0:00:16 > 0:00:18ORCHESTRA WARMS UP
0:00:20 > 0:00:24Ladies and gentlemen.
0:00:24 > 0:00:29The motion picture you are about to see is a story of music.
0:00:29 > 0:00:35I play the role of Tom Miller - a small-time theatrical agent who'd been a...
0:00:36 > 0:00:39Well, you'll see.
0:00:39 > 0:00:44This picture was photographed in the grandeur of cinemascope, and...
0:00:45 > 0:00:48Pardon me.
0:00:57 > 0:01:03This motion picture was photographed in the grandeur of cinemascope,
0:01:03 > 0:01:07and in gorgeous, lifelike colour by Deluxe...
0:01:10 > 0:01:14..gorgeous, lifelike colour by Deluxe!
0:01:23 > 0:01:27Sometimes you wonder who's minding the store.
0:01:29 > 0:01:32Oh, yes. Our story is about music.
0:01:32 > 0:01:38Not the music of long ago, but the music that expresses the culture
0:01:38 > 0:01:42and the polite grace of the present day...
0:01:42 > 0:01:49HIS VOICE IS DROWNED OUT BY LOUD ROCK'N'ROLL MUSIC
0:01:49 > 0:01:52# As she walks by The men folks get 'n' goes
0:01:52 > 0:01:55# She can't help it The girl can't help it
0:01:55 > 0:01:57# As she winks an eye The bread starts turning to toast
0:01:57 > 0:01:59# She can't help it The girl can't help it
0:01:59 > 0:02:03# Yeah, she got a lot Of what they call the most
0:02:03 > 0:02:05# She can't help it The girl can't help it
0:02:05 > 0:02:08# The girl can't help it She was born to please
0:02:08 > 0:02:10# She can't help it The girl can't help it
0:02:10 > 0:02:13# Yeah, she's got A figure made to squeeze
0:02:15 > 0:02:17# Won't you kindly be aware
0:02:17 > 0:02:21# The girl can't help it The girl can't help it
0:02:25 > 0:02:28# As she walks by Men folks get 'n' goes
0:02:28 > 0:02:31# She can't help it The girl can't help it
0:02:31 > 0:02:34# As she winks an eye The bread starts turning to toast
0:02:34 > 0:02:36# She can't help it The girl can't help it
0:02:36 > 0:02:39# Yeah, she got a lot Of what they call the most
0:02:39 > 0:02:41# She can't help it The girl can't help it
0:02:41 > 0:02:44# The girl can't help it She was born to please
0:02:44 > 0:02:46# She can't help it The girl can't help it
0:02:46 > 0:02:49# And she's got A figure made to squeeze
0:02:49 > 0:02:52# She can't help it The girl can't help it
0:02:52 > 0:02:54# Won't you kindly be aware
0:02:54 > 0:02:57# The girl can't help it The girl can't help it
0:02:57 > 0:02:59# Because I'm hoping Honestly
0:02:59 > 0:03:02# That some day The answer will be
0:03:02 > 0:03:05# The girl can't help it Cos she's in love with me
0:03:05 > 0:03:08# She can't help it The girl can't help it. #
0:03:12 > 0:03:16THEY PLAY JAZZ
0:03:23 > 0:03:28Still cadging free drinks, huh? OK, Nick, put it on my tab.
0:03:28 > 0:03:32If I can find room. PHONE RINGS
0:03:33 > 0:03:35Hello? LOUD JAZZ
0:03:35 > 0:03:39Yeah, he's here. It's for you.
0:03:39 > 0:03:43Hello. Yes, this is Miller.
0:03:43 > 0:03:49Sorry, I can't talk now. I'm just closing a big deal on one of my acts.
0:03:52 > 0:03:56It's closed. I make fast deals.
0:03:56 > 0:04:00Tonight? No, I'm working on another big deal tonight.
0:04:00 > 0:04:03What's that address again?
0:04:03 > 0:04:06942...Park Avenue?
0:04:09 > 0:04:11Apartment 1502.
0:04:11 > 0:04:14I might make it after all.
0:04:14 > 0:04:16OK, 8.30.
0:04:34 > 0:04:36DOORBELL RINGS
0:04:40 > 0:04:43I'm Miller. I'm Mousey.
0:04:47 > 0:04:52WOMAN SINGING In there, he's expecting you.
0:04:53 > 0:04:56Who is?
0:04:58 > 0:05:01SINGING GETS LOUDER
0:05:01 > 0:05:04# I didn't have to wait all night
0:05:04 > 0:05:07# Till I began to see the light
0:05:07 > 0:05:09# Kate did a dance that was something new...
0:05:09 > 0:05:13Hey Miller! Grab yourself a chair.
0:05:13 > 0:05:16# ..Why all the boys are going wild
0:05:17 > 0:05:21# Over sister Katie's
0:05:21 > 0:05:23# Style
0:05:24 > 0:05:29# I...wish that I could shimmy like my sister Kate
0:05:29 > 0:05:30# She shivers like the jelly
0:05:30 > 0:05:33# On a plate HE LAUGHS
0:05:33 > 0:05:36# My man, he wanted to know last night
0:05:36 > 0:05:39# Why all the boys treat sister Kate so right
0:05:39 > 0:05:43# Every boy in our neighbourhood
0:05:43 > 0:05:47# Knows that she can shimmy And she shimmies good...
0:05:47 > 0:05:49Lay off the booze, Miller.
0:05:49 > 0:05:53# ..When I can shimmy like my sister Kate, uh-huh
0:05:53 > 0:05:59# Shimmy like my sister Kate. #
0:06:00 > 0:06:03APPLAUSE
0:06:05 > 0:06:08Put the other reel on, Mousey.
0:06:10 > 0:06:14I love old movies at home. Like TV, except no commercials.
0:06:14 > 0:06:17Glad you could come, Miller. Thanks, Mr...
0:06:17 > 0:06:22Murdock. You can forget the mister. My friends call me Marty.
0:06:22 > 0:06:24Fats Marty.
0:06:24 > 0:06:27Fats Marty? Ring a bell?
0:06:27 > 0:06:33Vaguely, I seem to remember the name. Vaguely. Vaguely I don't like it.
0:06:33 > 0:06:35My memory isn't the best. Drink?
0:06:35 > 0:06:38Oh, you were hoarding it. That's brandy.
0:06:38 > 0:06:42You're a scotch man. Didn't want you to make a mistake.
0:06:42 > 0:06:46I know everything about the people I do business with.
0:06:46 > 0:06:51Business ain't been so good lately? I won't waste time lying.
0:06:51 > 0:06:55I got no time to waste. Tom Miller, small-time agent.
0:06:55 > 0:07:00Once a touch of class, but dropping steadily. Owes maybe three G -
0:07:00 > 0:07:04office rent, apartment, big bar bills.
0:07:04 > 0:07:09Hey, you even had your Diners' Club card cancelled.
0:07:09 > 0:07:12You left out I owe the paper boy.
0:07:12 > 0:07:18I also left out you once had a nose for new talent - dug up some big canaries.
0:07:18 > 0:07:21But the booze got in your way.
0:07:21 > 0:07:24Couldn't hold on to the canaries, right?
0:07:26 > 0:07:29Right. Anything else I can tell you?
0:07:29 > 0:07:35Like MY drinking is MY business? Thanks for the autobiography.
0:07:35 > 0:07:39Integrity. I like that. Even when you can't afford it.
0:07:39 > 0:07:43Ha-ha-ha! Ha-ha-ha-ha!
0:07:43 > 0:07:45That makes it integrity.
0:07:45 > 0:07:47Hey.
0:07:47 > 0:07:51Hey, you got a point there.
0:07:51 > 0:07:53OK, cool off.
0:07:53 > 0:07:59You never mixed business with pleasure. Kept your hands off the lady clients.
0:07:59 > 0:08:02That I like.
0:08:02 > 0:08:07Si'down, Mr Miller. We're both a couple of has-beens...temporarily.
0:08:07 > 0:08:10Come on, si'down.
0:08:10 > 0:08:13All right, roll it, Mousey. Here's your drink.
0:08:13 > 0:08:18I collect old newreels I got personal interest in.
0:08:20 > 0:08:23NEWSREEL: 'Mayor of New York personally attacks illegal gambling.
0:08:23 > 0:08:26'Mayor hits jackpot.
0:08:26 > 0:08:31'Mayor bids bon voyage to slots. Now other poor fish can gamble.
0:08:34 > 0:08:38'Back at the municipal court, the king of the slot-machine syndicate,
0:08:38 > 0:08:40'Slim Murdock, goes into custody.'
0:08:40 > 0:08:43I was slim back in those days.
0:08:43 > 0:08:48'Gambling equipment from raid on Murdock's Long Island casino burns.
0:08:48 > 0:08:54'A tip by Legs Wheeler, 13 of Murdock's mob are killed. Murdock vows to wipe out Wheeler.'
0:08:54 > 0:08:59I got out of that one too. I had lawyers in those days.
0:08:59 > 0:09:04I jumped bail. That's how come I took my first trip to the Continent.
0:09:04 > 0:09:07I was kind of a talent scout myself.
0:09:08 > 0:09:11'Slim Murdock relaxes on Riviera.
0:09:16 > 0:09:20'While New York Crime Commission seeks his extradition,
0:09:20 > 0:09:25'Slim Murdock puts on weight making whoopie with European beauties.
0:09:25 > 0:09:27'Nice going, Fats!'
0:09:27 > 0:09:32"Fats"! That European coosine and no work put the lard on.
0:09:32 > 0:09:35Gave me a moniker I never could lose.
0:09:35 > 0:09:38I had me a time over there.
0:09:38 > 0:09:42Then I got lonely for my native land.
0:09:42 > 0:09:48You know, "Breathes there a man with soul so dead..." You know that one?
0:09:48 > 0:09:52My lawyer tells me the heat's off, so I come home.
0:09:52 > 0:09:54I find out my lawyer's disbarred.
0:09:54 > 0:10:02'Atlanta Penitentiary, future home of Fats Murdock, indicted on three counts of income tax evasion.'
0:10:02 > 0:10:05Now comes the sad part.
0:10:05 > 0:10:09'Fats arrives to start prison term on tips supplied by Legs Wheeler.
0:10:09 > 0:10:14'Once a big man, Fats will now be just another number.'
0:10:23 > 0:10:27Fats Marty. Of course.
0:10:27 > 0:10:31The top boy behind the slot machines.
0:10:31 > 0:10:33I should have remembered.
0:10:33 > 0:10:36Sorry, Fats.
0:10:36 > 0:10:39HE TRIES TO SPEAK
0:10:40 > 0:10:44It's all right, Tommy boy. It's all right.
0:10:44 > 0:10:48Nobody remembers Fats, no more, Tommy boy.
0:10:48 > 0:10:51But things used to be different.
0:10:51 > 0:10:56I'd drive down those streets and scare people silly. I was somebody.
0:10:56 > 0:11:00I used to get bullet-proof convertibles, ring-side tables,
0:11:00 > 0:11:05best box at the polo grounds, right next to the mayor's, you know?
0:11:05 > 0:11:08I know.
0:11:08 > 0:11:12Now I'm so dead, I don't even get a mention in a scandal magazine.
0:11:12 > 0:11:18You used to be a big man. You want to come back, don't you?
0:11:18 > 0:11:22I can't go back any further. So we're in business, right? Right.
0:11:22 > 0:11:25What business? Show business.
0:11:25 > 0:11:30I got a dame, see? Nice, sweet, innocent dame.
0:11:30 > 0:11:35But she's a nobody. How can I marry a nobody? You saw her.
0:11:35 > 0:11:39I was up there once. That's where you come in.
0:11:39 > 0:11:45You're gonna make her into a star. Then the dame and me, we're compatible.
0:11:45 > 0:11:52For openers, I pay all your bills, so you can concentrate on building the dame into a big canary.
0:11:52 > 0:11:56Only remember - hands off, like you got the rep for.
0:11:56 > 0:12:01You'll take me out of hock? 10 Gs now. Advance against your 10%.
0:12:01 > 0:12:07A drawn account for songs, special materials, special arrangements, etc, etc, etc.
0:12:07 > 0:12:10It's a deal? It's a deal.
0:12:10 > 0:12:13Signed, sealed and now...delivered!
0:12:15 > 0:12:17Hey, Mousey! Yeah, boss.
0:12:17 > 0:12:20Bring in my future star! Yeah, boss.
0:12:20 > 0:12:24Easy, Fats, you just can't take any girl and make her a star.
0:12:24 > 0:12:29You've done it before... Not me, Fats. The girls had talent.
0:12:29 > 0:12:37I've met guys like you. They think a dame has something special, but usually she's got nothing.
0:12:37 > 0:12:43I could lie to you, Fats. Take your 10 grand, go through the motions. I can't do it.
0:12:43 > 0:12:48Call it integrity, or some other dirty word, but I can't do it.
0:12:48 > 0:12:52The girl would know I wasn't interested.
0:12:52 > 0:12:56I won't embarrass her. I'll beat it before she shows.
0:12:56 > 0:12:58Huuuugh! ICE CLINKS IN GLASS
0:13:01 > 0:13:03Mr Miller...
0:13:03 > 0:13:09Miss Jerri Jordan. I made up the name myself. It'll look good in lights. You like it?
0:13:10 > 0:13:16Very much. Tommy boy, I'm putting her in your hands, figuratively speaking.
0:13:16 > 0:13:19You got six weeks to have her a star.
0:13:19 > 0:13:23The first thing... Six weeks! Easy, it takes time.
0:13:23 > 0:13:27Rome wasn't built in a day. She ain't Rome.
0:13:27 > 0:13:31What we're talking about is already built. Right?
0:13:31 > 0:13:33No argument.
0:13:33 > 0:13:37# Yo-our eyes they shine
0:13:37 > 0:13:39# Like stars
0:13:39 > 0:13:41# So bright
0:13:42 > 0:13:44# Brighter
0:13:44 > 0:13:46# Than the heavens
0:13:46 > 0:13:48# Above
0:13:51 > 0:13:55# Some folks may want the stars
0:13:55 > 0:13:59# For stars are always blue
0:13:59 > 0:14:01# But darling
0:14:01 > 0:14:04# Let them have the stars
0:14:04 > 0:14:07# Just take me back to you
0:14:07 > 0:14:16# Yo-ou made a mirror of iron tonight
0:14:16 > 0:14:23# You're my idea of love. #
0:14:31 > 0:14:34Beat it, dead beat.
0:14:34 > 0:14:38Scotch. Bottle of Scotch.
0:14:38 > 0:14:41NEXT SONG STARTS
0:14:42 > 0:14:44Huh!
0:14:44 > 0:14:48Hey! What d'you do, find uranium somewhere? Yep.
0:14:48 > 0:14:52In Rome, Nicky boy. In Rome.
0:14:52 > 0:14:55Cigars? Cigarettes? Hmmm.
0:14:55 > 0:14:58Cigars? Cigarettes? Ha-ha-ha-ha.
0:14:58 > 0:15:01Why not?
0:15:07 > 0:15:10We'll smoke 'em tomorrow, honey.
0:15:10 > 0:15:12Ooof! Huh!
0:15:12 > 0:15:16But tonight... they're playing our song.
0:15:31 > 0:15:33# Gonna find me a pretty mama
0:15:33 > 0:15:35# One that's gonna treat me right
0:15:35 > 0:15:37# Gonna find me a pretty mama
0:15:37 > 0:15:39# One that won't fuss and fight
0:15:39 > 0:15:42# Cos I ain't gonna cry no more
0:15:42 > 0:15:43# I ain't gonna cry no more
0:15:43 > 0:15:46# Well, you take you and your fella
0:15:46 > 0:15:48# And make just like the breeze
0:15:48 > 0:15:51# Yeah, you take you and your fella
0:15:51 > 0:15:52# And add that sauce to eat
0:15:52 > 0:15:55# Cos I ain't gonna cry no more
0:15:55 > 0:15:57# I ain't gonna cry no more. #
0:16:07 > 0:16:11Get your mornin' papers!
0:16:11 > 0:16:16Get your mornin' paper, ma'am? No thanks, honey.
0:16:16 > 0:16:18Can you tell me where I can find 341?
0:16:18 > 0:16:22Second block, ma'am. Thanks, sonny.
0:16:22 > 0:16:23HE WOLF-WHISTLES
0:16:23 > 0:16:29# She can't help it The girl can't help it
0:16:29 > 0:16:32# When she walks by The men folks get 'n' goes
0:16:32 > 0:16:34# Can't help it The girl can't help it
0:16:34 > 0:16:37# When she winks an eye Bread starts turning to toast
0:16:37 > 0:16:39# She can't help it The girl can't help it
0:16:39 > 0:16:42# Yeah, she got a lot of what they call the most
0:16:42 > 0:16:44# She can't help it The girl can't help it
0:16:44 > 0:16:47# The girl can't help it Cos she was born to please
0:16:47 > 0:16:49# She can't help it The girl can't help it
0:16:49 > 0:16:52# And she's got a figure made to squeeze
0:16:52 > 0:16:54# She can't help it The girl can't help it
0:16:54 > 0:16:57# Won't you kindly be aware
0:16:57 > 0:17:00# The girl can't help it The girl can't help it. #
0:17:20 > 0:17:23HE GROANS
0:17:24 > 0:17:26Hup!
0:17:41 > 0:17:43HE SIGHS
0:17:52 > 0:17:54DOOR SLAMS
0:17:58 > 0:18:02Good morning, Mr Miller. What are you doing here?
0:18:02 > 0:18:07What do you mean? You want my funeral in Fats' newsreels?
0:18:07 > 0:18:10But Mr Murdock sent me over.
0:18:10 > 0:18:14He sent you? So you can start working on me.
0:18:14 > 0:18:17Honey, this is no place to start.
0:18:17 > 0:18:23I've been in men's bedrooms before. I grew up with seven brothers and a father.
0:18:23 > 0:18:27Besides, you're half-dressed already.
0:18:34 > 0:18:39Don't come in here. I think you need this.
0:18:39 > 0:18:41What's in it?
0:18:41 > 0:18:45It'll make you feel better. Are you sure?
0:18:45 > 0:18:50I made them for my father. He drank a lot trying to forget my mother.
0:18:50 > 0:18:53I'm sorry, I... Sorry?
0:18:53 > 0:18:58I didn't know your mo... She isn't - that's why my father drank.
0:19:04 > 0:19:08How do you feel now, Mr Miller? Fine.
0:19:08 > 0:19:15Bottle that recipe, you'll make a fortune. Ha-ha! You oughtn't to be doing all this.
0:19:15 > 0:19:19I'm domestic. I hope you like egg souffle.
0:19:19 > 0:19:24Souffle? Mm-hmm. It's not exactly a breakfast, but it's eggs.
0:19:24 > 0:19:27I figured you took strong coffee.
0:19:27 > 0:19:30Good figuring.
0:19:30 > 0:19:34Except I wouldn't have figured you as...domestic.
0:19:34 > 0:19:37It's one of my favourite pastimes.
0:19:38 > 0:19:42What is? Cooking. OVEN DOOR SQUEAKS
0:19:44 > 0:19:49What are the others? Oh, keeping house. You know.
0:19:49 > 0:19:52Keeping everything neat.
0:19:52 > 0:19:55I noticed that. Mmm?
0:19:55 > 0:20:00Not HIS place, I mean my own place. You th...
0:20:00 > 0:20:03Oh, no, I mean MY OWN place.
0:20:03 > 0:20:09But I only get a chance to keep house on the maid's day off. How's your souffle?
0:20:13 > 0:20:17Bottle it. You got another fortune. I'm glad you like it.
0:20:17 > 0:20:21I like it but... I'm a little confused.
0:20:21 > 0:20:26Who isn't? You know, sometimes I think I'm mixed up.
0:20:26 > 0:20:30I mean, if you like keeping house, why a maid?
0:20:30 > 0:20:35Mr Murdock doesn't want me to work. He says I have to BE a career.
0:20:35 > 0:20:41Have to be? Most pretty girls WANT careers. Pretty!
0:20:41 > 0:20:45You should see me without make-up. I'll show you some time.
0:20:45 > 0:20:51Pretty is how good you apply your base. You don't want a career?
0:20:51 > 0:20:54I just wanna be a wife.
0:20:54 > 0:20:56Have kids.
0:20:56 > 0:21:00But everyone figures me for a sexpot.
0:21:00 > 0:21:04No-one thinks I'm equipped for motherhood.
0:21:06 > 0:21:07# Ready, set
0:21:07 > 0:21:08# Go man, go
0:21:08 > 0:21:11# I've got a girl that I love so
0:21:11 > 0:21:12# I'm ready
0:21:12 > 0:21:16# Ready, ready, set I'm ready
0:21:16 > 0:21:17# Ready, ready set I'm
0:21:17 > 0:21:20# Ready, ready, ready to Rock'n'roll
0:21:20 > 0:21:22# Going to the corner Pick up my sweetie pie
0:21:22 > 0:21:24# She's my rock'n'roll baby She's the apple of my eye
0:21:24 > 0:21:25# I'm ready
0:21:25 > 0:21:30# Ready, ready, set I'm ready
0:21:30 > 0:21:31# Ready, ready, set I'm
0:21:31 > 0:21:33# Ready, ready, ready to Rock'n'roll
0:21:33 > 0:21:35# All the flat top cats And the dungaree dogs
0:21:35 > 0:21:38# Are heading from the gym To the society ball
0:21:38 > 0:21:39# The dogs are really jumpin'...
0:21:39 > 0:21:42Mr Miller? Yes.
0:21:42 > 0:21:46Why must I keep my stole on in here?
0:21:46 > 0:21:49It's the first step in your build-up.
0:21:49 > 0:21:53You're building me up? I'll explain later.
0:21:53 > 0:21:55# ..Are heading from the gym To the society ball
0:21:55 > 0:21:58# The dogs are really jumpin' The cats are going wild
0:21:58 > 0:22:00# The music really seem Like it did the first time
0:22:00 > 0:22:01# I'm ready
0:22:01 > 0:22:05# Ready, ready, steady I'm ready
0:22:05 > 0:22:07# Ready, ready, steady
0:22:07 > 0:22:09# Ready, ready, ready to Rock'n'roll
0:22:09 > 0:22:11# Gonna kick off my shoes Roll up my faded jeans
0:22:11 > 0:22:13# Tell my rock'n'roll baby To get up on the stage
0:22:13 > 0:22:15# I step to the left I step to the right
0:22:15 > 0:22:18# Gonna rock and roll To the early, early night
0:22:18 > 0:22:19# I'm ready
0:22:19 > 0:22:23# Ready, ready, steady I'm ready
0:22:23 > 0:22:24# Ready, ready, steady
0:22:24 > 0:22:28# Ready, ready, ready to Rock'n'roll. #
0:22:37 > 0:22:40It depends on strategy.
0:22:40 > 0:22:47If I told the owner I had a sensational performer, he has to figure I'm axe-grinding for my 10%.
0:22:47 > 0:22:52But if I DON'T try to sell him, he sees her, he flips,
0:22:52 > 0:22:54and he comes to me to check on her.
0:22:54 > 0:22:59I don't see anybody flipping or checking. You will.
0:22:59 > 0:23:04Take your stole off and go to the powder room. Powder room?
0:23:04 > 0:23:07Just visit a while.
0:23:07 > 0:23:12But walk by the reservation desk - that's where the owner hangs out.
0:23:12 > 0:23:15On your way.
0:23:15 > 0:23:18Seems awfully silly, Mr Miller.
0:23:20 > 0:23:25Operation Powder Room in operation. Yes, sir!
0:23:25 > 0:23:27# Looking so pretty And this is what I say
0:23:27 > 0:23:29# She's got it
0:23:29 > 0:23:33# Ooh, baby, she's got it
0:23:33 > 0:23:36# I can't do without her
0:23:36 > 0:23:38# Big blue eyes Long black hair
0:23:38 > 0:23:40# Ample cheeks And she's no square
0:23:40 > 0:23:41# She's got it
0:23:41 > 0:23:46# Ooh, baby, she's got it
0:23:46 > 0:23:48# I can't do without her
0:23:48 > 0:23:51# Her ruby lips Shapely hips
0:23:51 > 0:23:53# She walk down the street And all the cats flips
0:23:53 > 0:23:54# She's got it
0:23:54 > 0:23:58# Ooh, baby, she's got it
0:23:58 > 0:24:01# I can't do without her
0:24:01 > 0:24:02# She love to sing
0:24:02 > 0:24:03# Hot-rod queen
0:24:03 > 0:24:05# She's real gone in everything
0:24:05 > 0:24:07# She's got it
0:24:07 > 0:24:11# Ooh, baby, she's got it
0:24:11 > 0:24:12# I can't do without her
0:24:12 > 0:24:14# Aaaaa-ah.... #
0:24:21 > 0:24:25It seems silly. I gave the powder room lady a quarter - what for?
0:24:25 > 0:24:31Listen. Don't say anything except, "Ask my agent." "Ask my agent"?
0:24:31 > 0:24:35No matter what anyone says, you say, "Ask my agent."
0:24:35 > 0:24:39Hi, Tom, haven't seen you lately. How's Julie London?
0:24:39 > 0:24:43Hiya, Lucas, like the show. I hope madame shares your opinion.
0:24:43 > 0:24:47Ask my agent. The beautiful lady is a performer, hey?
0:24:47 > 0:24:50Ask my agent.
0:24:50 > 0:24:54What do you do? Er, sing, dance..?
0:24:54 > 0:24:58Ask my agent. Oh, ha-ha-ha!
0:24:58 > 0:25:01The lady's a comedienne, hey?
0:25:01 > 0:25:06She's under wraps, Lucas. See you around. Come on, honey.
0:25:06 > 0:25:10Hey, Tom - you sell her anywhere else, and you're barred from here.
0:25:10 > 0:25:14You couldn't meet her price, Lucas.
0:25:14 > 0:25:17She's got it all.
0:25:18 > 0:25:20# I wanna kiss
0:25:20 > 0:25:21# I wanna cling
0:25:21 > 0:25:22# But baby there's a time and place for everything
0:25:22 > 0:25:25# So please, please, cool it, baby
0:25:25 > 0:25:27# Show the gang you ain't no square
0:25:27 > 0:25:29# Cool it, baby
0:25:29 > 0:25:32# We don't want those cats to stare
0:25:32 > 0:25:35# Coolly do it, baby Make like a polar bear
0:25:36 > 0:25:38# Oh, there's Sam with Sue Viv with Gus
0:25:38 > 0:25:41# They all got stooby-dooby eyes on us
0:25:41 > 0:25:42# So cool it, baby
0:25:42 > 0:25:45# Oh, you know I need you so
0:25:45 > 0:25:46# Cool it, baby
0:25:46 > 0:25:49# Take it easy, take it slow
0:25:49 > 0:25:52# Coolly do it, baby Make like an eskimo
0:26:07 > 0:26:10# I love your eyes I love your lips
0:26:10 > 0:26:12# They taste even better than potato chips
0:26:12 > 0:26:14# Cool it, baby...
0:26:16 > 0:26:20You want anything, miss? No thanks, just visiting.
0:26:24 > 0:26:31# ..We'll go, go, go Till we're all in love again. #
0:26:39 > 0:26:43# She's got sugar-dip kisses Sugar-dip kisses
0:26:43 > 0:26:45# And cherry-dip charms Cherry-dip charms
0:26:45 > 0:26:49# And I melt like butter Melt like butter
0:26:49 > 0:26:51# In her honey-coat arms In her honey-coat arms
0:26:51 > 0:26:55# She's a kick-flicking baby Oh, what a baby
0:26:55 > 0:26:58# And I love her pies Love her pies
0:26:58 > 0:27:00# But she's a cinnamon sinner
0:27:00 > 0:27:03# Selling lollipop lies
0:27:03 > 0:27:07# She's got sugar-dip trimmings Sugar-dip trimmings
0:27:07 > 0:27:10# Sprinkled with lime Sprinkled with lime
0:27:10 > 0:27:13# And her heart ever lovin' Heart ever lovin'
0:27:13 > 0:27:16# Is cookin' all the time
0:27:16 > 0:27:19# Well, she's a kick-flicking baby Oh, what a baby
0:27:19 > 0:27:22# And I love her pies Love her pies
0:27:22 > 0:27:25# But she's a cinnamon sinner
0:27:25 > 0:27:28# Selling lollipop lies
0:27:29 > 0:27:34# Who's gonna buy her lies today?
0:27:35 > 0:27:41# Who's gonna be unwise today?
0:27:41 > 0:27:44# Well, who's gonna need Who's gonna need
0:27:44 > 0:27:47# Who's gonna need her sympathy?
0:27:47 > 0:27:49# Who? Who? Who? Who?
0:27:49 > 0:27:52# Who, but a fool like me?
0:27:52 > 0:27:56# But she's my marsh-mallow mama Oh, what a mama
0:27:56 > 0:27:59# With a jelly-roll heart Jelly-roll heart
0:27:59 > 0:28:02# She's a sweet-toothed teaser
0:28:02 > 0:28:04# Who, who Can really play her part
0:28:05 > 0:28:09# But I think she's second sister
0:28:09 > 0:28:11# Wearing a disguise
0:28:11 > 0:28:14# For my cinnamon sinner
0:28:14 > 0:28:19# Selling lollipop lies. #
0:28:28 > 0:28:33If it isn't Miller, the demon agent. Where you been hiding? Around.
0:28:33 > 0:28:36We were just leaving, Sam.
0:28:36 > 0:28:42Come on, honey. You got to be up early to work on the new arrangement.
0:28:42 > 0:28:44Arrangement? You sing, too?
0:28:44 > 0:28:47Ask my agent.
0:28:48 > 0:28:51I intend to.
0:28:51 > 0:28:54You couldn't meet her price, Sam.
0:28:59 > 0:29:01# Spread the word Spread the gospel
0:29:01 > 0:29:03# Let the congregation know
0:29:03 > 0:29:08# That a cornet was the downfall Of the walls of Jericho
0:29:08 > 0:29:10# Spread the word
0:29:10 > 0:29:13# Spread the gospel
0:29:13 > 0:29:15# Speak the truth
0:29:15 > 0:29:18# It will be heard
0:29:18 > 0:29:22# Till the next revival meeting
0:29:22 > 0:29:27# Spread the gospel Spread the word
0:29:27 > 0:29:30# So he writ the manuscriptures
0:29:30 > 0:29:32# Did the leader of the flock
0:29:32 > 0:29:35# And his music is my saviour
0:29:35 > 0:29:37# And his rhythm is my rock
0:29:37 > 0:29:39# Spread the word
0:29:39 > 0:29:42# Spread the gospel
0:29:42 > 0:29:44# Speak the truth
0:29:44 > 0:29:47# It will be heard
0:29:47 > 0:29:51# Go among the disbelievers
0:29:51 > 0:29:56# Spread the gospel Spread the word
0:29:56 > 0:29:59# Angel Gabriel blows his trumpet...
0:29:59 > 0:30:02Now? Now.
0:30:06 > 0:30:08# ..Spread the word
0:30:08 > 0:30:10# Spread the gospel
0:30:10 > 0:30:13# Speak the truth
0:30:13 > 0:30:15# It will be heard
0:30:15 > 0:30:20# Till we get there with the faithful...
0:30:22 > 0:30:28Pardon me, miss. I'm Joe Rodgers. I own this place. Can I be of any service?
0:30:28 > 0:30:32I'm going to the powder room! Ooh, that was an ad lib.
0:30:32 > 0:30:36Sorry, ask my agent. Bye bye.
0:30:39 > 0:30:41# ..Speak the truth
0:30:41 > 0:30:44# It will be heard
0:30:44 > 0:30:49# Glory be And hallelujah
0:30:49 > 0:30:56# Spread the gospel Spread the word. #
0:30:56 > 0:30:59APPLAUSE
0:31:02 > 0:31:05SLOW DANCE MUSIC
0:31:11 > 0:31:14See how that strategy pans out?
0:31:14 > 0:31:19The first time out, and already four owners are drooling over you.
0:31:20 > 0:31:23Not now. The owner isn't at the desk.
0:31:23 > 0:31:26This one's on me.
0:31:48 > 0:31:53I never noticed before, but they put them too far from the tables.
0:31:53 > 0:31:57No more walking. I promise. Hm.
0:31:57 > 0:32:00Good night, Jerri. Good night, Mr Miller.
0:32:00 > 0:32:03See you tomorrow. Mm-hmm.
0:32:03 > 0:32:05Oh, Mr Miller...
0:32:05 > 0:32:09Mmm? Why do you drink so much?
0:32:09 > 0:32:13Just a habit, I suppose. A girl habit?
0:32:13 > 0:32:17Girls? No! I haven't got a girl!
0:32:20 > 0:32:22Mr Miller.
0:32:22 > 0:32:25If it was Julie London...
0:32:25 > 0:32:28she wasn't very bright.
0:32:59 > 0:33:02RECORD CRACKLES
0:33:06 > 0:33:09MUSIC BEGINS
0:33:26 > 0:33:34# Now you say you're lonely
0:33:34 > 0:33:39# You cry the long night through
0:33:39 > 0:33:43# Well, you can cry me a river
0:33:45 > 0:33:47# Cry me a river
0:33:48 > 0:33:51# I cried a river
0:33:51 > 0:33:55# Over you
0:33:56 > 0:34:02# Now you say you're sorry
0:34:03 > 0:34:09# For being so untrue
0:34:09 > 0:34:13# Well, you can cry me a river
0:34:14 > 0:34:17# Cry me a river
0:34:18 > 0:34:21# I cried a river
0:34:21 > 0:34:26# Over you
0:34:26 > 0:34:28# You drove me
0:34:28 > 0:34:32# Nearly drove me out of my head
0:34:32 > 0:34:36# While you never shed
0:34:36 > 0:34:39# A tear
0:34:41 > 0:34:44# Remember, I remember
0:34:44 > 0:34:48# All that you said
0:34:48 > 0:34:51# Told me love was too plebian
0:34:51 > 0:34:55# Told me you were through with me
0:34:55 > 0:34:58# And now
0:34:58 > 0:35:03# You say you love me
0:35:03 > 0:35:06# Well, just to prove
0:35:06 > 0:35:09# You do
0:35:09 > 0:35:13# Come on and cry me a river
0:35:14 > 0:35:17# Cry me a river
0:35:18 > 0:35:21# I cried a river
0:35:21 > 0:35:25# Over you
0:35:32 > 0:35:35# I cried a river
0:35:35 > 0:35:39# Over you
0:35:39 > 0:35:42VOICE ECHOES: # I cried a river
0:35:42 > 0:35:46# Over you
0:35:46 > 0:35:49VOICE FADES: # I cried a river
0:35:49 > 0:35:54# Over you
0:35:54 > 0:35:56# I cried a river
0:35:56 > 0:36:00# Over you... #
0:36:07 > 0:36:11He picked her up at her place, 9.25. Cab to the Hi-Hat,
0:36:11 > 0:36:18Late Place, Jungle Room, Sunrise Club, cab back, left her at the front door, 2.40.
0:36:18 > 0:36:22Pub crawl, huh? I don't get it, and I don't like it.
0:36:22 > 0:36:25Tell him to come to Long Island tomorrow.
0:36:25 > 0:36:29Never mind. You better call Jerri. Why?
0:36:29 > 0:36:32Something's wrong.
0:36:32 > 0:36:35Every place, first thing.
0:36:35 > 0:36:38Off to the powder room.
0:36:39 > 0:36:41Poor kid.
0:36:49 > 0:36:54What do you mean, "What does she do?" Listen, Rodgers, she sings.
0:36:54 > 0:36:57She's got a great pair of lungs.
0:36:59 > 0:37:02Come up with a deal and we'll talk.
0:37:02 > 0:37:04KNOCK ON DOOR Come in.
0:37:04 > 0:37:07Mr Miller, look!
0:37:07 > 0:37:10Made it, huh?
0:37:12 > 0:37:15Tom Miller pubbed it with a new find.
0:37:15 > 0:37:19Her name is a secret but the rest of her isn't.
0:37:19 > 0:37:23I saw her yesterday. She's something!
0:37:23 > 0:37:25She's a girl, Barry. Just a girl.
0:37:25 > 0:37:29If she's a girl, then I don't know what my sister is!
0:37:32 > 0:37:35CAR HORN TOOTS OUTSIDE
0:37:36 > 0:37:40You ready up there? I'm ready!
0:37:40 > 0:37:43Oh, hi, how are you, sonny?
0:37:43 > 0:37:47"Sonny". That's what makes juvenile delinquent.
0:37:49 > 0:37:53Leave the papers here, Barry. Listen, Mr Miller.
0:37:53 > 0:37:59Take me on for a client. That would impress her. I can sing, honest!
0:37:59 > 0:38:02Sorry, Barry, I got my hands full.
0:38:02 > 0:38:06There's gotta be an answer to that.
0:38:13 > 0:38:16He has a place out here, too?
0:38:16 > 0:38:20It used to be the casino. He likes it because of the memories.
0:38:20 > 0:38:24The old ancestral home, huh? Mr Murdock wasn't born there.
0:38:24 > 0:38:31But most of his best friends were killed there, you know, in police raids and everything.
0:38:32 > 0:38:36Don't worry, Mr Murdock put new carpets in all over.
0:38:45 > 0:38:49Well, how's this for a picnic?
0:38:49 > 0:38:53Picnic? It's a surprise! I'll get the lunch.
0:38:53 > 0:38:57Won't Fats be surprised? He's expecting us.
0:38:57 > 0:39:02We have lots of time. You get the basket, I'll undress.
0:39:02 > 0:39:05Undress? Wait a minute.
0:39:19 > 0:39:22There are blankets in here, too.
0:39:22 > 0:39:27Blankets? To sit on! Come on, bring the lunch.
0:39:31 > 0:39:33If I have the strength.
0:39:53 > 0:39:57My mother would say, "Be nice to Mr Murdock, Georgiana."
0:39:57 > 0:40:02My father would say the same, so I'm nice to Mr Murdock.
0:40:02 > 0:40:05Georgiana. I like that.
0:40:05 > 0:40:09Now I'm a Jerri. You think a boy's name fits me?
0:40:10 > 0:40:12Hardly.
0:40:12 > 0:40:16I sure don't think it does. You like how I fry fried chicken?
0:40:16 > 0:40:19Delicious.
0:40:19 > 0:40:24Yesterday you wanted me to bottle everything.
0:40:24 > 0:40:26OK, bottle it!
0:40:27 > 0:40:32When did you first meet Fat... Mr Murdock?
0:40:32 > 0:40:36I was just a kid. You know, young, but developed early.
0:40:36 > 0:40:41Where did you meet him? In Atlanta, on visiting days.
0:40:41 > 0:40:46At the penitentiary? Mm-hmm. I went there with my father.
0:40:46 > 0:40:51You see, Mr Murdock and my father were former business associates.
0:40:51 > 0:40:53I'm afraid it's just lemonade.
0:40:53 > 0:40:58Not that frozen stuff. I squeezed fresh lemons early this morning.
0:40:58 > 0:41:03Early, before you had your base on? I was a mess!
0:41:03 > 0:41:05I don't believe it.
0:41:05 > 0:41:09Then when did you and Murdock get together again?
0:41:09 > 0:41:15He's finally got out of jail. Now I could visit my father for a change.
0:41:15 > 0:41:21But I'd grown up. One night Mr Murdock looked at me funny and it happened. I see.
0:41:21 > 0:41:24Oh, nothing like that.
0:41:24 > 0:41:28Mr Murdock looked at me funny and said he was falling in love with me.
0:41:28 > 0:41:33I said I was the first girl he'd made a pass at since he got out.
0:41:33 > 0:41:39He said, no, he really did love me, and he was going to make me a somebody.
0:41:39 > 0:41:43We better go now. I'm sorry, I talk so much.
0:41:43 > 0:41:49It was very interesting, Georgiana. A love story always is. Love story? I owe him.
0:41:49 > 0:41:51Owe him?
0:41:51 > 0:41:57For my father. Like I told you, they were business associates.
0:41:57 > 0:42:02If it wasn't for Mr Murdock, my father would have got life, not ten years.
0:42:11 > 0:42:13SHOTS FIRE
0:42:13 > 0:42:15What was that?!
0:42:15 > 0:42:20It's just the exhaust from a fishing boat.
0:42:20 > 0:42:23Don't be so nervous, Mr Miller!
0:42:23 > 0:42:26If it's what I'm thinking...
0:42:37 > 0:42:39GUN FIRES
0:42:39 > 0:42:43You haven't lost the old pitchin' arm, boss.
0:42:43 > 0:42:48- Ain't they supposed to be here? - Don't worry about Jerri.
0:42:48 > 0:42:51She's always on the dot.
0:42:51 > 0:42:53(She'd better be.)
0:42:54 > 0:42:58Legs Wheeler tipped off the cops. It was a massacre.
0:42:58 > 0:43:03Pittsburgh Phil got it right here, next to shot-gun Shortie.
0:43:03 > 0:43:06Oh, yeah, Baby Face Ranaldi.
0:43:06 > 0:43:10This is where he got blasted, right through the hat band.
0:43:10 > 0:43:13That makes 13, don't it?
0:43:13 > 0:43:17I stopped counting with Mugsy The Mugger. Oh, Mugsy.
0:43:17 > 0:43:22Nice guy. Looked like a sieve. He got it right where you're sitting.
0:43:22 > 0:43:26You need a refill. You know something, Tommy boy?
0:43:26 > 0:43:31I could run guided tours through this joint! Ha-ha-ha!
0:43:33 > 0:43:38It's kind of a educational, kind of historical kind of place.
0:43:38 > 0:43:42It's not one of them "George Washington slept here" places.
0:43:42 > 0:43:46But the guys that slept here really slept here, huh? Ha-ha-ha-ha!
0:43:48 > 0:43:49Hey!
0:43:49 > 0:43:52Jerri! Yes.
0:43:52 > 0:43:56I told you before. No apron!
0:43:56 > 0:43:59I was just fixing crepes suzette, Mr Murdock.
0:43:59 > 0:44:03Well, stop fixing - they're fattening!
0:44:03 > 0:44:07Dumb broad! All she thinks of is cooking.
0:44:07 > 0:44:12How can you make a star with a waistline full of calories?
0:44:12 > 0:44:15I'm not gonna make her a star, Fats.
0:44:15 > 0:44:17You're not what?
0:44:17 > 0:44:22I want out of the deal, Fats. Get yourself another agent.
0:44:22 > 0:44:26I got myself an agent. Be reasonable, Fats.
0:44:26 > 0:44:30She isn't interested in a career. You just said so yourself.
0:44:30 > 0:44:37If a girl's gonna make it big in show business, she's got to be... vitally interested in it.
0:44:37 > 0:44:40"Vitally", huh?
0:44:40 > 0:44:44Hey, Mousey! Yeah, boss. Turn 'em loose!
0:44:44 > 0:44:47At night, boss? You can't see!
0:44:47 > 0:44:50Turn 'em loose!
0:44:55 > 0:44:59It don't matter she ain't vitally interested.
0:44:59 > 0:45:03Just make her into a star, like you did with, er... What's her name?
0:45:03 > 0:45:08Julie London. You remember her, don't you?
0:45:08 > 0:45:12You know me, vague on names. I'll help you.
0:45:12 > 0:45:16Julie went for you. All the singing she wanted was lullabies.
0:45:16 > 0:45:21But you were an eager agent, pushing her into a career she didn't want.
0:45:21 > 0:45:26Personally, I think you made a mistake. She was a good-looking dame.
0:45:26 > 0:45:32But she's a big record name now. So where's the "vitally interested"?
0:45:32 > 0:45:35Shooting a little low, aren't you, Fats?
0:45:35 > 0:45:40Just conversation. The point is, you did it with Julie.
0:45:40 > 0:45:44I like the way you did it with Jerri, doing that night club crawl.
0:45:44 > 0:45:49You're a real live wire, Miller.
0:45:49 > 0:45:51Let 'em loose, Mousey!
0:45:53 > 0:45:55GUN SHOTS
0:45:55 > 0:45:59And you want to stay a live wire.
0:46:16 > 0:46:20"CRY ME A RIVER" ON JUKE BOX
0:46:27 > 0:46:32Turn that thing off, will you? What's up, don't you like that song?
0:46:32 > 0:46:36No, I don't like it.
0:46:38 > 0:46:40I'll tell you why.
0:46:40 > 0:46:45Cos every time she sings it, I see her all over the place.
0:46:45 > 0:46:49Most of my customers see little green men. I see HER.
0:46:49 > 0:46:53Everywhere I look, I see her.
0:46:55 > 0:46:59You wanna bet she's sitting on the stool right here?
0:46:59 > 0:47:01Hiya, Julie.
0:47:01 > 0:47:05MUSIC CONTINUES
0:47:05 > 0:47:07Julie?
0:47:10 > 0:47:13Julie!
0:47:14 > 0:47:17She's gone.
0:47:28 > 0:47:31Georgie. Georgie? But you said Julie, pal.
0:47:31 > 0:47:35No. It's Georgie.
0:47:36 > 0:47:39Georgiana.
0:48:11 > 0:48:14# Be bop a lula She's my baby
0:48:14 > 0:48:18# Be bop a lula I don't mean maybe
0:48:18 > 0:48:22# Be bop a lula She-e-e's my baby doll
0:48:22 > 0:48:25# My baby doll, my baby doll
0:48:25 > 0:48:30# Well, she's the gal In the ripped blue jeans
0:48:30 > 0:48:33# She's the queen of all the teens
0:48:33 > 0:48:37# She's the woman that I know
0:48:37 > 0:48:40# She's the woman that loves me so Say
0:48:40 > 0:48:44# Be bop a lula She's my baby
0:48:44 > 0:48:47# Be bop a lula I don't mean maybe
0:48:47 > 0:48:51# Be bop a lula She-e-e's my baby doll
0:48:51 > 0:48:53# My baby doll, my baby doll
0:48:53 > 0:48:54# Let's rock...
0:49:04 > 0:49:06We need a room.
0:49:08 > 0:49:13Studio B, second floor, five bucks an hour.
0:49:20 > 0:49:24# ..She's the woman with the flying feet
0:49:24 > 0:49:28# She's the one that walks around the store
0:49:28 > 0:49:31# She's the one that gets More, more, more, more
0:49:31 > 0:49:33# Be bop a lula... #
0:49:33 > 0:49:36Let's get to work. We got a lot to do.
0:49:36 > 0:49:40You'll have no trouble with me, Mr Miller.
0:49:40 > 0:49:46You vocalise, I'll find your range, then we can have arrangements made. Ready?
0:49:46 > 0:49:49I'm ready. I'm ready, except...
0:49:49 > 0:49:53Except what? Except...
0:49:53 > 0:49:56What happened, Mr Miller? What do you mean?
0:49:56 > 0:50:00You're so different today. We're here to work, Jerri.
0:50:00 > 0:50:05It's Jerri, not Georgiana any more. What did you two talk about?
0:50:05 > 0:50:10Nothing. Mostly about the mortuary he had in his living room.
0:50:10 > 0:50:13I saw your face when he was shooting.
0:50:13 > 0:50:17Nothing, Jerri! Call me Georgie, please.
0:50:17 > 0:50:20I thought we were friends.
0:50:20 > 0:50:25I had fun with you and I thought you were having fun with me, too.
0:50:31 > 0:50:36I have no friends here except Mousey, and he's afraid of...
0:50:36 > 0:50:40You're afraid of him, too. What did he say?
0:50:40 > 0:50:47He didn't say. I did. I told him I wanted out. You're not interested in show business.
0:50:47 > 0:50:52I didn't want to be part of making you anything you didn't want to be.
0:50:52 > 0:50:57That was nice of you to think of me. Whatever it was, it didn't work. Ready?
0:50:57 > 0:51:04He got tough, didn't he? Look, I don't want Fats to have to buy another carpet on account of me.
0:51:06 > 0:51:10You're going to be Jerri Jordan, singer, darling of the juke boxes,
0:51:10 > 0:51:14whether you want to be, or whether I want you to be.
0:51:14 > 0:51:17Let's get to work.
0:51:19 > 0:51:24All right, let's get to work, Mr Miller. Just try the scales.
0:51:24 > 0:51:27HE PLAYS ARPEGGIOS Now try doh.
0:51:27 > 0:51:29HE PLAYS NOTE ON PIANO
0:51:29 > 0:51:34WAVERING AND OUT OF TUNE: # Do-o-o-o-o-o-o-o-o-h #
0:51:36 > 0:51:38Try ray.
0:51:38 > 0:51:43WAVERING: # Ra-a-a-a-a-a-a-a-ay #
0:51:44 > 0:51:47Better try me.
0:51:48 > 0:51:51OUT OF TUNE: # Me-e-e-e-e-e-e-e #
0:51:51 > 0:51:54BULB SMASHES
0:52:00 > 0:52:03HE SNIGGERS You can't sing!
0:52:03 > 0:52:07I know. Have you ever heard anything so awful?!
0:52:07 > 0:52:09Never. Never!
0:52:09 > 0:52:14THEY LAUGH HYSTERICALLY Now he'll HAVE to let you go!
0:52:14 > 0:52:17And you don't have to be in showbiz!
0:52:17 > 0:52:20SHE SQUEALS WITH LAUGHTER
0:52:24 > 0:52:28That's the straight of it. Jerri just can't sing.
0:52:28 > 0:52:35Do you understand, Fats? She can't sing. She just doesn't have a voice.
0:52:35 > 0:52:39I stink, Mr Murdock. You don't stink.
0:52:39 > 0:52:43I do so. I'm telling you, I stink, stink, stink!
0:52:43 > 0:52:47You don't stink! But something smells around here.
0:52:47 > 0:52:53No voice, huh? Well, I don't see nothing wrong when she talks. Talk, Jerri!
0:52:53 > 0:52:57Stink, stink, STINK, Mr Murdock.
0:52:57 > 0:53:00What's wrong with that? She talks good.
0:53:00 > 0:53:04Listen, Miller. She's gonna be a singer, like I want her to.
0:53:04 > 0:53:10She'll be on every juke box I put a dime in, and I got lots o' dimes for putting in!
0:53:10 > 0:53:16Speaking has nothing to do with her singing voice. I'm telling you, she can't sing.
0:53:16 > 0:53:19Just listen.
0:53:20 > 0:53:24Ready, Jerri. I'm ready, Mr Miller. Hold it.
0:53:30 > 0:53:33Watch out for flying glass.
0:53:34 > 0:53:37HE PLAYS NOTE Just sing the me. Yes, Mr Miller.
0:53:37 > 0:53:41FALTERING: # Me-e-e-e-e-e-e-e #
0:53:53 > 0:53:57Miss Jordan. Miss Jordan! Miss Jordan, hurry!
0:53:57 > 0:53:59What's the matter, Hilda?
0:53:59 > 0:54:03He's on the phone, he's yelling something awful. No!
0:54:08 > 0:54:10Hello?
0:54:10 > 0:54:14APPLAUSE FROM TELEVISION Where ya been? What's the matter?
0:54:14 > 0:54:17Put it on channel two, that's the matter!
0:54:20 > 0:54:23What does he want? I don't know.
0:54:24 > 0:54:30It's on, Mr Murdock. Now you and Miller watch, watch it good, OK?
0:54:30 > 0:54:33Watch it good, yes, Mr Murdock.
0:54:33 > 0:54:38Don't hang up. I'll talk to you as soon as he finishes his next number.
0:54:38 > 0:54:42We have to watch the television.
0:54:42 > 0:54:47APPLAUSE He'll be back in just a moment. I've never let you down.
0:54:47 > 0:54:51Who is it? I don't know!
0:54:51 > 0:54:54'And now we pause...'
0:54:54 > 0:54:56Fats. 'Yes.' It's me, Miller.
0:54:56 > 0:54:59WATCH THE TELEVISION!
0:54:59 > 0:55:03RECEIVER CLATTERS ON FLOOR
0:55:03 > 0:55:06He's back again, Eddie Cochrane -
0:55:06 > 0:55:09one of America's top rock'n'rollers. Eddie.
0:55:09 > 0:55:12APPLAUSE
0:55:14 > 0:55:17# Ooh, well, I've got a girl with a record machine
0:55:17 > 0:55:19# When it comes to rockin' She's a queen
0:55:19 > 0:55:21# We love to dance on a Saturday night
0:55:21 > 0:55:24# All alone when I can hold her tight
0:55:24 > 0:55:26# But she lives on the 20th floor up town
0:55:26 > 0:55:28# The elevator's broken down
0:55:28 > 0:55:30# So I walk one, two flight three flight, four
0:55:30 > 0:55:33# Five, six, seven flight eight flight, more
0:55:33 > 0:55:35# Up on the twelfth I'm starting to drag
0:55:35 > 0:55:37# Fifteenth floor, I'm ready to sag
0:55:37 > 0:55:41# Get to the top I'm too tired to rock
0:55:41 > 0:55:43# Well, she call me up on the telephone
0:55:43 > 0:55:46# Say, come on over, honey I'm all alone
0:55:46 > 0:55:48# I said, Betty, you're mighty sweet
0:55:48 > 0:55:50# But I'm in bed with a-aching feet
0:55:50 > 0:55:52# This went on for a couple of days
0:55:52 > 0:55:54# But I couldn't stay away
0:55:54 > 0:55:57# So I walked one, two flight three flight, four
0:55:57 > 0:55:59# Five, six, seven flight eight flight, more
0:55:59 > 0:56:01# Up on the twelfth I'm a-ready to drag
0:56:01 > 0:56:03# Fifteenth floor I'm a-starting to sag
0:56:03 > 0:56:07# Get to the top I'm too tired to rock
0:56:07 > 0:56:10# Well, they sent it to Chicago For repairs
0:56:10 > 0:56:12# Till it's a-fixed I'm a-using the stairs
0:56:12 > 0:56:14# Hope they hurry Before it's too late
0:56:14 > 0:56:16# I love my baby too much to wait Haaa-ha!
0:56:16 > 0:56:19# All this climbin' is a-getting me down
0:56:19 > 0:56:20# They'll find my corpse draped over her rail
0:56:20 > 0:56:23# But I climbed one, two flight three flight, four
0:56:23 > 0:56:25# Five, six, seven flight eight flight, more
0:56:25 > 0:56:27# Up on the twelfth I'm a-ready to drag
0:56:27 > 0:56:29# Well, the fifteenth floor I'm a-starting to sag
0:56:29 > 0:56:30# Get to the top
0:56:30 > 0:56:33# I'm too tired to rock. #
0:56:33 > 0:56:35APPLAUSE
0:56:36 > 0:56:40Why does he want us to watch HIM?
0:56:40 > 0:56:44I can give you the dialogue: "OK, so Jerri can't sing.
0:56:44 > 0:56:49"Well, that guy ain't got a trained voice, either, and he's a star.
0:56:49 > 0:56:54"Why? Because he has a new sound. So Jerri has a new sound.
0:56:54 > 0:56:59"Go cut a record with her tomorrow." You're kidding, Mr Miller.
0:57:01 > 0:57:04Am I? Listen.
0:57:10 > 0:57:14Yes, Fats. 'OK. So Jerri can't sing.'
0:57:14 > 0:57:20Well, that guy ain't got a trained voice, either, and he's a top record star.
0:57:20 > 0:57:24'Why? Cos he's got a new sound.'
0:57:24 > 0:57:27Jerri's got a new sound. You cut a record with her tomorrow.
0:57:30 > 0:57:32OK, Fats.
0:57:32 > 0:57:38Listen. You come over here first thing. I've got just the song I want Jerri to sing.
0:57:39 > 0:57:41OK, Fats.
0:57:42 > 0:57:48I had a lot of leesure when I was in the poky, so I wrote songs for the Christmas show.
0:57:48 > 0:57:52Course, I ain't no Hammerstein, or Irving Berlin!
0:57:52 > 0:57:55This here was the first one I wrote.
0:57:55 > 0:58:00"No lights on the Christmas tree. They're using the electric chair tonight."
0:58:00 > 0:58:04I used to get a lot of laughs with that one. Funny(!)
0:58:04 > 0:58:08Here's another one. Kinda...sentimental.
0:58:08 > 0:58:14"I'll get no good behaviour, baby If I keep thinking of you."
0:58:14 > 0:58:17That's sweet. Hey, you noticed that, huh?
0:58:17 > 0:58:22Hey, here. Here's the one for Jerri. You try this.
0:58:27 > 0:58:30HE PLAYS PIANO INTRO
0:58:33 > 0:58:36# Darlin', oh my darlin'
0:58:36 > 0:58:40# In that prison cell I'd be
0:58:40 > 0:58:44# Thinkin' of...the day that I'd get out
0:58:44 > 0:58:47# And hold you close to me
0:58:47 > 0:58:49# But
0:58:49 > 0:58:52RAUCOUSLY: # What is it I always see?
0:58:53 > 0:58:55# One rock, two rocks
0:58:55 > 0:58:58# Three rocks, four rocks
0:58:58 > 0:59:01# Rock pile dust is on my shoes
0:59:01 > 0:59:04LABORIOUS MELODY: # One rock, two rocks
0:59:04 > 0:59:07# Three rocks, four rocks
0:59:07 > 0:59:10# I'm a guy just born to lose
0:59:10 > 0:59:13# When I hear that siren blow
0:59:14 > 0:59:17# I get those blues... #
0:59:24 > 0:59:28OK, Mr Anthony, this is a take. BAND STARTS UP
0:59:33 > 0:59:35# Darlin', oh my darlin'
0:59:35 > 0:59:38# In that prison cell I'd be
0:59:38 > 0:59:41# Thinkin' of the day that I'd get out
0:59:41 > 0:59:45# And hold you close to me
0:59:45 > 0:59:48# But what is it I always see?
0:59:49 > 0:59:55CHORUS, BARBER-SHOP STYLE: # One rock, two rocks, three rocks, four rocks
0:59:55 > 0:59:57# Rock pile dust is on my shoes
0:59:57 > 1:00:00# I'm a guy just born to lose
1:00:00 > 1:00:02# When I hear the siren blow
1:00:02 > 1:00:04# Oooo-oo-eeeeee-oooo
1:00:04 > 1:00:07# I get those blues
1:00:08 > 1:00:10# Rock, rock, Rockin' round the rock pile
1:00:10 > 1:00:16# Rock, rock Rockin' round the rock pile
1:00:16 > 1:00:18# That siren's got me cryin'
1:00:18 > 1:00:20# Two rocks
1:00:20 > 1:00:21# Four rocks
1:00:21 > 1:00:23# They make
1:00:23 > 1:00:24# More rocks
1:00:24 > 1:00:26# Shut my cell and lock me in
1:00:26 > 1:00:29# Never let me out again
1:00:29 > 1:00:31# When I hear the siren blow
1:00:31 > 1:00:33# Oooo-eee-ii-ouuuuw
1:00:33 > 1:00:35# I get those rock, rock
1:00:35 > 1:00:39# Rock around the rock pile
1:00:39 > 1:00:42# Blues
1:00:47 > 1:00:50SHE CRUNCHES ON APPLE
1:00:51 > 1:00:55I never knew singing could make you so hungry. Ha-ha-ha!
1:00:55 > 1:00:58I'll take it to Wheeler Enterprises in Chicago.
1:00:58 > 1:01:05I wish it was her day off - I'd have made much better sandwiches. Huh-huh!
1:01:07 > 1:01:11Thanks. Hu-hmm! It's a large family.
1:01:11 > 1:01:15I see how you got your cooking experience.
1:01:15 > 1:01:18Mmmm? Oh, ha-ha!
1:01:18 > 1:01:23And my father was...away when that picture was taken.
1:01:23 > 1:01:26Oh, he was a big eater, too.
1:01:26 > 1:01:33You know, Mr Miller. This'll be the first Thanksgiving I haven't been with my family.
1:01:33 > 1:01:36Could my brothers eat?!
1:01:36 > 1:01:42Especially after they started going with girls - it gives a man an appetite.
1:01:46 > 1:01:49It depends.
1:01:49 > 1:01:54I'd like a large family, wouldn't you, Mr Miller? I hope I have a large fam...
1:02:01 > 1:02:04I mean, it's fun.
1:02:05 > 1:02:11Maybe we could have Thanksgiving dinner together, Mr Miller. Maybe we can, Georgie.
1:02:21 > 1:02:25Good night, Georgie.
1:02:40 > 1:02:41Ooooh!
1:02:43 > 1:02:46BUZZER SOUNDS Mr Miller!
1:03:01 > 1:03:03Jerri!
1:03:07 > 1:03:10BUZZER SOUNDS
1:03:10 > 1:03:13Jerri!
1:03:13 > 1:03:16HE HOLDS BUZZER DOWN
1:03:19 > 1:03:20Jerri!
1:03:20 > 1:03:22Who is it?
1:03:22 > 1:03:27It's me, Fats. I'm taking a bath. Huh! Ow!
1:03:27 > 1:03:31What? A hot bath. Be right there.
1:03:31 > 1:03:36Remember. You stay in the hideout room until I get her out.
1:03:36 > 1:03:40Pretty sneaky. It's like you don't trust her.
1:03:40 > 1:03:46It's her AND him. She's a good cook, and I got a feelin' something's cookin'.
1:03:51 > 1:03:58Hey, Mousey, remember the old days? We used to use this place for printing up money?
1:04:00 > 1:04:03Money meant something in the old days, before taxes.
1:04:10 > 1:04:14I'm sorry, I couldn't hear anything in the shower. It's all right.
1:04:14 > 1:04:17Happy Thanksgiving.
1:04:20 > 1:04:25Hey! You smell good! Ha-ha-ha. Thanks, Mr Murdock.
1:04:25 > 1:04:30I'm buying you a turkey dinner, you'd like that? I'd...love it.
1:04:30 > 1:04:35Get dressed up warm, I got the top down. Go on, honey. Be right back.
1:04:45 > 1:04:49You bug her telephone and listen in if he calls.
1:04:50 > 1:04:53Now, remember, quiet!
1:04:54 > 1:04:57PLATE FALLS LOUDLY ON SHELF
1:05:06 > 1:05:09TELEPHONE RINGS
1:05:13 > 1:05:14Hello.
1:05:14 > 1:05:17WOMAN'S VOICE: 'Miss Jerri Jordan?' Yes.
1:05:17 > 1:05:20'Chicago calling. Go ahead, sir.'
1:05:20 > 1:05:22Hello?
1:05:22 > 1:05:25Georgie. How are you?
1:05:25 > 1:05:28Fine now.
1:05:28 > 1:05:32I thought you'd be back in time for Thanksgiving.
1:05:32 > 1:05:34I didn't see Wheeler yet.
1:05:34 > 1:05:39He controls most of the juke boxes in the country. I see him tomorrow.
1:05:39 > 1:05:44I miss you, Mr Miller. It's been over a week.
1:05:44 > 1:05:47I miss you too, Georgie.
1:05:48 > 1:05:51'What'd you do today?'
1:05:51 > 1:05:55Mr Murdock took me to dinner. How is Fats?
1:05:55 > 1:05:58He's dying to hear the new record.
1:05:58 > 1:06:05If I'm lucky, he'll hear it over all those juke boxes he has all those dimes to put in.
1:06:05 > 1:06:10'I wish you were here.' 'I do too, Georgie.'
1:06:10 > 1:06:13I'll fly back after I see the man.
1:06:13 > 1:06:16'Good night, Georgie.' TEARFULLY: Good night, Mr Miller.
1:06:29 > 1:06:32SOBBING COMES THROUGH BUGGING DEVICE
1:06:36 > 1:06:39HE STARTS TO SOB
1:06:47 > 1:06:51DOOR OPENS AND SHUTS AGAIN
1:06:51 > 1:06:52Mousey!
1:06:52 > 1:06:55Yeah, boss. Come here!
1:06:55 > 1:06:59Well, how d'you make out? What do you think?
1:06:59 > 1:07:04How many years I been doing this? So did Miller call?
1:07:04 > 1:07:08Yeah, he called, from Chicago. Had a nice little talk.
1:07:08 > 1:07:12"Nice little talk." I'll bet!
1:07:12 > 1:07:14Set up the tape!
1:07:17 > 1:07:20'Hello. Miss Jerri Jordan? Yes.
1:07:20 > 1:07:23'Chicago calling. Go ahead, sir.
1:07:23 > 1:07:26'Hello? How are you?
1:07:26 > 1:07:30'Fine. I thought you'd be back by now.
1:07:30 > 1:07:37'I didn't see Wheeler yet. He's the guy who controls most of the juke boxes in the country.
1:07:37 > 1:07:41'I'll see him tomorrow, then I'll fly back afterwards.
1:07:41 > 1:07:46'Well, good night. Good night, Mr Miller.'
1:07:49 > 1:07:52That's it? That's all?!
1:07:52 > 1:07:56You heard, didn't you? Yeah, I heard.
1:07:56 > 1:08:01Something's wrong. I know I figured right.
1:08:01 > 1:08:05Hey! Hey!
1:08:05 > 1:08:09Could they have figured the joint was rigged?
1:08:09 > 1:08:14How could they? You think I'm called Mousey because I make noises?
1:08:14 > 1:08:17OK, OK. OK nothing, where do you come off?
1:08:17 > 1:08:20That's a smear on my talents. All right.
1:08:20 > 1:08:23How about the time I bugged the DA? All right.
1:08:23 > 1:08:29The time I bugged the governor's mother-in-law?! OK! Stop bragging!
1:08:29 > 1:08:31I don't get it.
1:08:31 > 1:08:36Why was he so happy over the fact that she can't sing, huh?
1:08:36 > 1:08:42Only one reason - cos he figured, if she didn't make it, I wouldn't marry her.
1:08:42 > 1:08:44Then HE'd move in.
1:08:44 > 1:08:46They...
1:08:47 > 1:08:51They... They gotta be soft-talking each other!
1:08:51 > 1:08:55You heard. Yeah.
1:08:55 > 1:08:58Yeah, I heard!
1:08:58 > 1:09:00I'm...
1:09:01 > 1:09:05I'm going to bed. Yeah, boss.
1:09:06 > 1:09:08DOOR SLAMS
1:09:08 > 1:09:11That's the thing to do.
1:09:11 > 1:09:14That's the thing to do...
1:09:18 > 1:09:20..boss.
1:09:25 > 1:09:27# Rockin' is our business
1:09:27 > 1:09:30# And rockin' is what we do Oh, yeah
1:09:30 > 1:09:33# Come on, everybody We want you to rock with us, too
1:09:33 > 1:09:36# You tell' em Now we've got Don on sax
1:09:36 > 1:09:37# Henry on drums
1:09:37 > 1:09:38# Jimmy on bass
1:09:38 > 1:09:39# Gene on piano
1:09:39 > 1:09:42# Cliff and Clive to sing this jive
1:09:42 > 1:09:44# Come on, everybody Get this joint alive
1:09:44 > 1:09:46# Rockin' is our business
1:09:46 > 1:09:49# And rockin' is what we do
1:09:49 > 1:09:50# Rock Whaaa
1:09:50 > 1:09:51# Rock, everybody
1:09:51 > 1:09:52# Rock Whaaa
1:09:52 > 1:09:54# Rock, everybody
1:09:54 > 1:09:55# Rock Whaaa
1:09:55 > 1:09:56# Rock, everybody
1:09:56 > 1:09:57# Rock Whaaa
1:09:57 > 1:09:58# Rock, everybody
1:09:58 > 1:09:59# Rock Whaaa
1:09:59 > 1:10:01# Rock, everybody
1:10:01 > 1:10:04# Rock, rock Rock, rock
1:10:04 > 1:10:06# When you go out in high hall
1:10:06 > 1:10:09# Want the joint to rock
1:10:09 > 1:10:11# All you do is give us a car
1:10:11 > 1:10:13# We'll be jiving on the spot
1:10:13 > 1:10:15# Rockin' is our business
1:10:15 > 1:10:17# And rockin' is what we do
1:10:17 > 1:10:19# Rock Haaa
1:10:19 > 1:10:20# Rock, everybody
1:10:20 > 1:10:21# Rock Haaa
1:10:21 > 1:10:22# Rock, everybody
1:10:22 > 1:10:23# Rock Haaa
1:10:23 > 1:10:24# Rock, everybody
1:10:24 > 1:10:25# Rock Haaa
1:10:25 > 1:10:27# Rock, everybody
1:10:27 > 1:10:28# Rock, rock
1:10:28 > 1:10:29# Rock, everybody
1:10:29 > 1:10:32# Rock, rock, rock, rock
1:10:32 > 1:10:43# Rock, rock, rock, everybody
1:10:43 > 1:10:46# Rock, rock, rock, rock
1:10:46 > 1:10:51# Ro-o-o-o-o-o-ck
1:10:51 > 1:10:52# Ya. #
1:10:54 > 1:10:57I can assure you of another gold record.
1:10:57 > 1:10:59Thanks, Mr Wheeler.
1:10:59 > 1:11:02Mr Miller is here to see you. Miller?
1:11:02 > 1:11:10Tom Miller - the agent who brought you Julie London. Fine. We could use another London.
1:11:10 > 1:11:11JUKE BOX: # When you hear the siren blow
1:11:11 > 1:11:14# Ooo-ii-eeeee-ah
1:11:14 > 1:11:16# I get those rock, rock
1:11:16 > 1:11:18# Rock around the rock pile
1:11:18 > 1:11:19# Rock, rock
1:11:19 > 1:11:20# Rock around the rock pile
1:11:20 > 1:11:23# Blues. #
1:11:27 > 1:11:29MUSIC STOPS
1:11:29 > 1:11:35I'm a Ray Anthony fan. Fortunately I have him under personal contract.
1:11:37 > 1:11:42By the way, what sort of gadget did Ray use for that weird siren sound?
1:11:42 > 1:11:45Sort of a girl-type gadget.
1:11:45 > 1:11:49A girl? Oh, she's your client?
1:11:49 > 1:11:52Well, yes she is, Mr Wheeler.
1:11:52 > 1:11:57I shouldn't have wasted your time, but I wanted to come to the top.
1:11:57 > 1:12:02She's, er, excellent. Voice like that'll catch on. She'll be a star.
1:12:02 > 1:12:07I definitely want to sign her to a long-term contract.
1:12:07 > 1:12:11Mmmm. I like the song, also. Who wrote it?
1:12:11 > 1:12:15The name's Murdock. He's got a cell full of 'em.
1:12:15 > 1:12:19He has the...feel of what people want. Is he your client, too?
1:12:19 > 1:12:25No, he handles himself. He's Fats Murdock... if your memory isn't vague.
1:12:25 > 1:12:29My memory's anything but vague, Mr Miller.
1:12:29 > 1:12:36You mean "Marty" Fats Murdock? Yes, the slot machine king of the old days.
1:12:36 > 1:12:38Uh-huh.
1:12:40 > 1:12:44'Yes, Mr Wheeler.' Send Laurence and Eugene in, please.
1:12:55 > 1:12:58Would you like dinner, sir?
1:13:05 > 1:13:09Georgia, I'm not that sick. I don't have to be in bed.
1:13:09 > 1:13:14You haven't eaten. It will give you strength.
1:13:14 > 1:13:18When I think of them throwing you out that doo...
1:13:18 > 1:13:21Go away, Mr Murdock, Mr Miller's sick.
1:13:21 > 1:13:25He's gonna be a lot sicker when I'm finished. On your feet!
1:13:25 > 1:13:29Fats, listen. I just happened to drop in.
1:13:29 > 1:13:35Just dropped in, with a pair of pyjamas under your arms? Leave him alone.
1:13:35 > 1:13:40Take that apron off! I needed it to heat the bouillon! Shut up!
1:13:40 > 1:13:44Don't you hit him and don't tear my pyjamas.
1:13:44 > 1:13:49YOUR pyjamas? Do I look like I wear striped pyjamas?
1:13:49 > 1:13:52YOUR pyjamas!
1:13:52 > 1:13:56Just in case you get some late callers, huh?
1:13:56 > 1:14:00They are not. You have a big, fat, dirty mind, Mr Murdock.
1:14:00 > 1:14:03I have, huh? Dirty mind, dirty mind.
1:14:03 > 1:14:07They're my brother's Christmas present. Don't give me that!
1:14:07 > 1:14:10I'll show you, Mr Murdock.
1:14:10 > 1:14:15Leave them. I've never seen her mad before. Maybe she'll kill him.
1:14:15 > 1:14:20..for brother George. And this... for brother Gilbert. OK!
1:14:22 > 1:14:26I believe you! ..for brother Gridley. OK!
1:14:27 > 1:14:32For brother Gayman. OK! For brother Ambrose! OK.
1:14:34 > 1:14:39And this...for my father. Now are you satisfied, Mr Murdock?!
1:14:39 > 1:14:45OK on the pyjamas, but that don't explain him in your bed,
1:14:45 > 1:14:49no matter whose pyjamas he's in there with!
1:14:49 > 1:14:52OK, let me at him. Listen, you...
1:14:52 > 1:14:56I was just giving him bouillon, you dumb dummy!
1:14:56 > 1:14:59Don't you dumb, dumb, dummy me!
1:14:59 > 1:15:04I was just giving him bouillon. Don't you know what bouillon is?
1:15:04 > 1:15:06Aaaagh!
1:15:08 > 1:15:11That's it, Fats.
1:15:11 > 1:15:15Wheeler predicted Jerri'd be a star right off.
1:15:15 > 1:15:20But when I told him you'd written the song, he introduced me to...
1:15:20 > 1:15:23Lawrence and Eugene. Lawrence and Eugene?!
1:15:23 > 1:15:27That's Larry the Fink and Edgewater Eugene.
1:15:27 > 1:15:33Legs Wheeler still makes with the fancy words, huh? Fancy words with old-time action.
1:15:33 > 1:15:38Legs had top slots in all the joints. I threw his out and moved mine in.
1:15:38 > 1:15:42Hey! Does he still walk with a limp?
1:15:42 > 1:15:44I didn't notice.
1:15:44 > 1:15:49I winged him in the shinbone once. He was on crutches for months!
1:15:49 > 1:15:52He's off crutches now. Fats, we're dead.
1:15:52 > 1:15:56He controls the juke-box business, and that's that.
1:15:56 > 1:16:02You give up too easy. I told you, he used to control the slots until I took over.
1:16:02 > 1:16:05I did it before and I'll do it again!
1:16:05 > 1:16:09You put my father's nightie on backwards!
1:16:09 > 1:16:11Don't bother me. I'm thinking.
1:16:11 > 1:16:15Don't stretch it. My father's not as FAT as you.
1:16:15 > 1:16:18Clam up, will you?! I'm thinking!
1:16:18 > 1:16:21Don't you yell at me any more, Mr Murdock.
1:16:24 > 1:16:27OK.
1:16:27 > 1:16:31So Legs Wheeler won't put Jerri's record on, huh?
1:16:31 > 1:16:34No wonder. I stink!
1:16:34 > 1:16:36All right, Mousey. We go!
1:16:36 > 1:16:40Where to, boss? To war. A cold, hot war.
1:16:40 > 1:16:43Order your wedding dress, baby.
1:16:43 > 1:16:46It won't be long now. Come on!
1:16:53 > 1:16:55Boss! Yeah?
1:16:55 > 1:16:57Your hat! Come on.
1:17:19 > 1:17:22What'll you have, gentlemen?
1:17:30 > 1:17:33Who are you getting your music from?
1:17:33 > 1:17:36Oh, that's a Wheeler Enterprises juke box, mister.
1:17:36 > 1:17:38BOTH: Oh, yeah?
1:17:49 > 1:17:51I take from Wheeler.
1:17:51 > 1:17:53Who?
1:17:53 > 1:17:55Whom?
1:17:55 > 1:17:58I take from...Murdock.
1:18:07 > 1:18:09Oh, yeah?
1:18:15 > 1:18:18OH, YEAH?
1:18:20 > 1:18:23# ..Blow Ooh-ii-eeeee-ah #
1:18:33 > 1:18:36CRASHING
1:18:36 > 1:18:38# When I hear the siren blow
1:18:38 > 1:18:40# Ooo-ii-eeeee-ah
1:18:40 > 1:18:44# I get those blues. #
1:18:44 > 1:18:48Well, boss, I gotta hand it to you. You still got the old moxie.
1:18:48 > 1:18:53Keep us out of the record business, will he? You did it. Made a star.
1:18:55 > 1:18:57Yeah.
1:18:58 > 1:19:01Yeah, I made a star.
1:19:01 > 1:19:04That's what you wanted, wasn't it?
1:19:04 > 1:19:06Yeah. That's what I wanted.
1:19:11 > 1:19:16Now you got a somebody to marry. Clam up, will ya, Mousey?
1:19:16 > 1:19:20Why are you getting sore? "Why are you getting sore?"
1:19:20 > 1:19:23Why do you suppose I'm getting sore?!
1:19:23 > 1:19:28I like music. And I'm marrying a dame with a stinking voice like that.
1:19:30 > 1:19:33How many juke boxes did Mr Murdock remove?
1:19:33 > 1:19:39Most of them around New York. Now he's making inroads in Boston, Baltimore...
1:19:39 > 1:19:42Pittsburgh... That's far enough.
1:19:42 > 1:19:47You proceed with our legal case. I know where I can find Mr Murdock.
1:19:56 > 1:20:00# Here come Wednesday I'll be to myself
1:20:00 > 1:20:05# My girl called Got to tell her that I'm out
1:20:06 > 1:20:09# Cos Thursday is a hard-working day
1:20:09 > 1:20:12# And Friday I get my pay
1:20:15 > 1:20:20# Saturday morning Oh, Saturday morning
1:20:20 > 1:20:24# All my tiredness They flown away
1:20:24 > 1:20:26# On my morning
1:20:26 > 1:20:29# In my heart
1:20:29 > 1:20:32# I'm out on the stage and we play
1:20:33 > 1:20:37# Sunday morning, my head is bad
1:20:37 > 1:20:41# Oh it's worth it For the time that I've had
1:20:42 > 1:20:46# But I've got to get my rest
1:20:46 > 1:20:49# Cos money is a mess
1:20:51 > 1:20:53# Saturday morning
1:20:53 > 1:20:56# Oh, Saturday morning
1:20:56 > 1:21:00# All my tiredness have gone away
1:21:00 > 1:21:03# On my morning
1:21:03 > 1:21:05# In my heart
1:21:05 > 1:21:08# And I'm out on the stage and we play
1:21:09 > 1:21:13# Sunday morning my head is bad
1:21:13 > 1:21:17# But it's worth it For the time that I've had
1:21:17 > 1:21:20# But I've got
1:21:20 > 1:21:22# To get my rest
1:21:22 > 1:21:25# Cos money is a mess. #
1:21:30 > 1:21:34You got everything, boss? Wedding ring, licence?
1:21:34 > 1:21:36Yeah. I got everything.
1:21:39 > 1:21:41Have you, boss?
1:21:42 > 1:21:46Why don't you give your honeymoon tickets to Miller, boss?
1:21:48 > 1:21:51Wanna know something?
1:21:52 > 1:21:55I loused you up with that tape recorder.
1:21:58 > 1:22:00You WHAT?!
1:22:00 > 1:22:02Yup.
1:22:04 > 1:22:07Honest, Mousey? Did you?
1:22:07 > 1:22:09Did you?
1:22:09 > 1:22:11Don't kid me, now.
1:22:11 > 1:22:15I soft talked, boss. Just like you figured.
1:22:15 > 1:22:19I figured right, huh? They go for each other, don't they?
1:22:19 > 1:22:23In a big way, boss. It's the real thing.
1:22:24 > 1:22:27And now The Platters,
1:22:27 > 1:22:30and their hit, You'll Never, Never Know.
1:22:30 > 1:22:33KNOCK AT DOOR Who is it?
1:22:33 > 1:22:36Tom Miller. Your former agent.
1:22:36 > 1:22:38Come in.
1:22:43 > 1:22:46Just came to say goodbye.
1:22:46 > 1:22:49I should've brought a wedding present.
1:22:49 > 1:22:51You did.
1:22:56 > 1:22:59That's no way for a bride to act.
1:22:59 > 1:23:01I thought brides acted that way.
1:23:01 > 1:23:04Only with the groom.
1:23:04 > 1:23:08DISTANT MUSIC: # You'll never, never know I care
1:23:10 > 1:23:11# My love
1:23:11 > 1:23:14# You'll never know the touch I bear
1:23:15 > 1:23:17# You'll never know it
1:23:17 > 1:23:20# For I won't show it Ah-ah
1:23:20 > 1:23:24# Aaaah-aaaah Oh, no, you'll never, never know
1:23:24 > 1:23:26# You'll never know
1:23:26 > 1:23:29You'll never, never see me cry
1:23:29 > 1:23:32# Wah-ohhhh
1:23:32 > 1:23:35Not even when you're glancing by
1:23:36 > 1:23:41# Aaahhh For I'm a-weakened When we're speaking
1:23:41 > 1:23:45# Aaahhh Although you'll never, never know
1:23:45 > 1:23:47# You'll never know
1:23:47 > 1:23:51# No, no I know I won't reveal
1:23:51 > 1:23:53# Wah-ohhhh
1:23:53 > 1:23:56The way I really, truly feel
1:23:57 > 1:24:02# Aaahh But if you guess it, I'll confess it
1:24:02 > 1:24:07# Oh, darling, now's the time to glow
1:24:07 > 1:24:12# Aaahhh Or else you'll never, never know
1:24:12 > 1:24:14# You-oo-oo know
1:24:14 > 1:24:17# Lord, how it is to me...
1:24:17 > 1:24:21Sorry I can't stay, but I have a train on tap.
1:24:21 > 1:24:24All the best, Georgie.
1:24:24 > 1:24:27Can't stand to hear me sing again, huh?
1:24:30 > 1:24:32You know it isn't that.
1:24:32 > 1:24:34# ..You'll never know
1:24:34 > 1:24:38No, no, I know I won't reveal
1:24:38 > 1:24:39# Wah-ohhh
1:24:39 > 1:24:43The way I really, truly feel
1:24:43 > 1:24:46# Ahhh-ahhh But if you guess it
1:24:46 > 1:24:49# Ahhh I'll confess it
1:24:49 > 1:24:54# Oh, darling, now's the time to glow
1:24:54 > 1:24:57# Ahhh Or else you'll never
1:24:57 > 1:24:58# Ahhh No, you'll never
1:24:58 > 1:25:02# Ahhh Oh, no, you'll never
1:25:02 > 1:25:05# Ever
1:25:05 > 1:25:07# Know
1:25:07 > 1:25:10# You'll never know
1:25:10 > 1:25:13# Oooh. #
1:25:22 > 1:25:28Now here's Ray Anthony, his orchestra and Rock Around The Rock Pile.
1:25:28 > 1:25:32LOUD CHEER AND WHISTLING
1:25:32 > 1:25:33Thank you.
1:25:33 > 1:25:37Here's the girl who turned our record into pure gold -
1:25:37 > 1:25:40Miss Jerri Jordan.
1:25:40 > 1:25:43APPLAUSE AND CHEERING You're on.
1:25:43 > 1:25:46This one's for you, Tom.
1:25:56 > 1:26:01If you don't mind, I'd like to make a change to the programme.
1:26:01 > 1:26:05Some of you may know how it feels to lose somebody
1:26:05 > 1:26:08who you're crazy about.
1:26:08 > 1:26:12# Every time you kiss me
1:26:12 > 1:26:16# I get warm inside
1:26:20 > 1:26:23# Every time you hold me
1:26:23 > 1:26:29# There's a storm inside
1:26:30 > 1:26:34# Every time you're near
1:26:34 > 1:26:40# I fight the fire in me
1:26:40 > 1:26:46# You inspire in me
1:26:46 > 1:26:52# Such desire in me
1:26:52 > 1:26:57# Just when I get both feet
1:26:57 > 1:27:04# On the ground again
1:27:05 > 1:27:10# You appear and send me
1:27:11 > 1:27:16# Skyward bound again
1:27:17 > 1:27:21# Every time it happens
1:27:21 > 1:27:29# It's oh, so sublime, yes
1:27:29 > 1:27:33# Every time it happens
1:27:33 > 1:27:38# And it happens
1:27:38 > 1:27:46# Every time
1:27:46 > 1:27:54# Every time. #
1:27:56 > 1:27:58APPLAUSE
1:28:00 > 1:28:04APPLAUSE AND WHISTLING
1:28:13 > 1:28:15Hey, Miller!
1:28:15 > 1:28:17I gotta talk to you.
1:28:17 > 1:28:21First, I talk to you. I just kissed your future wife.
1:28:21 > 1:28:24And I'm in love with her.
1:28:24 > 1:28:27Go ahead and hit me. Treat her right, or...
1:28:27 > 1:28:30Tommy boy! I'll be your best man!
1:28:30 > 1:28:33You're through being best man, Fats.
1:28:33 > 1:28:36My car awaits, Mr Murdock.
1:28:45 > 1:28:47Fats - inside, quick!
1:28:47 > 1:28:50I'll kill 'em!
1:28:55 > 1:28:58On stage - you'll be safe there.
1:29:01 > 1:29:04How am I gonna be safe out there?
1:29:04 > 1:29:07Give me your hat and coat.
1:29:07 > 1:29:11He won't bump you off in front of 1,000 witnesses.
1:29:11 > 1:29:13Get it on, you big ham.
1:29:18 > 1:29:21One of the reasons you came here tonight
1:29:21 > 1:29:25was to hear Jerri Jordan and Ray Anthony's hit, right?
1:29:25 > 1:29:27ALL: Yeah!
1:29:27 > 1:29:34Now, so you won't be disappointed, here is Marty "Fats" Murdock, singing Rock Around The Rock Pile.
1:29:34 > 1:29:37ALL: Yeah!
1:29:37 > 1:29:42Go on - you're finally in the spotlight. A big hand for Fats!
1:29:45 > 1:29:49Don't be afraid - I'm calling the cops.
1:29:50 > 1:29:51Thank you.
1:29:53 > 1:29:56# One rock, two rocks
1:29:56 > 1:29:58# Three rocks, four rocks
1:29:58 > 1:30:01# Rock pile dust is on my shoes
1:30:01 > 1:30:04# I'm a guy just born to lose
1:30:04 > 1:30:06# When I hear a siren blow
1:30:06 > 1:30:08# Ooo-oooh
1:30:08 > 1:30:11# I get those blues
1:30:12 > 1:30:15# Big rocks, small rocks
1:30:15 > 1:30:17# Short rocks, tall rocks
1:30:17 > 1:30:20# Rock pile dust, get off my shoes
1:30:20 > 1:30:22# Why must my news be all bad news?
1:30:22 > 1:30:26# When I hear a siren blow Ooo-oooh
1:30:26 > 1:30:29# I get those blues...
1:30:48 > 1:30:52OK, Legs, the silencer's on. Wait till he stops prancing around.
1:30:55 > 1:30:57# ..Rock, rock
1:30:57 > 1:31:00# Rock around the rock pile
1:31:00 > 1:31:02# Rock, rock Rock around the rock pile
1:31:02 > 1:31:06# Rock, rock, Rock around the rock pile
1:31:06 > 1:31:08# That siren's got me cryin'
1:31:08 > 1:31:12# Two rocks, four rocks They make more rocks...#
1:31:13 > 1:31:19Don't shoot! We'll sign him. That's talent up there, you jerk!
1:31:19 > 1:31:22Since when did he start performing?
1:31:22 > 1:31:25Since when did you start?
1:31:25 > 1:31:27I always could sing.
1:31:27 > 1:31:32I thought if I was real awful, I'd get out of...owing him.
1:31:35 > 1:31:39APPLAUSE AND CHEERING
1:31:48 > 1:31:50Darling?
1:31:50 > 1:31:53# Darling, oh, my darling
1:31:53 > 1:31:56# In that prison cell I'd be
1:31:56 > 1:32:00# Thinking of the day that I'd get out
1:32:00 > 1:32:04# And hold you close to me
1:32:04 > 1:32:07# But what is it I always see?
1:32:07 > 1:32:11# One rock, two rocks
1:32:11 > 1:32:14# Three rocks, four rocks
1:32:14 > 1:32:16# Rock pile dust is on my shoes... #
1:32:18 > 1:32:22Well, that's the story, ladies and gentlemen.
1:32:22 > 1:32:25A story about music and...
1:32:27 > 1:32:29..love.
1:32:29 > 1:32:32A story about music and love
1:32:32 > 1:32:34and marriage.
1:32:34 > 1:32:36And babysitters.
1:32:36 > 1:32:40Sing for us, Uncle Fats. Sing, Uncle Fats.
1:32:40 > 1:32:41Oh...
1:32:41 > 1:32:43I don't know.
1:32:43 > 1:32:46Ask my agent.
1:32:46 > 1:32:49Let them buy your records.
1:32:49 > 1:32:51So long, everybody.
1:33:00 > 1:33:02Don't listen to him, folks.
1:33:02 > 1:33:07I'll see you in the lobby. I'll sing anything you want.
1:33:07 > 1:33:09I'm a Jim Dandy singer.
1:33:09 > 1:33:13# The girl can't help it When she hears the siren blow
1:33:13 > 1:33:17# Ooo-ii-eeeee-ah
1:33:17 > 1:33:20# The girl can't help it. #