Song for Marion

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2:00:00 > 2:00:00A SONG FOR MARION LPE C071D/01 BRD000000

2:31:37 > 2:31:40- WOMAN:- Right, everyone. Let's go from the same place.

2:31:40 > 2:31:42- Up you get, then. - Ooh, right.

2:31:42 > 2:31:45GRUNTING

2:31:45 > 2:31:47(One, two, three, four.)

2:31:47 > 2:31:50MUSIC: The Most Beautiful Girl by Charlie Rich

2:31:56 > 2:32:03# Hey, did you happen to see the most beautiful girl in the world? #

2:32:03 > 2:32:06SOUNDTRACK OVER SINGING AND DIALOGUE

2:32:06 > 2:32:08# And if you did

2:32:08 > 2:32:14# Was she cryin', cryin'?

2:32:14 > 2:32:20# Hey, if you happen to see the most beautiful girl

2:32:20 > 2:32:22# That walked out on me

2:32:24 > 2:32:26# Tell her I'm sorry

2:32:28 > 2:32:31# Tell her I need my baby

2:32:31 > 2:32:38# Oh, won't you tell her that I love her? #

2:32:38 > 2:32:41HARMONISING Crazy by Gnarls Barkley

2:32:41 > 2:32:46- # Maybe I'm crazy - Ahhhhhhh

2:32:46 > 2:32:50# Ahhhh

2:32:50 > 2:32:54# Ahhhh-ahhhhh... #

2:32:54 > 2:32:57All right, everyone, keep it together.

2:32:57 > 2:33:02# Maybe you're crazy Ahhhh-ahhhhh

2:33:02 > 2:33:06# Maybe we're crazy Ahhhh-ahhhhh

2:33:06 > 2:33:09# Probably Ahhhhh!

2:33:09 > 2:33:11# Bah-gum, gum-gum, dum-dum-dah

2:33:11 > 2:33:14# Ooooh! #

2:33:17 > 2:33:21Beautiful, guys. Beautiful. You're fabulous.

2:33:25 > 2:33:27- Night.- Night.

2:33:27 > 2:33:30- Always the last to leave. - See you later, ladies.

2:33:30 > 2:33:32Sorry, I was talking with Lizzy.

2:33:32 > 2:33:36Arthur, have you been smoking? Look, what have I told you before?

2:33:36 > 2:33:39Look at the signs. They say no smoking.

2:33:39 > 2:33:41It's hard enough keeping this place open as it is.

2:33:41 > 2:33:43Smoke out...side.

2:33:45 > 2:33:48CHILDREN PLAYING

2:33:48 > 2:33:50BICYCLE BELLS

2:34:12 > 2:34:16# Crazy, maybe we're crazy

2:34:16 > 2:34:20# Aaah! Aaah! #

2:34:20 > 2:34:22- I know you like it. - Aaah!

2:34:22 > 2:34:25SHE WHEEZES

2:34:34 > 2:34:38OK. Now get some rest, otherwise you'll be a nightmare tomorrow, OK?

2:34:38 > 2:34:42All right. You going to give me a kiss? Might not wake up tomorrow.

2:34:52 > 2:34:56- Five pages, OK? Then bye-bye. - Bye-bye.

2:34:58 > 2:35:00TV ON

2:35:07 > 2:35:10- Is he here? - He's in the pit.

2:35:10 > 2:35:12Yo. Your dad's here.

2:35:12 > 2:35:14- What you doing? - You OK? Fixing this.

2:35:14 > 2:35:17- Steering shaft's gone. - I need you to do something for me.

2:35:17 > 2:35:21Hang on. Steven, where's the big wrench from in here? I was using it.

2:35:21 > 2:35:24Your mum wants you to take her to the centre tonight.

2:35:24 > 2:35:27- Well, where are you?- It's Thursday. My night with the lads.

2:35:27 > 2:35:29Couldn't you have told me earlier? It's four o'clock.

2:35:29 > 2:35:31Well, if you don't want to do it, it's OK. I don't...

2:35:31 > 2:35:33I don't mind doing it. Just tell me earlier.

2:35:33 > 2:35:36I've got Jennifer. It's half term. I'll have to bring her.

2:35:36 > 2:35:37You need to pick her up by seven

2:35:37 > 2:35:39and you'll need to bring her home, an' all.

2:35:39 > 2:35:43- OK. How is she? - Well, if you saw her, you'd know.

2:35:52 > 2:35:54- We do have to have a name, don't we?- Have we got a name?

2:35:54 > 2:35:57Erm, well, I had to put a name forward so I put...

2:35:57 > 2:35:58You're not going to like this.

2:35:58 > 2:36:00- Why? - You're not going to like this.

2:36:00 > 2:36:02The OAP'Z.

2:36:02 > 2:36:04- Old Age Pensionerz. - Oh, no.

2:36:04 > 2:36:06With a Z, though, at the end, to make it street.

2:36:06 > 2:36:08What are we... What are we going to sing?

2:36:08 > 2:36:09LAUGHTER

2:36:09 > 2:36:10Oh, hello, Arthur.

2:36:10 > 2:36:13- What are you lot doing here? - Talking about you.

2:36:13 > 2:36:15- Ha-bloody-ha. - We're doing an audition.

2:36:15 > 2:36:18Major competition. We're going to be singing.

2:36:18 > 2:36:20- Better get some folks who can sing, eh?- Oh...

2:36:20 > 2:36:21MARION BLOWS RASPBERRY

2:36:21 > 2:36:23LAUGHTER

2:36:23 > 2:36:26- You should be resting. - I'm all right.

2:36:26 > 2:36:28Well, don't blame me if she's struggling later.

2:36:28 > 2:36:32- Who's she, the cat's mother? - Right, well, I'll take these out.

2:36:32 > 2:36:37Don't you, don't you worry. He's a...a puffed-up pigeon.

2:36:37 > 2:36:39WATER RUNNING

2:36:44 > 2:36:47You could be a bit more positive, Arthur.

2:36:47 > 2:36:49We haven't sung in front of anyone before

2:36:49 > 2:36:51and Marion could use a little bit of encouragement.

2:36:51 > 2:36:54She'll get laughed at, singing that nonsense.

2:36:54 > 2:36:57So what if people laugh at us? That's their problem.

2:36:59 > 2:37:02I just don't want her hopes getting built up

2:37:02 > 2:37:05so that she's let down if you don't get picked.

2:37:05 > 2:37:09It's not about winning or losing. That's not why we're doing it.

2:37:09 > 2:37:11Then why are you doing it?

2:37:12 > 2:37:14When you can be bothered to come along and watch

2:37:14 > 2:37:17and look at the faces of Marion and the others,

2:37:17 > 2:37:20then ask that question again.

2:37:20 > 2:37:22All right. Come, then, ladies, if you want a lift home.

2:37:28 > 2:37:31Oh, now don't you say a word. He's not even late yet.

2:37:31 > 2:37:35- It's pointless to ask him to do anything.- Hello!

2:37:36 > 2:37:39- Hey, Grandma.- Hello, pet.

2:37:39 > 2:37:42I'm going to make a move. Your mum has to be there by seven.

2:37:42 > 2:37:44She's got half an hour yet.

2:37:44 > 2:37:47- Hello, Grandad. - Hello, Funny-fer.

2:37:47 > 2:37:49- SHE CHUCKLES I'm off, then.- Hm.

2:37:51 > 2:37:53CHATTER

2:37:55 > 2:37:58Hello, my favourite people in the whole world.

2:37:58 > 2:38:01Before we start, can I just have your attention, please?

2:38:03 > 2:38:05- Quickly, quickly, ladies. - Oh, sorry!

2:38:06 > 2:38:08Thank you very much.

2:38:08 > 2:38:10So, as some of you can see,

2:38:10 > 2:38:15I have entered us into a very lovely choir competition.

2:38:15 > 2:38:16SOME GASPS

2:38:16 > 2:38:19- Can we win something? - Well, yeah, maybe.

2:38:19 > 2:38:21But I'd just be happy if we took part, to be honest.

2:38:21 > 2:38:24- What will we have to do?- We have to perform in front of a judge.

2:38:24 > 2:38:27If he thinks we're any good, he'll enter us into the main competition.

2:38:27 > 2:38:30EXCITED CHATTER

2:38:30 > 2:38:33Oh, come on, it's great. We'll knock 'em dead.

2:38:33 > 2:38:35What we'll do is, I'll start thinking of some music

2:38:35 > 2:38:38and everyone take one of these flyers home

2:38:38 > 2:38:41and prepare for lots of practice.

2:38:41 > 2:38:44Prepare for battle, more like! LAUGHTER

2:38:44 > 2:38:46Nice attitude, Cheryl.

2:38:46 > 2:38:47LAUGHTER

2:38:48 > 2:38:50What about it?

2:38:52 > 2:38:53Go on, then.

2:38:55 > 2:38:56You got me this time.

2:38:56 > 2:38:59- If you can't enjoy yourself on your...- Checkmate.

2:38:59 > 2:39:02# Nowhere to run to, nowhere to hide

2:39:02 > 2:39:06# Doo-doo-doo-doo, doe-doe Nowhere to run to, no

2:39:06 > 2:39:10# Nowhere to run to Nowhere to hide

2:39:10 > 2:39:14# Doo-doo-doo-doo, doe-doe Nowhere to run to, no

2:39:14 > 2:39:16# Nowhere to run to, baby

2:39:16 > 2:39:19# Nowhere to run to, nowhere to hide... #

2:39:19 > 2:39:22Marion! Marion!

2:39:22 > 2:39:25It must be very boring for you guys, losing all the time.

2:39:25 > 2:39:27Three games you've won. We've been playing all night.

2:39:55 > 2:39:59- I'll leave you guys to it. - Thanks for getting him.

2:39:59 > 2:40:02- If there's anything I can do... - Haven't you done enough, you lot?

2:40:04 > 2:40:06Sorry.

2:40:09 > 2:40:12MONITOR BEEPING

2:40:12 > 2:40:14- Is she asleep?- Yeah.

2:40:14 > 2:40:17Give Grandma a kiss and we'll wait outside for Grandad.

2:40:17 > 2:40:18OK.

2:40:44 > 2:40:45You OK?

2:40:47 > 2:40:49Steady as she goes.

2:41:33 > 2:41:35You warm?

2:41:35 > 2:41:39I've got two blankets over me. Well, at least I think I have.

2:41:39 > 2:41:43Oh, no, it's one folded over. I thought there was two.

2:41:48 > 2:41:50- Hello, Doctor. - Sorry to keep you waiting.

2:41:56 > 2:42:00You've been prodded and poked quite a bit this last week, Mrs Harris.

2:42:00 > 2:42:03Hm. It's all in a good cause.

2:42:05 > 2:42:07It's come back, hasn't it?

2:42:07 > 2:42:11Well, it seems that unfortunately that is the case.

2:42:11 > 2:42:15- Does it mean more chemo? - That's down to Marion.

2:42:15 > 2:42:18We could try a course of aggressive therapy.

2:42:18 > 2:42:22But...it's not pleasant and I believe at best

2:42:22 > 2:42:25it would only slow the process down.

2:42:28 > 2:42:30Chips and ice cream, Marion.

2:42:32 > 2:42:34Someone told me once, when there's nothing you can do,

2:42:34 > 2:42:36chips and ice cream.

2:42:38 > 2:42:40Go home and have as much as you want.

2:42:48 > 2:42:51SHE WHISPERS

2:42:57 > 2:42:59She likes ice cream.

2:43:05 > 2:43:08These flowers. Flowers and cards.

2:43:08 > 2:43:11Here we go. Here...we go.

2:43:11 > 2:43:13- Done it. - SHE LAUGHS

2:43:13 > 2:43:15Terrific.

2:43:15 > 2:43:18I made this one, but I haven't got an envelope.

2:43:20 > 2:43:21Hm.

2:43:24 > 2:43:27"To Gran, get well as soon as you can.

2:43:27 > 2:43:31"Love, Jennifer. Kiss, kiss, kiss."

2:43:31 > 2:43:34Ooh, it's lovely. Thank you.

2:43:39 > 2:43:43She seems OK, in good spirits.

2:43:43 > 2:43:45Yeah. She's got a couple of months.

2:43:50 > 2:43:54You couldn't have prepared me a bit for that news, then?

2:43:54 > 2:43:55I have to deal with it.

2:44:03 > 2:44:05Jen gave me this card.

2:44:07 > 2:44:10- Why don't you go and show Grandad? - OK, then.

2:44:26 > 2:44:28I don't know who half those people are.

2:44:28 > 2:44:30That's what you get for being popular.

2:44:32 > 2:44:33He told you, then?

2:44:35 > 2:44:39- Yeah.- Not one for breaking news gently, is he?

2:44:39 > 2:44:42Don't get too cross with him. He's upset.

2:44:42 > 2:44:44So am I, Mum.

2:44:44 > 2:44:48You promise me you're going to help him. Especially after.

2:44:48 > 2:44:51You're going to come round and see him. Don't let him become a recluse.

2:44:51 > 2:44:55- You haven't gone yet. - No, I haven't.

2:45:01 > 2:45:03Did you miss me?

2:45:03 > 2:45:05I've been seeing you twice every day.

2:45:05 > 2:45:08Not at home, though.

2:45:08 > 2:45:11OK, time for you to go to sleep.

2:45:11 > 2:45:15I'm waiting for you to come in, keep me warm.

2:45:15 > 2:45:16I can do that.

2:45:34 > 2:45:36I am a bit scared.

2:45:36 > 2:45:38Don't worry.

2:45:39 > 2:45:41I'll take care of you.

2:45:43 > 2:45:46James cried today.

2:45:46 > 2:45:48Well, he had to know, didn't he?

2:45:48 > 2:45:51- Arthur!- What do you mean?

2:45:51 > 2:45:53Don't take it out on him.

2:45:55 > 2:45:57HE SIGHS

2:45:57 > 2:45:58I'm sorry.

2:46:00 > 2:46:03- I'll have a chat with him tomorrow.- Good boy.

2:46:08 > 2:46:11Love you, Arthur.

2:46:11 > 2:46:12I love you too, sweetheart.

2:46:17 > 2:46:18I did miss you.

2:46:21 > 2:46:22I know.

2:46:33 > 2:46:36DISTANT MUSIC

2:46:36 > 2:46:37SINGING

2:46:37 > 2:46:39What the...?

2:46:41 > 2:46:42What are they bloody doing?

2:46:42 > 2:46:44Why won't they leave you alone?

2:46:44 > 2:46:48- Open the window. I want to see. - Don't they know what time it is?

2:46:48 > 2:46:53# I'd find myself drowning in my own tears

2:46:53 > 2:46:56# Whoa-oh!

2:46:56 > 2:47:00# You are the sunshine of my life

2:47:03 > 2:47:08# That's why I'll always be around

2:47:10 > 2:47:14# You are the apple of my eye

2:47:17 > 2:47:23# Forever you'll stay in my heart. #

2:47:25 > 2:47:27Hurray!

2:47:27 > 2:47:29I want to go outside.

2:47:29 > 2:47:32- Let's get you back into bed. - No, I want to go and see them.

2:47:32 > 2:47:34- You're not going outside. - I want to go outside!

2:47:34 > 2:47:37You're not well enough for this and they should know that.

2:47:37 > 2:47:39See what you've done? See what's happened?

2:47:39 > 2:47:42You're a bunch of flaming nuisances! Now bugger off!

2:47:44 > 2:47:46You can't make a show of yourself like that.

2:47:46 > 2:47:48They're my friends. They don't care what I look like.

2:47:48 > 2:47:50Neither do I. I want to go and see them!

2:47:50 > 2:47:52You haven't got the energy to stand up

2:47:52 > 2:47:54and you want to prance around outside.

2:47:54 > 2:47:56They're my friends and I'm going to see them!

2:47:56 > 2:47:58- You'll only last five seconds! - I want to speak to them!

2:47:58 > 2:48:01- We're going to get you back into bed.- No, we're not.

2:48:01 > 2:48:04- What on earth is going on here? - I want him out of this room.

2:48:04 > 2:48:06I want him out of this room! Get him out!

2:48:06 > 2:48:08She's getting herself worked up.

2:48:08 > 2:48:10Just leave her with me for a moment, please, Mr Harris.

2:48:10 > 2:48:12No, she's my wife and I'm taking care of her.

2:48:12 > 2:48:15Mr Harris, I think it best you go for a short walk,

2:48:15 > 2:48:17take some time to calm down.

2:48:46 > 2:48:48- I'll see you tomorrow, Marion. - Thank you, dear.

2:48:48 > 2:48:50Thanks so much for today.

2:49:00 > 2:49:02- You're a pig.- I know.

2:49:02 > 2:49:03HE SNORTS

2:49:03 > 2:49:06You were rude to my friends.

2:49:06 > 2:49:08I'm trying to look after you.

2:49:08 > 2:49:11You are going to apologise to everyone.

2:49:12 > 2:49:15And you will take me to singing.

2:49:18 > 2:49:22If you don't, I will not utter a single word to you until you do.

2:49:38 > 2:49:40That'll fall in if you dunk it too long.

2:49:45 > 2:49:49I like it, actually, a bit of peace and quiet.

2:49:49 > 2:49:51It's a blessing.

2:49:51 > 2:49:53Do you want me to dry your hair?

2:49:55 > 2:49:57You can nod your bloody head, you know. That's not speaking.

2:50:00 > 2:50:01Do you want me to do anything?

2:50:14 > 2:50:16What was that?

2:50:36 > 2:50:40OK. I'll take you to bloody singing.

2:50:42 > 2:50:45You want to make a fool of yourself, that's down to you.

2:50:45 > 2:50:46And apologise?

2:50:48 > 2:50:51CHATTER

2:50:51 > 2:50:54Oh, look! Marion!

2:50:54 > 2:50:55It's Marion. Look.

2:50:57 > 2:50:58Hello.

2:50:58 > 2:51:00- I'm so glad.- Hello.

2:51:00 > 2:51:03- Hello, hello, hello. Hello, Lizzy. - It's good to see you.

2:51:03 > 2:51:06Hang on. Arthur has something he wants to tell all of you.

2:51:07 > 2:51:10Oh? Has he? How nice.

2:51:20 > 2:51:24Marion wanted me to come and apologise to you

2:51:24 > 2:51:31for shouting and saying what I said the other morning,

2:51:31 > 2:51:32so...

2:51:35 > 2:51:36There you go.

2:51:36 > 2:51:39That's not an apology.

2:51:39 > 2:51:42It'll do. Thank you, Arthur.

2:51:42 > 2:51:44And he is going to go on bringing me

2:51:44 > 2:51:47and he's going to do it without moaning,

2:51:47 > 2:51:51and I'm going to do the audition...thing.

2:51:51 > 2:51:53If you want me.

2:51:55 > 2:51:59Of course we want you, Marion, as long as you're well enough.

2:51:59 > 2:52:00I'll be well enough.

2:52:00 > 2:52:04Brilliant. Arthur, are you going to stick around?

2:52:05 > 2:52:07What do you think?

2:52:11 > 2:52:13This is heavy metal. It's rock and roll.

2:52:13 > 2:52:16It's angry. It's sexy.

2:52:16 > 2:52:20These guys, they're proper ugly, but they get laid daily.

2:52:20 > 2:52:22- Really?- They have groupies.

2:52:22 > 2:52:24You're going to have sex again.

2:52:24 > 2:52:28So, I'm talking rough and manly.

2:52:28 > 2:52:30So can I see that in your face?

2:52:32 > 2:52:34A bit sexier.

2:52:34 > 2:52:36Perfect, perfect, perfect.

2:52:36 > 2:52:39Right, Terry, give me your rock and roll.

2:52:39 > 2:52:42- Like this?- No!

2:52:42 > 2:52:45It's these two, on the outside. That's it.

2:52:45 > 2:52:46Give me some heavy metal.

2:52:46 > 2:52:50HE SHRIEKS

2:52:50 > 2:52:53- GIGGLING:- It's a good start. Right, give me your line.

2:52:53 > 2:52:57You win some, you lose some! It's all the same to me!

2:52:57 > 2:53:00All right, that's enough. Don't put your back out, for God's sake.

2:53:05 > 2:53:08- Nice apology! - Oh, I apologise like birds sing.

2:53:12 > 2:53:15- What the hell you got in your ear? - It's for practice.

2:53:15 > 2:53:17I'll be talking to myself from now on, then.

2:53:17 > 2:53:18What?

2:53:19 > 2:53:20Bye.

2:53:27 > 2:53:29Oi.

2:53:29 > 2:53:32- None of your business. - What is it?

2:53:33 > 2:53:36I'm going to do a solo in that audition thing.

2:53:36 > 2:53:39- On your own? In front of people? - That's what a solo is, isn't it?

2:53:40 > 2:53:43Why have they gone and given you that, then?

2:53:43 > 2:53:45Because if we do get selected,

2:53:45 > 2:53:48I might not be around when it comes to sing in the competition.

2:53:53 > 2:53:57I'll let you get on with it, then, but bed in ten,

2:53:57 > 2:53:59if you're even listening.

2:54:08 > 2:54:10- What will I do about tonight? - What do you mean?

2:54:10 > 2:54:13My singing.

2:54:13 > 2:54:16Well, you can't go. You can hardly sit up.

2:54:16 > 2:54:17Will you go?

2:54:19 > 2:54:21Please. It's important for me.

2:54:21 > 2:54:24OK. Anything to make you feel better.

2:54:34 > 2:54:38OK. Keep an open mind when listening to this song.

2:54:38 > 2:54:41And, yes, it is what they're talking about.

2:54:43 > 2:54:45# Spinderella, cut it up one time

2:54:45 > 2:54:49# Ooh, oh!

2:54:49 > 2:54:52# Uh-huh... #

2:54:52 > 2:54:54It's got a nice little groove to it.

2:54:54 > 2:54:58- Yeah, this is good. - Yeah, I like this.

2:54:58 > 2:55:01# Uh-huh, oh!

2:55:01 > 2:55:03# Come on Let's talk about sex, baby... #

2:55:03 > 2:55:05GASPS

2:55:05 > 2:55:07- It is all about sex. - MURMURS

2:55:07 > 2:55:09Why shouldn't we be talking about it?

2:55:09 > 2:55:11Or singing about it.

2:55:11 > 2:55:13Better than just thinking about it.

2:55:13 > 2:55:15ALL: Oooh!

2:55:15 > 2:55:17Ooh!

2:55:18 > 2:55:22MUSIC CONTINUES INSIDE

2:55:25 > 2:55:29Keep your filthy comments to yourselves, gentlemen, please.

2:55:35 > 2:55:36Clear off.

2:55:44 > 2:55:45OK, right.

2:55:46 > 2:55:49- Oh, shit!- Hello.

2:55:49 > 2:55:50SHE GASPS

2:55:50 > 2:55:53Arthur! You scared the hell out of me.

2:55:53 > 2:55:56Marion is sick. She asked me to come

2:55:56 > 2:55:59so that you could give me what she's supposed to learn.

2:55:59 > 2:56:01I don't suppose you've got her player, have you?

2:56:01 > 2:56:03You mean this thing? SHE SIGHS

2:56:03 > 2:56:06All right, then, get in the car. Come on.

2:56:08 > 2:56:11You lot are all lunatics. MUSIC PLAYS

2:56:11 > 2:56:13What will people think when they hear you singing this?

2:56:13 > 2:56:15It's only a song, Arthur.

2:56:15 > 2:56:18It's about sex. Oh, dear.

2:56:18 > 2:56:19People do still have it, you know.

2:56:19 > 2:56:21Doesn't mean you have to sing about it.

2:56:24 > 2:56:26So how are you coping?

2:56:27 > 2:56:28Must be really hard for you.

2:56:31 > 2:56:33We all care about her so much.

2:56:35 > 2:56:37Why do you do it?

2:56:37 > 2:56:41I can understand the oldies. They haven't got anything else.

2:56:41 > 2:56:44But you're young. You've got everything.

2:56:44 > 2:56:47Well, I enjoy it, of course.

2:56:47 > 2:56:50And it's actually nice having 20 or something smiling faces

2:56:50 > 2:56:53listening to me cos they actually care.

2:56:53 > 2:56:56- Do you get paid for it?- No.

2:56:56 > 2:57:00No. No. I teach music at a school. I get paid for that.

2:57:02 > 2:57:04What are you all dolled up for?

2:57:05 > 2:57:08I've got a date, if you must know.

2:57:08 > 2:57:11- With a fella? - No, with a donkey.

2:57:11 > 2:57:13Hm, touchy.

2:57:14 > 2:57:17You know what you're telling her?

2:57:17 > 2:57:18Cool.

2:57:20 > 2:57:22Oh! Will you give her these? Everyone's got some.

2:57:22 > 2:57:25She might need some help putting them up.

2:57:25 > 2:57:27- Yeah.- Will you give her my love?

2:57:27 > 2:57:28- She was missed tonight.- Sure.

2:57:37 > 2:57:38Wake up.

2:57:38 > 2:57:41Get your bloody boots off the bed. I sleep there.

2:57:53 > 2:57:54Enjoy yourself?

2:57:56 > 2:57:58- Enjoy what?- The choir thing.

2:58:00 > 2:58:02No.

2:58:02 > 2:58:04You know how I feel about enjoying things.

2:58:04 > 2:58:05I'll see you, then.

2:58:21 > 2:58:24- Arthur, Marion'd like your help. - What for?

2:58:24 > 2:58:26She's having trouble finding the pages.

2:58:26 > 2:58:29- Can't someone else do it? - I'm sure someone could do it.

2:58:29 > 2:58:30But as she might not be here much longer,

2:58:30 > 2:58:32I thought you might like the opportunity.

2:58:39 > 2:58:41- Get a move on. We're all waiting. - All right, everybody.

2:58:41 > 2:58:43Let's get on with the songs.

2:58:43 > 2:58:45One, two, three!

2:58:45 > 2:58:47# Let's talk about sex, baby

2:58:47 > 2:58:50# Let's talk about you and me

2:58:50 > 2:58:52# Let's talk about all the good things

2:58:52 > 2:58:55# And the bad things that may be

2:58:55 > 2:58:57# Let's talk about sex

2:58:57 > 2:59:00# Let's talk about sex

2:59:00 > 2:59:02# Let's talk about sex. #

2:59:02 > 2:59:05RECORDING: # Something's got a hold on me, yeah

2:59:05 > 2:59:07# Oh, it must be love

2:59:07 > 2:59:11# Oh! Something's got a hold on me right now, child

2:59:11 > 2:59:13# Oh, it must be love

2:59:13 > 2:59:16# Let me tell you now I've got a feeling

2:59:16 > 2:59:18# I feel so strange

2:59:18 > 2:59:20# Everything about me seems to have changed

2:59:20 > 2:59:24# Step by step I've got a brand-new walk... #

2:59:24 > 2:59:26Are we the only ones doing this?

2:59:26 > 2:59:29- # I said, oh! - Oh! #

2:59:29 > 2:59:30What?

2:59:30 > 2:59:32- # Oh! - Oh!

2:59:32 > 2:59:35# Hey-hey, yeah! #

2:59:35 > 2:59:38- # Let's talk about sex, baby... # - Arthur!

2:59:38 > 2:59:41What are you talking about?

2:59:41 > 2:59:44Eh? Oh, just thinking.

2:59:44 > 2:59:46About sex?

2:59:52 > 2:59:54Ooh. I'll have a taste of that.

2:59:54 > 2:59:57Mm. Very nice. Now we'll put a dollop in each of these.

2:59:59 > 3:00:02- Bomb gone off in here? - We're making cakes.

3:00:02 > 3:00:06Did Grandad tell you he came to hear our singing?

3:00:06 > 3:00:08- Really? - I wouldn't call it singing.

3:00:08 > 3:00:11- Hoppity-hop.- Hip-hop.

3:00:11 > 3:00:12What, rapping? Like the kids?

3:00:12 > 3:00:15Why didn't you join in, lay some beats?

3:00:15 > 3:00:17What, like this? Boppity, boppity, bop.

3:00:17 > 3:00:20# Grandad's rap It's so crap! #

3:00:20 > 3:00:22- Who taught you that word?- Grandma.

3:00:22 > 3:00:25- Said she keeps having to crap. - Really, Mum?!

3:00:25 > 3:00:27- SHE LAUGHS - Mum!

3:00:27 > 3:00:30I don't know what's wrong with you lot. Bloody crackers.

3:00:30 > 3:00:33- It's true. I'm just going to... - You OK?

3:00:33 > 3:00:35Mm-hm. Yeah, I'm OK.

3:00:44 > 3:00:46- Go on.- I'll beatbox the music.

3:01:13 > 3:01:15- # You know I'm born to lose - Ahhh-ahhh!

3:01:15 > 3:01:17- # And gambling is for fools - Ahhh-ahhh!

3:01:17 > 3:01:19- # But that's the way I like it, baby - Ahhh-ahhh!

3:01:19 > 3:01:22- # I don't wanna live forever - Ahhh-ahhh! #

3:01:22 > 3:01:25No! No, no, no!

3:01:25 > 3:01:27SHE INHALES DEEPLY

3:01:27 > 3:01:29It just needs more metal.

3:01:29 > 3:01:32Motorhead would be bursting into tears right now

3:01:32 > 3:01:34if they heard that piano.

3:01:34 > 3:01:38You guys are brilliant, though. I mean, you sound like rock thunder.

3:01:38 > 3:01:41But it just sounds a bit pants on the piano.

3:01:41 > 3:01:45- You want me to bring my bass? - That is a brilliant idea. Bring it.

3:01:45 > 3:01:48- Anyone else play anything? - I used to play football.

3:01:48 > 3:01:51It's not really an instrument, is it?

3:01:51 > 3:01:54I played drums when I was in the Guides.

3:01:54 > 3:01:56That's perfect.

3:01:56 > 3:01:57I play recorder.

3:01:57 > 3:02:02- Recorder's not really rock and roll.- It is when I play.

3:02:02 > 3:02:04I'm sure it is, Cheryl.

3:02:04 > 3:02:05Drums, bass...

3:02:07 > 3:02:08I know a naughty guitarist.

3:02:08 > 3:02:11MURMURING

3:02:11 > 3:02:13He's far too young for me.

3:02:13 > 3:02:14I've got to go, then?

3:02:14 > 3:02:16Oh, yes, you bloody well have.

3:02:16 > 3:02:19And you've got to let James know as well. I want you all there.

3:02:19 > 3:02:21- And Jennifer.- Yes.

3:02:21 > 3:02:24Yes.

3:02:24 > 3:02:28And make sure you shave. You're all scratchy.

3:02:28 > 3:02:30Just the way you like it, baby.

3:02:32 > 3:02:33So rude.

3:02:34 > 3:02:36'You've seen the posters for tomorrow?'

3:02:36 > 3:02:38Yeah. I've seen them up everywhere.

3:02:38 > 3:02:40- Bring Jennifer. - 'That'll be all right?'

3:02:40 > 3:02:42Yeah, she wants us all there.

3:02:42 > 3:02:44'You are coming? You're going to turn up?'

3:02:44 > 3:02:47- Of course we're going.- 'Good.'

3:02:47 > 3:02:49- Don't forget. - 'See you there.'- OK.

3:02:59 > 3:03:02- When can I go today, Miss? - At the end of the day.

3:03:02 > 3:03:04Smoking in the toilets means your arse belongs to me.

3:03:04 > 3:03:07- HE GROANS - Go and tune up, then.

3:03:07 > 3:03:10RINGING TONE

3:03:10 > 3:03:13He's not picking up. He's not picking up.

3:03:13 > 3:03:16OK, you're going in a taxi.

3:03:16 > 3:03:19But I want you to come. You promised you'd come.

3:03:19 > 3:03:22I am coming. I give you my word, OK?

3:03:24 > 3:03:26Hello. You must be the judge.

3:03:26 > 3:03:28Yes, hello. I'm a little early.

3:03:28 > 3:03:30- I didn't know you'd have an audience.- I know.

3:03:30 > 3:03:31Lots of people turned up.

3:03:31 > 3:03:35Nothing like a little extra pressure, though.

3:03:35 > 3:03:38What do I have to do to get us through to the competition?

3:03:39 > 3:03:41I'm prepared to do...

3:03:42 > 3:03:43..anything.

3:03:47 > 3:03:49She really wants us to get through.

3:03:49 > 3:03:51Yeah.

3:03:56 > 3:03:58What did I ask you?

3:03:58 > 3:04:01- What did I ask you? - Calm yourself. I've been let down.

3:04:01 > 3:04:03I'm finishing this before we come over.

3:04:03 > 3:04:05I told you how important it was.

3:04:05 > 3:04:07We're all sitting there at home waiting for you

3:04:07 > 3:04:09and now we've had to take a bloody cab.

3:04:09 > 3:04:11What's that got to do with me?

3:04:11 > 3:04:14I told you I wanted you to take us.

3:04:14 > 3:04:18- No, you didn't. - I bloody did. I wanted you there.

3:04:18 > 3:04:20No, you told me to bring Jennifer over to watch my mum.

3:04:20 > 3:04:22You never mentioned a sodding lift.

3:04:27 > 3:04:29Don't use that language in front of your daughter.

3:04:29 > 3:04:33Don't you dare speak to me about her, ever.

3:04:33 > 3:04:35Why aren't you with her in the taxi,

3:04:35 > 3:04:36making sure she gets there all right?

3:04:36 > 3:04:40I'll tell you why, because you'd sooner be here screaming at me,

3:04:40 > 3:04:41at my work, in front of my child.

3:04:41 > 3:04:44But you've got it wrong this time, haven't you?

3:04:44 > 3:04:46You've embarrassed yourself.

3:04:46 > 3:04:47An apology?

3:04:48 > 3:04:50No, of course not.

3:04:51 > 3:04:52I wanted you there.

3:04:54 > 3:04:55I wanted you with me.

3:05:03 > 3:05:04Is he angry with you?

3:05:06 > 3:05:07He's just angry, love.

3:05:09 > 3:05:13GUITARISTS TUNING UP

3:05:13 > 3:05:14Can you see him?

3:05:17 > 3:05:19Hello, everybody.

3:05:19 > 3:05:22God, there's a lot of you here. That's quite a surprise.

3:05:22 > 3:05:26Thank you for coming and I hope that you enjoy yourselves.

3:05:26 > 3:05:27- WHISPERS:- Come on.

3:05:27 > 3:05:29And here are the OAP'Z.

3:05:29 > 3:05:32CHEERING

3:05:38 > 3:05:39One, two, three, four...

3:05:43 > 3:05:46# Daa da-da da-daa

3:05:46 > 3:05:48# Da-da da-daa

3:05:48 > 3:05:51# Da-da da-daa, da-da da-daa

3:05:51 > 3:05:55# If you like to gamble I tell you, I'm your man

3:05:55 > 3:05:57# You win some, you lose some

3:05:57 > 3:05:59# It's all the same to me

3:05:59 > 3:06:02# Doo-doo-doo-doo-doo Doo-doo-doo-doo-doo

3:06:02 > 3:06:04# The pleasure is to play it

3:06:04 > 3:06:06# It makes no difference what you say

3:06:06 > 3:06:10# Doo-doo-doo-doo-doo Doo-doo-doo-doo-doo

3:06:10 > 3:06:12# I don't share your greed

3:06:12 > 3:06:13# The only card I need

3:06:13 > 3:06:15# Is the ace of spades

3:06:15 > 3:06:17# The ace of spades!

3:06:17 > 3:06:21- # The ace of spades - The ace of spades!

3:06:21 > 3:06:25# You know I'm born to lose and gambling is for fools

3:06:25 > 3:06:27# But that's the way I like it, baby

3:06:27 > 3:06:29# I don't want to live forever

3:06:29 > 3:06:31# Ahhh!

3:06:31 > 3:06:33# And don't forget the joker!

3:06:33 > 3:06:37# Ahhh!

3:06:52 > 3:06:55# Daa daa daa

3:06:55 > 3:06:59# Da-da da-daa, da-da da-daa

3:06:59 > 3:07:04# Da-da da-daa! #

3:07:04 > 3:07:10CHEERING AND APPLAUSE

3:07:10 > 3:07:14- # Ooh-ooh ahh... # - Punch it, Charlie!

3:07:14 > 3:07:17Yo, I don't think we should talk about this.

3:07:17 > 3:07:19Come on! Why not?

3:07:19 > 3:07:23Cos people might misunderstand what we're tryin' to say, you know?

3:07:23 > 3:07:25But that's a part of life, man. Come on!

3:07:25 > 3:07:29- Two, three! - # Let's talk about sex, baby

3:07:29 > 3:07:31# Let's talk about you and me

3:07:31 > 3:07:36# Let's talk about all the good things and the bad things that may be

3:07:36 > 3:07:38# Let's talk about sex

3:07:38 > 3:07:40# Let's talk about sex for now

3:07:40 > 3:07:43# To the people at home or in the crowd

3:07:43 > 3:07:44# The kids coming up anyhow

3:07:44 > 3:07:47# We'll talk about sex on the radio and video shows

3:07:47 > 3:07:49- # Then we'll know... - Anything goes

3:07:49 > 3:07:51# Let's tell it how it is and how it could be

3:07:51 > 3:07:54# How it was and of course how it should be

3:07:54 > 3:07:56# How to try and make any man's eyes pop

3:07:56 > 3:07:59# She use what she got to get whatever she don't got

3:07:59 > 3:08:02# Fellas drool like fools, but then again, they're only human

3:08:02 > 3:08:04# Let's talk about sex! Let's talk about sex! #

3:08:04 > 3:08:07CHEERING

3:08:07 > 3:08:09You guys are gangsta!

3:08:17 > 3:08:19This is called True Colours.

3:08:29 > 3:08:32# You with the sad eyes

3:08:32 > 3:08:34# Don't be discouraged

3:08:34 > 3:08:37# Though I realise

3:08:37 > 3:08:40# It's hard to take courage

3:08:40 > 3:08:43# In a world full of people

3:08:43 > 3:08:46# You can lose sight of it all

3:08:46 > 3:08:52# And the darkness there inside you makes you feel so small

3:08:52 > 3:08:55# Show me a smile, then

3:08:55 > 3:08:58# And don't be unhappy

3:08:58 > 3:09:02# Can't remember when

3:09:02 > 3:09:04# I last saw you laughing

3:09:04 > 3:09:07# If this world makes you crazy

3:09:07 > 3:09:10# And you've taken all you can bear

3:09:10 > 3:09:13# Just call me up

3:09:13 > 3:09:15# Because you know I'll be there

3:09:16 > 3:09:22# And I see your true colours shining through

3:09:22 > 3:09:26# See your true colours

3:09:26 > 3:09:29# That's why I love you

3:09:29 > 3:09:35# So don't be afraid to let them show

3:09:35 > 3:09:40# Your true colours, true colours

3:09:40 > 3:09:45# Are beautiful

3:09:45 > 3:09:51# Like a rainbow

3:09:57 > 3:10:03# But I see your true colours shining through

3:10:03 > 3:10:07# See your true colours

3:10:07 > 3:10:09# That's why I love you

3:10:09 > 3:10:15# So don't be afraid to let them show

3:10:15 > 3:10:21# Your true colours, true colours

3:10:21 > 3:10:27# Are beautiful

3:10:27 > 3:10:31# Like a rainbow. #

3:10:31 > 3:10:33CHEERING AND APPLAUSE

3:10:45 > 3:10:46That was so beautiful.

3:10:49 > 3:10:52Thank you, everybody.

3:10:52 > 3:10:53I hope you have a great day.

3:11:15 > 3:11:18What you doing hiding round here?

3:11:18 > 3:11:20Oh...having a quiet smoke.

3:11:20 > 3:11:23Shouldn't you be out there with Marion and the others?

3:11:23 > 3:11:25I'm doing fine here, really.

3:11:26 > 3:11:28I really don't understand you.

3:11:28 > 3:11:32You have this wonderful woman who adores you...

3:11:33 > 3:11:37..and she just sang in front of everyone for you.

3:11:39 > 3:11:40For you, Arthur.

3:11:41 > 3:11:45She put everything that she had into singing that song,

3:11:45 > 3:11:47and you've got nothing to say?

3:11:50 > 3:11:52It must be really hard being you.

3:11:55 > 3:11:58Ah, there you are. I thought you'd disappeared.

3:11:58 > 3:11:59You guys were brilliant today.

3:12:02 > 3:12:03Don't you think, Arthur?

3:12:08 > 3:12:10- We'll see you later.- Bye.

3:12:13 > 3:12:15You going to take me home?

3:12:15 > 3:12:18- Don't you want to stay with your chums?- No.

3:12:18 > 3:12:20I want to go home with you, sit on the sofa.

3:12:27 > 3:12:28What's wrong?

3:12:31 > 3:12:32You looked so happy today.

3:12:34 > 3:12:35I...

3:12:36 > 3:12:38..haven't made you happy for a long time.

3:12:40 > 3:12:43I'm very happy with you, Arthur.

3:12:43 > 3:12:44I'm sorry.

3:12:45 > 3:12:47I'm sorry.

3:12:53 > 3:12:56Arthur Harris, I love you.

3:12:56 > 3:13:00From the time you came scruffing into my life, so gloomy,

3:13:00 > 3:13:03I knew what I was letting myself in for.

3:13:05 > 3:13:06You're my rock.

3:13:14 > 3:13:16I don't want you to go.

3:13:18 > 3:13:20I don't want you to go. Please.

3:13:25 > 3:13:27Ooh, I'm done.

3:13:27 > 3:13:28I'm tired.

3:14:30 > 3:14:31What?

3:14:31 > 3:14:33Do you still hate Daddy?

3:14:34 > 3:14:37No, love. No. Not at all.

3:14:37 > 3:14:39He likes you.

3:14:43 > 3:14:46It's a bit complicated for little girls.

3:14:46 > 3:14:49What do you mean? I'm eight. I do maths and everything.

3:14:49 > 3:14:51Of course you do. I'm sorry.

3:14:55 > 3:14:56Come on, love.

3:14:58 > 3:15:01- Bye, Grandad. - Goodbye, Jennifer.

3:15:07 > 3:15:08He's a good boy.

3:15:10 > 3:15:11I'll take care of him.

3:15:14 > 3:15:16You go to sleep now, darling.

3:15:33 > 3:15:35ELECTRICAL FIZZING

3:15:38 > 3:15:40AIR HISSES

3:15:43 > 3:15:45Marion, love.

3:15:45 > 3:15:47Marion.

3:15:47 > 3:15:48AIR WHEEZES

3:15:53 > 3:15:58PHONE RINGS

3:15:58 > 3:15:59Hello.

3:16:01 > 3:16:03Well, the coroner will be round in a couple of hours,

3:16:03 > 3:16:05look after her body,

3:16:05 > 3:16:08but till then, I think you should see to your dad.

3:16:08 > 3:16:11Yeah, OK. Thanks for coming round.

3:16:11 > 3:16:12It's the night, isn't it?

3:16:18 > 3:16:19DOOR CLOSES

3:16:36 > 3:16:37HE KNOCKS ON DOOR

3:16:39 > 3:16:40Dad?

3:16:43 > 3:16:45Dad?

3:16:45 > 3:16:49ARTHUR HOWLS

3:16:49 > 3:16:53HOWLING INTENSIFIES

3:17:18 > 3:17:19Yeah, OK.

3:17:19 > 3:17:24SHE SINGS IN HINDI

3:18:02 > 3:18:03DOOR CLOSES

3:18:07 > 3:18:09- Everyone gone?- Yeah.

3:18:10 > 3:18:12You should get Jennifer home to bed.

3:18:12 > 3:18:15No, no. I'll help you with this.

3:18:15 > 3:18:16I'd prefer to be alone.

3:18:18 > 3:18:21I know you're a good dad and I know I haven't been.

3:18:24 > 3:18:28I think it'd be easier on the two of us if we don't see each other.

3:18:33 > 3:18:35That's what I want and...

3:18:35 > 3:18:37that's the end of it.

3:18:45 > 3:18:47DOOR CLOSES

3:18:53 > 3:18:55Potatoes.

3:18:55 > 3:18:57Two pints of milk.

3:18:57 > 3:19:00Teabags. Chicken.

3:19:00 > 3:19:02Sage and onions.

3:19:02 > 3:19:04Bottle of bleach.

3:19:04 > 3:19:07That's the shopping.

3:19:07 > 3:19:08That's what I'm doing today.

3:19:11 > 3:19:12OK.

3:19:20 > 3:19:22CHILDREN PLAYING IN DISTANCE

3:19:42 > 3:19:44Oh, it's you.

3:19:45 > 3:19:48Would you like me to make you a cup of tea?

3:19:49 > 3:19:51Come in. I'll make it.

3:19:56 > 3:19:58Are you sleeping on the sofa?

3:20:01 > 3:20:02How are you?

3:20:04 > 3:20:06- It's different.- Yeah.

3:20:07 > 3:20:09I guess it is.

3:20:09 > 3:20:11- How's James? - Haven't seen him.

3:20:13 > 3:20:16We... We got through to the main competition.

3:20:16 > 3:20:19- Oh.- I don't think we could have done it without Marion.

3:20:21 > 3:20:23Do you need any help with anything?

3:20:23 > 3:20:25Anything like what?

3:20:26 > 3:20:28I don't do anything.

3:20:31 > 3:20:33I used to get up for her.

3:20:35 > 3:20:37If you need any company,

3:20:37 > 3:20:41you're more than welcome to come down to the centre.

3:20:41 > 3:20:44- Tea?- Mm. That would be lovely.

3:21:12 > 3:21:14CHOIR SINGS

3:21:14 > 3:21:19# Ain't nobody loves me better

3:21:19 > 3:21:21# Makes me happy

3:21:21 > 3:21:23# Makes me feel this way

3:21:23 > 3:21:25# Ain't nobody

3:21:25 > 3:21:28# Loves me better than you. #

3:21:28 > 3:21:30OK. Sit down.

3:21:30 > 3:21:33Um...before we break,

3:21:33 > 3:21:37Timothy has written a poem that he'd like to share with us.

3:21:37 > 3:21:39Come on, then, Timothy.

3:21:45 > 3:21:47"Marion came here to sing

3:21:48 > 3:21:50"A wheelchair she did bring

3:21:51 > 3:21:54"She sang with such a smile

3:21:54 > 3:21:55"That made it not a trial

3:21:56 > 3:21:59"The great thing about Marion

3:21:59 > 3:22:04"Is that she gave us the strength to carry on."

3:22:07 > 3:22:08Thank you.

3:22:09 > 3:22:12All right, everybody, go for a break.

3:22:19 > 3:22:20Oh, dammit!

3:22:20 > 3:22:23- GASPS:- Jesus, Arthur.

3:22:23 > 3:22:24Again?!

3:22:24 > 3:22:27Have you been waiting out here all night?

3:22:45 > 3:22:48# How do you speak to an angel?

3:22:48 > 3:22:52# I'm completely in the dark

3:22:53 > 3:22:58# When you know that you've just met an angel

3:22:58 > 3:23:03# Is there a special...remark? #

3:23:07 > 3:23:09I always liked that song.

3:23:17 > 3:23:20Arthur.

3:23:20 > 3:23:23Did Marion know you could sing?

3:23:23 > 3:23:25Yeah.

3:23:42 > 3:23:44DOORBELL RINGS

3:23:44 > 3:23:47KNOCK AT DOOR

3:23:47 > 3:23:48SHE SOBS

3:23:55 > 3:23:56I'm a bloody nightmare.

3:23:56 > 3:23:59I am...

3:23:59 > 3:24:04annoying and needy, so I've been dumped.

3:24:06 > 3:24:07Who is he?

3:24:07 > 3:24:10Just this guy I've been seeing.

3:24:10 > 3:24:12- SIGHS:- It's not even him. It's me.

3:24:12 > 3:24:16I'm...hopeless at keeping a relationship.

3:24:18 > 3:24:22Shouldn't you be talking to somebody your own age?

3:24:22 > 3:24:24That's it. I don't...

3:24:25 > 3:24:29I don't have any friends my own age.

3:24:29 > 3:24:32How have I got time to make them?

3:24:32 > 3:24:36Just the kids from school and...you guys.

3:24:38 > 3:24:41I'm sorry. I'm sorry.

3:24:41 > 3:24:44I thought you would be awake because...

3:24:44 > 3:24:47you know, you're not really sleeping and stuff.

3:24:47 > 3:24:52It was a miracle that Marion and I met at all.

3:24:52 > 3:24:54We were so different.

3:24:54 > 3:24:57She had such faith in life.

3:24:57 > 3:24:59She'd say...

3:24:59 > 3:25:03"There's somebody out there for everybody.

3:25:04 > 3:25:05"Look at us."

3:25:08 > 3:25:12So you must just hold steady, young lady.

3:25:12 > 3:25:16You're a good person. Good things will happen.

3:25:16 > 3:25:18That's very kind, Arthur.

3:25:20 > 3:25:22I'll call you a taxi.

3:25:24 > 3:25:26BIRDSONG

3:25:27 > 3:25:30Right, everyone, this big red number ten

3:25:30 > 3:25:34signifies the number of rehearsals we have left until the competition.

3:25:34 > 3:25:37By number five, we're going to be brilliant.

3:25:37 > 3:25:39Aren't we?

3:25:39 > 3:25:40- ALL:- Yes!

3:25:40 > 3:25:42Off you go, then. See you next time.

3:25:46 > 3:25:47Bye!

3:25:47 > 3:25:48DOOR CREAKS

3:25:54 > 3:25:57- I'm sorry about the other night, Arthur.- Oh...

3:26:01 > 3:26:03Would you like to sing?

3:26:04 > 3:26:06Right, well, take your coat off, then.

3:26:08 > 3:26:10What do you know?

3:26:10 > 3:26:12Oh, er...

3:26:12 > 3:26:15Dean Martin, Frank.

3:26:15 > 3:26:16Remind me.

3:26:20 > 3:26:23Arthur, there's only you and me in the room

3:26:23 > 3:26:25and I heard you sing the other night.

3:26:27 > 3:26:30# Hey, if you happen to see

3:26:30 > 3:26:35# The most beautiful girl who walked out on me

3:26:35 > 3:26:38# Tell her I'm sorry

3:26:38 > 3:26:41# Tell her I need my baby

3:26:42 > 3:26:47# Oh, won't you tell her

3:26:47 > 3:26:49# I love her? #

3:26:57 > 3:26:59You've got a good voice, Arthur.

3:27:02 > 3:27:04Do you want to sing another one?

3:27:04 > 3:27:05All right.

3:27:07 > 3:27:09You're a dark horse, Arthur.

3:27:11 > 3:27:12Right...

3:27:14 > 3:27:18Burton College for unruly, shitty little boys.

3:27:18 > 3:27:22- Well, maybe not all of them. - Well, you must enjoy it.

3:27:22 > 3:27:24Probably.

3:27:24 > 3:27:27Sometimes you find a flower you can help to bloom.

3:27:27 > 3:27:31- Maybe you're one of those flowers. - Yeah, poison ivy.

3:27:34 > 3:27:37What made you come in?

3:27:37 > 3:27:39I'm not sure.

3:27:39 > 3:27:41To see how it felt, I suppose.

3:27:41 > 3:27:43And how does it feel?

3:27:45 > 3:27:46I don't know...yet.

3:27:48 > 3:27:54# If you happen to see the most beautiful girl in the world

3:27:54 > 3:27:57# And if you did... #

3:27:57 > 3:28:04- BOTH:- # Was she crying, crying? #

3:28:04 > 3:28:06Arthur, you're enjoying something.

3:28:08 > 3:28:10I guess that's what you'd call it.

3:28:16 > 3:28:17Enjoy...

3:28:19 > 3:28:20Enjoy...

3:28:23 > 3:28:25OK, Marion.

3:28:27 > 3:28:30Help me enjoy.

3:28:30 > 3:28:34# # We're going to the Love Shack, baby

3:28:34 > 3:28:35# Love Shack

3:28:35 > 3:28:38# We're going to the Love Shack, baby, Love Shack

3:28:38 > 3:28:40# We're going to the Love Shack, baby

3:28:40 > 3:28:42# Everybody's movin'... #

3:28:42 > 3:28:44Charlie, will you guide Arthur through?

3:28:44 > 3:28:46Give him one of these song sheets, yeah?

3:28:46 > 3:28:48# Baby, Love Shack

3:28:48 > 3:28:51# We're going to the Love Shack, baby... #

3:28:51 > 3:28:53Some good news for a change, eh?

3:28:53 > 3:28:56Just follow this and just do what I'm doing, all right?

3:28:56 > 3:28:59# ..to the Love Shack, baby

3:28:59 > 3:29:01# Hammer on the door! #

3:29:03 > 3:29:05As some of you may have noticed,

3:29:05 > 3:29:08we have a familiar face with us tonight -

3:29:08 > 3:29:10and we'd like to keep him here, wouldn't we?

3:29:10 > 3:29:13- ALL:- Yes.

3:29:13 > 3:29:15I think Marion would be very pleased you're here.

3:29:17 > 3:29:20All right, well, before it gets too sentimental,

3:29:20 > 3:29:23thank you very much and I'll see you next time.

3:29:35 > 3:29:37That wasn't too painful, was it?

3:29:37 > 3:29:38Wasn't easy.

3:29:40 > 3:29:43Well done, Arthur.

3:29:43 > 3:29:45I felt like a right idiot.

3:29:45 > 3:29:47Yeah.

3:29:52 > 3:29:54Hard woman.

3:30:00 > 3:30:02Grandad. What you doing here?

3:30:02 > 3:30:04I can't leave the school, you know.

3:30:04 > 3:30:07- You can talk, though, can't you? - Yeah.

3:30:07 > 3:30:11- What's that? - Nothing wrong with your eyes, then.

3:30:11 > 3:30:13- Can I have it? - It's for you.

3:30:17 > 3:30:20I didn't mean what I said to your dad. You know that, don't you?

3:30:20 > 3:30:22Mm-hm.

3:30:22 > 3:30:26- How is your dad? Is he OK?- Yeah. I don't see him until the weekend.

3:30:26 > 3:30:28Do you want to come with me to put some flowers on your gran's grave?

3:30:28 > 3:30:30Excuse me. Can I help you?

3:30:30 > 3:30:32He gave me some sweets.

3:30:32 > 3:30:35- She's my granddaughter. - Have you got an appointment?

3:30:35 > 3:30:37What, to give my granddaughter a chocolate?

3:30:37 > 3:30:40- See you later, Grandad.- OK.

3:30:40 > 3:30:42You'll have to leave now.

3:30:42 > 3:30:43Spinster, are you?

3:30:45 > 3:30:47Right, this is called the robot dance

3:30:47 > 3:30:50and it's a very famous sort of dance.

3:30:50 > 3:30:56Basically, you just have to be very stiff and move like this.

3:30:56 > 3:30:58- ROBOT VOICE:- Everything is stiff and robotic.

3:30:58 > 3:31:00LAUGHTER

3:31:00 > 3:31:04Remember, you are made of metal.

3:31:04 > 3:31:06Yeah, yeah, that's pretty... That's quite good.

3:31:11 > 3:31:13That's it!

3:31:14 > 3:31:16You can even communicate as robots.

3:31:16 > 3:31:20- ROBOT VOICE:- Hello. I am a robot.

3:31:20 > 3:31:22Really, really stiff.

3:31:22 > 3:31:24HE SCREAMS

3:31:24 > 3:31:26Timothy, I'm so sorry.

3:31:26 > 3:31:29No problem, Elizabeth. Happens a lot.

3:31:29 > 3:31:31Bye, everyone!

3:31:31 > 3:31:33- ALL:- Bye, Tim. - Bye.

3:31:35 > 3:31:37Bloody hell!

3:31:37 > 3:31:40All right, then. Shall we have a cup of tea?

3:31:44 > 3:31:46Who sent this, then?

3:31:46 > 3:31:49Here... Just sign this.

3:31:59 > 3:32:02Brilliant, guys. Well, you deserve a coffee.

3:32:02 > 3:32:04Be back in ten minutes.

3:32:04 > 3:32:06You've only got six more rehearsals left.

3:32:12 > 3:32:14- Oh, no. You can keep that.- Why?

3:32:15 > 3:32:18- Did you like the song? - Yeah, it was all right.

3:32:18 > 3:32:21- Lyrics?- Yeah, nice.

3:32:21 > 3:32:23- Do you want to do it?- What, you mean in front of everybody?

3:32:25 > 3:32:27No. No way. No.

3:32:27 > 3:32:30How about we work it through together, just you and me?

3:32:30 > 3:32:33- Why would you want to do that? - Why wouldn't I?

3:32:33 > 3:32:35I'll pick you up tomorrow after work.

3:32:35 > 3:32:36Get a cup of coffee, Arthur.

3:32:39 > 3:32:41BIRDSONG

3:32:50 > 3:32:52Hello, son.

3:32:53 > 3:32:56- What you doing? - Waiting for you to go.

3:33:16 > 3:33:22I was engaged for a couple of years to a flyboy, a pilot.

3:33:23 > 3:33:27Never commit yourself to a man in uniform, Arthur,

3:33:27 > 3:33:30especially if he's surrounded by lots of air hostesses.

3:33:30 > 3:33:32All men are shits, aren't they?

3:33:32 > 3:33:35I look forward to meeting one who isn't.

3:33:35 > 3:33:36Present company excluded.

3:33:37 > 3:33:40No, no - actually, I mean you're not a shit.

3:33:42 > 3:33:44I've got something to show you.

3:33:48 > 3:33:50Recognise her?

3:33:54 > 3:33:56Yeah, we're in the programme now.

3:33:56 > 3:33:58- There's no turning back. - Yeah.

3:33:58 > 3:34:01If we jump ship, there'll be nobody to come last.

3:34:01 > 3:34:04We? So you're coming, then?

3:34:04 > 3:34:08- # I must be crazy. # - Yeah.

3:34:08 > 3:34:11You may be crazy, but you'll be there. That is brilliant.

3:34:11 > 3:34:13You can invite your son.

3:34:13 > 3:34:16- He'd be so impressed... - He's none of your business.

3:34:16 > 3:34:18I'm sorry. I didn't mean to...

3:34:18 > 3:34:21It doesn't matter what you meant. He's nothing to do with you.

3:34:26 > 3:34:28I'm... I'm sorry.

3:34:28 > 3:34:32- I apologise. - No, no, no. I meddle. It's fine.

3:34:32 > 3:34:35It's just that he and I...

3:34:37 > 3:34:39..just never hit it off.

3:34:41 > 3:34:45It's my fault. I never let him get close to me.

3:34:45 > 3:34:48I'm sorry.

3:34:48 > 3:34:50He's a good lad.

3:34:52 > 3:34:53He's better off, really.

3:34:56 > 3:34:58Do you want to do some singing?

3:35:00 > 3:35:03THEY SING SCALES

3:35:03 > 3:35:05That's better.

3:35:06 > 3:35:08MUSIC: Mohair Sam by Charlie Rich

3:35:08 > 3:35:13# Who is the hippie that's happenin' all over our town?

3:35:16 > 3:35:22# Tearin' up the chicks with the message that he lays down

3:35:24 > 3:35:28# Who is the coolest guy that is, what I am... #

3:35:30 > 3:35:32Go towards the back of the room.

3:35:32 > 3:35:35That's good. OK, same again. Sing it to the stage.

3:35:35 > 3:35:38# Well, I think you're crazy... #

3:35:38 > 3:35:40No, that's not projecting. That's just shouting.

3:35:40 > 3:35:46# Chicks are makin' reservations for his lovin' so fine... #

3:35:46 > 3:35:47Guess what.

3:35:49 > 3:35:52Only one more after this, everyone.

3:35:55 > 3:35:58# Who is the coolest guy that is, what I am... #

3:35:58 > 3:36:01Don't forget a little bit of bump 'n' grind.

3:36:03 > 3:36:08# Fast talkin', slow walkin', good lookin' Mohair Sam... #

3:36:13 > 3:36:16SHE PLAYS MELLOW MELODY

3:36:25 > 3:36:27Will you sing that in the competition?

3:36:29 > 3:36:30You must be joking.

3:36:30 > 3:36:34All right, then, sing it tomorrow in choir practice, see how you feel,

3:36:34 > 3:36:36and if it's all right, then you can sing it at the weekend.

3:36:36 > 3:36:39I couldn't. I-I...

3:36:39 > 3:36:42Look, it wasn't long ago that you couldn't think of anything worse

3:36:42 > 3:36:45than singing silly songs with people you didn't really like.

3:36:45 > 3:36:48Well, I didn't, like, REALLY not like them.

3:36:56 > 3:36:59The way you sing it...is beautiful.

3:37:01 > 3:37:03If Marion is listening,

3:37:03 > 3:37:06or James, if he could hear you singing...

3:37:08 > 3:37:09He hates me.

3:37:10 > 3:37:13Well, then, do something to help change that.

3:37:14 > 3:37:16Let him see you, Arthur.

3:37:18 > 3:37:20Let everyone see you.

3:37:31 > 3:37:32DOORBELL RINGS

3:37:34 > 3:37:35Hello, son.

3:37:38 > 3:37:41- What do you want? - I thought we could have a chat.

3:37:45 > 3:37:47I know it's difficult. I understand. You're cross.

3:37:48 > 3:37:51It's just I'm... I'm missing your mother.

3:37:53 > 3:37:58- Just come round to tell me that? - Well, I'm missing you, as well.

3:38:00 > 3:38:02What am I supposed to make of you?

3:38:03 > 3:38:04Every time I see you...

3:38:06 > 3:38:09..I don't know what it is I've done or not done in my life

3:38:09 > 3:38:11to make you so disappointed.

3:38:11 > 3:38:15I mean, I've achieved so many things, so many good things,

3:38:15 > 3:38:17but you're always disappointed.

3:38:19 > 3:38:20Why can't you be proud?

3:38:22 > 3:38:24I am proud, son.

3:38:24 > 3:38:27Well, you never thought once to tell me.

3:38:27 > 3:38:29Well, I tell everybody.

3:38:29 > 3:38:31Why don't you tell me?

3:38:35 > 3:38:36I'm trying now.

3:38:39 > 3:38:41I'm still trying to cope with my mum.

3:38:43 > 3:38:44Maybe I can help.

3:38:48 > 3:38:51It's too late for that. You're too late.

3:39:07 > 3:39:11# A, E, I, O, U... #

3:39:11 > 3:39:17- ALL:- # A, E, I, O, U

3:39:17 > 3:39:22# A, E, I, O, U

3:39:22 > 3:39:25# A, E, I, O, U. #

3:39:27 > 3:39:29You were wrong.

3:39:29 > 3:39:32This - it isn't me.

3:39:36 > 3:39:37Everybody knows that.

3:39:40 > 3:39:41It isn't me.

3:39:51 > 3:39:52I'll be back in a second.

3:39:54 > 3:39:57- Arthur. Arthur, come on, wait. - I'm a mug, aren't I?

3:39:57 > 3:39:58I'm not what you think I am.

3:39:58 > 3:40:01- I'm not like everybody in there. I'm not like Marion.- Shh!

3:40:01 > 3:40:05I'm not the life and soul of the party and full of joy and guts.

3:40:05 > 3:40:07I'm miserable old Arthur.

3:40:07 > 3:40:10I've ruined everything I've ever had and it's too late.

3:40:10 > 3:40:12I can't change. It's...

3:40:12 > 3:40:14It's too late.

3:40:14 > 3:40:16So...

3:40:16 > 3:40:18just leave me alone.

3:41:35 > 3:41:37HE SIGHS

3:41:37 > 3:41:39ENGINE IDLES

3:41:41 > 3:41:44- Hello! - Hello, love!

3:41:44 > 3:41:45Hello, Charlie.

3:41:48 > 3:41:50THEY CHATTER

3:41:51 > 3:41:53He not coming?

3:41:54 > 3:41:55I don't think so.

3:41:56 > 3:41:58All right, let's, er... Let's go.

3:42:02 > 3:42:06# Here we go, here we go, here we go

3:42:06 > 3:42:07# Here we go, here we go here we go... #

3:42:07 > 3:42:09Oh, I'm fed up with these words.

3:42:36 > 3:42:38Can you all follow me, please?

3:42:38 > 3:42:39I'll take you up to your dressing room.

3:42:39 > 3:42:40Come on, everyone.

3:42:43 > 3:42:45- ALL: Ooh! - Who's a lovely girl, then?

3:42:48 > 3:42:51So, before the audience come, we have to do a sound check.

3:42:51 > 3:42:52What's that, then?

3:42:52 > 3:42:54They need to know what we're singing and what we do.

3:42:54 > 3:42:57- How many groups are there?- 20.

3:42:57 > 3:43:00But we have got just as much chance as all of them.

3:43:00 > 3:43:03THEY SING "Ode To Joy" IN GERMAN

3:43:07 > 3:43:09Bloody hell. They're brilliant.

3:43:09 > 3:43:11We're going to get laughed out the bloody door!

3:43:11 > 3:43:13No, we're not.

3:43:23 > 3:43:26- OK, you're up. - OK, guys, come on.

3:43:41 > 3:43:44Steven, what's this on the desk?

3:44:08 > 3:44:12- I thought they were good, but they were a bit...dull.- We can do better.

3:44:12 > 3:44:15I think we had more personality.

3:44:22 > 3:44:23Uh...

3:44:28 > 3:44:34I know you all loved Marion, and...when we were younger,

3:44:34 > 3:44:37I would have done anything to be with her

3:44:37 > 3:44:41and...share something like this with all of you.

3:44:43 > 3:44:46- You don't have to do this in front of everyone, Arthur.- No, I...

3:44:46 > 3:44:51I'm sorry for how I've been...

3:44:51 > 3:44:56and...I'm going to...

3:44:58 > 3:45:03Even if I fall flat on my arse, I'm going to do the song, Elizabeth.

3:45:03 > 3:45:05If you'll let me.

3:45:07 > 3:45:08Of course you can.

3:45:13 > 3:45:15Can I have a word?

3:45:16 > 3:45:18Oh. Yeah.

3:45:18 > 3:45:19One second.

3:45:32 > 3:45:34Your hosts for the evening,

3:45:34 > 3:45:36Richard Jameson and Harriet Banks.

3:45:36 > 3:45:38APPLAUSE

3:45:42 > 3:45:46Ladies and gentlemen, welcome to the 8th Shadow Song

3:45:46 > 3:45:48International Choir Festival.

3:45:51 > 3:45:54We have such a wide, fantastic variety of choirs

3:45:54 > 3:45:56and songs for you this evening.

3:45:56 > 3:45:58Something for everyone.

3:45:59 > 3:46:03Ladies and gentlemen, The Backworth Male Voice Choir.

3:46:05 > 3:46:07THEY SING "Gwahoddiad"

3:46:13 > 3:46:15What do they mean, dumbing down?

3:46:15 > 3:46:19- We're in the programme! - Come on, driver. It's embarrassing.

3:46:19 > 3:46:21It's not fair.

3:46:21 > 3:46:23Maybe we saved ourselves from getting laughed at

3:46:23 > 3:46:25by a theatre full of people.

3:46:30 > 3:46:33Somebody once told me it didn't matter if you got laughed at.

3:46:35 > 3:46:37Open the door, driver.

3:46:38 > 3:46:40Arthur, what are you doing?

3:46:40 > 3:46:42I'm going to sing that bloody song

3:46:42 > 3:46:45you've been ramming down my throat all week.

3:46:45 > 3:46:46Come on.

3:46:52 > 3:46:54APPLAUSE

3:47:04 > 3:47:07Thank you to the Backworth Male Voice Choir.

3:47:07 > 3:47:09Stage door here - can we have some assistance, please?

3:47:09 > 3:47:11Now we have 35 dapper young men...

3:47:11 > 3:47:12God help me, love.

3:47:12 > 3:47:14..full of class and charisma.

3:47:14 > 3:47:16Some random man just walked on stage.

3:47:16 > 3:47:18I've never seen him before. I don't know what he's doing.

3:47:22 > 3:47:23Sorry.

3:47:23 > 3:47:26Now some other random girl has joined him.

3:47:29 > 3:47:32RIPPLES OF LAUGHTER

3:47:33 > 3:47:36Excuse me. Excuse me.

3:47:36 > 3:47:39Oh, it's those OAP people you got rid of earlier.

3:47:41 > 3:47:44I can't stop them, can I? Cos there's like 30 of them.

3:47:44 > 3:47:47OK, I'll get them to introduce them. OK.

3:47:47 > 3:47:48What?

3:47:48 > 3:47:52You're just going to have to introduce them. The OAP'Z.

3:47:52 > 3:47:53Now.

3:47:53 > 3:47:56Well, as you can see, they're not in suits,

3:47:56 > 3:47:59but they do have class.

3:47:59 > 3:48:01LAUGHTER

3:48:03 > 3:48:07Well, everyone, put your hands together for the OAP'Z.

3:48:07 > 3:48:08APPLAUSE

3:48:19 > 3:48:20Blow them away, please.

3:48:20 > 3:48:25# The Love Shack is a little old place

3:48:25 > 3:48:30# Where we can get together

3:48:30 > 3:48:33# Got me a Chrysler it seats about 20

3:48:33 > 3:48:37# So hurry up and bring me your juke box money

3:48:37 > 3:48:41# The Love Shack is a little old place

3:48:41 > 3:48:46# Where we can get together

3:48:46 > 3:48:50# Everybody's movin' everybody's groovin'

3:48:50 > 3:48:53# We're going to the Love Shack. baby, Love Shack

3:48:53 > 3:48:56- # We're going to the Love Shack - Bang! Bang!

3:48:56 > 3:48:57# Baby

3:48:57 > 3:49:01- # Hammer on the door - Bang! Bang!

3:49:01 > 3:49:05- # Hammer on the door - Bang! Bang!

3:49:05 > 3:49:08- # Hammer on the door - Your what?!

3:49:08 > 3:49:12# Tin roof rusted!

3:49:12 > 3:49:14# Love Shack, baby, Love Shack

3:49:14 > 3:49:17# We're going to the Love Shack! #

3:49:17 > 3:49:19CHEERING AND APPLAUSE

3:49:25 > 3:49:27Everybody in position.

3:49:43 > 3:49:45GENTLE PIANO MUSIC

3:49:55 > 3:49:57MUSIC TRAILS OFF

3:49:58 > 3:50:00MURMURING

3:50:03 > 3:50:04PIANO RESUMES

3:50:07 > 3:50:09Come on, Grandad!

3:50:23 > 3:50:26# Goodnight, my angel

3:50:26 > 3:50:30# Time to close your eyes

3:50:30 > 3:50:31PIANO RESUMES

3:50:31 > 3:50:38# And save these questions for another day

3:50:39 > 3:50:45# I think I know what you've been asking me

3:50:47 > 3:50:53# I think you know what I've been trying to say

3:50:54 > 3:51:01# I promised I would never leave you

3:51:02 > 3:51:07# And you should always know

3:51:09 > 3:51:13# Wherever you may go

3:51:13 > 3:51:17# No matter where you are

3:51:17 > 3:51:23# I never will be far away

3:51:27 > 3:51:30# Goodnight, my angel

3:51:30 > 3:51:35- # Now it's time to sleep - Time to sleep

3:51:35 > 3:51:40# And still so many things I want to say

3:51:40 > 3:51:43# Want to say

3:51:43 > 3:51:48# Remember all the songs you sang for me

3:51:48 > 3:51:49# Sang for me

3:51:49 > 3:51:55# When we went sailing on an emerald bay

3:51:55 > 3:51:56# Emerald bay

3:51:56 > 3:52:02# And like a boat upon the ocean

3:52:03 > 3:52:10# I'm rocking you to sleep

3:52:10 > 3:52:13# Through waters dark and deep

3:52:13 > 3:52:17# Inside this ancient heart

3:52:17 > 3:52:23# You'll always be a part of me

3:52:25 > 3:52:31# Goodnight, my angel Now it's time to dream

3:52:33 > 3:52:39# And dream how wonderful our life has been

3:52:48 > 3:52:55# Some day we all must go

3:52:55 > 3:53:01# But lullabies go on and on

3:53:02 > 3:53:05# They never die

3:53:07 > 3:53:14# Just like you and I...

3:53:14 > 3:53:18# Will be. #

3:53:31 > 3:53:32SMATTERING OF APPLAUSE

3:53:32 > 3:53:35APPLAUSE BUILDS

3:53:39 > 3:53:41CHEERING

3:53:49 > 3:53:50Well done, Mister.

3:53:50 > 3:53:52I'm so proud of you.

3:54:00 > 3:54:02Yes!

3:54:08 > 3:54:10LAUGHTER AND CHATTER

3:54:15 > 3:54:18Be careful with it. It's really heavy.

3:54:21 > 3:54:22Here's to coming third!

3:54:22 > 3:54:24ALL CHEER

3:54:26 > 3:54:28Lovely.

3:54:30 > 3:54:34# We was third, we was third... #

3:54:34 > 3:54:36PHONE RINGS

3:54:41 > 3:54:44ANSWERING MACHINE CLICKS

3:54:44 > 3:54:46BEEP

3:54:46 > 3:54:48- MARION:- Hi, you've reached Marion and Arthur

3:54:48 > 3:54:50but we're not here right now...

3:54:50 > 3:54:54- # So leave a message, please. # - BEEP

3:54:54 > 3:54:56- JAMES:- Dad, it's me.

3:54:56 > 3:54:57You're probably asleep,

3:54:57 > 3:55:00but Jen didn't get to say goodbye.

3:55:00 > 3:55:02- JENNIFER: - Bye, Grandad. You were brilliant.

3:55:02 > 3:55:04HE SNORES

3:55:04 > 3:55:07Thanks for coming back in the car with us.

3:55:07 > 3:55:10Dad, it was good to talk.

3:55:11 > 3:55:13Well done for tonight.

3:55:13 > 3:55:15It was brilliant.

3:55:15 > 3:55:17I know Mum was watching.

3:55:17 > 3:55:19- I'll see ya.- See ya, see ya, wouldn't want to be ya!

3:55:19 > 3:55:21OK, bedtime.

3:55:21 > 3:55:24Cheers, Dad. Good night.

3:55:24 > 3:55:27HE SNORES

3:55:40 > 3:55:43MUSIC: Unfinished Songs by Celine Dion

3:55:53 > 3:56:00# So you're thinking it's ending

3:56:00 > 3:56:05# But it's only just begun

3:56:05 > 3:56:07# Your whole life

3:56:07 > 3:56:10# Is there right...

3:56:10 > 3:56:12# Right in front of you

3:56:12 > 3:56:17# Life's a story that is all twists and turns

3:56:17 > 3:56:21# All that matters is the lessons we learn

3:56:21 > 3:56:24# Cos we're all...

3:56:24 > 3:56:29# Unfinished songs waiting for...

3:56:29 > 3:56:31# The best part to come along

3:56:31 > 3:56:34# Hey, hey

3:56:34 > 3:56:36# Hey, hey

3:56:36 > 3:56:38# And we're all...

3:56:39 > 3:56:41# Pictures half-drawn

3:56:41 > 3:56:43# We can be...

3:56:44 > 3:56:46# Anything we want

3:56:46 > 3:56:48# Hey, hey

3:56:48 > 3:56:51# Hey, hey

3:56:51 > 3:56:56# Now is your time

3:56:56 > 3:56:58# It's your life

3:56:58 > 3:57:02# No-one's living it but you

3:57:03 > 3:57:05# In your hands

3:57:05 > 3:57:08# Is your chance

3:57:08 > 3:57:11# To lead the life you choose

3:57:11 > 3:57:13# Life's like music

3:57:13 > 3:57:16# There's so much to one song

3:57:16 > 3:57:18# Make it magic

3:57:18 > 3:57:20# There's so much to do

3:57:20 > 3:57:23# Cos we're all...

3:57:23 > 3:57:28# Unfinished songs waiting for...

3:57:28 > 3:57:30# The best part to come along

3:57:30 > 3:57:32# Hey, hey

3:57:32 > 3:57:34# Hey, hey

3:57:34 > 3:57:38# And we're all...

3:57:38 > 3:57:40# Pictures half-drawn

3:57:40 > 3:57:43# We can be...

3:57:43 > 3:57:45# Anything we want

3:57:45 > 3:57:47# Hey, hey

3:57:47 > 3:57:49# Hey, hey

3:57:50 > 3:57:55# You can write the song and write the story

3:57:55 > 3:58:00# And live all of this life in all its glory

3:58:00 > 3:58:02# Take the time to make the time

3:58:02 > 3:58:04# To make each moment count

3:58:04 > 3:58:06# It's your life, it's your goal

3:58:06 > 3:58:09# Grab that chance, have it all

3:58:09 > 3:58:12# Cos we're all...

3:58:12 > 3:58:16# Unfinished songs waiting for... Waiting for...

3:58:16 > 3:58:18# The best part to come along

3:58:18 > 3:58:21# Hey, hey

3:58:21 > 3:58:23# Hey, hey... #