0:00:02 > 0:00:09This programme contains some strong language
0:05:14 > 0:05:16CHANTING AND MUSIC
0:05:18 > 0:05:20PHONE RINGS
0:05:22 > 0:05:24Hello?
0:05:24 > 0:05:27Ming, turn that stinking music down!
0:05:27 > 0:05:29Oh, it's you!
0:05:29 > 0:05:33Where's my painting? I want my painting.
0:05:33 > 0:05:35In the mail?
0:05:35 > 0:05:37Well, that's original.
0:05:37 > 0:05:41I have to say, I'm astonished that you could do it.
0:05:41 > 0:05:45The climb, all that schlepping at your tender age!
0:05:45 > 0:05:49Anyway, bad news. The price for the goggles went up.
0:05:49 > 0:05:52Rembrandt's not going to cover my expenses.
0:05:53 > 0:05:57Under the circumstances, forty million would be a bargain.
0:05:57 > 0:06:03I don't care how you get it, just make sure that you get it fast.
0:06:03 > 0:06:06Tick-tock, tick-tock.
0:06:19 > 0:06:22- Good morning, Mr Cruz. - Morning.
0:06:32 > 0:06:35How does it look? First you insure the art,
0:06:35 > 0:06:39only to watch it get clipped a month after the client buys it.
0:06:39 > 0:06:42It could become part of our ad campaign.
0:06:42 > 0:06:46I'll remember that when I go upstairs to hear about
0:06:46 > 0:06:48my new position in Toledo.
0:06:48 > 0:06:51I called you at 4.30 this morning.
0:06:51 > 0:06:53I was home in bed.
0:06:53 > 0:06:55You didn't pick up.
0:06:55 > 0:06:57I didn't want to pick up.
0:06:57 > 0:06:59You had company?
0:06:59 > 0:07:00He came in the window.
0:07:00 > 0:07:02How romantic.
0:07:02 > 0:07:04I think that's how he got in.
0:07:04 > 0:07:0770 storeys up with smart-glass windows
0:07:07 > 0:07:09at 400lbs a pop?
0:07:09 > 0:07:11He rigged something.
0:07:13 > 0:07:15And I think it was...
0:07:17 > 0:07:18..telescoping bolts.
0:07:18 > 0:07:20And you know this how?
0:07:20 > 0:07:23Excuse me.
0:07:24 > 0:07:26HE SPEAKS CHINESE
0:07:26 > 0:07:28You're showing off again.
0:07:28 > 0:07:30Let a thousand flowers bloom...
0:07:30 > 0:07:33- Chairman Mao.- You got it.
0:07:34 > 0:07:37He left the window open when he came in.
0:07:37 > 0:07:42- The flowers blew over. - You'll find fresh scratches on the bolts.
0:07:42 > 0:07:43Who do we like for this?
0:07:43 > 0:07:46- Guess. - Oh, gee, I wonder.
0:07:48 > 0:07:50Indulge me.
0:07:50 > 0:07:52Indulge you?
0:07:52 > 0:07:55- Bob, may I? - Oh, yeah. Sure.
0:07:55 > 0:07:57Go ahead.
0:07:59 > 0:08:03Four weeks ago, when our client bought the Rembrandt.
0:08:03 > 0:08:05- See anyone we know? - No.
0:08:05 > 0:08:07No, neither did anyone else.
0:08:12 > 0:08:13Now look again.
0:08:13 > 0:08:16You think he marked the buyer
0:08:16 > 0:08:18at the auction?
0:08:18 > 0:08:19- Right. - Good work, Bob.
0:08:19 > 0:08:23And let's not forget the calling card.
0:08:24 > 0:08:26Elvis has not left the building.
0:08:26 > 0:08:28This is classic Mac, Hector.
0:08:28 > 0:08:32In the five years I have known you, you have liked
0:08:32 > 0:08:35- MacDougal for over half our cases. - He's the best.
0:08:35 > 0:08:39He's 60 years old. He ain't Spiderman any more.
0:08:39 > 0:08:42He's wealthy, he doesn't have to steal.
0:08:42 > 0:08:44You think he steals because he has to?
0:08:44 > 0:08:47Keep working.
0:09:07 > 0:09:09You get in at seven in the morning,
0:09:09 > 0:09:12work till ten, have lunch by yourself,
0:09:12 > 0:09:14you have no friends at the office.
0:09:14 > 0:09:16You've been paying attention.
0:09:16 > 0:09:18I'm worried about you.
0:09:18 > 0:09:20Maybe I like being alone,
0:09:20 > 0:09:22or I'm getting over someone.
0:09:22 > 0:09:26Nothing gets you over the last one like the next one.
0:09:28 > 0:09:30Is this your way of asking me out,
0:09:30 > 0:09:32Hector, huh?
0:09:32 > 0:09:35Not if you're going to say "no".
0:09:37 > 0:09:40You may be right.
0:09:41 > 0:09:43He was here this week.
0:09:43 > 0:09:45He flew back to London this morning?
0:09:45 > 0:09:49It might be worth our while to send someone,
0:09:49 > 0:09:50see what he's up to.
0:09:50 > 0:09:52SHE LAUGHS
0:09:52 > 0:09:54- I know this guy. - Do you?
0:09:54 > 0:09:59- Sure. - When I was at the Bureau we sent two guys after him.
0:09:59 > 0:10:03I know, I know. They disappeared, I know the story.
0:10:03 > 0:10:06- They were both good agents. - They were both men.
0:10:06 > 0:10:08What do you have in mind for bait?
0:10:12 > 0:10:14One thing I know he wants.
0:10:14 > 0:10:16Why not the Mona Lisa?
0:10:16 > 0:10:18Our guy likes a challenge.
0:10:18 > 0:10:20Come on.
0:10:20 > 0:10:23I want this back.
0:10:47 > 0:10:49Thank you, sir.
0:11:58 > 0:12:00ALARM
0:12:06 > 0:12:08ALARM CONTINUES
0:12:10 > 0:12:12SHOUTING
0:12:14 > 0:12:17ALARM CONTINUES
0:12:20 > 0:12:23SIRENS
0:12:43 > 0:12:45Oh, God!
0:12:50 > 0:12:52Shit.
0:13:03 > 0:13:05CREAKING
0:13:11 > 0:13:14SHE GASPS
0:13:14 > 0:13:16Rule number one - never carry a gun.
0:13:16 > 0:13:18You might be tempted to use it.
0:13:18 > 0:13:23- Why are you here? - If I don't like your answers you go out the window.
0:13:23 > 0:13:25Why are you following me?
0:13:25 > 0:13:28I've got a proposition for you.
0:13:28 > 0:13:31How do I know that you're not a cop?
0:13:31 > 0:13:33You'll just have to trust me.
0:13:33 > 0:13:36Rule two - never trust a naked woman.
0:13:36 > 0:13:40I had nothing to sleep in, somebody stole my luggage.
0:13:40 > 0:13:42Really? I'm shocked.
0:13:42 > 0:13:45It's amazing what gets stolen. Your bags...
0:13:45 > 0:13:47- That Rembrandt. - Hmm.
0:13:47 > 0:13:49Indeed. That Rembrandt.
0:13:49 > 0:13:52And this is your proposition?
0:13:52 > 0:13:54Yeah.
0:13:54 > 0:13:56I don't think it's for sale.
0:13:56 > 0:13:58I'm going to steal it.
0:13:58 > 0:14:01From Bedford Palace? That's rather well-guarded.
0:14:01 > 0:14:06It has a random access security code, changed daily. I have the key.
0:14:06 > 0:14:07Good for you.
0:14:07 > 0:14:09But I need your help.
0:14:09 > 0:14:11I can't get in and out.
0:14:11 > 0:14:15I have a buyer who'll give me 40 million for it.
0:14:15 > 0:14:18I have no reason to believe a word you say.
0:14:18 > 0:14:19But you want to.
0:14:19 > 0:14:21Why is that?
0:14:21 > 0:14:25Because you want the mask.
0:14:27 > 0:14:29Hmm.
0:14:29 > 0:14:31First we try, then we trust.
0:14:31 > 0:14:32Meaning what?
0:14:32 > 0:14:36Meet me outside the hotel, 9am tomorrow.
0:14:36 > 0:14:38How do I know you'll be there?
0:14:38 > 0:14:40I'll be there. And I'm never late.
0:14:40 > 0:14:42- Never? - Never.
0:14:42 > 0:14:46If I'm late, it's because I'm dead.
0:14:46 > 0:14:48Whose hotel?
0:14:50 > 0:14:52Mac?
0:14:52 > 0:14:54Mac?
0:15:00 > 0:15:02SHE SIGHS
0:15:04 > 0:15:06MARKET TRADER SHOUTS
0:15:09 > 0:15:11Now, here we are.
0:15:11 > 0:15:13You go in there and ask for Haas.
0:15:13 > 0:15:15- Haas? - Lovely fellow,
0:15:15 > 0:15:18low-key. Tell him you want to buy a Ching vase.
0:15:18 > 0:15:22The price is £200,000 but you're not about to pay.
0:15:22 > 0:15:25- Why not? - You're going to steal it.
0:15:25 > 0:15:27You are a thief, aren't you?
0:15:27 > 0:15:32You take this card, which is fake, as he goes through the back
0:15:32 > 0:15:34to swipe it, you swipe the vase.
0:15:34 > 0:15:37OK.
0:15:37 > 0:15:39Enjoy. I'll be waiting.
0:15:39 > 0:15:41- Ow! - Sorry!
0:15:45 > 0:15:47SHOP BELL RINGS
0:15:57 > 0:15:59Hello.
0:15:59 > 0:16:01Hi.
0:16:01 > 0:16:03I'm here for the Ching vase.
0:16:03 > 0:16:07- I don't know you. - We never met before. Mac sent me.
0:16:09 > 0:16:10Where's the money?
0:16:10 > 0:16:12Where's the vase?
0:16:24 > 0:16:27OK, show me the real one.
0:16:27 > 0:16:29Trust me, babe,
0:16:29 > 0:16:33this is better than the real one. 200,000.
0:16:34 > 0:16:36- HE LAUGHS - What's that?
0:16:36 > 0:16:37It's a credit card.
0:16:37 > 0:16:39Yeah. And?
0:16:39 > 0:16:41I need the miles.
0:16:42 > 0:16:46What, exactly, do you think this is?
0:16:46 > 0:16:50- Harrods? - No, I've never seen rats at Harrods.
0:16:50 > 0:16:52You like a joke, don't you?
0:16:52 > 0:16:54Sure.
0:16:54 > 0:16:57How funny is this?
0:17:00 > 0:17:03I think I made a terrible mistake about the vase.
0:17:03 > 0:17:05Too right.
0:17:11 > 0:17:13Yeah, I did.
0:17:26 > 0:17:28PHONE KEYS BEEP
0:17:33 > 0:17:38Time's running out. You can still escape if you're quick.
0:17:38 > 0:17:41- Where's the vase? - I broke it.
0:17:41 > 0:17:43- What? - I'm sorry.
0:17:43 > 0:17:45Ah!
0:17:56 > 0:17:58Oh, God!
0:17:58 > 0:18:00God bless.
0:18:01 > 0:18:04He came at me with a knife, what was I supposed to do?
0:18:04 > 0:18:06Get the damn vase.
0:18:06 > 0:18:09It was knock-off, you wouldn't have wanted it.
0:18:12 > 0:18:16You missed the point of the entire exercise.
0:18:16 > 0:18:19No, I didn't.
0:18:19 > 0:18:21Oh. Good.
0:18:21 > 0:18:23Good girl. Give it to me.
0:18:23 > 0:18:25What is it?
0:18:25 > 0:18:26Give it to me.
0:18:26 > 0:18:28What is it?
0:18:28 > 0:18:34Bedford Palace - the complete plans, security system, soup to nuts.
0:18:48 > 0:18:50SHE SIGHS
0:18:50 > 0:18:53Look what you've done to this beautiful car.
0:18:53 > 0:18:55Thank God it's not mine. Here.
0:18:55 > 0:18:57Where are we going?
0:18:57 > 0:18:59These are my clothes.
0:18:59 > 0:19:01Yes, you have some nice things.
0:19:01 > 0:19:03It was you? You stole my luggage?
0:19:03 > 0:19:05I'm a thief. So sue me.
0:19:05 > 0:19:08Where are we going?
0:19:06 > 0:19:08Up.
0:19:10 > 0:19:12Mac, where is my suitcase?
0:19:12 > 0:19:14It's with hotel security.
0:19:14 > 0:19:16With what?
0:19:19 > 0:19:21But why?
0:19:21 > 0:19:25There was a robbery yesterday at Cryptonic and someone stole
0:19:25 > 0:19:30five prototype superchips, worth four million dollars each.
0:19:30 > 0:19:33One of these chips is inside your suitcase.
0:19:33 > 0:19:35- With hotel security. - Yes.
0:19:35 > 0:19:38And one anonymous phone call,
0:19:38 > 0:19:40from me, plus the photos...
0:19:40 > 0:19:43- What photos? - Oh, yes.
0:19:43 > 0:19:45These.
0:19:47 > 0:19:49You took...
0:19:53 > 0:19:56Hey! This is entrapment.
0:19:56 > 0:19:58What?
0:19:58 > 0:20:00This is called entrapment.
0:20:00 > 0:20:02Actually, it's called blackmail.
0:20:02 > 0:20:04Entrapment...
0:20:04 > 0:20:07is what cops do to thieves.
0:20:09 > 0:20:11You coming?
0:20:29 > 0:20:31Almost there.
0:21:02 > 0:21:04No lock? No security?
0:21:04 > 0:21:08You're not casing the joint already, are you? This way.
0:21:11 > 0:21:13Oh, wow.
0:21:15 > 0:21:17Shall we?
0:21:24 > 0:21:26Oh, my God.
0:21:33 > 0:21:34This is quite a collection.
0:21:34 > 0:21:36Thank you.
0:21:36 > 0:21:38Only contemporary art?
0:21:38 > 0:21:40You sound surprised.
0:21:40 > 0:21:42No, it's just not what I expected.
0:21:42 > 0:21:46Where are the suits of armour and the crossed swords?
0:21:46 > 0:21:49Up in the attic. Whisky?
0:21:49 > 0:21:51Sure, I'd love one.
0:21:52 > 0:21:54Wow.
0:21:55 > 0:21:58Is all this... paid for?
0:21:58 > 0:22:00With blood. Cheers.
0:22:00 > 0:22:02To the mask.
0:22:04 > 0:22:07I'll show you to your room.
0:22:07 > 0:22:09Who else do you bring here?
0:22:09 > 0:22:11No-one.
0:22:11 > 0:22:13That's sad.
0:22:13 > 0:22:17- Why? - To have something like this and not share it.
0:22:17 > 0:22:20I don't need to share it with anyone.
0:22:20 > 0:22:24Most people buy art to show it off, I collect art for me.
0:22:24 > 0:22:26Your room's this way.
0:22:32 > 0:22:33Good night, then.
0:22:33 > 0:22:35But it's still early.
0:22:35 > 0:22:36We have an early start.
0:22:36 > 0:22:38I'm not tired.
0:22:38 > 0:22:41Where do you sleep?
0:22:45 > 0:22:49Why?
0:22:46 > 0:22:49Just in case I need anything.
0:22:52 > 0:22:54- Can I ask you something? - Sure.
0:22:54 > 0:22:57Has there ever been anyone
0:22:57 > 0:23:01who you couldn't manipulate, beguile, or seduce?
0:23:01 > 0:23:03No.
0:23:05 > 0:23:08Why? Do I make you uneasy, Mac?
0:23:09 > 0:23:11No. Not at all.
0:23:11 > 0:23:15In fact, I think now might be a good time
0:23:15 > 0:23:18for you and I to discuss something.
0:23:18 > 0:23:21What did you have in mind?
0:23:21 > 0:23:24Er, the rules.
0:23:24 > 0:23:26Oh. OK.
0:23:27 > 0:23:31In order for there to be complete trust between thieves,
0:23:31 > 0:23:34there can be nothing personal.
0:23:37 > 0:23:41A job is a job. You do your part, I do mine.
0:23:41 > 0:23:45If one of us is thinking of something other than the task,
0:23:45 > 0:23:49we'll either both get caught or both get dead.
0:23:51 > 0:23:54Good night, again.
0:24:10 > 0:24:11No.
0:24:11 > 0:24:13No.
0:24:13 > 0:24:15No. No.
0:24:15 > 0:24:18No. No.
0:24:18 > 0:24:21- That's the way in. - That's the lake.
0:24:21 > 0:24:24I know it's the lake, dear.
0:24:24 > 0:24:27The first duke dug a tunnel for his mistress.
0:24:27 > 0:24:31A hundred years later, they flooded the place.
0:24:31 > 0:24:32OK, so we go underwater.
0:24:32 > 0:24:35I go underwater. I steal the mask.
0:24:35 > 0:24:37You get the finder's fee of ten per cent.
0:24:37 > 0:24:41But I have the code to the mask case, dear.
0:24:41 > 0:24:44Which you're now going to give to me.
0:24:44 > 0:24:47No!
0:24:49 > 0:24:53- Have you been wasting my time? - Have you been wasting mine?
0:24:58 > 0:25:00I'll arrange your return
0:25:00 > 0:25:02to London.
0:25:04 > 0:25:06I'm not who you think I am, Mac.
0:25:06 > 0:25:09I hope not, for your sake.
0:25:10 > 0:25:12I'm a thief.
0:25:13 > 0:25:15So you keep telling me.
0:25:16 > 0:25:18I stole the Rembrandt.
0:25:20 > 0:25:22Mac, I stole the Rembrandt.
0:25:22 > 0:25:25And I painted the Sistine Chapel.
0:25:25 > 0:25:28Come on, ask me how I did it.
0:25:28 > 0:25:30- How did you do it? - I came from the roof,
0:25:30 > 0:25:34I dropped twenty floors down on a McNeal Descender.
0:25:34 > 0:25:37You must be a hell of a climber.
0:25:37 > 0:25:39I am.
0:25:40 > 0:25:42Hmm?
0:25:45 > 0:25:47I am a hell of a climber.
0:25:49 > 0:25:53I am... one hell of a climber.
0:25:54 > 0:25:57But how did you get it out of there?
0:25:58 > 0:26:00Now, that...
0:26:00 > 0:26:02is the most...
0:26:02 > 0:26:04beautiful part.
0:26:06 > 0:26:08I mailed it.
0:26:08 > 0:26:10No.
0:26:10 > 0:26:13I put it down my own mail tube.
0:26:13 > 0:26:15Simple...
0:26:17 > 0:26:21..effective... safe.
0:26:21 > 0:26:26That's very clever.
0:26:23 > 0:26:26No. Not clever.
0:26:31 > 0:26:33It was perfect.
0:26:33 > 0:26:35Absolutely unbelievable.
0:26:38 > 0:26:40You're right.
0:26:40 > 0:26:42It is beautiful.
0:26:43 > 0:26:48Did you know Rembrandt lived with his parents well into his 40s?
0:26:48 > 0:26:52But of course you'd know that, you're perfect.
0:26:54 > 0:26:56H-How did you get that?
0:26:56 > 0:27:00Why rob the paint house when the mail room's on the ground floor?
0:27:00 > 0:27:02SHE EXHALES
0:27:02 > 0:27:04How did you know I took it?
0:27:04 > 0:27:09There's only a handful of people who make the equipment you used,
0:27:09 > 0:27:11and I know all of them.
0:27:11 > 0:27:13Someone was expecting that.
0:27:13 > 0:27:16Mr Conrad Greene of Kuala Lumpur.
0:27:16 > 0:27:18Oh, God.
0:27:18 > 0:27:20What was it?
0:27:20 > 0:27:23A down payment for services Mr Greene is providing?
0:27:23 > 0:27:26Yeah, something like that.
0:27:28 > 0:27:33What could you possibly want to steal in Malaysia?
0:27:33 > 0:27:35- Hm? - A hundred million dollars.
0:27:38 > 0:27:40What's the job?
0:27:40 > 0:27:42Like the wise man said...
0:27:46 > 0:27:49.."First we try, then we trust."
0:28:03 > 0:28:05Ah, good morning.
0:28:05 > 0:28:09Why does my Jaguar look like you drove it off a cliff?
0:28:09 > 0:28:12Thibadeaux, I'm awfully sorry.
0:28:12 > 0:28:13You owe me 140 Gs.
0:28:13 > 0:28:17How about a 40 million dollar Chinese mask instead?
0:28:17 > 0:28:20With a turbo charger and a six CD changer?
0:28:21 > 0:28:23Did you get everything I need?
0:28:23 > 0:28:26- We're done, you buy me a new car. - Agreed.
0:28:26 > 0:28:28Did you get the small pneumatics?
0:28:28 > 0:28:30What did you ask for?
0:28:30 > 0:28:33Yeah, gotta be a damn elf to use them.
0:28:33 > 0:28:36- And the det cord? - It's in the bag.
0:28:36 > 0:28:41That's some nasty shit, you don't want to mix it with nothing else.
0:28:43 > 0:28:45What the hell's this?
0:28:45 > 0:28:48The thermal camera you asked for.
0:28:48 > 0:28:52I specifically said no liquid-plasma screen.
0:28:52 > 0:28:53That was all I could get.
0:28:53 > 0:28:56How am I supposed to do it without the right tools?
0:28:56 > 0:29:00Give me a break. You think I go to K-Mart to get this shit?
0:29:00 > 0:29:02You'll figure out something,
0:29:02 > 0:29:04you always do.
0:29:04 > 0:29:09- Where's the honey? - In the loch, training.
0:29:09 > 0:29:13I told her I swim for an hour every day, so she'll do it for two.
0:29:17 > 0:29:20So, when is it we do the dirty?
0:29:21 > 0:29:23Maybe we should wait a bit.
0:29:24 > 0:29:27She's got a bigger job after this one.
0:29:27 > 0:29:30This is big enough, man.
0:29:30 > 0:29:33It's never big enough.
0:29:33 > 0:29:36You are keeping it strictly business,
0:29:36 > 0:29:39right, Mac?
0:29:37 > 0:29:39Strictly.
0:29:41 > 0:29:44Have you ever bought a woman's dress?
0:29:45 > 0:29:47It's for the job, for her.
0:29:47 > 0:29:49I don't know her size.
0:29:49 > 0:29:51Well, by the looks of her,
0:29:51 > 0:29:54she's probably a six, but she'd look
0:29:54 > 0:29:56real fine if you put her in a four.
0:29:56 > 0:30:00I had this girl, Tina, she said the dress made the woman.
0:30:00 > 0:30:03But I say the woman makes the dress.
0:30:03 > 0:30:05Lovely story.
0:30:05 > 0:30:07But can you get the dress?
0:30:07 > 0:30:10Mac, you're too old for this shit.
0:30:12 > 0:30:15This mask thing better be worth it.
0:30:15 > 0:30:17Oh, it is.
0:30:17 > 0:30:20It better be worth it for me.
0:31:09 > 0:31:11Our gear's arrived.
0:31:11 > 0:31:14Who brought it?
0:31:15 > 0:31:16A delivery man.
0:31:16 > 0:31:19You just order that stuff from a catalogue?
0:31:19 > 0:31:23No, I just order it from someone I trust implicitly.
0:31:23 > 0:31:27There's lots more, if you're not too tired.
0:31:42 > 0:31:45Left a bit, left a bit. What is it?
0:31:45 > 0:31:47It's fifteen.
0:31:47 > 0:31:49Good.
0:31:49 > 0:31:50Stop.
0:31:50 > 0:31:53Straight back. Go on, take it out. Back.
0:31:53 > 0:31:55There you go, there.
0:31:55 > 0:31:58Keep it taut. Taut.
0:31:58 > 0:32:01Oh, finally.
0:32:01 > 0:32:02Well done.
0:32:15 > 0:32:16Three...
0:32:16 > 0:32:18two...
0:32:18 > 0:32:20one.
0:32:21 > 0:32:23Five decibels.
0:32:23 > 0:32:26Still too loud.
0:32:29 > 0:32:31Set?
0:32:31 > 0:32:33- One, and... - Bang.
0:32:33 > 0:32:36- Two, and... - Bang.
0:32:36 > 0:32:38- Three, and... - Bang.
0:32:38 > 0:32:39Four, and...
0:32:39 > 0:32:41Oh, yeah. Bang.
0:32:41 > 0:32:44The bangs must come when the clock chimes.
0:32:44 > 0:32:46OK, I forgot. I forgot.
0:32:46 > 0:32:48Right, again.
0:32:48 > 0:32:50Knees together.
0:32:50 > 0:32:52Down, down, tuck.
0:32:52 > 0:32:55You keep your mind on your movement.
0:32:55 > 0:32:58Reach. No! No! No! BELLS RING
0:32:58 > 0:33:00These are lasers.
0:33:00 > 0:33:02I am your eyes.
0:33:02 > 0:33:05You keep yours closed, you can't see,
0:33:05 > 0:33:08but I'll be watching every move on our screen.
0:33:08 > 0:33:13Move it. You've got three minutes till the guard gets here.
0:33:14 > 0:33:16Up. Good.
0:33:16 > 0:33:19Better. Left leg. Left.
0:33:19 > 0:33:21There you go. BELLS RING
0:33:22 > 0:33:24I need a break.
0:33:24 > 0:33:26You get a break when you get it right.
0:33:26 > 0:33:28Number one!
0:33:28 > 0:33:31Two, and...
0:33:31 > 0:33:32Bang.
0:33:32 > 0:33:34- Three, and... - Bang.
0:33:34 > 0:33:35- Four, and... - Bang!
0:33:35 > 0:33:37Five, and inflate.
0:33:40 > 0:33:44Well, what's this? It's supposed to be one second.
0:33:44 > 0:33:46You're supposed to open the valve full.
0:33:46 > 0:33:49I did! You can see, it's open!
0:33:49 > 0:33:51Very well. I'll rectify it later.
0:33:51 > 0:33:54Six. Lever.
0:33:54 > 0:33:56Seven. Drop.
0:33:56 > 0:33:57Eight?
0:33:57 > 0:33:59Deflate.
0:33:59 > 0:34:01Well done.
0:34:01 > 0:34:03I did open it full, OK?
0:34:03 > 0:34:05You can go and check it.
0:34:10 > 0:34:12Come on.
0:34:14 > 0:34:16HE SIGHS
0:34:17 > 0:34:18Here.
0:34:18 > 0:34:20There.
0:34:20 > 0:34:22This is where I'm going to enter.
0:34:22 > 0:34:27Then I'll come up to the first beam, this is the hardest part.
0:34:27 > 0:34:30Wait, I'll just... Right here.
0:34:30 > 0:34:32Once I get under the first beam
0:34:32 > 0:34:35I'll be fine, so don't worry about me, OK?
0:34:35 > 0:34:39Once I have this on the computer I can visualise it.
0:34:39 > 0:34:41- I can do this blindfolded. - Really?
0:34:47 > 0:34:50Is this absolutely necessary?
0:34:50 > 0:34:53Yes. Because you won't be able to see them and I will.
0:34:53 > 0:34:55And you will.
0:34:55 > 0:34:57- Right. - Trust me.
0:35:08 > 0:35:10SHE EXHALES SLOWLY
0:35:33 > 0:35:35SHE EXHALES
0:37:06 > 0:37:08We're ready.
0:37:08 > 0:37:11I'll tell you when we're ready.
0:37:11 > 0:37:15You forgot the damn pressure switch, didn't you?
0:37:15 > 0:37:18Jesus! You just can't help it, can you?
0:37:18 > 0:37:19Help what?
0:37:19 > 0:37:23Being such a nasty son of a bitch.
0:37:23 > 0:37:25This is how it has to be.
0:37:25 > 0:37:28But if you can't deal with it...
0:37:28 > 0:37:31Hey, Mac! Bullshit. You know what?
0:37:31 > 0:37:35I think you're just afraid to be nice to me.
0:37:42 > 0:37:44DOOR SLAMS
0:37:47 > 0:37:49(Bastard.)
0:37:49 > 0:37:52SHE PLAYS PIANO
0:37:54 > 0:37:57Merry Christmas.
0:37:57 > 0:37:59For me?
0:37:59 > 0:38:02It's certainly not for me.
0:38:02 > 0:38:04Open it.
0:38:08 > 0:38:14I thought you were probably a six but would look very nice as a four.
0:38:19 > 0:38:21It's beautiful.
0:38:21 > 0:38:23But...?
0:38:25 > 0:38:29Believe it or not, no-one's ever bought me a dress before.
0:38:29 > 0:38:32Well, it comes out of your share.
0:38:35 > 0:38:38I didn't get you anything.
0:38:39 > 0:38:41Not necessary.
0:38:41 > 0:38:43No, I want to.
0:38:43 > 0:38:45I won't be long.
0:38:45 > 0:38:47I'll be waiting.
0:38:47 > 0:38:49DOOR SLAMS
0:39:04 > 0:39:06PHONE RINGS
0:39:06 > 0:39:08'Waverly Insurance.'
0:39:08 > 0:39:10Hi, this is Virginia Baker.
0:39:10 > 0:39:13Hector Cruz on a secure line, please.
0:39:16 > 0:39:20Was it my imagination or didn't I say to check in every day?
0:39:20 > 0:39:23'Sorry, I can't just pick up my cellphone here.'
0:39:23 > 0:39:25I've been worried about you.
0:39:25 > 0:39:26'Where are you?'
0:39:26 > 0:39:30I'm staying with Mac, at his castle.
0:39:30 > 0:39:32'Spare me the details.
0:39:32 > 0:39:34'Did he take the bait?'
0:39:34 > 0:39:37'Oh, yeah. Big time. And he's got the Rembrandt.'
0:39:37 > 0:39:40Whoa. Tilt, bingo, jackpot.
0:39:40 > 0:39:42You want to pick him up?
0:39:42 > 0:39:44'We've got him for possession...'
0:39:44 > 0:39:47I can catch him with his hand in the till.
0:39:47 > 0:39:49'Grand larceny, 25 years.'
0:39:49 > 0:39:50'Think you're up to it?'
0:39:50 > 0:39:52'I know so.'
0:39:52 > 0:39:54Give me the how and the when.
0:39:54 > 0:39:56'I'll call you as soon as I know.'
0:39:56 > 0:39:58Is that a promise?
0:39:58 > 0:40:00Of course it's a promise.
0:40:00 > 0:40:02I gotta go. I gotta go.
0:40:02 > 0:40:04'Wait a sec.'
0:40:04 > 0:40:07- DIALLING TONE - Hello?
0:40:19 > 0:40:21Mac?
0:40:25 > 0:40:27Mac?
0:40:31 > 0:40:32Mac?
0:40:33 > 0:40:35Mac?
0:41:09 > 0:41:10Mac?!
0:41:23 > 0:41:26- CAWING - Oh, God!
0:41:42 > 0:41:45Did you find what you were looking for?
0:41:45 > 0:41:46God, you scared me.
0:41:46 > 0:41:48Know what they say about fear?
0:41:48 > 0:41:51The only remedy is to cut off the head.
0:41:51 > 0:41:53Really?
0:41:53 > 0:41:56Beautiful view, isn't it?
0:41:56 > 0:41:59It helps me to see things more clearly.
0:42:00 > 0:42:05You know, I never come up here without dropping something off.
0:42:10 > 0:42:12Go ahead, then.
0:42:17 > 0:42:20We'll leave in two hours.
0:42:23 > 0:42:25QUACKING
0:42:33 > 0:42:35Gin!
0:42:46 > 0:42:48Well?
0:42:51 > 0:42:52Well.
0:42:56 > 0:43:00You're the most beautiful crook I've ever seen.
0:43:00 > 0:43:02Why, thank you,...
0:43:02 > 0:43:04kind sir.
0:43:04 > 0:43:06So I'll recognise you.
0:43:07 > 0:43:11I wouldn't want to go home with the wrong man.
0:43:11 > 0:43:13It is a masked ball.
0:43:15 > 0:43:18We all go as someone else.
0:43:57 > 0:44:01DANCE MUSIC
0:44:17 > 0:44:22Ten thirty in three, two, one...
0:44:23 > 0:44:25now.
0:44:25 > 0:44:29I think we should pay our respects to the guest of honour.
0:44:29 > 0:44:31Shall we?
0:44:37 > 0:44:40One, two, three, four, five.
0:44:41 > 0:44:45Long. One, two, three...
0:44:45 > 0:44:47Dum-da-dum, dum-da-dum...
0:44:47 > 0:44:49Oh, here we are.
0:44:51 > 0:44:52Oh.
0:46:44 > 0:46:46BEEPING
0:46:50 > 0:46:54BEEPING QUICKENS
0:47:13 > 0:47:15MUSIC ON RADIO
0:47:30 > 0:47:32- Fifteen seconds. - Going hot.
0:47:38 > 0:47:39RADIO
0:47:43 > 0:47:45Seven, six,...
0:47:45 > 0:47:46five...
0:47:46 > 0:47:47four...
0:47:47 > 0:47:49three...
0:47:49 > 0:47:50two...
0:47:50 > 0:47:52one. And one.
0:47:52 > 0:47:54CHIME AND BLAST
0:47:56 > 0:47:58- And two. - CHIME
0:47:58 > 0:48:02- And three. - CHIME
0:48:02 > 0:48:04- And four. - CHIME
0:48:05 > 0:48:07- And five. - CHIME
0:48:07 > 0:48:09- Six. - CHIME
0:48:10 > 0:48:12- And seven. - CHIME
0:48:12 > 0:48:15- And eight. - CHIME
0:48:15 > 0:48:17- More air. - Nine.
0:48:19 > 0:48:20- More. - Ten.
0:48:20 > 0:48:23- More! - Eleven.
0:48:23 > 0:48:25- It's too loud. - More!
0:49:05 > 0:49:07OK.
0:49:40 > 0:49:42Up.
0:50:05 > 0:50:06Hmm.
0:50:14 > 0:50:15Good.
0:50:15 > 0:50:19You've got three minutes on the guard.
0:50:25 > 0:50:27Balance.
0:50:27 > 0:50:29And point.
0:50:29 > 0:50:32Now lift.
0:50:37 > 0:50:40Two minutes on the guard.
0:50:48 > 0:50:50Lift.
0:50:50 > 0:50:53Extend. Now turn.
0:51:06 > 0:51:08Up a little more.
0:51:11 > 0:51:13Now bend the knee.
0:51:29 > 0:51:3175 seconds.
0:51:49 > 0:51:51Freeze.
0:51:51 > 0:51:54You're blocking the beam, I can't see it.
0:51:54 > 0:51:56I got it covered.
0:52:04 > 0:52:06Clever girl.
0:52:22 > 0:52:26Now, remember the damn pressure switch.
0:52:33 > 0:52:35HE GROANS
0:52:56 > 0:52:58Good girl.
0:53:01 > 0:53:0335 seconds.
0:53:07 > 0:53:11Preparing pressure switch neutralisation device.
0:53:24 > 0:53:26Now get out of there.
0:53:26 > 0:53:28Fast.
0:53:46 > 0:53:49ALARM RINGS
0:53:49 > 0:53:51SIRENS
0:53:51 > 0:53:53Come on! Come on!
0:53:53 > 0:53:56Move it! Move it!
0:53:58 > 0:54:01- SHE LAUGHS - Unbelievable!
0:54:10 > 0:54:12Let me have the mask.
0:54:12 > 0:54:15- There she is. - Oh, shit.
0:54:19 > 0:54:23Now, this is where we play truth or dare.
0:54:23 > 0:54:24What?
0:54:30 > 0:54:32First, we start with truth.
0:54:32 > 0:54:36You work for Hector Cruz at Waverly Insurance,
0:54:36 > 0:54:38hmm?
0:54:40 > 0:54:41SHE GASPS
0:54:41 > 0:54:43Now...
0:54:43 > 0:54:45I dare you to lie to me.
0:54:45 > 0:54:48- I don't know what you're talking about. - What?
0:54:48 > 0:54:50SHE COUGHS
0:54:51 > 0:54:55The job was a cover, that's how I got the code.
0:54:55 > 0:54:59No, you're playing both sides. You're going to sell the mask
0:54:59 > 0:55:01to Conrad Greene then turn me in.
0:55:01 > 0:55:03No, I need you for the job.
0:55:03 > 0:55:05- There's no other job. - There is!
0:55:05 > 0:55:08It's worth over...
0:55:08 > 0:55:11Don't tell me it's worth 100 million.
0:55:11 > 0:55:14No, you're right, it's not.
0:55:14 > 0:55:17It's worth over a billion.
0:55:26 > 0:55:28SHE GASPS
0:55:30 > 0:55:32And that's just your share.
0:55:33 > 0:55:35I'm not lying.
0:55:40 > 0:55:43I can't do this job without you, Mac.
0:55:43 > 0:55:46Please, come with me to Kuala Lumpur.
0:55:56 > 0:55:59Can you just decide soon, please?
0:56:04 > 0:56:08Four, three, two, one.
0:56:08 > 0:56:10Your time's up.
0:56:10 > 0:56:15You said you would tell me what the next job is in 24 hours.
0:56:15 > 0:56:17It's a bank.
0:56:19 > 0:56:21And?
0:56:21 > 0:56:24And I didn't say I'd tell you any more.
0:56:25 > 0:56:27Isn't it beautiful here?
0:56:37 > 0:56:40HORN BEEPS
0:56:47 > 0:56:50Banks have never really been my thing.
0:56:50 > 0:56:53Think a billion dollars will change your mind?
0:56:53 > 0:56:56I just don't like surprises.
0:56:56 > 0:56:58Trust me, there won't be any.
0:56:58 > 0:57:02HE LAUGHS Trust me, there always are surprises.
0:57:19 > 0:57:22I must say, it's... very homely.
0:57:22 > 0:57:24Why, thank you.
0:57:32 > 0:57:35Of course, when I said bank,
0:57:35 > 0:57:37I didn't mean just any bank.
0:57:39 > 0:57:41A room with a view.
0:57:41 > 0:57:43I give you the world's tallest building.
0:57:43 > 0:57:46And we're going to steal it?
0:57:46 > 0:57:49And home of the International Clearance Bank,
0:57:49 > 0:57:54which I'm sure you know controls all big money transactions
0:57:54 > 0:57:56in Southeast Asia.
0:57:56 > 0:57:59- Do I have your attention now? - Undivided.
0:57:59 > 0:58:04New York headquarters of the International Clearance Bank.
0:58:04 > 0:58:06Running from there
0:58:06 > 0:58:09are hackproof, dedicated lines to computers
0:58:09 > 0:58:12in its branch offices around the world.
0:58:12 > 0:58:16The only access is from central control in New York
0:58:16 > 0:58:20or from the secure computers in the branch offices.
0:58:20 > 0:58:24In Kuala Lumpur, only one man has unlimited access.
0:58:24 > 0:58:29Lee Kuan Hong, chairman of the Clearance Bank of Kuala Lumpur.
0:58:29 > 0:58:33Vaults are accessed by two things - a key code
0:58:33 > 0:58:36and a completely unfakeable retinal scan.
0:58:36 > 0:58:38Morning. Nice day, huh?
0:58:40 > 0:58:42Which we're going to fake.
0:58:42 > 0:58:44Our chairman,
0:58:44 > 0:58:48with a face full of Mace, is now getting his eyes checked,
0:58:48 > 0:58:52with a little help from Conrad Greene's guys.
0:58:54 > 0:58:56With me, so far?
0:58:56 > 0:59:00- All the way. - Good. Because of the millennium bug,
0:59:00 > 0:59:04International Clearance are running integrity tests
0:59:04 > 0:59:07which they are rehearsing even as we speak.
0:59:07 > 0:59:09Prepare test shutdown for Sydney.
0:59:09 > 0:59:12'Just before midnight, local time,
0:59:12 > 0:59:15'they'll shut down mainframes for 30 seconds.'
0:59:15 > 0:59:16Sydney is down.
0:59:16 > 0:59:18Run test program.
0:59:18 > 0:59:20We need those 30 seconds
0:59:20 > 0:59:22to patch into the mainframe.
0:59:22 > 0:59:28We need ten seconds one-on-one with the computer to download the stuff.
0:59:28 > 0:59:33- And how do we acquire those ten seconds? - We steal them.
0:59:33 > 0:59:35The transmitter I left behind
0:59:35 > 0:59:38overrides the signal of the atomic clock.
0:59:38 > 0:59:41So from 11pm tomorrow night, their clocks
0:59:41 > 0:59:46gain a fraction of a second every minute and we gain ten seconds.
0:59:46 > 0:59:49And what is this stuff we are downloading?
0:59:59 > 1:00:00Enya?
1:00:00 > 1:00:02Cunningly disguised in there
1:00:02 > 1:00:05is a disk that took me five years to make
1:00:05 > 1:00:09in my broom closet at Waverly Insurance.
1:00:10 > 1:00:15It tells the ICB computer to transfer small amounts of money
1:00:15 > 1:00:19from hundreds of corporations in East Asia into my account.
1:00:19 > 1:00:21Our account.
1:00:21 > 1:00:23Yeah, our account.
1:00:23 > 1:00:25Eight billion dollars in total.
1:00:26 > 1:00:29You said one billion.
1:00:29 > 1:00:35- Uh-uh. I said that was your share. - What can you do with seven that you can't with four?
1:00:37 > 1:00:39Hold the record.
1:00:39 > 1:00:41Alone.
1:00:42 > 1:00:44Sounds rather lonely.
1:00:44 > 1:00:46Alone?
1:00:46 > 1:00:48No, alone is good.
1:00:49 > 1:00:52- You want a beer? - Thank you.
1:00:52 > 1:00:54We'll need three weeks to prepare.
1:00:54 > 1:00:56What?
1:00:56 > 1:01:00- Minimum. - No. It has to be tomorrow night.
1:01:00 > 1:01:02No way.
1:01:02 > 1:01:07You don't understand, it has to be millennium midnight or never.
1:01:07 > 1:01:09Then, it's never. It's impossible.
1:01:15 > 1:01:17You...!
1:01:19 > 1:01:21OK.
1:01:21 > 1:01:23Fifty-fifty.
1:01:23 > 1:01:25What?
1:01:26 > 1:01:28You heard.
1:01:31 > 1:01:33It's impossible.
1:01:35 > 1:01:37But doable.
1:01:45 > 1:01:47BEEPING
1:02:03 > 1:02:05So, ladies and gentlemen,
1:02:05 > 1:02:09we are now standing over 700 feet above sea level.
1:02:09 > 1:02:13Our sky bridge is the longest and highest in the world
1:02:13 > 1:02:17and stretches over 300 feet to the opposite tower.
1:02:17 > 1:02:20It is supported by four flexible steel pillars.
1:02:20 > 1:02:22The lights are being hung
1:02:22 > 1:02:25for our millennium party tomorrow.
1:02:25 > 1:02:30Over 40,000 light bulbs will make this truly a sight to remember.
1:04:31 > 1:04:34So, what have we here? We have the goggles
1:04:34 > 1:04:36with the retinal scan.
1:04:36 > 1:04:41And we have the chairman's access card to the 86th floor...
1:04:41 > 1:04:43in the bag.
1:04:43 > 1:04:45Is there anything else?
1:04:45 > 1:04:50Confucius, he say, "Don't use cannon to kill mosquito."
1:04:51 > 1:04:53Er... right.
1:04:53 > 1:04:58Well, now that I've shown you mine, it's your turn to show me yours.
1:04:58 > 1:05:00Well, here she is.
1:05:00 > 1:05:02Oh, goody, goody, goody.
1:05:02 > 1:05:04Bring it to papa.
1:05:05 > 1:05:07Thing of beauty, huh?
1:05:07 > 1:05:13A joy forever. Where's my mask? I want my mask.
1:05:14 > 1:05:18Oh. So, you're working with MacDougal on this, huh?
1:05:18 > 1:05:21Yeah.
1:05:19 > 1:05:21Uh-huh.
1:05:23 > 1:05:28I would suggest you have a little tete-a-tete with your partner,
1:05:28 > 1:05:31if he's still in the country.
1:05:31 > 1:05:34I'll hold on to the access card and the goggles.
1:05:36 > 1:05:38You've got to believe me,
1:05:38 > 1:05:41- I had no idea. - Oh!
1:05:41 > 1:05:42I would never do this to you.
1:05:42 > 1:05:45Don't pout at me, you little bitch!
1:05:45 > 1:05:48- Come on, Conrad. - Get out!
1:05:48 > 1:05:49Get out!
1:05:49 > 1:05:52Just get out! Get out of here!
1:05:58 > 1:06:00Baby, I'm glad to see you.
1:06:01 > 1:06:03I'm calling it off.
1:06:03 > 1:06:07You take this. I'll get the Rembrandt for you later.
1:06:07 > 1:06:10- What you saying? - She's over her head.
1:06:10 > 1:06:12It's not going to happen.
1:06:12 > 1:06:15What about this other big job you were cute about?
1:06:15 > 1:06:18You wouldn't try to cut a brother out, would you?
1:06:18 > 1:06:20There's nothing to cut you out of.
1:06:20 > 1:06:24Sit down, Mac. Sit down.
1:06:24 > 1:06:27I said sit the fuck down.
1:06:36 > 1:06:38You know, Mac, I think it's time
1:06:38 > 1:06:41to take your girlfriend out of the equation
1:06:41 > 1:06:43and get down to you and me.
1:06:43 > 1:06:45She's not my girlfriend.
1:06:46 > 1:06:49I've been getting this Yoko vibe that, all of a sudden,
1:06:49 > 1:06:52your girlfriend's the one in control.
1:07:04 > 1:07:09Now, you change partners, you change the rules.
1:07:09 > 1:07:11And the rules are -
1:07:11 > 1:07:13Mac does the job,
1:07:13 > 1:07:18I watch Mac's back. You don't call off nothing unless I say so.
1:07:33 > 1:07:35Gin?
1:07:42 > 1:07:43Gin?
1:07:46 > 1:07:48Where is it, you bastard?!
1:07:48 > 1:07:50I trusted you!
1:07:50 > 1:07:51Bastard!
1:07:53 > 1:07:56I trusted you! Where is it?!
1:07:56 > 1:07:58HE GROANS
1:08:04 > 1:08:05Why did you take it?
1:08:05 > 1:08:08- SHE SOBS - Get up, I know you're faking.
1:08:14 > 1:08:17SHE SOBS
1:08:22 > 1:08:24SHE SOBS
1:08:38 > 1:08:40Where did you go?
1:08:40 > 1:08:42Why did you take it?
1:08:42 > 1:08:45I was going to sell it.
1:08:45 > 1:08:47Then, why didn't you?
1:08:48 > 1:08:50Because I...
1:08:50 > 1:08:52couldn't do it.
1:08:52 > 1:08:54Why not?
1:08:56 > 1:09:00I knew that if I told you to forget this job,
1:09:00 > 1:09:02get the hell out of here...
1:09:03 > 1:09:06..you wouldn't do it, would you?
1:09:06 > 1:09:09- No. - Hmm. Right.
1:09:14 > 1:09:16Were you worried about me, Mac?
1:09:16 > 1:09:18Well, yes.
1:09:18 > 1:09:22- Were you? - I was worried about both of us.
1:09:26 > 1:09:28Don't be.
1:09:28 > 1:09:30Oh, right.
1:09:30 > 1:09:34Oh, sorry, I forgot about the rules.
1:09:34 > 1:09:36Oh.
1:09:39 > 1:09:41You ever broken them, Mac?
1:09:42 > 1:09:44No.
1:09:44 > 1:09:45Not once?
1:09:45 > 1:09:47No.
1:09:49 > 1:09:51Never?
1:09:51 > 1:09:53Never.
1:09:57 > 1:09:59Alone is good, huh?
1:09:59 > 1:10:02No. Bullshit.
1:10:02 > 1:10:05I hate alone. Alone sucks.
1:10:05 > 1:10:07- Really? - Yeah.
1:10:07 > 1:10:09Hmm.
1:10:19 > 1:10:21Gin?
1:10:21 > 1:10:22Gin?
1:10:22 > 1:10:24Gin?
1:10:28 > 1:10:30Gin!
1:10:30 > 1:10:32- Gin, Gin, Gin. - What?
1:10:38 > 1:10:40My situation is...
1:10:40 > 1:10:42so complicated.
1:10:42 > 1:10:46I can't... I can't explain.
1:10:49 > 1:10:51You're not going to try?
1:11:03 > 1:11:05I'm sorry.
1:11:36 > 1:11:39CAMERA SHUTTER CLICKS
1:11:43 > 1:11:45Yeah, I love you too, guys.
1:12:18 > 1:12:21What are you doing? Get off me!
1:12:21 > 1:12:22Help!
1:12:30 > 1:12:32Hector.
1:12:32 > 1:12:34Oh, God.
1:12:34 > 1:12:36What are you doing here?
1:12:36 > 1:12:39I read in the papers that the mask thing's gone down,
1:12:39 > 1:12:43I don't hear a peep from my trusty agent, so I worry.
1:12:43 > 1:12:45I call the hospitals.
1:12:45 > 1:12:48I call the morgues.
1:12:48 > 1:12:51And finally, I call the airlines.
1:12:52 > 1:12:55I'm badly in need of news here,
1:12:55 > 1:12:58Miss Baker. Help me out.
1:12:58 > 1:13:03You want news? The news is I don't appreciate you blowing my cover.
1:13:03 > 1:13:08He's planning a job that's going to make the mask look like...
1:13:08 > 1:13:10You don't believe me?
1:13:10 > 1:13:12Fine.
1:13:12 > 1:13:14Then, pull me in and pick him up.
1:13:14 > 1:13:19Why would I pull you in when you seem to be getting so close to Mac?
1:13:23 > 1:13:25Jesus.
1:13:25 > 1:13:28- This was business, Hector! - Business?
1:13:28 > 1:13:31Sure there's nothing else you want to tell me?
1:13:31 > 1:13:36Look, give me until tomorrow, I promise you you'll have it all.
1:13:39 > 1:13:41Can I go back to work now?
1:13:47 > 1:13:49Don't lose her.
1:13:53 > 1:13:56Guess she didn't appreciate my pictures.
1:13:56 > 1:14:00Did I tell you or did I tell you? She's screwing you both.
1:14:00 > 1:14:03She says it's business, I believe her.
1:14:03 > 1:14:08Sure. She's probably on her way to see Mac to do a little business.
1:14:08 > 1:14:10Don't do that. Do not do that!
1:14:10 > 1:14:12Hey, Hector, baby.
1:14:12 > 1:14:16There ain't no need to get all up and hard, my man.
1:14:16 > 1:14:19I said I'd make this trip worth your while.
1:14:19 > 1:14:21You better be right.
1:14:23 > 1:14:26All you got to do is listen to old Thibadeaux.
1:14:37 > 1:14:41I've never felt so underdressed in all my life.
1:14:43 > 1:14:46Synchronise... now.
1:14:47 > 1:14:48OK.
1:14:48 > 1:14:53The dish should be on line. Every minute, up to midnight,
1:14:53 > 1:14:58we steal a tenth of a second from the International Clearance Bank.
1:14:58 > 1:15:01SHE SIGHS
1:15:01 > 1:15:03They're still there.
1:15:04 > 1:15:07So... be careful, OK?
1:15:09 > 1:15:10Wait.
1:15:20 > 1:15:23- Gin... - No, don't. Don't say a word.
1:15:51 > 1:15:53BEEPING
1:15:53 > 1:15:55Shit!
1:15:57 > 1:16:00Have you seen a guy... blue overalls?
1:16:00 > 1:16:03Four to base. I'm sorry, sir, I lost him.
1:16:03 > 1:16:08I don't know, he just... Somewhere between the stairs.
1:16:24 > 1:16:26PARTY MUSIC
1:16:50 > 1:16:53Boys, this is Chief Inspector Yeng San
1:16:53 > 1:16:55and Mr Cruz from New York.
1:16:55 > 1:16:59They have a special interest in a couple of guests.
1:17:16 > 1:17:18CHATTERING >
1:17:35 > 1:17:37Elevator, one minute.
1:17:40 > 1:17:45It's not working. This one's not working. I'd use that one.
1:17:58 > 1:18:01Do try to put a smile on your face, dear.
1:18:02 > 1:18:06So, this is your international art thief, Mr Cruz?
1:18:06 > 1:18:09He doesn't look very dangerous, does he?
1:18:12 > 1:18:14Not yet.
1:18:20 > 1:18:22OK.
1:18:27 > 1:18:31Now time stands still.
1:18:31 > 1:18:33Hopefully.
1:18:40 > 1:18:42Excuse me.
1:18:42 > 1:18:44Did you see where they went?
1:18:44 > 1:18:46Seventieth floor, sir.
1:18:46 > 1:18:48Watching the fireworks, probably.
1:18:48 > 1:18:50Do you have cameras up there?
1:18:50 > 1:18:52- Of course. - Would you mind?
1:19:00 > 1:19:02Hmm.
1:19:06 > 1:19:08I can't find them, sir.
1:19:08 > 1:19:13- What do you mean? - I just can't find them.
1:19:13 > 1:19:15There are 2,000 cameras. Find them.
1:19:15 > 1:19:18Listen, I don't mean to intrude,
1:19:18 > 1:19:20but they are very smart.
1:19:20 > 1:19:24If they've disappeared it's because they mean to.
1:19:24 > 1:19:27- Is there any art in the building? - Some.
1:19:27 > 1:19:29And the bank clearance house?
1:19:29 > 1:19:31Nothing but a big computer.
1:19:32 > 1:19:34Something doesn't smell right.
1:19:35 > 1:19:40Well, Mr Cruz, on the say-so of you and your friends in the FBI,
1:19:40 > 1:19:43I have a lot of men on stand-by here.
1:19:43 > 1:19:46What would smell right to you?
1:19:49 > 1:19:51You should pick them up.
1:20:07 > 1:20:10Please make way, please make way.
1:20:11 > 1:20:14Sonic pulse...
1:20:14 > 1:20:16five milliseconds.
1:20:23 > 1:20:25Now put your feet down...
1:20:25 > 1:20:28Between the pulses, I know.
1:20:28 > 1:20:30Three...
1:20:30 > 1:20:33two, one. And...
1:20:36 > 1:20:37Two... three...
1:20:37 > 1:20:39SHE HUMS TUNE
1:20:39 > 1:20:43four... five...
1:20:43 > 1:20:46six...
1:20:46 > 1:20:49seven... eight...
1:20:49 > 1:20:52nine... ten...
1:20:52 > 1:20:55eleven... twelve.
1:20:57 > 1:21:00Fingerprint brush.
1:21:05 > 1:21:07"Kill. Mosquito. Cannon?"
1:21:07 > 1:21:10"Don't use a cannon to kill a mosquito." Confucius.
1:21:10 > 1:21:12You are good.
1:21:36 > 1:21:39This is it? Whatever happened to money?
1:21:39 > 1:21:40Give me the goggles.
1:21:40 > 1:21:42Stuff you can get your hands on?
1:21:46 > 1:21:49This is why I don't do banks any more.
1:21:49 > 1:21:52There used to be gold, deposit boxes.
1:21:52 > 1:21:55Where's the good old-fashioned loot?
1:21:58 > 1:22:00The loot, my dear...
1:22:00 > 1:22:03is right in there.
1:22:10 > 1:22:13- BEEP - Twenty seconds.
1:22:18 > 1:22:20LOUD DISCO MUSIC
1:22:35 > 1:22:37Prepare to go off line in KL. In...
1:22:37 > 1:22:39Five, four, three...
1:22:39 > 1:22:40This is for real.
1:22:40 > 1:22:43..two, one, go.
1:22:43 > 1:22:45BEEP AND DRONING
1:22:49 > 1:22:50They are ten seconds early.
1:22:50 > 1:22:54Why are the Americans always in such a hurry?
1:23:02 > 1:23:04- Ten seconds. - FDC complete.
1:23:04 > 1:23:06- Clear. - Approaching.
1:23:06 > 1:23:08- Fifteen. - Clear.
1:23:08 > 1:23:10Clear!
1:23:10 > 1:23:12Ten seconds.
1:23:16 > 1:23:17Five, four,
1:23:17 > 1:23:21three, two, one.
1:23:22 > 1:23:26- We're clear. - Happy New Year, Malaysia.
1:23:26 > 1:23:30- ALL:- Ten, nine, eight, seven... - Come on.
1:23:30 > 1:23:34six, five, four, three...
1:23:34 > 1:23:36Two, one.
1:23:36 > 1:23:38CHEERING
1:23:38 > 1:23:42- We did it! - Happy New Year.
1:23:48 > 1:23:50Happy millennium.
1:23:54 > 1:23:58That was...perfect.
1:23:59 > 1:24:01ALARM
1:24:11 > 1:24:13Oh, Gin.
1:24:15 > 1:24:17The disk!
1:24:19 > 1:24:21- Get me the spanner. - The what?
1:24:21 > 1:24:24The wrench!
1:24:24 > 1:24:27If they find that disk, we're dead.
1:24:27 > 1:24:28The door!
1:24:35 > 1:24:37I can't stop it, Mac!
1:24:43 > 1:24:46All response units, code red.
1:24:53 > 1:24:55Leave it! Come on!
1:25:19 > 1:25:23- Elevator five's on the move. - Who's in it?
1:25:23 > 1:25:25- It's empty. - No.
1:25:25 > 1:25:29They're still in it. They've freeze-framed the camera.
1:25:29 > 1:25:32- See? - Shut it down.
1:25:35 > 1:25:37There's always a surprise.
1:25:40 > 1:25:42Here.
1:25:43 > 1:25:46Suspects in the vicinity of floor 50.
1:25:46 > 1:25:51OK, Mr Cruz, your friends are rats in a trap.
1:26:04 > 1:26:07Where to?
1:26:05 > 1:26:07Service elevators.
1:26:16 > 1:26:17Get out!
1:26:19 > 1:26:22BOTH COUGH
1:26:23 > 1:26:25Try the stairs.
1:26:28 > 1:26:30FOOTSTEPS
1:26:34 > 1:26:36Get back in.
1:26:40 > 1:26:42Hang on.
1:26:42 > 1:26:44I've got a better idea.
1:26:51 > 1:26:54Temper, temper, Mr MacDougal.
1:26:54 > 1:26:59Confirm suspects on floor 50 heading away from the gas.
1:26:59 > 1:27:02They'll think we're avoiding the gas.
1:27:02 > 1:27:06Try to keep your eyes closed and take a deep breath.
1:27:39 > 1:27:41SHE GASPS
1:27:43 > 1:27:46Get back.
1:28:16 > 1:28:18Here.
1:28:18 > 1:28:21- What's this? - The plan B pack.
1:28:21 > 1:28:24- For what? - If we need it, I'll tell you.
1:28:24 > 1:28:29- If we can get across the vent shafts, we should be OK. - Across where?
1:28:31 > 1:28:33There.
1:28:38 > 1:28:41Let's go.
1:28:54 > 1:28:56Oh!
1:28:56 > 1:28:58HELICOPTER WHIRRS
1:29:14 > 1:29:16OK.
1:29:28 > 1:29:30Move it!
1:29:34 > 1:29:36SHE SCREAMS
1:29:49 > 1:29:51Keep moving.
1:29:51 > 1:29:53Come on.
1:29:54 > 1:29:59CREAKING
1:30:04 > 1:30:06Oh, God.
1:30:10 > 1:30:14SHE SCREAMS
1:30:16 > 1:30:18SHE SCREAMS
1:30:19 > 1:30:22Gin, watch out!
1:30:42 > 1:30:44Gin! We're nearly there!
1:30:44 > 1:30:47Move it! Come on!
1:31:07 > 1:31:09Oh, God!
1:31:10 > 1:31:13CHEERING
1:31:19 > 1:31:22Next stop, vent shaft.
1:32:04 > 1:32:08'Armed police. Hands above your heads.
1:32:08 > 1:32:10'Do not move.
1:32:10 > 1:32:12'I repeat, remain where you are.'
1:32:12 > 1:32:15'SWAT team to the roof.'
1:32:19 > 1:32:24If you can't feel alive now, you never will.
1:32:25 > 1:32:28Go!
1:32:28 > 1:32:30'We have a clean shot, do we take it?
1:32:30 > 1:32:32'I repeat, do we take it?'
1:32:32 > 1:32:34Negative, do you copy?
1:32:34 > 1:32:37I want them alive and kicking.
1:32:39 > 1:32:42Go! Get up into the shaft.
1:32:51 > 1:32:53Come on!
1:32:58 > 1:33:01- Plan B, turn around. Turn around. - What?
1:33:05 > 1:33:09This mini-chute only works with the updraught.
1:33:10 > 1:33:12Not without you. We go together.
1:33:12 > 1:33:15No, we'd drop like stones.
1:33:16 > 1:33:18So, when will I see you again?
1:33:18 > 1:33:216.30am at the Pudu train station.
1:33:21 > 1:33:24- You better be there. - I'll be there.
1:33:24 > 1:33:26I'll be there. I'm never late.
1:33:26 > 1:33:28If I am it's because I'm dead.
1:33:28 > 1:33:31Now... ripcord?
1:33:35 > 1:33:37Pull.
1:33:44 > 1:33:46SHOUTING
1:33:49 > 1:33:51CHEERING
1:35:34 > 1:35:36SHE SIGHS
1:35:39 > 1:35:41Mac!
1:35:41 > 1:35:43- Ah! - Oh, I'm sorry.
1:35:43 > 1:35:45Sorry, sorry.
1:35:46 > 1:35:47So, what's wrong?
1:35:47 > 1:35:50Wrong? Nothing's wrong.
1:35:50 > 1:35:53Everything is... the way it has to be.
1:35:53 > 1:35:55- What? - Virginia Baker?
1:35:55 > 1:36:00Aaron Thibadeaux, FBI. I'm arresting you for grand larceny.
1:36:00 > 1:36:04- You have the right to remain silent. - Mac?
1:36:04 > 1:36:08- Mac? - Anything you say can be used against you in court.
1:36:08 > 1:36:11Thanks, Mac. You got your one minute.
1:36:22 > 1:36:24You're a cop?
1:36:24 > 1:36:27No. Well, not exactly.
1:36:27 > 1:36:31Thibadeaux is FBI. Two years ago he caught me
1:36:31 > 1:36:33and we cut a deal.
1:36:33 > 1:36:36The deal was that I had to deliver you.
1:36:38 > 1:36:41They've been onto you for a while.
1:36:41 > 1:36:43Cruz knew too?
1:36:43 > 1:36:45Oh, he's just found out.
1:36:45 > 1:36:48- SHE SIGHS - I don't get it.
1:36:48 > 1:36:52Why didn't you pick me up before, what were you waiting for?
1:36:52 > 1:36:57Well, at first, I wanted to... see if you could do it.
1:36:57 > 1:36:58Bullshit. Come on.
1:36:58 > 1:37:03And I wanted to see if I could do it.
1:37:04 > 1:37:06Weren't we partners?
1:37:06 > 1:37:08I can't believe you'd do this to me.
1:37:08 > 1:37:12Oh, you'd better believe it. It's all over.
1:37:12 > 1:37:16I gave them Greene, the Rembrandt, the mask.
1:37:16 > 1:37:19And a full seven billion.
1:37:20 > 1:37:22What do you mean, "seven"?
1:37:22 > 1:37:26So you'll just have to make do with one.
1:37:28 > 1:37:30I thought you said one minute.
1:37:30 > 1:37:32Relax, he knows what he's doing.
1:37:32 > 1:37:37Now, plan C. In your pocket you'll find an envelope
1:37:37 > 1:37:39with a passport, visa, money.
1:37:39 > 1:37:42Where you go from here is up to you.
1:37:42 > 1:37:45You'll still hold the record, alone.
1:37:45 > 1:37:47Mac!
1:37:49 > 1:37:52I-I don't understand. Why are you doing this?
1:37:52 > 1:37:58Oh, believe me, I was prepared for everything... except you.
1:38:03 > 1:38:06Mac! Time's up.
1:38:06 > 1:38:08Come with me.
1:38:08 > 1:38:10Gin...
1:38:10 > 1:38:14your life is all ahead of you.
1:38:14 > 1:38:16Mine? This is all I've got.
1:38:16 > 1:38:18No, you've got me.
1:38:20 > 1:38:23- You've got me. - TRAIN APPROACHES
1:38:26 > 1:38:28Listen carefully.
1:38:28 > 1:38:31In your other pocket...
1:38:31 > 1:38:33Let's do it.
1:38:39 > 1:38:41Move and I blow his head off!
1:38:41 > 1:38:44Everybody, just be cool.
1:38:44 > 1:38:47- Nobody move! - Put your weapons down.
1:38:47 > 1:38:50You too, Hector. I swear I'll kill him.
1:38:50 > 1:38:52We'll get her at the next stop.
1:38:52 > 1:38:54Bye, Mac.
1:38:56 > 1:38:59She's heading towards the next station.
1:38:59 > 1:39:02Move it now! No guns. Move it!
1:39:26 > 1:39:31You know, I don't know WHAT just went down here,
1:39:31 > 1:39:36but I'm going to see that you're busted out of the Bureau for it.
1:39:36 > 1:39:38It ain't over, Mac.
1:39:38 > 1:39:40I believe you.
1:39:52 > 1:39:57Well, Mac, this looks like the end of a terrible friendship.
1:39:57 > 1:39:59But you still owe me for today.
1:40:01 > 1:40:03I always pay my debts.
1:40:04 > 1:40:10Four prototype superchips. Value - five million dollars each.
1:40:18 > 1:40:20I hope she was worth it.
1:40:22 > 1:40:24Oh, she was.
1:40:25 > 1:40:27I'll be seeing you, Mac.
1:40:28 > 1:40:30I don't think so.
1:40:34 > 1:40:37OK, Bob. Let the people back on the platform.
1:40:37 > 1:40:39Bring me a damn car.
1:41:48 > 1:41:50How did you do it?
1:41:50 > 1:41:55I jumped trains, mid-station. When the train slowed down I...
1:41:55 > 1:41:57- It was perfect. - Was it, now?
1:41:59 > 1:42:01You know what, Mac?
1:42:01 > 1:42:03I don't want to hold the record alone.
1:42:03 > 1:42:06- No? - I need your help on another job.
1:42:06 > 1:42:08What? The crown jewels?
1:42:08 > 1:42:10No, come on! Too easy.
1:42:10 > 1:42:12I was thinking of...
1:42:12 > 1:42:15Well, I know this guy
1:42:15 > 1:42:19in South Africa, he has the biggest diamonds you'll ever see.
1:42:19 > 1:42:22Have I told you how much I love diamonds?
1:42:23 > 1:42:26Mac?
1:42:27 > 1:42:29Mac?
1:42:31 > 1:42:33Mac!
1:42:33 > 1:42:34What?
1:42:37 > 1:42:39So, what do you think?
1:42:40 > 1:42:43- About what? - About my idea.
1:42:45 > 1:42:48It's doable.
1:42:50 > 1:42:53- Ow! - Oh, I'm sorry. I'm so sorry.