Bad Company

0:00:02 > 0:00:09This film contains some strong language.

0:01:54 > 0:01:57Your friend is late.

0:02:00 > 0:02:01He'll be here.

0:02:03 > 0:02:06Oh, yeah? I do have other bidders.

0:02:06 > 0:02:08I personally vouch for this man.

0:02:08 > 0:02:11Oh, well, I trust you, Michael, but...

0:02:11 > 0:02:14you see, with each degree of separation

0:02:14 > 0:02:17comes a degree of uncertainty.

0:02:27 > 0:02:29Mr Turner.

0:02:32 > 0:02:33Mr Vas.

0:02:35 > 0:02:37The KGB once tried

0:02:37 > 0:02:39to set me up,

0:02:39 > 0:02:41so I had to kill three of their agents,

0:02:41 > 0:02:44and then I hunted down their families.

0:02:46 > 0:02:47The point is,

0:02:47 > 0:02:49if I sense anything out of the ordinary...

0:02:49 > 0:02:50No, the point is,

0:02:50 > 0:02:52I haven't seen anything from you yet

0:02:52 > 0:02:54to justify a payment of 20 million.

0:02:54 > 0:02:57So, before I hand over a small fortune

0:02:57 > 0:02:59and risk my life,

0:02:59 > 0:03:01I want to know 100% that you can, in fact,

0:03:01 > 0:03:04deliver the device.

0:03:04 > 0:03:05That's the point.

0:03:05 > 0:03:07Very well.

0:03:07 > 0:03:10Michelle...

0:03:10 > 0:03:12owner's manual.

0:03:16 > 0:03:18This is your show of good faith?

0:03:18 > 0:03:19Well, you're still alive.

0:03:19 > 0:03:22You consider that a show of good faith.

0:03:22 > 0:03:24Now, what do you have for me?

0:03:24 > 0:03:26Down payment...

0:03:26 > 0:03:271 million.

0:03:30 > 0:03:32So, when do I get the device?

0:03:34 > 0:03:35Let's say ten days.

0:03:37 > 0:03:38Michael,

0:03:38 > 0:03:40you take that telephone, and I will call you

0:03:40 > 0:03:42and tell you how to proceed.

0:03:42 > 0:03:44You keep it on you all the time.

0:03:44 > 0:03:47As for you, sir, the next time we meet,

0:03:47 > 0:03:51I suggest you be on time.

0:03:56 > 0:03:57Nice coat.

0:04:09 > 0:04:11Well done.

0:04:11 > 0:04:13See you around.

0:04:38 > 0:04:40So far, so good?

0:04:40 > 0:04:41Yeah, so far.

0:05:05 > 0:05:07- Kevin's got a tail. - Is it Vas?

0:05:07 > 0:05:08No, they don't look Russian.

0:05:08 > 0:05:09'But they don't look friendly.'

0:05:09 > 0:05:11We'd better go back for him.

0:05:11 > 0:05:13You ordered us not to jeopardise our cover, sir.

0:05:13 > 0:05:15Hey, turn left.

0:05:15 > 0:05:17Turn left!

0:05:55 > 0:05:57TYRES SCREECH

0:05:57 > 0:05:58Kill him!

0:06:02 > 0:06:03Ambush on the castle steps, sir.

0:06:03 > 0:06:04Come on, faster.

0:06:07 > 0:06:08Let's go!

0:06:09 > 0:06:11GRUNTING AND SHOUTING

0:06:12 > 0:06:14ALL SCREAMING

0:06:16 > 0:06:18Get down! Get down!

0:06:20 > 0:06:23Get down!

0:06:39 > 0:06:41There he is! Pull over!

0:06:46 > 0:06:48You're jeopardising the mission.

0:06:48 > 0:06:49Uhh!

0:06:49 > 0:06:50You are the mission.

0:06:52 > 0:06:53Uhh!

0:07:02 > 0:07:03God, that was close.

0:07:03 > 0:07:05Did you see who they were?

0:07:08 > 0:07:09Kevin?

0:07:22 > 0:07:24Doesn't this all smack of extreme desperation?

0:07:24 > 0:07:25A nuclear bomb

0:07:25 > 0:07:27that fits neatly into a carry-on suitcase?

0:07:27 > 0:07:28Kevin spends two years

0:07:28 > 0:07:29getting close to these people

0:07:29 > 0:07:31in order to position you as the buyer.

0:07:31 > 0:07:32Vas won't deal with anyone else,

0:07:32 > 0:07:34and we have nine days to make this work.

0:07:34 > 0:07:36I'd say desperation was the order of the day.

0:07:36 > 0:07:38Maybe Vas set Kevin up.

0:07:38 > 0:07:40My guess is, it's a rival buyer.

0:07:40 > 0:07:43Could be Pakistanis, Chechnyans, North Koreans.

0:07:43 > 0:07:44Libyans.

0:07:44 > 0:07:45Try the entire Middle East.

0:07:45 > 0:07:48Adrik Vas is a businessman. He'll take anyone's money.

0:07:48 > 0:07:50So, why kill Kevin if they could just outbid him?

0:07:50 > 0:07:52Cos we have deeper pockets, that's why.

0:07:52 > 0:07:53He priced them out of the game.

0:07:53 > 0:07:54Who do you think it is?

0:07:54 > 0:07:56Well, the Cold War is over.

0:07:56 > 0:07:57These guys don't wave flags any more,

0:07:57 > 0:08:00and fanaticism, terrorism is global.

0:08:00 > 0:08:03Well, whoever it is decided to eliminate the competition

0:08:03 > 0:08:05and force Vas to deal with them.

0:08:05 > 0:08:08So, the future of the so-called free world

0:08:08 > 0:08:10may rest in this young man's hands.

0:08:11 > 0:08:13Jake Hayes here - Big-Time Tickets.

0:08:13 > 0:08:15Whatever you want, I'll get you.

0:08:15 > 0:08:16Yankees, third base line.

0:08:16 > 0:08:18Knicks, courtside. Rangers, on the ice.

0:08:18 > 0:08:22Masters, I'll put you on Tiger's tee, right?

0:08:22 > 0:08:24No matter what you want, I got it for you.

0:08:24 > 0:08:26Big-Time Tickets. What you need?

0:08:26 > 0:08:27Oh, come on, man.

0:08:27 > 0:08:30You're gonna call me three hours before tip-off

0:08:30 > 0:08:31against the Lakers?

0:08:31 > 0:08:33The Knicks sell out every game, money.

0:08:33 > 0:08:36Since I like you, for 850, I'll get you section 24,

0:08:36 > 0:08:38row 9. 12 back from the bench.

0:08:38 > 0:08:41Right behind Woody with a good view of Spike,

0:08:41 > 0:08:42unless he's got that turban thing on his head,

0:08:42 > 0:08:43lookin' like Yasser Araneck.

0:08:45 > 0:08:47Check.

0:08:47 > 0:08:48Hold on a second.

0:08:48 > 0:08:50What's up? Big-Time Tickets.

0:08:50 > 0:08:52Jake Hayes. What you want?

0:08:52 > 0:08:53Checkmate.

0:08:53 > 0:08:55Lion King? I can't do that.

0:08:55 > 0:08:56Jake Hayes here.

0:08:56 > 0:08:57Big-Time Tickets.

0:08:57 > 0:08:59Mr Johnson, you gonna go to the game tonight,

0:08:59 > 0:09:00or you want to do some business?

0:09:00 > 0:09:02He's kickin' your ass!

0:09:02 > 0:09:03Hey, don't look at me.

0:09:03 > 0:09:04You need to watch that castle,

0:09:04 > 0:09:07'bout to bitch-slap your bishop.

0:09:07 > 0:09:08Ehhhh! You lose, opie.

0:09:08 > 0:09:09Damn!

0:09:09 > 0:09:13OK, so I'll give you 400 for the two.

0:09:13 > 0:09:14Yo, Jake, let's get a slice.

0:09:14 > 0:09:15Hold on one second.

0:09:15 > 0:09:19Hello? Big-Time Tickets.

0:09:19 > 0:09:20Hey.

0:09:20 > 0:09:21Hey, man. I can't... I can't go.

0:09:21 > 0:09:23You always workin'.

0:09:23 > 0:09:25Hey, honey. What's up?

0:09:26 > 0:09:28OK, I'm gonna pick you up from work.

0:09:28 > 0:09:30Then we'll talk all about it.

0:09:30 > 0:09:32OK, love you, too. Bye.

0:09:32 > 0:09:34I gotta pick up my girl, man.

0:09:34 > 0:09:35So check this out...

0:09:35 > 0:09:36you're gonna do this, right?

0:09:36 > 0:09:37Then I'm gonna do this.

0:09:37 > 0:09:39Then you're gonna do this.

0:09:39 > 0:09:40Then I'm gonna do this.

0:09:40 > 0:09:42Then you're gonna want to do this.

0:09:42 > 0:09:43But I'm gonna do this,

0:09:43 > 0:09:44and when you're thinkin' about doing this,

0:09:44 > 0:09:46I'm gonna do this. Then the game's over.

0:09:46 > 0:09:48So why don't you give me 20 right now,

0:09:48 > 0:09:49and we'll save 20 minutes?

0:09:49 > 0:09:50Screw you.

0:09:50 > 0:09:52You didn't know chess was a contact sport,

0:09:52 > 0:09:53did you?

0:09:53 > 0:09:55INDISTINCT CHATTERING

0:09:55 > 0:09:56Hey, honey.

0:09:56 > 0:09:58Julia Benson. She's a nurse's aide.

0:09:58 > 0:10:00They've been together three years.

0:10:00 > 0:10:02She lives with her sister and brother-in-law

0:10:02 > 0:10:04in Jersey City.

0:10:04 > 0:10:06Amazing resemblance to Kevin, sir.

0:10:06 > 0:10:07- Yeah. - TAPE WINDING BACK

0:10:09 > 0:10:11Like seeing a ghost.

0:10:11 > 0:10:13I don't know

0:10:13 > 0:10:14how you're gonna react.

0:10:14 > 0:10:16Heh.

0:10:16 > 0:10:18Come on. Wait a minute.

0:10:18 > 0:10:20I should've known.

0:10:20 > 0:10:22The mood swings,

0:10:22 > 0:10:23the weight gain.

0:10:23 > 0:10:25What weight gain?

0:10:25 > 0:10:27You're pregnant. You're pregnant.

0:10:27 > 0:10:29I want everybody to know. Hey, everybody!

0:10:29 > 0:10:31My woman's havin' a baby,

0:10:31 > 0:10:33and we're gettin' married!

0:10:33 > 0:10:34ALL CHEER AND APPLAUD

0:10:34 > 0:10:37I'm not pregnant.

0:10:37 > 0:10:39You know, we don't have to get married.

0:10:39 > 0:10:40I mean, marriage is a big step.

0:10:40 > 0:10:42We should wait a while. We're young.

0:10:42 > 0:10:44I'm moving to Seattle.

0:10:46 > 0:10:48Seattle, like,

0:10:48 > 0:10:50Seattle Supersonics, Seattle?

0:10:50 > 0:10:53Wait a minute. That's... That's pretty far.

0:10:53 > 0:10:55I got offered a job there.

0:10:55 > 0:10:58What kind of job are you gonna get in Seattle

0:10:58 > 0:10:59that you can't get in New York?

0:10:59 > 0:11:03A friend of mine from junior college called.

0:11:03 > 0:11:05- Who? - Kenneth.

0:11:05 > 0:11:07Your ex-man Ken?

0:11:07 > 0:11:09Look, he's managing a company out there,

0:11:09 > 0:11:11and he offered.

0:11:11 > 0:11:13So, you're leaving me and going back to Ken.

0:11:13 > 0:11:14No.

0:11:14 > 0:11:15Are you leaving me?

0:11:15 > 0:11:16Sort of, but it's not...

0:11:16 > 0:11:18So, you're leaving me and going back to Kenneth?

0:11:18 > 0:11:19That's what I asked you.

0:11:19 > 0:11:22The Ken part is just business.

0:11:22 > 0:11:24And what's the leaving me part?

0:11:24 > 0:11:25Pleasure?

0:11:25 > 0:11:27Pain.

0:11:27 > 0:11:29Your sister put you up to this. She never liked me.

0:11:29 > 0:11:31It's been three years, Jake.

0:11:31 > 0:11:33I know it's been three years.

0:11:33 > 0:11:34And we're in the same situation

0:11:34 > 0:11:36that we were in when we met.

0:11:36 > 0:11:38Meaning, we're not married.

0:11:38 > 0:11:39We're not married,

0:11:39 > 0:11:41we can't afford to get married.

0:11:41 > 0:11:44And it doesn't look like it's ever gonna change.

0:11:44 > 0:11:46You know, poor people do get married.

0:11:46 > 0:11:49I know, but I don't feel like fighting with you

0:11:49 > 0:11:51every day because we're broke.

0:11:51 > 0:11:53I mean, marriage is hard enough

0:11:53 > 0:11:55without being poor.

0:11:55 > 0:11:56Hey, what happened to the love?

0:11:56 > 0:11:58What happened to all that romance?

0:11:58 > 0:12:00You know I love you.

0:12:00 > 0:12:02But you are living in this fantasy.

0:12:02 > 0:12:04It's like you're waiting for some kind of miracle.

0:12:04 > 0:12:06I gotta live in reality.

0:12:06 > 0:12:07I am not gonna be young forever.

0:12:07 > 0:12:09Oh, I see, so you gotta put yourself

0:12:09 > 0:12:12back on the market while the merchandise is still fresh.

0:12:12 > 0:12:14You act like there's a damn expiration date

0:12:14 > 0:12:15on your forehead!

0:12:19 > 0:12:21Come on, come on.

0:12:21 > 0:12:23I'm sorry. I'm sorry.

0:12:23 > 0:12:25You think I like living like this?

0:12:25 > 0:12:27Movin' tickets, hustlin' checks,

0:12:27 > 0:12:29DJ'ing at these little clubs?

0:12:29 > 0:12:31I know, I should've stayed in college.

0:12:31 > 0:12:32I messed up. I messed up.

0:12:32 > 0:12:34I'll go back to college.

0:12:35 > 0:12:38I love you, Jake.

0:12:38 > 0:12:40I love you, too.

0:12:40 > 0:12:42But I...

0:12:45 > 0:12:47So, when are you leaving?

0:12:48 > 0:12:50Couple weeks.

0:12:50 > 0:12:53But we'll talk before then.

0:12:56 > 0:12:58Why?

0:13:06 > 0:13:07Jake...

0:13:14 > 0:13:17RAP MUSIC PLAYING

0:13:30 > 0:13:31What's up, man?

0:13:31 > 0:13:32Hey, what's up? What's wrong?

0:13:32 > 0:13:33Julie left me.

0:13:33 > 0:13:35Sorry. Um, I gotta go.

0:13:35 > 0:13:37But I'll catch you tomorrow.

0:13:50 > 0:13:53# I'm all out of love

0:13:53 > 0:13:55# I'm so lost without you

0:13:55 > 0:13:57# I know you were right

0:13:57 > 0:14:00# Believing for so long

0:14:00 > 0:14:02# I'm all out of love

0:14:02 > 0:14:04# What am I without you?

0:14:04 > 0:14:05# I can't be too late... #

0:14:05 > 0:14:08Hey, you get your shit together,

0:14:08 > 0:14:10or I'm gonna have to fire your ass!

0:14:10 > 0:14:11That's right!

0:14:11 > 0:14:16# I want you to come back and carry me home

0:14:16 > 0:14:20# Away from these long, lonely nights

0:14:20 > 0:14:22# There's no easy way

0:14:22 > 0:14:24# It gets harder each day

0:14:24 > 0:14:28# Please love me or I'll be gone

0:14:28 > 0:14:31# I'll be gone

0:14:31 > 0:14:33# I'm all out of love

0:14:33 > 0:14:35# I'm so lost without you

0:14:35 > 0:14:37# I know you were right

0:14:37 > 0:14:40# Believing for so long

0:14:40 > 0:14:42# I'm all out of love

0:14:42 > 0:14:44# What am I without you?

0:14:44 > 0:14:46# It can't be too late

0:14:46 > 0:14:49# To say that I was so wrong... #

0:14:49 > 0:14:52MOBILE PHONE RINGS

0:14:52 > 0:14:54Julie, Julie, I'm sorry.

0:14:54 > 0:14:58Oh, I'm sorry. Uh, Big-Time Tickets.

0:14:58 > 0:15:00Yeah, for what game?

0:15:00 > 0:15:04Well, how much you want to spend?

0:15:04 > 0:15:05Yeah, I can get it.

0:15:07 > 0:15:08'So, where you at?

0:15:08 > 0:15:10'Where the hell's that?'

0:15:15 > 0:15:18Thank you very much. Now, er, take off.

0:15:18 > 0:15:19Whatever.

0:15:20 > 0:15:22- Hop out. - Hey, what's up?

0:15:22 > 0:15:23- Give me your phone. - What's up?

0:15:23 > 0:15:25Hey, hey! Come on, now! What y'all want?

0:15:25 > 0:15:27- Hey, hey, come on! - Relax.

0:15:27 > 0:15:29You know how hard it was for me to get a cab

0:15:29 > 0:15:30to come up here?

0:15:30 > 0:15:32I hope y'all givin' me a ride back.

0:15:32 > 0:15:33Come on, I know you're cops, man.

0:15:33 > 0:15:35What do you want, money? Oh, yeah, I understand.

0:15:35 > 0:15:38Y'all shot somebody, and now y'all need a suspect.

0:15:38 > 0:15:40Mr Hayes?

0:15:40 > 0:15:42Jacob Hayes?

0:15:44 > 0:15:46I'm Officer Oakes,

0:15:46 > 0:15:48that's Officer Seale,

0:15:48 > 0:15:51Officer Swanson, Officer Carew.

0:15:51 > 0:15:54What, CIA? What's that for? "Crackers in my ass"?

0:15:54 > 0:15:57You're gonna arrest me for scalpin' tickets?

0:15:57 > 0:15:59We just want to talk to you about something.

0:15:59 > 0:16:01About what?

0:16:01 > 0:16:02About your brother.

0:16:02 > 0:16:05You got the wrong guy. I don't even have a brother.

0:16:08 > 0:16:10That's just a picture of me in a suit.

0:16:10 > 0:16:11You could've got that off the internet.

0:16:11 > 0:16:13I saw a picture of Bill Gates

0:16:13 > 0:16:14with three titties on the net.

0:16:14 > 0:16:17OK, September 8th, 1970,

0:16:17 > 0:16:18Bellevue Hospital, New York City,

0:16:18 > 0:16:20a woman registered as Mary Jeffries

0:16:20 > 0:16:23gives birth to identical twins,

0:16:23 > 0:16:24but suffers complications

0:16:24 > 0:16:25during labour,

0:16:25 > 0:16:26and dies the next day.

0:16:26 > 0:16:28What about the father?

0:16:28 > 0:16:29Thomas B Jeffries.

0:16:29 > 0:16:32Presumed alive. Whereabouts unknown.

0:16:32 > 0:16:33The state rarely separates twins,

0:16:33 > 0:16:36but one of the infants, Jacob, that's you,

0:16:36 > 0:16:38was diagnosed with severe lung infection.

0:16:38 > 0:16:41You still have the scar from the chest tube,

0:16:41 > 0:16:42the incision mark.

0:16:42 > 0:16:44An administrator at the hospital

0:16:44 > 0:16:45altered the birth record

0:16:45 > 0:16:47to give the healthy child

0:16:47 > 0:16:48a better chance at adoption.

0:16:48 > 0:16:51A week later, Roger and Glenda Pope

0:16:51 > 0:16:53took in Kevin Jeffries.

0:16:53 > 0:16:56The Popes never knew. Kevin never knew.

0:16:56 > 0:16:58So, I have a twin brother. Big deal.

0:16:58 > 0:17:00What's the CIA have to do with this?

0:17:00 > 0:17:02What, what, he couldn't send me a letter?

0:17:02 > 0:17:03Your brother's dead.

0:17:05 > 0:17:06How?

0:17:06 > 0:17:08A helicopter crash.

0:17:10 > 0:17:13We need your help, Mr Hayes.

0:17:13 > 0:17:15Your brother was working on something with us.

0:17:15 > 0:17:17My twin brother was CIA?

0:17:17 > 0:17:20Yeah, a clandestine operative.

0:17:20 > 0:17:21And just before he was killed,

0:17:21 > 0:17:23he set up a deal.

0:17:23 > 0:17:25What kind of deal?

0:17:25 > 0:17:26A very important one.

0:17:26 > 0:17:29So, we need you to stand in for him,

0:17:29 > 0:17:31um, just briefly.

0:17:31 > 0:17:33Pretend I'm him?

0:17:33 > 0:17:35- Yeah. - For how long?

0:17:35 > 0:17:36Nine days.

0:17:36 > 0:17:38Nine days, that's not standin' in.

0:17:38 > 0:17:39Standin' in is like an hour.

0:17:39 > 0:17:41Nine days, that's like goin' on tour.

0:17:41 > 0:17:42Is this shit dangerous?

0:17:42 > 0:17:44Yeah, there's some risk.

0:17:44 > 0:17:46Well, what kind of risk? We talkin' bad credit risk,

0:17:46 > 0:17:47or a bullet in the ass risk?

0:17:47 > 0:17:49You'd be well compensated.

0:17:49 > 0:17:51For a bullet in the ass risk?

0:17:51 > 0:17:53I hope that's a lot of compensation. How much?

0:17:53 > 0:17:55Throw out a number.

0:17:55 > 0:17:56A billion dollars.

0:17:56 > 0:17:57You've overshot.

0:17:57 > 0:17:59Well, I don't know what kind of budget you're working with.

0:17:59 > 0:18:01Well, we were thinking somewhere

0:18:01 > 0:18:05in the region of, let's say, er, 25,000.

0:18:05 > 0:18:0850. Yeah, 50. I figure you started with 25,

0:18:08 > 0:18:10so I know you got more.

0:18:10 > 0:18:12You ain't gonna give me all your money. 50,000.

0:18:12 > 0:18:14This is what I'm thinking, Mr Hayes.

0:18:14 > 0:18:17With 25,000, your girlfriend Julie

0:18:17 > 0:18:18could go to college.

0:18:18 > 0:18:20She wouldn't have to go to Seattle.

0:18:20 > 0:18:21Or work with Ken.

0:18:22 > 0:18:24OK, here's what I'm thinkin'.

0:18:24 > 0:18:27You're gonna give me 50,000 tax-free.

0:18:27 > 0:18:30OK, 50,000 after tax,

0:18:30 > 0:18:31after the job is done.

0:18:31 > 0:18:34Half now, half after.

0:18:34 > 0:18:36Ten now, 40 after.

0:18:36 > 0:18:38Unless my mother had triplets,

0:18:38 > 0:18:42you're gonna give me ten now, 90 after.

0:18:43 > 0:18:45OK, you got a deal.

0:18:46 > 0:18:47So, when do we start?

0:18:47 > 0:18:48Now.

0:18:48 > 0:18:50This is your brother's file.

0:18:50 > 0:18:51Study it.

0:18:51 > 0:18:52So there's homework.

0:18:52 > 0:18:53- Preparation. - OK.

0:18:53 > 0:18:55Let's see, Dad sits on the board

0:18:55 > 0:18:57of the New York Stock Exchange.

0:18:57 > 0:18:59Mom, co-artistic director

0:18:59 > 0:19:01at Lincoln Centre. Must've been nice.

0:19:01 > 0:19:03In my foster house, we were so poor,

0:19:03 > 0:19:05we used to lick stamps for dinner.

0:19:05 > 0:19:06Let's see. Prep...

0:19:06 > 0:19:08Prep school at Exeter.

0:19:08 > 0:19:09Then college at Dartmouth.

0:19:09 > 0:19:11Served in the naval academy.

0:19:11 > 0:19:12That's right.

0:19:12 > 0:19:15What'd he serve, lunch?

0:19:15 > 0:19:17Oh, man. "Rhodes scholar".

0:19:17 > 0:19:19So my brother was real smart, huh?

0:19:19 > 0:19:20Yeah.

0:19:23 > 0:19:25Damn, the CIA is cheap.

0:19:25 > 0:19:28Y'all could've at least got me a queen size.

0:19:28 > 0:19:29What's this, Jack size?

0:19:31 > 0:19:33Hey, er, what's that "zachod" mean?

0:19:33 > 0:19:36It's Czech for "bathroom".

0:19:36 > 0:19:37You'll find the room labelled

0:19:37 > 0:19:38with phonetic translations.

0:19:38 > 0:19:40Why?

0:19:40 > 0:19:42Because the deal goes down in the Czech Republic.

0:19:42 > 0:19:43Czech Republic?

0:19:43 > 0:19:45Here's a dictionary.

0:19:45 > 0:19:47Hey, how do I get an outside line?

0:19:47 > 0:19:48I need somebody to feed my cat.

0:19:48 > 0:19:50You don't have an outside line,

0:19:50 > 0:19:51and you don't have a cat.

0:19:51 > 0:19:54OK, so what am I supposed to be doing here?

0:19:54 > 0:19:56There's a tape in the VCR. It's a video of your brother.

0:19:56 > 0:19:58Watch it. The way he talks

0:19:58 > 0:19:59and the way he moves.

0:19:59 > 0:20:00I know there's a lot to deal with here,

0:20:00 > 0:20:02but we're all behind you.

0:20:02 > 0:20:04We'll start in the morning. You got any questions?

0:20:04 > 0:20:07Yeah, if my brother was such a genius,

0:20:07 > 0:20:09then how come he's dead?

0:20:12 > 0:20:145am.

0:20:14 > 0:20:16Hey, I don't do 5am.

0:20:16 > 0:20:17So, bottom line, what are our chances?

0:20:17 > 0:20:21Well, I'd say anywhere between, er, nil and zero.

0:20:21 > 0:20:22Why do you say that?

0:20:22 > 0:20:24Well, I grant you, he's got potential.

0:20:24 > 0:20:26He's pretty street-smart.

0:20:26 > 0:20:27In six months, he could probably

0:20:27 > 0:20:29fool his brother's own parents.

0:20:29 > 0:20:31But eight days? Come on, you gotta be kidding.

0:20:31 > 0:20:33Probably get himself killed on this mission

0:20:33 > 0:20:35and anyone else who goes along with him.

0:20:35 > 0:20:37Would you like to be replaced on the mission?

0:20:37 > 0:20:40Why, you're saying you're going ahead

0:20:40 > 0:20:41with or without me?

0:20:41 > 0:20:43Yeah, that's precisely what I'm saying.

0:20:44 > 0:20:46Well, sir,

0:20:46 > 0:20:48when do I tell him what this mission involves?

0:20:48 > 0:20:50Well, if I were you,

0:20:50 > 0:20:52I would tell him as little as possible.

0:20:52 > 0:20:54Don't put anything into his head he can't use,

0:20:54 > 0:20:56and certainly nothing that could pop out at the wrong time.

0:20:56 > 0:20:57OK.

0:20:57 > 0:20:58What's he doing now?

0:20:58 > 0:21:00He's studying. We told him to learn

0:21:00 > 0:21:02a few key phrases in Czech.

0:21:02 > 0:21:04RECITING CZECH WORDS

0:21:04 > 0:21:06Well, he seems dedicated.

0:21:06 > 0:21:10RECITING CZECH WORDS

0:21:13 > 0:21:14What's he saying?

0:21:14 > 0:21:18He said, "I haven't had my period in three months."

0:21:18 > 0:21:23JAKE CONTINUES RECITING

0:21:29 > 0:21:31Now what?

0:21:31 > 0:21:33"Where's the hospital?

0:21:33 > 0:21:35"I have a vaginal infection."

0:21:35 > 0:21:38Yeah, this is gonna be really interesting.

0:21:38 > 0:21:40Can't wait to get started.

0:21:41 > 0:21:45Rise and shine, Mr Hayes! 5am, and all is well.

0:21:45 > 0:21:48How about three more hours of sleep

0:21:48 > 0:21:50and some breakfast?

0:21:50 > 0:21:52How about a nice shower?

0:21:52 > 0:21:56Aah! Aah! Hey, hey! What's wrong with you?!

0:21:56 > 0:21:57Good morning.

0:21:57 > 0:22:01Today we'll be covering basic operations protocol

0:22:01 > 0:22:03for the acquisition of foreign assets,

0:22:03 > 0:22:07a procedure we like to call "the three I's" -

0:22:07 > 0:22:09identifying the target,

0:22:09 > 0:22:11initiating the contact,

0:22:11 > 0:22:13and infiltrating the network...

0:22:13 > 0:22:15Now you do it like him.

0:22:15 > 0:22:17Man, this is buggin' me out. I feel like Michael Jackson

0:22:17 > 0:22:18lookin' at old album covers.

0:22:18 > 0:22:21I mean, look at this guy. He looks like me.

0:22:21 > 0:22:22But it's not me.

0:22:22 > 0:22:23Yeah.

0:22:23 > 0:22:25So, what did he like to do?

0:22:25 > 0:22:26I mean, what kind of sports was he into?

0:22:26 > 0:22:27What kind of music did he listen to?

0:22:27 > 0:22:30He liked music. He liked jazz and classical.

0:22:30 > 0:22:31Classical, like... like Run-DMC?

0:22:31 > 0:22:33He didn't like rap.

0:22:33 > 0:22:34Oh, come on, man. What 29-year-old brother

0:22:34 > 0:22:36don't like a little bit of rap?

0:22:36 > 0:22:38He didn't listen to rap.

0:22:38 > 0:22:39So, what kind of sports was he into?

0:22:39 > 0:22:41Skiing.

0:22:41 > 0:22:44OK, so you got skiing, the navy, no rap.

0:22:44 > 0:22:46Yeah, we'd have had a lot in common.

0:22:46 > 0:22:48- Sir. - Hmm?

0:22:48 > 0:22:49THEY WHISPER

0:22:49 > 0:22:51What time?

0:22:51 > 0:22:53THEY WHISPER

0:22:53 > 0:22:54OK. All right.

0:22:54 > 0:22:57Thanks.

0:22:57 > 0:22:59So, what's up with you and Swanson?

0:22:59 > 0:23:00Hmm?

0:23:00 > 0:23:02Aw, come on, man. I see there's something goin' on there.

0:23:02 > 0:23:04Y'all got a little something goin' on.

0:23:04 > 0:23:06Come on, now. Look at you. You're blushing.

0:23:06 > 0:23:09Do you mind if I say something to you, Mr Hayes?

0:23:09 > 0:23:13My friends, Officer Seale, Officer Swanson,

0:23:13 > 0:23:15they have faith in you.

0:23:15 > 0:23:16I don't.

0:23:16 > 0:23:18And that creates a problem

0:23:18 > 0:23:20because you're in so deep with us now

0:23:20 > 0:23:24we can never let you go.

0:23:24 > 0:23:26So you'd better learn this stuff

0:23:26 > 0:23:29stone cold by 0500 hours tomorrow morning.

0:23:29 > 0:23:30Or what?

0:23:30 > 0:23:32I'll kill you.

0:23:36 > 0:23:38Hey, could we start a few hours later tomorrow?

0:23:38 > 0:23:40Aah! Aah!

0:23:40 > 0:23:43Aaah!

0:23:43 > 0:23:44Get dressed.

0:23:44 > 0:23:46It's 4:59!

0:23:46 > 0:23:49# The new terrors of rock

0:23:49 > 0:23:50# On every block

0:23:50 > 0:23:51# Late for school, late for work

0:23:51 > 0:23:53# But ahead of these cops

0:23:53 > 0:23:56# My credit is shot End up dead in a box

0:23:56 > 0:24:00# But so my life ain't as pathetic as Pac's

0:24:00 > 0:24:01# Right away Blow your life away

0:24:01 > 0:24:03# So light your haze

0:24:03 > 0:24:04# Hold tight grenades

0:24:04 > 0:24:06# So when it blows I'm slightly grazed

0:24:06 > 0:24:09# Kuniva might be crazed Unleashin' unlikely rage

0:24:09 > 0:24:11# The next time you hear a verse from me

0:24:11 > 0:24:12# I might be caged... #

0:24:12 > 0:24:15Swirl. Checking for sediment.

0:24:15 > 0:24:16Sniff...

0:24:16 > 0:24:18HE INHALES

0:24:18 > 0:24:19..and taste.

0:24:37 > 0:24:41- Morning, Mr Hayes. 5am. - No, 5:01.

0:24:46 > 0:24:48# I believe in people tryin'

0:24:48 > 0:24:51# I believe in people cryin'

0:24:51 > 0:24:53# I believe in people breathin'

0:24:53 > 0:24:55# I believe in people bein'... #

0:24:55 > 0:24:58Pope. Kevin Pope.

0:25:00 > 0:25:04Ha, ha, ha! Look at this suit.

0:25:04 > 0:25:06Man, I got initials on my cuffs.

0:25:06 > 0:25:09Normally, the only thing I ever have on my cuffs is steak sauce.

0:25:09 > 0:25:12They say "MT". What's that for?

0:25:12 > 0:25:13Michael Turner.

0:25:13 > 0:25:16But I thought I was Kevin Pope.

0:25:16 > 0:25:18Kevin Pope IS Michael Turner.

0:25:18 > 0:25:21Michael Turner is Kevin Pope's cover identity.

0:25:21 > 0:25:23He is a very successful, very knowledgeable,

0:25:23 > 0:25:26very sophisticated international dealer

0:25:26 > 0:25:27in fine antiquities.

0:25:27 > 0:25:29Well, if I'm Jake Hayes playing Kevin Pope

0:25:29 > 0:25:33playing Michael Turner, then I should get two cheques.

0:25:33 > 0:25:34Cheers.

0:25:34 > 0:25:36This is a very rare expensive cognac.

0:25:36 > 0:25:37What do you think?

0:25:43 > 0:25:47Dry. But never precocious.

0:25:47 > 0:25:50I love your shirt. Egyptian broadcloth?

0:25:50 > 0:25:53Three days. Pretty impressive.

0:25:53 > 0:25:55Yeah, he's bright.

0:25:55 > 0:25:57I think he can do it.

0:25:57 > 0:25:58He's got my vote.

0:25:58 > 0:25:59I said he was bright.

0:25:59 > 0:26:01I didn't say he was capable of saving the world.

0:26:01 > 0:26:02Let's run a real test.

0:26:02 > 0:26:03Like what?

0:26:03 > 0:26:04Send him up to New York.

0:26:04 > 0:26:06Put him in Kevin's apartment.

0:26:06 > 0:26:07Let the neighbours, the doorman,

0:26:07 > 0:26:08everybody get a look at him.

0:26:08 > 0:26:10See if they buy him as Michael Turner.

0:26:10 > 0:26:12Might even serve a double purpose.

0:26:12 > 0:26:14Whoever tried to kill Kevin as Michael Turner

0:26:14 > 0:26:15probably doesn't know he's dead.

0:26:15 > 0:26:17Might still be looking for him.

0:26:17 > 0:26:18So we dangle him, use him as bait,

0:26:18 > 0:26:19keep him in the dark.

0:26:19 > 0:26:21He'll be protected.

0:26:21 > 0:26:23What do we tell him?

0:26:23 > 0:26:24You're giving him a chance to practise being Kevin.

0:26:24 > 0:26:26That's all you need to tell him.

0:26:26 > 0:26:28You're the boss.

0:26:35 > 0:26:37You see the van in front of us?

0:26:38 > 0:26:41The one behind us? Those are our guys.

0:26:41 > 0:26:43Here's my cell phone number.

0:26:43 > 0:26:45Use it if you get into any kind of trouble.

0:26:45 > 0:26:46What kind of trouble?

0:26:46 > 0:26:48Any kind.

0:26:48 > 0:26:50Shark attack? Call you. All right.

0:26:50 > 0:26:51Could you pop the trunk?

0:26:51 > 0:26:54Take this. Get yourself some shoes.

0:26:54 > 0:26:56Little punk.

0:26:57 > 0:26:58Mr Turner, welcome back, sir.

0:26:58 > 0:27:00Thanks, Tim.

0:27:02 > 0:27:05Mmm, mmm, mmm.

0:27:07 > 0:27:08How was Europe?

0:27:08 > 0:27:09Like another country.

0:27:17 > 0:27:19Ha, ha, ha!

0:27:22 > 0:27:24Whoo!

0:27:25 > 0:27:28You could put this on MTV Cribs.

0:27:31 > 0:27:34Man, this is dope!

0:27:34 > 0:27:36God...

0:27:36 > 0:27:38'So if I paid taxes,

0:27:38 > 0:27:41'this is where the money would go, huh?'

0:27:41 > 0:27:43Could have a Puffy party in here.

0:28:10 > 0:28:13Let's get some music in here.

0:28:13 > 0:28:14CLASSICAL MUSIC PLAYS

0:28:14 > 0:28:17Whoa-oh-oh!

0:28:17 > 0:28:20HIP-HOP MUSIC PLAYS

0:28:23 > 0:28:25What's that music?

0:28:25 > 0:28:27Just hip-hop stuff.

0:28:27 > 0:28:28It's terrible.

0:28:28 > 0:28:30Jake, it's your downstairs neighbour, Mrs Patterson.

0:28:30 > 0:28:32DOORBELL RINGS

0:28:32 > 0:28:33Don't forget the radio.

0:28:33 > 0:28:35OK.

0:28:36 > 0:28:38CLASSICAL MUSIC PLAYS

0:28:40 > 0:28:44Hi, Michael! Welcome back.

0:28:44 > 0:28:45Mwah. Mwah.

0:28:45 > 0:28:47Vera, how are you?

0:28:47 > 0:28:48Fine. Fine, thank you.

0:28:48 > 0:28:50Hi, Annabella.

0:28:50 > 0:28:52We just came in and the doorman said you were back.

0:28:52 > 0:28:54Annabella missed you.

0:28:54 > 0:28:56Oh, you're far too kind.

0:28:56 > 0:28:57I've been waiting desperately

0:28:57 > 0:28:58for you to come back.

0:28:58 > 0:29:00Oh? Why?

0:29:00 > 0:29:01I bought a little treasure.

0:29:01 > 0:29:03Come on down and tell me if I got a good buy.

0:29:03 > 0:29:04- Oh, OK. - Hold your baby.

0:29:04 > 0:29:07- Yes, my baby. - How was your trip?

0:29:07 > 0:29:10This is gonna be a disaster.

0:29:10 > 0:29:13Hello! Go see your nanny, baby.

0:29:13 > 0:29:16What do you think? Is it a good piece?

0:29:16 > 0:29:18Uh...

0:29:20 > 0:29:21It's exquisite.

0:29:21 > 0:29:22Ooh! Do you think?

0:29:22 > 0:29:24Go ahead, pick it up. Feel it.

0:29:24 > 0:29:26Just see how delicate it is.

0:29:26 > 0:29:29Uh, pick it up, right?

0:29:29 > 0:29:32Yes. Just grab it and pick it up.

0:29:34 > 0:29:37Michael...

0:29:37 > 0:29:39that's what we keep the doggy treats in.

0:29:39 > 0:29:41Of course, I knew that.

0:29:41 > 0:29:43I was just getting it out of the way

0:29:43 > 0:29:46- so I could see... - The vase.

0:29:46 > 0:29:48Of course, the vase! Yes!

0:29:48 > 0:29:50May I ask, how much did you pay for this?

0:29:50 > 0:29:52150,000.

0:29:52 > 0:29:54Good lord! What you gonna put in it, cocaine?!

0:29:58 > 0:30:01He fooled the doorman, he fooled the neighbour,

0:30:01 > 0:30:03and the neighbour's dog. What more do you want?

0:30:03 > 0:30:06Oakes, we need to know who's after that bomb.

0:30:06 > 0:30:08You're willing to sacrifice him to find out?

0:30:08 > 0:30:11Don't be dramatic. He's got plenty of protection.

0:30:11 > 0:30:12I'll tell you when to pull him.

0:30:31 > 0:30:34HIP-HOP MUSIC PLAYS

0:30:36 > 0:30:41# Never safe, you're never sure

0:30:41 > 0:30:43# Something's all wrong... #

0:30:43 > 0:30:46Hope y'all not watching this.

0:30:46 > 0:30:50I don't have to watch this, do I, sir?

0:30:58 > 0:31:00- Oh, no. Holy shit! - Code red.

0:31:00 > 0:31:02Code red! Code red!

0:31:06 > 0:31:07YELLING

0:31:07 > 0:31:10Aah!

0:31:13 > 0:31:16Parish, McCain, cover the exits!

0:31:16 > 0:31:18Help! Help! Help!

0:31:27 > 0:31:28God.

0:31:28 > 0:31:30Whoa!

0:31:38 > 0:31:40Aah!

0:32:59 > 0:33:01Sir, he's headed for the roof.

0:33:01 > 0:33:02- We need him alive. - Yes, sir.

0:33:17 > 0:33:19- Whoa! - Oh!

0:33:25 > 0:33:27WOMAN YELLS

0:33:40 > 0:33:42Drop the knife.

0:33:50 > 0:33:54Hey, Elvis, if you drop the knife and step down,

0:33:54 > 0:33:56no-one is going to hurt you.

0:33:56 > 0:33:58HE PANTS

0:34:07 > 0:34:09HE YELLS

0:34:20 > 0:34:22So...

0:34:22 > 0:34:23who's got Jake?

0:34:29 > 0:34:32Well, these last ten minutes will be used

0:34:32 > 0:34:35as a teaching aid on how an operation can get totally...

0:34:35 > 0:34:37- Screwed up, sir? - Thank you.

0:34:37 > 0:34:38We'll find him, sir.

0:34:38 > 0:34:39CELL PHONE RINGS

0:34:39 > 0:34:41Yeah? Where are you?

0:34:41 > 0:34:44At the corner of "eat shit" and "fuck you"!

0:34:44 > 0:34:47I'm not gonna let you trace me! I'll call you back!

0:34:49 > 0:34:51I'm stuck in traffic. I ask you to do one simple...

0:34:51 > 0:34:52Give me that!

0:34:52 > 0:34:54Yo!

0:34:54 > 0:34:56Run fingerprints, DNA, anything we can get

0:34:56 > 0:34:57on the guy who jumped off the roof.

0:34:57 > 0:34:58Yes, sir.

0:34:58 > 0:34:59He looks Afghani, sir.

0:34:59 > 0:35:01Don't assume anything. Just find Jake.

0:35:01 > 0:35:02- Yes, sir. - Jake...

0:35:02 > 0:35:04Kevin was murdered! And now they're gonna murder me, right?!

0:35:04 > 0:35:05Let's meet some place and I'll...

0:35:05 > 0:35:07No more bullshit!

0:35:08 > 0:35:11We lost him because we lied to him.

0:35:11 > 0:35:13No, you lost him because you lost him.

0:35:13 > 0:35:14We treated him like an idiot.

0:35:14 > 0:35:16He had a right to know what we were doing with him.

0:35:16 > 0:35:19We're wasting time! Find him and bring him back

0:35:19 > 0:35:21and spare me your conscience.

0:35:21 > 0:35:24Spare my conscience!

0:35:24 > 0:35:25Take it easy, buddy.

0:35:25 > 0:35:27Bye-bye.

0:35:27 > 0:35:29# It's called chillin'

0:35:29 > 0:35:32# Six million ways to live

0:35:32 > 0:35:35# Six million ways to live life...#

0:35:36 > 0:35:38Yeah?

0:35:38 > 0:35:40Hello? Pam, it's Jake. Can I talk to Julie?

0:35:40 > 0:35:42She don't want to talk to you.

0:35:42 > 0:35:43Who's on the phone?

0:35:43 > 0:35:46Pam, I need to talk to Julie. Please. This is serious.

0:35:46 > 0:35:48It is Jake? Wait, let me talk to him!

0:35:48 > 0:35:50She's moving on.

0:35:50 > 0:35:51Give me the phone.

0:35:51 > 0:35:52We don't need no more trouble, Jake,

0:35:52 > 0:35:53and you ain't nothing but trouble.

0:35:53 > 0:35:54Pam...

0:35:54 > 0:35:56Two suits came around today looking for you.

0:35:56 > 0:35:57POLICE SIREN WAILS

0:35:57 > 0:35:58'Give me the phone!'

0:35:58 > 0:36:01Hey, hey, hey. Shit! Your phone's tapped.

0:36:01 > 0:36:04If Julie's there, tell her I love her,

0:36:04 > 0:36:06and, Oakes, if you're listening, kiss my ass!

0:36:10 > 0:36:12- You get a trace?- No.

0:36:12 > 0:36:14Tch. He hung up.

0:36:15 > 0:36:17# It's called chillin'

0:36:17 > 0:36:20# Six million ways to live

0:36:20 > 0:36:22# Six million ways to live life... #

0:36:22 > 0:36:24Mr Hayes, where are you?

0:36:24 > 0:36:28Where in the hell are you?

0:36:28 > 0:36:30# Six million ways to live lavish

0:36:30 > 0:36:32# Beyond all the misery And mathematics

0:36:32 > 0:36:34# Six million ways to live

0:36:34 > 0:36:36# Six million ways to live

0:36:36 > 0:36:39# Six million ways to live lavish

0:36:39 > 0:36:41# Yawn for the misery of mathematic

0:36:41 > 0:36:44# From the six million ways to live

0:36:44 > 0:36:46# Six million ways to live... #

0:36:50 > 0:36:51Ma!

0:36:51 > 0:36:52- Help! Help! - Ma!

0:36:52 > 0:36:55- Ma! Ma! Ma! - Somebody help!

0:36:55 > 0:36:58Ma, please! It's me! Ma, it's me! It's me!

0:36:58 > 0:37:00Jakey?

0:37:00 > 0:37:02Yeah, yeah. You gonna break my arm.

0:37:03 > 0:37:05Well, what are you doing in the dark?

0:37:05 > 0:37:07Some people are looking for me.

0:37:07 > 0:37:09What did you do?

0:37:09 > 0:37:10What did you do?!

0:37:10 > 0:37:12I didn't do nothin'! I didn't do nothin'!

0:37:12 > 0:37:15It's not what you think. It's not the police.

0:37:15 > 0:37:17It's way too hard to explain.

0:37:17 > 0:37:20Look at this.

0:37:21 > 0:37:24Eight foster kids I've taken into my house over the years,

0:37:24 > 0:37:27and all of them made something of themselves,

0:37:27 > 0:37:29and not one of them had your potential!

0:37:29 > 0:37:30Oh, come on, Ma!

0:37:30 > 0:37:33Sellin', scramblin' and hustlin'.

0:37:33 > 0:37:36Ma, did you know I had a brother?

0:37:36 > 0:37:40Oh, stop talking crazy. You had lots of brothers.

0:37:40 > 0:37:44How's that nice girl I met last Christmas?

0:37:44 > 0:37:46She left me.

0:37:46 > 0:37:48Hand me that umbrella so I can hit you again.

0:37:48 > 0:37:50You know, Ma, maybe it wasn't my fault.

0:37:50 > 0:37:52You need money?

0:37:52 > 0:37:54No.

0:37:54 > 0:37:55Yeah. Yeah.

0:37:55 > 0:37:57Yeah, I need money.

0:37:57 > 0:38:00How much do you need?

0:38:00 > 0:38:02I won 250 at bingo.

0:38:08 > 0:38:11It's just for a little while. I'll pay you back.

0:38:11 > 0:38:13I know.

0:38:13 > 0:38:15Want something to eat?

0:38:15 > 0:38:18You know what? I really gotta go.

0:38:21 > 0:38:24I'm never giving up on you, Jakey.

0:38:24 > 0:38:29You're going to do something to make me very proud one day.

0:38:29 > 0:38:33I know it.

0:38:46 > 0:38:49I owe you an apology.

0:38:49 > 0:38:52You hear me?

0:38:52 > 0:38:54I was just wondering

0:38:54 > 0:38:55how many of your people are listening in.

0:38:55 > 0:38:59No, we're alone. No cameras, no wires.

0:38:59 > 0:39:00Just me.

0:39:00 > 0:39:02You got the floor.

0:39:02 > 0:39:04Your brother was assassinated.

0:39:04 > 0:39:07By the same guys who came after me, right?

0:39:07 > 0:39:09I guess so. Doing the same job as you.

0:39:09 > 0:39:11Which is what?

0:39:11 > 0:39:13Your brother, as Michael Turner,

0:39:13 > 0:39:16was helping me buy something off the black market.

0:39:16 > 0:39:19What? Cuban cigars? PlayStation 3? What?

0:39:19 > 0:39:21I can't tell you if you're not coming back in with us.

0:39:21 > 0:39:23I'm not comin' back in if you ain't telling me.

0:39:23 > 0:39:26Your brother died saving my life. Did you know that?

0:39:26 > 0:39:29Wish it had been otherwise, but that's the way it is.

0:39:29 > 0:39:31How are his parents taking it?

0:39:37 > 0:39:38You didn't tell his parents?

0:39:38 > 0:39:40No. That's the way we want it.

0:39:40 > 0:39:44How would you feel if you died, and nobody told your wife?

0:39:44 > 0:39:46I'm not married.

0:39:46 > 0:39:48What, there's no Mrs Spy?

0:39:48 > 0:39:49Not any more.

0:39:49 > 0:39:51Relationships and attachments are useless in this business.

0:39:51 > 0:39:53So that's how this job is.

0:39:53 > 0:39:54Even if they don't shoot you, they take your life.

0:39:54 > 0:39:57I know it sounds hokey, but I honestly believe

0:39:57 > 0:39:59our lives are about something bigger than ourselves,

0:39:59 > 0:40:02and I'm offering you a chance to commit yourself to something.

0:40:02 > 0:40:03You ain't offering me nothin'

0:40:03 > 0:40:05but a chance at getting a bullet in my ass.

0:40:05 > 0:40:07I don't see the higher meaning in that.

0:40:07 > 0:40:10Tell you what I'm gonna do.

0:40:10 > 0:40:11- Thank you. - No problem.

0:40:11 > 0:40:12I'll go outside and sit in the car

0:40:12 > 0:40:14and I'll count to 10. If you want to join me, fine.

0:40:14 > 0:40:17If not, I'll tell the agency I couldn't find you.

0:40:17 > 0:40:20We can't pull this job off without you.

0:40:20 > 0:40:22We need you.

0:40:25 > 0:40:27Think about it.

0:40:38 > 0:40:41HE SIGHS

0:40:45 > 0:40:47Oh, well.

0:40:47 > 0:40:49That didn't work, did it?

0:40:49 > 0:40:53No. "I'm gonna go outside and count to ten"?

0:40:53 > 0:40:55Who the hell are you?

0:40:55 > 0:40:58You'd have done better with, "Bitch, get in the car."

0:40:58 > 0:41:01HE MUTTERS TO HIMSELF

0:41:01 > 0:41:04OK. Get in the car...

0:41:04 > 0:41:05bitch.

0:41:07 > 0:41:09This is the man who tried to kill you.

0:41:09 > 0:41:13We now know that he's a member of a multi-national terrorist organisation led by this man.

0:41:13 > 0:41:15Meet the man who killed your brother -

0:41:15 > 0:41:16Dragan Adjanic.

0:41:16 > 0:41:19He's wanted by the Hague for terrorist crimes

0:41:19 > 0:41:21against humanity, so he's a fugitive

0:41:21 > 0:41:24everywhere in the world, including his own country.

0:41:24 > 0:41:26He calls his movement "The Black Hand."

0:41:26 > 0:41:28His members take a death pledge,

0:41:28 > 0:41:30becoming suicide soldiers to further their cause.

0:41:30 > 0:41:33Last year, the FBI caught four of his men

0:41:33 > 0:41:35in a Washington DC motel

0:41:35 > 0:41:39with enough urea nitrate to level the Capitol building.

0:41:39 > 0:41:41He doesn't like America, and he doesn't like you.

0:41:41 > 0:41:42Wait a minute. What did I do?

0:41:42 > 0:41:44He's your rival buyer.

0:41:44 > 0:41:45For the item that this man has to sell.

0:41:45 > 0:41:47Now, this is Adrik Vas.

0:41:47 > 0:41:50He's a Russian ex-army colonel, kingpin in the Russian mafia.

0:41:50 > 0:41:54He's up to his neck in prostitution, drugs and extortion.

0:41:54 > 0:41:56Sounds like anybody I went to high school with!

0:41:56 > 0:41:58This is Vas's right-hand man.

0:41:58 > 0:41:59His name is Michelle Petrov,

0:41:59 > 0:42:01otherwise known as "The Hammer."

0:42:01 > 0:42:04Remember these faces, because you're going to be seeing them soon.

0:42:04 > 0:42:06Why do they call this guy "The Hammer?"

0:42:07 > 0:42:09Whoa! Ooh.

0:42:10 > 0:42:12MUFFLED YELLING

0:42:18 > 0:42:19MUFFLED YELLING

0:42:19 > 0:42:20Aah!

0:42:21 > 0:42:23What?!

0:42:23 > 0:42:25Good evening. Isn't this fun?

0:42:25 > 0:42:27This is an exercise known as King's Game.

0:42:27 > 0:42:29It's meant to test your awareness.

0:42:29 > 0:42:31What can you tell me about your attackers?

0:42:31 > 0:42:32They woke me up. Look, man,

0:42:32 > 0:42:34if you want me to spy, I'm gonna need my rest.

0:42:34 > 0:42:35How many were there?

0:42:35 > 0:42:37Didn't I just say they woke me up?!

0:42:37 > 0:42:38That's the weird thing about an ambush.

0:42:38 > 0:42:40Next time we'll try and warn you(!)

0:42:40 > 0:42:42Do you understand what happened to you just now?

0:42:42 > 0:42:43Yeah. I was jacked!

0:42:43 > 0:42:46No, you panicked. When you thought you were in danger,

0:42:46 > 0:42:47your brain shut down.

0:42:47 > 0:42:49So what's the point of having a good brain

0:42:49 > 0:42:50if you can't keep it operating?

0:42:50 > 0:42:52My brain didn't shut down.

0:42:52 > 0:42:55I knew it was Swanson cos I could feel her tits on my back.

0:42:55 > 0:42:59I knew it was Carew cos his breath smelled like shit.

0:42:59 > 0:43:01Probably from kissing your ass so much.

0:43:01 > 0:43:04I knew it was Seale because I took his wallet.

0:43:04 > 0:43:07Hey, Seale, why's a married man need a condom? Your wife know?

0:43:09 > 0:43:10You want to know how I knew it was you?

0:43:10 > 0:43:12OK, thank you. Game's over. Good night.

0:43:12 > 0:43:16Oh, where you going? You gonna leave like that? Come back!

0:43:16 > 0:43:19Y'all got me up! Let's do something!

0:43:19 > 0:43:21Let's hit a club or something.

0:43:28 > 0:43:30Based on our intelligence projections,

0:43:30 > 0:43:33and the text manual provided by agent Pope,

0:43:33 > 0:43:35this is a mock-up of what you'll be buying.

0:43:35 > 0:43:36Does it play DVDs?

0:43:36 > 0:43:37It's a portable thermonuclear weapon.

0:43:37 > 0:43:39So that's a bomb?

0:43:39 > 0:43:40It's a reproduction.

0:43:40 > 0:43:42Last year, a Russian suitcase bomb

0:43:42 > 0:43:44was stolen from a dismantling facility in the Ural mountains.

0:43:44 > 0:43:47Your brother tracked it down, we need you to recover it.

0:43:47 > 0:43:48Two things you're gonna have to do...

0:43:48 > 0:43:51Would one of them be shittin' in my pants?

0:44:15 > 0:44:16Welcome to Prague.

0:44:16 > 0:44:18Looks like Newark.

0:44:38 > 0:44:39Welcome back to the hotel, Mr Turner.

0:44:39 > 0:44:40Thank you.

0:44:40 > 0:44:43Mr Turner. So glad to have you back, sir.

0:44:43 > 0:44:44Thank you, Lepenka.

0:44:44 > 0:44:46Hope you haven't given out my room.

0:44:46 > 0:44:48Certainly not, sir.

0:44:49 > 0:44:51This is beautiful.

0:44:51 > 0:44:52Her name is Lenka.

0:44:52 > 0:44:55You just called her "Lepenka,"

0:44:55 > 0:44:58which means "cardboard."

0:45:22 > 0:45:27Whoa, whoa, whoa. Oh, ho-ho, ho!

0:45:27 > 0:45:29Man, it's gonna be hard to go back to Jersey.

0:45:29 > 0:45:31We'll be in the suite across the hall

0:45:31 > 0:45:35with full video and audio surveillance of this room.

0:45:35 > 0:45:36All right, now, when I go to the bathroom,

0:45:36 > 0:45:38press the pause button.

0:45:38 > 0:45:40Just stay in the room. You've got nothing to worry about.

0:45:40 > 0:45:44Except for my little date with a nuclear bomb.

0:45:44 > 0:45:47OK, this is our lifeline. Our only link to Adrik Vas.

0:45:47 > 0:45:48Nothing happens till he calls,

0:45:48 > 0:45:50don't let it out of your sight,

0:45:50 > 0:45:54and remember, from now on, there's no Jake, there's no Kevin,

0:45:54 > 0:45:56only Michael Turner.

0:45:56 > 0:45:58Well...

0:45:58 > 0:46:01I think I'm gonna like being Michael Turner.

0:46:04 > 0:46:07# Pretty woman... #

0:46:07 > 0:46:09Think maybe you want to take a look at this.

0:46:09 > 0:46:12OK, what the hell's he up to now?

0:46:12 > 0:46:14# Pretty woman... #

0:46:14 > 0:46:16WOMEN GIGGLING

0:46:16 > 0:46:18SONG CONTINUES IN CZECH

0:46:23 > 0:46:24Hey!

0:46:24 > 0:46:26Fish egg?

0:46:26 > 0:46:27WOMEN LAUGH

0:46:27 > 0:46:31Beluga, sir. It's 12,000 crowns an ounce.

0:46:31 > 0:46:32Party's over.

0:46:32 > 0:46:34Naw, the party just started.

0:46:34 > 0:46:37Soon as y'all leave, I'm gonna have my ass buffed.

0:46:37 > 0:46:38WOMEN LAUGH

0:46:38 > 0:46:42Hey! This little piggy go to market...

0:46:42 > 0:46:43Put my initials on the big toe.

0:46:43 > 0:46:45People need to know whose feet this is.

0:46:45 > 0:46:47MOBILE PHONE RINGS

0:46:47 > 0:46:50- That's Vas. Where's the cell phone? - Phone, phone, phone...

0:46:50 > 0:46:53RINGING

0:46:53 > 0:46:54Thank you.

0:46:54 > 0:46:55GIGGLING

0:46:55 > 0:46:58Shhh!

0:46:58 > 0:47:00Hello?

0:47:01 > 0:47:03Yeah, we'll be there.

0:47:05 > 0:47:08It's Vas. The deal's on in an hour.

0:47:08 > 0:47:09Now your eye.

0:47:10 > 0:47:12Look right into the computer screen.

0:47:12 > 0:47:15Blink for confirmation.

0:47:15 > 0:47:16OK, that's it.

0:47:16 > 0:47:17All right. From this point on,

0:47:17 > 0:47:20only you will be able to access your computer.

0:47:20 > 0:47:23It won't operate without your retinal signature,

0:47:23 > 0:47:26your eyes, so when they show you the bomb,

0:47:26 > 0:47:29connect your laptop, determine if the bomb is the real thing,

0:47:29 > 0:47:31and take enough time doing it

0:47:31 > 0:47:33so Wells can download their arming codes,

0:47:33 > 0:47:38and hopefully, their disarming codes, into our computer.

0:47:38 > 0:47:40Good luck, Mr Hayes.

0:47:44 > 0:47:45We have visual.

0:47:49 > 0:47:50You'll do fine.

0:47:50 > 0:47:53Everyone's nervous the first day of school.

0:47:53 > 0:47:55I always cut the first day of school.

0:47:55 > 0:47:57Don't worry.

0:47:57 > 0:47:58You're covered from every angle.

0:48:06 > 0:48:07I can't wait to meet "The Hammer."

0:48:14 > 0:48:17Oh, these guys must be "The Toolbox."

0:48:18 > 0:48:19Should we move in, sir?

0:48:19 > 0:48:21No. Not until we're sure they brought the bomb.

0:48:21 > 0:48:22There's too much at stake.

0:48:24 > 0:48:27Nice coat.

0:48:43 > 0:48:46Gentlemen, are we going to do business or aren't we?

0:48:46 > 0:48:48Depends, Michael.

0:48:48 > 0:48:51Where have you been for the last nine days?

0:48:51 > 0:48:52I don't believe that concerns you.

0:48:52 > 0:48:54On the contrary. It concerns me very much.

0:48:54 > 0:48:59We make a deal, you disappear. Doesn't look good, my friend.

0:48:59 > 0:49:02Heads up, McCain. Be advised targets are armed.

0:49:02 > 0:49:04Maintain your positions.

0:49:04 > 0:49:06Everyone maintain your position.

0:49:06 > 0:49:08Copy that, sir.

0:49:12 > 0:49:13Do we have a problem?

0:49:13 > 0:49:17I don't know. You tell me. Do we have a problem?

0:49:21 > 0:49:23Do we?

0:49:27 > 0:49:31Give me the cell phone I gave you earlier.

0:49:31 > 0:49:34Don't worry. I only made collect calls.

0:49:34 > 0:49:36Look, I don't know what this is about, but..

0:49:36 > 0:49:40No, you don't, so shut up. Neither does Mr Turner.

0:49:40 > 0:49:44You see, this cell phone has a global positioning system.

0:49:44 > 0:49:49It'll tell me exactly where you've been the last nine days. Fantastic, eh?

0:49:50 > 0:49:53Well, haven't you been busy?

0:49:53 > 0:50:01You get around. Berlin, Rome, Zurich.

0:50:01 > 0:50:03And not one decent treasure to show for it.

0:50:06 > 0:50:07Now, where's the money?

0:50:07 > 0:50:09Where's the product?

0:50:09 > 0:50:10Nearby.

0:50:10 > 0:50:12So, how do we do this?

0:50:12 > 0:50:16I'm gonna call you on this cell phone,

0:50:16 > 0:50:18then you have one hour to get the money, Michael.

0:50:18 > 0:50:20Then I'll call you again

0:50:20 > 0:50:21and tell you where to bring it to.

0:50:21 > 0:50:22You understand?

0:50:22 > 0:50:24I'm gonna have to run some tests,

0:50:24 > 0:50:26so make sure you bring authentic merchandise.

0:50:26 > 0:50:28Fair enough.

0:50:28 > 0:50:31I wouldn't buy a car without checking under the hood. Ha!

0:50:31 > 0:50:33Are we agreed?

0:50:33 > 0:50:34Yes.

0:50:34 > 0:50:36No.

0:50:36 > 0:50:38We're not bringing money anywhere.

0:50:39 > 0:50:40No?

0:50:40 > 0:50:42I'll have someone transfer the remaining 19 million

0:50:42 > 0:50:45when Mr Turner tells us we have a viable device.

0:50:45 > 0:50:47It'll be done by computer.

0:50:47 > 0:50:49One of my men will be standing by at this address.

0:50:49 > 0:50:52You will send one of your brain trusts

0:50:52 > 0:50:55to verify the money's in your account, and that's it.

0:50:55 > 0:50:56Give you a hostage?

0:50:56 > 0:50:57Yeah, and you get one.

0:50:57 > 0:51:00We'll call it a security deposit which neither of us will get back

0:51:00 > 0:51:02if we screw up, or if we leave a mess.

0:51:02 > 0:51:03It's that simple.

0:51:03 > 0:51:05Now we have an agreement, I think.

0:51:05 > 0:51:09Agreed.

0:51:10 > 0:51:13Don't you go disappearing on me again, Michael.

0:51:22 > 0:51:25Hey, you did real well, Mr Hayes.

0:51:25 > 0:51:27You knew they wouldn't bring it, right?

0:51:27 > 0:51:28Uh-huh.

0:51:28 > 0:51:29Standard procedure.

0:51:29 > 0:51:33Guys like him won't risk getting screwed on the first date.

0:51:33 > 0:51:35What if you hadn't changed the chip in the phone?

0:51:35 > 0:51:38Well, it would have told him that the phone had already

0:51:38 > 0:51:40travelled to CIA headquarters in Langley,

0:51:40 > 0:51:42and they'd have shot both of us in the heads.

0:51:42 > 0:51:44I'm hungry. How about you?

0:51:44 > 0:51:45I think I'm gonna pass.

0:51:45 > 0:51:47Then good night.

0:51:54 > 0:51:56SHOWER RUNS

0:52:01 > 0:52:04# Even if I

0:52:04 > 0:52:08# Forget why

0:52:08 > 0:52:10# You'll always give me

0:52:10 > 0:52:13# Another reason

0:52:13 > 0:52:17# This is no empty promise

0:52:17 > 0:52:21# I can depend upon it

0:52:21 > 0:52:25# You'll always love me like that... #

0:52:25 > 0:52:27Oh! Michael!

0:52:28 > 0:52:31Hi!

0:52:31 > 0:52:33This place comes with everything, huh?

0:52:33 > 0:52:36Could you, er, get me a towel?

0:52:41 > 0:52:44Very funny. Ahem.

0:52:45 > 0:52:48I knew you'd be surprised.

0:52:48 > 0:52:50I didn't think you'd be shocked.

0:52:50 > 0:52:52Aw!

0:52:52 > 0:52:53Hey, you want some room service?

0:52:53 > 0:52:56No. I'd like a good stiff drink.

0:52:56 > 0:52:59Oh, shit, it's Nicole.

0:52:59 > 0:53:00What?

0:53:02 > 0:53:04This isn't exactly the welcome I expected.

0:53:04 > 0:53:05Wassup?

0:53:05 > 0:53:07Honey, I made dinner reservations

0:53:07 > 0:53:09at our favourite place.

0:53:09 > 0:53:11I love that place.

0:53:11 > 0:53:12Honey, aren't you happy to see me?

0:53:12 > 0:53:15- Yeah.- Good.- Aah.- Mm.

0:53:15 > 0:53:18KNOCK ON DOOR Uh, I gotta get that.

0:53:18 > 0:53:20I'll be right back.

0:53:25 > 0:53:26How are you doing?

0:53:26 > 0:53:27Well, you see how I'm doing!

0:53:27 > 0:53:29Yeah. We have a problem.

0:53:29 > 0:53:30Yeah. You know, where I'm from

0:53:30 > 0:53:32people pay a lot of money for problems like that.

0:53:32 > 0:53:33That's Nicole. That's, er, Kevin's...

0:53:33 > 0:53:35I mean Michael's girlfriend.

0:53:35 > 0:53:36She works for CNN in Europe.

0:53:36 > 0:53:38So how come didn't you tell me Michael had a girlfriend?

0:53:38 > 0:53:40Well, they broke up several weeks ago.

0:53:40 > 0:53:42They had a fight, and she walked out.

0:53:42 > 0:53:43Well, it looks like she forgave him.

0:53:43 > 0:53:45What the hell did he fight with her fine ass for?

0:53:45 > 0:53:49Well, apparently he had intimacy problems.

0:53:49 > 0:53:52He was distant, some kind of psychotherapy crap.

0:53:52 > 0:53:54Anyway, she went off to cover the Balkans.

0:53:54 > 0:53:55OK, so what do you want me to do?

0:53:55 > 0:53:56Take her to dinner.

0:53:56 > 0:53:58She's CNN.

0:53:58 > 0:54:01If you handle this badly, she could blow your cover. OK?

0:54:01 > 0:54:03- OK.- Good.

0:54:03 > 0:54:04...cheat. Just...

0:54:04 > 0:54:06don't cheat...

0:54:06 > 0:54:07just...don't cheat...

0:54:07 > 0:54:09just...don't cheat...

0:54:09 > 0:54:10just say...

0:54:10 > 0:54:12That was Jehovah's witnesses!

0:54:12 > 0:54:13Just...

0:54:13 > 0:54:14Michael...

0:54:14 > 0:54:16I hope you're hungry, baby.

0:54:16 > 0:54:18# She's willin' to share

0:54:18 > 0:54:20# We hoppin' in the whip and we leavin' here so

0:54:20 > 0:54:22# Somebody turn the music up...#

0:54:22 > 0:54:25Yeah, I just gotta go brush my teeth.

0:54:25 > 0:54:28# Everybody come on knock it up tonight

0:54:28 > 0:54:29# One of these ladies... #

0:54:29 > 0:54:31Ohhh!

0:54:35 > 0:54:37- ANSWER MACHINE:- 'Hey! You've reached the residence

0:54:37 > 0:54:41'of Pam, Marvin, Julie, and the kids. Leave a message.'

0:54:41 > 0:54:43'Julie, it's Jake. Are you there?'

0:54:43 > 0:54:46OK, if you haven't left yet, please wait for me.

0:54:46 > 0:54:48Please, please.

0:54:48 > 0:54:49I got a new job.

0:54:49 > 0:54:51'It's totally legit.

0:54:51 > 0:54:53'And I've changed.

0:54:53 > 0:54:54'I've totally changed.

0:54:54 > 0:54:56'I'm a new man.'

0:54:56 > 0:54:57I'm the man who loves you.

0:54:57 > 0:54:59I love you. I love you so much.

0:54:59 > 0:55:02I didn't even know how much I loved you till two minutes ago.

0:55:02 > 0:55:04- It's Jake. - 'Honey, I am ready to do anything...'

0:55:04 > 0:55:05- Julie!- I love him!

0:55:05 > 0:55:07- No, you don't! - '...big sacrifices.'

0:55:07 > 0:55:09Honey, what's taking you so long?

0:55:09 > 0:55:12Big sacrifices.

0:55:12 > 0:55:15'Please wait for me. Please wait for me.'

0:55:17 > 0:55:19Jake, I heard you. I heard every word, baby.

0:55:19 > 0:55:21I'm not going anywhere. I'll be right here.

0:55:21 > 0:55:23I love you so much!

0:55:23 > 0:55:25- RECORDED TONE - Jake?

0:55:25 > 0:55:27- RECORDING:- 'If you'd like to make a call... - Jake? Hello! Jake!

0:55:27 > 0:55:29'..and try again.

0:55:29 > 0:55:31'If you'd like to make a call...'

0:55:37 > 0:55:40# I need to find a place

0:55:40 > 0:55:42# A higher space... #

0:55:42 > 0:55:43Thank you.

0:55:43 > 0:55:46# ..Where I can get over you

0:55:46 > 0:55:48# Cos you were so far away...#

0:55:48 > 0:55:49So are you gonna make me grovel?

0:55:49 > 0:55:52No, not unless you want to.

0:55:54 > 0:55:55Is this fish?

0:55:55 > 0:55:57Yeah, of course. You love fish.

0:55:57 > 0:55:58Uh, that's right. I love fish,

0:55:58 > 0:56:00but that's before I became a vegetarian.

0:56:00 > 0:56:02Oh, waiter, waiter.

0:56:02 > 0:56:04Uh, I can't eat this.

0:56:04 > 0:56:05Can you get me something else?

0:56:05 > 0:56:07How about a steak, medium well?

0:56:07 > 0:56:08- Please? - Of course, sir.

0:56:08 > 0:56:09Ah, thanks a lot.

0:56:09 > 0:56:11I thought you were a vegetarian.

0:56:11 > 0:56:14Vegetarian? I'll eat a pig's ass if they cook it right!

0:56:15 > 0:56:19But enough about me. How about those Balkans?

0:56:21 > 0:56:23I missed you, Michael.

0:56:25 > 0:56:27I'm sorry I left.

0:56:27 > 0:56:30# I feel alone

0:56:30 > 0:56:32# Gone, run from me

0:56:32 > 0:56:35# I tried to tell myself... #

0:56:35 > 0:56:36What's the matter?

0:56:36 > 0:56:39There's somebody else.

0:56:39 > 0:56:43There is? Hmm. When did that happen?

0:56:43 > 0:56:45Right after you left.

0:56:45 > 0:56:46I left you two weeks ago.

0:56:49 > 0:56:51I mean, er...

0:56:51 > 0:56:54Did you meet her here in Prague?

0:56:54 > 0:56:57No, in Jersey.

0:56:57 > 0:56:58New Jersey?

0:56:58 > 0:57:00Yeah, I was in New York,

0:57:00 > 0:57:01and Jersey's right next to New York,

0:57:01 > 0:57:03and I just took a little day trip.

0:57:03 > 0:57:05Who is she? What does she do?

0:57:05 > 0:57:11Well, she's a nurse's aide at, er, Saint Sebastian's hospital.

0:57:11 > 0:57:12Her name's Julie. She's got curly hair.

0:57:12 > 0:57:14- LAUGHING:- I get it.

0:57:14 > 0:57:17You want me to jump through a couple of hoops

0:57:17 > 0:57:21before you take me back. OK. I have it comin'.

0:57:24 > 0:57:26# It's killing me... #

0:57:26 > 0:57:29But I'm willing to work for it.

0:57:29 > 0:57:31# Oh-oh-oh

0:57:31 > 0:57:35# You're not here with me

0:57:35 > 0:57:40# Ooh-ooh-ooh, so far away

0:57:40 > 0:57:42# Baby

0:57:42 > 0:57:44# I-I-I... #

0:57:44 > 0:57:47Ah-ah-ah!

0:57:47 > 0:57:48Nicole!

0:57:48 > 0:57:50You hurt me really bad.

0:57:50 > 0:57:53And I can't just let you yo-yo with my heart, OK?

0:57:53 > 0:57:56You hurt me, and I'm never gonna let it happen again!

0:57:56 > 0:57:58Love don't live here any more!

0:57:58 > 0:58:01Michael, I've never seen you like this.

0:58:01 > 0:58:05So...open.

0:58:05 > 0:58:08So...

0:58:08 > 0:58:10So in touch with your feelings.

0:58:15 > 0:58:17Like you could really be in love

0:58:17 > 0:58:19with a nurse from New Jersey!

0:58:25 > 0:58:27You're just much more...

0:58:27 > 0:58:32Mmm...warm and, and, and vulnerable, and... and funny!

0:58:32 > 0:58:33Is that like...

0:58:33 > 0:58:35You didn't used to be funny before.

0:58:35 > 0:58:37That's funny "ha ha" funny

0:58:37 > 0:58:39or funny "This milk tastes funny" funny?

0:58:39 > 0:58:41See? That's funny!

0:58:41 > 0:58:43Mmm...

0:58:47 > 0:58:49You're not Michael Turner.

0:58:49 > 0:58:50Uh-oh.

0:58:57 > 0:58:58Jake and Nicole are back.

0:58:58 > 0:59:00Yeah, and they've got company.

0:59:00 > 0:59:04OK, let's join the party.

0:59:04 > 0:59:05I'm Michael.

0:59:05 > 0:59:08I don't know who you think you are, but you're not Michael Turner.

0:59:08 > 0:59:09You gotta believe me. I'm Michael.

0:59:09 > 0:59:12- You're not Michael. - I'm Michael.

0:59:12 > 0:59:13Aah!

0:59:13 > 0:59:15- Aah! - Come on!

0:59:17 > 0:59:19Who's shooting at us?

0:59:19 > 0:59:20Rival antique dealers!

0:59:27 > 0:59:28Oh!

0:59:28 > 0:59:29Ah! Ah!

0:59:45 > 0:59:47Down here.

0:59:47 > 0:59:49I'm sorry I haven't been totally honest with you.

0:59:49 > 0:59:50So you're not Michael!

0:59:50 > 0:59:52Well, we have the same DNA,

0:59:52 > 0:59:54which makes us kinda the same person.

1:00:03 > 1:00:06Come on. In here!

1:00:08 > 1:00:10- Come on, get down. - What is this?

1:00:10 > 1:00:11Come on, come on.

1:00:11 > 1:00:14This a laundry chute? Eww, it smells in here.

1:00:14 > 1:00:17It's just dirty drawers. Shh.

1:00:17 > 1:00:19Quiet. Shh.

1:00:19 > 1:00:21Don't you try to play footsie with me.

1:00:21 > 1:00:22Shh.

1:01:16 > 1:01:20MOBILE PHONE RINGS

1:01:22 > 1:01:23Will you shut that off?

1:01:23 > 1:01:26With what? My ass? Reach in my pants.

1:01:26 > 1:01:28Hell, no!

1:01:28 > 1:01:29You've reached in my brother's pants!

1:01:29 > 1:01:31PHONE CONTINUES TO RING

1:01:31 > 1:01:33God!

1:01:34 > 1:01:37Uh...hello?

1:01:37 > 1:01:38- VAS:- 'Mr Turner.'

1:01:38 > 1:01:41Vas. You caught me at a real bad time.

1:01:46 > 1:01:48What are you doing? Just hang up.

1:01:48 > 1:01:50Would you shut the hell up?

1:01:50 > 1:01:52- No, you shut up! - Don't start!

1:01:52 > 1:01:54- Can I call you back? VAS:- 'Don't bother.

1:01:54 > 1:01:57'The Olsany cemetery. Two hours.'

1:01:57 > 1:01:58Shit!

1:02:08 > 1:02:10(There's people comin'. (There's people comin'.)

1:02:16 > 1:02:18(Quiet.)

1:02:27 > 1:02:29Aah!

1:02:29 > 1:02:30Ah-oh!

1:02:32 > 1:02:33Aah! Aah!

1:02:33 > 1:02:35GUNSHOT

1:02:35 > 1:02:38JAKE AND NICOLE SCREAM

1:02:40 > 1:02:42- Aah! - Aah!

1:02:49 > 1:02:56- Aah! - Aah!

1:02:56 > 1:03:00- Ah-ah-ah! - Ah!- Oh!

1:03:03 > 1:03:05I knew I couldn't trust Michael!

1:03:05 > 1:03:08Always so secretive. Just downright sneaky.

1:03:08 > 1:03:10Never even told me that he had a brother.

1:03:10 > 1:03:13Some investigative reporter I am, huh?

1:03:13 > 1:03:16This antique dealing stuff, this is just a front, right?

1:03:16 > 1:03:18You're drug dealers.

1:03:18 > 1:03:20You're not even denying it.

1:03:20 > 1:03:23I'm going back to the Balkans where I'm safe.

1:03:23 > 1:03:26- See, I told you I'd handle it. - Very smooth.

1:03:30 > 1:03:33Sir, those were Dragan Adjanic's men. All dead.

1:03:33 > 1:03:37Well, obviously, HE thinks you're still alive.

1:03:38 > 1:03:40Uh, by the way...

1:03:40 > 1:03:43Vas called. We're on in two hours.

1:03:45 > 1:03:47Olsany Cemetery.

1:03:47 > 1:03:49As we speak, our field operatives

1:03:49 > 1:03:51are staking out their perimeter positions.

1:03:51 > 1:03:52They'll be with you all the way.

1:03:52 > 1:03:55So will we. Officer Wells has installed

1:03:55 > 1:03:57a G4 satellite tracking device to your vehicle.

1:03:57 > 1:03:58Unfortunately, that's all we can manage safely.

1:03:58 > 1:04:01Vas'll be more worried about wire taps than weapons.

1:04:01 > 1:04:04You can expect him to check both your car and you.

1:04:04 > 1:04:06Seale is on his way to the money transfer site.

1:04:06 > 1:04:08We want you to connect the bomb to the computer

1:04:08 > 1:04:11and begin the verification process as soon as possible.

1:04:11 > 1:04:14Most importantly, once you've connected the bomb,

1:04:14 > 1:04:15a signal will be established via satellite

1:04:15 > 1:04:17between your computer and Wells's here,

1:04:17 > 1:04:20who'll steal the arming codes while you check the bomb.

1:04:20 > 1:04:22So if they don't have the codes, they can't detonate the bomb.

1:04:22 > 1:04:23Right, but you may have to stall.

1:04:23 > 1:04:25You may need to buy them some time.

1:04:25 > 1:04:27You'll hear three short tones when the process is completed.

1:04:27 > 1:04:30BEEP-BEEP-BEEP

1:04:30 > 1:04:32Once you've heard the tones, you're satisfied the bomb is real,

1:04:32 > 1:04:34Vas will give me the account number,

1:04:34 > 1:04:37I call Seale and authorise the transfer of money.

1:04:37 > 1:04:38As soon as I get the word from Seale,

1:04:38 > 1:04:40I'll provide confirmation of the transfer

1:04:40 > 1:04:43of the 19 million from the Midlands National Bank

1:04:43 > 1:04:44in Grand Cayman.

1:04:44 > 1:04:46You're gonna give this guy 19 million?!

1:04:46 > 1:04:49I thought you was my man! 19 million?!

1:04:49 > 1:04:51It's all digital dollars. Ones and zeros, man.

1:04:51 > 1:04:53See, we issue a wire transfer,

1:04:53 > 1:04:56the receiving bank syncs out a GFX authorisation sequence,

1:04:56 > 1:04:58verifying the funds are available.

1:04:58 > 1:05:01It'll take his bank 48 hours to realise the money doesn't exist.

1:05:01 > 1:05:03If the shit hits the fan, you got that watch.

1:05:03 > 1:05:07Ooh! Then I'll know what time it is when the shit hits the fan!

1:05:07 > 1:05:08Oh, what's this?

1:05:08 > 1:05:09SIREN BLARES

1:05:09 > 1:05:12Hey, hey! Somebody just walked out with a sweater!

1:05:12 > 1:05:13That's a panic button.

1:05:13 > 1:05:16You press that, and the cavalry comes in.

1:05:16 > 1:05:18There are a lot of people counting on you, Mr Hayes.

1:05:20 > 1:05:22- OAKES:- This is Olsany Cemetery.

1:05:22 > 1:05:25Almost two million people are buried here.

1:05:25 > 1:05:27JAKE: You think Vas is trying to tell us something?

1:05:27 > 1:05:30- Mm-hmm. - MOBILE PHONE RINGS

1:05:30 > 1:05:33Yes. (It's Vas.)

1:05:33 > 1:05:35Yes, he's with me.

1:05:35 > 1:05:38Grafika Road East.

1:05:38 > 1:05:40Grafika Road East, people.

1:05:52 > 1:05:54- Is that one of ours? - It's one of theirs.

1:05:54 > 1:05:58Why does he have someone following us if he's the one who's telling us where we're going?

1:05:58 > 1:06:01He's following us to make sure no-one else is following us.

1:06:01 > 1:06:02But someone is.

1:06:02 > 1:06:04That's what makes it so much fun!

1:06:05 > 1:06:08They're headed for open country. Make sure they don't get too close.

1:06:08 > 1:06:09Dog one, this is Carolina.

1:06:09 > 1:06:11Be advised we're on a loose leash.

1:06:11 > 1:06:13SWANSON: Roger that, Carolina.

1:06:19 > 1:06:21Here's Mr Smiley.

1:06:22 > 1:06:27Get out of the car. Your coats, please.

1:06:27 > 1:06:28Thank you.

1:06:28 > 1:06:30BEEPING

1:06:34 > 1:06:36BEEPING

1:06:36 > 1:06:38Hmm. You must be very trusting people

1:06:38 > 1:06:41to come out here all alone, unarmed.

1:06:41 > 1:06:43What makes you think we're alone?

1:06:43 > 1:06:45Ah. Straight ahead.

1:07:08 > 1:07:10Parish, McCain, come in.

1:07:10 > 1:07:12OK. We're in position.

1:07:12 > 1:07:15SWANSON: Sir, we're in place outside Chotesov monastery.

1:07:33 > 1:07:37Ah, here they are. My good friend Michael.

1:07:37 > 1:07:43Welcome to my church, where we worship money.

1:07:43 > 1:07:44OK, let's get started.

1:07:44 > 1:07:49You wanted to look under the hood, so look under the hood.

1:08:12 > 1:08:16- We're online. - Let's go to work, people.

1:08:19 > 1:08:24Casing unit, apex mirror.

1:08:25 > 1:08:28Detonating block.

1:08:28 > 1:08:30ALARM SOUNDS

1:08:33 > 1:08:35This is insanity.

1:08:35 > 1:08:39Just one electrical surge, and you'll blow us all to hell.

1:08:39 > 1:08:43Chill, Michelle. I mean, relax. Relax, Michelle.

1:08:43 > 1:08:45Downloading new authentication code.

1:08:45 > 1:08:47MAN REPEATS COMMAND IN CZECH

1:08:47 > 1:08:48117 seconds to completion.

1:08:48 > 1:08:50Now, as soon as I verify

1:08:50 > 1:08:54the uranium deflector is of weapons-grade,

1:08:54 > 1:08:56we can all be on our merry way.

1:08:56 > 1:08:58Uranium deflector?

1:08:58 > 1:09:01This is plutonium reflector.

1:09:01 > 1:09:04Plutonium. That's what I meant. Plutonium.

1:09:31 > 1:09:3260 seconds!

1:09:32 > 1:09:35Sedesat sekund!

1:09:35 > 1:09:37Michael, why is this taking so long time?

1:09:37 > 1:09:40I'm running one last diagnostic test.

1:09:40 > 1:09:41If you stayed on top of things,

1:09:41 > 1:09:45you'd understand that the traditional checks are not 100% fool-proof.

1:09:45 > 1:09:50This last test was designed by the head of nuclear science at Caltech, a...Dr Dre.

1:09:50 > 1:09:53- 30 seconds. - Tricet sekund!

1:09:53 > 1:09:56Dr Dre, along with Dr Irving and Professor Griffin,

1:09:56 > 1:10:00the rest of the Wu Tang Clan, know that it is best,

1:10:00 > 1:10:03when you have a baseline screen situation,

1:10:03 > 1:10:07to achieve a pulsopular cataclysmic calibration

1:10:07 > 1:10:11or something we like to call the Shaq attack.

1:10:11 > 1:10:12Shaq attack?

1:10:12 > 1:10:17Yes, named after Dr O'Neal of Los Angeles, formerly of Orlando.

1:10:17 > 1:10:19All we need are the arming and disarming codes.

1:10:19 > 1:10:22I know, but it's a mess. I'm looking at it and I don't know what's what.

1:10:22 > 1:10:24We'll have to dump it all just to get the two codes.

1:10:24 > 1:10:27I hope he can stall long enough cos there's so much information.

1:10:27 > 1:10:28What we're doing right now,

1:10:28 > 1:10:31can help not only in nuclear energy,

1:10:31 > 1:10:32but also medicine, food...

1:10:32 > 1:10:35BEEP-BEEP-BEEP

1:10:37 > 1:10:41I believe everything is in order.

1:10:45 > 1:10:46Sorry, sir.

1:10:54 > 1:10:56Have the codes been moved to Jake's computer?

1:10:56 > 1:10:59- Yeah.- Let's get him, the bomb, and the computer back here on the double.

1:10:59 > 1:11:03You got the bomb. Now, where is my remaining 19 million?

1:11:07 > 1:11:08Yes, sir.

1:11:08 > 1:11:10Show them the money.

1:11:10 > 1:11:11Copy that.

1:11:20 > 1:11:22Vas's account number received.

1:11:22 > 1:11:28Initiating wire transfer from Midlands National Bank of bullshit.

1:11:33 > 1:11:36Man, is Vas gonna be pissed when he goes to an ATM!

1:11:37 > 1:11:40Fantastic! It's working!

1:11:40 > 1:11:42Ha! Mmm!

1:11:42 > 1:11:45I love it. American and Russians work together again

1:11:45 > 1:11:46with Swiss bank accounts.

1:11:46 > 1:11:51Gentlemen, I hope to see you never again.

1:11:55 > 1:11:59- VAS:- Heh. Dragan Adjanic.

1:11:59 > 1:12:00Know any good prayers?

1:12:00 > 1:12:04You got a lot of nerve, showing your face in my church.

1:12:04 > 1:12:06That's the guy who killed my brother, isn't it?

1:12:06 > 1:12:07Uh-huh.

1:12:07 > 1:12:11Michelle, what the hell is he doing here?

1:12:11 > 1:12:17Michelle, I told you not to deal with him!

1:12:17 > 1:12:19What's happening?

1:12:19 > 1:12:21Very interesting.

1:12:21 > 1:12:23Vas has been double-crossed by his own men.

1:12:23 > 1:12:26Come on, shoot him!

1:12:31 > 1:12:34What time is it, Mr Hayes?

1:12:35 > 1:12:37PANIC ALARM SOUNDS

1:12:37 > 1:12:40Code red. Code red. Everybody move.

1:12:46 > 1:12:47Kill him.

1:13:19 > 1:13:22Here's the computer.

1:13:22 > 1:13:26There's your bloody bomb. Where's my money?

1:13:26 > 1:13:28Triple-cross. Come on!

1:13:38 > 1:13:40Aah!

1:13:55 > 1:13:57Having fun, Mr Hayes?

1:14:19 > 1:14:22Don't shoot the bomb, you fool!

1:14:22 > 1:14:23Don't shoot me, either!

1:14:23 > 1:14:26- Go! Go! Take the bomb! - I'm going! I'm going!

1:14:27 > 1:14:28Unh!

1:14:38 > 1:14:40Yaah!

1:14:54 > 1:14:56You drive!

1:14:56 > 1:14:57Go on!

1:15:00 > 1:15:02Hey, wait for me!

1:15:08 > 1:15:10BEEP-BEEP

1:15:13 > 1:15:14Go on! Go!

1:15:17 > 1:15:19- Faster. - I'm going, I'm going!

1:15:45 > 1:15:47It's a bloodbath, sir. Vas and his men are dead.

1:15:47 > 1:15:51Come on, man! You're James Bond! Shoot the tyres out or something!

1:15:51 > 1:15:54- Can't get close enough! - Well, do something! Throw out some tacks!

1:16:09 > 1:16:13- Well, you've got your wish. - I wish for Jennifer Lopez naked!

1:16:13 > 1:16:15We've looked everywhere. They're just not here.

1:16:15 > 1:16:19I have satellite position on them! I can assure you they're there!

1:16:19 > 1:16:20Wait a minute. Hold on, sir.

1:16:20 > 1:16:21BEEPING

1:16:21 > 1:16:24They lost their tracking device.

1:16:24 > 1:16:26BEEPING

1:16:32 > 1:16:36- Whoa! - What the hell are you doing? - Not smooth enough for your ass?!

1:16:36 > 1:16:39It's not my ass I'm worried about. It's the bomb in the back seat.

1:16:39 > 1:16:40There's a bomb in the back seat!

1:16:40 > 1:16:46- Yeah.- We're gonna die! - Have a little faith, Mr Hayes.

1:16:46 > 1:16:48I'll have a little faith if you give me a little gun!

1:16:48 > 1:16:49GUN CLICKS

1:16:50 > 1:16:52Damn!

1:16:52 > 1:16:55MACHINE GUN FIRES

1:16:55 > 1:16:57Oh! Ohh!

1:17:00 > 1:17:02Whoa!

1:17:02 > 1:17:04Aah!

1:17:06 > 1:17:07Unh! Aah!

1:17:07 > 1:17:09- You OK? - Here they come!

1:17:09 > 1:17:12- Pull back! - Shoot them!

1:17:12 > 1:17:14- I'm out!- Shoot the gun!- Don't have any bullets!- Pull back!

1:17:14 > 1:17:17- What do you mean, you got no bullets?!- Pull back!

1:17:23 > 1:17:25Hit it!

1:17:25 > 1:17:26Hit the son of a bitch!

1:17:26 > 1:17:27Unh!

1:17:27 > 1:17:29Aah!

1:17:29 > 1:17:32Oh! Oh! Unh!

1:17:33 > 1:17:36Get off! Off! Take a bus!

1:17:38 > 1:17:39Aah!

1:17:41 > 1:17:43Whoa!

1:17:47 > 1:17:50- No!- Unh!- Oh! Oh!

1:17:53 > 1:17:55Whup his ass!

1:17:57 > 1:17:59Yeah!

1:18:05 > 1:18:06Oh!

1:18:07 > 1:18:10THUMPING: Aah! Get off!

1:18:12 > 1:18:15THEY YELL

1:18:18 > 1:18:20No! No! Get him! Kill him!

1:18:20 > 1:18:22Shoot him! Do something!

1:18:22 > 1:18:24I got glass in my ass!

1:18:26 > 1:18:31I want to go to Jersey! I want to see my girl!

1:18:31 > 1:18:33I want to watch Oprah!

1:18:39 > 1:18:43Put your head in the car! Put your head in the damn car!

1:19:05 > 1:19:08He's whupping your ass!

1:19:10 > 1:19:11No! No!

1:19:19 > 1:19:21Take it!

1:19:27 > 1:19:30Back up! Come on! Back up!

1:19:30 > 1:19:32OK, OK, I'm backin' up!

1:19:37 > 1:19:39Get the bomb! Get the bomb!

1:19:39 > 1:19:42- Faster! - Oh, yeah!

1:19:42 > 1:19:43Oh!

1:19:45 > 1:19:49No! No! Do something! I want my money!

1:19:49 > 1:19:51Aah! Aah!

1:19:51 > 1:19:55Aah! I hate you!

1:19:55 > 1:19:57I hate you!

1:19:57 > 1:20:00Urgh!

1:20:00 > 1:20:01Oh.

1:20:08 > 1:20:11I don't know about you...

1:20:11 > 1:20:12..but I'm hungry.

1:20:12 > 1:20:15- YATES:- Someone give me some good news.

1:20:15 > 1:20:18Yeah. He successfully downloaded the arming codes into the computer.

1:20:18 > 1:20:20They still have the computer.

1:20:20 > 1:20:22True. But he's put his retinal signature in.

1:20:23 > 1:20:26"Welcome, Michael Turner."

1:20:29 > 1:20:32Try again.

1:20:38 > 1:20:41- YATES:- So obviously they can't access it without Jake.

1:20:41 > 1:20:43- And when they figure that out? - What do we do now, sir?

1:20:43 > 1:20:46Have to make sure that Jake's eyes don't meet that computer screen.

1:20:46 > 1:20:47- Wrong.- Wrong?

1:20:47 > 1:20:51Sir, eventually someone will break the lock and access the code with or without Jake.

1:20:51 > 1:20:52So, basically...

1:20:52 > 1:20:54We must find them before that happens.

1:20:54 > 1:20:58Well...there is the obvious way to flush them out.

1:20:58 > 1:21:02- We dangle him?- No. We give him a wire, they pick him up, he gives us the signal, we seize the nuke.

1:21:02 > 1:21:04Look, if his eyes get anywhere near that computer,

1:21:04 > 1:21:06we take everyone out, including him.

1:21:06 > 1:21:09I need an executive finding from the President immediately.

1:21:09 > 1:21:11So, he's expendable, is that it?

1:21:11 > 1:21:14You need to get the subject onboard. You tell him whatever you want.

1:21:14 > 1:21:15"Subject."

1:21:15 > 1:21:18Oakes, we both know this is the only way.

1:21:18 > 1:21:20Yeah.

1:21:20 > 1:21:22No! No! It ain't happenin'!

1:21:22 > 1:21:24No!

1:21:24 > 1:21:27You want me to be your little worm on a hook!

1:21:27 > 1:21:29They never heard of Jake Hayes!

1:21:29 > 1:21:31They don't even know I exist!

1:21:31 > 1:21:34Just let me go back to Jersey, get my girl, and disappear!

1:21:35 > 1:21:40Hey, man, I'm sorry I'm not Kevin,

1:21:40 > 1:21:43but even Kevin didn't make it out of this alive.

1:21:43 > 1:21:45Will you let me show you something?

1:21:45 > 1:21:47No!

1:21:48 > 1:21:51That's Jersey. So what?

1:21:53 > 1:21:55OK, let's look at where you live, for example.

1:21:55 > 1:21:57Where Julie lives, your foster mother.

1:21:57 > 1:22:01These people have a nuclear bomb, Jake.

1:22:02 > 1:22:04The blast alone will kill thousands.

1:22:04 > 1:22:06Then comes the shock wave,

1:22:06 > 1:22:09blowing away buildings, tunnels, bridges,

1:22:09 > 1:22:11and then comes our old friend, radiation,

1:22:11 > 1:22:12spread by wind and water,

1:22:12 > 1:22:15infecting the living and the unborn.

1:22:17 > 1:22:21I think we - just you and me - might have a chance to stop it.

1:22:21 > 1:22:23That's all I'm saying.

1:22:23 > 1:22:27They've got us in check, Mr Hayes, and...

1:22:27 > 1:22:30we can't let them get checkmate, can we?

1:22:31 > 1:22:33Look...

1:22:33 > 1:22:38The way I see it, you only got three moves.

1:22:38 > 1:22:40Attack...

1:22:40 > 1:22:42retreat...

1:22:42 > 1:22:45or block.

1:22:45 > 1:22:48You can't attack, cos you don't know where they are.

1:22:48 > 1:22:51Retreat? Boom.

1:22:51 > 1:22:53Then we block.

1:22:53 > 1:22:56You could block...

1:22:56 > 1:23:00but you only got one piece left...

1:23:00 > 1:23:03and that's a pawn.

1:23:03 > 1:23:07Sir, these gentlemen wish to see Mr Turner's phone records.

1:23:07 > 1:23:11Mr Turner's phone records are sealed.

1:23:12 > 1:23:14Unh!

1:23:18 > 1:23:21Mr Turner made one phone call to the United States,

1:23:21 > 1:23:24to Jersey City, New Jersey.

1:23:28 > 1:23:31Hey! What? No! Ow! Help!

1:23:31 > 1:23:33- Go, go, go! - Help!

1:23:33 > 1:23:36What do you want? Just take whatever you want!

1:23:36 > 1:23:39Shush, shush, shush.

1:23:39 > 1:23:41What is your connection to Michael Turner?

1:23:41 > 1:23:43I-I don't know a Michael Turner!

1:23:43 > 1:23:45I don't... Who?

1:23:45 > 1:23:46Him.

1:23:46 > 1:23:50That's my boyfriend. That's Jake.

1:23:50 > 1:23:52Did he sell you bad tickets?

1:23:58 > 1:24:00JAKE: Y'all still there, right?

1:24:00 > 1:24:02Yes, we're still here, Mr Hayes.

1:24:02 > 1:24:04Y'all got guns, right?

1:24:04 > 1:24:06Yes, we have guns, Mr Hayes.

1:24:06 > 1:24:10OK. Make sure you got bullets in 'em.

1:24:10 > 1:24:12Mm-hmm. Lots of bullets.

1:24:14 > 1:24:19TELEPHONE RINGS

1:24:22 > 1:24:24Answer the phone, Mr Hayes.

1:24:26 > 1:24:28Michael Turner Antiques.

1:24:28 > 1:24:30- JULIE:- 'Jake?'

1:24:30 > 1:24:32Julie! How d'you find me?

1:24:32 > 1:24:33Michael Turner?

1:24:33 > 1:24:35'Who's this?'

1:24:35 > 1:24:38Or should I call you Jake, Mr Hayes?

1:24:38 > 1:24:41You have one chance of seeing this woman alive.

1:24:41 > 1:24:43Take the next plane to New York.

1:24:43 > 1:24:45Return to your apartment in New Jersey

1:24:45 > 1:24:47and wait till I call you.

1:24:47 > 1:24:49If you are followed, she will die.

1:24:49 > 1:24:52If you attempt to involve any authorities, she will die.

1:24:52 > 1:24:54Just let me talk to her!

1:24:54 > 1:24:56Hello? Hello?!

1:24:59 > 1:25:03- Sorry.- You used Julie! She was your pawn, right?

1:25:03 > 1:25:06- No.- So all this bullshit about being something bigger than you and me

1:25:06 > 1:25:09- meant something bigger than me and Julie, right?- Will you let me explain?

1:25:09 > 1:25:11Just get me on the goddamn plane.

1:25:25 > 1:25:28MAN: Go! Let's go! Set up in that corner!

1:25:37 > 1:25:40It's gotta come up now. Now!

1:25:40 > 1:25:42Notify all units... All right.

1:25:42 > 1:25:44Yeah.

1:25:44 > 1:25:48I'm injecting a spread-spectrum transceiver behind your ear.

1:25:48 > 1:25:50So we'll hear what you hear,

1:25:50 > 1:25:52and if they take you to the bomb, we'll know it.

1:25:52 > 1:25:56- Hold still, please. - Aah! Come on, man! You can't put that in a flower?

1:25:56 > 1:25:58It'd be too obvious.

1:25:58 > 1:26:01STATIC CRACKLES

1:26:01 > 1:26:03Now, I'll be linked to you the whole time.

1:26:03 > 1:26:07- That's it. Good luck.- There's something I ought to tell you.

1:26:07 > 1:26:09I know. If the situation gets out of hand,

1:26:09 > 1:26:11they can take me and Julie out.

1:26:11 > 1:26:13Don't worry, son.

1:26:13 > 1:26:15There'll be extra money in this mission.

1:26:15 > 1:26:19Now, first of all, I'm not your son. Second of all, did it ever occur to you that I might want to do something

1:26:19 > 1:26:24cos it's the right thing? Hey, I'm the one with the dead brother, I'm the one who misses his girl,

1:26:24 > 1:26:28and I'm supposed to put up with your shit cos you're a spy? Big deal! Every woman on the planet's a spy!

1:26:28 > 1:26:33Man, you guys can't even find Saddam Hussein. If you told a woman, right now, at eight in the morning,

1:26:33 > 1:26:37that her husband was sleeping with Saddam Hussein, she'd be able to find Saddam by eight that night, and say,

1:26:37 > 1:26:42"Saddam, don't you ever come around my house no more!" Hey, I did you a favour, OK?

1:26:42 > 1:26:44YOU called ME!

1:26:44 > 1:26:46Now, if you ever talk down to me again,

1:26:46 > 1:26:49I will beat your ass so bad, you'll be the only guy in heaven with a wheelchair.

1:26:49 > 1:26:53You'd better act right before you get smacked right, bitch.

1:26:53 > 1:26:55SIREN WAILS

1:26:57 > 1:27:00All right, the show's over. Go back to work.

1:27:09 > 1:27:12Bomb on American soil. That's a nightmare we've always talked about.

1:27:12 > 1:27:14How do you think they got it here?

1:27:14 > 1:27:16You'd be surprised what you can send by air freight.

1:27:21 > 1:27:22Did we?

1:27:22 > 1:27:26Did we use his girlfriend, huh?

1:27:26 > 1:27:28No, but I'm sure Yates would, if he thought of it.

1:27:30 > 1:27:33TELEPHONE RINGS

1:27:33 > 1:27:34Hello?

1:27:34 > 1:27:36Listen closely.

1:27:36 > 1:27:40No, no, YOU listen closely! I gotta hear her voice!

1:27:40 > 1:27:45- I want to hear her voice right now. - You are in no position to make demands, Mr Hayes.

1:27:45 > 1:27:48But if it gives you pleasure...

1:27:48 > 1:27:50Aah!

1:27:50 > 1:27:54No, no! Don't hurt her! Tell me what you want!

1:27:54 > 1:27:57They want him to wait outside his apartment for a car to pick him up.

1:27:57 > 1:27:59We've initiated positions to set up a tail.

1:27:59 > 1:28:02- How do they shake us?- We can assume they think we're shadowing him.

1:28:02 > 1:28:04Right. So they may move him ten, 20 times

1:28:04 > 1:28:06before they think they've lost us.

1:28:20 > 1:28:22OK, we got the grey Ford van.

1:28:22 > 1:28:26- Grey Ford van. - I wish we didn't have to do it this way.

1:28:26 > 1:28:30Well, I'm sorry if my plan lacks the perfect precision with which you've handled the case so far.

1:28:32 > 1:28:34HE STARTS CAR ENGINE

1:28:44 > 1:28:47Radiation detection units are scouring the city,

1:28:47 > 1:28:49and we've issued portable AVG spectrometers

1:28:49 > 1:28:51to all surveillance teams.

1:28:53 > 1:28:56We need to talk worst-case scenario.

1:28:56 > 1:28:59Evacuation readiness. Let's have the national guard standing by.

1:29:00 > 1:29:02National guard, this is com centre 4.

1:29:02 > 1:29:04'Stand by for instruction.

1:29:04 > 1:29:06'Roger that, com centre 4. Standing by.'

1:29:38 > 1:29:41They're pulling into the abandoned St Francis hospital, sir.

1:29:43 > 1:29:44Take positions.

1:29:46 > 1:29:48We have six viable entry points.

1:29:52 > 1:29:53Move.

1:30:01 > 1:30:02Where's Julie?

1:30:02 > 1:30:05Quiet. Do as you're told.

1:30:20 > 1:30:22Where's Julie?

1:30:22 > 1:30:25- I hope you're going to play ball with us. - That's Dragan.

1:30:29 > 1:30:31Hey, man, I ain't doing shit till I find Julie.

1:30:31 > 1:30:32Oh.

1:30:34 > 1:30:37- Aah! - What the hell was that?

1:30:37 > 1:30:40Unh. Ohh...

1:30:43 > 1:30:44We've lost the audio with Hayes, sir.

1:30:44 > 1:30:47- All right, we move to the contingency plan.- Yes, sir.

1:30:47 > 1:30:51We can't afford to take any chances here. Hit your entry points hard on my command.

1:30:51 > 1:30:52If it breathes, it dies.

1:30:59 > 1:31:01Hold it. I think we've got something.

1:31:01 > 1:31:02Entry teams, pull back, pull back.

1:31:02 > 1:31:05- 'Entry teams, pull back.' - Here he comes.

1:31:06 > 1:31:08Get in.

1:31:13 > 1:31:16OK, they're moving him. Everything's going according to plan.

1:31:16 > 1:31:18Back on plan, people!

1:31:21 > 1:31:23Keep your distance, folks.

1:31:23 > 1:31:26They may do this dance all day long.

1:31:26 > 1:31:27Get up!

1:31:29 > 1:31:32Well, you're on your own now, Mr Hayes.

1:31:33 > 1:31:36Sir, I'm getting a signal back with Hayes.

1:31:36 > 1:31:41- See if you can clean it up. - Will do, sir. I'm heading down to communications central.

1:31:53 > 1:31:55Looks like they're heading back to Jersey.

1:31:55 > 1:31:57Wonder what the hell they're doing.

1:32:06 > 1:32:08Sir, what are you doing?

1:32:12 > 1:32:15Your eyes are going to activate this computer.

1:32:15 > 1:32:21The only question is, will they still be in your head?

1:32:21 > 1:32:23Where's Julie?

1:32:23 > 1:32:25Oh, she's lovely.

1:32:25 > 1:32:29And she will stay that way if you cooperate.

1:32:32 > 1:32:35Open your eyes, Mr Hayes, and look into the computer.

1:32:35 > 1:32:38- 'Open your damn eyes.'- 'No!'

1:32:38 > 1:32:42They're trying to scan his eyes. Jesus Christ, the bomb is in the van.

1:32:42 > 1:32:44Entry teams, the van is hot. Move now!

1:32:44 > 1:32:45Cut away his eyelids.

1:32:52 > 1:32:53Aaah!

1:33:09 > 1:33:12Sir, they're gonna take out Jake. What are we doing?

1:33:12 > 1:33:14- It isn't Jake.- How do you know? - They had to have a decoy.

1:33:14 > 1:33:18Bring the subject out with a bag over his head, you do the math.

1:33:20 > 1:33:22Faster! Go!

1:33:40 > 1:33:42Hold your fire!

1:33:50 > 1:33:52Subject is down.

1:33:52 > 1:33:54'Repeat, Jake Hayes is down.'

1:34:01 > 1:34:02It's not him.

1:34:02 > 1:34:04'The bomb's not here.'

1:34:16 > 1:34:20RECITES NUMBERS IN GREEK

1:34:35 > 1:34:36It's done.

1:34:45 > 1:34:47Thank you.

1:34:47 > 1:34:49I'll see you on the other side.

1:34:58 > 1:35:00Did you use the password?

1:35:00 > 1:35:01Password?

1:35:01 > 1:35:03Hey, I don't speak terrorist,

1:35:03 > 1:35:07but I only counted eight numbered sequences,

1:35:07 > 1:35:11and you're gonna need the seven-letter password to activate the mechanism.

1:35:15 > 1:35:18HE SPEAKS NATIVE LANGUAGE

1:35:26 > 1:35:27Bullshit.

1:35:27 > 1:35:30No, see, that's... that's eight letters.

1:35:30 > 1:35:35There's no password. The bomb is already armed.

1:35:47 > 1:35:51- Hi.- What took you so long? I almost killed somebody. - Did they arm the bomb?

1:35:51 > 1:35:54Yeah. This one just called in the enabling codes. I gotta find Julie.

1:35:56 > 1:35:58OK, the bomb is hot.

1:35:58 > 1:36:02There's a fail-safe master built into the detonator. Should give us a short countdown period.

1:36:02 > 1:36:04- How short? - On the outside, 20 minutes.

1:36:04 > 1:36:06- What's the inside? - Five to ten.

1:36:07 > 1:36:10- Did they say where the bomb was? - No. She's not here.

1:36:10 > 1:36:15- When we find the bomb, we'll find her.- Did they say anything? Just think.

1:36:15 > 1:36:17Try and remember. Come on.

1:36:17 > 1:36:19- Think.- Redial!

1:36:19 > 1:36:22They called in the codes. They called in the codes!

1:36:22 > 1:36:24OK, hold on. Gimme the address to this number...

1:36:24 > 1:36:28- 431-974.- I need this address. Listen, listen.

1:36:28 > 1:36:33Take me that address. I need it now, not later. Now!

1:36:33 > 1:36:35OK, it's coming up. It's coming, yeah.

1:36:35 > 1:36:39Listen up, folks. 89 East 42nd Street.

1:36:39 > 1:36:4089 East 42nd.

1:36:40 > 1:36:42Wait a minute. That's Grand Central Station!

1:36:42 > 1:36:44That's three blocks from here. Come on!

1:36:44 > 1:36:47Support can move out and be there in 20 minutes.

1:36:47 > 1:36:48Get out of the way!

1:36:48 > 1:36:51SEALE: CIA. Coming through. Out of the way.

1:36:51 > 1:36:53Move, move.

1:36:55 > 1:36:58Get out of the way! Go! Get out of the way!

1:36:58 > 1:37:02Get out of the way! Get out of the way!

1:37:02 > 1:37:04Move it! Move it! Get out of the way!

1:37:04 > 1:37:07Move it, move it! Out of the way! Move it! Move it! Out of the way!

1:37:07 > 1:37:09All right, the call originated from over there.

1:37:09 > 1:37:12Could be anywhere. This is one hell of a place to blow up.

1:37:12 > 1:37:14Times Square is a few blocks away. Power grids...

1:37:14 > 1:37:16The whole infrastructure of the city could collapse.

1:37:16 > 1:37:20- I'm getting something here. - What's that?- This is a low-energy gamma scintillation probe.

1:37:20 > 1:37:23- Yeah, I left mines at home. - The case is lined with lead.

1:37:23 > 1:37:25We'd only get a hit if we're within 100 square yards.

1:37:25 > 1:37:29- But we got a hit, right? - Yeah, well, the autorange indicates it's here.

1:37:29 > 1:37:33- In here? Where? Here where? - It's right here. The signal is constant.

1:37:33 > 1:37:35It's under us! Come on, let's go, let's go!

1:37:35 > 1:37:36TANNOY: Please evacuate the building.

1:37:36 > 1:37:38JAKE: Get out of the way! Move!

1:37:38 > 1:37:41- Signal's getting stronger. - CIA. Need your help.

1:37:41 > 1:37:43Out of the way! Out of the way!

1:37:43 > 1:37:45Out of the way!

1:37:50 > 1:37:52Move, move, move! Move! This way!

1:37:52 > 1:37:54This way!

1:37:54 > 1:37:57- HAYES: Out of the way! - Come on!

1:37:57 > 1:38:01- We're real close!- What's in there? - Lost luggage.- Open it.

1:38:06 > 1:38:08This lock's been tampered with.

1:38:08 > 1:38:10- Get away from the door!- Aah!

1:38:40 > 1:38:42Aah!

1:38:51 > 1:38:54Jake, get the bomb. I'll cover you.

1:38:55 > 1:38:57Why don't you get the bomb, and I'll cover you?

1:38:59 > 1:39:01OK, I'll get the bomb.

1:39:10 > 1:39:12Jake, go, go!

1:39:19 > 1:39:22Aah!

1:39:22 > 1:39:23Julie!

1:39:25 > 1:39:26No, no, hold on, hold on.

1:39:26 > 1:39:28Aah.

1:39:31 > 1:39:33Jake...

1:39:36 > 1:39:38- Jake, where are you? - I'm coming!

1:39:38 > 1:39:41It's in the final phase. Three minutes, then goodbye to Manhattan.

1:39:41 > 1:39:43I need you here for the enabling codes.

1:39:43 > 1:39:45You said if we found the bomb, we'd find Julie.

1:39:45 > 1:39:47- I need you here now! Come on! - Jake, I'll find her.

1:39:47 > 1:39:50- Ohh... - You're bleeding, man!

1:39:50 > 1:39:53- You're bleeding! - Now listen to me.

1:39:53 > 1:39:55When they scanned your eyes, you saw the codes.

1:39:55 > 1:39:57Try and remember them.

1:39:57 > 1:39:59Whenever I hear numbers, my head converts them into chess moves

1:39:59 > 1:40:01or seats at the garden.

1:40:01 > 1:40:02That's the only way I can remember.

1:40:02 > 1:40:05Take your time. Just relax.

1:40:05 > 1:40:07You know the codes. You can do it. I know you can.

1:40:07 > 1:40:09OK, queen's bishop 3.

1:40:11 > 1:40:14Across from mezzanine section...

1:40:14 > 1:40:183...0...4!

1:40:18 > 1:40:20OK, let's see...

1:40:20 > 1:40:24I saw a queen's bishop 3, aisle seat in section...

1:40:24 > 1:40:26142. 142.

1:40:26 > 1:40:30- Two more to go. - OK, I think I got it. DOOR OPENS

1:40:32 > 1:40:34Did you find her? GUNSHOT

1:40:34 > 1:40:36JULIE WHIMPERS

1:40:40 > 1:40:43Touch that bomb, she dies.

1:40:43 > 1:40:46Keep going, Jake. The bomb goes off, everybody dies.

1:40:46 > 1:40:48Two more numbers.

1:40:48 > 1:40:50You'll learn what death is.

1:40:50 > 1:40:54Your country grows fat while people all over the world starve.

1:40:54 > 1:40:55'You stay at home,

1:40:55 > 1:40:58'you watch our blood spilled on television...'

1:40:59 > 1:41:01..war reduced to video games.

1:41:01 > 1:41:05He's stalling, Jake. Enter the codes. Now!

1:41:05 > 1:41:08'You take sides in conflicts you know nothing about,'

1:41:08 > 1:41:11dictating to other people how they should live.

1:41:11 > 1:41:13'You're so keen on playing God,'

1:41:13 > 1:41:16well, now's your chance to meet him.

1:41:16 > 1:41:18I'll give you three seconds, then I'll kill her.

1:41:18 > 1:41:19Go ahead.

1:41:24 > 1:41:261...

1:41:26 > 1:41:28..2...

1:41:29 > 1:41:30No. I'll kill you.

1:41:38 > 1:41:39Three!

1:41:57 > 1:42:00SCREAMING Move, move, move!

1:42:00 > 1:42:01- JULIE:- Jake...

1:42:01 > 1:42:03Honey, I love you. Let me do this.

1:42:03 > 1:42:06Rook 643.

1:42:06 > 1:42:09OK, OK. One more, one more!

1:42:09 > 1:42:10WOMEN SCREAM

1:42:14 > 1:42:15One more.

1:42:19 > 1:42:22A, B, C, D, E, F, G. HE MUTTERS

1:42:24 > 1:42:25Move, move!

1:42:35 > 1:42:36BEEP

1:42:37 > 1:42:38BEEP

1:42:43 > 1:42:44Well, that's done.

1:42:44 > 1:42:49That's it? That's all it does, beep beep beep?

1:42:49 > 1:42:51That's all we wanted it to do.

1:42:52 > 1:42:54- EXPLOSION - Aah!

1:42:54 > 1:42:56JAKE: It's all good. It's OK.

1:42:56 > 1:42:58Clear, sir. Go ahead. Go! Go!

1:42:58 > 1:43:00WOMAN: Once we seal this down, we'll need a medic.

1:43:00 > 1:43:02- It's OK. It's OK. - Where's the bomb?

1:43:02 > 1:43:04- Right here. - How much time do we got?

1:43:04 > 1:43:07- Mr Hayes defused the bomb. - Don't worry. I've got you.

1:43:07 > 1:43:08MAN: Oakes has been hit.

1:43:08 > 1:43:10Stay with me. I love you.

1:43:10 > 1:43:12- JULIE:- I missed you. - I missed you, too.

1:43:12 > 1:43:15- People, we did it. - THEY CHEER

1:43:23 > 1:43:25But which star is your brother's?

1:43:25 > 1:43:29There are no names, Ma. Agent identities are never revealed,

1:43:29 > 1:43:32even after they die. But they're all honoured right here.

1:43:32 > 1:43:34Their names are written in this book,

1:43:34 > 1:43:36their families sign it,

1:43:36 > 1:43:39and then the pages are sealed forever.

1:43:39 > 1:43:43- It's a book of forgotten heroes. - Nah, they're not forgotten.

1:43:43 > 1:43:45Jake.

1:43:46 > 1:43:48Hey.

1:43:48 > 1:43:49Thanks for keeping me off that wall.

1:43:50 > 1:43:53- Well, stay off of it. - All right.

1:43:53 > 1:43:56Ma, this is from me and Julie.

1:43:56 > 1:44:00I just hope it brings a little joy in your life.

1:44:01 > 1:44:04- Oh, I knew you'd make me proud. - SHE LAUGHS

1:44:04 > 1:44:07Oh, this is just such...

1:44:08 > 1:44:10Oh, good Lord!

1:44:10 > 1:44:1290,000...

1:44:12 > 1:44:14No, that's the wrong one, ma. Here, this is yours.

1:44:14 > 1:44:16This is for when we get married.

1:44:18 > 1:44:19Ah...

1:44:19 > 1:44:23Oh, 10,000 is much more than I need.

1:44:23 > 1:44:24Then give some back.

1:44:25 > 1:44:28Hey, honey, can you walk Ma to the car?

1:44:28 > 1:44:29- I gotta talk to Oakes.- Yeah.

1:44:38 > 1:44:40Congratulations on your engagement.

1:44:40 > 1:44:42So I'll see you at the wedding, right?

1:44:44 > 1:44:46Goodbye, Mr Hayes.

1:44:49 > 1:44:50Oh, I see.

1:44:50 > 1:44:52No personal attachments.

1:45:00 > 1:45:04GUESTS CHEER AND SHOUT GOOD WISHES

1:45:06 > 1:45:11- Jake, get this. - I got it. Oh, ho ho ho.

1:45:14 > 1:45:16Hey! What's up?

1:45:19 > 1:45:22Congratulations, Mr Hayes.

1:45:22 > 1:45:26Oakes, you didn't RSVP. I figured weddings weren't your thing.

1:45:26 > 1:45:28I'm on a new assignment.

1:45:28 > 1:45:30Well, if you're supposed to be undercover at a black wedding,

1:45:30 > 1:45:32I think you the wrong guy for the job.

1:45:32 > 1:45:34An old friend of Kevin's escaped from Ryker's Island.

1:45:34 > 1:45:37I don't care if he escaped from temptation island,

1:45:37 > 1:45:40I'm not going nowhere. I just got married. Can't a brother get a piece of cake?

1:45:40 > 1:45:44The guy who escaped is Carlos Palmeros, the world's foremost assassin.

1:45:44 > 1:45:47I don't care if it's Carlos Santana, the world's foremost guitarist.

1:45:47 > 1:45:48The world's foremost assassin.

1:45:48 > 1:45:50That's like the Tiger Woods of murder!

1:45:50 > 1:45:52Well, Kevin was responsible for putting him away.

1:45:52 > 1:45:54The problem is, he thinks you're Kevin,

1:45:54 > 1:45:56so he's coming after you to kill you.

1:45:56 > 1:45:58Ohh! No, no, that's not happening.

1:45:58 > 1:46:00That's not happening. I just got married,

1:46:00 > 1:46:03I'm gonna go off with my wife, I'm gonna be happy for two years,

1:46:03 > 1:46:06and I'm gonna be miserable for 90, just like everybody else.

1:46:08 > 1:46:10I got you. I got you.

1:46:11 > 1:46:12So there's no killer?

1:46:12 > 1:46:14No. Not yet.

1:46:14 > 1:46:17So you just came here for my wedding?

1:46:17 > 1:46:20I wouldn't have missed it, not for the world.

1:46:20 > 1:46:22Oh, I get it. So you and Swanson are next.

1:46:22 > 1:46:24Me, no. I'm never getting married, not again.

1:46:24 > 1:46:27Never gonna get married again. First thing you gotta learn is,

1:46:27 > 1:46:28don't take your girlfriend to a wedding.

1:46:28 > 1:46:31We may need to call on you in the future.

1:46:31 > 1:46:34It's your wedding present. From us at the agency.

1:46:36 > 1:46:38Two tickets to Hawaii!

1:46:40 > 1:46:41I can't take this, Oakes.

1:46:41 > 1:46:44Jake, sweetie, come on!

1:46:45 > 1:46:47Your wife is calling you, Mr Hayes.

1:46:47 > 1:46:48Husband.

1:46:48 > 1:46:51Get in the car...bitch.

1:46:57 > 1:46:59Hey, Oakes!

1:46:59 > 1:47:01Never say never.

1:47:01 > 1:47:03# I'm all out of love

1:47:03 > 1:47:05# I'm so lost without you

1:47:05 > 1:47:07# I know you were right

1:47:07 > 1:47:10# believing for so long

1:47:10 > 1:47:14# I'm all out of love what am I without you?

1:47:14 > 1:47:18# I can't be too late to say that I was so wrong... #

1:47:22 > 1:47:30MUSIC: "Breathe In, Breathe Out" By Ali, featuring St Lunatics