While We're Young

0:00:11 > 0:00:16This film contains very strong language

0:01:21 > 0:01:26There were three little pigs and they made a house out of twigs

0:01:26 > 0:01:28and the wolf came...

0:01:28 > 0:01:31SHE MOUTHS

0:01:32 > 0:01:35- He blows it down? - Yeah, but what happens in the middle?

0:01:35 > 0:01:38I keep wanting to do this little piggy went to market,

0:01:38 > 0:01:40- but that's with the toes. - BABY FUSSES

0:01:40 > 0:01:43And the wolf keeps blowing the house in.

0:01:43 > 0:01:48And the... And the pigs keep making different houses.

0:01:48 > 0:01:51And... No, no, no, no.

0:01:51 > 0:01:54BABY CRIES

0:01:54 > 0:01:57- What the fuck do we do? - I don't know.

0:01:57 > 0:02:00OK, who's ready to eat?

0:02:00 > 0:02:02Who's ready to eat?

0:02:02 > 0:02:06Ah! I love how she stretches, it's just like we do.

0:02:06 > 0:02:09It's so funny. It never occurred to me that stretching is innate.

0:02:09 > 0:02:11- You want to see it?- Yeah.

0:02:11 > 0:02:16OK, it got infected with staph, but it's not the bad staph.

0:02:16 > 0:02:19- What is it?- Guess. You can come closer, it's not bad staph.

0:02:19 > 0:02:23- I still don't want the baby touching it.- I can't tell.

0:02:23 > 0:02:27- It's Willow's sonogram.- Oh, yeah!

0:02:27 > 0:02:29I did it for Marina. I was just so fucking proud of her.

0:02:29 > 0:02:31Why it's for me, I still don't understand.

0:02:31 > 0:02:35- You know, she didn't even get the epidural.- It's a motherfucker.

0:02:35 > 0:02:37It's a ring of fucking fire,

0:02:37 > 0:02:40but it was the most beautiful experience of my life.

0:02:40 > 0:02:41I fell in love immediately.

0:02:41 > 0:02:43A love I've never felt.

0:02:43 > 0:02:44Don't take that the wrong way, Marina.

0:02:44 > 0:02:47No, I know exactly what you mean. It's pure.

0:02:47 > 0:02:49- Aw...- Oh, you guys should do it! - Yeah.

0:02:49 > 0:02:51You would make such good parents. I'm sorry. I know you...

0:02:51 > 0:02:53No, no, it's fine. We, uh, you know, we...

0:02:53 > 0:02:55It's just such a game changer.

0:02:55 > 0:02:58- When I saw her, I thought, "I know you."- It's true, I recognised her immediately.

0:02:58 > 0:03:01And because I'd read to her in the womb, she knew my voice immediately.

0:03:01 > 0:03:05- I read Stephen King's The Tommyknockers.- It's like in one moment, everything is different.

0:03:05 > 0:03:10- It's like all the stuff before... - It's a gift.- Fine, you know, we're figuring it out.

0:03:10 > 0:03:13- I mean, we're just animals. - But now, OK, real life. You know?

0:03:15 > 0:03:17I can't remember Goldilocks either any more.

0:03:17 > 0:03:19The porridge part, but not what happens.

0:03:19 > 0:03:21- She gets eaten, right?- Does she?

0:03:21 > 0:03:24There's, like, an oven that's too hot.

0:03:24 > 0:03:26You don't want kids, right?

0:03:26 > 0:03:28Because I don't.

0:03:28 > 0:03:30I'm sorry, I feel so guilty for saying that.

0:03:30 > 0:03:34I mean, I did. If we'd had the magic, sexy version

0:03:34 > 0:03:35and one day suddenly had a baby.

0:03:35 > 0:03:38But all those drugs and shots and miscarriages.

0:03:38 > 0:03:40I don't want to do it again and it not to work.

0:03:40 > 0:03:43I know. And I like our life as it is.

0:03:43 > 0:03:46Yeah. I mean, if we wanted to take off to Paris tomorrow, we could.

0:03:46 > 0:03:48Yeah, I mean, I think we might have a hard time

0:03:48 > 0:03:50finding an affordable fare on such short notice, but, yeah.

0:03:50 > 0:03:52No, I know, and I couldn't leave work.

0:03:52 > 0:03:55If we're going to do it, we should plan it at least a month in advance.

0:03:55 > 0:03:58- A month is still in the realm of spontaneity.- No, I know.

0:03:58 > 0:04:01I mean, the time we spent in Rome, what was that?

0:04:01 > 0:04:04- 2006.- It wasn't 2006.- Yeah, it was.

0:04:04 > 0:04:06Cos I was working with my dad on his dance film.

0:04:06 > 0:04:09Rome was eight years ago already?

0:04:09 > 0:04:13- Shit.- Yeah. I looked at the pictures recently.

0:04:13 > 0:04:15We were two younger people standing at the Trevi Fountain.

0:04:15 > 0:04:18- We look similar.- We look younger.

0:04:18 > 0:04:21I tried to get you to go to Mexico last summer.

0:04:21 > 0:04:22I needed to finish my documentary.

0:04:22 > 0:04:25But you didn't finish it.

0:04:25 > 0:04:27Well, maybe the point is we have the freedom.

0:04:27 > 0:04:29What we do with it isn't that important.

0:04:29 > 0:04:34Marina said they haven't had sex in nearly a year.

0:04:34 > 0:04:36Fletcher was too weirded out by the pregnancy.

0:04:36 > 0:04:38God.

0:04:38 > 0:04:40Delivery?

0:04:55 > 0:04:57What is that, a 75 watt?

0:04:59 > 0:05:02I can't see, it's too bright.

0:05:02 > 0:05:04It's too high a wattage.

0:05:04 > 0:05:07I'll change it tomorrow.

0:05:07 > 0:05:09'There was a poll conducted in 1987

0:05:09 > 0:05:11'in which people were given a series of phrases

0:05:11 > 0:05:15'and asked which ones could be found in the US Constitution.

0:05:15 > 0:05:19'One of the phrases that got the highest percentage of votes was,

0:05:19 > 0:05:22' "From each according to his ability

0:05:22 > 0:05:24' "to each according to his need." '

0:05:24 > 0:05:26Let me see the continuity.

0:05:26 > 0:05:29'..is not in the US Constitution, but is the famous communist credo

0:05:29 > 0:05:31'popularized by Karl Marx.'

0:05:31 > 0:05:33Why do they type this stuff so small?

0:05:33 > 0:05:35I think that's 12 point. That's normal.

0:05:35 > 0:05:39It's not 12, it's at most...eight?

0:05:39 > 0:05:40'Hello?'

0:05:40 > 0:05:43We have to cut away from Ira here because he gets a phone call.

0:05:43 > 0:05:45'Sweetie, this happens every fucking day.'

0:05:45 > 0:05:48OK, cut to me asking the question about hermeneutics.

0:05:48 > 0:05:51We could, but...you look like this.

0:05:51 > 0:05:53Why is Paul Ricoeur's idea

0:05:53 > 0:05:55of the hermeneutics of suspicion so important?

0:05:55 > 0:05:57It's from eight years ago.

0:05:57 > 0:06:02And the previous shot of you asking any relevant questions is this.

0:06:02 > 0:06:05'So, then, what did Mills mean by the concept of military...?'

0:06:05 > 0:06:07God, that was eight years ago?

0:06:07 > 0:06:09It's been ten.

0:06:09 > 0:06:11Are my eyes getting hollows?

0:06:11 > 0:06:13I don't know.

0:06:14 > 0:06:16Well, we're getting there.

0:06:16 > 0:06:19When I get the rest of the grant money, we'll reshoot me

0:06:19 > 0:06:22asking the questions along with the trip to Istanbul.

0:06:22 > 0:06:26Look, Josh, I hate to bring this up,

0:06:26 > 0:06:29but I'm going to need a little money soon.

0:06:29 > 0:06:30No, I know, you've been patient.

0:06:30 > 0:06:34I'm just waiting for the rest of the last grant money.

0:06:34 > 0:06:36But soon?

0:06:36 > 0:06:38Yeah, I'll get you.

0:06:39 > 0:06:41"Documentary is about someone else.

0:06:41 > 0:06:44"Fiction is about me."

0:06:44 > 0:06:47This is a quote from Jean Luc Godard.

0:06:47 > 0:06:49Now, what do we think about this?

0:06:49 > 0:06:52Can a documentary be personal?

0:06:52 > 0:06:55Documentaries, I want to say to you today,

0:06:55 > 0:06:59can and should be about me.

0:06:59 > 0:07:01"Me" meaning all of us.

0:07:01 > 0:07:03Lights.

0:07:04 > 0:07:07Frank, could you just hit that switch?

0:07:07 > 0:07:10Now, this is an image from...

0:07:12 > 0:07:13Well, shit.

0:07:17 > 0:07:21This should be an image of seal hunting from Nanook Of The North.

0:07:22 > 0:07:25- Sorry.- Mmm?

0:07:25 > 0:07:28- About what? - Hey. Beautiful class.

0:07:28 > 0:07:32Oh, thanks. I don't know why the PowerPoint didn't work, but...

0:07:32 > 0:07:34I loved what you said about hyper reality.

0:07:34 > 0:07:38- Thanks. - I'm Jamie. This is my wife, Darby.

0:07:38 > 0:07:40- Josh Srebnick.- Nice to meet you.

0:07:40 > 0:07:42- It was interesting.- Thanks.

0:07:42 > 0:07:45I'm not sure why that PowerPoint didn't work.

0:07:45 > 0:07:47How did you get in here?

0:07:47 > 0:07:49Well, we're auditing your class.

0:07:49 > 0:07:51It's a continuing education class,

0:07:51 > 0:07:55you can't audit a continuing education class.

0:07:55 > 0:07:59I'm a fan. And, hey, I really loved your film, Power Elite.

0:07:59 > 0:08:02You've seen it? Hey, thanks.

0:08:02 > 0:08:04It's everything I aspire to, and you make it look so easy.

0:08:04 > 0:08:06Uh, do you make documentaries?

0:08:06 > 0:08:08I shoot stuff, you know, with friends, yeah.

0:08:08 > 0:08:11- But nothing like what you're doing. - He's always shooting.

0:08:11 > 0:08:14Don't take this the wrong way, but how did you see Power Elite?

0:08:14 > 0:08:17I found a VHS on eBay. I paid, like, 60 bucks for it.

0:08:17 > 0:08:18You know what was great?

0:08:18 > 0:08:21Was that scene with the dogs around the garbage. How did you stage that?

0:08:21 > 0:08:24Oh. Erm...those dogs were just there

0:08:24 > 0:08:28and I said, "Hey, shoot those dogs."

0:08:28 > 0:08:29And we did.

0:08:29 > 0:08:34- Beautiful.- I've been working on this other one for about eight years now,

0:08:34 > 0:08:38- but I think I'm zeroing in on it. - I'd love to see it.

0:08:38 > 0:08:39You want to come get a bite with us?

0:08:39 > 0:08:42Oh, I'm meeting my wife around the corner at this Chinese place.

0:08:42 > 0:08:46My wife and I are going to the same goddamn place!

0:08:46 > 0:08:48I've learned along the way you can discover more

0:08:48 > 0:08:53- by not knowing all the answers, by allowing yourself to be surprised by what you encounter.- Yeah, yeah.

0:08:53 > 0:08:56And sometimes that means waiting years for something to happen.

0:08:56 > 0:08:58How did you start out? Like, who influenced you?

0:08:58 > 0:09:00Ah, well, I steal from everyone -

0:09:00 > 0:09:03Wiseman, Maysles, Pennebaker.

0:09:03 > 0:09:06My first job out of graduate school was working for Leslie Breitbart.

0:09:06 > 0:09:09- Jeez Louise.- That's also, incidentally, how I met Cornelia.

0:09:09 > 0:09:11- He's her dad.- What?

0:09:11 > 0:09:13This is before they hated each other.

0:09:13 > 0:09:15We don't hate each other.

0:09:15 > 0:09:17- Cornelia also produces her dad's films.- He's amazing.

0:09:17 > 0:09:19He's a giant. He's a guy I'd love to meet.

0:09:19 > 0:09:21Do you also produce Josh's films?

0:09:21 > 0:09:23No, Josh likes to work alone.

0:09:23 > 0:09:25Josh, what's your new film about?

0:09:25 > 0:09:27Well, I'm trying to solve the problem

0:09:27 > 0:09:29that Eisenstein never solved,

0:09:29 > 0:09:31that is, how to make a film that is both materialist

0:09:31 > 0:09:34and intellectual at the same time.

0:09:34 > 0:09:36Uh, it's about the distinctly American relationship

0:09:36 > 0:09:38between biography and history,

0:09:38 > 0:09:40theory and method,

0:09:40 > 0:09:43and how that relates to power and class in our country,

0:09:43 > 0:09:46particularly the political, military and economic elite.

0:09:46 > 0:09:49- It's really about America. - Eisenstein's astonishing.

0:09:49 > 0:09:51- I just watched Strike.- Ah!

0:09:51 > 0:09:55I'm obsessed with Europe in the '20s, see? The interwar period, ex patriots, that sort of thing.

0:09:55 > 0:09:59I keep trying to get Jamie to do something with before and afters. All humans love before and afters.

0:09:59 > 0:10:02Any TV show with before and afters will succeed.

0:10:02 > 0:10:05Before you said that. After you said that.

0:10:05 > 0:10:07- Fuck you.- Oh.

0:10:07 > 0:10:09THEY CHUCKLE

0:10:09 > 0:10:11What do you do, Darby?

0:10:11 > 0:10:14- Darby makes ice cream. - Yeah, I make ice cream.

0:10:14 > 0:10:17I brought some of it to the Whole Foods near us. They're pumped.

0:10:17 > 0:10:20It's Jamie's idea to sell it, I just do it because I like it.

0:10:20 > 0:10:23And you guys are married? That's so nice and old-fashioned.

0:10:23 > 0:10:25Yeah, we said our vows in an empty water tower in Harlem.

0:10:25 > 0:10:29- There was a mariachi band and a Slip 'N Slide.- Wow!- Oh!

0:10:29 > 0:10:32- It was beautiful. Some rituals exist for a reason. - Jamie wanted a big wedding.

0:10:32 > 0:10:34We did it at City Hall.

0:10:34 > 0:10:36Isaac and Benny are walking the tracks.

0:10:36 > 0:10:37Oh, have you done this?

0:10:37 > 0:10:40We walked through the subway tunnels of the D line last week.

0:10:40 > 0:10:42- No, no, we haven't. - They're at a bar on Essex.

0:10:42 > 0:10:45- Do you want to come? - Oh! Do we?

0:10:47 > 0:10:50Uh...

0:10:50 > 0:10:52it's already past our bedtime.

0:10:52 > 0:10:55Yeah, we're usually in bed by 11.

0:10:55 > 0:10:58- Let me get it.- Thanks. - Yeah, thanks.

0:10:58 > 0:11:01No, yeah, I'll get it.

0:11:01 > 0:11:04If you've got any time, and I know you're super busy,

0:11:04 > 0:11:05I'd love to show you what I'm working on.

0:11:05 > 0:11:08Come by our place this weekend. I have my fall flavours.

0:11:08 > 0:11:10They don't make this film any more.

0:11:10 > 0:11:13I bought 400 packs before they discontinued it.

0:11:15 > 0:11:17Let's go, worm!

0:11:17 > 0:11:19Jamie's always moving.

0:11:19 > 0:11:21I can't leap as fast as that kid.

0:11:21 > 0:11:23I don't move as quickly.

0:11:23 > 0:11:25You should see him on Rollerblades.

0:11:28 > 0:11:30'I like how engaged'

0:11:30 > 0:11:31they are in everything.

0:11:31 > 0:11:35They're all making things and they're so excited for each other.

0:11:35 > 0:11:38It's selfless. And they're so respectful of us.

0:11:38 > 0:11:40I mean, compared to when we go out with Marina and Fletcher,

0:11:40 > 0:11:43I feel like we're all just talking about ourselves.

0:11:43 > 0:11:45- They asked questions. - They didn't ask me any questions.

0:11:45 > 0:11:49When I was their age, I never would have come up to me like that and invited me out.

0:11:49 > 0:11:52I would have been too scared. They're really not nervous.

0:11:52 > 0:11:55I just wish you hadn't told him I work with my dad.

0:11:55 > 0:11:59- Why?- I don't know, he seems ambitious.

0:11:59 > 0:12:01No. I don't think he thinks that way.

0:12:01 > 0:12:04- It's about process.- How has he even seen anything of yours?

0:12:04 > 0:12:06eBay. I love his shoes.

0:12:06 > 0:12:08I have some wing tips here somewhere.

0:12:08 > 0:12:10I stopped wearing them when I got shin splints.

0:12:10 > 0:12:12It was almost like he was studying you.

0:12:12 > 0:12:15Can we go to their place this weekend?

0:12:15 > 0:12:16We never see our real friends.

0:12:16 > 0:12:20Why do you suddenly want to hang out with a couple of 25 year olds?

0:12:20 > 0:12:22We were just 25. I mean, we weren't, but, you know...

0:12:22 > 0:12:24It'll be fun.

0:12:24 > 0:12:26Erm, it would probably be Richard Dreyfuss.

0:12:26 > 0:12:28He's friends with my parents.

0:12:28 > 0:12:29Uh, a member of Parliament.

0:12:29 > 0:12:31Erm...

0:12:31 > 0:12:33Probably Shia LaBeouf.

0:12:34 > 0:12:36'This girl who wrote on that show, Medium.'

0:12:36 > 0:12:38- 'Doug Liman.- Bill Clinton.

0:12:38 > 0:12:40'But I think it's probably his office.

0:12:40 > 0:12:42'It's ringing.

0:12:42 > 0:12:44'Yeah, it's his office.

0:12:44 > 0:12:46'Robert Downey Sr.'

0:12:48 > 0:12:51- It's really funny.- I like Robert Downey...Sr.

0:12:51 > 0:12:52That's the latest anyway.

0:12:52 > 0:12:56I'm also doing people describing scenes from movies that they like, but haven't seen in a while.

0:12:56 > 0:12:59Darby's going to do Rosemary's Baby, see?

0:12:59 > 0:13:01What have you done to its eyes?

0:13:01 > 0:13:03He has his father's eyes.

0:13:03 > 0:13:06Joshy, come with me to the playroom.

0:13:06 > 0:13:09- I want a kitten!- That's Good Cop. This is Bad Cop.

0:13:09 > 0:13:10I love these kittens.

0:13:10 > 0:13:14I hope they don't grow up to be assholes, because that can happen.

0:13:14 > 0:13:18Wow! Oh, my God.

0:13:18 > 0:13:20This is just like my record collection.

0:13:20 > 0:13:23- Except mine are CDs.- CDs?

0:13:23 > 0:13:25It took me years to discover this stuff.

0:13:29 > 0:13:33- I need to buy a new desk.- You should come with me to the lumber yard.

0:13:33 > 0:13:36- We'll make one.- A whole desk?

0:13:36 > 0:13:38It's much cheaper than buying one, see? And more fun.

0:13:38 > 0:13:41Darby, can I borrow your bike?

0:13:41 > 0:13:44- I'm going to the deli for some goldfish.- OK.

0:13:44 > 0:13:47Tipper, did you feed Nico?

0:13:47 > 0:13:48I forgot.

0:13:51 > 0:13:53That's our roommate, Tipper.

0:13:53 > 0:13:56Ding a ling a ling! Chow time!

0:13:56 > 0:13:58Nico's a chicken?!

0:13:59 > 0:14:03I have to say I really admire how you guys are so in the moment

0:14:03 > 0:14:06and just enjoying doing and making things.

0:14:06 > 0:14:09- It's inspiring.- Thanks, Joshy.

0:14:09 > 0:14:12People our age are so success and results oriented,

0:14:12 > 0:14:14they've forgotten about process.

0:14:14 > 0:14:16Josh, are you success oriented?

0:14:16 > 0:14:18- Totally.- No.

0:14:18 > 0:14:20CLATTERING

0:14:20 > 0:14:24I feel like there are people who don't drop things as much as I do.

0:14:24 > 0:14:27- I don't keep things you're... - She's a mess and an ugly eater.

0:14:27 > 0:14:29- I say that with love.- Fuck you.

0:14:29 > 0:14:32It's an avocado and almond milk sorbet.

0:14:32 > 0:14:33Benny designed the container.

0:14:33 > 0:14:37It tastes like that candy that they sometimes make into pigs or little fruits.

0:14:37 > 0:14:38Yeah, it's, erm...

0:14:38 > 0:14:40Shit, I know that.

0:14:40 > 0:14:43I keep wanting to say baklava, but that's a Greek dessert.

0:14:43 > 0:14:46The almond tasting pigs and fruits are made of...

0:14:49 > 0:14:52- I'll look it up.- No, that's too easy.- Let's try to remember it.

0:14:58 > 0:15:01- Can I now?- No.

0:15:01 > 0:15:02Let's just not know what it is.

0:15:46 > 0:15:48Over here. Let's go!

0:15:50 > 0:15:52BEEPING

0:15:59 > 0:16:00CHICKEN CLUCKS

0:16:02 > 0:16:05JAMIE READS TEXT MESSAGE ALOUD

0:16:07 > 0:16:09End transmission.

0:16:09 > 0:16:11We have news.

0:16:11 > 0:16:13I decided, with Marina going back to work,

0:16:13 > 0:16:15I'm going to take a leave of absence from the firm

0:16:15 > 0:16:18- and take care of Willow. - BOTH: Oh!

0:16:18 > 0:16:20- Cool. How long?- Indefinite.

0:16:20 > 0:16:23It's such a load off and I'm making enough, so...

0:16:23 > 0:16:25Hey, it's really just my ego at stake.

0:16:25 > 0:16:28- Time to rewatch Mr- Mom. I already Netflixed it. I got some laughs.

0:16:28 > 0:16:30We're the boring couple with a baby.

0:16:30 > 0:16:32What have you guys been doing? Tell us something fun.

0:16:32 > 0:16:35Oh, we met this interesting couple, Jamie and Darby.

0:16:35 > 0:16:38He's a young documentarian and she makes ice cream.

0:16:38 > 0:16:40I don't know what to make of them, honestly.

0:16:40 > 0:16:43- I like her.- They make everything.

0:16:43 > 0:16:46It's infectious. For about 12 hours, I thought I could build my own desk.

0:16:46 > 0:16:49There's something about being around them that energises you, you know?

0:16:49 > 0:16:53- How old are they? - 25, 26.- 26, 27.

0:16:53 > 0:16:55- They're children!- Yeah, nine years ago, they couldn't vote.

0:16:55 > 0:16:59- But they're married.- Why?- You should see this guy's record collection.

0:16:59 > 0:17:01It's Jay Z, it's Thin Lizzy, it's Mozart. His taste is democratic.

0:17:01 > 0:17:04It's The Goonies and it's Citizen Kane

0:17:04 > 0:17:06they don't distinguish between high and low, it's wonderful.

0:17:06 > 0:17:10- When did The Goonies become a good movie?- Well, you should hear this guy talk about it.

0:17:10 > 0:17:13And it's like their apartment is full of everything we once threw out,

0:17:13 > 0:17:17- but it looks so good the way they have it.- Who directed The Goonies? I'll look it up.

0:17:20 > 0:17:22Why is it that when one person picks up their phone,

0:17:22 > 0:17:24- everybody else has to?- I have a quick thing.- I'm not on my phone.

0:17:24 > 0:17:26- The baby.- Richard Donner. - Each of us is so certain

0:17:26 > 0:17:30- that we've got the most important thing to do right now. - I know, it's so rude.

0:17:30 > 0:17:34Not any more. It used to be, but now it's accepted. It's like showing your ankles in the 1800s.

0:17:34 > 0:17:37- Oh.- The almond tasting pigs and fruits are made of...

0:17:37 > 0:17:39BOTH: Marzipan! THEY LAUGH

0:17:39 > 0:17:41Ugh!

0:17:41 > 0:17:43I thought I'd...

0:17:43 > 0:17:45You guys want to hit this street beach with us?

0:17:45 > 0:17:46I don't know what you're saying.

0:17:46 > 0:17:48It's something Jamie and Darby are doing.

0:17:48 > 0:17:50Since when do you guys do two things in one night?

0:17:50 > 0:17:52- You never go anywhere. - We go anywhere.

0:17:52 > 0:17:55We have to get back for the sitter. Scratch that, we want to get back.

0:17:55 > 0:17:59- I hate being away from her. - The sitter?- Yeah. It's true.

0:17:59 > 0:18:01- We've lost you to the baby. - You guys have to come see her again.

0:18:01 > 0:18:05- You should, really. We're always home. - She's already a different person.

0:18:05 > 0:18:07- Any time, come by. We're always home.- Yeah.- All right.- OK.

0:18:07 > 0:18:10We have lost them to the baby.

0:18:10 > 0:18:12We go anywhere, right?

0:18:12 > 0:18:14We never go anywhere.

0:18:16 > 0:18:18High kick contest!

0:18:18 > 0:18:22HIP-HOP MUSIC BLASTS

0:18:32 > 0:18:33Whoa!

0:18:35 > 0:18:38- What's the rumpus, Srebnicks? - You came!

0:18:38 > 0:18:41Have you tried this? Someone at some college figured out

0:18:41 > 0:18:46that if you put Jolly Ranchers in vodka for 24 hours, it's awesome.

0:18:46 > 0:18:48- Can I run an idea by you? - Sure, what?

0:18:48 > 0:18:51- It's a project I want to shoot.- OK.

0:18:51 > 0:18:53I've never done Facebook, it's not my thing, see?

0:18:53 > 0:18:55Oh, really? Yeah, I was against it at first,

0:18:55 > 0:18:58but it's actually quite a useful tool.

0:18:58 > 0:19:00I mean, it makes me feel like I'm really connected.

0:19:00 > 0:19:02And there's pictures...

0:19:02 > 0:19:04- Ow! What the shit? Watch it!- MAN:- I love you!

0:19:04 > 0:19:06- Oh! All right.- It's lame, yeah.

0:19:06 > 0:19:08That's why I'm doing this new thing with it.

0:19:08 > 0:19:11I'm going to start a profile and wait for people to contact me.

0:19:11 > 0:19:13Well, that part's normal, that's Facebook.

0:19:13 > 0:19:15And whoever the first person is from my childhood,

0:19:15 > 0:19:17someone I'm no longer in touch with,

0:19:17 > 0:19:20who contacts me, instead of responding to them on Facebook, see,

0:19:20 > 0:19:23I'm going to go find them in person...with my camera.

0:19:23 > 0:19:26- OK.- Like, make Facebook real.

0:19:26 > 0:19:27It's like you want to talk to me? Let's talk.

0:19:27 > 0:19:31- Kind of just like real life? - Exactly.

0:19:31 > 0:19:33- Well, real was there before Facebook.- Right.

0:19:34 > 0:19:36Sounds interesting.

0:19:36 > 0:19:38- I'm not sure it's enough. - What do you mean?

0:19:38 > 0:19:41Think about what you want to say. I mean, what are you hoping to find?

0:19:41 > 0:19:43Well, I'll know when I get there.

0:19:43 > 0:19:45You said we should be open to surprises, right?

0:19:45 > 0:19:46It's a nice beginning.

0:19:46 > 0:19:49But it might not be a full enough meal yet, you know? Keep digging.

0:19:50 > 0:19:53'When I criticise quantitative analysis,'

0:19:53 > 0:19:56it's not because statistics don't tell us anything.

0:19:56 > 0:19:59On the contrary, I'd say they are often very revealing.

0:19:59 > 0:20:02In fact, they can often be most revealing when...

0:20:03 > 0:20:07- I've got to go to the gents. - Wait, the mic! - DOG BARKS

0:20:14 > 0:20:16URINE SPLASHES

0:20:16 > 0:20:18- I guess he's just doing that. - Yeah...

0:20:18 > 0:20:21Hey, Josh, how's that grant money doing?

0:20:21 > 0:20:23I'm expecting an e-mail any day now confirming...

0:20:23 > 0:20:26No, thanks, but the rest of the grant money is coming?

0:20:26 > 0:20:29Yes. Assuming they get funded for the next calendar year.

0:20:29 > 0:20:31- Did you feed the dog? - I'm about to, sweetie.

0:20:31 > 0:20:32- What does that mean?- I don't know.

0:20:32 > 0:20:35One of the donors left his wife and... I don't know.

0:20:35 > 0:20:37- But they're confirming the funding. - Why'd he leave his wife?

0:20:39 > 0:20:42- DOG BARKS - I don't know.

0:20:49 > 0:20:51Hey, Fox!

0:20:51 > 0:20:53Hey, Foxy Fox!

0:20:53 > 0:20:55I was just going to call you to see if you wanted to get lunch.

0:20:55 > 0:20:59- Oh, how sweet.- Uh, this is Pepper and Elise. This is Cornelia.

0:20:59 > 0:21:01- Hi.- Nice to meet you. - We're going to a music class.

0:21:01 > 0:21:04It's really just for the mothers, they don't do anything yet.

0:21:04 > 0:21:05- Do you want to come?- Oh, maybe.

0:21:05 > 0:21:07Ah! Come on, then!

0:21:07 > 0:21:11- How old are your kids? - Mine? I... I don't have any kids.

0:21:11 > 0:21:14Oh, you're going to... You're just coming to hang out?

0:21:14 > 0:21:15- Cool.- It's adorable.

0:21:15 > 0:21:18If you didn't know better, you'd think they're having seizures.

0:21:20 > 0:21:23Hello, hello. Let's get our hello hands high in the sky.

0:21:23 > 0:21:26And let's wave hello to each and every one of our friends

0:21:26 > 0:21:28- on this train with us today.- Hi!

0:21:28 > 0:21:32That's right. It's time to get this party started!

0:21:33 > 0:21:38# All aboard Pick your destination

0:21:38 > 0:21:42# All aboard Come on, here we go. #

0:21:42 > 0:21:45Now, everybody, say, "Choo-choo!"

0:21:45 > 0:21:46- ALL:- Choo-choo!- That's right.

0:21:46 > 0:21:49- Choo-choo!- Together. Choo-choo!

0:21:49 > 0:21:54# All aboard Here at the station BABIES CRY

0:21:54 > 0:22:00# All aboard We want to say hello

0:22:00 > 0:22:04INAUDIBLE SPEECH

0:22:05 > 0:22:08# All aboard... #

0:22:08 > 0:22:10Holy shit!

0:22:10 > 0:22:12Now, everybody, say, "Choo-choo!"

0:22:12 > 0:22:15- ALL:- Choo-choo!- Say, "Choo-choo!"

0:22:15 > 0:22:17I mean, I love her, she's a great mom,

0:22:17 > 0:22:19but I always felt like if I had a baby,

0:22:19 > 0:22:21the baby would just fold into my life.

0:22:21 > 0:22:25I mean, if you spend all your time at baby classes, you become a baby.

0:22:25 > 0:22:27It's like the mothers are infantilised, you know?

0:22:27 > 0:22:28I know, just, like, have a baby.

0:22:28 > 0:22:31You're cool, you know, cool people who have a house

0:22:31 > 0:22:33and, I don't know, just have a baby.

0:22:33 > 0:22:35You're going to Mexican food and there's a baby on the floor.

0:22:35 > 0:22:37I know. That's how I grew up.

0:22:37 > 0:22:39I want a baby. Maybe I'll just have a baby right now.

0:22:39 > 0:22:41You should. You can.

0:22:41 > 0:22:43I like kids who don't speak English.

0:22:43 > 0:22:45When are you going to have babies?

0:22:45 > 0:22:48A couple of times I got pregnant, but it didn't happen.

0:22:48 > 0:22:51- I'm sorry. - The longest only went eight weeks.

0:22:51 > 0:22:54- After 35, it's a shit show.- I'm sorry. You don't have to tell me.

0:22:54 > 0:22:57No, it's OK. It's what happened. I like telling you.

0:22:57 > 0:23:00I like how you give Josh a hard time.

0:23:00 > 0:23:03- I don't think I give him a hard time.- It reminds me of my mom.

0:23:03 > 0:23:06- How she was with your dad? - No, with my brother.

0:23:06 > 0:23:09God, she'd yell at him, but then iron all his weird racing T-shirts.

0:23:09 > 0:23:12I mother Jamie. Ugh.

0:23:12 > 0:23:15- Sorry, I stink.- It's OK. - Here we go, here we go.

0:23:15 > 0:23:18What kind of class is this again? Hip-hop.

0:23:18 > 0:23:20# First off, fuck your bitch And the clique you claim

0:23:20 > 0:23:22# Westside when we ride Come equipped with game

0:23:22 > 0:23:25# You claim to be a player But I fucked your wife

0:23:25 > 0:23:27# We bust on Bad Boys Niggas fuck for life

0:23:27 > 0:23:30# Plus Puffy tryin' to see me Weak hearts I rip

0:23:30 > 0:23:34# Biggie Smalls and Junior M.A.F.I.A Some mark ass-bitches... #

0:23:35 > 0:23:37I like that one.

0:23:37 > 0:23:42SONG CONTINUES

0:23:47 > 0:23:51TRAIN IN DISTANCE

0:24:15 > 0:24:18No, it's between these and these.

0:24:18 > 0:24:23MUSIC DROWNS SPEECH

0:24:34 > 0:24:36Whoo! Ow!

0:24:36 > 0:24:38Ah!

0:24:40 > 0:24:42Hey, Jamie!

0:24:42 > 0:24:43Jamie!

0:24:45 > 0:24:47Well, it's just a strained muscle.

0:24:47 > 0:24:51But the more concerning thing here is your arthritis.

0:24:51 > 0:24:54- Arthritis?- Yes. You have arthritis in your knee.

0:24:55 > 0:24:58Is, uh, arthritis a catch-all

0:24:58 > 0:25:00for some kind of injury to the...

0:25:00 > 0:25:03No, arthritis is a degradation of the joints.

0:25:03 > 0:25:05Yeah, I know what traditional arthritis is.

0:25:05 > 0:25:09- But...- I'm not sure what you mean by "traditional,"

0:25:09 > 0:25:12- but this is arthritis. - Arthritis arthritis?

0:25:12 > 0:25:15Yes. I usually just say it once.

0:25:15 > 0:25:18- At my age?- You're what, 42?

0:25:18 > 0:25:2444. Well, it happens at 42 and it happens at 44.

0:25:24 > 0:25:27I'm going to get you a prescription for paracetamol.

0:25:27 > 0:25:30We'll start there and see how it progresses, OK?

0:25:30 > 0:25:33Have you had your eyes checked recently?

0:25:33 > 0:25:36I have genetically great eyes.

0:25:36 > 0:25:38You're growing up.

0:25:38 > 0:25:41It's weird, you know? I'm at that age where things you think

0:25:41 > 0:25:43are only going to happen when you get older are actually happening.

0:25:43 > 0:25:46If I'm going to be totally honest with myself, I don't think I'm ever going to die.

0:25:46 > 0:25:49- I know that's crazy.- It's crazy. - I think I'm pathologically happy.

0:25:49 > 0:25:51I mean, Cornelia and I, for a while,

0:25:51 > 0:25:53the fact that we got married was so amazing.

0:25:53 > 0:25:54I mean, we were married!

0:25:54 > 0:25:57Now we're just...

0:25:57 > 0:25:59married, you know? Do you ever feel that?

0:25:59 > 0:26:01Best decision I ever made.

0:26:01 > 0:26:03- I really like this place.- Oh, hey!

0:26:03 > 0:26:07- I got my first response on Facebook. - Yeah?- This guy, Kent Arlington.

0:26:07 > 0:26:09I haven't seen him since high school in Santa Cruz.

0:26:09 > 0:26:11Did you flesh it out more, the idea?

0:26:11 > 0:26:13A little, yeah. He's living in Poughkeepsie.

0:26:13 > 0:26:15Tipper and I are going to ride the old zip there and find him.

0:26:15 > 0:26:17- Mmm. Shit.- What?

0:26:17 > 0:26:21My father-in-law. What is he doing here?

0:26:21 > 0:26:23- Where?- How are you?

0:26:23 > 0:26:25Good, Leslie, you?

0:26:25 > 0:26:27Good. Gearing up for my memorial.

0:26:27 > 0:26:30Leslie is having a tribute at Lincoln Centre next month.

0:26:30 > 0:26:32What are you doing here? How do you even know about this place?

0:26:32 > 0:26:35Are you kidding? I've been coming here for pizza since it opened.

0:26:35 > 0:26:38- This is Jamie, my friend. - I'm sure you hear this all the time,

0:26:38 > 0:26:41but both Wedding and Arlo Takes A Bath changed my life.

0:26:41 > 0:26:45- It made me want to tell stories in the non-fiction mode.- Oh, thank you.

0:26:45 > 0:26:47No, thank you for your films.

0:26:47 > 0:26:49- How's my daughter? - How does she seem to you?

0:26:49 > 0:26:52- Seems well. - So, why are you asking me?

0:26:52 > 0:26:55Cornelia tells me you're looking for finishing money.

0:26:55 > 0:26:58Maybe. It depends on the grant. If this guy leaves his wife or not.

0:26:58 > 0:27:01I met a guy, hedge fund or something, he's interested in putting money into docs.

0:27:01 > 0:27:03- I can arrange a meeting if you want. - I think I'm OK.

0:27:03 > 0:27:06Don't be proud, Josh. I'll call you with his number tomorrow.

0:27:06 > 0:27:08- OK.- Nice to have met you.- Same.

0:27:15 > 0:27:19Jeez Louise, working with him must've been astonishing.

0:27:19 > 0:27:21It's complicated. I felt I was seen as his protege,

0:27:21 > 0:27:24and I married his daughter. I needed to establish my own voice.

0:27:24 > 0:27:28I think he thought I rejected him or that I was arrogant.

0:27:28 > 0:27:30- I don't know. Maybe I was. - But you'll take that meeting?

0:27:30 > 0:27:33- Probably not.- You have to, Yosh.

0:27:33 > 0:27:34I mean, money's money, right?

0:27:34 > 0:27:36Yeah, but I never pitch.

0:27:36 > 0:27:37I just don't think in sound bites.

0:27:37 > 0:27:40I understand we're a culture of sound bites, but...

0:27:40 > 0:27:42I'll help you, you know, make it sound beautiful.

0:27:42 > 0:27:45It is beautiful, but beautiful to some suit.

0:27:48 > 0:27:52- Maybe.- You can totally say no to this, but would you have any interest in co-directing with me?

0:27:52 > 0:27:53Oh!

0:27:55 > 0:27:56No, it's your thing.

0:27:56 > 0:27:58Isn't it? Yeah, it should be your thing.

0:27:58 > 0:28:00- I totally get it, yeah. - Yeah, it should be your thing.

0:28:04 > 0:28:06- I got this.- Cool.

0:28:08 > 0:28:10Shall we go?

0:28:10 > 0:28:12Uh, you go ahead, I got to take a leak.

0:28:16 > 0:28:18This was fun. Thanks.

0:28:30 > 0:28:32SPEECH INAUDIBLE

0:28:32 > 0:28:35HIP-HOP MUSIC BLASTS

0:28:35 > 0:28:37He just asked me to co-direct like it was nothing.

0:28:37 > 0:28:39I've been trained to hoard credit.

0:28:39 > 0:28:42- These kids are so generous. - Yeah, I know.

0:28:42 > 0:28:46Yeah. What do you mean, "you know"? Which part?

0:28:46 > 0:28:49About credit. My dad always said that about you.

0:28:49 > 0:28:50You don't collaborate well.

0:28:50 > 0:28:52He "always" said that? What's "always"?

0:28:52 > 0:28:56I don't know, twice. Remember that time I wanted to do that thing

0:28:56 > 0:28:58about the public school in The Bronx?

0:28:58 > 0:28:59And you were really excited about it

0:28:59 > 0:29:02until I suggested we do it together and then you...

0:29:02 > 0:29:06- Then you just kind of dropped it. - Well, maybe we should have done it.

0:29:06 > 0:29:09- We still could.- The time's passed.

0:29:09 > 0:29:10Sorry about that.

0:29:10 > 0:29:12I want to be better about that stuff.

0:29:12 > 0:29:14Thanks.

0:29:14 > 0:29:18PHONE RINGS

0:29:18 > 0:29:20What is that, a hoedown?

0:29:20 > 0:29:22Hip-hop.

0:29:22 > 0:29:27- Hey, Fox!- Fox, do you guys want to come to the Connecticut house this weekend?- Hey, honey...

0:29:27 > 0:29:29- Connecticut? This weekend? - No, we have the ayahuasca.

0:29:29 > 0:29:33- Where's the cardboard sleeve for this Wilco CD?- What's on it?

0:29:33 > 0:29:34The same image that's on the CD.

0:29:34 > 0:29:36Why do you need it? The CD is right there.

0:29:36 > 0:29:38I don't know. It makes it special.

0:29:38 > 0:29:41It'll be us and Pepper and her husband, Reade,

0:29:41 > 0:29:43and Elise and Dwight.

0:29:43 > 0:29:46And then Willow, Oscar and Peter, who they're calling Nemo.

0:29:46 > 0:29:47That's a lot of people.

0:29:47 > 0:29:49Well, the last three are infants.

0:29:49 > 0:29:52Yeah, I know. It's just we've got this ayahuasca ceremony this weekend

0:29:52 > 0:29:53with Jamie and Darby.

0:29:53 > 0:29:55What's an ayahuasca ceremony?

0:29:55 > 0:29:58I guess there's a shaman and you have to wear white clothes

0:29:58 > 0:30:02and you drink this sludgy liquid that is made from a Peruvian root

0:30:02 > 0:30:05and you hallucinate and vomit up your demons.

0:30:05 > 0:30:09OK. Well, we're just having a cookout and maybe playing charades.

0:30:09 > 0:30:12Yeah, no, it sounds great. It's just bad timing.

0:30:12 > 0:30:15- Yeah, OK.- OK, bye, Fox.

0:30:15 > 0:30:16Bye, Fox.

0:30:19 > 0:30:24HIP-HOP MUSIC BLARES

0:30:29 > 0:30:33HE CHANTS

0:30:42 > 0:30:45Supposedly, everyone sees Egyptian imagery.

0:30:45 > 0:30:49- Oh, yeah? - I want to clear some father issues.

0:30:49 > 0:30:51- You?- Oh, uh...

0:30:51 > 0:30:53I don't know.

0:30:53 > 0:30:55It's good to have a focus.

0:30:55 > 0:30:59# Broken hearts and broken wings

0:30:59 > 0:31:00# Sing the song... #

0:31:00 > 0:31:02Fear of death?

0:31:03 > 0:31:06You know, linear time not being such a big deal.

0:31:06 > 0:31:07Mmm.

0:31:07 > 0:31:09What's the bucket for?

0:31:09 > 0:31:10- Puking.- Sh!

0:31:15 > 0:31:18Sing the song you are here to sing.

0:31:20 > 0:31:22Welcome to the light.

0:31:22 > 0:31:25Breathe in light, breathe out darkness.

0:31:29 > 0:31:31Breathe in love.

0:31:31 > 0:31:33This is our 20s.

0:31:33 > 0:31:35(I'm 43.)

0:31:35 > 0:31:36Breathe out fear.

0:31:39 > 0:31:42Breathe in truth, breathe out ignorance.

0:31:48 > 0:31:50Welcome to the work.

0:31:52 > 0:31:54This shaman is kind of a d-bag.

0:31:54 > 0:31:57We're purging dark energies past pain.

0:31:58 > 0:32:02SHE LOUDLY VOMITS

0:32:04 > 0:32:07- That's my bucket. - I'm puking out your shit!

0:32:17 > 0:32:19Ah!

0:32:41 > 0:32:43Honey, I feel it.

0:32:43 > 0:32:48Oh, my God, I see a fucking pyramid.

0:32:48 > 0:32:50And a sphinx.

0:32:50 > 0:32:53It's true, you see Egyptian shit.

0:32:53 > 0:32:55Honey, what are you seeing?

0:32:55 > 0:32:57I'm in a deli in Bensonhurst.

0:32:57 > 0:32:59I don't believe in any state-supported art.

0:32:59 > 0:33:01I think you need to just do it yourself.

0:33:04 > 0:33:08The serpent, Apep, is speaking to me.

0:33:08 > 0:33:13He's... He's saying, "Go to the cattle of Ra."

0:33:15 > 0:33:18The Celestial Cow is waiting.

0:33:18 > 0:33:20I voted for Romney.

0:33:24 > 0:33:26Watch the carpet.

0:33:26 > 0:33:29I was falling asleep today on the L train

0:33:29 > 0:33:32and you know how your brain gets in these loops?

0:33:32 > 0:33:36I couldn't remember the shape of a pineapple.

0:33:36 > 0:33:39Are they like pears?

0:33:39 > 0:33:42No, they're like footballs with the ends cut off.

0:33:42 > 0:33:44It's hard to call to mind the shapes of things.

0:33:44 > 0:33:46Do you find that?

0:33:51 > 0:33:53- It's not dangerous? - No, I mean, I can...

0:33:53 > 0:33:55I can take the medicine and I can still have my boat.

0:33:55 > 0:33:58I ran a half marathon on the medicine one time.

0:33:58 > 0:34:01- How big is your boat? - It's 42 feet.

0:34:01 > 0:34:03I want to do that.

0:34:03 > 0:34:05I feel like you were born 1,000 years ago.

0:34:05 > 0:34:07BANGING

0:34:10 > 0:34:13Maybe don't flirt with the shaman.

0:34:13 > 0:34:15He was telling me about his boat.

0:34:16 > 0:34:18What?

0:34:18 > 0:34:22I wish you'd look at me the way you look at Jamie and Darby.

0:34:22 > 0:34:24- I look at you that way. - No, you don't. You used to.

0:34:24 > 0:34:27When we first met, you were like you are with them,

0:34:27 > 0:34:29you wooed me with romantic e-mails.

0:34:31 > 0:34:34It wouldn't make sense for me to send you e-mails now.

0:34:34 > 0:34:36We're in the same room all the time.

0:34:36 > 0:34:40I just wish I could feel that energy from you once in a while.

0:34:49 > 0:34:51Josh, I'm sorry.

0:34:56 > 0:34:58You taste different.

0:34:58 > 0:35:01- Josh?- It's me.- Jamie?

0:35:01 > 0:35:03Shit. I thought you were Josh.

0:35:05 > 0:35:07I'm so fucked up.

0:35:10 > 0:35:13I, uh... I'm really sorry.

0:35:13 > 0:35:15- It's OK, worm.- Uh...

0:35:34 > 0:35:36Let's never do that again.

0:35:45 > 0:35:47It stopped working.

0:35:47 > 0:35:48Cornelia?

0:35:50 > 0:35:52Mine stopped working any more.

0:35:54 > 0:35:56Nothing is happening.

0:35:58 > 0:36:00How you doing, Yosh?

0:36:02 > 0:36:05- Is yours working? Mine isn't working.- Mine's working.

0:36:08 > 0:36:10What if I don't find anything out?

0:36:10 > 0:36:12Just roll with it. You're going to be fine, see.

0:36:14 > 0:36:16Thanks, Jamie.

0:36:16 > 0:36:19You're so kind. And so generous.

0:36:20 > 0:36:22I'm so proud and selfish.

0:36:24 > 0:36:27I want to be generous like you.

0:36:27 > 0:36:29I want to help you with your film.

0:36:29 > 0:36:32I'll come to Poughkeepsie and help you film the guy.

0:36:32 > 0:36:35And I don't want credit or anything, just to help out.

0:36:35 > 0:36:37Thanks, Joshy, that's beautiful.

0:36:37 > 0:36:41Before we met, the only two feelings I had left were...

0:36:41 > 0:36:45wistful and disdainful.

0:36:47 > 0:36:49And being around you,

0:36:49 > 0:36:51I see what's possible again.

0:36:54 > 0:36:58- Is that corny? - It's goddamn corny, Joshy.

0:36:58 > 0:37:00Yeah, I guess it is.

0:37:00 > 0:37:02I'm a cornball.

0:37:02 > 0:37:05HE VOMITS

0:37:08 > 0:37:10- Thanks.- No problem, Jussle.

0:37:18 > 0:37:23It's still tonight for us, but it's tomorrow for everyone else.

0:37:23 > 0:37:24Let's have kids.

0:37:24 > 0:37:28Or a kid. Something.

0:37:28 > 0:37:30Did the Celestial Cow tell you this?

0:37:30 > 0:37:31Yes.

0:37:31 > 0:37:34But that doesn't make it any less true.

0:37:34 > 0:37:38All these people have babies, what's the big deal?

0:37:38 > 0:37:40I thought we'd decided.

0:37:40 > 0:37:42I don't want this to be every time you take a hallucinogen,

0:37:42 > 0:37:44you want to have a baby.

0:37:44 > 0:37:46Not every time.

0:37:48 > 0:37:50We missed our chance. I missed my chance.

0:37:52 > 0:37:54I'm fine with that.

0:37:58 > 0:38:00Is that the shaman's Vespa?

0:38:03 > 0:38:05# You're playing Nintendo.

0:38:05 > 0:38:09# That's not what I'm doing That's not what I'm doing

0:38:09 > 0:38:10# You're surfing the web

0:38:10 > 0:38:14# That's not what I'm doing That's not what I'm doing

0:38:14 > 0:38:16# You're crying your eyes out

0:38:16 > 0:38:19# That's not what I'm doing That's not what I'm doing

0:38:19 > 0:38:22BOTH: # I'm making a sandwich! #

0:38:22 > 0:38:25- Fun.- Nice.- Connecticut has the best thrifting.

0:38:25 > 0:38:27He'll drop us off before they do their filming.

0:38:27 > 0:38:29Tipper and I started a band called Cookie O'Puss.

0:38:29 > 0:38:31Have you seen that on YouTube?

0:38:31 > 0:38:34- Yeah, that was a commercial when I was a kid.- It's fucking hilarious.

0:38:34 > 0:38:36I know, we used to always do the voice.

0:38:36 > 0:38:39- My name is Cookie O'Puss! - My name is Cookie O'Puss!

0:38:39 > 0:38:40It's the name of our band.

0:38:43 > 0:38:45My name is Cookie O'Puss!

0:38:50 > 0:38:52Fudgie the Whale?

0:38:52 > 0:38:54- All right, you ready?- Yeah.

0:38:54 > 0:38:56He was this, kind of, beautiful combination

0:38:56 > 0:38:59of jock and brain, and he could sing.

0:38:59 > 0:39:01He was in the a cappella group called the Night Owls.

0:39:01 > 0:39:03I mean, kind of the perfect guy.

0:39:12 > 0:39:13DOORBELL RINGS

0:39:17 > 0:39:20Hey, I called. My name's Jamie, I'm a friend of Kent's.

0:39:20 > 0:39:22- Kent isn't here.- Oh.

0:39:24 > 0:39:26Will he be back soon?

0:39:27 > 0:39:29- What's...? - We went to school together.

0:39:29 > 0:39:33It's been a while, but he contacted me recently on Facebook.

0:39:33 > 0:39:36It would mean a lot to me if I could see him.

0:39:39 > 0:39:41I don't bite.

0:39:42 > 0:39:44Erm...

0:40:09 > 0:40:12'I told my sister I had an accident.

0:40:12 > 0:40:14'But that's not true.'

0:40:14 > 0:40:16I've been unhappy.

0:40:16 > 0:40:18I did it to myself.

0:40:19 > 0:40:20I cut my wrists.

0:40:20 > 0:40:23You were the guy.

0:40:23 > 0:40:24You know, you were beautiful.

0:40:24 > 0:40:27I mean, you dated Jenny Pepperdine!

0:40:27 > 0:40:30You know, I bought a necklace like the one you used to wear.

0:40:30 > 0:40:32- Of puka shells?- Yeah.

0:40:35 > 0:40:37You know, I was going through a tough time in high school.

0:40:37 > 0:40:41My mom was really sick with ovarian cancer.

0:40:44 > 0:40:47I was pretty promiscuous, but I couldn't love anyone.

0:40:47 > 0:40:48I had body issues.

0:40:50 > 0:40:52You had written a poem for English,

0:40:52 > 0:40:55I mean, you were this athlete, and you wrote this beautiful poem.

0:40:55 > 0:40:58- Do you know what poem I'm talking about?- Uh...

0:40:58 > 0:41:00- I wrote a lot of poems. - It was a line.

0:41:02 > 0:41:05Very simple, but effective, "I want to be unbridgeable."

0:41:10 > 0:41:13You know, that one line got me through my mother's illness.

0:41:16 > 0:41:18Yeah?

0:41:19 > 0:41:22I don't know why I stopped writing poetry.

0:41:24 > 0:41:27I stopped doing a lot of things.

0:41:27 > 0:41:28Why do we stop doing things?

0:41:30 > 0:41:31Life happens, I guess, huh?

0:41:31 > 0:41:33Life has other plans.

0:41:33 > 0:41:34Yeah.

0:41:34 > 0:41:37Life is what happens when you're making other plans.

0:41:37 > 0:41:39Who is he?

0:41:54 > 0:41:56He was soulfulish, you know.

0:41:56 > 0:41:58Sister, that's an understatement.

0:41:58 > 0:42:00You can tell he's been to some dark places.

0:42:00 > 0:42:02We went to some dark places, too.

0:42:02 > 0:42:04I bought a dress. Cornelia didn't buy a corset.

0:42:04 > 0:42:07- Mmm, this burger is incredible. - Holy shit.

0:42:07 > 0:42:11- What's wrong?- No, nothing. I just googled Kent. Did you Google him?

0:42:11 > 0:42:13- No, I wanted it to be fresh. - This is...

0:42:13 > 0:42:15There's a picture, it's the same guy.

0:42:15 > 0:42:18- He was in Afghanistan. - Really?- Yeah.

0:42:18 > 0:42:21He... This article says he was part of a massacre in Wanat.

0:42:21 > 0:42:24They opened fire on a bus full of civilians.

0:42:24 > 0:42:26He then spoke out about it publicly.

0:42:26 > 0:42:28And then refused to fight.

0:42:28 > 0:42:30He was jailed briefly, then returned to battle,

0:42:30 > 0:42:33- was injured and given the Purple Heart.- You're kidding?

0:42:35 > 0:42:37It says two men in his unit have killed themselves.

0:42:37 > 0:42:40Tipper. Could you do it again, what you did?

0:42:40 > 0:42:43- Which part?- The phone, the discovery, everything.

0:42:43 > 0:42:44Oh, erm...

0:42:50 > 0:42:52It's the same guy.

0:42:52 > 0:42:54Is that how I said it? What did I say?

0:42:54 > 0:42:55Uh...

0:42:55 > 0:42:58It's the same guy!

0:42:58 > 0:42:59Holy shit!

0:42:59 > 0:43:00Jamie, look at this.

0:43:03 > 0:43:05It says two men in his unit have killed themselves.

0:43:05 > 0:43:08- We have to go back.- Yeah?- We have to get him talking about this.

0:43:08 > 0:43:09This is the movie!

0:43:09 > 0:43:12Now it's not just some stupid Facebook thing.

0:43:12 > 0:43:14Not that that wasn't a good idea, too.

0:43:14 > 0:43:17But, and I hate this expression, but you stepped in shit!

0:43:17 > 0:43:19- Cornelia!- What?

0:43:19 > 0:43:22Thank God I've got you, Joshy! We did what you said.

0:43:22 > 0:43:24We didn't know the answers, we discovered them.

0:43:24 > 0:43:26Oh, I should get a good book on Afghanistan.

0:43:26 > 0:43:29And war in general. I really know so little about it.

0:43:29 > 0:43:30You know who you should talk to?

0:43:30 > 0:43:33Ira Mandelstam, the guy who's in my film.

0:43:33 > 0:43:36He could tell you a lot about war and the politics of war.

0:43:36 > 0:43:40- That's your guy, though, Joshy. I can't take your guy.- I don't care. I want to share him with you.

0:43:40 > 0:43:42Jeez Louise, that would be fucking beautiful.

0:43:42 > 0:43:46You know, if you want help, I could help or produce this for you.

0:43:46 > 0:43:50- My dad's between things right now. - Oh, my God. Are you kidding me?

0:43:50 > 0:43:51I would be so pumped.

0:43:51 > 0:43:55Thank you. Thank you.

0:43:55 > 0:43:57Thank you!

0:44:01 > 0:44:03He's been cooped up with a baby at home,

0:44:03 > 0:44:05and Marina loves these soup dumplings.

0:44:05 > 0:44:07This will be a great surprise.

0:44:07 > 0:44:09I haven't spoken to Fletcher in a while. I think he's exhausted.

0:44:09 > 0:44:11We'll probably be waking them up.

0:44:19 > 0:44:21LIFT DINGS

0:44:24 > 0:44:25MUFFLED HEAVY BEAT OF MUSIC

0:44:38 > 0:44:39Cornelia, Josh.

0:44:39 > 0:44:41Gaby! Mike.

0:44:41 > 0:44:43- You look amazing! - Oh, thank you. So do you.

0:44:45 > 0:44:47- Hi.- Oh, fucking shit.

0:44:51 > 0:44:54Are you guys, erm, having a thing?

0:44:54 > 0:44:57Yeah, we... God, this is embarrassing.

0:44:57 > 0:44:58Is it a baby thing?

0:44:58 > 0:45:01No, actually, Willow's at my mother's.

0:45:01 > 0:45:04- Oh.- We weren't invited.

0:45:04 > 0:45:07- Well, we didn't think... - Oh, God, I don't know what to say.

0:45:07 > 0:45:09- Hey, girlie girl.- Hey!

0:45:09 > 0:45:12- Oh, you look fine!- Thank you.

0:45:12 > 0:45:17- Hey, Cornelia, how are you?- Hey, Grace.- Hi. Come inside, there's a full bar.

0:45:17 > 0:45:20- What's going on?- I'm sorry. We didn't think you'd want to come.

0:45:20 > 0:45:23- Why?- Well, for one thing, these are people our own age.

0:45:23 > 0:45:26- Oh, come on!- Well, maybe you have a titseeka ceremony or something.

0:45:26 > 0:45:27Ayahuasca! It was therapeutic.

0:45:27 > 0:45:30I learned some shit. I think Cornelia did, too.

0:45:30 > 0:45:32Yeah, I did, too. Learn some shit.

0:45:32 > 0:45:35Yeah, you guys were whacked out on Peruvian mescaline, of course you'll learn some shit.

0:45:35 > 0:45:39- I went under during a colonoscopy last week, I learned some shit. - Don't patronise us, man.

0:45:39 > 0:45:41Listen, we don't know how else to say this,

0:45:41 > 0:45:44- but we're worried about you guys. - Yeah, you know...

0:45:44 > 0:45:46I mean, I respect the fact that you don't want to have kids.

0:45:46 > 0:45:48Don't make this about the baby cult, OK, Marina?

0:45:48 > 0:45:50I don't appreciate that kind of superior attitude.

0:45:50 > 0:45:54- It's really ugly.- That's not what I'm saying. I can't help it if I want you to have kids.

0:45:54 > 0:45:56We think you guys would really benefit from it, that's all.

0:45:56 > 0:45:59You don't realise how inappropriate it is to say it the way you say it.

0:45:59 > 0:46:00Not everybody wants a baby!

0:46:00 > 0:46:03Not everyone can have one all the time.

0:46:03 > 0:46:06- Hi, sexy lady!- Elise, come in!

0:46:06 > 0:46:08Bruce! Come in. Thank you.

0:46:08 > 0:46:10- Hey, you've lost weight. - Yeah. It's my suit.

0:46:10 > 0:46:13Since we've had the baby, I feel you pulling away, Cornelia. I just do.

0:46:13 > 0:46:16- What's with the hat?- What?- I went to a fucking baby music class with you!

0:46:16 > 0:46:18You look like assholes we went to high school with,

0:46:18 > 0:46:21- who'd cruise by prom but not go in. - Do you know how humiliating that is?

0:46:21 > 0:46:25- We're old men, Josh. - Speak for yourself.- Why is that humiliating? This is my life now.

0:46:25 > 0:46:29- You're an old man with a hat.- It can be very isolating and lonely when you have a kid.- Yeah, I can tell.

0:46:29 > 0:46:31- Let's go, Josh.- Stay.

0:46:31 > 0:46:34- You're here. Come in. - There's no way we're coming in.

0:46:34 > 0:46:37CLASSICAL MUSIC PLAYS

0:46:48 > 0:46:52The idea of the war on terrorism can be understood

0:46:52 > 0:46:55in terms of a new idea of war.

0:46:55 > 0:46:57"Infinite justice," they called it at first.

0:46:57 > 0:47:01In which the rules of domestic and international law

0:47:01 > 0:47:03could forever be suspended.

0:47:03 > 0:47:06I say permanent and forever because there is no way

0:47:06 > 0:47:10to ever fully eradicate terrorism.

0:47:10 > 0:47:13So, the first step in the war on terrorism

0:47:13 > 0:47:15is to declare war on...

0:47:21 > 0:47:25- Can I talk to you for a second? - What?

0:47:25 > 0:47:28- Can I say something I'm ashamed of? - Yeah.- It's not generous.

0:47:28 > 0:47:30- And I probably don't really mean it.- OK. Go.

0:47:30 > 0:47:32- And I think Jamie's great. - Just say it!

0:47:32 > 0:47:35I can't fucking believe his idiotic Facebook idea paid off!

0:47:35 > 0:47:37It's so fucking stupid!

0:47:37 > 0:47:41And my thing is a mess. It's a total fucking mess.

0:47:41 > 0:47:44I'm sorry. I feel bad saying that.

0:47:44 > 0:47:48But I also hate the fact that he's calling his band Cookie O'Puss.

0:47:48 > 0:47:49What's wrong with that?

0:47:49 > 0:47:53It's just some funny old kitschy thing to him he saw on YouTube.

0:47:53 > 0:47:57But that was my commercial. I actually experienced it. You know?

0:47:57 > 0:47:58I don't know it from Cookie Puss.

0:47:58 > 0:48:01Really? It was for Carvel.

0:48:01 > 0:48:02Cookie Puss was the original,

0:48:02 > 0:48:04then they did an ice cream cake for Saint Patrick's Day

0:48:04 > 0:48:07and it was this floating, green Irish cake that said,

0:48:07 > 0:48:09"My name is Cookie O'Puss."

0:48:11 > 0:48:13I'm being ridiculous.

0:48:13 > 0:48:15I probably don't mean any of it.

0:48:15 > 0:48:19My dad likes to say, "The more, the more."

0:48:19 > 0:48:22That's because your dad has everything. And then he gets more.

0:48:22 > 0:48:25He's right. There's enough to go around for everyone.

0:48:25 > 0:48:29Joshy! You gotta pitch. Let's go get you some hedge fund cash.

0:48:29 > 0:48:31Good luck.

0:48:32 > 0:48:35Remember, ask him questions. You're interviewing him.

0:48:35 > 0:48:39- He'd be goddamn lucky to invest in your film.- OK.- Talk about shit he understands, see?

0:48:39 > 0:48:40Short and to the point.

0:48:40 > 0:48:43Ride on the street, man!

0:48:43 > 0:48:46Psych him up. Talk about war, talk about power, race.

0:48:46 > 0:48:48- Uh-huh.- Make it relevant to him.

0:48:48 > 0:48:51- Right.- Be yourself, everyone else is taken.

0:48:51 > 0:48:53Ira was beautiful today.

0:48:53 > 0:48:55We're going to have a screening of the cut footage

0:48:55 > 0:48:56at the apartment on Friday.

0:48:56 > 0:48:59You cut it already? You just shot it two days ago.

0:48:59 > 0:49:00I know. I was up all night.

0:49:00 > 0:49:03It'll be OK, Joshy. Don't you fret.

0:49:03 > 0:49:06Hey, well, maybe take a day or two, make sure you like it.

0:49:06 > 0:49:09Or I could take ten years.

0:49:09 > 0:49:10I'm fucking with you, Joshy.

0:49:10 > 0:49:13Your thing is going to be totally brilliant.

0:49:13 > 0:49:16# Rising up

0:49:16 > 0:49:18# Back on the street... #

0:49:18 > 0:49:21I remember when this song was just considered bad.

0:49:21 > 0:49:22But it's working.

0:49:22 > 0:49:25Remember, he's lucky to have this opportunity.

0:49:25 > 0:49:27You're friggin' Josh Srebnick.

0:49:27 > 0:49:30My name sounds so much better when you say it!

0:49:30 > 0:49:32# ..of the tiger... #

0:49:32 > 0:49:33Whoo!

0:49:37 > 0:49:40- Did you see Mad Men?- No.

0:49:40 > 0:49:42It's really apple juice.

0:49:42 > 0:49:45- Nah, it's whisky.- Hmm.- No, it's not.

0:49:45 > 0:49:48It is.

0:49:48 > 0:49:49So, tell me about your project.

0:49:51 > 0:49:54Well, maybe a good way to start is by asking you a question.

0:49:54 > 0:49:57Hey, they were all raped when I got there.

0:49:57 > 0:50:01This is my second in 20 minutes. Shoot.

0:50:01 > 0:50:02Do you know the percentage

0:50:02 > 0:50:04of African American adult males currently in jail?

0:50:04 > 0:50:07- I don't.- Take a guess.

0:50:07 > 0:50:09Like 60%?

0:50:09 > 0:50:10Jesus, no.

0:50:10 > 0:50:12It's over 9%.

0:50:12 > 0:50:15That's nearly one in ten African American adult males,

0:50:15 > 0:50:17nearly a million and a half.

0:50:17 > 0:50:18A million and a half is a lot.

0:50:18 > 0:50:21It's insane, but people don't realise this.

0:50:21 > 0:50:24- They think because we have a black president... - So this is about prison.

0:50:24 > 0:50:28- Like a black Shawshank. But real. - No, not... No.

0:50:28 > 0:50:30There's a section, an entr'acte, really,

0:50:30 > 0:50:33about the function of race in the prison industrial complex,

0:50:33 > 0:50:36but the film is really about how power works in America.

0:50:36 > 0:50:41- Do you know the historian Ira Mandelstam?- Yeah.- Really?- No.

0:50:41 > 0:50:44Well, we have over 100 hours of interviews with him.

0:50:44 > 0:50:48- The movie's 100 hours? - No, we'll cut it.

0:50:48 > 0:50:51Now, this guy, he's... He isn't particularly charismatic,

0:50:51 > 0:50:54he's kind of antisocial, maybe Asperger's,

0:50:54 > 0:50:56but not interesting Asperger's.

0:50:56 > 0:50:59He's kind of boring, even. But he's a charismatic thinker.

0:50:59 > 0:51:01How do you show what he thinks? Cartoons?

0:51:01 > 0:51:04No, not cartoons. He says it.

0:51:04 > 0:51:07- But he's boring.- Well, yes. But, as with many boring things,

0:51:07 > 0:51:10the longer you watch it, it takes on a different dimension.

0:51:10 > 0:51:12- PHONE BUZZES - It's really a very simple idea.

0:51:12 > 0:51:15The three sections correspond with the three nodes

0:51:15 > 0:51:17of what Mills called the power elite.

0:51:17 > 0:51:19The political, military and economic.

0:51:19 > 0:51:22But, and this is key, each part has to interconnect...

0:51:22 > 0:51:25- PHONE BEEPS - ..to show how none of the three nodes functions without the other.

0:51:25 > 0:51:29It's a linear film, of course, but I imagine it as kind of a hypertext.

0:51:33 > 0:51:35So, what's it about?

0:51:35 > 0:51:38To be clear, the film is really about the working class,

0:51:38 > 0:51:40and I can't speak on behalf of the working class.

0:51:40 > 0:51:42I can't make their film, of course.

0:51:42 > 0:51:46But they have to be felt as the impossible subject of the text.

0:51:46 > 0:51:47If that makes sense.

0:51:47 > 0:51:50- PHONE BEEPS - But it isn't even really about the power structure

0:51:50 > 0:51:52but about what it means to make a film about it.

0:51:52 > 0:51:55- PHONE BUZZES - It's about the very possibility of making this film.

0:51:55 > 0:51:57It's really about America.

0:52:11 > 0:52:15Oh, hi. Just been working on my speech for my memorial.

0:52:15 > 0:52:18- What's on your mind, son? - Could you watch what I have?

0:52:18 > 0:52:20I think I'm at the point where I need a new set of eyes.

0:52:20 > 0:52:24Well, working on the same project for ten years will do that to you.

0:52:24 > 0:52:26Yeah.

0:52:26 > 0:52:31And the military created the internet

0:52:31 > 0:52:34as part of an overall strategy.

0:52:34 > 0:52:38I'm not just talking about Google collaborating with the NSA,

0:52:38 > 0:52:40I'm talking about far deeper.

0:53:07 > 0:53:09Oh!

0:53:09 > 0:53:12I'm going to put a kettle on. You want some tea?

0:53:12 > 0:53:14OK.

0:53:14 > 0:53:17- Well, you've got a lot of good material there.- Uh-huh.

0:53:17 > 0:53:20- Need some time to process it. - Mmm-hmm.

0:53:20 > 0:53:23Do you need the stuff about Turkish politics?

0:53:23 > 0:53:26Yes, because it connects to what he's saying about the shift in power

0:53:26 > 0:53:28in the contemporary global economy.

0:53:28 > 0:53:30All right. But it feels like a detour.

0:53:30 > 0:53:34What about the lengthy history of the Triangle Shirtwaist factory fire? You need that?

0:53:34 > 0:53:37The interview with Tillie Kupferschmidst's great great niece?

0:53:37 > 0:53:41That's the emotional centre of the movie. I mean, that's where things come together.

0:53:41 > 0:53:44Without that, I don't... I... I mean, why make the film?

0:53:44 > 0:53:47- Yeah, but it's too long. - Oh, it has to be long.

0:53:47 > 0:53:49The point is it makes you uncomfortable.

0:53:49 > 0:53:50I wasn't uncomfortable, I was bored.

0:53:50 > 0:53:55Well, maybe the boredom is your defence from the discomfort.

0:53:55 > 0:53:57You just showed me a six-and-a-half-hour film

0:53:57 > 0:54:00that feels like it's seven hours too long. I'm just trying to be helpful.

0:54:00 > 0:54:04- I think I need to shoot more interviews.- Don't shoot any more! You have enough.

0:54:04 > 0:54:06Yeah, I just don't think you're getting it,

0:54:06 > 0:54:07or maybe there's something about me

0:54:07 > 0:54:09or what you saw that's clouding your judgment.

0:54:09 > 0:54:13- I'm telling you how I really feel. - I don't think so. I think you're being deliberately critical.

0:54:13 > 0:54:16- KETTLE WHISTLES - Josh, I'm trying to help you.- Bullshit!

0:54:16 > 0:54:18Is this because Cornelia and I didn't have children?

0:54:18 > 0:54:22- Come on, Josh. - We tried. There were miscarriages.

0:54:22 > 0:54:25I had to give her a shot in her ass every day for three months.

0:54:25 > 0:54:27It was a huge fucking needle.

0:54:27 > 0:54:31She didn't tell me that. I didn't know you guys wanted kids.

0:54:31 > 0:54:35We didn't want to hope for what we probably couldn't have.

0:54:35 > 0:54:37This was a mistake.

0:54:37 > 0:54:38Sorry you feel that way.

0:54:40 > 0:54:44I know you think I didn't reach my potential.

0:54:44 > 0:54:46No, son, I don't think you did.

0:54:46 > 0:54:48Your first film was wonderful and entertaining.

0:54:48 > 0:54:50We could see ourselves in it.

0:54:50 > 0:54:53This one feels ungenerous, it's like you took your ball and went home.

0:54:53 > 0:54:56You know what? I'm sorry I didn't become you.

0:54:56 > 0:54:58- I don't want you to become me. - Yeah, right.

0:54:58 > 0:55:00I'll see you at Thanksgiving.

0:55:00 > 0:55:02Yeah, I'm not going to eat another fucking fried turkey, FYI.

0:55:02 > 0:55:04Then bring your own!

0:56:00 > 0:56:01INAUDIBLE

0:56:11 > 0:56:13- Yoshy! There's my other half. - You invited Breitbart?

0:56:13 > 0:56:16Yeah, he called me after you introduced us.

0:56:16 > 0:56:18- He called you?- Yeah. And at our dinner I invited him to tonight.

0:56:18 > 0:56:20When did you have dinner?

0:56:20 > 0:56:22After he called me, he suggested we get dinner.

0:56:22 > 0:56:25- Uh-huh. Where'd you go? - This really incredible joint, erm, on the Upper West Side.

0:56:25 > 0:56:28- Jackson Hole.- Yeah! How'd you know? - That's where he goes.- Great burgers.

0:56:28 > 0:56:31- Have you been there?- Yes, I've been there with him a million times.

0:56:31 > 0:56:35- Have you tried the Bison Burger? - Of course.- He dug the footage.

0:56:36 > 0:56:37Is something wrong?

0:56:37 > 0:56:41I guess I wish you'd asked me before you just went to him.

0:56:41 > 0:56:44Hey, I'm sorry, I called him actually just to ask him a question

0:56:44 > 0:56:46about how he shot something, and we got to talking, see?

0:56:46 > 0:56:49- And he asked me what I was working on.- So, you called him?- What?

0:56:49 > 0:56:52- You said he called you. - Well, he called me back, yeah.

0:56:52 > 0:56:53Does Cornelia know?

0:56:53 > 0:56:56Very cool! Very cool!

0:56:58 > 0:57:01- I'm proud to be a part of it.- Dave, you know Josh.- Nice to meet you.

0:57:01 > 0:57:04Seriously, dude, this movie is killah!

0:57:04 > 0:57:08We're going to Afghanistan, we're going to Afghanistan.

0:57:08 > 0:57:11Afghanistan, Afghanistan. Mmm. Mmm. Mmm.

0:57:11 > 0:57:14- You're going to Afghanistan?- To interview soldiers in Kent's unit.

0:57:14 > 0:57:16We've got a butt-load of work to do before we go.

0:57:16 > 0:57:20- I'm going to need help. - We're going to Afghanistan!

0:57:20 > 0:57:21Come on!

0:57:22 > 0:57:25Erm...if you have any other editing work,

0:57:25 > 0:57:27my guy, Tim, is great and could use some cash.

0:57:27 > 0:57:29- That would be beautiful. - Yo, come with me.

0:57:29 > 0:57:31I want you to meet Diane, she's a reporter from The Times.

0:57:31 > 0:57:34I'll text you his info.

0:57:34 > 0:57:36- Do you forget that I exist? - No, I don't forget you exist.

0:57:36 > 0:57:38I asked you for a beer like a half hour ago.

0:57:38 > 0:57:42- Why don't you just give me a minute, OK?- You're such an asshole.

0:57:44 > 0:57:45INAUDIBLE CONVERSATION

0:57:55 > 0:57:57I've been looking for you.

0:57:57 > 0:57:59You're smoking?

0:57:59 > 0:58:02What's going on? What is...? This is like a fucking bad dream.

0:58:02 > 0:58:04Everyone here is doing weird shit.

0:58:04 > 0:58:07Where's my high school algebra teacher, Mr Morelli,

0:58:07 > 0:58:08riding a fucking turtle?

0:58:08 > 0:58:11I had no idea Dad was coming. I saw him when I got here.

0:58:11 > 0:58:14Are you sure? Are you sure you're not just saying that?

0:58:14 > 0:58:16Yes, Josh. Why would I lie to you?

0:58:16 > 0:58:18Do you think that Jamie came to my class

0:58:18 > 0:58:20because he knew that I was married to you?

0:58:20 > 0:58:22That this was all so he could meet your dad?

0:58:22 > 0:58:25Josh, you know, the world isn't a conspiracy against you.

0:58:25 > 0:58:28- You know, fuck you. - Fuck you. Don't talk to me like that.

0:58:28 > 0:58:32I'm saying "fuck you" the way Jamie and Darby say it where it's not a real "fuck you,"

0:58:32 > 0:58:34- it's a semi-playful "fuck you." - We're not Jamie and Darby.

0:58:34 > 0:58:35We don't talk to each other that way.

0:58:35 > 0:58:38- If you say "fuck you" to me, it feels like a real "fuck you."- It is real.

0:58:38 > 0:58:41Fuck you. And not semi-playfully, either.

0:58:41 > 0:58:44Fuck you. Total, real, cutting-to-the-core fuck you.

0:58:58 > 0:59:01Darby? Are you OK?

0:59:02 > 0:59:05Shit's bad.

0:59:05 > 0:59:07You want to get some goat?

0:59:07 > 0:59:10Crushes fade. Things lose their lustre, you know?

0:59:10 > 0:59:13Maybe I'm just down on relationships right now.

0:59:13 > 0:59:16- What about Jamie? - Jamie's in love with Jamie.

0:59:16 > 0:59:19But you guys seemed great.

0:59:19 > 0:59:22You know how no-one will ever pick up just a male hitchhiker,

0:59:22 > 0:59:25but if it's a couple, you might pull over?

0:59:25 > 0:59:29Well, I'm the girl so you'll pull over and pick up Jamie.

0:59:29 > 0:59:33Doing ayahuasca, I realised...

0:59:33 > 0:59:36I never forgave my mom for dying,

0:59:36 > 0:59:38and until I do,

0:59:38 > 0:59:41I'll never have a decent relationship with a guy.

0:59:41 > 0:59:44- When did she die? - When I was in high school.

0:59:44 > 0:59:47- She had ovarian cancer. - I'm sorry.

0:59:49 > 0:59:52Isn't that also how Jamie's mom died?

0:59:52 > 0:59:55He talked about it in the film.

0:59:55 > 0:59:57Why'd you let Jamie use your scholar?

1:00:00 > 1:00:03I was trying out being generous.

1:00:03 > 1:00:06He'd do the same for me. That's how you guys are.

1:00:06 > 1:00:08Oh, Josh...

1:00:08 > 1:00:11you're such a man-fox.

1:00:11 > 1:00:13Man-fox?

1:00:13 > 1:00:16I wish it didn't need the "man" qualifier.

1:00:16 > 1:00:18Because you're like a hot dad.

1:00:19 > 1:00:21Without children.

1:00:27 > 1:00:28We shouldn't.

1:00:31 > 1:00:35- This is the part where I say, "I was a bet."- What?

1:00:35 > 1:00:38You know those romantic comedies when the girl's a bet?

1:00:38 > 1:00:41Yeah. Just because they did, doesn't mean we have to.

1:00:41 > 1:00:44What? What do you mean?

1:00:44 > 1:00:45She never told you?

1:00:45 > 1:00:48Jamie and Cornelia made out at the ayahuasca.

1:00:48 > 1:00:50It was in the papyrus reeds behind the pyramids.

1:00:52 > 1:00:55I'm sorry, I stole one of Tipper's Adderalls.

1:00:55 > 1:00:58- Do you want to go dancing? - Yeah.

1:00:58 > 1:01:01I'm not going home tonight.

1:01:01 > 1:01:05POP MUSIC BLARES

1:01:17 > 1:01:19Thanks for meeting me so early.

1:01:19 > 1:01:20We've got a butt-load to do.

1:01:20 > 1:01:23Dave needs a budget for Afghanistan.

1:01:23 > 1:01:24I'm almost finished with it.

1:01:24 > 1:01:26I've been reading a lot about Afghanistan. It's crazy.

1:01:26 > 1:01:29You know no-one has ever been able to successfully occupy Afghanistan?

1:01:29 > 1:01:32- I've heard that.- But I think we've got something now.

1:01:32 > 1:01:34With your help, it can really be something.

1:01:34 > 1:01:36Leslie's notes were beautiful.

1:01:36 > 1:01:38He's smart that way.

1:01:38 > 1:01:40And really chill to kick it with.

1:01:44 > 1:01:45I'm sorry, I...

1:01:47 > 1:01:51Josh and I had a fight last night, and he didn't come home.

1:01:51 > 1:01:52Hey.

1:01:54 > 1:01:56Hey, hey.

1:01:59 > 1:02:01It's going to be OK.

1:02:01 > 1:02:03Joshy will come back.

1:02:03 > 1:02:05Thank you.

1:02:05 > 1:02:07Ugh! I'm sorry I'm like this.

1:02:07 > 1:02:09Hey, no worries.

1:02:10 > 1:02:12I was thinking,

1:02:12 > 1:02:15maybe you and your dad would want to work on my thing together?

1:02:15 > 1:02:17He seems to want to get involved.

1:02:17 > 1:02:19It might be kind of great, right?

1:02:19 > 1:02:23I mean, you're producing, but he could bless it, essentially.

1:02:23 > 1:02:26Bless it? Like a sneeze?

1:02:26 > 1:02:29No. I was thinking more like the Pope.

1:02:29 > 1:02:31He doesn't really do that kind of thing.

1:02:31 > 1:02:33Well, I think if you asked him, he might.

1:02:35 > 1:02:37Did you ever see Power Elite?

1:02:37 > 1:02:39What's that?

1:02:39 > 1:02:41Josh's movie! Goddamn, yes.

1:02:41 > 1:02:44I told him that. I loved that scene with the dogs.

1:02:44 > 1:02:46When you went to Josh's class,

1:02:46 > 1:02:48you knew Josh and I were married, didn't you?

1:02:48 > 1:02:50And that Leslie was my dad.

1:02:51 > 1:02:54Hey, I admire lots of people. I want lots of things.

1:02:54 > 1:02:56You know what I mean. We all want stuff.

1:02:56 > 1:02:58It doesn't mean we're douchebags.

1:02:58 > 1:03:00You're a hip chick.

1:03:00 > 1:03:02You kissed me, you're married to my friend, but I get it.

1:03:02 > 1:03:05- I thought you were Josh. - The first time.

1:03:07 > 1:03:12You know, but, out of context, if other people heard about it,

1:03:12 > 1:03:14it might be misconstrued.

1:03:23 > 1:03:25Where were you last night?

1:03:25 > 1:03:27I was dancing with Darby at an after-hours gay club.

1:03:27 > 1:03:30- Is this some kind of a private meeting?- Did you follow me here?

1:03:30 > 1:03:33I follow him on Twitter! We can't lie like we used to lie any more!

1:03:33 > 1:03:35Everything's reported. Nothing's private.

1:03:35 > 1:03:37- There's nothing going on. - Don't lie to me. You kissed him.

1:03:37 > 1:03:40- I know all about it. - I thought he was you, Joshy.

1:03:40 > 1:03:43Don't call me Joshy! You don't call me Joshy.

1:03:43 > 1:03:45- Sorry.- It's all a pose!

1:03:45 > 1:03:47It's like he once saw a sincere person

1:03:47 > 1:03:49and has been imitating him ever since!

1:03:49 > 1:03:52- And you're falling for it. - I didn't even like them!

1:03:52 > 1:03:54You convinced me how awesome they were.

1:03:54 > 1:03:56They're entitled little brats.

1:03:56 > 1:03:58And don't you see? It's all a plan.

1:03:58 > 1:04:00He's trying to destroy me.

1:04:00 > 1:04:04Go back inside! You know what? You and your father can have him.

1:04:04 > 1:04:06You always wanted a more successful me, so go for it.

1:04:06 > 1:04:09- What is wrong with you? - I didn't know when we got married

1:04:09 > 1:04:11that you'd want to play kissy face with 25 year olds.

1:04:11 > 1:04:13I didn't know that, either!

1:04:13 > 1:04:15And I didn't know that you'd never finish your movie.

1:04:15 > 1:04:17I'm going to finish it! I just need to get it right.

1:04:17 > 1:04:21It's obsession. It's fear. I don't know what it is. It's...

1:04:21 > 1:04:23- Please...- What the...? - ..will you go back inside?!

1:04:23 > 1:04:26It's not really about making anything.

1:04:26 > 1:04:27At least Jamie makes something.

1:04:27 > 1:04:30Do not compare what I do with him.

1:04:30 > 1:04:33Why not? When you felt a part of it, you loved it.

1:04:33 > 1:04:36And you use your movie as an excuse not to do anything.

1:04:36 > 1:04:39We don't go on vacations, we don't make decisions,

1:04:39 > 1:04:41- we don't have kids.- I want a kid.

1:04:41 > 1:04:43But you want it now that it's impossible.

1:04:43 > 1:04:46- It's not impossible! - No, it's over. It's done.

1:04:46 > 1:04:50I'm not putting myself through that any more. This is closed.

1:05:03 > 1:05:06Marina's at a work dinner.

1:05:06 > 1:05:10- They're both top sheets, but...you know.- Thanks.

1:05:10 > 1:05:13Ah, you might wake up when I come through for Willow's 2am feeding.

1:05:13 > 1:05:17And the 5am feeding. And then all the other times she wakes up.

1:05:17 > 1:05:20- That's OK. How is she? - Cool baby.

1:05:20 > 1:05:22But, to be honest...

1:05:24 > 1:05:26..it's a little hard for me to relate to an infant.

1:05:26 > 1:05:28It seems kind of cool, though.

1:05:28 > 1:05:31It's like the pregnancy, it's its own thing.

1:05:31 > 1:05:32You get so used to it.

1:05:32 > 1:05:34After a while, I just felt like,

1:05:34 > 1:05:37we did this, we don't actually need the baby.

1:05:38 > 1:05:41I'm sorry if I've appeared crazy or...

1:05:41 > 1:05:43I don't know.

1:05:43 > 1:05:46I'm sorry we didn't invite you to the party.

1:05:46 > 1:05:48I think I've been jealous of you guys having a kid.

1:05:49 > 1:05:54You know...before you have a kid, everyone tells you,

1:05:54 > 1:05:56"It's the best thing you'll ever do."

1:05:56 > 1:05:58And as soon as you get the baby back from the hospital,

1:05:58 > 1:06:01those same people are like, "Don't worry, it gets better."

1:06:01 > 1:06:03I'm like, "What the fuck was all that before?"

1:06:03 > 1:06:08But having Willow must've changed your whole perspective on life.

1:06:08 > 1:06:11Not as much as I'd hoped it would.

1:06:11 > 1:06:12I... I love my baby,

1:06:12 > 1:06:15but I'm still the most important person in my life.

1:06:18 > 1:06:21Hey, did I tell you I have a herniated disk?

1:06:21 > 1:06:24L5 or some shit. I'm getting an epidural on Monday.

1:06:24 > 1:06:25I have arthritis in my knees.

1:06:25 > 1:06:27HE LAUGHS

1:06:27 > 1:06:29What the fuck is happening to us?

1:06:38 > 1:06:42- Hey.- Hi.

1:06:42 > 1:06:43Hey, man.

1:06:44 > 1:06:47I'm sorry about not paying you.

1:06:47 > 1:06:48Yeah.

1:06:48 > 1:06:52I mean, I hoped the money would come in, and it didn't.

1:06:53 > 1:06:54I kind of fudged that.

1:06:54 > 1:06:57I just can't work for nothing, you know?

1:06:58 > 1:07:00But thanks for hooking me up with Jamie.

1:07:00 > 1:07:03- I've been freelancing a bit for him.- Mmm-hmm.

1:07:03 > 1:07:05If you're not too busy there,

1:07:05 > 1:07:07I wanted to hire you back for a couple of weeks.

1:07:07 > 1:07:10- I can pay you. - Did the grant money come in?

1:07:10 > 1:07:11No.

1:07:11 > 1:07:13I sold all my CDs.

1:07:14 > 1:07:16And some other things.

1:07:16 > 1:07:19Leslie suggested we cut the bit about Turkish politics.

1:07:19 > 1:07:22- But I told him it was crucial. - I think it's a good idea.

1:07:22 > 1:07:25- Yeah?- Yeah. We got to cut something.

1:07:26 > 1:07:29OK, let's give it a try.

1:07:29 > 1:07:31I've been unhappy...

1:07:31 > 1:07:33Oh, this is Jamie's footage.

1:07:33 > 1:07:35Some stuff I was working on.

1:07:35 > 1:07:37- Wait.- What?

1:07:37 > 1:07:39- Hold on that image of Kent.- OK.

1:07:42 > 1:07:43Blow it up.

1:07:43 > 1:07:45I can't do that on this machine.

1:07:45 > 1:07:47- Really?- No.

1:07:48 > 1:07:50That's Darby's ice cream.

1:07:50 > 1:07:53It looks like mint of some kind.

1:07:53 > 1:07:56It's avocado. Darby was there before we were.

1:07:56 > 1:07:58'I got my first response on Facebook. Kent Arlington.

1:07:58 > 1:08:00'I haven't seen him since high school in Santa Cruz.'

1:08:00 > 1:08:02You said we should be open to surprises, right?

1:08:02 > 1:08:05- I just googled Kent. Did you google him? He was in Afghanistan.- Really?

1:08:05 > 1:08:08- My mom was really sick with ovarian cancer.- 'When I was in high school.'

1:08:08 > 1:08:10- She had ovarian cancer. - Isn't that also how...?

1:08:10 > 1:08:14Thank God I've got you! We did what you said. We didn't know the answers. We discovered them.

1:08:14 > 1:08:15Don't you see?

1:08:15 > 1:08:17She brought Kent the ice cream.

1:08:18 > 1:08:21I know Jamie's your friend, but...

1:08:22 > 1:08:24..to be honest, he's kind of a prick.

1:08:27 > 1:08:29# I'm playing Nintendo

1:08:29 > 1:08:32# That's not what I'm doing That's not what I'm doing

1:08:32 > 1:08:35# I'm crying my eyes out

1:08:35 > 1:08:38# That's not what I'm doing That's not what I'm doing

1:08:38 > 1:08:40# That's not what I'm fucking doing

1:08:40 > 1:08:44# I am fucking exposing your shit, motherfucker! #

1:08:50 > 1:08:53Hey. Is Kent here?

1:08:55 > 1:08:57CHILD SCREAMS

1:08:57 > 1:09:00- Is everything OK? - My son turns nine today.

1:09:00 > 1:09:03Oh. Happy birthday.

1:09:25 > 1:09:28- You're so intense.- I'm focusing.

1:09:31 > 1:09:32There.

1:09:35 > 1:09:36Thank you.

1:09:36 > 1:09:38You know, looking back on my career,

1:09:38 > 1:09:40I wonder, how did I accomplish so much?

1:09:40 > 1:09:44If I'm honest with myself, it sometimes took being a selfish prick

1:09:44 > 1:09:46at the expense of you and your mother.

1:09:46 > 1:09:50Of course, I don't say that - I say talent, work, luck.

1:09:50 > 1:09:53Your husband doesn't realise what it takes, he...

1:09:53 > 1:09:55He still believes the speeches.

1:09:55 > 1:09:58You know, when I first started dating him, he reminded me so much of you.

1:09:58 > 1:10:02He wants what I have, but he's not merciless enough to get it.

1:10:06 > 1:10:09I learned magic from a dude, Alvin, over in Afghanistan.

1:10:09 > 1:10:12- He was shredded by a land mine. - Oh, that's terrible.

1:10:12 > 1:10:14I'm more old-fashioned in my approach.

1:10:14 > 1:10:16I don't lock myself up in a box or anything,

1:10:16 > 1:10:18it's mostly cards and balls.

1:10:18 > 1:10:20I learned from watching videos on YouTube.

1:10:20 > 1:10:22It keeps me from going out of my head.

1:10:22 > 1:10:26Yeah, we need distractions. For me, it's the internet.

1:10:26 > 1:10:28I'm trying to go on less, you know?

1:10:28 > 1:10:30You know, it's like how many times can I check The Huffington Post?

1:10:30 > 1:10:32How did you fucking do that?

1:10:32 > 1:10:34- Louis!- Sorry!

1:10:34 > 1:10:37So, what made you contact Jamie on Facebook?

1:10:37 > 1:10:38What do you mean?

1:10:38 > 1:10:40What made you reach out to him?

1:10:40 > 1:10:43- I didn't. He contacted me. Here, you got something.- Oh...

1:10:43 > 1:10:45Other side.

1:10:45 > 1:10:47I had no idea who he was.

1:10:47 > 1:10:50- Really?- Yeah. He said that he lived with Darby.

1:10:50 > 1:10:54- You remember Darby?- Yeah, Darby's been a friend for years.

1:10:54 > 1:10:57We'd Skype sometimes when I was in Kandahar.

1:10:57 > 1:11:00The reception was really shitty, though, it'd freeze up all the time.

1:11:00 > 1:11:02Did she, uh, know about...?

1:11:03 > 1:11:05That you were in the hospital?

1:11:05 > 1:11:08- Who are you again? - I'm Jamie's cameraman.

1:11:08 > 1:11:10And why are you asking me this stuff?

1:11:10 > 1:11:14- I'm, uh, fact-checking the movie.- Uh-huh.

1:11:15 > 1:11:17- Hey! Bring that back, you fuckers!- Kent!

1:11:17 > 1:11:19What did you think when Jamie started talking

1:11:19 > 1:11:22about Darby's childhood as if it was his own?

1:11:22 > 1:11:24He said that he was playing a part.

1:11:26 > 1:11:28He said that when?

1:11:28 > 1:11:32He called me a week or so before you guys came up and filmed me.

1:11:32 > 1:11:34Can you, uh...? Can you say that again?

1:11:37 > 1:11:38ANSWER MACHINE BEEPS

1:11:38 > 1:11:40Josh, it's me, again. I just...

1:11:41 > 1:11:44I... I'm so sorry.

1:11:44 > 1:11:49I hope you come to my dad's thing. He'd like it and I'd like it.

1:11:49 > 1:11:55And I'm so sorry for all the things we said and...

1:11:55 > 1:11:58Can you come? Can you call me back, please?

1:11:58 > 1:12:00Where are you, Josh?

1:12:03 > 1:12:06DOOR BUZZES

1:12:06 > 1:12:09KNOCKING ON DOOR

1:12:09 > 1:12:12- I've got to talk to Jamie. - He's not here.

1:12:14 > 1:12:16- You going somewhere?- Tampa.

1:12:16 > 1:12:18If I stay here any longer, I'll Girl, Interrupt.

1:12:18 > 1:12:22- I was just with Kent.- Oh, Kent.

1:12:23 > 1:12:27- I love Kent.- I saw your ice cream in Jamie's video.

1:12:30 > 1:12:31Well played, sir.

1:12:31 > 1:12:35He let me think I was the one who found out about Kent in Afghanistan.

1:12:35 > 1:12:38- Why?- Jamie doesn't want to disappoint you.

1:12:38 > 1:12:41None of us want to disappoint you. You're such a purist.

1:12:41 > 1:12:43Jamie would never have made the movie without Afghanistan.

1:12:43 > 1:12:46When I told him about Kent and the massacre,

1:12:46 > 1:12:48he thought it would make a good movie.

1:12:48 > 1:12:49He just had to figure out how to tell it.

1:12:49 > 1:12:53- But why not tell it honestly? - It's more entertaining this way.

1:12:53 > 1:12:57And now it has a before and after, which, as you know, Americans love.

1:12:57 > 1:12:59People have to know. He can't get away with this.

1:12:59 > 1:13:01Jamie does whatever he wants.

1:13:01 > 1:13:04This goes against everything he said he admired in me.

1:13:04 > 1:13:06The whole principle of making a doc.

1:13:06 > 1:13:10Darby, you don't understand, this is fraud. It's a big deal.

1:13:10 > 1:13:12People are jailed for this kind of thing.

1:13:12 > 1:13:14I don't like to meddle with people.

1:13:14 > 1:13:18- If they're going to change, they'll change.- Where is he?

1:13:18 > 1:13:20He's at your father-in-law's tribute.

1:13:20 > 1:13:23Oh, shit! That was now!

1:13:23 > 1:13:26And I returned the rental car. I'm a mess.

1:13:26 > 1:13:29I can give you a jacket, and you can take Jamie's Rollerblades.

1:13:29 > 1:13:31Thanks.

1:13:31 > 1:13:33You know, me and Jamie always wondered,

1:13:33 > 1:13:35how are we going to get old?

1:13:35 > 1:13:36And the answer is...

1:13:37 > 1:13:39..just like everyone else.

1:13:48 > 1:13:50'What is your name?'

1:13:50 > 1:13:54- Jamie Massey.- Jamie Massey, OK. Jamie Massey, everyone, Jamie Massey.

1:14:12 > 1:14:15Jeez Louise. I've never been to a rat-fuck like this!

1:14:15 > 1:14:17- Did you see Patti Smith?- Where?

1:14:35 > 1:14:37This is my bathtub!

1:14:45 > 1:14:49APPLAUSE

1:14:52 > 1:14:54Can I get a Shirley Temple?

1:14:54 > 1:14:57- Erm...- What're you doing, dude?

1:14:57 > 1:14:59- Can I stand here for a second?- No.

1:14:59 > 1:15:01- What can I get you, sir? - Shirley Temple.

1:15:01 > 1:15:03No problem. Right this way.

1:15:10 > 1:15:13Looking, listening.

1:15:13 > 1:15:16These are simple enough acts, are they not?

1:15:16 > 1:15:19We don't need any instruction on how to use our eyes and ears.

1:15:19 > 1:15:23Or we don't think we do until we see a Leslie Breitbart film.

1:15:33 > 1:15:35Yosh?

1:15:35 > 1:15:37You OK?

1:15:37 > 1:15:39My friend, Leslie Breitbart.

1:15:39 > 1:15:42APPLAUSE

1:15:46 > 1:15:48I've been thinking of tonight as my memorial for so long,

1:15:48 > 1:15:51I had completely forgotten that I...

1:15:51 > 1:15:53actually had to be alive for it.

1:15:53 > 1:15:54LAUGHTER

1:15:54 > 1:15:56Is that my jacket?

1:15:57 > 1:16:00Are those my blades?

1:16:00 > 1:16:02Are they? Who knows?

1:16:02 > 1:16:06Maybe they're Darby's. Darby's, yours, mine.

1:16:07 > 1:16:10- Cookie O'Puss.- Where have you been? Everyone's asking about you.

1:16:10 > 1:16:12I was in Poughkeepsie.

1:16:13 > 1:16:15OK.

1:16:15 > 1:16:17It seems like you made a whole lot of stuff up.

1:16:17 > 1:16:19'Now, people have criticised me'

1:16:19 > 1:16:20and some of my colleagues,

1:16:20 > 1:16:23saying that we were pretending to be objective

1:16:23 > 1:16:26when there is no objectivity.

1:16:26 > 1:16:28OK, we were trying to capture truth.

1:16:28 > 1:16:32But the truth of experience...

1:16:32 > 1:16:34I don't want to miss his speech.

1:16:34 > 1:16:37You know, it's your responsibility to be honest.

1:16:37 > 1:16:39People are going to believe it.

1:16:39 > 1:16:40I didn't do anything nobody else does.

1:16:40 > 1:16:42"I didn't do anything nobody else..."

1:16:42 > 1:16:45You reveal everything and nothing.

1:16:45 > 1:16:47You said you wanted to be a real documentarian.

1:16:47 > 1:16:48I do.

1:16:48 > 1:16:50I thought you were about process.

1:16:50 > 1:16:53Process and ice cream.

1:16:53 > 1:16:56But you really will do anything to be successful.

1:16:56 > 1:16:58Success isn't my thing, Josh, it's yours.

1:16:58 > 1:17:00Yeah, you're right, it is my thing.

1:17:00 > 1:17:02I've got a fucked-up relationship with success.

1:17:02 > 1:17:04I want it and I don't have it.

1:17:04 > 1:17:06But what you have scares the shit out of me.

1:17:06 > 1:17:08What we were trying to say as film-makers

1:17:08 > 1:17:13is that what we were filming was more interesting than we were.

1:17:13 > 1:17:15We weren't trying to be objective.

1:17:15 > 1:17:18You're not uncomfortable at all.

1:17:18 > 1:17:19Why should I be uncomfortable?

1:17:19 > 1:17:21See, that I just find weird.

1:17:21 > 1:17:23You're the only one who is weird about this.

1:17:23 > 1:17:24I asked you to co-direct.

1:17:24 > 1:17:26Yeah, because you knew I'd say, "No."

1:17:26 > 1:17:28'We were trying to be open,'

1:17:28 > 1:17:31and to learn from the people we were filming.

1:17:31 > 1:17:34Jeez, Joshy, everyone does this kind of thing.

1:17:34 > 1:17:37I don't. I don't do something like this.

1:17:37 > 1:17:39I'm trying to make movies to figure out the truth.

1:17:39 > 1:17:41- Really?- Yes!

1:17:41 > 1:17:44We saw truth not through telling you what we thought,

1:17:44 > 1:17:49but through a different ethical approach to film-making...

1:17:49 > 1:17:52that allowed the world to reveal itself to us.

1:17:52 > 1:17:55I do know that documentaries are over.

1:17:55 > 1:17:56Are you kidding? It's what everyone is doing.

1:17:56 > 1:17:58HIS documentaries are over.

1:17:58 > 1:18:00What you're doing is something else.

1:18:00 > 1:18:03If everyone is filming everything, what's a documentary any more?

1:18:03 > 1:18:06It has no meaning, it's just some shit you recorded!

1:18:06 > 1:18:09Is that old man talk? Maybe it is.

1:18:11 > 1:18:13You kids have been told you can do anything.

1:18:15 > 1:18:18You think everything is out there for you to have. It's not.

1:18:18 > 1:18:19Nobody owns anything.

1:18:19 > 1:18:22If I hear a song I like, or a story, it's mine.

1:18:22 > 1:18:23It's mine to use. It's everybody's.

1:18:23 > 1:18:26No, it isn't! That's not sharing, Jamie, that's stealing.

1:18:26 > 1:18:29- That's old-man talk. - I am an old man!

1:18:32 > 1:18:35I can't let Cornelia and Leslie walk down this road with you.

1:18:35 > 1:18:37I want you to go in there and tell them what you've done.

1:18:39 > 1:18:41If you won't do it, I'll do it for you.

1:18:45 > 1:18:47OK.

1:18:47 > 1:18:50What else can I tell you?

1:18:50 > 1:18:53After all these years, I still don't have all the answers,

1:18:53 > 1:18:57and for the sake of documentary cinema,

1:18:57 > 1:19:00I intend to leave it that way. Thank you so much for this tribute.

1:19:00 > 1:19:02APPLAUSE

1:19:07 > 1:19:08You know, it's just the way...

1:19:08 > 1:19:10- Josh!- Sorry I'm late, Leslie.

1:19:10 > 1:19:12I caught your speech from the lobby, though,

1:19:12 > 1:19:15- and it was really inspiring, spot on.- Are you OK, son?

1:19:15 > 1:19:16Do you want to sit down?

1:19:16 > 1:19:18Jamie has something he wants to tell all of you.

1:19:18 > 1:19:20Go ahead.

1:19:20 > 1:19:22Not all of the stuff in my movie happened exactly as I said it did.

1:19:22 > 1:19:26- I played around with some of the timeline.- OK.

1:19:26 > 1:19:28- Yeah.- Yeah, and...

1:19:28 > 1:19:31And what?

1:19:31 > 1:19:33You did a lot more than that. Come on.

1:19:33 > 1:19:36He didn't even know Kent. Darby did.

1:19:36 > 1:19:38Darby's mother died of ovarian cancer.

1:19:38 > 1:19:41Jamie's mom is probably alive and kicking in Idaho.

1:19:41 > 1:19:43Josh, this is kind of my night.

1:19:43 > 1:19:45- You just need to hear this. - That's basically it.

1:19:45 > 1:19:46That's not basically it!

1:19:46 > 1:19:48You knew that Kent had tried to kill himself.

1:19:48 > 1:19:51- Right.- Say it!- Josh, let him speak.

1:19:51 > 1:19:52The gist is the same.

1:19:52 > 1:19:55I authored a bit of how I came to it.

1:19:55 > 1:19:57I mean, I'm not that good a writer.

1:19:57 > 1:20:00If I made it all up, I'd be the best writer in Hollywood

1:20:00 > 1:20:01and...and Kent would be Marlon Brando.

1:20:01 > 1:20:05- I never said it was amazing, I just said it was faked. - Some of the timeline was adjusted...

1:20:05 > 1:20:09Would you stop with the timeline crap? Jamie knew that Kent had tried to kill himself.

1:20:09 > 1:20:11That he'd been in Afghanistan. We didn't just stumble upon it,

1:20:11 > 1:20:12it was rigged.

1:20:12 > 1:20:14Jamie invented the whole Facebook thing

1:20:14 > 1:20:17- because he knew it would play better.- Kent wasn't in Afghanistan?

1:20:17 > 1:20:21- No, Kent WAS in Afghanistan. - So, what's the problem?- It's...

1:20:21 > 1:20:24It's the way... The way that he said that he found him is not true.

1:20:24 > 1:20:26Kent served our country, you're being offensive.

1:20:26 > 1:20:28Is what Josh is saying true?

1:20:28 > 1:20:31Well, I did know, but I don't think it really matters, though,

1:20:31 > 1:20:32the movie's not about that.

1:20:32 > 1:20:35Of course it matters. Leslie, explain.

1:20:35 > 1:20:37I don't know that it totally matters in this case.

1:20:37 > 1:20:40- What?- I don't care. - I didn't expect you to care!

1:20:40 > 1:20:42Leslie, are you kidding me? You don't care?

1:20:42 > 1:20:45You just gave a speech about authenticity!

1:20:45 > 1:20:47The movie works on so many levels,

1:20:47 > 1:20:49the happenstance of it, to be honest with you,

1:20:49 > 1:20:51is the least interesting part.

1:20:51 > 1:20:52I can't believe it!

1:20:52 > 1:20:54This movie isn't worth the...

1:20:54 > 1:20:55RAM it's stored on!

1:20:55 > 1:20:58He's a con artist, Leslie!

1:20:58 > 1:21:02Your generation of sit-ins and protesters and...pack rats

1:21:02 > 1:21:04would be horrified by this demon!

1:21:04 > 1:21:06Josh, you're hysterical.

1:21:06 > 1:21:07I'm not hysterical! I'm...

1:21:07 > 1:21:10- CLATTERING AND SMASHING - Shit, I'm sorry. I'm sorry.

1:21:12 > 1:21:14Cornelia?

1:21:14 > 1:21:15I don't know.

1:21:16 > 1:21:20I think he's an asshole, but the movie's pretty good.

1:21:20 > 1:21:22And I'm sorry I think that.

1:21:22 > 1:21:25This is so frustrating! This...

1:21:25 > 1:21:27I'm going to get no satisfaction here, am I?

1:21:27 > 1:21:29This guy's just going to win, no matter what.

1:21:29 > 1:21:31This is not how the world works.

1:21:31 > 1:21:35Why does it have to be one thing or another? Things change.

1:21:35 > 1:21:36Different things matter now.

1:21:36 > 1:21:40OK, forget ethics, then. What about me?

1:21:40 > 1:21:41You played me.

1:21:41 > 1:21:42But you acted in it.

1:21:42 > 1:21:44Only because I thought it was real.

1:21:49 > 1:21:51I loved you.

1:21:53 > 1:21:55I really like you, too. We're friends.

1:21:57 > 1:21:58I really believed it.

1:22:03 > 1:22:04I was a bet.

1:22:07 > 1:22:11- Are you OK, son? - I'm not crying. I'm not.

1:22:16 > 1:22:17Are you filming this?

1:22:17 > 1:22:19Josh, your sleeve is on fire!

1:22:20 > 1:22:21Ah!

1:22:34 > 1:22:36I took your note, by the way.

1:22:36 > 1:22:38I cut the stuff about Turkish politics.

1:22:38 > 1:22:40You were right, I don't need it.

1:22:40 > 1:22:42Glad to hear that, son.

1:22:50 > 1:22:52It doesn't matter that it was faked

1:22:52 > 1:22:56because the movie isn't about Afghanistan or Kent,

1:22:56 > 1:22:59or anyone, it's all about Jamie.

1:22:59 > 1:23:04In my head, when I was blading over, I swept in and exposed everything.

1:23:04 > 1:23:06I was such a hero.

1:23:09 > 1:23:10Thanks.

1:23:14 > 1:23:17I wanted so badly...

1:23:20 > 1:23:22I wanted to be admired.

1:23:24 > 1:23:26- I wanted a protege.- I know.

1:23:26 > 1:23:31He looked at me like I was a real grown-up person.

1:23:31 > 1:23:32For the first time in my life,

1:23:32 > 1:23:37I've stopped thinking of myself as a child imitating an adult.

1:23:37 > 1:23:39You feel that way, too?

1:23:40 > 1:23:44I'm 44, and there are things I will never do.

1:23:45 > 1:23:47Things I won't have.

1:23:50 > 1:23:52What's the opposite of "the world is your oyster"?

1:23:54 > 1:23:58I wish we could just go back and meet each other all over again.

1:24:00 > 1:24:03I'd present myself differently,

1:24:03 > 1:24:04so I didn't get your hopes up.

1:24:08 > 1:24:11I think it's hard for me to have something great every day...

1:24:13 > 1:24:14..and to acknowledge it.

1:24:19 > 1:24:21I have something great every day.

1:24:26 > 1:24:28If we were different people,

1:24:28 > 1:24:30I'd ask you to...

1:24:30 > 1:24:31renew our vows.

1:24:33 > 1:24:35I think it's nice to renew vows.

1:24:37 > 1:24:40Maybe we are different people.

1:25:07 > 1:25:09- Call when you get there! - We will, Fox.

1:25:09 > 1:25:11You're going to be such great parents.

1:25:11 > 1:25:13Hey, the guy's waving at us. We gotta go, Marina!

1:25:13 > 1:25:17- They've changed the rules. - Bye, Willow!- We'll be back in a week.

1:25:17 > 1:25:18Fox, I'm going to cry.

1:25:18 > 1:25:20The cop's coming! Marina, we gotta go.

1:25:20 > 1:25:23Send pictures of the little man. We love you guys.

1:25:23 > 1:25:24- All right, bye.- Love you, Fletcher!

1:25:24 > 1:25:28I love you, too, but I'm not getting arrested for you! Marina!

1:25:32 > 1:25:35Oh, thanks.

1:25:35 > 1:25:36You really need ten?

1:25:36 > 1:25:38It's four hours to Port-au-Prince.

1:25:43 > 1:25:46- I can't believe it. - Me neither.

1:25:56 > 1:25:57Look who it is!

1:26:02 > 1:26:04'Are you a hipster?

1:26:04 > 1:26:06'Well, I'm of a certain age, and I wear tight jeans.'

1:26:06 > 1:26:10It's out there. The evil is unleashed.

1:26:11 > 1:26:14No, you were right, he's not evil.

1:26:16 > 1:26:18He's just young.

1:26:21 > 1:26:23Mmm.

1:26:55 > 1:26:57PHONE DIALS

1:26:59 > 1:27:02HE JABBERS

1:27:10 > 1:27:15# Golden years, gold, whop whop whop

1:27:17 > 1:27:21# Golden years, gold, whop whop whop

1:27:23 > 1:27:27# Golden years, gold, whop whop whop

1:27:27 > 1:27:32# Don't let me hear you say Life's taking you nowhere, angel

1:27:32 > 1:27:35# Come get up my baby

1:27:35 > 1:27:37# Look at that sky Life's begun

1:27:37 > 1:27:42# Nights are warm and the days are young

1:27:42 > 1:27:44# Come get up my baby

1:27:44 > 1:27:46# There's my baby Lost that's all

1:27:46 > 1:27:50# Once I'm begging you Save her little soul

1:27:50 > 1:27:52# Gold whop whop whop

1:27:54 > 1:27:57# Come get up my baby

1:27:57 > 1:27:58# Last night they loved you

1:27:58 > 1:28:03# Opening doors and pulling some strings, angel

1:28:03 > 1:28:04# Come get up my baby

1:28:04 > 1:28:06# In walked luck and you looked in time

1:28:06 > 1:28:10# Never look back walk tall, act fine

1:28:10 > 1:28:13# Come get up my baby

1:28:13 > 1:28:16# I'll stick with you, baby for a thousand years

1:28:16 > 1:28:21# Nothing's gonna touch you in these golden years

1:28:23 > 1:28:24# Gold

1:28:24 > 1:28:28# Golden years, gold whop whop whop

1:28:30 > 1:28:32# Come get up my baby

1:28:32 > 1:28:34# Some of these days And it won't be long

1:28:34 > 1:28:36# Gonna drive back down where you once belonged

1:28:36 > 1:28:38# In the back of a dream car 20 foot long

1:28:38 > 1:28:40# Don't cry, my sweet Don't break my heart

1:28:40 > 1:28:42# Doing all right But you gotta get smart

1:28:42 > 1:28:44# Wish upon, wish upon day upon day,

1:28:44 > 1:28:47# I believe, oh, lord I believe all the way

1:28:47 > 1:28:49# Come get up my baby

1:28:49 > 1:28:52# Run for the shadows Run for the shadows

1:28:52 > 1:28:56# Run for the shadows in these golden years

1:28:56 > 1:28:58# There's my baby, lost that's all

1:28:58 > 1:29:01# Once I'm begging you save her little soul

1:29:01 > 1:29:04# Golden years, gold whop whop whop

1:29:07 > 1:29:09# Come get up my baby

1:29:09 > 1:29:15# Don't let me hear you say life's taking you nowhere, angel

1:29:15 > 1:29:18#Come get up my baby Run for the shadows

1:29:18 > 1:29:21# Run for the shadows

1:29:21 > 1:29:25# Run for the shadows in these golden years

1:29:25 > 1:29:29# I'll stick with you, baby for a thousand years

1:29:29 > 1:29:32# Nothing's gonna touch you in these golden years

1:29:35 > 1:29:37# Gold

0:00:00 > 0:00:00# Golden years, gold whop whop whop

1:29:42 > 1:29:46# Golden years, gold whop whop whop. #