0:00:47 > 0:00:50SIREN BLARES
0:00:53 > 0:00:57TYRES SCREECH
0:00:59 > 0:01:03SIREN CONTINUES
0:01:07 > 0:01:10SIREN CONTINUES
0:01:39 > 0:01:41KNOCKING ON DOOR
0:01:41 > 0:01:43No, you can't come in.
0:01:43 > 0:01:46SNORING
0:01:46 > 0:01:49Could you get out and close the door?
0:01:49 > 0:01:51Isn't he conscious yet?
0:01:51 > 0:01:55I don't care who sent you up here from Washington, Ames,
0:01:55 > 0:01:56this is my patient.
0:01:56 > 0:01:58He's not your patient...
0:01:58 > 0:02:00he's Morgan.
0:02:00 > 0:02:05And this time... he's staying in custody.
0:02:05 > 0:02:08He already broke out of your maximum-security prison.
0:02:08 > 0:02:10Do you think that'll do any good?
0:02:10 > 0:02:13Mmm, that...and us.
0:02:20 > 0:02:23You know, you look better when I don't see you too well, Ames.
0:02:23 > 0:02:28Could be you'll see me through the bars for 27 more years, buddy boy.
0:02:28 > 0:02:31You my doctor?
0:02:31 > 0:02:33- Yes.- What the hell's the problem?
0:02:33 > 0:02:37Subdural haematoma, Mr Morgan. There's temporary damage to the optic nerve.
0:02:37 > 0:02:40Be on your feet in about three weeks
0:02:40 > 0:02:45and then right back in a cell with five years added for the bust-out.
0:02:45 > 0:02:50So, you ought to be boozing it up and bangin' the broads in, say, well...
0:02:50 > 0:02:53- about 1995.- You want to bet on it?!
0:02:53 > 0:02:54Damn right.
0:02:54 > 0:02:5740 million bucks.
0:03:02 > 0:03:04Leave us alone, doc.
0:03:04 > 0:03:08- There are certain things... - I said "alone", doc.
0:03:10 > 0:03:16Ames...I hope I'm on duty when they bring you in
0:03:16 > 0:03:21after a little old lady has inserted her umbrella where it belongs.
0:03:34 > 0:03:37I said "40 million bucks", Morgan.
0:03:37 > 0:03:41I said it on the stand and I'll tell you while I'm flat on my back.
0:03:41 > 0:03:44I didn't know a damn thing about that currency shipment...
0:03:44 > 0:03:46until I saw it on TV.
0:03:46 > 0:03:52Everything about that operation said "Morgan", like a Swiss watch.
0:03:52 > 0:03:57Morgan to plan it, Morgan's old buddy Sal Dekker for the muscle.
0:03:57 > 0:04:02Everything you presented was circumstantial. You haven't found ten bucks of that dough.
0:04:02 > 0:04:09160,000 showed up in Miami banks a week after your bust-out.
0:04:09 > 0:04:16- No shit.- Where'd ya fence it, Morgan? Brazil? Nueva Cadiz?
0:04:16 > 0:04:21You know, if it was me, or Sal Dekker, I'd take a shot at Nueva Cadiz.
0:04:22 > 0:04:26Nice little island, nice new government.
0:04:26 > 0:04:31You can do anything you want as long as they get a cut.
0:04:31 > 0:04:33Only 100 miles from Miami.
0:04:33 > 0:04:37Yeah, if I had a bundle in the millions,
0:04:37 > 0:04:41I'd fence it in Nueva Cadiz.
0:04:41 > 0:04:46How'd you like to take a trip to Nueva Cadiz, buddy boy?
0:04:47 > 0:04:53Must be the pills are shootin' me, but you just lost me, "buddy boy".
0:04:53 > 0:04:55We'll make you a trade.
0:04:55 > 0:05:00The government's damned interested in Nueva Cadiz, too. Oh, not for the money.
0:05:00 > 0:05:05You remember an old political character named Victor Sable?
0:05:05 > 0:05:09Oh, the one the military executed or something?
0:05:09 > 0:05:13They had him under house arrest. Then they stuck him in Rose Castle -
0:05:13 > 0:05:16the roughest prison in the Caribbean.
0:05:17 > 0:05:21- So?- Washington wants to know if he's alive,
0:05:21 > 0:05:23and if he is, they want him out...
0:05:23 > 0:05:25alive.
0:05:25 > 0:05:27Look at it this way, Morgan.
0:05:27 > 0:05:32Instead of you busting out of the toughest boxes in the world,
0:05:32 > 0:05:34we want you to bust in.
0:05:37 > 0:05:40Oh, man, you gotta be kidding, Ames.
0:05:40 > 0:05:4320 years off your sentence.
0:05:47 > 0:05:50Tell Washington I don't like the odds.
0:05:52 > 0:05:56I always said you were chicken, Morgan.
0:05:56 > 0:05:59All your guts are in your ass!
0:06:06 > 0:06:08All right, Ames...
0:06:09 > 0:06:13I hope they send you along as my chaperone.
0:06:13 > 0:06:16It'll be a lot more interesting that way.
0:06:16 > 0:06:18Matter of fact, no chance.
0:06:18 > 0:06:23The old man's got it set up so that Stacy gets the assignment.
0:06:23 > 0:06:26You ever...run into Stacy?
0:06:26 > 0:06:28Not yet.
0:06:29 > 0:06:32But, you know, it might be interesting. I've, er...
0:06:32 > 0:06:35I've never shacked up with a government agent before.
0:06:55 > 0:06:58SIREN BLARES
0:07:11 > 0:07:13If I'd known you were still hungry, I...
0:07:13 > 0:07:15Well, we could have stayed where we were.
0:07:15 > 0:07:19Well, you remember, I've been on a diet for three years and...
0:07:19 > 0:07:21I don't want to overdo it right away.
0:07:21 > 0:07:25Well, have a drink and then...overdo.
0:07:25 > 0:07:28- Join me?- Natch.
0:07:30 > 0:07:32Holy Toledo!
0:07:32 > 0:07:35I've never seen him here before. Is he Valerie's.
0:07:35 > 0:07:39If you hadn't spent your whole life in Nashville, you'd know Morgan.
0:07:39 > 0:07:42My God! My first month in New York and I'm in the same room with Morgan!
0:07:42 > 0:07:47And he IS Valerie's, but there's enough to go around.
0:07:47 > 0:07:50You're not gonna take them up on that?
0:07:50 > 0:07:53Morgan, we can get out of the country.
0:07:53 > 0:07:55I've got tickets on a flight to...
0:07:55 > 0:08:00Hell, yes, I'm gonna take him up on it. I want to go to Nueva Cadiz.
0:08:00 > 0:08:02For Victor whathisname?
0:08:02 > 0:08:06What the devil does he mean to you or anybody else?
0:08:06 > 0:08:10If some of that money showed up...the rest is someplace around.
0:08:10 > 0:08:12It's gotta be on that damn island.
0:08:12 > 0:08:16Whoever did take that money will think I'm there to track it down,
0:08:16 > 0:08:17and, one way or the other,
0:08:17 > 0:08:20they're gonna crawl out of the woodwork.
0:08:21 > 0:08:23Valerie.
0:08:23 > 0:08:28Sorry. Mr J, do you know what he's got in mind?
0:08:28 > 0:08:33Darling, whatever Mr J has in mind is what we're here for.
0:08:33 > 0:08:35Really?!
0:08:37 > 0:08:41I'd better get you out of here, so the kids can keep their minds on their work.
0:08:41 > 0:08:45Whatever Valerie's kids are famous for...
0:08:46 > 0:08:48..it's not their minds.
0:08:49 > 0:08:51How tall are you, anyway?
0:08:51 > 0:08:53With heels?
0:08:53 > 0:08:55With anybody.
0:08:57 > 0:09:00Oh, I'm big enough. No complaints yet.
0:09:00 > 0:09:02Guaranteed?
0:09:03 > 0:09:07Um...what kind of guarantee would you like?
0:09:08 > 0:09:14Six months or 20,000 miles of comfortable riding?
0:09:14 > 0:09:16Who is this Stacy they got to bird-dog you?
0:09:16 > 0:09:20Sorry, darling, but I, er...never married her before.
0:09:20 > 0:09:24You've got to marry her?! Wow! That's a switch!
0:09:24 > 0:09:27It has something to do with the cover story they set up.
0:09:33 > 0:09:36Qu'est-ce-que voulez-vous, Monsieur?
0:09:36 > 0:09:39Une plume de ma tante, s'il vous plait.
0:09:39 > 0:09:41WOMAN SPEAKS CHINESE
0:09:43 > 0:09:46So, this damned sales girl kept saying,
0:09:46 > 0:09:50"No, madame. Madame would definitely take a size 38C.
0:09:50 > 0:09:52"Madame's size IS 38."
0:09:52 > 0:09:57So, I finally said to her, "Hey, baby, just whose are they, anyway?"
0:10:02 > 0:10:05Morgan, you're terrible.
0:10:05 > 0:10:10- That's not what you said this afternoon.- Well, this afternoon you WEREN'T terrible.
0:10:10 > 0:10:14Why don't you come down to Nueva Cadiz in about a month?
0:10:14 > 0:10:16We'd have about 40 million laughs.
0:10:16 > 0:10:18I don't want to think about it. I'll...
0:10:18 > 0:10:21I'll worry about you all the time you're there.
0:10:21 > 0:10:25Well, if it makes you feel any better, I'll... I'll worry, too.
0:10:52 > 0:10:54WOLF WHISTLE
0:11:00 > 0:11:02I'm a son of a bitch!
0:11:02 > 0:11:04I'm Kimberley Stacy.
0:11:04 > 0:11:06State Department. Special Agent.
0:11:07 > 0:11:11So, you're the monster.
0:11:11 > 0:11:14Sorry, I, er... didn't hear you come in.
0:11:14 > 0:11:19You know, you cost me 20 bucks. I was stupid enough to make a bet you wouldn't come back.
0:11:19 > 0:11:24- Why did you, Morgan?- Uh... Curiosity.
0:11:24 > 0:11:28Oh, that's not good enough. I know that reduced sentence doesn't mean a thing to you.
0:11:29 > 0:11:31No.
0:11:31 > 0:11:35Why, I mean, you never seriously considered serving it, did you?
0:11:35 > 0:11:38Not if I can help it. But I was curious...
0:11:38 > 0:11:42curious what was happening in Nueva Cadiz...
0:11:42 > 0:11:46and curious about the child bride they've sentenced me to.
0:11:46 > 0:11:48By the way,
0:11:48 > 0:11:51when does this consummation take place -
0:11:51 > 0:11:52before or after our elopement?
0:11:53 > 0:11:57When I take a man for keeps, I'LL do the choosing.
0:12:00 > 0:12:02Thank you.
0:12:02 > 0:12:03Any time!
0:12:16 > 0:12:19You would have to have only one damn name!
0:12:21 > 0:12:24I'm sorry about that, but, you see, I am a bastard.
0:12:25 > 0:12:28What next, genius?
0:12:28 > 0:12:33Well, I thought we'd whip down to the Florida Keys, register in a motel and...
0:12:33 > 0:12:34you know, get some sleep.
0:12:49 > 0:12:52It's an old, old custom, sweetheart.
0:12:52 > 0:12:54Bull!
0:13:04 > 0:13:07Why don't you, er, take a swim or, er, something?
0:13:08 > 0:13:11Art Keefer, please.
0:13:11 > 0:13:15Art? ..Yeah, we're here. Moored.
0:13:17 > 0:13:19What?
0:13:21 > 0:13:23What?!
0:13:26 > 0:13:28All right.
0:13:32 > 0:13:33I'll see you later.
0:13:37 > 0:13:40Just great(!) Just great(!)
0:13:40 > 0:13:45Your Federal pals spread the word on our arrival.
0:13:45 > 0:13:49- Those stupid sons of...- I wouldn't, er, underestimate them, Morgan.
0:13:49 > 0:13:53I think they've arranged all this pretty well so far.
0:13:53 > 0:13:55Oh, you mean the marriage? That was good thinking.
0:13:55 > 0:13:59Non-consummation is, er... good grounds for annulment.
0:14:00 > 0:14:03Except they forgot one thing.
0:14:03 > 0:14:06There's no law against a man raping his own wife.
0:14:09 > 0:14:11Forget it, Morgan.
0:14:11 > 0:14:15You know, er...one day you're gonna pull that
0:14:15 > 0:14:17and I'm gonna have to take it away from you.
0:14:17 > 0:14:21And you know what I'm gonna do with it?
0:14:21 > 0:14:22What?
0:14:25 > 0:14:31Well, on, er...second thoughts, I think it's a physical impossibility.
0:14:47 > 0:14:49Hey!
0:14:53 > 0:14:55- How are you, jailbird?- In and out.
0:14:55 > 0:14:57How did you do it?
0:14:57 > 0:15:01- Would you believe rubber bars? - KEEFER WHISTLES
0:15:01 > 0:15:03Man, check that one out.
0:15:08 > 0:15:11That one...is my wife.
0:15:13 > 0:15:17Kim Stac... Mrs Morgan, meet Art Keefer.
0:15:17 > 0:15:20- Don't bother.- How do you do, ma'am?
0:15:26 > 0:15:28At least you get a bonus.
0:15:29 > 0:15:30How much does she know?
0:15:30 > 0:15:34- Everything.- You are crazy, buddy.
0:15:34 > 0:15:38- Oh, I like it like that.- You shove off from Raymond's at 0600.
0:15:38 > 0:15:42Uh-huh. Er, where's my contact?
0:15:42 > 0:15:46The Orino Bar. Our old barracks song'll be the recognition gimmick.
0:15:46 > 0:15:48Any heavies in the act?
0:15:48 > 0:15:51Two, Russo Sabine, who's hatchet man for Carlos Ortega.
0:15:51 > 0:15:57- How's it look?- Well, right now, all his way, but you'll be a 40-million-times welcome addition.
0:15:57 > 0:16:00Fat chance he's got. I'm working on a government budget,
0:16:00 > 0:16:04stashed in a Miami bank under a phony name - MA Winters.
0:16:04 > 0:16:08For you, one way or the other, Uncle Whiskers always picks up the tab.
0:16:08 > 0:16:10Some guys just got it.
0:16:10 > 0:16:12- See ya.- Take care, buddy.
0:16:29 > 0:16:32Who's Art Keefer?
0:16:36 > 0:16:39Art Keefer - one of the guys you thought was dead.
0:16:40 > 0:16:42We were part of a team that, er...
0:16:42 > 0:16:46worked behind the lines during the war.
0:16:47 > 0:16:52- There was no Art Keefer. Changed his name, of course.- Of course.
0:16:52 > 0:16:53Let me do that.
0:16:55 > 0:16:58- What about the others?- The what?
0:16:58 > 0:17:01Oh, the others, yeah. Two of them are dead all right.
0:17:02 > 0:17:05Art Keefer had nothing to do with that 40 million deal, honey.
0:17:07 > 0:17:10Damn you!
0:17:11 > 0:17:14I was NOT! All I was trying to do was dry you off.
0:19:25 > 0:19:27PORTER SPEAKS SPANISH
0:19:42 > 0:19:44This way, senor.
0:19:52 > 0:19:54Zero, zero, dos.
0:19:59 > 0:20:02- Put the suitcases in the bedroom. - Si, senor.
0:20:02 > 0:20:05Nice honeymoon spot.
0:20:05 > 0:20:06Beautiful.
0:20:27 > 0:20:29Hey, honey.
0:20:29 > 0:20:31Mmm?
0:20:31 > 0:20:33Not a bad-looking print.
0:20:33 > 0:20:35Terrific(!)
0:20:43 > 0:20:45- There you go.- Gracias, senor.
0:20:45 > 0:20:47Quite all right.
0:20:51 > 0:20:53Gotta get a load of the nightlife in this town.
0:20:53 > 0:20:55Really great.
0:20:55 > 0:20:59- They have more clubs per square metre...- I'm dying to!
0:21:01 > 0:21:06- I've got a little shopping to do first.- Get a load of that bathroom.
0:21:10 > 0:21:13You think they...redecorated this place?
0:21:18 > 0:21:21Well, I am gonna get cleaned up.
0:21:29 > 0:21:31Can't wait to take a shower. Care to join me?
0:21:31 > 0:21:36- Are you kidding?!- Will you remember one thing? We're on our honeymoon... - RUNNING WATER
0:21:36 > 0:21:39- WHISPERS:- ..and Big Brother's watching.
0:21:52 > 0:21:54Yeah.
0:21:59 > 0:22:03Well, if, er, you're going shopping...
0:22:03 > 0:22:06I guess you need some money.
0:22:14 > 0:22:17You're awfully generous, sweetheart...
0:22:19 > 0:22:22..with our expense account.
0:22:33 > 0:22:36OK, the lady's coming out.
0:22:36 > 0:22:38MAN: Come on, baby, seven, 11!
0:22:38 > 0:22:40Come on!
0:22:40 > 0:22:42Four. Tray ace. Four.
0:22:42 > 0:22:45Mark four. Four's the point. Anybody want the hard four?
0:22:45 > 0:22:47Hard four?
0:22:54 > 0:22:59- Seven, the loser. Seven, the loser. - Oh, that's all she wrote.
0:23:00 > 0:23:02Care to shoot 'em, sir?
0:23:02 > 0:23:06I never tried it before, but, what the hell? That's what I'm here for.
0:23:06 > 0:23:11Hey, we've got a virgin. Beginner's luck, man! I'm gonna ride with you!
0:23:11 > 0:23:14I think I'll take a ride on this one myself.
0:23:14 > 0:23:17Hey, comin' up, beginner baby. Comin' up.
0:23:17 > 0:23:18..You got it!
0:23:18 > 0:23:22- You're marvellous!- I win, right? - Yeah! All the way, baby!
0:23:22 > 0:23:26I'm going to have to try to spend some time. What do we want?
0:23:26 > 0:23:30Seven or 11. Either one, baby. Either one.
0:23:31 > 0:23:3411. PEOPLE CHEER
0:23:34 > 0:23:39Hey! Oh! Put it right there. Yes, please. There.
0:23:39 > 0:23:46- OK, comin' up, baby. Comin' up.- OK? You want?- Seven or 11.- Seven or 11? - Yeah. Every time, baby. Every time.
0:23:46 > 0:23:48All right, come on, you mother!
0:23:49 > 0:23:51ALL: Ah-h!
0:23:51 > 0:23:53Four. Tray ace. Part four.
0:23:53 > 0:23:57- What's wrong with that?- Gotta get another four, baby.- So?
0:23:57 > 0:23:59Anybody want the hard four?
0:23:59 > 0:24:01Hard four. Two hard fours.
0:24:07 > 0:24:10Four. THEY ALL YELL
0:24:10 > 0:24:15A hard four. Two deuces. Two deuces on the hard four.
0:24:15 > 0:24:18MAN: How's it going, man?
0:24:18 > 0:24:20What's wrong?
0:24:22 > 0:24:24He'll try anything to break your luck, my friend.
0:24:27 > 0:24:28There we go.
0:24:28 > 0:24:30Come on, baby, come on!
0:24:30 > 0:24:33- What do you need?- Seven or 11, either way!
0:24:33 > 0:24:35Here we go!
0:24:36 > 0:24:39Six, hard six. Six to fly.
0:24:39 > 0:24:42Come on, son of a...
0:24:42 > 0:24:43..Six.
0:24:43 > 0:24:47Six! Oh, you did it! Oh, you're tremendous! I love you! I love you!
0:24:47 > 0:24:51Two threes, the hard way. Two threes. Six, the hard way.
0:24:54 > 0:24:58You can't quit now. You're red-hot.
0:24:58 > 0:25:01I sure am. I need a cold drink.
0:25:01 > 0:25:03PEOPLE: Ah-h-h!
0:25:03 > 0:25:05Hey, buddy, here you go.
0:25:08 > 0:25:1412,000 American dollars. There. Congratulations, Senor Winters.
0:25:14 > 0:25:17- Thank you very much.- Mind if I join you in that drink?
0:25:17 > 0:25:20My pleasure, ma'am.
0:25:20 > 0:25:23- Credit that to my account, Jimmy. - Si.
0:25:23 > 0:25:27I'm Lisa Gordot, and you're a life-saver, unless you hadn't guessed.
0:25:27 > 0:25:31- How'd you do, ma'am?- I was doing all right until you decided to quit.
0:25:31 > 0:25:35- I could have killed you! - Tall rum drink, please.
0:25:35 > 0:25:37Yours?
0:25:37 > 0:25:41Oh, I've done all right following you so far. I'll have the same.
0:25:41 > 0:25:44But not quite enough for what I need.
0:25:44 > 0:25:49- Well, better luck next time.- I have a feeling you're a born winner.
0:25:49 > 0:25:52Ergo, I choose to string along with you.
0:25:52 > 0:25:53I hear luck coming.
0:25:53 > 0:25:56Well, that doesn't do very much for my ego.
0:25:56 > 0:25:59All right, then let's say you AND your luck.
0:25:59 > 0:26:01Thanks again.
0:26:01 > 0:26:03Hasta la vista!
0:26:06 > 0:26:09SHE WOLF-WHISTLES
0:26:09 > 0:26:12- Wow! Aren't you something?! - Who's your girlfriend?
0:26:12 > 0:26:16Oh, Lisa Gordot. She congratulated me. I won.
0:26:16 > 0:26:19Lisa Gordot. International jetsetter.
0:26:19 > 0:26:26Raised hell on two continents by causing scandals in government upper echelons. Nice friends you have.
0:26:26 > 0:26:30I just met the broad. Oh, did you get a rundown on the situation?
0:26:30 > 0:26:33Yes, but this isn't the place to talk about it.
0:26:37 > 0:26:39Keep it.
0:26:44 > 0:26:48- Orino Bar.- Orino Bar.
0:27:12 > 0:27:17# ..will say he wants me
0:27:17 > 0:27:23# What will he see in me?
0:27:23 > 0:27:29# Make him stay for ever...
0:27:35 > 0:27:40# Nothing but tenderness... #
0:27:40 > 0:27:45- Your pleasure, senor? - Yeah, my pleasure(!) Well, I am on my honeymoon.
0:27:45 > 0:27:48Champagne. Buckets of champagne.
0:27:50 > 0:27:56We are newly-weds. You could smile occasionally.
0:27:57 > 0:28:00You really are a bastard!
0:28:00 > 0:28:05Oh! Well, I hate to change the subject, but the tail's still on us.
0:28:13 > 0:28:18- Why this place, Morgan? - Well, Keefer has a contact here he does business with.
0:28:18 > 0:28:24- Now, that wouldn't be in the 40 million bracket, would it?!- I told you he had nothing to do with it.
0:28:33 > 0:28:35Cheers.
0:28:36 > 0:28:38Mmm.
0:28:38 > 0:28:42- What about Sal Dekker?- Oh, you know about that, too, baby.
0:28:42 > 0:28:44Sal Dekker had the lousy luck to run into a mine.
0:28:44 > 0:28:48He went to an army hospital for two years and then to Australia.
0:28:48 > 0:28:54..Well, you still could have had one of your old team help you with that robbery, couldn't you?
0:28:54 > 0:28:57Uh-oh. Not Dekker. He was the only one of us
0:28:57 > 0:28:59that really disliked the business.
0:28:59 > 0:29:03# I'm playin' it cool It's not my way to worry
0:29:03 > 0:29:07# I'm nobody's fool It doesn't pay to hurry
0:29:07 > 0:29:14# I'm takin' my time I haven't even entered my prime
0:29:14 > 0:29:16# He'll come to me
0:29:16 > 0:29:23# My first true love And he'll... #
0:29:23 > 0:29:26- You know what I think, Morgan? - Guess what?
0:29:26 > 0:29:29- What?- They're playing our song.
0:29:30 > 0:29:35It's recognition singing. Something left over from the war.
0:29:35 > 0:29:39- That girl. She's our contact. - # Must be intuition that makes me behave
0:29:39 > 0:29:43# In such an unconventional way... #
0:29:43 > 0:29:47Now, don't tell me SHE'S something left over from the war.
0:29:48 > 0:29:52Uh, wait, wait, could you ask that girl if she'll join us for a drink?
0:29:52 > 0:29:55- Well, I'm sorry, senor, but the management...- Uno momento.
0:29:55 > 0:29:59# ..that he wants me near And wants the world to know it
0:29:59 > 0:30:01# And that's when I'll stop... #
0:30:01 > 0:30:05Si, senor. As la senora is here, I'm sure it can be.
0:30:05 > 0:30:09Just a minute. If I demand a drink...
0:30:09 > 0:30:12# I'm playin' it cool
0:30:12 > 0:30:16# It's just my disposition I'm playin' it cool
0:30:16 > 0:30:20# Must be intuition That makes me behave
0:30:20 > 0:30:24# In such an unconventional way
0:30:24 > 0:30:28# One thing I know
0:30:28 > 0:30:32# Life's a groove if you Take it slow
0:30:32 > 0:30:35# I know he'll appear
0:30:35 > 0:30:37# And when he does he'll show it
0:30:37 > 0:30:41# That he wants me near And wants the world to know it
0:30:41 > 0:30:43# And that's when I'll stop...
0:30:43 > 0:30:47# Playin' it cool
0:30:47 > 0:30:50# Playin' it cool
0:30:50 > 0:30:53# Play with me! #
0:30:55 > 0:30:57Cool!
0:30:57 > 0:31:00CHEERS AND APPLAUSE
0:31:08 > 0:31:10< Psst!
0:31:32 > 0:31:35Rosa Lee! This is my wife Kim.
0:31:35 > 0:31:39- And I'm Morgan Winters. Please sit down.- Thank you.
0:31:39 > 0:31:43You're really wonderful. You really are. Can I get you a drink?
0:31:43 > 0:31:46- Your Manhattan, senorita?- Grazie.
0:31:46 > 0:31:51You know, when I saw you singing, it really brought back old memories.
0:31:51 > 0:31:53An old buddy of mine, Art Keefer.
0:31:57 > 0:31:59- He contact you?- Mm-hm.
0:31:59 > 0:32:05I think we'd better make this look like a toast to your future happiness.
0:32:09 > 0:32:11What do you need?
0:32:11 > 0:32:13A radiotransmitter.
0:32:17 > 0:32:20177 Palm Drive.
0:32:20 > 0:32:22You'll find everything you need.
0:32:22 > 0:32:26- When?- Tomorrow night.
0:32:27 > 0:32:30- Around midnight.- Anything else?
0:32:30 > 0:32:32Any news of Victor Sable?
0:32:33 > 0:32:35Yes.
0:32:35 > 0:32:42The Rose Castle. Very important prisoner, with the personal attention of Carlos Ortega.
0:32:42 > 0:32:46I'll need someone who knows complete prison routine.
0:32:46 > 0:32:48I have one.
0:32:48 > 0:32:53- You wanna see him tomorrow night? - Yeah.- Well...
0:32:54 > 0:32:58Oh, I must warn you, the Rose Castle is impregnable.
0:32:58 > 0:33:02And they'll kill Sable rather than let him escape.
0:33:02 > 0:33:05And by the way,
0:33:05 > 0:33:09Angelo, the captain at the Monteban - you can trust him.
0:33:13 > 0:33:15Thank you.
0:33:17 > 0:33:20Adios.
0:33:24 > 0:33:26Madame...
0:33:35 > 0:33:37Senor, salud y pesetas,
0:33:37 > 0:33:40y viste al toro!
0:33:40 > 0:33:42You said it, buddy!
0:33:42 > 0:33:44THEY CHEER
0:33:47 > 0:33:49GUNSHOT
0:33:50 > 0:33:53GUNFIRE
0:34:49 > 0:34:52Looks like we...have guests.
0:35:09 > 0:35:14- This is a private suite. - Only as long as we wish it to be so, Mr Morgan.
0:35:14 > 0:35:18- You let this clown talk for you, Ortega?- Ah, you know who I am.
0:35:18 > 0:35:22Don't play games with me. I'm not a damn amateur.
0:35:22 > 0:35:24Morgan, darling, you must be tired.
0:35:24 > 0:35:31- I'm tired of being pushed around. What the hell are you doing in here? - Precisely what Senor Sabine...
0:35:32 > 0:35:35..our official Director of Police,
0:35:35 > 0:35:37is here to ask you, Mr Morgan.
0:35:37 > 0:35:42- There's no record of your entry into this country.- I could care less.
0:35:42 > 0:35:46- I am sure that will not be necessary.- I'm tired. Excuse me.
0:35:47 > 0:35:50Don't keep him too long.
0:35:54 > 0:35:58- You caused a serious disturbance tonight.- I- caused a disturbance?!
0:36:01 > 0:36:05- I was shot at, pal!- You were carrying a large amount of money!
0:36:05 > 0:36:11- Ah, crap!- You chose to dine in some out-of-the-way spot, thus presenting an attractive robbery target!
0:36:11 > 0:36:15Quiet, Nino, Mr Morgan knows that from across the street,
0:36:15 > 0:36:17robbery as a motive is ridiculous.
0:36:17 > 0:36:21In fact, I have an idea the astute Mr Morgan
0:36:21 > 0:36:25has a rather clearly defined understanding of the special service
0:36:25 > 0:36:29our country might be able to offer him.
0:36:31 > 0:36:35Like converting hot stuff into negotiable currency.
0:36:35 > 0:36:40- Frankly, it can be arranged. - I'll think about it.- Bueno.
0:36:42 > 0:36:45Mr Ortega...
0:36:46 > 0:36:50You don't mind if I yank the bugs out of these rooms?
0:36:50 > 0:36:56- After all, it is my honeymoon. - Not at all, and I apologise for the clumsy installation.
0:36:56 > 0:37:02Also, I'd can whoever shook the rooms down. They weren't very good, either.
0:37:02 > 0:37:05It is very difficult when amateurs deal with professionals.
0:37:05 > 0:37:10Goodnight, sir. And our apologies to the senora
0:37:10 > 0:37:12for our intrusion.
0:37:19 > 0:37:21Morgan, how did you...?
0:37:27 > 0:37:33- How did you know they searched the place, I didn't see a thing?- Neither did I. It figures, that's all.
0:37:35 > 0:37:38You were pretty rough on him.
0:37:39 > 0:37:43He didn't mind. Besides, something's got him worried.
0:37:43 > 0:37:47- The shooting.- Yeah, he'd like to know who did it.
0:37:47 > 0:37:52He wants me alive if he expects to see any part of that 40m.
0:37:52 > 0:37:53I wonder who did it.
0:37:55 > 0:37:57That's what I'm gonna find out.
0:37:57 > 0:38:02- Nightcap?- After all that champagne we had? No, thanks.
0:39:12 > 0:39:15And you stay there!
0:39:26 > 0:39:30- Morgan, what are you doing? - What's it look like I'm doing?
0:39:30 > 0:39:35I've been accused of a lot of things, but never sleeping with a woman on my honeymoon.
0:39:35 > 0:39:37What would May think?
0:39:41 > 0:39:44Oh, hold this for me, will you, hon?
0:39:58 > 0:40:04Oh, Senor Winters, a mutual friend was speaking of you last night.
0:40:04 > 0:40:08- How may I help you?- Oh, uh, what about the hurricane?
0:40:08 > 0:40:11The chart, senor. It is correct - up to the minute.
0:40:13 > 0:40:17Of course, senor, I would be happy to help you find your number.
0:40:17 > 0:40:21There are so many different languages spoken among our guests.
0:40:21 > 0:40:24How may I be of assistance?
0:40:24 > 0:40:27Gimme a rundown on one of your guests. Lisa Gordot.
0:40:29 > 0:40:32Oh, that one's trouble, senor. Big trouble.
0:40:32 > 0:40:37Director of Police regards her as his personal property.
0:40:37 > 0:40:41And he's making sure she does not leave before he is through with her.
0:40:41 > 0:40:43- Ahh...- Careful, senor.
0:40:43 > 0:40:49That snake can get you killed in the blink of an eye. He will tolerate no interference with his pleasures.
0:40:49 > 0:40:53Is there anything else I can do for you, senor?
0:40:53 > 0:40:57- No, that oughta do it. Thank you. - De nada!
0:41:02 > 0:41:04Hi, beautiful.
0:41:04 > 0:41:10- Hi. My white knight has returned to the war?- Not right now.
0:41:10 > 0:41:13But I might be able to help you in another way.
0:41:13 > 0:41:17Must we talk here? My suite is amply stocked with all the necessities.
0:41:17 > 0:41:20Room 310. If you'll excuse me.
0:41:30 > 0:41:35- You're sure no-one saw you come up here?- Huh? I went to great lengths to MAKE sure.
0:41:37 > 0:41:40- Intimate.- It's supposed to be.
0:41:40 > 0:41:43Are you sure it's safe for you, my being here?
0:41:43 > 0:41:48- No-one's apt to pop in?- In the daytime, perfectly safe, I believe.
0:41:48 > 0:41:51In any case, no-one owns me.
0:41:51 > 0:41:53Russo Sabine thinks so.
0:41:53 > 0:41:56Russo Sabine is a pig.
0:41:56 > 0:42:00But you probably heard the whole sordid story.
0:42:00 > 0:42:03Wanna try it on me for size?
0:42:04 > 0:42:07I came here as a tourist.
0:42:07 > 0:42:12Well, actually, I was ducking the consequences of some dumb things I'd gotten myself messed up with.
0:42:14 > 0:42:16Well, if you'd rather skip it.
0:42:16 > 0:42:19Frankly, it is embarrassing.
0:42:21 > 0:42:27Oh, hell, I was trying to find a sponsor who would help me to get to South America.
0:42:27 > 0:42:30And you made the mistake of meeting Senor Sabine.
0:42:30 > 0:42:34And Sabine has arranged it so no sponsor appeared.
0:42:34 > 0:42:36It's a campaign of attrition.
0:42:36 > 0:42:40Until you showed up and Lady Luck continued to smile upon you,
0:42:40 > 0:42:43it was really disastrous.
0:42:43 > 0:42:47Well, maybe if you help me, we can switch that luck.
0:42:47 > 0:42:49Just ask.
0:42:58 > 0:43:01Play Sabine along.
0:43:02 > 0:43:05See what he has on me.
0:43:05 > 0:43:09What he's interested in.
0:43:09 > 0:43:13If he thinks I'm interested, you and our luck are shot.
0:43:13 > 0:43:16I'll make sure my luck rubs off on you.
0:43:16 > 0:43:20That kind of rubbing, I could take!
0:43:22 > 0:43:24Like what?
0:43:24 > 0:43:27You name it, lovely Mr Lucky.
0:43:30 > 0:43:32Damn YOU! YOU BITCH!
0:43:34 > 0:43:37Stacy, what in the hell?! ..Obviously, I was wrong.
0:43:37 > 0:43:42You were born wrong, Casanova, all I had to do was stake out this room!
0:43:42 > 0:43:44Bye, now.
0:43:45 > 0:43:49That's all I need, you playing house with some dumb broad.
0:43:49 > 0:43:53You could have chosen somebody instead of that...that tramp!
0:43:54 > 0:43:56Thanks, pussycat.
0:43:56 > 0:43:59- What for?- For being jealous of my lovely wife.
0:43:59 > 0:44:03Downstairs, you were just plain jealous.
0:44:03 > 0:44:07Don't try taking a powder, Morgan.
0:44:07 > 0:44:10With a wife like you, waiting, panting her heart out?
0:44:10 > 0:44:12Don't be silly.
0:44:23 > 0:44:27How do I get out of the hotel without being seen?
0:44:28 > 0:44:31Oh, I think I have that information, senor.
0:44:31 > 0:44:33LOW VOICE: Through the men's room.
0:44:33 > 0:44:37The wall is unfinished. There is a plywood panel that covers it.
0:44:37 > 0:44:40Behind there are stairs leading to a rear service exit.
0:44:40 > 0:44:44- LOUDER: Er, you may keep this brochure, senor.- No, thanks.
0:44:47 > 0:44:50Eh, les cojones.
0:45:19 > 0:45:21KNOCK
0:45:30 > 0:45:32Rosa?
0:45:34 > 0:45:37- Hi.- Hi.
0:45:43 > 0:45:47Sorry I can't offer you a drink, but there aren't many luxuries for us ordinary people.
0:45:47 > 0:45:51Ortega keeps a pretty tight austerity lid on his peasants.
0:45:51 > 0:45:57- Why don't you do something about it? - Are you kidding? It's like Germany when Hitler first took over!
0:45:57 > 0:45:59Their time is coming...
0:46:02 > 0:46:07- You contacted Art Keefer?- Yeah, he's standing by waiting for my call.
0:46:09 > 0:46:11That your husband?
0:46:12 > 0:46:14Was my husband.
0:46:16 > 0:46:18Killed him, those bastards...
0:46:18 > 0:46:20No!
0:46:22 > 0:46:27You can get killed like that, friend. What did you tell him?
0:46:27 > 0:46:32That you're interested in supplying forbidden items to the inmates of Rose Castle.
0:46:44 > 0:46:46What's the deal?
0:46:46 > 0:46:49Usually, it is 50/50 on my share...
0:46:49 > 0:46:55- 60/40 with me. Take it or leave it, pal. - You drive a hard bargain, senor,
0:46:55 > 0:46:59but...perhaps there can still be a profit.
0:46:59 > 0:47:03You can supply narcotics, perhaps?
0:47:03 > 0:47:05No sweat. Who pays?
0:47:05 > 0:47:10Most of those in the Rose Castle are political prisoners from wealthy families.
0:47:16 > 0:47:19- How are they addicted?- Deliberately.
0:47:19 > 0:47:23Prisoners believe they were being administered medicine.
0:47:23 > 0:47:28Oh, it was a cute trick! Once they were hooked, it was unlikely they'd become politically active again.
0:47:28 > 0:47:30Nice guy, Carlos Ortega, hmm?
0:47:33 > 0:47:36Yeah...
0:47:38 > 0:47:40OK, buster, it's a deal.
0:47:45 > 0:47:51- When will you be prepared to deliver?- Sample for quality tomorrow. Where do I meet you?
0:47:51 > 0:47:55A red Volkswagen in the hotel parking lot, at 4.
0:48:02 > 0:48:05Watch it, Morgan, it could be dangerous.
0:48:05 > 0:48:08Oh, they'll get their sample.
0:48:08 > 0:48:10No!
0:48:12 > 0:48:15Sample only. It's my ticket into the castle.
0:48:15 > 0:48:22- I've got to get in there and check it out myself.- To extricate Victor Sable? What about the others?
0:48:22 > 0:48:24All in time.
0:48:26 > 0:48:29- OK. What do you want me to tell Art?- Tell Art
0:48:29 > 0:48:32I need a pat on the back tomorrow.
0:48:32 > 0:48:34- And it's urgent.- Pat on the back?
0:48:34 > 0:48:38Yeah. Means two ounces of pure heroin.
0:49:27 > 0:49:30Right. A pat on the back tomorrow.
0:49:30 > 0:49:32Urgent!
0:49:50 > 0:49:53My bride has really missed me!
0:49:53 > 0:49:56She's trying to drown out her loneliness!
0:49:56 > 0:50:01I'm trying to drown out the thought of what I'd say if you failed to show up!
0:50:01 > 0:50:04You know, I signed a receipt for your body.
0:50:04 > 0:50:07Well, I hope I'm worth it.
0:50:07 > 0:50:13Unfortunately, you are the X-factor. The essential unknown quantity.
0:50:13 > 0:50:15And you smell funny.
0:50:15 > 0:50:17A girl smell.
0:50:17 > 0:50:20Mm-hm? Nice.
0:50:20 > 0:50:25I was wrong, it isn't the X-factor at all, it's the delta factor.
0:50:25 > 0:50:28Sorry, but that's all Greek to me.
0:50:28 > 0:50:30Delta, the Greek letter "d".
0:50:30 > 0:50:33The phallic symbol for "woman".
0:50:33 > 0:50:36The geometric design that identifies the female for the male.
0:50:38 > 0:50:40You and your damn broads!
0:50:47 > 0:50:50Hey.
0:50:50 > 0:50:53I thought you were leaving.
0:50:53 > 0:50:55My protector took care of that.
0:50:55 > 0:50:59He confiscated my passport and all my money.
0:51:02 > 0:51:06- Suppose I show you a way.- Is there a way, Morgan?- I have an idea.
0:51:06 > 0:51:10I'd be very grateful, and I always pay my debts.
0:51:10 > 0:51:13Don't tempt me.
0:51:13 > 0:51:15- Go up to your room, and stay there. - OK.
0:51:15 > 0:51:19Morgan, thanks for everything,
0:51:19 > 0:51:22and even if you can't arrange things, I'll still be grateful.
0:51:22 > 0:51:24Any time.
0:51:26 > 0:51:28- I'll see you later.- OK.
0:51:33 > 0:51:36- You are leaving, senor? - Hell, no, Mr Director.
0:51:36 > 0:51:38I've weathered out hurricanes before.
0:51:38 > 0:51:41Perhaps you have a few minutes.
0:51:43 > 0:51:45Why not?
0:51:45 > 0:51:47This way, please.
0:51:59 > 0:52:05- You know, I'm getting a little fed up with all this attention.- Account for your whereabouts tonight.
0:52:05 > 0:52:09I had six witnesses watch me consummate my marriage.
0:52:09 > 0:52:11This is no time to make jokes.
0:52:11 > 0:52:15- If you've got anything to say, say it, otherwise...- Last night at the Orino Bar,
0:52:15 > 0:52:19- you entertained a singer at your table, no?- Anything wrong with that?
0:52:19 > 0:52:26That is a distinct possibility, Senor Morgan, inasmuch as the young lady was found...dead a short time ago.
0:52:26 > 0:52:31Tough. But I don't see what that has to do with me.
0:52:31 > 0:52:37Suppose I tell you that you were seen leaving the hotel from an exit normally unknown to guests.
0:52:37 > 0:52:42And suppose I tell you the driver later identified you as a fare he drove to a spot
0:52:42 > 0:52:46- not far from the murdered woman's! - I don't care WHAT you tell me!
0:52:46 > 0:52:52If I set out to knock off a broad, I wouldn't let no taxi driver see me!
0:52:54 > 0:52:58I've made a lot of enemies in my lifetime. Some guy bumps a broad,
0:52:58 > 0:53:03dumps it in my lap, and you're idiot enough to believe it!
0:53:03 > 0:53:06You need some training in police techniques!
0:53:06 > 0:53:11- That is not what we are talking about, Senor Morgan!- Oh, yeah?
0:53:11 > 0:53:16Or am I getting some heat cos I... got friendly with your broad?
0:53:16 > 0:53:20I think that will be all, Senor Sabine.
0:53:22 > 0:53:24Bingo!
0:53:28 > 0:53:31And now, there is another matter.
0:53:31 > 0:53:34Oh, that, yeah. I thought it had slipped your mind.
0:53:34 > 0:53:38It is a pity not to see so much fine currency in circulation!
0:53:38 > 0:53:43Especially where it can be useful to a cause.
0:53:43 > 0:53:47And there are ways of distributing it so we can all profit.
0:53:47 > 0:53:50This country is autonomous,
0:53:50 > 0:53:54and one can be perfectly safe within its confines.
0:53:54 > 0:53:57As long as one pleases you.
0:53:57 > 0:53:59Exactly.
0:53:59 > 0:54:02And there are 40 million ways of pleasing me.
0:54:03 > 0:54:07I would not take too long to think it over, Morgan.
0:54:09 > 0:54:13Nor would I try leaving the country, if I were you.
0:54:13 > 0:54:17Hell, I like it here - everyone's so damn friendly!
0:54:22 > 0:54:25Obviously, I was tailed.
0:54:26 > 0:54:29And it had to be a real pro.
0:54:30 > 0:54:32Folowed me to Rose's,
0:54:32 > 0:54:35saw me go in, saw me leave,
0:54:35 > 0:54:37then killed her.
0:54:37 > 0:54:42Call Angelo, tell him to bring up some champagne or something.
0:54:44 > 0:54:46Bill Captain.
0:54:46 > 0:54:51If someone wanted to kill you, they had the perfect chance when you were at Rose's.
0:54:51 > 0:54:56No point exposing himself when there's an easier way, like hanging this killing on me.
0:54:56 > 0:55:00Angelo, bring up a magnum, please. Right away.
0:55:02 > 0:55:05Well, looks like they're closing in on us, anyway.
0:55:05 > 0:55:10If Art got that message, we might still keep this machine in motion.
0:55:10 > 0:55:13If this damn storm doesn't louse us up.
0:55:13 > 0:55:16Any news about it? Have you heard?
0:55:16 > 0:55:18Let me check.
0:55:23 > 0:55:25TICKING
0:55:40 > 0:55:43What was that?
0:55:45 > 0:55:50That was age, experience, a good heat, and a lousy booby trap.
0:55:50 > 0:55:55You think someone has a grudge against me?
0:56:02 > 0:56:04KNOCKING
0:56:04 > 0:56:08- Don't answer that! - KNOCKING
0:56:08 > 0:56:11Come in!
0:56:20 > 0:56:22Senor, what happened?
0:56:22 > 0:56:24Woodpeckers!
0:56:31 > 0:56:34Rosa Lee was killed, Angelo.
0:56:34 > 0:56:37Yes, I know. Ad you were accused.
0:56:37 > 0:56:39What about the radiotransmitter?
0:56:39 > 0:56:44Moved to a safer place, right here, under their very noses.
0:56:44 > 0:56:47It is a self-contained unit.
0:56:47 > 0:56:51- Senor Keefer awaits your call. - Angelo, you amaze me.
0:56:51 > 0:56:53Many of us would amaze you, senor.
0:56:55 > 0:56:59Whiskey One, Whiskey One, this is Whiskey Two. Do you read me? Over.
0:56:59 > 0:57:02- 'Whiskey Two, I read you.' - You get my merchandise?
0:57:02 > 0:57:08'I blew a sonar block on the plane, so the stuff went out on the only boat available. You're damn lucky.
0:57:08 > 0:57:11'Nothing is moving with this hurricane coming in.
0:57:11 > 0:57:16'The guy with the stuff is doing a personal favour. Angelo should have it any time now.'
0:57:16 > 0:57:21- How do we cut out?- 'The boat will wait till the last minute.
0:57:21 > 0:57:24'Then you're on your own. Can you handle a straight bust-out?'
0:57:24 > 0:57:27Hell, man, who's got a choice?
0:57:27 > 0:57:31- 'Roger, out.'- Thanks(!)
0:57:40 > 0:57:44Er, senor, watch out for the...woodpeckers.
0:57:44 > 0:57:49- Oh, er, gimme your passport, hon. - It's in the bedroom. I'll get it.
0:57:53 > 0:57:56Take care of this.
0:57:56 > 0:57:59- Where to now?- Favour to a friend.
0:57:59 > 0:58:03- I'll help get Lisa Gordot out of this place.- If you think
0:58:03 > 0:58:08- I'll give my passport to that... - Oh, knock it off, Kim! I want to throw Sabine off balance.
0:58:08 > 0:58:13I want him as far from that castle as I can get him. It's a diversionary tactic.
0:58:13 > 0:58:18And call Angelo back - tell him to bring his camera and champagne to Lisa's room right away.
0:58:18 > 0:58:21Another diversionary tactic, no doubt.
0:58:21 > 0:58:24You said "diversion"!
0:58:24 > 0:58:26KNOCK
0:58:26 > 0:58:29Answer it, it's probably Angelo. I ordered champagne.
0:58:38 > 0:58:41Senorita.
0:58:44 > 0:58:48That's OK, Angelo, do you have the camera?
0:58:48 > 0:58:54We need a passport photo of Miss Gordot - I need an altered passport by tomorrow morning. Can do?
0:58:55 > 0:58:58Can do.
0:59:07 > 0:59:09Senorita, if you will stand there, please.
0:59:16 > 0:59:18Very nice!
0:59:20 > 0:59:21Una mas.
0:59:22 > 0:59:24Bueno.
0:59:24 > 0:59:27And now, Senor, if you will excuse me... Senorita.
0:59:27 > 0:59:29Thank you, Angelo.
0:59:45 > 0:59:48Getting out of here won't be that hard.
0:59:48 > 0:59:50OK?
0:59:50 > 0:59:51OK.
1:00:01 > 1:00:04Set it up right over here. That looks like a good place.
1:00:04 > 1:00:08- Did somebody get hurt?- No, we're setting up an emergency aid station.
1:00:08 > 1:00:11With this storm, we're going to need it.
1:00:45 > 1:00:48TOILET FLUSHES
1:00:53 > 1:00:56Is it near town, this Rose Castle?
1:00:56 > 1:01:01No, Senor, on the other side of the mountain, overlooking the sea.
1:01:48 > 1:01:50Our friends are very punctual.
1:01:50 > 1:01:54I trust everything is up to expectations.
1:01:54 > 1:01:56De lo mejor, Capitan Romero.
1:02:19 > 1:02:22How much can you supply and at what price?
1:02:22 > 1:02:24One pound and a half.
1:02:24 > 1:02:2620,000, US currency.
1:02:26 > 1:02:32- Your supply - it is at a safe place, Senor?- Well, not against hurricanes.
1:02:32 > 1:02:36- Then it is better we take delivery quickly, Capitan Romero.- Mmm.
1:02:36 > 1:02:39Perhaps you have brought some with you?
1:02:39 > 1:02:43I'm not that stupid, Captain. I have to get back to town and pick it up.
1:02:43 > 1:02:45Certainly.
1:02:45 > 1:02:47Senor's car is at your command.
1:02:47 > 1:02:51I will instruct the guards to admit you.
1:02:51 > 1:02:54Now, when can we expect delivery?
1:02:56 > 1:02:59Well, I'd say some time before dawn.
1:03:00 > 1:03:02Oh...
1:03:02 > 1:03:06- do you mind?- No, go right ahead.
1:03:33 > 1:03:38So this is the famous Rose Cracker Box. I just don't believe it.
1:03:38 > 1:03:40Cracker box, Senor?
1:03:40 > 1:03:44Yeah, level with me, Captain. How many breakouts do you have a year?
1:03:44 > 1:03:46Some have tried.
1:03:46 > 1:03:49The lucky ones were shot by my guards.
1:03:49 > 1:03:53The others... guests of the sharks.
1:03:53 > 1:03:58Oh, come on! I could kick my way out of this old dump with a pair of...
1:03:58 > 1:04:02- moccasins on.- Not even with atomic moccasins, Senor.
1:04:02 > 1:04:04Are you kidding me?
1:04:04 > 1:04:08If you would care to accompany me, I'm sure I can convince you
1:04:08 > 1:04:12that Rose Castle in no way resembles a cracker box.
1:04:12 > 1:04:13Convince me.
1:04:56 > 1:04:58Dope peddlers.
1:04:58 > 1:05:00It is against the law.
1:05:02 > 1:05:05That's one way of getting rid of your competition.
1:05:28 > 1:05:31Captain...what's this?
1:05:31 > 1:05:36This is a cistern, an ancient water supply in case of siege.
1:05:37 > 1:05:40In the old days, of course.
1:05:53 > 1:05:58In here are the lesser criminals - thieves, pickpockets, burglars...
1:06:20 > 1:06:26Among them are newspaper men whose newspaper ridiculed Senor Ortega...
1:06:26 > 1:06:28a former secretary of defence -
1:06:28 > 1:06:32he publicly accused our leader of corruption.
1:06:32 > 1:06:33Traitors.
1:06:33 > 1:06:35Traitors, all of them.
1:06:38 > 1:06:40Mata el de la camisa verde.
1:06:45 > 1:06:47GUNSHOT >
1:06:52 > 1:06:56In here...perhaps our most famous guest.
1:06:59 > 1:07:01His name is Victor Sable.
1:07:01 > 1:07:05You may recall your gullible countrymen considered him a defector.
1:07:05 > 1:07:07Victor Sable.
1:07:07 > 1:07:11- OK, I'm convinced. - No cracker box, Senor?
1:07:12 > 1:07:16No cracker box. Lots of crumbs, no cracker box.
1:07:44 > 1:07:47Senor Winters? ..Perdone, Senora.
1:07:47 > 1:07:51I am sorry, Senor, but flight 51 at midnight is the last one out.
1:07:51 > 1:07:53All passengers have already boarded.
1:07:53 > 1:07:56It takes off in twenty minutes.
1:07:56 > 1:07:59(Your boat cannot wait. One hour at the most.)
1:08:01 > 1:08:05Not enough time. Tell them to clear out. Added problem.
1:08:05 > 1:08:08- Can you give me a pound and a half of baking soda?- Si.
1:08:08 > 1:08:12Wrap it. Put it in the back of a red Volkswagen in the parking lot.
1:08:12 > 1:08:17- Si.- Then ask Mrs Winters to meet me in the casino bar, ready to travel.
1:08:17 > 1:08:19- Si.- Uh...no luggage.
1:08:19 > 1:08:21Bien.
1:08:21 > 1:08:23Morgan, my friend!
1:08:23 > 1:08:29Well, no more boats, no more planes. It looks like we're...stuck.
1:08:29 > 1:08:31Hell, man, I'm never stuck.
1:08:42 > 1:08:44The same, buddy.
1:08:44 > 1:08:46Make that two. What's up?
1:08:46 > 1:08:50Oh, I was just thinking I'm going to...cry a lot.
1:08:50 > 1:08:54The boat's sailed. Barring a miracle, we've had it.
1:08:55 > 1:08:59One miracle coming up - I hope. The department has a sleeper agent here.
1:09:01 > 1:09:03Why the hell didn't you tell me?
1:09:03 > 1:09:07I just found out myself. They're doing a snoop job on us.
1:09:07 > 1:09:11If they want us to complete this mission, they better get us a plane.
1:09:11 > 1:09:13What time do you need it?
1:09:13 > 1:09:15About dawn if we're lucky.
1:09:15 > 1:09:18Don't go away.
1:09:22 > 1:09:26How I feel...they ain't got nothing in London I want.
1:09:26 > 1:09:28(Watch it, pal. The word's out.)
1:09:30 > 1:09:34- Why me?- Somebody sprung Lisa Gordot loose.
1:09:34 > 1:09:37Anybody friendly with her is gonna get stretched.
1:09:37 > 1:09:39OK. Thanks.
1:09:52 > 1:09:57Guess I'll never get back in time to see that Los Angeles Rams game.
1:09:57 > 1:10:00A pity. You're a betting woman, ma'am.
1:10:00 > 1:10:04I wouldn't bet an angel could fly at dawn in this weather.
1:10:04 > 1:10:06But they can make the attempt.
1:10:16 > 1:10:18Got a stamp? (It's all set.)
1:10:20 > 1:10:22Here's to it.
1:10:22 > 1:10:25WHISTLING AND SHOUTING
1:10:25 > 1:10:28Close up all exits. Search the area.
1:10:37 > 1:10:39GUNSHOT
1:10:53 > 1:10:56All clear. That was close.
1:11:12 > 1:11:16Go straight across the field, get to the edge of the downwind runway,
1:11:16 > 1:11:20wait for me there - and please stay out of sight.
1:11:22 > 1:11:24Morgan, I...
1:11:24 > 1:11:28If anything should happen...
1:11:28 > 1:11:32I didn't ice that 40 million dollars.
1:11:34 > 1:11:37Be careful. I really do care.
1:12:04 > 1:12:06< Entra, por favor.
1:12:11 > 1:12:12Ah!
1:12:12 > 1:12:17It is good to see you, my sceptical friend. We were getting worried.
1:12:17 > 1:12:20They evacuated the place where I kept the stuff.
1:12:20 > 1:12:22Had a hell of a time getting in.
1:12:25 > 1:12:27But you do have it.
1:12:27 > 1:12:31Oh, the money. It's right here.
1:12:32 > 1:12:3520,000 in US currency.
1:12:44 > 1:12:46Oh, the stuff.
1:12:46 > 1:12:51- In the bushes behind the Volkswagen. - Lieutenant, if you please.
1:12:51 > 1:12:53With pleasure, sir.
1:12:53 > 1:12:55Abra la puerta.
1:13:02 > 1:13:05Perhaps you should wait here until the Lieutenant returns.
1:13:07 > 1:13:11I'm curious. Why did you give me this?
1:13:11 > 1:13:14Do you enjoy taking money off a dead man's body?
1:13:40 > 1:13:42Drop it, Lieutenant.
1:13:42 > 1:13:44Nothing but baking soda.
1:13:44 > 1:13:46Turn around.
1:13:46 > 1:13:48Turn around!
1:13:51 > 1:13:54- Please, Senor...- Shut up.
1:14:00 > 1:14:04Who's got the keys to Victor Sable's cell?
1:14:14 > 1:14:16You play along with me
1:14:16 > 1:14:19and I'll leave you with nothing more than a bump on the head.
1:14:19 > 1:14:21You'll be a bloody hero.
1:14:23 > 1:14:24Si, Senor.
1:14:42 > 1:14:45PRISONERS LAUGH
1:14:50 > 1:14:54You're on your own. The arsenal's wide open but keep it quiet.
1:14:54 > 1:14:58Estan en libertad, el arsenal esta abierto - pero en silencio. Vamos.
1:14:59 > 1:15:01Vamos.
1:15:21 > 1:15:25- All right, out.- What's going on here? Who are you?
1:15:25 > 1:15:29- Don't worry. This gentleman is taking you out of here.- Move.
1:15:36 > 1:15:39Look out behind!
1:15:53 > 1:15:55You'll do, old buddy.
1:15:55 > 1:15:59It's daylight, senor. You must hurry.
1:16:01 > 1:16:04Oh...I understand.
1:16:04 > 1:16:08If you don't mind, perhaps... with the scar here?
1:16:08 > 1:16:10The ladies, you know.
1:16:46 > 1:16:48Don't weaken, pal. You're doing great.
1:21:00 > 1:21:02I got it right down to the floor!
1:22:12 > 1:22:16He's getting awful close!
1:22:26 > 1:22:30That's a hell of an idea you have there, pal.
1:24:30 > 1:24:32Morgan!
1:24:32 > 1:24:34I've been waiting for you.
1:24:35 > 1:24:37Get in the plane.
1:24:45 > 1:24:48- Dekker.- Yeah.
1:24:48 > 1:24:52- I thought I lost you back at the river.- Oh, Morgan, you've slipped.
1:24:52 > 1:24:54You missed four cracks at me, buddy.
1:24:56 > 1:25:01- You're playing for high stakes. - That's right. 40 million, Morgan, and it's all mine!
1:25:01 > 1:25:04I used all the techniques you taught me.
1:25:04 > 1:25:08I nearly laughed my head off when I found out you got rapped for the job.
1:25:08 > 1:25:12- Why?- You didn't get your face blown off by a lousy mine.
1:25:12 > 1:25:16You know what happened when a broad looked at my face? I saw one vomit.
1:25:16 > 1:25:21I got me a new face and I made your stinking government pay me for it.
1:25:21 > 1:25:25- Too bad you won't get a chance to spend that loot.- Oh, but I will.
1:25:25 > 1:25:30I got it hidden where your namesake Captain Henry Morgan hid his pile
1:25:30 > 1:25:34- and I'm the only one who knows how to get to it.- You're a crazy man.
1:25:34 > 1:25:36- You're crazy.- Shut up...!
1:26:23 > 1:26:27You'll want this, Miss Stacy - sorry, Mrs Morgan. He's mine now.
1:26:30 > 1:26:33What's that?
1:26:33 > 1:26:35It's a receipt for your body.
1:26:35 > 1:26:37You're no longer my responsibility.
1:26:37 > 1:26:42I'm going to tell them what Dekker said. They'll have to release you.
1:26:42 > 1:26:45- You don't know your own people. - They've got to.
1:26:45 > 1:26:48Uh-uh. They won't believe you.
1:26:48 > 1:26:51To them, you're just a housewife trying to protect her husband.
1:26:51 > 1:26:54If Sal Dekker had only told us
1:26:54 > 1:26:57- where he planted that money. - Morgan, he did!
1:26:57 > 1:27:00They didn't find that Morgan's money either.
1:27:02 > 1:27:05- It could have been great.- What?
1:27:05 > 1:27:08If I could have turned in that 40 million.
1:27:08 > 1:27:12What would you have done about it?
1:27:12 > 1:27:15I wouldn't have to do anything. We're already married.
1:27:15 > 1:27:17You mean I wouldn't have to rape you?
1:27:17 > 1:27:20I love you, Morgan.
1:27:28 > 1:27:30I love you.
1:27:32 > 1:27:36- You know, it might take a while. You'd have to wait.- I can wait.
1:27:37 > 1:27:39Yeah.
1:27:39 > 1:27:41I think it would be great.
1:27:41 > 1:27:44The best.
1:28:11 > 1:28:12Hey...
1:28:14 > 1:28:18This thing's starting to bug me. Can I go take care of it?
1:28:18 > 1:28:21- He can help me.- All right.
1:30:18 > 1:30:22Subtitles by Red Bee Media Ltd 2006
1:30:22 > 1:30:28Email: subtitling@bbc.co.uk