0:00:11 > 0:00:18This programme contains very strong language and prolonged violent scenes.
0:01:29 > 0:01:33WHEELS SQUEAKING
0:01:36 > 0:01:39Laurie: You've heard of the tunnel.
0:01:40 > 0:01:44The one we all go through sooner or later.
0:01:44 > 0:01:47RAT SQUEAKING
0:01:47 > 0:01:49At the end, there's a door...
0:01:49 > 0:01:51WOMAN SHOUTING FAINTLY
0:01:51 > 0:01:56..And waiting for you on the other side of that door...
0:01:56 > 0:01:57is either Heaven...
0:01:57 > 0:02:00or Hell.
0:02:00 > 0:02:04MUFFLED SHOUTING
0:02:04 > 0:02:06This is that door.
0:02:37 > 0:02:40CRICKETS CHIRPING
0:02:43 > 0:02:46LOW TALKING
0:02:55 > 0:02:57Why is this patient in lockdown?
0:02:57 > 0:03:00They didn't tell you about Laurie Strode? No.
0:03:00 > 0:03:01You must have heard of her.
0:03:01 > 0:03:03Sister of Michael Myers?
0:03:03 > 0:03:06Michael Myers, the serial killer?
0:03:06 > 0:03:09You'll hear all the gossip soon enough.
0:03:09 > 0:03:11Let's just... No, tell me about her.
0:03:11 > 0:03:13She decapitated a man.
0:03:13 > 0:03:15Aah!
0:03:17 > 0:03:21Oh, my God. Wh-why?
0:03:21 > 0:03:25Halloween. Three years ago.
0:03:25 > 0:03:2720 years after the first murders,
0:03:27 > 0:03:29her brother finally found her.
0:03:29 > 0:03:32Tracked her down to the school where she was working.
0:03:32 > 0:03:36There were several murders.
0:03:36 > 0:03:38Lots of confusion.
0:03:39 > 0:03:41RADIO CRACKLES
0:03:46 > 0:03:48SIREN
0:03:53 > 0:03:56Guys, over here!
0:04:01 > 0:04:04RIPPING
0:04:08 > 0:04:11Oh, my God. She killed the wrong person.
0:04:12 > 0:04:14Uh!
0:04:17 > 0:04:19Father of three.
0:04:21 > 0:04:24Why didn't the paramedic say something?
0:04:24 > 0:04:27GAGGING
0:04:31 > 0:04:35His larynx had been crushed.
0:04:35 > 0:04:38Don't let on you know.
0:04:44 > 0:04:48Hello, Miss Strode. Did you enjoy your dinner?
0:04:48 > 0:04:51She hasn't said a word in years.
0:04:51 > 0:04:55Extreme disassociative disorder.
0:04:55 > 0:04:58The doctors think she's a suicide threat.
0:04:58 > 0:05:02They found her up on the roof more than once.
0:05:03 > 0:05:07Must be the guilt.
0:05:07 > 0:05:09All she does is stare out that window.
0:05:09 > 0:05:12God know what she sees out there.
0:05:14 > 0:05:16DOOR CLOSES
0:05:16 > 0:05:19LOCK CLICKS
0:05:51 > 0:05:53CRICKETS CHIRPING
0:06:16 > 0:06:18Hello?
0:06:23 > 0:06:25Anyone out there?
0:06:39 > 0:06:41CLICKS LIGHTER
0:06:41 > 0:06:43Boooo!
0:06:43 > 0:06:46Holy shit! Ha ha ha!
0:06:46 > 0:06:49Harold, are you trying to give me a heart attack?
0:06:49 > 0:06:53How the hell did you get out again?
0:06:53 > 0:06:56And who are you supposed to be today?
0:06:56 > 0:06:58John Wayne Gacy.
0:06:58 > 0:07:02Born in Chicago, Illinois in 1942. Come on, big guy.
0:07:02 > 0:07:06Killed 33 people. Buried them under his house.
0:07:06 > 0:07:10He was executed on May 7... I know, Harold.
0:07:11 > 0:07:14Willie, I'm not trying to criticize your work,
0:07:14 > 0:07:17but if you put Harold in his room...
0:07:17 > 0:07:19how come I see him in the basement?
0:07:19 > 0:07:23But...I just... Two seconds ago, he was...
0:07:23 > 0:07:25Come on. Let's go get him.
0:07:25 > 0:07:27How many times do I have to tell you?
0:07:27 > 0:07:29You gotta be sure what you're doing.
0:07:50 > 0:07:53What are you doing? I skipped dinner.
0:07:53 > 0:07:55Hurry up. OK.
0:07:59 > 0:08:01Harold?
0:08:04 > 0:08:06What are you doing down here?
0:08:11 > 0:08:13What's gotten into you?
0:08:13 > 0:08:16SCREAMING
0:08:19 > 0:08:22SQUEAKING
0:08:34 > 0:08:37THUMPING
0:08:54 > 0:08:58BANGING
0:09:19 > 0:09:21Agh! Agh!
0:09:21 > 0:09:22Agh!
0:09:25 > 0:09:28GASPING
0:09:52 > 0:09:57Hmm. Ted Bundy. Born November 24, 19...
0:09:57 > 0:09:59SCRAPING
0:10:27 > 0:10:31BANGING ON DOOR
0:11:42 > 0:11:45Hello, Michael.
0:11:45 > 0:11:48CLICK
0:12:04 > 0:12:08I knew you'd come for me sooner or later.
0:12:08 > 0:12:11What took you so long?
0:12:25 > 0:12:28You failed, Michael.
0:12:29 > 0:12:31You want to know why?
0:12:33 > 0:12:35Because I'm not afraid of you.
0:12:35 > 0:12:37But what about YOU?
0:12:40 > 0:12:42Are you afraid of ME?
0:12:45 > 0:12:47Are you afraid to die, Michael?
0:13:29 > 0:13:31I just have to be sure.
0:13:44 > 0:13:46Uh!
0:13:54 > 0:13:56Aah...!
0:14:12 > 0:14:15I'll see you in Hell...
0:14:35 > 0:14:39HEAVY BREATHING
0:14:59 > 0:15:01GIGGLING
0:15:03 > 0:15:05Michael Myers.
0:15:06 > 0:15:09Born October 19, 1957.
0:15:11 > 0:15:15Killed his older sister, October 31, 1963.
0:15:15 > 0:15:20Killed three high school students, October 31, 1978.
0:15:20 > 0:15:24Also killed three nurses and a paramedic, same night.
0:15:24 > 0:15:26CHUCKLES
0:15:26 > 0:15:30Was believed to be dead, then killed four students,
0:15:30 > 0:15:33Hillcrest Academy, 1998.
0:15:33 > 0:15:37Has been missing, unheard of, last three years.
0:15:37 > 0:15:39Now he's back.
0:15:39 > 0:15:42CHUCKLING
0:16:04 > 0:16:09Carl Jung tells us that the human psyche contains
0:16:09 > 0:16:13a figment of ourselves that even the collective unconscious denies.
0:16:13 > 0:16:18Good morning, Paul. It's nice to see you in class. Am I keeping you up?
0:16:18 > 0:16:21What do I mean by all this, people?
0:16:21 > 0:16:24I mean that inside all of us
0:16:24 > 0:16:29there lurks a dark, malevolent figure.
0:16:29 > 0:16:32A kind of boogeyman, if you will,
0:16:32 > 0:16:34that Jung called what?
0:16:34 > 0:16:37Come on, stick with me, people.
0:16:37 > 0:16:40Take that Kierkegaardian leap of faith.
0:16:42 > 0:16:46Jung said we must face down our fears
0:16:46 > 0:16:50and face up to the figure he called...what?
0:16:50 > 0:16:53The shadow.
0:16:53 > 0:16:56Yes, Sara, very good. Thank you.
0:16:56 > 0:16:58I'm glad somebody was awake. BELL RINGS
0:17:02 > 0:17:05Hey, Sara!
0:17:05 > 0:17:07Sara, wait up!
0:17:07 > 0:17:10I've been looking for you everywhere.
0:17:10 > 0:17:11Guess what?
0:17:11 > 0:17:15Uh-uh. What did you sign us up for this time?
0:17:15 > 0:17:18We gotta find Rudy. Come on!
0:17:31 > 0:17:33Hey, Rudy.
0:17:33 > 0:17:35Don't distract me.
0:17:35 > 0:17:37I can't help myself.
0:17:37 > 0:17:40I am distracting.
0:17:40 > 0:17:42Have you checked your email?
0:17:42 > 0:17:46No. Why? Did you send me something?
0:17:46 > 0:17:49We're in! They picked all three of us!
0:17:49 > 0:17:51What? Are you serious?
0:17:51 > 0:17:53Uh-huh!
0:17:54 > 0:17:56Yes!
0:17:56 > 0:18:00That is all good. This isn't one of your little jokes, is it? No...
0:18:00 > 0:18:05but Sara doesn't want to go. I haven't decided yet.
0:18:05 > 0:18:09No, no, no. That is unacceptable. It is unacceptable.
0:18:09 > 0:18:13We're gonna be bigger than the Osbournes. We're gonna be large.
0:18:13 > 0:18:17Every time I let you two talk me into something, I regret it.
0:18:17 > 0:18:19Without me, you would die of boredom.
0:18:19 > 0:18:23Us! Without US, you would die of boredom.
0:18:23 > 0:18:25Whatever.
0:18:28 > 0:18:32Are you sure they're not just putting us in some house with hidden cameras in the shower?
0:18:32 > 0:18:36No. It's like we're investigative reporters
0:18:36 > 0:18:40searching a crime scene. And look at the scholarship.
0:18:40 > 0:18:41Yeah.
0:18:41 > 0:18:44Besides that, thousands of people
0:18:44 > 0:18:46are gonna see my face...
0:18:46 > 0:18:49OUR face.
0:18:49 > 0:18:52Don't do it. >
0:18:52 > 0:18:55That's the house where it all started.
0:18:55 > 0:18:58He walked its hallways, hid in its closets,
0:18:58 > 0:19:01dreamed in its bedrooms, helped his mother in the kitchen,
0:19:01 > 0:19:05watched TV in the living room with his dad,
0:19:05 > 0:19:08played in his sister's bedroom.
0:19:08 > 0:19:12Then one day, he picked up a knife...
0:19:14 > 0:19:17..and he never put it down again.
0:19:20 > 0:19:22MA...H!
0:19:23 > 0:19:27MA...A...A...AH...!
0:19:27 > 0:19:31That guy's fucking weird.
0:19:31 > 0:19:35Don't pay any attention to him. He's just trying to scare us.
0:19:35 > 0:19:37I just need to send a quick email.
0:19:42 > 0:19:47"Deckard...you'll never believe what I got myself into."
0:19:49 > 0:19:51Deckard? Who's Deckard?
0:19:51 > 0:19:53Oh, it's my screen name.
0:19:53 > 0:19:58Sara needed some tech support setting up her offline reader, so I...
0:19:58 > 0:20:01You said you're a graduate student? Graduate of what? Junior high?
0:20:01 > 0:20:05Shut up, all right? We talk every day. I don't know...
0:20:05 > 0:20:09It's like we're dating. She's never even seen you.
0:20:09 > 0:20:12And Yahoo chat rooms do not count. Yes, they do count.
0:20:12 > 0:20:16In the old days, knights used to spend their entire lives
0:20:16 > 0:20:19courting ladies that they would never even touch?
0:20:19 > 0:20:23They'd send each other sonnets and stuff. That's before internet porn!
0:20:23 > 0:20:25Whatever.
0:20:25 > 0:20:29Now what are you doing? Just give me a second, all right?
0:20:34 > 0:20:37REVS ENGINE
0:20:43 > 0:20:47I hope Sara shows up wearing something acceptable.
0:20:47 > 0:20:50She can't still be mad at us for the last time.
0:20:50 > 0:20:53Oh, here she is. Hey!
0:20:53 > 0:20:55OK, everybody, listen up!
0:20:55 > 0:20:58Sara, are you gonna wear this?
0:20:58 > 0:21:01I thought I told you we were gonna be on camera.
0:21:01 > 0:21:03I'd like to start this off
0:21:03 > 0:21:05by saying the search is over.
0:21:05 > 0:21:08You six have been selected to explore
0:21:08 > 0:21:10America's worst nightmare.
0:21:10 > 0:21:12Tomorrow night, Halloween,
0:21:12 > 0:21:17live, in front of the whole entire internet universe...
0:21:17 > 0:21:21you six will enter the birthplace of evil in its purest form.
0:21:21 > 0:21:27The childhood home of our most brutal mass murderer, Michael Myers.
0:21:28 > 0:21:32Thank you. Thank you.
0:21:32 > 0:21:35What do YOU hope to find in the house tomorrow?
0:21:35 > 0:21:38My way into network broadcasting.
0:21:38 > 0:21:42Michael Myers is not just a man behind a mask.
0:21:42 > 0:21:44He's a legend.
0:21:44 > 0:21:46I'm interested in how Michael Myers embodies
0:21:46 > 0:21:50the politics of violence embedded in pop mythology.
0:21:50 > 0:21:53Never underestimate the effect of a poor diet.
0:21:53 > 0:21:56Too much protein, not enough zinc.
0:21:56 > 0:21:59Next, you're cutting up bodies in the bathtub. Hitler was a vegetarian.
0:21:59 > 0:22:01He was seriously malnourished.
0:22:01 > 0:22:04You don't have to go far to find Michael Myers.
0:22:04 > 0:22:08He is the great white shark of our unconscious.
0:22:08 > 0:22:11He is the dark-eyed child of our spirits.
0:22:11 > 0:22:13He's every murderous impulse we've ever had.
0:22:13 > 0:22:16He's the little voice that whispers to us
0:22:16 > 0:22:20to strangle the old lady taking too long at the checkout counter.
0:22:20 > 0:22:24Get to know him, baby. He's you.
0:22:24 > 0:22:25So, tell us, Sara,
0:22:25 > 0:22:27why do ordinary people turn to murder?
0:22:27 > 0:22:30Well, I, um...
0:22:30 > 0:22:34I think it has something to do with upbringing.
0:22:34 > 0:22:35A-A-AGH...!
0:22:37 > 0:22:39Damn! That girl can sing.
0:22:42 > 0:22:46That's what I'm looking for. Ooh.
0:22:49 > 0:22:51TV: Ha-ya!
0:22:51 > 0:22:55Get his ass! Get his ass! Get his ass!
0:22:55 > 0:23:00Who's better than Wat Chun Lee? Whoopin' everybody's ass while he's smokin' a cigarette.
0:23:00 > 0:23:06KNOCK ON DOOR
0:23:01 > 0:23:06Oh, shit. Who's knockin' on my door this late?
0:23:06 > 0:23:10They're distracting me from seeing Wat Chun Lee whoop some ass.
0:23:10 > 0:23:12Sara? Ooh.
0:23:13 > 0:23:15Sara, what are you doing here? It's late.
0:23:15 > 0:23:17I'm dropping out.
0:23:17 > 0:23:18..What?
0:23:18 > 0:23:22I'm sorry. It's just I'm so freaked out, I can't even sleep.
0:23:22 > 0:23:26Slow down, slow down. What's the problem?
0:23:26 > 0:23:28I'm not like the others.
0:23:28 > 0:23:31I know you're not like the others.
0:23:31 > 0:23:34You know you're not like the others.
0:23:34 > 0:23:39The others ain't nothin' but a bunch Of smart-ass, wise-crackin', posin' wannabes.
0:23:39 > 0:23:44You are the real deal. Every existing element about you is what the internet audience really wants.
0:23:44 > 0:23:46I don't want to be famous.
0:23:46 > 0:23:49What do you mean, you don't want to be famous?
0:23:49 > 0:23:51That's the American dream.
0:23:51 > 0:23:53I think I'm just scared.
0:23:53 > 0:23:57It's OK to be scared. Being scared is good. Fear is good.
0:23:57 > 0:24:02Fear motivates. Fear gives you the feeling of being alive.
0:24:02 > 0:24:05Fear makes me want to throw up.
0:24:05 > 0:24:09You'll be surprised at how much you surprise yourself.
0:24:09 > 0:24:12Look, I'm sorry to bother you. I just...
0:24:12 > 0:24:17It's OK. Sleep on it. We'll talk about it tomorrow. You can sweat it tonight, man.
0:24:17 > 0:24:22Now take your tail on outta here and go to bed.
0:24:22 > 0:24:25Ol' Freddie boy, damn, you good.
0:24:25 > 0:24:28Shit you come up with off the top of your head, boy.
0:24:28 > 0:24:31Why don't you just pat yourself on your back?
0:24:31 > 0:24:35Oh, Wat Chun Lee! Oh!
0:24:35 > 0:24:36HORN TOOTS
0:24:44 > 0:24:47Are you coming out soon or are you planning on sub-letting?
0:24:48 > 0:24:51Mmm! Sexy girl!
0:24:53 > 0:24:55Don't you think it's a bit too revealing?
0:24:55 > 0:24:58I think it's perfectly revealing.
0:24:58 > 0:24:59Aah!
0:25:02 > 0:25:03What?
0:25:03 > 0:25:05Are you OK?
0:25:05 > 0:25:07Did you see the boogeyman or something?
0:25:07 > 0:25:11The boogeyman? How very Jungian.
0:25:11 > 0:25:14Dr Mixter's class? I'm taking that course, too.
0:25:14 > 0:25:17I hope they have this in black.
0:25:19 > 0:25:22Ah, there she is.
0:25:22 > 0:25:26Oh, my God, you've been pussy-whipped.
0:25:26 > 0:25:29What's worse, you've been cyber-whipped. Where's your costume?
0:25:29 > 0:25:34Oh, I can't go out tonight. I promised Sara I would watch her first episode.
0:25:34 > 0:25:36She's really nervous.
0:25:36 > 0:25:40No. No, Mickey Stern's party is tonight, and you know that.
0:25:40 > 0:25:43Oh, yeah. I'm sorry, man. I guess I forgot.
0:25:43 > 0:25:47Forgot?! Do you have any idea what it means for two freshmen to get invited?
0:25:47 > 0:25:49It's never happened before!
0:25:49 > 0:25:52Your sister invited us so you wouldn't tell your mother about her tattoo.
0:25:52 > 0:25:55OK, that's besides the point, Myles Barton.
0:25:55 > 0:25:58You can either sit here in your little dream fantasy world,
0:25:58 > 0:26:02or you can come to this party and learn to walk like a man.
0:26:02 > 0:26:04What's it gonna be?
0:26:05 > 0:26:08All right, let's go.
0:26:08 > 0:26:11Ah, chat-room romance?
0:26:11 > 0:26:13He's just a friend.
0:26:13 > 0:26:15He's probably 50 and bald, with a bad toupee.
0:26:15 > 0:26:17Jen.
0:26:17 > 0:26:20He probably collects human skin.
0:26:20 > 0:26:24Give me a break, Jen. OK, everybody listen up. >
0:26:24 > 0:26:27The home that you will be entering tonight
0:26:27 > 0:26:30has been rigged up with several cameras,
0:26:30 > 0:26:34but for the most part, the audience will see only what you see.
0:26:34 > 0:26:36See these cameras here?
0:26:36 > 0:26:38I kinda like these cameras.
0:26:38 > 0:26:41They can pretty much be clipped on to anything.
0:26:41 > 0:26:44You know, a hat, shirt collar, your coat collar.
0:26:44 > 0:26:49The viewers can pretty much control what they want to watch,
0:26:49 > 0:26:52switch around from camera to camera,
0:26:52 > 0:26:55depending on what seems the most intriguing to them.
0:26:55 > 0:26:58So if you guys want to be stars for the night,
0:26:58 > 0:27:01I suggest you do something very interesting
0:27:01 > 0:27:04so that it's worth the while of the viewers
0:27:04 > 0:27:06to keep their cameras on you.
0:27:06 > 0:27:08Cameras are so phallic.
0:27:08 > 0:27:10Is that good or bad?
0:27:10 > 0:27:12Depends who's watching.
0:27:12 > 0:27:15HIP-HOP MUSIC PLAYING
0:27:22 > 0:27:25GENERATOR RUNNING
0:27:31 > 0:27:34Hey, Orson Welles, pick a placement and move on.
0:27:36 > 0:27:38Look...
0:27:38 > 0:27:40Low angles - scary.
0:27:40 > 0:27:43High angles - scary.
0:27:43 > 0:27:47Medium angles - boring.
0:27:47 > 0:27:50You learned that shooting all those weddings and Bar Mitzvahs.
0:27:50 > 0:27:55Hey, hey! I went to Long Beach State - same as Spielberg.
0:27:55 > 0:27:57Charley, we're on a schedule here, OK?
0:27:57 > 0:27:59Tell Max to rig a camera in the sister's room.
0:27:59 > 0:28:02Max is back at the hotel helping Freddie.
0:28:02 > 0:28:04OK.
0:28:04 > 0:28:07MUSIC CONTINUES TO PLAY
0:28:20 > 0:28:23BREATHING
0:28:43 > 0:28:46STEAM HISSES
0:28:59 > 0:29:02GAGGING
0:29:29 > 0:29:30Freddie!
0:29:30 > 0:29:34baby, calm down. It's all good. Just relax. I got it under control.
0:29:34 > 0:29:38There was this Firebird parked right in front of the house,
0:29:38 > 0:29:41totally about to ruin the establishing shot,
0:29:41 > 0:29:45but I called a tow truck. Yep, it's on its way.
0:29:45 > 0:29:47All right. Bye.
0:29:50 > 0:29:54Look at you, Charley. That's a nice angle, boy.
0:29:58 > 0:30:00REPORTER: Look, there he is now.
0:30:00 > 0:30:02Here we go.
0:30:02 > 0:30:05Mr Harris! Can we ask you a few questions, Mr Harris?
0:30:06 > 0:30:09I got one word for you. What's that? Product placement.
0:30:09 > 0:30:10Oh, yeah? Yeah.
0:30:10 > 0:30:11I like the sound of that.
0:30:11 > 0:30:16While we're going around the house discovering the secrets of Michael Myers,
0:30:16 > 0:30:20we could be drinking Pepsi or sporting the Gap, right?
0:30:25 > 0:30:27How's everyone doing?
0:30:27 > 0:30:29'We're gonna get it started like this.'
0:30:29 > 0:30:32In the next ten minutes, we're going to enter a mystery
0:30:32 > 0:30:36wrapped up inside of a riddle inside of an enigma.
0:30:36 > 0:30:38Everything you see,
0:30:38 > 0:30:42absolutely everything you see is real.
0:30:42 > 0:30:45There's no actors, none of the components or contents in the house
0:30:45 > 0:30:50have been messed with, mixed up, diluted or tampered with in any shape, form, or fashion whatsoever.
0:30:50 > 0:30:53Now, I'm not exactly sure what's gonna happen,
0:30:53 > 0:30:57but no-one will be allowed to leave until the show is over.
0:30:57 > 0:31:02Our state-of-the-art camera surveillance system will pick up anyone who tries to sneak out.
0:31:02 > 0:31:03SNAP
0:31:04 > 0:31:05SNAP
0:31:06 > 0:31:11Let the dangertainment begin...
0:31:11 > 0:31:12(motherfucker).
0:31:12 > 0:31:15Well, people, let's do it.
0:31:15 > 0:31:18HONK
0:31:35 > 0:31:37CREAK AND SLAM
0:31:37 > 0:31:39Rudy!
0:31:42 > 0:31:46Way to go. This is gonna be fun.
0:32:00 > 0:32:02Looks like nothing's been touched in years.
0:32:07 > 0:32:11I read that after the murders, the family just sealed it up
0:32:11 > 0:32:14and left without taking anything with them.
0:32:14 > 0:32:16It's not exactly a house you put on the market.
0:32:16 > 0:32:21But I'll bet it has one of those big, nice, old kitchens.
0:32:23 > 0:32:26Where are you going? I'm gonna check it out.
0:32:26 > 0:32:28What are we gonna do?
0:32:28 > 0:32:30We don't have to do anything.
0:32:30 > 0:32:33Technically, we just have to be in the house.
0:32:33 > 0:32:35Shouldn't we be looking for answers?
0:32:35 > 0:32:38All right. The devil made him do it. I'm done.
0:32:38 > 0:32:43We owe it to the people watching to at least take a look around.
0:32:44 > 0:32:48Oh, that's cute. You're already worried about your fan base?
0:32:51 > 0:32:55You are, like, this close to getting voted off the island.
0:32:59 > 0:33:01Hey, check this out.
0:33:01 > 0:33:03Want something tasty and delicious?
0:33:05 > 0:33:10Tasted 40-year-old fennel? Eww, don't. It's gotta be rotten.
0:33:10 > 0:33:12That's strange. What?
0:33:12 > 0:33:14It smells fresh.
0:33:14 > 0:33:16Yeah, it does. Yeah.
0:33:19 > 0:33:22You know, Donna, you got great legs.
0:33:22 > 0:33:23What time do they open?
0:33:24 > 0:33:26One o'clock?
0:33:28 > 0:33:30Goddamn.
0:33:33 > 0:33:34Sara...
0:33:37 > 0:33:40You think this is the one he used to do his thing?
0:33:40 > 0:33:43No. They'd keep that in an evidence locker somewhere.
0:33:43 > 0:33:45Whew.
0:33:52 > 0:33:54Boo. Aah!
0:33:55 > 0:33:56Are you scared?
0:33:56 > 0:33:58No.
0:33:58 > 0:33:59What's in here?
0:34:04 > 0:34:07What is that?
0:34:08 > 0:34:11METAL SQUEAKING
0:34:11 > 0:34:17OK, so I admit that this place is a little creepy, OK?
0:34:17 > 0:34:19No, no, no, no, no. You have no idea.
0:34:19 > 0:34:21Look at this.
0:34:21 > 0:34:23Wow, a chair.
0:34:23 > 0:34:26My God, do you think they actually kept him in this?
0:34:29 > 0:34:32What is that? Looks like the key to Sara's chastity belt.
0:34:32 > 0:34:33Rudy!
0:34:35 > 0:34:37Maybe we should poke around a bit,
0:34:37 > 0:34:39see what else we can find.
0:34:39 > 0:34:42Ha! Aye-aye, captain.
0:34:42 > 0:34:47Why are you touching me?
0:34:47 > 0:34:48Don't.
0:34:50 > 0:34:52Go poke.
0:35:02 > 0:35:05BREATHING
0:35:15 > 0:35:17SHRIEKING
0:35:17 > 0:35:19LOUD MUSIC PLAYING
0:35:22 > 0:35:24Hey, what's going on?
0:35:34 > 0:35:36Scott, what are we doing here?
0:35:36 > 0:35:39Hey, man, be cool, all right?
0:35:39 > 0:35:42Relax. Have fun. Shit.
0:35:42 > 0:35:47Think anyone will know we're supposed to be from Pulp Fiction?
0:36:49 > 0:36:52CHILDREN LAUGHING
0:37:51 > 0:37:53Ah! Shit!
0:37:53 > 0:37:55Careful, Jen.
0:37:55 > 0:37:57Hands off, Bud.
0:38:16 > 0:38:17Bet this is Judith's room.
0:38:17 > 0:38:20You know, the older sister.
0:38:23 > 0:38:27The one he killed when he was six years old.
0:38:27 > 0:38:30Hey! Keep the camera on the money here.
0:38:30 > 0:38:32I think it happened when she was right there.
0:38:32 > 0:38:36Poor little Judith - helpless...
0:38:36 > 0:38:39brushing her hair...
0:38:41 > 0:38:43..young...
0:38:43 > 0:38:45and naked.
0:38:47 > 0:38:50Cos that's gonna happen, right? Come on, Jen.
0:38:50 > 0:38:55One flash and you could light up a thousand computer screens.
0:38:55 > 0:38:57Launch your whole career.
0:39:04 > 0:39:05You think?
0:39:32 > 0:39:35You crack me up.
0:39:38 > 0:39:42It's a good wardrobe for you, Jen.
0:39:45 > 0:39:48FLOOR CREAKS
0:39:52 > 0:39:56Wait! No, somebody else is in the hall!
0:39:58 > 0:39:59Come on.
0:40:06 > 0:40:08DOOR OPENS
0:40:08 > 0:40:11Come here, lover boy.
0:40:11 > 0:40:13Aah!
0:40:13 > 0:40:16What are you doing, you big perv?!
0:40:16 > 0:40:21They're exploring the house of a mass murderer, live. Wanna watch?
0:40:21 > 0:40:22No way. Sure.
0:40:22 > 0:40:24Oh, OK.
0:40:24 > 0:40:26Impulse control disorder.
0:40:26 > 0:40:28Huh?
0:40:28 > 0:40:30That's my theory.
0:40:30 > 0:40:34I think Michael Myers had fits of rage
0:40:34 > 0:40:36that he could not control.
0:40:36 > 0:40:41Kind of like a klepto or a nympho or a pyro.
0:40:44 > 0:40:47So, instead of stealing silverware,
0:40:47 > 0:40:50he slashes the necks of teenage girls?
0:40:50 > 0:40:52Oh, come on...
0:40:52 > 0:40:57Haven't you ever had an impulse that you just could not control?
0:40:57 > 0:41:00Continuously. You mean "continually".
0:41:00 > 0:41:03"Continuous" means continuing uninterrupted,
0:41:03 > 0:41:06while "continual" means reoccurring periodically.
0:41:06 > 0:41:10Donna, when are you gonna get out of your head and start thinking with your body?
0:41:10 > 0:41:15Please. Does that line ever actually work on the chicks in the music department?
0:41:15 > 0:41:19Art history, too. Sometimes even poli-sci.
0:41:19 > 0:41:23Well, it doesn't cut it with critical studies. Bummer.
0:41:25 > 0:41:28Besides, screwing a music major
0:41:28 > 0:41:32would be tantamount to lesbianism.
0:41:32 > 0:41:33I could get into that.
0:41:40 > 0:41:42I'm telling you, it's in the food.
0:41:42 > 0:41:46Remember that guy who was on trial for murder in San Francisco?
0:41:46 > 0:41:47All he ate was Twinkies.
0:41:47 > 0:41:51Rudy, do you ever think about anything other than food?
0:41:51 > 0:41:52Wouldn't you like to know?!
0:41:52 > 0:41:55WOMAN SCREAMING
0:41:54 > 0:41:55Jen?
0:42:01 > 0:42:03Jen?
0:42:03 > 0:42:04What's goin' on?
0:42:04 > 0:42:07What happened? I don't know.
0:42:07 > 0:42:09I turned my back and she was gone. Jen!
0:42:09 > 0:42:10Jen?
0:42:16 > 0:42:19Jen?
0:42:19 > 0:42:21Jen.
0:42:22 > 0:42:23Jen? >
0:42:30 > 0:42:32Jen?
0:42:33 > 0:42:35Jen?
0:42:35 > 0:42:38AGH...!
0:42:38 > 0:42:41Turn it down!
0:42:41 > 0:42:44Gotcha! God, you bitch.
0:42:44 > 0:42:46Slut!
0:42:46 > 0:42:48You know what? That's not right,
0:42:48 > 0:42:51OK? You're foul. So foul.
0:42:51 > 0:42:54Yeah, this is to us,
0:42:54 > 0:42:58for successfully - let me give you a little more -
0:42:58 > 0:43:00puttin' together something collectively
0:43:00 > 0:43:03so ingenious as a team and a duo,
0:43:03 > 0:43:07that we should definitely be able to secure a lot of food on the table
0:43:07 > 0:43:10as long as everything goes as nicely as it's goin' right now.
0:43:10 > 0:43:13FLOOR CREAKS
0:43:17 > 0:43:19I'm gonna get her back for that.
0:43:20 > 0:43:21Watch me...
0:43:21 > 0:43:23AGH!
0:43:23 > 0:43:25Oh, my God!
0:43:25 > 0:43:27Cheers.
0:43:35 > 0:43:37Mm.
0:43:38 > 0:43:40What just happened?
0:43:40 > 0:43:43We just lost Bill's camera. Oh, shit.
0:43:43 > 0:43:46He must've just dropped it. Fuckin' idiot.
0:43:46 > 0:43:50Find another view quickly, please. Freddie, relax.
0:43:50 > 0:43:53I think this is going really well. Really, baby?
0:43:53 > 0:43:56YES! We are doin' our thing. OK.
0:43:56 > 0:43:58To dangertainment.
0:43:58 > 0:44:00Salute.
0:44:01 > 0:44:05And this must be the bed where he was conceived.
0:44:05 > 0:44:08Stop showing off, Jen.
0:44:13 > 0:44:17FLOOR CREAKS
0:44:33 > 0:44:36Aaaah!
0:44:36 > 0:44:38Rudy!
0:44:38 > 0:44:39Jen, help me!
0:44:39 > 0:44:41Are you OK?
0:44:42 > 0:44:44Rudy, help.
0:44:51 > 0:44:54What happened? What is that thing?
0:44:54 > 0:44:57MUSIC PLAYING
0:45:00 > 0:45:04Hey, is this that Michael Myers thing? Yeah.
0:45:04 > 0:45:07All right. Cool.
0:45:21 > 0:45:23What is this?
0:45:27 > 0:45:31Oh...sorry.
0:45:31 > 0:45:32Are you?
0:45:32 > 0:45:35You're such a lothario.
0:45:35 > 0:45:36Um...
0:45:36 > 0:45:39I don't know what that means exactly, but, uh...
0:45:39 > 0:45:41Just go with it.
0:45:42 > 0:45:46Hold on. I just thought of something.
0:45:47 > 0:45:49"Hold on"?
0:45:49 > 0:45:51You've got to be kidding me.
0:45:51 > 0:45:54Are you looking for Playboys?
0:46:01 > 0:46:03This ain't right.
0:46:03 > 0:46:10Well, it's obvious that the boy was subject to emotional and physical abuse.
0:46:10 > 0:46:13No, I mean, all of this. It's not right.
0:46:13 > 0:46:15It's too easy.
0:46:15 > 0:46:17Why is all this stuff still here?
0:46:17 > 0:46:19Answer that, Nancy Drew.
0:46:19 > 0:46:21Where's Bill?
0:46:21 > 0:46:25He's probably still mad at me.
0:46:25 > 0:46:27He's gonna jump out of somewhere
0:46:27 > 0:46:29and try and scare me.
0:46:29 > 0:46:31You watch.
0:46:34 > 0:46:36You watch.
0:46:57 > 0:46:59METAL CLINKS
0:46:59 > 0:47:01Jim?
0:47:05 > 0:47:08HEAVY BREATHING
0:47:15 > 0:47:20You know, if I'm keeping you from something, just let me know.
0:47:20 > 0:47:21Look.
0:47:28 > 0:47:29Voila.
0:47:29 > 0:47:31Clever boy.
0:47:31 > 0:47:34FLOOR CREAKS
0:47:41 > 0:47:43They're looking for clues.
0:47:43 > 0:47:46Something that might explain why Michael Myers went bad.
0:47:46 > 0:47:48Jeez.
0:47:48 > 0:47:52Hey, Scott. What's up? Nice costume.
0:48:20 > 0:48:22Whoa.
0:48:24 > 0:48:28Hey, you think they kept him down here?
0:48:28 > 0:48:31Maybe. Look at this.
0:48:31 > 0:48:33What?
0:48:33 > 0:48:35What is it?
0:48:35 > 0:48:38It's some sort of weird harness.
0:48:38 > 0:48:43This whole place looks like some sort of sadistic playpen.
0:48:49 > 0:48:52And you know what that makes me think? What?
0:48:52 > 0:48:56There's definitely no cameras down here.
0:49:19 > 0:49:22CHEERING
0:49:23 > 0:49:24I could be a camera.
0:49:30 > 0:49:32Say something smart.
0:49:33 > 0:49:36Existence precedes essence.
0:49:42 > 0:49:44God, you are sexy.
0:49:51 > 0:49:53RUMBLING
0:49:59 > 0:50:01CRASH
0:50:01 > 0:50:03Aah!
0:50:04 > 0:50:06Whoa!
0:50:06 > 0:50:09Oh, shit!
0:50:09 > 0:50:10Aah!
0:50:13 > 0:50:14AGH!
0:50:15 > 0:50:20That worked perfectly! That is what I'm talkin' about.
0:50:20 > 0:50:25Oh, my God! Oh, my God! All his victims! It's a mass grave!
0:50:26 > 0:50:29Animal!
0:50:33 > 0:50:35Oh, God.
0:50:35 > 0:50:37All of his victims. Oh!
0:50:40 > 0:50:42Shit. Look at this.
0:50:42 > 0:50:44I don't fucking believe this.
0:50:44 > 0:50:45What?
0:50:45 > 0:50:48Made in fucking Taiwan.
0:50:52 > 0:50:55DOOR CREAKS
0:51:34 > 0:51:37HEAVY BREATHING
0:51:54 > 0:51:58Oh, shit, man! Charley, where the fuck you been at, man?
0:51:58 > 0:52:02Don't you know we've been lookin' all over this motherfucker for you?
0:52:02 > 0:52:05And why the hell are you dressed like me anyway?
0:52:05 > 0:52:08I ain't payin' you to be Michael Myers. I'M playin' Michael Myers!
0:52:08 > 0:52:13If them kids come around and see us dressed up in the same shit, you're gonna ruin the whole effect!
0:52:13 > 0:52:15What the hell is wrong with you?
0:52:15 > 0:52:18I said, what you lookin' at me like that for?
0:52:18 > 0:52:21You don't get it? You don't get it?!
0:52:21 > 0:52:24Your shit ain't workin' up there, or somethin'?
0:52:24 > 0:52:28Take your ass in the garage with Nora. That's your job.
0:52:28 > 0:52:31Go back there with Nora and help her out. Go do your job.
0:52:31 > 0:52:35I left the back door unlocked for your ass
0:52:35 > 0:52:38to go out the back into the garage.
0:52:38 > 0:52:41That's what I did. You need to get the hell outta here.
0:52:41 > 0:52:43Go on, scoot! Skedaddle!
0:52:43 > 0:52:46Get the fuck out of Dodge!
0:52:52 > 0:52:57God damn. What the hell's somebody gotta do to get a little decent help up in this motherfucker?
0:52:57 > 0:53:00God damn it. Come on.
0:53:00 > 0:53:02Let's go find Freddie.
0:53:04 > 0:53:06This is bullshit.
0:53:16 > 0:53:20RUBBLE FALLS
0:53:22 > 0:53:25Hey, Jim?
0:53:28 > 0:53:31You gotta see this.
0:54:14 > 0:54:16RAT SQUEAKS
0:54:16 > 0:54:18Gross.
0:54:22 > 0:54:26Hey, Freddie. Is this all part of the setup?
0:54:42 > 0:54:45"Laurie Strode, sister of Michael Myers,
0:54:45 > 0:54:48"survives Halloween night massacre."
0:54:53 > 0:54:55GASP
0:54:59 > 0:55:01Nice prop.
0:55:01 > 0:55:04RAT SQUEALS
0:55:06 > 0:55:09Oh, my God!
0:55:09 > 0:55:11Oh, my God!
0:55:11 > 0:55:14Is anybody else seeing this?
0:55:17 > 0:55:19Jim?
0:55:22 > 0:55:24Aaah!
0:55:26 > 0:55:27Aaah!
0:55:29 > 0:55:31Aah! Oh, my God!
0:55:35 > 0:55:38No! AGH...!
0:55:38 > 0:55:41Help! Somebody!
0:55:41 > 0:55:43Someone help! Oh, my God!
0:55:43 > 0:55:46This isn't funny any more!
0:55:48 > 0:55:49Help me!
0:55:49 > 0:55:52Somebody help!
0:55:59 > 0:56:01Stay away from me!
0:56:01 > 0:56:03Aah!
0:56:03 > 0:56:05Aah! Aah!
0:56:07 > 0:56:09Aah!
0:56:39 > 0:56:41That was so fake.
0:56:41 > 0:56:46No, no, wait. Wait, you guys. That really just happened. She was just killed.
0:56:48 > 0:56:50Man, you're gullible.
0:56:53 > 0:56:56WATER BUBBLING
0:57:00 > 0:57:04It's a good thing there's no cameras in here.
0:57:04 > 0:57:06We're wearing cameras.
0:57:41 > 0:57:42Aaaah!
0:57:42 > 0:57:47Michael's here! I saw him! He's in the house!
0:57:47 > 0:57:48He's here!
0:57:48 > 0:57:51COUGHING
0:57:51 > 0:57:54What's goin' on? What you talkin' about here?
0:57:56 > 0:57:59There's nobody here. You're just buggin' out again.
0:57:59 > 0:58:02It's not funny, OK? He's down in that room.
0:58:02 > 0:58:06There is 1, 2, 3, 4, 5, 6 people in the house.
0:58:06 > 0:58:08There's no Michael Myers here.
0:58:08 > 0:58:11Listen, I saw him right over there.
0:58:11 > 0:58:14He's in here? Ooh. Michael Myers.
0:58:14 > 0:58:17Where's Michael Myers? I don't see nothin'. He was in here.
0:58:17 > 0:58:19Bringin' me down. I saw...
0:58:19 > 0:58:21AGH!
0:58:21 > 0:58:22Agh!
0:58:25 > 0:58:28Fucker! Whoa! Turn off the cameras!
0:58:28 > 0:58:30Turn off the cameras!
0:58:30 > 0:58:32Get it back online. What's wrong?
0:58:32 > 0:58:34Cut to a different camera angle.
0:58:34 > 0:58:37It's me. It's me. Freddie.
0:58:37 > 0:58:40Freddie? What the fuck are you doing?
0:58:40 > 0:58:44Damn, man, you hit me like I murdered your fuckin' mother or somethin'.
0:58:44 > 0:58:48Relax, man. I'm only tryin' to give America a good show.
0:58:48 > 0:58:51OK, so none of this shit is real, right?
0:58:51 > 0:58:52Like, the the furniture,
0:58:52 > 0:58:54the photos, the fucked up toys?
0:58:54 > 0:58:56It's all fake. We've been set up.
0:58:56 > 0:58:59You didn't have a show anyone would watch,
0:58:59 > 0:59:03so you set us all up at our fucking expense? What expense?
0:59:03 > 0:59:06You ain't contributed a dime to settin' up none of this shit.
0:59:06 > 0:59:11Besides, don't nobody want to see any of y'all runnin' around no empty house,
0:59:11 > 0:59:16possibly comin' up with nothin' any-damn-way. America don't like reality, first of all.
0:59:16 > 0:59:18Second, they think the shit is boring.
0:59:18 > 0:59:21They want a little razzle-dazzle, a little pizazz.
0:59:21 > 0:59:26And us being the ones that give it to 'em, I don't see nothin' wrong with that.
0:59:26 > 0:59:28I so did not sign up for this.
0:59:28 > 0:59:31Y'all need to do me a favour, all right?
0:59:31 > 0:59:35Just go along with this shit. Don't blow it. Not now.
0:59:35 > 0:59:39You really have no idea of how nicely I worked things out,
0:59:39 > 0:59:44so that we all can receive somewhat of a robust back end when this shit is all over.
0:59:44 > 0:59:48I don't know what you wanna do about your share, but don't fuck it up for me.
0:59:48 > 0:59:52I want my money. Now, if you don't mind, I'd like to go scare the shit
0:59:52 > 0:59:54out of some more of these motherfuckers,
0:59:54 > 0:59:57so, I'm gonna get it crackin'.
0:59:57 > 1:00:01Y'all do what the fuck y'all gotta do. See y'all.
1:00:04 > 1:00:06Turn up the sound. Where'd everybody go?
1:00:06 > 1:00:09DOOR CREAKS
1:00:09 > 1:00:11COUGHING
1:00:30 > 1:00:32There you are, Bill.
1:00:32 > 1:00:34What do you guys want to do?
1:00:34 > 1:00:37I don't know. I could use the money.
1:00:37 > 1:00:39No. Fuck that.
1:00:39 > 1:00:42I'm out. Me too. I quit.
1:00:46 > 1:00:47Boo!
1:00:47 > 1:00:52AGH! AGH...! AGH-AGH...!
1:00:52 > 1:00:55She must be going for the first internet Emmy.
1:00:55 > 1:00:59You can't scare us, Jen. You're gonna have to do better than that.
1:01:06 > 1:01:07You too, Freddie.
1:01:09 > 1:01:12Aaaaaaah!
1:01:24 > 1:01:26Uhh! Eww! How'd they do that?
1:01:26 > 1:01:29Some digital effects. No, it isn't!
1:01:29 > 1:01:31Hello. 911?
1:01:34 > 1:01:36Oh, my God.
1:01:40 > 1:01:41It's locked!
1:01:41 > 1:01:43Fuck!
1:01:43 > 1:01:45Go! Go in there! Go in there now!
1:02:04 > 1:02:05Jim, run!
1:02:05 > 1:02:07Run!
1:02:22 > 1:02:24Ah...!
1:02:36 > 1:02:37Oh!
1:02:41 > 1:02:42Hey, Michael!
1:02:42 > 1:02:45Yeah, I'm talkin' to you. You want a piece of me?
1:03:02 > 1:03:06You should try a little less protein in your diet, you know?
1:03:06 > 1:03:08Control some of that aggression!
1:03:24 > 1:03:27Want some of this, huh?
1:03:27 > 1:03:29SHOUTS OF ENCOURAGEMENT
1:03:29 > 1:03:32I know what 911 is for! It's an emergency. It's not a hoax.
1:03:35 > 1:03:39Motherfucker, come on. You tryin' to fuckin' kill me?
1:03:39 > 1:03:43You like sushi, motherfucker?! You gonna fuckin' kill me?
1:03:43 > 1:03:44Oh, shit.
1:04:04 > 1:04:06CHEERING
1:04:38 > 1:04:42Somebody... Somebody out there, please help us!
1:04:42 > 1:04:45Somebody, please help us.
1:04:45 > 1:04:49She really is a very talented actress.
1:05:01 > 1:05:05Deckard. Deckard, if you're there, please let me know.
1:05:05 > 1:05:07Who's Deckard?
1:05:07 > 1:05:09Myles is Deckard!
1:05:15 > 1:05:19Deckard, he's... He's killing all of us.
1:05:20 > 1:05:21He's killing us.
1:05:21 > 1:05:23There he is!
1:05:23 > 1:05:24Zoom in! Zoom in!
1:05:24 > 1:05:29Tell her he's coming up the stairs. This isn't funny any more, guys.
1:05:47 > 1:05:49Aah...
1:05:50 > 1:05:53Look, he heard her!
1:05:56 > 1:05:57He's at the door!
1:05:57 > 1:05:59Get out!
1:06:32 > 1:06:34No! It's too high!
1:06:55 > 1:06:57Aaah!
1:07:03 > 1:07:05ALL SHOUTING
1:07:07 > 1:07:09I can't see you!
1:07:09 > 1:07:11BEEP!
1:07:20 > 1:07:23(Deckard... Where is he?)
1:07:39 > 1:07:41BEEP!
1:07:45 > 1:07:49Tell her to go! Now's her chance. Come on, go!
1:08:32 > 1:08:35(My God. Everybody's dead!
1:08:35 > 1:08:38(Where is he?)
1:08:38 > 1:08:40(I don't know.)
1:08:40 > 1:08:44(We got to get the fuck outta here now.
1:08:44 > 1:08:46(Come on. Let's go.)
1:09:00 > 1:09:03FREDDIE SCREAMS
1:09:04 > 1:09:06Oh, shit!
1:09:06 > 1:09:08Aaah!
1:09:21 > 1:09:24So, you want to be on dangertainment?
1:09:24 > 1:09:28Let's see what you got.
1:09:28 > 1:09:30Waa-hyah!
1:09:53 > 1:09:57Yo, Mike, come see me. Michael, come and see me!
1:09:57 > 1:09:58Look at me!
1:09:58 > 1:10:02MAKING KUNG FU NOISES
1:10:02 > 1:10:05You wanna fuck with me, huh?
1:10:05 > 1:10:07You motherfucker!
1:10:07 > 1:10:09Haaa-yah!
1:10:40 > 1:10:42Let's get outta here.
1:10:42 > 1:10:43Come on.
1:10:43 > 1:10:46You all right?
1:10:46 > 1:10:48I saw his room.
1:10:48 > 1:10:51He's been livin' underneath this fuckin' house
1:10:51 > 1:10:53for who knows how long.
1:10:53 > 1:10:56Probably the last 20 years. Come on.
1:10:58 > 1:11:01I swear on my soul...
1:11:01 > 1:11:04I had no idea.
1:11:04 > 1:11:07I swear. BEEP
1:11:12 > 1:11:14Aw, shit!
1:11:14 > 1:11:16Come on. Let's go.
1:11:20 > 1:11:23Oh, my God. He cut the cable.
1:11:23 > 1:11:25Where the fuck is he?
1:11:26 > 1:11:28This is bad.
1:11:29 > 1:11:31Deckard...
1:11:31 > 1:11:33where is he?
1:11:33 > 1:11:35BEEP
1:11:43 > 1:11:45NO...!
1:11:59 > 1:12:01AGH!
1:12:54 > 1:12:56Oh, no...
1:13:20 > 1:13:22AGH!
1:14:53 > 1:14:55You bastard!
1:14:55 > 1:14:57This is for Jen!
1:14:57 > 1:14:59MOTOR REVS
1:14:59 > 1:15:02This is for Rudy!
1:15:03 > 1:15:06For all of them!
1:15:15 > 1:15:17MOTOR STOPS
1:15:17 > 1:15:19Oh, shit.
1:15:24 > 1:15:26Aah!
1:16:36 > 1:16:39Trick or treat...motherfucker!
1:16:55 > 1:16:57No!
1:16:57 > 1:16:59No!
1:17:33 > 1:17:35Burn, motherfucker!
1:17:35 > 1:17:37Burn!
1:17:38 > 1:17:40Sara!
1:17:42 > 1:17:44Come on, come on!
1:17:44 > 1:17:48Hey, Mikey! Happy fuckin' Halloween!
1:17:56 > 1:17:59SIRENS
1:18:20 > 1:18:23BEEP
1:18:36 > 1:18:39Sara? Sara Moyer?
1:18:39 > 1:18:41Sara?
1:18:41 > 1:18:44Sara, can we get a statement?
1:18:44 > 1:18:46Over here.
1:18:46 > 1:18:47Thank you, Deckard.
1:18:47 > 1:18:50You saved my life.
1:18:50 > 1:18:54CHEERING
1:18:57 > 1:18:59What's it feel like to be a hero?
1:18:59 > 1:19:01How does it feel now it's over?
1:19:01 > 1:19:04What makes you so sure it's over?
1:19:04 > 1:19:06Excuse me. No more cameras!
1:19:06 > 1:19:08Dangertainment is off the air.
1:19:08 > 1:19:11Why don't y'all show some respect?
1:19:11 > 1:19:14Make a statement. Tell us about Michael Myers.
1:19:14 > 1:19:16Michael Myers is not a sound bite,
1:19:16 > 1:19:19a spin-off, a tie-in,
1:19:19 > 1:19:21some kind of celebrity scandal.
1:19:21 > 1:19:23Michael Myers is a killer shark
1:19:23 > 1:19:26in baggy-ass overalls
1:19:26 > 1:19:30that gets his kicks off of killing everything and everyone that he comes across.
1:19:30 > 1:19:32That's all.
1:19:32 > 1:19:36We're done dancin' for these cameras. Let's get outta here, Sara.
1:19:36 > 1:19:39But how are you feeling right now?
1:19:41 > 1:19:45How am I feelin' now? You wanna know how I'm feelin' right now?
1:19:45 > 1:19:46Feel this!
1:19:58 > 1:20:01That's him, isn't it? I want to see his face.
1:20:01 > 1:20:04I want to warn you, ma'am, it's not a pretty sight.
1:20:08 > 1:20:11All right.
1:20:19 > 1:20:22Come on, back it off. Let's go.
1:20:22 > 1:20:25Wow. You're lookin' a little crispy, Mikey.
1:20:25 > 1:20:27Like some chicken-fried motherfucker.
1:20:27 > 1:20:32Well, may he never, ever rest in peace.
1:20:41 > 1:20:44Hey, how's it goin'?
1:20:44 > 1:20:47You've gotta be kidding me. Another one?
1:20:47 > 1:20:50It's your lucky night. You got a celebrity.
1:20:50 > 1:20:53Ooh, let me get my autograph book.
1:20:53 > 1:20:57I'm not kidding. It's Michael Myers.
1:21:01 > 1:21:03Get me a copy of that autograph.
1:21:03 > 1:21:06It's crackin' me up.
1:21:44 > 1:21:47SCREAM
1:22:21 > 1:22:25Subtitles by Red Bee Media Ltd
1:22:25 > 1:22:31E-mail subtitling@bbc.co.uk