0:00:03 > 0:00:10This film contains some strong language.
0:00:10 > 0:00:13MUSIC: "Polegnala e Pschenitza" by Le Mystere des Voix Bulgares
0:01:02 > 0:01:05Yeah, but you can't lump Rasputin in with the corrupt
0:01:05 > 0:01:08and assassinated without taking his honesty into account.
0:01:08 > 0:01:11I mean, with Rasputin, there's no ambiguity, is there?
0:01:11 > 0:01:14He was morally transparent, unlike some of your other boys.
0:01:14 > 0:01:17You know, like your Kennedys, for instance, Jack and Bobby, yeah?
0:01:17 > 0:01:20I mean, they had these golden boy public images but actually,
0:01:20 > 0:01:22Bay of Pigs, dodgy CIA operations,
0:01:22 > 0:01:27shagging Marilyn Monroe whilst espousing Catholic family values.
0:01:27 > 0:01:30I mean, there's a moral ambiguity there you just don't get with Rasputin.
0:01:30 > 0:01:31With him, what you see is what you get.
0:01:31 > 0:01:35If he wanted to get pissed and throw chicken drumsticks at the Romanovs, he done it.
0:01:35 > 0:01:37If he wanted to scrape up a nun, he done it,
0:01:37 > 0:01:40and made no apology for it, that's what I'm saying.
0:01:40 > 0:01:44- What, as opposed to, say, John Lennon?- Exactly.
0:01:44 > 0:01:46Now, he was someone who was completely
0:01:46 > 0:01:49different in personal life than he was in public life.
0:01:49 > 0:01:51Like Gandhi, like Martin Luther King, all they lot.
0:01:51 > 0:01:53Why's that make Rasputin better?
0:01:53 > 0:01:55Well, honesty, innit?
0:01:55 > 0:01:57Glasnost.
0:01:58 > 0:02:02What about Gordon of Khartoum? He got a spear in the neck.
0:02:02 > 0:02:04- Yeah, and he was a pederast. - Who told you that?
0:02:04 > 0:02:06Faulkner, him and Gabriel done the procedure
0:02:06 > 0:02:08on that Chelsea Pensioner years ago, didn't they?
0:02:08 > 0:02:12Yeah, well, I wouldn't believe everything Faulkner tells you.
0:02:12 > 0:02:14- Have you seen his car?- Yes. So what?
0:02:14 > 0:02:18- He might just be from a rich family, like Jim Morrison.- I'm saying nowt.
0:02:18 > 0:02:19He is.
0:02:24 > 0:02:28Right, come on, then. Eye of the tiger.
0:02:32 > 0:02:34HE KNOCKS DOOR
0:02:42 > 0:02:46And why have you decided to go through with this procedure today?
0:02:46 > 0:02:49I think we just feel it's the right time, really.
0:02:49 > 0:02:53What, Friday, 11 o'clock, mid-March? What do you mean, "the right time"?
0:02:53 > 0:02:55Er...
0:02:55 > 0:02:58We're just about to get married.
0:02:58 > 0:02:59I see.
0:03:00 > 0:03:04Getting married...
0:03:05 > 0:03:08On behalf of Veridical, we'd like to offer you
0:03:08 > 0:03:11our own sincerest congratulations on your forthcoming nuptials.
0:03:11 > 0:03:13Thank you.
0:03:16 > 0:03:18- Can I ask how you came to that decision?- No, you can't!
0:03:18 > 0:03:21It's none of your business while they're getting married.
0:03:21 > 0:03:24Not getting married, I mean the decision to undergo the procedure.
0:03:24 > 0:03:28- Well, he just said that - because they're getting married. - Yeah, I realise that...
0:03:28 > 0:03:30Well, let's get on with it, then.
0:03:30 > 0:03:33Because we do like to stress, you see, what an important step this is.
0:03:33 > 0:03:37- Yeah, thank you, mate, that's great. - One that you need to be both be fully...
0:03:37 > 0:03:39All right, I tell you what, why don't you go upstairs, yeah,
0:03:39 > 0:03:41ID the target, take some readings,
0:03:41 > 0:03:43and I'll stay down here with these and wrap up the paperwork?
0:03:43 > 0:03:45Is that all right, mate? Thank you.
0:03:56 > 0:03:58Fine.
0:04:13 > 0:04:17- Right. Is English your first language?- Yes.
0:04:17 > 0:04:19MACHINE BEEPS
0:04:19 > 0:04:21'Sir, have you ever assisted
0:04:21 > 0:04:24'in any type of amputation or surgical procedure?'
0:04:24 > 0:04:26BEEPS RISE IN PITCH
0:04:26 > 0:04:28'And have you ever seen a bear?
0:04:28 > 0:04:30- 'No.- Are you sure about that?
0:04:30 > 0:04:32'I don't mean in captivity, I mean in the wild.'
0:04:34 > 0:04:37BEEPS CONTINUE TO RISE IN PITCH
0:04:39 > 0:04:44SUSTAINED HIGH PITCHED BEEP
0:04:45 > 0:04:49And if you could just pop the date down there as well, please.
0:04:51 > 0:04:56Now, can you confirm for me verbally that that is your fiance's signature?
0:04:56 > 0:04:59- Yes, it is.- Yeah, but can you actually say it?
0:04:59 > 0:05:02Like, confirm it verbally for me that that is your fiance's signature?
0:05:04 > 0:05:06Erm... Yes, that is my fiance's signature.
0:05:06 > 0:05:09OK, and can you know verbally confirm for me
0:05:09 > 0:05:13that I haven't tampered with the signature in any way?
0:05:13 > 0:05:15No, you've not.
0:05:15 > 0:05:19Yeah, but can you say it, can you verbally confirm it?
0:05:19 > 0:05:23- No, you haven't tampered with the signature.- Whose signature?
0:05:25 > 0:05:27- SHE LAUGHS - My fiance's signature.
0:05:27 > 0:05:30That's it, but say the whole thing.
0:05:30 > 0:05:32Check it for us, will you?
0:05:32 > 0:05:33MACHINE BEEPS
0:05:33 > 0:05:37- Routine.- Right. Let's do it.
0:05:38 > 0:05:40- If we must.- What's up with you?
0:05:40 > 0:05:43Nowt, just tired.
0:05:43 > 0:05:45Yeah, well, it's a respite week after today, innit?
0:05:45 > 0:05:46I don't mean like that.
0:05:46 > 0:05:49Don't make this any more difficult than it already is, mate.
0:05:49 > 0:05:51Simple, this job.
0:05:51 > 0:05:53Stick to the rules, tell them everything, leave,
0:05:53 > 0:05:55and never come back.
0:05:55 > 0:05:57Yeah. I know.
0:06:00 > 0:06:02These people don't know how lucky they are.
0:06:02 > 0:06:04- Ready?- Ready.
0:06:25 > 0:06:29- Did you see the look on her face? - No.
0:06:29 > 0:06:32- She were devastated?- What about?
0:06:32 > 0:06:36Poncey coffee and egg sandwiches? Hardly last days of Pompeii, is it?
0:06:36 > 0:06:39- Her should try doing this job. - Yeah, but...
0:06:40 > 0:06:41Oh, I don't know!
0:07:02 > 0:07:05Yeah, but Rasputin clearly had a fierce life force.
0:07:05 > 0:07:08I mean, that's how come it took them so long to kill him.
0:07:08 > 0:07:10They poisoned him, they beat him with sticks,
0:07:10 > 0:07:12they shot him three times and he still didn't go.
0:07:12 > 0:07:14In the end, they had to shove him under the ice
0:07:14 > 0:07:17and that took nine hours. I mean, that's not an ordinary bloke, is it?
0:07:17 > 0:07:20Yeah, but he were expecting an attempt on his life.
0:07:20 > 0:07:23He'd been taking low doses of strychnine to immunise himself.
0:07:23 > 0:07:24So what? They shot him!
0:07:24 > 0:07:27You can't immunise yourself against being shot, can you?
0:07:27 > 0:07:30You can't immunise yourself against being beaten with sticks.
0:07:43 > 0:07:48He might just have been rock hard. It don't make him magic.
0:07:48 > 0:07:50Yeah, but I think the ability to control haemophilia
0:07:50 > 0:07:51using only the power of his mind,
0:07:51 > 0:07:54which suggests there is a bit going on than just being hard.
0:07:54 > 0:07:56I mean, Douglas Bader was hard,
0:07:56 > 0:07:59but he couldn't clot blood at will, could he?
0:07:59 > 0:08:05We've done ThetaHealing, we've done inner child work,
0:08:05 > 0:08:07- We've done flower essence therapy. - Yup.
0:08:07 > 0:08:11Rebirthing, and advanced rebirthing - that was amazing.
0:08:11 > 0:08:15Past life regression - now that was amazing.
0:08:15 > 0:08:19I was a seamstress in Elizabethan London. I knew Shakespeare.
0:08:22 > 0:08:25MACHINE BEEPS
0:08:27 > 0:08:30CONTINUOUS HIGH PITCHED BEEP
0:08:35 > 0:08:37And if you could tick the box, please, Sir. Thank you.
0:08:37 > 0:08:40And could you just underline it there as well, please.
0:08:40 > 0:08:41And a full stop, please. Thank you.
0:08:41 > 0:08:47And if you could just initial the full stop, just to show I haven't tampered with it in any way.
0:08:49 > 0:08:51I hope it's benign.
0:08:51 > 0:08:55You do realise they don't think we can really do this, don't you?
0:08:55 > 0:08:58Yeah, well, we'll see, eh?
0:08:58 > 0:09:01What is the ThetaHealing anyway?
0:09:01 > 0:09:06Don't know. Quick way of separating hippies and their cash, I suppose.
0:09:06 > 0:09:08God almighty!
0:09:08 > 0:09:13Yeah. That'd be another way.
0:09:30 > 0:09:33TANGO MUSIC PLAYS
0:09:52 > 0:09:56- Right, go in for a POV on the woman, and I'll follow.- Copy that.
0:10:36 > 0:10:39Right, you take her, I'll do him. Go, go!
0:10:39 > 0:10:41- Why do I always have to be the maid? - Just do it!
0:10:43 > 0:10:45You looking for business, darling?
0:10:45 > 0:10:48Yeah, get in, love.
0:10:53 > 0:10:55Just up here, on the left.
0:11:08 > 0:11:12- What's it to be, then, sweetheart? - Um...
0:11:14 > 0:11:16Well...
0:11:16 > 0:11:17HE SIGHS
0:11:19 > 0:11:20Oh, God!
0:11:26 > 0:11:28What?
0:11:29 > 0:11:31For some 14 months, Madam,
0:11:31 > 0:11:35you've been attending Latin dance classes at the town hall -
0:11:35 > 0:11:39mostly salsa, some tango, and the occasional cha-cha-cha.
0:11:39 > 0:11:45Your dance teacher is one Raoul Gimores, real name Graham Richardson.
0:11:45 > 0:11:49You're very fond of him, but you have no relationship outside the class.
0:11:49 > 0:11:53However, you've chosen to keep this activity a secret from your partner
0:11:53 > 0:11:57and friends as the gender politics of Latin dance are inconsistent
0:11:57 > 0:12:00with your chosen lifestyle.
0:12:00 > 0:12:02That's incredible! How...
0:12:02 > 0:12:04And you, Sir.
0:12:04 > 0:12:07Three times in the last year you've driven to the dock area
0:12:07 > 0:12:11of a nearby coastal town, where you've picked up prostitutes -
0:12:11 > 0:12:13- a different one each time.- No.
0:12:13 > 0:12:16You paid each woman her normal rates,
0:12:16 > 0:12:19though no actual physical contact occurred.
0:12:19 > 0:12:21Instead, you talked to them -
0:12:21 > 0:12:25mostly reminiscences about your youth, fear of growing old,
0:12:25 > 0:12:29ill health - standard existential concerns for a man of your age -
0:12:29 > 0:12:30as well as your regret about
0:12:30 > 0:12:34- the decision you and your wife made to remain childless.- Yeah...
0:12:36 > 0:12:37Ooh, sorry! Correction -
0:12:37 > 0:12:40the last of these encounters did in fact end with the
0:12:40 > 0:12:44woman in question administering hand relief in the front seat of your car.
0:12:49 > 0:12:50Look, you...
0:13:10 > 0:13:14- You're like Reg the fisherman, you is.- Who's Reg the fisherman?
0:13:14 > 0:13:16Reg the fisherman was from Mevagissey.
0:13:16 > 0:13:19My Uncle Jimmy used to work with him on the trawlers.
0:13:19 > 0:13:22He got seasick, he was a vegetarian and the smell of fish made him spook.
0:13:22 > 0:13:25In other words, he was totally unsuitable to be a fisherman.
0:13:25 > 0:13:27- Why am I like him?- Think about it.
0:13:29 > 0:13:31I just don't like leaving people like that.
0:13:31 > 0:13:35There should be summat we can offer...after.
0:13:35 > 0:13:37Is you Mother Teresa? It's not our job to "offer" anything.
0:13:37 > 0:13:42- We "offer" the information that's in there.- We should take responsibility.
0:13:42 > 0:13:43It's not our job, mate.
0:13:52 > 0:13:54All right. Usual time in a week?
0:13:54 > 0:13:56- Fine.- Mate...
0:13:56 > 0:13:59- What you doing?- Sorry.
0:14:00 > 0:14:02I were just...
0:14:02 > 0:14:04No monkey business.
0:14:04 > 0:14:06What? You want to worry about your own self, mate,
0:14:06 > 0:14:08work on a bit of professional objectivity for starters.
0:14:10 > 0:14:14Go down the pub or something. See people. Make sure you eat!
0:14:14 > 0:14:16Yes, mother!
0:14:56 > 0:14:58RADIO TUNES IN
0:15:00 > 0:15:02FUZZY VOICES ON RADIO
0:15:29 > 0:15:31FLY BUZZES
0:15:33 > 0:15:35STONES RATTLE
0:16:01 > 0:16:04CONTENTS OF BOAT RATTLE
0:16:07 > 0:16:09RADIO TUNES IN
0:16:14 > 0:16:17HEARTBEAT
0:16:35 > 0:16:38Drop of the good stuff?
0:16:42 > 0:16:44There you go.
0:16:44 > 0:16:48Now, where were we? Oh, yes.
0:16:48 > 0:16:50Once upon a time,
0:16:50 > 0:16:53one stormy night,
0:16:53 > 0:16:58a little boy found himself wandering on a barren moor.
0:17:00 > 0:17:02He didn't know how he'd arrived there,
0:17:02 > 0:17:06only that he desperately needed to get himself into the warm and dry.
0:17:07 > 0:17:11And very soon too, he needed to find his house.
0:17:13 > 0:17:18He was very cold and scared, out on the dark night.
0:17:19 > 0:17:23But, being a brave boy, he walked on.
0:17:25 > 0:17:29Eventually, just when he was thinking he was so tired
0:17:29 > 0:17:31that he couldn't go any further,
0:17:31 > 0:17:35the lost boy saw a light in front of him,
0:17:35 > 0:17:37and he finally found it.
0:17:37 > 0:17:39Could this be home?
0:17:41 > 0:17:46When he got closer, he saw it wasn't his house, it was a tiny cottage.
0:17:54 > 0:17:55HE GASPS
0:18:12 > 0:18:15Hello? Hello?
0:18:17 > 0:18:20You up, mate?
0:18:20 > 0:18:22You in there?
0:18:23 > 0:18:24Davis!
0:18:28 > 0:18:32Hello? You all right?
0:18:32 > 0:18:34Davis!
0:18:34 > 0:18:36- What are you doing here? - What are you on about?
0:18:41 > 0:18:44- We said a week.- It's been a week.
0:18:46 > 0:18:50Right, you just hang on there a minute. Give us a second.
0:18:50 > 0:18:53Just got to get these things together.
0:18:53 > 0:18:54You know what it's like.
0:18:54 > 0:18:59Lose track of time, don't you? God... Right, let's go.
0:18:59 > 0:19:02- Are you going to get changed?- Yeah.
0:19:04 > 0:19:06And we need to do the cleansing.
0:19:06 > 0:19:08Yeah.
0:19:08 > 0:19:09STONES RATTLE
0:19:33 > 0:19:35CONTENTS OF BOAT RATTLE
0:19:35 > 0:19:37- TELEVISION:- '70.'
0:19:40 > 0:19:41'90.'
0:19:43 > 0:19:47You should turn that up. You'll strain your ears.
0:19:47 > 0:19:48'24.'
0:19:52 > 0:19:53BIRD CRIES
0:19:53 > 0:19:55BIRDSONG
0:20:03 > 0:20:05STONES RATTLE
0:20:08 > 0:20:10I ain't shouting, you're shouting!
0:20:11 > 0:20:13BENNETT!
0:20:15 > 0:20:18You can't see your tie in that jumper.
0:20:19 > 0:20:22Bennett, you've got Rasputin all wrong.
0:20:22 > 0:20:25Sometimes there's this thing, you...
0:20:25 > 0:20:28think it's having a laugh, and it is having a laugh.
0:20:30 > 0:20:33WHITE NOISE FROM RADIO
0:20:42 > 0:20:44I don't fucking believe this.
0:20:46 > 0:20:50- You promised me, no more glow chasing.- Oh, come on, I know what I'm doing with it!
0:20:50 > 0:20:52That's what all the glow chasers say. That's what Williams said.
0:20:52 > 0:20:56- He ended up going Bulgarian. - I ain't going to go Bulgarian, am I?
0:20:56 > 0:20:58- Don't worry about it. - I DO worry about it.
0:20:58 > 0:21:01You know the facts. We're not tourists.
0:21:01 > 0:21:04Glow chasing causes a build-up of psychic detritus
0:21:04 > 0:21:06and unchecked, contaminates extractions.
0:21:06 > 0:21:09And, that's apart from the fact that it's dangerous.
0:21:09 > 0:21:11It could just as easily be me who ends up getting hurt as you.
0:21:11 > 0:21:13I ain't going to let that happen.
0:21:13 > 0:21:16We've got the Colonel breathing down us necks.
0:21:16 > 0:21:20I told you to go out and see people. It's not healthy.
0:21:20 > 0:21:22Yeah, well pardon me for wanting a bit of time on me own
0:21:22 > 0:21:24after four more weeks of other people's spunk and betrayal!
0:21:24 > 0:21:27- Oh, come off it!- Anyway, you want to worry about your own self.
0:21:27 > 0:21:31- Can't believe your Uncle Malkie beat you at snooker. He's only got one arm.- He had a new cue.
0:21:31 > 0:21:34He's quite handy with that little block, isn't he? He's like Zorro.
0:21:34 > 0:21:38- Shut up, that's not the issue. - You shouldn't be missing a black like that at this level, mate.
0:21:38 > 0:21:41Hey, hang on a second. I'll just pop up here. I'll be back in a second, yeah?
0:22:08 > 0:22:10All right, mush?
0:22:14 > 0:22:16Swap you.
0:22:29 > 0:22:31HE EXHALES HEAVILY
0:22:51 > 0:22:54- All right, Colonel? - All right, young fella?
0:22:56 > 0:22:58Yeah.
0:22:59 > 0:23:01Let's have a look at you, then.
0:23:13 > 0:23:16- Your glands are up.- Are they?- Yeah.
0:23:22 > 0:23:24- Cough. - HE COUGHS
0:23:28 > 0:23:29Again.
0:23:29 > 0:23:31HE COUGHS
0:23:33 > 0:23:36- Everything all right with you two? - Yeah.
0:23:38 > 0:23:39Yes, boss.
0:23:41 > 0:23:43I won't go into details,
0:23:43 > 0:23:46but Faulkner and Gabriel are no longer operational,
0:23:46 > 0:23:50which means I'm looking for a new A-team.
0:23:50 > 0:23:52It's crunch time, boys.
0:23:52 > 0:23:54I need to know you can think outside the box,
0:23:54 > 0:23:57that you can use the procedure to its full potential.
0:23:57 > 0:24:00That's how come the change of job.
0:24:00 > 0:24:04Could be tricky - data required on an absent subject.
0:24:04 > 0:24:06Going to need some lateral thinking.
0:24:06 > 0:24:08But you get this, right?
0:24:08 > 0:24:12Could be your ticket out of the domestic,
0:24:12 > 0:24:16into the global stuff - politicians, aristos.
0:24:16 > 0:24:21Got the Saxe-Coburgs lined up early next year. Imagine the filth!
0:24:21 > 0:24:25Made them look like the Partridge Family, eh?
0:24:25 > 0:24:27HE LAUGHS
0:24:27 > 0:24:31Don't let me down. It's your chance to shine.
0:24:35 > 0:24:38- Mr Bennett, give us a minute. - All right, boss.
0:24:42 > 0:24:46- Are you on a glow mission, boy? - No, boss.- You sure?- Definitely.
0:24:47 > 0:24:50No "you show me yours, I'll show you mine" behind the bike sheds?
0:24:50 > 0:24:52No holiday snaps?
0:24:53 > 0:24:55No bedtime stories?
0:24:55 > 0:24:57Nothing like that, boss. Honest.
0:24:59 > 0:25:00Stick out your tongue.
0:25:01 > 0:25:02Out.
0:25:15 > 0:25:18I want to believe you, I really do.
0:25:18 > 0:25:23You're like a son to me, you beautiful little monkey man.
0:25:25 > 0:25:28You remember what happened to Culkin?
0:25:28 > 0:25:29'Course, boss, yeah.
0:25:29 > 0:25:33I hated doing that but I'll do it if I have to, you know that.
0:25:33 > 0:25:34I know.
0:25:37 > 0:25:40OK. You up for this promotion?
0:25:40 > 0:25:43Yeah, 'course I am, boss. Definitely.
0:25:44 > 0:25:48- You've got to prove me right. - Thanks, boss. I won't let you down.
0:25:53 > 0:25:55RAILWAY WHISTLE SOUNDS
0:25:58 > 0:26:02Look at all this - disappearance of Marcus Baron.
0:26:04 > 0:26:08"Eight years ago, my husband disappeared without trace."
0:26:09 > 0:26:12- That's a bit much, isn't it? - Let's have a look at him.
0:26:15 > 0:26:18It's a classic "I'm going out for a pint of milk job" this, isn't it?
0:26:18 > 0:26:20He's probably in Torquay with Lord Lucan.
0:26:20 > 0:26:23How are we supposed to find him?
0:26:23 > 0:26:25What were the Colonel on about?
0:26:25 > 0:26:28Snooker. He wanted a few tips on his cue action.
0:26:29 > 0:26:33I were this close to telling him, mate. I've had enough.
0:27:19 > 0:27:22- Oh, hello.- Hello.
0:27:22 > 0:27:23You're from Veridical?
0:27:23 > 0:27:29Yeah, that's right. I'm Bennett, this is my colleague, Mr Davis.
0:27:29 > 0:27:30You're very tall.
0:27:32 > 0:27:33Yeah.
0:27:33 > 0:27:37- So, you read the file?- Of course.
0:27:37 > 0:27:40He disappeared eight years ago. Pretty fed up of it now.
0:27:40 > 0:27:43Quite like to find him, etc.
0:27:43 > 0:27:45- OK?- OK.
0:27:45 > 0:27:49So, let's see who digs him up first. Yup.
0:27:52 > 0:27:57Well, off you trot. House is down there. Come on, chop chop!
0:27:57 > 0:27:59Go on now!
0:28:05 > 0:28:07- Dig him up?- Shh!- What?!
0:28:21 > 0:28:22Don't look right.
0:28:47 > 0:28:49Yeah, this is it.
0:28:51 > 0:28:54- You all right, mate?- Come on.
0:29:41 > 0:29:44MACHINE BEEPS
0:29:51 > 0:29:55- This ain't working. - It could be atmospherics.
0:29:55 > 0:29:57You have to do it through triangulation.
0:30:02 > 0:30:04It's quite a place this, though, innit?
0:30:17 > 0:30:20- That was quick.- I need you to sign the forms before we can go in.
0:30:20 > 0:30:21Fine.
0:30:24 > 0:30:28And there was another, sort of, younger maid, walking about earlier?
0:30:28 > 0:30:31My daughter, Rebecca.
0:30:31 > 0:30:34- Yeah, her too, if she's over 18.- Fine.
0:30:39 > 0:30:43- Do you really think you're going to find him like that?- I don't know.
0:30:45 > 0:30:49- But I cannot not look, can I? He was my husband.- Was?
0:30:52 > 0:30:55Look, missus, we can only work with the people here and now, yeah?
0:30:55 > 0:31:00So if he's dead, or otherwise...not about, we're not going to be able to
0:31:00 > 0:31:04get anything specific to him and no one else, do you see what I mean?
0:31:04 > 0:31:08Er...whatever. Just give me a clue. Something.
0:31:12 > 0:31:15So, Madam, if you sign there? Thank you. And the date there, please?
0:31:15 > 0:31:18And initial in the box? Thank you.
0:31:18 > 0:31:22That's brilliant. Thank you. And you as well, Miss?
0:31:22 > 0:31:23If you could do the same, please?
0:31:23 > 0:31:26Just print your name there, sign and date there, and initial in the box.
0:31:38 > 0:31:39It's just a formality, Miss.
0:31:46 > 0:31:47That's lovely, thank you.
0:31:52 > 0:31:53Teenagers!
0:31:53 > 0:31:55DOOR SLAMS
0:31:55 > 0:31:57- How old is she?- 21.
0:32:01 > 0:32:04- All right?- You sorted up there?
0:32:04 > 0:32:05No, the triangulation's failed.
0:32:05 > 0:32:08- I'm going to have to go through the polygons.- What? You're joking!
0:32:08 > 0:32:10I've never had to do it before. Well, not in the field.
0:32:10 > 0:32:13It's seven or eight hours' work, we're not going to get done today.
0:32:13 > 0:32:17- No, no way. - According to the sheet, there's a pub in the village does B&B.
0:32:17 > 0:32:19- Right, I'll come upstairs and have a look.- I've done it right!
0:32:19 > 0:32:24I'm not saying you haven't, I just want to go upstairs and cast an eye if that's all right, your holiness?
0:32:26 > 0:32:31- Sorry about this. - What have you done?- Nothing.
0:32:31 > 0:32:34- So why did you say you're sorry? - Er...
0:32:34 > 0:32:36Oh, you were being kind.
0:32:36 > 0:32:37Well...
0:32:37 > 0:32:39Ah, that's nice.
0:32:41 > 0:32:48The...photos and the map at the top of the stairs,
0:32:48 > 0:32:50what's that?
0:32:50 > 0:32:51I keep a record of where I've been.
0:32:51 > 0:32:54I don't want to be digging in the same place twice, do I?
0:32:54 > 0:32:57That'd be crazy, wouldn't it?
0:32:57 > 0:32:59Digging, digging.
0:32:59 > 0:33:00Right.
0:33:02 > 0:33:04This is a beautiful house.
0:33:05 > 0:33:07You think so?
0:33:07 > 0:33:09Yeah, it's really something.
0:33:12 > 0:33:15MACHINE BEEPS
0:33:49 > 0:33:51- Are you all right?- Yeah.
0:33:53 > 0:33:55Well, we'll keep at it.
0:33:55 > 0:33:59Yeah. So, do you need anything?
0:33:59 > 0:34:01No, I'm fine.
0:34:02 > 0:34:05You are very tall, aren't you?
0:34:05 > 0:34:08- Yeah, I am.- Yeah, right...
0:34:08 > 0:34:12You know, I was thinking about the B&B...
0:34:13 > 0:34:16MACHINE BEEPS
0:34:16 > 0:34:20- Oh, you found it. Any preference?- What?
0:34:24 > 0:34:25Have you had a bang on the head or something?
0:34:25 > 0:34:29There is no way I'm stopping here and eating coq au vin with Gloria Swanson and the Brady Bunch.
0:34:29 > 0:34:33- We're going to stay in the pub.- No we won't, we're stopping here.- Why?
0:34:33 > 0:34:35I'm getting nowhere fast with this lot.
0:34:35 > 0:34:37I know, that's exactly why we should get out, have a few beers,
0:34:37 > 0:34:40win a bit of money on the pool table, come back first in the morning.
0:34:40 > 0:34:44No, it's a waste of time. We stay here and get at it straight away, first thing.
0:34:44 > 0:34:46- You're going native again. - No I'm not!
0:34:46 > 0:34:49- Yes, you are! You're being unprofessional! - YOU'RE being unprofessional!
0:34:49 > 0:34:52- YOU'RE being unprofessional! - YOU'RE being unprofessional!
0:34:52 > 0:34:54- YOU'RE being unprofessional!- Shut up!
0:34:54 > 0:34:57Look, I'm in the chair on this one. I've made me decision.
0:34:57 > 0:35:01We stop here, we get up early, we get it done, we get the hell out.
0:35:01 > 0:35:04Well, there's no way I'm sitting having dinner with them!
0:35:05 > 0:35:07DOOR SLAMS
0:35:15 > 0:35:16Looks nice.
0:35:31 > 0:35:35- What's your name, little fella? - Jojo.- Pleased to meet you, Jojo.
0:35:35 > 0:35:36Thank you.
0:35:37 > 0:35:40- How long are you staying for? - Well...- Just tonight.
0:35:40 > 0:35:43- You can stay a bit longer if you like.- What?
0:35:43 > 0:35:45No, mate, we don't muck about.
0:35:45 > 0:35:48Get the low-down, done and dusted first thing.
0:35:55 > 0:35:57- Do you like football?- I do, yeah.
0:35:57 > 0:36:00- One day, I'm going to play for a team.- Oh, right?
0:36:00 > 0:36:05The strip is going to be the Celtic top, maybe, with green shorts
0:36:05 > 0:36:08and the same pattern on the socks.
0:36:08 > 0:36:11- Sounds like you've got it all planned out.- Yeah.
0:36:11 > 0:36:14What about your away kit?
0:36:14 > 0:36:15I haven't thought about that yet,
0:36:15 > 0:36:18but I think I've got the goalkeeping kit in.
0:36:18 > 0:36:23It's blue top with black sleeves and a black bit going across the top.
0:36:23 > 0:36:25Oh, right, OK.
0:36:28 > 0:36:29What position do you play?
0:36:29 > 0:36:34- Goalkeeper and defence. - Goalkeeper and defence?
0:36:34 > 0:36:38- I used to be a goalkeeper when I were at school.- Were you any good?
0:36:38 > 0:36:41Not really. Are you any good?
0:36:41 > 0:36:43Yeah.
0:36:43 > 0:36:46- Who do you support? - Oldham Athletic.- God's sake!
0:36:52 > 0:36:54Who do you support?
0:36:54 > 0:36:58Manchester United, Sheffield United and Wisbech Town.
0:36:58 > 0:37:02Blimey, you've all the angles covered there!
0:37:02 > 0:37:05- This is lovely. - Right, I ain't hungry.
0:37:05 > 0:37:08Sorry, I'm tired, I'm going to bed. Ta for...that.
0:37:12 > 0:37:16- Sorry about that, he's... - No, it's all right. Eat.
0:37:18 > 0:37:20Is he your best friend?
0:37:22 > 0:37:23Yeah.
0:37:24 > 0:37:27Are you married? I mean, not to him, of course.
0:37:29 > 0:37:31No, I'm not married.
0:37:31 > 0:37:34Living with someone?
0:37:34 > 0:37:35My mother.
0:37:35 > 0:37:37I live with my mother too.
0:37:39 > 0:37:42Yeah, I know you do.
0:37:49 > 0:37:51VOICES ECHO FROM DOWNSTAIRS
0:38:25 > 0:38:26STONES RATTLE
0:38:30 > 0:38:32VOICES ECHO
0:38:32 > 0:38:35..eventually, just as he was thinking he was so tired
0:38:35 > 0:38:36that he couldn't move any further,
0:38:36 > 0:38:40the lost boy saw a light in front of him.
0:38:40 > 0:38:45Had he finally found it? Could this be home?
0:38:45 > 0:38:48But when he got closer, he saw it wasn't his house,
0:38:48 > 0:38:50it was a tiny cottage -
0:38:50 > 0:38:54old, strange and spooky.
0:38:55 > 0:38:58So, he gathered up all of his courage,
0:38:58 > 0:39:03walked up to the rotten old door and knocked.
0:39:09 > 0:39:11Oh, I don't believe this!
0:39:11 > 0:39:14- Give me them here!- What you doing? Get off!- Give them to me!
0:39:14 > 0:39:16- You're not having them!- Yes I am!
0:39:16 > 0:39:18- No, get off!- Give them to me! - Get off!
0:39:21 > 0:39:23Right, that's it.
0:39:28 > 0:39:31What are you talking about? I was asleep.
0:39:33 > 0:39:34What?
0:39:36 > 0:39:39I weren't glow chasing, Bennett.
0:39:39 > 0:39:41You got it wrong, mate, its research.
0:39:41 > 0:39:43Dead man's POV. Just the thing for this job, innit?
0:39:45 > 0:39:48Bennett? Mate?
0:39:48 > 0:39:49Good night.
0:40:08 > 0:40:11You, stay here.
0:40:11 > 0:40:13I'm going to see if I can crack this one on my own.
0:40:13 > 0:40:16What? You can't do that. How are you going to audit?
0:40:16 > 0:40:20- I'll get to where I can on me own. It's safer this way.- No, it isn't.
0:40:20 > 0:40:23I won't tell the Colonel as long as you don't interfere.
0:40:23 > 0:40:25As soon as you do, I will.
0:40:25 > 0:40:26I want this promotion
0:40:26 > 0:40:31and I don't want you contaminating the place and buggering it up.
0:40:31 > 0:40:33You need to take some time out,
0:40:33 > 0:40:36think about whether you've still got the discipline for this.
0:40:38 > 0:40:40Do you hear me?
0:40:54 > 0:40:56Think about it!
0:40:56 > 0:41:00The village with the train station, there's no church.
0:41:00 > 0:41:03That means the town's got to be the nearest... Oh, SHIT!
0:41:03 > 0:41:06- How did you miss this?- Me?!
0:41:06 > 0:41:08All right, I'm making the call.
0:41:08 > 0:41:10No, listen, we can sort this.
0:41:10 > 0:41:14Mate, don't tell him about the old, you know, research.
0:41:19 > 0:41:22Hello, it's Bennett. Get me the Colonel.
0:41:22 > 0:41:24Well, get him out of the flotation tank!
0:41:26 > 0:41:27Hello, boss?
0:41:27 > 0:41:30Yeah, the house is built on a corpse road. It looks like a cold channel.
0:41:33 > 0:41:34Pretty sure.
0:41:35 > 0:41:38Right. Will do, boss.
0:41:44 > 0:41:46He's on his way.
0:41:52 > 0:41:55- This is delicious.- Good.
0:41:56 > 0:42:01I told them to bring an epic breakfast. Would you call it epic?
0:42:01 > 0:42:04Mmm! Pretty epic.
0:42:06 > 0:42:09- How often do you make it to the village yourself?- Me?
0:42:09 > 0:42:12- I never go to the village.- Why not?
0:42:12 > 0:42:14What if he came back and I wasn't here?
0:42:20 > 0:42:23- Bennett, I've had a thought.- Not now. - Do you want a kipper?
0:42:23 > 0:42:26- They're really tasty, aren't they, Frank?- Frank?!
0:42:27 > 0:42:29Fuck me, you're the one who's going native
0:42:29 > 0:42:32- and you're hanging me out to dry?- That's enough!
0:42:32 > 0:42:34I'll talk to you later.
0:42:43 > 0:42:45- Really sorry about that. - No, it's OK.
0:42:49 > 0:42:51He's another loser.
0:42:51 > 0:42:53He lost something, didn't he?
0:42:56 > 0:42:57Takes one to know one, you see.
0:42:59 > 0:43:01Good morning.
0:43:30 > 0:43:35Sorry we're cluttering the place up a bit.
0:43:40 > 0:43:44We're going to do our best to find out what happened to your dad,
0:43:44 > 0:43:46if we can.
0:44:45 > 0:44:50- Do you know why they called Tottenham Spurs?- No, why?
0:44:50 > 0:44:53To shorten it on the scoreboard.
0:44:53 > 0:44:55- HE LAUGHS - Yeah. Here you are.
0:44:58 > 0:44:59Grr!
0:44:59 > 0:45:01Thanks.
0:45:03 > 0:45:06Wait here, mate. Mrs Baron?
0:45:09 > 0:45:10Jane.
0:45:12 > 0:45:17You don't have to do this if you don't want. It's all in hand.
0:45:17 > 0:45:20Maybe you could take a day off, we'll see what we find
0:45:20 > 0:45:21when the Colonel gets here.
0:45:25 > 0:45:26STONES RATTLE
0:45:36 > 0:45:40So, Lord Lucan lives on a corpse road, yeah?
0:45:40 > 0:45:42- He knows the score, he knows I'll get us in.- Yeah?
0:45:42 > 0:45:45So he thinks, "I'll just sit on a cold channel
0:45:45 > 0:45:46"and they can fish for it."
0:45:46 > 0:45:49But he didn't bank on old Gabriel, did he?
0:45:49 > 0:45:52'So what did you do then?'
0:45:52 > 0:45:53Oh, yeah!
0:46:07 > 0:46:09He's quite good, isn't he?
0:46:11 > 0:46:14- Is he?- Yeah, he's not bad.
0:46:16 > 0:46:18How can you tell?
0:46:18 > 0:46:22- Gabriel!- Oh, God. - Gabriel!- Excuse me.
0:46:22 > 0:46:25- No, it's OK, it's all right. - Gabriel, Lord Lucan!- What about them?
0:46:25 > 0:46:28They had a corpse road on that job - a bypass, we can do it.
0:46:28 > 0:46:31- No, I don't want you involved. - Oh, come on, Frank,
0:46:31 > 0:46:33none of us are perfectly professional all the time, are we?
0:46:33 > 0:46:37Don't come all that with me. Having a bit of a natter and glow chasing are not the same thing,
0:46:37 > 0:46:41- far from it.- All right, all right. Look, I'm done with that.
0:46:41 > 0:46:42Here you go. You can have them.
0:46:42 > 0:46:46I'm not interested. I just want to do the job, please.
0:46:46 > 0:46:50Have this and all, it's the trigger. The whole lot's printed on it.
0:46:50 > 0:46:51I don't want it no more.
0:46:51 > 0:46:53Look, mate, the corpse road's coming from over there, yeah?
0:46:53 > 0:46:55All we need to do is nudge up 45 degrees or so,
0:46:55 > 0:46:58- just round the other side of the house, yeah?- Right.
0:46:58 > 0:47:01It's a trench and mirror job. Get missus on the case, her's mad with digging, isn't her?
0:47:01 > 0:47:05Stick a few flags in so they don't compromise the channel, do you see what I mean?
0:47:05 > 0:47:08- It's a bit out there.- So what?
0:47:08 > 0:47:11- Don't flake out on me now. It'll work.- It could.
0:47:11 > 0:47:14It's your call, pilot. What do you reckon?
0:47:18 > 0:47:22- How does the line look?- I don't know. Fine, I think.- Yeah?
0:47:22 > 0:47:26- What are we doing?- We're building a bypass.- How do we do that?
0:47:26 > 0:47:31I don't know. You'd have to ask him, I'm not a natural.
0:47:31 > 0:47:34All right, then, love, I need you to dig all trench along this line,
0:47:34 > 0:47:36so deep, yeah? Just enough so you know it's there.
0:47:36 > 0:47:39Get in the house, get the windows open, all the ones that will.
0:47:39 > 0:47:42Turn all the taps on, flush the place out. Let's go! Let's go!
0:47:45 > 0:47:48Nice one little, um...Denzel.
0:48:41 > 0:48:43What are you doing?
0:48:49 > 0:48:53- What's going on?- Don't worry, missus, we're professionals.
0:49:00 > 0:49:02See, the traffic comes over the hill, yeah?
0:49:02 > 0:49:05- Now, the house is the obvious way to proceed.- The traffic? - Yeah, that's right.
0:49:05 > 0:49:09So, what happens now is the mirror's going to bounce it round that way and it'll come out the back.
0:49:09 > 0:49:11- See what I mean?- Traffic?- Yes.
0:49:11 > 0:49:13- What do you reckon?- Looks the part.
0:49:13 > 0:49:16- There's only one way to find out, I suppose.- What traffic?
0:49:20 > 0:49:24Can't believe this. It's routine, textbook.
0:49:24 > 0:49:28There's your target, clean, easy, like we never had a problem.
0:49:28 > 0:49:31- You are bloody good at this, mate. - Let's do it, then.
0:49:31 > 0:49:32The Colonel's coming.
0:49:32 > 0:49:36- Exactly, that's why we should waste as little of his time as possible. - He said to sit tight.
0:49:36 > 0:49:39I know, but that's before we turned a difficult job into a routine one.
0:49:39 > 0:49:42Hey, tell you what, go and get something personal of the husband,
0:49:42 > 0:49:45so we can put it in the circuit, strengthen the signal.
0:49:45 > 0:49:46Come on, mate, I'm back.
0:49:51 > 0:49:54It should be in here somewhere.
0:49:54 > 0:49:56Ah! There it is.
0:49:58 > 0:50:00I bought it for him.
0:50:01 > 0:50:04Didn't really wear it much, though.
0:50:04 > 0:50:07- Thought it was too odd. - That'll be fine.
0:50:12 > 0:50:14He thought I was too odd too.
0:50:20 > 0:50:21Are you all right?
0:50:26 > 0:50:30No. But thank you for asking.
0:50:52 > 0:50:54- Right then, mate, ready?- Yeah.
0:50:55 > 0:50:58MACHINE BEEPS
0:50:58 > 0:51:00- All right?- Normal.
0:51:04 > 0:51:05Let's go.
0:52:07 > 0:52:09There you are, mate.
0:52:09 > 0:52:12'Have a look at this!'
0:52:12 > 0:52:13Come on!
0:52:13 > 0:52:15'Where are you?'
0:52:19 > 0:52:21I've lost the map here, mate.
0:52:24 > 0:52:27HE SCREAMS
0:52:27 > 0:52:29SCREAMS CONTINUE
0:52:32 > 0:52:36HE SHOUTS IN BULGARIAN
0:52:36 > 0:52:39Stay with me! Stay here, don't go!
0:52:39 > 0:52:42- Oh! Oh!- Calm, calm...
0:52:42 > 0:52:44HE CONTINUES TO SHOUT
0:52:44 > 0:52:47Calm! Shh!
0:52:49 > 0:52:50Shh, shh.
0:52:56 > 0:52:57HE GROANS
0:52:57 > 0:53:01You'll be all right, mate. Shh.
0:53:01 > 0:53:02You'll be OK.
0:53:15 > 0:53:17I told you to wait, mush.
0:53:17 > 0:53:20- The problem had gone, he'd solved it himself.- Shh-shh-shh!
0:53:27 > 0:53:30You were the pilot. This is down to you.
0:53:44 > 0:53:46We're looking after you, so don't worry.
0:53:48 > 0:53:51Listen, we don't understand! Just stop it!
0:53:51 > 0:53:52Please, quiet!
0:53:55 > 0:54:00- Why don't you write it down? Yeah? Write it down.- There's no point.
0:54:00 > 0:54:01Please, let him have a say.
0:54:23 > 0:54:27- I don't get this. What is this, Russian?- Bulgarian.
0:54:27 > 0:54:28Occupational hazard, missus.
0:54:28 > 0:54:32Even if he could speak English, it'd be a load of old bollocks,
0:54:32 > 0:54:36on account of the psychic detritus from the failed extraction.
0:54:36 > 0:54:39- He's not even here half the time. - So where is he?
0:54:41 > 0:54:42That's classified.
0:54:44 > 0:54:47- So what are you going to do? - We're going to wait.
0:54:48 > 0:54:51He might be free of it within 24 hours. If he's lucky.
0:54:51 > 0:54:53What if he's not lucky?
0:54:56 > 0:54:58HEADBOARD THUDS
0:55:00 > 0:55:05Christ on a bike, mush. This is Thatcher-Mitterrand all over again.
0:55:05 > 0:55:07It's a bloody nightmare.
0:55:07 > 0:55:09I can't believe he took his goggles off.
0:55:09 > 0:55:11What's been going on with him?
0:55:11 > 0:55:12Nowt.
0:55:12 > 0:55:15Nothing out of the ordinary?
0:55:15 > 0:55:16No.
0:55:28 > 0:55:31- What the bloody hell was that all about?- Don't know.
0:55:32 > 0:55:36- How long have you been with the agency?- Seven years, boss.
0:55:36 > 0:55:42Seven year? Listen, sunshine, you're one of us now, for better or worse.
0:55:42 > 0:55:44There's no going back.
0:55:44 > 0:55:46What, you think you're going to go and work in a bank,
0:55:46 > 0:55:49have a wife and two and a half kids, eh?
0:55:49 > 0:55:52- HE SCOFFS - I don't see it somehow, do you?
0:55:53 > 0:55:55No.
0:55:57 > 0:55:59- No, I don't.- No.
0:55:59 > 0:56:01Sharpen up, Mr Bennett, no more mistakes.
0:56:35 > 0:56:39Hey, it's all right, mate. Just save your energy.
0:56:39 > 0:56:43Get you in rehab, soon as. Get you match fit.
0:56:45 > 0:56:48Be in the pink in a week or two, won't you?
0:56:50 > 0:56:52Well, might be a bit longer.
0:57:18 > 0:57:20All right, then, let me think.
0:57:20 > 0:57:25Once upon a time, she says, one stormy night,
0:57:25 > 0:57:29a little boy found himself wandering on a barren moor.
0:57:31 > 0:57:33He didn't know how he'd arrived there,
0:57:33 > 0:57:37only that he desperately needed to get into the warm and dry, and very soon, too.
0:57:37 > 0:57:38He needed to find his house.
0:57:38 > 0:57:43He was very cold and scared, out on the dark night.
0:57:43 > 0:57:46But being a brave boy, he walked on.
0:58:02 > 0:58:05THE COLONEL SNORES
0:58:49 > 0:58:53Do you hear me? Don't you dare move! I bloody well mean it and all!
0:59:19 > 0:59:23I know it's far away from civilisation, so-called,
0:59:23 > 0:59:28but that's what's so good about it, isn't it?
0:59:28 > 0:59:30What?
0:59:31 > 0:59:33So, what do you think?
0:59:34 > 0:59:36Bennett?
0:59:41 > 0:59:42Bennett?
1:00:24 > 1:00:26- MAN'S ECHOING VOICE: - ..On stormy ground,
1:00:26 > 1:00:30a little boy found himself wandering over a barren moor...
1:00:30 > 1:00:32RACING HEARTBEAT
1:00:32 > 1:00:35Didn't know how he'd arrived there, only that he desperately
1:00:35 > 1:00:39needed to get himself in the warm and dry, and very soon, too.
1:00:40 > 1:00:42He needed to find his house.
1:00:43 > 1:00:46What the bloody hell are you doing here? Hello?
1:01:01 > 1:01:07The little boy found himself wandering over a barren moor.
1:01:07 > 1:01:10He didn't know how he'd arrived there, only that he desperately
1:01:10 > 1:01:14needed to get himself into the warm and dry, and very soon, too.
1:01:14 > 1:01:17He needed to find his house.
1:01:17 > 1:01:21He was very cold and scared, out in the dark night.
1:01:21 > 1:01:26- You're a bloody thief! - ..Being a brave boy...
1:01:32 > 1:01:35So he gathered up all of his courage,
1:01:35 > 1:01:39walked up to the rotten old door and knocked.
1:01:39 > 1:01:42He waited. At last,
1:01:42 > 1:01:45the door swung open to reveal...
1:01:46 > 1:01:50..an old lady, back bent,
1:01:50 > 1:01:52face wizened,
1:01:52 > 1:01:54eyes clouded,
1:01:54 > 1:01:55blind...
1:01:55 > 1:02:00"Who's there?" she snapped, squinting into the wind.
1:02:00 > 1:02:02The old lady gave him dry clothes,
1:02:02 > 1:02:04sat him in front of the fire with a bowl of hot soup...
1:02:04 > 1:02:06This is mine!
1:02:06 > 1:02:07You get the fuck out!
1:02:16 > 1:02:20- What's this?- So you definitely think a sister would be better?
1:02:20 > 1:02:24What's this, then? This is yours.
1:02:24 > 1:02:26Listen to me, this is wrong.
1:02:26 > 1:02:28We've strayed through the line, this can get really...
1:02:28 > 1:02:31You could get lost in here and never find your way out.
1:02:31 > 1:02:32I don't mind either way.
1:02:32 > 1:02:36As long as the baby is as beautiful as me, we'll be happy, won't we?
1:02:40 > 1:02:41It's him!
1:02:44 > 1:02:45So that must be...
1:02:54 > 1:02:55What?!
1:02:57 > 1:02:59This is too dangerous.
1:02:59 > 1:03:02We need to find a way out, and I want my rocks back, you thief!
1:03:04 > 1:03:07Where ARE you?
1:03:09 > 1:03:11Right, I'll come and find you, then.
1:03:11 > 1:03:16SOUNDTRACK RUSHES BACKWARDS
1:03:28 > 1:03:31Look at this! How did I miss this? It IS you!
1:03:34 > 1:03:38Right, you wait here. Do you hear me? Don't you DARE move!
1:03:38 > 1:03:40I bloody well mean it, an' all.
1:04:32 > 1:04:33Oh, God.
1:04:33 > 1:04:36HE SNORES GENTLY
1:04:36 > 1:04:37Oh, God.
1:04:48 > 1:04:51- Davis?- Davis!- Anything?- No.
1:04:52 > 1:04:54Where will she take him?
1:04:54 > 1:04:56- She take HIM?- That's what I said.
1:04:56 > 1:04:58She must have nabbed him.
1:04:58 > 1:05:00That's ridiculous.
1:05:00 > 1:05:02I won't go easy on her, I can tell you that.
1:05:05 > 1:05:09- She's a girl, Frank, she's just a girl.- Just a normal girl, is she?
1:05:09 > 1:05:11Oh, and Davis is Mr Reliable, is he?
1:05:35 > 1:05:38Look at all this stuff, mush.
1:05:38 > 1:05:40This is powerful, this.
1:05:43 > 1:05:46- Did you not see this?- No, boss.
1:05:46 > 1:05:50Least of your problems around here.
1:05:56 > 1:05:59- Get the gear. - Are we going to extract here?
1:05:59 > 1:06:02How are we going to do that, the girl's not here, you cretin! Keep up!
1:06:04 > 1:06:06I'll have to take a few readings,
1:06:06 > 1:06:08see quite how far round the U-bend we are.
1:06:10 > 1:06:12Right.
1:06:26 > 1:06:30- Where are we going? - Where are you going? Jane!
1:06:30 > 1:06:32I've got to find her.
1:06:32 > 1:06:35- Where are you going to look? - I have to do something.
1:06:35 > 1:06:38Then look after this one!
1:06:38 > 1:06:40We'll do what we can.
1:06:40 > 1:06:42Davis is a good man.
1:06:42 > 1:06:45If they're together, she'll be fine.
1:06:45 > 1:06:47They'll be back.
1:06:52 > 1:06:56- How long is it since you've spoken? - It's been three years.
1:06:56 > 1:06:57She was fine, she was a normal girl,
1:06:57 > 1:07:01then she went to look at a university and she came back...
1:07:01 > 1:07:04- like that.- You should have told us.
1:07:05 > 1:07:08- Find her, Frank.- I'll try.
1:07:11 > 1:07:13(Come back to the house.)
1:07:47 > 1:07:50EQUIPMENT BUZZES
1:07:56 > 1:07:59INTERMITTENT BUZZING
1:08:04 > 1:08:06BUZZING STOPS
1:08:17 > 1:08:21INTERMITTENT BUZZING STARTS AGAIN
1:08:29 > 1:08:31I'm going to recalibrate.
1:09:27 > 1:09:29BABY GRIZZLES
1:09:31 > 1:09:32History.
1:09:35 > 1:09:37History.
1:09:37 > 1:09:39I'd have graduated by now.
1:09:42 > 1:09:44I came for an interview.
1:10:09 > 1:10:11- ECHOING:- History.
1:11:04 > 1:11:06(Dad?)
1:12:11 > 1:12:12What the bloody hell...?
1:12:12 > 1:12:14He's not dead!
1:12:14 > 1:12:15I know what happened.
1:12:16 > 1:12:19- I saw him, I don't know how... - I don't believe this...
1:12:19 > 1:12:23Maybe this is what Davis was going on about, the dead man's POV.
1:12:23 > 1:12:28- But he's not dead!- Davis was going on about the dead man's POV?
1:12:28 > 1:12:32I knew it! That little rat must be on the glow, isn't he?
1:12:33 > 1:12:37To think...I had you two fucking lined up to be in my A team!
1:12:37 > 1:12:40I'm sorry! Boss...
1:12:40 > 1:12:41I saw him.
1:12:41 > 1:12:44- Look, we can tell her! - Tell her what?
1:12:44 > 1:12:49You drop one hint to her and you're burned, boy.
1:12:49 > 1:12:51You remember Culkin.
1:12:56 > 1:12:58I got it wrong.
1:12:58 > 1:12:59Hello? One - two?
1:13:04 > 1:13:06And you haven't spoke since then?
1:13:06 > 1:13:09- Only to you.- That's all well.
1:13:10 > 1:13:16No, it's not. I just didn't know how to tell her.
1:13:16 > 1:13:17I still don't.
1:13:19 > 1:13:21Not a trace, I'm afraid...
1:13:21 > 1:13:26So I'll disappear and we'll be out of your hair within the hour.
1:13:26 > 1:13:28Sometimes these things happen.
1:13:28 > 1:13:32Sometimes we just can't get where we need to be.
1:13:32 > 1:13:37Sometimes I'm afraid people do just disappear and you don't get answers.
1:13:37 > 1:13:41- And what about Rebecca?- We'll find her, we've got to - she's with Davis.
1:13:41 > 1:13:44- How?- Isosceles tracking.- But...
1:13:44 > 1:13:46Why can't you just...?
1:13:46 > 1:13:48No, it's a different...
1:13:48 > 1:13:50It wouldn't work, trust me.
1:13:50 > 1:13:51It's complicated.
1:13:51 > 1:13:53DOOR OPENS
1:13:53 > 1:13:55- You all right?- Yeah.
1:13:58 > 1:14:00OK, then.
1:14:00 > 1:14:04- Are you going to say goodbye to Jojo before you leave?- Course I will.
1:14:16 > 1:14:19You've gone all Charlie Chaplin again.
1:14:22 > 1:14:25Silent, I mean, not schmaltzy and unfunny.
1:14:34 > 1:14:36You're that boy.
1:14:36 > 1:14:37- No.- Yes, you are.
1:14:39 > 1:14:43- Looks, it ain't what you think. - Why isn't it?
1:14:43 > 1:14:45Because it's just...
1:14:45 > 1:14:47- like a photograph.- No, it's not.
1:14:49 > 1:14:52I did it, you get to feel what the boy feels, it's ace.
1:14:52 > 1:14:53Shut up about it.
1:15:03 > 1:15:06- What about today, though? - What about it?
1:15:07 > 1:15:09Don't you go and see them today?
1:15:09 > 1:15:12- They're gone.- But I was with them.
1:15:12 > 1:15:14- No...- They told me a story. - No, they're gone.
1:15:23 > 1:15:26It's just what happens to people, isn't it?
1:15:26 > 1:15:30- I see it every day - look at you lot. - Don't understand.
1:15:30 > 1:15:32Well...
1:15:32 > 1:15:36It's always a version of the same story, isn't it?
1:15:36 > 1:15:37People are there...
1:15:39 > 1:15:40..and then they're not.
1:15:46 > 1:15:48What am I going to tell my mum?
1:16:17 > 1:16:18When're you coming back?
1:16:20 > 1:16:21I don't know.
1:16:23 > 1:16:25I hope it's soon.
1:16:25 > 1:16:27Oh, no...
1:16:30 > 1:16:32Jane... You can't.
1:16:32 > 1:16:34It's OK, Frank.
1:16:36 > 1:16:37I thought we might make a garden.
1:16:40 > 1:16:43- What do you think?- OK.
1:16:49 > 1:16:52So where do you think we should put it?
1:16:52 > 1:16:56- We could put it on that bit up there?- That's a good idea.
1:17:26 > 1:17:27Hello.
1:17:31 > 1:17:32Hello, Mum.
1:17:52 > 1:17:53Hello.
1:17:55 > 1:17:58- Hello. - Do you want to help with my garden?
1:17:59 > 1:18:00OK.
1:18:09 > 1:18:11- Mate, are you all right?- Yeah.
1:18:11 > 1:18:13What? Say that again.
1:18:13 > 1:18:14- Yeah, I'm fine. - Mate, you're back! How?
1:18:14 > 1:18:17- I don't know, I just snapped out of it. - Where've you been, soldier?
1:18:17 > 1:18:19- I know what happened. - Yes, so do I.- How do YOU know?
1:18:19 > 1:18:21- I extracted over there, I saw... - Hey, hey, hey!
1:18:21 > 1:18:23Calm down, monkeys, all right?
1:18:23 > 1:18:27- How did Mrs take it? - We didn't tell her!
1:18:27 > 1:18:28It's not a reliable extraction.
1:18:28 > 1:18:31- But I know where he is! - Snap out of it!
1:18:31 > 1:18:33Not interested in your little daytrip!
1:18:33 > 1:18:36We don't do 3-D stuff, you know that - our domain starts at four.
1:18:36 > 1:18:39And since when are glow-chasing, lying
1:18:39 > 1:18:41and maverick operations order of the day?
1:18:41 > 1:18:46Faulkner's got early-onset Alzheimer's because of that kind of feckless fucking about.
1:18:47 > 1:18:50Let's get out of here and maybe we can talk about how to try
1:18:50 > 1:18:53and save your jobs, understand?
1:18:53 > 1:18:56I said, "Do you understand?"
1:18:56 > 1:18:58- Do you want to look after her?- Eh?
1:18:58 > 1:19:01You heard, do you want to look after her?
1:19:01 > 1:19:03What the bloody hell are you talking about?
1:19:04 > 1:19:07- Yeah.- Right. Take her there.
1:19:07 > 1:19:10She'll need looking after after she's been there.
1:19:10 > 1:19:13- He's out of his mind, don't listen to him.- Right, I will.- Bennett!
1:19:13 > 1:19:16- Leave him, boss. - Bennett, I'm talking to you!
1:19:16 > 1:19:20Bennett, you take one more step and you'll regret it, sunshine!
1:19:20 > 1:19:22I don't think I will.
1:19:24 > 1:19:26Fine.
1:19:27 > 1:19:31You were always a wet blanket, anyway. A fucking dilettante.
1:19:33 > 1:19:34Say what you want, Boss.
1:19:43 > 1:19:45You want no part of this, son - come on.
1:19:45 > 1:19:47Oh, I think I'm stopping here an' all, Boss.
1:19:47 > 1:19:48Don't be ridiculous.
1:19:48 > 1:19:52- You'll still make the grade. - No, no!
1:19:52 > 1:19:55Listen... You're A-team material.
1:19:55 > 1:19:57You're a natural, Son, it's in your blood.
1:19:57 > 1:20:00I don't want it, boss.
1:20:00 > 1:20:03I ain't interested in politicians and powerbrokers.
1:20:03 > 1:20:06Thatcher and Mitterrand was a domestic.
1:20:06 > 1:20:08It's the oldest story in the book.
1:20:08 > 1:20:13Look, they despise the likes of you and me out there in the real world.
1:20:13 > 1:20:17You know that. You'll never fit in anywhere.
1:20:18 > 1:20:19Come on...
1:20:19 > 1:20:22No, I'm through, Boss. Boss, I'm through...
1:20:22 > 1:20:24- Boss, get off me! - Come on!
1:20:24 > 1:20:26- What are you doing?- Enough!
1:20:27 > 1:20:29Argh!
1:20:30 > 1:20:32No!
1:20:32 > 1:20:34You're done, Boss.
1:20:41 > 1:20:45You know I can't let this go, don't you? You'll be getting a visit.
1:20:45 > 1:20:47Like Culkin!
1:20:48 > 1:20:51Yeah, but I ain't Culkin, Boss - it's me,
1:20:51 > 1:20:54I don't think you want to do that to me.
1:20:54 > 1:20:57It'll be out of my hands, won't it?
1:20:57 > 1:20:58Well, not if you never found us.
1:21:00 > 1:21:02Not if we was just gone.
1:21:09 > 1:21:12I... I don't want you gone.
1:21:17 > 1:21:18Sorry.
1:21:22 > 1:21:24Take care, Boss - yeah?
1:21:32 > 1:21:34Come on.
1:21:52 > 1:21:54- Hi.- All right?
1:22:06 > 1:22:11- Let's have a go, then.- Why? - Because it's cool.- Not now, eh?
1:22:11 > 1:22:16- Oh, sorry - are you having a go? - No. I'm just waiting for Bennett.
1:22:22 > 1:22:25- Come on, then.- Stop it.- What are you waiting for?- I said stop it.
1:22:25 > 1:22:27Oh, for God's sake.
1:22:27 > 1:22:30"Who's there?", she said, squinting into the wind.
1:22:30 > 1:22:33The old lady gave him dry clothes, sat him in front of the fire...
1:22:33 > 1:22:37- Pack it in! - ..and very soon, the boy was as warm as toast!
1:22:37 > 1:22:40- I'm serious, that's enough. - What's the problem?
1:22:42 > 1:22:46- You shouldn't even BE here.- You can't just play by yourself all the time.
1:22:46 > 1:22:48There's a name for that, you know.
1:22:48 > 1:22:52- I'd love to try on your mum's funky shoes.- What?- Let me be her.
1:22:52 > 1:22:53- You be the boy.- No!
1:22:53 > 1:22:56Oh come on, it's BORING doing the same thing all the time.
1:22:56 > 1:22:59- I'll be the boy, you be the dad. - No!- You be the mum, then. Kinky!
1:22:59 > 1:23:04- Shut up, we can't do that.- Why not? - You KNOW why not, I told you.
1:23:04 > 1:23:08They're not here, it's just a... loop, an imprint.
1:23:08 > 1:23:10Oh, yeah... That's right.
1:23:12 > 1:23:15So if you think about it, then a more honest view would be this.
1:23:20 > 1:23:22Think you're clever?
1:23:25 > 1:23:27I haven't got a friend in the world.
1:23:27 > 1:23:30You've got Bennett, who's actually really cool, but you don't talk to him
1:23:30 > 1:23:33because you'd rather sit in here with people who aren't really there.
1:23:33 > 1:23:35That's stupid.
1:23:37 > 1:23:41All right, fair enough. Point taken. Thanks very much.
1:23:47 > 1:23:52And he says to the old lady, "Tell me a story". The old lady says...
1:23:52 > 1:23:56- "Once upon a time..." - And it just goes around again.
1:23:56 > 1:23:58And again, and again!
1:23:59 > 1:24:03And you're OK with that? That's enough to fill your heart, is it?
1:24:03 > 1:24:06You're certainly making up for lost time on the talking front, ain't you?
1:24:06 > 1:24:09- Oh, neat parry.- I preferred you when you were...- Yeah, yeah, yeah.
1:24:10 > 1:24:15And he was very cold and scared in the darkness...
1:24:17 > 1:24:19My dad's gone, too.
1:24:19 > 1:24:22Yeah, he went because he was...
1:24:22 > 1:24:23Whatever he was, I don't care.
1:24:24 > 1:24:27It's not the end of everything, is it?
1:24:27 > 1:24:29New things start, don't they?
1:24:37 > 1:24:39All right, then. I'll leave you to it.
1:24:42 > 1:24:44Bye-bye, lovely boy.
1:24:47 > 1:24:49- See you, mate.- Hang on.
1:24:55 > 1:24:59And the old lady says, "Once upon a time..."
1:25:05 > 1:25:09..He didn't know how he'd arrived there, but he knew he desperately
1:25:09 > 1:25:12needed to get himself in the warm and dry, and very soon, too.
1:25:13 > 1:25:16He needed to find his house.
1:25:18 > 1:25:23He was very cold and scared out in the dark night.
1:25:24 > 1:25:26But being a brave boy...
1:25:26 > 1:25:28Bye, then.
1:25:28 > 1:25:30He walked on.
1:25:59 > 1:26:00See you, mate.
1:28:34 > 1:28:36Come on, then. That's enough work.
1:28:42 > 1:28:46- Do you reckon Lord Lucan looks loads like Freddie Mercury?- What?
1:28:46 > 1:28:49You must have noticed it - Lord Lucan looks just like Freddie Mercury.
1:28:49 > 1:28:52I mean, they've got the same-shape face, same eyes, same moustache...
1:28:52 > 1:28:56No, I think it's just the moustache, mate. You could put a Freddie Mercury moustache on the Queen,
1:28:56 > 1:28:57it'd look like Freddie Mercury.
1:28:57 > 1:29:00She wouldn't, she'd look like the Queen with a moustache on!
1:29:00 > 1:29:02- All right, picture Lord Lucan in your mind, yeah?- Yeah.
1:29:02 > 1:29:06- Get him in your mind, right? Divide the screen in half...- OK.
1:29:06 > 1:29:08Put Freddie Mercury on the other side...
1:29:08 > 1:29:11I'm still only getting the moustache, mate.
1:29:11 > 1:29:15- All right, look in Lord Lucan's eyes...- In his eyes?- What do you see?
1:29:15 > 1:29:18- Er, death?- What, of a nanny?- Yeah.
1:29:18 > 1:29:21Yes, he topped her, didn't he? Done a runner.
1:29:21 > 1:29:25Did you see that Lee Harvey Oswald plate in the back of the News of the world?
1:29:25 > 1:29:28- Yeah, his face looks wicked in it. - Yeah...
1:31:10 > 1:31:12Subtitles by Red Bee Media Ltd