0:00:02 > 0:00:10This programme contains very strong language and some violent scenes.
0:00:30 > 0:00:34Vanity Fair named me as one of the 30 most powerful producers in the business.
0:00:34 > 0:00:37Over on the wall there and on the table are charts,
0:00:37 > 0:00:40which indicate where you have been designated to stand.
0:00:40 > 0:00:44Power's an elusive term, but in Hollywood, it's everything, whatever they say.
0:00:44 > 0:00:48You either have it, want it, or you're afraid of losing it.
0:00:48 > 0:00:51Where you stand at these things, or who you may be standing next to,
0:00:51 > 0:00:54may not seem like the most important thing, but it really matters.
0:00:57 > 0:00:59Congratulations.
0:00:59 > 0:01:00I feel awkward...
0:01:00 > 0:01:05but I was wondering if some changes could be made to the placements.
0:01:05 > 0:01:06It's er...
0:01:06 > 0:01:07Right.
0:01:07 > 0:01:12Some of these people are not really "producer" producers,
0:01:12 > 0:01:14if you know what I mean.
0:01:14 > 0:01:17They put their names on the movies, but they don't really do anything.
0:01:19 > 0:01:22You see, recently, over a two-week period,
0:01:22 > 0:01:25my career...hell, my whole life, was severely tested.
0:01:25 > 0:01:30Let's just say my power credentials were on the line, big time.
0:01:33 > 0:01:36In his wacky crazy kooky world, Charlie was king...
0:01:36 > 0:01:40And it all started in Costa Mesa at a preview of a film I produced.
0:01:40 > 0:01:42I can't feel my legs!
0:01:42 > 0:01:44The movie was titled Fiercely.
0:01:57 > 0:02:01These test screenings with an audience are critical.
0:02:01 > 0:02:03Always a lot of production people there,
0:02:03 > 0:02:05always a lot of marketing executives,
0:02:05 > 0:02:07and, of course, the studio chief, Lou.
0:02:13 > 0:02:17If the number is high, there's a celebration.
0:02:17 > 0:02:19If the number is low, and the preview cards stink,
0:02:19 > 0:02:22well, let's just say many people will suffer.
0:02:24 > 0:02:25She'll make sure of it.
0:02:34 > 0:02:35I needed this one to work.
0:02:42 > 0:02:43I know.
0:02:50 > 0:02:52Go on, go!
0:03:07 > 0:03:08GUNSHOT
0:03:17 > 0:03:18DOG BARKS
0:03:23 > 0:03:26DOG BARKS
0:03:29 > 0:03:30I'm not gonna beg.
0:03:32 > 0:03:34You think I care about me?
0:03:34 > 0:03:37You think it's me I care about?
0:03:37 > 0:03:39It's you I worry about.
0:03:39 > 0:03:41I think they should kill him.
0:03:41 > 0:03:42Your salvation.
0:03:45 > 0:03:47Father, forgive them,
0:03:47 > 0:03:48they know not what they do.
0:03:50 > 0:03:53DOG BARKS
0:04:03 > 0:04:04No!
0:04:04 > 0:04:07AUDIENCE REACT WITH SHOCK
0:04:08 > 0:04:09Oh, my God!
0:04:09 > 0:04:12Why did they shoot the dog?
0:04:12 > 0:04:14They shot the dog?!
0:04:17 > 0:04:19Let's go.
0:04:23 > 0:04:26Excuse me. Excuse me.
0:04:38 > 0:04:40# Hey, cowboy
0:04:40 > 0:04:43# Where'd you get the clothes you wear?
0:04:45 > 0:04:46# Hey, cowboy
0:04:46 > 0:04:50# Where'd you get the funny hair... #
0:04:56 > 0:04:59OK. How about that, ladies and gentlemen?
0:04:59 > 0:05:00What do you think? Wow!
0:05:00 > 0:05:03Listen, remain in your seats for just a few minutes
0:05:03 > 0:05:06while we hand out these cards. Will you hand out the cards, please?
0:05:06 > 0:05:10We appreciate you taking the time to give us your thoughts.
0:05:10 > 0:05:14You're very much part of the filmmaking process, and we value what you have to say.
0:05:14 > 0:05:17I want to remind you, this is a test screening,
0:05:17 > 0:05:19so there'll be some post-production.
0:05:19 > 0:05:23When they're done, you want me to put the cards and numbers in your car?
0:05:23 > 0:05:24You can, you know how I feel.
0:05:24 > 0:05:27I don't pay much attention to the numbers.
0:05:27 > 0:05:29You don't think they're relevant?
0:05:29 > 0:05:31No, Carl, we're here to lead.
0:05:31 > 0:05:32Sure, sure, sure.
0:05:32 > 0:05:35I noticed a couple of the shots right before Sean Penn gets killed
0:05:35 > 0:05:37were taken out of The Third Man.
0:05:37 > 0:05:39The way the dog crosses between his legs...
0:05:39 > 0:05:42It's the same thing with Harry Lime and the cat.
0:05:42 > 0:05:45It's like he's building upon what Carol Reed originally did.
0:05:45 > 0:05:50Ben. Ben! Ben, thank you for allowing me to be part of this.
0:05:50 > 0:05:53Fantastic. It's fantastic.
0:05:53 > 0:05:55Big foreign upside.
0:05:55 > 0:05:58HE SPEAKS IN HIS NATIVE TONGUE
0:05:58 > 0:06:02I'd like to introduce you to Jimmy. Jimmy, Ben. Ben, Jimmy.
0:06:02 > 0:06:04We just met, yes.
0:06:04 > 0:06:06Jimmy wants to invest in the next one.
0:06:06 > 0:06:08Oh, that's good. Where'd he get his money?
0:06:08 > 0:06:09Hair.
0:06:09 > 0:06:10- Oh, hair?- Hair.
0:06:10 > 0:06:12That's good to know.
0:06:12 > 0:06:13Yeah. More than 70 shops.
0:06:13 > 0:06:14- Oh.- Yeah.
0:06:14 > 0:06:16Well, let me think about that.
0:06:16 > 0:06:17- Good.- Good.- OK.
0:06:17 > 0:06:19Glad you guys liked it.
0:06:19 > 0:06:22- Thank you. Nice to meet you. - Nice to meet you.
0:06:32 > 0:06:35The length is the least of its problems.
0:06:35 > 0:06:37Did you hear the people around you?
0:06:37 > 0:06:38Yeah! What about Sean?
0:06:38 > 0:06:40That was brutal. It was unrelenting.
0:06:40 > 0:06:42Sean was Sean, it was...
0:06:42 > 0:06:45The air was sucked out of the room halfway through the damn thing.
0:06:45 > 0:06:49I thought the girl was very, very good. Didn't you?
0:06:49 > 0:06:50Please.
0:06:50 > 0:06:53Blood, body parts, heartbreaking sadness.
0:06:53 > 0:06:55How am I supposed to sell this thing?
0:06:55 > 0:06:58Let's be positive. This could be the year for grief.
0:06:58 > 0:06:59Grief for who?
0:06:59 > 0:07:01They shot the dog in the head!
0:07:05 > 0:07:06Hey, Ben.
0:07:07 > 0:07:10Good to see you, Bob.
0:07:10 > 0:07:12Dick, what are you doing here?
0:07:12 > 0:07:16I represent the girl. She's going to be a star.
0:07:16 > 0:07:18I thought preview policy was no agents?
0:07:18 > 0:07:20I snuck in. I'm going to sneak out.
0:07:23 > 0:07:24So?
0:07:24 > 0:07:26Yes?
0:07:27 > 0:07:28What did you think?
0:07:28 > 0:07:32Well, I thought there was a lot of interesting stuff to er...
0:07:33 > 0:07:35I loved the music.
0:07:37 > 0:07:38It's still in my head.
0:07:43 > 0:07:45Thanks.
0:07:48 > 0:07:49Here you go.
0:07:49 > 0:07:54It's almost there, Ben. If Jeremy would just co-operate with the cut,
0:07:54 > 0:07:56and we're lucky with reviews...
0:07:56 > 0:07:59We'll deal with this tomorrow. I've just got to talk to Lou.
0:08:00 > 0:08:03- Ben!- Lou!- Where's your director?
0:08:03 > 0:08:06Missed his plane. He'll be in tomorrow morning.
0:08:06 > 0:08:08- It's hard to produce a good movie, Ben.- Very.
0:08:08 > 0:08:10- Sean.- Hey!
0:08:10 > 0:08:12Just brilliant! Brilliant work.
0:08:12 > 0:08:13Thanks. Hey, Ben.
0:08:13 > 0:08:15You're never not great, you're just great.
0:08:15 > 0:08:18- Think we got a shot? - Absolutely. Jeez.
0:08:18 > 0:08:20We'll see. I'll see you later.
0:08:20 > 0:08:21OK, I'll see you in Cannes.
0:08:21 > 0:08:23Did you work out the G5?
0:08:23 > 0:08:25- Yes.- I got a smoke on the plane.
0:08:27 > 0:08:29- We're gonna lose money. - How do you know?
0:08:29 > 0:08:32- A lot of money. - You know this before it's done?
0:08:32 > 0:08:33That's right.
0:08:33 > 0:08:35Even before the DVD comes out?
0:08:35 > 0:08:36Pretty much.
0:09:53 > 0:09:55HE SWITCHES MUSIC OFF
0:09:55 > 0:09:56TRAFFIC NOISE
0:09:56 > 0:10:00HAZARD LIGHTS TICK
0:10:11 > 0:10:15ALARM CLOCK HARP MUSIC PLAYS
0:10:15 > 0:10:16ALARM CLOCK HARP MUSIC STOPS
0:10:23 > 0:10:25COFFEE MACHINE WHIRS
0:10:26 > 0:10:28I did try to call Jeremy last night after the screening.
0:10:28 > 0:10:30'You seemed reluctant.'
0:10:30 > 0:10:32I was not! He's the director!
0:10:32 > 0:10:36If I said, "Fuck me, why should this one be easy?", it doesn't mean I'm not enthusiastic.
0:10:36 > 0:10:38'So you feel good about last night?'
0:10:38 > 0:10:41Yes. As I was saying, I am very enthusiastic,
0:10:41 > 0:10:43and it's a little too soon to get too excited,
0:10:43 > 0:10:46but all signs to me say, between us, through the roof.
0:10:46 > 0:10:49Through the roof? That's great. That's great! That's great.
0:10:49 > 0:10:51Did you see this..?
0:10:51 > 0:10:53- 'About Jack?' - Yeah, did you hear about it?
0:10:53 > 0:10:54'I couldn't believe it.'
0:10:54 > 0:10:57It's terrible. I'm looking at the headline here.
0:10:57 > 0:10:59'Who would have guessed? He was doing so well.'
0:10:59 > 0:11:01Ten percent, it puts himself in turn around.
0:11:01 > 0:11:02'Bad joke.'
0:11:02 > 0:11:05Yeah, it's page one, that's cold.
0:11:05 > 0:11:08'But you've still got to admit, it's pretty funny, don't you think?'
0:11:08 > 0:11:11I can see how sympathetic you are.
0:11:12 > 0:11:15Argh. Oh, come on!
0:11:24 > 0:11:26I'm on my way. Yeah, I'll be there in two minutes.
0:11:28 > 0:11:29No, I'm not late at all.
0:11:30 > 0:11:33I'm not late. They'll be there in plenty of time, that I promise you.
0:11:33 > 0:11:34They will be there on time.
0:11:34 > 0:11:36Hello?
0:11:36 > 0:11:38Hello? Hello?
0:11:43 > 0:11:45# Nobody knows
0:11:45 > 0:11:47# How cold it grows
0:11:48 > 0:11:50# And nobody sees
0:11:50 > 0:11:51# Her shaking her hand... #
0:11:56 > 0:11:57Hi, Daddy
0:11:57 > 0:11:59- Morning, gorgeouses. - Hi, Daddy.
0:12:03 > 0:12:04Who dresses you guys?
0:12:04 > 0:12:05BOTH: We do!
0:12:05 > 0:12:07Mom wants to ask you something.
0:12:07 > 0:12:09- Now?- She said it's OK for you to go in the house
0:12:09 > 0:12:11instead of using your cell phone.
0:12:11 > 0:12:15- I'll be right back. Get in the car and buckle yourselves up.- OK!
0:12:19 > 0:12:21Kelly, I said I'd do it.
0:12:21 > 0:12:23You always say you'll do it, but you don't.
0:12:23 > 0:12:27I know. I realise I always say it, but this time it's true.
0:12:27 > 0:12:29For all of us, Ben.
0:12:29 > 0:12:33I'll take the kids this weekend. I know, 90 minutes a day of video and TV.
0:12:33 > 0:12:34Or the kids can't stay.
0:12:34 > 0:12:35I know.
0:12:44 > 0:12:46Where's the old sofa chair?
0:12:46 > 0:12:48I'm having it re-covered.
0:12:48 > 0:12:49I miss it.
0:12:49 > 0:12:51You miss the chair?
0:12:51 > 0:12:52I sat in it all the time.
0:12:52 > 0:12:56I even remember how much I paid for it.
0:12:56 > 0:12:58OK, Ben. Let's play by the rules.
0:12:58 > 0:13:02I thought our last session went really well, didn't you?
0:13:02 > 0:13:06Yeah, but this therapy is called "How to Learn to Live Apart".
0:13:06 > 0:13:09So we can move on gracefully.
0:13:09 > 0:13:12Well, I still have feelings.
0:13:12 > 0:13:13So do I.
0:13:14 > 0:13:17That dark green velvet was such a good look for that chair.
0:13:17 > 0:13:19What?
0:13:19 > 0:13:21I felt like a change!
0:13:21 > 0:13:22HORN BLARES
0:13:24 > 0:13:25Can I call you?
0:13:27 > 0:13:29SIGHS: Yeah.
0:13:29 > 0:13:30Of course.
0:13:31 > 0:13:33HORN BLARES
0:13:48 > 0:13:50OK. See you later, guys.
0:13:53 > 0:13:55Hey, Ben.
0:13:55 > 0:13:57Scott.
0:13:57 > 0:13:59- So, how were the numbers last night? - Just a number.
0:13:59 > 0:14:01By the way, I just finished my script.
0:14:01 > 0:14:03So, what is it?
0:14:05 > 0:14:07Oh, come on! Don't play hard to get, tell me!
0:14:07 > 0:14:10- I'm not gonna tell you! - I'm going to find out anyway.
0:14:10 > 0:14:12It's about a florist.
0:14:12 > 0:14:13Oh, no.
0:14:13 > 0:14:14It's a rich world.
0:14:14 > 0:14:17A flower shop as a background for deceit.
0:14:17 > 0:14:21It's the Rose Bowl Parade meets The Da Vinci Code. That kind of thing.
0:14:21 > 0:14:22It's not a movie.
0:14:22 > 0:14:24It's not a movie? What is it?
0:14:24 > 0:14:27Flowers on the big screen? I don't think so.
0:14:27 > 0:14:28It might be Leonard's thing.
0:14:28 > 0:14:30I already did.
0:14:30 > 0:14:32You went to Leonard before you went to me?
0:14:32 > 0:14:34He's my kids' soccer coach!
0:14:34 > 0:14:35Scott, come on! Leonard?!
0:14:35 > 0:14:38What's the difference if you're not interested?
0:14:38 > 0:14:40Loyalty matters! What did he say?
0:14:40 > 0:14:42He thought there were interesting aspects.
0:14:42 > 0:14:43What did he say?
0:14:43 > 0:14:45He said it's not a movie.
0:14:45 > 0:14:46There you have it.
0:14:46 > 0:14:48Too bad about Jack, huh?
0:14:48 > 0:14:51It's rare. Usually agents kill others, not themselves.
0:14:51 > 0:14:53Yeah, but out of the blue?
0:14:53 > 0:14:55It happens, you know.
0:14:55 > 0:14:56Suicide, it happens?
0:14:56 > 0:14:58Stress builds up. I'll see you later.
0:14:58 > 0:15:00Right. See you later.
0:15:03 > 0:15:05This is Fiercely. Cue 4M-2. Take seven.
0:15:05 > 0:15:06PHONE RINGS
0:15:06 > 0:15:09Cal, talk to me! What happened at the rehearsal?
0:15:09 > 0:15:13'You're not gonna believe it. Bruce shows up with a Grizzly Adams beard.'
0:15:13 > 0:15:15He's got a Grizzly Adams beard?
0:15:15 > 0:15:18'Yes, and he's a pig. You want to direct him?'
0:15:18 > 0:15:20That's your job. What do you mean, a pig?
0:15:20 > 0:15:21- 'He's fat.'- Bruce Willis is overweight?!
0:15:21 > 0:15:23'With a Grizzly Adams beard!'
0:15:23 > 0:15:24He's just fooling with you.
0:15:24 > 0:15:26The biggest beard you've ever seen!
0:15:26 > 0:15:28- I'll take care of it. - 'There's no way...'
0:15:28 > 0:15:30Cal, I will see you this afternoon.
0:15:30 > 0:15:33I'm at a production meeting right now, I can't talk. Goodbye!
0:15:38 > 0:15:39- Hey.- Hey.
0:15:39 > 0:15:43I think Mom's in the back if you want to say hi.
0:15:43 > 0:15:45Er...do I have to?
0:15:50 > 0:15:51Your eyes are all red.
0:15:52 > 0:15:53No.
0:15:53 > 0:15:58No. Just... Just stuff, you know.
0:15:58 > 0:16:01If it's boy stuff, you can always talk to me about it.
0:16:01 > 0:16:04I know some things your mother doesn't know.
0:16:04 > 0:16:06- I'm sure you do.- You can ask me.
0:16:06 > 0:16:08- OK.- Yeah?- Yeah.
0:16:08 > 0:16:10OK. I'll be right back.
0:16:20 > 0:16:21What's with Zoe?
0:16:21 > 0:16:24Oh, girl stuff. I don't know.
0:16:24 > 0:16:27Is she dating? Parties or anything? She doesn't really tell me much.
0:16:27 > 0:16:30She just kind of keeps things to herself.
0:16:30 > 0:16:32I think she gets that from you.
0:16:32 > 0:16:35She tells us as much about what she does as you tell me what you do.
0:16:35 > 0:16:38Secrets seem to be the family hobby.
0:16:38 > 0:16:40I think it's in the DNA.
0:16:42 > 0:16:45Boy, this place has gone way up. I wished I still owned it.
0:16:45 > 0:16:47Yeah, but you don't.
0:16:49 > 0:16:51Gotta go. Bye.
0:16:51 > 0:16:52Bye. Looking good, Ben.
0:16:52 > 0:16:55You too!
0:16:55 > 0:16:56Bye!
0:16:57 > 0:17:00It's not every 17-year-old whose Dad drives them to school.
0:17:01 > 0:17:04I kind of like it. It makes me feel like a kid.
0:17:04 > 0:17:08You are a kid, and I'm a lucky guy. I still get to drive you to school.
0:17:13 > 0:17:15Think you'll still pick me up and drop me off when I go to college?
0:17:15 > 0:17:17You bet, if you'll let me.
0:17:17 > 0:17:18I don't know. Let's just say it's negotiable.
0:17:20 > 0:17:21I'm a good negotiator.
0:17:21 > 0:17:23SCHOOL BELL RINGS
0:17:27 > 0:17:28MOBILE PHONE BEEPS
0:17:32 > 0:17:35Will you please stop saying, "If they don't fuck up my cut
0:17:35 > 0:17:38"we may just have something we don't mind putting our names on"?
0:17:38 > 0:17:39'I know that!'
0:17:39 > 0:17:42Look, mate. I don't want to get too lofty or nothing about it,
0:17:42 > 0:17:45but I made a film that doesn't wallow in the cliches of retribution.
0:17:45 > 0:17:49- I don't want to satisfy the audience by letting them get even.- True.
0:17:49 > 0:17:52- That's true!- 'I didn't do that when you hired me...'
0:17:52 > 0:17:55That's true! But let's just say that when those that put up the money
0:17:55 > 0:17:58see the bad guys get away and the little dog get murdered,
0:17:58 > 0:18:00they get concerned.
0:18:00 > 0:18:02Look, for my part,
0:18:02 > 0:18:05if the dog gets shot in the head, fine.
0:18:06 > 0:18:10'If the kids all love it and laugh, even better.'
0:18:10 > 0:18:13Probably that'll never happen. Kids... You know what's going to happen.
0:18:13 > 0:18:15Fucking hell. Didn't you... You said to me
0:18:15 > 0:18:18that Lou said, and I quote, "It's a good movie"?
0:18:18 > 0:18:19She did, three times.
0:18:19 > 0:18:22And that's concerned you?
0:18:22 > 0:18:24- 'A bit.'- How's that?
0:18:26 > 0:18:28Jeremy, I don't know what "good" means in south London.
0:18:28 > 0:18:31but north of fucking Pico at a preview screening,
0:18:31 > 0:18:35it means drop your pants, bite down hard, cos this one's gonna hurt.
0:18:35 > 0:18:37I'm not buying it, mate. Come on.
0:18:37 > 0:18:38I mean, you know...
0:18:40 > 0:18:42Look, were you watching the audience watch the movie?
0:18:42 > 0:18:45- 'Course I was!' - What was their reaction?
0:18:45 > 0:18:50Like they took their kids to Disney and saw Mickey Mouse douse himself in gasoline and set himself on fire.
0:18:52 > 0:18:54I'm actually all right with that!
0:18:56 > 0:18:59It's like, what? Two weeks to red carpet, right?
0:18:59 > 0:19:04The festival took the film because they want stars. They only saw a ten-minute reel.
0:19:04 > 0:19:05It could be pulled from the festival with a phone call.
0:19:05 > 0:19:07Now you're overheating, mate.
0:19:07 > 0:19:10I don't think so. We'll have to accommodate Lou.
0:19:10 > 0:19:13Throw her a bone, do something, or the road could get a bit weird.
0:19:13 > 0:19:16What, now you're not going to protect my cut?
0:19:16 > 0:19:19- I'm going to protect your cut! - That's what Ben does.
0:19:19 > 0:19:24I just want you to understand the terrain we're about to cross. The preview was terrifying.
0:19:24 > 0:19:27All right. Just stand united and we'll prevail.
0:19:27 > 0:19:29Yeah, you know.
0:19:29 > 0:19:33I'll explain the whole sort of raison d'etre thing to Lou. She'll listen.
0:19:33 > 0:19:35- All right? - All right. I'm here to support you.
0:19:35 > 0:19:39Look, all I'm saying is, and I don't mean to flog it, but, you know,
0:19:39 > 0:19:42I think you should be proud. We went out on a limb on this one.
0:19:42 > 0:19:43I am proud.
0:19:43 > 0:19:45It's not just about the money.
0:19:45 > 0:19:48We've already got the money, now we've got to get it back.
0:19:51 > 0:19:53Morning, all.
0:20:10 > 0:20:13In the end, no director, no stars, not even a title.
0:20:13 > 0:20:15Just a number.
0:20:15 > 0:20:16A big number.
0:20:21 > 0:20:22You're really good.
0:20:24 > 0:20:25My God, kill the dog.
0:20:26 > 0:20:30Of course! What a brilliant tactical move.
0:20:32 > 0:20:35You know, Ben, I always sensed you were blessed
0:20:35 > 0:20:38with good instinctive negotiating skills,
0:20:38 > 0:20:40but killing the dog? Oh, boy!
0:20:40 > 0:20:43- We wanted to do the unexpected. - What a surprise, eh?
0:20:43 > 0:20:48Sometimes you've just got to kick them in the balls, just to make sure they're breathing.
0:20:48 > 0:20:50Easy. Easy, big fella.
0:20:51 > 0:20:56A bargaining chip. You guys figured, leave the dead dog in the movie now,
0:20:56 > 0:20:58knowing it wasn't in the script, I'd cut it out later and say,
0:20:58 > 0:21:03"OK, dog stuff's gone, how about we just keep the rest of the stuff
0:21:03 > 0:21:05"and call it a day?"
0:21:05 > 0:21:07I'm too old for this.
0:21:07 > 0:21:10Well, Lou, I think there's another way to look at it, too.
0:21:10 > 0:21:13- What are you saying? - We've got a problem.
0:21:13 > 0:21:17Hold on. Hold on, you're not gonna touch my ending, are you?
0:21:17 > 0:21:21That's not what I'm hearing, is it? Did anyone see Amores Perros?
0:21:21 > 0:21:24What?
0:21:24 > 0:21:25Amores Perros, did you see it?
0:21:25 > 0:21:28I mean, what's that film about? Cruelty? No.
0:21:28 > 0:21:31It's about reality, and about loss.
0:21:31 > 0:21:34And, you know, I mean... Look, the simple thing is,
0:21:34 > 0:21:37you can make a film that has a bit more profundity to it...
0:21:37 > 0:21:41Something that people will remember.
0:21:41 > 0:21:47Or the same load of bollocks. I mean, I thought we were trying to do something great. Eh?
0:21:47 > 0:21:50No? I mean, I toned it down! I've done that.
0:21:50 > 0:21:52I mean, I toned it way down.
0:21:52 > 0:21:53- Didn't I?- Yes, he did.
0:21:53 > 0:21:56Serious problem.
0:21:56 > 0:22:00Look, the dog has to die!
0:22:00 > 0:22:03Trust me, you've got to back up.
0:22:03 > 0:22:04I'm sorry.
0:22:04 > 0:22:05Maybe I'm not being clear.
0:22:05 > 0:22:10Sorry, excuse me. I don't think Sean would have done the movie
0:22:10 > 0:22:13if it weren't hard-hitting and didn't take some real risks.
0:22:13 > 0:22:16- Absolutely.- Would you excuse us?
0:22:19 > 0:22:21Now, please?
0:22:32 > 0:22:35Look, I've lost 25 million before.
0:22:35 > 0:22:38I'll lose 25 million again.
0:22:39 > 0:22:42We've managed to put together extensive notes for you.
0:22:42 > 0:22:44Very extensive. If you do the kind of work
0:22:44 > 0:22:47that needs to be done, I'll lose a little less.
0:22:47 > 0:22:48Maybe 15 million less.
0:22:48 > 0:22:53You're asking me to eviscerate my film so you can lose a little less money?
0:22:53 > 0:22:55I would be very appreciative.
0:22:55 > 0:22:57I can't do that!
0:22:57 > 0:23:00Well, let us... Let us chew on this.
0:23:00 > 0:23:02No, look, the dog dies!
0:23:02 > 0:23:04I don't think so.
0:23:04 > 0:23:06Are you taking the piss now?
0:23:06 > 0:23:08No, not really.
0:23:08 > 0:23:10Listen, let's not make this even more awkward than it is.
0:23:10 > 0:23:12We respect you. Fix it.
0:23:12 > 0:23:16It's not broken. My guts are in that cut, mate. Right? Right?
0:23:16 > 0:23:20Listen, do the right thing. OK?
0:23:20 > 0:23:22Oh, the right thing, now, is it? Oh, well!
0:23:22 > 0:23:24I'm sorry, does he have final cut?
0:23:24 > 0:23:25Um...
0:23:25 > 0:23:27Um, no.
0:23:27 > 0:23:29- The right thing.- What?
0:23:29 > 0:23:31Or your big evening in Cannes will be cancelled
0:23:31 > 0:23:35and I'll recut the movie myself.
0:23:56 > 0:23:57Jeremy! Jeremy. Jeremy!
0:23:57 > 0:23:59No, no, don't! Please, don't!
0:24:00 > 0:24:02Stop. Take it easy. Take it easy.
0:24:02 > 0:24:04Get a hold of yourself. Get a hold of yourself.
0:24:04 > 0:24:06What do you suggest?
0:24:06 > 0:24:08Well, he'll come around. He's fine.
0:24:08 > 0:24:12He'll be fine. It's jet lag. I'll take care of it, it's OK. Come on.
0:24:12 > 0:24:14Get a grip.
0:24:15 > 0:24:17Let's just go.
0:24:28 > 0:24:29We don't have much time.
0:24:29 > 0:24:31I'll take care of it.
0:24:31 > 0:24:34JEREMY WAILS AND SOBS
0:24:42 > 0:24:44Oh! Do you believe this?
0:24:45 > 0:24:50Yeah, I saw it. Had 10% of the brass ring, didn't he?
0:24:50 > 0:24:52- I'd fuck him.- Hm.
0:24:59 > 0:25:00My old bed.
0:25:00 > 0:25:02God, I love this bed.
0:25:04 > 0:25:05Are these new sheets?
0:25:07 > 0:25:09- This is a huge mistake. - Don't say that.
0:25:09 > 0:25:12No, I just... I can't do this. I can't do this. This is...
0:25:12 > 0:25:15And this is as much my fault as yours.
0:25:15 > 0:25:19- This is why we're seeing Dr Randall, to not do this.- Let's not tell her.
0:25:19 > 0:25:22Why are you so comfortable after almost a year, and I'm nervous?
0:25:22 > 0:25:25- Why is that? - You still look fantastic.
0:25:26 > 0:25:27I appreciate that.
0:25:30 > 0:25:32You want me to go?
0:25:33 > 0:25:36- Yes, no...- I won't talk.
0:25:36 > 0:25:38No, I'd like to talk.
0:25:38 > 0:25:40- Good, let's talk. I'll start. - OK.
0:25:40 > 0:25:44I admit, I do love this bed...
0:25:45 > 0:25:47..but only with you in it.
0:25:47 > 0:25:51Even if only for a moment, I'm just so grateful to be back here.
0:25:51 > 0:25:52- Really?- Mm. Truly.
0:25:54 > 0:25:59I don't know, just all the lawyers and everything, Ben, it's so... It's awkward, you know?
0:25:59 > 0:26:01And all the money.
0:26:01 > 0:26:03Yeah. I don't know.
0:26:03 > 0:26:07It's just been so long. I just feel like if I could do this... I feel so vulnerable and...
0:26:07 > 0:26:09I know how you feel.
0:26:09 > 0:26:12It's complicated. I don't feel just one way, you know?
0:26:12 > 0:26:14I understand. I never feel just one way.
0:26:14 > 0:26:16- Really?- Truly.
0:26:20 > 0:26:21I...
0:26:21 > 0:26:27PHONE RINGS
0:26:27 > 0:26:31- This could be important. - If you could only focus.
0:26:31 > 0:26:35- If you could just focus. - Let's both hold on to that thought.
0:26:35 > 0:26:41PHONE CONTINUES TO RING
0:26:41 > 0:26:44- Hello?- 'I have him.' - Who?- 'Him.'
0:26:44 > 0:26:46- Who?- 'Bruce Willis.'
0:26:46 > 0:26:48Oh. Oh, yeah? OK, good, good.
0:26:48 > 0:26:50- 'Hello?'- Hey! Amigo.
0:26:50 > 0:26:52- 'I heard something.'- What?
0:26:52 > 0:26:56'Concern about my beard. Or is it buyer's remorse?'
0:26:56 > 0:26:58- What?- 'Hang on a second, wait a second.'- About what?
0:26:58 > 0:27:00- 'I'll be right back.'- Oh.
0:27:00 > 0:27:04- Business. He's a fucking movie star - I got issues to resolve. - Like what?
0:27:04 > 0:27:08- Like shaving the beard. It sounds crazy, but it's a big deal...- Oh, Jesus Christ.
0:27:08 > 0:27:12- Tell him that you'll call him back. Be a man.- You're right.
0:27:12 > 0:27:14- Hello?- 'Hello.'- Hey, there you are. - 'I'm all ears.'
0:27:14 > 0:27:19Listen, listen, did I tell you how truly happy I am that you're doing this movie?
0:27:19 > 0:27:22- A lot of actors were circling this, but...- 'Get to the point.'
0:27:22 > 0:27:25Can you give me five seconds to deal with something?
0:27:25 > 0:27:26- 'What? Yeah.'- Thanks.
0:27:26 > 0:27:29- You're kidding, right? - No. Come on, Kelly.
0:27:30 > 0:27:31Kelly! Kelly!
0:27:32 > 0:27:36- Hello?- 'Hello.'- I'm back. - 'We should talk about this.' - Yes, we do need to talk.
0:27:36 > 0:27:38'No, I think face to face.'
0:27:38 > 0:27:40Face to face is better. You're right.
0:27:40 > 0:27:42Could you just give me five seconds?
0:27:42 > 0:27:43Five seconds?
0:27:43 > 0:27:45Kelly! Kelly!
0:27:45 > 0:27:48Kelly! Kelly!
0:27:48 > 0:27:49Hello?
0:27:49 > 0:27:51- PHONE HANGS UP - Hello?
0:27:51 > 0:27:53Kelly!
0:28:18 > 0:28:19Kelly!
0:28:19 > 0:28:22Jeremy, I'm coming to the editing room.
0:28:22 > 0:28:26I know we have things to talk about. You know, I have some problems of my own.
0:28:26 > 0:28:27Did you get our star?
0:28:27 > 0:28:30No. I've left voice mails at every number now.
0:28:30 > 0:28:31What's this?
0:28:31 > 0:28:34Oh, I'm just referencing the cards.
0:28:34 > 0:28:37- These aren't Hallmark get-well cards, Carl.- No, look...
0:28:37 > 0:28:40- This isn't magazine material. - OK.- This is private business.
0:28:40 > 0:28:43- Yeah, I mean, I just... - Put them in a drawer, lock them up.
0:28:43 > 0:28:47- OK. All right.- You let somebody in the office without discussing with me first?
0:28:47 > 0:28:48Um, no, no. He's...
0:28:48 > 0:28:51- Let's get a grip. Come on.- No. no... - We're falling apart.
0:28:51 > 0:28:55- No, he's from Studio Services. - I can't believe this. After one bad screening?
0:28:55 > 0:28:58You got to be kidding me.
0:28:58 > 0:28:59Son of a bitch, I can't...
0:28:59 > 0:29:03People have no shame. Hopeless pricks.
0:29:03 > 0:29:06- Who's moving in here?- What? - Who is moving in here? What production company?
0:29:06 > 0:29:09- Who is coming in here, Carl? - Oh. Him.
0:29:09 > 0:29:14- Him, him - the guy you let in that you shouldn't have.- No, this is for the new carpeting you ordered.
0:29:14 > 0:29:15What new carpeting?
0:29:15 > 0:29:17What new carpeting? When?
0:29:17 > 0:29:20- The carpet you ordered. - I never... When was that?
0:29:20 > 0:29:21Back in February.
0:29:21 > 0:29:24So it's...? I ordered it in February?
0:29:24 > 0:29:26- Yeah.- Three months to order new carpeting?
0:29:26 > 0:29:30I know, but it was a special order because it was a white shag carpet.
0:29:30 > 0:29:33Carl, I don't get white shag. You got to be kidding me.
0:29:33 > 0:29:37- I wouldn't be caught dead with white shag.- But you said it went well with the chairs.
0:29:37 > 0:29:40- That's why you ordered it. - You're right. I stand corrected.
0:29:40 > 0:29:43- Really?- Yes.- I'm... - I'm in the editing room. It's OK.
0:29:45 > 0:29:46It's, fucking...! Gah!
0:29:53 > 0:29:58You may not realise this now, but I was protecting you and our movie in that office.
0:29:58 > 0:30:00Well, I went out, man.
0:30:00 > 0:30:02I really went out.
0:30:02 > 0:30:06- I can see that, but maybe that's a good thing.- No. No, I went out.
0:30:06 > 0:30:11I had 11 months, 22 days, mate, right?
0:30:11 > 0:30:13I had no drugs, I had no alcohol.
0:30:13 > 0:30:16I go to that meeting with that cow Lou,
0:30:16 > 0:30:23and your assassin in training, your assistant, he decides to give me an Ativan.
0:30:23 > 0:30:25Well, one Ativan doesn't sound so terrible.
0:30:25 > 0:30:29Yeah, right. Try following it up with three Dilaudids scored from a barman,
0:30:29 > 0:30:31and all washed down with rum and Cokes, right?
0:30:31 > 0:30:35OK, then, you needed a release. It can happen to anyone.
0:30:35 > 0:30:39No, look, look, I was seven days away from getting a cake, man.
0:30:39 > 0:30:43Right? A cake for a year sober.
0:30:43 > 0:30:45Me, a cake.
0:30:46 > 0:30:53- And you and your diabolical bloody naked treachery took that away from me!- That's not true.
0:30:53 > 0:30:55- Not true.- Come on, Jeremy.
0:30:55 > 0:30:57Not true.
0:30:57 > 0:31:00- Jeremy...- Ow!
0:31:00 > 0:31:02How's that?
0:31:02 > 0:31:06That's not necessary. Shouldn't we save this high drama for the big screen?
0:31:06 > 0:31:09Yeah. What that one, the one that my blood's in?
0:31:09 > 0:31:13- I know that, I'm the producer. - My blood on that film, right?
0:31:13 > 0:31:17Blood that goes all the way back to a Jewish ghetto in Vilna, a little shtetl.
0:31:17 > 0:31:19How could you
0:31:19 > 0:31:23possibly understand anything like that?
0:31:23 > 0:31:25Let me get you a Valium,
0:31:25 > 0:31:28just for now. lt's not that I don't... But we're on a deadline.
0:31:28 > 0:31:30This is for us, these changes.
0:31:30 > 0:31:33Can I have a couple of Vicodin instead?
0:31:33 > 0:31:37- Sure, easy.- Get three of them, Ben. - Three? Coming up.
0:31:40 > 0:31:45Yeah, get me my office to get three Vicodin and bring them to the cutting room right away.
0:31:47 > 0:31:49Let's put that down.
0:31:52 > 0:31:55Jeremy, look, we're gonna need you to dig deep on this one.
0:31:55 > 0:31:58You can do it. We can get our victory in Cannes, and I
0:31:58 > 0:32:01can get these bastards to spend a lot and distribute this movie properly.
0:32:01 > 0:32:04- You can do it.- It's just so fucking hard for me, man.
0:32:04 > 0:32:07I mean, you know, it's my work, it's all I've got.
0:32:07 > 0:32:10Trust me, once you make these cuts and trims and take out
0:32:10 > 0:32:13that damn dead dog, you will feel cleansed, you will forget the pain.
0:32:13 > 0:32:15HE SOBS
0:32:19 > 0:32:21It's OK.
0:32:21 > 0:32:24As long as we can review it together before we leave, OK?
0:32:24 > 0:32:27- Call me anytime you want.- OK...
0:32:27 > 0:32:29- I will, Ben...- Give me a hug.
0:32:31 > 0:32:32I'm sorry.
0:32:35 > 0:32:37It's OK.
0:32:39 > 0:32:42(No dog.)
0:32:44 > 0:32:47I'm so scared, Ben.
0:32:47 > 0:32:50We're on a deadline, so let's get to work, OK?
0:32:50 > 0:32:52Let's get to work.
0:32:53 > 0:32:54- FILM SOUNDTRACK:- No!
0:32:54 > 0:32:57Cal! Cal, relax. I'm coming to see Bruce.
0:32:57 > 0:33:02No, no, you're not listening, I'm driving on the 405 as we speak.
0:33:02 > 0:33:04Five minutes away. I'm driving right over the...
0:33:04 > 0:33:08Relax, I'm going over the hill, I'll be there in a minute.
0:33:08 > 0:33:10It doesn't matter, it'll be fine.
0:33:13 > 0:33:16This is Fiercely, cue 1M1, take one.
0:34:25 > 0:34:27I need grips and I need stand-ins, come on!
0:34:41 > 0:34:44Ten minutes was an hour and a half ago, we got a crisis here.
0:34:44 > 0:34:47A lot of traffic, a lot of traffic.
0:34:47 > 0:34:50I saw Moses through the window. What's the status of the beard?
0:34:50 > 0:34:53- I don't know. - Did you tell him he has to shave?
0:34:53 > 0:34:55I'm going to bring it up, but I just haven't done it yet.
0:34:55 > 0:34:57We start shooting Friday afternoon, today is Tuesday.
0:34:57 > 0:35:00I'm the director, I know what day it is.
0:35:00 > 0:35:03I suppose it took him a long time to grow it. He probably wants to wait until the last minute.
0:35:03 > 0:35:06That's what I thought last week, but after seeing him today,
0:35:06 > 0:35:09I got the sense this is his look, it's an artistic choice.
0:35:09 > 0:35:11The extra weight is too?
0:35:11 > 0:35:13It can't be.
0:35:13 > 0:35:17- It's a feeling. - Cal, we got the studio to pay him 20 million to be a leading man.
0:35:17 > 0:35:19For that kind of money, there is an expectation.
0:35:19 > 0:35:21- I assume they expect a good performance.- No, no, no, Cal.
0:35:21 > 0:35:25For that kind of money, they expect millions of menstruating women to want to have intercourse with him.
0:35:25 > 0:35:27Do you understand what I'm saying?
0:35:27 > 0:35:30You want a poster that says "See Santa run"?
0:35:30 > 0:35:32OK...
0:35:32 > 0:35:35OK...
0:35:35 > 0:35:37We need more 4-by-8 plywood in here.
0:35:37 > 0:35:40OK.
0:35:40 > 0:35:43OK, let's go tell him to shave.
0:35:43 > 0:35:46- OK.- OK... He'll shave, OK?
0:35:46 > 0:35:49- Especially if he hears it from you. - That's the hope.
0:35:50 > 0:35:53Motherfuckers! Motherfuckers!
0:35:53 > 0:35:55Motherfuckers!
0:35:55 > 0:35:59We are talking about my fucking artistic integrity here, God damn it!
0:36:01 > 0:36:04My artistic integrity, OK?!
0:36:06 > 0:36:09Audiences want to know it's you, Bruce, they expect it.
0:36:09 > 0:36:11And we're talking about a lot of money here.
0:36:11 > 0:36:13What are you talking about? They're not gonna recognise me, Ben?
0:36:13 > 0:36:15"Where did Bruce go? Huh?"
0:36:15 > 0:36:18"Can't see Bruce no more! Where's my favourite movie star?"
0:36:18 > 0:36:22"Oh, look, there he is, I see him right there, the guy with the beard!"
0:36:22 > 0:36:26Yes, but there's a... You know, this is a certain demographic that has to be served, Bruce.
0:36:26 > 0:36:28That's the business. You have to do it, you have to respect that.
0:36:28 > 0:36:30I mean, that's just a fact.
0:36:30 > 0:36:35lt's about falling in love with the hero, there's a tradition to this stuff, Bruce, there just is.
0:36:35 > 0:36:37Oh, I see, we're talking about pussy!
0:36:37 > 0:36:39More or less.
0:36:39 > 0:36:42I understand, I understand, pussy's good.
0:36:42 > 0:36:44Let me tell you a funny story, I've been growing this beard for six months.
0:36:44 > 0:36:49- I've been knocking off trim 24/7 and never one fucking complaint! - Maybe we should listen to...
0:36:49 > 0:36:53Shut the fuck up, Cal. Hollywood producer, my ass. I should've seen this mentality coming.
0:36:53 > 0:36:55Really, I should've seen it coming.
0:36:55 > 0:36:58Never a doubt. Never a fucking doubt.
0:36:58 > 0:37:00Bruce, Bruce, Bruce!
0:37:01 > 0:37:06Bruce, Bruce, come on! You wanna talk about integrity? Let's talk about integrity.
0:37:06 > 0:37:08- Yeah, let's talk about some fucking integrity!- OK, let's go!
0:37:08 > 0:37:11Let's talk about integrity!
0:37:13 > 0:37:15I'm willing to stack my three last pictures against your three!
0:37:15 > 0:37:18How about that, huh?!
0:37:18 > 0:37:21Let's talk about integrity! Huh?
0:37:21 > 0:37:23You don't have three pictures. You don't have any pictures!
0:37:23 > 0:37:25You know why? Because you're a fucking producer!
0:37:25 > 0:37:30Well, why don't we start by giving your overblown salary to the fucking Red Cross?!
0:37:30 > 0:37:34- That would show me some integrity! - What?
0:37:40 > 0:37:42Sorry.
0:37:42 > 0:37:44Motherfuckers.
0:37:50 > 0:37:53Fucking babies! I can't fucking believe this shit!
0:37:53 > 0:37:56"No, no, you shouldn't wear any beards."
0:37:56 > 0:37:59How about this? Why don't we just not have clothes in the
0:37:59 > 0:38:02fucking movies any more? How about fucking paying for that?
0:38:02 > 0:38:07- I never realised how...strongly he felt about it.- I think he wants it.
0:38:07 > 0:38:09This here's your fucking chair! How's that?
0:38:09 > 0:38:11You motherfuckers!
0:38:13 > 0:38:16Will somebody fix this fucking door?!
0:38:16 > 0:38:18Jesus Christ!
0:38:18 > 0:38:19You happy now that you got my pressure up?
0:38:23 > 0:38:27Well...somehow I don't think he expects to shave.
0:38:27 > 0:38:30You know, in a very early draft, the script mentioned he had a beard.
0:38:30 > 0:38:35- A very early draft. - Hey, now that video's done, we won't be needing that shit!
0:38:35 > 0:38:38Blow me, you motherfuckers!
0:38:38 > 0:38:39Blow me!
0:38:39 > 0:38:41I guess we don't have much of a choice.
0:38:41 > 0:38:45- No, the beard's not so bad anyway. - Maybe it's not so bad.
0:38:46 > 0:38:49This is Fiercely, 6M6, take three.
0:38:49 > 0:38:54PIANO MUSIC PLAYS
0:38:55 > 0:38:58I do get it, Sidney, I do.
0:38:58 > 0:39:00Listen, out of all the studio heads, you are by far the funniest.
0:39:00 > 0:39:02- 'Thank you, thank you.' - You're welcome.
0:39:02 > 0:39:05You gotta stay with me here. This is Bruce Willis we're talking about.
0:39:05 > 0:39:09Maybe we need to bend a little, to think creatively.
0:39:09 > 0:39:12In fact, I gotta say, he might be right, a beard might be a good idea.
0:39:12 > 0:39:15You never know, sometimes we don't know.
0:39:15 > 0:39:17'Let's keep it simple, Ben. Let's keep it simple, Ben.'
0:39:17 > 0:39:20'I'm not Lou, I like to be direct.'
0:39:20 > 0:39:23Yes. OK, tell me what I have to do.
0:39:23 > 0:39:29'If that bastard doesn't shave and look like a leading man, A, we shut the movie down, B,'
0:39:29 > 0:39:34'we sue him for all damages, and C, we then sue you for misrepresentation.'
0:39:34 > 0:39:37Oh, Sidney, come on. Let's sit down and have lunch and discuss this like men.
0:39:37 > 0:39:40'We bought a movie star. Call my office.'
0:39:40 > 0:39:42Sidney? Sid?
0:39:42 > 0:39:44Sidney? Hello?
0:39:44 > 0:39:46Uh-huh.
0:39:46 > 0:39:48Are you saying Bruce never mentioned this?
0:39:48 > 0:39:51You're his agent, his confidant,
0:39:51 > 0:39:55for God's sakes. We're on the ledge on this one. He's got four days to clean himself up, and that's it.
0:39:55 > 0:39:57I'll even personally pay for the trainer, how about that?
0:39:57 > 0:40:01- You have got to be kidding. - No, no, Dick. No, I'm not kidding, Dick, it is happening.
0:40:01 > 0:40:05- 'You tell me it's happening?' - Afraid so.- 'It can't be.'
0:40:05 > 0:40:06It is happening.
0:40:06 > 0:40:09Afraid so.
0:40:09 > 0:40:10GAGGING
0:40:10 > 0:40:15What's that? What's that? Dick?
0:40:15 > 0:40:17- 'It's nothing.'- That's nothing? - 'Finish your point.'
0:40:17 > 0:40:20How much does he know, huh?
0:40:20 > 0:40:22It's a bit sketchy, we all got lathered up.
0:40:22 > 0:40:24Things might have been taken out of context.
0:40:24 > 0:40:26'Tell me exactly what was said.'
0:40:26 > 0:40:29You know how it goes, "Fuck you," "No, no, fuck you,"
0:40:29 > 0:40:31and then it got worse.
0:40:31 > 0:40:33Why not call me back after you talk to him? Let's do that.
0:40:33 > 0:40:36Tell him he's gonna get fired and sued for all the money in his piggy bank?
0:40:36 > 0:40:38I don't want to.
0:40:38 > 0:40:41- You give him the bad news. - 'Dick, you're an agent.'
0:40:41 > 0:40:42'Delivering bad news is part of the job description.'
0:40:42 > 0:40:46'I can't do it. The messenger gets killed, you know that.'
0:40:46 > 0:40:49I can't! I've been working with him for two years.
0:40:49 > 0:40:54He's one of my most important clients, but he's very mercurial.
0:40:54 > 0:40:56He can snap at any time.
0:40:56 > 0:40:59- You're scared of him. - I'm not scared of him.
0:40:59 > 0:41:02I'm scared of all of them.
0:41:02 > 0:41:05- Could you hold a sec?- Sure.
0:41:05 > 0:41:05GRUNTING
0:41:05 > 0:41:10You OK? Dick, you OK?
0:41:10 > 0:41:14- Maybe we should do this later. Yeah, let's do this later.- It's a...
0:41:14 > 0:41:16It's a... lt's a stomach disorder.
0:41:16 > 0:41:21'It comes and it...goes.'
0:41:22 > 0:41:25- You sure?- 'No, seriously, I'm fine, absolutely.'
0:41:25 > 0:41:28'They cut me back on my antidepressants so I can get it up,'
0:41:28 > 0:41:31'but the withdrawal makes my stomach clench.'
0:41:31 > 0:41:32It sounds worse than it is.
0:41:32 > 0:41:35- I even had to cut back Klonopin. - When do you take that?
0:41:35 > 0:41:38- Travel, whenever I pack. - Whenever you pack?
0:41:38 > 0:41:40Your client has got to give us some relief.
0:41:40 > 0:41:44Let's figure out how we can solve this beard thing.
0:41:44 > 0:41:48Well, to start, why don't we let him wear his fucking beard?
0:41:48 > 0:41:51- 'What is the big deal?' - Oh, no, no, no. Hey, Dick, we're way past that now.
0:41:51 > 0:41:56- Do you know the ramifications of what you're asking of me?- 'I do.'
0:41:56 > 0:41:59HE GRUNTS AND GAGS
0:41:59 > 0:42:01Jesus, man, you gotta get a hold of yourself.
0:42:03 > 0:42:06You should talk to somebody about that stomach thing.
0:42:06 > 0:42:07- 'OK, I gotta go.'- OK.
0:42:07 > 0:42:09- 'Bye now.'- Bye.
0:42:13 > 0:42:17VOICEMAIL: 'Hi, leave a message for Kelly, Sophie or Max.'
0:42:17 > 0:42:22Kelly, it's Ben, just call me on my cell any time, any time. OK, bye.
0:42:22 > 0:42:27# With silver hair, a ragged shirt and baggy pants
0:42:28 > 0:42:32# The old soft shoe
0:42:35 > 0:42:38# He jumped so high
0:42:38 > 0:42:41# Jumped so high
0:42:41 > 0:42:47# Then he lightly touched down... #
0:42:47 > 0:42:49'Hi, leave a message for Kelly,'
0:42:49 > 0:42:50'Sophie or Max.'
0:42:50 > 0:42:52Kelly?
0:42:52 > 0:42:56It's me, I'm on my cell, uh... I need to talk to you.
0:42:56 > 0:43:01I'm having dinner with some money people tonight, but you're more important to me.
0:43:01 > 0:43:04Call me on my cell as soon as you get this. Thank you.
0:43:04 > 0:43:08# He looked at me to be the eyes of age... #
0:43:12 > 0:43:15INDISTINCT
0:43:15 > 0:43:17The money is already in the box.
0:43:17 > 0:43:19- The money's in the box. - Could you make the movie in 50 days?
0:43:19 > 0:43:22No.
0:43:22 > 0:43:24THEY TALK IN THEIR NATIVE TONGUE
0:43:26 > 0:43:30- We're sitting there drinking with Stallone.- Sly, Sly, Sly.
0:43:30 > 0:43:34And Don Johnson is sitting three tables away from us.
0:43:34 > 0:43:39- He'd be very good in this.- Ah.
0:43:41 > 0:43:43Could you excuse me for one moment?
0:43:47 > 0:43:49- Where'd he get his money from? - Dry cleaning.
0:43:49 > 0:43:53He started by cleaning the wardrobes for the movie studios.
0:43:53 > 0:43:55He charged them like 10 a suit, they paid.
0:43:55 > 0:43:58Next time, he charged them 50 a suit, they paid.
0:43:58 > 0:44:02Next time, he charged them 100 a suit, they paid.
0:44:02 > 0:44:04He said, "I wanna be in the movie business, I understand these people."
0:44:04 > 0:44:06MOBILE PHONE RINGS
0:44:06 > 0:44:10Kelly. Kelly, no, Kelly...
0:44:10 > 0:44:12Excuse me, I'll be right back.
0:44:12 > 0:44:14Yes, Kelly.
0:44:15 > 0:44:19- I'm so glad you called me back. - So an actor more important than the mother of your children?
0:44:19 > 0:44:23Of course I don't think he's as important as you.
0:44:23 > 0:44:27- Ten times, you called.- No, I didn't. I did not call you ten times today, I called you four times.
0:44:27 > 0:44:30Well, what was so damn important? It couldn't be me.
0:44:30 > 0:44:32Look, let me just find a quiet place and I'll tell you.
0:44:32 > 0:44:35I'll tell you what's so important.
0:44:35 > 0:44:41I just.. I just... I wanted to know, is anyone else other than you sleeping in our old bed?
0:44:41 > 0:44:43What?!
0:44:43 > 0:44:46You lost that privilege over two years ago.
0:44:46 > 0:44:50Wait a second, I believe 30,000 a month entitles me to something. You know, I gotta be frank with you...
0:44:50 > 0:44:52'Fuck you!'
0:44:52 > 0:44:57I have never heard you say, "Fuck you", like that to me in front of the kids. What are you doing?
0:44:57 > 0:44:59- The kids are sleeping, Ben. - 'OK, I'm all done.'
0:44:59 > 0:45:01Can't we discuss this now?
0:45:01 > 0:45:03- I'll come right over.- 'No.'- Please?
0:45:03 > 0:45:06- 'No.'- Please?- 'No.'- Please?
0:45:06 > 0:45:09- 'No.'- Please!- 'Ben, no.'- Look, I'm hurting.
0:45:10 > 0:45:11You're hurting?
0:45:11 > 0:45:14- 'Yeah, there, I've said it, I'm hurting.'- You really are?
0:45:14 > 0:45:16Yeah, yeah, I am, I am.
0:45:18 > 0:45:20Dick, Dick, I need to talk to you. Yeah, I'm hurting.
0:45:20 > 0:45:22Get some fucking help, Ben.
0:45:22 > 0:45:24You're absolutely right, I know it's a very bad habit, I'm working on it, believe me.
0:45:24 > 0:45:28'Look, can't we please discuss it now? Please?'
0:45:28 > 0:45:30I have to go. I gotta go.
0:45:30 > 0:45:32OK, all right, all right. I suppose it's not a good time.
0:45:32 > 0:45:35Thanks for... Yeah, we'll speak soon.
0:45:35 > 0:45:36Thanks for returning my call.
0:45:39 > 0:45:44I'll have a Martin... I'll order two Martinis and have them both.
0:45:44 > 0:45:46I could use it! I could use it.
0:45:46 > 0:45:48- Let's order two Martinis, large.- Hi.
0:45:48 > 0:45:51- Did you tell him? - Huh?- Did you tell him?
0:45:51 > 0:45:54- I eluded to it, yes.- Alluded?
0:45:54 > 0:45:56I meant allude.
0:45:56 > 0:45:59I don't care what you meant, alluded or eluded?
0:45:59 > 0:46:02- A-L-L-U-D-E-D.- Yes, that's what I...
0:46:02 > 0:46:04I hinted at it, I didn't elude.
0:46:04 > 0:46:06A picture is about to get cancelled.
0:46:06 > 0:46:08What does that mean, "alluded"?
0:46:08 > 0:46:11I told him I have something important to discuss.
0:46:11 > 0:46:12And you told him what it was about.
0:46:12 > 0:46:14I...
0:46:14 > 0:46:18A-B-O-U-T, "about"?
0:46:18 > 0:46:21- Huh?- Not yet.- Not yet, OK.
0:46:21 > 0:46:22Sorry for the intrusion.
0:46:22 > 0:46:24- What's with the patch?- Shingles.
0:46:24 > 0:46:27My lid, occasionally it flutters, it's nothing.
0:46:27 > 0:46:31I'm just glad it's not anything serious.
0:46:31 > 0:46:33Hey, if I went blind, you'd celebrate.
0:46:33 > 0:46:36Yeah, probably.
0:46:36 > 0:46:39- I hope you know you're sitting with a great ex-agent.- Yeah.
0:46:39 > 0:46:41Just give me one more minute.
0:46:41 > 0:46:44Excuse us. He has lots of time, he can sit at the bar.
0:46:44 > 0:46:46OK.
0:46:46 > 0:46:48How could you call him and not mention this?
0:46:48 > 0:46:51There is a logic to these things. You met him, the man's an animal.
0:46:51 > 0:46:54When I called him today, he hadn't eaten yet. That's the wrong time.
0:46:54 > 0:46:56You gotta do this when there's an open window.
0:46:56 > 0:46:59We don't have that many windows left. When is the next window?
0:46:59 > 0:47:02- After AA would be an open window. - And when is that?
0:47:02 > 0:47:03- Two days.- That's no good. What's tomorrow morning?
0:47:03 > 0:47:06Analysis, he'll be nuts for at least three hours after that.
0:47:06 > 0:47:08You don't wanna mention lawsuit or beard after psychotherapy.
0:47:08 > 0:47:12- Listen to me, I don't care. Find a window tomorrow, that's it! - HE GAGS
0:47:19 > 0:47:23I know what you think this looks like, but it's not.
0:47:23 > 0:47:26Johnny did not send me here to make you happy.
0:47:26 > 0:47:28I wanted to meet you on my own.
0:47:29 > 0:47:34I know everything you've done, I know who you are, and I'm not just some silly girl in tight clothes.
0:47:34 > 0:47:36I went to Stanford.
0:47:36 > 0:47:38That's a good school.
0:47:38 > 0:47:42I just want to get to know you.
0:47:42 > 0:47:44Me?
0:47:44 > 0:47:46- What's your name?- Laura.- Laura.
0:47:46 > 0:47:48I respect you.
0:47:48 > 0:47:50And your movies.
0:47:50 > 0:47:52And I know if I don't take this chance now,
0:47:52 > 0:47:55no matter how aggressive it might seem,
0:47:55 > 0:47:57my chance will never come up again.
0:47:57 > 0:47:59That's so flattering.
0:47:59 > 0:48:03I mean, I guess if I were a tailor, you'd still be doing this, am I right?
0:48:06 > 0:48:08Funny person.
0:48:10 > 0:48:12And I want you to know
0:48:12 > 0:48:14that there's nothing
0:48:14 > 0:48:15I wouldn't do
0:48:15 > 0:48:18for a chance to see you on my own,
0:48:18 > 0:48:21with no strings attached.
0:48:21 > 0:48:24Unless you want to do something now.
0:48:24 > 0:48:26Now?
0:48:26 > 0:48:27TOILET FLUSHES
0:48:27 > 0:48:30Well, why don't you just call me, then?
0:48:30 > 0:48:31Try not to get that wet.
0:48:48 > 0:48:50MOBILE PHONE BEEPS
0:48:55 > 0:49:00DIALLING TONE
0:49:01 > 0:49:04'Hi, leave a message for Kelly, Sophie or Max.'
0:49:34 > 0:49:37ALARM CLOCK HARP MUSIC PLAYS
0:49:37 > 0:49:41ALARM CLOCK HARP MUSIC PLAYS
0:49:45 > 0:49:46ALARM CLOCK HARP MUSIC STOPS
0:49:53 > 0:49:54Inhale.
0:49:54 > 0:49:56Move forward to upward dog.
0:49:58 > 0:50:02Exhale to downward dog. Take a five deep breaths.
0:50:02 > 0:50:05I can't stay for breakfast, I have three scripts to read.
0:50:05 > 0:50:07Hmm.
0:50:10 > 0:50:12Mmm.
0:50:14 > 0:50:17You want to kiss them one more time?
0:50:17 > 0:50:19You don't remember a thing, do you?
0:50:19 > 0:50:22I remember offering you a two-picture deal.
0:50:22 > 0:50:26- That was before we took ecstasy. - Uh-huh.
0:50:27 > 0:50:28I've got to go.
0:50:28 > 0:50:30I dig older guys.
0:50:46 > 0:50:48PHONE RINGS
0:50:52 > 0:50:56- Hello.- 'Ben, Sid's office sent an e-mail...'- I'm not here.
0:50:56 > 0:50:58'Shit. I hate that thing.'
0:50:58 > 0:51:05'Err, be-de-be-ber. Sid wants the Bruce/beard situation handled before the lunch.
0:51:05 > 0:51:11'Hey, just got an e-mail, Vanity Fair wants you, 30 most powerful producers, for their power issue.
0:51:11 > 0:51:13'How about that?'
0:51:18 > 0:51:20'Sid's office called again. I'll just read you the quote.
0:51:20 > 0:51:24'"I want the beard situation resolved before the fucking lunch."
0:51:24 > 0:51:26'End quote.
0:51:26 > 0:51:30Can you call Sid's office and just tell them I'm trying to resolve this crazy beard thing.
0:51:30 > 0:51:32I'll talk to him at lunch.
0:51:41 > 0:51:45I'm so sorry, Mr Voss's office just called, and he simply can't make the lunch.
0:51:45 > 0:51:48They sent over this note...to you.
0:51:54 > 0:51:57I forgot my reading glasses in the car. Could you read it to me, please?
0:51:57 > 0:52:00Oh, of course.
0:52:03 > 0:52:08"Dear Ben. Don't think for a second having lunch was going to change a fucking...
0:52:10 > 0:52:13"thing...
0:52:13 > 0:52:18"unless that fucking beard goes, then we fucking...
0:52:20 > 0:52:24"shut the, er... whole fucking movie down."
0:52:25 > 0:52:30Betty, tell Sid I tried to get Bruce three times, I can't get him on the phone.
0:52:30 > 0:52:33I've got a crew of 200 standing by. We start shooting on Friday.
0:52:33 > 0:52:36- 'We don't have much time.' - I know I'm running out of time, I don't know what to do.
0:52:36 > 0:52:38- 'Well, you've got to make it happen.' - Fine, fine.
0:52:38 > 0:52:41- Ben, I've got Kelly holding on 2. - Err, OK.
0:52:41 > 0:52:42Jeremy's on 3, he says it's urgent.
0:52:42 > 0:52:44OK.
0:52:47 > 0:52:49- 'Ben?'- Kelly, hold on, hold on...
0:52:49 > 0:52:52- 'Ben, it's...'- Jeremy, talk to me.
0:52:52 > 0:52:53'You'd better like it, baby.'
0:52:53 > 0:52:55- Jeremy.- 'Get here, now! Jesus.'
0:52:55 > 0:52:58I'm coming, I'm coming. I'm coming.
0:52:58 > 0:53:00- Kelly.- Ah. Oh.
0:53:04 > 0:53:06Hi. Kelly? Kelly?
0:53:06 > 0:53:08Kelly?
0:53:32 > 0:53:34What's up?
0:53:34 > 0:53:36Afternoon.
0:53:36 > 0:53:37Do I look happy?
0:53:37 > 0:53:41- Enough to scare me. - Ha ha ha.- You like it?
0:53:43 > 0:53:45It's good, I know.
0:53:45 > 0:53:50It's the feather that gets me there, you know what I mean? It's like me, Tonto, the studio, the Lone Ranger.
0:53:50 > 0:53:52I mean, I'm not going to fight a battle I can't win.
0:53:52 > 0:53:54Fucking waste of time, really, it makes no sense.
0:53:54 > 0:53:57Jeremy, sometimes it takes more guts to concede.
0:53:57 > 0:54:00Have a seat. Come on.
0:54:01 > 0:54:05Got about ten minutes out of this altogether, just by shaking the box.
0:54:06 > 0:54:09And here comes the dreaded ending.
0:54:18 > 0:54:22Like the music? The way it contradicts the violence, they'll love that.
0:54:22 > 0:54:24Here we go.
0:54:27 > 0:54:31Father, forgive them, they know not what they do.
0:54:47 > 0:54:49- See?- Yeah.- No dog.
0:54:49 > 0:54:53Ah, dog not shot.
0:54:53 > 0:54:55Runs to master, to comfort him.
0:54:57 > 0:54:59Oh, that's... That's great.
0:55:07 > 0:55:08Yeah!
0:55:18 > 0:55:20Brilliant. Wow.
0:55:28 > 0:55:30Brilliant. Wow.
0:55:30 > 0:55:32- Not bad, eh?- Not bad.
0:55:32 > 0:55:35Lou will come in her pants.
0:55:35 > 0:55:37- Panties.- Pants, actually.
0:55:37 > 0:55:42Point taken. I don't know, Jeremy, I don't know.
0:55:42 > 0:55:44How did... How did you figure?
0:55:44 > 0:55:48It's just the outtakes, we had about ten of them. Do you remember?
0:55:48 > 0:55:50We could never keep that bloody dog under control. Lovely though he was.
0:55:50 > 0:55:52I mean, it was like he loved Sean.
0:55:52 > 0:55:54He was always licking his face.
0:55:54 > 0:55:58- It's brilliant.- And there you have it, quite simple, really.
0:55:58 > 0:55:59- Brilliant.- Thank you.
0:55:59 > 0:56:02It certainly... it changes the tone of the movie...
0:56:02 > 0:56:06I know what you're going to say. It won't mean nothing no more, but the truth of it is, we can
0:56:06 > 0:56:09take comfort from the fact we're not going to offend.
0:56:09 > 0:56:12Jeremy, I don't get it. This isn't you talking.
0:56:12 > 0:56:15It's me, isn't it?
0:56:15 > 0:56:19- I mean, how did you get there? - How did I do it?
0:56:19 > 0:56:22There we go. Oh, Christ. I'll grab them later.
0:56:22 > 0:56:25Those are Placidil, and you're meant to take it three times a day.
0:56:25 > 0:56:28You could watch your old mum get gang raped in
0:56:28 > 0:56:31broad daylight and still appreciate the weather, you know what I mean?
0:56:31 > 0:56:35Apparently the stuff works. I've got to call Lou.
0:56:40 > 0:56:41Hello.
0:56:41 > 0:56:44Judy. Hello, Judy.
0:56:44 > 0:56:47Is Lou there?
0:56:49 > 0:56:54- Yes, Ben. - 'Lou, Lou, Jeremy has done it.
0:56:54 > 0:56:57'Really done it. I think we've licked this bastard.'
0:56:57 > 0:56:59- I knew you'd make this work.- We ham-and-egged it, we're a good team.
0:56:59 > 0:57:02Not that I doubt you, but when can I see it?
0:57:04 > 0:57:07- You can see it whenever you want. - 'Tell Jeremy I'll be by with the guys around two.'
0:57:07 > 0:57:10OK, OK, I'll tell him.
0:57:10 > 0:57:13She'll be by this afternoon with the creative team.
0:57:13 > 0:57:17Pick out your tux and leisurewear, because we're going to be heading for Cannes.
0:57:18 > 0:57:20Where can I kiss you? Where?
0:57:20 > 0:57:24Name the location. Where?
0:57:27 > 0:57:30Thank you, Ben. It's nice to see you happy, mate.
0:57:33 > 0:57:35- Jeremy, I'm so relieved.- Me too.
0:57:35 > 0:57:38All right.
0:57:38 > 0:57:39Keep up the good work.
0:57:39 > 0:57:42Will do, man, absolutely.
0:57:42 > 0:57:43- Happy?- Yeah.
0:57:45 > 0:57:51No. Dick, Dick, you have to face this thing now.
0:57:51 > 0:57:55You've got to tell Bruce he's got to get rid of that fucking beard, do you understand?
0:57:55 > 0:57:58Now, not tomorrow, now, right away.
0:57:58 > 0:58:00You've got to tell Bruce now.
0:58:00 > 0:58:03I can't afford to lose this movie, Dick.
0:58:03 > 0:58:07- Get back to me.- I thought the goal here wasn't to get us back together,
0:58:07 > 0:58:11but to help us feel better about being apart, by moving on gracefully.
0:58:11 > 0:58:13- We share two kids. - That's exactly right.
0:58:13 > 0:58:17This is an exercise to help couples separate with love and affection instead of acrimony.
0:58:17 > 0:58:20It's not about trying to control the other person's behaviour.
0:58:20 > 0:58:23- OK.- Let's start again.
0:58:23 > 0:58:26Is there anything you can think of that you've done to Kelly while you
0:58:26 > 0:58:30were married that you wish you didn't?
0:58:30 > 0:58:34Well... That question feels so vague, I don't know.
0:58:34 > 0:58:36OK, here's an example.
0:58:36 > 0:58:40When you were married, did you ever lie about your whereabouts with other women?
0:58:42 > 0:58:45No. Well, there was...
0:58:45 > 0:58:50Yeah, there was one time, when we were married, when I did think of seeing...
0:58:50 > 0:58:51Ann.
0:58:52 > 0:58:55- Really?- Mmm-hmm.
0:58:55 > 0:58:57- And did you?- No. Not... No. I mean...
0:58:57 > 0:59:00Yes, I... I...but nothing happened.
0:59:00 > 0:59:01I just...
0:59:01 > 0:59:03I guess I wanted to, but...
0:59:05 > 0:59:10You know, I think I know what you mean, I'm starting to feel a little better already.
0:59:10 > 0:59:11Is that everything on this matter?
0:59:11 > 0:59:14- Just... Just about.- Not true.
0:59:14 > 0:59:17The complete truth will set you free, Ben.
0:59:17 > 0:59:19Well... There was...
0:59:19 > 0:59:22There was one time,
0:59:22 > 0:59:24I was at a party with...
0:59:24 > 0:59:27I was at a party once with Ann.
0:59:27 > 0:59:30- Where?- Mmm?- Where?
0:59:30 > 0:59:33- In the bathroom.- You fucker.
0:59:33 > 0:59:35That's very good, Ben.
0:59:35 > 0:59:39Kelly, it's not for you to judge, this is just a start.
0:59:39 > 0:59:43We're running a little short on time, so let's give Kelly a chance, and next week, we'll dig deeper.
0:59:43 > 0:59:46- Are you ready, Kelly?- Yeah.
0:59:46 > 0:59:50Did you ever use your kids as ammunition against Ben?
0:59:50 > 0:59:52No.
0:59:52 > 0:59:55- Did you ever have an affair while you were married?- Absolutely not.
0:59:55 > 0:59:57OK, then. Is that all?
0:59:59 > 1:00:01Well, there was...
1:00:01 > 1:00:06Alan's son's bar mitzvah, I kissed Alan on the mouth in the master bathroom.
1:00:06 > 1:00:07- You kissed him on the mouth?- Oh...
1:00:10 > 1:00:14- It was nothing.- Alan on the...
1:00:14 > 1:00:16- What about Sheila? - Oh, please.- Your friend.
1:00:16 > 1:00:19- Please, that's all that happened. Nothing.- That's very good.
1:00:19 > 1:00:21I must admit, though,
1:00:21 > 1:00:24I thought about it, actually.
1:00:24 > 1:00:25That's very good.
1:00:28 > 1:00:30What about... I mean...
1:00:30 > 1:00:34I mean... Why don't we talk... Aren't we going to talk about what we're doing to each other now?
1:00:34 > 1:00:37- Why don't we talk about what we're doing to each other now?- What?
1:00:37 > 1:00:40Why don't we talk about what we're doing to each other now?
1:00:40 > 1:00:43What? You didn't want to talk about now before.
1:00:43 > 1:00:45No. Now.
1:00:45 > 1:00:47You know what. Now.
1:00:47 > 1:00:50Yeah, but now, before, wasn't OK. Why is now now OK?
1:00:50 > 1:00:53I have no problem with now, you have a problem with now.
1:00:53 > 1:00:55- That's not why we're here. - That's why...
1:00:55 > 1:00:58Doctor, is this some classic case of avoidance?
1:00:58 > 1:01:02I'm sorry, but we're going to have to table this discussion until next time.
1:01:02 > 1:01:06What you guys are doing takes guts, but it is going to work.
1:01:06 > 1:01:08I congratulate both of you.
1:01:10 > 1:01:14You'll see. As we dig deeper and deeper, you're going to feel so good
1:01:14 > 1:01:17about being apart, that you're never going to want to get back together.
1:01:22 > 1:01:29But... I'm just.... Why.... Can't we just talk about the now for a minute, like, what she's doing.
1:01:29 > 1:01:31- We're out of time. - What we're doing to each other now.
1:01:31 > 1:01:33- She said no. - Why can't we talk about it?
1:01:33 > 1:01:36- Our time is up.- I know the time is up, but we're paying enough money, we can't stay two more minutes?
1:01:36 > 1:01:39- Will you, please. Thank you very much. Thank you.- You're welcome.
1:01:39 > 1:01:41Thanks. Let's go. Let's go.
1:01:48 > 1:01:50PHONE RINGS
1:02:21 > 1:02:22Thank you.
1:02:40 > 1:02:42ANSWERPHONE BLEEPS 'Hey, I've tried Dick's office
1:02:42 > 1:02:47'and they say that they're gonna try and track him down. They'll get back to us in 10 or 15.'
1:02:47 > 1:02:51BLEEP 'Nobody seems to know where Dick is. Should I call Bruce's office?'
1:02:51 > 1:02:55BLEEP 'I tried Bruce's office. He told them to tell me to tell you to fuck off.
1:02:55 > 1:02:58'So I don't know where should I go?'
1:02:58 > 1:03:01'Ben, Sidney Voss just called. Sidney Voss called personally.
1:03:01 > 1:03:03'Not his office. He was screaming.'
1:03:03 > 1:03:06You know how important this fucking movie is to me?
1:03:06 > 1:03:10I got alimony, I got child support, I can't afford to lose this movie.
1:03:10 > 1:03:13I'm fucking drowning. I gotta find...
1:03:22 > 1:03:24- Huh?- You talk to Bruce?
1:03:24 > 1:03:26- Yes.- Let me finish this and we'll discuss it at length.
1:03:26 > 1:03:30- I've got to know.- I'm done in 5, 10 minutes. I'm trying to relax.
1:03:30 > 1:03:33- I have been driving around. - You should have one. - I don't need one.
1:03:33 > 1:03:35The feet are connected to the soul.
1:03:35 > 1:03:38I gotta know. I gotta know.
1:03:38 > 1:03:42I'll be done in 5, 10 minutes. I'm trying to relax.
1:03:42 > 1:03:45- You should have one. - Five minutes?- Five minutes.
1:03:49 > 1:03:52Oh, that's good.
1:03:56 > 1:04:01No, no, no, no. I'm waiting for him. I'm waiting for him, I'm just...
1:04:19 > 1:04:20PHONE RINGS
1:04:20 > 1:04:23Oh! Excuse me.
1:04:25 > 1:04:27Yeah?
1:04:27 > 1:04:28Dick, enough, enough!
1:04:28 > 1:04:31What's happening? Did you tell him he has to shave or not?
1:04:31 > 1:04:34- Did you tell him the consequence would be?- 'Yes.'- What'd he say?
1:04:34 > 1:04:40'He told me that he hopes I contract pancreatic cancer and die a slow, withering death.'
1:04:40 > 1:04:43He's a beauty. What did he say after he calmed down?
1:04:43 > 1:04:46- 'He said, "You gutless little turd.' - Then what did he say?
1:04:46 > 1:04:49You're fired.
1:04:49 > 1:04:52Oh, wow! Terrible, terrible. I mean...
1:04:52 > 1:04:55'My biggest client. My biggest paying client,
1:04:55 > 1:05:00- the one responsible for my mortgage, hung up the phone.- Oh, man.
1:05:00 > 1:05:03I'm sorry. You are strong, I don't know how you do it. I admire you.
1:05:03 > 1:05:07Did he say anything else about the movie, the beard, the weight, anything...
1:05:07 > 1:05:10- Can't you once let this moment be about me?- It's about you.
1:05:10 > 1:05:14- Just once! - It's about you, I forgot.
1:05:14 > 1:05:17My moment, not yours. Mine.
1:05:19 > 1:05:22I lost him. I lost my biggest fucking client.
1:05:22 > 1:05:24'The man I made. He fires me.
1:05:24 > 1:05:28'He hangs up. The man responsible for my whole mortgage...'
1:05:28 > 1:05:30Hang on, hang on, I'll be right back...
1:05:30 > 1:05:33- 'I am not... Where you going?' - Be right back.
1:05:33 > 1:05:35- Where you going? - 'I'll be right back.'
1:05:35 > 1:05:38I'm gonna just go outside for a second, all right?
1:05:38 > 1:05:40Relax.
1:06:04 > 1:06:08- Ben, what are you doing? - I thought I saw something.
1:06:30 > 1:06:34ORGAN PLAYS "Every Breath You Take" by The Police
1:07:10 > 1:07:14- Hi, Zoe, what are you doing here. - Oh, God.
1:07:14 > 1:07:17It's a terrible, terrible thing.
1:07:17 > 1:07:19Yeah, it's the worst.
1:07:19 > 1:07:23I didn't know you knew him. I didn't know you knew Jack.
1:07:23 > 1:07:26- You knew him?- Yeah, I knew him.
1:07:28 > 1:07:31- How?- Well, it's really not the time.
1:07:39 > 1:07:40Is that tie Jack's?
1:07:44 > 1:07:47For God's sakes. It's 10am, you should be at school.
1:07:51 > 1:07:55There's something important I want to talk about. We'll talk later.
1:07:55 > 1:07:59- No, let's do it now, let's get it over with. Do it now.- No, no, no.
1:07:59 > 1:08:04- Why? I'm ready. - We'll do it after the service.
1:08:06 > 1:08:07I mean, when did you...?
1:08:07 > 1:08:11When did you and Jack have time to know each other?
1:08:11 > 1:08:13Does that matter now?
1:08:13 > 1:08:17Honey, I know, I know. But was there any...intimacy?
1:08:19 > 1:08:20Really, what's the difference?
1:08:20 > 1:08:23I mean, does that really matter now?
1:08:25 > 1:08:28It makes a big difference. He blew his brains out.
1:08:28 > 1:08:31I'm sorry, that was harsh but...
1:08:34 > 1:08:37I mean, I don't know, an agent.
1:08:37 > 1:08:42He was wonderful. He taught me so much about me.
1:08:43 > 1:08:45He took drugs.
1:08:49 > 1:08:51He touched me.
1:08:53 > 1:08:54Where?
1:08:54 > 1:08:56Hmm?
1:08:58 > 1:09:00Everywhere.
1:09:00 > 1:09:02You're a kid.
1:09:03 > 1:09:05Hey, Ben. Como estas, amigo?
1:09:05 > 1:09:09Nice crowd. Jack's never been so hot.
1:09:09 > 1:09:12Believe me, most of Colombia's grieving.
1:09:12 > 1:09:15If I only had one tenth of Jack's pussy.
1:09:15 > 1:09:18One tenth. Where'd he find them? High school?
1:09:21 > 1:09:23So young. So full of shit.
1:09:25 > 1:09:30Few people knew and truly understood Jack as well as this man.
1:09:38 > 1:09:40Morning.
1:09:40 > 1:09:45Oh, my God, he looks even thicker and hairier than he did yesterday.
1:09:45 > 1:09:48So young, so final.
1:09:51 > 1:09:56Jack Gregory Levine McDonagh,
1:09:56 > 1:09:59not just an agent.
1:09:59 > 1:10:03I see so many people out here
1:10:03 > 1:10:07that I would rather be eulogising today than Jack.
1:10:11 > 1:10:14When a life gets cut short, we all feel saddened.
1:10:14 > 1:10:19But when it had the promise that Jack exhibited in an
1:10:19 > 1:10:25industry that...let's face it, is often known for mercilessly devouring and punishing its own.
1:10:28 > 1:10:30But Jack transcended his competition.
1:10:30 > 1:10:37I have never seen so many agents from other agencies attend a funeral for one of their most wicked competitors.
1:10:40 > 1:10:44I'll be honest, my first reaction was to assume that most of you were here to steal Jack's important clients
1:10:44 > 1:10:46while they were still in a weakened condition,
1:10:46 > 1:10:48rather than pay your respects.
1:10:50 > 1:10:55You know that stuff you take when you have to pack? You know, er...
1:10:55 > 1:10:57- Klonopin.- lf I could have one.
1:10:57 > 1:11:02I...see true respect and love here.
1:11:02 > 1:11:04Everybody knows this is a tough town.
1:11:06 > 1:11:08Hunter S Thompson once said to me,
1:11:08 > 1:11:10"Bruce, my boy,
1:11:10 > 1:11:13"the movie business is a cruel and shallow money trench,
1:11:13 > 1:11:18"where thieves and pimps run free and good men die like dogs."
1:11:20 > 1:11:24And then he added, "There's also a negative side."
1:11:24 > 1:11:30Tomorrow at four, he shaves that fucking beard or the fucking picture goes down.
1:11:30 > 1:11:32When the feared studio head died,
1:11:32 > 1:11:36the turnout at that funeral was massive.
1:11:36 > 1:11:43And Billy Wilder was asked, "Why did so many people show up for such a hated man?"
1:11:43 > 1:11:46And Mr Wilder said, "lt's that old showbiz adage...
1:11:46 > 1:11:49"Give the audience what they want and they'll come."
1:11:50 > 1:11:53LAUGHTER
1:12:03 > 1:12:05Hey, Ben. Ben.
1:12:06 > 1:12:08- Hey.- Scott.
1:12:08 > 1:12:10I think if we talk, you know..
1:12:10 > 1:12:12- Terms?- Yeah.
1:12:12 > 1:12:15- Oh, are we negotiating? - No, we'll save that for later.
1:12:15 > 1:12:17You wanna negotiate?
1:12:17 > 1:12:19Later, you wanna talk about my ex-wife later?
1:12:21 > 1:12:23No. What are you...?
1:12:23 > 1:12:26- Later?- What do you mean? - You sleep in my ex-fucking-bed
1:12:26 > 1:12:30with my ex-fucking-wife in my ex-fucking-house, and you wanna negotiate?!
1:12:30 > 1:12:32- No, no, no!- And I don't care?
1:12:32 > 1:12:36- No!- What's wrong with you, you little shitbag?!
1:12:39 > 1:12:43All you'll be able to do is write tampon jingles, you hear me, fuckface?!
1:12:43 > 1:12:45Tampon jingles, you fucking hack!
1:12:49 > 1:12:51Are you all right?
1:12:51 > 1:12:56- Sure. - For a minute, I thought you were...
1:12:56 > 1:12:59What?
1:12:59 > 1:13:02Nothing. Anyway, so...
1:13:02 > 1:13:04remember that florist movie?
1:13:04 > 1:13:09There's a star attached now, and, frankly, I would much rather have you produce it than Leonard.
1:13:09 > 1:13:11?o, no. Who do you think I am?
1:13:11 > 1:13:15I don't understand, you wanna throw this opportunity my way? Why?
1:13:15 > 1:13:17Well, my agent thought it would be good business.
1:13:17 > 1:13:20You're the guy who could get money and run interference on this one.
1:13:20 > 1:13:23- Frankly, I agree. - Out of the question.
1:13:23 > 1:13:30- Why?- Why? Well, I believe...there's a couple of things that you and I would need to sort out first.
1:13:30 > 1:13:32Sure, like what?
1:13:32 > 1:13:34Like you're seeing my ex-wife.
1:13:34 > 1:13:38- Ben, you've been divorced for a year and a half.- It doesn't matter.
1:13:38 > 1:13:40But you almost married somebody else six months ago.
1:13:40 > 1:13:43So what? lt's not right, it doesn't feel right, it's wrong.
1:13:43 > 1:13:45I mean, Scott, for God's sakes, you're married.
1:13:45 > 1:13:47What difference does that make?
1:13:47 > 1:13:48I'm not happy.
1:13:48 > 1:13:51Not happy!
1:13:51 > 1:13:53Is this a feeling that you're unfamiliar with?
1:13:56 > 1:13:58I'm gonna have to think about this.
1:13:58 > 1:14:00Fine.
1:14:03 > 1:14:07Uh... Oh, by the way, who's the actor in the florist movie?
1:14:07 > 1:14:10- Brad Pitt.- He's in?- 100%.
1:14:10 > 1:14:11Brad Pitt as a florist, he'd be good.
1:14:13 > 1:14:16- Sure would. - I already have a couple of thoughts.
1:14:16 > 1:14:18- Oh, yeah?- Yeah.
1:14:20 > 1:14:24Ladies and gentlemen, one last custom before we leave this place.
1:14:24 > 1:14:26I want to invite all of you after the family to come forward and to lay
1:14:26 > 1:14:33a blanket of soil over Jack's casket, that every one of us should lay him to rest in peace.
1:14:33 > 1:14:36And after that we'll sing, I'll chant a prayer.
1:14:36 > 1:14:38I wouldn't stand there if I was you.
1:14:38 > 1:14:40lt couldn't be helped.
1:14:40 > 1:14:44Look, I'm certain we're both making more out of this than is necessary.
1:14:44 > 1:14:47I told you, the answer's no.
1:14:47 > 1:14:52"No" means the picture is as dead as Jack. That's not good for you or me.
1:14:52 > 1:14:54We'll see.
1:14:56 > 1:14:59Look...you're just a producer.
1:14:59 > 1:15:02You're just the fucking mayonnaise in a bad sandwich.
1:15:02 > 1:15:05They're gonna crush your nuts.
1:15:05 > 1:15:08Yeah, I don't think that's gonna happen.
1:15:10 > 1:15:12We'll see.
1:15:12 > 1:15:14Get the fuck away from me, will you?
1:15:14 > 1:15:17I'd hate to have to fucking beat you to death right here.
1:15:17 > 1:15:19HE SINGS IN HEBREW
1:16:10 > 1:16:13- Oh! Oh!- He just hit him!- Dick! Dick!
1:16:14 > 1:16:16Dick!
1:16:43 > 1:16:45Here's what happened.
1:16:45 > 1:16:48He went right from the car to his trailer.
1:16:48 > 1:16:52- 'What did he look like?'- Hard to tell. He had a hat, sunglasses with a scarf, kept his back to everyone.
1:16:52 > 1:16:57That make-up guy and his assistant are the other ones in the trailer, door's locked.
1:16:57 > 1:17:00- Did the Teamster who drove him see him?- Said he didn't notice.
1:17:00 > 1:17:02I ran into him yesterday at Jack's funeral.
1:17:02 > 1:17:04- Well?- Not good.
1:17:06 > 1:17:08BELL RlNGING
1:17:12 > 1:17:15Sid has asked me to come out to support you guys, but he's adamant,
1:17:15 > 1:17:18- if the status is quo, this baby goes down.- Let's be patient.
1:17:18 > 1:17:21We're gonna be ready at ten.
1:17:21 > 1:17:24Allison, let's make sure first take is set!
1:17:24 > 1:17:26"lf the status is quo"?
1:17:26 > 1:17:29- lt's a new breed.- God.
1:17:31 > 1:17:34Ready on the set, sir.
1:17:41 > 1:17:45He'll be out in a minute. Huh? Two.
1:17:46 > 1:17:47We're almost there.
1:17:54 > 1:17:56I'm betting beard.
1:17:56 > 1:17:59What kind of remark is that? People's livelihoods are at stake.
1:17:59 > 1:18:02Make a note - producer with a conscience.
1:18:20 > 1:18:24- They say, you know, we're measured by how we handle adversity.- OK, you're going to have to stop it, all right
1:18:24 > 1:18:25You're going to have to stop it.
1:18:27 > 1:18:32- Have one, calm the nerves.- What the hell? It's only been 30 years.
1:18:42 > 1:18:45OK, that's it, here we are. Let's go!
1:18:58 > 1:19:00INDISTINCT CHATTER
1:19:03 > 1:19:04Come on!
1:19:09 > 1:19:11GROANS
1:19:25 > 1:19:29Hey! How about we get this fucker on the road, eh?
1:19:29 > 1:19:31APPLAUSE AND CHEERING
1:19:35 > 1:19:38# Baptisms of fire
1:19:41 > 1:19:45# I've witnessed your suffering
1:19:47 > 1:19:50# As the battle raged higher... #
1:20:11 > 1:20:13CAMERA SHUTTERS CLICK
1:20:36 > 1:20:38CAMERA SHUTTERS CLICK
1:20:45 > 1:20:48My man, you did it!
1:20:48 > 1:20:50HE MUTTERS
1:20:53 > 1:20:56HE SPEAKS FRENCH
1:20:56 > 1:20:59I'd like to introduce you to Mary, and Marie.
1:20:59 > 1:21:05- Kind of young.- Not really - 16 and 16 is 32!- Aba knows numbers!
1:21:05 > 1:21:08Aba knows numbers, Ben!
1:21:08 > 1:21:11Today is a good day for business. DOG BARKS
1:21:11 > 1:21:13Hey, how are you?
1:21:13 > 1:21:17- So I hear we've made some changes? - Yes. Well, just some nips and tucks.
1:21:17 > 1:21:20- So long as we've kept our edge. - Oh, yes. The edge? The edge?
1:21:20 > 1:21:22We saved the edge.
1:21:22 > 1:21:24- Get any sleep on the plane? - HE MUMBLES
1:21:24 > 1:21:26HE SNIGGERS
1:21:28 > 1:21:32- I'm certainly optimistic. - Good, optimistic is good.
1:21:33 > 1:21:38- Yeah, no, I haven't seen this final cut.- You haven't seen this cut?
1:21:38 > 1:21:40Well, I think it's... I think it's great.
1:21:40 > 1:21:44- It's finally there.- Yeah.- It's been a long, hard one, but... Yeah.
1:21:44 > 1:21:47- But you guys have been great about it.- Oh, well, thank you.
1:21:47 > 1:21:49We're so lucky to have you.
1:21:49 > 1:21:52ANNOUNCER: Mesdames et Messieurs, Sean Penn!
1:21:52 > 1:21:55APPLAUSE AND CHEERING
1:21:59 > 1:22:01TRANSLATION:
1:22:28 > 1:22:31TRANSLATION:
1:23:30 > 1:23:32RAUCOUS APPLAUSE
1:23:45 > 1:23:48- Ben, they like him.- They do.
1:23:48 > 1:23:51There's a seat on the jet if you want to come back with us.
1:23:51 > 1:23:54Wheels up 2am sharp.
1:23:54 > 1:23:56- I'll get you the tail number, the details.- Good. OK.
1:23:59 > 1:24:02- Nice job.- Finally got my priorities straight!
1:24:02 > 1:24:05FILM SOUNDTRACK PLAYS
1:24:23 > 1:24:25LAUGHTER
1:24:32 > 1:24:34SUSPENSEFUL MUSIC PLAYS
1:24:36 > 1:24:38CAR TYRES SCREECH
1:24:51 > 1:24:52GUNSHOT
1:25:12 > 1:25:14DOG BARKS
1:25:17 > 1:25:21Father, forgive them, they know not what they do.
1:25:25 > 1:25:26- No! - GUNSHOT
1:25:26 > 1:25:29AUDIENCE EXCLAIMS
1:25:32 > 1:25:34GASPS
1:25:34 > 1:25:37MORE GUNSHOTS
1:25:37 > 1:25:40WOMAN SPEAKS FRENCH
1:25:40 > 1:25:43GUNSHOTS CONTINUE
1:25:47 > 1:25:49GUNSHOTS, SEAGULLS CRY
1:26:13 > 1:26:17UPBEAT MUSIC PLAYS
1:26:20 > 1:26:21GUNSHOT RINGS OUT
1:26:24 > 1:26:26MUSIC PLAYS
1:26:31 > 1:26:35SCATTERED APPLAUSE
1:26:37 > 1:26:40AUDIENCE BOOS
1:26:42 > 1:26:45Bravo! >
1:26:45 > 1:26:48APPLAUSE AND BOOS
1:27:19 > 1:27:21PHOTOGRAPHERS SHOUT
1:27:26 > 1:27:29CHATTER AND LAUGHTER
1:27:33 > 1:27:37You know, Lou...
1:27:37 > 1:27:43I gotta say... And I've given this some real thought...
1:27:43 > 1:27:46You've given it a thought? That's refreshing.
1:27:46 > 1:27:48After seeing the movie tonight with a fresh head,
1:27:48 > 1:27:51- it really kind of grew on me. - Please(!)
1:27:52 > 1:27:54And you know what?
1:27:54 > 1:28:01- No.- I think Andy had a lot of courage, a lot of courage.
1:28:02 > 1:28:05That's good to know.
1:28:16 > 1:28:20Tres, tres belle, la soiree. Eh, monsieur?
1:28:20 > 1:28:21Excuse me?
1:28:21 > 1:28:25- It is a beautiful night in Cannes. - Yes.
1:28:30 > 1:28:32MOBILE RINGS
1:28:36 > 1:28:39- Hello.- 'Hello?'- Hello.
1:28:39 > 1:28:43- 'Ben?'- Hey, Kelly.- Hi! Hi.
1:28:43 > 1:28:48I just, um... You know the big sofa chair?
1:28:48 > 1:28:50It just came back from the upholsterer
1:28:50 > 1:28:53and when I sat in it, it made me think of you,
1:28:53 > 1:28:58so I thought I'd call and see how everything went at the screening.
1:28:58 > 1:29:03Oh, yeah, yeah... It was...OK.
1:29:03 > 1:29:07- So, er...the chair came back? - 'Yeah, this morning.'
1:29:07 > 1:29:13- Oh. What sort of fabric? - It's a beautiful red boucle fabric. Gorgeous.
1:29:13 > 1:29:15Mm, bright red.
1:29:15 > 1:29:19You know, I always thought it was great just the way it was.
1:29:20 > 1:29:22'I feel like a change.'
1:29:23 > 1:29:27- Pass point.- He needs also the tail number.- OK.
1:29:27 > 1:29:29- Yeah, OK.- Merci.
1:29:31 > 1:29:33It's 2112F.
1:29:33 > 1:29:352112F.
1:29:35 > 1:29:38C'est deux, un, un, deux, F. Deux, un, un, deux, F.
1:29:38 > 1:29:42THEY SPEAK FRENCH
1:29:43 > 1:29:45What's he saying? What's he saying?
1:29:45 > 1:29:48He's says the plane, already gone.
1:29:48 > 1:29:50No, it can't be gone because I'm on it.
1:29:52 > 1:29:54It's 2112F.
1:29:55 > 1:29:58- '2112F!'- Ben, Ben, Ben, Ben!
1:29:58 > 1:30:01THEY ARGUE IN FRENCH
1:30:01 > 1:30:04He says this is your plane.
1:30:04 > 1:30:06- Mais vous etes certain? - Mais, oui, c'est cela!
1:30:06 > 1:30:08Mais c'est pas possible...
1:30:08 > 1:30:12Ho! Ho! Lou!
1:30:12 > 1:30:15Lou, it's me! Lou! Lou! Wait!
1:30:16 > 1:30:18- Hello? - PLANE ENGINE ROARS
1:30:18 > 1:30:21Hey! Hey!
1:30:40 > 1:30:43Hello, hello, hello? Ben?
1:30:43 > 1:30:46- 'What just happened?'- Hello, Kelly?
1:30:46 > 1:30:49Oh, yeah, there's a lot of congestion at the airport,
1:30:49 > 1:30:51a lot of traffic.
1:30:51 > 1:30:56Yeah. You know, I think I'm going to stay here a couple of days,
1:30:56 > 1:30:59I heard about this great French bistro on the water,
1:30:59 > 1:31:02I thought, you know, why not soak up the culture?
1:31:02 > 1:31:05Life's not bad, I'm in France.
1:31:05 > 1:31:08Life is good.
1:31:08 > 1:31:10'Well, I'm jealous.'
1:31:10 > 1:31:13So, the chair came back?
1:31:13 > 1:31:15Yeah, this morning.
1:31:15 > 1:31:19Yeah, but red... Honey, I can't picture that.
1:31:19 > 1:31:22Well, I like it. It's really pretty.
1:31:22 > 1:31:25No, I just... Well, all right. It's your chair.
1:31:25 > 1:31:27'I know that now, I know that.'
1:31:27 > 1:31:31You actually said, "It's your chair and I know that now."
1:31:31 > 1:31:35'That's amazing! Thank you so much for realising that.'
1:31:37 > 1:31:40So, I'll... I'll... I'll let you go.
1:31:40 > 1:31:45Um, OK. So I'll... see you when I see you.
1:31:45 > 1:31:48OK. OK, I'll call you when I get back.
1:31:48 > 1:31:50Bonjour!
1:32:04 > 1:32:07'Remember the Vanity Fair photoshoot?'
1:32:12 > 1:32:16I saw that thing on the internet about your preview not doing so well.
1:32:16 > 1:32:19- Hang in there.- Thanks, buddy. That's all bullshit anyway.
1:32:19 > 1:32:21Like Gangbusters.
1:32:21 > 1:32:23Over on the wall over there and on the table are charts
1:32:23 > 1:32:26which indicate where each of you has been designated to stand.
1:32:26 > 1:32:29'I was promised that I'd stand between the O and the W,
1:32:29 > 1:32:30'where Stuart is.
1:32:30 > 1:32:34'But once word leaked out about the screening in Cannes,
1:32:34 > 1:32:35'I was sent way over by the P.
1:32:35 > 1:32:39'Inches away from being completely out of the business.'
1:32:39 > 1:32:42Actually, Ben, the P. Yeah. You can go over near the P.
1:32:42 > 1:32:43The other way.
1:32:43 > 1:32:47No, left. My left, your right. It's actually the other side -
1:32:47 > 1:32:51if you go the other side, that's it. A little further, little further.
1:32:51 > 1:32:53Right, if you could switch with Todd. A little further,
1:32:53 > 1:32:56little further. Little bit more.
1:32:59 > 1:33:00Ah, you're near the P.
1:33:03 > 1:33:05Great.
1:33:05 > 1:33:08Yep, that's right. Yeah.
1:33:11 > 1:33:15# If I'm a toy then let me do what I do
1:33:17 > 1:33:22# You wind me up and watch what I do to you
1:33:42 > 1:33:48# I may be small but I know I'm right for you
1:33:49 > 1:33:55# No big cowboy can do the little things I do
1:33:57 > 1:34:01- # You get that, strange little sweet girl?- Uh-huh.
1:34:01 > 1:34:02# All right
1:34:12 > 1:34:16- # You get that, strange little sweet girl?- Uh-huh
1:34:16 > 1:34:17# All right. #
1:34:17 > 1:34:21E-mail subtitling@bbc.co.uk
1:34:21 > 1:34:22Subtitles by Red Bee Media Ltd