Kill Bill Vol 1

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0:00:07 > 0:00:11This programme contains very strong language, prolonged violent

0:00:11 > 0:00:14scenes and some scenes some viewers may find upsetting

0:00:33 > 0:00:36HEAVY BREATHING

0:00:51 > 0:00:53FOOTSTEPS

0:01:12 > 0:01:15Do you find me sadistic?

0:01:20 > 0:01:22You know,

0:01:22 > 0:01:27I bet I could fry an egg on your head right now

0:01:27 > 0:01:29if I wanted to.

0:01:29 > 0:01:34You know, kiddo,

0:01:34 > 0:01:39I'd like to believe you're aware enough, even now,

0:01:39 > 0:01:43to know that there's nothing sadistic

0:01:43 > 0:01:46in my actions.

0:01:46 > 0:01:51Well, maybe towards those other jokers.

0:01:52 > 0:01:54But not you.

0:01:59 > 0:02:00No, kiddo.

0:02:00 > 0:02:03At this moment...

0:02:03 > 0:02:04BULLETS RATTLE

0:02:04 > 0:02:06This is me...

0:02:06 > 0:02:10at my most... masochistic.

0:02:10 > 0:02:12Bill...

0:02:12 > 0:02:14it's your baby. GUNSHOT

0:02:28 > 0:02:30# I was five and he was six

0:02:30 > 0:02:34# We rode on horses made of sticks

0:02:34 > 0:02:37# He wore black and I wore white

0:02:37 > 0:02:39# He would always win the fight

0:02:39 > 0:02:40# Bang, bang

0:02:40 > 0:02:41# He shot me down

0:02:41 > 0:02:43# Bang, bang

0:02:43 > 0:02:44# I hit the ground

0:02:44 > 0:02:46# Bang bang

0:02:46 > 0:02:48# That awful sound

0:02:48 > 0:02:50# Bang, bang

0:02:50 > 0:02:54# My baby shot me down

0:03:04 > 0:03:07# Seasons came and changed the time

0:03:07 > 0:03:12# When I grew up, I called him mine

0:03:12 > 0:03:14# He would always laugh and say

0:03:14 > 0:03:17# Remember when we used to play

0:03:17 > 0:03:19# Bang, bang

0:03:19 > 0:03:21# I shot you down

0:03:21 > 0:03:22# Bang, bang

0:03:22 > 0:03:23# You hit the ground

0:03:23 > 0:03:25# Bang, bang

0:03:25 > 0:03:26# That awful sound

0:03:26 > 0:03:28# Bang, bang

0:03:28 > 0:03:33# I used to shoot you down

0:03:40 > 0:03:44# Music played and people sang

0:03:44 > 0:03:49# Just for me the church bells rang

0:04:00 > 0:04:01# Now he's gone

0:04:01 > 0:04:04# I don't know why

0:04:04 > 0:04:08# And till this day, sometimes I cry

0:04:08 > 0:04:11# He didn't even say goodbye

0:04:11 > 0:04:14# He didn't take the time to lie

0:04:14 > 0:04:16# Bang, bang

0:04:16 > 0:04:18# He shot me down

0:04:18 > 0:04:19# Bang, bang

0:04:19 > 0:04:20# I hit the ground

0:04:20 > 0:04:23# Bang, bang

0:04:23 > 0:04:25# That awful sound

0:04:25 > 0:04:27# Bang, bang

0:04:27 > 0:04:33# My baby shot me down. #

0:05:06 > 0:05:09CAR DOOR OPENS AND CLOSES

0:05:20 > 0:05:22WOMAN: Coming!

0:05:22 > 0:05:25Sarah, I cannot believe you are early.

0:05:29 > 0:05:32MUSIC: Theme From Ironside

0:06:41 > 0:06:43OK. Come on, bitch.

0:06:43 > 0:06:47Come on. Bring it on.

0:07:25 > 0:07:27Mommy, I'm home.

0:07:27 > 0:07:28Hey, baby.

0:07:28 > 0:07:30How was school?

0:07:32 > 0:07:35Mommy, what happened to you and the TV room?

0:07:35 > 0:07:39Oh. That good-for-nothing dog of yours got his little ass

0:07:39 > 0:07:41in the living room and acted a damn fool.

0:07:41 > 0:07:42That's what happened, baby.

0:07:42 > 0:07:44Barney did this? Baby...

0:07:44 > 0:07:46Now, you can't come in here.

0:07:46 > 0:07:50There's broken glass everywhere, and you could cut yourself.

0:07:50 > 0:07:52WOMEN BREATHE HEAVILY

0:07:54 > 0:07:58This is an old friend of Mommy's I ain't seen in a long time.

0:07:58 > 0:08:00Hi, honey.

0:08:00 > 0:08:02I'm BLEEP.

0:08:02 > 0:08:04What's your name?

0:08:07 > 0:08:09Her name is Nikki.

0:08:09 > 0:08:12Nikki.

0:08:12 > 0:08:16Such a pretty name for such a pretty girl.

0:08:16 > 0:08:18How old are you, Nikki?

0:08:20 > 0:08:25Nikki, BLEEP asked you a question.

0:08:25 > 0:08:26I'm four.

0:08:26 > 0:08:28Four years old, eh?

0:08:28 > 0:08:35You know, I had a little girl once.

0:08:35 > 0:08:37She'd be about four now.

0:08:40 > 0:08:44Now, baby, me and Mommy's friend got some grown-up talk

0:08:44 > 0:08:45to talk about.

0:08:45 > 0:08:47So you can go in your room now.

0:08:47 > 0:08:49And I want you to leave us alone till I tell you to come out.

0:08:49 > 0:08:52OK?

0:08:52 > 0:08:54Nikkia!

0:08:54 > 0:08:58In your room. Now.

0:09:08 > 0:09:11You want some coffee?

0:09:11 > 0:09:15Yeah. Sure.

0:09:19 > 0:09:21WOMAN: 'This Pasadena homemaker's name

0:09:21 > 0:09:22'is Jeanne Bell.

0:09:22 > 0:09:25'Her husband is Dr Lawrence Bell.

0:09:25 > 0:09:27'But back when we were acquainted, four years ago,

0:09:27 > 0:09:29'her name was Vernita Green.

0:09:29 > 0:09:32'Her codename was Copperhead.

0:09:32 > 0:09:34'Mine, Black Mamba.'

0:09:34 > 0:09:36Do you have a towel?

0:09:36 > 0:09:39Yeah.

0:09:41 > 0:09:42Thanks.

0:09:42 > 0:09:44You still take cream and sugar, right?

0:09:44 > 0:09:45Yeah.

0:09:48 > 0:09:51So I suppose it's a little late for an apology, huh?

0:09:51 > 0:09:53You suppose correctly.

0:09:53 > 0:09:55Look, bitch, I need to know

0:09:55 > 0:09:57if you're gonna start any more shit around my baby girl.

0:09:57 > 0:10:00You can relax for now.

0:10:00 > 0:10:04I'm not gonna murder you in front of your child, OK?

0:10:06 > 0:10:07That's being more rational

0:10:07 > 0:10:10than Bill led me to believe you were capable of.

0:10:10 > 0:10:13It's mercy, compassion, and forgiveness I lack,

0:10:13 > 0:10:16not rationality.

0:10:21 > 0:10:22Look...

0:10:22 > 0:10:26I know I fucked you over. I fucked you over bad.

0:10:26 > 0:10:28I wish to God I hadn't, but I did.

0:10:28 > 0:10:31You have every right to want to get even.

0:10:31 > 0:10:32No.

0:10:35 > 0:10:37To get even? Even Stephen?

0:10:37 > 0:10:41I would have to kill you,

0:10:41 > 0:10:44go up to Nikki's room, kill her,

0:10:44 > 0:10:47then wait for your husband, the good Dr Bell, to come home,

0:10:47 > 0:10:48and kill him.

0:10:48 > 0:10:51That would be even, Vernita.

0:10:51 > 0:10:54That'd be about square.

0:10:54 > 0:10:56Look, if I could go back in a machine, I would.

0:10:56 > 0:10:57But I can't.

0:10:59 > 0:11:02All I can tell you is that I'm a different person now.

0:11:02 > 0:11:06Oh, great. I don't care.

0:11:06 > 0:11:08Be that as it may,

0:11:08 > 0:11:11I know I don't deserve your mercy or your forgiveness.

0:11:11 > 0:11:16However, I beseech you for both on behalf of my daughter.

0:11:16 > 0:11:21Bitch, you can stop right there.

0:11:21 > 0:11:23Just because I have no wish to murder you

0:11:23 > 0:11:24before the eyes of your daughter

0:11:24 > 0:11:26does not mean that parading her around in front of me

0:11:26 > 0:11:28is gonna inspire sympathy.

0:11:28 > 0:11:32You and I have unfinished business.

0:11:32 > 0:11:35And there's not a damn fucking thing you've done

0:11:35 > 0:11:36in the subsequent four years,

0:11:36 > 0:11:40including getting knocked up, is gonna change that.

0:11:40 > 0:11:43So when do we do this?

0:11:43 > 0:11:45It all depends.

0:11:45 > 0:11:48When do you want to die?

0:11:48 > 0:11:51Tomorrow? The day after tomorrow?

0:11:51 > 0:11:52How about tonight, bitch?

0:11:52 > 0:11:54Splendid. Where?

0:11:54 > 0:11:57There's a baseball diamond where I coach our little league

0:11:57 > 0:11:58about a mile from here.

0:11:58 > 0:12:01We meet there around 2.30 in the morning,

0:12:01 > 0:12:04dressed all in black, your hair in a black stocking.

0:12:04 > 0:12:07And we have us a knife fight.

0:12:07 > 0:12:09We won't be bothered.

0:12:09 > 0:12:11Now...

0:12:11 > 0:12:14I have to fix Nikki's cereal.

0:12:22 > 0:12:23Bill always said you were one of the best ladies he ever saw

0:12:23 > 0:12:25with an edged weapon.

0:12:25 > 0:12:27Bitch.

0:12:27 > 0:12:29I know he didn't qualify that stuff.

0:12:29 > 0:12:33So you can just kiss my ass, Black Mamba.

0:12:34 > 0:12:37Black Mamba.

0:12:37 > 0:12:39I should have been Black Mamba.

0:12:39 > 0:12:41Weapon of choice? Hey, if you want to stick with your butcher knife,

0:12:41 > 0:12:42that's fine with me.

0:12:44 > 0:12:46Very funny, bitch.

0:12:46 > 0:12:48Very funny!

0:13:43 > 0:13:46It was not my intention to do this in front of you.

0:13:48 > 0:13:51For that, I'm sorry.

0:13:51 > 0:13:53But you can take my word for it...

0:13:56 > 0:13:59..your mother had it coming.

0:14:13 > 0:14:15When you grow up...

0:14:15 > 0:14:19if you still feel raw about it...

0:14:22 > 0:14:25..I'll be waiting.

0:15:33 > 0:15:35MAN ON RADIO: Y'all, come on out to Dallas, ya hear?

0:15:35 > 0:15:39This is rockabilly rhythms on KTRN, Wichita Falls.

0:15:39 > 0:15:41And next, we got some record.

0:15:41 > 0:15:44Very own wild man, Charlie Feathers.

0:15:44 > 0:15:46MUSIC: "That Certain Female"

0:15:46 > 0:15:50# Well

0:15:54 > 0:15:59# I'm just a single fellow with a lot on my mind

0:15:59 > 0:16:02# And I'm lookin' for me a woman

0:16:02 > 0:16:05# But she's mighty hard to find

0:16:05 > 0:16:07# Asked my country cousin

0:16:07 > 0:16:10# Checked the hottest spots in town

0:16:10 > 0:16:13# Oh, that little bitty woman... #

0:16:13 > 0:16:15ENGINE STOPS

0:16:17 > 0:16:22Well, give me the gory details, son number one.

0:16:22 > 0:16:24It's a damn massacre, Pop.

0:16:26 > 0:16:29They wiped out the whole wedding party, execution style.

0:16:32 > 0:16:34Give me a figure.

0:16:34 > 0:16:35Nine dead bodies.

0:16:35 > 0:16:38And we're talking the whole shebang.

0:16:38 > 0:16:41Bride. Groom.

0:16:41 > 0:16:43Reverend.

0:16:43 > 0:16:45Reverend's wife.

0:16:45 > 0:16:49Hell, they even shot that old coloured fella that plays the organ.

0:16:49 > 0:16:52It would appear to me somebody objected to this union

0:16:52 > 0:16:53and wasn't able to hold their peace.

0:16:59 > 0:17:02Good gravy, Marie.

0:17:06 > 0:17:08What'd I tell you, Pop?

0:17:08 > 0:17:11It's like a goddamn Nicaraguan death squad.

0:17:11 > 0:17:15Language, boy. We're in a house of worship.

0:17:15 > 0:17:17Sorry, Pop.

0:17:19 > 0:17:22Well, this is definitely the work of professionals.

0:17:22 > 0:17:26I'd guesstimate Mexican mafia hit squad.

0:17:26 > 0:17:29Four, maybe five strong.

0:17:29 > 0:17:31How can you tell?

0:17:31 > 0:17:35Well, a sure and steady hand did this.

0:17:35 > 0:17:37This ain't no squirrelly amateur.

0:17:37 > 0:17:41This is the work of a salty dog.

0:17:41 > 0:17:45You can tell by the cleanliness of the carnage.

0:17:45 > 0:17:48Now, a kill-crazy rampage, though it may be,

0:17:48 > 0:17:51all the colours are kept inside the lines.

0:17:51 > 0:17:55If you was a moron, you could almost admire it.

0:18:06 > 0:18:08Who's the bride?

0:18:08 > 0:18:09Don't know.

0:18:09 > 0:18:11The name on the marriage certificate

0:18:11 > 0:18:13is Arlene Machiavelli.

0:18:13 > 0:18:15That's a fake.

0:18:15 > 0:18:18We've all just been calling her "the bride" on account of the dress.

0:18:18 > 0:18:21You can tell she was pregnant.

0:18:21 > 0:18:24Man would have to be a mad dog

0:18:24 > 0:18:26to shoot a damn good-looking gal like that in the head.

0:18:28 > 0:18:30Look at her.

0:18:32 > 0:18:36Hay-coloured hair. Big eyes.

0:18:36 > 0:18:39She's a little blood-spattered angel.

0:18:39 > 0:18:41SPITS

0:18:43 > 0:18:45Son number one?

0:18:45 > 0:18:46Yeah?

0:18:46 > 0:18:51This tall drink of cock sucking ain't dead.

0:18:51 > 0:18:55THUNDER RUMBLES

0:18:55 > 0:18:58MONITOR BEEPS

0:18:58 > 0:19:00RAIN FALLS

0:19:05 > 0:19:09WHISTLES

0:21:19 > 0:21:22I might never have liked you.

0:21:23 > 0:21:27Point in fact, I despise you.

0:21:27 > 0:21:31But that shouldn't suggest that I don't respect you.

0:21:35 > 0:21:38Dying in our sleep is a luxury

0:21:38 > 0:21:41that our kind is rarely afforded.

0:21:41 > 0:21:45My gift to you.

0:21:48 > 0:21:51MOBILE PHONE RINGS

0:21:55 > 0:21:57Hello, Bill.

0:21:57 > 0:22:00What's her condition?

0:22:00 > 0:22:02Comatose.

0:22:02 > 0:22:04Where is she?

0:22:04 > 0:22:08I'm standing over her right now.

0:22:08 > 0:22:10That's my girl.

0:22:11 > 0:22:15Elle, you're going to abort the mission.

0:22:15 > 0:22:16What?!

0:22:16 > 0:22:18We owe her better than that.

0:22:18 > 0:22:19Oh, you don't owe her!

0:22:19 > 0:22:21Will you keep your voice down?

0:22:21 > 0:22:23You don't owe her.

0:22:23 > 0:22:25May I say one thing?

0:22:25 > 0:22:27Speak.

0:22:27 > 0:22:30Y'all beat the hell out of that woman.

0:22:30 > 0:22:31But you didn't kill her.

0:22:31 > 0:22:34And I put a bullet in her head

0:22:34 > 0:22:36but her heart just kept on beating.

0:22:36 > 0:22:38Now, you saw that yourself

0:22:38 > 0:22:43with your own beautiful blue eye, did you not?

0:22:43 > 0:22:47We've done a lot of things to this lady

0:22:47 > 0:22:52and if she ever wakes up, we'll do a whole lot more.

0:22:52 > 0:22:55But one thing we won't do

0:22:55 > 0:22:59is sneak into her room in the night like a filthy rat

0:22:59 > 0:23:02and kill her in her sleep.

0:23:02 > 0:23:06And the reason we won't do that thing

0:23:06 > 0:23:10is because that thing would lower us.

0:23:10 > 0:23:13Don't you agree, Miss Driver?

0:23:14 > 0:23:16I guess.

0:23:16 > 0:23:18Do you really have to guess?

0:23:18 > 0:23:21No.

0:23:21 > 0:23:24I don't really have to guess. I know.

0:23:25 > 0:23:28Come on home, honey.

0:23:29 > 0:23:31Affirmative.

0:23:31 > 0:23:34I love you very much.

0:23:34 > 0:23:36I love you, too.

0:23:39 > 0:23:40Bye-bye.

0:23:51 > 0:23:54Thought that was pretty funny, didn't you?

0:23:54 > 0:23:55Hmm?

0:23:57 > 0:23:58Word of advice.

0:23:58 > 0:24:02Don't you ever wake up.

0:24:36 > 0:24:39BILL: At this moment, this is me...

0:24:39 > 0:24:42at my most masochistic.

0:24:42 > 0:24:45Bill, it's your baby.

0:26:20 > 0:26:22A DOOR OPENS >

0:26:22 > 0:26:25WHISTLING >

0:26:44 > 0:26:46The price is 75 a fuck, my friend.

0:26:46 > 0:26:49You getting your freak on or what?

0:26:49 > 0:26:50Oh, yeah, boy.

0:26:57 > 0:26:59Yeah. Now, here's the rules.

0:26:59 > 0:27:01Rule number one - no punching.

0:27:01 > 0:27:06Nurse comes in tomorrow and she got a shiner, jigs up.

0:27:06 > 0:27:07So no knuckle sandwiches.

0:27:07 > 0:27:11By the way, this little cunt's spirited. It's a motor reflex.

0:27:11 > 0:27:13But spirit or no, no punching.

0:27:13 > 0:27:16Now, are we absolutely clear on rule number one? Yeah.

0:27:16 > 0:27:19Good. Rule number two - no monkey bites, no hickies.

0:27:19 > 0:27:21No leaving no marks of no kind.

0:27:21 > 0:27:23After that, it's all good,

0:27:23 > 0:27:26buddy. Now, her plumbing down there don't work no more

0:27:26 > 0:27:28so feel free to come in her all you want.

0:27:28 > 0:27:33Keep the noise down. Try not to make a mess. I'll be back in 20.

0:27:34 > 0:27:36Oh, shit.

0:27:36 > 0:27:41By the way, not all the time but sometimes this chick can get dry as a bucket of sand.

0:27:41 > 0:27:44If she dries, lube up with this and you'll be good to go.

0:27:46 > 0:27:47< Bon appetit, buddy.

0:28:00 > 0:28:04You are the best-looking girl I've had today.

0:28:07 > 0:28:08SCREAMS

0:28:28 > 0:28:30WHISTLING

0:28:51 > 0:28:54Yo, stud! Time's up, buddy.

0:28:54 > 0:28:55Coming in, ready or not.

0:28:55 > 0:28:59Hey, buddy, did you have yourself a good time, man?

0:28:59 > 0:29:00Whoa.

0:29:28 > 0:29:30Where's Bill?!

0:29:31 > 0:29:34Where's Bill?!

0:29:34 > 0:29:36Please stop hitting me.

0:29:36 > 0:29:37Where's Bill?!

0:29:38 > 0:29:40I don't know who Bill is!

0:29:40 > 0:29:41Bullshit!

0:29:49 > 0:29:53Well, ain't you the slice of cutie pie they said you were?

0:29:53 > 0:29:56Jane Doe, huh? Oh, we don't know shit about you, do we?

0:29:56 > 0:29:58Well, I'm from Huntsville, Texas.

0:29:58 > 0:30:01My name is Buck, and I'm here to fuck.

0:30:05 > 0:30:08Your name is Buck.

0:30:08 > 0:30:10Right?

0:30:10 > 0:30:11And you came here to fuck.

0:30:11 > 0:30:13Right?

0:30:13 > 0:30:15Wait a minute. Wait.

0:30:39 > 0:30:41"Pussy wagon".

0:30:41 > 0:30:44You fucker.

0:31:10 > 0:31:12Texas. OK.

0:32:54 > 0:32:57Wiggle your big toe.

0:32:59 > 0:33:02Wiggle your big toe.

0:33:10 > 0:33:12Wiggle your big toe.

0:33:17 > 0:33:20Wiggle your big toe.

0:33:25 > 0:33:27Wiggle your big toe.

0:33:27 > 0:33:29THE BRIDE: 'As I lay in the back of Buck's truck,

0:33:29 > 0:33:31'trying to will my limbs out of entropy...'

0:33:31 > 0:33:33Wiggle your big toe.

0:33:33 > 0:33:36'..I could see the faces of the cunts who did this to me

0:33:36 > 0:33:39'and the dicks responsible.

0:33:41 > 0:33:46'Members all of the Deadly Viper assassination squad.

0:33:48 > 0:33:50'When fortune smiles on something

0:33:50 > 0:33:52'as violent and ugly as revenge,

0:33:52 > 0:33:56'it seems proof like no other that not only does God exist,

0:33:56 > 0:33:59'you're doing his will.

0:33:59 > 0:34:01'At a time when I knew the least about my enemies,

0:34:01 > 0:34:03'the first name on my death list,

0:34:03 > 0:34:06'O-ren Ishii, was the easiest to find.

0:34:06 > 0:34:09'But, of course, when one manages the difficult task

0:34:09 > 0:34:12'of becoming queen of the Tokyo underworld,

0:34:12 > 0:34:14'one doesn't keep it a secret, does one?

0:34:27 > 0:34:31'O-ren Ishii was born on an American military base

0:34:31 > 0:34:33'in Tokyo, Japan.

0:34:33 > 0:34:37'The half-Japanese, half-Chinese American army brat

0:34:37 > 0:34:41'made her first acquaintance with death at the age of nine.

0:34:41 > 0:34:43'It was at that age she witnessed

0:34:43 > 0:34:44'the death of her parents at the hands

0:34:44 > 0:34:50'of Japan's most ruthless Yakuza boss, Boss Matsumoto.'

0:34:53 > 0:34:54GASPS

0:35:02 > 0:35:05WHIMPERS

0:35:05 > 0:35:06LAUGHTER

0:35:21 > 0:35:22Hyah!

0:37:05 > 0:37:08LAUGHTER

0:37:10 > 0:37:12GASPS AND COUGHS

0:37:20 > 0:37:22GROWLS

0:37:22 > 0:37:24WHIMPERS

0:37:45 > 0:37:46GIRL SCREAMS

0:37:56 > 0:37:58Mommy.

0:38:13 > 0:38:15HE LAUGHS

0:38:49 > 0:38:51HE CHUCKLES

0:39:04 > 0:39:07'She swore revenge.

0:39:07 > 0:39:13'Luckily for her, Boss Matsumoto was a paedophile.'

0:39:15 > 0:39:18'At 11, she got her revenge.'

0:40:05 > 0:40:06FOOTSTEPS

0:40:56 > 0:41:02'By 20, she was one of the top female assassins in the world.

0:41:02 > 0:41:04MUSIC: "Run Fay Run" by Isaac Hayes

0:41:47 > 0:41:50'At 25, she did her part in the killing

0:41:50 > 0:41:55'of nine innocent people, including my unborn daughter,

0:41:55 > 0:41:59'in a small wedding chapel in El Paso, Texas.

0:41:59 > 0:42:03'But on that day four years ago

0:42:03 > 0:42:06'she made one big mistake.

0:42:06 > 0:42:09'She should have killed ten.

0:42:09 > 0:42:13'However, before satisfaction would be mine,

0:42:13 > 0:42:15'first things first.'

0:42:15 > 0:42:19Wiggle your big toe.

0:42:24 > 0:42:26Hard part's over.

0:42:26 > 0:42:31Now, let's get these other piggies wiggling.

0:43:05 > 0:43:07Welcome to Air O. May I help you?

0:43:07 > 0:43:09Okinawa. One-way.

0:43:09 > 0:43:11PLANE ENGINE ROARS

0:43:14 > 0:43:15BLEEPING

0:43:20 > 0:43:24MUSIC: "Bang, Bang" by Nancy Sinatra

0:43:34 > 0:43:36Hi.

0:43:42 > 0:43:44Welcome.

0:43:44 > 0:43:47You English?

0:43:47 > 0:43:49Almost. American.

0:43:49 > 0:43:52American. Welcome, American.

0:43:52 > 0:43:54Domo.

0:43:54 > 0:43:56My English very good.

0:43:56 > 0:44:00You said "domo". Can you speak Japanese?

0:44:00 > 0:44:01No, no.

0:44:01 > 0:44:04Just a few words I learned since yesterday.

0:44:04 > 0:44:07Um, may I sit at the bar?

0:44:07 > 0:44:11Oh, sure, sure, sure. Please sit.

0:44:11 > 0:44:12Oh.

0:44:12 > 0:44:16What other words did you learn?

0:44:16 > 0:44:18Um... Oh, just a minute.

0:44:34 > 0:44:36Shut up!

0:44:36 > 0:44:38Get your ass out here!

0:44:38 > 0:44:41Uh, excuse me.

0:44:42 > 0:44:43Uh, uh, uh...

0:44:43 > 0:44:45Uh, what other Japanese do you know?

0:44:45 > 0:44:47Oh, let's see.

0:44:47 > 0:44:49Um, "arigato".

0:44:49 > 0:44:51"Arigato". Good!

0:44:51 > 0:44:53Um...

0:44:53 > 0:44:55I already said "domo", right?

0:44:55 > 0:44:57Yeah. Yeah, yeah, yeah.

0:44:57 > 0:44:59"Konn-itch-iwa".

0:44:59 > 0:45:00Uh, uh, uh, uh.

0:45:00 > 0:45:02"Kohn-nee-chee-wah".

0:45:02 > 0:45:03Konnichi wa. Please repeat.

0:45:03 > 0:45:05Konnichi wa.

0:45:05 > 0:45:08Perfect. Good, good, good.

0:45:08 > 0:45:11You say Japanese word like you Japanese.

0:45:11 > 0:45:12Oh, now you're making fun of me!

0:45:12 > 0:45:14No, no, no, no. Serious business.

0:45:14 > 0:45:17Pronunciation very good.

0:45:17 > 0:45:22You say arigato like we say arigato.

0:45:23 > 0:45:27Well, thank you. I mean...

0:45:27 > 0:45:28Arigato.

0:45:28 > 0:45:30Mm-hmm.

0:45:30 > 0:45:32You should learn Japanese.

0:45:32 > 0:45:34Very easy.

0:45:34 > 0:45:36No kidding. I heard it was kind of hard.

0:45:36 > 0:45:38Most difficult.

0:45:38 > 0:45:41But you have Japanese tongue.

0:45:42 > 0:45:45OK, OK.

0:45:48 > 0:45:50Oh. Oh, my God.

0:46:11 > 0:46:13I beg your pardon?

0:46:13 > 0:46:16Uh, drink.

0:46:16 > 0:46:17Oh, yes.

0:46:17 > 0:46:19Um, a bottle of warm sake, please.

0:46:19 > 0:46:23Warm sake? Very good!

0:46:57 > 0:47:00Do you understand?

0:47:00 > 0:47:02Do you understand me?

0:47:05 > 0:47:07Sorry.

0:47:09 > 0:47:12Oh! Oh, oh. First time in Japan?

0:47:12 > 0:47:13Uh-huh. Oh.

0:47:13 > 0:47:16What brings you to Okinawa?

0:47:16 > 0:47:18I came to see a man.

0:47:18 > 0:47:20Oh, yeah.

0:47:20 > 0:47:23You have a friend live in Okinawa?

0:47:23 > 0:47:25Not quite.

0:47:25 > 0:47:26Not friend?

0:47:26 > 0:47:28I never met him.

0:47:28 > 0:47:30Never?

0:47:30 > 0:47:32Who is he?

0:47:32 > 0:47:34May I ask?

0:47:34 > 0:47:36Hattori Hanzo.

0:47:36 > 0:47:39< GLASS SHATTERS

0:48:07 > 0:48:10You must have big rats,

0:48:10 > 0:48:14you need Hattori Hanzo's steel.

0:48:16 > 0:48:18Huge.

0:49:41 > 0:49:43May I?

0:49:43 > 0:49:45You may.

0:49:48 > 0:49:49Wait.

0:49:49 > 0:49:52Try the second one down.

0:50:42 > 0:50:44Funny.

0:50:44 > 0:50:48You like Samurai swords...

0:50:50 > 0:50:53..I like baseball.

0:51:43 > 0:51:46Then give me one of these.

0:51:46 > 0:51:48These are not for sale.

0:51:48 > 0:51:51I didn't say "Sell me".

0:51:51 > 0:51:53I said "Give me".

0:51:53 > 0:51:55HE LAUGHS

0:51:55 > 0:51:58Why should I help you?

0:51:58 > 0:52:03Because my vermin is a former student of yours.

0:52:05 > 0:52:08And considering the student,

0:52:08 > 0:52:14I'd say you have a rather large obligation.

0:55:58 > 0:56:00Domo.

0:56:18 > 0:56:22THE BRIDE: It was one year after the massacre in El Paso, Texas,

0:56:22 > 0:56:25that Bill backed his Nippon progeny

0:56:25 > 0:56:26financially and philosophically

0:56:26 > 0:56:29in her Shakespearean in-magnitude power struggle

0:56:29 > 0:56:30with the other Yakuza clans

0:56:30 > 0:56:34over who would rule vice in the city of Tokyo.

0:56:34 > 0:56:36When the final sword was sheathed,

0:56:36 > 0:56:40it was O-ren Ishii and her powerful posse...

0:56:40 > 0:56:41CHEERING >

0:56:41 > 0:56:44..the Crazy 88, that proved the victor.

0:56:46 > 0:56:48The pretty lady to O-ren's right,

0:56:48 > 0:56:51who's dressed like she's a villain on Star Trek,

0:56:51 > 0:56:53is O-ren's lawyer, best friend,

0:56:53 > 0:56:55and second lieutenant -

0:56:55 > 0:56:58the half-French, half-Japanese Sofie Fatale,

0:56:58 > 0:57:01another former protegee of Bill's.

0:57:01 > 0:57:04CHEERING

0:57:04 > 0:57:06The young girl in the school-girl uniform

0:57:06 > 0:57:11is O-ren's personal bodyguard, 17-year-old Gogo Yubari.

0:57:11 > 0:57:15Gogo may be young, but what she lacks in age,

0:57:15 > 0:57:17she makes up for in madness.

0:57:58 > 0:58:00See what I mean?

0:58:00 > 0:58:05The bald guy in the black suit and the kato mask is Johnny Mo,

0:58:05 > 0:58:10the head general of O-ren's personal army, the Crazy 88.

0:58:12 > 0:58:14And just in case you were wondering

0:58:14 > 0:58:18how could a half-breed Japanese-Chinese American

0:58:18 > 0:58:23become the boss of all bosses in Tokyo, Japan

0:58:23 > 0:58:25I'll tell you.

0:58:25 > 0:58:28The subject of O-ren's blood and nationality

0:58:28 > 0:58:30came up before the council only once,

0:58:30 > 0:58:35the night O-ren assumed power over the crime council.

0:58:35 > 0:58:38The man who seems bound and determined

0:58:38 > 0:58:40to break the mood is Boss Tanaka.

0:58:40 > 0:58:44And what Boss Tanaka thinks is...

1:00:54 > 1:00:55As your leader...

1:00:55 > 1:00:56FATALE TRANSLATES IN JAPANESE

1:00:56 > 1:00:58..I encourage you from time to time,

1:00:58 > 1:00:59and always in a respectful manner,

1:00:59 > 1:01:01to question my logic.

1:01:01 > 1:01:03If you're unconvinced

1:01:03 > 1:01:06a particular plan of action I've decided is the wisest,

1:01:06 > 1:01:07tell me so.

1:01:07 > 1:01:08But allow me to convince you.

1:01:08 > 1:01:10And I promise you, right here and now,

1:01:10 > 1:01:14no subject will ever be taboo.

1:01:14 > 1:01:17Except, of course, the subject that was just under discussion.

1:01:19 > 1:01:21The price you pay

1:01:21 > 1:01:24for bringing up either my Chinese or American heritage

1:01:24 > 1:01:25as a negative is...

1:01:25 > 1:01:28I collect your fucking head.

1:01:28 > 1:01:30Just like this fucker here.

1:01:32 > 1:01:34Now, if any of you sons of bitches

1:01:34 > 1:01:39got anything else to say, now's the fucking time!

1:01:41 > 1:01:43I didn't think so.

1:01:49 > 1:01:51One ticket to Tokyo, please.

1:04:16 > 1:04:20MOBILE PHONE PLAYS "Auld Lang Syne"

1:04:20 > 1:04:21Moshi Moshi.

1:05:53 > 1:05:54Hey!

1:05:56 > 1:05:58Hey, yeah! Hey, yeah!

1:06:10 > 1:06:13ROCK MUSIC PLAYS

1:06:35 > 1:06:37Gogo.

1:06:37 > 1:06:40MUSIC CONTINUES

1:06:54 > 1:06:56CREAKS

1:07:47 > 1:07:48CHEERING AND APPLAUSE

1:07:53 > 1:07:54ROCKABILLY MUSIC

1:08:02 > 1:08:04WOMAN: Yeah!

1:08:04 > 1:08:05Whoo!

1:08:05 > 1:08:07# Whoo-hoo hoo hoo hoo

1:08:07 > 1:08:08# Whoo-hoo hoo hoo hoo

1:08:08 > 1:08:10# Whoo-hoo hoo hoo hoo

1:08:10 > 1:08:12# Whoo-hoo hoo hoo hoo

1:08:12 > 1:08:14# Whoo-hoo whoo-hoo

1:08:14 > 1:08:16# Whoo-hoo hoo hoo hoo. #

1:08:16 > 1:08:18DRUM SOLO

1:08:38 > 1:08:40# Whoo-hoo hoo hoo hoo

1:08:40 > 1:08:42# Whoo-hoo hoo hoo hoo

1:08:42 > 1:08:44# Whoo-hoo hoo hoo hoo

1:08:44 > 1:08:46# Whoo-hoo hoo hoo hoo

1:08:46 > 1:08:48# Whoo-hoo whoo-hoo

1:08:48 > 1:08:50# Whoo-hoo hoo hoo hoo

1:08:56 > 1:08:58# Whoo-hoo hoo hoo hoo

1:08:58 > 1:09:00# Whoo-hoo hoo hoo hoo

1:09:00 > 1:09:02# Whoo-hoo hoo hoo hoo

1:09:02 > 1:09:03# Whoo-hoo hoo hoo hoo

1:09:03 > 1:09:05# Whoo-hoo whoo-hoo

1:09:05 > 1:09:08# Whoo-hoo hoo hoo hoo. #

1:09:08 > 1:09:10GUITAR SOLO

1:09:18 > 1:09:20# Whoo-hoo hoo hoo hoo

1:09:20 > 1:09:22# Whoo-hoo hoo hoo hoo

1:09:22 > 1:09:24# Whoo-hoo hoo hoo hoo

1:09:24 > 1:09:26# Whoo-hoo hoo hoo hoo

1:09:26 > 1:09:28# Whoo-hoo whoo-hoo. #

1:09:37 > 1:09:39CHEERS AND APPLAUSE

1:09:41 > 1:09:43MOBILE PHONE PLAYS "Auld Lang Syne"

1:09:52 > 1:09:54MUSIC: Theme From Ironside

1:11:14 > 1:11:16AGH!

1:11:35 > 1:11:41PEOPLE SCREAM

1:13:57 > 1:13:59So, O-ren...

1:13:59 > 1:14:02any more subordinates for me to kill?

1:14:02 > 1:14:04Hi!

1:14:09 > 1:14:10Bingo.

1:14:22 > 1:14:24Gogo...

1:14:24 > 1:14:27I know you feel you must protect your mistress,

1:14:27 > 1:14:31but I beg you...

1:14:31 > 1:14:33walk away.

1:16:50 > 1:16:52Aah!

1:17:33 > 1:17:36MOTORCYCLES REV

1:17:40 > 1:17:43REVVING GETS LOUDER

1:17:54 > 1:17:56Is that what I think it is?

1:17:56 > 1:17:59You didn't think it was gonna be that easy, did you?

1:17:59 > 1:18:02You know, for a second there,

1:18:02 > 1:18:06yeah, I kind of did.

1:18:06 > 1:18:09Silly rabbit.

1:18:09 > 1:18:10Trix are for...

1:18:10 > 1:18:11Kids.

1:18:15 > 1:18:17Hyaaaaaaah!

1:18:41 > 1:18:44MUSIC: "Crane" by RZA

1:19:27 > 1:19:28Hyah!

1:22:18 > 1:22:21MUSIC: "Nobody But Me" by the Human Beinz

1:22:23 > 1:22:24# I'm doin'

1:22:24 > 1:22:27# Ain't nobody doin' but me

1:22:27 > 1:22:28# Nobody but me

1:22:28 > 1:22:32# Yes, I gonna philly, I'm doin'

1:22:32 > 1:22:34# Ain't nobody doin' but me, baby

1:22:34 > 1:22:36# Nobody but me

1:22:36 > 1:22:38# Well, let me tell you, nobody

1:22:38 > 1:22:39# Nobody but me

1:22:39 > 1:22:41# Well, let me tell you nobody

1:22:41 > 1:22:42# Nobody

1:22:42 > 1:22:43# Nobody

1:22:43 > 1:22:45# Nobody

1:22:45 > 1:22:47# Nobody

1:22:47 > 1:22:48# Nobody. #

1:24:24 > 1:24:26This is what you get

1:24:26 > 1:24:29for fucking around with Yakuzas!

1:24:29 > 1:24:30Go home to your mother!

1:25:49 > 1:25:52Except you, Sofie!

1:25:52 > 1:25:55You stay right where you are.

1:25:57 > 1:25:59SHOUTS IN JAPANESE

1:26:46 > 1:26:48Your instrument is quite impressive.

1:26:56 > 1:26:57Okinawa.

1:27:03 > 1:27:06This is Hattori Hanzo steel.

1:27:15 > 1:27:16Mm-hmm.

1:28:00 > 1:28:03MUSIC: "Don't Let Me Be Misunderstood" by Santa Esmeralda

1:30:02 > 1:30:03MUSIC STOPS

1:30:14 > 1:30:19Silly Caucasian girl likes to play with Samurai swords.

1:30:19 > 1:30:21EXHALES

1:30:21 > 1:30:23You may not be able to fight like a Samurai...

1:30:26 > 1:30:30..but you can at least die like a Samurai.

1:30:30 > 1:30:32BREATHES HEAVILY

1:31:33 > 1:31:35BOTH BREATHE HEAVILY

1:32:56 > 1:32:58MUSIC: "The Flower Of Carnage" by Meiko Kaji

1:34:58 > 1:35:00MUSIC ENDS

1:35:07 > 1:35:10SHOUTING IN JAPANESE

1:35:17 > 1:35:19Sofie...

1:35:19 > 1:35:21Sofie...

1:35:21 > 1:35:23My Sofie...

1:35:23 > 1:35:25I'm so sorry.

1:35:27 > 1:35:31Please. Please forgive my betrayal.

1:35:31 > 1:35:32No more of that.

1:35:32 > 1:35:35But still...

1:35:35 > 1:35:37But still nothing...

1:35:37 > 1:35:41Except my aching heart over what she's done

1:35:41 > 1:35:45to my beautiful and brilliant Sofie.

1:35:45 > 1:35:47I've kept you alive for two reasons.

1:35:47 > 1:35:51The first reason is information.

1:35:56 > 1:36:01But I am gonna ask you questions.

1:36:01 > 1:36:04And every time you don't give me answers,

1:36:04 > 1:36:08I'm gonna cut something off.

1:36:08 > 1:36:10And I promise you,

1:36:10 > 1:36:13they will be things you will miss!

1:36:13 > 1:36:15Give me your other arm!

1:36:15 > 1:36:17SOFIE SCREAMS

1:36:17 > 1:36:18SOFIE PANTS

1:36:18 > 1:36:23'I want all the information on the Deadly Vipers...'

1:36:23 > 1:36:25If you had to guess...

1:36:25 > 1:36:27'..what they've been doing...'

1:36:27 > 1:36:28..why she left you alive...

1:36:28 > 1:36:30'..and where I can find them.'

1:36:30 > 1:36:31..what would be your guess?

1:36:32 > 1:36:35Guessing won't be necessary.

1:36:35 > 1:36:37She informed me.

1:36:39 > 1:36:42She...she said I could keep my wicked life

1:36:42 > 1:36:44for two reasons.

1:36:44 > 1:36:46'As I said before,'

1:36:46 > 1:36:50I've allowed you to keep your wicked life for two reasons.

1:36:50 > 1:36:52And the second reason is...

1:36:52 > 1:36:56so you can tell him, in person,

1:36:56 > 1:36:58everything that happened here tonight.

1:36:58 > 1:37:03I want him to witness the extent of my mercy

1:37:03 > 1:37:06by witnessing your deformed body.

1:37:06 > 1:37:08I want you to tell him

1:37:08 > 1:37:10all the information you just told me.

1:37:10 > 1:37:13I want him to know what I know.

1:37:13 > 1:37:17I want him to know I want him to know.

1:37:17 > 1:37:20And I want them all to know

1:37:20 > 1:37:25they'll all soon be as dead as O-ren.

1:37:30 > 1:37:32MUSIC: "The Lonely Shepherd" by Zamfir

1:38:09 > 1:38:11That woman...

1:38:11 > 1:38:13deserves her revenge.

1:38:17 > 1:38:19And...

1:38:19 > 1:38:22we deserve to die.

1:38:24 > 1:38:28She must suffer to her last breath.

1:38:42 > 1:38:44How did you find me?

1:38:44 > 1:38:46BILL: I'm the man.

1:38:49 > 1:38:52One more thing, Sofie.

1:38:52 > 1:38:57Is she aware her daughter is still alive?

1:40:32 > 1:40:35Subtitles by Red Bee Media Ltd