0:00:00 > 0:00:04This film contains some strong language.
0:00:18 > 0:00:20ETHEREAL FEMALE VOICES
0:00:30 > 0:00:37# But the hardest part in a sailor's day
0:00:38 > 0:00:46# Is to watch the sun as it dies away
0:00:46 > 0:00:54# The finest ship that sailed the sea
0:00:54 > 0:00:58# Is still a prison
0:00:58 > 0:01:02# For the likes of me
0:01:02 > 0:01:08# But give me wings like Noah's dove
0:01:10 > 0:01:12# I'll fly above her
0:01:12 > 0:01:18# To the girl I love. #
0:02:15 > 0:02:16Woof!
0:02:23 > 0:02:26The curator removed the paintings
0:02:26 > 0:02:32and wrote to the artist inviting him to submit some alternatives.
0:02:32 > 0:02:38The offer was refused point blank. He's threatened to go to the press.
0:02:35 > 0:02:38This is Mr Norman Lindsay I take it.
0:02:38 > 0:02:43You've heard of him.
0:02:39 > 0:02:43I like to keep abreast.
0:02:41 > 0:02:43The last thing we want is a scandal.
0:02:45 > 0:02:47Anyway, here they are.
0:02:49 > 0:02:50Yes.
0:02:54 > 0:02:57The first three are merely vulgar
0:02:57 > 0:03:01but this one is certainly blasphemous.
0:03:01 > 0:03:04I gather you want me to try and talk him round?
0:03:04 > 0:03:07It's on your way to your new parish.
0:03:07 > 0:03:13To be honest, an outsider has more chance of getting through to him.
0:03:13 > 0:03:17I gather you were a progressive at Oxford.
0:03:15 > 0:03:17Well, yes, Your Grace...
0:03:17 > 0:03:19element of truth in that.
0:03:19 > 0:03:22You and your wife can stay the night.
0:03:22 > 0:03:25I think he rather relishes the idea
0:03:25 > 0:03:32of a good argument.
0:03:27 > 0:03:32I'm sure he'd love to shock the socks off any churchman
0:03:32 > 0:03:34that goes near him! Your Grace,
0:03:34 > 0:03:39may I introduce my wife. I don't think you've met.
0:03:41 > 0:03:46Estella, the Bishop of Sydney. My wife Estella.
0:03:44 > 0:03:46Welcome to Australia.
0:04:35 > 0:04:38Morning.
0:04:36 > 0:04:38Tickets, please.
0:04:38 > 0:04:41Do you know if there's a taxi waiting?
0:04:41 > 0:04:43Yeah. There's not.
0:04:45 > 0:04:46I, um...
0:04:46 > 0:04:52I understand one was booked to go to Mr Lindsay's place.
0:04:49 > 0:04:52Doing a bit of modelling?
0:04:52 > 0:04:54No, I certainly am not.
0:04:55 > 0:05:02Taxi's been a bit late, lately. You'd be better off at the pub.
0:04:59 > 0:05:02May we leave our baggage here?
0:05:02 > 0:05:06I'm about to knock off. It'd probably be pilfered.
0:05:06 > 0:05:09Would you mind giving us a hand?
0:05:10 > 0:05:16Oh, I'm awfully sorry.
0:05:12 > 0:05:16I'll forgive you. Millions wouldn't.
0:05:15 > 0:05:16Oh, dear.
0:05:16 > 0:05:19Try the pub. It's just down the hill.
0:05:48 > 0:05:52Morning.
0:05:49 > 0:05:52Get fucked. Get fucked.
0:06:00 > 0:06:02HE SINGS DRUNKENLY
0:06:09 > 0:06:11< Gents only in the bar.
0:06:11 > 0:06:16Ladies' lounge is through the door.
0:06:13 > 0:06:16We don't want a drink, just a taxi.
0:06:16 > 0:06:19Reg is at a funeral.
0:06:19 > 0:06:20I see.
0:06:20 > 0:06:23You could be in for a long wait.
0:06:22 > 0:06:23Oh, yes?
0:06:23 > 0:06:25It's his funeral.
0:06:28 > 0:06:30Well, thanks.
0:06:31 > 0:06:33Hey! I've got my eye on you!
0:06:33 > 0:06:36Where youse going?
0:06:35 > 0:06:36Mr Lindsay's place.
0:06:42 > 0:06:47We're going out that way. We'll give you a lift.
0:06:44 > 0:06:47Thank you very much.
0:06:47 > 0:06:49After we've finished our beers.
0:07:03 > 0:07:06 BANGING
0:07:06 > 0:07:08BANGING CONTINUES
0:07:14 > 0:07:16TYRES SCREECH
0:07:19 > 0:07:21Anthony?
0:07:28 > 0:07:31They can't wait forever.
0:07:31 > 0:07:33HE VOMITS
0:07:46 > 0:07:48Right, come on, then.
0:07:48 > 0:07:53# Praise my soul the King of Heaven
0:07:53 > 0:07:58# To his feet thy tribute bring
0:07:58 > 0:08:03# Ransomed, healed, restored, forgiven
0:08:03 > 0:08:08# Who like thee His praise should sing?
0:08:08 > 0:08:11# Praise Him, praise Him!
0:08:11 > 0:08:13# Praise Him, praise Him!
0:08:13 > 0:08:18# Praise the Everlasting King #
0:08:38 > 0:08:41< Thanks for the lift.
0:08:39 > 0:08:41I don't mean to be rude, but...
0:08:41 > 0:08:47you've got some food on the side of your mouth.
0:08:45 > 0:08:47Uh-huh. Thanks.
0:08:50 > 0:08:52< See you later.
0:08:58 > 0:09:01Sorry about that, Piglet. Are you all right?
0:09:01 > 0:09:08They swear an awful lot. They tend to, types like that.
0:09:05 > 0:09:08They didn't really say anything.
0:09:08 > 0:09:12Where is everyone?
0:09:09 > 0:09:12Maybe Mr Lindsay changed his mind.
0:09:23 > 0:09:26Pooh, look, there's something here.
0:09:27 > 0:09:33"Dear visitors, sorry, gone out for a picnic. Make yourselves at home."
0:09:35 > 0:09:37I suppose we better not go in.
0:09:39 > 0:09:41Let's sit over by the pond.
0:10:12 > 0:10:15Mrs Campion?
0:10:13 > 0:10:15Hello.
0:10:18 > 0:10:20HE GRUNTS What?
0:10:22 > 0:10:24Oh, fast asleep there!
0:10:25 > 0:10:27You must be Mr Lindsay.
0:10:27 > 0:10:31Anthony Campion, my wife Norman...Estella!
0:10:32 > 0:10:39Just out from England?
0:10:33 > 0:10:39Yes, arrived a couple of weeks ago.
0:10:36 > 0:10:39They weren't game to send a local?
0:10:39 > 0:10:41You're exactly on our way, so...
0:10:41 > 0:10:45Oh, well. Glad you got here in one piece.
0:10:45 > 0:10:48Excuse me. I've got to get back to work.
0:10:48 > 0:10:53Giddy and Sheila will show you to your room so you can freshen up.
0:10:51 > 0:10:53Thank you.
0:10:57 > 0:11:01You take that for me. Thank you.
0:10:58 > 0:11:01This way, ladies and gents!
0:11:11 > 0:11:13Thank you.
0:11:13 > 0:11:14Lovely.
0:11:14 > 0:11:17You'll have trouble sleeping.
0:11:17 > 0:11:22She sleeps next door and snores terribly.
0:11:20 > 0:11:22I do not!
0:11:23 > 0:11:28She sounds like two possums mating.
0:11:25 > 0:11:28That's so horrible. It's not true.
0:11:29 > 0:11:32Um...whereabouts is the, er...
0:11:33 > 0:11:36Take him out to the thunder box.
0:11:36 > 0:11:37Just a tick.
0:11:40 > 0:11:43I've never snored in my life.
0:11:43 > 0:11:47(I think snoring can be quite charming, actually.) >
0:11:47 > 0:11:49This way.
0:11:49 > 0:11:54Why a thunder box? Because it's out in the wind and rain?
0:11:54 > 0:11:55S'pose.
0:11:55 > 0:11:58You need to keep your shoes on.
0:11:58 > 0:12:02Stinging nettles?
0:11:59 > 0:12:02Yes, and scorpions and centipedes.
0:12:04 > 0:12:07Can you swim?
0:12:05 > 0:12:07Not very well.
0:12:08 > 0:12:12I'll wake you up in the morning. We go swimming every day.
0:12:12 > 0:12:14I'm Sheela.
0:12:14 > 0:12:16Estella.
0:12:17 > 0:12:21Does he always take the Bible to the dunny?
0:12:21 > 0:12:26It wasn't the Bible. He just doesn't like wasting time.
0:12:29 > 0:12:33Well, from the size of it, he could be there all night.
0:12:35 > 0:12:39I should've warned him about the redbacks.
0:12:37 > 0:12:39What are they?
0:12:39 > 0:12:41Small spiders with big teeth.
0:12:41 > 0:12:47Live under toilet seats, usually.
0:12:43 > 0:12:47How do you know if they're there?
0:12:45 > 0:12:47By the screams.
0:13:18 > 0:13:19There you are!
0:13:19 > 0:13:22Mr Lindsay's wonderful, isn't he?
0:13:22 > 0:13:26He said we were going to do The Sirens next.
0:13:26 > 0:13:31They lived on the Island of Atlantis and sang songs from the cliffs.
0:13:31 > 0:13:36Sailors were driven mad by these gorgeous voices.
0:13:36 > 0:13:41The ships would be wrecked and the sailors would be dragged down
0:13:41 > 0:13:46with the voices of The Sirens ringing in their ears.
0:13:46 > 0:13:49Myths are a bit stupid, really.
0:13:49 > 0:13:51I'll be wearing this.
0:13:53 > 0:13:58You could pose too, if you like. He always needs more models. Try it.
0:13:58 > 0:14:01There's some male ones too!
0:14:01 > 0:14:08It's not quite for us.
0:14:03 > 0:14:08You could always wear a dagger strategically placed.
0:14:09 > 0:14:11Or a sword.
0:14:11 > 0:14:13Whichever you need.
0:14:14 > 0:14:18And dinner's ready.
0:14:15 > 0:14:18Oh, that's right. I was sent to fetch you.
0:14:21 > 0:14:25I don't like people thinking I'm like the other models.
0:14:25 > 0:14:27I work here as a maid
0:14:27 > 0:14:32but I said I'd pose if I could keep my clothes on.
0:14:32 > 0:14:38I think it's important to keep one's mystique, don't you, Mr Campion?
0:14:38 > 0:14:41Is it Mr Campion or Father Anthony?
0:14:42 > 0:14:44It's, er...it's Tony.
0:14:45 > 0:14:47Do you think it's a sin...
0:14:47 > 0:14:49Tony?
0:14:49 > 0:14:53There's nothing sinful about the human body.
0:14:53 > 0:14:56The nude often appears in religious art.
0:14:56 > 0:14:59I think it's how the artist uses the body...
0:14:59 > 0:15:01that's important.
0:15:01 > 0:15:05So, do you think Mr Lindsay's paintings are rude?
0:15:05 > 0:15:07Mmm...
0:15:09 > 0:15:13Some, I think, are profane.
0:15:10 > 0:15:13Oh. Oh, that's good.
0:15:13 > 0:15:16I'm starving.
0:15:16 > 0:15:21I only eat once a day - my mother's very fat and it runs in the family.
0:15:21 > 0:15:24My grandpa's like the Michelin man.
0:15:24 > 0:15:29The one with all those tyres around him. He eats like a horse!
0:15:30 > 0:15:36It was a very enlightened society. The artists made all the decisions.
0:15:36 > 0:15:41That's why there's no record of the Atlantins being at war.
0:15:41 > 0:15:43But where was it?
0:15:43 > 0:15:48The Mediterranean, maybe. They're always digging up pottery
0:15:48 > 0:15:54that doesn't belong to any known civilization.
0:15:51 > 0:15:54How could they just disappear?
0:15:54 > 0:15:58A cataclysm. They were all wiped out in a cataclysm.
0:15:58 > 0:16:03The island sank in an earthquake.
0:16:00 > 0:16:03You genuinely believe in Atlantis?
0:16:03 > 0:16:06I lived there... in a former incarnation.
0:16:06 > 0:16:12I ask, because the cataclysm can be seen as an image of moral collapse.
0:16:12 > 0:16:19Many say that's happening again now. Is that what your art is exploring?
0:16:19 > 0:16:24People have always been decaying, whenever they can.
0:16:24 > 0:16:28- He's a very depraved man, I'm afraid.- No-one's safe.
0:16:32 > 0:16:34I'm bloody bored!
0:16:36 > 0:16:39Have you seen those fairies lately?
0:16:39 > 0:16:42A couple of them were out last Friday. >
0:16:42 > 0:16:49They were not!
0:16:43 > 0:16:49They always come out on Fridays.
0:16:46 > 0:16:49They do not, do they, Mummy?
0:16:49 > 0:16:53Yes, but you don't see them cos you're asleep.
0:16:51 > 0:16:53Tonight's Friday.
0:16:53 > 0:16:58But then you'd be too bloody bored to see them!
0:16:56 > 0:16:58I would not.
0:16:58 > 0:17:00I promise I won't be bored.
0:17:00 > 0:17:04Even bloody bored?
0:17:02 > 0:17:04Promise!
0:17:04 > 0:17:09If you're going to be up at midnight you better get to bed now.
0:17:12 > 0:17:15Say goodnight to everybody.
0:17:13 > 0:17:15Goodnight, everybody!
0:17:15 > 0:17:20Do they really come, Mummy?
0:17:17 > 0:17:20Fairies only live in books, silly!
0:17:20 > 0:17:26With the building of factories, the fairies had nowhere else to live.
0:17:26 > 0:17:30Except our imaginations.
0:17:27 > 0:17:30Imaginations are a luxury.
0:17:30 > 0:17:31I beg your pardon?
0:17:31 > 0:17:37Most people can't afford them.
0:17:33 > 0:17:37Imagination isn't dependent on economics.
0:17:37 > 0:17:43What if you work in a factory, doing the same thing day after day?
0:17:41 > 0:17:43An active imagination
0:17:43 > 0:17:46is what allows people to do that.
0:17:46 > 0:17:51You'd know, of course(!)
0:17:47 > 0:17:51I just think that's what you have to do.
0:17:51 > 0:17:54You'd have to be imagining other things.
0:17:54 > 0:17:57Don't start telling us
0:17:57 > 0:18:01what the working class does and doesn't think!
0:18:14 > 0:18:20The bishop's hoping we can come to some kind of compromise on this,
0:18:20 > 0:18:23find some other work you're happy with.
0:18:23 > 0:18:29The great thing is no-one wants to see you excluded from the exhibition.
0:18:29 > 0:18:34That is a comfort.
0:18:30 > 0:18:34Such an interest by the church!
0:18:34 > 0:18:39It's just The Crucified Venus they're uncomfortable with. >
0:18:39 > 0:18:40KNOCKING
0:18:40 > 0:18:43Pooh?
0:18:41 > 0:18:43It's me!
0:18:43 > 0:18:44Come in.
0:18:45 > 0:18:50Poor old Piglet. That Pru gave you a bit of a working over.
0:18:50 > 0:18:52I'll survive.
0:18:52 > 0:18:55Did you get anywhere with Mr Lindsay?
0:18:55 > 0:19:01He insists it's up to the public to decide if they want to see his work.
0:19:01 > 0:19:06They have to see it to decide, by which time the damage is done.
0:19:06 > 0:19:08A bit of logic which is lost on him.
0:19:08 > 0:19:09Never mind.
0:19:09 > 0:19:13I'll have another shot in the morning before we go.
0:19:13 > 0:19:18Do you think the pictures actually damage people?
0:19:18 > 0:19:21I think the sexual ones are rather childish.
0:19:21 > 0:19:26But I do think that negative images don't do anyone much good.
0:19:26 > 0:19:31I think The Crucified Venus is offensive and arrogant.
0:19:31 > 0:19:32I'm coming! >
0:19:32 > 0:19:38Hurry up, stupid!
0:19:34 > 0:19:38I'm running as fast as I can, you disgusting thing!
0:19:38 > 0:19:39Hmm!
0:19:42 > 0:19:44Shall we?
0:19:44 > 0:19:46Come on, then.
0:21:13 > 0:21:15RUSTLING
0:21:15 > 0:21:16GRUNTING
0:21:19 > 0:21:21HE SNORES
0:22:01 > 0:22:03CHILDREN SING
0:22:27 > 0:22:28Swimming?
0:22:28 > 0:22:34What's the time?
0:22:30 > 0:22:34The train doesn't leave till twelve.
0:22:32 > 0:22:34All right.
0:22:41 > 0:22:42Anthony.
0:22:42 > 0:22:45What'd you do to him?
0:22:45 > 0:22:48He's exhausted.
0:22:47 > 0:22:48Anthony!
0:22:48 > 0:22:51Don't wake him up. He might be dreaming.
0:22:51 > 0:22:57It's dangerous to wake somebody up if they're dreaming, because...
0:22:57 > 0:23:04you leave part of your brain behind. You can go feeble in the head!
0:23:01 > 0:23:04Yeah, you're living proof.
0:23:06 > 0:23:09All right, I'll join you in a minute.
0:23:27 > 0:23:29THEY SING
0:23:34 > 0:23:37Are you rich?
0:23:35 > 0:23:37Not very.
0:23:38 > 0:23:42What does your father do?
0:23:40 > 0:23:42Why do you ask?
0:23:42 > 0:23:46Pru thinks you're bourgeois, that's all.
0:23:46 > 0:23:48Mine was taken by a shark.
0:23:48 > 0:23:50God, how awful!
0:23:50 > 0:23:53Yeah. There wasn't much left of him.
0:23:53 > 0:23:57I was brought up by my mum. She runs a sweet shop.
0:23:57 > 0:23:59But I'm quite ambitious.
0:23:59 > 0:24:05I was determined to stay slim. Hard, with chocolate wombats everywhere!
0:24:05 > 0:24:09But as you can see, I succeeded.
0:24:07 > 0:24:09You wanted to be a model?
0:24:09 > 0:24:14No, modelling is just to get known. I'm going to be an actress.
0:24:14 > 0:24:19I'll model for Mr Lindsay, then move on to stage and screen.
0:24:29 > 0:24:32They're just doing it to show off.
0:24:32 > 0:24:37They're very common. Sheela's got 10 brothers and sisters
0:24:37 > 0:24:40She wants to be an artist like Norman
0:24:40 > 0:24:43but, poor girl, she's hopeless!
0:24:43 > 0:24:45And Pru wants to be an aviator!
0:24:46 > 0:24:47Aviatrix.
0:24:57 > 0:25:00Be careful of the water snakes!
0:25:00 > 0:25:03There aren't any water snakes!
0:25:16 > 0:25:18Quick! Someone's coming!
0:25:20 > 0:25:21Hide!
0:25:21 > 0:25:24It's all right. He can hardly see.
0:25:25 > 0:25:31Devlin!
0:25:27 > 0:25:31Come and have a swim!
0:25:28 > 0:25:31Don't get him to come in.
0:25:31 > 0:25:33He might brush against you.
0:25:46 > 0:25:48Come in.
0:25:58 > 0:26:01You shouldn't talk to him. He's a criminal!
0:26:01 > 0:26:04You dream about him, don't you?
0:26:03 > 0:26:04I do not!
0:26:04 > 0:26:10You lie with your eyes closed while he licks your belly button.
0:26:08 > 0:26:10You're disgusting...
0:26:10 > 0:26:12flaunting yourselves at him!
0:26:12 > 0:26:16He wouldn't know if we were dressed or not.
0:26:14 > 0:26:16Do you have to do that
0:26:16 > 0:26:22in front of Estella?
0:26:18 > 0:26:22What's wrong with her?
0:26:19 > 0:26:22She'll think we're barbarians!
0:26:22 > 0:26:24We are!
0:26:24 > 0:26:26Don't! Don't!
0:26:40 > 0:26:43Morning.
0:26:41 > 0:26:43Morning.
0:26:45 > 0:26:47The papers got hold of it.
0:26:47 > 0:26:51"The exhibition will convince the English that Australia
0:26:51 > 0:26:56"is peopled by degenerates afflicted with sex mania."
0:26:56 > 0:26:59Must be why they deported us.
0:26:57 > 0:26:59The other news.
0:26:59 > 0:27:04We'll be here for another day or so. The train was derailed.
0:27:04 > 0:27:06The track has to be repaired.
0:27:06 > 0:27:12Rose is going to give us a ride into town later to see how long it'll be.
0:27:13 > 0:27:17These flies are remarkably persistent!
0:27:17 > 0:27:20I just ate one. It came in on me honey.
0:27:20 > 0:27:22Made me feel funny.
0:27:22 > 0:27:24In me tummy!
0:27:35 > 0:27:37May I speak?
0:27:37 > 0:27:39Briefly.
0:27:39 > 0:27:44I just wondered if you'd be interested in today's editorial.
0:27:42 > 0:27:44I try to ignore the press.
0:27:44 > 0:27:47Isn't it hard to sustain your vision
0:27:47 > 0:27:51when it flies in the face of public opinion?
0:27:51 > 0:27:52No.
0:27:52 > 0:27:58The arrows of your detractors simply bounce off?
0:27:56 > 0:27:58Vanity is a formidable armour.
0:28:02 > 0:28:04Here we go.
0:28:04 > 0:28:08"The excesses of Mr Lindsay are a source of consternation
0:28:08 > 0:28:14"to clean-living citizens. He paints men and women who seem to be slaves
0:28:14 > 0:28:19"of cocaine, which has reduced them to shameless morbidity.
0:28:19 > 0:28:24"Today, not content with scorning all standards of decency
0:28:24 > 0:28:30"he has chosen to profane the most sacred image, the crucifixion."
0:28:30 > 0:28:35As if I give a damn about these Wesleyans and wowsers!
0:28:33 > 0:28:35It's not just them.
0:28:35 > 0:28:41Many people revere the crucifixion, but you're busy.
0:28:38 > 0:28:41Mr Campion, I am an artist...
0:28:41 > 0:28:47and I refuse to be compromised by the feeble scruples of the public.
0:28:45 > 0:28:47Scruples or deeply-held beliefs?
0:28:47 > 0:28:49Now, when I was a boy,
0:28:49 > 0:28:54my mother instructed us on the sad story of Jesus.
0:28:54 > 0:28:56How he died on the cross for us.
0:28:56 > 0:28:59My whole being rose in revolt at the idea.
0:28:59 > 0:29:04It's a vile notion that a god should sacrifice himself for us.
0:29:04 > 0:29:06It's a pestilent notion!
0:29:06 > 0:29:12I couldn't possibly agree with that.
0:29:08 > 0:29:12Hang on! The suffering my pictures will cause
0:29:12 > 0:29:17is nothing compared to the suffering the church has caused.
0:29:17 > 0:29:23The witch trials, the Spanish Inquisition, the slaughter of pagan tribes...
0:29:23 > 0:29:27Anyway, there we are. Must get back to work.
0:29:27 > 0:29:29FLY BUZZES
0:29:29 > 0:29:33The church can't be blamed for everything done in...in...
0:29:33 > 0:29:37in its name, but we'll talk later.
0:29:36 > 0:29:37TWACK!
0:29:42 > 0:29:45Well, now, here's a thing.
0:29:45 > 0:29:51Did you see the article on Atlantis? Now they reckon it sank off Norway.
0:29:51 > 0:29:55It must've caused a most gigantic tidal wave.
0:29:55 > 0:29:59They're looking at the old Nordic texts for evidence.
0:30:02 > 0:30:06You're disgusting, Sheela. You should be in a sty.
0:30:09 > 0:30:11Watch this. >
0:30:11 > 0:30:13Watch Giddy's skin.
0:30:13 > 0:30:15Don't you dare!
0:30:15 > 0:30:22Don't, Sheela.
0:30:16 > 0:30:22One day we're going to tickle you. We're going to keep tickling you...
0:30:22 > 0:30:26all over.
0:30:23 > 0:30:26Stop it.
0:30:24 > 0:30:26Look at her arms and legs.
0:30:26 > 0:30:30Look at the goose pimples.
0:30:28 > 0:30:30Sheela, keep quiet!
0:30:30 > 0:30:33Know who else will be doing it?
0:30:32 > 0:30:33Shut up!
0:30:33 > 0:30:37He'll be tickling you too.
0:30:35 > 0:30:37He will not.
0:30:37 > 0:30:39He'll tickle you...
0:30:39 > 0:30:41there!
0:30:40 > 0:30:41Shush!
0:30:41 > 0:30:47If he tickled her, her insides'd go everywhere.
0:30:44 > 0:30:47When sea slugs get attacked...
0:30:47 > 0:30:52they spit their insides out. You can eat them and go all night.
0:30:52 > 0:30:56There are islands where women ambush their favourite men...
0:30:56 > 0:30:59and feed them the longest sea slugs.
0:30:59 > 0:31:02The men get so incredibly hard...
0:31:02 > 0:31:08you can hang heavy clothes and necklaces from their erections.
0:31:06 > 0:31:08Doesn't it hurt?
0:31:08 > 0:31:09Excruciatingly!
0:31:09 > 0:31:16Giddy's guts'd be good for that.
0:31:12 > 0:31:16They would not! My giblets are pure and innocent.
0:31:16 > 0:31:18< Like my mind!
0:31:30 > 0:31:35I hope it's good news, then we can get out of your hair.
0:31:35 > 0:31:38Coupla heads more is no bother.
0:31:36 > 0:31:38That's very kind of you.
0:31:41 > 0:31:44Rose, I suppose I can't prevail on you
0:31:44 > 0:31:48to use your influence to help persuade Norman
0:31:48 > 0:31:52to withdraw that particular picture?
0:31:51 > 0:31:52Mr Campion...
0:31:52 > 0:31:57Tony.
0:31:53 > 0:31:57Have you actually seen it?
0:31:55 > 0:31:57Briefly, in the gallery.
0:31:57 > 0:32:00I was the model for it, you see...
0:32:01 > 0:32:03Tony.
0:32:05 > 0:32:06Ah.
0:32:14 > 0:32:17KIDS: One, two, three...charge!
0:32:22 > 0:32:24Stop it!
0:32:24 > 0:32:26Stop it at once!
0:32:32 > 0:32:34Anthony!
0:32:34 > 0:32:37Hey! What do you think you're doing?!
0:32:38 > 0:32:40Come on, clear off! Get away!
0:32:42 > 0:32:45Go on, shoo! All of you. Go away.
0:32:46 > 0:32:48What on earth was all that about?
0:32:48 > 0:32:52They're just acting out what their parents say.
0:32:52 > 0:32:56That Norman's the devil, and we're all witches.
0:32:54 > 0:32:56GIRL CACKLES
0:32:56 > 0:33:00Go on now, shoo!
0:32:57 > 0:33:00You eat sheep poo!
0:32:58 > 0:33:00You disgusting things!
0:33:04 > 0:33:06SHE BLASTS ON TRUMPET
0:33:38 > 0:33:41How do I look?
0:33:41 > 0:33:44Very nice.
0:33:42 > 0:33:44Can I wear it tonight?
0:33:44 > 0:33:47Pru and I are going out with a couple of blokes.
0:33:50 > 0:33:52I suppose so.
0:33:52 > 0:33:56Do you often try on other people's clothes
0:33:56 > 0:33:58without asking?
0:33:58 > 0:34:02All the clothes I've ever worn are other people's.
0:34:05 > 0:34:08Is this the ship you came out on?
0:34:06 > 0:34:08Yes.
0:34:10 > 0:34:12My dad was a sailor.
0:34:13 > 0:34:15What does he do now?
0:34:19 > 0:34:22He's dead.
0:34:20 > 0:34:22Oh.
0:34:23 > 0:34:25I'm sorry.
0:34:25 > 0:34:29A shark took him. They found an arm with his watch.
0:34:29 > 0:34:32That's what they buried - the arm.
0:34:32 > 0:34:37Still used a normal sized coffin. Just for appearances.
0:34:37 > 0:34:40I hadn't realised sharks were so...
0:34:40 > 0:34:42Successful?
0:34:49 > 0:34:51Do you like your husband?
0:34:51 > 0:34:55Do people usually marry people they don't like?
0:34:55 > 0:34:57Quite often, I'd say.
0:34:58 > 0:35:00VOICES >
0:35:02 > 0:35:06Is he the chap you're going out with?
0:35:05 > 0:35:06God, no.
0:35:06 > 0:35:10He just does odd jobs around the place.
0:35:10 > 0:35:15But he can't see.
0:35:11 > 0:35:15Can't see much. Norman says it's all a blur.
0:35:15 > 0:35:17There was a big fight in the bush.
0:35:17 > 0:35:21Went on for hours. Blood everywhere.
0:35:21 > 0:35:25In the end, they had to stop cos Devlin was blind.
0:35:25 > 0:35:31He can see a bit, but he can't recognise anyone until they speak.
0:35:31 > 0:35:34But Giddy thinks he's the best thing...
0:35:34 > 0:35:36since Valentino.
0:35:36 > 0:35:40It'll be routine for you, I would have thought.
0:35:40 > 0:35:43See you tomorrow night, all right? >
0:35:48 > 0:35:53For too long, you've kept the sensual side of life in the gloom!
0:35:53 > 0:36:00You've made it furtive and guilty!
0:35:55 > 0:36:00The church has never denied that sex has an important role!
0:36:00 > 0:36:03"Vaginal pessaries require a manipulation
0:36:03 > 0:36:09"of her own genital organs which must be repugnant to every woman."
0:36:09 > 0:36:11God makes us feel so guilty!
0:36:11 > 0:36:15When Dolly Rogers allowed me to play with her,
0:36:15 > 0:36:19I seriously thought I'd be struck by lightning!
0:36:19 > 0:36:22ALL ARGUE
0:36:26 > 0:36:28That's not my point!
0:36:28 > 0:36:32If God didn't want us to play with these parts,
0:36:32 > 0:36:35why did he make them so much fun?
0:36:35 > 0:36:37ARGUING CONTINUES
0:36:38 > 0:36:40Here come your lovers. >
0:36:40 > 0:36:44Jesus never said anything about chastity.
0:36:44 > 0:36:46Some old men on a godforsaken island
0:36:46 > 0:36:50suddenly decided the body was bad for the soul.
0:36:49 > 0:36:50Atlantis?
0:36:50 > 0:36:55Pity for women it wasn't.
0:36:52 > 0:36:55The gloomy God of the Old Testament
0:36:55 > 0:36:58still has us by the scruff of the neck.
0:36:58 > 0:37:04When he was invented, a lot of the pagan religions celebrated sexuality.
0:37:04 > 0:37:10So how was this new religion to compete with something so popular?
0:37:10 > 0:37:15By saying sex was evil, and that women were, in fact, responsible
0:37:15 > 0:37:19for the downfall of mankind!
0:37:19 > 0:37:25We've been second class ever since.
0:37:21 > 0:37:25Mrs Pankhurst would be proud of you.
0:37:23 > 0:37:25Why can't we be priests?
0:37:25 > 0:37:33Or popes.
0:37:27 > 0:37:33Because we're deafened by the din of our bodies to hear God's word.
0:37:33 > 0:37:35May I answer that question?
0:37:35 > 0:37:40May I speak?
0:37:36 > 0:37:40Come in, boys.
0:37:37 > 0:37:40Thanks. Evening, all. >
0:37:47 > 0:37:50You're late.
0:37:48 > 0:37:50Yeah.
0:37:50 > 0:37:54We had to fix up a couple of flyblown sheep.
0:37:54 > 0:37:57D'you wash your hands?
0:37:55 > 0:37:57- Yeah!- Twice.
0:38:00 > 0:38:03It looks horrible!
0:38:02 > 0:38:03Whose side are you on?
0:38:03 > 0:38:07You got sheep poo in your fingernails!
0:38:07 > 0:38:08CHILDREN GIGGLE
0:38:08 > 0:38:12Don't worry, you'll be wearing gloves.
0:38:12 > 0:38:15Well, better get going, I suppose.
0:38:15 > 0:38:18See youse later.
0:38:28 > 0:38:30Try one of these.
0:38:30 > 0:38:32They're Turkish.
0:38:40 > 0:38:43Don't worry, Giddy. Your time will come.
0:38:54 > 0:38:56Any luck?
0:38:56 > 0:38:58No.
0:38:58 > 0:39:03Is there a piglet in the house said Pooh?
0:39:03 > 0:39:05Um?
0:39:07 > 0:39:10They're trying to shock us, aren't they?
0:39:10 > 0:39:14Church baiting's always been a popular pastime.
0:39:14 > 0:39:17I got a lot of it at university.
0:39:17 > 0:39:22Atheists think it's funny to roast the dusty old Christian.
0:39:22 > 0:39:25The great thing is not to be too dusty.
0:39:25 > 0:39:30You should've seen Lindsay's face when I started quoting Joyce!
0:39:30 > 0:39:33Something wrong, Piglet?
0:39:33 > 0:39:35No.
0:39:36 > 0:39:42Those girls are certainly perfect models for Lindsay's orgies.
0:39:42 > 0:39:46Shame about Giddy. I think there's hope for her.
0:39:46 > 0:39:50She was sticking up for me at dinner. Did you notice?
0:39:54 > 0:39:59Oh, dear. I probably shouldn't have brought you here.
0:39:59 > 0:40:01Pooh...
0:40:01 > 0:40:03Piglet?
0:40:05 > 0:40:07I think...
0:40:07 > 0:40:11sometimes you have too high an opinion of me.
0:40:11 > 0:40:14What on earth makes you say that?
0:40:14 > 0:40:16Oh, I don't know.
0:40:16 > 0:40:19You are a funny, little thing!
0:40:23 > 0:40:25Brrr! Freezing.
0:40:26 > 0:40:28Come on, then.
0:40:31 > 0:40:33Mmm!
0:40:40 > 0:40:42Do you want to?
0:40:42 > 0:40:44I'm not sure.
0:40:44 > 0:40:49Well, you don't have to decide now. You wake me up if you do.
0:40:49 > 0:40:50All right.
0:40:50 > 0:40:55Mr Lindsay thinks we should be in a state of perpetual tumescence.
0:41:15 > 0:41:17LAUGHTER
0:41:23 > 0:41:25LAUGHTER
0:43:06 > 0:43:09What are you doing?
0:43:07 > 0:43:09Watching you sleep.
0:43:09 > 0:43:14Looks like you both had another punishing night.
0:43:14 > 0:43:19I wish you wouldn't creep into our room every morning!
0:43:19 > 0:43:24We've just been for a swim. I just wanted to tell you how nice it was.
0:44:37 > 0:44:38DOG GROWLS
0:44:44 > 0:44:45SHE GASPS
0:44:52 > 0:44:54Woof! Woof! Woof!
0:45:08 > 0:45:09Ugh!
0:45:35 > 0:45:37SINGING
0:45:49 > 0:45:51CAR APPROACHES
0:45:51 > 0:45:53Hello! Stop!
0:45:54 > 0:45:55HORN BEEPS
0:45:55 > 0:45:57HELLO!
0:46:08 > 0:46:11What happened to you?
0:46:09 > 0:46:11You're a terrible mess.
0:46:11 > 0:46:13I went for a walk.
0:46:13 > 0:46:17Stupidly got lost.
0:46:15 > 0:46:17Come on.
0:46:17 > 0:46:19Plenty of room.
0:46:27 > 0:46:32Here, put this on.
0:46:29 > 0:46:32I don't want to dress up.
0:46:32 > 0:46:36You look as if you've been in an orgy. Who were you with?
0:46:36 > 0:46:39No-one.
0:46:38 > 0:46:39Don't be a spoilsport.
0:46:39 > 0:46:41Please!
0:46:44 > 0:46:46Oh...
0:46:46 > 0:46:48All right, then.
0:46:54 > 0:46:56CONVERSATION STOPS
0:46:56 > 0:46:58You get fucked.
0:46:58 > 0:47:00You too. You get fucked.
0:47:01 > 0:47:03And you. You get fucked too.
0:47:04 > 0:47:06You all get fucked.
0:47:07 > 0:47:11Three beers and a creme de menthe.
0:47:09 > 0:47:11LOUD BURP
0:47:11 > 0:47:12Hello.
0:47:12 > 0:47:14Hello!
0:47:14 > 0:47:17Sorry, lounge is closed.
0:47:17 > 0:47:21What about them?
0:47:19 > 0:47:21Just closed, a few minutes ago. >
0:47:21 > 0:47:27Well, the main bar's open.
0:47:22 > 0:47:27The main bar's reserved for men.
0:47:25 > 0:47:27Don't worry. Let's go!
0:47:27 > 0:47:30We came here for a drink. >
0:47:32 > 0:47:33Hey, Tom!
0:47:33 > 0:47:35Lewis!
0:47:35 > 0:47:38Get us some drinks, will you?
0:47:38 > 0:47:39Tom!
0:47:44 > 0:47:47They're pretending they don't know us.
0:47:47 > 0:47:53That boil on your bum, you should get it looked at by doctor, Tom.
0:47:53 > 0:47:56Might go sceptic. Your whole bum might fall off.
0:47:56 > 0:47:58ALL LAUGH
0:48:01 > 0:48:05What if we drink outside?
0:48:03 > 0:48:05It's against the law.
0:48:05 > 0:48:08It's against the law to be open on a Sunday.
0:48:10 > 0:48:12Get fucked.
0:48:26 > 0:48:28Your mother's a trade unionist.
0:48:28 > 0:48:31She'd put people like you against a wall
0:48:31 > 0:48:37and shoot 'em.
0:48:33 > 0:48:37My family aren't wealthy.
0:48:34 > 0:48:37What does your father do?
0:48:37 > 0:48:40He's an antiques dealer.
0:48:38 > 0:48:40Mine was a sailor.
0:48:40 > 0:48:41He's dead.
0:48:44 > 0:48:46Taken by a shark?
0:48:46 > 0:48:48Blown to bits in a battle.
0:48:49 > 0:48:52They only ever found his foot.
0:48:53 > 0:48:56What's funny?
0:48:54 > 0:48:56I'm sorry!
0:49:22 > 0:49:24One, two...
0:49:24 > 0:49:26three!
0:49:38 > 0:49:40You haven't caught us yet!
0:49:41 > 0:49:44All right, girls!
0:49:42 > 0:49:44This will be piss easy!
0:49:54 > 0:49:56Charge!
0:50:04 > 0:50:06Pitiful!
0:50:06 > 0:50:08Penny O'Hara!
0:50:08 > 0:50:09Sean Connolly!
0:50:09 > 0:50:11Seamus O'Hearn!
0:50:11 > 0:50:13Patrick O'Shaugnessy!
0:50:24 > 0:50:26ACCORDION PLAYS
0:50:32 > 0:50:35I'm going to be honest with you.
0:50:35 > 0:50:40I find your relentlessly lustful women preposterous.
0:50:37 > 0:50:40That doesn't surprise me.
0:50:40 > 0:50:43I do have some experience of the opposite sex.
0:50:43 > 0:50:47My wife is as far from your debauched harridans...
0:50:47 > 0:50:50as animal is from vegetable.
0:50:51 > 0:50:55And which is she, Mr Campion?
0:50:53 > 0:50:55Mmm? Sorry.
0:50:56 > 0:50:58Animal or vegetable?
0:51:07 > 0:51:10What are you doing, Giddy?
0:51:10 > 0:51:15Dancing away all my impure thoughts. You should be doing it.
0:51:15 > 0:51:17You need to more than me.
0:51:17 > 0:51:21Oh, not you, Estella.
0:51:19 > 0:51:21She needs to more than anyone.
0:51:26 > 0:51:29Oh, the world's going round!
0:51:35 > 0:51:38What are you picturing in your mind, Giddy?
0:51:39 > 0:51:41Nothing.
0:51:41 > 0:51:45You're getting slippery, aren't you?
0:51:43 > 0:51:45What do you mean?
0:51:47 > 0:51:49I know somewhere...
0:51:49 > 0:51:52where she'd be really ticklish.
0:51:52 > 0:51:54Don't.
0:52:11 > 0:52:13(Oh, God!)
0:52:29 > 0:52:34He leaps from rock to rock with the grace of a mountain goat.
0:52:36 > 0:52:38CHUCKLING >
0:53:24 > 0:53:28Are you all right?
0:53:25 > 0:53:28Rose...
0:53:28 > 0:53:30I'm fine, thank you.
0:53:30 > 0:53:35Just a bit out of breath.
0:53:31 > 0:53:35Were you running?
0:53:33 > 0:53:35Walking.
0:53:35 > 0:53:37Briskly.
0:53:49 > 0:53:54It's time you visited Mr Devlin.
0:53:51 > 0:53:54I don't chase men, it's undignified.
0:53:58 > 0:54:00What's that in his hand?
0:54:01 > 0:54:04It looks like Estella's hat!
0:54:04 > 0:54:09Yes. I lost it when I went out for a walk. He must've picked it up.
0:54:09 > 0:54:13So that's why you were blushing!
0:54:11 > 0:54:13I was feeling ill!
0:54:16 > 0:54:19SHOUTING
0:54:24 > 0:54:26You ticklish?!
0:54:29 > 0:54:31THEY SHRIEK
0:54:43 > 0:54:45Excuse me...
0:54:46 > 0:54:49..would you please untie me?
0:54:51 > 0:54:53Please will you untie me?
0:54:58 > 0:55:00My hands are going to sleep.
0:55:33 > 0:55:35Thank you.
0:55:41 > 0:55:44# But that's all right, cos I don't mind
0:55:44 > 0:55:46# She is handsome
0:55:46 > 0:55:49# She is pretty, she is the belle of Brisbane city
0:55:49 > 0:55:52# Please won't you tell me who he be... #
0:55:52 > 0:55:54That tunic suits you.
0:55:55 > 0:55:58I thought we might go to evensong.
0:55:59 > 0:56:02All right, I'll go and change.
0:56:02 > 0:56:04# Out she comes as white as snow
0:56:04 > 0:56:06# Rings on her fingers and bells on her toes... #
0:56:06 > 0:56:08So must I.
0:56:11 > 0:56:13SINGING CONTINUES
0:56:17 > 0:56:19Where were you?
0:56:19 > 0:56:21We went into the town.
0:56:21 > 0:56:26You went to the pub. I can smell it on your breath.
0:56:26 > 0:56:29Why are you wearing that ridiculous outfit?
0:56:29 > 0:56:34It's part of what they're using in the latest paintings.
0:56:34 > 0:56:38I realise that. So you'll be doing some modelling?
0:56:38 > 0:56:40There's no need to be offensive!
0:56:43 > 0:56:47Estella, what's wrong?
0:56:45 > 0:56:47Nothing is wrong!
0:56:59 > 0:57:04In its long history, one of the enduring strengths of the church,
0:57:04 > 0:57:10has been its capacity to withstand persecution, insult, and ridicule.
0:57:10 > 0:57:14Those who have to sought to mock Christians
0:57:14 > 0:57:16have been legion.
0:57:16 > 0:57:21Even Christ himself felt their lash - on the street...
0:57:21 > 0:57:25in the market place, even at the end, on the cross.
0:57:25 > 0:57:29"Where are you now, you King of the Jews?"...
0:57:29 > 0:57:34they called out to him in his agony. In every age...
0:57:34 > 0:57:38still more come forward to scorn his name, and to defame
0:57:38 > 0:57:43his most sacred images. But true Christians...
0:57:43 > 0:57:47secure in their faith, can identify...
0:57:47 > 0:57:50such detractors for what they are.
0:57:50 > 0:57:56The disciples of the devil, the destroyers of all that is precious
0:57:56 > 0:58:01in family life. The harbingers of darkness and chaos.
0:58:11 > 0:58:16# Faint not, nor fear, His arms are near
0:58:17 > 0:58:22# He changeth not, and Thou art here
0:58:23 > 0:58:28# Only believe and thou shalt see
0:58:28 > 0:58:35# That Christ by his love is all to thee. #
0:58:38 > 0:58:40Please be seated.
0:58:43 > 0:58:46(What on earth is wrong with you?)
0:58:46 > 0:58:47Nothing.
0:58:47 > 0:58:51What strange, deluded, conceited creatures
0:58:51 > 0:58:53we human beings are.
0:58:54 > 0:59:00We think we have secrets, but how can we have secrets from God
0:59:00 > 0:59:05who knows our innermost thoughts every moment of the day.
0:59:05 > 0:59:06THUNDER RUMBLES
0:59:15 > 0:59:17Giddy, what's wrong?
0:59:18 > 0:59:20He's in the studio.
0:59:20 > 0:59:22He's staying there tonight.
0:59:23 > 0:59:25I'm going to seduce him.
0:59:25 > 0:59:27You're drunk.
0:59:29 > 0:59:32Did he say anything about me...
0:59:32 > 0:59:34when he untied you?
0:59:34 > 0:59:37No.
0:59:38 > 0:59:40He's too shy, you see.
0:59:40 > 0:59:43You should lie down for a while.
0:59:43 > 0:59:46We're so out of touch with our passions.
0:59:46 > 0:59:50I mean... I'm such a bourgeois little thing,
0:59:50 > 0:59:53too scared to reveal myself to a painter!
0:59:53 > 0:59:55Giddy...
0:59:56 > 1:00:03I'm going to walk around without any clothes on. Clothes are just ost...
1:00:03 > 1:00:09"ostentatious figments of middle class imagination."
1:00:07 > 1:00:09That's Pru's nonsense.
1:00:11 > 1:00:13It's just a bit cold tonight.
1:00:17 > 1:00:19Well, I better go and get ready.
1:00:19 > 1:00:22This is the first day of my new life
1:00:22 > 1:00:25No, the first night of my new life.
1:00:25 > 1:00:27THUNDER RUMBLES
1:00:47 > 1:00:49DOG GROWLS
1:01:03 > 1:01:08Next, you'll have to cross the Arafura Sea.
1:01:06 > 1:01:08She'll be here in a few days.
1:01:08 > 1:01:09KNOCK AT DOOR
1:01:13 > 1:01:15What are you trying to do?
1:01:15 > 1:01:21This is where Amy Johnson's got to. She was almost eaten by cannibals.
1:01:21 > 1:01:28What are you doing to Giddy? She'll make a real fool of herself.
1:01:25 > 1:01:28She's about to burst out of her skin
1:01:28 > 1:01:32She doesn't know what she's doing.
1:01:30 > 1:01:32Why the sudden concern?
1:01:32 > 1:01:36Are you jealous?
1:01:34 > 1:01:36Don't be ridiculous.
1:01:35 > 1:01:36But you like him too.
1:01:36 > 1:01:42I didn't even speak to him when he untied me.
1:01:39 > 1:01:42You didn't need to.
1:01:42 > 1:01:44You're really shocking!
1:01:48 > 1:01:50SHE SNORES
1:02:21 > 1:02:26Your characters seem so ravenous. Can't love ever be a gentle thing?
1:02:26 > 1:02:30Of course, but I'm not painting love scenes.
1:02:30 > 1:02:33Sorry, yes, lust scenes.
1:02:33 > 1:02:42There is a fierceness in desire. It's one of life's great conundrums.
1:02:39 > 1:02:42The only one according to your work.
1:02:42 > 1:02:47I admit that the human universe is infinitely richer than my palette.
1:02:47 > 1:02:53But, I do absolutely no justice at all to the nervous nellies...
1:02:53 > 1:02:57the shrinking violets...
1:02:54 > 1:02:57You're very contemptuous of them.
1:02:57 > 1:03:01My dear Estella, I am a shrinking violet myself.
1:03:01 > 1:03:04I live not in the real world, but in here.
1:03:04 > 1:03:08I flee from the real world to my studio.
1:03:08 > 1:03:12There before me is the canvas of my imagination.
1:03:12 > 1:03:14But your paintings...
1:03:14 > 1:03:19do go out into the real world. People's imaginations are stunted,
1:03:19 > 1:03:26and you have no idea what your work may incite them to. Rape?
1:03:24 > 1:03:26Mr Campion...
1:03:26 > 1:03:31the female body is the most beautiful thing in the world.
1:03:31 > 1:03:34If it turns you into a ravenous maniac...
1:03:34 > 1:03:39then your wife should take the greatest care to undress...
1:03:39 > 1:03:41behind a screen.
1:03:41 > 1:03:46Estella's seen the pictures too. Are we in danger from her?
1:03:46 > 1:03:51Everyone has a rich imagination. What stunts it is
1:03:51 > 1:03:57capitalist exploitation. In Russia, there's an explosion of creativity!
1:03:57 > 1:03:59Have you been, Pru?
1:03:59 > 1:04:00Have you?
1:04:00 > 1:04:05I thought for a moment you knew what you were talking about.
1:04:05 > 1:04:11Communism has exploded every value, leaving a vacuum of moral anarchy!
1:04:10 > 1:04:11Anarchy is freedom!
1:04:11 > 1:04:13Balls!
1:04:13 > 1:04:14Sorry.
1:04:14 > 1:04:18Freedom for the strong to oppress the weak.
1:04:18 > 1:04:24It's the same as before, just a different set of bullies!
1:04:21 > 1:04:24Where's Giddy?
1:04:42 > 1:04:44I thought you'd lost that hat.
1:04:44 > 1:04:48Yes. One of the girls must have found it.
1:04:50 > 1:04:53So, um...where was Giddy tonight?
1:04:55 > 1:04:57You like her, don't you?
1:04:59 > 1:05:02"Try one of these, they're Turkish."
1:05:03 > 1:05:05No, I just, er...
1:05:05 > 1:05:09worry about her with those other two.
1:05:09 > 1:05:12She's drunk herself into a stupor,
1:05:12 > 1:05:17planning to throw herself at... that odd job man.
1:05:19 > 1:05:21He's quite a character, isn't he?
1:05:21 > 1:05:27I hear he used to have quite a dangerous reputation.
1:05:24 > 1:05:27This whole country's dangerous.
1:05:28 > 1:05:30You know...
1:05:30 > 1:05:34I've been mulling over what you said to me about...
1:05:34 > 1:05:40me thinking too highly of you. I don't see either of as saints.
1:05:39 > 1:05:40That's a relief.
1:05:40 > 1:05:45I've done many things I'm ashamed of, stretching way back.
1:05:45 > 1:05:49What sort of things?
1:05:47 > 1:05:49Um...
1:05:49 > 1:05:54When I was at school we had this ridiculous initiation ceremony
1:05:54 > 1:05:58for the new boys, the "scum" as we called them.
1:05:58 > 1:06:04What happened?
1:05:59 > 1:06:04We used to stand them on a chair, take their trousers down...
1:06:04 > 1:06:09whip them with wet towels. You know the sort of thing.
1:06:09 > 1:06:11Do I?
1:06:13 > 1:06:17Anyway, that's just something I wanted you to know.
1:06:25 > 1:06:27In view of...
1:06:27 > 1:06:29today's activities.
1:06:31 > 1:06:37What are you talking about?
1:06:33 > 1:06:37I think you know. I'd rather not put it into words.
1:06:55 > 1:06:57RHYTHMIC SQUEAKING
1:06:59 > 1:07:01SQUEAKING CONTINUES
1:07:07 > 1:07:09(Sorry it's so noisy.)
1:07:09 > 1:07:12(It's all right. They'll all be asleep.)
1:07:54 > 1:07:56SHE GASPS
1:08:38 > 1:08:39SHE GROANS
1:09:01 > 1:09:03Oh...
1:10:07 > 1:10:11You are the Winnie the Pooh sleeping in today.
1:10:11 > 1:10:14What's the time?
1:10:12 > 1:10:14Nearly three.
1:10:14 > 1:10:16Message from Sheela.
1:10:16 > 1:10:21She didn't wake you for a swim, she felt you needed your rest.
1:10:21 > 1:10:25She seemed quite smug about it.
1:10:23 > 1:10:25I might have one now, then.
1:10:28 > 1:10:30To wake me up.
1:10:30 > 1:10:32Right. Good idea.
1:11:00 > 1:11:03How are you feeling?
1:11:01 > 1:11:03Buggered.
1:11:03 > 1:11:08I woke up stuck to the blanket. I'd spilt that horrible drink.
1:11:08 > 1:11:11I looked like a huge emerald mint!
1:11:10 > 1:11:11Oh!
1:11:11 > 1:11:13Not that it mattered.
1:11:13 > 1:11:20Why? What do you mean?
1:11:15 > 1:11:20I went to the studio to see him, and he was doing it with somebody else!
1:11:20 > 1:11:23Who was it?
1:11:21 > 1:11:23Oh...
1:11:25 > 1:11:28It was dark. I suppose it was Sheela or Pru.
1:11:28 > 1:11:32They've got absolutely no morals at all!
1:11:32 > 1:11:34I just feel so stupid.
1:11:34 > 1:11:37I thought he liked me.
1:11:40 > 1:11:44I'm not going to have anything to do with men.
1:11:44 > 1:11:46I've made a big decision.
1:11:46 > 1:11:50What decision?
1:11:47 > 1:11:50You'll see. So will Norman.
1:11:51 > 1:11:53Giddy!
1:12:15 > 1:12:18Change your mind?
1:12:17 > 1:12:18Yes.
1:12:18 > 1:12:20Disappointing news.
1:12:20 > 1:12:26The exhibition's going ahead with all the original paintings.
1:12:26 > 1:12:28Still, we did our best.
1:12:29 > 1:12:31I wish we could leave now.
1:12:31 > 1:12:37The track's been repaired. We can get the first train tomorrow.
1:12:35 > 1:12:37Thank goodness.
1:12:40 > 1:12:42I'll tell Lindsay.
1:12:57 > 1:13:03Sorry to interrupt. Just to let you know we're off first thing tomorrow.
1:13:01 > 1:13:03Right.
1:13:10 > 1:13:11Right.
1:13:26 > 1:13:31You're very naughty today, so I'm not giving you this chocolate.
1:13:31 > 1:13:34Honey, come quick.
1:13:36 > 1:13:38THEY GIGGLE
1:13:39 > 1:13:42This lamb is absolutely delicious.
1:13:42 > 1:13:47Nearly as good as Welsh lamb and that's saying something!
1:13:49 > 1:13:51Well, um...
1:13:51 > 1:13:54Thank you very much for your hospitality.
1:13:54 > 1:13:55Bottoms up. >
1:13:55 > 1:13:58We've enjoyed ourselves.
1:13:58 > 1:14:03I like a little opposition. It clears the mind. It's fortifying.
1:14:04 > 1:14:06Yes.
1:14:07 > 1:14:10I gather you're a boxer, Mr Devlin?
1:14:13 > 1:14:18I used to do a bit of boxing myself. Quite a keen pugilist once.
1:14:18 > 1:14:23Lost an enormous part of this tooth from a haymaker someone gave me.
1:14:23 > 1:14:29I expect you've got some bad scabs to show from your travails too.
1:14:29 > 1:14:32Apart, obviously, from the, er...
1:14:32 > 1:14:35eye thing, which is beastly.
1:14:35 > 1:14:36SNIGGERING
1:14:38 > 1:14:41Unfortunately, during his last fight...
1:14:41 > 1:14:45Mr Devlin had his tongue hanging out.
1:14:45 > 1:14:48He got an enormous upper cut and lost most of it.
1:14:48 > 1:14:50Balldust, Norman!
1:14:52 > 1:14:57He makes a brilliant Ulysses anyhow.
1:14:54 > 1:14:57But he never comes into the water.
1:14:57 > 1:15:01Wouldn't matter who he was, you'd try to get him in.
1:15:01 > 1:15:05You'd get in the whole army if you could!
1:15:05 > 1:15:09I'd like to do some more research for the Atlantis series.
1:15:09 > 1:15:13How about mounting an expedition to find it?
1:15:13 > 1:15:16You might like to come.
1:15:14 > 1:15:16Um-hmm!
1:15:16 > 1:15:19Devlin could be the pilot.
1:15:19 > 1:15:24Giddy could be the navigator.
1:15:21 > 1:15:24I'm not going if they're going.
1:15:23 > 1:15:24Why not ?
1:15:24 > 1:15:28I wouldn't trust you as far as I could kick you!
1:15:27 > 1:15:28Thanks!
1:15:30 > 1:15:33What are you talking about? >
1:15:32 > 1:15:33You know!
1:15:33 > 1:15:38You always eat that cheese when you feel guilty.
1:15:36 > 1:15:38Excuse me.
1:15:38 > 1:15:40GIGGLING AND YELPING
1:15:40 > 1:15:44Sorry, I better go and see if she's all right
1:15:48 > 1:15:50What?
1:15:51 > 1:15:52Nothing.
1:15:56 > 1:15:58Piglet, are you all right?
1:15:58 > 1:16:00Yes, I'm fine, thank you.
1:16:02 > 1:16:05Feeling a bit funny?
1:16:06 > 1:16:08Probably all that Stilton.
1:16:09 > 1:16:12Really packing it down, weren't you?
1:16:16 > 1:16:19Well, I'll go back.
1:16:17 > 1:16:19Pooh...
1:16:22 > 1:16:24I think we should talk.
1:16:26 > 1:16:28Right you are.
1:16:29 > 1:16:33What about?
1:16:30 > 1:16:33Ever since we got here, I've...
1:16:34 > 1:16:36Well, now you see...
1:16:36 > 1:16:41some things are best left unsaid.
1:16:38 > 1:16:41But then we'll always be strangers.
1:16:41 > 1:16:43No, not really.
1:16:46 > 1:16:48Only small parts of us.
1:16:48 > 1:16:53The bad parts.
1:16:50 > 1:16:53No, it's good to have a few secrets.
1:16:55 > 1:16:57Do you?
1:16:57 > 1:16:59Mmm.
1:17:00 > 1:17:06That way, in fifty years' time we'll still be able to surprise each other.
1:17:08 > 1:17:10Perhaps you're right.
1:17:16 > 1:17:18I love you, Piglet.
1:17:50 > 1:17:55What's the matter?
1:17:51 > 1:17:55You must've dreamt you saw someone with Devlin.
1:17:55 > 1:17:57You were so drunk. I looked in here,
1:17:57 > 1:18:00and you were absolutely sozzled.
1:18:00 > 1:18:04But it was so real.
1:18:02 > 1:18:04Dreams always are!
1:18:04 > 1:18:09I spoke to the other two and they swear it wasn't them.
1:18:10 > 1:18:12Do you still like him?
1:18:14 > 1:18:19I suppose so.
1:18:16 > 1:18:19You should go in and see him, then.
1:18:19 > 1:18:24Now?
1:18:20 > 1:18:24That's what your dream was telling you.
1:18:24 > 1:18:26Yeah.
1:18:26 > 1:18:27Here.
1:18:28 > 1:18:33Put this on.
1:18:30 > 1:18:33But it's your wedding ring.
1:18:31 > 1:18:33It's always brought me luck.
1:18:35 > 1:18:37You can wear these.
1:18:40 > 1:18:42And try some of this.
1:18:46 > 1:18:49And we'll have to fix your hair.
1:19:04 > 1:19:06Good luck.
1:21:06 > 1:21:08THUNDER RUMBLES
1:21:50 > 1:21:52THUNDER RUMBLES
1:22:13 > 1:22:15I want to wake up now.
1:22:27 > 1:22:28Oh!
1:22:28 > 1:22:30Estella.
1:22:30 > 1:22:36It was night.
1:22:31 > 1:22:36You were shouting loudly. I heard you from the garden.
1:22:36 > 1:22:40Let me tell you about last night. It was wonderful!
1:22:40 > 1:22:43I didn't do everything with him.
1:22:43 > 1:22:49He's not good enough for me, but we did some things which were just...
1:22:51 > 1:22:53Gosh!
1:23:01 > 1:23:09But you didn't ask her permission!
1:23:04 > 1:23:09I wasn't aware I needed permission.
1:23:06 > 1:23:09It infers that she modelled for you!
1:23:09 > 1:23:13You cannot just put someone in one of your paintings!
1:23:13 > 1:23:19She'll be outraged! I'm outraged!
1:23:16 > 1:23:19Perhaps we ought to ask her.
1:23:17 > 1:23:19I don't need to ask her!
1:23:19 > 1:23:20Anthony?
1:23:20 > 1:23:22What's the matter?
1:23:22 > 1:23:26Mr Lindsay has put you in his latest painting.
1:23:25 > 1:23:26Oh.
1:23:26 > 1:23:32I've told him he has to paint over you, or we'll take legal action.
1:23:32 > 1:23:34You better have a look.
1:23:58 > 1:23:59Well?
1:24:22 > 1:24:23It's a good likeness.
1:25:02 > 1:25:03< Devlin.
1:25:03 > 1:25:05Better get back to work.
1:25:05 > 1:25:07Catch!
1:25:21 > 1:25:22TRAIN WHISTLES
1:26:12 > 1:26:13They're asleep.
1:26:15 > 1:26:17For goodness sake!
1:26:17 > 1:26:18Estella!
1:26:21 > 1:26:23We'll be arrested.
1:26:26 > 1:26:29We'll be excommunicated!
1:26:38 > 1:26:40HE GIGGLES
1:26:49 > 1:26:51HE GIGGLES
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