0:00:09 > 0:00:15This film contains some strong language.
0:00:35 > 0:00:38TRAIN RUMBLES AND WHISTLE BLOWS
0:00:48 > 0:00:50- ONLOOKER:- Whoo-hoo!
0:00:57 > 0:01:00STATION ANNOUNCEMENTS OVER PA
0:01:07 > 0:01:09How much? 1.50.
0:01:09 > 0:01:11DRUMMING CONTINUES
0:01:15 > 0:01:16Miss?
0:01:16 > 0:01:18Miss! Your change.
0:01:29 > 0:01:31MORE ANNOUNCEMENTS OVER PA
0:01:40 > 0:01:43DRUMMING ECHOES IN TUNNEL
0:01:51 > 0:01:53- MAN: - Can anybody spare a little change?
0:01:53 > 0:01:55Lady? A little change?
0:01:55 > 0:01:58- OTHER MAN: - Watch where you're goin', man!
0:01:58 > 0:02:01POP SONG ON RADIO
0:02:12 > 0:02:14SONG CONTINUES
0:02:19 > 0:02:22- Look at you! - Hi, Anton.
0:02:22 > 0:02:24I've never seen you all dressed up.
0:02:24 > 0:02:27- Do I look the part? - Sure. Look at me.
0:02:29 > 0:02:31Oh.
0:02:32 > 0:02:34- Coffee? - No. Yes.
0:02:34 > 0:02:36Oh, I'm so nervous.
0:02:37 > 0:02:40You're supposed to be nervous on your wedding day.
0:02:40 > 0:02:41Right.
0:02:41 > 0:02:43You really look absolutely gorgeous.
0:02:43 > 0:02:46Oh, thanks. I borrowed the dress.
0:02:46 > 0:02:48It's a marvellous thing you're doing, Bronte.
0:02:48 > 0:02:50- Oh, Anton, please... - You and Georges...
0:02:50 > 0:02:52- ..no speeches. - OK, no speeches.
0:02:52 > 0:02:54Hey, Georges!
0:02:54 > 0:02:56Attends! On arrive. Bouge pas.
0:02:57 > 0:02:59POP SONG CONTINUES
0:03:03 > 0:03:05Coming?
0:03:05 > 0:03:07ALL CHEER
0:03:19 > 0:03:21Nice to meet you.
0:03:21 > 0:03:23You too.
0:03:23 > 0:03:24CAR HORNS HONK
0:03:25 > 0:03:27You were very good.
0:03:27 > 0:03:28So were you!
0:03:29 > 0:03:31Oh, here's Anton.
0:03:32 > 0:03:34There's a copy for you, Bronte.
0:03:34 > 0:03:37- Ca c'est pour toi. Voila. - Merci. Formidable.
0:03:37 > 0:03:38- C'est arrange maintenant. - Thank you.
0:03:38 > 0:03:40Merci.
0:03:41 > 0:03:43I'll never forget Afrika.
0:03:43 > 0:03:44Africa?
0:03:44 > 0:03:46Yes. Where we met.
0:03:46 > 0:03:48Oh, the coffee shop. Right.
0:03:48 > 0:03:51OK, so good luck with your life.
0:03:51 > 0:03:53- Merci, Anton. Vraiment. - De rien.
0:03:53 > 0:03:56- Telephonez-moi. - Bien sur.
0:03:56 > 0:03:58- Good luck with your composing. - With what?
0:03:58 > 0:04:00Your music.
0:04:00 > 0:04:02Oh, yes. Right.
0:04:02 > 0:04:04Yes. OK.
0:04:07 > 0:04:09So, what happens next?
0:04:09 > 0:04:12That's it. You don't have to see him again.
0:04:13 > 0:04:16- MAN SPEAKS QUIETLY: - Did you look at that?
0:04:16 > 0:04:18Mm-hm.
0:04:18 > 0:04:21It could potentially be a problem.
0:04:20 > 0:04:23Mm-hm.
0:04:23 > 0:04:26MAN CLEARS THROAT
0:04:33 > 0:04:34Africa?
0:04:35 > 0:04:37Yes.
0:04:37 > 0:04:39That's where we met.
0:04:39 > 0:04:41And he's there now.
0:04:40 > 0:04:43Again.
0:04:43 > 0:04:45I... I wish he were here.
0:04:45 > 0:04:46But he's not.
0:04:47 > 0:04:50He'd love the apartment though.
0:04:50 > 0:04:52He travels a great deal.
0:04:52 > 0:04:54But he's the quiet type.
0:04:54 > 0:04:56We both are really.
0:04:56 > 0:04:58What's he doing there?
0:04:58 > 0:05:00He's a composer.
0:05:01 > 0:05:02African music.
0:05:02 > 0:05:04Not drums?
0:05:04 > 0:05:07We couldn't have someone who played the drums here.
0:05:07 > 0:05:09Oh, no. No.
0:05:09 > 0:05:12He studies their music. He's an academic.
0:05:12 > 0:05:13He himself is not...
0:05:13 > 0:05:15African?
0:05:15 > 0:05:17He's French.
0:05:17 > 0:05:19Oh, oh, French. Oh.
0:05:19 > 0:05:21What is this?
0:05:21 > 0:05:23"Green Guerillas"?
0:05:23 > 0:05:25Not some sort of army, is it?
0:05:25 > 0:05:28It's a volunteer gardening group, Mrs Bird.
0:05:27 > 0:05:30They do very good work amongst the poor.
0:05:30 > 0:05:33Mrs Faure is also with our City Parks Department.
0:05:33 > 0:05:36We did have problems with a recent tenant -
0:05:36 > 0:05:41a single gentleman who neglected the responsibilities
0:05:41 > 0:05:43associated with 12F.
0:05:43 > 0:05:47That's why the board feels that a young married couple
0:05:47 > 0:05:48would be more suitable.
0:05:48 > 0:05:51Well, Mrs Faure being a horticulturalist
0:05:51 > 0:05:53is very much in her favour.
0:05:53 > 0:05:56Yes, but it is highly irregular to give our approval...
0:05:56 > 0:06:00I like the couple from the bank, not the one with the dog.
0:06:00 > 0:06:02Look, I'm very aware of the situation.
0:06:02 > 0:06:05It's just that...well, I could bring the garden back
0:06:05 > 0:06:08to how the late professor had it.
0:06:08 > 0:06:10I don't want to get too technical,
0:06:10 > 0:06:12but the Maranta staconera needs thinning,
0:06:12 > 0:06:15the crinums and the zamias are sadly neglected.
0:06:15 > 0:06:18The chamaedorea's root-bound.
0:06:18 > 0:06:21And special care must be taken for the poor Cyathea dickensonia.
0:06:21 > 0:06:24Not to mention the cordyline or the heliconia.
0:06:24 > 0:06:28And there's work nurturing the aspidistra, begonias.
0:06:28 > 0:06:30The bromeliads.
0:06:31 > 0:06:35MOZART CLARINET CONCERTO PLAYS
0:07:18 > 0:07:20SHE LAUGHS
0:07:31 > 0:07:32Oh!
0:08:00 > 0:08:03TRAFFIC NOISES
0:08:13 > 0:08:15SHOUTING
0:08:19 > 0:08:20- WORKMAN:- Yo, baby!
0:08:24 > 0:08:26All right, man!
0:08:30 > 0:08:33RAP MUSIC PLAYS ON GHETTO BLASTER
0:08:37 > 0:08:38Yo, Bronte!
0:08:38 > 0:08:41The city fathers give their blessing to the project!
0:08:41 > 0:08:43- All right! - Yeah!
0:08:43 > 0:08:45Talk about the eleventh hour, huh?
0:08:45 > 0:08:47I've got some good news.
0:08:47 > 0:08:48Oh, what's that?
0:08:48 > 0:08:51How about 3,000 square feet of quality topsoil?
0:08:51 > 0:08:52- You're kidding! - No!
0:08:52 > 0:08:54Get this. Burger King does this...
0:08:54 > 0:08:56this press hype over the Sheraton Centre.
0:08:56 > 0:09:00They re-create Texas with a giant burger in the middle.
0:09:00 > 0:09:03They don't know what to do with the soil.
0:09:03 > 0:09:05Dave says, "I'll take it off your hands."
0:09:05 > 0:09:07Hey, Harry, how're you doing?
0:09:07 > 0:09:09Look at this - we're officially approved!
0:09:09 > 0:09:11Steady, Rick. Not too fast.
0:09:11 > 0:09:13Hey, let's go!
0:09:20 > 0:09:22All right!
0:09:22 > 0:09:23Ha ha!
0:09:23 > 0:09:25Burger King!
0:09:25 > 0:09:27- ALL CHEER:- Burger King!
0:09:27 > 0:09:30- Let's hear it for Phil! - ALL CHEER
0:09:30 > 0:09:32GENERAL CHATTER
0:09:41 > 0:09:44THEY SPEAK SPANISH
0:09:47 > 0:09:49WOMAN: Plantele ahi!
0:09:50 > 0:09:53CHILD SHOUTS EXCITEDLY
0:09:53 > 0:09:55All right!
0:09:55 > 0:09:57GENERAL CHATTER
0:09:57 > 0:10:00Ask Bronte and Phil.
0:10:01 > 0:10:03I'm starved.
0:10:03 > 0:10:05Me too.
0:10:06 > 0:10:08- Hey, Bronte, are you hungry? - Yeah.
0:10:08 > 0:10:10- Wanna get something to eat? - Uh-huh.
0:10:10 > 0:10:11- How about you? - Yeah.
0:10:11 > 0:10:13- Let's go. - All Nations OK?
0:10:13 > 0:10:14Yeah.
0:10:14 > 0:10:16- Oh... - Mmm.
0:10:16 > 0:10:19Let's think of certain plants we can plant there.
0:10:19 > 0:10:22- Can we order? - I'm not your waiter.
0:10:22 > 0:10:23- Who's our waiter? - You decide.
0:10:25 > 0:10:28- Hey, man, are you our waiter? - No, sir.
0:10:28 > 0:10:30- Georges, la carte. - J'arrive.
0:10:30 > 0:10:32Let's get out of here. It's awful.
0:10:32 > 0:10:35Don't think we'll find any place else open now.
0:10:35 > 0:10:39Look at the time. We've been sitting here a long time.
0:10:39 > 0:10:41"STROSSA STROMA SOU" PLAYS
0:10:48 > 0:10:50You have chosen?
0:10:49 > 0:10:52- Uh... - Somebody else start.
0:10:51 > 0:10:53What are your specials?
0:10:54 > 0:10:58From Switzerland we have calf's liver with a special sauce
0:10:58 > 0:11:01and, uh, from old England we have roast beef.
0:11:01 > 0:11:03- I don't eat meat. - Why not?
0:11:05 > 0:11:06Pardon me?
0:11:06 > 0:11:09If you don't eat meat we have fish.
0:11:09 > 0:11:11I don't eat fish either. I'm a vegetarian.
0:11:11 > 0:11:14- Ah... - Do you have a vegetarian special?
0:11:14 > 0:11:15Of course. All Nations Vegetables.
0:11:15 > 0:11:17I'll have that, but no oil...
0:11:17 > 0:11:20- ..or salt. - No salt for you. OK.
0:11:20 > 0:11:22- I'll take the fish. - Me too.
0:11:22 > 0:11:24Fish. Two for the fish. OK.
0:11:24 > 0:11:27And, uh... CLEARS THROAT
0:11:27 > 0:11:28For Mademoiselle?
0:11:31 > 0:11:32Or is it Madame?
0:11:34 > 0:11:36SHE LAUGHS NERVOUSLY
0:11:36 > 0:11:39MOZART FLUTE CONCERTO PLAYS
0:12:24 > 0:12:26HORNS BEEP
0:12:27 > 0:12:30It's, uh...just here on the right.
0:12:30 > 0:12:31Right here.
0:12:42 > 0:12:43Let me come up?
0:12:43 > 0:12:46- Mmm, no. - What is it, a girls' dorm?
0:12:46 > 0:12:49I've never seen your apartment. Why the secrecy?
0:12:49 > 0:12:51What secrecy?
0:12:50 > 0:12:54Well, most girls I've known have tried to crowd me.
0:12:54 > 0:12:56- Mmm. - Except you.
0:12:56 > 0:12:59I could do with some crowding from you.
0:12:59 > 0:13:01BEEPS HORN You coming or what?!
0:13:01 > 0:13:03- OK.- OK.
0:13:06 > 0:13:07Mmm.
0:13:19 > 0:13:21Evening, Mrs Faure.
0:13:22 > 0:13:23Hello, Oscar.
0:13:23 > 0:13:25There's some mail here.
0:13:25 > 0:13:27Mostly addressed to Miss Parrish.
0:13:27 > 0:13:30I guess some folks don't know you're married.
0:13:30 > 0:13:32I still use the name Parrish.
0:13:32 > 0:13:34- Women's lib, huh? - I guess so.
0:13:34 > 0:13:35Nothing from Africa.
0:13:36 > 0:13:38- Oh. - I already checked.
0:13:38 > 0:13:41I guess he's still on safari, huh?
0:13:41 > 0:13:42Something like that.
0:13:42 > 0:13:44Goodnight, Mrs Faure.
0:13:44 > 0:13:46Goodnight, Oscar.
0:14:19 > 0:14:21INTERCOM BUZZES
0:14:27 > 0:14:28INTERCOM BUZZES AGAIN
0:14:30 > 0:14:32Hello?
0:14:32 > 0:14:34- MAN:- Mrs Faure? - Yes.
0:14:34 > 0:14:35My name is Gorsky.
0:14:35 > 0:14:38I'm with the Investigations Department of the INS.
0:14:38 > 0:14:40- The what? - Immigration.
0:14:40 > 0:14:42My partner and I are downstairs.
0:14:42 > 0:14:46We wondered if we might talk with you...and your husband.
0:14:49 > 0:14:51(Oh...)
0:14:52 > 0:14:54GENERAL CHATTER
0:14:55 > 0:14:57What is it you want?
0:14:57 > 0:14:59I just want to speak with Georges Faure.
0:14:59 > 0:15:02- He doesn't work here any more. - What?
0:15:02 > 0:15:04He insulted a customer. We don't tolerate that.
0:15:04 > 0:15:06- Excuse me. - Please, I must find him.
0:15:06 > 0:15:10- Do you know where he lives? - Georges Faure is trouble.
0:15:10 > 0:15:12You would do best to avoid him.
0:15:12 > 0:15:14Now, if you'll excuse me, young lady,
0:15:14 > 0:15:16I have customers waiting.
0:15:19 > 0:15:21You're a friend of Georges?
0:15:21 > 0:15:23CLOCK TICKS LOUDLY
0:15:27 > 0:15:29BIRDS CHIRP
0:15:45 > 0:15:46Yo.
0:15:46 > 0:15:48Yo! Where are you going?
0:15:48 > 0:15:50I want to see Mrs Faure.
0:15:50 > 0:15:52Oh? And who are you?
0:15:52 > 0:15:54Mr Faure.
0:15:54 > 0:15:55- Mr Faure?! - Yes.
0:15:55 > 0:15:58Oh, I'm sorry. I've never seen you before.
0:15:58 > 0:16:00Welcome back. How was Africa?
0:16:00 > 0:16:02- Africa? - Yeah. You got any bags?
0:16:02 > 0:16:03No, no. Just me.
0:16:03 > 0:16:07At first I thought, "This guy's stepped out of the jungle."
0:16:07 > 0:16:08And I was right!
0:16:08 > 0:16:10It's great to see you back.
0:16:10 > 0:16:13I hate to see young couples separated.
0:16:13 > 0:16:14It's bad for the marriage.
0:16:14 > 0:16:16- Call me old-fashioned... - No!
0:16:16 > 0:16:17..but that's this country's problem.
0:16:17 > 0:16:19The family's going down the toilet.
0:16:19 > 0:16:21- The toilet? - Yeah!
0:16:21 > 0:16:2415 years I'm married to the same woman.
0:16:24 > 0:16:25- See my kids? - Yes.
0:16:25 > 0:16:27I call her twice a day.
0:16:27 > 0:16:29I'm not into that women's lib stuff -
0:16:29 > 0:16:31couples living in sin.
0:16:31 > 0:16:33- Oh, that's no good. - It's terrible.
0:16:34 > 0:16:36DOORBELL RINGS
0:16:41 > 0:16:42DOORBELL RINGS REPEATEDLY
0:16:54 > 0:16:55So...
0:16:55 > 0:16:58Well, come in.
0:17:06 > 0:17:10Right...now, these people are due here any minute, so, um...
0:17:11 > 0:17:15I think we better talk about the situation, don't you?
0:17:15 > 0:17:16You got my note?
0:17:16 > 0:17:19Of course you did, otherwise you wouldn't be here.
0:17:19 > 0:17:21Uh, I spoke to my lawyer.
0:17:21 > 0:17:24He said not to panic. It's probably just routine.
0:17:26 > 0:17:28Have you got some coffee?
0:17:28 > 0:17:29- Coffee? - Yes.
0:17:30 > 0:17:32Right. Good idea.
0:17:33 > 0:17:36We'll just have coffee like any normal married couple.
0:17:38 > 0:17:40How's the composing?
0:17:40 > 0:17:43Didn't you get the big job in California?
0:17:43 > 0:17:45No, I don't like them, you know?
0:17:46 > 0:17:49I'd rather be a waiter than work for such people.
0:17:49 > 0:17:52But you're not at the restaurant anymore.
0:17:52 > 0:17:54No, I quit.
0:17:56 > 0:17:58They said you were fired.
0:17:58 > 0:18:00Really?
0:18:00 > 0:18:01Funny.
0:18:02 > 0:18:04I hate that captain, you know.
0:18:04 > 0:18:07He's really a snob type.
0:18:07 > 0:18:08Ah.
0:18:08 > 0:18:10HE HUMS A TUNE
0:18:10 > 0:18:12These people are due any minute
0:18:12 > 0:18:15and you stroll around MY apartment touching MY things.
0:18:15 > 0:18:18Do you realise the situation you've put me in?
0:18:18 > 0:18:20I'm sorry, Betty.
0:18:20 > 0:18:21Uh...
0:18:24 > 0:18:25It's Bronte.
0:18:26 > 0:18:28Oh.
0:18:28 > 0:18:30This is hopeless.
0:18:31 > 0:18:33The coffee?
0:18:33 > 0:18:34- The coffee? - Yes.
0:18:34 > 0:18:37You're getting deported, but what about the coffee?!
0:18:37 > 0:18:40INTERCOM BUZZES TWICE
0:18:40 > 0:18:41Oh, my God, they're here!
0:18:42 > 0:18:44Wait. Wait! I'll get it.
0:18:44 > 0:18:46- Yeah? - Mr Faure, please.
0:18:46 > 0:18:48- This is Mr Faure. - This is Immigration.
0:18:48 > 0:18:49OK, come on.
0:18:51 > 0:18:52What...
0:18:52 > 0:18:54What are you doing?
0:18:54 > 0:18:56Better put them in my closet.
0:18:56 > 0:18:57Oh.
0:19:06 > 0:19:07Oh, God.
0:19:12 > 0:19:14Ring. Ring!
0:19:20 > 0:19:21Uh!
0:19:25 > 0:19:27DOORBELL RINGS
0:19:27 > 0:19:29RINGS REPEATEDLY
0:19:30 > 0:19:32We have to talk, for God's sake!
0:19:32 > 0:19:34- Talk about what? - How we met.
0:19:34 > 0:19:35They'll ask us questions.
0:19:35 > 0:19:38They just want to see us together.
0:19:38 > 0:19:40This happened to a guy at the restaurant.
0:19:40 > 0:19:42- They see us, they go. Simple. - DOORBELL RINGS
0:19:42 > 0:19:44Can you get it, cherie?
0:19:44 > 0:19:47- Let me do the talking. - No, I will.
0:19:47 > 0:19:49You don't speak much English. I'll just...
0:19:49 > 0:19:52Relax. We're together.
0:19:52 > 0:19:53OK?
0:19:53 > 0:19:55Don't panic.
0:19:56 > 0:19:57- DOORBELL RINGS - Cherie?
0:19:59 > 0:20:01Now, go!
0:20:08 > 0:20:10OPENS DOOR
0:20:11 > 0:20:13- Hello. - Hello.
0:20:13 > 0:20:14Hello.
0:20:14 > 0:20:17- WOMAN: - Oh, isn't this...quaint.
0:20:17 > 0:20:18Thank you.
0:20:18 > 0:20:20Come on up.
0:20:26 > 0:20:28Georges?
0:20:30 > 0:20:33This is Mrs Sheehan and Mr Gorsky.
0:20:36 > 0:20:38Hi.
0:20:38 > 0:20:40Hello.
0:20:40 > 0:20:41- Hi. - Hi.
0:20:41 > 0:20:43Please sit down.
0:20:52 > 0:20:53CLEARS THROAT
0:21:05 > 0:21:07- Mr Faure... - Georges, please.
0:21:07 > 0:21:08Yes.
0:21:08 > 0:21:11You entered the country five months ago
0:21:11 > 0:21:12according to our records.
0:21:12 > 0:21:14Yes. And already I love it.
0:21:14 > 0:21:16Yes. Well...
0:21:16 > 0:21:19Land of opportunity. Such a GREAT country.
0:21:19 > 0:21:21- Yes. - Already I feel at home.
0:21:21 > 0:21:22- Ah... - So lucky.
0:21:22 > 0:21:25Beautiful wife.
0:21:25 > 0:21:26- Apartment. - Yeah.
0:21:26 > 0:21:29- Plants. - Oh.
0:21:29 > 0:21:30So lucky.
0:21:30 > 0:21:34Well, um, your visa - a B2, a tourist visa -
0:21:34 > 0:21:36allowed you only six weeks.
0:21:36 > 0:21:38Now, that in itself is an offence.
0:21:38 > 0:21:40But more recent events have overtaken that.
0:21:40 > 0:21:44Your marriage, of course, gives you automatic residency status.
0:21:44 > 0:21:46Now, this is your place of residence?
0:21:46 > 0:21:48- Of course. - Yes.
0:21:48 > 0:21:50You moved here AFTER the marriage?
0:21:50 > 0:21:51- Yes. - Mm-hm.
0:21:51 > 0:21:54We spoke to the chairperson of the building.
0:21:54 > 0:21:56He said you'd been away, Mr Faure.
0:21:56 > 0:21:58In Africa.
0:21:58 > 0:22:00Yes. Shooting elephants.
0:22:00 > 0:22:02- Oh... - With a camera!
0:22:02 > 0:22:04- Of course! - Oh!
0:22:04 > 0:22:06And he brought me back some plants.
0:22:06 > 0:22:07Some violets.
0:22:07 > 0:22:09- African violets. - Violets.
0:22:09 > 0:22:11Uh-huh.
0:22:10 > 0:22:14And where did you live, Mr Faure, before the marriage?
0:22:14 > 0:22:17Oh, all over the place.
0:22:18 > 0:22:20In the park one night.
0:22:23 > 0:22:25- And where do you work? - Pardon?
0:22:25 > 0:22:27My husband's a composer.
0:22:27 > 0:22:29He's working on an important composition right now,
0:22:29 > 0:22:32based on his African research.
0:22:32 > 0:22:35A composer! We don't have a note of that.
0:22:35 > 0:22:39And, uh, you write what - rock'n'roll?
0:22:40 > 0:22:42Ballet.
0:22:42 > 0:22:44I write for the ballet.
0:22:44 > 0:22:45Ballet!
0:22:45 > 0:22:48Your statement on your passport application
0:22:48 > 0:22:50said you had no criminal convictions.
0:22:50 > 0:22:52Is that a true and correct statement?
0:22:53 > 0:22:54Of course.
0:22:54 > 0:22:56Do you speak French, Mrs Faure?
0:22:56 > 0:22:58Oh, not really.
0:22:58 > 0:23:01- Si, un peu, vraiment parfait. - Not exactly.
0:23:01 > 0:23:03No barrier to love though, hmm?
0:23:03 > 0:23:04HE CLEARS THROAT
0:23:04 > 0:23:08Well, that about does it.
0:23:09 > 0:23:11We're sorry to have troubled you.
0:23:11 > 0:23:14There's been a major clampdown on illegal aliens
0:23:14 > 0:23:17marrying for residency status and the Green Card.
0:23:18 > 0:23:20It's come down from the top.
0:23:20 > 0:23:23- The White House. - Mmm.
0:23:23 > 0:23:26Well, you don't want to get the wrong type.
0:23:26 > 0:23:27Precisely.
0:23:27 > 0:23:29We understand.
0:23:29 > 0:23:33As a matter of curiosity, how did you two meet?
0:23:33 > 0:23:35I'm sure it was very romantic.
0:23:39 > 0:23:41- We... - Well...er...
0:23:41 > 0:23:43- You go ahead. - No, you, please.
0:23:43 > 0:23:45- We just... - We crashed into each other. Boom!
0:23:45 > 0:23:47- Like that. - Goodness!
0:23:47 > 0:23:49I was carrying a lot of parcels.
0:23:49 > 0:23:51- Parcels? - Yes, parcels.
0:23:51 > 0:23:53And Anton, don't forget about Anton.
0:23:53 > 0:23:55- Anton, yes. - He was with Georges.
0:23:55 > 0:23:58- I knew him. - He helped pick up the parcels.
0:23:58 > 0:24:00Actually, darling, he introduced us.
0:24:00 > 0:24:02- So he did. - Mmm.
0:24:02 > 0:24:04He did, yes. Anton.
0:24:04 > 0:24:06And?
0:24:06 > 0:24:08- Well... - So...
0:24:08 > 0:24:10- It was raining. - Oh, yes, we got soaked.
0:24:10 > 0:24:14I took one of her parcels when I picked up mine.
0:24:14 > 0:24:16You had parcels too?
0:24:16 > 0:24:18- Ah. - Everyone had parcels.
0:24:18 > 0:24:20So many parcels.
0:24:20 > 0:24:21So I... I...
0:24:21 > 0:24:24- I picked up one of hers. - By mistake.
0:24:24 > 0:24:28So I had my parcels and her parcel.
0:24:28 > 0:24:30And I was...
0:24:31 > 0:24:33..staggering around.
0:24:33 > 0:24:34Like this.
0:24:34 > 0:24:36PHONE RINGS
0:24:42 > 0:24:43And...er...
0:24:43 > 0:24:45Yeah.
0:24:45 > 0:24:46PHONE CONTINUES TO RING
0:24:46 > 0:24:49Somebody better get the telephone.
0:24:49 > 0:24:52- Couldn't be for me. - It could be, dear.
0:24:51 > 0:24:54But don't worry, I'll get it.
0:24:53 > 0:24:57We don't want to have a husband-and-wife fight now.
0:25:00 > 0:25:01Hello.
0:25:01 > 0:25:04Phil! You're still upstate, aren't you?
0:25:05 > 0:25:07No, I'm not glad you're there.
0:25:07 > 0:25:08Do go on, Mr Faure.
0:25:08 > 0:25:10Phil, I can't talk right now.
0:25:10 > 0:25:12- Hmm? - The parcels?
0:25:12 > 0:25:15- You said you had her parcels. - Oh, yes.
0:25:15 > 0:25:17- Yes. - I'm excited.
0:25:17 > 0:25:20- So I found this extra parcel. - I'll call you back.
0:25:20 > 0:25:22I had nine and now 10.
0:25:22 > 0:25:25"What was going on?" I said to myself.
0:25:25 > 0:25:28And I open it and it was...er...
0:25:28 > 0:25:31ladies' underwears.
0:25:31 > 0:25:33Ladies' underwear?
0:25:32 > 0:25:34Exactement.
0:25:34 > 0:25:36- So... - Oh!
0:25:36 > 0:25:38- Mm-hm. - I called Anton.
0:25:38 > 0:25:42And he said it must belong to Betty.
0:25:43 > 0:25:44You mean Bronte?
0:25:46 > 0:25:49Yes. Bronte.
0:25:49 > 0:25:51But I didn't know her name.
0:25:51 > 0:25:54And...er...so...
0:25:54 > 0:25:55Now I did.
0:25:55 > 0:25:58- That's it. - Oh, yeah.
0:25:58 > 0:25:59May I use your bathroom?
0:25:59 > 0:26:01Hmm?
0:26:01 > 0:26:02Bathroom?
0:26:02 > 0:26:04What for?
0:26:07 > 0:26:10Oh, well, I need to use it... er...a bathroom.
0:26:10 > 0:26:12Oh!
0:26:12 > 0:26:14- Please, go ahead. - Where is it?
0:26:14 > 0:26:17- What? - The lavatory.
0:26:17 > 0:26:19Could you show me where it is?
0:26:19 > 0:26:21Oh, yes.
0:26:21 > 0:26:22Please, follow me.
0:26:23 > 0:26:25Am I whispering?
0:26:27 > 0:26:28Oh, that's great.
0:26:28 > 0:26:30Just great.
0:26:46 > 0:26:49Oh, that used to be the bathroom.
0:26:49 > 0:26:51Before the renovations.
0:26:51 > 0:26:53I keep forgetting.
0:26:54 > 0:26:55Oh...
0:26:55 > 0:26:59We made the broom closet into the bedroom, you see?
0:26:59 > 0:27:01And this door is the bathroom.
0:27:01 > 0:27:02Voila.
0:27:10 > 0:27:13Let him move into my apartment? What are you saying?
0:27:13 > 0:27:14Don't look so shocked.
0:27:14 > 0:27:18Frankly, young lady, I think your priorities are all wrong.
0:27:18 > 0:27:20You married a stranger to get a greenhouse.
0:27:20 > 0:27:22That shocked me!
0:27:22 > 0:27:24I'm old-fashioned when it comes to marriage.
0:27:24 > 0:27:27I think love has something to do with it.
0:27:27 > 0:27:29You don't? Fine.
0:27:29 > 0:27:31But if marrying a stranger doesn't shock you,
0:27:31 > 0:27:35letting him sleep on the sofa for a few nights
0:27:35 > 0:27:36shouldn't shock you either.
0:27:36 > 0:27:38This isn't happening to me!
0:27:38 > 0:27:40There's a second interview on Monday.
0:27:40 > 0:27:42It's Friday. That gives you the weekend.
0:27:42 > 0:27:46Two days! Why can't he just meet me here in the park?
0:27:46 > 0:27:48Because this interview will be in-depth.
0:27:48 > 0:27:49They'll question you separately.
0:27:49 > 0:27:52They'll want to know the colour of each other's toothbrush.
0:27:52 > 0:27:55What does he like eating? Does he snore?
0:27:55 > 0:27:58You're gonna have to study each other's habits.
0:27:58 > 0:28:00It's like cramming for an exam.
0:28:00 > 0:28:02Oh, God! Is there no alternative?
0:28:02 > 0:28:04Sure. You can confess everything now.
0:28:04 > 0:28:08He'll be deported, you could face charges and no more greenhouse.
0:28:08 > 0:28:11- It's like living in a police state. - No.
0:28:11 > 0:28:13It's called "breaking the law".
0:28:13 > 0:28:16However trivial it seemed to you at the time,
0:28:16 > 0:28:17that's what you've done.
0:28:17 > 0:28:20Anyway, I think you should introduce Georges
0:28:20 > 0:28:21to some of your friends.
0:28:21 > 0:28:24- What? - Let him get to know them.
0:28:24 > 0:28:25Say he's visiting from Paris.
0:28:25 > 0:28:27I couldn't bear that.
0:28:27 > 0:28:28He's such a slob.
0:28:28 > 0:28:31- Nobody will know. - That's up to you.
0:28:31 > 0:28:34But listen, get that story straight.
0:28:34 > 0:28:38Oh, by Monday evening, this will all be over.
0:28:38 > 0:28:40And you can start planning the divorce.
0:28:40 > 0:28:42I can't wait.
0:29:12 > 0:29:14For your pond.
0:29:15 > 0:29:16Oh, right.
0:29:16 > 0:29:18Thank you. I'll show you around.
0:29:18 > 0:29:20There's not much to see.
0:29:20 > 0:29:22You know where the bathroom is.
0:29:38 > 0:29:40Go on! Go on!
0:29:40 > 0:29:42Shoo! Shoo!
0:29:46 > 0:29:48HE WHISTLES
0:30:01 > 0:30:04Do you mind not smoking inside?
0:30:10 > 0:30:12HE SLURPS
0:30:16 > 0:30:17- What's this? - It's coffee.
0:30:17 > 0:30:19- No. - Yes, it is.
0:30:19 > 0:30:21It's decaf.
0:30:21 > 0:30:23Look, do you have any real coffee?
0:30:23 > 0:30:25I'm afraid not.
0:30:25 > 0:30:28I'll make you the best coffee you ever had.
0:30:28 > 0:30:29I only drink decaf.
0:30:29 > 0:30:32You'll change when you taste this.
0:30:33 > 0:30:35I don't want anyone knowing about this, OK?
0:30:35 > 0:30:38We need a story in case we meet my friends.
0:30:38 > 0:30:40Something simple.
0:30:40 > 0:30:43You're an old friend. I admire your ballet music.
0:30:43 > 0:30:45- You're visiting from Paris. - Mm-hm.
0:30:44 > 0:30:47You're staying for a couple of nights.
0:30:47 > 0:30:49- You're gay. - Gay?
0:30:49 > 0:30:51- I don't want to be gay. - OK.
0:30:51 > 0:30:54You're not gay. Just an old friend.
0:30:54 > 0:30:56- The hotels are all booked up. - Oh.
0:30:56 > 0:30:58Not a very good story.
0:30:58 > 0:30:59Think of a better one.
0:30:59 > 0:31:01Oh!
0:31:01 > 0:31:03I don't know. Something political?
0:31:06 > 0:31:08Terrorist, maybe?
0:31:09 > 0:31:10No.
0:31:10 > 0:31:12Not a terrorist, but political's good.
0:31:12 > 0:31:14A refugee. That's it.
0:31:14 > 0:31:16That'll work.
0:31:16 > 0:31:17Yes!
0:31:17 > 0:31:19No, we don't say anything.
0:31:19 > 0:31:21Just a friend staying for a few nights.
0:31:21 > 0:31:23This is New York.
0:31:23 > 0:31:24- You're right. - Mmm.
0:31:24 > 0:31:28OK, you sleep on the couch and we split expenses.
0:31:29 > 0:31:31I'll cook, hmm?
0:31:39 > 0:31:40Oh!
0:31:40 > 0:31:42Oh.
0:31:43 > 0:31:45MAN SPEAKS SPANISH
0:31:55 > 0:31:56Good.
0:32:01 > 0:32:04Doesn't smell good, put it back, please.
0:32:18 > 0:32:19- For your birds? - What?
0:32:19 > 0:32:21- This is birdseed, no? - It's muesli.
0:32:21 > 0:32:23Put it back. I'll get some croissants.
0:32:23 > 0:32:25But I like birdseed.
0:32:29 > 0:32:31- No, OK. - No, go ahead.
0:32:31 > 0:32:33- Go ahead. - No, please.
0:32:35 > 0:32:36Oh!
0:32:39 > 0:32:42Bee? Bronte?
0:32:42 > 0:32:44Oh, it is you!
0:32:44 > 0:32:46- Hi! - Lauren, what are you doing here?
0:32:46 > 0:32:48What am I doing here?
0:32:48 > 0:32:50I'm like, you know, buying food.
0:32:50 > 0:32:53Well, it's just not your neighbourhood.
0:32:53 > 0:32:54Mother's having another musical soiree.
0:32:54 > 0:32:57I'm picking her up a few things.
0:32:57 > 0:32:59- When do I see your new apartment? - Hi.
0:32:59 > 0:33:01Hi.
0:33:05 > 0:33:07You're together?
0:33:06 > 0:33:08Sort of.
0:33:08 > 0:33:11This is an old friend Georges Faure.
0:33:11 > 0:33:13- This is Lauren Adler. - Hi, Lauren.
0:33:13 > 0:33:16Ooh, that accent! You're French, right?
0:33:16 > 0:33:17- Oui. - Oui!
0:33:17 > 0:33:19Exactement. This is so weird.
0:33:19 > 0:33:21Everything in my life is French lately.
0:33:21 > 0:33:23Monday, I buy a French jacket.
0:33:23 > 0:33:25Wednesday, I see a French movie.
0:33:25 > 0:33:27Then last night, Tony says "Let's eat French."
0:33:27 > 0:33:32It's like Carl Jung...what do you call it...coincidence, something?
0:33:32 > 0:33:34Coincidence, exactement, really.
0:33:34 > 0:33:36Oh. Is that so?
0:33:36 > 0:33:38Nice to meet you, Bronte's French friend.
0:33:38 > 0:33:40Mmm.
0:33:40 > 0:33:42- Well, Lauren... - Look.
0:33:41 > 0:33:45If you want to eat French again, I'm cooking.
0:33:44 > 0:33:46For Bronte.
0:33:46 > 0:33:47Hmm?
0:33:47 > 0:33:49- Er... - Mm-hm?
0:33:53 > 0:33:56I'd live in the south of France all the time.
0:33:56 > 0:33:58- Yes. - Oh, thanks.
0:33:58 > 0:34:01The last time was for six months.
0:34:01 > 0:34:03You carried it through like that?
0:34:03 > 0:34:04Oh, Mr Faure!
0:34:04 > 0:34:06Kids, meet Mr Faure.
0:34:06 > 0:34:07- He's been in Africa. - Hi.
0:34:07 > 0:34:09- Bonjour. - Kids, huh?
0:34:09 > 0:34:12Maybe you two will think about starting a family soon.
0:34:12 > 0:34:14- Shh! - Oh, shh.
0:34:14 > 0:34:15- Georges! - Yes.
0:34:15 > 0:34:17Georges, hold the elevator!
0:34:17 > 0:34:18Wait! Going up.
0:34:19 > 0:34:21Hold it!
0:34:21 > 0:34:22Hold it.
0:34:22 > 0:34:24- ELEVATOR BUZZES - Going up!
0:34:24 > 0:34:26Wait for me!
0:34:30 > 0:34:32They should fix those doors.
0:34:32 > 0:34:34Somebody get killed around here.
0:34:42 > 0:34:44What did those government people want?
0:34:44 > 0:34:47- It's nothing. - We don't know exactly.
0:34:47 > 0:34:50- What's this? - Georges's visa...minor problem.
0:34:50 > 0:34:53They said, "Does Mr Faure do this and that?"
0:34:53 > 0:34:55And about Mrs Faure.
0:34:55 > 0:34:57"Did she go to Africa?"
0:34:57 > 0:34:59- And so on. - Mrs Faure?
0:35:00 > 0:35:01(Georges's mother.)
0:35:01 > 0:35:03She died in Africa.
0:35:03 > 0:35:05Oh, I'm sorry.
0:35:05 > 0:35:08Yes. Killed by the elephants.
0:35:08 > 0:35:10Elephants.
0:35:11 > 0:35:13HE SINGS
0:35:18 > 0:35:21I could sit and watch you all day, Georges.
0:35:21 > 0:35:24You're lucky, Bee, having a French chef as a guest.
0:35:24 > 0:35:26Stop it, Lauren.
0:35:26 > 0:35:29What are you doing in New York, Georges?
0:35:29 > 0:35:31- Just crashed and... - Georges is a political...
0:35:31 > 0:35:33- You go on. - No, go on.
0:35:33 > 0:35:35- No, you, please. - A political what?
0:35:36 > 0:35:39Political...ballet.
0:35:41 > 0:35:43I can't imagine a political ballet.
0:35:43 > 0:35:47- You know, sort of a...- HE SINGS
0:35:47 > 0:35:48Georges writes for the ballet.
0:35:48 > 0:35:51- He's an old friend. He's... - Not gay.
0:35:51 > 0:35:53- Of course not! - Good.
0:35:53 > 0:35:56He just couldn't find a hotel and he's been in Africa.
0:35:56 > 0:35:58- Look, we're old friends. - Yeah.
0:35:58 > 0:36:01So I don't fuck her.
0:36:01 > 0:36:03HE SINGS
0:36:07 > 0:36:10What? Did you kill somebody for this place?
0:36:10 > 0:36:13You probably cut them up and used them for mulch.
0:36:13 > 0:36:15This is amazing. So's your French friend.
0:36:15 > 0:36:18- I want details later. - Oh, Lauren, please!
0:36:18 > 0:36:21My mother would adore this.
0:36:20 > 0:36:23Oh, speaking of my mother, guess what.
0:36:23 > 0:36:25She and Daddy are leaving New York.
0:36:25 > 0:36:27No! What about her beautiful garden?
0:36:27 > 0:36:29They're leaving it.
0:36:29 > 0:36:31I've told Daddy about the Green Worms.
0:36:31 > 0:36:32- Green Guerillas. - Yeah, well.
0:36:32 > 0:36:36Being this great old liberal,
0:36:35 > 0:36:38he'd like to give you and your group all the plants.
0:36:38 > 0:36:41No. Not those beautiful trees?
0:36:41 > 0:36:43The trees, the plants, everything.
0:36:43 > 0:36:45That's fantastic. Our stocks are so low.
0:36:45 > 0:36:47We're desperate for plants.
0:36:47 > 0:36:49Wait a minute, there's a problem.
0:36:49 > 0:36:51- Mother won't hear of it. - CORK POPS
0:36:51 > 0:36:55If you talk to her, maybe she'll change her mind.
0:36:55 > 0:36:57- GEORGES SINGS - Georges!
0:36:57 > 0:36:59- Ca c'est fantastique. - Non!
0:36:59 > 0:37:02- Ah, oui! - C'est normale.
0:37:01 > 0:37:04Bronte, you didn't eat anything.
0:37:04 > 0:37:06It's not my kind of food.
0:37:06 > 0:37:07She likes birdseed.
0:37:07 > 0:37:09It's just not healthy, all that butter.
0:37:09 > 0:37:12What's the point of life if you don't enjoy yourself?
0:37:12 > 0:37:14Do you mind?
0:37:15 > 0:37:17You're like an old married couple.
0:37:19 > 0:37:20How did you two meet?
0:37:20 > 0:37:25Well, you know, Lauren, I was carrying a lot of parcels.
0:37:25 > 0:37:27Lauren, it's a long story.
0:37:27 > 0:37:29Can I tell you later?
0:37:29 > 0:37:31I've got lots of cataloguing.
0:37:31 > 0:37:32I can take a hint.
0:37:32 > 0:37:34- No, finish your wine. - Oh.
0:37:34 > 0:37:36- Merci. - There's a bit more.
0:37:36 > 0:37:37OK?
0:37:37 > 0:37:39- Nice meeting you, Georges. - You too, Lauren.
0:37:39 > 0:37:43- Au revoir. - Au revoir. See you again.
0:37:43 > 0:37:44LAUREN GIGGLES
0:37:45 > 0:37:49- He's gorgeous. - Lauren, look, I...
0:37:49 > 0:37:52I can say this now. I didn't like Phil.
0:37:52 > 0:37:53So earnest, my God!
0:37:53 > 0:37:55Phil and I are still together.
0:37:55 > 0:37:56Oh, I'm sorry.
0:37:56 > 0:37:59I'm so embarrassed. I mean I like Phil.
0:37:59 > 0:38:02He's very concerned about the environment and all that.
0:38:02 > 0:38:05- Yes, he is. - Typical me, putting my foot in it.
0:38:05 > 0:38:07Forget it.
0:38:07 > 0:38:10In that case, I wouldn't mind seeing Georges again.
0:38:10 > 0:38:11He's dishy.
0:38:11 > 0:38:14- Gardeners are so weird. Ciao. - Bye, Lauren.
0:38:16 > 0:38:18HE HUMS
0:38:20 > 0:38:22Why did you ask her for lunch?
0:38:22 > 0:38:24This is my apartment.
0:38:24 > 0:38:25Oh, this won't work.
0:38:25 > 0:38:28It won't work if I don't know about you.
0:38:28 > 0:38:30That silly story about the parcels.
0:38:30 > 0:38:33Your mother, the elephants, lying to my friends.
0:38:33 > 0:38:35It's all so horrible.
0:38:35 > 0:38:38I know you've got a cigarette there. Smoke it outside.
0:38:42 > 0:38:44You began lying when you married.
0:38:44 > 0:38:45I didn't make you.
0:38:45 > 0:38:48- I didn't ask her to lunch. - Always blaming me.
0:38:48 > 0:38:50- You did it too. - What?
0:38:50 > 0:38:53Married me. I did it for the Green Card.
0:38:53 > 0:38:56- Why did you? No-one made you. - Outside! Outside!
0:38:56 > 0:38:59Push me to be a beast, I'll be a beast.
0:38:59 > 0:39:00So take care!
0:39:00 > 0:39:02Now look what you've done.
0:39:02 > 0:39:05You silly... French...oaf!
0:39:15 > 0:39:17Oh!
0:39:30 > 0:39:32BROKEN GLASS TINKLES
0:39:32 > 0:39:34Oh!
0:39:42 > 0:39:44PHONE RINGS
0:39:49 > 0:39:51- Hello. - Hey, it's me.
0:39:51 > 0:39:53I wanted to thank you for lunch.
0:39:53 > 0:39:55That greenhouse... I'm so jealous.
0:39:55 > 0:39:58Oh, Lauren, I'm so sorry about lying to you.
0:39:58 > 0:40:00What are you talking about?
0:40:00 > 0:40:03Not telling you. Not having you over here before.
0:40:03 > 0:40:04You're my oldest friend.
0:40:04 > 0:40:06Oh, please forget it, Bee.
0:40:06 > 0:40:09I haven't been myself lately, you're right about that.
0:40:10 > 0:40:12Things are complicated right now.
0:40:12 > 0:40:14Mother's having this dinner party tonight.
0:40:14 > 0:40:17I just spoke to her and she's invited you.
0:40:17 > 0:40:20Great chance to work on her about the trees.
0:40:21 > 0:40:23You could bring Georges.
0:40:41 > 0:40:43What are you doing in here?
0:40:43 > 0:40:46I bought some beautiful tomatoes for you.
0:40:46 > 0:40:50Oh, look, that's sweet, but...
0:40:50 > 0:40:51And outside, come on.
0:40:51 > 0:40:53Outside.
0:40:53 > 0:40:56Look, here we have a radish, peppers, carrots...
0:40:56 > 0:40:57Oh, no, my plants.
0:40:57 > 0:40:59Weeds. I pulled them out.
0:40:59 > 0:41:01- This is my research. - Oh, I'm sorry.
0:41:01 > 0:41:04- I bought this for you. - Don't touch anything.
0:41:04 > 0:41:06- OK. - Don't go in the greenhouse anymore.
0:41:06 > 0:41:07That's all I ask.
0:41:07 > 0:41:09It's my special place.
0:41:09 > 0:41:11Oh!
0:41:11 > 0:41:13You like plants better than people.
0:41:13 > 0:41:14Some people.
0:41:14 > 0:41:16Oh!
0:41:28 > 0:41:30BIRDS FLUTTER
0:41:34 > 0:41:36Oh, God!
0:41:55 > 0:41:57Look, truce, OK?
0:42:00 > 0:42:01I don't make the war.
0:42:04 > 0:42:07You asked before why I did it, the marriage.
0:42:07 > 0:42:10- Well, it was for the greenhouse. - Greenhouse?
0:42:10 > 0:42:12I don't expect you to understand.
0:42:12 > 0:42:13Oh, I understand.
0:42:13 > 0:42:18You want something, you take it, hmm?
0:42:21 > 0:42:22We work tonight?
0:42:22 > 0:42:24Study? Just like school.
0:42:24 > 0:42:26I have to go out.
0:42:26 > 0:42:27Then I'll come too.
0:42:27 > 0:42:29- No. - Why?
0:42:29 > 0:42:31Ah, your boyfriend, the vegetarian.
0:42:31 > 0:42:32- No, he's away. - So!
0:42:32 > 0:42:37No! It's Lauren's parents' place, snob types, you'd call them.
0:42:37 > 0:42:39- Oh, I will embarrass you, huh? - No!
0:42:39 > 0:42:41- Yes, too much oaf. - No!
0:42:41 > 0:42:44The Adlers are thinking about giving some trees
0:42:44 > 0:42:46to a gardening group I'm in.
0:42:46 > 0:42:48- What's that? - Oh, it's just a gardening group.
0:42:48 > 0:42:52We go into poor areas like the Lower East Side.
0:42:52 > 0:42:54I came from there. You waste your time.
0:42:54 > 0:42:56- What? - Yeah.
0:42:56 > 0:42:57Nothing changes down there.
0:42:57 > 0:42:59It will always be that way.
0:42:59 > 0:43:01- Forget about it. - Forget?
0:43:01 > 0:43:03Yeah. Look, the trees are very good.
0:43:03 > 0:43:06Sure, sure. But you can't eat the trees.
0:43:06 > 0:43:08Well, nothing changes without hope.
0:43:08 > 0:43:09You think gardens make hope?
0:43:09 > 0:43:11Well, it's something.
0:43:11 > 0:43:14Go to the country if you want trees.
0:43:14 > 0:43:16Try telling that to the children.
0:43:16 > 0:43:18They live with...chaos.
0:43:18 > 0:43:20Despair.
0:43:20 > 0:43:24You may think it's nothing to give them a garden or trees
0:43:24 > 0:43:25but at least it's something.
0:43:27 > 0:43:29If it amuses you, do it.
0:43:29 > 0:43:30Amuses me?
0:43:30 > 0:43:32Oh! Oh!
0:43:38 > 0:43:40TYRES SQUEAL
0:43:43 > 0:43:45Chaos.
0:43:45 > 0:43:47Despair.
0:43:48 > 0:43:50GAME SHOW PLAYS ON TV OUTSIDE
0:44:26 > 0:44:27Better down.
0:44:27 > 0:44:29What?
0:44:29 > 0:44:30Your hair looks better down.
0:44:32 > 0:44:34I'll be back by 10pm. We'll work then.
0:44:34 > 0:44:36Please don't answer the phone.
0:44:36 > 0:44:37Don't be late.
0:44:55 > 0:44:57LIFT BELL RINGS
0:45:02 > 0:45:04MANY HORNS BLARE
0:45:06 > 0:45:08Thanks a lot.
0:45:08 > 0:45:09- Taxi!- Taxi!
0:45:16 > 0:45:18- Into the garden. - Thank you.
0:45:18 > 0:45:20MUFFLED CHATTER
0:45:25 > 0:45:30- MRS ADLER: - I said this is it. We're leaving.
0:45:30 > 0:45:32Bronte! How exquisite you look.
0:45:32 > 0:45:35- Thank you for asking me. - Not at all.
0:45:35 > 0:45:36Wonderful to see you.
0:45:36 > 0:45:38Apparently you've got a brilliant new apartment.
0:45:38 > 0:45:40Yes. Is Lauren here yet?
0:45:40 > 0:45:42The question wasn't about pornography.
0:45:42 > 0:45:45The question was whether it qualifies as art.
0:45:45 > 0:45:49But your own daughter! Have you seen the stuff she does?
0:45:49 > 0:45:50Lafayette was on the horse.
0:45:50 > 0:45:52Then he got off the horse
0:45:52 > 0:45:55and saluted my ancestor on both cheeks.
0:45:55 > 0:45:57- Kisses. - Did he need to get off?
0:45:57 > 0:46:00It's stupid for these environmentalists to plant trees
0:46:00 > 0:46:02when they don't know what they're doing.
0:46:02 > 0:46:05They don't listen to me, needless to say.
0:46:05 > 0:46:08Of course, I'm just your average layman.
0:46:08 > 0:46:11But I have written the appropriate...
0:46:11 > 0:46:13DOORBELL RINGS
0:46:13 > 0:46:15I'll go, Alberto. That'll be Lauren.
0:46:15 > 0:46:18Our daughter reserves an artist's right to be late.
0:46:18 > 0:46:20GUESTS LAUGH
0:46:23 > 0:46:26- At last! - Hi, Mother.
0:46:25 > 0:46:28This is Georges Faure from Paris.
0:46:28 > 0:46:30Hi!
0:46:30 > 0:46:32- Oh... - Come on in, Georges.
0:46:32 > 0:46:36Georges is Bronte's house guest. She's too shy to bring him.
0:46:36 > 0:46:38- You don't mind, Mother? - Of course not!
0:46:38 > 0:46:40I found him all alone at Bronte's.
0:46:40 > 0:46:42Soyez le bienvenu. Do come in.
0:46:42 > 0:46:44Georges is a very important composer.
0:46:44 > 0:46:47- No, no. - You'll have lots to talk about.
0:46:47 > 0:46:48Tres interessant, Monsieur!
0:46:48 > 0:46:51Mother plays the piano a little. Get it? A little.
0:46:52 > 0:46:56Alberto, another place if you will.
0:46:56 > 0:46:59Everybody, I'd like to present Georges Faure.
0:46:59 > 0:47:02A leading French composer.
0:47:02 > 0:47:04- Ah, bonsoir. - Oh, no. No.
0:47:04 > 0:47:06- Bonsoir. - Bonsoir.
0:47:06 > 0:47:07Good evening.
0:47:07 > 0:47:11(You see the man sitting across from here...)
0:47:11 > 0:47:15MURMUR OF CONVERSATION
0:47:15 > 0:47:18Do you live in Paris, Georges?
0:47:18 > 0:47:22Bronte, he was all by himself. I think he wanted to come.
0:47:22 > 0:47:23It's OK. It's OK.
0:47:23 > 0:47:25Simon and Grace are about to celebrate
0:47:25 > 0:47:27their 40th wedding anniversary.
0:47:27 > 0:47:30THEY CONGRATULATE
0:47:34 > 0:47:37- WOMAN: - How long have you been married?
0:47:37 > 0:47:38MAN: 25 years.
0:47:38 > 0:47:40Are you married, Georges?
0:47:42 > 0:47:44- Me? - Mm-hm.
0:47:44 > 0:47:46Well...not usually.
0:47:47 > 0:47:49Whatever do you mean?
0:47:49 > 0:47:51Oh, well...
0:47:51 > 0:47:53Not normally.
0:47:53 > 0:47:55- You're getting divorced. - Yes, definitely.
0:47:58 > 0:48:00Bee, you'll never get married.
0:48:00 > 0:48:01What makes you say that?
0:48:01 > 0:48:03You've turned down enough offers.
0:48:03 > 0:48:06You'll wind up some grand old Kate Hepburn
0:48:06 > 0:48:07surrounded by beautiful plants.
0:48:07 > 0:48:11Most men are too boring or vulgar to spend your life with.
0:48:11 > 0:48:13Change your brand of men.
0:48:13 > 0:48:15- Oh, really? - Really, Bee.
0:48:15 > 0:48:18You're nice, you look for that in the man.
0:48:18 > 0:48:19That makes two..."nices".
0:48:19 > 0:48:22"Nice"...ugh...what an awful word.
0:48:22 > 0:48:23Well, Phil's nice isn't he?
0:48:23 > 0:48:25Phil's different. He's a gardener.
0:48:27 > 0:48:31- Are you any relation? - Relation?
0:48:31 > 0:48:35- Any relation to THE Faures? - Who's that?
0:48:35 > 0:48:38The Faures... Gabriel.
0:48:40 > 0:48:42I love his chamber music.
0:48:42 > 0:48:47And his compositions with the harp are so...sensual.
0:48:47 > 0:48:49BRONTE: We depend on donations...
0:48:49 > 0:48:50Yeah.
0:48:50 > 0:48:52..and we don't have any plants.
0:48:52 > 0:48:55These gardens change these children's lives.
0:48:55 > 0:48:58I hear what you say and I hope you understand, but...
0:48:59 > 0:49:02To break up that garden would be a crime.
0:49:02 > 0:49:04I just can't do it, dear.
0:49:04 > 0:49:06The pleasure it's given me,
0:49:06 > 0:49:09that it'll give to whoever buys the place.
0:49:09 > 0:49:11You do understand?
0:49:16 > 0:49:19WALTZ BY CHOPIN PLAYS
0:50:05 > 0:50:09- Thank you. - And now, Georges Faure!
0:50:09 > 0:50:12- Oh, yeah, Georges. - No, no. I don't play well.
0:50:12 > 0:50:14- I'm not writing... - Please, Georges.
0:50:14 > 0:50:17- One of your earlier pieces perhaps. - We should be going.
0:50:17 > 0:50:20We really must go. Georges has jet lag.
0:50:20 > 0:50:23Why not, Georges? Just one piece.
0:50:23 > 0:50:27Do you mind? We don't often have a Faure in the house.
0:50:27 > 0:50:29- Yes, that's true. - Come on, Georges.
0:50:31 > 0:50:32Yes!
0:50:42 > 0:50:45CLOCK TICKS LOUDLY
0:51:00 > 0:51:02SHE CLEARS THROAT
0:51:05 > 0:51:09HITS THE KEYS WILDLY AND UNRHYTHMICALLY
0:51:41 > 0:51:42HE GIGGLES
0:51:59 > 0:52:01HITS HIGHEST KEY
0:52:10 > 0:52:11It's not Mozart.
0:52:12 > 0:52:14I know.
0:52:20 > 0:52:23PLAYS MELANCHOLY MELODY
0:52:23 > 0:52:25Would you translate for me, Madame?
0:52:25 > 0:52:27Would I...
0:52:29 > 0:52:32Une fois j'ai entendu le bruit du vent dans les arbres.
0:52:34 > 0:52:38"Once I heard the sound of the wind in the trees."
0:52:38 > 0:52:39I think that's it.
0:52:43 > 0:52:46Une fois j'ai entendu le bruit du rire des enfants.
0:52:47 > 0:52:51"Once I heard the sound of the laughter of children."
0:52:51 > 0:52:55Et j'ai pleure a chaud des larmes pour ces arbres perdus.
0:52:55 > 0:52:59"And I wept warm, salty tears for the lost trees."
0:53:00 > 0:53:03"Laissez venir les petits enfants dans les arbres
0:53:03 > 0:53:06"et je leur donnerai de l'espoir," il a dit.
0:53:06 > 0:53:09"'Let the little children come under the trees
0:53:09 > 0:53:11"'and I will give them hope', he said."
0:53:11 > 0:53:15Mais il n'y a plus d'arbres pour ces pauvres enfants perdu.
0:53:15 > 0:53:20"But there are no trees for the poor lost poor children."
0:53:20 > 0:53:24- Pourriture est leur jouet. - "Decay is their toy."
0:53:24 > 0:53:29- Et decadence est leur jeu. - "Despair is their game."
0:53:29 > 0:53:32Ils n'ont que des ordures a escalader.
0:53:33 > 0:53:36"They have only chaos to climb."
0:53:47 > 0:53:49- Bravo!- Bravo!
0:53:49 > 0:53:51- Bravo! - Bravo!
0:53:52 > 0:53:54Bravo! Magnifique!
0:53:55 > 0:53:58I think you just got your trees.
0:53:57 > 0:54:00Non, non... Merci.
0:54:00 > 0:54:02ELEVATOR BELL RINGS
0:54:10 > 0:54:12No, I've got it.
0:54:18 > 0:54:19Excuse me.
0:54:24 > 0:54:26HUMS MELODY
0:54:27 > 0:54:28Alors, Lauren.
0:54:33 > 0:54:34La fille.
0:54:34 > 0:54:37DOOR CLOSES WHISTLES SAME MELODY
0:54:44 > 0:54:46HE HUMS
0:54:52 > 0:54:54HUMMING REVERBERATES IN ROOM
0:55:05 > 0:55:06Monticello face cream.
0:55:06 > 0:55:08Monticello.
0:55:10 > 0:55:12Cream...face, OK.
0:55:16 > 0:55:18Face cream, OK.
0:55:19 > 0:55:21CONTINUES HUMMING
0:55:24 > 0:55:25DOOR CLOSES
0:55:27 > 0:55:29I hope it's OK.
0:55:29 > 0:55:30- What? - The sofa.
0:55:30 > 0:55:32Oh, sure. Sure.
0:55:32 > 0:55:35Thank you.
0:55:35 > 0:55:36- What for? - For tonight.
0:55:36 > 0:55:38- The song, the poem... - Oh, that.
0:55:38 > 0:55:41I didn't do it for you but for me.
0:55:41 > 0:55:44- You were mad when I came. - Yes, I was.
0:55:44 > 0:55:46If you're mad, we don't study.
0:55:46 > 0:55:49If we don't study, I don't get a Green Card.
0:55:51 > 0:55:53HE HUMS
0:55:53 > 0:55:56- Are you composing something now? - Composing?
0:55:56 > 0:55:59You're always humming... that little tune.
0:55:59 > 0:56:00Me hum?
0:56:00 > 0:56:03- I don't hum. - Yes, you do, all the time.
0:56:03 > 0:56:07If it bothers you, I'll stop.
0:56:06 > 0:56:08No, I like it.
0:56:08 > 0:56:11It's the first thing you like about me.
0:56:12 > 0:56:15I don't dislike you, Georges. I have no opinion of you.
0:56:15 > 0:56:19I just want it over and my life to continue as before.
0:56:19 > 0:56:21I'm waiting for my life to begin.
0:56:29 > 0:56:32OK. Let's get to work.
0:56:37 > 0:56:39These are at my grandmother's house.
0:56:39 > 0:56:41She had these beautiful rose gardens.
0:56:41 > 0:56:43Actually, it was my grandfather
0:56:43 > 0:56:46who started the rose garden behind her house.
0:56:46 > 0:56:50That's at the beach. BOTH GIGGLE
0:56:50 > 0:56:52We always bought these little hats.
0:56:52 > 0:56:54And this is kindergarten.
0:56:56 > 0:56:59Oh, and...ah...these are my brothers and sisters.
0:56:59 > 0:57:01- Oh... - My dad's a writer.
0:57:01 > 0:57:02They live in Connecticut.
0:57:02 > 0:57:04He named us all after famous writers.
0:57:04 > 0:57:07It puts a curse on your whole life.
0:57:08 > 0:57:11I think he wanted me to be something artistic.
0:57:11 > 0:57:16It was OK when I was a dancer but he doesn't care for gardening.
0:57:16 > 0:57:17- Hmm. - That's Colette.
0:57:17 > 0:57:20- Colette. - Austin, Lawrence and Eliot.
0:57:20 > 0:57:22- Austin, Lawrence, Eliot. - This is my dad.
0:57:22 > 0:57:24But there's a better picture.
0:57:24 > 0:57:26- Strong face, eh? - Strong man.
0:57:26 > 0:57:28Very strong opinions.
0:57:28 > 0:57:30In fact, you and my father.
0:57:30 > 0:57:32You couldn't get two people more different.
0:57:32 > 0:57:35Yeah, you'd hate each other.
0:57:35 > 0:57:36Why?
0:57:36 > 0:57:39Well, you're so right-wing about everything.
0:57:39 > 0:57:43I'm not wing. You're the one with the wing.
0:57:43 > 0:57:45All your ideas are from the same place.
0:57:45 > 0:57:47- That's not true. - No?
0:57:49 > 0:57:53These are from college. Different demonstrations.
0:57:53 > 0:57:54- What for? - Oh, everything.
0:57:54 > 0:57:56- Everything. - This is Lauren.
0:57:56 > 0:57:58Lauren, yeah.
0:57:59 > 0:58:01- Phil? - Yes. That's Phil.
0:58:01 > 0:58:04- Mm-hm. - Hmm.
0:58:04 > 0:58:06You are in love with him?
0:58:06 > 0:58:07Hmm?
0:58:07 > 0:58:11Yes. Yes, I am. He's kind and sensitive.
0:58:11 > 0:58:13Vegetarian?
0:58:13 > 0:58:16Yes, he cares about what he puts in his body.
0:58:16 > 0:58:17Not like me, eh? Big pig.
0:58:17 > 0:58:19HE SQUEALS LIKE PIG
0:58:19 > 0:58:22BOTH LAUGH
0:58:25 > 0:58:28Oh! I was 12 years old when I made that.
0:58:30 > 0:58:32Didn't the kids at school tease you?
0:58:32 > 0:58:33School? No.
0:58:33 > 0:58:36I left school at ten years.
0:58:36 > 0:58:38This is the same as my father's.
0:58:38 > 0:58:42He was a mechanic but he always dreamt of the gypsies.
0:58:42 > 0:58:45He would like to be a gypsy.
0:58:45 > 0:58:46Travel...
0:58:49 > 0:58:54This one's been given to me by the putain. You know? Prostitutes.
0:58:54 > 0:58:58Two girls in our town.
0:58:58 > 0:59:00Irene and Michelle.
0:59:00 > 0:59:04Michelle had lovely red hair - long, red hair.
0:59:04 > 0:59:09And this is how the heart is - love and hate.
0:59:09 > 0:59:12If some people say they love everything,
0:59:12 > 0:59:13it's not true, you know.
0:59:13 > 0:59:15That's how the heart is.
0:59:15 > 0:59:18This is my honesty.
0:59:19 > 0:59:22This one, when I was a bad boy, living in the street.
0:59:22 > 0:59:24This is a knife for revenge.
0:59:24 > 0:59:27When someone made something bad to you,
0:59:27 > 0:59:30you make this tattoo until you find him -
0:59:30 > 0:59:32and kill him!
0:59:32 > 0:59:37Then you make another one here with the knife put away.
0:59:37 > 0:59:40But you don't have that one.
0:59:40 > 0:59:41I don't find him yet.
0:59:44 > 0:59:45Were you ever in jail?
0:59:45 > 0:59:47Yeah.
0:59:47 > 0:59:49What for?
0:59:49 > 0:59:51Just kid's stuff.
0:59:51 > 0:59:53Stealing cars and...nothing serious.
0:59:53 > 0:59:54Oh.
0:59:54 > 0:59:57HE HUMS SOFTLY
0:59:59 > 1:00:02And...ah...when is your menstruation?
1:00:04 > 1:00:06- My...- Menstruation.
1:00:06 > 1:00:08Beginning of the month or end of the month?
1:00:10 > 1:00:11Hmm?
1:00:11 > 1:00:15It's at the... beginning of the month.
1:00:15 > 1:00:16Beginning. OK.
1:00:22 > 1:00:25I didn't really believe that you were a composer.
1:00:25 > 1:00:29We told so many lies, it's hard to know what the truth is.
1:00:31 > 1:00:33You just have to trust your instinct.
1:00:43 > 1:00:45Yeah.
1:00:46 > 1:00:48SHE SIGHS
1:00:48 > 1:00:51This was my first boyfriend from college.
1:00:51 > 1:00:54He was a musician too.
1:00:54 > 1:00:56He played...ah...the...
1:00:56 > 1:00:58..slide trombone.
1:00:59 > 1:01:02And it was he who first kissed those lips?
1:01:08 > 1:01:11I don't think they'll ask you that.
1:01:12 > 1:01:13Goodnight.
1:01:28 > 1:01:29Hmm.
1:02:45 > 1:02:48KNOCK AT DOOR
1:02:50 > 1:02:52- Bronte? - Yes.
1:02:52 > 1:02:55What side of the bed do you sleep on?
1:02:55 > 1:02:57The right side.
1:02:58 > 1:03:01OK, I'll take the left side.
1:03:01 > 1:03:02OK.
1:03:05 > 1:03:08FOOTSTEPS APPROACH
1:03:24 > 1:03:26SHE SIGHS
1:03:32 > 1:03:33BIRD CALLS
1:03:36 > 1:03:37HE MURMURS
1:03:52 > 1:03:54HE HUMS MELODY
1:04:08 > 1:04:11MUSIC: "Flute Concerto Number One" by Mozart
1:04:30 > 1:04:31Bronte, come on.
1:04:31 > 1:04:33We have work to do.
1:04:42 > 1:04:43Work!
1:04:45 > 1:04:47"Africa, Sunday.
1:04:47 > 1:04:52"Cherie, it is hot here in Africa.
1:04:52 > 1:04:55"And very green!
1:04:56 > 1:05:00"The elephants have been restless again.
1:05:01 > 1:05:05"I think it must be the drums.
1:05:06 > 1:05:08"It makes them crazy.
1:05:09 > 1:05:11"I miss you every day.
1:05:11 > 1:05:15"And I ask the same question.
1:05:15 > 1:05:18"When are you coming, cherie?"
1:05:18 > 1:05:19BRONTE WRITES: "Dear Georges,
1:05:19 > 1:05:23"The apartment is looking beautiful.
1:05:24 > 1:05:28"I only have to look in the fish pond to think of you.
1:05:29 > 1:05:30"Hurry home.
1:05:30 > 1:05:33"You are never far from my thoughts.
1:05:34 > 1:05:37"Much love, Bee."
1:05:43 > 1:05:45- This is ridiculous! - No, no.
1:05:45 > 1:05:47For the Green Card I'll do anything.
1:05:47 > 1:05:48Look, give me camera.
1:05:50 > 1:05:53- We need blue sky...ah! - Mm-hm.
1:05:54 > 1:05:56We're on honeymoon and we have to smile.
1:05:58 > 1:06:01OK, now. Do it...yes.
1:06:01 > 1:06:03- On the skis. - The other one.
1:06:03 > 1:06:05OK, and the slalom, you know.
1:06:05 > 1:06:07I'm very good in slalom. You remember?
1:06:07 > 1:06:08SHE GIGGLES
1:06:14 > 1:06:17HE IMITATES BLOWING WIND BRONTE LAUGHS
1:06:17 > 1:06:20OK, I need some blue sky! OK.
1:06:23 > 1:06:26That's good!
1:06:26 > 1:06:28OK, that's...that's great.
1:06:27 > 1:06:30# I'm gonna take you surfin' with me
1:06:30 > 1:06:32- # On a long board, babe... # - OK, that's good!
1:06:32 > 1:06:35# I'm gonna take you surfin' with me
1:06:35 > 1:06:37- # Let's go surfin' now... # - Lovely, lovely!
1:06:37 > 1:06:40# Everybody's learning how Come on a safari with me! #
1:06:40 > 1:06:41- OK. - Come on.
1:06:41 > 1:06:44Political ballet. I'm the oppressed. You made the victory.
1:06:44 > 1:06:46- OK, victory! - Victory, yeah!
1:06:46 > 1:06:49CAMERA CLICKS
1:06:49 > 1:06:51Victory!
1:06:51 > 1:06:52- OK. - OK. One more!
1:06:52 > 1:06:55- Oh! - All right.
1:06:55 > 1:06:56The green...yes!
1:06:56 > 1:06:58Put the plant behind you!
1:07:00 > 1:07:03Take that one. Put the green plant...
1:07:03 > 1:07:04Of course! The green plant.
1:07:04 > 1:07:07Yeah, yeah. That's good!
1:07:07 > 1:07:09- We feel the elephants? - I feel them.
1:07:09 > 1:07:11But...maybe with the knife...
1:07:11 > 1:07:13Like you... Yes.
1:07:13 > 1:07:15Ah...there...yes!
1:07:15 > 1:07:16This is so silly!
1:07:16 > 1:07:18No, no, no. Just one more.
1:07:18 > 1:07:20- Smile! - OK.
1:07:20 > 1:07:23BOTH LAUGH
1:07:23 > 1:07:25- OK, one more! - What now?
1:07:25 > 1:07:27- Handyman. - Handyman?
1:07:27 > 1:07:29Yes, the good husband always does handyman things.
1:07:29 > 1:07:31- Oh! OK. - Yes.
1:07:35 > 1:07:37How about these?
1:07:37 > 1:07:39Oh, great!
1:07:39 > 1:07:40Great!
1:07:40 > 1:07:43THEY GIGGLE
1:07:47 > 1:07:49Smile! CAMERA CLICKS
1:07:49 > 1:07:51- OK, do some handyman things! - Yeah.
1:07:51 > 1:07:53INTERCOM BUZZES
1:08:00 > 1:08:02Stay here!
1:08:06 > 1:08:08- Hello. WOMAN:- Surprise! It's us, darling.
1:08:08 > 1:08:10- We're in your lobby! - Mother!
1:08:10 > 1:08:11Why didn't you call?
1:08:11 > 1:08:13- Can we come up? - Of course!
1:08:13 > 1:08:15I... Look, um...
1:08:15 > 1:08:18- You sure it's all right? - Of course! Come on up.
1:08:21 > 1:08:22Georges!
1:08:22 > 1:08:24Georges, it's my parents!
1:08:24 > 1:08:27This is the worst! You've got to go.
1:08:27 > 1:08:29- OK, I'll change. - No. There's no time.
1:08:29 > 1:08:31OK. Fine.
1:08:31 > 1:08:32- Take the skis. - Yes.
1:08:32 > 1:08:35- Put them back in the closet. - Skis.
1:08:36 > 1:08:38Open! Open! Please.
1:08:38 > 1:08:39OK, thank you.
1:08:41 > 1:08:43- Open! - Oh!
1:08:43 > 1:08:45I'm sorry. Sorry! Come on!
1:08:48 > 1:08:49DOORBELL RINGS
1:08:49 > 1:08:52Just go. I'll make something up!
1:08:59 > 1:09:03Could I have a chat with you and your husband?
1:09:03 > 1:09:04- He was just leaving! - Yes.
1:09:04 > 1:09:07I want to know about these government people.
1:09:07 > 1:09:10- And last night I heard drums! - No, no.
1:09:10 > 1:09:12- Jungle drums! - No, no.
1:09:12 > 1:09:13Not now, Mrs Bird. Please?
1:09:13 > 1:09:17They keep asking questions about you and your husband.
1:09:17 > 1:09:19He's not a spy or something?
1:09:19 > 1:09:21Of course not, Mrs Bird!
1:09:22 > 1:09:23Georges.
1:09:23 > 1:09:26Oh! Mom, Dad.
1:09:26 > 1:09:27What's going on?
1:09:27 > 1:09:29- Hello, darling. - Hi.
1:09:29 > 1:09:31- We'll talk later. - How about the drums?
1:09:31 > 1:09:32- (Later.) - What?
1:09:32 > 1:09:34I'll speak to you later.
1:09:34 > 1:09:37If you'd called, I would've prepared something.
1:09:37 > 1:09:38I made you something.
1:09:38 > 1:09:41Since you never visit, it's up to us.
1:09:41 > 1:09:42No, it's not that.
1:09:42 > 1:09:45Your father had to see someone...
1:09:45 > 1:09:46Hokey sort of entrance.
1:09:46 > 1:09:48Oh, it's lovely.
1:09:51 > 1:09:52This is Georges.
1:09:52 > 1:09:54Hello.
1:09:54 > 1:09:55Hi.
1:09:56 > 1:09:58The handyman.
1:10:01 > 1:10:04- Oh. - Finish up the work, Georges.
1:10:04 > 1:10:06Yeah, right. I just finish my work.
1:10:06 > 1:10:07Darling, it's beautiful.
1:10:07 > 1:10:09- Pardon! - Eh?
1:10:09 > 1:10:10I understand your excitement.
1:10:10 > 1:10:12It's awfully small.
1:10:12 > 1:10:14Did they sign the big contracts, Dad?
1:10:14 > 1:10:16We're not discussing that.
1:10:16 > 1:10:17Did they sign? No!
1:10:17 > 1:10:20They backed out. Liars! They lied to me.
1:10:20 > 1:10:22Dear, don't upset yourself.
1:10:22 > 1:10:25One thing I can't stand is a liar!
1:10:25 > 1:10:28Read your paper, dear. We'll look at the greenhouse.
1:10:28 > 1:10:29- He's upset. - Oh, yes.
1:10:29 > 1:10:32Oh, it is too beautiful!
1:10:33 > 1:10:35You want a hand there, Georges?
1:10:35 > 1:10:38Thanks, I'm just measuring.
1:10:38 > 1:10:39Oh.
1:10:39 > 1:10:41Measuring.
1:10:43 > 1:10:45She's had the baby already - premature.
1:10:45 > 1:10:47- Premature? What did they name her? - Tiffany.
1:10:47 > 1:10:50Now they have a Tiffany and a Tarquin.
1:10:51 > 1:10:52Thank you.
1:10:52 > 1:10:54- Pretentious. - Dear.
1:10:54 > 1:10:55He's a pretentious writer too.
1:10:55 > 1:10:57- Ho-ho. - He is.
1:10:57 > 1:11:00- Don't you think so? - You're in a bad mood.
1:11:00 > 1:11:01I need a screw.
1:11:02 > 1:11:04Pardon?
1:11:04 > 1:11:06I really need a screw.
1:11:08 > 1:11:10I thought you were leaving.
1:11:09 > 1:11:12I'll fix the door, but I need...
1:11:12 > 1:11:14In the cupboard under the sink.
1:11:14 > 1:11:16I'm gonna help Georges.
1:11:16 > 1:11:18He seems a bit lost.
1:11:24 > 1:11:26Let's get those orchids.
1:11:26 > 1:11:29- I'm sure you want to go. - Oh, no, dear.
1:11:29 > 1:11:32We're not in a hurry...not at all.
1:11:34 > 1:11:37You're not really a handyman, are you, Georges?
1:11:43 > 1:11:45No.
1:11:45 > 1:11:46I'm a composer.
1:11:46 > 1:11:48Oh.
1:11:48 > 1:11:51I used to be a cleaner, when I first started writing.
1:11:51 > 1:11:53A long, long time ago.
1:11:53 > 1:11:55We'd just got married.
1:11:55 > 1:11:58Against the wishes of my parents, I might add.
1:11:58 > 1:12:00Didn't have a bean.
1:12:00 > 1:12:02We fell in love right off.
1:12:02 > 1:12:06Oh, it was difficult, very difficult, but, you know...
1:12:06 > 1:12:08..when you're in love, you know.
1:12:08 > 1:12:11- Shipboard romance, it was. - Excuse me.
1:12:12 > 1:12:14- I'll get it. - It's OK. No.
1:12:21 > 1:12:24Bronte, come here a minute. What is this?
1:12:34 > 1:12:35Thank you.
1:12:35 > 1:12:38It was right in the middle of a lifeboat drill.
1:12:38 > 1:12:41We suddenly found ourselves in the same boat.
1:12:43 > 1:12:45Shouldn't you be going, Georges?
1:12:45 > 1:12:47No, go on outside with your mother.
1:12:47 > 1:12:49- Outside! - But...
1:12:49 > 1:12:51We have everything under control.
1:12:51 > 1:12:52Go on, out you go.
1:12:52 > 1:12:56We've been talking about music and love and skiing.
1:12:57 > 1:12:59And all manner of things.
1:12:59 > 1:13:01- Haven't we, Georges? - LAUGHS NERVOUSLY:- Yes.
1:13:03 > 1:13:06Oh, I like your Georges, Bronte.
1:13:06 > 1:13:07Charming man.
1:13:07 > 1:13:11He's not MY Georges, Mother. He should've left by now.
1:13:11 > 1:13:12He's keeping your father happy,
1:13:12 > 1:13:16and you know how restless he gets, so let's be grateful.
1:13:16 > 1:13:17< LAUGHTER
1:13:24 > 1:13:26Height...5'7".
1:13:26 > 1:13:28- 5'8".- 5'8".
1:13:29 > 1:13:32Weight...140 pounds.
1:13:31 > 1:13:33No!
1:13:33 > 1:13:34No. 125.
1:13:34 > 1:13:36- 125?- Yeah.
1:13:37 > 1:13:39Eyes?
1:13:40 > 1:13:41Brown.
1:13:41 > 1:13:43Brown, yeah.
1:13:43 > 1:13:46- Small scar on your ankle. - How did you know?
1:13:46 > 1:13:47I know, I saw it.
1:13:47 > 1:13:51Birthday... August 24, 1959.
1:13:51 > 1:13:53Correct. OK, my turn.
1:13:53 > 1:13:56SHE SIGHS Eyes...green.
1:13:55 > 1:13:58- Height... - Nose...big.
1:13:57 > 1:14:00- Oh, no. - Yes.
1:14:01 > 1:14:03Height...ah, 5'11".
1:14:03 > 1:14:05Yeah.
1:14:05 > 1:14:07Um, weight...
1:14:07 > 1:14:10Uf! Weight! You worry too much about weight.
1:14:10 > 1:14:13- Um, at 17 you met Helene. - Yeah.
1:14:13 > 1:14:15- She was at the University of Paris. - Oui.
1:14:15 > 1:14:18She taught you to read and write music,
1:14:18 > 1:14:20and you lived together for...
1:14:20 > 1:14:22- Seven. - ..seven years...
1:14:22 > 1:14:23..until she died.
1:14:23 > 1:14:26Then you gave up your music for many years.
1:14:26 > 1:14:29- Right? - Yes, but I don't write any music.
1:14:29 > 1:14:32I just play piano always in the bar.
1:14:32 > 1:14:33Yes!
1:14:34 > 1:14:37And Anton heard you one night in Paris
1:14:37 > 1:14:40and said he would help you start over in America.
1:14:40 > 1:14:42And I wake up in America -
1:14:42 > 1:14:44beautiful country, land of opportunity.
1:14:44 > 1:14:46Ho-ho-ho-ho.
1:14:48 > 1:14:50OK, back to work.
1:14:50 > 1:14:51Um...
1:14:52 > 1:14:54You lived with two men.
1:14:54 > 1:14:57First Peter, then Steven - both nice guys.
1:14:57 > 1:15:01- Nice?! - Yes, that's what you said. Yes.
1:15:01 > 1:15:05And Steven wanted to marry you, but you think marriage is boring.
1:15:05 > 1:15:06Ah! Except for ours.
1:15:06 > 1:15:08Oh, yeah.
1:15:08 > 1:15:10Then you met Phil.
1:15:12 > 1:15:13Phil.
1:15:14 > 1:15:16Him you really love, huh?
1:15:16 > 1:15:18But you can't tell them that.
1:15:20 > 1:15:23And I left Phil...
1:15:23 > 1:15:24And married me because...
1:15:25 > 1:15:28You're different and...funny.
1:15:28 > 1:15:31And don't forget... a good handyman.
1:15:31 > 1:15:32Right.
1:15:34 > 1:15:36You've had lots of women,
1:15:36 > 1:15:40but you haven't really loved anyone since Helene, except for me.
1:15:40 > 1:15:43And you fell in love with me because...
1:15:43 > 1:15:45Ah.
1:15:44 > 1:15:46What's a good reason?
1:15:46 > 1:15:48I just can't think.
1:15:49 > 1:15:52Can't be that hard to think of a reason.
1:15:52 > 1:15:54Ah, let me see.
1:15:55 > 1:15:56Ah!
1:15:57 > 1:15:59There must be a reason!
1:16:02 > 1:16:04Ooh, yes.
1:16:04 > 1:16:06Yes.
1:16:07 > 1:16:09Because I begin to hear music again.
1:16:14 > 1:16:15..like Moma's little girl.
1:16:15 > 1:16:17- Yeah? - The same thing.
1:16:18 > 1:16:20HORNS BLARE
1:16:23 > 1:16:26No, I gave you a five, right? OK.
1:16:27 > 1:16:28- What is it? - Nothing.
1:16:28 > 1:16:30What?
1:16:30 > 1:16:32Don't wait up for me.
1:16:32 > 1:16:33Phil!
1:16:34 > 1:16:37- Phil! - Hey-hey!
1:16:39 > 1:16:41Hey!
1:16:41 > 1:16:42Oh!
1:16:46 > 1:16:48- Let's go to your place. - Wait.
1:16:48 > 1:16:51- Or round to Angelo's for dinner. - No.
1:16:51 > 1:16:53- God, I'm hungry. - No, no, no, no.
1:16:53 > 1:16:56No, no. It's all right. I've made a reservation.
1:16:56 > 1:16:59Let's go have dinner just around the corner.
1:16:59 > 1:17:01No, I have it all planned.
1:17:01 > 1:17:02- Come on. - No, no.
1:17:02 > 1:17:06- What did you do while I was away? - Not much.
1:17:06 > 1:17:08Not much? Did you miss me?
1:17:08 > 1:17:10- Oh, yes. - Yes?
1:17:10 > 1:17:11I missed you a lot.
1:17:11 > 1:17:13- Sure you missed me? - Of course.
1:17:13 > 1:17:15- You sure? - Yes!
1:17:15 > 1:17:16Doesn't look like it.
1:17:16 > 1:17:20No, it looks like I missed you more than you missed me.
1:17:20 > 1:17:22It's not true.
1:17:26 > 1:17:29You should've been there - it was beautiful.
1:17:28 > 1:17:30I saw us there.
1:17:30 > 1:17:33In the middle of nowhere, grow our own food.
1:17:33 > 1:17:35One night there was this incredible moon.
1:17:35 > 1:17:38- You should've seen it. - We had the same moon.
1:17:38 > 1:17:41But you should've seen it without all the pollution.
1:17:41 > 1:17:43It was glorious.
1:17:43 > 1:17:46It was a cloudy night, then this giant shaft of moonlight
1:17:46 > 1:17:48suddenly breaks through the clouds.
1:17:48 > 1:17:51It was all of a sudden like daytime.
1:17:51 > 1:17:54Giant shadows being cast from the trees.
1:18:08 > 1:18:10HE HUMS
1:18:15 > 1:18:17HE LAUGHS
1:19:11 > 1:19:13Oh.
1:19:17 > 1:19:18Oh, lovely...
1:19:20 > 1:19:22KEYS JANGLE
1:19:22 > 1:19:23LAUGHTER Now go!
1:19:23 > 1:19:25- No! - Phil!
1:19:25 > 1:19:27The guard isn't here.
1:19:28 > 1:19:30Look, we'll get together tomorrow, OK? Please.
1:19:30 > 1:19:32Just to the door, Bronte.
1:19:32 > 1:19:37There might be some intruder lurking about.
1:19:42 > 1:19:43KEYS JANGLE
1:19:44 > 1:19:46Hey, this is nice!
1:19:46 > 1:19:48OK, you've seen it. Time to go.
1:19:48 > 1:19:52No, I can't go home until I've seen the greenhouse.
1:19:51 > 1:19:54Phil, you've had too much to drink.
1:19:54 > 1:19:55Come here.
1:19:55 > 1:19:59- Mmm! - Mmm!
1:19:58 > 1:20:00Oh, you feel so good.
1:20:00 > 1:20:02Oh, Phil, no.
1:20:02 > 1:20:04- Please. - Mmm!
1:20:04 > 1:20:06- No. - (Bronte.)
1:20:06 > 1:20:08Phil!
1:20:08 > 1:20:09- Mmm! - SHE LAUGHS COYLY
1:20:11 > 1:20:12Phil, no!
1:20:12 > 1:20:14No.
1:20:14 > 1:20:15You heard what she said!
1:20:20 > 1:20:22GLASS SHATTERS
1:20:22 > 1:20:23Merde!
1:20:25 > 1:20:26HE GROWLS
1:20:27 > 1:20:29She said go, OK?
1:20:30 > 1:20:32- Who's this? - I'll throw you out!
1:20:32 > 1:20:34- How dare you?! - Bronte, tell me.
1:20:34 > 1:20:36Get out, vegetarian!
1:20:36 > 1:20:37- Who are you?! - Georges, no!
1:20:37 > 1:20:39I'm the husband, that's who!
1:20:39 > 1:20:41Argh!
1:20:41 > 1:20:43Oh!
1:20:43 > 1:20:44What did you say?
1:20:44 > 1:20:47That's my wife you've been grabbing. Get out!
1:20:48 > 1:20:51Bronte! Bronte, is this true?
1:20:51 > 1:20:54Yes, but it's not the way you think. God!
1:20:54 > 1:20:56- What?! - Oh, God!
1:20:56 > 1:20:57- Out! - Now wait a minute!
1:20:57 > 1:20:59Out, out, out!
1:20:59 > 1:21:02Hey, you're the waiter from that restaurant.
1:21:02 > 1:21:03Yes. Out! Out!
1:21:03 > 1:21:07I don't know what's going on, but I'll find out!
1:21:06 > 1:21:08Come on, get out! Cucumber!
1:21:17 > 1:21:19- No! - Now you go! Out!
1:21:19 > 1:21:22- The interview...it's tomorrow. - Out! Now!
1:21:22 > 1:21:24- Are you upset? - Upset?!
1:21:24 > 1:21:26Upset? Out! Out!
1:21:26 > 1:21:28- No. But the interview! - I don't care.
1:21:28 > 1:21:30- I don't care what happens! - Bronte, please!
1:21:30 > 1:21:32Go or I'll call Immigration.
1:21:32 > 1:21:36Jail would be better than this - I'd have my own cell.
1:21:36 > 1:21:37KNOCKING
1:21:37 > 1:21:39Come on, don't be childish.
1:21:40 > 1:21:42Bronte.
1:21:42 > 1:21:43Ooh!
1:21:43 > 1:21:45Bronte, open it. Bronte.
1:21:47 > 1:21:49Bronte? Bronte.
1:21:50 > 1:21:51Bronte.
1:22:09 > 1:22:11SHE SIGHS
1:22:19 > 1:22:21- MRS BIRD:- Get up!
1:22:21 > 1:22:22Go on, get up!
1:22:22 > 1:22:24Out! Out! Out!
1:22:24 > 1:22:26Oh, no!
1:22:27 > 1:22:28- Up! Out! - HE GROANS
1:22:28 > 1:22:30Back to the subway!
1:22:30 > 1:22:33- It's you! - Ah, good morning, Mrs Bird.
1:22:33 > 1:22:36Ever since you moved in there's been trouble.
1:22:36 > 1:22:38Didn't want to wake you, cherie.
1:22:38 > 1:22:40- You forgot your key again. - Yes!
1:22:40 > 1:22:41I'm always forgetting the key.
1:22:41 > 1:22:43You should've gone to a hotel.
1:22:43 > 1:22:46The Board wouldn't approve of such a thing!
1:22:46 > 1:22:47Sleeping in the hallways!
1:22:47 > 1:22:49This isn't Africa, you know!
1:22:49 > 1:22:52I realise that, Mrs Bird. It won't happen again.
1:22:52 > 1:22:53Mrs Bird.
1:22:55 > 1:22:57Why did you do that last night?
1:22:57 > 1:22:59- I don't like vegetarians. - Ridiculous!
1:22:59 > 1:23:01He was bothering you, I lost control.
1:23:01 > 1:23:02Is that an apology?
1:23:02 > 1:23:04- He's not right for you. - Really?
1:23:04 > 1:23:06He knows about people's feelings.
1:23:06 > 1:23:07You don't have feeling.
1:23:07 > 1:23:09You snore, have atrocious manners.
1:23:09 > 1:23:11You're a snob.
1:23:11 > 1:23:13You're a slob, you're overweight, disgusting!
1:23:13 > 1:23:15You're a rebel, but afraid of your father.
1:23:15 > 1:23:17My father's made something of himself.
1:23:17 > 1:23:20You live life like it's from a book!
1:23:20 > 1:23:21You sleep in the park.
1:23:21 > 1:23:25You make nice love with Phil - like a vegetable. You need a fuck.
1:23:25 > 1:23:28Language of the gutter, where you're from!
1:23:28 > 1:23:32I'm the gutter, but you're like a plant. A cactus!
1:23:32 > 1:23:36I had no opinion of you. Now I do... I really hate you!
1:23:36 > 1:23:38Good, good. Your first feeling.
1:23:38 > 1:23:41- Oh, God! The interview! - Oh, my God!
1:23:43 > 1:23:45- Oh! - Oh!
1:23:45 > 1:23:48- Do you have... - I'll do it! I'll do it!
1:23:49 > 1:23:50HORNS BLARE
1:23:50 > 1:23:52- Move, you stupid moron! - What's up?
1:23:52 > 1:23:54Come on, we'll take the subway.
1:23:54 > 1:23:57Take the subway, but you ain't going nowhere -
1:23:57 > 1:23:58the water main broke.
1:23:58 > 1:24:01- The park! Come on! - The whole city's falling apart.
1:24:01 > 1:24:04We'll get a cab on the other side.
1:24:04 > 1:24:06But the park's too far, Bronte.
1:24:06 > 1:24:08Bronte, it is too far!
1:24:13 > 1:24:15Come on!
1:24:15 > 1:24:16Over there.
1:24:19 > 1:24:21This way!
1:24:21 > 1:24:22- You sure? - Yeah!
1:24:22 > 1:24:24Because we can't get lost.
1:24:24 > 1:24:26I'm sure! Of course I'm sure.
1:24:27 > 1:24:28To the right. Right!
1:24:36 > 1:24:37Come on, come on.
1:24:37 > 1:24:39- Ahh! - Don't fall. Take care.
1:24:43 > 1:24:45SHE GASPS
1:24:47 > 1:24:49Ohhh.
1:24:49 > 1:24:52We're nearly there. It's not far.
1:24:54 > 1:24:55Ohhh.
1:24:55 > 1:24:57Come on.
1:25:02 > 1:25:04- Taxi! - Taxi!
1:25:04 > 1:25:06- Taxi! - Taxi!
1:25:06 > 1:25:08- Taxi! - Taxi!
1:25:09 > 1:25:11Number 75.
1:25:14 > 1:25:16PEOPLE TALK TOGETHER
1:25:18 > 1:25:20We're the next.
1:25:23 > 1:25:25Bronte...
1:25:25 > 1:25:27OK, Lauren...
1:25:29 > 1:25:31Father, Sydney.
1:25:32 > 1:25:35Face cream Monticello. Monticello.
1:25:36 > 1:25:37Monticello.
1:25:37 > 1:25:40Is your father's name Bertrand or Bernard?
1:25:41 > 1:25:43- Rene. - Oh.
1:25:44 > 1:25:46ELECTRONIC BEEP WOMAN: 76.
1:25:46 > 1:25:4876.
1:26:13 > 1:26:15Wait in here, Mr Faure.
1:26:15 > 1:26:17Mrs Faure, if you'll follow me.
1:26:40 > 1:26:42FOOTSTEPS ECHO DOWN CORRIDOR
1:26:44 > 1:26:45FOOTSTEPS GROW LOUDER
1:26:51 > 1:26:53Mm-mm-mm-mm-mm.
1:26:54 > 1:26:56Mr Faure.
1:26:56 > 1:27:00As you know, we have doubts that your marriage is bona fide.
1:27:00 > 1:27:02I have some detailed questions here.
1:27:02 > 1:27:05Your answers will help us make a determination.
1:27:04 > 1:27:08I want you to be brief and to the point.
1:27:08 > 1:27:10I'll ask you to raise your right hand...
1:27:12 > 1:27:15Do you swear the evidence you're about to give
1:27:15 > 1:27:18is the truth, the whole truth and nothing but the truth?
1:27:18 > 1:27:20I do.
1:27:20 > 1:27:21I do.
1:27:21 > 1:27:23Your name is Bronte Mitchell Faure?
1:27:24 > 1:27:26Her father is a writer.
1:27:26 > 1:27:29- His name? - Sydney. Sydney Parrish.
1:27:29 > 1:27:31He didn't have a formal education.
1:27:31 > 1:27:34He ran away from home when he was 12.
1:27:34 > 1:27:37Plants. She loves all flowers and weeds.
1:27:37 > 1:27:38That's her research.
1:27:38 > 1:27:40He knows I love salads.
1:27:40 > 1:27:43He likes all fatty foods - you know, being French.
1:27:43 > 1:27:47She likes to eat such a thing as birdseed.
1:27:47 > 1:27:48- Birdseed? - Yes.
1:27:48 > 1:27:52Muesli and decaf. Ouf! Horrible coffee!
1:27:52 > 1:27:54HE HUMS
1:27:54 > 1:27:57- He hums all the time. - Hums?
1:27:57 > 1:27:59He's composing.
1:27:59 > 1:28:01He hasn't written in a long time.
1:28:03 > 1:28:06He says he's not sensitive.
1:28:06 > 1:28:07But that's not true.
1:28:07 > 1:28:09He's a very sensitive man.
1:28:12 > 1:28:14BRONTE: He makes me laugh.
1:28:15 > 1:28:17She's very kind to people.
1:28:18 > 1:28:20Me, I don't think that way.
1:28:21 > 1:28:23I don't trust people.
1:28:25 > 1:28:26He's had a hard life.
1:28:26 > 1:28:29In a way he hasn't learned to give
1:28:29 > 1:28:31but he's got so much to give.
1:28:31 > 1:28:33She has peace.
1:28:33 > 1:28:35GORSKY WRITES BUSILY
1:28:34 > 1:28:36I don't have peace.
1:28:37 > 1:28:40He has passion. He eats life.
1:28:43 > 1:28:45I'm sure that just about does it.
1:28:45 > 1:28:47Just a few more details.
1:28:47 > 1:28:50- Five feet eight. - Five eleven.
1:28:50 > 1:28:53- 125. - He won't say how much he weighs.
1:28:53 > 1:28:56- She sleeps on the right. - He's on the left.
1:28:56 > 1:28:59- Her toothbrush? Green. - Mine's green.
1:28:59 > 1:29:01Her face cream?
1:29:04 > 1:29:06Monticello.
1:29:08 > 1:29:10Monaco.
1:29:10 > 1:29:13Non. Monte Carlo.
1:29:14 > 1:29:16That's the only answer I keep forgetting.
1:29:26 > 1:29:28You remember all the other answers.
1:29:36 > 1:29:39It's not her fault, so please, don't touch her.
1:30:18 > 1:30:19I was good, I think.
1:30:19 > 1:30:21Me too.
1:30:24 > 1:30:26I think you'll get what you want.
1:30:26 > 1:30:28- The Green Card. - Oh, yes.
1:30:31 > 1:30:35I'll see you again? I mean, I have to get my things.
1:30:35 > 1:30:37I can leave them with Oscar.
1:30:37 > 1:30:40Oscar, good idea, yes. Yes, you're right... Oscar.
1:30:40 > 1:30:44As soon as we hear something we can start...
1:30:44 > 1:30:45..you know, the divorce.
1:30:45 > 1:30:48As soon as possible, yeah.
1:30:51 > 1:30:53Good luck with your music.
1:30:54 > 1:30:57I hope you get your big trees.
1:31:01 > 1:31:03Goodbye, Georges.
1:31:03 > 1:31:05Goodbye, Bronte.
1:31:07 > 1:31:09Oh...
1:31:09 > 1:31:11The ring.
1:32:14 > 1:32:17- Madame, bijoux africains. - No, thank you.
1:32:27 > 1:32:30DOOR OPENS
1:33:30 > 1:33:34DOORBELL RINGS
1:33:38 > 1:33:40I...
1:33:40 > 1:33:42Good morning, Mrs Faure.
1:33:42 > 1:33:44Mr Faure asked me to give you this.
1:33:44 > 1:33:47I guess his flight was delayed.
1:33:47 > 1:33:49Yes. Well, thank you, Oscar.
1:34:05 > 1:34:09SOUND OF GEORGES HUMMING HIS TUNE
1:34:20 > 1:34:23- GEORGES: - "Africa, Tuesday.
1:34:24 > 1:34:28"Cherie, the elephants have been restless again,
1:34:28 > 1:34:31"so restless, I just can't sleep.
1:34:33 > 1:34:36"I would like to say a last goodbye
1:34:36 > 1:34:38"before this next safari."
1:36:46 > 1:36:48- It's OK. - What?
1:36:49 > 1:36:51Monticello.
1:36:51 > 1:36:53I think I tried too hard.
1:36:53 > 1:36:55I blew it.
1:36:56 > 1:36:57Why didn't you tell me?
1:37:00 > 1:37:02It's all right.
1:37:03 > 1:37:05We made a deal.
1:37:05 > 1:37:06If I leave quickly
1:37:06 > 1:37:10then you keep your beautiful greenhouse.
1:37:12 > 1:37:14I don't care about the greenhouse.
1:37:16 > 1:37:18- GORSKY: - It's time to go, Mr Faure.
1:37:21 > 1:37:23No, no!
1:37:25 > 1:37:27- I write. - Let's go.
1:37:27 > 1:37:29I write every day.
1:37:29 > 1:37:30Now, Mr Faure.
1:37:30 > 1:37:33And the letters will always say the same thing -
1:37:33 > 1:37:35when are you coming, cherie?
1:37:40 > 1:37:45# Last night I had a dream...
1:37:45 > 1:37:47# Oooh... #
1:37:47 > 1:37:49No!
1:37:49 > 1:37:50No!
1:37:50 > 1:37:53# About a home that was so right
1:37:53 > 1:37:55# I don't know why
1:37:55 > 1:37:58# It has to be a dream
1:37:58 > 1:38:00# Why can't I, When will I... #
1:38:00 > 1:38:02Do you still have them?
1:38:03 > 1:38:06# Help me find a home
1:38:06 > 1:38:12# Keep your eyes on the prize
1:38:12 > 1:38:18# Don't be dismayed Don't be dismayed... #
1:38:18 > 1:38:19I do.
1:38:19 > 1:38:24# Deep in your heart you must believe
1:38:25 > 1:38:29# Everything is gonna be all right... #
1:38:29 > 1:38:31So do I.
1:38:31 > 1:38:37# Everything is gonna be all right... #
1:38:36 > 1:38:38THEY LAUGH
1:38:38 > 1:38:42# Everything is gonna be all right
1:38:42 > 1:38:44# Some day... #
1:38:44 > 1:38:46BOTH LAUGH
1:38:49 > 1:38:55# Sometimes hot and sometimes cold
1:38:55 > 1:39:00# Sometimes I'm in Sometimes I'm out
1:39:00 > 1:39:06# No, I haven't had much to eat
1:39:05 > 1:39:11# Lord knows I haven't had much sleep
1:39:10 > 1:39:17# You know, keep your eyes on the prize
1:39:17 > 1:39:23# Don't be dismayed Don't be dismayed
1:39:23 > 1:39:26# Deep in your heart
1:39:26 > 1:39:29# You must believe
1:39:29 > 1:39:35# Everything is gonna be all right
1:39:35 > 1:39:41# Everything is gonna be all right
1:39:41 > 1:39:50# Everything is gonna be all right some day. #
1:40:29 > 1:40:34Subtitles by the Australian Caption Centre
1:40:34 > 1:40:37E-mail us at subtitling@bbc.co.uk