0:01:34 > 0:01:37Dismissed!
0:01:38 > 0:01:40Boys...
0:01:40 > 0:01:45remember, when Mr Butterbass calls you to attention,
0:01:45 > 0:01:48I want every eyelid to SNAP! Yes, sir!
0:01:48 > 0:01:51Take your posts.
0:01:54 > 0:01:59Good morning, young ladies. Good morning, Mr Haversein.
0:02:06 > 0:02:08Ehm... About face.
0:02:22 > 0:02:27That is one thing I will not tolerate in this hotel.
0:02:29 > 0:02:31Dismissed!
0:02:34 > 0:02:37And now, the band!
0:02:37 > 0:02:39Right over here!
0:02:53 > 0:02:58- Good morning, Popeye. - How dare you speak?!
0:02:58 > 0:03:02I've had complaints about all of you.
0:03:03 > 0:03:06No-one has complained to ME.
0:03:06 > 0:03:14- I will dismiss any employee who gets familiar with the guests. - What if they get familiar with US?
0:03:14 > 0:03:17Quiet! Please!
0:03:17 > 0:03:25I have been imported from Switzerland to enforce discipline...and I WILL!
0:03:26 > 0:03:29Where is the boss of this outfit?
0:03:29 > 0:03:36- Where is that loafer, Roger Bond, and assistant loafer, Fred Ayres? - Coming right down!
0:03:53 > 0:03:56- How do you feel, boy?- Yeah!
0:03:56 > 0:03:59Well, this is all in one piece.
0:03:59 > 0:04:04That's more than WE'LL be if we don't get to the hotel.
0:04:07 > 0:04:13Why don't they put a kitchen and bath in here?! Crazy, I guess.
0:04:13 > 0:04:18Crazy, nuthin'! That guy writes songs. THAT'S screwy.
0:04:18 > 0:04:22So screwy he can buy a plane! No touch!
0:04:41 > 0:04:44In 10 seconds they go on the air!
0:04:44 > 0:04:48If they aren't here, I'm going to fire them!
0:04:48 > 0:04:52One to make ready, two to go...
0:04:56 > 0:04:59..five, six, pick up sticks...
0:05:03 > 0:05:06Good afternoon, ladies and gentlemen.
0:05:06 > 0:05:10< Yankee Clippers, direct from the Hotel Hibiscus.
0:05:10 > 0:05:13at Miami, Florida.
0:05:13 > 0:05:21We offer for your pleasure... "Music Makes Me", with vocals by that charming lady,
0:05:21 > 0:05:24Miss Honey Hale!
0:05:26 > 0:05:29BAND PLAYS INTRODUCTION
0:05:34 > 0:05:39# In me you see a sinner And dancing is my crime
0:05:39 > 0:05:44# It seems a sin I must give in To syncopated time
0:05:44 > 0:05:49# It makes me lose my dignity It makes me lose my poise
0:05:49 > 0:05:53# Some folks call it music My folks call it noise
0:05:53 > 0:06:01# I like music old and new But music makes me do the things I never should do!
0:06:01 > 0:06:06# Ohhhh, I like music sweet and blue
0:06:06 > 0:06:11# But music makes me do the things I never should do!
0:06:11 > 0:06:18# My self-control Was something to brag about Now it's a gag about town
0:06:18 > 0:06:23# I hear music... then I'm through
0:06:23 > 0:06:28# Cos music makes me do the things I never should do!
0:06:30 > 0:06:34# I like music I like it old, I like it new
0:06:34 > 0:06:39# But it makes me do the things I never should do!
0:06:39 > 0:06:43# I like music I like it sweet, I like it blue
0:06:43 > 0:06:47# But it makes me do the things I never should do!
0:06:47 > 0:06:55# My self-control Was something to brag about Now it's a gag about town
0:06:55 > 0:06:59# Just when I'm living, I'm down.
0:06:59 > 0:07:06# Cos music makes me do the things I never should do! #
0:07:33 > 0:07:38Hey, Rog, go easy. Don't bite the job that feeds ya.
0:07:38 > 0:07:43- What am I doing?- You know about not fooling with the customers.
0:07:52 > 0:07:55Oh-oh. Here we go again!
0:07:55 > 0:07:57The Latin type.
0:07:58 > 0:08:04Belinha, my head aches so badly, I think I will go and eat an aspirin.
0:08:04 > 0:08:07Do not rise.
0:08:07 > 0:08:11- Shall I go with you? - No, stay.
0:08:11 > 0:08:17But please do not introduce to Belinha too many American customs.
0:08:20 > 0:08:22Rog... Rog...
0:08:23 > 0:08:30- Huh?- Last time you had that look, all we had to live on was a can of dog food!
0:08:30 > 0:08:35His father owns the sunny side of Wall Street.
0:08:35 > 0:08:41If he gave up planes and songwriting, he could name his figure.
0:08:41 > 0:08:44He could name mine any time!
0:08:44 > 0:08:51If a Brazilian girl was interested in him... and had half your freedom,
0:08:51 > 0:08:54- she'd...eh...- She'd WHAT?
0:08:54 > 0:09:00- She'd get him over here. - Oh, yeah(?) You mean, she'd TRY.
0:09:01 > 0:09:03Watch.
0:09:23 > 0:09:25Oh, Rog!
0:09:25 > 0:09:33- What is he doing now? - He fell into the trombone. You're breaking up the band!
0:09:33 > 0:09:38When I start something, I finish it!
0:09:40 > 0:09:43- Yes, madam? - Pencil.
0:09:43 > 0:09:46Thank you.
0:09:47 > 0:09:48Pssssst!
0:09:59 > 0:10:04Remember the dog food! The kind they made out of fish!
0:10:04 > 0:10:06< Mr Bond...
0:10:06 > 0:10:10For you, sir, from the lady. The dark one.
0:10:20 > 0:10:27- What have I got to lose?- A job! - Since when was dancing a familiarity?
0:10:28 > 0:10:31It's a form of resignation.
0:10:40 > 0:10:43Oh-oh, she's smiling at him.
0:10:50 > 0:10:54What have the South Americans got that WE haven't?
0:11:40 > 0:11:43Excuse me, sir...
0:11:43 > 0:11:48Tell Signora de Resende that her niece is dancing with the orchestra leader.
0:11:48 > 0:11:54Tell de Resende that Belinha is dancing with a musician.
0:11:54 > 0:11:59Tell de Resende the kid's dancing with the drummer.
0:12:01 > 0:12:06Tell the old sea-lion the baby's hoppin' with a piccolo player.
0:12:06 > 0:12:09Oh, madame!
0:12:09 > 0:12:15Mademoiselle is going in a big way for a gigolo! Belinha!
0:12:18 > 0:12:21My niece!
0:12:24 > 0:12:30The flower of the womanhood of the Castro de Mente de Resende!
0:12:30 > 0:12:33Isn't it terrible?
0:12:37 > 0:12:41- Eh, this is my aunt. - How do you do?
0:12:41 > 0:12:48My niece thanks you. She will not require any more of your services.
0:12:49 > 0:12:52Is the usual rate higher?
0:12:52 > 0:12:54I am not familiar with such matters.
0:12:54 > 0:12:58No, it's all right. It's generous.
0:12:58 > 0:13:01I think. Oh, just a moment.
0:13:01 > 0:13:04With my compliments.
0:13:04 > 0:13:10Mmm. The quaint young man has given me an orchid.
0:13:10 > 0:13:13In Brazil, they grow like weeds.
0:13:15 > 0:13:17Come.
0:13:17 > 0:13:22Would your niece prefer a geranium or a begonia, perhaps?
0:13:27 > 0:13:30BAND PLAYS "THE DEATH MARCH"
0:13:51 > 0:13:56Pull in your apples, here comes William Tell.
0:14:06 > 0:14:09Well, Roger's done it again.
0:14:09 > 0:14:13Just as I was catching up with my alimony.
0:14:13 > 0:14:20Sir Galahad has got us kicked out of every job. I wonder where we go from here?
0:14:20 > 0:14:23Heads, north, tails, south.
0:14:23 > 0:14:28The quarter goes to the bell-hop. Hey!
0:14:28 > 0:14:32Boys! And Honey. I've got a surprise.
0:14:32 > 0:14:35Money(?)
0:14:35 > 0:14:42- Roger's outdone himself. - Broken both legs running after TWO women!
0:14:42 > 0:14:47No! He's landed us a job in Rio de Janeiro!
0:14:47 > 0:14:51We'll be flying down any morning now.
0:14:51 > 0:14:56And swimming back in the afternoon.
0:14:56 > 0:15:00One of you boys pass out the salaries.
0:15:00 > 0:15:03- ONE of you.- I can do it!- Eddie.
0:15:42 > 0:15:44Oh, I beg your...
0:15:45 > 0:15:51- Good morning.- Mr Bond, I'm sorry. I'd no idea I was making trouble.
0:15:51 > 0:15:59- Think nothing of it. I'm accepting a new engagement - and not to dance!- Don't be angry.
0:15:59 > 0:16:01I'm sorry.
0:16:04 > 0:16:13I must send this. We missed the plane to Rio de Janeiro.
0:16:13 > 0:16:17Did you say... Rio de Janeiro?
0:16:17 > 0:16:22Yes. Father is not well, and wants me there right away.
0:16:22 > 0:16:27What a strange coincidence. It happens...
0:16:27 > 0:16:35- that I have a friend who's flying his own plane down south... - How far?- As far as you want!
0:16:35 > 0:16:42If I get to Port au Prince, I could still catch the Rio plane. Would he take me?
0:16:42 > 0:16:45I think I could persuade him!
0:16:45 > 0:16:51How nice! I'll tell Titia to pack at once.
0:16:51 > 0:16:56Just a moment! My friend's plane is very small.
0:16:56 > 0:17:00- It only has room for ONE passenger. - Oh, dear!
0:17:00 > 0:17:07- Your aunt won't let you? - She'll have to, for Father's sake. - Dear Father!
0:17:07 > 0:17:10She can take the next plane.
0:17:15 > 0:17:24- Hi, Rog. All set?- I hope so. - Shall I lay out the pink coveralls with the tan grease spots?- Huh?
0:17:24 > 0:17:27I usually fly with you, don't I?
0:17:27 > 0:17:30Freddy, old man, it's this way...
0:17:30 > 0:17:35I met a very old friend who asked me as a special favour...
0:17:35 > 0:17:40So, you'll have to fly down with the boys. You don't mind?
0:17:40 > 0:17:43Send this wire to say we're coming.
0:17:43 > 0:17:48- "Flying Down To Rio", what a title for a song!- Yeah.
0:17:48 > 0:17:54- The very name for that new number. - Yeah.- Yeah. Well, see you in Rio.
0:17:55 > 0:17:56Yeah.
0:18:07 > 0:18:14Is this the plane of the gentleman who is taking the lady to Rio? Yes, ma'am.
0:18:14 > 0:18:18My niece is going. Right this way.
0:18:19 > 0:18:21Are you the conductor?
0:18:23 > 0:18:26Have you proper credentials?
0:18:27 > 0:18:30Are you married?
0:18:31 > 0:18:34You have children?
0:18:36 > 0:18:40Why does he not speak? Is he dumb?
0:18:41 > 0:18:46- Please. He's doing us a favour. - I don't know. He's not quite right.
0:18:46 > 0:18:54I'd better go along. It won't fly with more than two. Step up, miss.
0:18:55 > 0:18:57There we are.
0:18:58 > 0:19:01Wait! I have not kissed my niece.
0:19:01 > 0:19:08HE'LL take care of that! Do not speak to him unless it is necessary.
0:19:19 > 0:19:22I should never have let her go.
0:19:22 > 0:19:25Get them down. Go after them.
0:19:25 > 0:19:34Signora de Resende, you made me your chauffeur, but I cannot be an EAGLE.
0:19:41 > 0:19:45Do I have to fly to Haiti on a piano bench?
0:19:48 > 0:19:50Do I...
0:20:11 > 0:20:15PLAYS PIANO # Just a gigolo...
0:20:15 > 0:20:18# Everywhere I go... #
0:20:37 > 0:20:40ENGINE SPLUTTERS
0:20:43 > 0:20:46MAKES STRANGE CLICKING NOISE
0:21:08 > 0:21:10Close shave!
0:21:19 > 0:21:24Wasn't it fortunate this beach was at your disposal,
0:21:24 > 0:21:27when the motor went wrong?
0:21:36 > 0:21:44Perhaps your plane ALWAYS makes a false landing when you have a lady passenger.
0:21:44 > 0:21:47It's nothing serious.
0:21:47 > 0:21:52Probably the gas line. We should be off in no time.
0:21:52 > 0:21:56I'll believe you when we're in the air.
0:22:21 > 0:22:25You're going to be a sap and fix it?
0:22:25 > 0:22:30What? When was there a better opportunity?
0:22:30 > 0:22:33Throw away part of the motor.
0:22:33 > 0:22:40You've been getting me into messes all my life! I'M the one who gets slapped!
0:22:40 > 0:22:44Don't remind me of the opportunity you missed.
0:22:44 > 0:22:49I'll never hear the end of it unless I do as you say.
0:22:58 > 0:23:01This is more serious than I thought.
0:23:04 > 0:23:08He's deliberately trying to keep you here.
0:23:08 > 0:23:13That's why he picked this island. Isn't that what you WANT?
0:23:13 > 0:23:18I can't let him know that. I must maintain my reserve.
0:23:18 > 0:23:25- You and your reserve! If people knew you as- I- do, they might be shocked.
0:23:28 > 0:23:33You know how you always do it. Start with your music.
0:23:33 > 0:23:36She won't fall for that old line.
0:23:36 > 0:23:39We haven't met one yet who didn't!
0:23:42 > 0:23:48What'll I play? Can't you get inspiration by just looking at her?
0:23:52 > 0:23:59She's like an orchid. Moonlight... "Orchids In The Moonlight".
0:24:17 > 0:24:20PLAYS INTRODUCTION ON PIANO
0:24:39 > 0:24:42VERY SLOW, ROMANTIC MUSIC
0:25:22 > 0:25:30- If they only understood themselves, as we do. - Silly how humans deny themselves!
0:25:30 > 0:25:35But WE can speak the truth. I can say "I love you".
0:25:50 > 0:25:53Oh, I...I didn't mean this.
0:25:53 > 0:25:58- I don't know how it happened. - It happened, isn't that enough?
0:26:01 > 0:26:06No. You don't understand. I haven't the right.
0:26:09 > 0:26:11My life has long been arranged.
0:26:16 > 0:26:24- Don't tell me anything so 18th century as an arranged... - We still do, in my country.
0:26:24 > 0:26:30I'm going to institute some radical changes in your country.
0:26:31 > 0:26:36- My fiance has built me a home on Rio Bay.- But you love ME.
0:26:36 > 0:26:40- You're taking a lot for granted. - I love you.
0:26:40 > 0:26:47- You don't even know my name. Forget tonight.- Now YOU'RE taking a lot for granted.
0:26:47 > 0:26:53- You'll never see me again. - I WILL see you.- I won't permit you.
0:26:53 > 0:26:55We'll see!
0:26:55 > 0:26:58- You'll do as I say!- Will I(?)
0:26:58 > 0:27:05- You WILL.- I will NOT. Your family, your fiance, the ARMY can't stop me! And...
0:27:09 > 0:27:12- Owwww!- I've had enough of you!
0:27:34 > 0:27:36Oh, miss.
0:27:39 > 0:27:41Miss.
0:27:41 > 0:27:44Good morning.
0:27:45 > 0:27:50I'm just going down to the corner drugstore to get some breakfast.
0:27:50 > 0:27:55Any special way you like your coconut juice?
0:27:55 > 0:28:00I'm not gonna spend the rest > of my days with a dumb wife!
0:28:03 > 0:28:08If you're going to act that way, I've some looking around to do.
0:28:35 > 0:28:39Mr Bond! MR BOND!
0:28:39 > 0:28:43Where are you? Where are you?
0:28:43 > 0:28:46- Roger!- What's the matter?
0:28:46 > 0:28:49- Cannibals!- Where? Owwww!
0:28:49 > 0:28:50Roger!
0:28:50 > 0:28:53Roger! Darling! Roger!
0:28:54 > 0:28:57- What happened?- I don't know.
0:29:10 > 0:29:17Oh, I say, it's against the rules to move the ball.
0:29:19 > 0:29:21Say...
0:29:21 > 0:29:25Where are we? This is Haiti, sir.
0:29:25 > 0:29:33- Port au Prince Golf Club. I was practising for a tournament. - But I saw wild men.
0:29:36 > 0:29:39They're taking a morning dip.
0:29:39 > 0:29:41< Wild men!
0:29:41 > 0:29:44Fancy that!
0:29:44 > 0:29:51Is there anywhere I can get a mechanic to fix my plane? Yes. At the airport.
0:29:51 > 0:29:56< Listen, you can hear them warming up the Rio plane.
0:29:56 > 0:30:02- It spent the night here. It leaves in 10 minutes.- Splendid.
0:30:02 > 0:30:09I'll take the Rio plane the rest of the way. Thanks for the lift.
0:30:09 > 0:30:11Goodbye. Come.
0:30:11 > 0:30:13Eh...righto!
0:30:13 > 0:30:16Wait! I can fix my plane!
0:30:21 > 0:30:24- To Rio!- Righto!
0:30:28 > 0:30:35If you're looking for the part you threw away, you'll find it on the piano!
0:31:38 > 0:31:43This isn't just another girl, this is the real thing!
0:31:43 > 0:31:48Cupid didn't fire an arrow, he sunk a harpoon!
0:31:48 > 0:31:51This time it's a Brazilian girl.
0:31:51 > 0:31:56< And what a girl ! I'm crazy for her!
0:31:56 > 0:32:02As a matter of fact, I like her. I met her in Miami at the Hibiscus Hotel.
0:32:02 > 0:32:10And talk about luck! The day you sent for me, her father got sick...
0:32:10 > 0:32:13< and she had to hurry back here.
0:32:13 > 0:32:16You'll be seeing her here?
0:32:16 > 0:32:22She wouldn't tell me her name. Then it's all on your side.
0:32:22 > 0:32:28< She's dizzy about me. Did she tell you? < I can tell.
0:32:28 > 0:32:34Julio, she's exquisite. She has a face like a flower. A rose!
0:32:34 > 0:32:37No, an orchid. A white orchid.
0:32:37 > 0:32:45She SOUNDS enchanting. Bewildering! Bewitching! Intoxicating! Devastating!
0:32:45 > 0:32:48Julio, I wanna bite myself!
0:32:49 > 0:32:54She has beautiful black hair and big brown eyes, eh, Roger?
0:32:54 > 0:32:58How true! And has SHE got...ehm...
0:33:00 > 0:33:07When she smiles her mouth curves? Right! But how would YOU know?
0:33:07 > 0:33:12That wonderful night we spent on the beach!
0:33:12 > 0:33:14< Just the two of us alone.
0:33:14 > 0:33:17Not a soul for miles and miles.
0:33:22 > 0:33:28Was there a moon? A glorious moon! There would be(!)
0:33:28 > 0:33:31It all comes back to me... Yes?
0:33:31 > 0:33:34I took her in my arms... Yes?
0:33:34 > 0:33:38And... Yes? It was too beautiful.
0:33:38 > 0:33:41Too sacred to talk about.
0:33:41 > 0:33:47What happened after you took her in your arms and drew her to you?
0:33:47 > 0:33:50I ran into difficulties. Oh?
0:33:50 > 0:33:58The poor kid is engaged > to some local cluck. She didn't know any better.
0:33:58 > 0:34:04She was a child in a baby buggy! Now the mug is holding her to it.
0:34:04 > 0:34:08He's got a shack on the waterfront.
0:34:08 > 0:34:13Ever hear of a heel like that? No!
0:34:13 > 0:34:14Thanks.
0:34:14 > 0:34:18Julio, I want you to do something for me.
0:34:18 > 0:34:21Help me find her. ME?
0:34:21 > 0:34:27Yeah. No. I could not. An engagement is very serious.
0:34:27 > 0:34:33It's serious that when I think of her I want to bite myself!
0:34:33 > 0:34:38Here's to "Her". Her happiness. Thanks, old man.
0:34:40 > 0:34:47Rog! The boys are downstairs waiting for you. Hey, no more bathroom drinking.
0:34:47 > 0:34:53- We're going to hear a band... - I can't. I gotta go find someone.
0:34:53 > 0:34:56Oh-oh! That look in his eye.
0:34:56 > 0:35:04The senorita? After that frosting you got in Miami? She made him look like an angel cake!
0:35:04 > 0:35:13It's no use. Keep out of jail, will you? They throw the keys away here.
0:35:13 > 0:35:17Nice guy, but he takes his work too seriously.
0:35:17 > 0:35:21I must make a phone call. Sure. Help yourself.
0:35:22 > 0:35:26Julio, I was just thinking about you.
0:35:26 > 0:35:30But you'll see me tomorrow night.
0:35:30 > 0:35:33I MUST see you tonight.
0:35:33 > 0:35:38Wait, I'll ask Titia. Julio wants to see me tonight.
0:35:38 > 0:35:41Have him come over.
0:35:42 > 0:35:45I'm sorry. Titia says "no".
0:35:45 > 0:35:48You see, we're so busy.
0:35:48 > 0:35:51You DO understand, don't you?
0:35:51 > 0:35:55You're such a dear! Goodnight.
0:35:55 > 0:35:59Busy thinking about a bandleader!
0:36:04 > 0:36:06Darling!
0:36:06 > 0:36:11You know I'd never do anything to hurt Julio, don't you?
0:36:11 > 0:36:19But mayn't I have a little fun before I settle down and start having thousands of children?
0:36:19 > 0:36:21Belinha!
0:36:22 > 0:36:27What's the matter? Didn't she have a friend for you?
0:36:27 > 0:36:31Yes. Eh, no. I was just making plans.
0:36:31 > 0:36:36There's a ball tomorrow night. You and Fred are to be my guests.
0:36:36 > 0:36:40Swell! Maybe SHE'LL be there. Possible.
0:36:40 > 0:36:44Great place to try out my new song!
0:36:44 > 0:36:49"Orchids In The Moonlight". I wrote it for HER.
0:36:49 > 0:36:54PLAYS SAME MUSIC AS HE DID ON THE ISLAND
0:37:13 > 0:37:16Cosy little spot you have here.
0:37:16 > 0:37:22Thank you. I will personally escort you to your table. This way.
0:37:22 > 0:37:27I had the honour to visit your country once.
0:37:27 > 0:37:33I played Milwaukee, Cincinnati, Schen...Schen...Schenectady...
0:37:33 > 0:37:39- Schenectady? Ever play Syracuse? - Sure! I play four times a day!
0:37:39 > 0:37:47- Nice work if you can get it! - And the most astonishing thing was, the audience always laughed.
0:37:47 > 0:37:50You're telling us!
0:37:50 > 0:37:56I also reserved those tables for your Clippings. CLIPPERS.
0:37:56 > 0:37:59Yes. Thank you. Clippings.
0:37:59 > 0:38:02Senorita, sit down.
0:38:02 > 0:38:06Admire my greatest attraction - The Torunas!
0:38:09 > 0:38:13They look like a bunch of zombies!
0:38:13 > 0:38:19- If THAT'S our only competition... - Shh! Don't hurt the old boy's feelings.
0:38:22 > 0:38:31We got tonight some distinguished visitors from our sister continent. Shall we play them a Foxtrot?
0:38:31 > 0:38:35NO! The Carioca! The Carioca!
0:38:35 > 0:38:38THEY ALL SHOUT FOR THE CARIOCA
0:38:40 > 0:38:47- What's wrong with the Foxtrot? - The Foxtrot is considered too tame, too dull.
0:38:47 > 0:38:54- They prefer the Carioca.- I see. - They prefer it in public? - Si, senora.
0:38:54 > 0:38:56Carioca! Carioca!
0:38:56 > 0:39:00Very well! Boys, the Carioca!
0:39:01 > 0:39:04SLOW TRUMPET INTRODUCTION
0:39:12 > 0:39:15Huh! OUR band will be a sensation.
0:39:22 > 0:39:25FLUTE PLAYS SLIGHTLY FASTER
0:39:25 > 0:39:28THEY ALL JOIN IN
0:39:32 > 0:39:35MUSIC GETS FASTER...
0:39:38 > 0:39:41..AND MORE INTERESTING!
0:40:15 > 0:40:17They've got something! Yeah!
0:40:17 > 0:40:20It's swell, but WE can't do it.
0:40:34 > 0:40:36So THAT'S the Carioca!
0:40:36 > 0:40:43- What's this with the foreheads? - Telepathy!- I can tell what they're thinking about!
0:40:50 > 0:40:55- The trick is to keep your mind blank.- With THAT music?
0:40:55 > 0:40:58Oh, Freddy, is my mind read!
0:41:32 > 0:41:38We can't top this! No. It's a long walk home!
0:41:38 > 0:41:46- How much does it cost to get home? - Home, nothing! I'd like to try this thing just once!
0:41:46 > 0:41:49- Come on.- We'll show 'em!
0:43:21 > 0:43:23CLUNK!
0:43:54 > 0:44:01# Have you seen the Carioca? It's not a Foxtrot or a Polka
0:44:01 > 0:44:07# It has a little bit of new rhythm A blue rhythm that sighs
0:44:07 > 0:44:12# It has a meter that is tricky A bit of whicky-whacky-whicky
0:44:12 > 0:44:15# But when you're dancing with a new love
0:44:15 > 0:44:18# There'll be true love in her eyes
0:44:18 > 0:44:25# We'll dream of the new Carioca Its theme...
0:44:25 > 0:44:29# Is a kiss and a sigh
0:44:29 > 0:44:34# You'll dream of the new Carioca
0:44:34 > 0:44:40# When music and lights have gone and we're saying goodbye
0:44:51 > 0:44:55# Two heads are better than one
0:44:55 > 0:44:57# Two heads, the dance has begun
0:44:57 > 0:45:01# Two arms around you I am yours and you are mine
0:45:01 > 0:45:07# While the Carioca carries you away
0:45:07 > 0:45:13# Mine while the Carioca till the break of day! #
0:46:34 > 0:46:37# Say, have you seen the Carioca?
0:46:37 > 0:46:42# It's not a Foxtrot or a Polka A new rhythm
0:46:42 > 0:46:45# A blue rhythm that sighs
0:46:45 > 0:46:50# It's got a meter that is tricky A bit of whicky-whacky-whicky
0:46:50 > 0:46:56# Dancing with your new love There'll be true love in her eyes
0:46:56 > 0:47:02# You will dream of a new Carioca
0:47:02 > 0:47:07# Its theme is a kiss and a sigh
0:47:07 > 0:47:12# You're gonna dream of a new Carioca
0:47:12 > 0:47:19# When music and lights have gone And you're saying goodbye. #
0:47:48 > 0:47:52No wonder it never gets cold here!
0:48:34 > 0:48:37Kinda hot. Let's try that.
0:48:40 > 0:48:44HONY-TONKY PIANO MUSIC
0:49:29 > 0:49:33# Now that you've done the Carioca You'll never do the Polka
0:49:33 > 0:49:38# The Blue Hoola and Bamboola are through
0:49:38 > 0:49:43# Tomorrow morning you'll discover You're a Carioca lover
0:49:43 > 0:49:47# Dancing with each new love True love just for you
0:49:47 > 0:49:53# You'll dream of the new Carioca
0:49:53 > 0:49:58# Its theme is a kiss and a sigh
0:49:58 > 0:50:01# You'll dream of the new Carioca
0:50:02 > 0:50:07# When music and lights are gone And you're saying goodbye! #
0:50:29 > 0:50:34Those shadows are here again. Who are they are?
0:50:34 > 0:50:39A gambling syndicate. They want to take the hotel over.
0:50:39 > 0:50:45How can they take it from de Resende? They CAN!
0:50:46 > 0:50:53Speaking for the Bank, we anticipate some difficulty with the gambling permit.
0:50:53 > 0:50:57Wires will be pulled!
0:50:57 > 0:50:59We would feel embarrassed
0:50:59 > 0:51:06should Carlos de Resende meet his obligation in spite of everything.
0:51:06 > 0:51:11That contingency will not arise. Steps will be taken!
0:51:11 > 0:51:17My colleagues and I will give the matter our personal attention.
0:51:27 > 0:51:33- I'd recognise her a block away. - Like looking for a needle in a haystack.
0:51:33 > 0:51:39- Cookies!- Come on, we need an idea that'll top that Carioca. I know!
0:51:39 > 0:51:44A number with musical saws, and end by sawing Honey in half!
0:51:44 > 0:51:48I'd rather split a banana split!
0:51:50 > 0:51:57- She's probably miles away.- Sure. I KNOW she is.- You do?- Yeah. I feel psychic.
0:51:57 > 0:52:00Walk straight ahead three blocks,
0:52:00 > 0:52:05turn to your left three, right two, bear left four...
0:52:05 > 0:52:08I'm gonna settle this now.
0:52:08 > 0:52:14- Freddy, how do you ask for this in Portuguese?- Don't heckle me.
0:52:15 > 0:52:21Good afternoon, senorita, senora. I'm Roger Bond's friend...
0:52:21 > 0:52:25Garcon! Garcon!
0:52:25 > 0:52:28This man, take him away!
0:52:28 > 0:52:32You have upset my patrons.
0:52:32 > 0:52:34You are in the wrong part of town!
0:52:41 > 0:52:49- Hiya, Tarzan! Havin' fun? - If you even SPEAK to that girl, they throw you on the sidewalk.
0:52:49 > 0:52:54- That's class!- Want a cookie? Take your choice.
0:53:30 > 0:53:32Not bad!
0:53:48 > 0:53:50Pardon.
0:53:52 > 0:53:55- Hello, Fred.- Hello, Julio.
0:53:55 > 0:54:01- Where's Roger?- Where's Roger? - I thought he'd be with you.- No.
0:54:01 > 0:54:04Shall we try the jails first?
0:54:04 > 0:54:09- I hope he gets here soon.- So do I. - We're putting on a special dance.
0:54:09 > 0:54:13Fred, meet my fiancee...
0:54:13 > 0:54:16Senorina de Resende. Mr Ayres.
0:54:16 > 0:54:18Hello.
0:54:18 > 0:54:24- How do you do?- And her aunt.
0:54:25 > 0:54:29- Is that not the young man...? - Of course.
0:54:30 > 0:54:37We met in the pastry shop. He left rather suddenly... without saying goodbye.
0:54:37 > 0:54:44I said goodbye, but you didn't hear me. I was out on my... I was out.
0:54:44 > 0:54:49I'd better go and stop Roger... I mean...go and find Roger.
0:54:49 > 0:54:52Awfully nice to have met you.
0:54:56 > 0:54:58Oh-oh!
0:55:00 > 0:55:03FRED LAUGHS NERVOUSLY
0:55:06 > 0:55:09It's OK with me!
0:55:15 > 0:55:19- Darling! - I was looking for the Mayor.
0:55:19 > 0:55:21ORCHESTRA BEGIN TO PLAY
0:55:51 > 0:55:58Is this a new composition? Yes. They're playing it for the first time.
0:55:58 > 0:56:02THEY PLAY "ORCHIDS IN THE MOONLIGHT"
0:57:21 > 0:57:24Will you excuse me for a moment?
0:57:29 > 0:57:32Did you say something to her?
0:57:32 > 0:57:36Not a word. Pardon.
0:57:38 > 0:57:43Leave them. After all, the child has been away SO long.
0:57:43 > 0:57:46They'll soon be married.
0:57:54 > 0:57:57Anything wrong?
0:57:58 > 0:58:00No.
0:58:00 > 0:58:03It was so warm in there.
0:58:05 > 0:58:09- Romantic music, isn't it? - Isn't it?
0:58:10 > 0:58:14The words are romantic too... and dangerous.
0:58:14 > 0:58:19For instance, "In the moonlight, on a tropical island,
0:58:19 > 0:58:24"that might make any woman fall in love with any man."
0:58:37 > 0:58:42# When orchids bloom in the moo-oo-oonlight
0:58:42 > 0:58:47# And lovers vow to be true
0:58:47 > 0:58:52# I still can dream in the moo-oo-oonlight
0:58:52 > 0:58:57# Of one dear night that we knew
0:58:58 > 0:59:03# When orchids fade in the dawning
0:59:03 > 0:59:09# They speak of tears and goodbye
0:59:09 > 0:59:15# My dreams are shattered like the petals scattered
0:59:15 > 0:59:21# Still my love can never die
0:59:22 > 0:59:27# There is rest in the twilight
0:59:27 > 0:59:31# When the day is through
0:59:32 > 0:59:35# But the shadows that fall
0:59:35 > 0:59:38# Only seem to recall
0:59:38 > 0:59:43# My longing for you
0:59:43 > 0:59:49# There's a dream in the moonbeams
0:59:49 > 0:59:54# Upon a sea of blue
0:59:54 > 0:59:57# But the moonbeams that fall
0:59:57 > 1:00:01# Only seem to recall
1:00:01 > 1:00:04# Love is old
1:00:04 > 1:00:11# Love is new. #
1:00:11 > 1:00:14- Belinha...- Julio!
1:00:14 > 1:00:18Oh, Julio, marry me right away!
1:00:18 > 1:00:25Of course, darling. Hiya! You seem to be doing all right with my song!
1:00:27 > 1:00:32Belinha, meet my friend, my BEST friend...
1:00:32 > 1:00:34Roger Bond. >
1:00:34 > 1:00:38This is Senorina de Resende, my fiancee.
1:00:38 > 1:00:42Your fiancee? But this is the...
1:00:42 > 1:00:45Then you're the... Yes!
1:00:45 > 1:00:51I'm the local cluck who built her a shack on the waterfront.
1:00:51 > 1:00:56That's going to be too bad... for one of us.
1:00:58 > 1:01:00Oh-oh!
1:01:02 > 1:01:05Mr Ayres!
1:01:07 > 1:01:09Isn't this our dance?
1:01:09 > 1:01:14Yes! As a matter of fact, I was just looking for you.
1:01:22 > 1:01:24I am so glad you came along.
1:01:24 > 1:01:27I guess I'll be going any minute.
1:01:27 > 1:01:33- Why?- Well, maybe the troops won't see me with you out here.
1:01:46 > 1:01:49Oh-oh! I knew it!
1:01:51 > 1:01:53APPLAUSE
1:01:55 > 1:01:59Belinha's dancing a tango with an Americano.
1:02:04 > 1:02:09(What laundry do you send your shirts to?)
1:02:09 > 1:02:12This IS a tough spot, isn't it?
1:02:12 > 1:02:16Things usually straighten themselves out.
1:02:16 > 1:02:23Shall we let nature take its course? Yes. Nature and common sense.
1:02:23 > 1:02:30I'll just stick to nature. Anyhow, the girl usually does the deciding.
1:02:44 > 1:02:49Gentlemen, my colleagues at the Bank and I are satisfied
1:02:49 > 1:02:54that the Resende's opening will be a failure.
1:02:54 > 1:03:01The Mayor is away. Without an entertainment permit, the hotel will be a fiasco.
1:03:01 > 1:03:04We will turn it over to you.
1:03:13 > 1:03:15- Morning, Freddy.- Hello, Honey.
1:03:15 > 1:03:22- Where did you get the dog and pony act?- It's worse! The McCarthy Sisters.
1:03:22 > 1:03:30(A bicycle act from Brooklyn.) I found those two on the American Consul's doorstep.
1:03:30 > 1:03:34She was a school teacher.
1:03:34 > 1:03:39And the girls from the Carioca Cabaret.
1:03:39 > 1:03:43Cheer up! They teach kangaroos to box.
1:03:43 > 1:03:48If you need me, send one of the McCarthys over on her bike.
1:03:51 > 1:03:53Sit down. We'll talk this over.
1:03:53 > 1:03:58- MUSIC PLAYS - The first thing we do is concentrate...
1:03:58 > 1:04:01Boys!
1:04:01 > 1:04:04- Wait a minute! - THEY CONTINUE
1:04:05 > 1:04:06Rog!
1:04:06 > 1:04:11- Listen... - MUSIC CONTINUES
1:04:13 > 1:04:15How do you expect me to teach...
1:04:15 > 1:04:20- Listen, girls... - MUSIC DROWNS OUT HIS WORDS
1:05:11 > 1:05:15- Now, girls... - APPLAUSE
1:05:18 > 1:05:21It always was good, Fred.
1:05:21 > 1:05:24We've got a routine to learn...
1:05:24 > 1:05:28SPEAKS IN DIALECT
1:05:28 > 1:05:31You like it! Great! Listen...
1:05:31 > 1:05:34HE TRIES TO EXPLAIN
1:05:35 > 1:05:39Thanks very much. You too, son.
1:05:39 > 1:05:42Listen...
1:05:42 > 1:05:45HE SPEAKS AGAIN
1:05:46 > 1:05:49- No, signor.- Like THIS one better?
1:05:51 > 1:05:53Alyez!
1:05:55 > 1:05:59- No! No! - Right. That's terrible!
1:05:59 > 1:06:02BOTH CHANT: No ensayo! No ensayo!
1:06:02 > 1:06:08CHANT IN TIME TO MUSIC: No ensayo! No ensayo!
1:06:13 > 1:06:16HEATED DISCUSSION
1:06:16 > 1:06:20THEY BEGIN TO SHOUT
1:06:25 > 1:06:29- What is it?- Senorina de Resende...
1:06:29 > 1:06:32HE EXPLAINS
1:06:32 > 1:06:36- Oh! They say rehearsals must stop.- What?
1:06:36 > 1:06:45- It seems my father has no entertainment permit. - (Give them 50 bucks.)- NO!
1:06:45 > 1:06:48Belinha, your robe.
1:06:49 > 1:06:56The police say you forgot to get a licence for the show. I have a licence.
1:06:56 > 1:07:01It's for the original date. But we're opening earlier.
1:07:01 > 1:07:09Only the Mayor can issue a licence, and he has gone away. Nobody knows why or for how long.
1:07:10 > 1:07:16- What about the District Attorney? - Or the Commissioner? - There must be someone!
1:07:16 > 1:07:21I have tried everything. There will be no opening.
1:07:21 > 1:07:24GIVES ORDER
1:07:25 > 1:07:28Come, darling.
1:07:31 > 1:07:34We've got to do something.
1:07:34 > 1:07:37PLANES FLYING OVERHEAD
1:07:37 > 1:07:43- I know what to do! Where's Julio? - At the Aviator's Club.- Perfect!
1:07:43 > 1:07:49If we can get the members to co-operate with us, then...
1:08:04 > 1:08:08Everything fixed, Julio? Yes.
1:08:08 > 1:08:15- This is swell!- The gentlemen of the Aviator's Club at your service!- Marvellous.
1:08:15 > 1:08:19We'll talk the girls into coming across.
1:08:19 > 1:08:25I'm not asking anything of you that I wouldn't ask of my sister.
1:08:25 > 1:08:30Will you do it? I'LL do it! Come on, girls!
1:08:30 > 1:08:34That's the way it is. How about it?
1:08:34 > 1:08:41- Why don't you do it yourself? - That's what I'm going to do, you witch!
1:08:42 > 1:08:45JULIO SPEAKS IN PORTUGUESE
1:08:48 > 1:08:53It's a new game, girls. Now, let me see...
1:08:53 > 1:08:56Ahhhhhh!
1:08:56 > 1:08:59The rest of you turn your backs.
1:08:59 > 1:09:02Now don't you dare peek.
1:09:02 > 1:09:07- This is gonna be more fun... - Blind Man's Buff?- That's right.
1:09:07 > 1:09:10- I thought so!- You did, did you?
1:09:10 > 1:09:14See that they're fastened on tight.
1:09:23 > 1:09:26Hold still, girls.
1:09:26 > 1:09:29GIRLS: 'I hope these straps hold.'
1:09:29 > 1:09:32'Good thing my parents don't know!'
1:09:32 > 1:09:35'To think I'd ever come to this!'
1:09:35 > 1:09:39'I don't know if I'll like this.'
1:09:39 > 1:09:42- Up you go.- 'OK by me!'
1:09:42 > 1:09:45'Oh, not so tight, please.'
1:09:45 > 1:09:48'Ouuuuuuch!'
1:09:48 > 1:09:53'Something tells me this is the wrong thing to do!'
1:09:53 > 1:09:56'I'll try anything once!'
1:09:56 > 1:10:02Senor Bond, one moment. Senor de Resende sent you this. Thanks.
1:10:10 > 1:10:13Saint Christopher.
1:10:39 > 1:10:42I've walked into something!
1:10:53 > 1:10:56HE GREETS BELINHA
1:10:56 > 1:11:04- Mr Fred!- Everything's all right at the airport. How's the house? - Look...
1:11:04 > 1:11:10American tourists from the other hotels. I persuaded them to come.
1:11:10 > 1:11:13They all look as if they can pay!
1:11:13 > 1:11:16- Senorita!- Good day, Senor Viani.
1:11:16 > 1:11:22I came to express my sympathy... eh...my best wishes to your father.
1:11:22 > 1:11:29- Thank you. I'll take you to him. - Not many people here for a grand opening.
1:11:34 > 1:11:37WHISTLES
1:11:39 > 1:11:45Nice beach you have here. We have nice beaches at home.
1:11:45 > 1:11:48Rockaway Beach...and...
1:11:48 > 1:11:51Your package, sir. It's my medicine.
1:11:51 > 1:11:54Check your... It's my lunch.
1:11:56 > 1:12:00What are all these packages? My laundry.
1:12:01 > 1:12:06No, no, no, no, no, no, no! I insist! It must be checked.
1:12:06 > 1:12:11Shhh! We had a hard time getting her to sleep!
1:12:11 > 1:12:16I am a patient man, but this is...!
1:12:16 > 1:12:22Who are these people with the bundles, Carlos? Guests of the hotel.
1:12:23 > 1:12:28- Where's Roger? It's time for him to lead the flight.- I don't know.
1:12:28 > 1:12:34The young American asked me to give you these. Thank you.
1:12:34 > 1:12:42"Dear Julio, this one is on me. You can fly as well as I can. Lead the parade and be the hero.
1:12:42 > 1:12:50"I'm taking a plane to Buenos Aires. So long, Roger. PS Why don't you marry her?"
1:12:50 > 1:12:58- What shall I do?- Do as he says. Particularly that PS part. "Why don't you marry her?"
1:12:58 > 1:13:03- Elope! That's it! You and Belinha elope!- Elope?- Yes!
1:13:03 > 1:13:06In Brazil, we do not elope.
1:13:06 > 1:13:11In Brazil, it takes two weeks to be respectably married.
1:13:11 > 1:13:19Listen, I've heard that the pilot of a passenger plane is like the captain of a liner.
1:13:19 > 1:13:2312 miles out of port, and he can marry you.
1:13:23 > 1:13:29After the party, grab Belinha and put an end to this nonsense!
1:13:34 > 1:13:39What a pity that you cannot have some...eh...entertainment.
1:13:39 > 1:13:45With such a distinguished guest as you, there is no need(!)
1:13:45 > 1:13:48PLANES ZOOM OVERHEAD
1:14:00 > 1:14:03- Look! - Oh, look! Oooh!
1:14:11 > 1:14:16 I trust you are not doing anything to offend the authorities.
1:14:16 > 1:14:19I trust not!
1:15:14 > 1:15:17Roger! What are you doing here?
1:15:17 > 1:15:23Julio's leading the planes. I'm...eh...I'm going away.
1:15:23 > 1:15:26- You're going away?!- Yeah.
1:15:27 > 1:15:34I thought everything would work out for us, but things are different here.
1:15:34 > 1:15:39I realise now that you never could belong to me.
1:15:39 > 1:15:42Yes, Roger, you're right.
1:15:42 > 1:15:51Here, we belong to our families and our promises. Even though all we want is crazy happiness.
1:15:53 > 1:15:58I should have left when I first learned about Julio.
1:15:59 > 1:16:01Well...
1:16:01 > 1:16:03Goodbye.
1:16:04 > 1:16:06Goodbye.
1:16:41 > 1:16:43Thanks.
1:16:44 > 1:16:47Any of you fellas like music?
1:16:47 > 1:16:50- Sure!- Well, let's tear it open!
1:17:02 > 1:17:04HE RANTS...
1:17:05 > 1:17:08AND RANTS!
1:17:11 > 1:17:14- Ready? - Ready!
1:17:17 > 1:17:22# An old sailor in old times Would sing an old song
1:17:22 > 1:17:26# Rolling down to Rio by the sea
1:17:26 > 1:17:34# A young sailor in these times Would sing a new song Flying down to Rio, come with me!
1:17:34 > 1:17:38# Lovely Brazilian ladies Will catch your eye
1:17:38 > 1:17:43# By the light of the stars In the evening sky
1:17:43 > 1:17:46# Hi, Rio Rio by the sea-o
1:17:46 > 1:17:51# Flying down to Rio Where's there's rhythm and life
1:17:51 > 1:17:54# Fella, twirl that propeller
1:17:54 > 1:17:58# Got to get to Rio Got to make time
1:17:58 > 1:18:02# You'll love it Soaring high above it
1:18:02 > 1:18:07# Looking down on Rio From a heaven of blue
1:18:07 > 1:18:15# Send a radio to Rio de Janeiro With a big hello so they'll know
1:18:15 > 1:18:18# My Rio Everything will be OK
1:18:18 > 1:18:22# We're singing and winging our way to you! #
1:21:06 > 1:21:08SCREAMING
1:21:30 > 1:21:32WILD APPLAUSE
1:21:34 > 1:21:37SHOUTS OF "THE MAYOR!"
1:21:46 > 1:21:49Carlos! Sit down.
1:21:51 > 1:21:55My dear Carlos, a tremendous success.
1:21:55 > 1:22:01Congratulations. I saw the sky, and hurried down here.
1:22:01 > 1:22:08You and your colleagues ought to be very happy. You must buy us champagne!
1:22:08 > 1:22:11I insist!
1:22:11 > 1:22:14Very well. Waiter!
1:22:31 > 1:22:35Hey! How do I get outta this?
1:22:35 > 1:22:37What's the combination?
1:22:39 > 1:22:42- Come, Belinha.- But where? Why?
1:22:48 > 1:22:51This time I'm taking no chances.
1:22:52 > 1:22:57- Julio, where are you taking me? - On your honeymoon.
1:22:57 > 1:23:02- Don't be silly. I'm not married. - You will be, before you know it.
1:23:12 > 1:23:13Hey!
1:23:45 > 1:23:50Can you legally marry people? Yes. Fine!
1:23:57 > 1:24:00Is this the lady? Yes.
1:24:04 > 1:24:07And THIS is the man.
1:24:07 > 1:24:11Roger, HER happiness is MY happiness.
1:24:13 > 1:24:17Belinha... SPEAKS PORTUGUESE
1:24:17 > 1:24:20Good luck.
1:24:37 > 1:24:38Look!
1:24:40 > 1:24:43Look! Here comes Julio!
1:24:43 > 1:24:49- DRUNKENLY: - That gal don't care who she gets thrown out of what!