0:01:08 > 0:01:10HURDY-GURDY PLAYING
0:01:16 > 0:01:18THROATY GROWLING
0:02:03 > 0:02:05Uh.
0:02:05 > 0:02:06Thank you.
0:02:15 > 0:02:18You've probably heard it a dozen times before,
0:02:18 > 0:02:20but I've never known any artists.
0:02:20 > 0:02:21I'm not an artist.
0:02:21 > 0:02:23Well, what's all this?
0:02:23 > 0:02:25I do sketches for fashion drawings.
0:02:25 > 0:02:27Oh. May I see it?
0:02:27 > 0:02:29Oh, no. It's not good.
0:02:29 > 0:02:31If I let you see it,
0:02:31 > 0:02:33you might not want to know any artists ever.
0:02:33 > 0:02:36It'd have to be pretty bad to do that.
0:02:36 > 0:02:38"Let no-one say,
0:02:38 > 0:02:40"and say it to your shame..."
0:03:04 > 0:03:06Irena Dubrovna. Is that a Russian name?
0:03:06 > 0:03:08No. I'm from Serbia.
0:03:08 > 0:03:10Oh, I see. Would you mind spelling it?
0:03:10 > 0:03:13Want to know how to spell my name?
0:03:13 > 0:03:15Are you going to write me a letter?
0:03:15 > 0:03:17I'd like to write you a letter.
0:03:17 > 0:03:19What about?
0:03:19 > 0:03:20I would say, "Dear Miss Dubrovna.
0:03:20 > 0:03:22"Will you have tea with me?"
0:03:22 > 0:03:25In that case, I'd have to write another letter.
0:03:25 > 0:03:26I'd say...
0:03:26 > 0:03:28Here's my house.
0:03:31 > 0:03:33Perhaps, Mr Reed,
0:03:33 > 0:03:35you would like to have tea
0:03:35 > 0:03:36in my apartment?
0:03:36 > 0:03:40Oh, ho! Miss Dubrovna, you make life so simple.
0:03:51 > 0:03:53You know...
0:03:53 > 0:03:54I never cease to marvel
0:03:54 > 0:03:57at what lies behind a brownstone front.
0:04:05 > 0:04:07Well, what's the matter?
0:04:07 > 0:04:08Nothing.
0:04:08 > 0:04:10But you... you looked at me
0:04:10 > 0:04:11in such a funny way.
0:04:11 > 0:04:13I've never had anyone here.
0:04:13 > 0:04:17You're the first friend I met in America.
0:04:17 > 0:04:19Oh, I know lots of people in business -
0:04:19 > 0:04:20editors, secretaries,
0:04:20 > 0:04:23other sketch artists, you know,
0:04:23 > 0:04:26but you might be my first real friend.
0:04:26 > 0:04:28Thank you.
0:04:36 > 0:04:37Nice.
0:04:37 > 0:04:39That's Lalage.
0:04:39 > 0:04:40Lalage?
0:04:40 > 0:04:41The perfume I use.
0:04:41 > 0:04:44I like it, perhaps too well.
0:04:44 > 0:04:46Maybe I use too much, living alone like this.
0:04:46 > 0:04:48It's hard to describe.
0:04:48 > 0:04:49Not like flowers, exactly.
0:04:49 > 0:04:52It's like something warm and living.
0:04:54 > 0:04:56IRENA HUMMING
0:05:15 > 0:05:16LIONS ROARING
0:05:16 > 0:05:18What's that?
0:05:18 > 0:05:20It's the lions in the zoo.
0:05:20 > 0:05:22One can hear them here often.
0:05:22 > 0:05:24Many people in this building complained.
0:05:24 > 0:05:26Their roaring keeps them awake.
0:05:26 > 0:05:27And you don't mind it?
0:05:27 > 0:05:29No. To me, it's the way
0:05:29 > 0:05:32the sound of the sea is to others -
0:05:32 > 0:05:34natural and soothing.
0:05:34 > 0:05:35I like it.
0:05:37 > 0:05:40Some nights, there is another sound - the panther.
0:05:40 > 0:05:43It screams like a woman.
0:05:43 > 0:05:45I don't like that.
0:05:45 > 0:05:47Oh, I hadn't realised
0:05:47 > 0:05:49how dark it was getting.
0:05:49 > 0:05:53I like the dark. It's friendly.
0:05:58 > 0:06:00No, keep still, please.
0:06:18 > 0:06:20Are you admiring my statue?
0:06:20 > 0:06:22Not exactly. Who's it supposed to be?
0:06:22 > 0:06:23King John.
0:06:23 > 0:06:26The Magna Carta and all that stuff?
0:06:26 > 0:06:30No. King John of Serbia. He was a fine king.
0:06:30 > 0:06:33He drove the Mamelukes out of Serbia and freed the people.
0:06:33 > 0:06:35Well, why have this around?
0:06:35 > 0:06:37Perhaps you have
0:06:37 > 0:06:39a picture of George Washington or Abraham Lincoln.
0:06:39 > 0:06:41Well, what does it mean?
0:06:41 > 0:06:44Why is he... why is he spearing that cat?
0:06:44 > 0:06:46Oh, it's not really a cat.
0:06:46 > 0:06:49It's meant to represent the evil ways
0:06:49 > 0:06:51into which my village had once fallen.
0:06:51 > 0:06:53You see,
0:06:53 > 0:06:55the Mamelukes came to Serbia long ago,
0:06:55 > 0:06:57and they made the people slaves.
0:06:57 > 0:07:00Well, at first, the people were good
0:07:00 > 0:07:03and worshiped God in a true Christian way,
0:07:03 > 0:07:04but, er,
0:07:04 > 0:07:08little by little, the people changed.
0:07:08 > 0:07:11When King John drove out the Mamelukes
0:07:11 > 0:07:14and came to our village,
0:07:14 > 0:07:17he found dreadful things.
0:07:17 > 0:07:23People bowed down to Satan and said their masses to him.
0:07:23 > 0:07:28They had become witches and were evil.
0:07:28 > 0:07:32But King John put some of them to the sword.
0:07:32 > 0:07:36But some - the wisest
0:07:36 > 0:07:38and the most wicked -
0:07:38 > 0:07:41escaped into the mountains.
0:07:41 > 0:07:42Now do you understand?
0:07:42 > 0:07:44Well, I still don't see
0:07:44 > 0:07:46what it has to do with you.
0:07:49 > 0:07:52Those who escaped, the wicked ones,
0:07:52 > 0:07:54their legend haunts the village
0:07:54 > 0:07:56where I was born.
0:07:56 > 0:07:58CLOCK CHIMES
0:08:03 > 0:08:05Boys who come to tea
0:08:05 > 0:08:07can't expect to stay to dinner.
0:08:07 > 0:08:09Some other time, perhaps.
0:08:13 > 0:08:15Tomorrow?
0:08:15 > 0:08:16Mm-hmm.
0:08:19 > 0:08:21Well, what time tomorrow?
0:08:21 > 0:08:22Dinner?
0:08:49 > 0:08:51A little more on the left, Harry.
0:08:51 > 0:08:53Easy. Just a hair.
0:08:53 > 0:08:55Afraid she's going to be all right, Alice.
0:08:55 > 0:08:58She's got what it takes, all right, Commodore.
0:09:04 > 0:09:06CAT CRYING
0:09:06 > 0:09:08MEOW
0:09:10 > 0:09:11MEOW
0:09:11 > 0:09:12MEOW
0:09:16 > 0:09:18MEOW
0:09:19 > 0:09:21MEOW
0:09:21 > 0:09:24Ah, isn't it a darling?
0:09:24 > 0:09:26MEOW
0:09:26 > 0:09:27Where'd you get it?
0:09:27 > 0:09:28I bought it.
0:09:28 > 0:09:30Going in for cats, Oliver?
0:09:30 > 0:09:32I bought it for a friend.
0:09:32 > 0:09:34We arrive at the inescapable conclusion
0:09:34 > 0:09:35that Oliver has a girl.
0:09:35 > 0:09:37Brilliant, Carver.
0:09:37 > 0:09:38A girlfriend?
0:09:38 > 0:09:40No. A girl.
0:09:40 > 0:09:41Anybody I know?
0:09:41 > 0:09:43Not yet, but you'll like her.
0:09:43 > 0:09:46If you like her, she's OK with me.
0:09:46 > 0:09:47MEOW
0:09:53 > 0:09:55MEOW
0:09:55 > 0:09:56Oh, hello.
0:09:56 > 0:10:00Look, Irena, I brought you a present.
0:10:00 > 0:10:02MEOW
0:10:05 > 0:10:07MEOW
0:10:11 > 0:10:12MEOW
0:10:14 > 0:10:16Why, you little devil.
0:10:18 > 0:10:20Oh, it's all right.
0:10:20 > 0:10:23It's just that cats don't seem to like me.
0:10:23 > 0:10:25Yeah, but this is only a kitten.
0:10:25 > 0:10:27It's very friendly.
0:10:27 > 0:10:29When I had it in the office,
0:10:29 > 0:10:32Alice - the girl in our department - it played with her.
0:10:34 > 0:10:35Cats just don't like me.
0:10:35 > 0:10:37Oh, I know what we can do.
0:10:37 > 0:10:40You got it at a pet store, didn't you?
0:10:40 > 0:10:42Yes.
0:10:42 > 0:10:44Good. We could exchange it for some other pet.
0:10:44 > 0:10:46I'll get my coat.
0:10:49 > 0:10:51BIRDS TWITTERING
0:10:51 > 0:10:52MONKEYS SCREECHING
0:10:56 > 0:10:59LOUD SCREECHING AND SQUAWKING
0:11:10 > 0:11:12RACKET CONTINUES
0:11:14 > 0:11:16I'd like to exchange this kitten.
0:11:16 > 0:11:17You'll have to talk louder!
0:11:17 > 0:11:19What did you say?
0:11:19 > 0:11:21I can't understand a word you say!
0:11:29 > 0:11:31Oh, landy, dear me.
0:11:31 > 0:11:34I can't imagine what got into them.
0:11:34 > 0:11:35All that caterwauling!
0:11:35 > 0:11:38The last time they did that was when an alley cat
0:11:38 > 0:11:40ate one of my nice finches.
0:11:40 > 0:11:43I wanted to exchange this kitten for a bird.
0:11:43 > 0:11:45Of course. I have some lovely canaries.
0:11:45 > 0:11:47One little lemon-coloured fellow
0:11:47 > 0:11:49with top notes like Caruso.
0:11:49 > 0:11:51SINGLE BIRD TWITTERS
0:11:51 > 0:11:54As peaceful as my dream of heaven.
0:11:54 > 0:11:57Shall we go back now and select just which little birdie?
0:11:57 > 0:11:59You go, please, Oliver.
0:11:59 > 0:12:01You pick the one you like.
0:12:01 > 0:12:03I'd rather stay here.
0:12:03 > 0:12:06Of course. I'll only be a minute.
0:12:06 > 0:12:08Animals are ever so psychic.
0:12:08 > 0:12:11There are some people who just can't come in here.
0:12:11 > 0:12:13My dear brother's wife, for instance.
0:12:13 > 0:12:14She's a very nice girl,
0:12:14 > 0:12:17but you just should see what happens
0:12:17 > 0:12:19when she puts her foot inside this place.
0:12:19 > 0:12:21The cats, particularly, they seem to know.
0:12:21 > 0:12:23You can fool everybody,
0:12:23 > 0:12:26but, landy, deary me, you can't fool a cat.
0:12:26 > 0:12:28They seem to know who's not right,
0:12:28 > 0:12:30if you know what I mean.
0:12:30 > 0:12:34Here we are. Isn't he a ducky little angel?
0:12:36 > 0:12:37This is it.
0:12:37 > 0:12:39Thank you.
0:12:51 > 0:12:53What do you think of it?
0:12:53 > 0:12:54Oh, he is sweet!
0:12:54 > 0:12:57He will like me very much, you will see.
0:12:57 > 0:12:59I like to be liked.
0:12:59 > 0:13:01That ought to be easy. Real easy.
0:13:14 > 0:13:15Irena.
0:13:15 > 0:13:16Yes.
0:13:16 > 0:13:17I've been asleep.
0:13:17 > 0:13:19I know.
0:13:19 > 0:13:22Couldn't have been very entertaining for you.
0:13:22 > 0:13:24I was watching you.
0:13:24 > 0:13:26That was fun?
0:13:26 > 0:13:27Mm-hmm.
0:13:27 > 0:13:31Do you love me, Irena?
0:13:31 > 0:13:33Uh-huh.
0:13:33 > 0:13:36You know I love you, don't you?
0:13:41 > 0:13:43I've never kissed you.
0:13:45 > 0:13:47Do you know, that's funny?
0:13:47 > 0:13:49Why?
0:13:49 > 0:13:52Well, when people in America are in love,
0:13:52 > 0:13:54or even think they're in love,
0:13:54 > 0:13:56they've usually kissed long ago.
0:14:00 > 0:14:01Well?
0:14:05 > 0:14:07Irena, what's wrong?
0:14:09 > 0:14:12I've lived in dread of this moment.
0:14:12 > 0:14:16I've never wanted to love you.
0:14:17 > 0:14:19I've stayed away from people.
0:14:19 > 0:14:21I...
0:14:21 > 0:14:23I lived alone.
0:14:23 > 0:14:25I never wanted this to happen.
0:14:25 > 0:14:28But you just told me you loved me.
0:14:28 > 0:14:31I do.
0:14:31 > 0:14:32I do.
0:14:32 > 0:14:36I fled from the past,
0:14:36 > 0:14:39from things you could never know...
0:14:39 > 0:14:41or understand.
0:14:41 > 0:14:44Evil things.
0:14:44 > 0:14:45Evil.
0:14:46 > 0:14:49Irena, now, you've told me
0:14:49 > 0:14:51something of the past,
0:14:51 > 0:14:52about King John
0:14:52 > 0:14:54and the witches in the village
0:14:54 > 0:14:55and the cat people descended from them.
0:14:55 > 0:14:57They're fairy tales, Irena,
0:14:57 > 0:14:59fairy tales heard in your childhood,
0:14:59 > 0:15:00nothing more than that.
0:15:00 > 0:15:02They have nothing to do with you, really.
0:15:02 > 0:15:04You're Irena. You're here in America.
0:15:04 > 0:15:07You're so normal, you're even in love with me -
0:15:07 > 0:15:09Oliver Reed, a good plain Americano.
0:15:09 > 0:15:12You're so normal, you're going to marry me.
0:15:12 > 0:15:13And those fairy tales,
0:15:13 > 0:15:16you can tell them to our children. They'll love them.
0:15:21 > 0:15:23MUSIC PLAYS
0:15:30 > 0:15:33It's all right, this stuff, my boy.
0:15:33 > 0:15:35Why don't we get some more, heh?
0:15:35 > 0:15:38Ah-ha! Comitage!
0:15:38 > 0:15:41Oh! Mr Carver, you should not call a good man that.
0:15:41 > 0:15:45But it's Serbian. I got it from my father this afternoon.
0:15:45 > 0:15:47But you might insult him.
0:15:47 > 0:15:49Comitage means thief, bandit.
0:15:49 > 0:15:51I've been double-crossed.
0:15:51 > 0:15:53Ha ha ha! Ha ha ha!
0:15:53 > 0:15:55Oliver's bride seems to be
0:15:55 > 0:15:57a very nice girl,
0:15:57 > 0:15:58and a very pretty one, too.
0:15:58 > 0:16:01Carver tells me she's a bit odd.
0:16:01 > 0:16:02He's worried about the marriage.
0:16:02 > 0:16:04Nonsense. Irena's a grand girl.
0:16:04 > 0:16:06She and Oliver are going to be
0:16:06 > 0:16:07very happy together.
0:16:07 > 0:16:09I certainly hope so.
0:16:11 > 0:16:12MUSIC STOPPED
0:16:12 > 0:16:14To the bride.
0:16:14 > 0:16:16The bride. The bride.
0:16:25 > 0:16:28Look at that woman. Isn't she something?
0:16:30 > 0:16:33Looks like a cat.
0:16:35 > 0:16:37Thank you so much
0:16:37 > 0:16:38for this lovely party, Alice.
0:16:38 > 0:16:40I didn't know there was
0:16:40 > 0:16:41a Serbian restaurant.
0:16:41 > 0:16:43Anything you want to know about this city,
0:16:43 > 0:16:46ask me. I know all the unimportant details.
0:16:49 > 0:16:50Moia sestra.
0:16:55 > 0:16:56Moia sestra?
0:17:11 > 0:17:14Well, how do you like that?
0:17:14 > 0:17:17What did that woman say to you, darling?
0:17:17 > 0:17:19Well, what did she say?
0:17:19 > 0:17:20Now, wait a minute.
0:17:20 > 0:17:23It can't be that serious, just one single word.
0:17:23 > 0:17:25She greeted me.
0:17:25 > 0:17:28She called me sister.
0:17:28 > 0:17:30You saw her, Oliver.
0:17:30 > 0:17:32You saw what she looked like.
0:17:32 > 0:17:34Oh, she looks like a cat,
0:17:34 > 0:17:37so she must be one of the cat people,
0:17:37 > 0:17:38one of King John's pets.
0:17:38 > 0:17:40Oh, Irena, you crazy kid.
0:17:46 > 0:17:49Why would my wedding be a dollar-and-cents wedding?
0:17:49 > 0:17:51All right, why?
0:17:51 > 0:17:54I haven't a dollar, and the girl hasn't any sense.
0:17:54 > 0:17:56That's a corny joke even for you, doc.
0:17:56 > 0:17:57Come on, Carver.
0:17:57 > 0:17:59Huh? Oh.
0:18:15 > 0:18:18What is it, darling?
0:18:18 > 0:18:21I'm... I'm going to beg...
0:18:23 > 0:18:24Mrs Reed?
0:18:26 > 0:18:29It's nice to hear that. Nice.
0:18:29 > 0:18:31I want to be Mrs Reed.
0:18:31 > 0:18:33Well, you are.
0:18:33 > 0:18:36But I want to be Mrs Reed really.
0:18:36 > 0:18:38I want to be
0:18:38 > 0:18:40everything that name means to me,
0:18:40 > 0:18:42and I can't.
0:18:42 > 0:18:43I can't.
0:18:43 > 0:18:48Oliver, be kind. Be patient.
0:18:48 > 0:18:50Let me have time...
0:18:50 > 0:18:52time to get over that feeling
0:18:52 > 0:18:53there's something evil in me.
0:18:53 > 0:18:57Darling, you have all the time there is in the world
0:18:57 > 0:18:58if you want it
0:18:58 > 0:19:02and all the patience and kindness there's in me.
0:19:02 > 0:19:04Only a little time, Oliver.
0:19:04 > 0:19:07I don't want more than that.
0:19:20 > 0:19:21Good night, Irena.
0:19:31 > 0:19:34CAT'S YOWLING ECHOES
0:19:40 > 0:19:43Good night, Oliver.
0:19:43 > 0:19:45Good night, Irena.
0:19:54 > 0:19:57# Nothing else to do Nothing else to do
0:19:57 > 0:20:03# I straight went a-courtin' For I'd nothing else to do
0:20:03 > 0:20:07# Nothing else to do Nothing else to do
0:20:07 > 0:20:08# I straight... #
0:20:08 > 0:20:11Ain't seen you here in some time, ma'am.
0:20:11 > 0:20:14I've been married, been married for almost a month.
0:20:14 > 0:20:16That's what I tell this critter -
0:20:16 > 0:20:19nobody comes to see him when they're happy.
0:20:19 > 0:20:21The monkey house and the aviary
0:20:21 > 0:20:22gets all the happy customers.
0:20:22 > 0:20:24But he's beautiful.
0:20:24 > 0:20:26No, he ain't beautiful.
0:20:26 > 0:20:28He's an evil critter, ma'am.
0:20:28 > 0:20:31You read your Bible, Revelations,
0:20:31 > 0:20:33where the book's talking about
0:20:33 > 0:20:36the worst beast of them all.
0:20:36 > 0:20:39It says, "And the beast which I saw
0:20:39 > 0:20:41"was like unto a leopard."
0:20:41 > 0:20:43Like unto a leopard.
0:20:43 > 0:20:44Yes, ma'am.
0:20:44 > 0:20:46Like a leopard, but not a leopard.
0:20:46 > 0:20:48I guess that fits this fellow.
0:20:48 > 0:20:51Yes, it fits him.
0:20:51 > 0:20:56# Nothing else to do Nothing else to do
0:20:56 > 0:20:58# I straight went a-courtin' Cos I'd nothing... #
0:20:58 > 0:21:02Er, best wishes for your marriage, ma'am.
0:21:02 > 0:21:05# Nothing else to do, nothing else to do... #
0:21:07 > 0:21:09IRENA HUMMING
0:21:28 > 0:21:29BIRD WHISTLES
0:21:29 > 0:21:31WHISTLE
0:21:31 > 0:21:32WHISTLE
0:21:34 > 0:21:36SHE WHISTLES
0:21:38 > 0:21:40WHISTLE
0:23:05 > 0:23:07SNARL
0:23:09 > 0:23:11GROWL
0:23:21 > 0:23:23Would you like some sherry?
0:23:31 > 0:23:33If you're determined to mourn that bird,
0:23:33 > 0:23:35we'll have a regular wake.
0:23:35 > 0:23:38It's not just because the bird died.
0:23:38 > 0:23:39It's me.
0:23:39 > 0:23:43I envy every woman I see on the street.
0:23:43 > 0:23:45They can't match your little finger.
0:23:45 > 0:23:46I envy them.
0:23:46 > 0:23:48They're happy.
0:23:48 > 0:23:50They make their husbands happy.
0:23:50 > 0:23:54They lead normal, happy lives.
0:23:54 > 0:23:56They're free.
0:24:03 > 0:24:05Do you know what happened to the bird?
0:24:05 > 0:24:06It died.
0:24:06 > 0:24:10It died of fright when I tried to take it in my hand.
0:24:10 > 0:24:13That's nothing. I had a rabbit that hated me,
0:24:13 > 0:24:16yet I grew up to be quite a nice fella.
0:24:19 > 0:24:20Oliver...
0:24:21 > 0:24:24when I went past the panther's cage,
0:24:24 > 0:24:27I had to open the box.
0:24:27 > 0:24:30I had to throw the bird to him.
0:24:30 > 0:24:31Do you understand?
0:24:31 > 0:24:33I had to.
0:24:33 > 0:24:35I had to do it.
0:24:39 > 0:24:41That's what frightens me.
0:24:50 > 0:24:51Irena...
0:24:51 > 0:24:54I've been trying to kid you out of it.
0:24:54 > 0:24:56Maybe that's wrong.
0:24:56 > 0:24:58No-one could have been more gentle
0:24:58 > 0:24:59or more patient.
0:24:59 > 0:25:01Well, I tried to make you realise
0:25:01 > 0:25:04all these stories that worry you are so much nonsense.
0:25:04 > 0:25:06But now I see it's not the stories.
0:25:06 > 0:25:09It's the fact that you believe them.
0:25:09 > 0:25:11We've got to have help, Irena.
0:25:14 > 0:25:17Not that sort of help.
0:25:17 > 0:25:18There's something wrong,
0:25:18 > 0:25:20and we have to face it in an intelligent way.
0:25:20 > 0:25:23We don't need a King John with fire and sword.
0:25:23 > 0:25:25We need someone who can find the reason
0:25:25 > 0:25:27for your belief and cure it.
0:25:29 > 0:25:31That's what we need.
0:25:32 > 0:25:33A psychiatrist.
0:25:33 > 0:25:36Find one for me, Oliver.
0:25:36 > 0:25:38The best one...
0:25:38 > 0:25:40the very best one.
0:25:43 > 0:25:44You were saying, "The cats."
0:25:44 > 0:25:46They torment me.
0:25:46 > 0:25:49I wake in the night,
0:25:49 > 0:25:51and the tread of their feet
0:25:51 > 0:25:54whispers in my brain.
0:25:54 > 0:25:58I have no peace...
0:25:58 > 0:26:00for they are in me.
0:26:02 > 0:26:03In me?
0:26:05 > 0:26:06LOUDER: In me?
0:26:32 > 0:26:34Hypnosis always tires me.
0:26:34 > 0:26:37Some of my patients, too, find it exhausting.
0:26:37 > 0:26:39It's only that I...
0:26:39 > 0:26:40I remember nothing.
0:26:40 > 0:26:42It's my duty to remember.
0:26:42 > 0:26:44I have it all here.
0:26:44 > 0:26:45Most interesting.
0:26:45 > 0:26:48You told me of your village and the people
0:26:48 > 0:26:50and their strange beliefs.
0:26:50 > 0:26:51I'm so ashamed.
0:26:51 > 0:26:53It must seem so childish.
0:26:53 > 0:26:55And the cat women of your village, too.
0:26:55 > 0:26:57You told me of them -
0:26:57 > 0:26:58women who in jealousy or anger
0:26:58 > 0:27:00or out of their own corrupt passions
0:27:00 > 0:27:02can change into great cats like panthers.
0:27:04 > 0:27:07And if one of these women were to fall in love
0:27:07 > 0:27:09and if a lover were to kiss her,
0:27:09 > 0:27:10take her into his embrace,
0:27:10 > 0:27:13she would be driven by her own evil to kill him.
0:27:13 > 0:27:15That's what you believe and fear,
0:27:15 > 0:27:18isn't it?
0:27:18 > 0:27:20These things are very simple to psychiatrists.
0:27:22 > 0:27:24You told me about your childhood.
0:27:24 > 0:27:26Perhaps we'll find this trouble stems
0:27:26 > 0:27:28from some early experience.
0:27:28 > 0:27:30You said you didn't know your father,
0:27:30 > 0:27:33that he died in some mysterious accident in the forest
0:27:33 > 0:27:34before your birth,
0:27:34 > 0:27:37and because of that, the children teased you
0:27:37 > 0:27:40and called your mother a witch, a cat woman.
0:27:41 > 0:27:43These childhood tragedies
0:27:43 > 0:27:45are inclined to corrode the soul,
0:27:45 > 0:27:47to leave a canker in the mind.
0:27:47 > 0:27:50But we'll try to repair the damage.
0:27:52 > 0:27:53You're not to worry.
0:27:53 > 0:27:55Well, what should I tell my husband?
0:27:55 > 0:27:58Naturally, he's anxious to have some word.
0:27:58 > 0:28:00What does one tell a husband?
0:28:00 > 0:28:01One tells him nothing.
0:28:15 > 0:28:17Alice, it's so nice to see you.
0:28:17 > 0:28:19Hello, darling.
0:28:19 > 0:28:20How'd you make out with Lewis?
0:28:20 > 0:28:22Lewis?
0:28:22 > 0:28:23Dr Judd.
0:28:23 > 0:28:25Alice knows, darling.
0:28:25 > 0:28:29ALICE: Didn't I suggest Dr Judd?
0:28:29 > 0:28:30I met him on the Commodore's boat.
0:28:30 > 0:28:32The way he goes around kissing hands
0:28:32 > 0:28:34makes we want to spit cotton,
0:28:34 > 0:28:37but I guess he knows all there is to know about psychiatry.
0:28:39 > 0:28:40Uh-oh.
0:28:40 > 0:28:41I told Alice.
0:28:41 > 0:28:43I knew she'd know some good doctor.
0:28:43 > 0:28:47I don't see why that was necessary.
0:28:49 > 0:28:50Sorry.
0:28:50 > 0:28:53I seem to have put my big foot in it.
0:28:57 > 0:28:58I'm sorry, Irena.
0:28:58 > 0:29:00I'm sure neither Oliver nor I
0:29:00 > 0:29:02had any notion of offending you.
0:29:02 > 0:29:04I'm dreadfully sorry.
0:29:06 > 0:29:08Goodbye, Alice.
0:29:16 > 0:29:18Darling, really. There's no reason to...
0:29:18 > 0:29:21But, Oliver, how can you discuss such things,
0:29:21 > 0:29:23such intimate things about me?
0:29:23 > 0:29:25How much did you tell her?
0:29:25 > 0:29:27Oh, you can tell Alice anything.
0:29:27 > 0:29:28She can understand anything.
0:29:28 > 0:29:30There are some things
0:29:30 > 0:29:32a woman doesn't want other women to understand.
0:29:50 > 0:29:54MEOWING
0:30:35 > 0:30:36Irena...
0:30:39 > 0:30:41I woke up. You were gone.
0:30:41 > 0:30:43What's wrong, darling?
0:30:43 > 0:30:46I couldn't sleep. I went out.
0:30:46 > 0:30:47Where'd you go?
0:30:47 > 0:30:49Just walked.
0:30:49 > 0:30:51I'm sorry about this afternoon.
0:30:51 > 0:30:52I...
0:30:52 > 0:30:54I just didn't think.
0:30:54 > 0:30:58Oliver...we should never quarrel.
0:30:58 > 0:31:01Never let me feel jealousy or anger.
0:31:01 > 0:31:04Whatever is in me is held in,
0:31:04 > 0:31:06is kept harmless when I'm happy.
0:31:06 > 0:31:09I'd turn handsprings, darling.
0:31:09 > 0:31:11I'd dance in the streets to make you happy.
0:31:20 > 0:31:23Toward the sheer line...
0:31:23 > 0:31:2562 degrees.
0:31:26 > 0:31:28Hey!
0:31:29 > 0:31:30Oh, I'm sorry.
0:31:30 > 0:31:32I must have given you the wrong figure.
0:31:32 > 0:31:34Let me try again.
0:31:34 > 0:31:36Wait. Let's have a cigarette first.
0:31:36 > 0:31:37That's the third wrong figure
0:31:37 > 0:31:39you've given me this morning.
0:31:39 > 0:31:41Getting careless in my old age.
0:31:41 > 0:31:42Something's on your mind.
0:31:42 > 0:31:44Anything wrong?
0:31:44 > 0:31:46No.
0:31:49 > 0:31:51Must be marriage.
0:31:52 > 0:31:54Well, in a way, it is.
0:31:54 > 0:31:56I'm worried about Irena.
0:31:56 > 0:31:59But I thought she was going to Dr Judd.
0:31:59 > 0:32:01Yeah. That's what I thought,
0:32:01 > 0:32:03but I ran into Dr Judd this morning.
0:32:03 > 0:32:05She hasn't been back since the first visit.
0:32:05 > 0:32:09But you told me she seemed so anxious to be cured.
0:32:09 > 0:32:10Apparently not.
0:32:10 > 0:32:12I'm sorry, Ollie.
0:32:12 > 0:32:14Must make you very unhappy.
0:32:16 > 0:32:18You know, it's a funny thing.
0:32:18 > 0:32:21I've never been unhappy before.
0:32:21 > 0:32:23Things have always gone swell for me.
0:32:23 > 0:32:26I had a grand time as a kid -
0:32:26 > 0:32:27lots of fun at school
0:32:27 > 0:32:30and here at the office with you
0:32:30 > 0:32:31and Commodore and doc.
0:32:33 > 0:32:34That's why I don't know
0:32:34 > 0:32:36what to do about all this.
0:32:36 > 0:32:38I've just never been unhappy.
0:32:38 > 0:32:41SNIFFLING
0:32:41 > 0:32:43Hey.
0:32:45 > 0:32:47Now wait a minute.
0:32:52 > 0:32:54I can't help it.
0:32:54 > 0:32:57I just can't help it.
0:32:57 > 0:32:59I can't bear to see you unhappy.
0:32:59 > 0:33:01I love you too darn much,
0:33:01 > 0:33:04and I don't care if you do know it, Ollie.
0:33:04 > 0:33:06I love you.
0:33:07 > 0:33:08I'm sorry.
0:33:08 > 0:33:10Forget it.
0:33:10 > 0:33:11There's Irena.
0:33:11 > 0:33:13You're in love with her.
0:33:13 > 0:33:15I don't know.
0:33:15 > 0:33:18All this trouble has made me think.
0:33:19 > 0:33:22I don't know what love really is.
0:33:22 > 0:33:23I don't know
0:33:23 > 0:33:26even whether I'm in love with Irena.
0:33:26 > 0:33:27I know what love is.
0:33:27 > 0:33:29It's understanding.
0:33:29 > 0:33:33It's you and me and let the rest of the world go by.
0:33:33 > 0:33:35It's just the two of us
0:33:35 > 0:33:37living our lives together
0:33:37 > 0:33:38happily and proudly.
0:33:38 > 0:33:40No self-torture, no doubt.
0:33:40 > 0:33:42It's enduring, and it's everlasting.
0:33:42 > 0:33:45Nothing can change it.
0:33:45 > 0:33:47Nothing can change us, Ollie.
0:33:47 > 0:33:50That's what I think love is.
0:33:50 > 0:33:52Well, that isn't the way
0:33:52 > 0:33:55I feel about Irena.
0:33:55 > 0:33:57It's a different feeling.
0:33:59 > 0:34:00I'm drawn to her.
0:34:00 > 0:34:04There's a warmth from her that...
0:34:04 > 0:34:06pulls at me.
0:34:06 > 0:34:09I have to watch her when she's in the room.
0:34:09 > 0:34:12I have to touch her when she's near.
0:34:14 > 0:34:15But I don't really know her.
0:34:15 > 0:34:18In many ways, we're strangers.
0:34:19 > 0:34:22You and I...
0:34:22 > 0:34:23we'll never be strangers.
0:34:27 > 0:34:29# Parted sweetly in June
0:34:29 > 0:34:31# I straight went a-courtin'
0:34:31 > 0:34:34# For I'd nothing else to do
0:34:34 > 0:34:36# Nothing else to do
0:34:36 > 0:34:38# Nothing else to do... #
0:34:42 > 0:34:44GROWLING
0:34:50 > 0:34:51GROWLING
0:34:51 > 0:34:53HISSES
0:34:53 > 0:34:55You forgot your key.
0:34:55 > 0:34:57Oh, I'm always forgetting it.
0:34:57 > 0:34:59Ain't no worry in it.
0:34:59 > 0:35:01Nobody would want to steal one of them critters.
0:35:08 > 0:35:11You resist temptation admirably.
0:35:11 > 0:35:12Temptation?
0:35:12 > 0:35:13The, er, key.
0:35:13 > 0:35:15Well, why would I want it?
0:35:15 > 0:35:17For many reasons.
0:35:17 > 0:35:19There is, in some cases, a psychic need
0:35:19 > 0:35:21to loose evil upon the world.
0:35:21 > 0:35:23And all of us carry within us
0:35:23 > 0:35:25a desire for death.
0:35:25 > 0:35:26You fear the panther,
0:35:26 > 0:35:29yet you're drawn to him again and again.
0:35:29 > 0:35:30Couldn't you turn to him
0:35:30 > 0:35:33as an instrument of death?
0:35:33 > 0:35:34You didn't come back to see me Friday.
0:35:34 > 0:35:36I've to come to you.
0:35:36 > 0:35:39Well, how did you know where to find me?
0:35:39 > 0:35:41You told me many things.
0:35:42 > 0:35:43Why didn't you come back?
0:35:43 > 0:35:46I don't feel you can help me.
0:35:46 > 0:35:49You're very wise, you know a great deal,
0:35:49 > 0:35:51yet when you speak of the soul,
0:35:51 > 0:35:52you mean the mind,
0:35:52 > 0:35:55and it is not my mind that is troubled.
0:35:55 > 0:35:57What a clever girl.
0:35:57 > 0:35:59All the psychologists have tried for years
0:35:59 > 0:36:01to find that subtle difference between mind and soul,
0:36:01 > 0:36:03and you found it.
0:36:03 > 0:36:05It does seem presumptuous of me, doesn't it?
0:36:05 > 0:36:07Goodbye, Doctor.
0:36:25 > 0:36:27Irena...
0:36:35 > 0:36:36I'm worried. What's happening to us?
0:36:36 > 0:36:38I love you, Oliver.
0:36:38 > 0:36:41I know, but people can love,
0:36:41 > 0:36:43and people can still drift apart.
0:36:43 > 0:36:46And that's what I feel is happening to us.
0:36:47 > 0:36:49We don't talk together openly.
0:36:49 > 0:36:50You're not frank with me.
0:36:50 > 0:36:52I've never lied to you.
0:36:54 > 0:36:56I ran into Dr Judd today.
0:36:58 > 0:37:00You haven't been back to see him.
0:37:00 > 0:37:01He cannot help me.
0:37:01 > 0:37:03You won't let him help you.
0:37:03 > 0:37:05You won't let me help you.
0:37:05 > 0:37:07You won't even help yourself.
0:37:07 > 0:37:08It's what I said to Alice this afternoon.
0:37:08 > 0:37:10You're content to...
0:37:10 > 0:37:11Alice.
0:37:15 > 0:37:18Oh, I promised you we'd never quarrel.
0:37:18 > 0:37:21Let's calm down a bit.
0:37:23 > 0:37:25I'll go back to the office.
0:37:25 > 0:37:27I've got some work to do.
0:37:51 > 0:37:53Do you want to go up to the office, Mr Reed?
0:37:53 > 0:37:55I'll go around the corner to Sally Lung's
0:37:55 > 0:37:58to get a cup of coffee. I'll be back.
0:38:12 > 0:38:14Hello, Mr Reed.
0:38:14 > 0:38:15Minnie.
0:38:15 > 0:38:17Maybe you'd like some nice chicken gumbo today.
0:38:17 > 0:38:19No, thanks, Minnie.
0:38:19 > 0:38:20How about some apple pie
0:38:20 > 0:38:22and a cup of coffee?
0:38:22 > 0:38:23Yes, sir.
0:38:23 > 0:38:26My goodness. Don't nobody like chicken gumbo?
0:38:40 > 0:38:42TELEPHONE RINGS
0:38:45 > 0:38:47Hello.
0:38:48 > 0:38:49Hello?
0:38:50 > 0:38:52Hello? Hello!
0:38:59 > 0:39:00John Paul Jones,
0:39:00 > 0:39:02don't you hate people who do that?
0:39:09 > 0:39:10Good night, John Paul.
0:39:26 > 0:39:27Here, Miss Agnew.
0:39:27 > 0:39:29A couple new matchbooks for your collection.
0:39:29 > 0:39:31Oh, thank you, Miss Moore.
0:39:31 > 0:39:33Hmm, Chartreuse. Ain't that elegant?
0:39:33 > 0:39:35Too bad you wasn't here just a minute ago.
0:39:35 > 0:39:36Mr Reed looked in.
0:39:36 > 0:39:37Oh, where'd he go?
0:39:37 > 0:39:39Around the corner to Sally Lung's.
0:39:39 > 0:39:41I'll see if I can catch him.
0:39:41 > 0:39:43Good night.
0:39:51 > 0:39:53Could you squeeze a coffee pot for me, Minnie?
0:39:53 > 0:39:55I sure could,
0:39:55 > 0:39:57only this coffee's been working so long,
0:39:57 > 0:39:58it's got muscles.
0:39:58 > 0:40:01What are you doing in this part of town
0:40:01 > 0:40:03at this hour of night?
0:40:03 > 0:40:04Ooh. Stormy weather.
0:40:18 > 0:40:21You'll have to solve your problems your own way.
0:40:21 > 0:40:23I'm going to drink up and go home.
0:40:23 > 0:40:25I think you'd better go home, too,
0:40:25 > 0:40:27and make it up with Irena.
0:40:27 > 0:40:29Alice, you're very swell.
0:40:29 > 0:40:31That's what makes me dangerous.
0:40:31 > 0:40:33I'm the new type of other woman.
0:40:33 > 0:40:34Night, Minnie.
0:40:34 > 0:40:36Good night.
0:40:45 > 0:40:46You cold?
0:40:46 > 0:40:48A cat just walked over my grave.
0:40:56 > 0:40:58Don't you want me to walk you home?
0:40:58 > 0:41:00No, thanks. I'm a big girl now,
0:41:00 > 0:41:01and I'm not afraid.
0:41:01 > 0:41:03Well, good night.
0:41:03 > 0:41:04Good night.
0:41:49 > 0:41:52FOOTSTEPS ECHO
0:41:52 > 0:41:54FOOTSTEPS STOP
0:42:26 > 0:42:28GROWLING
0:42:35 > 0:42:37Climb on, sister.
0:42:37 > 0:42:40Are you riding with me, or ain't you?
0:42:42 > 0:42:43You look as if you'd seen a ghost.
0:42:43 > 0:42:45Did you see it?
0:42:55 > 0:42:58SHEEP BLEATING
0:43:19 > 0:43:21WHISTLE BLOWS
0:43:27 > 0:43:29WHISTLE BLOWS
0:43:33 > 0:43:38WHISTLE BLOWING
0:43:39 > 0:43:41Taxi, lady?
0:44:06 > 0:44:07No. Please don't.
0:44:07 > 0:44:09Don't touch me.
0:44:11 > 0:44:13Irena...
0:44:13 > 0:44:14I'm sorry.
0:44:14 > 0:44:16I've been worried to death.
0:44:16 > 0:44:19I didn't know where you were. I thought...
0:44:21 > 0:44:24What happened tonight happens in every family.
0:44:24 > 0:44:26I was all on edge.
0:44:26 > 0:44:27You've got to understand,
0:44:27 > 0:44:29and you've got to forgive me.
0:44:33 > 0:44:35I forgive you.
0:44:58 > 0:44:59Irena?
0:44:59 > 0:45:01What?
0:45:01 > 0:45:02Are you all right?
0:45:02 > 0:45:04I'm all right.
0:45:08 > 0:45:10SOBBING
0:45:35 > 0:45:37DR JUDD: 'To loose evil upon the world.
0:45:37 > 0:45:40'There is in some cases a psychic need
0:45:40 > 0:45:42'to loose evil upon the world.
0:45:42 > 0:45:45'There is in some cases a psychic need...
0:45:45 > 0:45:48'A desire for death...
0:45:48 > 0:45:49'To loose evil...
0:45:49 > 0:45:51'A desire for death...
0:45:51 > 0:45:53'A psychic need...
0:45:53 > 0:45:55'The, er, key...
0:45:55 > 0:45:56'The, er, key...
0:45:56 > 0:45:58The, er, key.
0:45:58 > 0:46:00'The, er, key.'
0:46:39 > 0:46:42I'm afraid this is dull for Irena.
0:46:42 > 0:46:45Look, darling, there's some beautiful moderns upstairs.
0:46:45 > 0:46:47But I like these little boats.
0:46:47 > 0:46:49I want to be with you.
0:46:49 > 0:46:50Do not send me away.
0:46:50 > 0:46:54We're not. We just don't want you to be bored.
0:46:55 > 0:46:58We'll meet you in the main lobby in an hour.
0:46:58 > 0:47:00Oh, Ollie.
0:47:00 > 0:47:02Look, a drawing of the Victory.
0:47:02 > 0:47:05You know, that's the last man-of-war
0:47:05 > 0:47:07with a lateen sail on it?
0:47:49 > 0:47:52Could I have the key to the swimming pool?
0:47:52 > 0:47:53What a darling kitten.
0:47:53 > 0:47:55That's one of four.
0:47:55 > 0:47:57Tabby had them about a month ago.
0:47:59 > 0:48:01Don't forget to turn the lights out
0:48:01 > 0:48:03when you're through. I won't forget.
0:48:03 > 0:48:05TELEPHONE BUZZES: Hello?
0:48:09 > 0:48:11Yeah. Mm-hmm.
0:48:11 > 0:48:13Just a moment, deary. ..Yes?
0:48:13 > 0:48:15Is Miss Moore in?
0:48:15 > 0:48:17She went downstairs to the swimming pool.
0:48:17 > 0:48:20Would it be all right if I went down?
0:48:20 > 0:48:22Of course, deary. Right down them steps there.
0:48:22 > 0:48:24Aw, gee, I can't tonight.
0:48:29 > 0:48:31MEOW
0:48:31 > 0:48:33MEOW
0:48:33 > 0:48:34CAT SPITS
0:48:38 > 0:48:40MEOW
0:48:56 > 0:48:59LOW SNARLING
0:49:04 > 0:49:07SNARL
0:49:17 > 0:49:20SNARLING SOFTLY
0:49:41 > 0:49:42SNARLING STOPS
0:49:49 > 0:49:50SNARLING CONTINUES
0:49:54 > 0:49:56SCREECHING
0:49:56 > 0:49:58Aaah!
0:49:58 > 0:50:00Help!
0:50:00 > 0:50:03SCREAMS ECHOING
0:50:03 > 0:50:05Help!
0:50:05 > 0:50:06Help!
0:50:06 > 0:50:09Gee whiz, Mrs Hanson.
0:50:09 > 0:50:11SPEAKS IN FOREIGN LANGUAGE
0:50:17 > 0:50:19Aah!
0:50:22 > 0:50:25What is the matter, Alice?
0:50:28 > 0:50:30What bothers Miss Moore?
0:50:30 > 0:50:31Are you all right?
0:50:31 > 0:50:34It's nothing. It was dark down here,
0:50:34 > 0:50:36and Mrs Reed coming in unexpectedly frightened me.
0:50:36 > 0:50:38I'm terribly sorry.
0:50:39 > 0:50:43No, don't go. I'm coming right out.
0:50:47 > 0:50:49Sorry to have disturbed you, Alice.
0:50:49 > 0:50:53I missed you and Oliver and thought you might know where he is.
0:50:53 > 0:50:55We waited for you at the museum.
0:50:55 > 0:50:57You'll probably find him at home.
0:50:57 > 0:51:00If you don't mind then, I'll run on.
0:51:14 > 0:51:16Could I have my robe, please?
0:51:16 > 0:51:17Sure.
0:51:18 > 0:51:22Gee whiz, honey, it's torn to ribbons.
0:51:34 > 0:51:36Thank you for coming, Dr Judd.
0:51:36 > 0:51:40I'm troubled. I think you can help me.
0:51:40 > 0:51:43How much do you believe about the cat people?
0:51:43 > 0:51:45Cat people? The story Mrs Reed told me?
0:51:45 > 0:51:47Yes.
0:51:47 > 0:51:49I believe, my dear Miss Moore,
0:51:49 > 0:51:50exactly as I told Mrs Reed.
0:51:50 > 0:51:53The story is a product of her own fear,
0:51:53 > 0:51:55her own overworked imagination.
0:51:55 > 0:51:57What would you say, Dr Judd,
0:51:57 > 0:51:59if I were to tell you
0:51:59 > 0:52:00I believe Irena's story?
0:52:00 > 0:52:01Yes?
0:52:01 > 0:52:03Twice I've been followed by something
0:52:03 > 0:52:05that was not human,
0:52:05 > 0:52:07something that attempted to take my life.
0:52:07 > 0:52:09I believe that was
0:52:09 > 0:52:11the cat form of Irena.
0:52:11 > 0:52:13But why should she wish to harm you?
0:52:13 > 0:52:15Because I'm in love with her husband.
0:52:15 > 0:52:18Oh! My dear Miss Moore,
0:52:18 > 0:52:20this story grows more and more charming...
0:52:20 > 0:52:24simpler, too, all the time.
0:52:24 > 0:52:26You're both victims of fear.
0:52:26 > 0:52:28Mrs Reed fears the past,
0:52:28 > 0:52:30and you fear the present.
0:52:30 > 0:52:32Mrs Reed has a very strong imagination,
0:52:32 > 0:52:35and you have an equally strong conscience.
0:52:35 > 0:52:37Dr Judd, the danger that threatened me
0:52:37 > 0:52:39was very real.
0:52:39 > 0:52:40You disappoint me, Miss Moore.
0:52:42 > 0:52:44Here is my robe.
0:52:48 > 0:52:49To understand this,
0:52:49 > 0:52:51I should first have to hear
0:52:51 > 0:52:54Mrs Reed's version of the story myself.
0:52:54 > 0:52:56That should be a most interesting interview.
0:52:56 > 0:52:59I shouldn't advise you to see her alone.
0:52:59 > 0:53:02Do you think I'm afraid of so charming a lady?
0:53:02 > 0:53:04I know you don't believe me,
0:53:04 > 0:53:05but you must be careful.
0:53:05 > 0:53:08You want me to carry some means of protection?
0:53:08 > 0:53:10A gun, perhaps, with a silver bullet.
0:53:10 > 0:53:13If you're lucky enough to have one.
0:53:13 > 0:53:14Hmm.
0:53:14 > 0:53:17Of course, er...
0:53:17 > 0:53:19this isn't silver.
0:53:21 > 0:53:23Good night, Miss Moore.
0:53:29 > 0:53:32You have lapses of memory for which you cannot account.
0:53:32 > 0:53:35They're becoming more frequent, and you're afraid.
0:53:35 > 0:53:36Help me.
0:53:36 > 0:53:38I can't. You're not truthful with me.
0:53:38 > 0:53:42But I am. I have not lied to you.
0:53:42 > 0:53:44Do you sincerely believe
0:53:44 > 0:53:47that if your husband were to kiss you,
0:53:47 > 0:53:48you would change into a cat
0:53:48 > 0:53:49and rend him to bits?
0:53:49 > 0:53:53I don't know. I'm only afraid.
0:53:54 > 0:53:56And if I were to kiss you?
0:53:56 > 0:53:58I only know
0:53:58 > 0:54:01that I should not like to be kissed by you.
0:54:04 > 0:54:06My dear Mrs Reed,
0:54:06 > 0:54:07sometimes in my profession,
0:54:07 > 0:54:09there comes a contest of wills
0:54:09 > 0:54:11between doctor and patient.
0:54:11 > 0:54:12The patients are clever -
0:54:12 > 0:54:14oh, very clever -
0:54:14 > 0:54:16and they can fool the doctor...
0:54:16 > 0:54:18sometimes.
0:54:21 > 0:54:22You're very clever,
0:54:22 > 0:54:24and perhaps you enjoy this little game
0:54:24 > 0:54:26you're having with me,
0:54:26 > 0:54:28but I shall discover your secret.
0:54:28 > 0:54:30Dr Judd, believe me.
0:54:30 > 0:54:32I beg you to believe me.
0:54:32 > 0:54:33I have no secret.
0:54:33 > 0:54:36I told you everything. I have not lied to you.
0:54:36 > 0:54:38I need your help.
0:54:38 > 0:54:41I can't help you.
0:54:41 > 0:54:44But I can warn you.
0:54:44 > 0:54:46These hallucinations approach insanity.
0:54:46 > 0:54:48This nonsense about Miss Moore,
0:54:48 > 0:54:50at the park and in the swimming pool -
0:54:50 > 0:54:52it's a deterioration of the mind,
0:54:52 > 0:54:54the escape into fantasy,
0:54:54 > 0:54:56and it's dangerous.
0:54:56 > 0:54:58At this moment,
0:54:58 > 0:55:00I could go before a board
0:55:00 > 0:55:02and have you put away for observation.
0:55:02 > 0:55:06You're that close to real insanity.
0:55:10 > 0:55:11I can't help you.
0:55:11 > 0:55:13You can only help yourself.
0:55:13 > 0:55:14You keep going back
0:55:14 > 0:55:17to the mad legends of your birthplace.
0:55:17 > 0:55:18Forget them.
0:55:18 > 0:55:21You surround yourself with cat objects,
0:55:21 > 0:55:22pictures.
0:55:22 > 0:55:24Get rid of them.
0:55:24 > 0:55:26Lead a normal life.
0:55:26 > 0:55:27You know, for the first time,
0:55:27 > 0:55:29you really helped me.
0:55:29 > 0:55:31Maybe it's because you interest me.
0:55:54 > 0:55:59Oliver, I went back to Dr Judd's office.
0:55:59 > 0:56:02I'm no longer afraid.
0:56:02 > 0:56:04I'd have been the happiest man in the world
0:56:04 > 0:56:07if you'd told me that a little while ago,
0:56:07 > 0:56:10but things have changed.
0:56:10 > 0:56:12I had to learn,
0:56:12 > 0:56:14maybe through this marriage of ours...
0:56:14 > 0:56:17I didn't want to tell you this,
0:56:17 > 0:56:20but now, you see, I have to.
0:56:20 > 0:56:22I love Alice.
0:56:22 > 0:56:24Irena, it's too late.
0:56:24 > 0:56:26Too late?
0:56:28 > 0:56:31There seems only one decent thing for me to do.
0:56:31 > 0:56:33I'll give you a divorce.
0:56:33 > 0:56:35Believe me, it's better this way.
0:56:35 > 0:56:37Better?
0:56:37 > 0:56:38Better for whom?
0:56:38 > 0:56:40Irena, I...
0:56:40 > 0:56:42Speak.
0:56:42 > 0:56:44You can't speak.
0:56:44 > 0:56:46There's nothing you can say.
0:56:48 > 0:56:50There's only silence.
0:56:55 > 0:56:57But I love silence.
0:56:57 > 0:56:59I love loneliness.
0:56:59 > 0:57:01SHE WHISPERS
0:57:06 > 0:57:07They're soft...
0:57:07 > 0:57:09Irena, you're talking like an insane woman.
0:57:09 > 0:57:11Please, go.
0:57:11 > 0:57:13I want you to go.
0:57:13 > 0:57:14Please.
0:57:14 > 0:57:16Go.
0:57:16 > 0:57:18Go!
0:57:43 > 0:57:45Bavarian cream?
0:57:47 > 0:57:49Roquefort.
0:57:51 > 0:57:53And you get the apple pie.
0:57:53 > 0:57:55I have pointed out
0:57:55 > 0:57:57two alternatives, Mr Reed.
0:57:57 > 0:57:58Either have her put away
0:57:58 > 0:58:00for observation and restraint
0:58:00 > 0:58:02or have your marriage annulled.
0:58:02 > 0:58:04It's tough for Oliver either way, Doctor.
0:58:04 > 0:58:06As a psychiatrist,
0:58:06 > 0:58:08I should recommend that you have her put away.
0:58:08 > 0:58:10As your friend, however,
0:58:10 > 0:58:11I have much more reasonable advice.
0:58:11 > 0:58:13You should have your marriage annulled.
0:58:13 > 0:58:16You're free of responsibility. You two could marry.
0:58:16 > 0:58:18And if Irena's sent away?
0:58:18 > 0:58:22The law is explicit - one cannot divorce an insane person.
0:58:22 > 0:58:25If she's not well, I'm going to take care of her.
0:58:25 > 0:58:27It's the only right thing, Ollie.
0:58:27 > 0:58:28As you will.
0:58:28 > 0:58:31I'll have the commitment papers drawn up
0:58:31 > 0:58:32and arrange an interview
0:58:32 > 0:58:35with Mrs Reed at her apartment tonight - 6.00?
0:58:37 > 0:58:40MUSIC PLAYS
0:58:51 > 0:58:53Let's not play that.
0:58:53 > 0:58:55I don't think Irena's coming.
0:58:55 > 0:58:58We've waited an hour and a half.
0:58:58 > 0:59:00Perhaps it's useless to wait.
0:59:01 > 0:59:04OLIVER: I don't think she intends coming.
0:59:04 > 0:59:06She's probably walking in the park.
0:59:10 > 0:59:12Ollie, let's get back to the office.
0:59:12 > 0:59:14We've had a broken-up day,
0:59:14 > 0:59:16and there's work to be done.
0:59:16 > 0:59:18Suits me.
0:59:37 > 0:59:41Oh...how stupid. I left my walking stick in the apartment.
0:59:41 > 0:59:42I'll get it for you.
0:59:42 > 0:59:46Oh, no. Give me the key. I shall only be a moment.
1:00:12 > 1:00:14Five and a half.
1:00:14 > 1:00:16Five and a half.
1:00:17 > 1:00:21And...one and...three-eights.
1:00:21 > 1:00:25And one and three-eighths.
1:00:25 > 1:00:27There. TELEPHONE RINGS
1:00:27 > 1:00:29I'll get it.
1:00:35 > 1:00:36Hello?
1:00:37 > 1:00:39Hello?
1:00:40 > 1:00:41Hello?
1:00:43 > 1:00:45They hung up on me.
1:00:46 > 1:00:48That's funny.
1:00:48 > 1:00:49What?
1:00:49 > 1:00:51It happened once before like that.
1:00:51 > 1:00:53The telephone rang, and I answered.
1:00:53 > 1:00:56There was someone on the other end of the line.
1:00:56 > 1:00:58You could almost hear them listening.
1:00:58 > 1:01:00Then there was a little click
1:01:00 > 1:01:02as they hung up the receiver.
1:01:02 > 1:01:03That was the night
1:01:03 > 1:01:06I was followed on the transverse.
1:01:06 > 1:01:07Ollie.
1:01:07 > 1:01:09Let's get out of here. I'm afraid.
1:01:09 > 1:01:11That was Irena. I know it was.
1:01:11 > 1:01:13She could call from downstairs.
1:01:13 > 1:01:16She may be on her way up now.
1:01:16 > 1:01:17Get your things.
1:01:22 > 1:01:23The door's open.
1:01:23 > 1:01:26We can see to get out into the hall.
1:01:29 > 1:01:31I'll turn off the table lights.
1:01:34 > 1:01:36It's shut now.
1:01:36 > 1:01:38Just a minute ago, it was open.
1:01:44 > 1:01:46It's locked.
1:01:46 > 1:01:48GROWL
1:02:09 > 1:02:11SNARLING
1:02:11 > 1:02:13Irena.
1:02:13 > 1:02:15Irena.
1:02:19 > 1:02:21Leave us, Irena!
1:02:30 > 1:02:34In the name of God, leave us in peace.
1:02:36 > 1:02:39SILENCE
1:02:49 > 1:02:51Come on.
1:03:10 > 1:03:12Let's go down the stairs.
1:03:20 > 1:03:21Don't, Alice. It's gone.
1:03:21 > 1:03:23Everything's all right. Don't be afraid.
1:03:23 > 1:03:25I'm not afraid.
1:03:25 > 1:03:26Look.
1:03:30 > 1:03:32Irena's perfume.
1:03:32 > 1:03:34Strong, sweet.
1:03:44 > 1:03:46I need a drink.
1:03:49 > 1:03:51MUSIC PLAYS
1:04:00 > 1:04:03TELEPHONE RINGS
1:04:05 > 1:04:07RING
1:04:07 > 1:04:08Yes?
1:04:08 > 1:04:10Dr Judd? Miss Moore.
1:04:10 > 1:04:13We've been trying to get you on the phone.
1:04:13 > 1:04:15I called your hotel.
1:04:15 > 1:04:17That's what I want to talk about.
1:04:17 > 1:04:18Are you alone?
1:04:18 > 1:04:20You'd better leave, then.
1:04:20 > 1:04:22She may be on her way back now.
1:04:22 > 1:04:24But she is dangerous, Dr Judd.
1:04:26 > 1:04:28Hello?
1:04:28 > 1:04:29Hello, Dr Judd?
1:04:32 > 1:04:34Dr Judd.
1:04:34 > 1:04:36I think Irena just came in.
1:04:36 > 1:04:38He hung up on me.
1:04:38 > 1:04:41Come on. We'll get a taxi.
1:04:43 > 1:04:45You're late.
1:04:45 > 1:04:48I kept my appointment.
1:04:48 > 1:04:50You see, I've never believed your story.
1:04:52 > 1:04:54I'm not afraid of you.
1:04:55 > 1:04:58I'll take you in my arms.
1:04:58 > 1:04:59So little...
1:04:59 > 1:05:01so soft...
1:05:01 > 1:05:04such warm perfume in your hair,
1:05:04 > 1:05:06your body.
1:05:07 > 1:05:10Don't be afraid of me, Irena.
1:05:37 > 1:05:39GROWLING
1:06:02 > 1:06:04Dr Judd: Aah!
1:06:35 > 1:06:37Mr Reed. >
1:06:37 > 1:06:39Oh, Mr Reed.
1:06:45 > 1:06:46Don't worry, Mr Reed.
1:06:46 > 1:06:49Sue Ellen and I phoned the police
1:06:49 > 1:06:51as soon as we heard the racket.
1:06:54 > 1:06:55Thank you.
1:07:05 > 1:07:07Sue Ellen, you know better.
1:07:07 > 1:07:09You're not supposed to touch anything
1:07:09 > 1:07:11until the police get here.
1:07:11 > 1:07:12ALICE: The sword cane.
1:07:12 > 1:07:14OLIVER: Half of it's gone.
1:07:14 > 1:07:16We've got to find her. Come on.
1:08:04 > 1:08:07SNARLING
1:08:23 > 1:08:26TYRES SKID
1:09:01 > 1:09:04She never lied to us.
1:09:17 > 1:09:19E-mail subtitling@bbc.co.uk