Critical Assignment

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0:01:32 > 0:01:34CLANKING

0:01:53 > 0:01:56CAMERA SHUTTER WHIRRS

0:02:24 > 0:02:26GUNFIRE Argh!

0:02:28 > 0:02:32It seems certain that the militia will gain the upper hand in these hostilities...

0:02:32 > 0:02:37The militia have taken over the main road leading into town...

0:02:37 > 0:02:39GUNFIRE DROWNS OUT SPEECH

0:02:39 > 0:02:40..Shows no sign of abating.

0:02:40 > 0:02:44Reporting form the front line - this is Ed Johnson for GSN.

0:02:44 > 0:02:47GUNFIRE

0:02:55 > 0:02:59GUNFIRE RICOCHETS Argh!

0:03:09 > 0:03:11Go! Go!

0:03:11 > 0:03:14SHOUTING AND SHOOTING

0:03:29 > 0:03:32GUNFIRE

0:04:06 > 0:04:10- Come on, come on, come on. - You've gotta move!

0:04:10 > 0:04:13- I've been hit.- There's a bomb.

0:04:13 > 0:04:15Go, go, go! Get out of here.

0:04:16 > 0:04:20BEEPING

0:04:39 > 0:04:43The recipient has gone beyond the realms of journalism,

0:04:43 > 0:04:46by showing that there is more to our sense of purpose

0:04:46 > 0:04:50then just getting the scoop.

0:04:50 > 0:04:54Ladies and gentlemen, fellow journalists,

0:04:54 > 0:04:58the special Journalist Of Merit Award

0:04:58 > 0:05:02goes to Africa's own... Michael Power.

0:05:02 > 0:05:06WHISTLING

0:05:15 > 0:05:17Congratulations.

0:05:20 > 0:05:21Well done.

0:05:21 > 0:05:23APPLAUSE Well deserved.

0:05:25 > 0:05:31Thank you very much. Thank you.

0:05:31 > 0:05:35Most of us, not just journalists,

0:05:35 > 0:05:40everyone, we look, but we do not see.

0:05:40 > 0:05:43We listen, but we do not hear.

0:05:43 > 0:05:46We talk, wow!

0:05:46 > 0:05:47How we talk...

0:05:47 > 0:05:50but we do not always communicate.

0:05:50 > 0:05:56To communicate what is true, what is valuable and right,

0:05:56 > 0:05:59to believe in that -

0:05:59 > 0:06:02that is the challenge we all share.

0:06:02 > 0:06:06I'm very proud to be a journalist.

0:06:06 > 0:06:09To be rewarded for it, well...

0:06:09 > 0:06:12that's a wonderful and unexpected bonus.

0:06:16 > 0:06:18I thank you all so very much.

0:06:18 > 0:06:21CHEERING AND APPLAUSE

0:06:24 > 0:06:27Congratulations. Good to see you.

0:06:34 > 0:06:38Laura and I were hoping you'd stick around long enough to come over for dinner.

0:06:38 > 0:06:42- I'd love to, but...- Another story? - Always.- Are you gonna tell me what?

0:06:42 > 0:06:44Global water crisis, Time magazine.

0:06:44 > 0:06:46That's some story, eh?

0:06:46 > 0:06:50You know, half the world's population's affected by it.

0:06:50 > 0:06:53The other half ought to do something about it.

0:06:53 > 0:06:54So where do you start?

0:06:54 > 0:06:56Hmm, a wonderful land.

0:06:56 > 0:06:59A place with a future.

0:07:00 > 0:07:03My own backyard, Africa.

0:07:06 > 0:07:09# I've been away for so long I wonder

0:07:11 > 0:07:15# If the sound of the drum still has its power

0:07:17 > 0:07:19# Bam, bam, bam, bam

0:07:19 > 0:07:22# I've been away for so long I wonder

0:07:22 > 0:07:24# Bam, bam, bam, bam, bam

0:07:24 > 0:07:28# If the sound of the drum still has its power

0:07:28 > 0:07:30# Bam, bam, bam, bam, bam... #

0:07:34 > 0:07:38MUSIC CONTINUES: "The Sound Of The Drums" by Angelique Kidjo

0:07:58 > 0:08:00Now we come to the final matter on the agenda -

0:08:00 > 0:08:02the defence budget contract...

0:08:03 > 0:08:08..with a total of five hundred million US dollars.

0:08:08 > 0:08:11Minister for Defence, honourable Patrick Lambert.

0:08:11 > 0:08:17Mr President, after carefully assessing the tenders submitted,

0:08:17 > 0:08:22the most competitive are from the companies De Facto and Arms Link.

0:08:22 > 0:08:24However, as I explained to Secretary Ojuka,

0:08:24 > 0:08:29I favour Arms Link due to their additional seven year service agreement.

0:08:31 > 0:08:34I do endorse the view of the Minister.

0:09:03 > 0:09:05What a travesty!

0:09:07 > 0:09:09Five hundred million dollars...

0:09:09 > 0:09:13to spend on stockpiling arms and weapons of destruction

0:09:13 > 0:09:17when 60% of our population lacks clean water.

0:09:21 > 0:09:22I have with my own eyes

0:09:22 > 0:09:28seen the suffering of our people, the lack of basic amenities

0:09:28 > 0:09:31such as drinking water...

0:09:31 > 0:09:37causing illness, death and untold hardship.

0:09:37 > 0:09:41At any one time, half of our people are suffering

0:09:41 > 0:09:46from illnesses that come from the basic lack of clean water

0:09:46 > 0:09:50and proper sanitation.

0:09:51 > 0:09:55Minister, would you want to elaborate?

0:09:55 > 0:09:59We simply haven't enough funds to meet the medical demands.

0:09:59 > 0:10:01This is preventable.

0:10:01 > 0:10:06Do you realise that for every ten armoured tanks that you have,

0:10:06 > 0:10:08we can buy 50 bulldozers,

0:10:08 > 0:10:15every fighter plane, we can lay 10,000 miles of pipe work

0:10:15 > 0:10:20and for all the thousands of rifles that we have,

0:10:20 > 0:10:27we can provide 10,000 water pumps?

0:10:39 > 0:10:43In the absence of any threat to this country's stability,

0:10:43 > 0:10:48I refuse to waste millions of dollars on arms.

0:10:52 > 0:10:56As of now, the defence budget is shelved.

0:10:59 > 0:11:00We'll reallocate the funds

0:11:00 > 0:11:04towards the commissioning of the Water For All project.

0:11:09 > 0:11:11Ladies and gentlemen, we can fill

0:11:11 > 0:11:14our own glasses of water whenever we want.

0:11:14 > 0:11:17Let's not take that for granted...

0:11:17 > 0:11:20ever.

0:11:40 > 0:11:44'Africa Airlines flight 343...'

0:11:44 > 0:11:48- Good afternoon, ladies and gentlemen, and welcome.- >

0:11:48 > 0:11:51- It is a great honour for me to address you this afternoon.- >

0:11:51 > 0:11:56- My corporation is bringing the world together- >

0:11:56 > 0:11:59by making technology available that will breach the gap

0:11:59 > 0:12:03between cultures, peoples and languages.

0:12:03 > 0:12:05When launching my scheme...

0:12:07 > 0:12:10- Michael!- How are you doing?

0:12:10 > 0:12:12Great, how was Chicago?

0:12:12 > 0:12:14It was good. Ed sends his love.

0:12:14 > 0:12:15- Oh!- I noticed Thomas Rhines

0:12:15 > 0:12:18has managed to slip quietly into the country.

0:12:18 > 0:12:21Quietly doesn't get you headlines, does it?

0:12:21 > 0:12:26..The shortest distance between people.

0:12:27 > 0:12:29- Where's Jomo?- One guess.

0:12:29 > 0:12:31- Football?- Hh-hmm.

0:12:31 > 0:12:34- Listen, I'll catch you later. - See you, baby.

0:12:34 > 0:12:36..Will be the National Grammar School here.

0:12:36 > 0:12:39I've always loved Mother Africa.

0:12:39 > 0:12:41- She's always given me so much pleasure.- >

0:12:41 > 0:12:45- And indeed, it feels good to give back.- >

0:12:45 > 0:12:47I often say that in my heart,

0:12:47 > 0:12:50I'm an African in European skin.

0:12:50 > 0:12:52APPLAUSE

0:12:59 > 0:13:00Michael, you're back!

0:13:00 > 0:13:02Jomo, you're late.

0:13:04 > 0:13:08Sorry, the match went into extra time and you know what?

0:13:08 > 0:13:11- It was still a draw.- Oh, come on! You're telling me

0:13:11 > 0:13:15- that I had to listen to Thomas Rhines for the sake of a draw? - No, no, no!

0:13:15 > 0:13:18You had to stay and listen to Thomas Rhines in expectation of victory.

0:13:38 > 0:13:41Mango Bar tonight, you, me and Anita.

0:13:41 > 0:13:43- Six o'clock, OK?- Cool.

0:13:54 > 0:13:57HE SINGS

0:13:57 > 0:14:00# Oh, baby

0:14:00 > 0:14:02# Do you really wanna fight?

0:14:02 > 0:14:05# Are you sure you wanna see it?

0:14:12 > 0:14:14# Ah, ah, oh-oh... #

0:14:18 > 0:14:21Oh, no, welcome home.

0:14:36 > 0:14:37CHEERING

0:14:43 > 0:14:45You and Jomo set this up?

0:14:45 > 0:14:48You have no idea how much trouble you're in.

0:14:48 > 0:14:51You didn't expect to get away without a celebration, did you?

0:14:51 > 0:14:56No, but didn't you guys ever stop and wonder what the hell you were doing

0:14:56 > 0:14:59when all these bullets were zipping around?

0:14:59 > 0:15:01- There were bullets zipping around?- Yes!

0:15:01 > 0:15:03You should have told me.

0:15:03 > 0:15:07The danger, you don't really feel it when you're in the middle of it.

0:15:07 > 0:15:10Michael, I know the feeling, it's just like being an accountant.

0:15:10 > 0:15:12THEY GUFFAW

0:15:12 > 0:15:15If your time is up, it's up. Accidents do happen.

0:15:15 > 0:15:18I never see them coming.

0:15:18 > 0:15:21I'm so pleased you're here.

0:15:24 > 0:15:26- You know Jomo. - Nice to see you again, Madam.

0:15:26 > 0:15:29Guys, excuse us just a second.

0:15:29 > 0:15:32And how's my favourite protege?

0:15:32 > 0:15:37I'm fine. I've even brought you something back.

0:15:37 > 0:15:39Chocolates?

0:15:39 > 0:15:41This is for you.

0:15:41 > 0:15:43Oh, no, Michael, I can't!

0:15:43 > 0:15:45- You earned it.- I insist.

0:15:49 > 0:15:52Anita, I sometimes worry that you guys are not coming back.

0:15:52 > 0:15:55We will always come back, this is our home.

0:15:55 > 0:15:57Yeah, I know it's our home but...

0:15:57 > 0:15:59What if something happens to him?

0:15:59 > 0:16:03- Or you?- Michael knows what he's doing.

0:16:03 > 0:16:04Let's celebrate that.

0:16:04 > 0:16:06Cheers!

0:16:06 > 0:16:10So how are things at the Editor's desk?

0:16:10 > 0:16:13Hectic.

0:16:13 > 0:16:17The President's water project has caused quite a stir.

0:16:17 > 0:16:20And so your water story could become quite controversial.

0:16:20 > 0:16:23That's what makes headlines.

0:16:23 > 0:16:26It's uncanny.

0:16:26 > 0:16:29You're always in the right place at the right time.

0:16:29 > 0:16:31A good teacher.

0:16:31 > 0:16:33SHE CHUCKLES

0:16:33 > 0:16:37I have been inundated with e-mails and phone calls

0:16:37 > 0:16:38from all over the world.

0:16:38 > 0:16:42I even got a call from some stressed-out American

0:16:42 > 0:16:44demanding a meeting.

0:17:46 > 0:17:47HORN BEEPS

0:17:47 > 0:17:49- Benjy!- Michael!

0:17:49 > 0:17:51Jump in.

0:18:34 > 0:18:39- Uncle George.- Welcome home, Michael.

0:18:39 > 0:18:42Oh, Michael.

0:18:42 > 0:18:47Oh, you haven't been eating, you've lost weight again.

0:18:47 > 0:18:50Auntie Comfort, I eat all the time, honestly.

0:18:50 > 0:18:52No, no, no, you're way too thin.

0:18:52 > 0:18:55You know I'm never happy if I can still get my arms around you.

0:18:55 > 0:19:00- Welcome home.- >

0:19:00 > 0:19:07- Chief.- Michael Power. - How are you, sir?

0:19:07 > 0:19:09- Welcome...- Thank you.- ..welcome home.

0:20:08 > 0:20:12Mr Marshall?

0:20:24 > 0:20:25Mr Marshall?

0:20:33 > 0:20:34Mr Marshall?

0:20:43 > 0:20:45Huh!

0:21:10 > 0:21:13Be good. Children, don't forget to wash your hands.

0:21:13 > 0:21:17- Nothing changes. - Cleanliness is next to Godliness.

0:21:17 > 0:21:21So it is, can we eat?

0:21:21 > 0:21:23Let us honour Comfort by eating well.

0:21:23 > 0:21:28- Thank you, Chief.- This is great, Aunt Comfort.

0:21:28 > 0:21:34- Thank you, Michael.- Your work takes you further and further away these days, Michael.

0:21:34 > 0:21:37I follow the stories. It's not often that they come to you,

0:21:37 > 0:21:41but you'll be glad to know that my present assignment starts here.

0:21:41 > 0:21:45- Right here.- Then you will be able to attend the village bazaar?

0:21:45 > 0:21:47I wouldn't miss it for the world.

0:21:47 > 0:21:49Ah! Good.

0:21:49 > 0:21:51No matter how long the tortoise's head is out,

0:21:51 > 0:21:53it must go back inside its shell.

0:21:53 > 0:21:58CHILDREN CHATTER

0:21:58 > 0:22:01Michael, the President's water thing...

0:22:01 > 0:22:02what does it mean?

0:22:02 > 0:22:05Basically, the government will buy the equipment,

0:22:05 > 0:22:08pipelines, water pumps, whatever's needed.

0:22:08 > 0:22:12But the key thing is, it's to be driven by the local communities.

0:22:12 > 0:22:13At last.

0:22:13 > 0:22:17You know who fetches the water in the dry season? Us women and the children.

0:22:17 > 0:22:20- It brings back memories. - Oh, not good ones.

0:22:22 > 0:22:25- MOBILE RINGS - Oh, who is that?

0:22:25 > 0:22:28He is eating with his family.

0:22:28 > 0:22:30Excuse me, please.

0:22:33 > 0:22:35I want one of those.

0:22:35 > 0:22:37Anita!

0:22:37 > 0:22:39What?!

0:22:39 > 0:22:43SIREN BLARES

0:22:59 > 0:23:02MONITOR BEEPS STEADILY

0:23:03 > 0:23:06The doctor said she's in a deep coma.

0:23:06 > 0:23:11And the American guy's dead.

0:23:11 > 0:23:14Michael, what on earth was Madam Baka working on?

0:23:14 > 0:23:15(I don't know...)

0:23:15 > 0:23:18but I'm going to find out.

0:23:29 > 0:23:35Mr John Marshall, 33 years old, a single bullet wound to the forehead

0:23:35 > 0:23:37from a .22 calibre gun.

0:23:37 > 0:23:41Single entry wound to the front indicates that the gun was fired

0:23:41 > 0:23:42at point blank range.

0:23:42 > 0:23:45Professional hit, I'd say.

0:23:45 > 0:23:48He's lived in Africa for several years.

0:23:48 > 0:23:50You can tell that from his body?

0:23:50 > 0:23:53No, from his entry visa stamps.

0:23:54 > 0:24:00- There's a lot of Air Miles there. - Do you know if this is all there was?

0:24:00 > 0:24:01That's all there is.

0:24:03 > 0:24:04Secretary Ojuka!

0:24:16 > 0:24:18This is a government restricted area.

0:24:18 > 0:24:21Michael Power, African News Bureau. I'm expected.

0:24:26 > 0:24:28Thank you very much.

0:24:58 > 0:25:00Mr Power, this way, please.

0:25:00 > 0:25:01Thank you very much.

0:25:25 > 0:25:28Excuse me, I didn't realise anyone was here.

0:25:28 > 0:25:30I'm here to see Secretary Ojuka.

0:25:30 > 0:25:32- I'm Michael Power. - Oh, the journalist.

0:25:32 > 0:25:36- Yes.- It's good to finally put a face to such a renowned name.

0:25:36 > 0:25:38- I'm Sabina Siko.- Sabina...

0:25:38 > 0:25:41- Sabina means princess, doesn't it? - No, that's Sabrina.

0:25:41 > 0:25:44I'm Secretary Ojuka's intern. He should be down shortly.

0:25:44 > 0:25:47- Please, make yourself comfortable. - Thank you.

0:25:52 > 0:25:54I've read some of your articles.

0:25:54 > 0:25:59- Only some?- Well, between work here and my postgraduate studies

0:25:59 > 0:26:02- I hardly have enough...- Time? - ..time. Exactly.

0:26:02 > 0:26:06Mr Power, I'm sorry for keeping you waiting.

0:26:06 > 0:26:09I can see that Sabina's kept you entertained.

0:26:09 > 0:26:12Sabina, are you sitting in on this?

0:26:12 > 0:26:14No, Uncle, I have a lecture to attend,

0:26:14 > 0:26:16but I'll be seeing you later.

0:26:16 > 0:26:17Goodbye, Mr Power.

0:26:17 > 0:26:18A pleasure meeting you.

0:26:20 > 0:26:23Oh, congratulations on your prestigious award.

0:26:23 > 0:26:24Thank you.

0:26:24 > 0:26:28For a son of our soil to receive such a thing,

0:26:28 > 0:26:32it sends a positive message about our country.

0:26:32 > 0:26:35It wasn't lost on the President either.

0:26:35 > 0:26:37But that is not why you're here.

0:26:37 > 0:26:41No, I'm here regarding the John Marshall murder story.

0:26:41 > 0:26:44Oh, the murder of an expatriate.

0:26:44 > 0:26:46It's not good for tourist trade.

0:26:46 > 0:26:50We all know how important the foreign exchange is...

0:26:50 > 0:26:51to the country.

0:26:51 > 0:26:54Yes. I was wondering, Secretary Ojuka...

0:26:54 > 0:26:57How well did you know John Marshall?

0:26:57 > 0:27:02Forgive me for saying, but you sound more like a detective than a journalist.

0:27:02 > 0:27:05My apologies. It's just that one of your business cards

0:27:05 > 0:27:08was found among John Marshall's personal effects.

0:27:10 > 0:27:11I see.

0:27:11 > 0:27:16But then...I AM a politician.

0:27:16 > 0:27:19I meet different people all the time.

0:27:19 > 0:27:24It wouldn't be unusual for my business card to get in the hands of...

0:27:24 > 0:27:26relative strangers.

0:27:31 > 0:27:35More importantly, how is Madam Baka?

0:27:35 > 0:27:38Unfortunately, she's still in a coma.

0:27:38 > 0:27:40Oh, sorry to hear that.

0:27:40 > 0:27:42My thoughts are with her.

0:27:42 > 0:27:46Mr Secretary, your next appointment, Mr Le Trois, has just arrived.

0:27:46 > 0:27:48Thank you.

0:27:48 > 0:27:51If that is all... I do have another pressing engagement.

0:27:51 > 0:27:54I thank you for seeing me at such short notice.

0:27:57 > 0:28:04Mr Power, this administration fully supports the freedom of the press.

0:28:04 > 0:28:08Maybe these matters are best left in the hands of the police.

0:28:08 > 0:28:12They investigate the crime and you write the story.

0:28:12 > 0:28:15In my experience, sir,

0:28:15 > 0:28:18sometimes the story solves the crime.

0:28:21 > 0:28:22Good day.

0:29:21 > 0:29:24I'm afraid you wasted your time coming here.

0:29:24 > 0:29:27An American citizen's been murdered. Are you not concerned?

0:29:27 > 0:29:30I've already been through this with the local police.

0:29:30 > 0:29:33I'd be more concerned if Marshall was one of ours.

0:29:33 > 0:29:38Fortunately, he wasn't. We ran his photo and prints through our system and came up with nothing.

0:29:38 > 0:29:41- Marshall was not an American. - But he had an American passport.

0:29:41 > 0:29:45Correction, he had a fake American passport.

0:29:45 > 0:29:49As far as we're concerned, he doesn't exist - someone else's problem.

0:29:49 > 0:29:52I'm sure he was stone-walling me. I need your help here, Ed.

0:29:52 > 0:29:55You've got a dead body and a business card,

0:29:55 > 0:29:57what do you want me to do? Call the marines?

0:29:57 > 0:30:00When the US vice-consul tells me someone doesn't exist,

0:30:00 > 0:30:02you can be sure of one thing - they exist.

0:30:02 > 0:30:06Madam Baka wasn't just my editor-in-chief, she was my mentor.

0:30:06 > 0:30:07I'll see what I can do.

0:30:07 > 0:30:09How's your water story?

0:30:09 > 0:30:10Under pressure.

0:30:10 > 0:30:13All right. I'll get back to you.

0:30:16 > 0:30:22ARGUING VOICES

0:30:22 > 0:30:24Look, take Ojuka, for instance...

0:30:24 > 0:30:28I'm not so sure. I took a photo of him during the primaries and let me tell you,

0:30:28 > 0:30:30some overzealous intern faxed me,

0:30:30 > 0:30:33accusing me of photographing him in a bad light.

0:30:33 > 0:30:37Anita, come on! Ojuka's done a lot of good for this country.

0:30:37 > 0:30:41Like getting the national youth squad sponsorship to compete in the Junior World Cup.

0:30:41 > 0:30:43- That's true.- So he's OK in my book.

0:30:43 > 0:30:46Anybody interested in football's OK in your books.

0:30:46 > 0:30:50Besides, is there a good light in which to photograph a politician?

0:30:50 > 0:30:52- Same again, guys, yeah? - No thanks, I'm driving.

0:30:52 > 0:30:56- We're flying in the morning. I'll catch you later.- See you later.

0:30:56 > 0:30:57Oh, and Anita...

0:30:57 > 0:31:01Soccer is the thing cos soccer is the king, OK?

0:31:06 > 0:31:08CLATTERING

0:31:11 > 0:31:12Hey! Hey!

0:31:12 > 0:31:15- Hey!- Careful, Michael.

0:31:33 > 0:31:34METAL CLANGS

0:31:36 > 0:31:38DRUMMING ON ROOF

0:31:47 > 0:31:49CAR REVS

0:31:50 > 0:31:52TYRES SCREECH

0:31:58 > 0:32:00TYRES SQUEAL

0:32:32 > 0:32:34They didn't take anything.

0:32:34 > 0:32:40My laptop computer, TV, video, stereo...

0:32:40 > 0:32:42is all here.

0:32:52 > 0:32:55BLADES WHIRR

0:32:55 > 0:32:58INAUDIBLE

0:33:52 > 0:33:56What have we here? City dwellers in their big flying machines.

0:33:56 > 0:33:58Harry Mogaji, Michael Power.

0:33:58 > 0:34:02- Nice to have you here, Michael.- This is my photographer, Anita Chiama.

0:34:02 > 0:34:05Mr Mogaji, it's a pleasure to meet you. How are things?

0:34:21 > 0:34:23This is what I was talking about.

0:34:23 > 0:34:25If we head right over here.

0:34:25 > 0:34:29Do you see the scale of what I'm dealing with here, Michael?

0:34:42 > 0:34:43This village is not unique...

0:34:43 > 0:34:45at all.

0:34:45 > 0:34:48In fact, the problem isn't even isolated to Africa.

0:34:48 > 0:34:53It's a tragedy that's being repeated all over the world.

0:34:53 > 0:34:57Disease is endemic, you name it,

0:34:57 > 0:35:02malaria, diarrhoea, dengue fever...

0:35:02 > 0:35:06hookworm, and they all originate from what?

0:35:06 > 0:35:08Unclean water.

0:35:34 > 0:35:39This is Cocoa Stream, the village's nearest water supply.

0:35:39 > 0:35:43Only the water here is a cesspool of disease.

0:35:43 > 0:35:46I wouldn't let wildlife drink it, let alone human beings.

0:35:46 > 0:35:49- Good morning, ma'am. - Hello. How are you?

0:35:51 > 0:35:54- How long has it been like this? - Too long.

0:35:54 > 0:35:56And it just keeps getting worse over the years.

0:35:56 > 0:36:00But this is their homeland.

0:36:00 > 0:36:04This is the hard life they have become used to.

0:36:06 > 0:36:09Did you know, every eight seconds somewhere in the world

0:36:09 > 0:36:14a child like this dies from a water-related disease?

0:36:17 > 0:36:19- How do you feel?- What?

0:36:19 > 0:36:21How does it feel holding her?

0:36:21 > 0:36:24She's only four years old.

0:36:24 > 0:36:26There aren't words.

0:36:53 > 0:36:55It's not much further now.

0:36:55 > 0:36:59It took me more than a year to discover this place.

0:37:01 > 0:37:03Come on.

0:37:15 > 0:37:17Here it is.

0:37:17 > 0:37:21Enough clean water to cater for communities within a 50-mile radius.

0:37:21 > 0:37:24How long has this been under construction?

0:37:24 > 0:37:26About five months.

0:37:26 > 0:37:30We're planning to redirect a substantial amount

0:37:30 > 0:37:33of the spring water through pipelines nearer to the villages.

0:37:33 > 0:37:36That must be, what, ten miles?

0:37:36 > 0:37:38About that.

0:37:38 > 0:37:42We obviously don't have enough funds to make it all the way,

0:37:42 > 0:37:45but we'll take it as far as our small funds can go.

0:37:45 > 0:37:50Every mile we achieve is one less mile for the people around here to walk.

0:37:50 > 0:37:54If we can save one life, we can save a generation.

0:38:18 > 0:38:20It's beautiful here, Harry.

0:38:22 > 0:38:24Peaceful, too.

0:38:24 > 0:38:26And despite the hardship

0:38:26 > 0:38:28there's a strong sense of community.

0:38:28 > 0:38:31Do you miss the city life at all?

0:38:32 > 0:38:35Like a fish misses dry land!

0:38:36 > 0:38:41Years back I used to be an engineer with the Ministry of Works and Housing in the capital.

0:38:41 > 0:38:43I couldn't get one damn thing done in that place.

0:38:45 > 0:38:49But at least here I feel I can make a contribution.

0:38:52 > 0:38:54This article you're writing...

0:38:54 > 0:38:56will it really make a difference?

0:38:56 > 0:38:59Well, the timing is right.

0:38:59 > 0:39:02The President is launching his Water For All project

0:39:02 > 0:39:04and it is an international issue.

0:39:04 > 0:39:08So, you know, I really do believe the story will make a difference.

0:39:08 > 0:39:10I hope you're right.

0:39:22 > 0:39:25TURNS OFF TREADMILL

0:40:03 > 0:40:05< DOOR OPENS

0:40:21 > 0:40:25OK, I'll see you tomorrow. Take care! Bye!

0:40:25 > 0:40:29- You know, when you concentrate your tongue sticks out between your lips.- Hey!

0:40:29 > 0:40:34- Are you spying on me? - I graduated here.- Oh, really? - I've got a soft spot for the gym.

0:40:34 > 0:40:37- Erm... Any of your old teachers still around?- One or two.

0:40:37 > 0:40:39My old English teacher's about to retire.

0:40:39 > 0:40:43She's finally given up on trying to mark my articles.

0:40:43 > 0:40:45Listen, can I buy you a drink?

0:40:45 > 0:40:47Erm, yeah, sure.

0:40:47 > 0:40:51- Anyway, it's a habit I've had since I was a kid.- What is?

0:40:51 > 0:40:53My tongue.

0:40:55 > 0:40:57Your articles are oddly optimistic.

0:40:57 > 0:40:59It's inspiring.

0:40:59 > 0:41:02Most journalists are cynical, like they've seen it all before.

0:41:02 > 0:41:07Just because you've seen it all before doesn't mean things can't change.

0:41:07 > 0:41:10If I didn't believe things could change, I wouldn't write.

0:41:10 > 0:41:12It's about belief and believing.

0:41:12 > 0:41:15Imagine if we all did it. Believed.

0:41:15 > 0:41:18The world would be a better place,

0:41:18 > 0:41:20and there'd be no need for journalists.

0:41:20 > 0:41:24- I think I could cope with that. - Really? Hmm.

0:41:24 > 0:41:27Then why do you write?

0:41:27 > 0:41:31- I graduated here, went to America... - Harvard, I imagine.- You can tell?

0:41:31 > 0:41:33Mm-hm.

0:41:33 > 0:41:36I used to write home to my mother and father from America,

0:41:36 > 0:41:38before they died in the drought.

0:41:38 > 0:41:40Oh...

0:41:40 > 0:41:43Sometimes I think I write as though I'm still writing home.

0:41:43 > 0:41:48The articles? They're just letters that happen to be published for everyone to see.

0:41:48 > 0:41:50And you? Why an intern?

0:41:50 > 0:41:53Sure. Well, erm...

0:41:55 > 0:41:58Secretary Ojuka was a really close friend of my parents.

0:41:58 > 0:42:01- They died too, in a car crash. - I'm sorry.

0:42:01 > 0:42:04And he took me in, raised me as his own daughter.

0:42:04 > 0:42:07He even sponsored my studies overseas.

0:42:07 > 0:42:12- I'm only working as an intern until I finish my postgraduate studies. - We have a lot in common.

0:42:12 > 0:42:14And so after you graduate?

0:42:14 > 0:42:16I'm hoping to join the Foreign Service

0:42:16 > 0:42:18and if everything goes my way,

0:42:18 > 0:42:21I'll get a post with our embassy in London.

0:42:21 > 0:42:24Look, I know you're very busy,

0:42:24 > 0:42:27but do you ever have an evening free?

0:42:27 > 0:42:29You mean...for a date?

0:42:31 > 0:42:33LAUGHTER

0:42:33 > 0:42:35- You look stunning.- Thank you!

0:42:36 > 0:42:39Now, have yourself a wonderful evening.

0:42:39 > 0:42:41- Great. And don't work too hard. - Oh, not at all.

0:42:43 > 0:42:46Good evening.

0:42:48 > 0:42:49Bye, Uncle!

0:43:39 > 0:43:40SHOUTING

0:43:57 > 0:43:58TYRES SQUEAL

0:44:01 > 0:44:04Michael, are you OK? Are you hurt?

0:44:04 > 0:44:07- Talk to me, my brother. - Jomo, stop shouting in my ear.

0:44:07 > 0:44:11- It's just my shoulder.- You've been hit!- It's nothing. Just glass.

0:44:11 > 0:44:13Michael! Michael, are you OK?

0:44:13 > 0:44:17- I'm fine.- No, he's not fine. Somebody tried to kill him. I'm calling the police.

0:44:17 > 0:44:22- No, Jomo.- Look, Michael, we need to go to the hospital. You're bleeding. - No, I can take care of it. OK?

0:44:22 > 0:44:24I'm OK. Really.

0:44:26 > 0:44:30- We'll do whatever we can, Mr Power. - Thanks, officers.- Take care.- Cheers.

0:44:31 > 0:44:33I'm lucky they were bad shots.

0:44:37 > 0:44:39Some first date, huh?

0:44:58 > 0:45:00Sorry...

0:45:00 > 0:45:03Anita...

0:45:03 > 0:45:05I heard what happened.

0:45:09 > 0:45:14Sabina, meet Anita Chiama, a photographer friend of mine.

0:45:14 > 0:45:18This is Sabina Siko. She works in Secretary Ojuka's office.

0:45:18 > 0:45:19Hi.

0:45:19 > 0:45:21Hello.

0:45:26 > 0:45:27A drink, anyone?

0:45:27 > 0:45:29No, I'm still busy. If you're fine, fine.

0:45:29 > 0:45:32You can come and check out the photos when you're ready.

0:45:32 > 0:45:36- Nice meeting you.- You too.

0:45:40 > 0:45:41I'm sorry about that.

0:45:44 > 0:45:47We'll get it right next time, huh?

0:45:47 > 0:45:49- I'll call you?- Do that.

0:45:49 > 0:45:53Look, I'm sorry if Anita felt a little like...

0:45:53 > 0:45:55She gets over-protective.

0:45:55 > 0:45:57And?

0:45:57 > 0:46:00And she's a dear friend and my photographer.

0:46:00 > 0:46:02That's it.

0:46:03 > 0:46:05OK.

0:46:07 > 0:46:10- Talk to you soon, then.- OK.- Bye.

0:46:35 > 0:46:36Hi.

0:46:54 > 0:46:58I'm sure spending too much time in this red light makes you crazy.

0:47:01 > 0:47:03So you're seeing Sabina now?

0:47:03 > 0:47:06We're just friends.

0:47:06 > 0:47:07SHE LAUGHS

0:47:07 > 0:47:09What?

0:47:09 > 0:47:13- You could have told me. - Tell you what?

0:47:13 > 0:47:16Don't get me wrong - I'm very happy for you,

0:47:16 > 0:47:20but if you're falling for her when people are clearly trying to kill you...

0:47:20 > 0:47:25- We don't want you losing concentration, do we?- There's nothing to tell.- Your new friend?

0:47:25 > 0:47:28She's the one who sent me the fax. You know what that is?

0:47:28 > 0:47:31That is manipulation of the press. I almost got fired.

0:47:31 > 0:47:36So is kissing you. That's manipulation of the press.

0:47:36 > 0:47:38Anita, don't shoot the messenger.

0:47:38 > 0:47:40She was probably just following instructions.

0:47:40 > 0:47:43With the fax, I mean.

0:47:43 > 0:47:45Obviously.

0:47:45 > 0:47:46Obviously.

0:47:50 > 0:47:55The number of times I've complained to editors about the photos they select.

0:47:58 > 0:48:00Let me see that one.

0:48:00 > 0:48:03- Are these the photos you took at the airport?- Yes.

0:48:04 > 0:48:06I know who that is.

0:48:06 > 0:48:08It's Jon Marshall.

0:48:37 > 0:48:39Sorry, sir, you have a visitor.

0:48:40 > 0:48:43- Mr Power! It's a great pleasure to meet you.- Thank you.

0:48:43 > 0:48:48You write inspiring articles. When my Log On Africa project is launched I hope you'll cover it.

0:48:48 > 0:48:50It's in my diary.

0:48:50 > 0:48:53- What's your handicap?- That I've never played.- You should, my friend.

0:48:53 > 0:48:56All the best deals are done on the golf course.

0:48:56 > 0:49:00You know, if you get your swing right, you use every muscle in your body.

0:49:03 > 0:49:05So I understand Jon Marshall worked for you.

0:49:05 > 0:49:10He was a consultant on African business affairs.

0:49:10 > 0:49:12- Was he with you long?- On and off.

0:49:12 > 0:49:16If it's important you can get the office to give you the exact dates.

0:49:16 > 0:49:21- I spoke to the US embassy and they have no record of a Jon Marshall ever existing.- Really?

0:49:21 > 0:49:23- Yes.- Extraordinary.

0:49:23 > 0:49:28Well, whoever he was he had a wealth of experience in Africa,

0:49:28 > 0:49:29which is why we hired him.

0:49:29 > 0:49:31It's, er...

0:49:31 > 0:49:34- It's all in the grip. - Oh. Yes. Course.

0:49:38 > 0:49:40What sort of person was he?

0:49:40 > 0:49:44Michael, do you know what a consultant does?

0:49:44 > 0:49:47Basically, they borrow your watch and tell you the time.

0:49:47 > 0:49:52But the fact still remains that a member of your staff has been murdered.

0:49:52 > 0:49:54You can't write that, Michael.

0:49:54 > 0:49:56It's inaccurate.

0:49:58 > 0:50:00Was that a good swing?

0:50:00 > 0:50:02Perfect.

0:50:02 > 0:50:05At the time of Marshall's death, his contract had expired.

0:50:05 > 0:50:07Strange.

0:50:07 > 0:50:10This is a picture of him with you at the airport last week.

0:50:10 > 0:50:14He was there, but he wasn't with me.

0:50:14 > 0:50:17- Didn't he talk to you?- I was busy dealing with a more important matter,

0:50:17 > 0:50:21like my Log On Africa project.

0:50:21 > 0:50:22Oh, right!

0:50:22 > 0:50:25- You don't have to mention it... - Of course not!

0:50:25 > 0:50:27..but if you do, it's L-O-G...

0:50:27 > 0:50:29I'm there, Mr Rhines.

0:50:30 > 0:50:33Every muscle in your body, you say, huh?

0:50:36 > 0:50:39INDISTINCT CHATTER

0:50:45 > 0:50:48..It's just about... just about a week or so.

0:50:51 > 0:50:52..I think we're doing well...

0:50:52 > 0:50:55Madam Baka...

0:50:55 > 0:50:57Oh, they're lovely, Michael.

0:50:57 > 0:50:58Thank you.

0:50:58 > 0:51:00Sssh.

0:51:02 > 0:51:04PHONE RINGS

0:51:06 > 0:51:08Hello?

0:51:15 > 0:51:16..You're where?

0:51:32 > 0:51:35Halfway round the world for a few days?

0:51:35 > 0:51:38- Come on, Ed!- Give me a break!

0:51:38 > 0:51:39I got a call from Anita.

0:51:39 > 0:51:42- Look, I'm fine.- Yeah! Yeah, right(!)

0:51:42 > 0:51:44Your guy Jon Marshall gets killed,

0:51:44 > 0:51:47your editor gets put in a coma, you get shot at, all in one week.

0:51:47 > 0:51:48And...?

0:51:48 > 0:51:50And you're fine?

0:51:50 > 0:51:53- You got shot at, Michael.- Well, I must be doing something right.

0:51:53 > 0:51:56That's why I'm here.

0:52:00 > 0:52:02'Jon Marshall's passport.'

0:52:02 > 0:52:04He's the real McCoy.

0:52:04 > 0:52:07It had a secret code number.

0:52:07 > 0:52:09It's standard issue to deep-cover agents.

0:52:09 > 0:52:13These guys...Michael, they live and breathe in the shadows.

0:52:13 > 0:52:15It was under the radar.

0:52:15 > 0:52:18So when things go wrong, no-one holds up their hand.

0:52:18 > 0:52:22What I do know is that Jon Marshall worked as a consultant for the Rhinestone Corporation.

0:52:22 > 0:52:27Rhinestone, as in Thomas Rhines, the millionaire philanthropist?

0:52:27 > 0:52:29THUNDERCLAP

0:52:29 > 0:52:33Apart from you, who else knew Bucker was meeting with Marshall?

0:52:34 > 0:52:35Someone must have known.

0:52:35 > 0:52:38Jon Marshall wasn't just murdered. He was silenced.

0:52:38 > 0:52:41Listen...

0:52:41 > 0:52:44we both know Jon Marshall was an agent.

0:52:44 > 0:52:46What I need to find out is what got him killed.

0:52:46 > 0:52:50The case is closed, it's ashes. Forget it.

0:52:50 > 0:52:52Forget it?

0:52:52 > 0:52:53You know Michael Power?

0:52:53 > 0:52:56He won't let it go, Colonel - not gonna happen.

0:52:56 > 0:52:58Off the record.

0:52:59 > 0:53:01OK.

0:53:01 > 0:53:02Listen,

0:53:02 > 0:53:04recent events changed everything.

0:53:04 > 0:53:08Marshall focused on tracking financial transactions

0:53:08 > 0:53:10to do with arms deals to terrorists.

0:53:10 > 0:53:14- What was he doing in Thomas Rhines' corporation?- Come on, Ed.

0:53:14 > 0:53:17Hey, you tell me, there's a chance this information can be controlled.

0:53:17 > 0:53:20It was just a cover to keep him in Africa.

0:53:20 > 0:53:24- That cost him his life? - Can't confirm that.

0:53:24 > 0:53:25HE SIGHS

0:53:25 > 0:53:27Unfortunately,

0:53:27 > 0:53:30he was killed before he could be debriefed.

0:53:30 > 0:53:32To tell you the truth, Ed, it's one hell of a mess.

0:53:32 > 0:53:35To compound the problem,

0:53:35 > 0:53:38vital information was missing from his personal effects.

0:53:38 > 0:53:39- Like what?- Classified.

0:53:39 > 0:53:41HE LAUGHS

0:53:41 > 0:53:43One thing for sure...

0:53:43 > 0:53:46Marshall got caught in the firing line.

0:53:46 > 0:53:48So, you warn your friend Michael Power

0:53:48 > 0:53:51to walk away.

0:53:51 > 0:53:53This is a story he doesn't want to write.

0:53:56 > 0:53:59Good evening, Mr Power. You're expected.

0:54:36 > 0:54:38Wow! You look great!

0:54:38 > 0:54:40Thank you!

0:54:42 > 0:54:44- So, where are we going?- Surprise.

0:54:44 > 0:54:47I love surprises, but just not like the last time.

0:54:47 > 0:54:50Look, you're quite early. Can I show you around?

0:54:50 > 0:54:52OK.

0:54:53 > 0:54:57Secretary Ojuka's a great patron of the arts.

0:54:57 > 0:55:00He has one of the largest private collections of African art.

0:55:00 > 0:55:02Quite unique.

0:55:03 > 0:55:06This is exquisite. It must be priceless.

0:55:06 > 0:55:08Not too close, though - you'll set off the alarm.

0:55:08 > 0:55:11The only way we could insure this

0:55:11 > 0:55:14was to install a new state-of-the-art security system.

0:55:14 > 0:55:17Excuse me, ma'am. You have a phone call.

0:55:17 > 0:55:19Oh, thanks. I'll take it in the drawing room.

0:55:19 > 0:55:21Excuse me, Michael. I won't be long.

0:55:21 > 0:55:23But, please, take a look around.

0:55:38 > 0:55:40Hm!

0:56:00 > 0:56:04..The funds will be transferred a week before the troops are deployed.

0:56:04 > 0:56:06And the artillery?

0:56:06 > 0:56:09We'll need enough to overcome any federal forces.

0:56:09 > 0:56:11I have already taken care of that.

0:56:11 > 0:56:14They will be transferred from airport hanger four.

0:56:14 > 0:56:18It is imperative that my name is kept out of this whole affair.

0:56:18 > 0:56:20We can't afford any further mistakes,

0:56:20 > 0:56:23like Marshall.

0:56:23 > 0:56:25I'll make sure that he can never talk again.

0:56:30 > 0:56:32So sorry to have kept you waiting.

0:56:32 > 0:56:34- No problem. Shall we go, then? - Um, yeah.

0:56:47 > 0:56:51AFRICAN MUSIC PLAYS

0:57:17 > 0:57:22'We'll need enough to overcome any federal forces.'

0:57:24 > 0:57:28'It is imperative that my name is kept out of this whole affair.'

0:57:28 > 0:57:31'We can't afford any further mistakes...

0:57:31 > 0:57:33'like Marshall.'

0:57:37 > 0:57:39INAUDIBLE

0:57:39 > 0:57:43APPLAUSE

0:57:58 > 0:58:01The piece on the water crisis is gonna have to wait.

0:58:01 > 0:58:03- What?- I think there's gonna be a coup.

0:58:20 > 0:58:22You sure about this?

0:58:38 > 0:58:42- Uh.- You OK?- Yeah, I'll survive. - Come on, let's go.

0:58:56 > 0:58:59Michael, there's not much security for an armoury.

0:58:59 > 0:59:01Sh, keep it down, Ed.

0:59:01 > 0:59:03Let's go.

0:59:11 > 0:59:12WINGS FLUTTER

0:59:19 > 0:59:20Oh, shit.

0:59:20 > 0:59:23They've already moved out.

0:59:23 > 0:59:26They are going for the coup sooner rather than later.

0:59:26 > 0:59:30The only way to stop it now is to blow the conspiracy wide open.

0:59:33 > 0:59:34'OK.'

0:59:34 > 0:59:36OK, maybe we've got something.

0:59:36 > 0:59:39This guy... This guy Will Le Trois is a rogue financer

0:59:39 > 0:59:42currently involved in negotiating deals

0:59:42 > 0:59:44for an arms firm called Arms Link.

0:59:44 > 0:59:47Arms Link is a major supplier here in Africa.

0:59:50 > 0:59:53Are you sure it was Ojuka you heard?

0:59:53 > 0:59:55Yes, I recognised his voice.

0:59:55 > 0:59:58They were meeting as I left Ojuka's house the other day.

0:59:58 > 1:00:02Well, if Ojuka's involved, we don't know how far this reaches.

1:00:04 > 1:00:06What is it, Michael?

1:00:08 > 1:00:10Something doesn't feel right...

1:00:10 > 1:00:13but I need to be sure.

1:00:13 > 1:00:16Why don't you check out this photo of Jon Marshall

1:00:16 > 1:00:18from the press conference the other day.

1:00:24 > 1:00:26Can you zoom in a little closer?

1:00:30 > 1:00:32Marshall's on a cell phone.

1:00:32 > 1:00:36That certainly wasn't among his personal effects.

1:00:46 > 1:00:51I am going to give the President's first secretary a chance to respond.

1:00:53 > 1:00:55Michael,

1:00:55 > 1:00:58exposing a coup and naming names will have serious repercussions,

1:00:58 > 1:01:02so you should keep a low profile until you hear from me.

1:01:02 > 1:01:04Hm?

1:01:04 > 1:01:06Well, as it happens, we plan to be out of town.

1:01:06 > 1:01:08Good.

1:01:08 > 1:01:09We'd better be going.

1:01:11 > 1:01:13Good luck.

1:01:23 > 1:01:25Nurse...

1:01:25 > 1:01:28I need a phone that works.

1:01:30 > 1:01:33MAN SINGS IN DIALECT

1:01:33 > 1:01:35WOMEN SING IN DIALECT

1:01:42 > 1:01:44THEY SING IN DIALECT

1:01:59 > 1:02:04This is a speciality of the country. You're gonna love it.

1:02:04 > 1:02:06LAUGHS

1:02:06 > 1:02:09SINGS IN DIALECT

1:02:11 > 1:02:14SINGING DROWNS SPEECH

1:02:14 > 1:02:17You're gonna love it. You're gonna love it.

1:02:17 > 1:02:19- Oh!- What's wrong?!

1:02:19 > 1:02:21Ahh!

1:02:21 > 1:02:23You've got to be kidding me!

1:02:23 > 1:02:24Woah!

1:02:24 > 1:02:27SHE LAUGHS

1:02:33 > 1:02:35LAUGHS

1:02:35 > 1:02:37Woo-hoo!

1:02:53 > 1:02:56It's a great atmosphere here.

1:02:56 > 1:02:58Ah!

1:02:58 > 1:02:59This is my family.

1:02:59 > 1:03:02They mean everything to me.

1:03:02 > 1:03:03Cheers.

1:03:08 > 1:03:11If Laura could see this... she'd love it.

1:03:11 > 1:03:14Next time, bring her. You know you're always welcome.

1:03:19 > 1:03:21She wants a divorce.

1:03:24 > 1:03:25I'm sorry.

1:03:25 > 1:03:27No, it's...

1:03:28 > 1:03:31You know, er... the real problem...

1:03:31 > 1:03:34there have been three of us in our marriage.

1:03:34 > 1:03:36Her and me and...

1:03:36 > 1:03:38and GSN.

1:03:41 > 1:03:43But do you know what you want, Ed?

1:03:46 > 1:03:48I still want Laura.

1:03:48 > 1:03:51But...Michael, it's easier said than done.

1:03:51 > 1:03:53We've already separated.

1:03:55 > 1:03:57I moved into an apartment on Westside.

1:03:59 > 1:04:01Ed, if it's Laura you want,

1:04:01 > 1:04:03go for it.

1:04:03 > 1:04:05It's never too late.

1:04:06 > 1:04:08GSN can look after itself.

1:04:10 > 1:04:11BELL CHIMES

1:04:11 > 1:04:16Mr President, I was with you in Bahrain yesterday.

1:04:16 > 1:04:20I could never be party to a rebellion against your government.

1:04:20 > 1:04:25If William Le Trois being a guest at my house is a problem,

1:04:25 > 1:04:28- you're sure to get my resignation in the morning.- Charles...

1:04:37 > 1:04:39I don't want your resignation...

1:04:39 > 1:04:43and I do not doubt your loyalty.

1:04:43 > 1:04:45I need answers about William Le Trois.

1:04:45 > 1:04:49I've known William since I served in the Ministry of Defence.

1:04:51 > 1:04:53He's the financial advisor to Arms Link.

1:04:53 > 1:04:58But I had no idea what he was planning.

1:04:58 > 1:05:00HE SIGHS

1:05:00 > 1:05:01Mr President,

1:05:01 > 1:05:04I can order William Le Trois' immediate arrest.

1:05:04 > 1:05:06Mr President,

1:05:06 > 1:05:10apprehending William Le Trois may stop the coup in this instance,

1:05:10 > 1:05:14but our armed forces are presently ill-equipped to counter an attack.

1:05:16 > 1:05:18SIGHS

1:05:20 > 1:05:25What was the name of the other arms company that submitted a tender?

1:05:25 > 1:05:27De Facto.

1:05:29 > 1:05:30Hm.

1:05:32 > 1:05:34PHONE RINGS

1:05:34 > 1:05:35Excuse me.

1:05:35 > 1:05:38AFRICAN MUSIC PLAYS

1:05:38 > 1:05:39Michael.

1:05:39 > 1:05:41Michael.

1:05:41 > 1:05:45'I just received a phone call from the President.'

1:05:45 > 1:05:47I'm afraid I'm going to have to kill your story.

1:05:47 > 1:05:49I'm sorry.

1:05:49 > 1:05:52Come on, let's not beat ourselves up here.

1:05:52 > 1:05:57The only part of our story that was questionable was Secretary Ojuka's involvement.

1:05:57 > 1:05:59We were right about William Le Trois.

1:05:59 > 1:06:02But how did Ojuka manage to be in two places at the same time?

1:06:02 > 1:06:05Come on, let's look on the bright side, huh?

1:06:05 > 1:06:08By exposing the coup, at least we saved some innocent lives.

1:06:10 > 1:06:12OK, so we foiled a coup.

1:06:12 > 1:06:15But now the President is going to reinstate the defence budget,

1:06:15 > 1:06:17at the expense of what? The water project.

1:06:17 > 1:06:19- People still lose.- Anita.

1:06:19 > 1:06:22- Are you ready to go?- Yeah, Jomo.

1:06:22 > 1:06:24- Hey, Benjy!- Hey, Mr Jomo.

1:06:24 > 1:06:27You've done a great job on this car, huh?

1:06:31 > 1:06:32OK, listen.

1:06:34 > 1:06:37Now, don't spend this all at once, OK?

1:06:37 > 1:06:39Thank you, Mr Jomo.

1:06:39 > 1:06:42My pleasure!

1:06:42 > 1:06:45- Michael, great party. - Thanks for coming.

1:06:47 > 1:06:49Hey, stay strong, my brother.

1:06:52 > 1:06:54Ed, I'll see you soon.

1:06:54 > 1:06:55All right.

1:06:58 > 1:06:59Mr Ed.

1:06:59 > 1:07:01Yeah, Benjy!

1:07:01 > 1:07:03Show us the shots the video took.

1:07:03 > 1:07:05Yeah. Yeah, I remember.

1:07:05 > 1:07:07I thought I'd show him the stuff I shot at the party.

1:07:07 > 1:07:11Sure, go ahead. I'm gonna go and break the bad news to the chief.

1:07:11 > 1:07:13Come on, let's go.

1:07:25 > 1:07:28INAUDIBLE

1:07:35 > 1:07:37MUSIC PLAYS ON LAPTOP

1:07:37 > 1:07:39That looks like you.

1:07:39 > 1:07:41I can tell.

1:07:43 > 1:07:45They're loving it.

1:07:46 > 1:07:49Look! There's me from yesterday.

1:07:49 > 1:07:51Play it again, Mr Ed, play it again.

1:07:51 > 1:07:52OK.

1:07:55 > 1:07:57There you go.

1:08:00 > 1:08:02CHILDREN LAUGH

1:08:09 > 1:08:11It was recorded!

1:08:14 > 1:08:15You've lost me.

1:08:15 > 1:08:17It was pre-recorded.

1:08:18 > 1:08:21That's how Ojuka was in two places at the same time.

1:08:21 > 1:08:23Run... Run that by me again.

1:08:23 > 1:08:25- The meeting.- Yeah.

1:08:25 > 1:08:27Ojuka pre-recorded it for my benefit.

1:08:27 > 1:08:31What better alibi to have than the President himself?

1:08:31 > 1:08:34Michael, why would they want you to know about the coup?

1:08:34 > 1:08:36There never was a coup, Ed.

1:08:36 > 1:08:38Look at the facts.

1:08:38 > 1:08:40My apartment gets burgled.

1:08:40 > 1:08:42Hey! Hey!

1:08:42 > 1:08:43Nothing taken.

1:08:43 > 1:08:45I get shot at.

1:08:47 > 1:08:50They miss.

1:08:50 > 1:08:51TYRES SCREECH

1:08:51 > 1:08:55Then I see the meeting on the security screen.

1:08:55 > 1:08:58'That makes me believe there's a coup.'

1:08:58 > 1:09:01'I've taken care of that. They'll be...'

1:09:01 > 1:09:05That leads us to hanger four, and what do we really find there?

1:09:05 > 1:09:08Nothing.

1:09:11 > 1:09:14Ed, it's been a set-up.

1:09:14 > 1:09:18I've been the right man in the right place

1:09:18 > 1:09:20at the right time.

1:09:21 > 1:09:23But for who?

1:09:23 > 1:09:26So, we have all been victims of an elaborate conspiracy

1:09:26 > 1:09:28to manipulate the press.

1:09:28 > 1:09:29But why?

1:09:29 > 1:09:32You know, initially, I thought this was all about power.

1:09:32 > 1:09:34But now I'm convinced it's about money.

1:09:34 > 1:09:36How did you figure that out?

1:09:36 > 1:09:37Hear me out.

1:09:37 > 1:09:40It's all connected to the President's decision.

1:09:40 > 1:09:43William Le Trois is involved with Arms Link.

1:09:43 > 1:09:46Arms Link lost a defence contract

1:09:46 > 1:09:49when the President opted for the water project.

1:09:49 > 1:09:52Now, they wanted me to write the story about the coup

1:09:52 > 1:09:56in order to scare the President into believing the country was in danger

1:09:56 > 1:09:58so he would reinstate the arms deal.

1:09:58 > 1:10:01The President's won't give a contract to Arms Link

1:10:01 > 1:10:03if they're implicated in the coup.

1:10:03 > 1:10:06He's already offered the contract to De Facto.

1:10:06 > 1:10:07Mm.

1:10:07 > 1:10:09A rival arms company.

1:10:09 > 1:10:11Michael,

1:10:11 > 1:10:14your instincts are usually right.

1:10:14 > 1:10:17But I simply can't afford to get it wrong twice.

1:10:17 > 1:10:20If you think it's about the money, it is the money!

1:10:22 > 1:10:26Can I use your phone? I don't think this one is mine.

1:10:26 > 1:10:30The police must have returned the wrong one to me.

1:10:32 > 1:10:36When is a phone that looks like a phone not just a phone?

1:10:38 > 1:10:42When it belongs to the CIA.

1:10:42 > 1:10:44Jon Marshall's phone.

1:10:44 > 1:10:49I'll bet every piece of information that Silverman wants is in my hand.

1:11:13 > 1:11:16CAR DOORS SHUT

1:11:34 > 1:11:36Let's get this over with.

1:11:36 > 1:11:38Our information first.

1:11:38 > 1:11:40Let's see it.

1:11:43 > 1:11:48I don't have to remind you that it's US Government property.

1:11:56 > 1:11:58Who was Marshall investigating?

1:11:58 > 1:12:01That's classified. You should know better, Ed.

1:12:01 > 1:12:04- That's not what we agreed, Colonel. - Next time,

1:12:04 > 1:12:06make sure you get your information first.

1:12:06 > 1:12:10It won't be much use to you without the SIM card.

1:12:14 > 1:12:16New deal, Colonel.

1:12:16 > 1:12:18No information, no SIM card.

1:12:18 > 1:12:23You told me that Marshall working for Rhines was just his cover.

1:12:23 > 1:12:25So I lied. Shoot me.

1:12:25 > 1:12:28The card.

1:12:28 > 1:12:30Just one more thing.

1:12:30 > 1:12:33The connection between Thomas Rhines and William Le Trois.

1:12:33 > 1:12:35What do you think?

1:12:35 > 1:12:37Le Trois deals for Rhines.

1:12:38 > 1:12:41You're saying Rhines owns Arms Link?

1:12:41 > 1:12:43Now give me the card.

1:12:43 > 1:12:45It's in the phone.

1:12:46 > 1:12:50So I lied.

1:12:50 > 1:12:51Shoot me.

1:12:51 > 1:12:54Son of a...!

1:13:00 > 1:13:02HE SIGHS This is crazy.

1:13:02 > 1:13:04Everybody's connected to Arms Link.

1:13:05 > 1:13:08But where is the payoff?

1:13:10 > 1:13:14Look...Rhines is launching his scheme this afternoon

1:13:14 > 1:13:15at the National Grammar School.

1:13:15 > 1:13:17Stick with him until you hear from me.

1:13:17 > 1:13:20No problem.

1:13:20 > 1:13:21Where are you gonna be?

1:13:21 > 1:13:23There's a girl I gotta see.

1:13:23 > 1:13:24Right.

1:13:53 > 1:13:55Hey! What are you doing here?

1:13:55 > 1:13:57At last... HE SNIFFS

1:13:59 > 1:14:01..some peace and quiet.

1:14:01 > 1:14:03You can't come in here.

1:14:03 > 1:14:05I don't have any books overdue,

1:14:05 > 1:14:10and somehow I think that the gun pointing at you under the table

1:14:10 > 1:14:15counts for more than some petty library card, don't you?

1:14:17 > 1:14:18What do you want?

1:14:18 > 1:14:22If Ojuka thought he could double-cross me, he thought wrong.

1:14:23 > 1:14:25When I get my money,

1:14:25 > 1:14:27he might see you again.

1:14:45 > 1:14:46Michael.

1:14:46 > 1:14:48What are you doing here?

1:14:48 > 1:14:51- Surprised to see me?- Um, yeah.

1:14:51 > 1:14:53I'm afraid you caught me at an awkward time.

1:14:53 > 1:14:55I've got a tutorial in five minutes.

1:14:55 > 1:14:57Look, I'm sorry, but can we meet up later?

1:15:05 > 1:15:06Michael?

1:15:06 > 1:15:08What were you promised to set me up?

1:15:09 > 1:15:11The posting in the London embassy?

1:15:13 > 1:15:15Sorry?

1:15:15 > 1:15:19You know, I can understand Ojuka, William Le Trois...

1:15:19 > 1:15:21and even Thomas Rhines.

1:15:21 > 1:15:22But you.

1:15:22 > 1:15:26- Why you?- I don't know what you're talking about.

1:15:26 > 1:15:28- You set me up.- I don't need to listen to this.

1:15:30 > 1:15:32Michael, will you leave?

1:15:32 > 1:15:33Now.

1:15:35 > 1:15:37I want you to leave, Michael. Please just leave.

1:15:37 > 1:15:40You are going to serve just as many years in prison...

1:15:40 > 1:15:42as Secretary Ojuka, for murder.

1:15:42 > 1:15:45- I didn't kill anyone. - You're an accessory.

1:15:45 > 1:15:47It's just as good as murder.

1:15:47 > 1:15:50And for what? For what, Sabina?

1:15:50 > 1:15:53Arms Link has lost out on the contract to De Facto.

1:15:53 > 1:15:55That means no money for Rhines,

1:15:55 > 1:15:58no money for Ojuka, no money for you.

1:15:58 > 1:16:00You've won nothing.

1:16:00 > 1:16:03And who do you think owns De Facto?

1:16:10 > 1:16:12Thomas Rhines.

1:16:14 > 1:16:16Thomas Rhines.

1:16:18 > 1:16:20Why did you have to get so involved, Michael?

1:16:23 > 1:16:26Give me your car keys.

1:16:32 > 1:16:33No!

1:16:33 > 1:16:34GUNSHOT

1:16:34 > 1:16:37SCREAMING

1:16:37 > 1:16:40GUNSHOTS

1:16:40 > 1:16:43MAN SHOUTS

1:16:45 > 1:16:47Let go of me.

1:16:50 > 1:16:52Let go of me.

1:16:52 > 1:16:53SHE GROANS

1:16:54 > 1:16:57Somebody stole my car.

1:17:19 > 1:17:20..Black jeep, registration...

1:17:20 > 1:17:22TYRES SCREECH

1:17:22 > 1:17:25HORN BLARES

1:17:49 > 1:17:51Aaah!

1:17:51 > 1:17:53You'll get us killed! Aaah!

1:18:23 > 1:18:25Don't!

1:18:52 > 1:18:55ENGINES REV

1:19:09 > 1:19:13DRUMBEATS PLAY

1:19:32 > 1:19:34HORN BLARES Oh!

1:19:38 > 1:19:40ENGINE REVS

1:19:41 > 1:19:45CARNIVAL MUSIC PLAYS

1:19:45 > 1:19:46Come on.

1:19:46 > 1:19:50BLOWS WHISTLE

1:20:02 > 1:20:05Move!

1:20:06 > 1:20:08Move!

1:20:10 > 1:20:11Move.

1:20:13 > 1:20:19INAUDIBLE

1:20:28 > 1:20:30HONKS HORN Come on!

1:20:33 > 1:20:36Off the car!

1:20:36 > 1:20:38Come on! Dance with us.

1:20:40 > 1:20:42Move!

1:20:42 > 1:20:43No, no.

1:20:50 > 1:20:52Ah, ah, ah!

1:20:58 > 1:21:01Shit! Shit!

1:21:47 > 1:21:49HE GRUNTS

1:21:59 > 1:22:02HE SCREAMS

1:22:26 > 1:22:29Michael!

1:22:32 > 1:22:37Michael, I'm sorry. I'm so sorry. I had no idea they'd kill someone.

1:22:39 > 1:22:42Michael, you've got to believe me. Ojuka told me

1:22:42 > 1:22:46- it was a matter of national security.- I need that videotape.

1:22:50 > 1:22:53How many more people must die before enough is enough?

1:23:01 > 1:23:04The availability of these computers

1:23:04 > 1:23:07in high schools across the country is sure to encourage

1:23:07 > 1:23:09literacy among the young generation...

1:23:09 > 1:23:15- MOBILE RINGS - ..who are Africa's future. Log On Africa!

1:23:15 > 1:23:17Yeah, Michael?

1:23:19 > 1:23:22OK, no problem. It's what I do best.

1:24:05 > 1:24:08- Give me time for a couple more.- OK.

1:24:08 > 1:24:10Any questions?

1:24:10 > 1:24:11REPORTERS ALL SHOUT

1:24:13 > 1:24:17Ed Johnson, GSN. Are you aware, Mr Rhines, that as of today,

1:24:17 > 1:24:20the President has recommissioned the Water For All project?

1:24:20 > 1:24:25With this putting a definite end to speculation regarding the defence budget being reinstated,

1:24:25 > 1:24:27what are your thoughts on this?

1:24:28 > 1:24:31Well, I... I think it's good.

1:24:31 > 1:24:36It shows that the President and I are on the same page,

1:24:36 > 1:24:39bettering the lives of the ordinary people in this country.

1:24:41 > 1:24:46And...are you also aware that a conspiracy's been unearthed,

1:24:46 > 1:24:48in which the banker, William Le Trois,

1:24:48 > 1:24:52Federal Secretary Charles Ojuka, and an international businessman

1:24:52 > 1:24:56have attempted to defraud the government?

1:24:57 > 1:25:00Excuse me, I have to leave.

1:25:00 > 1:25:02REPORTERS SHOUT

1:25:03 > 1:25:05Mr Rhines!

1:25:09 > 1:25:11Michael?

1:25:11 > 1:25:13- 'He's on the move.' - Thanks.

1:25:31 > 1:25:35- ON TV:- 'What took you so long? - The traffic was horrendous.'

1:25:52 > 1:25:53'Monsieur?'

1:25:53 > 1:25:55HE LAUGHS

1:26:03 > 1:26:06HE CLEARS HIS THROAT

1:26:07 > 1:26:09'I hope there won't be any delays

1:26:09 > 1:26:12- 'with the money. - The funds will be transferred

1:26:12 > 1:26:16'a week before the troops are deployed.'

1:26:24 > 1:26:28'It is imperative that my name is kept out of this whole affair.'

1:26:30 > 1:26:34'We can't afford any further mistakes like Marshall.'

1:26:36 > 1:26:38'Ensure that he won't talk again.'

1:26:38 > 1:26:40DOOR SLAMS IN DISTANCE

1:26:47 > 1:26:50Sabina! You home early.

1:26:50 > 1:26:52Yeah, I'm just studying.

1:26:55 > 1:26:59SAFE BEEPS AND OPENS

1:27:14 > 1:27:18- I'll be at Rhines' house.- OK.

1:27:19 > 1:27:21Sabina?

1:27:25 > 1:27:26Are you all right?

1:27:26 > 1:27:29Yeah, I'm just a little bit tired.

1:27:29 > 1:27:31Take care.

1:28:14 > 1:28:16Here it is.

1:28:16 > 1:28:18Thank you.

1:28:18 > 1:28:24- You OK? - It wasn't easy betraying Ojuka.

1:28:25 > 1:28:27Where's he gone?

1:28:28 > 1:28:32I'm sorry, but you don't understand everything about me, you know.

1:28:32 > 1:28:34Where's he gone?

1:28:35 > 1:28:37Where's he gone, Sabina?

1:28:38 > 1:28:41Thomas Rhines' house.

1:28:44 > 1:28:48Prove to me I'm not crazy for believing in you.

1:29:07 > 1:29:11I warned you that William could become a liability!

1:29:11 > 1:29:13But you...you didn't listen.

1:29:13 > 1:29:16Shut up. You were supposed to make sure he was paid his cut.

1:29:16 > 1:29:18There were delays in the transaction!

1:29:39 > 1:29:43Did you think he would leave without his money, you idiot?

1:29:43 > 1:29:46Be careful how you talk. I'm the Federal Secretary to the president!

1:29:46 > 1:29:50Presidents! They are only as powerful as men like me allow them to be.

1:29:50 > 1:29:53You're just another corrupt politician.

1:30:06 > 1:30:08HE DIALS PHONE

1:30:10 > 1:30:13Hello? Police Commissioner?

1:30:13 > 1:30:16You have lost nothing. You don't come from here.

1:30:16 > 1:30:20You can simply pack your bags and move on to another deal.

1:30:22 > 1:30:25But me? This is my home.

1:30:25 > 1:30:29My life. I've lost everything.

1:30:30 > 1:30:32Everything.

1:30:32 > 1:30:35SIRENS WAIL OUTSIDE

1:31:01 > 1:31:03Open the door! Open the door!

1:31:03 > 1:31:07What are you doing? Open the door, you piece of shit!

1:31:07 > 1:31:11VOICE DROWNED OUT BY HELICOPTER

1:31:20 > 1:31:22Get me out of here, quickly!

1:31:25 > 1:31:27Let's go!

1:31:43 > 1:31:45Do your job. Do it now!

1:31:50 > 1:31:52Shit. Don't shoot!

1:31:53 > 1:31:57- Don't shoot! I'm Secretary Ojuka. - Hold fire! >

1:31:57 > 1:31:59Hold fire!

1:32:04 > 1:32:07I've been held hostage.

1:32:07 > 1:32:11Secretary Ojuka, we received information that William Le Trois was hiding here.

1:32:11 > 1:32:14I need a police escort. Immediately.

1:32:14 > 1:32:16This is a matter of national secur...

1:32:22 > 1:32:24Sabina?

1:32:31 > 1:32:33Secretary Ojuka,

1:32:33 > 1:32:38I am arresting you for murder, and grand conspiracy

1:32:38 > 1:32:40to defraud the government.

1:32:40 > 1:32:42This...

1:32:42 > 1:32:45This has got to be a big mistake.

1:32:45 > 1:32:47I need to contact the President now!

1:32:57 > 1:32:58What have you done?

1:33:04 > 1:33:07Sabina.

1:33:07 > 1:33:09What have you done?

1:33:28 > 1:33:32Kelvin, this is not the way to the coast, we're circling around.

1:33:32 > 1:33:34Kelvin.

1:33:34 > 1:33:36Kelvin!

1:33:43 > 1:33:45Michael Power.

1:33:53 > 1:33:58OK, let's talk business. What's your price?

1:33:58 > 1:34:00- Sorry?- Everyone has a price, my friend.

1:34:00 > 1:34:03I need you to fly me to the coast, what's your price?

1:34:03 > 1:34:06A million dollars, two? Give me a number.

1:34:06 > 1:34:09You know, I've often wondered how people like you sleep at night,

1:34:09 > 1:34:13- but I don't suppose you have a conscience.- I'm a traitor,

1:34:13 > 1:34:15there's no profit in a conscience.

1:34:15 > 1:34:19- I'm a journalist, a conscience pays my rent.- What's your price?

1:34:21 > 1:34:23What's my price(?)

1:34:26 > 1:34:29I have covered wars all over the world,

1:34:29 > 1:34:32I have watched people die just feet away from me,

1:34:32 > 1:34:35staring at me with their last gaze,

1:34:35 > 1:34:38hoping...praying for an answer,

1:34:38 > 1:34:42an explanation as to why it was necessary for them to die.

1:34:42 > 1:34:48That you, Thomas Rhines, stood to make vast sums of money

1:34:48 > 1:34:52was just not an answer I could bring myself to give them.

1:34:52 > 1:34:55You can't afford my price.

1:35:00 > 1:35:05I think you'll find my previous offer was a lot more attractive.

1:35:15 > 1:35:17Oh, you're a very smart man, Mr Power.

1:35:17 > 1:35:19Perhaps smarter than I am.

1:35:22 > 1:35:26But I have wisdom, that's what age gives you.

1:35:26 > 1:35:30At my age I know I'm far too old to go to prison.

1:35:30 > 1:35:33I don't see you have a choice.

1:35:33 > 1:35:35Oh!

1:35:35 > 1:35:38I've just made my choice.

1:36:37 > 1:36:40- Michael Power.- Mr Commissioner.

1:36:40 > 1:36:44Odd that an anonymous tip-off about an alleged sighting of

1:36:44 > 1:36:46William Le Trois led to all this.

1:36:53 > 1:36:55Thank you.

1:36:55 > 1:36:57I knew I wasn't a fool.

1:37:03 > 1:37:06Well, it's the least I could do.

1:37:08 > 1:37:10It's over between us, isn't it?

1:37:10 > 1:37:14We didn't exactly start off on the right foot.

1:37:14 > 1:37:16Mitigating circumstances?

1:37:20 > 1:37:22If things were different...

1:37:25 > 1:37:27I understand.

1:37:27 > 1:37:29Goodbye, Michael.

1:37:35 > 1:37:38Don't forget to write to your parents.

1:38:04 > 1:38:07So, Michael, are you telling me you wrote this?

1:38:10 > 1:38:12No, seriously, good work, my brother.

1:38:12 > 1:38:16- Thanks, man. Is our surprise ready?- Yeah.- Cool.

1:38:16 > 1:38:19I can't believe you put in a good word for the intern.

1:38:19 > 1:38:23It's an inspiring piece of work - arms and water.

1:38:23 > 1:38:26Too much of one, too little of the other. Well done.

1:38:26 > 1:38:27Thanks ma'am.

1:38:31 > 1:38:35A toast. Well, unfortunately Ed is leaving us tomorrow.

1:38:35 > 1:38:38ALL: Ah, Ed!

1:38:38 > 1:38:41Please join me in raising a toast to the man from GSN.

1:38:41 > 1:38:44A colleague and a true friend.

1:38:44 > 1:38:47He'll be sorely missed. Ed!

1:38:47 > 1:38:50- ALL: Ed! - Speech.

1:38:50 > 1:38:53Thanks, thanks. It's, er... It's been some trip.

1:38:53 > 1:38:56- I feel like part of a family now. - So listen, um...

1:38:56 > 1:39:00as a member of the family why don't you get the rest of your family...

1:39:00 > 1:39:02a round of drinks, hey?

1:39:02 > 1:39:06- JOMO LAUGHS - There's me thinking I could slip away quietly.

1:39:06 > 1:39:09- Oh yeah, you think so.- Mike.

1:39:12 > 1:39:14I talked to Laura last night,

1:39:14 > 1:39:19- Yeah?- Yeah, she's picking me up at the airport, so...- Really?- Yeah.

1:39:19 > 1:39:22Well, have I got a surprise for you.

1:39:35 > 1:39:37Laura.

1:39:43 > 1:39:46CHEERING AND CLAPPING

1:39:48 > 1:39:50You're something else, Michael.

1:39:50 > 1:39:53Jomo will be driving you down to my village,

1:39:53 > 1:39:58my family will take care of both of you for the next couple of days.

1:39:58 > 1:39:59Enjoy it, OK.

1:39:59 > 1:40:02Hey, guys, we have a long journey, so let's make tracks, hey?

1:40:02 > 1:40:04Oh, by the way,

1:40:04 > 1:40:07give this to George, he'll understand.

1:40:07 > 1:40:11- You not coming?- Are you kidding? I still have to write my water story.

1:41:47 > 1:41:49- Good morning, Mr President. - Hello, Harry.

1:41:49 > 1:41:51- Welcome to our small town.- Thank you

1:41:53 > 1:41:55Mr President, Michael Power.

1:41:55 > 1:41:57- Mr President.- Michael.

1:41:57 > 1:42:00- Thank you very much, Mr President. - No, Michael, thank you.

1:42:00 > 1:42:04You were formidable this day.

1:42:04 > 1:42:07Thank you very much, it's been my honour.

1:42:11 > 1:42:13My people,

1:42:13 > 1:42:16I am proud to be in your village,

1:42:16 > 1:42:18proud because I stand among my people

1:42:18 > 1:42:22who have shown the inner strength of Africa.

1:42:22 > 1:42:26Ordinary people have managed an extraordinary achievement.

1:42:29 > 1:42:30I may be your president,

1:42:30 > 1:42:34but I am also an ordinary African man,

1:42:34 > 1:42:37and I'm inspired by what I see.

1:42:37 > 1:42:42If anyone ever doubts whether we can triumph over adversity,

1:42:42 > 1:42:45let them come to this village. The whole of Africa

1:42:45 > 1:42:50will look to you, and, for that, I'm eternally grateful.

1:42:50 > 1:42:55not just as your president, but as an African man.

1:42:55 > 1:42:59What you have achieved here today is just the beginning,

1:42:59 > 1:43:01together we can, and together we will

1:43:01 > 1:43:07build a bright new future for our country...and our people.

1:43:07 > 1:43:10APPLAUSE

1:43:22 > 1:43:26I now declare stage one

1:43:26 > 1:43:28of the Water For All project

1:43:28 > 1:43:30officially open.

1:43:30 > 1:43:34CHEERING AND WHOOPING

1:43:34 > 1:43:39MUSIC: "Goddess Of The Sea" by Angelique Kidjo

1:43:39 > 1:43:43# Spread out the water

1:43:43 > 1:43:46# Give out the water

1:43:46 > 1:43:48# Spread out the water

1:43:50 > 1:43:54# Ooh ooh ooh ooh ooh... #

1:43:59 > 1:44:02Michael!

1:44:08 > 1:44:10Michael!

1:44:15 > 1:44:18# Give out the water

1:44:18 > 1:44:21# Spread out the water! #

1:44:23 > 1:44:26# Give out the water

1:44:26 > 1:44:29# Spread out the water

1:44:29 > 1:44:33# Give out the water

1:44:33 > 1:44:35# Spread out the water

1:44:36 > 1:44:39# Give out the water

1:44:39 > 1:44:43# Spread out the water

1:44:43 > 1:44:46# Give out the water

1:44:46 > 1:44:48# Spread out the water... #

1:45:07 > 1:45:10Subtitles by Red Bee Media Ltd 2006

1:45:10 > 1:45:13E-mail subtitling@bbc.co.uk