Mr Lucky

0:01:07 > 0:01:10FOGHORN SOUNDS

0:02:12 > 0:02:14I wouldn't do that if I were you.

0:02:14 > 0:02:17Wouldn't you? How do I know she ain't going to jump?

0:02:17 > 0:02:18She's all right.

0:02:18 > 0:02:20She's not going to do anything.

0:02:20 > 0:02:24Just going to stand there. She'll walk up and down.

0:02:24 > 0:02:26Then she'll go lean against that bollard

0:02:26 > 0:02:28and just stand there and look out to sea.

0:02:28 > 0:02:31She's got no right to be there without a pass.

0:02:31 > 0:02:34She could have a pass to the White House

0:02:34 > 0:02:35if she wanted it.

0:02:35 > 0:02:37You push her around, you'll get into trouble.

0:02:37 > 0:02:39She's a somebody.

0:02:39 > 0:02:41Speaking of passes, where's yours?

0:02:41 > 0:02:43Oh, you're new here, aren't you?

0:02:50 > 0:02:53Ship's master, huh?

0:02:53 > 0:02:55I came ashore on a dinghy.

0:02:55 > 0:02:59It's tied up down at the end of the pier.

0:02:59 > 0:03:02There, you see? I told you she was all right.

0:03:02 > 0:03:04What's she going to do now?

0:03:04 > 0:03:06Just look.

0:03:06 > 0:03:09She's watching for a ship to come in.

0:03:09 > 0:03:12Only it's sitting at the bottom of the Atlantic.

0:03:12 > 0:03:13What ship is that?

0:03:13 > 0:03:15It used to be called the Fortuna.

0:03:15 > 0:03:18Yeah, that gambling ship used to dock here.

0:03:18 > 0:03:19That's right.

0:03:19 > 0:03:21I was on pier 27...

0:03:21 > 0:03:22Yeah, I know.

0:03:22 > 0:03:26She was owned by a boss gambler called Joe the Greek.

0:03:26 > 0:03:27Ever hear of him?

0:03:27 > 0:03:30Everybody that read the newspaper did.

0:03:30 > 0:03:32Er, did you know him?

0:03:32 > 0:03:35Yep. I was master of the Fortuna.

0:03:35 > 0:03:38Say, tell me, was he...was he really a Greek?

0:03:38 > 0:03:40Nobody ever knew what he was,

0:03:40 > 0:03:42except tough.

0:03:42 > 0:03:45He wasn't just ordinary tough, he was double tough.

0:03:45 > 0:03:48And too smart for his own good.

0:03:48 > 0:03:50Hmm... Crossed you up, huh?

0:03:50 > 0:03:52Oh, no.

0:03:52 > 0:03:54Crossed himself up.

0:03:54 > 0:03:56How?

0:03:56 > 0:03:58That's how.

0:03:58 > 0:04:02Right here on this pier is the last time she ever saw him.

0:04:02 > 0:04:03When was that?

0:04:03 > 0:04:06Back a ways when we had the Fortuna tied up here.

0:04:06 > 0:04:08We weren't operating then.

0:04:08 > 0:04:10We were broke and full of trouble.

0:04:10 > 0:04:12One day Joe comes breezing in

0:04:12 > 0:04:15with his face full of fine and dandy

0:04:15 > 0:04:17and his heart full of ice water.

0:04:17 > 0:04:20We'd been driven off the west coast by the law,

0:04:20 > 0:04:23and put in here to raise a bankroll

0:04:23 > 0:04:25so we could operate in Havana.

0:04:25 > 0:04:27Joe was kind of up against it.

0:04:27 > 0:04:30A little Greek sailor aboard at that time,

0:04:30 > 0:04:31guy named Bascopolous...

0:04:39 > 0:04:43MAN WHISTLES "Give Me Something To Remember You By"

0:04:58 > 0:05:00How's Bascopolous?

0:05:00 > 0:05:03Looks like he's going to join Barnum and Bailey, Joe.

0:05:03 > 0:05:05What did the doc say?

0:05:05 > 0:05:08According to the doc, he's already gone.

0:05:08 > 0:05:11Said he wouldn't last over an hour two hours ago.

0:05:11 > 0:05:12All gone inside.

0:05:12 > 0:05:14How did it go uptown today?

0:05:14 > 0:05:15Swell, thanks, Swede.

0:05:15 > 0:05:18I got the plaster taken off the boat.

0:05:18 > 0:05:20We can sail any time.

0:05:20 > 0:05:22Good. Those mugs of yours have been getting restless.

0:05:22 > 0:05:24Let me know when he goes.

0:05:24 > 0:05:26Right.

0:05:26 > 0:05:28HE WHISTLES "Give Me Something To Remember You By"

0:05:30 > 0:05:33COINS DROP

0:05:34 > 0:05:36Hey, Blubber, fix this thing!

0:05:36 > 0:05:38Something wrong, boss?

0:05:38 > 0:05:39It paid.

0:05:39 > 0:05:40There ain't no customers.

0:05:40 > 0:05:42There's going to be customers where we're going.

0:05:42 > 0:05:43Fix it.

0:05:43 > 0:05:44OK.

0:05:44 > 0:05:47HE WHISTLES

0:05:47 > 0:05:48Hello, boys.

0:05:48 > 0:05:49Well, I got it.

0:05:49 > 0:05:52Cost me ten grand, but it was worth it.

0:05:52 > 0:05:54Took seven lawyers to write it, Joe to fix it.

0:05:54 > 0:05:56Put it in the safe, Zepp.

0:05:56 > 0:05:59We're sailing for Havana when Bascopolous kicks off.

0:05:59 > 0:06:01Forget it. This ship ain't going nowhere.

0:06:01 > 0:06:03Who says so?

0:06:03 > 0:06:04Your uncle Sam.

0:06:04 > 0:06:06What is this, a rib?

0:06:06 > 0:06:09Yeah. Take a gander at those kites.

0:06:11 > 0:06:15"J Bascopolous, G Zepp, J Adams." Huh?

0:06:18 > 0:06:221A? They can't do this to me. I'm a civilian.

0:06:22 > 0:06:24It's OK, chief.

0:06:24 > 0:06:25I got it all fixed.

0:06:25 > 0:06:28We can hop a plane for Mexico city in two hours.

0:06:28 > 0:06:29What?

0:06:29 > 0:06:31We'll fly to Rio.

0:06:31 > 0:06:33You can work South America till this blows over.

0:06:33 > 0:06:35Take it easy, Crunk.

0:06:35 > 0:06:37Lots of guys with big dough there.

0:06:37 > 0:06:38Well, relax. Thanks, Crunk.

0:06:38 > 0:06:40J Bascopolous,

0:06:40 > 0:06:42what did he get?

0:06:42 > 0:06:454F? What's that?

0:06:45 > 0:06:47It means they don't want him.

0:06:47 > 0:06:50He's physically unfit. Lucky stiff.

0:06:50 > 0:06:53Yeah, he's physically unfit all right.

0:06:54 > 0:06:55Or is he?

0:06:55 > 0:06:59All right, boys. Get lost.

0:07:05 > 0:07:09One of us is out of the army, Joe.

0:07:09 > 0:07:11Who declared you in?

0:07:11 > 0:07:12We're partners, ain't we?

0:07:12 > 0:07:15That's a 50-50 proposition in my book.

0:07:15 > 0:07:17What do you want, half the card?

0:07:17 > 0:07:20I'll trade my half of the boat for the card.

0:07:20 > 0:07:22What good would that be?

0:07:22 > 0:07:24Whoever gets the card gets the boat, too.

0:07:24 > 0:07:25Who gets it, Joe?

0:07:25 > 0:07:27Want to cut for it?

0:07:27 > 0:07:29Poker dice.

0:07:29 > 0:07:30You got a deal.

0:07:30 > 0:07:32I'll get the box.

0:07:32 > 0:07:36Wait. Can't you wait and make the thing legal?

0:07:36 > 0:07:37What's wrong with poker dice?

0:07:37 > 0:07:40Nothing, only he ain't dead yet.

0:07:40 > 0:07:42I never took anything off a pal.

0:07:42 > 0:07:44After he joins the circus, that's different.

0:07:44 > 0:07:47Come on.

0:07:47 > 0:07:48Nervous.

0:07:53 > 0:07:56Take your best shot, Zepp.

0:08:03 > 0:08:06Three kings, Joe.

0:08:14 > 0:08:16Have a smoke, Crunk.

0:08:27 > 0:08:30Four kings, Joe,

0:08:30 > 0:08:32in two rolls.

0:08:32 > 0:08:33Beat it.

0:08:34 > 0:08:36Can you hold it a minute, chief?

0:08:40 > 0:08:41Shoot.

0:08:49 > 0:08:50Three aces.

0:08:53 > 0:08:56What did you think this was, amateur night?

0:08:56 > 0:08:58I don't get you, Joe.

0:08:58 > 0:09:02Didn't you see an elephant walk across the table with muddy feet?

0:09:02 > 0:09:03I didn't pull a switch.

0:09:03 > 0:09:04Didn't you?

0:09:04 > 0:09:07Then blow on it for luck.

0:09:07 > 0:09:09Go on, blow.

0:09:10 > 0:09:13I wouldn't shove around my own partner.

0:09:13 > 0:09:15Sure you wouldn't.

0:09:15 > 0:09:17One more ace, that's it.

0:09:17 > 0:09:19Yeah, that's it.

0:09:23 > 0:09:25There it is.

0:09:26 > 0:09:29Well, looks like the army needs men like you.

0:09:30 > 0:09:33Take good care of yourself.

0:09:33 > 0:09:35I'll have a nice big service flag

0:09:35 > 0:09:36with a single star

0:09:36 > 0:09:38hanging in my office, just for you.

0:09:38 > 0:09:40Swede, see you later.

0:09:40 > 0:09:41Where you going, Joe?

0:09:41 > 0:09:43Uptown to raise a bankroll.

0:09:43 > 0:09:45I thought you lifted the plaster.

0:09:45 > 0:09:47Sure, but we need 50 grand to start operating.

0:09:47 > 0:09:49Where you going to get it?

0:09:49 > 0:09:52I can raise that in one afternoon.

0:09:52 > 0:09:54Shake hands with the new Joe Bascopolous.

0:09:54 > 0:09:55Huh?

0:09:55 > 0:09:59Take this dough and give Joe Adams a swell funeral.

0:09:59 > 0:10:00Lots of white flowers.

0:10:00 > 0:10:03The guy had a lot of good in him.

0:10:03 > 0:10:04What's he talking about?

0:10:04 > 0:10:06You explain while I change.

0:10:12 > 0:10:15Well, I guess that's enough of that.

0:10:15 > 0:10:16Yeah.

0:10:16 > 0:10:18You anxious to get in the service?

0:10:18 > 0:10:21You don't know what it cost me.

0:10:21 > 0:10:25That's too bad. Your blood pressure's 210. We can't use you.

0:10:25 > 0:10:26Ah, you can't use...

0:10:26 > 0:10:28We can't use you. I'm sorry.

0:10:28 > 0:10:31Will it hurt if I get drunk?

0:10:31 > 0:10:32It won't do you any good.

0:10:32 > 0:10:34I'll get drunk and stay drunk.

0:10:34 > 0:10:37Too bad. A fine, patriotic fellow.

0:10:37 > 0:10:40It's been a shock to him.

0:10:44 > 0:10:46Throw that thing away.

0:10:46 > 0:10:48Did you raise the wind?

0:10:48 > 0:10:50I couldn't even raise a good cough.

0:10:50 > 0:10:53I don't know what happened to this town.

0:10:53 > 0:10:54How about those soft touches?

0:10:54 > 0:10:57The heat's on. They either got caught in the draft

0:10:57 > 0:10:59or paid their income taxes.

0:10:59 > 0:11:01How you going to raise the dough?

0:11:01 > 0:11:04How do I know? I tried everyone I knew.

0:11:04 > 0:11:06Looks like our luck is out.

0:11:06 > 0:11:07Don't do that!

0:11:07 > 0:11:08But look!

0:11:08 > 0:11:11One, two, three, four, five... six naturals!

0:11:11 > 0:11:13This is strictly from heaven.

0:11:13 > 0:11:15Come on, let's do it.

0:11:15 > 0:11:17You do it. I'll wait here.

0:11:17 > 0:11:20It's no good if we both don't do it.

0:11:20 > 0:11:22You trying to jinx it?

0:11:22 > 0:11:24This is a sure thing.

0:11:24 > 0:11:25Can't miss.

0:11:28 > 0:11:30Sit down, boss.

0:11:34 > 0:11:35OK, Joe.

0:11:35 > 0:11:37Fine.

0:11:37 > 0:11:38Take it easy, bud.

0:11:38 > 0:11:40Come on. The fella's getting nervous.

0:11:40 > 0:11:42Thanks, pal.

0:11:45 > 0:11:46How do you do?

0:11:47 > 0:11:49How do you do?

0:11:49 > 0:11:52Can I send you a ticket to our charity ball?

0:11:52 > 0:11:53Sure.

0:11:53 > 0:11:54One or two?

0:11:55 > 0:11:57Two.

0:11:57 > 0:11:58They're 50 apiece.

0:11:58 > 0:12:00Oh, I know they're frightfully expensive,

0:12:00 > 0:12:03but we're trying to raise 100,000.

0:12:03 > 0:12:05Are you, now?

0:12:05 > 0:12:07That's a coincidence.

0:12:07 > 0:12:08What's it for, sister?

0:12:08 > 0:12:10War Relief Incorporated.

0:12:10 > 0:12:12Hmm. I'm interested in relief.

0:12:12 > 0:12:14Where are your headquarters?

0:12:14 > 0:12:16The address is on the ticket.

0:12:16 > 0:12:17Uh-huh.

0:12:17 > 0:12:18Thanks.

0:12:18 > 0:12:21I'll look you up.

0:12:23 > 0:12:26I may throw something your way.

0:12:26 > 0:12:28Thank you.

0:12:50 > 0:12:53Where can I find the big boss?

0:12:53 > 0:12:55I'm sorry. They're all very busy just now.

0:12:55 > 0:12:56INAUDIBLE

0:12:56 > 0:12:58I want to make a donation.

0:13:01 > 0:13:03INAUDIBLE

0:13:04 > 0:13:07What kind of donation did you want to make?

0:13:07 > 0:13:1170, 80,000...dollars.

0:13:11 > 0:13:13Just wait.

0:13:18 > 0:13:21THEY CHATTER

0:13:21 > 0:13:23Where is he? Oh, is that him?

0:13:26 > 0:13:30There's a man over there who's going to give us...

0:13:30 > 0:13:32Where is he? Is that him?

0:13:37 > 0:13:40Our Captain Steadman would like to see you, Mr, er...

0:13:40 > 0:13:42Just a moment, Mrs Ostrander.

0:13:42 > 0:13:45Did you say 70 or 700?

0:13:45 > 0:13:4670,000.

0:13:46 > 0:13:49I told you. This way, please.

0:13:49 > 0:13:52(70,000!)

0:13:52 > 0:13:53Captain Steadman, this is Mr, er...

0:13:53 > 0:13:56I don't believe I got your name.

0:13:56 > 0:13:57Joe. How are you?

0:13:57 > 0:13:58Joe?

0:13:58 > 0:13:59Joe.

0:13:59 > 0:14:01Joseph! Don't you understand? Mr Joseph.

0:14:01 > 0:14:02Do sit down.

0:14:02 > 0:14:05Close the door as you go out.

0:14:05 > 0:14:08You couldn't have come at a more timely moment.

0:14:08 > 0:14:10Our ticket sales have been so disappointing.

0:14:10 > 0:14:14We have to send a shipload of medical supplies to Europe.

0:14:14 > 0:14:17We have to raise the money as quickly as possible.

0:14:17 > 0:14:20I hope you want to make your donation in cash.

0:14:20 > 0:14:22I always do business in cash.

0:14:22 > 0:14:23That's splendid.

0:14:23 > 0:14:25You'll have to help me, though.

0:14:25 > 0:14:26Of course.

0:14:26 > 0:14:28You see, I'm a boss gambler.

0:14:28 > 0:14:29That's my business.

0:14:29 > 0:14:31We never inquire into one's associations.

0:14:31 > 0:14:34This charity affair, that's made to order.

0:14:34 > 0:14:37You just have to give me the gambling concession.

0:14:37 > 0:14:38Gambling?

0:14:38 > 0:14:39Sure. Blackjack, chuck-a-luck, roulette.

0:14:39 > 0:14:41I'll raise the dough in one evening.

0:14:41 > 0:14:43I don't understand.

0:14:43 > 0:14:44Well, it's simple.

0:14:44 > 0:14:47You're giving a ball. We take rooms next door.

0:14:47 > 0:14:49You steer the customers in.

0:14:49 > 0:14:52I supply everything. You rake in the winnings.

0:14:52 > 0:14:55Are there always winnings? Supposing you lose?

0:14:55 > 0:14:57Last winter in Palm Beach...

0:14:57 > 0:14:58Sure. That's my point.

0:14:58 > 0:15:00I bet you dropped a packet.

0:15:00 > 0:15:01Well, look.

0:15:01 > 0:15:04Show you what I mean. You roll the dice.

0:15:04 > 0:15:05You're the customer.

0:15:05 > 0:15:06Shall I?

0:15:06 > 0:15:08Sure. Go on, roll them.

0:15:10 > 0:15:11Snake eyes. See?

0:15:11 > 0:15:13Now watch the difference.

0:15:13 > 0:15:147.

0:15:14 > 0:15:17See the difference? I'm lucky. I can't lose.

0:15:17 > 0:15:19Now roll them again.

0:15:19 > 0:15:20You're still the customer.

0:15:20 > 0:15:22Try a dump shot.

0:15:22 > 0:15:23Put them in the glass.

0:15:23 > 0:15:24That's it.

0:15:24 > 0:15:25See? 4.

0:15:25 > 0:15:26Tough point to make.

0:15:26 > 0:15:28Watch this.

0:15:29 > 0:15:307.

0:15:30 > 0:15:31How do you do it?

0:15:31 > 0:15:35Influence. Bring me the right people, I'll get you 100,000.

0:15:35 > 0:15:36But it's gambling.

0:15:36 > 0:15:38Not the way I do it.

0:15:38 > 0:15:39TAPPING ON DOOR

0:15:39 > 0:15:41How much do you figure to raise?

0:15:41 > 0:15:43Between 15 and 20,000.

0:15:43 > 0:15:45But you're aiming at 100 grand.

0:15:45 > 0:15:48String along with me, and you're home, James.

0:15:48 > 0:15:51But you won't get it listening to that woodpecker.

0:15:51 > 0:15:54It so happens that gambling is against the law.

0:15:54 > 0:15:56In Reno it's as legal as selling groceries.

0:15:56 > 0:15:58We're in New York.

0:15:58 > 0:15:59What a pity.

0:15:59 > 0:16:01Dorothy, this is Mr Joseph.

0:16:01 > 0:16:02My lieutenant, Miss Bryant.

0:16:02 > 0:16:04I've already had the pleasure.

0:16:04 > 0:16:05It so happens

0:16:05 > 0:16:09we have a committee of financial advisers.

0:16:09 > 0:16:11Strange they've never hit upon your plan.

0:16:11 > 0:16:15Not everyone can do it, lieutenant. It's kind of, um...

0:16:15 > 0:16:16Dangerous. That's what I mean.

0:16:16 > 0:16:19I'm afraid Miss Bryant's right. >

0:16:19 > 0:16:21Perhaps if you'd send us a letter detailing your plan.

0:16:21 > 0:16:24We'll take it up at our next meeting.

0:16:24 > 0:16:27But you're in a hurry for this dough.

0:16:27 > 0:16:30We can't afford to sponsor something we might later regret.

0:16:30 > 0:16:33Goodbye, Mr Joseph, and thank you.

0:16:33 > 0:16:36Ah-ah, look out. Don't let it get in your blood, captain.

0:16:36 > 0:16:37It's bad.

0:16:37 > 0:16:39Excuse me.

0:16:39 > 0:16:41Dorothy, don't forget your appointment at the bank.

0:16:41 > 0:16:42All right.

0:16:44 > 0:16:46Mother, come here. What bank is that?

0:16:46 > 0:16:49Why, it's at 31 East 39th.

0:16:49 > 0:16:51Thanks, Toots.

0:16:51 > 0:16:53Where to, boss?

0:16:53 > 0:16:54The bank.

0:17:02 > 0:17:03Oh, no!

0:17:03 > 0:17:04Shh!

0:17:09 > 0:17:11Next.

0:17:18 > 0:17:19Good afternoon.

0:17:19 > 0:17:21Hello, Miss Bryant.

0:17:21 > 0:17:22This is your third visit, isn't it?

0:17:22 > 0:17:24Yes.

0:17:24 > 0:17:27We'll have your silver button waiting for you.

0:17:27 > 0:17:28Thank you.

0:17:37 > 0:17:40Well, hello.

0:17:45 > 0:17:46Next, please.

0:17:46 > 0:17:47That's you, chum.

0:17:47 > 0:17:49Everybody move up, please.

0:17:49 > 0:17:50Up one.

0:17:50 > 0:17:51Thanks, bud.

0:17:52 > 0:17:54Well,

0:17:54 > 0:17:56this is quite a surprise.

0:17:56 > 0:17:56Not particularly.

0:17:56 > 0:17:59It so happens I rather expected it.

0:17:59 > 0:18:01If you think your persistence

0:18:01 > 0:18:05is going to have any effect on me, you're mistaken.

0:18:05 > 0:18:10I can't see how you can pass up 80,000 for the cause.

0:18:10 > 0:18:11For whose cause?

0:18:11 > 0:18:14If you're so interested in serving a cause,

0:18:14 > 0:18:16why don't you join the army?

0:18:16 > 0:18:17Next, please. >

0:18:17 > 0:18:18Ohh.

0:18:20 > 0:18:214F.

0:18:21 > 0:18:23You look 1A to me.

0:18:23 > 0:18:26You don't look so bad yourself.

0:18:26 > 0:18:27Well, it's my arteries.

0:18:27 > 0:18:30Should you be giving blood?

0:18:30 > 0:18:31Well, my blood's 1A.

0:18:31 > 0:18:35Just my arteries are 4F.

0:18:35 > 0:18:37J Bas...

0:18:37 > 0:18:38Bascopolous.

0:18:38 > 0:18:41I thought you said your name was Joseph.

0:18:41 > 0:18:44Well, if a fella went around calling himself Bascopolous,

0:18:44 > 0:18:48think what the other people would call him.

0:18:48 > 0:18:49Look, er,

0:18:49 > 0:18:51why didn't you let me finish

0:18:51 > 0:18:54what I was trying to tell the captain?

0:18:54 > 0:18:57It so happens I don't trust your motives.

0:18:57 > 0:18:59Yeah. Here I am giving my life's blood,

0:18:59 > 0:19:01and she don't trust my motives.

0:19:01 > 0:19:03Next. >

0:19:03 > 0:19:05The person who gets your life's blood

0:19:05 > 0:19:08will probably develop a sudden passion for the dump shot.

0:19:08 > 0:19:11The poor soldier that gets your blood,

0:19:11 > 0:19:13they'll use him for an ice cube.

0:19:13 > 0:19:14Next. >

0:19:14 > 0:19:16It so happens...

0:19:16 > 0:19:18What is that "so happens" routine?

0:19:18 > 0:19:20It so happens that's a phrase I use.

0:19:20 > 0:19:21Next, please. > I'm offering...

0:19:21 > 0:19:24Goodbye, and the answer is still no.

0:19:24 > 0:19:26This isn't the way out.

0:19:26 > 0:19:27Don't bother me.

0:19:27 > 0:19:29You can't go now.

0:19:29 > 0:19:30You've got to rest for 20 minutes.

0:19:30 > 0:19:32Look, sister, take a walk.

0:19:32 > 0:19:34I feel like a million dollars. But you...

0:19:34 > 0:19:36I feel great. Hiya, boss.

0:19:36 > 0:19:37How was it, Crunk?

0:19:37 > 0:19:39They only took a pint.

0:19:39 > 0:19:42Tomorrow I'll give them a gallon. This...

0:19:42 > 0:19:43What did I tell you?

0:20:16 > 0:20:18What say, Crunk?

0:20:18 > 0:20:22I thought we had rat guards on this boat.

0:20:22 > 0:20:23How'd you get on?

0:20:23 > 0:20:25Joe up?

0:20:25 > 0:20:27What are you doing back?

0:20:27 > 0:20:29I'll do my talking to Joe if you don't mind.

0:20:29 > 0:20:31RADIO: 'From Athens, heroic Greek troops

0:20:31 > 0:20:33'were tonight defending Greece's mountain passes

0:20:33 > 0:20:35'against invading German and Italian forces.

0:20:35 > 0:20:36'Despite their desperate efforts...'

0:20:36 > 0:20:38Hey, boss, 1A is back.

0:20:38 > 0:20:40Can't hear you. Turn that thing off.

0:20:40 > 0:20:42'Heavy fighting's reported in the Vardar valley...'

0:20:42 > 0:20:44< What's doing, Joe?

0:20:44 > 0:20:46How come you're not in uniform?

0:20:46 > 0:20:50Got a couple of weeks before I go to camp.

0:20:50 > 0:20:52Ain't got any place to flop.

0:20:52 > 0:20:54OK if I stay on the boat?

0:20:54 > 0:20:56JOE: Sure, why not?

0:20:56 > 0:20:57Thanks. How you coming with the bankroll?

0:20:57 > 0:20:59I got a crack

0:20:59 > 0:21:02at the biggest bankroll in New York if it works.

0:21:02 > 0:21:03< What's holding it up?

0:21:03 > 0:21:06An iceberg, but I'll melt her down.

0:21:06 > 0:21:09Yeah. OK if I get something to eat?

0:21:09 > 0:21:11Sure. Go down to the galley.

0:21:11 > 0:21:12Thanks, Joe.

0:21:12 > 0:21:14Thanks a lot.

0:21:14 > 0:21:17When you clean out a guy like Zepp,

0:21:17 > 0:21:19you shouldn't keep him around.

0:21:19 > 0:21:21That any way to treat a soldier?

0:21:21 > 0:21:22I'm telling you, chief...

0:21:22 > 0:21:24Never give a sucker an even break,

0:21:24 > 0:21:27and always keep an eye on a pal.

0:21:27 > 0:21:29Remember that.

0:21:29 > 0:21:30Where can I get a car?

0:21:30 > 0:21:32I got to put on the dog.

0:21:32 > 0:21:34I know a fella's got a sedan.

0:21:34 > 0:21:36Get it and meet me in 30 minutes. OK.

0:21:39 > 0:21:41HORN HOOTS

0:21:44 > 0:21:46So long, Crunk.

0:21:46 > 0:21:47Joe!

0:21:47 > 0:21:49HE WHISTLES

0:21:52 > 0:21:55We'll just have to sell more tickets.

0:21:55 > 0:21:56Wish I knew how.

0:21:56 > 0:21:59If we sold the lot, it wouldn't be enough.

0:21:59 > 0:22:00INTERCOM BUZZES

0:22:02 > 0:22:03Yes?

0:22:03 > 0:22:05'Miss Bryant, there's a recruit out here.

0:22:05 > 0:22:06'I don't know what to do.'

0:22:06 > 0:22:08Hang on to her. We can use anybody.

0:22:08 > 0:22:10'Miss Bryant, it's rather a special case.'

0:22:10 > 0:22:12Send her in before she changes her mind.

0:22:12 > 0:22:14I've got a hundred things to do.

0:22:14 > 0:22:15She may have scads of money

0:22:15 > 0:22:17and will buy blocks of tickets.

0:22:17 > 0:22:18I'm her.

0:22:20 > 0:22:22I've been thinking over what you said yesterday,

0:22:22 > 0:22:25and I wondered why you couldn't use me here.

0:22:25 > 0:22:29You mean you want to enlist in this organisation?

0:22:29 > 0:22:31It's time for every man to do his bit.

0:22:31 > 0:22:33If not for this weak heart...

0:22:33 > 0:22:35Arteries.

0:22:35 > 0:22:36Arteries. Same thing. How about it?

0:22:36 > 0:22:38What about all this gambling at the ball?

0:22:38 > 0:22:41Oh, I forgot it. Too bad. Great idea.

0:22:41 > 0:22:43Yep, good for the cause.

0:22:43 > 0:22:44Well, let it go.

0:22:46 > 0:22:47Well, as personnel officer,

0:22:47 > 0:22:50I have no right to refuse any enlistment.

0:22:50 > 0:22:51However, I should warn you,

0:22:51 > 0:22:55we've had men before, but they all asked to be transferred

0:22:55 > 0:22:56to more active branches.

0:22:56 > 0:22:59So many women around get on their nerves.

0:22:59 > 0:23:01Oh, well, that won't bother me.

0:23:01 > 0:23:02< I might have known.

0:23:04 > 0:23:05Perhaps you'd better read this.

0:23:05 > 0:23:08We expect a lot of our workers.

0:23:08 > 0:23:10Thank you. Do you mind if I sit?

0:23:10 > 0:23:11Oh, of course not.

0:23:15 > 0:23:17SHE MOUTHS

0:23:17 > 0:23:22SHE MOUTHS

0:23:26 > 0:23:28How do you do?

0:23:28 > 0:23:29I gather you want to enlist.

0:23:29 > 0:23:30Yes, ma'am.

0:23:30 > 0:23:32Sure you know what you're doing?

0:23:32 > 0:23:34I'd do anything to help the cause. Anything.

0:23:34 > 0:23:36I think that's wonderful. Don't you, Dorothy?

0:23:36 > 0:23:38We need a man in this office.

0:23:38 > 0:23:40You said so yesterday.

0:23:40 > 0:23:41Why waste time looking around?

0:23:41 > 0:23:44Sure you know what you're doing?

0:23:44 > 0:23:45Definitely.

0:23:45 > 0:23:46< Perhaps you're right.

0:23:46 > 0:23:48The discipline will be good for him, too.

0:23:48 > 0:23:51Fill in the application. I'll get you a button.

0:23:51 > 0:23:52Thank you.

0:23:52 > 0:23:54Sign on the bottom line, Mr Bascapolis.

0:23:54 > 0:23:56Bascopolous.

0:23:56 > 0:23:58I didn't think you'd forget me.

0:23:58 > 0:23:59I don't intend to.

0:24:08 > 0:24:09Like it?

0:24:09 > 0:24:12Like it? I'm fascinated.

0:24:14 > 0:24:17Here you are. Now you're one of us, Mr...

0:24:17 > 0:24:18Bascopolous.

0:24:18 > 0:24:21Oh, yes, of course. Bascopolous?

0:24:21 > 0:24:22Greek?

0:24:22 > 0:24:23American. Naturalised.

0:24:23 > 0:24:25Oh, yes. Well, you get to work.

0:24:25 > 0:24:27Dorothy will take care of you.

0:24:27 > 0:24:29See me later and tell me how you're getting on.

0:24:29 > 0:24:32I think it's perfectly wonderful.

0:24:36 > 0:24:38Everything's fixed. I'm in.

0:24:38 > 0:24:40Stand up. Take your hat off my desk.

0:24:40 > 0:24:42Put out that cigarette.

0:24:42 > 0:24:44Recruits are not allowed to smoke during office hours.

0:24:44 > 0:24:47Put a fresh bottle of water on that cooler.

0:24:47 > 0:24:48Yes.

0:25:03 > 0:25:04How would you like to begin

0:25:04 > 0:25:06with a propaganda project?

0:25:06 > 0:25:07< Yes, sir or madam.

0:25:07 > 0:25:09Do you know how to knit?

0:25:11 > 0:25:12Knit?

0:25:12 > 0:25:15I asked you if you knew how to knit.

0:25:16 > 0:25:17Knit?

0:25:17 > 0:25:18In England, incapacitated men

0:25:18 > 0:25:21knit without hesitation.

0:25:21 > 0:25:22Knit!

0:25:22 > 0:25:23The best knitter I ever saw

0:25:23 > 0:25:24was wing commander Barnstable.

0:25:24 > 0:25:27He picked it up while in a plaster cast.

0:25:27 > 0:25:29I don't knit.

0:25:29 > 0:25:32That's exactly the attitude we're trying to combat.

0:25:32 > 0:25:33Look, I don't mind...

0:25:33 > 0:25:36We want a group of obviously masculine men

0:25:36 > 0:25:37to take up knitting,

0:25:37 > 0:25:39do it perfectly casually in public places.

0:25:39 > 0:25:40Think I'm strong enough?

0:25:40 > 0:25:42I'm quite serious.

0:25:42 > 0:25:44Half the women who were knitting last year

0:25:44 > 0:25:48are now learning to drive ambulances and run buses.

0:25:48 > 0:25:49Do I get to trim a hat?

0:25:51 > 0:25:53You haven't caught the idea

0:25:53 > 0:25:56of the organisation you've just joined, Mr Bascopolous.

0:25:56 > 0:25:59We're people who can't get into the actual fighting.

0:25:59 > 0:26:02We resent that fact, so we take our resentment out

0:26:02 > 0:26:06in doing our best to help when and how we can.

0:26:06 > 0:26:07I'm not backing out.

0:26:07 > 0:26:10I don't know how to knit. That settles it.

0:26:10 > 0:26:11Report to Mrs Van Every.

0:26:11 > 0:26:13She's our best instructor.

0:26:13 > 0:26:14Or do I tear this up?

0:26:14 > 0:26:16OK, knit.

0:26:16 > 0:26:18And take your hat.

0:26:18 > 0:26:19OK, hat.

0:26:28 > 0:26:31INAUDIBLE

0:26:39 > 0:26:43INAUDIBLE

0:26:50 > 0:26:53Sit down with the rest of the girls,

0:26:53 > 0:26:55and I'll be glad to show you.

0:26:55 > 0:26:57Now, let me look at your hands.

0:26:57 > 0:26:59They're really very clever hands.

0:26:59 > 0:27:00You should have no trouble.

0:27:00 > 0:27:04The first thing you do is learn how to hold the needles.

0:27:04 > 0:27:06Hold the knitting in this left hand, so.

0:27:06 > 0:27:07Yeah.

0:27:07 > 0:27:09And now, here you take the needle -

0:27:09 > 0:27:11we'll educate those little piggies -

0:27:11 > 0:27:14you take the needle and stick it so into the stitch,

0:27:14 > 0:27:15you see?

0:27:15 > 0:27:18And then make a loop and throw the yarn over

0:27:18 > 0:27:19and bring it through -

0:27:19 > 0:27:22come, come, come, come, come.

0:27:22 > 0:27:24And here. Now you try one. You see?

0:27:24 > 0:27:27Here, hold the needle in this hand.

0:27:27 > 0:27:29Yes!

0:27:29 > 0:27:32Now you see how simple it is.

0:27:32 > 0:27:34Hmm.

0:27:36 > 0:27:37Now...

0:27:41 > 0:27:44Now I'm going to show you how to rib.

0:27:44 > 0:27:46You knit one just as you've been doing,

0:27:46 > 0:27:49and then...then you purl one.

0:27:49 > 0:27:50Now this is a purl.

0:27:50 > 0:27:52Not the kind you cast before swine,

0:27:52 > 0:27:54but P-U-R-L.

0:27:54 > 0:27:56Now, look, you bring your needle so

0:27:56 > 0:27:58from the back to the front.

0:27:58 > 0:28:00That's the boy.

0:28:00 > 0:28:01Yes.

0:28:01 > 0:28:03Throw the yarn over in front

0:28:03 > 0:28:04instead of in back.

0:28:04 > 0:28:07That's the difference between a purl and a knit.

0:28:07 > 0:28:09There! You did it.

0:28:09 > 0:28:10Bless his heart!

0:28:10 > 0:28:12Now, take it up. There you have it.

0:28:12 > 0:28:15Now, you see? It's knitting one, purl one,

0:28:15 > 0:28:16knit one, purl one.

0:28:16 > 0:28:19Be calm, be patient, be exact.

0:28:42 > 0:28:43Oh.

0:28:44 > 0:28:46Hey, could you help me?

0:28:46 > 0:28:47I dropped me purl.

0:28:47 > 0:28:49I'm beginning to like it.

0:29:23 > 0:29:24You're my little pioneer.

0:29:24 > 0:29:26Pioneers are always persecuted

0:29:26 > 0:29:28because of their great moral bravery.

0:29:28 > 0:29:29Sure, moral brav...

0:29:29 > 0:29:30Boss, people are watching.

0:29:30 > 0:29:32So what?

0:29:32 > 0:29:33What will they think?

0:29:33 > 0:29:35I almost dropped a stitch.

0:29:35 > 0:29:36Aw, for Pete's sake.

0:29:36 > 0:29:39Mrs Van Every, this is the Crunk, my driver.

0:29:39 > 0:29:41How do you do?

0:29:41 > 0:29:42Take off your hat.

0:29:42 > 0:29:44Get rid of that cigarette.

0:29:44 > 0:29:45Now, sit down.

0:29:45 > 0:29:46Give him the needles.

0:29:46 > 0:29:48Don't be alarmed, young man.

0:29:48 > 0:29:50Let me look at your hands.

0:29:50 > 0:29:52Show the old goat your hands.

0:29:52 > 0:29:54Where's your moral bravery?

0:29:54 > 0:29:57They look as though they'd be quite skilful

0:29:57 > 0:29:58at picking up things.

0:29:58 > 0:30:01First you'll learn how to hold the needles.

0:30:01 > 0:30:03Hold this in this hand.

0:30:03 > 0:30:04Joe!

0:30:04 > 0:30:06Then hold the other needle so.

0:30:06 > 0:30:09Take the gimmick and stick it in here.

0:30:09 > 0:30:12Then you put the string between the two gimmicks.

0:30:12 > 0:30:14Then you just haul it off.

0:30:14 > 0:30:16That's all there is to it.

0:30:16 > 0:30:17< Hey, Crunk.

0:30:17 > 0:30:19This thing kind of gets you.

0:30:19 > 0:30:21Did you show them how to purl?

0:30:21 > 0:30:23I haven't gotten to that yet.

0:30:23 > 0:30:25You shouldn't have left me

0:30:25 > 0:30:27at that table with all those wacky wrens.

0:30:27 > 0:30:30I wanted to talk to the head of the joint

0:30:30 > 0:30:32while that dame was busy.

0:30:32 > 0:30:33How'd you do?

0:30:33 > 0:30:36She's going to tell her where to get off.

0:30:36 > 0:30:38Get to bed. Early call tomorrow.

0:30:38 > 0:30:41How you making out with that iceberg?

0:30:41 > 0:30:42You thaw her out yet?

0:30:42 > 0:30:44I got a better idea.

0:30:44 > 0:30:46I'm working my way around her.

0:30:46 > 0:30:47Good night.

0:30:47 > 0:30:48Good night.

0:30:48 > 0:30:50SPINS ROULETTE WHEEL

0:30:52 > 0:30:53You accepted my blankets,

0:30:53 > 0:30:55and you didn't say nothing about the cost.

0:30:55 > 0:30:58I'm losing money on these as it is.

0:30:58 > 0:31:01You're trying to get the best of me.

0:31:01 > 0:31:03That's not the understanding we had.

0:31:03 > 0:31:05I'm only a housewrecker.

0:31:05 > 0:31:07I never would've tore down that hotel

0:31:07 > 0:31:09except I wanted them blankets.

0:31:09 > 0:31:10Please don't shout so.

0:31:10 > 0:31:13Good morning. What seems to be the trouble?

0:31:13 > 0:31:15She owes me 2,400 bucks.

0:31:15 > 0:31:18He's charging 6 apiece for these secondhand blankets.

0:31:18 > 0:31:19I could've got 10.

0:31:19 > 0:31:22Refugees shivering in tents, and you hold us up.

0:31:22 > 0:31:25You should be ashamed, raising prices because blankets are scarce.

0:31:25 > 0:31:28That's the old law of supply and demand.

0:31:28 > 0:31:31Six bucks apiece. Where's my cheque?

0:31:31 > 0:31:33I tell you we haven't it in our account.

0:31:33 > 0:31:35Let's not be too hasty.

0:31:35 > 0:31:38Don't you think we ought to examine the blankets?

0:31:38 > 0:31:40Would you mind holding my knitting, please?

0:31:40 > 0:31:41Thank you.

0:31:43 > 0:31:45Oh, yeah, well, pretty good stuff.

0:31:45 > 0:31:46That's a 6 value.

0:31:46 > 0:31:48But we haven't got it.

0:31:48 > 0:31:49Oh. That's the trouble, Mr...

0:31:49 > 0:31:51< McDougal.

0:31:51 > 0:31:53They haven't got it, but you're a good sport.

0:31:53 > 0:31:57Tell you what. I'll flip you - 12 or 4.

0:31:57 > 0:32:00Oh, but we couldn't possibly afford 12.

0:32:00 > 0:32:01Oh, well, don't worry.

0:32:01 > 0:32:04If I lose, I'll pay for it.

0:32:04 > 0:32:07I wouldn't want shivering refugees on my conscience.

0:32:07 > 0:32:08What do you say, Mr McDougal?

0:32:08 > 0:32:1012 or 4? You're on.

0:32:10 > 0:32:11Heads.

0:32:11 > 0:32:14I couldn't do it with that coin.

0:32:14 > 0:32:16It's got tails on each side.

0:32:16 > 0:32:18It belonged to a gambler.

0:32:18 > 0:32:19You would have lost.

0:32:21 > 0:32:22Let's do that old...

0:32:22 > 0:32:24Behind the back? Sure. Go on.

0:32:24 > 0:32:26Are you all ready?

0:32:26 > 0:32:27I'm ready.

0:32:35 > 0:32:38We got the blankets for 4.

0:32:38 > 0:32:40You've got that, haven't you?

0:32:40 > 0:32:42Let me try to break even.

0:32:42 > 0:32:43Double or nothing.

0:32:43 > 0:32:46I couldn't do that, Mr McDougal.

0:32:46 > 0:32:48No, that wouldn't be right.

0:32:49 > 0:32:52Some of the main guys here don't like gambling.

0:32:53 > 0:32:55All right. We ready?

0:32:55 > 0:32:56I'm ready.

0:32:56 > 0:32:57Double or nothing.

0:33:02 > 0:33:05That wouldn't happen again in a thousand times.

0:33:05 > 0:33:07It won't happen again to me.

0:33:07 > 0:33:09You'll sleep well tonight

0:33:09 > 0:33:12because you did a good deed for a worthy cause.

0:33:12 > 0:33:13Here.

0:33:13 > 0:33:16Now you're one of us.

0:33:16 > 0:33:21"I have contributed to War Relief Incorporated."

0:33:21 > 0:33:24I have been TAKEN by War Relief Incorporated.

0:33:31 > 0:33:34What do you mean they won't unload the trucks?

0:33:34 > 0:33:37It so happens they're medical supplies.

0:33:37 > 0:33:39Serums. They're important to save lives.

0:33:39 > 0:33:41Tell them what I said.

0:33:41 > 0:33:43If there's any more trouble, call me back.

0:33:43 > 0:33:44Come in.

0:33:47 > 0:33:50I've been trying to think of some way

0:33:50 > 0:33:52to thank you for getting us the blankets.

0:33:52 > 0:33:54The percentage was in our favour.

0:33:54 > 0:33:56The other guy was guessing.

0:33:56 > 0:33:59Mrs Steadman was talking to me yesterday.

0:33:59 > 0:34:00Oh, yeah?

0:34:00 > 0:34:02About the gambling. It's off.

0:34:02 > 0:34:06Oh, I get it. You still don't trust me?

0:34:06 > 0:34:09No, and I've been trying to figure out why.

0:34:09 > 0:34:12Should a guy put his heart on a plate

0:34:12 > 0:34:13before you'll trust him?

0:34:13 > 0:34:15What will you get out of this?

0:34:15 > 0:34:18I'm just trying to do my bit.

0:34:18 > 0:34:20That doesn't explain anything.

0:34:22 > 0:34:26Well, I just don't like to talk about it, that's all.

0:34:35 > 0:34:38You ever hear of the Vardar valley?

0:34:38 > 0:34:39In Greece?

0:34:39 > 0:34:41Yeah. The name of Bascopolous

0:34:41 > 0:34:44goes back 500 years in that section.

0:34:44 > 0:34:47How do I know what's happened to my family?

0:34:47 > 0:34:50I don't want those guys walking into my mother's kitchen.

0:34:50 > 0:34:53I lie awake nights figuring how to help.

0:34:53 > 0:34:56They turned me down for military service,

0:34:56 > 0:34:58so I raise dough for those poor people.

0:34:58 > 0:35:00So now you know.

0:35:01 > 0:35:04Oh, I'm... I'm terribly sorry.

0:35:04 > 0:35:05That's all right. Don't apologise.

0:35:05 > 0:35:08I'm sorry I had to tell you, that's all.

0:35:11 > 0:35:13Oh, Mr Joe! Mr Joe!

0:35:13 > 0:35:15You forgot your knitting.

0:35:15 > 0:35:16Oh, yeah, mustn't forget that.

0:35:16 > 0:35:18I can't thank you enough for your help.

0:35:18 > 0:35:21I'd do as much to a total stranger.

0:35:21 > 0:35:22Mr Bascopolous.

0:35:22 > 0:35:25I have to go down to the dock.

0:35:25 > 0:35:27We're having a little trouble

0:35:27 > 0:35:29about getting some supplies unloaded.

0:35:29 > 0:35:32Will you... Will you go with me?

0:35:32 > 0:35:33Sure.

0:35:34 > 0:35:36We can use my car.

0:35:38 > 0:35:39Break it up, will you?

0:35:39 > 0:35:41Hey, look out.

0:35:41 > 0:35:43Look out, fella. Hey, buddy.

0:35:44 > 0:35:46You call that purling?

0:35:46 > 0:35:47You dropped a stitch.

0:35:47 > 0:35:50Wait till I tell Mrs Van Every.

0:35:51 > 0:35:53Where to, boss?

0:35:53 > 0:35:54North river, downtown.

0:35:58 > 0:35:59Promise me something, Joe.

0:35:59 > 0:36:00Hmm? What?

0:36:00 > 0:36:02Never, never knit again. Please.

0:36:02 > 0:36:04Oh, you're asking a lot.

0:36:10 > 0:36:11What is that?

0:36:11 > 0:36:13Hmm? Roll of dimes.

0:36:13 > 0:36:15Why do you carry it?

0:36:15 > 0:36:17Habit. Fits nice in your hand.

0:36:17 > 0:36:19Oh.

0:36:43 > 0:36:44Where's Mr Comstock?

0:36:44 > 0:36:46He went to use the phone.

0:36:46 > 0:36:47I'm Miss Bryant.

0:36:47 > 0:36:49I'm taking care of this trouble.

0:36:49 > 0:36:51Please start unloading this truck,

0:36:51 > 0:36:54and I'll straighten it out with Mr Comstock.

0:36:54 > 0:36:56OK, miss. All right, boys.

0:36:57 > 0:37:00Hey! Not so fast, brother.

0:37:00 > 0:37:01Wait a minute.

0:37:01 > 0:37:03Next time you touch that stuff

0:37:03 > 0:37:05without this release,

0:37:05 > 0:37:07you'll be tangled up with the law.

0:37:07 > 0:37:09I told you relief people

0:37:09 > 0:37:10it was pay on delivery.

0:37:10 > 0:37:12We agreed to pay you Saturday.

0:37:12 > 0:37:14I don't do business that way.

0:37:14 > 0:37:161,300 bucks - that's what you owe.

0:37:16 > 0:37:17Do I get it now,

0:37:17 > 0:37:19or do I take it back?

0:37:19 > 0:37:21We can't pay until Saturday.

0:37:21 > 0:37:24OK. Saturday will be 10% more.

0:37:24 > 0:37:27Oh, Mr Comstock, I beg your pardon.

0:37:27 > 0:37:28Who's this?

0:37:28 > 0:37:30I work for Miss Bryant.

0:37:30 > 0:37:32You ought to get what you're asking for.

0:37:32 > 0:37:34Joe!

0:37:34 > 0:37:36I'll give you my personal cheque.

0:37:36 > 0:37:39How do I know your cheque's any good?

0:37:39 > 0:37:41If I can get to a telephone,

0:37:41 > 0:37:43I'll verify it for you.

0:37:43 > 0:37:44Telephone up in the office.

0:37:44 > 0:37:45Thank you.

0:37:47 > 0:37:48HORN HONKS

0:37:48 > 0:37:50Go ahead.

0:37:51 > 0:37:53TRUCK ENGINE REVS

0:38:07 > 0:38:10TRUCK ENGINE DIES

0:38:21 > 0:38:23Everything's OK, boys.

0:38:23 > 0:38:24All signed. Start unloading.

0:38:24 > 0:38:25Here, grab.

0:38:25 > 0:38:29Hello. Let's get back to the jute mill.

0:38:29 > 0:38:31You misunderstood Mr Comstock -

0:38:31 > 0:38:32nice fella, family man.

0:38:32 > 0:38:35What happened to your dimes?

0:38:35 > 0:38:37I tipped a guy.

0:38:37 > 0:38:39Did you have to hit him very hard?

0:38:39 > 0:38:41What, me fight?

0:38:41 > 0:38:44Go on. I'm a peace-loving citizen.

0:38:44 > 0:38:45Joe!

0:38:45 > 0:38:46What?

0:38:46 > 0:38:49He might have killed you with that baling hook.

0:38:49 > 0:38:50It's a scratch.

0:38:50 > 0:38:54Do you mind stopping at the tailor's to sew my fiddle?

0:38:54 > 0:38:55Your what?

0:38:55 > 0:38:56My fiddle-and-flute. My suit.

0:38:56 > 0:38:59What kind of double-talk is that?

0:38:59 > 0:39:01It's a language I picked up in Australia.

0:39:01 > 0:39:03Like hat - tit-for-tat.

0:39:03 > 0:39:06Shoes - ones-and-twos.

0:39:06 > 0:39:07Sounds like poetry.

0:39:07 > 0:39:09Yeah, that's the idea. It jingles.

0:39:09 > 0:39:12Like, you're a girl - twist-and-twirl.

0:39:12 > 0:39:14Oh, what are you?

0:39:14 > 0:39:16Me? I'm a bloke. That's a heap-of-coke.

0:39:16 > 0:39:18This twist-and-twirl

0:39:18 > 0:39:21is going to take care of the heap-of-coke's...um...

0:39:21 > 0:39:23cabbage-patch - scratch.

0:39:23 > 0:39:25My house is on the way.

0:39:25 > 0:39:26Anybody home?

0:39:26 > 0:39:27No.

0:39:31 > 0:39:33The Crunk and me are in this coffee joint

0:39:33 > 0:39:36when in comes a pot-and-pan with his cheese-and-kisses.

0:39:36 > 0:39:37Pot-and-pan - that's a man.

0:39:37 > 0:39:39Cheese-and-kisses - that's the missus.

0:39:39 > 0:39:41Well?

0:39:41 > 0:39:42Well, the Crunk said,

0:39:42 > 0:39:43"Piper-heidsieck the I-suppose

0:39:43 > 0:39:46on that guy's storm-and-strife in the Tommy-Horner."

0:39:46 > 0:39:48Wait a minute. I'm lost. Pipe...

0:39:48 > 0:39:50Piper-heidsieck - that's just pipe.

0:39:50 > 0:39:52Take a look...

0:39:52 > 0:39:53At the I-suppose...

0:39:53 > 0:39:55Oh, the nose.

0:39:55 > 0:39:57On that guy's storm-and-strife in the Tommy-Horner.

0:39:57 > 0:40:00On his wife... in the corner.

0:40:00 > 0:40:02Well, what happened?

0:40:02 > 0:40:04He punched the Crunk in the snoot.

0:40:04 > 0:40:05Why?

0:40:05 > 0:40:06He was from Australia.

0:40:06 > 0:40:08Oh.

0:40:08 > 0:40:10Thanks, chum. I'll finish it myself.

0:40:10 > 0:40:11Yes, sir.

0:40:17 > 0:40:18Bang, bang, fella.

0:40:21 > 0:40:22(Miss Dorothy.)

0:40:22 > 0:40:23Yes?

0:40:23 > 0:40:25Shall I telephone for a bottle-and-stopper?

0:40:25 > 0:40:26A what?

0:40:26 > 0:40:28A copper in the American vernacular.

0:40:28 > 0:40:31Don't tell me you've been to Australia.

0:40:31 > 0:40:34That's where I met me storm-and-strife - Mrs Foster.

0:40:34 > 0:40:36Please forgive me, Miss Dorothy,

0:40:36 > 0:40:38but are you aware of this gentleman's character?

0:40:38 > 0:40:40I think so. Why?

0:40:40 > 0:40:42Do you know he carries a lady-from-Bristol?

0:40:42 > 0:40:43A what?

0:40:43 > 0:40:46In American parlance...

0:40:46 > 0:40:48..a rod, if you get what I mean.

0:40:48 > 0:40:50Don't be alarmed, Foster.

0:40:50 > 0:40:52I think it's part of his character.

0:40:52 > 0:40:54He carries it for balance.

0:40:54 > 0:40:55Yes, Miss Dorothy.

0:41:29 > 0:41:32How you coming with the fiddle?

0:41:32 > 0:41:34You do that with a knife and fork?

0:41:34 > 0:41:36I never could sew.

0:41:36 > 0:41:38Take a lesson from Van Every.

0:41:38 > 0:41:41Foster thought I should send for a bottle-and-stopper.

0:41:41 > 0:41:42What for?

0:41:42 > 0:41:44The lady-from-Bristol.

0:41:44 > 0:41:46Oh...that.

0:41:46 > 0:41:48I wouldn't feel dressed without one.

0:41:48 > 0:41:50Have you ever killed anyone?

0:41:50 > 0:41:52No, I'm too good a shot.

0:41:52 > 0:41:55I'm a gambler, not a gangster.

0:41:55 > 0:41:56Tell me some more.

0:41:56 > 0:41:57What?

0:41:57 > 0:41:59Some more jingle talk.

0:41:59 > 0:42:00Oh, that.

0:42:01 > 0:42:03Now, look.

0:42:03 > 0:42:04If we were going together,

0:42:04 > 0:42:07you'd be my Briny-Marlin - my darling, see?

0:42:07 > 0:42:09Um...

0:42:09 > 0:42:11Then I'd give you that Simple-Simon

0:42:11 > 0:42:13for your long-and-linger.

0:42:13 > 0:42:17The guy what give me this Simple-Simon was my mother.

0:42:17 > 0:42:18Ah, yes.

0:42:18 > 0:42:19More.

0:42:19 > 0:42:22Well...barnet-fair's your hair.

0:42:22 > 0:42:25Dots-and-dyes...

0:42:25 > 0:42:27the I-suppose...

0:42:27 > 0:42:29north-and-south.

0:42:31 > 0:42:32Joe.

0:42:33 > 0:42:36Take off your mask. You're with friends.

0:42:36 > 0:42:37Don't be silly.

0:42:37 > 0:42:40Come on, Briny-Marlin, don't play games.

0:42:40 > 0:42:42I'm not.

0:42:42 > 0:42:44Then don't give me those baby blues.

0:42:44 > 0:42:47You think I brought you here because... because...

0:42:47 > 0:42:48Didn't you?

0:42:49 > 0:42:51Or have you changed your mind?

0:42:51 > 0:42:54We seem to be talking in circles.

0:42:54 > 0:42:57Yeah. It so happens there's a difference of opinion.

0:42:57 > 0:42:58Suppose we settle it

0:42:58 > 0:43:01with that game you played with McDougal.

0:43:01 > 0:43:03What? You mean that, er...

0:43:03 > 0:43:04Mm-hmm.

0:43:04 > 0:43:06OK.

0:43:06 > 0:43:09Well, er... You ready?

0:43:09 > 0:43:10All right.

0:43:12 > 0:43:13Now, relax. Don't get excited.

0:43:15 > 0:43:16Which hand?

0:43:16 > 0:43:18Neither.

0:43:18 > 0:43:20Aw, come on. Play fair. You got to guess.

0:43:20 > 0:43:22Neither. Open them both.

0:43:22 > 0:43:24OK.

0:43:28 > 0:43:30Well, looks like you lost.

0:43:30 > 0:43:33Well... Well, when you played it with McDougal you...

0:43:33 > 0:43:35Yeah. Well, that was different.

0:43:35 > 0:43:37Never give a sucker an even break,

0:43:37 > 0:43:39but don't cheat a friend.

0:43:39 > 0:43:42I believe in that. I live by it.

0:43:42 > 0:43:44You don't think I'd play phoney with you?

0:43:44 > 0:43:46Well...you lost.

0:43:46 > 0:43:50Oh, but I didn't know the rules of the game.

0:43:51 > 0:43:53OK.

0:43:53 > 0:43:55Where's my tit-for-tat?

0:43:58 > 0:43:59Joe.

0:43:59 > 0:44:02What?

0:44:02 > 0:44:05Will you run the gambling concession at the ball?

0:44:06 > 0:44:08Well, well.

0:44:08 > 0:44:11Are you sure you can trust me?

0:44:11 > 0:44:13Now I know I can.

0:44:13 > 0:44:16OK. You got a deal.

0:44:17 > 0:44:18She laid it in my lap.

0:44:18 > 0:44:20She asked me to run the games.

0:44:20 > 0:44:23We'll clean up and clear for Havana.

0:44:23 > 0:44:24What's the cut?

0:44:24 > 0:44:26We're taking the take.

0:44:26 > 0:44:28The gaff is on. Anything goes.

0:44:28 > 0:44:29We'll leave some chicken feed.

0:44:29 > 0:44:31Make it look legitimate.

0:44:31 > 0:44:33I'll need five or six grand to get those games rolling

0:44:33 > 0:44:35in case there's some hit-and-run players.

0:44:35 > 0:44:37Anybody got a bankroll?

0:44:37 > 0:44:38Not a thing.

0:44:38 > 0:44:41Get it from the war relief people.

0:44:41 > 0:44:43How would it look asking those people,

0:44:43 > 0:44:45"Give me a quarter to see the movie?"

0:44:45 > 0:44:46Queer the whole thing.

0:44:46 > 0:44:47Then where?

0:44:47 > 0:44:49I'll pick it off a tree.

0:44:49 > 0:44:50Come on.

0:44:54 > 0:44:56Huh?

0:44:56 > 0:44:58I beg pardon, sir.

0:44:58 > 0:44:59Oh.

0:44:59 > 0:45:02Miss Dorothy's just come in, sir.

0:45:02 > 0:45:04Oh. Leave us alone, Foster.

0:45:04 > 0:45:05Yes, sir.

0:45:06 > 0:45:08Hello, you old darling.

0:45:08 > 0:45:09Come here, Dot.

0:45:09 > 0:45:12Wait till I powder my I-suppose.

0:45:12 > 0:45:15Where on earth did you pick up such gibberish? >

0:45:15 > 0:45:16From Foster.

0:45:16 > 0:45:17DISHES RATTLE

0:45:17 > 0:45:19It's wonderful slang. You should talk to him.

0:45:19 > 0:45:21I've been talking to Foster.

0:45:21 > 0:45:22Oh?

0:45:22 > 0:45:23What do you mean

0:45:23 > 0:45:25by bringing a gangster here?

0:45:25 > 0:45:28Don't tell me you're worrying about me, Grandfather?

0:45:28 > 0:45:31I'd give you odds against any seven gangsters in town,

0:45:31 > 0:45:34but I don't want them in my house.

0:45:34 > 0:45:36What were you doing with him?

0:45:36 > 0:45:37Learning things.

0:45:37 > 0:45:38Yeah?

0:45:38 > 0:45:41You'd like him. You have a lot in common.

0:45:41 > 0:45:43In the name of sweet reason, what?

0:45:43 > 0:45:46You're both tough. Oh, I know.

0:45:46 > 0:45:49You're tough in a highly moral and civilised way,

0:45:49 > 0:45:51but fundamentally it's the same thing.

0:45:51 > 0:45:52It's character.

0:45:52 > 0:45:53Nonsense.

0:45:53 > 0:45:55What can you see in a fellow like that?

0:45:55 > 0:45:58Joe's the first man I'm afraid of.

0:45:58 > 0:45:59It's exciting.

0:45:59 > 0:46:03This fellow hasn't been making advances to you, has he?

0:46:03 > 0:46:05Of course. He kissed me.

0:46:05 > 0:46:07Right on the north-and-south.

0:46:07 > 0:46:10I pretended to be angry, but I liked it.

0:46:10 > 0:46:12I will not have this sort of thing...

0:46:12 > 0:46:13Oh, Grandfather.

0:46:13 > 0:46:15Don't worry. I'm quite safe.

0:46:15 > 0:46:17Get rid of him, child.

0:46:17 > 0:46:19As soon as he's served his purpose.

0:46:19 > 0:46:20I agree.

0:46:20 > 0:46:23I think he'd be too hard to tame.

0:46:23 > 0:46:25Good night, Grandfather.

0:46:25 > 0:46:26Dot, what's his name?

0:46:26 > 0:46:27The heap-of-coke?

0:46:27 > 0:46:29You'll never believe me.

0:46:29 > 0:46:30Joe Bascopolous.

0:46:30 > 0:46:32Joe what?

0:46:32 > 0:46:34Bascopolous.

0:46:34 > 0:46:37Do you wonder why I call him by his first name?

0:46:37 > 0:46:38Good night, Briny-Marlin.

0:46:57 > 0:46:59Dorothy, we've had the busiest morning.

0:46:59 > 0:47:04Suddenly a solid stream of people wanted to buy tickets for the ball.

0:47:04 > 0:47:06Did they find out about the gambling?

0:47:06 > 0:47:07How could they?

0:47:07 > 0:47:09Mr Bascopolous emphatically said not to tell anyone.

0:47:09 > 0:47:11That's what he told me.

0:47:11 > 0:47:12And you didn't tell anyone?

0:47:12 > 0:47:14Well, I-I... I-I...

0:47:14 > 0:47:15Well, I...

0:47:15 > 0:47:16In strictest confidence...

0:47:16 > 0:47:17I-I...

0:47:17 > 0:47:20I'll get another 500 tickets by noon,

0:47:20 > 0:47:22or I'll get another printer.

0:47:22 > 0:47:24CLICKS TONGUE

0:47:24 > 0:47:25Good morning.

0:47:25 > 0:47:26Hello, genius.

0:47:26 > 0:47:28I didn't think you'd be late.

0:47:28 > 0:47:30I've been downtown trying to charter a steamship.

0:47:30 > 0:47:31What's the matter?

0:47:31 > 0:47:33That tit-for-tat.

0:47:33 > 0:47:34Don't you like it?

0:47:34 > 0:47:35Like it?

0:47:35 > 0:47:37I'm fascinated.

0:47:37 > 0:47:41Veronica, do we have 6,000 in our chequing account?

0:47:41 > 0:47:42Of course not, dear. What for?

0:47:42 > 0:47:46The war convoy commission is expecting a freighter in Monday.

0:47:46 > 0:47:49They won't hold it for us without a 6,000 deposit today.

0:47:49 > 0:47:50Oh, dear.

0:47:50 > 0:47:52Don't worry about it.

0:47:52 > 0:47:55I'll send Mr Hargraves my personal cheque.

0:47:55 > 0:47:58I'll get it from the proceeds Friday night.

0:47:58 > 0:47:59You're a darling.

0:47:59 > 0:48:03Would like me to take that cheque downtown for you?

0:48:03 > 0:48:04You could.

0:48:04 > 0:48:07Look up the commission. Somewhere on Fulton Street.

0:48:08 > 0:48:10Hello, angel.

0:48:10 > 0:48:13What's all this nonsense about gambling at your affair?

0:48:13 > 0:48:15Where did you hear that?

0:48:15 > 0:48:18They're discussing it even on the floor of the exchange.

0:48:18 > 0:48:19That's wonderful!

0:48:19 > 0:48:21Now, now. Stop being frivolous.

0:48:21 > 0:48:24I know who's behind this - that scoundrel Bosco...

0:48:24 > 0:48:25Bosco something or other.

0:48:25 > 0:48:27Grandfather, you're being absurd.

0:48:27 > 0:48:28What?

0:48:28 > 0:48:30I was blockheaded at first, too.

0:48:30 > 0:48:32That money's going to send a shipload of supplies.

0:48:32 > 0:48:34Find some other way.

0:48:34 > 0:48:36Didn't you tell me that great-great grandfather Bryant

0:48:36 > 0:48:39used lotteries to raise money for the American Revolution?

0:48:39 > 0:48:42That was different. I'll not permit it.

0:48:42 > 0:48:44All right. Then you give us

0:48:44 > 0:48:46your personal cheque for 100,000.

0:48:46 > 0:48:49I'm not going to bribe you, and I won't argue.

0:48:49 > 0:48:50I'm giving an order.

0:48:50 > 0:48:52Oh, Grandfather, stop being your age.

0:48:52 > 0:48:55I refuse to have my name associated with that of a...

0:48:55 > 0:48:56a common crook!

0:48:56 > 0:48:59Now, remember, I've warned you.

0:48:59 > 0:49:01Now I'm going to act.

0:49:09 > 0:49:14Get out of here. Get your greasy black head out of here.

0:49:14 > 0:49:15Fair warning!

0:49:18 > 0:49:19Tickets for the ball?

0:49:19 > 0:49:20Aarghh!

0:49:23 > 0:49:25Hey, who's that old biscuit-face?

0:49:25 > 0:49:28My grandfather. And he isn't a biscuit-face.

0:49:28 > 0:49:29He doesn't like me.

0:49:29 > 0:49:34He goes off in a fizz, but he settles down. Don't worry.

0:49:34 > 0:49:36I'm not worrying.

0:49:36 > 0:49:38This the cheque for the freighter?

0:49:38 > 0:49:40Give it to Mr Hargraves personally.

0:49:40 > 0:49:42I want to be sure we get that boat.

0:49:50 > 0:49:53The war convoy commission's form AP127-O,

0:49:53 > 0:49:56acknowledging receipt, will be in the afternoon's post.

0:49:56 > 0:49:58Goodbye, sir.

0:49:58 > 0:49:59Are you going to take their cheque?

0:49:59 > 0:50:01I beg your pardon?

0:50:01 > 0:50:03What do you mean?

0:50:03 > 0:50:04Nothing.

0:50:04 > 0:50:06Nothing. Except there's an ugly story

0:50:06 > 0:50:08spreading around town.

0:50:08 > 0:50:09A story?

0:50:09 > 0:50:11Yeah. Yeah.

0:50:11 > 0:50:14That you aren't cooperating with the relief organisations.

0:50:14 > 0:50:17Not cooperating? What on Earth are you talking about?

0:50:17 > 0:50:19I'd like to have your suggestions

0:50:19 > 0:50:22as to how I can explain why that money

0:50:22 > 0:50:25that those ladies need to finance their ball tomorrow night

0:50:25 > 0:50:27must be given to you today.

0:50:27 > 0:50:31We had no idea there was any difficulty about the deposit.

0:50:31 > 0:50:34Well, you see how it looks. It looks bad.

0:50:34 > 0:50:36The heart of my organisation

0:50:36 > 0:50:38is very much with your people,

0:50:38 > 0:50:40but there are certain members

0:50:40 > 0:50:43who think that Greece, China, Czechoslovakia could use some...

0:50:43 > 0:50:44What?

0:50:44 > 0:50:47Perhaps that would put you personally

0:50:47 > 0:50:49in a very awkward spot.

0:50:49 > 0:50:53Sir, I assure you that as far as I'm concerned...

0:50:53 > 0:50:55Well, maybe I shouldn't have spoken.

0:50:55 > 0:50:58But those fine ladies of mine had faith in you.

0:50:58 > 0:50:59Yes...

0:50:59 > 0:51:02I take it you feel very strongly about this cheque.

0:51:02 > 0:51:05I certainly do.

0:51:05 > 0:51:06Well, now, let's see.

0:51:06 > 0:51:09Suppose I hold the ship without a deposit.

0:51:09 > 0:51:11I wouldn't want you to break any rules.

0:51:11 > 0:51:15Oh, no, no. I'm sure in this case it's perfectly, um...

0:51:15 > 0:51:19I'll write a letter to Miss Bryant and return the cheque.

0:51:19 > 0:51:21Oh, I'll save you the trouble.

0:51:25 > 0:51:28And you don't have to write a letter.

0:51:28 > 0:51:29Your word's good enough for me.

0:51:29 > 0:51:30Oh, thanks.

0:51:30 > 0:51:31It's a deal.

0:51:31 > 0:51:32Right.

0:51:32 > 0:51:34Goodbye, Mr Hargraves.

0:51:38 > 0:51:40What kind of thing is that?

0:51:40 > 0:51:43That? That's a hand-knitted tea cosy.

0:51:43 > 0:51:44Oh, hand-knitted.

0:51:46 > 0:51:49Pretty flowers. Nice piece of work.

0:51:49 > 0:51:51Glad you like it.

0:51:53 > 0:51:54Regular needles?

0:51:54 > 0:51:55Oh, yes, yes.

0:52:06 > 0:52:08Mr Hargraves out there?

0:52:08 > 0:52:09No, sir.

0:52:16 > 0:52:17Let him have the cash.

0:52:17 > 0:52:19Yes, Mr Bryant.

0:52:19 > 0:52:22How would you like it, sir?

0:52:23 > 0:52:24'Yes, Mr Bryant?'

0:52:24 > 0:52:26Get me the police department.

0:52:26 > 0:52:27'Yes, sir.'

0:52:31 > 0:52:32Miss Bryant?

0:52:32 > 0:52:33Yes?

0:52:33 > 0:52:34Where will I find

0:52:34 > 0:52:36Joe Bascopolous?

0:52:36 > 0:52:38He isn't here.

0:52:38 > 0:52:39Where's his desk?

0:52:39 > 0:52:40Out there.

0:52:42 > 0:52:43Wait.

0:52:43 > 0:52:45I'm so glad you came.

0:52:45 > 0:52:47My grandfather sent for you, didn't he?

0:52:47 > 0:52:49I asked him to.

0:52:49 > 0:52:50I thought there was something wrong

0:52:50 > 0:52:52with Mr Bascopolous.

0:52:52 > 0:52:53What is it?

0:52:53 > 0:52:55We want to talk with him.

0:52:55 > 0:52:56Anything serious?

0:52:56 > 0:52:59When a guy's been convicted three times,

0:52:59 > 0:53:01carrying a gun is plenty serious.

0:53:01 > 0:53:02Oh...

0:53:09 > 0:53:10Who's that?

0:53:10 > 0:53:13Oh...that's the man from the water company.

0:53:13 > 0:53:15I've been expecting him all afternoon.

0:53:15 > 0:53:18Ask him to come in a minute.

0:53:21 > 0:53:24Inspector, it's about time you showed up.

0:53:24 > 0:53:26I telephoned the water company several times.

0:53:26 > 0:53:29Is this your idea of reliability?

0:53:29 > 0:53:33Three bottles and stoppers arrived this afternoon with no coolers.

0:53:33 > 0:53:35Three bottles and stoppers?

0:53:35 > 0:53:38Is this the best service your office can give us?

0:53:38 > 0:53:41I've just about made up my mind

0:53:41 > 0:53:42to take our business elsewhere.

0:53:42 > 0:53:44Where, for instance?

0:53:44 > 0:53:46The Plaza Fountain Place will serve our future needs.

0:53:46 > 0:53:47Goodbye.

0:53:47 > 0:53:49OK, lady.

0:53:50 > 0:53:52Will you sit down, gentlemen?

0:53:52 > 0:53:54You'll have to wait.

0:53:54 > 0:53:56What are you doing with that?

0:53:56 > 0:53:57Looking for a glass.

0:53:59 > 0:54:00Plaza Fountain. 59th.

0:54:00 > 0:54:03Got a date with a smart girl.

0:54:24 > 0:54:26Well, put it there.

0:54:26 > 0:54:28Why should the cops try to pick me up?

0:54:28 > 0:54:29Get in.

0:54:29 > 0:54:32Grandfather. You will carry a lady from Bristol.

0:54:32 > 0:54:35For packing a rod, I get sprung in a couple of hours.

0:54:35 > 0:54:36Get in.

0:54:36 > 0:54:38I got my own car.

0:54:38 > 0:54:40I've told him to go home.

0:54:40 > 0:54:42Put this on and don't ask questions.

0:54:45 > 0:54:48We're not only out of town, we're out of state.

0:54:48 > 0:54:51Is it all right to ask questions, please, teacher?

0:54:51 > 0:54:52I have to talk to Grandfather.

0:54:52 > 0:54:53Well, he's...

0:54:53 > 0:54:55On the phone.

0:54:55 > 0:54:56We passed thousands of phones.

0:54:56 > 0:55:00This call must come from the right locality. Grandfather's no fool.

0:55:00 > 0:55:02How far is the right locality?

0:55:02 > 0:55:04Pretty far.

0:55:04 > 0:55:06You want me to drive?

0:55:06 > 0:55:07If you don't mind.

0:55:20 > 0:55:21Hold still a minute.

0:55:21 > 0:55:23Hey!

0:55:23 > 0:55:26There! I've wanted to do that since I first saw you.

0:55:26 > 0:55:27What for?

0:55:27 > 0:55:29I've had this for several days.

0:55:29 > 0:55:32I couldn't get up the courage to give it to you.

0:55:32 > 0:55:35May I show you how to tie it properly?

0:55:35 > 0:55:36HONK HONK HONK

0:55:36 > 0:55:37HONK HONK

0:55:41 > 0:55:43Look.

0:55:43 > 0:55:45You hold this end...

0:55:45 > 0:55:47Keep your eye on the road.

0:55:47 > 0:55:48How can I look...

0:55:48 > 0:55:50You start tying an ordinary knot,

0:55:50 > 0:55:54but instead, you go over to the other side...

0:55:54 > 0:55:55down...

0:55:56 > 0:55:58then you go all the way around...

0:55:58 > 0:56:01up, and you're finished tying the tie.

0:56:01 > 0:56:02Oh.

0:56:05 > 0:56:07They call it a Windsor knot.

0:56:07 > 0:56:08Oh, they do, huh?

0:56:11 > 0:56:14Take it easy. Just a minute.

0:56:14 > 0:56:16There. Isn't that much better?

0:56:18 > 0:56:19Kind of big, isn't it?

0:56:19 > 0:56:23Well, it's better than that stingy little nothing you wear.

0:56:26 > 0:56:28Do you like the tie?

0:56:28 > 0:56:29Yeah, I suppose so.

0:56:29 > 0:56:31Well, say thank you.

0:56:31 > 0:56:33All right. Thank you.

0:56:34 > 0:56:39How long has it been since anyone had any control over you?

0:56:39 > 0:56:42Nobody ever had, and nobody ever will.

0:56:44 > 0:56:46And I'm tying my own knots.

0:56:52 > 0:56:54Where do I turn on the lights?

0:56:54 > 0:56:56They're not connected.

0:56:56 > 0:56:57Oh.

0:56:57 > 0:56:59Hey, this the old man's place?

0:56:59 > 0:57:02It's mine - from the side of the family

0:57:02 > 0:57:03that was always getting into trouble.

0:57:03 > 0:57:06The kind of trouble I'd like to get into.

0:57:06 > 0:57:08Lend me your matches, Joe.

0:57:14 > 0:57:15What's this?

0:57:15 > 0:57:17Just a little sitting room.

0:57:17 > 0:57:18It's all right.

0:57:20 > 0:57:23This is where I used to entertain my beaus.

0:57:23 > 0:57:27After tea we'd sit in front of the fire and hold hands.

0:57:27 > 0:57:29Will you light the fire, Joe?

0:57:36 > 0:57:37'Hello?'

0:57:37 > 0:57:38Operator?

0:57:38 > 0:57:39'Who's this?'

0:57:39 > 0:57:41It's all right. This is Miss Bryant.

0:57:41 > 0:57:44Oh, I'm fine, thank you.

0:57:44 > 0:57:47I want to talk to my grandfather

0:57:47 > 0:57:49in New York.

0:57:49 > 0:57:50Yes, that's the number.

0:57:50 > 0:57:52Will you ring?

0:57:53 > 0:57:57For a family that was always getting into trouble, they did all right.

0:57:57 > 0:57:59They just never seemed to behave

0:57:59 > 0:58:01the way people expected them to.

0:58:01 > 0:58:04Look at them, the crazy darlings.

0:58:04 > 0:58:08Maybe it'll give you some idea why I don't make sense.

0:58:08 > 0:58:09What did he do?

0:58:09 > 0:58:11He was a great admirer of the ladies.

0:58:11 > 0:58:15He was a hunter and maker of 19th-century love.

0:58:15 > 0:58:17Where'd he get his dough?

0:58:17 > 0:58:18From him.

0:58:18 > 0:58:21He wrote poetry, privately printed at his own expense.

0:58:21 > 0:58:23Yeah? Where'd he get his dough?

0:58:23 > 0:58:24From him.

0:58:24 > 0:58:26He wasted his entire life

0:58:26 > 0:58:29trying to spend the family fortune. It finally killed him.

0:58:29 > 0:58:32Where's the guy who made the dough in the first place?

0:58:32 > 0:58:34Over here.

0:58:34 > 0:58:36My great-great grandfather.

0:58:36 > 0:58:38From log cabin to riches.

0:58:38 > 0:58:39Know how he died?

0:58:39 > 0:58:42He was shot in a mill at Harper's Ferry.

0:58:42 > 0:58:45He joined John Brown's fight to free the slaves.

0:58:45 > 0:58:49He owned slaves himself, but he listened to a crazy Yankee farmer

0:58:49 > 0:58:51and caught fire from his words.

0:58:51 > 0:58:54The family had quite a time living him down.

0:58:54 > 0:58:55They did, huh?

0:58:55 > 0:58:57TELEPHONE RINGS

0:59:00 > 0:59:02Hello.

0:59:02 > 0:59:06Oh. Will you call me when you get a line through?

0:59:06 > 0:59:07It's quite important.

0:59:07 > 0:59:08Thank you.

0:59:18 > 0:59:22What are you going to use for an argument with him?

0:59:22 > 0:59:25I'm not going to say much. He'll do most of the talking.

0:59:25 > 0:59:29He'll talk about your three convictions. I'll say I don't care.

0:59:29 > 0:59:30What three convictions?

0:59:30 > 0:59:33Don't pretend, Joe. It's all right.

0:59:33 > 0:59:36No, no. What are you talking about?

0:59:36 > 0:59:39I know all about it. The policemen told me.

0:59:39 > 0:59:42I never took a rap in my life.

0:59:42 > 0:59:44Please, Joe. Be honest.

0:59:44 > 0:59:47I haven't always been on the level,

0:59:47 > 0:59:50but my ears are clean where John Law is concerned.

0:59:50 > 0:59:51TELEPHONE RINGS

0:59:56 > 0:59:57Hello?

0:59:57 > 0:59:59Grandfather?

0:59:59 > 1:00:02Now, don't get excited. I'm in Maryland.

1:00:02 > 1:00:04Maryland!

1:00:06 > 1:00:10You sent those policemen to the office, didn't you?

1:00:10 > 1:00:14'I'm going to have that man put behind bars for life.'

1:00:14 > 1:00:16You know the laws of Maryland, don't you?

1:00:16 > 1:00:17'See here, Dot...'

1:00:17 > 1:00:20Unless you give me your word of honour

1:00:20 > 1:00:23to call off the police, I'm going to marry him.

1:00:23 > 1:00:24Marry him!

1:00:24 > 1:00:27Oh, I can't, can't I?

1:00:27 > 1:00:28'I don't believe it!'

1:00:28 > 1:00:30You have ten seconds to make up your mind.

1:00:30 > 1:00:33One, two, three,

1:00:33 > 1:00:36four, five, six...

1:00:36 > 1:00:37'You're trying to bluff me!'

1:00:37 > 1:00:42Well, call my bluff, then. Eight, nine... Time's up.

1:00:44 > 1:00:46Give me your word, then.

1:00:46 > 1:00:47Your solemn word.

1:00:50 > 1:00:51Thank you, darling.

1:00:51 > 1:00:53Don't worry. Good night.

1:00:54 > 1:00:58Well, didn't I tell you to leave it up to me?

1:00:58 > 1:00:59Yeah. You were great.

1:00:59 > 1:01:00It worked.

1:01:00 > 1:01:01Why wouldn't it work?

1:01:01 > 1:01:04You had a swell club to smack him with - me.

1:01:04 > 1:01:07The worst thing that could happen to you is marrying me?

1:01:07 > 1:01:10To you people, folks like me are animals.

1:01:10 > 1:01:12We're so bad,

1:01:12 > 1:01:14and you're so very good.

1:01:14 > 1:01:16Do you expect credit for it?

1:01:16 > 1:01:19You couldn't be different, the way you began.

1:01:19 > 1:01:22You should be horsewhipped if you didn't turn out right.

1:01:22 > 1:01:24Why are you so high and mighty?

1:01:24 > 1:01:25What did you ever do?

1:01:25 > 1:01:27He's the guy who made your dough,

1:01:27 > 1:01:30and he was born in a log cabin.

1:01:30 > 1:01:31Know where I grew up?

1:01:31 > 1:01:35In a one-room shack with a dirt floor.

1:01:35 > 1:01:38You talk about this and that side of your family.

1:01:38 > 1:01:40We only had one side - it was awful poor.

1:01:40 > 1:01:43I ran away when I was nine.

1:01:43 > 1:01:45I got tired of being hungry

1:01:45 > 1:01:48and seeing my mother go hungry until she died.

1:01:48 > 1:01:49Oh, please, Joe.

1:01:49 > 1:01:52I'm not complaining. It's OK with me.

1:01:52 > 1:01:56I got a lesson on what gives with your kind.

1:01:56 > 1:01:57My kind?

1:01:57 > 1:02:00I just know your kind can look through me

1:02:00 > 1:02:02like I was dirty glass.

1:02:02 > 1:02:05Oh, it's not me, Joe. It's...it's people like Grandfather.

1:02:05 > 1:02:08I thought you knew how I felt.

1:02:08 > 1:02:10Sure, I know. Anything for the cause.

1:02:10 > 1:02:16I'm not kidding myself. I know how I stand with you after you cash in on me.

1:02:17 > 1:02:19You're wrong about me, Joe.

1:02:22 > 1:02:24Come on.

1:02:30 > 1:02:34We can quarrel all the way back to New York.

1:02:37 > 1:02:39Will you scatter the fire?

1:02:57 > 1:03:00You meant that about me being wrong.

1:03:01 > 1:03:03I should have slapped your face.

1:03:03 > 1:03:05Why didn't you?

1:03:06 > 1:03:08Because you'd have slapped mine back.

1:03:11 > 1:03:15I don't know what to make of a dame like you.

1:03:15 > 1:03:16Neither do I.

1:03:21 > 1:03:22Yes, I do.

1:03:51 > 1:03:52Hey.

1:03:52 > 1:03:54Hey, you're home.

1:04:02 > 1:04:04You'd better take the car, darling.

1:04:04 > 1:04:05OK.

1:04:10 > 1:04:12Won't you say something?

1:04:22 > 1:04:23Don't you like it?

1:04:23 > 1:04:25I don't know.

1:04:25 > 1:04:28I don't know whether I like it or not.

1:04:56 > 1:04:57He says...

1:04:57 > 1:04:58I don't quite understand it,

1:04:58 > 1:05:01but he says he's a heap of coke.

1:05:02 > 1:05:04A heap of...

1:05:04 > 1:05:06That's what he said, miss.

1:05:15 > 1:05:18Hey, tie that thing again for me, will you?

1:05:39 > 1:05:40Yeah. I liked it.

1:05:50 > 1:05:52I don't want any slip-ups.

1:05:52 > 1:05:55< Start spreading at 7.30, ready to spring at 8.00.

1:05:55 > 1:05:58The Crunk will be in the cage with six Gs to start with.

1:05:58 > 1:06:02I'm taking the false-bottom cash boxes to the motel.

1:06:02 > 1:06:05See those dames don't get them - hey, watch that.

1:06:05 > 1:06:08Soon as we fold, everybody back to the boat.

1:06:08 > 1:06:09That's all.

1:06:09 > 1:06:12Hey, Swede. You set to sail tonight?

1:06:12 > 1:06:13I've ordered the tugs,

1:06:13 > 1:06:15and the tide'll be just right.

1:06:15 > 1:06:17Swede, what do you know about Bascopolous?

1:06:17 > 1:06:20Not me - the dead sailor, my namesake.

1:06:20 > 1:06:21Nothing much, Joe. Why?

1:06:21 > 1:06:24I don't know. I might've got somebody wrong.

1:06:24 > 1:06:27A letter came for him the other day.

1:06:27 > 1:06:28Give me that shirt.

1:06:28 > 1:06:29For Bascopolous?

1:06:29 > 1:06:32Yeah. I was going to tear it up. Wait -

1:06:32 > 1:06:33I've got it on me.

1:06:33 > 1:06:34Yeah. Here it is.

1:06:34 > 1:06:36Open it.

1:06:42 > 1:06:43What's it say?

1:06:43 > 1:06:44It's in Greek.

1:06:44 > 1:06:46Anybody on the boat read Greek?

1:06:46 > 1:06:47No.

1:06:47 > 1:06:50Too bad. I'd like to know about him.

1:06:50 > 1:06:53You know, there's a Greek church a block from the pier.

1:06:53 > 1:06:56Have the priest read it to you on your way.

1:06:56 > 1:06:58Yeah. I might do that.

1:07:00 > 1:07:02Came to say so long.

1:07:02 > 1:07:04Got my call for tomorrow.

1:07:04 > 1:07:06Want to go to our party?

1:07:06 > 1:07:07No, thanks.

1:07:07 > 1:07:08Need any dough?

1:07:08 > 1:07:09No, I'm OK.

1:07:09 > 1:07:12All right, soldier. All the luck.

1:07:12 > 1:07:13Thanks, Joe.

1:07:14 > 1:07:17SINGING IN LATIN

1:07:35 > 1:07:37Er...

1:07:37 > 1:07:39You wish to see me?

1:07:39 > 1:07:42Yeah, Father. I got a letter here.

1:07:42 > 1:07:44It's written in Greek. I can't read Greek.

1:07:44 > 1:07:46I'm in a hurry,

1:07:46 > 1:07:49but I'll pay you if you read it for me.

1:07:49 > 1:07:50Drop it in the poor box.

1:07:50 > 1:07:52I help those who need it.

1:08:02 > 1:08:05From your mother, hmm?

1:08:05 > 1:08:07Oh.

1:08:07 > 1:08:08Yes, so it is.

1:08:08 > 1:08:12Your mother has a very good name -

1:08:12 > 1:08:14Maria, a holy name.

1:08:14 > 1:08:18"Joseph, my beloved son,

1:08:18 > 1:08:21"God grant this letter reaches you.

1:08:21 > 1:08:24"Always you have broken my heart

1:08:24 > 1:08:27"by the wicked things you have done.

1:08:30 > 1:08:34"Yet surely when you hear of the terrible thing

1:08:34 > 1:08:36"that has happened to those who love you,

1:08:36 > 1:08:39"I believe that God will open your eyes

1:08:39 > 1:08:41"and cleanse your heart."

1:08:41 > 1:08:45That's enough, Father. I just wanted to know who it was from.

1:08:45 > 1:08:48"I write to tell you of my great pride

1:08:48 > 1:08:52"in my other sons, your brothers.

1:08:52 > 1:08:55"Now it must be your pride, too,

1:08:55 > 1:08:58"as well as your sorrow."

1:08:58 > 1:09:01Ahem.

1:09:01 > 1:09:03"It happened two Sundays ago

1:09:03 > 1:09:06"as we were coming from church.

1:09:06 > 1:09:10"There was a roaring in the sky,

1:09:10 > 1:09:11"and suddenly,

1:09:11 > 1:09:14"great parachutes began to drift down

1:09:14 > 1:09:17"toward the meadow below the village.

1:09:17 > 1:09:20"We were too startled

1:09:20 > 1:09:22"to do more than stare

1:09:22 > 1:09:23"with open mouths,

1:09:23 > 1:09:27"save for your brother Petros.

1:09:27 > 1:09:31"His face grew black with anger.

1:09:31 > 1:09:32"Men of Greece,

1:09:32 > 1:09:35"he shouted to the others,

1:09:35 > 1:09:39"the carrion birds are falling upon our flocks.

1:09:39 > 1:09:41"Come with me.

1:09:41 > 1:09:45"There were five guns in our village,

1:09:45 > 1:09:49"but there were pitchforks and scythes

1:09:49 > 1:09:51"and men of great strength.

1:09:51 > 1:09:54"Your brother Petros

1:09:54 > 1:09:57"and your brother Euladio

1:09:57 > 1:10:00"led the other men into the meadow.

1:10:00 > 1:10:04"There were patches of white lilies,

1:10:04 > 1:10:07"and before the hour was done,

1:10:07 > 1:10:09"it was as though

1:10:09 > 1:10:14"the field were covered with red lilies.

1:10:17 > 1:10:20"Not one of our men lived,

1:10:20 > 1:10:24"but 100 Germans died.

1:10:24 > 1:10:29"And Greek honour lived for an added hour.

1:10:32 > 1:10:34"They possess our village, of course.

1:10:34 > 1:10:38"I earn food by making their beds

1:10:38 > 1:10:42"and washing their dishes at the inn,

1:10:42 > 1:10:46"yet I am sustained by my God

1:10:46 > 1:10:48"and my great pride.

1:10:48 > 1:10:52"Thy mother, Maria."

1:10:59 > 1:11:01May God comfort you.

1:11:05 > 1:11:08Let's say a prayer together.

1:11:09 > 1:11:10Kneel down.

1:11:15 > 1:11:17Our Father,

1:11:17 > 1:11:20thou who seest all human suffering,

1:11:20 > 1:11:24we beseech thee to bring consolation

1:11:24 > 1:11:26to the heart of this mother

1:11:26 > 1:11:28and to all the mothers

1:11:28 > 1:11:31of this war-torn world.

1:11:31 > 1:11:35And to the hearts of their sons,

1:11:35 > 1:11:37bring courage

1:11:37 > 1:11:40and the will to oppose evil,

1:11:40 > 1:11:42as this woman

1:11:42 > 1:11:45hath brought it to her son Joseph,

1:11:45 > 1:11:47who in thine eyes

1:11:47 > 1:11:51is the brother of all men.

1:12:21 > 1:12:23MUSIC PLAYS

1:12:28 > 1:12:32Joe, do you know what time it is?

1:12:32 > 1:12:35Why have you stayed away?

1:12:35 > 1:12:37Have any trouble with the old man?

1:12:37 > 1:12:39He's out of town.

1:12:39 > 1:12:42He told Foster he was going to Washington

1:12:42 > 1:12:43to find Mr Hargraves.

1:12:43 > 1:12:44How's the party?

1:12:44 > 1:12:45Awful.

1:12:45 > 1:12:48Look, there's nobody here.

1:12:48 > 1:12:49Yeah. What?

1:12:49 > 1:12:51It's wonderful.

1:12:51 > 1:12:55Everyone's upstairs, and they're simply throwing away money.

1:12:55 > 1:12:57Dance with me?

1:12:58 > 1:12:59Later.

1:13:08 > 1:13:09Hi, boss.

1:13:09 > 1:13:11Joe, where have you been all this time?

1:13:11 > 1:13:13Going to let me win tonight, Joe?

1:13:13 > 1:13:16Hello, Joe. Haven't seen you since Rio.

1:13:16 > 1:13:17What happened to that boat?

1:13:17 > 1:13:19Going south this winter?

1:13:19 > 1:13:20Hello, Joe.

1:13:20 > 1:13:22I'm going to win! I'm going...

1:13:24 > 1:13:25Oh, hello.

1:13:25 > 1:13:26Hello.

1:13:28 > 1:13:30Hiya, boss.

1:13:30 > 1:13:33I was going to send Herbie to look for you.

1:13:33 > 1:13:34How's it coming?

1:13:34 > 1:13:35Like shooting fish in a barrel.

1:13:35 > 1:13:37Open up.

1:13:39 > 1:13:42We just passed the 100,000 mark.

1:13:42 > 1:13:43Get me six Gs.

1:13:57 > 1:13:59You sure picked a soft touch, boss.

1:13:59 > 1:14:01Our grab ought to be over 200 grand.

1:14:01 > 1:14:05Ever sit on a park bench for two hours

1:14:05 > 1:14:06and look at yourself?

1:14:06 > 1:14:08Our grab is nothing.

1:14:08 > 1:14:10Huh? But I thought you said

1:14:10 > 1:14:12we were taking the whole thing!

1:14:12 > 1:14:14I'm keeping enough to pay off the boys.

1:14:14 > 1:14:16The rest goes to war relief.

1:14:16 > 1:14:17But, Joe!

1:14:17 > 1:14:21You don't mind if I double-cross myself, do you?

1:14:21 > 1:14:22KNOCK ON DOOR

1:14:22 > 1:14:23See who that is.

1:14:26 > 1:14:27Look out.

1:14:27 > 1:14:29I got to see Joe.

1:14:29 > 1:14:32Listen, Joe, there are a couple of parole officers

1:14:32 > 1:14:33down at the boat.

1:14:33 > 1:14:35What do they got on you?

1:14:35 > 1:14:36Not me. J Bascopolous.

1:14:36 > 1:14:39It turns out he's a three-time loser

1:14:39 > 1:14:40under the Baumes law.

1:14:40 > 1:14:42Three convictions?

1:14:42 > 1:14:44Yeah. I knew that put you on the spot,

1:14:44 > 1:14:45so I checked up,

1:14:45 > 1:14:48and I found this letter from the parole board...

1:14:48 > 1:14:51in some old clothes he left behind.

1:14:57 > 1:14:59One more rub with the law,

1:14:59 > 1:15:01and Bascopolous goes up for life.

1:15:01 > 1:15:02You better beat it, Joe.

1:15:02 > 1:15:04Not tonight.

1:15:04 > 1:15:06I stalled them off, but suppose they come here?

1:15:06 > 1:15:08My neck's clean.

1:15:08 > 1:15:09That worries me, Joe.

1:15:09 > 1:15:11You got a roscoe on you, ain't you?

1:15:11 > 1:15:12Sure.

1:15:12 > 1:15:14You better stash that, boss.

1:15:14 > 1:15:15Why take a chance?

1:15:15 > 1:15:16OK.

1:15:19 > 1:15:21Thanks for the tip.

1:15:21 > 1:15:22That's all right, Joe.

1:15:22 > 1:15:24Anything I can do to help?

1:15:24 > 1:15:29If you see those bulls in the crowd, give me the office.

1:15:30 > 1:15:32How we doing, checker-upper?

1:15:32 > 1:15:36When the boss ain't here, this cage is private.

1:15:36 > 1:15:38OK, Crunky...

1:15:38 > 1:15:40So it's private.

1:15:40 > 1:15:42Who's in the gas box?

1:15:42 > 1:15:44The sandwiches are for the boys.

1:15:44 > 1:15:46I'll have a talk with them -

1:15:46 > 1:15:48I mean the boys, not the sandwiches.

1:15:48 > 1:15:49Hiya, boys.

1:15:49 > 1:15:51Hello, Zepp.

1:15:52 > 1:15:54What's the matter, Briny-Marlin?

1:15:54 > 1:15:55Hmm-hmm.

1:15:55 > 1:15:56Bad?

1:15:56 > 1:15:58I woke up.

1:15:59 > 1:16:01Something happened to me, too.

1:16:01 > 1:16:03Yeah? What?

1:16:03 > 1:16:05I was struck by lightning.

1:16:11 > 1:16:13Nobody dancing.

1:16:13 > 1:16:15Does it matter?

1:16:19 > 1:16:22Remember this - I didn't lie to you,

1:16:22 > 1:16:25but you were right, and I was wrong.

1:16:25 > 1:16:28For me, you were right, always.

1:16:30 > 1:16:32You'll get everything you want.

1:16:32 > 1:16:36You'll get enough to fill two ships, maybe three.

1:16:37 > 1:16:39There's something else I want.

1:16:39 > 1:16:42You stay away from guys like me.

1:16:42 > 1:16:44You'll only get hurt.

1:16:44 > 1:16:46I'm clearing out tonight.

1:16:48 > 1:16:50Oh, take me with you, Joe.

1:16:50 > 1:16:52< Dot.

1:16:52 > 1:16:54I believe you know Mr Hargraves.

1:16:54 > 1:16:56This is Captain Costello of the police department.

1:16:56 > 1:16:58They're here at my request.

1:16:58 > 1:16:59Grandfather, you broke your word.

1:16:59 > 1:17:03Nothing of the kind. Captain Costello's here to stop this gambling.

1:17:03 > 1:17:07But first, I'm going to prove to you what this blackguard is.

1:17:07 > 1:17:09Don't you know he's a thief?

1:17:09 > 1:17:10Grandfather!

1:17:10 > 1:17:12He cashed your cheque for 6,000.

1:17:12 > 1:17:14Did you get the money?

1:17:14 > 1:17:16No. I thought he tore up the cheque.

1:17:18 > 1:17:19Relax, chum.

1:17:19 > 1:17:22You were out of town. I couldn't find you.

1:17:22 > 1:17:23Here. 6,000 even.

1:17:25 > 1:17:27Well, I suppose I really...

1:17:27 > 1:17:29That's all right. Don't apologise.

1:17:29 > 1:17:31Everything clear now?

1:17:31 > 1:17:34No, everything's not clear, not until you get out of here.

1:17:34 > 1:17:35I want this gambling stopped.

1:17:35 > 1:17:37I don't want any scandal.

1:17:37 > 1:17:40If you don't stop it immediately, this officer will do it.

1:17:40 > 1:17:43All right. You're far enough ahead.

1:17:43 > 1:17:46Send a committee to the cage. We'll count up.

1:17:49 > 1:17:50Dot, my child...

1:17:50 > 1:17:53Excuse me. I have to find the committee.

1:17:55 > 1:17:56All bets down.

1:17:56 > 1:17:58Stop the play.

1:17:58 > 1:18:00Make this your last game.

1:18:00 > 1:18:01Oh, no!

1:18:01 > 1:18:03Tell them we're closing up.

1:18:03 > 1:18:05Have the dealers bring the cash boxes into the cage.

1:18:05 > 1:18:07Yes, sir.

1:18:07 > 1:18:08Monty, stop the play.

1:18:08 > 1:18:09OK, Joe.

1:18:09 > 1:18:12That will be all, ladies and gentlemen.

1:18:19 > 1:18:20Crunk, we're clos...

1:18:24 > 1:18:26The law's downstairs.

1:18:26 > 1:18:29We're closing up the games.

1:18:36 > 1:18:37Where's the Crunk?

1:18:45 > 1:18:47Who did you think you were fooling, Joe?

1:18:47 > 1:18:50We knew that dame had the ring through your nose

1:18:50 > 1:18:52since the first night.

1:18:52 > 1:18:54I'm declaring myself back in the old partnership.

1:18:54 > 1:18:55Any arguments?

1:18:55 > 1:18:59All that parole board needs to know is Bascopolous operated this game -

1:18:59 > 1:19:02those one-way doors clank shut for good.

1:19:02 > 1:19:04I can prove I'm not Bascopolous.

1:19:04 > 1:19:07OK. Then you're Joe Adams, the draft dodger.

1:19:07 > 1:19:11That's good for ten years in Leavenworth.

1:19:11 > 1:19:13Better be a good boy, Joe.

1:19:13 > 1:19:16OK. I know when I'm licked.

1:19:16 > 1:19:17Here come the dames.

1:19:17 > 1:19:18Let them in.

1:19:18 > 1:19:20When those cash boxes come in,

1:19:20 > 1:19:23don't fool around with those false bottoms,

1:19:23 > 1:19:25cos things might happen.

1:19:25 > 1:19:26KNOCK ON DOOR

1:19:28 > 1:19:30Oh, Mr Bascopolous, isn't it wonderful?

1:19:30 > 1:19:33I'm utterly impoverished and utterly happy.

1:19:33 > 1:19:34Everyone's penniless.

1:19:34 > 1:19:36Ladies, these are some of our boys.

1:19:36 > 1:19:38Here come the cash boxes.

1:19:38 > 1:19:40Crap table three.

1:19:40 > 1:19:42Step up and check your profits.

1:19:42 > 1:19:44Now, how does this one open?

1:19:44 > 1:19:46Crap table number one.

1:19:46 > 1:19:47Oh, what lovely money.

1:19:47 > 1:19:49It's just like Christmas.

1:19:50 > 1:19:52Isn't very much.

1:19:52 > 1:19:5537, 38, 39, 40, 41...

1:19:55 > 1:19:57Why, it's only 41.

1:19:57 > 1:20:00We had very bad luck the last hour.

1:20:00 > 1:20:01Only 94.

1:20:01 > 1:20:02Bad night, lady.

1:20:02 > 1:20:05Maybe this one will be nice and full.

1:20:05 > 1:20:07This one feels a little heavier.

1:20:07 > 1:20:105, 6, 7, 8,

1:20:10 > 1:20:139, 10, and 5 is 15.

1:20:13 > 1:20:1416, 17.

1:20:14 > 1:20:16120, 1, 2.

1:20:16 > 1:20:17I can't believe it.

1:20:17 > 1:20:20What are we going to tell people?

1:20:20 > 1:20:21Better think up something.

1:20:21 > 1:20:23Oh, this is awful.

1:20:23 > 1:20:25Mary, how much have you got?

1:20:25 > 1:20:26Oh, Veronica, only 208.

1:20:26 > 1:20:28Oh!

1:20:30 > 1:20:32Is that the last box?

1:20:32 > 1:20:34That's all. 87. What's the total?

1:20:34 > 1:20:36I'll have it in a moment.

1:20:36 > 1:20:37KNOCK ON DOOR

1:20:37 > 1:20:39Joe...

1:20:39 > 1:20:41Joe, how much did we make?

1:20:41 > 1:20:44They're adding it up now.

1:20:44 > 1:20:46812, total!

1:20:46 > 1:20:47Oh!

1:20:47 > 1:20:49Run of bad luck for the house.

1:20:49 > 1:20:52Enormous sums changed hands. I saw it.

1:20:52 > 1:20:55Nothing you can do about it now.

1:20:55 > 1:20:58Well, there's something I can do about it.

1:20:58 > 1:20:59There's a policeman downstairs.

1:20:59 > 1:21:02Wait a minute. I knew we were losing,

1:21:02 > 1:21:05but I didn't think it would be this bad.

1:21:05 > 1:21:07But how did you know?

1:21:07 > 1:21:08Joe told me.

1:21:08 > 1:21:11Didn't you, Joe?

1:21:11 > 1:21:12That's right.

1:21:12 > 1:21:14I've known for the last hour.

1:21:14 > 1:21:16But you know perfectly well...

1:21:16 > 1:21:17No, I don't.

1:21:17 > 1:21:20We'd better go downstairs and make up a story.

1:21:22 > 1:21:25Oh, but, Dorothy, what sort of story do we make up?

1:21:28 > 1:21:29All right, boys.

1:21:29 > 1:21:32Get busy on the boxes. Come on.

1:21:36 > 1:21:39So you tipped off the dame they were losing?

1:21:39 > 1:21:40Yeah.

1:21:40 > 1:21:42What do you figure the take?

1:21:42 > 1:21:43Around 200 Gs.

1:21:43 > 1:21:45Leave the dough on the desk.

1:21:45 > 1:21:47Get back to the boat.

1:21:47 > 1:21:49Gaffer, pay off those extra dealers.

1:21:49 > 1:21:52Start moving out the equipment.

1:21:55 > 1:21:57Roll it up. Let's get going.

1:21:57 > 1:22:00You roll it up. I trust you.

1:22:04 > 1:22:05KNOCK ON DOOR

1:22:05 > 1:22:06Joe. >

1:22:06 > 1:22:09Don't let her in. She might get hurt.

1:22:09 > 1:22:10Remember, this is your gun.

1:22:10 > 1:22:12KNOCK KNOCK

1:22:12 > 1:22:13Let me in, please.

1:22:26 > 1:22:27Joe, I...

1:22:29 > 1:22:31Oh, Joe.

1:22:34 > 1:22:36I lied because I couldn't live

1:22:36 > 1:22:37thinking of you locked up,

1:22:37 > 1:22:39but whether I live or die,

1:22:39 > 1:22:42I can't let you take that money.

1:22:42 > 1:22:44Get her out of here.

1:22:44 > 1:22:46Please give it to me.

1:22:46 > 1:22:49It doesn't belong to either one of us.

1:22:49 > 1:22:50Get away.

1:22:50 > 1:22:51Get her out of here.

1:22:51 > 1:22:53Wait a minute!

1:22:53 > 1:22:54Look.

1:22:54 > 1:22:57You just aren't any good, are you?

1:22:57 > 1:22:58You never were any good.

1:22:58 > 1:23:01I've got to take that money, Joe.

1:23:01 > 1:23:02No, no!

1:23:02 > 1:23:03Joe, let me go!

1:23:05 > 1:23:07Now I recognise you, Joe, boy.

1:23:07 > 1:23:09Come on. Let's lam.

1:23:24 > 1:23:26GUNSHOT

1:23:30 > 1:23:32Open up! Open up that door!

1:23:32 > 1:23:33BANGING

1:23:33 > 1:23:36Open up! Open up that door! >

1:23:37 > 1:23:39Open up!

1:23:39 > 1:23:40Come on! Open the door!

1:23:40 > 1:23:42Break it down!

1:24:23 > 1:24:24Miss Bryant, Miss Bryant!

1:24:24 > 1:24:26All you all right, my dear?

1:24:26 > 1:24:27Call an ambulance.

1:24:27 > 1:24:29Get that man to a hospital.

1:24:29 > 1:24:30Right away, sir.

1:24:57 > 1:24:59Maybe you've got nine lives.

1:25:00 > 1:25:04I'll have that slug out of you in a minute.

1:25:04 > 1:25:06Here. Bite on it.

1:25:09 > 1:25:11How do you feel?

1:25:11 > 1:25:13Fine, chum.

1:25:13 > 1:25:14Hold it.

1:25:24 > 1:25:26Here's somebody now.

1:25:28 > 1:25:29No, no.

1:25:31 > 1:25:33No, please. No, no. No, no.

1:25:33 > 1:25:34Come on!

1:25:34 > 1:25:36Wait a minute.

1:25:36 > 1:25:37KNOCK ON DOOR

1:25:37 > 1:25:40Just give us... just a little time.

1:25:40 > 1:25:43Mr Bryant's out, madam, and Miss Dorothy isn't...

1:25:43 > 1:25:45You needn't bother to announce us.

1:25:45 > 1:25:46We'll go right up.

1:25:46 > 1:25:49I'm afraid Miss Dorothy won't see you, madam.

1:25:52 > 1:25:53Dorothy.

1:25:53 > 1:25:54Dorothy!

1:25:54 > 1:25:56Yes.

1:25:56 > 1:25:58I've been calling all morning.

1:25:58 > 1:26:00We've got to make a statement to the newspapers.

1:26:00 > 1:26:03Have you seen the morning papers? Isn't it awful?

1:26:03 > 1:26:05I haven't seen them.

1:26:05 > 1:26:07Then you haven't heard our freighter was sunk.

1:26:07 > 1:26:11So even if we had the money, we couldn't send supplies.

1:26:13 > 1:26:15Poor dear. It's been quite a shock.

1:26:15 > 1:26:17Well, we'd better decide

1:26:17 > 1:26:19what we're going to tell the reporters ourselves.

1:26:19 > 1:26:22After all, I made the decision to allow the gambling.

1:26:22 > 1:26:24It's all my fault.

1:26:24 > 1:26:25What could we say?

1:26:25 > 1:26:28Well, we can make a dignified statement.

1:26:28 > 1:26:30We were taken in.

1:26:30 > 1:26:32Mary, Veronica...

1:26:32 > 1:26:35ask the reporters to come into the library.

1:26:35 > 1:26:37I'll...I'll see them myself, alone.

1:26:37 > 1:26:38Oh, no, Dorothy!

1:26:38 > 1:26:41This isn't your fault. It's all mine.

1:26:41 > 1:26:42I'm just as responsible.

1:26:42 > 1:26:44No, you're not.

1:26:44 > 1:26:46There's only one thing for me to do,

1:26:46 > 1:26:48and that's tell the truth.

1:26:48 > 1:26:50Ask them to come in.

1:26:50 > 1:26:53Well, she's not going to see them without me.

1:26:53 > 1:26:55Nor me.

1:26:55 > 1:26:58Oh, Foster, ask the reporters to go into the library.

1:26:58 > 1:27:00Miss Dorothy will see them there.

1:27:00 > 1:27:02Yes, madam.

1:27:04 > 1:27:06All right, let me in.

1:27:06 > 1:27:08Just a moment, please.

1:27:08 > 1:27:09Don't let them in.

1:27:09 > 1:27:11I want to see Miss Bryant.

1:27:11 > 1:27:14Are you Miss Bryant? No, you wouldn't be.

1:27:14 > 1:27:15Neither would you.

1:27:15 > 1:27:17She's not seeing anybody.

1:27:17 > 1:27:19She'll see me. I've got a bundle for her.

1:27:19 > 1:27:21You can leave it with me.

1:27:21 > 1:27:24I'll give it to her myself. Where's her room?

1:27:24 > 1:27:25Excuse me, ladies.

1:27:25 > 1:27:27Really! Just a moment! You wouldn't!

1:27:27 > 1:27:29Oh! What's this?

1:27:29 > 1:27:30What's it look like?

1:27:30 > 1:27:31Oh! Oh!

1:27:31 > 1:27:32Oh!

1:27:32 > 1:27:35Yeah. You'd be the one, all right.

1:27:35 > 1:27:37This money's for you.

1:27:37 > 1:27:39Wait! Wait a minute. Where is he?

1:27:39 > 1:27:40Where's who?

1:27:40 > 1:27:42Who sent this money?

1:27:42 > 1:27:43A man in the park.

1:27:43 > 1:27:46You're lying to me. Where is he? Where's Joe?

1:27:46 > 1:27:48I don't know any Joe.

1:27:48 > 1:27:51What did the man who sent the money look like?

1:27:51 > 1:27:52I don't know.

1:27:52 > 1:27:54Never saw him before in my life.

1:27:54 > 1:27:55Oh, wait...

1:27:55 > 1:27:58You got to give us a break!

1:27:58 > 1:27:59Miss Bryant...

1:27:59 > 1:28:00Stop him! Stop him!

1:28:01 > 1:28:02What happened?

1:28:02 > 1:28:03Where'd you get that butt?

1:28:03 > 1:28:06I promoted it off a guy.

1:28:06 > 1:28:07One cough from you,

1:28:07 > 1:28:09and you'll fill the seat with oatmeal.

1:28:09 > 1:28:11Look, what happened?

1:28:11 > 1:28:12Not a thing.

1:28:12 > 1:28:14Did it go all right?

1:28:14 > 1:28:17Why wouldn't it?

1:28:18 > 1:28:20How did she look?

1:28:21 > 1:28:23Just like you said, Joe.

1:28:23 > 1:28:25That's how she looked.

1:28:28 > 1:28:29Hello.

1:28:29 > 1:28:30..Yes?

1:28:31 > 1:28:34..But have you checked all the hospitals?

1:28:37 > 1:28:38..Yes, keep looking.

1:28:38 > 1:28:41Now, see here, Dot,

1:28:41 > 1:28:43this has got to stop. You're looking ill.

1:28:43 > 1:28:45I know you mean well, Grandfather,

1:28:45 > 1:28:48but, please, won't you go away and leave me alone?

1:28:48 > 1:28:51If you did find him, what could you do?

1:28:53 > 1:28:54What could I do?

1:28:55 > 1:28:58I'd put my arms around him

1:28:58 > 1:28:59and never let go.

1:28:59 > 1:29:01Oh, fiddlesticks.

1:29:03 > 1:29:08Hargraves just telephoned, darling. Our relief ship is ready to sail. Isn't it wonderful?

1:29:08 > 1:29:11Lucky we got that ship. And the wonderful publicity.

1:29:11 > 1:29:13The war relief's the talk of the town.

1:29:13 > 1:29:15Donations are simply pouring in.

1:29:15 > 1:29:17Mmm. Ahem. Yes.

1:29:20 > 1:29:24You know, Dot, I haven't been feeling very well lately.

1:29:24 > 1:29:25I've been counting on you

1:29:25 > 1:29:28to go for a little trip with me down south.

1:29:28 > 1:29:30What do you think?

1:29:30 > 1:29:32Palm Beach for a few weeks?

1:29:32 > 1:29:34What do you think of it?

1:29:38 > 1:29:41Hi, Mr Bryant. Good morning, Miss Bryant.

1:29:41 > 1:29:44We solved that case for you. He's dead.

1:29:45 > 1:29:46Who's dead?

1:29:46 > 1:29:47Bascopolous.

1:29:47 > 1:29:49He was a wrong guy, all right.

1:29:49 > 1:29:52Look at that record. Three years at San Quentin,

1:29:52 > 1:29:56two at Leavenworth, five at Sing Sing, and a whole list of petty violations.

1:30:02 > 1:30:03Oh...

1:30:03 > 1:30:04Oh, no.

1:30:04 > 1:30:06What's the matter? That's not Bascopolous?

1:30:06 > 1:30:08That's him, all right.

1:30:08 > 1:30:10Me and Sam checked with the coroner's office

1:30:10 > 1:30:13and with the captain of the gambling boat he was on.

1:30:13 > 1:30:16The owner was missing, and the boat, too,

1:30:16 > 1:30:18but we finally ran her down.

1:30:18 > 1:30:19Over at pier 48,

1:30:19 > 1:30:22they're loading a ship called the Briny-Marlin

1:30:22 > 1:30:24with medical supplies from this office.

1:30:24 > 1:30:27What?

1:30:27 > 1:30:30What did you say the name of the ship was?

1:30:30 > 1:30:34The Briny-Marlin. At least, that's what they call it now.

1:31:05 > 1:31:07Where's Joe?

1:31:07 > 1:31:08Where's Joe?

1:31:08 > 1:31:11Please tell me where Joe is!

1:31:22 > 1:31:23Joe!

1:31:23 > 1:31:26Joe, take me with you, please, darling!

1:31:26 > 1:31:28I love you!

1:31:28 > 1:31:30Please take me with you!

1:31:30 > 1:31:33You don't belong with a grifter like me.

1:31:33 > 1:31:35You just got some mud on your dress, that's all.

1:31:35 > 1:31:37Give it time.

1:31:37 > 1:31:38Let it dry.

1:31:39 > 1:31:41It'll brush off.

1:31:41 > 1:31:42Oh, no, Joe.

1:31:42 > 1:31:44Joe, I love you.

1:31:44 > 1:31:46Please take me with you.

1:31:46 > 1:31:47Joe!

1:31:47 > 1:31:49Please, Joe!

1:31:49 > 1:31:51Joe!

1:31:51 > 1:31:53Please come back!

1:31:53 > 1:31:54SHE SOBS

1:31:55 > 1:31:56Joe!

1:31:56 > 1:31:58SHE SOBS

1:31:59 > 1:32:01Goodbye, Briny-Marlin.

1:32:04 > 1:32:06Joe!

1:32:06 > 1:32:07Joe!

1:32:34 > 1:32:37So that was the end of it.

1:32:37 > 1:32:38What happened to the Greek?

1:32:38 > 1:32:43What he said would happen. He delivered the stuff, then joined the merchant marine.

1:32:43 > 1:32:46Coming back, the Briny-Marlin met with a German torpedo.

1:32:46 > 1:32:50Funny - a guy like him winding up that way, huh?

1:32:50 > 1:32:53Can't kill a fella like Joe.

1:32:53 > 1:32:56Anyway, we been home ten days now.

1:32:56 > 1:33:00That's why I'm hanging around. He went uptown for a while.

1:33:00 > 1:33:01I said I'd meet him here.

1:33:01 > 1:33:05I knew she'd be here, and I was kind of hoping...

1:33:05 > 1:33:07Oh, yeah. I see what you mean.

1:33:07 > 1:33:11< WHISTLING "Give Me Something To Remember You By"

1:33:11 > 1:33:13Hey, Swede, where you been?

1:33:13 > 1:33:16Waiting for you. The dinghy's down there.

1:33:16 > 1:33:18Let's get back to the ship.

1:33:18 > 1:33:21Changed my mind. We're not going back to the ship tonight.

1:33:21 > 1:33:23Aw, listen, Joe...

1:33:23 > 1:33:25It's our last night. Got a cab waiting.

1:33:25 > 1:33:27We're going uptown.

1:33:28 > 1:33:31OK, Joe.

1:33:31 > 1:33:32Hey, wait.

1:33:32 > 1:33:34You got to do something about this. What?

1:33:34 > 1:33:37You got a dinghy tied up at the end of the pier.

1:33:37 > 1:33:41It can't stay there. It's against regulations.

1:33:41 > 1:33:43It's a menace to navigation.

1:33:43 > 1:33:44Hey, that's right.

1:33:44 > 1:33:48Someone's got to row it back to this end of the slip.

1:33:48 > 1:33:50OK. Go ahead, Joe.

1:33:50 > 1:33:51Why should I?

1:33:51 > 1:33:54I could order you to, you know.

1:33:54 > 1:33:55Yeah, but you wouldn't.

1:33:55 > 1:33:56< Well, somebody's got to.

1:33:56 > 1:33:59Why don't you flip for it?

1:33:59 > 1:34:00You gamble, don't you?

1:34:00 > 1:34:02Yeah, I've gambled in my time.

1:34:02 > 1:34:03Here. I got one.

1:34:03 > 1:34:08OK. Now, heads, you bring the dinghy back, and tails, he does.

1:34:08 > 1:34:10What do you say?

1:34:10 > 1:34:12That's the only way you're going to settle it.

1:34:12 > 1:34:14Why not?

1:34:14 > 1:34:16OK, you got a deal.

1:34:16 > 1:34:18OK.

1:34:18 > 1:34:20Heads it is.

1:34:23 > 1:34:26HE WHISTLES "Give Me Something To Remember You By"

1:34:36 > 1:34:38Joe.

1:34:39 > 1:34:41Joe!

1:34:52 > 1:34:53Thanks, pal.

1:34:59 > 1:35:02Subtitles by The National Captioning Institute