0:00:41 > 0:00:44CHILD PANTS
0:00:48 > 0:00:51GIGGLING
0:01:01 > 0:01:02Hurry up, Kay!
0:01:11 > 0:01:15# Whoa, thought it was a nightmare
0:01:16 > 0:01:18# Lo, it's all so true... #
0:01:18 > 0:01:19Slow down, cuz!
0:01:19 > 0:01:22# ..They told me don't go walking slow
0:01:22 > 0:01:24# The devil's on the loose...
0:01:24 > 0:01:25- Come on, Kay!- I'm coming!
0:01:25 > 0:01:27# ..Better run through the jungle
0:01:29 > 0:01:31# Better run through the jungle
0:01:32 > 0:01:35# Better run through the jungle
0:01:36 > 0:01:37# Whoa, don't look back to see... #
0:01:46 > 0:01:48Stop.
0:01:48 > 0:01:50Me, me, me!
0:01:50 > 0:01:52Ladies and gentlemen,
0:01:52 > 0:01:57it gives me great pleasure to welcome to the stage this afternoon
0:01:57 > 0:02:01four of Australia's deadliest entertainers.
0:02:02 > 0:02:07The one, the only, the very talented...
0:02:07 > 0:02:09Cummeragunja Songbirds!
0:02:09 > 0:02:12CHEERING AND APPLAUSE
0:02:16 > 0:02:19THEY SING IN THEIR NATIVE LANGUAGE
0:03:07 > 0:03:10They never call me nigger, never put no dog on me.
0:03:10 > 0:03:11I'm fighting to free him
0:03:11 > 0:03:13and my mama ain't free in Louisville!
0:03:37 > 0:03:41CHILDREN GIGGLE IN THE DISTANCE
0:03:49 > 0:03:51Mm...
0:03:51 > 0:03:53Mmm...
0:03:53 > 0:03:54Kiss me.
0:03:54 > 0:03:55Mm...
0:03:58 > 0:04:02Oi! You having one of them dirty dreams again?
0:04:02 > 0:04:05- Oh, nick off, will you? - I said get up, you lazy mongrel!
0:04:05 > 0:04:06We've got a talent contest to win.
0:04:06 > 0:04:08Jeez, I was having the best dream of my life
0:04:08 > 0:04:10and you had to ruin the whole blasted thing.
0:04:10 > 0:04:13- HOOVER WHIRS - Julie! What's wrong with you?
0:04:13 > 0:04:14She's mad, like you.
0:04:14 > 0:04:16Doesn't mean she has to suck my flaming face off.
0:04:16 > 0:04:19I don't see how you're going to win any contest if I'm not there.
0:04:19 > 0:04:20I told you, you can't come.
0:04:20 > 0:04:22You're not old enough. They won't let you in.
0:04:22 > 0:04:24They wouldn't know how old I was unless you told them!
0:04:24 > 0:04:27Julie, you're not going! That's the end of it.
0:04:36 > 0:04:39Hurry up, Dad. I need some hot water for the shower.
0:04:39 > 0:04:41Well, you should have got up half an hour earlier, then.
0:04:41 > 0:04:44We haven't got half an hour. We're going to miss the flamin' bus.
0:04:44 > 0:04:46- Yeah, yeah.- Glorious day, Julie.
0:04:46 > 0:04:48Oh, rack off, goat-face.
0:04:51 > 0:04:55Aarrgghh!
0:04:55 > 0:04:57Good job.
0:05:02 > 0:05:04How could Jimmy not love that?
0:05:04 > 0:05:08You're not the first girl that's ever been left at the altar.
0:05:08 > 0:05:11What do you expect from a Middleton, anyway?
0:05:15 > 0:05:19# Yellow bird
0:05:19 > 0:05:23# Up high in banana tree
0:05:24 > 0:05:29# Did your lady friend leave the nest again?
0:05:29 > 0:05:32# That is very bad
0:05:32 > 0:05:34# Makes me feel so sad
0:05:34 > 0:05:36# You can fly away
0:05:36 > 0:05:38# In the sky away
0:05:38 > 0:05:42# You more lucky than me
0:05:43 > 0:05:46# Yellow bird... #
0:05:46 > 0:05:48What? If I'm not coming with you, I'm not singing with you.
0:05:48 > 0:05:52# ..Up high in banana tree
0:05:52 > 0:05:55# Yellow bird
0:05:55 > 0:06:00# You sit all alone like me
0:06:01 > 0:06:04# Better fly away
0:06:04 > 0:06:06# In the sky away
0:06:06 > 0:06:08# Picker coming soon
0:06:08 > 0:06:10# Pick from night to noon
0:06:10 > 0:06:13# Black and yellow you
0:06:13 > 0:06:15# Like banana too
0:06:15 > 0:06:19# They may pick you some day. #
0:06:21 > 0:06:22Still not going.
0:06:25 > 0:06:26See ya.
0:06:27 > 0:06:32# There's a land that is fairer than day
0:06:33 > 0:06:37# And by faith we can see it afar... #
0:06:38 > 0:06:39Cooee! Hey, hey, hey!
0:06:42 > 0:06:45- What's his problem? - It's cos we're black, stupid.
0:06:46 > 0:06:48No. It's cos you're ugly.
0:06:48 > 0:06:50Taxis always stop for me.
0:06:51 > 0:06:53Now, now, girls.
0:06:53 > 0:06:55# We shall meet on that beautiful shore
0:06:56 > 0:07:00# In the sweet by and by
0:07:01 > 0:07:03# We shall meet... #
0:07:04 > 0:07:07Going into town?
0:07:07 > 0:07:10Oh, here's trouble.
0:07:11 > 0:07:12Wake up!
0:07:12 > 0:07:14Get up, you drongo!
0:07:14 > 0:07:17HE SNORES
0:07:17 > 0:07:18- IRISH ACCENT:- Oh!
0:07:18 > 0:07:20RADIO TURNS ON
0:07:20 > 0:07:21Hey!
0:07:21 > 0:07:24Get out of my life, you horrible little gobshites!
0:07:24 > 0:07:26RADIO: # I'm a soul man
0:07:27 > 0:07:29# I'm a soul man
0:07:31 > 0:07:34# I'm a soul man
0:07:34 > 0:07:35# Daddy-o
0:07:35 > 0:07:38# That's what I got the hard way
0:07:40 > 0:07:44# And I'll make it better each and every day... #
0:07:44 > 0:07:45DOG BARKS
0:07:45 > 0:07:46Mind me, dog.
0:07:46 > 0:07:48Come on, Buster, come on.
0:07:48 > 0:07:49Morning.
0:07:54 > 0:07:56Well, thank you for turning up.
0:07:56 > 0:07:59Oh, you are welcome, sweet tits.
0:07:59 > 0:08:01You're on your last warning, boyo.
0:08:01 > 0:08:03Oh, blow it out your flabby arse.
0:08:11 > 0:08:12Er...
0:08:12 > 0:08:14Hello.
0:08:14 > 0:08:16Ladies and gentlemen, boys and girls, welcome.
0:08:16 > 0:08:19My name is Dave Lovelace
0:08:19 > 0:08:21and, as you can probably tell from my accent,
0:08:21 > 0:08:23I am from Melbourne.
0:08:25 > 0:08:27Pause for laughter...
0:08:27 > 0:08:29You're getting the idea. I kind of start off slow
0:08:29 > 0:08:32and then I...slowly peter out.
0:08:32 > 0:08:34All right, let's get going here.
0:08:34 > 0:08:37First up, we've got Noelene.
0:08:37 > 0:08:40Where are you, Noelene, you skinny-arsed lily?
0:08:40 > 0:08:43Oh, too kind. That's your music, is it, love?
0:08:43 > 0:08:45Oh...
0:08:46 > 0:08:50Noelene is going to play one of my personal favourites,
0:08:50 > 0:08:52a song made famous by The Seekers.
0:08:52 > 0:08:54It's called Morningtown Ride.
0:08:54 > 0:08:56She's got her own guitar, so I'm just going to leave her to it.
0:08:56 > 0:08:58And I'll be over here...
0:08:58 > 0:09:00opening a vein!
0:09:00 > 0:09:04# Train whistle blowing
0:09:04 > 0:09:07# Makes a sleepy noise
0:09:07 > 0:09:10# Underneath their blankets
0:09:10 > 0:09:13# Go all the girls and boys
0:09:13 > 0:09:16# Rocking, rolling, riding
0:09:16 > 0:09:19# Out along the bay
0:09:19 > 0:09:23# All bound for Morningtown
0:09:23 > 0:09:24# Many miles away... #
0:09:24 > 0:09:26Put that away, you halfwit! You're going to get us kicked out.
0:09:26 > 0:09:29Look at 'em! This could be the last drink I ever get!
0:09:29 > 0:09:32# ..Fireman rings the bell
0:09:32 > 0:09:35# Sandman swings the lantern
0:09:35 > 0:09:37# To show that all is well... #
0:09:37 > 0:09:41# Can't afford to get bored, dear old Sadie
0:09:41 > 0:09:45# Looks as though you'll always be a cleaning lady. #
0:09:47 > 0:09:49APPLAUSE
0:09:51 > 0:09:52Well done, Tommy.
0:09:52 > 0:09:55I have to say, I think you've got a long career ahead of you.
0:09:55 > 0:09:57Ironically, in cleaning!
0:09:57 > 0:10:00OK, last up. Hello... We've got a couple of sisters,
0:10:00 > 0:10:04who tell me that they're from down the road a bit,
0:10:04 > 0:10:06in a place called Crommer-er-unge.
0:10:06 > 0:10:08Crommer-arra-runge.
0:10:08 > 0:10:09Com mer-range-er.
0:10:09 > 0:10:11G'day, folks.
0:10:12 > 0:10:15Thanks for the heartfelt applause.
0:10:16 > 0:10:19You can find something else to do, we don't need you.
0:10:21 > 0:10:23I'm Gail. This is Cynthia.
0:10:23 > 0:10:26And...just so as you know,
0:10:26 > 0:10:29you're all standing on black fella country.
0:10:29 > 0:10:31We're the Cummeragunja Songbirds.
0:10:32 > 0:10:35Here's a Merle Haggard tune.
0:10:35 > 0:10:36Hope to God you like it.
0:10:46 > 0:10:52# Today I started loving you again
0:10:54 > 0:10:57# And I'm right back
0:10:57 > 0:11:01# Where I've really always been
0:11:04 > 0:11:08# I got over you just long enough
0:11:08 > 0:11:12# To let my heartache mend
0:11:13 > 0:11:19# And then today I started loving you again
0:11:22 > 0:11:28# What a fool I was to think I could get by
0:11:31 > 0:11:37# With only these few million tears I've cried
0:11:40 > 0:11:43# I should have known
0:11:43 > 0:11:47# The worst was yet to come
0:11:50 > 0:11:53# And the crying time for me
0:11:53 > 0:11:56# Had just begun
0:11:58 > 0:12:06# Well, today I started loving you again
0:12:07 > 0:12:15# And I'm right back where I've really always been
0:12:17 > 0:12:22# I got over you just long enough
0:12:22 > 0:12:26# To let my heartache mend
0:12:26 > 0:12:33# And today I started loving you again
0:12:34 > 0:12:37# Yes, and today I
0:12:37 > 0:12:42# I started loving you
0:12:43 > 0:12:48# Again. #
0:12:53 > 0:12:56NO-ONE ELSE CLAPS
0:12:59 > 0:13:01I thought I told you to stay home.
0:13:01 > 0:13:03Who are you to tell me what to do, you drongo?
0:13:03 > 0:13:06- I'm the one who's going to drag your big lip over your fat head!- Stop it!
0:13:06 > 0:13:08- Erm...- Excuse me, mate. We're in the middle of something.
0:13:08 > 0:13:10I just wanted... That wasn't terrible.
0:13:10 > 0:13:14Do you sing anything other than that kind of country and western shite?
0:13:14 > 0:13:17- Sorry, what's wrong with country and western, mate?- OK...
0:13:18 > 0:13:21All right, folks. We got a winner for youse.
0:13:21 > 0:13:23Taking home the ten bucks...
0:13:23 > 0:13:24Come on up, bud.
0:13:24 > 0:13:27..it's Noelene with Morningtown Ride.
0:13:27 > 0:13:29- But I was great! - We were the best.
0:13:29 > 0:13:30That's bullshit, Merle.
0:13:30 > 0:13:32That's a sack of dick.
0:13:32 > 0:13:35You're giving it to Noelene? She's allergic to music!
0:13:35 > 0:13:37That's a fix!
0:13:37 > 0:13:39Fix! Fix! Fix!
0:13:39 > 0:13:42Fix! Fix!
0:13:42 > 0:13:45Show's over, girls. Pack your swags and get back to the humpy.
0:13:46 > 0:13:47You were marvellous.
0:13:50 > 0:13:53Hey! Hey, Tammy Wynette. Did you forget something?
0:13:53 > 0:13:54Thanks.
0:13:54 > 0:13:57And we can get ourselves thrown out of a pub. Don't need your help.
0:13:57 > 0:13:59Thought I told you Abos to get off my premises.
0:13:59 > 0:14:02You were happy enough to have us sing in your crappy contest.
0:14:02 > 0:14:04- Who said I was happy? - What's the story, anyhow?
0:14:04 > 0:14:07- She your relative or something? - She's ugly enough.
0:14:07 > 0:14:10And you can piss off out of it, too.
0:14:10 > 0:14:11You were a shithouse MC, anyhow!
0:14:11 > 0:14:14I'm better than you deserve. And a lot better than you pay.
0:14:14 > 0:14:16Oh, I can find somebody else.
0:14:17 > 0:14:21All right, Merle, let's not do anything hasty.
0:14:21 > 0:14:23Come on. Remember?
0:14:23 > 0:14:25I'm the man who made you feel like a girl of 50 again.
0:14:25 > 0:14:28Are you going to make me fetch my rifle?
0:14:31 > 0:14:34Hey, where are you going?
0:14:34 > 0:14:36I've got something to show you.
0:14:36 > 0:14:40- Oi, read this! - Will you just leave me alone? You've caused me enough trouble today.
0:14:40 > 0:14:42- I don't know how to read. - Julie, what are you doing?
0:14:44 > 0:14:46"Singers and dancers wanted
0:14:46 > 0:14:49"to perform for the American troops in Vietnam."
0:14:49 > 0:14:51And it says there's good conditions, too.
0:14:51 > 0:14:53- I thought you didn't know how to read.- Where'd you get this?
0:14:53 > 0:14:55Of course I know how to read, goatface!
0:14:55 > 0:14:58- Then why are you showing me that? - You need a job, don't you?
0:14:58 > 0:15:00We're offering you one. Playing for us in Vietnam.
0:15:00 > 0:15:02Yeah, OK! Where's Vietnam?
0:15:02 > 0:15:05Hey, Julie, the only place you're going is home on the bus.
0:15:05 > 0:15:07You want to go and perform in Vietnam?
0:15:07 > 0:15:09And what are you going to do? A corroboree?
0:15:09 > 0:15:12Why not? We're the best girl group you'll ever see.
0:15:12 > 0:15:14You're the best Aboriginal girl group I've ever...
0:15:14 > 0:15:17You're the only Aboriginal girl group I've ever seen.
0:15:17 > 0:15:21But trust me, girls, singing in Vietnam? It's not for you.
0:15:21 > 0:15:23Who are you to say what we can and can't do?
0:15:23 > 0:15:25You're right, I'm sorry.
0:15:25 > 0:15:28The years have been unkind. I'm sure you'll do much better.
0:15:29 > 0:15:30Good luck.
0:15:30 > 0:15:31Comora...
0:15:31 > 0:15:33Comoral...
0:15:34 > 0:15:35Good luck, ladies.
0:15:35 > 0:15:38THE ENGINE TURNS OVER AND DIES
0:15:41 > 0:15:42No petrol, eh?
0:15:42 > 0:15:44Hey, this is all right!
0:15:44 > 0:15:4630 bucks a week!
0:15:49 > 0:15:51OK. Let's...
0:15:51 > 0:15:55Just for fun, let's say that you do go to Vietnam.
0:15:55 > 0:15:56What would you sing?
0:15:56 > 0:15:59Because this may have escaped your notice, but you're black.
0:15:59 > 0:16:02And you're singing country and western music.
0:16:02 > 0:16:03It's just wrong.
0:16:03 > 0:16:06Well, what do you think we should sing?
0:16:07 > 0:16:1190% of all recorded music is shite.
0:16:11 > 0:16:14The other 10% is soul.
0:16:16 > 0:16:17Soul music.
0:16:17 > 0:16:20Otis Redding, Sam Cooke, that kind of stuff.
0:16:20 > 0:16:23- We don't sing that type of stuff. - We like Charley Pride.
0:16:23 > 0:16:25No, not country. Soul!
0:16:25 > 0:16:27Not... # Ding-da-ding. #
0:16:27 > 0:16:28Just... # Boom-ba boom-ba boom
0:16:28 > 0:16:31# Give me some of that sweet soul music! #
0:16:31 > 0:16:33Ladies and gentlemen, let me introduce you
0:16:33 > 0:16:35to the godfather of soul...
0:16:35 > 0:16:37Mr James Brown!
0:16:37 > 0:16:38Oooh!
0:16:38 > 0:16:40That kind of thing.
0:16:40 > 0:16:42If you want to perform for the brothers in Vietnam,
0:16:42 > 0:16:43you've got to give them soul.
0:16:43 > 0:16:47- What would this duppy white fella know about soul music?- Hey!
0:16:47 > 0:16:49I might be a little pale on the outside,
0:16:49 > 0:16:51but my blood runs Negro, woman.
0:16:51 > 0:16:54What, the bits that don't have whisky in them?
0:16:54 > 0:16:57I'm not the one up there playing songs about cowboys.
0:16:57 > 0:16:58I like cowboys.
0:16:58 > 0:17:00What I saw...you could barely play at all.
0:17:02 > 0:17:04Oooh...
0:17:05 > 0:17:06Give me the number.
0:17:06 > 0:17:08You'd better hold your ears,
0:17:08 > 0:17:11because you're about to see this Black Panther roar!
0:17:13 > 0:17:16# I was brought up on a side street
0:17:17 > 0:17:19# I learned how to love... #
0:17:19 > 0:17:21He's a bit silly in the head, I reckon, eh?
0:17:21 > 0:17:24# I was educated from good stock
0:17:24 > 0:17:26# When I start loving... #
0:17:26 > 0:17:27Yeah, no, that sounds good.
0:17:27 > 0:17:29# ..I can't stop
0:17:29 > 0:17:31# I'm a soul man
0:17:33 > 0:17:35# I'm a soul man... #
0:17:35 > 0:17:38When Dave Lovelace calls, people listen.
0:17:38 > 0:17:42And this "duppy" just got us an audition next week in Melbourne.
0:17:44 > 0:17:45Us?
0:17:46 > 0:17:48Without me, there's no you.
0:17:48 > 0:17:51You're going to have to talk to Mum now, eh?
0:17:53 > 0:17:55Happy to talk to Mum.
0:17:55 > 0:17:58All right. Let's go steal some petrol.
0:18:03 > 0:18:05# I'm talking about
0:18:05 > 0:18:06# A soul man
0:18:06 > 0:18:08# I'm a soul man
0:18:08 > 0:18:10# Soul man
0:18:11 > 0:18:12# Soul man... #
0:18:12 > 0:18:15Don't you fellas ever read the newspapers?
0:18:15 > 0:18:18Vietnam? There's a war in Vietnam!
0:18:18 > 0:18:19It's true.
0:18:19 > 0:18:23They're having some problems over there at the minute, but...
0:18:23 > 0:18:27I'd imagine that the girls would be miles away from any of the fighting.
0:18:28 > 0:18:30And there'd be armed guards, of course.
0:18:30 > 0:18:36Marines, whose sole task it would be to watch over the girls.
0:18:36 > 0:18:38- And who's watching over the Marines? - Mum, just listen to him.
0:18:38 > 0:18:40He's got us an audition in Melbourne.
0:18:40 > 0:18:43- Well, who is he? I don't know him! - He works at the pub in town.
0:18:43 > 0:18:46- Not any more.- Julie's right.
0:18:46 > 0:18:50I have managed to secure the girls an audition in Melbourne.
0:18:50 > 0:18:53When someone with my musical pedigree calls and says,
0:18:53 > 0:18:55"Hey, Lovelace here.
0:18:55 > 0:18:56"Hey, Dave, how's it going?"
0:18:56 > 0:18:57"Good."
0:18:57 > 0:19:00We small talk cos we're comfortable with each other.
0:19:00 > 0:19:02But then I say, "Hey, I've got a group."
0:19:02 > 0:19:04"Bring them down, Dave. We want to see 'em."
0:19:05 > 0:19:08- You're going to manage them, are ya? - And mould them.
0:19:09 > 0:19:11And...shape them.
0:19:11 > 0:19:12What about our jobs?
0:19:12 > 0:19:14Our jobs are gammin.
0:19:14 > 0:19:17OK, Gail, the two things to remember here...
0:19:18 > 0:19:19There's the money.
0:19:19 > 0:19:22And there's the Soul Man.
0:19:22 > 0:19:24Nah. No way.
0:19:24 > 0:19:28- If you think I'm going to let you girls gallivant around Melbourne, up to no good...- Mum.
0:19:30 > 0:19:31Maybe he's right.
0:19:31 > 0:19:34Maybe this is the chance of a lifetime.
0:19:34 > 0:19:36What's wrong with your life now?
0:19:36 > 0:19:39Being treated like dogs by the gubs in town every single day.
0:19:39 > 0:19:41That's not the life I was born for.
0:19:41 > 0:19:43- I'm destined for fame. - We can stay at Uncle Ed's.
0:19:43 > 0:19:45Move over, Aretha!
0:19:45 > 0:19:47Stand back, Wilson Pickett!
0:19:47 > 0:19:49Pack your bags, Supremes!
0:19:49 > 0:19:51Because there are some new cats in town.
0:19:51 > 0:19:54And those cats go by the name of the Crunjuaberry Currants.
0:19:54 > 0:19:56The Cunner...
0:19:56 > 0:19:57Cummarendens.
0:20:00 > 0:20:02The... We're going to have to think about your name.
0:20:02 > 0:20:04Get up, you moron.
0:20:04 > 0:20:05Mum...
0:20:09 > 0:20:10I suppose Gail and Cynthia can go.
0:20:10 > 0:20:13But Julie stays here. She's too young.
0:20:13 > 0:20:16That's stupid! Everyone knows they're nothing without me.
0:20:16 > 0:20:19- Julie, that's enough now. - You've got a child.
0:20:19 > 0:20:21And you're no more than a child yourself.
0:20:21 > 0:20:24I know I've got a child. That's why I want to make something of myself.
0:20:24 > 0:20:27- Get out of my face, four-eyes! - No, hold on, hold on.
0:20:27 > 0:20:30Julie's the key. Julie's the one with the voice.
0:20:30 > 0:20:32- Yeah, I am.- You are not!
0:20:32 > 0:20:34You should've asked Kay.
0:20:35 > 0:20:37Who's Kay?
0:20:37 > 0:20:40Kay's their cousin. She lives down in Melbourne somewhere,
0:20:40 > 0:20:43- but I wouldn't know where.- I do.
0:20:43 > 0:20:46What? Since when?
0:20:46 > 0:20:47Long enough.
0:20:48 > 0:20:51Kay and them girls used to sing together once upon a time.
0:20:51 > 0:20:54Time that girl came back to us, anyway.
0:20:54 > 0:20:55Dave...
0:20:57 > 0:20:59Step into my office, will you?
0:21:04 > 0:21:06Go on, then.
0:21:07 > 0:21:09Yep.
0:21:18 > 0:21:20So, Mr Soul Man...
0:21:21 > 0:21:24- ..you reckon you're the real thing, do you?- Probably not.
0:21:26 > 0:21:29Your daughters are the real thing, though.
0:21:29 > 0:21:30You a murderer?
0:21:31 > 0:21:32No, sir.
0:21:33 > 0:21:36I was an entertainments officer on a cruise ship.
0:21:36 > 0:21:39Not any more, though.
0:21:39 > 0:21:40No...
0:21:41 > 0:21:43I had some problems.
0:21:43 > 0:21:46You know, you can always tell where a fish has been
0:21:46 > 0:21:48by cutting open its guts.
0:21:48 > 0:21:50But you've got to have the right knife for it.
0:21:51 > 0:21:54Always like to keep my blade really sharp.
0:21:57 > 0:22:01I will lay down my life before I let any harm befall those girls.
0:22:01 > 0:22:02You'd better.
0:22:03 > 0:22:05Don't worry about Julie.
0:22:06 > 0:22:08She's a prize catch, eh?
0:22:08 > 0:22:10- Isn't she, though?- Mm.
0:22:19 > 0:22:21And, ladies, this design fits...
0:22:21 > 0:22:24just stacks beautifully in the fridge or the pantry.
0:22:24 > 0:22:26- Coffee, anyone?- Yes, please.
0:22:26 > 0:22:29It makes great lunchboxes and things like that.
0:22:36 > 0:22:37Come on.
0:22:45 > 0:22:46KNOCKING ON DOOR
0:22:46 > 0:22:48Kay? Are you in there?
0:22:48 > 0:22:50Who's that?
0:22:50 > 0:22:52KNOCKING
0:22:57 > 0:22:59Howdy!
0:22:59 > 0:23:00Gail.
0:23:01 > 0:23:03Cynthia.
0:23:04 > 0:23:06You should have let me know.
0:23:08 > 0:23:10What do you want?
0:23:10 > 0:23:12If it's money, I can't.
0:23:12 > 0:23:15- Kay? Are you all right? - Er, won't be a moment.
0:23:15 > 0:23:17Are we coming in, or what?
0:23:17 > 0:23:20It's not really convenient at the moment. I've guests.
0:23:20 > 0:23:22Yeah.
0:23:22 > 0:23:24We make you ashamed, do we?
0:23:24 > 0:23:26Jeez, you haven't changed one bit, have you?
0:23:26 > 0:23:30Still talking like some upper-class gub and we're your personal slaves.
0:23:30 > 0:23:32- I don't know what you mean. - Gubba.
0:23:32 > 0:23:34It means white person.
0:23:34 > 0:23:35- I think you'd better go. - Kay?
0:23:37 > 0:23:38Can I help you?
0:23:39 > 0:23:40No.
0:23:40 > 0:23:43- Kay, do you know these people? - I'll handle this.
0:23:43 > 0:23:46Kay, we're going to Haysia.
0:23:46 > 0:23:47- What?- Where?
0:23:47 > 0:23:48Haysia!
0:23:48 > 0:23:50- Thailand. - Vietnam, you twit.
0:23:50 > 0:23:51Vietnam, then!
0:23:51 > 0:23:54Well...don't get lost.
0:23:55 > 0:23:56We need you, cuz.
0:23:56 > 0:24:00We're going to be doing shows for the soldiers in Thai...
0:24:00 > 0:24:01Vietnam.
0:24:01 > 0:24:03Singing.
0:24:03 > 0:24:05But it's got to be all three of us.
0:24:07 > 0:24:08You're wasting your breath.
0:24:08 > 0:24:10She's lost, that one.
0:24:10 > 0:24:12Act your age, not your colour.
0:24:12 > 0:24:14Oh, jeez! I don't know you two!
0:24:14 > 0:24:16Youse mob better punch on or something,
0:24:16 > 0:24:19but sort it out, whatever it is, cos this is my big break!
0:24:19 > 0:24:21Cynthia!
0:24:21 > 0:24:24Your friend's screeching for you.
0:24:25 > 0:24:27KNOCKING ON DOOR
0:24:27 > 0:24:29Kay!
0:24:29 > 0:24:31We're staying at Uncle Ed's, Kay.
0:24:31 > 0:24:34Is everything all right?
0:24:35 > 0:24:37Welcome! Welcome all.
0:24:37 > 0:24:39- Uncle!- Come on, then.
0:24:39 > 0:24:41Here you are. Have some of that.
0:24:41 > 0:24:44# You're sweeter than the honey that the bees make
0:24:44 > 0:24:45# Soul sister... #
0:24:45 > 0:24:46Dance, my beautiful nieces!
0:24:46 > 0:24:49Shake those hips, use those legs. Look at these boys!
0:24:49 > 0:24:51# ..Sweeter than the icing on the best cake
0:24:51 > 0:24:53# Soul sister
0:24:53 > 0:24:55# You're brown sugar
0:24:55 > 0:24:58# I was in the dark but now I see... #
0:24:58 > 0:25:00We need whisky! Whisky!
0:25:02 > 0:25:04# I was always proud
0:25:04 > 0:25:06# But now I'm sayin' it loud
0:25:06 > 0:25:08# Keep on givin' it to me
0:25:09 > 0:25:11# Love and affection to the bone... #
0:25:11 > 0:25:14- Lovely place you've got here. - Isn't it great?- Yeah, love it.
0:25:14 > 0:25:16# You're brown sugar
0:25:16 > 0:25:20# Keep on sockin' it to me all night long
0:25:20 > 0:25:21# Soul sister... #
0:25:21 > 0:25:23Oh, I've done it again!
0:25:23 > 0:25:25Drink! Drink, go on.
0:25:28 > 0:25:30The mice are moving the dice!
0:25:30 > 0:25:33I bet you can't do it again, snake eyes. Come on.
0:25:33 > 0:25:38..For when we're trying to get all your different bits of food together for a dinner party,
0:25:38 > 0:25:40cos you can just take the lid off, you pop some warm -
0:25:40 > 0:25:43or probably boiling water is better - just in the bottom there.
0:25:43 > 0:25:45And then you've got little ventilating holes.
0:25:46 > 0:25:47Gail!
0:25:47 > 0:25:50Gail, it's your mum!
0:25:50 > 0:25:53I'm... I'm quite... Oh, here she is. Here she is.
0:25:53 > 0:25:54Mum?
0:25:55 > 0:25:57What's wrong?
0:25:57 > 0:25:59That flamin' Julie's run off somewhere.
0:25:59 > 0:26:00'What? Mum!'
0:26:00 > 0:26:03What? What's up?
0:26:03 > 0:26:05- Don't you "what's up" me. - 'Mum, what did you say?'
0:26:05 > 0:26:08You've let Julie run off to Melbourne, haven't you?
0:26:08 > 0:26:09Ah, stop your rot.
0:26:09 > 0:26:10'I taught her well.'
0:26:10 > 0:26:12Mum? Will someone talk to me?
0:26:12 > 0:26:15'Your dad and Nan helped Julie escape.
0:26:15 > 0:26:17'Where's that James Brown fella?
0:26:17 > 0:26:20'Gail? Where is he? Gail?'
0:26:20 > 0:26:22You never told me that your uncle was Irish.
0:26:22 > 0:26:23'Gail!'
0:26:23 > 0:26:25We try to hide that.
0:26:25 > 0:26:28BANGING ON DOOR
0:26:28 > 0:26:30- Hello? - I'll get it.
0:26:32 > 0:26:33Julie!
0:26:33 > 0:26:35Hey, sis!
0:26:35 > 0:26:37What's she doing here?
0:26:44 > 0:26:46I'm here to sing.
0:26:46 > 0:26:48Dad and Nan said I could come.
0:26:48 > 0:26:50Did they now? They didn't tell me.
0:26:55 > 0:26:57What do you want?
0:26:57 > 0:26:59I'm coming to Vietnam.
0:26:59 > 0:27:00Who says we want you?
0:27:00 > 0:27:04Right, if you say no Julie and you say no Kay,
0:27:04 > 0:27:06then there's no Cynthia.
0:27:06 > 0:27:08And if there's no Cynthia, there's no show.
0:27:08 > 0:27:09Bust you, then.
0:27:11 > 0:27:14# Love and affection to the bone... #
0:27:17 > 0:27:20TOGETHER: # Soul sister
0:27:21 > 0:27:22# Brown sugar
0:27:24 > 0:27:27# Keep on sockin' it to me all night long
0:27:33 > 0:27:34# Soul sister
0:27:36 > 0:27:38# Brown sugar
0:27:41 > 0:27:43# Love and affection to the bone
0:27:43 > 0:27:45# To the bone... #
0:27:45 > 0:27:48ALL: # ..Soul sister
0:27:48 > 0:27:49# Brown sugar... #
0:27:55 > 0:27:58Well, that was interesting, wasn't it?
0:27:58 > 0:27:59Where do we rehearse?
0:28:08 > 0:28:12I thought those biscuits were for patients only, Bruce.
0:28:12 > 0:28:13One, two, three...
0:28:13 > 0:28:16ALL: # I bet you're wondering how I knew
0:28:16 > 0:28:19# About your plans to make me blue... #
0:28:19 > 0:28:21You've got this for the next three nights, OK?
0:28:21 > 0:28:24# ..With some other girl that you knew before
0:28:24 > 0:28:29# Between the two of us girls, you know I love you more
0:28:29 > 0:28:33# It took me by surprise, I must say
0:28:33 > 0:28:36# When I found out yesterday
0:28:36 > 0:28:41# Don't you know, I heard it through the grapevine? #
0:28:41 > 0:28:43All right. Er, good.
0:28:43 > 0:28:46It was good. Yes, very good.
0:28:46 > 0:28:48But, erm... How do I say this?
0:28:48 > 0:28:50OK, next time you do it,
0:28:50 > 0:28:54can you make it sound blacker?
0:28:54 > 0:28:56Manage that, Kay?
0:28:56 > 0:28:58All right. Let's go again.
0:28:58 > 0:29:01Grapevine. This time, Julie, can you sing the lead, please?
0:29:01 > 0:29:03What?
0:29:03 > 0:29:05No, no, no.
0:29:05 > 0:29:06I'm Gail.
0:29:06 > 0:29:08- That's right. - Yeah, my name's Gail.
0:29:08 > 0:29:11I sing lead. Julie and the girls do back-ups.
0:29:12 > 0:29:14How do you feel about not singing lead?
0:29:14 > 0:29:17How do you feel about getting knocked out by a woman?
0:29:17 > 0:29:19Pretty embarrassed, I would imagine.
0:29:20 > 0:29:24The thing is, Gail, I pick the songs and I pick who sings them.
0:29:24 > 0:29:28Nobody tells me or my sisters what to sing or who sings lead.
0:29:30 > 0:29:32Your voice isn't good enough to sing lead.
0:29:34 > 0:29:36- You want to say that again? - Not really.
0:29:36 > 0:29:37No.
0:29:39 > 0:29:42Gail, you are a commanding presence...
0:29:42 > 0:29:46on stage, as you are in life.
0:29:46 > 0:29:49But you also have the weakest voice out of the four of you.
0:29:52 > 0:29:53He's right, Gail.
0:29:53 > 0:29:57You can hold a tune, but you can't hold your own in a solo.
0:29:58 > 0:29:59Sometimes...
0:29:59 > 0:30:01More than sometimes.
0:30:02 > 0:30:04Anyone else? Cynthia?
0:30:05 > 0:30:08Maybe you should just let those of us who can do it...do it.
0:30:15 > 0:30:17Yeah, OK, then.
0:30:18 > 0:30:20- Gail, that's very... - Shut up. I'm not finished.
0:30:24 > 0:30:25I'm finished.
0:30:27 > 0:30:30All right. Before we go again...
0:30:30 > 0:30:32Girls, when I met you,
0:30:32 > 0:30:34you were doing your whole country and western thing.
0:30:34 > 0:30:37And that's fine - we all make mistakes.
0:30:37 > 0:30:39But here's where we learn from that mistake.
0:30:39 > 0:30:43Country and western music is about loss.
0:30:43 > 0:30:46Soul music is also about loss.
0:30:46 > 0:30:49But the difference is, in country and western music,
0:30:49 > 0:30:50they've lost, they've given up
0:30:50 > 0:30:53and they're just at home whining about it.
0:30:53 > 0:30:56In soul music, they're struggling to get it back
0:30:56 > 0:30:58and they haven't given up.
0:30:58 > 0:31:00So every note that passes through your lips
0:31:00 > 0:31:03should have the tone of a woman who's grasping and fighting
0:31:03 > 0:31:05and desperate to retrieve what's been taken from her.
0:31:05 > 0:31:06You understand?
0:31:06 > 0:31:10Now, what it is that you're searching for, that's up to you.
0:31:12 > 0:31:16I'm just here to get you there, you know?
0:31:17 > 0:31:19# I'll take you there... #
0:31:21 > 0:31:24There's a place called the Apollo Theatre.
0:31:24 > 0:31:28It's where dreams are made, where legends are born.
0:31:31 > 0:31:33# I'll take you there... #
0:31:33 > 0:31:36I can see you girls singing in places like that.
0:31:36 > 0:31:39There and in the Rainbow, in the Olympia,
0:31:39 > 0:31:41the best rooms in the world.
0:31:41 > 0:31:42GIRLS: # I'll take you there...
0:31:42 > 0:31:45Because you've got it within you. You just need to let it out.
0:31:45 > 0:31:47# I'll take you there... #
0:31:47 > 0:31:50That's it! Let it out of you like a geyser coming out off the ground!
0:31:50 > 0:31:53Like a volcano springing from the earth
0:31:53 > 0:31:55and you just can't stop it.
0:31:55 > 0:31:56# I'll take you there... #
0:31:56 > 0:31:59Like a volcano pushing through the earth beneath you.
0:31:59 > 0:32:01# I'll take you there... #
0:32:01 > 0:32:04Until, finally, it's easy enough, like breathing in and breathing out.
0:32:04 > 0:32:05# I'll take you there... #
0:32:05 > 0:32:07And breathing in and breathing out.
0:32:07 > 0:32:10# And breathin' in and breathin' out
0:32:10 > 0:32:11# And breathing in
0:32:11 > 0:32:13# Oh, mercy!
0:32:14 > 0:32:18# Oh-oh, can I have some mercy now? #
0:32:24 > 0:32:25Any questions?
0:32:27 > 0:32:29One, two, three.
0:32:29 > 0:32:31# Now, don't you ever
0:32:31 > 0:32:33- # Be sad... # - One, two, three.
0:32:33 > 0:32:35- # Lean on me... # - OK. Wrong arms, girls.
0:32:35 > 0:32:37Wrong arms, Gail.
0:32:38 > 0:32:40- Thank you.- Hey!
0:32:40 > 0:32:42All right. Are we ready?
0:32:42 > 0:32:44Let's get our dancing shoes on, ladies.
0:32:46 > 0:32:47# Hold on... #
0:32:50 > 0:32:52One, two, three!
0:32:53 > 0:32:55One, two, three!
0:32:55 > 0:32:56That's it, that's it.
0:32:56 > 0:32:59Nailed it. Keep going!
0:32:59 > 0:33:01That's it, girls. Come on, feel it. Feel it.
0:33:01 > 0:33:04Mm! Yeah, check them! Look at that!
0:33:04 > 0:33:05- Here you go, brother.- All right.
0:33:05 > 0:33:08That's what we're aiming for, girls. Look at them sashay.
0:33:08 > 0:33:11- Yeah, yeah. - That's going to be you, ladies.
0:33:11 > 0:33:12That's it!
0:33:12 > 0:33:13# I'm coming
0:33:13 > 0:33:15# Hold on
0:33:15 > 0:33:17# I'm coming... #
0:33:17 > 0:33:19- All right, move it now. - # Hold on... #
0:33:19 > 0:33:22And put your hands on those hips.
0:33:22 > 0:33:24# Hold on, I'm coming... #
0:33:24 > 0:33:27Come on, back it up, back it up.
0:33:27 > 0:33:29# Reach out to me
0:33:29 > 0:33:31# For satisfaction, yeah... #
0:33:31 > 0:33:34- You see how it's working? - OK.
0:33:34 > 0:33:35# Look
0:33:35 > 0:33:38# Call my name now
0:33:39 > 0:33:41# For quick reaction
0:33:41 > 0:33:44# Yeah, yeah, yeah, yeah... #
0:33:53 > 0:33:55You especially, I have my eye on.
0:33:55 > 0:33:57There was some shit going down over there.
0:33:57 > 0:34:00Nice, Julie, nice. OK, let's go again.
0:34:00 > 0:34:01# Hold on
0:34:01 > 0:34:03- # I'm coming... # - Whenever you're ready, girls.
0:34:03 > 0:34:05# Hold on
0:34:05 > 0:34:07# I'm coming
0:34:07 > 0:34:09# Hold on... #
0:34:09 > 0:34:11Women.
0:34:16 > 0:34:17Oh, sorry, Cyn.
0:34:17 > 0:34:20I was supposed to give you this as soon as I got to Melbourne.
0:34:20 > 0:34:22Hey...
0:34:22 > 0:34:24Oh, you look lovely.
0:34:24 > 0:34:26- How's everything? - Did Jimmy give you this?
0:34:26 > 0:34:28- Did he? - Who's Jimmy?
0:34:28 > 0:34:30None of my business.
0:34:35 > 0:34:37I've been thinking, Cyn.
0:34:37 > 0:34:39No, don't. You'll hurt yourself.
0:34:41 > 0:34:43You want to get married?
0:34:43 > 0:34:44Who to?
0:34:44 > 0:34:45To me.
0:34:45 > 0:34:47What?!
0:34:47 > 0:34:49Sorry. It was just a thought.
0:34:49 > 0:34:52Hey, Cyn! Come back! I'm sorry!
0:34:52 > 0:34:54You mob! You mob!
0:34:54 > 0:34:56I'm getting married!
0:34:56 > 0:34:59EVERYONE CHEERS
0:34:59 > 0:35:02Oh, my God! I'm getting married!
0:35:03 > 0:35:05Why?!
0:35:05 > 0:35:08He's already broken my heart once!
0:35:08 > 0:35:11I was going to wear Nan's wedding dress!
0:35:11 > 0:35:13I was just getting over it!
0:35:13 > 0:35:14Hey, hey, hey!
0:35:14 > 0:35:17You're always just getting over him. Now snap out of it, blast ya.
0:35:17 > 0:35:19- Will she be able to sing?- Cyn!
0:35:19 > 0:35:21Don't let Jimmy Middleton ruin things for ya.
0:35:21 > 0:35:24We're going to be famous. He should be the one crying over you.
0:35:24 > 0:35:25Give her some of this.
0:35:25 > 0:35:27I don't need that!
0:35:42 > 0:35:45# When
0:35:45 > 0:35:46# I
0:35:46 > 0:35:48# When I
0:35:48 > 0:35:50# Had you
0:35:50 > 0:35:52# Had you
0:35:52 > 0:35:58# I treated you bad
0:35:58 > 0:36:01# And wrong, my dear
0:36:01 > 0:36:02# And since
0:36:02 > 0:36:04# Oooh
0:36:04 > 0:36:09# Since you went away
0:36:09 > 0:36:13# Don't you know I sit around
0:36:13 > 0:36:18# With my head hanging down
0:36:18 > 0:36:20# And I wonder
0:36:20 > 0:36:21# Oooh
0:36:21 > 0:36:25# Who's loving you?
0:36:25 > 0:36:27# I
0:36:27 > 0:36:28# I
0:36:28 > 0:36:29# I
0:36:29 > 0:36:31# I
0:36:31 > 0:36:35# Oh, I
0:36:36 > 0:36:39# Should have never
0:36:39 > 0:36:42# Ever
0:36:42 > 0:36:44# Ever made you cry
0:36:45 > 0:36:47# And, boy, since
0:36:47 > 0:36:52# Yeah, since you've been gone
0:36:52 > 0:36:57# Oh, don't you know I sit around
0:36:57 > 0:37:01# With my head hanging down
0:37:01 > 0:37:03# And I wonder
0:37:03 > 0:37:05# Oooh
0:37:05 > 0:37:10# Who's
0:37:10 > 0:37:14# Loving
0:37:14 > 0:37:20# You?
0:37:20 > 0:37:25# Who's loving you? #
0:37:30 > 0:37:32And your name again?
0:37:32 > 0:37:33Cummeragunja Songbirds.
0:37:35 > 0:37:36Say what now?
0:37:39 > 0:37:41Er, we're The Sapphires.
0:37:44 > 0:37:46Sapphires?
0:37:49 > 0:37:51We'll see you in Saigon.
0:37:56 > 0:38:00# Na, na, na, na, na, na, na, na, na, na
0:38:04 > 0:38:06# Got a certain little girl, She's on my mind
0:38:06 > 0:38:08# No doubt about it... #
0:38:08 > 0:38:10Bonjour, Saigon!
0:38:10 > 0:38:13# Sometimes she's going to make me feel so bad
0:38:13 > 0:38:14# Na, na, na, na, na, na
0:38:14 > 0:38:16# Na, na, na, na
0:38:20 > 0:38:21# Feel so bad... #
0:38:50 > 0:38:52Myron Ritchie. Your promoter.
0:38:52 > 0:38:55Welcome, Sapphires. Welcome to Saigon.
0:38:55 > 0:38:58I'm trusting you'll regard the La Parisian as your home away from home
0:38:58 > 0:39:00all the while you're here in Vietnam.
0:39:00 > 0:39:03- Is this where we're staying?- Nothing but the best for our stars, baby.
0:39:03 > 0:39:07OK, Myron, erm, are you the man we talk to about money,
0:39:07 > 0:39:10because, erm, if we don't get the bucks, these stars don't shine.
0:39:10 > 0:39:12- Gail...- Hey!
0:39:12 > 0:39:14Myron. Dave Lovelace.
0:39:14 > 0:39:17Great to meet you. I'm the manager of The Sapphires.
0:39:17 > 0:39:19These girls are ball-busting good. This is going to be great.
0:39:19 > 0:39:22Food and accommodation have all been taken care of, ma'am.
0:39:22 > 0:39:24And you'll find you gals won't need much cash on the road.
0:39:24 > 0:39:28But in the meantime, why don't you girls check in, have a look around,
0:39:28 > 0:39:32while I talk turkey with Ringo Starr and big sister here.
0:39:32 > 0:39:34Plenty to see.
0:39:34 > 0:39:35- Ladies...- Plenty!
0:39:39 > 0:39:41It goes without saying,
0:39:41 > 0:39:43reports on The Sapphires have been excellent.
0:39:44 > 0:39:46And I've got to tell you, I'm really looking forward
0:39:46 > 0:39:49to seeing you sweethearts showcase your talent on stage tonight.
0:39:49 > 0:39:50Tonight?
0:39:50 > 0:39:51Well, listen up, honey.
0:39:51 > 0:39:53I got 32 acts.
0:39:53 > 0:39:55Five of them are soul sisters.
0:39:55 > 0:39:58If you can't shake your moneymaker for the brothers tonight,
0:39:58 > 0:40:00you're all on the first plane back to Austria tomorrow.
0:40:00 > 0:40:03- Australia. - The first plane.
0:40:03 > 0:40:05Fear not, brother Myron.
0:40:05 > 0:40:08I know my girls can lay it down.
0:40:10 > 0:40:13And, sister, the singing, it ain't the half of it.
0:40:13 > 0:40:16The show...it better be right on.
0:40:18 > 0:40:21If the pool's going to be on the roof, it's going to be up this way.
0:40:21 > 0:40:25- Are you sure we're allowed up here? Isn't it just for the soldiers? - Yes, Julie.
0:40:25 > 0:40:28I can smell where the good-looking men are from a mile away.
0:40:28 > 0:40:30You're over Jimmy Middleton now?
0:40:30 > 0:40:33Don't mention his name. He's had his go.
0:40:33 > 0:40:36He's not getting a second serve of this coffee-coloured Koori.
0:40:38 > 0:40:41He's in Cummeragunja. I'm in Saigon. I can do what I like!
0:40:50 > 0:40:51Kay!
0:40:51 > 0:40:53Need ya!
0:40:53 > 0:40:54Kay!
0:40:56 > 0:40:57Oh!
0:40:57 > 0:40:59Sorry...
0:41:08 > 0:41:10We're looking for the pool.
0:41:10 > 0:41:13You'll find the pool thataways.
0:41:14 > 0:41:15OK.
0:41:17 > 0:41:19I work in a hospital.
0:41:23 > 0:41:24Kay!
0:41:51 > 0:41:52Gail...
0:41:52 > 0:41:54Can I have a word?
0:41:56 > 0:41:58Yeah, we're going to need to smarten up.
0:42:03 > 0:42:06I've never seen so many black men in the one place.
0:42:08 > 0:42:10Stand back, Jack.
0:42:10 > 0:42:13This little black duck is going to go quack, quack, quack.
0:42:15 > 0:42:16- Hello? - Hello.
0:42:16 > 0:42:18Hello? Hello? Something like this.
0:42:18 > 0:42:19You know, shiny?
0:42:19 > 0:42:22Erm...class. We want class.
0:42:22 > 0:42:23Class, yeah.
0:42:23 > 0:42:24But with cleavage.
0:42:26 > 0:42:28- Yes? - You want striptease?
0:42:28 > 0:42:30Very sexy.
0:42:30 > 0:42:32Yes, very sexy.
0:42:32 > 0:42:33Yes?
0:42:33 > 0:42:35Yes.
0:42:35 > 0:42:36That's it.
0:42:36 > 0:42:39What are you gawking at?
0:42:41 > 0:42:43Chicken breasts.
0:42:43 > 0:42:45Chicken...have breasts. Tasty breasts.
0:42:48 > 0:42:51Now, we've got four real-life Aborigines from Australia
0:42:51 > 0:42:54and they're going to be putting it down out there for you tonight.
0:42:54 > 0:42:56So I want you to be polite.
0:42:56 > 0:42:58Grab a drink off my beautiful ladies,
0:42:58 > 0:43:00because we've got a big line-up for y'all tonight.
0:43:00 > 0:43:03And remember, you're at the Cave, baby.
0:43:03 > 0:43:06The best black bar in Saigon.
0:43:06 > 0:43:07Yeah.
0:43:09 > 0:43:12- Let's do it. Yeah? - Yeah. All right.
0:43:12 > 0:43:13- All righty.- Yeah!
0:43:13 > 0:43:15# I get lovin'
0:43:15 > 0:43:16# Lovin'
0:43:16 > 0:43:18# By the hundred
0:43:19 > 0:43:20# And I get lovin'
0:43:20 > 0:43:21# Lovin'
0:43:21 > 0:43:23# By the pint
0:43:24 > 0:43:26# Got me doin' the camel walk
0:43:26 > 0:43:29# In my sleep
0:43:30 > 0:43:31# Make me do the James Brown
0:43:31 > 0:43:33# Every time I get on my feet
0:43:34 > 0:43:36# Listen to me
0:43:36 > 0:43:38# What a man, what a man, what a man
0:43:38 > 0:43:39# What a mighty good man
0:43:39 > 0:43:41# Say it again now
0:43:41 > 0:43:43# What a man, what a man, what a man
0:43:43 > 0:43:45# What a mighty, mighty good man
0:43:45 > 0:43:47# Yes, he is
0:43:48 > 0:43:50# A mighty, mighty good man
0:43:51 > 0:43:53# Let me put it on your mind
0:43:53 > 0:43:55# Let me put it on your mind
0:43:56 > 0:43:59# He thrills me, kills me
0:43:59 > 0:44:01# He's a lovin' kind
0:44:02 > 0:44:04# Another ounce of his love
0:44:04 > 0:44:07# And I think I'm going to slip
0:44:08 > 0:44:10# Lose my grip
0:44:10 > 0:44:12# And do back-over flips
0:44:12 > 0:44:13# Listen now
0:44:13 > 0:44:15# What a man, what a man, what a man
0:44:15 > 0:44:17# What a mighty good man
0:44:17 > 0:44:18# Say it again now
0:44:18 > 0:44:20# What a man, what a man, what a man
0:44:20 > 0:44:22# What a mighty, mighty good man
0:44:24 > 0:44:26# What a man
0:44:26 > 0:44:28# And deep inside I know it
0:44:28 > 0:44:31# What a man
0:44:31 > 0:44:34# And I'm not ashamed to show it
0:44:34 > 0:44:36# What a man, what a man, what a man
0:44:36 > 0:44:38# What a mighty good man
0:44:38 > 0:44:39# Say it again now
0:44:39 > 0:44:42# What a man, what a man, what a man
0:44:42 > 0:44:43# What a mighty good man
0:44:43 > 0:44:45# What a mighty, mighty good man
0:44:45 > 0:44:47# What a man, what a man, what a man
0:44:47 > 0:44:49# What a mighty, mighty good man
0:44:51 > 0:44:57# Oooooh! #
0:45:00 > 0:45:03CHEERING
0:45:08 > 0:45:12Oh, my gosh! My gosh! We did it! We did it!
0:45:12 > 0:45:15We've just got to remember to keep in step in the choruses, that's all.
0:45:15 > 0:45:17Oh, my Lord, girl. That was out of sight!
0:45:17 > 0:45:19Wow, thank you. You're too kind.
0:45:19 > 0:45:22- Oi, he means me, cuz. - I was joking, all right?
0:45:22 > 0:45:23Hey, hey, hey...
0:45:23 > 0:45:26Baby girl. Ain't no fool around here buying you a drink?
0:45:26 > 0:45:28Uh-uh, beautiful.
0:45:28 > 0:45:29You offering?
0:45:29 > 0:45:30You looking at your man.
0:45:32 > 0:45:346.00 in the morning, front of the hotel there.
0:45:34 > 0:45:37The Sapphires hit the road and you tighten up the act out of town.
0:45:37 > 0:45:40We're going to tour The Sapphires for three headline-busting weeks.
0:45:40 > 0:45:43That's 27 shows in 23 days.
0:45:43 > 0:45:47And then we play the big venues - Nha Trang and back here in Saigon.
0:45:47 > 0:45:49- You dig?- Right on.
0:45:49 > 0:45:51Hey, back up the truck, brother.
0:45:51 > 0:45:53There are things we need to discuss, like a military escort.
0:45:53 > 0:45:56You're four black women in a war zone, honey.
0:45:56 > 0:45:59All you need to do is sing.
0:45:59 > 0:46:02Myron, we don't pass wind without a military escort.
0:46:02 > 0:46:05Come on, Dave. Do you think I'd be sending my stars out on the road
0:46:05 > 0:46:07without the might of the US military to protect them?
0:46:07 > 0:46:08What about a band?
0:46:08 > 0:46:11You've been singing with them right there, sister.
0:46:11 > 0:46:12Look, I'm leaving this up to you, white boy.
0:46:12 > 0:46:14Don't screw this up on me.
0:46:18 > 0:46:20I don't screw up, Myron.
0:46:24 > 0:46:25Just go get the dresses.
0:46:28 > 0:46:31You've got to look me in the eyes. It's bad luck.
0:46:34 > 0:46:36Hey, sister. Remember me? On the rooftop?
0:46:36 > 0:46:37It's Kay, right?
0:46:37 > 0:46:39- Oooh!- Chill out, chill out.
0:46:39 > 0:46:41Oh, shame. He's yours.
0:46:44 > 0:46:47- So, you got plans for tonight? - Are you always this clumsy?
0:46:47 > 0:46:49No, ma'am. Only around beauty.
0:46:49 > 0:46:50Oh.
0:46:51 > 0:46:53Better watch your step, then.
0:46:53 > 0:46:54Hm. All right.
0:46:55 > 0:46:57Name's Robby.
0:46:58 > 0:47:00Goodnight, Robby.
0:47:01 > 0:47:03Hey, it's all groovy, baby. You've work to do.
0:47:03 > 0:47:06We'll save the pleasure of meeting for another time.
0:47:06 > 0:47:09But, hey, don't you forget now. Whoo!
0:47:11 > 0:47:13Oh, sorry. Chill out, chill out. Chill out. Chill out.
0:47:15 > 0:47:16It's all groovy, baby.
0:47:16 > 0:47:18They still working.
0:47:21 > 0:47:24Seriously, now, honey. Never relax. Never assume.
0:47:27 > 0:47:30That party girl there in the miniskirt could be Vietcong.
0:47:31 > 0:47:34She could lob a hand grenade across the bar at any time.
0:47:34 > 0:47:35Boom!
0:47:38 > 0:47:39If you've got to do that,
0:47:39 > 0:47:42can you do that somewhere else where we don't have to watch you?
0:47:43 > 0:47:46Hey, sis, if you want something, you've got to go get it.
0:47:46 > 0:47:49Yeah, well, can you get it somewhere else? I can hear you.
0:47:51 > 0:47:52Where's Julie?
0:47:52 > 0:47:54She went that way.
0:48:03 > 0:48:06JULIE SOBS
0:48:06 > 0:48:08There you are.
0:48:08 > 0:48:10What are you doing out here?
0:48:10 > 0:48:12I need to know where you are at all times.
0:48:12 > 0:48:14I didn't know it was going to be like this.
0:48:14 > 0:48:17Anyone could lob a hand grenade and start shooting at us.
0:48:17 > 0:48:19There you are. What did I tell you? You shouldn't even be here.
0:48:19 > 0:48:21Shouting at me isn't going to help.
0:48:21 > 0:48:24Yeah, well, it's your stupid idea in the first place, isn't it?
0:48:24 > 0:48:25Julie, darling.
0:48:25 > 0:48:28Don't worry. Everything's going to be fine.
0:48:28 > 0:48:30Can you not stick your nose in it?
0:48:30 > 0:48:32Jesus Christ...!
0:48:33 > 0:48:35Look, Gail, if I could think of a way to insult a black woman
0:48:35 > 0:48:37without it coming across as racist...
0:48:37 > 0:48:39Well, if you can't, it probably means you are.
0:48:39 > 0:48:42Will you just shut up?
0:48:42 > 0:48:44Look, you know what? That's it!
0:48:44 > 0:48:46We're going to have this out, you and me.
0:48:46 > 0:48:49- Come on, bud. Let's go. - Fine.
0:48:49 > 0:48:51Here and now.
0:48:51 > 0:48:53This shit... This has to stop.
0:48:53 > 0:48:56You're going to have to start giving me the respect that I deserve.
0:48:56 > 0:48:59Respect? What are you, the flaming mission manager?
0:48:59 > 0:49:01Yes! I'm the manager.
0:49:01 > 0:49:03I am the man who's going to manage you
0:49:03 > 0:49:05better than you've ever been managed!
0:49:05 > 0:49:07It would take a special man to manage me properly.
0:49:07 > 0:49:09Well, you're looking at him!
0:49:09 > 0:49:12Excuse me! Crying. Scared.
0:49:12 > 0:49:14OK, Vietnam. I'm here!
0:49:14 > 0:49:17SHE GIGGLES EXCITEDLY
0:49:20 > 0:49:21# Yeah!
0:49:22 > 0:49:27# Oooh, I bet you're wondering how I knew
0:49:28 > 0:49:31# Baby, baby, baby, about your plans to make me blue
0:49:32 > 0:49:36# Mmm, with some other girls you knew before
0:49:37 > 0:49:38# Between the two of us girls... #
0:49:38 > 0:49:40Please, welcome to the stage...
0:49:40 > 0:49:43Good morning! Lieutenant John Jenson at your service, ma'am.
0:49:43 > 0:49:44How are you?
0:49:44 > 0:49:47# When I found out yesterday
0:49:47 > 0:49:50# Don't you know that I heard it through the grapevine?
0:49:50 > 0:49:52# Oh, I heard it through the grapevine
0:49:52 > 0:49:54# Not much longer would you be mine
0:49:54 > 0:49:56# Not much longer would you be mine
0:49:56 > 0:49:58# Don't you know that I heard it through the grapevine?
0:49:58 > 0:50:00# I heard it through the grapevine
0:50:00 > 0:50:04# And I'm just about, just about, just about to lose my mind... #
0:50:04 > 0:50:05Ma'am? Incoming radio message for you.
0:50:05 > 0:50:07- For me?- Yeah.
0:50:08 > 0:50:09'Woo!'
0:50:09 > 0:50:11Say it again, now!
0:50:11 > 0:50:12Hey!
0:50:14 > 0:50:16Thank you.
0:50:17 > 0:50:20# Half of what you see
0:50:22 > 0:50:24# And none of what you hear
0:50:24 > 0:50:26# Baby, I just can't help... #
0:50:26 > 0:50:30These ladies have come a very, very long way to entertain you.
0:50:30 > 0:50:34So, please, give a very, very warm welcome to The Sapphires!
0:50:34 > 0:50:38CHEERING AND APPLAUSE
0:50:39 > 0:50:41Oh, my God! Leeches! Get it off me!
0:50:41 > 0:50:43# Don't you know that I heard it through the grapevine?
0:50:43 > 0:50:45# I heard it through the grapevine
0:50:45 > 0:50:47# Not much longer would you be mine
0:50:47 > 0:50:48# Not much longer would you be mine.
0:50:48 > 0:50:51# Don't you know that I heard it through the grapevine?
0:50:51 > 0:50:53# Heard it through the grapevine
0:50:53 > 0:50:57# And I'm about, just about, just about to lose my mind
0:50:57 > 0:50:59# Oh, yes, I am
0:51:04 > 0:51:08# Oh, yeah! #
0:51:08 > 0:51:10CHEERING AND APPLAUSE
0:51:16 > 0:51:18Move it! Let's go!
0:51:29 > 0:51:32Hey, Duggie, that looks burnt to shit.
0:51:32 > 0:51:35Hell no. This is what you call cooking Cajun-style.
0:51:35 > 0:51:36Oh...
0:51:36 > 0:51:38This here's my famed blackened catfish.
0:51:38 > 0:51:40It's the speciality of the house.
0:51:45 > 0:51:46Hot!
0:51:46 > 0:51:48- And spicy.- Mm.
0:51:48 > 0:51:50Dave, I'm telling you, ain't nothing surer with the ladies
0:51:50 > 0:51:53than a man packing a home-baked spread of catfish
0:51:53 > 0:51:55and a side order of soul.
0:51:57 > 0:51:59You know, you can tell where a catfish has been
0:51:59 > 0:52:00just by cutting open its guts.
0:52:00 > 0:52:02Is that right?
0:52:02 > 0:52:04Something like that.
0:52:07 > 0:52:09First question. Are you attracted to the man or not?
0:52:09 > 0:52:12A little. I wouldn't say he's my one and only.
0:52:14 > 0:52:16That's what Stevie Kayne said to me and I ended up with Hartley.
0:52:16 > 0:52:19Stevie Kayne's the father of your child?
0:52:19 > 0:52:21Stevie with the glasses?
0:52:21 > 0:52:24Well, if you ask me, this isn't the place to be encouraging romance.
0:52:24 > 0:52:25We're here to work.
0:52:27 > 0:52:28Speak for yourself, sister.
0:52:30 > 0:52:31Mm-hm?
0:52:32 > 0:52:33Shut up, shut up, shut up!
0:52:33 > 0:52:35- G'day.- Hey.
0:52:36 > 0:52:37- What's that?- Catfish.
0:52:39 > 0:52:41It's, er...blackened catfish.
0:52:43 > 0:52:44It's supposed to look like that.
0:52:45 > 0:52:47- You want to try it?- No.
0:52:47 > 0:52:48No? All right.
0:52:50 > 0:52:52- More for me.- Mm-hm.
0:52:57 > 0:53:00Those Hollywood folks there, they know how to pull a crowd.
0:53:00 > 0:53:03- That's what I'm going to do, too. - Yeah?
0:53:05 > 0:53:08# You better shout my love
0:53:08 > 0:53:10# Oooh-oooh
0:53:11 > 0:53:14# Thank you, baby... #
0:53:16 > 0:53:18Now, what do we have here?
0:53:18 > 0:53:19Oh...
0:53:19 > 0:53:20That's, erm...
0:53:20 > 0:53:22That's Jimmy's ring.
0:53:22 > 0:53:24The boy's a damn fool.
0:53:34 > 0:53:35God, you're beautiful.
0:53:37 > 0:53:40# I want to tell the world, baby
0:53:40 > 0:53:43# You better shout my love... #
0:53:45 > 0:53:47Sir...
0:53:47 > 0:53:49Delivery for you.
0:53:49 > 0:53:50From Saigon.
0:53:58 > 0:54:01Oh, I love you, man. I love you.
0:54:01 > 0:54:02Yeah...
0:54:02 > 0:54:03You're my favourite soldier.
0:54:03 > 0:54:05- Yeah, thank you. - You're my favourite.
0:54:05 > 0:54:06Thank... Thank you, sir.
0:54:09 > 0:54:11Full house!
0:54:11 > 0:54:13Shut up!
0:54:14 > 0:54:18DRUNKENLY: # In Asia, once again
0:54:18 > 0:54:20# Once again!
0:54:20 > 0:54:22# In Asia, once again
0:54:22 > 0:54:23# Once again... #
0:54:23 > 0:54:28THEY SING ON INCOHERENTLY
0:54:30 > 0:54:31Hang on, hang on.
0:54:31 > 0:54:33Hey, Irish...
0:54:33 > 0:54:35Hey, telephone man.
0:54:36 > 0:54:37Oh, shit.
0:54:37 > 0:54:39Dave, it's Myron. Hey, listen up, man.
0:54:39 > 0:54:41- Oh, hey, Myron! - Word's out about The Sapphires.
0:54:41 > 0:54:43Yeah, yeah, man. I'm good.
0:54:43 > 0:54:45I got a gig headlining in Nha Trang.
0:54:45 > 0:54:47- What?- But here's the thing, Dave.
0:54:47 > 0:54:49- Yeah, the line's pretty bad. - No escort.
0:54:49 > 0:54:52You're going to have to get there under your own steam.
0:54:52 > 0:54:54- That's cool, Myron. - Do you hear what I'm saying?
0:54:54 > 0:54:57- Good to hear from you, bro! - Dave? Dave? You hearing me? Dave!
0:54:57 > 0:54:58Dave?
0:54:59 > 0:55:01Shh...
0:55:02 > 0:55:04No.
0:55:04 > 0:55:06Stop it, stop it, stop it.
0:55:06 > 0:55:08Dave Lovelace!
0:55:08 > 0:55:09Get out here.
0:55:13 > 0:55:15Take it for protection!
0:55:15 > 0:55:17Hey, tell her... Tell her she's sweet.
0:55:18 > 0:55:20- Shut up. - Looks like you're in trouble, man.
0:55:20 > 0:55:23Hey, Gail. Sorry, I didn't hear you.
0:55:23 > 0:55:25- How you doing?- You know we have an early start tomorrow.
0:55:25 > 0:55:27Who are you, my wife?
0:55:27 > 0:55:30You're on your last warning.
0:55:31 > 0:55:33You're on your last warning. How about that?
0:55:34 > 0:55:37I came here to apologise for giving you a hard time.
0:55:37 > 0:55:39But now I'm not going to bother.
0:55:41 > 0:55:43Your apology is rejected!
0:56:09 > 0:56:13# If you need me
0:56:13 > 0:56:17# I want you to call me
0:56:17 > 0:56:19# Said if you need me
0:56:19 > 0:56:24# All you gotta do is call
0:56:41 > 0:56:44# If you want me
0:56:45 > 0:56:48# Send for me
0:56:48 > 0:56:52# I said if you want me, want me
0:56:52 > 0:56:56# All you gotta do is send for me
0:56:56 > 0:56:59# But don't wait too long
0:56:59 > 0:57:03# Just to pick up your phone
0:57:03 > 0:57:07# And I'll be home
0:57:07 > 0:57:11# Where I belong. #
0:57:12 > 0:57:14He's taking me out!
0:57:14 > 0:57:15THE GIRLS SHRIEK
0:57:15 > 0:57:19Taking you out? Is that what you flash ones call it?
0:57:19 > 0:57:20No shame! She has no shame.
0:57:20 > 0:57:22Honestly, Gail...
0:57:22 > 0:57:24Don't stress about what you're going to wear.
0:57:24 > 0:57:26You're not going to be wearing it long!
0:57:28 > 0:57:32Going out with a black fella's not going to make you any blacker, Kay.
0:57:32 > 0:57:34Oh, well, you never know.
0:57:34 > 0:57:37You think you can walk away from your mob?
0:57:38 > 0:57:40Live in the city for ten years making out you're a gubba
0:57:40 > 0:57:43and then get up on stage and say you're a black fella
0:57:43 > 0:57:44and that's all right?
0:57:45 > 0:57:48Nah. It's not all right. Not with me.
0:57:48 > 0:57:51Don't start me, Gail. I'm not going to do this now.
0:57:51 > 0:57:54Oh, this poor little mission gin making the coconut shame, eh?
0:57:54 > 0:57:57What did you call me?
0:57:57 > 0:57:58Coconut?
0:57:58 > 0:58:00Oh, sorry. Have I offended ya?
0:58:00 > 0:58:03Don't go telling me what I am and what I'm not.
0:58:03 > 0:58:07I didn't get a say in how things worked out for me.
0:58:07 > 0:58:09So...you're black now?
0:58:09 > 0:58:10Or you're white?
0:58:10 > 0:58:13Well, you're black now you think there's money in it.
0:58:13 > 0:58:15I know what I am.
0:58:15 > 0:58:18- Yeah, but does Robby? - DOOR OPENS
0:58:47 > 0:58:49Gail?
0:58:50 > 0:58:51Gail?
0:58:56 > 0:58:58What was that about?
0:59:03 > 0:59:04Kay's mum.
0:59:05 > 0:59:06It's her birthday.
0:59:08 > 0:59:09So we're doing a show for her...
0:59:12 > 0:59:13..and we're on top of a truck.
0:59:18 > 0:59:20And two black cars pull in.
0:59:20 > 0:59:21Government fellas.
0:59:23 > 0:59:25Run!
0:59:26 > 0:59:28Go, go!
0:59:28 > 0:59:30Come on, now! Get the kids away!
0:59:31 > 0:59:33Mum and Dad screaming at us.
0:59:34 > 0:59:36"Kids, get across the river!"
0:59:38 > 0:59:40I don't get it. What did they want?
0:59:40 > 0:59:41The children.
0:59:43 > 0:59:46It's my responsibility, Dave, to look after the little ones
0:59:46 > 0:59:48because I'm the oldest.
0:59:48 > 0:59:49Hurry up!
0:59:49 > 0:59:52I'm not to let them out of my sight, especially not Kay.
0:59:52 > 0:59:54Why Kay?
0:59:54 > 0:59:56If you're fair like Kay,
0:59:56 > 0:59:58them fellas reckon she could pass for white.
0:59:58 > 1:00:00Leave them kids alone!
1:00:00 > 1:00:01Take her from her family,
1:00:01 > 1:00:03put her in an institution, teach her white ways.
1:00:04 > 1:00:07Pretty soon, there'll be no black fellas left to worry about.
1:00:08 > 1:00:09Kay...
1:00:09 > 1:00:11And then, erm...Kay got sick.
1:00:12 > 1:00:14I mean...real sick.
1:00:15 > 1:00:19We're scared it's pneumonia, so we take her to town,
1:00:19 > 1:00:20to hospital.
1:00:22 > 1:00:23And...
1:00:24 > 1:00:27And that's when we find out them government fellas have been back.
1:00:27 > 1:00:28Where's Kay?
1:00:28 > 1:00:31They've taken Kay from the hospital bed.
1:00:31 > 1:00:33You've got to speak to me! Say something to me!
1:00:33 > 1:00:35Where's my baby little girl?
1:00:35 > 1:00:37Where's Kay gone?
1:00:37 > 1:00:38Kay!
1:00:38 > 1:00:41Where are you, baby girl?
1:00:42 > 1:00:43Speak to me!
1:00:43 > 1:00:44"Kay..."
1:00:44 > 1:00:45Say something to me!
1:00:45 > 1:00:46"Where are you, Kay?"
1:00:46 > 1:00:48No, I won't stop!
1:00:48 > 1:00:50"Where's my girl?"
1:00:50 > 1:00:51Where's Kay gone?!
1:00:53 > 1:00:56You know, we didn't see Kay until her mum died.
1:00:56 > 1:00:58They let her come home for the funeral.
1:00:58 > 1:01:01And all she could say in all that time...
1:01:01 > 1:01:03If you people worked as much as you fished,
1:01:03 > 1:01:05you'd be really rich, you know?
1:01:05 > 1:01:07And I've never been able to forgive her.
1:01:07 > 1:01:09Or myself.
1:01:20 > 1:01:22We should dance.
1:01:23 > 1:01:25What?
1:01:26 > 1:01:27It's a good time to dance.
1:01:27 > 1:01:29Er...nah.
1:01:29 > 1:01:30Come on.
1:01:30 > 1:01:32I'll show you how to shake your moom.
1:01:33 > 1:01:36Yeah, no, I've seen you shake your moom. It's not pretty.
1:01:36 > 1:01:40I'm going to teach you the Lovelace Lanky Leg Shuffle.
1:01:40 > 1:01:42No. If I start dancing like you,
1:01:42 > 1:01:44the brothers there might think I'm a gubba.
1:01:44 > 1:01:46You're saying, because I'm white, I can't dance. Is that it?
1:01:46 > 1:01:49- Yep. - Well, that's just racist.
1:01:49 > 1:01:52You're a racist. You should know better.
1:01:54 > 1:01:55Come on...
1:01:56 > 1:01:59Just watch and learn. Don't be afraid.
1:02:00 > 1:02:01It's all about the shoulders.
1:02:01 > 1:02:05They don't belong to me. They belong to the music in my head.
1:02:09 > 1:02:11- Nah.- Deadly.
1:02:11 > 1:02:15When we use that word "deadly", it usually means something's good.
1:02:15 > 1:02:16Oooh.
1:02:21 > 1:02:24You know, Gail, there's a funny thing about you.
1:02:24 > 1:02:27Everybody thinks that you're just this...
1:02:27 > 1:02:28this mouth on legs.
1:02:30 > 1:02:33This defensive, argumentative old witch.
1:02:33 > 1:02:35Stick with me.
1:02:35 > 1:02:37There's a reason that you're this...
1:02:38 > 1:02:42..terrible mouth and it's very simple.
1:02:44 > 1:02:46You're mama bear...
1:02:48 > 1:02:50..and they're your little baby cubs.
1:02:58 > 1:02:59You been drinking?
1:03:01 > 1:03:02No.
1:03:06 > 1:03:08Come on, then, you silver-tongued wannabe.
1:03:09 > 1:03:11I'll dance with ya.
1:03:16 > 1:03:18Let me lead.
1:03:18 > 1:03:19For once.
1:03:26 > 1:03:31# These arms of mine
1:03:33 > 1:03:35# They are lonely
1:03:39 > 1:03:43# Lonely and feeling blue
1:03:44 > 1:03:47# These arms of mine
1:03:48 > 1:03:51# They are yearning
1:03:54 > 1:03:58# Yearning from wanting you... #
1:04:00 > 1:04:02You know, anyone can walk into a door.
1:04:03 > 1:04:06Just as long as you ain't on the run or anything.
1:04:06 > 1:04:09- Haven't broken the law, have you? - Maybe.
1:04:10 > 1:04:11I ain't going to tell nobody.
1:04:13 > 1:04:14I'm pleased.
1:04:17 > 1:04:19Man, I like you a whole lot, Kay.
1:04:19 > 1:04:21Just so we're clear, Robby...
1:04:22 > 1:04:24..I'm black.
1:04:24 > 1:04:25I'm just...
1:04:26 > 1:04:28..pale black.
1:04:28 > 1:04:30Me, too.
1:04:34 > 1:04:35Know how I feel?
1:04:36 > 1:04:38I feel good.
1:04:42 > 1:04:44Ow...!
1:04:44 > 1:04:45You OK?
1:04:45 > 1:04:47No, it hurts.
1:04:50 > 1:04:51Do it again.
1:04:51 > 1:04:53Just on this side.
1:04:57 > 1:04:59# Oooh
1:04:59 > 1:05:00# Mmmm
1:05:02 > 1:05:05# I know a place, mmm
1:05:07 > 1:05:09# Ain't nobody cryin'
1:05:11 > 1:05:13# Ain't nobody worried
1:05:15 > 1:05:18# Ain't no smilin' faces
1:05:20 > 1:05:22# Lyin' to the races
1:05:26 > 1:05:27# Help me
1:05:27 > 1:05:28# Come on
1:05:29 > 1:05:31# Come on, somebody, help me now
1:05:33 > 1:05:36# Oh, help me, y'all
1:05:36 > 1:05:38# I'll take you there
1:05:38 > 1:05:39# Mmm
1:05:39 > 1:05:40# Help me now
1:05:40 > 1:05:42# I'll take you there
1:05:45 > 1:05:47# I'll take you there
1:05:47 > 1:05:50# Oh, mercy... #
1:05:50 > 1:05:51Come on, sweet tits. We got to move.
1:05:56 > 1:05:59So...this is goodbye.
1:05:59 > 1:06:01- Huh?- Me and the guys will be leaving you folks today.
1:06:01 > 1:06:03I just have to say it's been a real pleasure.
1:06:03 > 1:06:05What? You're leaving us here? On our own?
1:06:05 > 1:06:08- Not if I had my way, ma'am. - How do we get to our next gig?
1:06:08 > 1:06:09I...
1:06:12 > 1:06:13Sorry, ma'am. I thought you knew.
1:06:13 > 1:06:16The military's approved the use of a vehicle for you.
1:06:18 > 1:06:20In that?
1:06:20 > 1:06:21What about the band?
1:06:21 > 1:06:24Ma'am, I understand your band is being pulled out also.
1:06:28 > 1:06:30Dave?
1:06:35 > 1:06:37Myron, hi. Listen, it's Dave. What's happening, bro?
1:06:37 > 1:06:40They've taken away our military escort and our backing band.
1:06:40 > 1:06:41I can't accept that.
1:06:41 > 1:06:44Dave, we've already talked about this.
1:06:44 > 1:06:46Wait. When?
1:06:46 > 1:06:48Last week on the phone.
1:06:48 > 1:06:51- Don't screw this up on me! - Do you hear me?
1:06:51 > 1:06:53Now, a colleague of mine, Lou McGary,
1:06:53 > 1:06:55is touring from the States.
1:06:55 > 1:06:57Some big names. He wants to hear Julie sing.
1:06:57 > 1:07:00Man, I think we got us a star in the making here.
1:07:00 > 1:07:02- What's so special about Julie? - Shh!
1:07:02 > 1:07:04You need to get yourselves to Nha Trang.
1:07:04 > 1:07:06I'm going to get Lou on a military flight.
1:07:06 > 1:07:07We got to get Julie in front of this guy.
1:07:07 > 1:07:11Myron, explain to me how we're going to gig without Hendo and the band.
1:07:11 > 1:07:12- Where's Hendo and the band?- Shh!
1:07:12 > 1:07:15Man, forget about them, man. They're out of the picture.
1:07:15 > 1:07:18We got a ten-piece in Nha Trang that's nothing but class, baby.
1:07:18 > 1:07:20No, wait, wait... Myron, wait!
1:07:20 > 1:07:23If you want the breaks, you've got to make 'em, man.
1:07:23 > 1:07:24And then you got to take 'em, baby!
1:07:24 > 1:07:26Julie could put us on the map, Stateside.
1:07:26 > 1:07:28You dig what I'm saying?
1:07:28 > 1:07:30Now, you want to stand in the way of success?
1:07:30 > 1:07:31Then you go right ahead.
1:07:31 > 1:07:32No, Myron...
1:07:34 > 1:07:35Myron?
1:07:36 > 1:07:38My...?
1:07:38 > 1:07:40- You don't remember, do ya? - I do. I...
1:07:41 > 1:07:43Erm...
1:07:43 > 1:07:45It's coming back to me. He said, er...
1:07:46 > 1:07:50..something about, you know, Nha Trang and, erm...
1:07:50 > 1:07:52What?
1:07:52 > 1:07:55How smashed were you when you let Myron talk you into this?
1:07:58 > 1:08:00I'm sorry.
1:08:00 > 1:08:02Yeah. Sure.
1:08:14 > 1:08:16Sir, you might find a use for this.
1:08:22 > 1:08:24You'd better give that to me.
1:08:36 > 1:08:37Bye, ladies.
1:08:38 > 1:08:40Good luck!
1:08:57 > 1:09:01Truly, Cyn. I can't see how he's a great loss.
1:09:01 > 1:09:04All Hendo did was feed you booze and drugs and take advantage of ya.
1:09:04 > 1:09:06Gail, there isn't a soldier in Vietnam
1:09:06 > 1:09:09who isn't stoned out of his brain all the time.
1:09:09 > 1:09:11Yeah, well, don't forget he had a wife.
1:09:11 > 1:09:14- How do you know? - Cyn, there's always a wife.
1:09:14 > 1:09:16Not always.
1:09:17 > 1:09:20Dave, you're not married, are you?
1:09:20 > 1:09:21What?
1:09:23 > 1:09:25- Are you married? - What?
1:09:25 > 1:09:27What? Are you married?
1:09:28 > 1:09:29No.
1:09:33 > 1:09:34Yes.
1:09:35 > 1:09:37Oh, holy mother of God.
1:09:39 > 1:09:40- Shit.- All right...
1:09:43 > 1:09:45MAN SHOUTS IN VIETNAMESE
1:09:45 > 1:09:47They want us to get out.
1:09:47 > 1:09:49- Do you want the gun? - Shit, no! No.
1:09:49 > 1:09:52- HE SHOUTS IN VIETNAMESE - OK, nice and easy.
1:09:56 > 1:09:58All right...
1:09:58 > 1:09:59We're not soldiers.
1:10:01 > 1:10:03Entertainers. Come on.
1:10:03 > 1:10:05Er, singers, you know?
1:10:05 > 1:10:07Girls, sing something.
1:10:08 > 1:10:10Anything.
1:10:13 > 1:10:16# Sadie, the cleaning lady... #
1:10:16 > 1:10:17THEY GASP
1:10:23 > 1:10:25IN HER NATIVE LANGUAGE:
1:10:42 > 1:10:44Go.
1:10:49 > 1:10:51Girls! Come on, girls.
1:10:51 > 1:10:54HE BARKS ORDERS IN VIETNAMESE
1:10:56 > 1:10:58Where do I go?
1:10:58 > 1:11:00Just drive.
1:11:14 > 1:11:16Hey, Julie. Can you come here for a sec?
1:11:16 > 1:11:20This is the guy I want you to meet. His name is Lou McGary, OK?
1:11:20 > 1:11:23Hey, Lou. This is Julie McCrae.
1:11:23 > 1:11:27Lou-Lou, miss. I have heard so much about you.
1:11:27 > 1:11:29She's got some pipes on her, Lou.
1:11:29 > 1:11:31- Wait till you hear this girl. - I bet she does.
1:11:31 > 1:11:33Looks like I found me a star.
1:11:35 > 1:11:37# One, two, three!
1:11:38 > 1:11:39# One, two, three!
1:11:47 > 1:11:49# You got to know how to pony
1:11:50 > 1:11:52# Like Bony Maronie
1:11:53 > 1:11:54# Mashed potato
1:11:55 > 1:11:57# Do the alligator
1:11:58 > 1:12:00# Put your hands on your hips
1:12:00 > 1:12:02# And let your backbone slip
1:12:03 > 1:12:05# Do the Watusi
1:12:06 > 1:12:07# Like my little girl Lucy
1:12:11 > 1:12:15# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na
1:12:15 > 1:12:17# Na-na-na-na
1:12:19 > 1:12:23# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na
1:12:23 > 1:12:25# Na-na-na-na
1:12:25 > 1:12:27# Yeow!
1:12:34 > 1:12:35# I feel it
1:12:55 > 1:12:59# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na
1:12:59 > 1:13:01# Na-na-na-na
1:13:03 > 1:13:07# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na
1:13:07 > 1:13:09# Na-na-na-na... #
1:13:09 > 1:13:11That's it, Cyn. No more.
1:13:11 > 1:13:12What the heck was that all about?
1:13:12 > 1:13:14She's right. You're making us look like crap.
1:13:14 > 1:13:16What's your problem? They love me out there.
1:13:16 > 1:13:18Maybe you should just pull it back a bit.
1:13:18 > 1:13:20Now, let's get back on stage.
1:13:20 > 1:13:21Nah.
1:13:21 > 1:13:22Not with her.
1:13:22 > 1:13:25You've been drinking, Cyn, and there's too much at stake tonight.
1:13:27 > 1:13:29What are you doing? Sacking me?
1:13:31 > 1:13:34- Dave? - I'll decide.
1:13:34 > 1:13:36Well, I think we should all decide.
1:13:37 > 1:13:41Cyn, we're doing it without ya.
1:13:42 > 1:13:44Right... decision made.
1:13:47 > 1:13:48Gail...!
1:13:53 > 1:13:55I'll make you proud of me, bub.
1:14:01 > 1:14:02Gail? Gail?
1:14:02 > 1:14:04Hold on one sec.
1:14:04 > 1:14:06I just wanted to say I...
1:14:06 > 1:14:08I thought you dealt with that really well.
1:14:08 > 1:14:12No, I mean it. You know, it was a tough call and...
1:14:12 > 1:14:14you're obviously getting really good at this.
1:14:14 > 1:14:15It's...
1:14:16 > 1:14:18Gail, the whole marriage thing,
1:14:18 > 1:14:20it's probably not as bad as it sounds.
1:14:20 > 1:14:21I mean it.
1:14:21 > 1:14:26Listen, there's me with, like, a house and a wife
1:14:26 > 1:14:29and me not yet 21 and her no lover of the rock and roll
1:14:29 > 1:14:31and I'm out on the rip.
1:14:31 > 1:14:33It was an unholy alliance.
1:14:34 > 1:14:37But I probably should have mentioned it.
1:14:37 > 1:14:39Yeah, you should have.
1:14:39 > 1:14:41Wait, wait, Gail, before you go.
1:14:42 > 1:14:45I wanted to talk to you about something.
1:14:46 > 1:14:48So I wrote it down.
1:14:49 > 1:14:53No, er...the thing is, Gail...
1:14:56 > 1:14:58..I was never good enough.
1:14:59 > 1:15:02I was never good enough at music...
1:15:03 > 1:15:06..and certainly not at life and that's a...
1:15:07 > 1:15:08..that's a hard thing to take.
1:15:11 > 1:15:13Because I didn't have a place
1:15:13 > 1:15:16and then I met these crazy Aboriginal girls...
1:15:18 > 1:15:21..and one amazing woman and I had a place...
1:15:21 > 1:15:23and I liked it.
1:15:25 > 1:15:26So...
1:15:27 > 1:15:29..if I've ruined all of that, then I'm an idiot.
1:15:31 > 1:15:33But you knew that already.
1:15:36 > 1:15:37No, don't look at it now.
1:15:37 > 1:15:39For the love of God. Just, er...
1:15:41 > 1:15:43..read it when I'm not around.
1:15:47 > 1:15:49I'm sorry.
1:15:50 > 1:15:52I'm sorry.
1:15:58 > 1:15:59FLARE EXPLODES
1:16:03 > 1:16:06INCOMING BOMB WHISTLES
1:16:08 > 1:16:10Get down!
1:16:12 > 1:16:14- What's happening?! - We're under attack!
1:16:15 > 1:16:17We're calling in the choppers.
1:16:17 > 1:16:19- What? - We're going to get you out of here.
1:16:19 > 1:16:21Let's go!
1:16:21 > 1:16:23You three, with me. Get over there!
1:16:25 > 1:16:27Go, go! Get to the chopper!
1:16:29 > 1:16:31Keep moving! Keep moving!
1:16:33 > 1:16:35Gail!
1:16:35 > 1:16:38EXPLOSIONS AND GUNFIRE
1:16:47 > 1:16:49Go! Move it, move it, move it!
1:16:52 > 1:16:54Inside. Get in. Go!
1:16:55 > 1:16:57Where's Julie and Kay?
1:16:57 > 1:16:59OK, I've got to go get the girls.
1:17:03 > 1:17:05Julie!
1:17:05 > 1:17:06Kay!
1:17:06 > 1:17:08RAPID GUNFIRE
1:17:19 > 1:17:21Dave!
1:17:22 > 1:17:24Dave!
1:17:27 > 1:17:30HE CRIES OUT IN AGONY
1:17:30 > 1:17:31- I need your help. - Shit!
1:17:31 > 1:17:34Didn't you say you had medical experience? Here, hold this.
1:17:34 > 1:17:36I clean a hospital. I don't think it counts.
1:17:36 > 1:17:38Then you can clean up here.
1:17:39 > 1:17:41Get your nigger hands off me!
1:17:45 > 1:17:47Keep that black dog away from me.
1:18:12 > 1:18:14Shhh...
1:18:38 > 1:18:44"Now, I know it might seem a little odd that I write a letter...
1:18:46 > 1:18:50"..but certain things are best said from a distance,
1:18:50 > 1:18:51"especially when you're addressing a woman
1:18:51 > 1:18:54"who thinks she's Cassius Clay.
1:18:55 > 1:18:59"Gail, from the moment we got kicked out of that pub together,
1:18:59 > 1:19:03"I knew you were someone I wanted in my life.
1:19:03 > 1:19:06"Someone to fight the good fight with
1:19:06 > 1:19:08"and often against.
1:19:09 > 1:19:12"You just had something... and I knew it.
1:19:12 > 1:19:16"Don't ask me how or why, because I couldn't tell you.
1:19:16 > 1:19:18"All I know is...
1:19:18 > 1:19:21"like the first time I heard Otis Redding sing These Arms Of Mine...
1:19:22 > 1:19:25"..I knew life would never be the same again.
1:19:28 > 1:19:30"And this is the effect that you've had on me, Gail.
1:19:30 > 1:19:33"So, that being said...
1:19:36 > 1:19:38"..it would be a great honour
1:19:38 > 1:19:40"if you would allow me to become part of your family.
1:19:42 > 1:19:46"I would be proud to call your sisters my sisters
1:19:46 > 1:19:49"and your mother my mother...
1:19:50 > 1:19:53"..and your family...my family."
1:19:53 > 1:19:56Get to the point, blast it!
1:19:56 > 1:19:59"I guess what I'm saying is, will you marry me?
1:20:00 > 1:20:04"Once I've sorted my other little situation out,
1:20:04 > 1:20:06"will you marry me, then?"
1:20:06 > 1:20:07SHE SOBS
1:20:07 > 1:20:09"There, I've said it.
1:20:09 > 1:20:10"Well, I've written it.
1:20:10 > 1:20:13"You don't have to answer straight away.
1:20:14 > 1:20:16"I don't mind waiting until we get back home.
1:20:18 > 1:20:21"Anyway...I love you."
1:20:30 > 1:20:33'I have some very sad news for all of you
1:20:33 > 1:20:37'and I think sad news for all of our fellow citizens...
1:20:39 > 1:20:41'..and people who love peace all over the world.'
1:20:42 > 1:20:44'And that is that Martin Luther King
1:20:44 > 1:20:47'was shot and was killed tonight in Memphis.
1:20:49 > 1:20:51'A single shot took the life of Dr King
1:20:51 > 1:20:55'as he stood on the balcony of the Lorraine Motel in Memphis.
1:20:56 > 1:20:58'Martin Luther King...'
1:20:59 > 1:21:03Let me tell you how it is for a black Marine in Saigon tonight.
1:21:03 > 1:21:07His home is burning and here he sits in hell
1:21:07 > 1:21:10while his brothers and sisters are dying in the streets.
1:21:12 > 1:21:14It's reasonable to assume that he might begin to question
1:21:14 > 1:21:16what the hell he's fighting for.
1:21:17 > 1:21:20These Marines...they need something.
1:21:22 > 1:21:25They need what you can provide and they need it tonight.
1:21:25 > 1:21:28I know you're hurting, but I need you to sing.
1:21:29 > 1:21:32Gail...are we going to do this?
1:21:34 > 1:21:36Excuse me, you want something?
1:21:36 > 1:21:38Excuse me, sir, I have phone call for her.
1:21:43 > 1:21:45Hello?
1:21:47 > 1:21:49It's Mum.
1:21:50 > 1:21:53Mum, how did you know where to find us?
1:21:53 > 1:21:56That Dave fella fixed it all last week.
1:21:56 > 1:21:58He's a deadly fella, that one.
1:21:58 > 1:22:00You give him a big kiss for me.
1:22:01 > 1:22:02Yeah.
1:22:04 > 1:22:06Auntie Gerry?
1:22:06 > 1:22:07It's me, Kay.
1:22:08 > 1:22:10You're a good girl, bub.
1:22:10 > 1:22:12Your mum would be so proud of ya.
1:22:12 > 1:22:14Cyn...
1:22:17 > 1:22:19I made the biggest mistake of my life, Cyn.
1:22:19 > 1:22:21- Jimmy?- I want to fix it.
1:22:21 > 1:22:24Well, you should've thought about that before, eh?
1:22:24 > 1:22:26I've got fellas lining up to suck my ring off,
1:22:26 > 1:22:29so put Mum back on the phone and leave me alone, blast ya!
1:22:36 > 1:22:38You know what I want to hear.
1:22:39 > 1:22:43THEY SING IN THEIR NATIVE LANGUAGE
1:22:48 > 1:22:50- MARTIN LUTHER KING: - And I've looked over
1:22:50 > 1:22:54and I've seen the promised land.
1:22:56 > 1:22:58I may not get there with you,
1:22:58 > 1:23:01but I want you to know tonight
1:23:01 > 1:23:03that, we as a people,
1:23:03 > 1:23:05will get to the promised land.
1:23:06 > 1:23:10So I'm happy tonight. I'm not worried about anything.
1:23:10 > 1:23:12I'm not fearing any man.
1:23:12 > 1:23:16Mine eyes have seen the glory of the coming of the Lord.
1:23:22 > 1:23:24# Oh-oh
1:23:24 > 1:23:29# I wonder why
1:23:33 > 1:23:36# Why do we live in hate?
1:23:38 > 1:23:41# Stepping on our own without a warning
1:23:41 > 1:23:43# And then turn and walk away
1:23:43 > 1:23:48# When people make the world
1:23:48 > 1:23:51# A better place for us to live in, yeah
1:23:52 > 1:23:56# When people make this world
1:23:56 > 1:24:02# A better place to live in
1:24:02 > 1:24:08# Oooh
1:24:09 > 1:24:11# Mmm
1:24:15 > 1:24:18# Whoa, whoa
1:24:19 > 1:24:23# Times life might bring you down
1:24:23 > 1:24:27# To a shadow on this cold, black earth
1:24:27 > 1:24:28# Cold black earth
1:24:28 > 1:24:30# Even though, even though it hurts
1:24:30 > 1:24:35# You must give yourself the right to go through another day
1:24:35 > 1:24:39# Instead of worrying yourself sick
1:24:40 > 1:24:42# Over things people say and do
1:24:43 > 1:24:48# You should try to understand
1:24:48 > 1:24:51# Life as you see fit
1:24:52 > 1:24:56# And the world would be
1:24:56 > 1:24:59# A better place
1:25:01 > 1:25:04# And the world would be
1:25:04 > 1:25:10# A better place
1:25:10 > 1:25:12# Oooh
1:25:14 > 1:25:16# Don't you know?
1:25:16 > 1:25:20# People make this world
1:25:21 > 1:25:25# A better place. #
1:26:00 > 1:26:02All right?
1:26:02 > 1:26:03All right.
1:26:06 > 1:26:08I suppose we'll have to find a new piano player.
1:26:10 > 1:26:12I don't much reckon you're going to find anyone
1:26:12 > 1:26:13with such good dance moves.
1:26:16 > 1:26:17What else have you got?
1:26:20 > 1:26:21I'm very reliable.
1:26:22 > 1:26:24Yeah, well...
1:26:24 > 1:26:26we're a long way from home.
1:26:27 > 1:26:29You'd better look after us.
1:26:32 > 1:26:34All I want to do is look after you.
1:26:36 > 1:26:38Come here a minute, then.
1:26:44 > 1:26:45That's from Mum.
1:27:05 > 1:27:07That's from me.
1:27:12 > 1:27:14I liked your one the best.
1:27:24 > 1:27:26Mum! Mum! They're here!
1:27:31 > 1:27:32Dad!
1:27:32 > 1:27:34Mum!
1:27:34 > 1:27:36- Mum!- Ah, come here.
1:27:37 > 1:27:39My girls!
1:27:40 > 1:27:41Dad! Dad!
1:27:41 > 1:27:43How you going, girls?
1:27:50 > 1:27:54SHE SPEAKS IN NATIVE LANGUAGE
1:28:43 > 1:28:45Welcome home, my daughter.
1:29:03 > 1:29:05- Robby'll be here next week, eh? - Ah...!
1:29:11 > 1:29:12Marriage, eh?
1:29:14 > 1:29:15That's fine, I suppose.
1:29:17 > 1:29:20But you're going to have to learn about ceremony and law.
1:29:20 > 1:29:22You'll have to learn how to dodge spears and duck under boondies
1:29:22 > 1:29:25and then we'll take you over there. Not there. There. Way over there.
1:29:25 > 1:29:28- And you're going to be naked, too, right?- Dad, cut it out!
1:29:28 > 1:29:29Nah, gammin!
1:29:30 > 1:29:32Want to come shooting?
1:29:39 > 1:29:42- I am pretty deadly. - You are.
1:29:42 > 1:29:44- We don't have to live here, right? - No, we don't.
1:29:44 > 1:29:46- We'll go into the city. - Sweet.
1:29:55 > 1:29:56# Oooh
1:29:56 > 1:29:58# Sugar pie, honey bunch
1:29:58 > 1:30:01- # Sugar pie, honey bunch - # You know that I love you
1:30:01 > 1:30:03# I love you
1:30:03 > 1:30:06# I can't help myself
1:30:06 > 1:30:09# I love you and nobody else
1:30:10 > 1:30:12# In and out my life
1:30:12 > 1:30:14# In and out my life
1:30:14 > 1:30:15# You come and you go
1:30:15 > 1:30:17# You come and you go
1:30:17 > 1:30:20# Leaving just your picture behind
1:30:20 > 1:30:23# And I kissed it a thousand times... #
1:30:23 > 1:30:25Ladies and gentlemen, the Sapphires!
1:30:25 > 1:30:28# ..When you snap your fingers or wink your eye
1:30:28 > 1:30:31# I come a-running to you
1:30:31 > 1:30:33# I'm tied to your apron strings
1:30:33 > 1:30:35# I can't help myself
1:30:35 > 1:30:38# And there's nothing that I can do
1:30:38 > 1:30:40# Oooh...
1:30:45 > 1:30:49# I can't help myself
1:30:49 > 1:30:53# I love you and nobody else
1:30:54 > 1:30:56# When I call your name
1:30:56 > 1:30:58# Boy, it starts the flame
1:30:58 > 1:31:00# Burning in my heart
1:31:00 > 1:31:01# Tearing it all apart
1:31:01 > 1:31:03# No matter how I try
1:31:03 > 1:31:05# My love I cannot hide
1:31:05 > 1:31:07# Sugar pie, honey bunch
1:31:07 > 1:31:08# Sugar pie, honey bunch
1:31:08 > 1:31:10# You know that I'm weak for you
1:31:10 > 1:31:12# Weak for you
1:31:12 > 1:31:14# I can't help myself
1:31:14 > 1:31:18# I love you and nobody else
1:31:18 > 1:31:20# Oooh
1:31:20 > 1:31:21# Sugar pie, honey bunch
1:31:21 > 1:31:23# Sugar pie, honey bunch
1:31:23 > 1:31:25# I'll do anything you ask me to
1:31:25 > 1:31:27# Ask me to
1:31:27 > 1:31:29# I can't help myself
1:31:29 > 1:31:32# I want you and nobody else
1:31:34 > 1:31:36# Sugar pie, honey bunch
1:31:36 > 1:31:37# Sugar pie, honey bunch
1:31:37 > 1:31:40# You know that I love you
1:31:40 > 1:31:41# I love you
1:31:41 > 1:31:43# I can't help myself
1:31:43 > 1:31:47# I love you and nobody else. #
1:32:10 > 1:32:14# There's a land that is fairer than day
1:32:15 > 1:32:18# And by faith, we can see it afar
1:32:19 > 1:32:23# For the Father waits over the way
1:32:24 > 1:32:28# To prepare us a dwelling place there
1:32:29 > 1:32:33# In the sweet by and by
1:32:34 > 1:32:37# We shall meet on that beautiful shore
1:32:38 > 1:32:42# In the sweet by and by
1:32:43 > 1:32:47# We shall meet on that beautiful shore
1:32:48 > 1:32:52# In the sweet by and by
1:32:53 > 1:32:57# We shall meet on that beautiful shore
1:32:57 > 1:33:04# We shall meet on that beautiful shore. #
1:33:09 > 1:33:12# Bang bang, heat it up Feel my cup filling up
1:33:12 > 1:33:15# Double denim, zip it up
1:33:15 > 1:33:18# I'm feeling, I'm feeling your love
1:33:18 > 1:33:20# Oooh
1:33:20 > 1:33:24# OK, bring my girls Time for pussycats to purr
1:33:24 > 1:33:27# You'll just have to wait your turn
1:33:27 > 1:33:31# Because we're running, we're running the world
1:33:32 > 1:33:35# Whoa, whoa, oh
1:33:35 > 1:33:38# Whoa, whoa, oh
1:33:38 > 1:33:41# Gotcha, gotcha, gotcha by the collar and you're coming with me
1:33:43 > 1:33:46# Whoa, whoa, oh
1:33:46 > 1:33:49# Whoa, whoa, oh
1:33:49 > 1:33:52# Gotcha, gotcha, gotcha in my pocket where I want you to be
1:34:06 > 1:34:09# So you got all the cash and a big kick stash
1:34:09 > 1:34:11# And your car's all waxed
1:34:14 > 1:34:16# But it's all just an act
1:34:16 > 1:34:18# Here we go
1:34:18 > 1:34:21# High beams turned on We do the impossible
1:34:21 > 1:34:25# Can you feel it in your soul?
1:34:25 > 1:34:27# Are you feeling, feeling my love?
1:34:27 > 1:34:30# Yeah!
1:34:30 > 1:34:32# Whoa, whoa, oh
1:34:32 > 1:34:35# Whoa, whoa, oh
1:34:35 > 1:34:38# Gotcha, gotcha, gotcha by the collar and you're coming with me
1:34:41 > 1:34:43# Whoa, whoa, oh
1:34:43 > 1:34:46# Whoa, whoa, oh
1:34:46 > 1:34:50# Gotcha, gotcha, gotcha in my pocket where I want you to be
1:34:52 > 1:34:57# Come, you're being drawn to my door
1:34:57 > 1:35:03# Come, you're banging feet to the floor
1:35:03 > 1:35:09# The room is turning to gold
1:35:09 > 1:35:13# Gold, gold, gold, gold
1:35:13 > 1:35:17# Whoa, whoa, oh
1:35:17 > 1:35:19# Whoa, whoa, oh
1:35:19 > 1:35:22# Gotcha, gotcha, gotcha by the collar and you're coming with me
1:35:25 > 1:35:28# Whoa, whoa, oh
1:35:28 > 1:35:30# Whoa, whoa, oh
1:35:30 > 1:35:34# Gotcha, gotcha, gotcha in my pocket where I want you to be
1:35:35 > 1:35:38# Where I want you to be, yeah. #