14 > 1:52:16SCREAMING

1:52:16 > 1:52:19Go! It's gonna blow! You got to run. It's gonna blow!

1:52:23 > 1:52:26TV: '..downtown area with another stunning turn in today's big story.

1:52:26 > 1:52:29'The vehicle transporting the bodies of the Sleepover Bandits has exploded.

1:52:29 > 1:52:31'Apparently, the bodies were wired with explosives.

1:52:31 > 1:52:33'The bodies were totally incinerated

1:52:33 > 1:52:35'with no trace of Joe Blake and Terry Collins.'

1:52:35 > 1:52:36Here's to Paradise.

1:52:36 > 1:52:38To us.

1:52:38 > 1:52:41You better wait for me cos I'm bringing the sunscreen

1:52:41 > 1:52:43and the million-dollar reward.

1:52:43 > 1:52:46And so ends the tragic tale of the Sleepover Bandits.

1:52:46 > 1:52:48Or does it?

1:52:48 > 1:52:51Joe Blake and Terry Collins captured the imagination of a nation.

1:52:51 > 1:52:54In death, their lives are quickly becoming the stuff of legend.

1:52:54 > 1:52:57Blake and Collins weren't heroes. They never claimed to be.

1:52:57 > 1:53:00After the interview, people said, "What were they really like?"

1:53:00 > 1:53:01I know as much as anybody else.

1:53:01 > 1:53:04They robbed banks, they kidnapped the wrong woman,

1:53:04 > 1:53:06and they shot each other to death in cold blood.

1:53:06 > 1:53:10The rest is rumour and speculation, the stuff of folk tales.

1:53:10 > 1:53:11And in the end,

1:53:11 > 1:53:13maybe that's the way we really want it to be.

1:53:13 > 1:53:15I'm Darren Head.

1:53:15 > 1:53:19We'll see you next week on another edition of Criminals At Large.

1:53:19 > 1:53:21Fade to black.

1:53:21 > 1:53:22That should do it.

1:53:31 > 1:53:34..have consented together in holy matrimony.

1:53:34 > 1:53:35Y han testificado lo mismo,

1:53:35 > 1:53:38ante dios y todos los presentes.

1:53:38 > 1:53:42And have witnessed the same before God and this company.

1:53:42 > 1:53:44And have pledged their love to each other...

1:53:44 > 1:53:49And have declared the same by the joining and the giving of the rings.

1:53:49 > 1:53:51Y por lo tanto, con la autoridad del estado

1:53:51 > 1:53:54los pronuncio esposo y esposa.

1:53:54 > 1:53:57The groom may now kiss the bride.

1:53:57 > 1:53:59# It's a beautiful day

1:54:02 > 1:54:04# Sky falls, you feel like

1:54:04 > 1:54:06# It's a beautiful day

1:54:08 > 1:54:11# Don't let it get away

1:54:11 > 1:54:13# You're on the road

1:54:14 > 1:54:18# But you've got no destination

1:54:18 > 1:54:20# You're in the mud

1:54:21 > 1:54:24# In the maze of her imagination

1:54:24 > 1:54:27# You love this town

1:54:29 > 1:54:32# Even if that doesn't ring true

1:54:32 > 1:54:34# You've been all over... #

1:54:34 > 1:54:37Hi, gentlemen. Why don't we start from the beginning, all right?

1:54:37 > 1:54:39How'd you guys meet?

1:54:39 > 1:54:43Well, uh, lifting weights, pumping the iron, you know,

1:54:43 > 1:54:45in the usual way, trading cigarettes.

1:54:45 > 1:54:49Terry had imaginary appendicitis, and then he had, uh...

1:54:51 > 1:54:52..imaginary blood poisoning.

1:54:52 > 1:54:54I was working in the infirmary.

1:54:54 > 1:54:56The medical term is septicaemia, and it wasn't...

1:54:56 > 1:55:00Anyway, one night in the infirmary, I'm hearing this howling sound...

1:55:00 > 1:55:01Uh, Darren.

1:55:01 > 1:55:03You know, like a... like a...

1:55:03 > 1:55:08Like the noise a cat makes when a cat's in heat...that rrrr!

1:55:08 > 1:55:10That little sound, you know?

1:55:10 > 1:55:12One of the things we always like to remind ourselves

1:55:12 > 1:55:16before we'd run into any job was expect the unexpected, right?

1:55:16 > 1:55:17Right?

1:55:17 > 1:55:19Always sounds like good advice.

1:55:19 > 1:55:23Except, of course, if you are expecting the unexpected,

1:55:23 > 1:55:26then...well, then, it really isn't unexpected anymore, is it?

1:55:26 > 1:55:31And that leaves you vulnerable to the truly unexpected

1:55:31 > 1:55:34because you're not expecting it.

1:55:34 > 1:55:35Everybody saw the videotape,

1:55:35 > 1:55:38it's kind of famous by now of Kate Wheeler, the bank robbery.

1:55:38 > 1:55:41Why don't you, right here on this show,

1:55:41 > 1:55:45set the record straight about Kate Wheeler and your operation?

1:55:45 > 1:55:50I mean, the girl was terrified, you know, with us, I think.

1:55:50 > 1:55:54Both as men and as bank robbers.

1:55:54 > 1:55:55And didn't like us.

1:55:55 > 1:55:56Never liked us.

1:55:56 > 1:56:00- We never got along...- No. - From the very first moment we met.

1:56:00 > 1:56:04Don't you guys ever get really scared? I mean, this job is so dangerous.

1:56:04 > 1:56:08I'm immune to danger. I dance with danger.

1:56:08 > 1:56:10I walk up to danger and tug it on the ears

1:56:10 > 1:56:12and sneer at it and make funny faces at it.

1:56:12 > 1:56:14I just, you know... "You know what? Come on," is what I'm saying.

1:56:14 > 1:56:16You know what you have to be like?

1:56:16 > 1:56:18You have to have nerves of steel,

1:56:18 > 1:56:21and I have a nervous system which, I mean, as a child, God knows,

1:56:21 > 1:56:23I was a nervous kid. I was a nervous kid.

1:56:23 > 1:56:24But, you know, you get in there,

1:56:24 > 1:56:26there's something about the adrenaline...

1:56:26 > 1:56:27What are you laughing at?

1:56:27 > 1:56:29You're immune.

1:56:29 > 1:56:31I'm immune. I'm immune to danger.

1:56:31 > 1:56:32You're totally immune.