0:00:06 > 0:00:12This film contains very strong language and graphic violent scenes
0:00:12 > 0:00:14WOMAN PANTS
0:00:14 > 0:00:15Do you find me sadistic?
0:00:15 > 0:00:17WOMAN PANTS
0:00:17 > 0:00:20You know, kiddo, I'd like to believe...
0:00:21 > 0:00:24..you're aware enough - even now -
0:00:24 > 0:00:30to know that there's nothing sadistic in my actions.
0:00:32 > 0:00:33This moment...
0:00:33 > 0:00:34METALLIC CLICKING
0:00:34 > 0:00:36..This is me
0:00:37 > 0:00:41at my most masochistic.
0:00:41 > 0:00:42Bill...
0:00:42 > 0:00:44It's your baby.
0:00:50 > 0:00:51Looked dead, didn't I?
0:00:51 > 0:00:53Well, I wasn't.
0:00:53 > 0:00:55But it wasn't from lack of trying, I can tell you that.
0:00:55 > 0:00:59Actually, Bill's last bullet put me in a coma,
0:00:59 > 0:01:03a coma I was to lie in for four years.
0:01:03 > 0:01:07When I woke up, I went on what the movie advertisements
0:01:07 > 0:01:11refer to as "a roaring rampage of revenge."
0:01:11 > 0:01:15(I roared and I rampaged.)
0:01:15 > 0:01:17(And I got bloody satisfaction.)
0:01:17 > 0:01:22I've killed a hell of a lot of people to get to this point.
0:01:22 > 0:01:25But I have only one more.
0:01:25 > 0:01:27The last one.
0:01:27 > 0:01:31The one I'm driving to right now.
0:01:31 > 0:01:34The only one left.
0:01:34 > 0:01:37And when I arrive at my destination,
0:01:37 > 0:01:39I am going to kill Bill.
0:02:04 > 0:02:07Now, the incident that happened at the Two Pines Wedding Chapel,
0:02:07 > 0:02:10that put this whole gory story into motion,
0:02:10 > 0:02:12has since become legend.
0:02:13 > 0:02:15"Massacre at Two Pines."
0:02:15 > 0:02:17That's what the newspapers called it.
0:02:17 > 0:02:19The local TV news called it,
0:02:19 > 0:02:22"The El Paso, Texas, wedding chapel massacre."
0:02:23 > 0:02:25How it happened, who was there,
0:02:25 > 0:02:28how many got killed and who killed them
0:02:28 > 0:02:31changes depending on who's telling the story.
0:02:32 > 0:02:36In actual fact, the massacre didn't happen during a wedding at all.
0:02:37 > 0:02:39It was a wedding rehearsal.
0:02:40 > 0:02:41Now, when we come to the part
0:02:41 > 0:02:44where I say, "You may kiss the bride,"
0:02:44 > 0:02:46you may kiss the bride.
0:02:46 > 0:02:49But don't stick your tongue in her mouth.
0:02:49 > 0:02:50LAUGHING
0:02:50 > 0:02:51This might be
0:02:51 > 0:02:54funny to your friends, but it would be
0:02:54 > 0:02:56embarrassing to your parents.
0:02:56 > 0:02:57CHUCKLING
0:02:57 > 0:02:59We'll try to restrain ourselves, Reverend.
0:02:59 > 0:03:01CHUCKLING
0:03:01 > 0:03:04Y'all got a song?
0:03:07 > 0:03:09How 'bout Love Me Tender?
0:03:09 > 0:03:10I can play that.
0:03:10 > 0:03:12Sure.
0:03:12 > 0:03:14Love Me Tender would be great.
0:03:14 > 0:03:17Rufus. He's the man.
0:03:17 > 0:03:21Rufus, who was that you used the play for?
0:03:21 > 0:03:23Rufus Thomas.
0:03:23 > 0:03:25Rufus Thomas?
0:03:25 > 0:03:26Rufus Thomas.
0:03:26 > 0:03:29I was a drell, I was a drifter,
0:03:29 > 0:03:32I was a coaster, I was part of the gang,
0:03:32 > 0:03:34I was a bar-kay.
0:03:34 > 0:03:36If they come through Texas,
0:03:36 > 0:03:37I played with 'em.
0:03:37 > 0:03:40Rufus... he's the man.
0:03:43 > 0:03:45Have I forgotten anything?
0:03:45 > 0:03:46Um...oh, yes.
0:03:46 > 0:03:49You forgot, er, the seating arrangements.
0:03:49 > 0:03:51Thank you, Mother.
0:03:51 > 0:03:54Now, the way we normally do this,
0:03:54 > 0:03:57we have the bride's side and then we have
0:03:57 > 0:04:00the groom's side, but since the bride
0:04:00 > 0:04:03ain't got nobody coming, and the groom's got
0:04:03 > 0:04:05far too many people coming...
0:04:05 > 0:04:08Well, yeah, they're coming all the way from Oklahoma.
0:04:08 > 0:04:09LAUGHING
0:04:09 > 0:04:10Right.
0:04:10 > 0:04:12Well, I don't see
0:04:12 > 0:04:15no problem with the groom's side
0:04:15 > 0:04:17sharing the bride's side.
0:04:17 > 0:04:18Do you, Mother?
0:04:18 > 0:04:20No, I don't have a problem with that.
0:04:20 > 0:04:21But, er...
0:04:21 > 0:04:23honey, you know, it would be good
0:04:23 > 0:04:25if you had somebody come.
0:04:25 > 0:04:27You know, as a sign
0:04:27 > 0:04:28of good faith.
0:04:28 > 0:04:31Well, I don't have anybody.
0:04:31 > 0:04:34Except for Tommy
0:04:34 > 0:04:36and my friends.
0:04:36 > 0:04:38You have no family?
0:04:38 > 0:04:40Well, I'm working on changing that.
0:04:40 > 0:04:42Mrs Harmony, we're all the family
0:04:42 > 0:04:44this little angel's ever going to need.
0:04:46 > 0:04:47I'm not feeling very well,
0:04:47 > 0:04:49and this bitch is starting to piss me off.
0:04:49 > 0:04:50So while you all blather on,
0:04:50 > 0:04:52I'm going to go outside and get some air.
0:04:52 > 0:04:53OK.
0:04:53 > 0:04:56Um, er, reverend, sorry, er...
0:04:56 > 0:04:58She's going to go out and get some air.
0:04:58 > 0:04:59Yeah, given her delicate condition.
0:04:59 > 0:05:01She just needs a few minutes
0:05:01 > 0:05:03to get it together, she'll be OK.
0:05:05 > 0:05:06MOTIF PLAYED ON FLUTE
0:05:08 > 0:05:10FLUTE PLAYING CONTINUES
0:06:18 > 0:06:20Hello, kiddo.
0:06:25 > 0:06:27How did you find me?
0:06:28 > 0:06:29I'm the man.
0:06:33 > 0:06:35What are you doing here?
0:06:36 > 0:06:38What am I doing?
0:06:39 > 0:06:41Well...
0:06:41 > 0:06:45a moment ago, I was playing my flute.
0:06:51 > 0:06:52At this moment...
0:06:53 > 0:06:56..I'm looking at the most beautiful bride
0:06:56 > 0:06:58these old eyes have ever seen.
0:06:59 > 0:07:01(Why are you here?)
0:07:01 > 0:07:03Last look.
0:07:06 > 0:07:07Are you going to be nice?
0:07:07 > 0:07:10I've never been nice my whole life.
0:07:10 > 0:07:14But I'll do my best to be sweet.
0:07:14 > 0:07:16Hmm...
0:07:16 > 0:07:18I was told your...
0:07:18 > 0:07:22your sweet side is your best side.
0:07:22 > 0:07:24I guess that's why
0:07:24 > 0:07:26you're the only one who's ever seen it.
0:07:29 > 0:07:31I see you got a bun in the oven.
0:07:32 > 0:07:34Hmm.
0:07:34 > 0:07:36I'm knocked up.
0:07:36 > 0:07:38Geez, Louise.
0:07:39 > 0:07:41That young man of yours sure doesn't believe in
0:07:41 > 0:07:44wasting time, does he?
0:07:44 > 0:07:46Have you seen Tommy?
0:07:48 > 0:07:50The guy in the tux?
0:07:50 > 0:07:52Yes.
0:07:52 > 0:07:54Then I saw him.
0:07:54 > 0:07:56I like his hair.
0:07:57 > 0:08:01You promised you'd be nice.
0:08:01 > 0:08:03No, I said I'd do my best.
0:08:03 > 0:08:06That's hardly a promise.
0:08:06 > 0:08:09But you're right.
0:08:09 > 0:08:13What does your young man do for a living?
0:08:13 > 0:08:18He owns a used record store here in El Paso.
0:08:18 > 0:08:20Ah, music lover, eh?
0:08:20 > 0:08:22He's fond of music.
0:08:22 > 0:08:25Aren't we all?
0:08:27 > 0:08:31And what are you doing for a J-O-B these days?
0:08:33 > 0:08:37I work in the record store.
0:08:37 > 0:08:38Ah, so.
0:08:39 > 0:08:42It all suddenly seems so clear.
0:08:44 > 0:08:46Do you like it?
0:08:46 > 0:08:49Yeah, I like it a lot, smartass.
0:08:50 > 0:08:52I get to listen to music all day,
0:08:52 > 0:08:54talk about music all day,
0:08:54 > 0:08:55it's really cool.
0:08:56 > 0:08:59It's going to be a great environment
0:08:59 > 0:09:01for my little girl to grow up in.
0:09:03 > 0:09:06As opposed to jetting around the world,
0:09:06 > 0:09:08killing human beings
0:09:08 > 0:09:10and being paid vast sums of money?
0:09:13 > 0:09:14Precisely.
0:09:14 > 0:09:16Well, my old friend,
0:09:16 > 0:09:19too each his own.
0:09:19 > 0:09:23However, all cock-blockery aside,
0:09:23 > 0:09:26I am looking forward to meeting your young man.
0:09:26 > 0:09:30I happen to be more or less particular
0:09:30 > 0:09:33whom my gal marries.
0:09:34 > 0:09:37You want to come to the wedding?
0:09:37 > 0:09:38Only if I can sit on the bride's side.
0:09:40 > 0:09:42You'll find it a bit lonely on my side.
0:09:42 > 0:09:46Your side always was a bit lonely,
0:09:46 > 0:09:49but I wouldn't sit anywhere else.
0:09:49 > 0:09:53You know...
0:09:53 > 0:09:55I had the loveliest dream about you.
0:09:55 > 0:09:57Oh, here's Tommy.
0:09:57 > 0:09:58Call me Arlene.
0:09:58 > 0:10:00- You must be Tommy. - Uh-huh.
0:10:00 > 0:10:02Arlene's told me so much about you.
0:10:02 > 0:10:04Honey, you OK?
0:10:04 > 0:10:05Oh, I'm fine.
0:10:05 > 0:10:07Tommy, I'd like you to meet
0:10:07 > 0:10:08my father.
0:10:08 > 0:10:09CHUCKLING
0:10:09 > 0:10:11Oh, my God.
0:10:11 > 0:10:13Oh, my God, this is great.
0:10:13 > 0:10:14I'm so glad to meet you, Sir.
0:10:14 > 0:10:15Oh - Dad.
0:10:15 > 0:10:18The name's Bill.
0:10:18 > 0:10:20Well, it's great to meet you, Bill.
0:10:20 > 0:10:22Arlene told me you couldn't make it.
0:10:22 > 0:10:23Surprise.
0:10:23 > 0:10:25That's my pop for you.
0:10:25 > 0:10:26Always full of surprises.
0:10:26 > 0:10:29Well, in the surprise department,
0:10:29 > 0:10:31the apple doesn't fall far from the tree.
0:10:31 > 0:10:33CHUCKLING
0:10:33 > 0:10:34When did you get in?
0:10:34 > 0:10:35Just now.
0:10:35 > 0:10:37Did you come straight from Australia?
0:10:37 > 0:10:38Of course.
0:10:38 > 0:10:40Daddy, I told Tommy
0:10:40 > 0:10:42that you were in Perth mining for silver and...
0:10:42 > 0:10:44No-one could reach you.
0:10:44 > 0:10:47Lucky for us all, that's not the case.
0:10:47 > 0:10:50So, what's this all about?
0:10:50 > 0:10:53I've heard of wedding rehearsals,
0:10:53 > 0:10:55but I don't believe I've ever heard
0:10:55 > 0:10:57of a wedding dress rehearsal before.
0:10:57 > 0:10:59We thought, why pay so much money
0:10:59 > 0:11:01for a dress you're only going to wear once?
0:11:01 > 0:11:03Especially when Arlene
0:11:03 > 0:11:05looks so goddamn beautiful in it.
0:11:05 > 0:11:07So, er, I think we're going to try to get
0:11:07 > 0:11:08all the mileage we can out of it.
0:11:08 > 0:11:11Isn't it supposed to be bad luck
0:11:11 > 0:11:13for the groom to see the bride
0:11:13 > 0:11:16in her wedding dress before the ceremony?
0:11:16 > 0:11:20Well, I guess I just believe in living dangerously.
0:11:21 > 0:11:24I know just what you mean.
0:11:24 > 0:11:27Son, some of us have places to be.
0:11:27 > 0:11:28Sure do.
0:11:28 > 0:11:30Look, we got to go through this
0:11:30 > 0:11:31one more time, so, er,
0:11:31 > 0:11:33why don't you have a s...
0:11:33 > 0:11:35Oh, my God. What am I thinking?
0:11:35 > 0:11:37You should give her away.
0:11:37 > 0:11:40Tommy, that's not exactly Daddy's cup of tea.
0:11:40 > 0:11:43I think father would be much more comfortable
0:11:43 > 0:11:44sitting with the rest of the guests.
0:11:44 > 0:11:46Oh, really?
0:11:46 > 0:11:48That's asking a lot.
0:11:49 > 0:11:51Oh, OK.
0:11:51 > 0:11:52Well, forget it.
0:11:52 > 0:11:53But how 'bout we go
0:11:53 > 0:11:55out to dinner tonight, celebrate?
0:11:55 > 0:11:57Only on the condition that I pay for everything.
0:11:57 > 0:11:58Deal.
0:11:58 > 0:12:00We got to do this now.
0:12:00 > 0:12:01Can I watch?
0:12:01 > 0:12:03Absolutely. Have a seat.
0:12:03 > 0:12:06Which is the bride's side?
0:12:06 > 0:12:07Right over here.
0:12:10 > 0:12:13Mother, here we go.
0:12:13 > 0:12:14INDISTINCT CONVERSATION
0:12:14 > 0:12:17Now, Son, about them vows...
0:12:17 > 0:12:21SPEAKING QUIETLY
0:12:22 > 0:12:24Bill...
0:12:24 > 0:12:26I just want...
0:12:26 > 0:12:28You don't owe me a damn thing.
0:12:28 > 0:12:31If he's the man you want,
0:12:31 > 0:12:35then go stand by him.
0:12:41 > 0:12:43CRYING SOFTLY
0:12:57 > 0:12:59Do I look pretty?
0:12:59 > 0:13:01Oh, yes.
0:13:11 > 0:13:13Thank you.
0:13:19 > 0:13:24SPEAKING QUIETLY
0:13:31 > 0:13:35WIND BLOWING
0:13:43 > 0:13:46BIRD CHIRPING
0:13:46 > 0:13:49REVEREND: What the hell?!
0:13:49 > 0:13:50SCREAMING
0:13:50 > 0:13:52THE BRIDE: No! Bill!
0:13:52 > 0:13:57RAPID GUNFIRE
0:13:57 > 0:13:59GUNFIRE STOPS
0:13:59 > 0:14:00DISTANT DOG BARKING
0:14:00 > 0:14:04BELL TOLLING
0:14:29 > 0:14:30BUDD: Are you telling me
0:14:30 > 0:14:33she cut her way through 88 bodyguards
0:14:33 > 0:14:35before she got to O-ren?
0:14:35 > 0:14:37No, there wasn't really 88 of them,
0:14:37 > 0:14:40they just called themselves The crazy 88.
0:14:40 > 0:14:41How come?
0:14:41 > 0:14:44I don't know. I guess they thought it sounded cool.
0:14:44 > 0:14:45CHUCKLES
0:14:45 > 0:14:46Anyhow,
0:14:46 > 0:14:49they all fell under her Hanzo sword.
0:14:49 > 0:14:51She's got a Hanzo sword?
0:14:51 > 0:14:53He made one for her.
0:14:53 > 0:14:56Didn't he swear a blood oath to never make another sword?
0:14:56 > 0:14:59It would appear he has broken it.
0:15:02 > 0:15:05Them Japs sure know how to hold a grudge, don't they?
0:15:05 > 0:15:07LAUGHS
0:15:07 > 0:15:12Or maybe you just tend to bring that out in people?
0:15:12 > 0:15:13I know this
0:15:13 > 0:15:16is a ridiculous question before I ask it,
0:15:16 > 0:15:20but you haven't, by any chance, kept up with
0:15:20 > 0:15:22your sword play?
0:15:24 > 0:15:25I, er...
0:15:25 > 0:15:27BURPS
0:15:27 > 0:15:29I pawned that years ago.
0:15:29 > 0:15:33You hocked a Hattori Hanzo sword?
0:15:33 > 0:15:35Yup.
0:15:35 > 0:15:37It was priceless.
0:15:37 > 0:15:39CHUCKLES
0:15:39 > 0:15:41LAUGHS
0:15:41 > 0:15:44Well, not in El Paso it ain't.
0:15:44 > 0:15:46CHUCKLES
0:15:46 > 0:15:48In El Paso I got me 250 for it.
0:15:50 > 0:15:53I'm a bouncer in a titty bar, Bill.
0:15:53 > 0:15:56If she wants to fight with me, all she's got to do
0:15:56 > 0:15:57is come down to the club and start some shit
0:15:57 > 0:15:59and we'll be in a fight.
0:16:01 > 0:16:05I know we haven't spoken in some time,
0:16:05 > 0:16:09and the last time we spoke wasn't the most pleasant,
0:16:09 > 0:16:12but you've got to get over being mad at me
0:16:12 > 0:16:17and start becoming afraid of BLEEP,
0:16:17 > 0:16:21because she is coming, and she's coming to kill you.
0:16:21 > 0:16:23And unless you accept my assistance,
0:16:23 > 0:16:26I have no doubt she will succeed.
0:16:35 > 0:16:36I don't dodge guilt,
0:16:36 > 0:16:40and I don't Jew out of paying my comeuppance.
0:16:42 > 0:16:45Can't we just forget the past?
0:16:48 > 0:16:52That woman deserves her revenge.
0:16:57 > 0:17:01And...we deserve to die.
0:17:05 > 0:17:07CHUCKLES But then again,
0:17:07 > 0:17:09so does she.
0:17:13 > 0:17:16So I guess...
0:17:16 > 0:17:18we'll just see.
0:17:18 > 0:17:21Won't we?
0:17:31 > 0:17:34ENGINE RUMBLES
0:17:34 > 0:17:36ENGINE STOPS
0:17:36 > 0:17:38DOOR SQUEAKS
0:17:38 > 0:17:41DISTANT MUFFLED MUSIC PLAYS
0:17:50 > 0:17:52SPANISH SONG PLAYS
0:17:52 > 0:17:55BILLIARD BALLS HITTING
0:17:55 > 0:17:57Late again.
0:17:57 > 0:18:01Budd, can't you tell time?
0:18:01 > 0:18:03There ain't nobody in here, man.
0:18:03 > 0:18:04MAN: Is that Budd?!
0:18:04 > 0:18:05Yeah.
0:18:05 > 0:18:08Tell him to get his fucking ass back here!
0:18:08 > 0:18:10OK.
0:18:10 > 0:18:13Budd, Larry would like a word with you.
0:18:13 > 0:18:14CLEARS THROAT
0:18:14 > 0:18:17SNIFFING DEEPLY
0:18:17 > 0:18:19Take a hit.
0:18:19 > 0:18:21Be somebody, baby.
0:18:23 > 0:18:26SNIFFING DEEPLY
0:18:30 > 0:18:32You looking for me?
0:18:37 > 0:18:40I don't know what car wash you worked
0:18:40 > 0:18:42before you came here that let you stroll in
0:18:42 > 0:18:4420 minutes late, but it wasn't owned by me
0:18:44 > 0:18:46and I own a fucking car wash.
0:18:46 > 0:18:47Do you want me to leave?
0:18:47 > 0:18:48No, I don't want you to leave.
0:18:48 > 0:18:49I want you to sit and wait.
0:18:49 > 0:18:52Larry...
0:18:52 > 0:18:55there ain't nobody out there, you see?
0:18:55 > 0:18:59SOFTLY: "There's nobody out there, Larry."
0:18:59 > 0:19:02What's your point?
0:19:02 > 0:19:04That you're not needed here?
0:19:04 > 0:19:08My point is, I'm the bouncer
0:19:08 > 0:19:11and there ain't nobody out there to bounce.
0:19:11 > 0:19:13You're saying that the reason
0:19:13 > 0:19:17that you're not doing the job
0:19:17 > 0:19:20that I'm paying you to do
0:19:20 > 0:19:23is that you don't have a job to do?
0:19:23 > 0:19:25No, I...
0:19:25 > 0:19:26Is that what you're saying?
0:19:26 > 0:19:29What are you trying to convince me of exactly?
0:19:29 > 0:19:32That you're as useless as an asshole right here?
0:19:32 > 0:19:34Well, guess what, buddy?
0:19:34 > 0:19:39I think you just fucking convinced me.
0:19:39 > 0:19:40Let's go to the calendar.
0:19:40 > 0:19:42It's calendar time.
0:19:42 > 0:19:45Calendar time for buddy.
0:19:45 > 0:19:48OK, you working tomorrow?
0:19:48 > 0:19:51Yeah.
0:19:51 > 0:19:52No, you're not.
0:19:52 > 0:19:54You don't even know what fucking day you work.
0:19:54 > 0:19:57Here, you're not working tomorrow,
0:19:57 > 0:19:58you're working Wednesday.
0:19:58 > 0:19:59Here you are, there you go.
0:19:59 > 0:20:00Working Thursday?
0:20:00 > 0:20:02Yeah.
0:20:02 > 0:20:03Mm, I don't think so.
0:20:03 > 0:20:05Friday?
0:20:05 > 0:20:07I don't... There's your name.
0:20:07 > 0:20:09If you say so.
0:20:09 > 0:20:10There used to be your name.
0:20:10 > 0:20:11OK?
0:20:11 > 0:20:13Saturday, there used to be your name.
0:20:13 > 0:20:15- Oh... - Uh, Monday...
0:20:15 > 0:20:17Here, how 'bout, how 'bout that?
0:20:17 > 0:20:19Fucking with your cash is the only thing
0:20:19 > 0:20:21you kids seem to understand.
0:20:21 > 0:20:22OK?
0:20:22 > 0:20:24Now I want you to go home
0:20:24 > 0:20:25till I call you.
0:20:25 > 0:20:28- Till- I- call- you.
0:20:28 > 0:20:30Before you leave, talk to Rocket.
0:20:30 > 0:20:32She's got a job for you to do.
0:20:32 > 0:20:36Um...the hat.
0:20:37 > 0:20:41That fucking hat.
0:20:41 > 0:20:44That fucking... hat.
0:20:44 > 0:20:46How many times have I told you,
0:20:46 > 0:20:49don't wear that fucking hat here?
0:20:49 > 0:20:51How many?
0:20:51 > 0:20:54CHUCKLES
0:20:54 > 0:20:57Well, the customers wear hats.
0:20:57 > 0:20:59I'm not the boss of the customers.
0:20:59 > 0:21:00I'm the boss of you.
0:21:00 > 0:21:02And I'm telling you
0:21:02 > 0:21:07that I want you to keep that shit-kicker hat at home.
0:21:24 > 0:21:28METAL CLINKING
0:21:28 > 0:21:31LIGHTER CLICKING
0:21:31 > 0:21:33LID SNAPPING
0:21:33 > 0:21:36BILLIARD BALLS RATTLING
0:21:40 > 0:21:41Yeah, Budd, honey,
0:21:41 > 0:21:43er, the toilet is at it again.
0:21:43 > 0:21:47There's shitty water all over the floor.
0:21:47 > 0:21:51OK... Rocket.
0:21:51 > 0:21:54I'll clean it up.
0:21:54 > 0:21:55Mm-hmm.
0:22:03 > 0:22:04ENGINE STOPS
0:22:04 > 0:22:05DOOR SQUEAKS
0:22:49 > 0:22:52CREAKING
0:22:52 > 0:22:54CLICKS
0:23:04 > 0:23:07FOOTSTEPS
0:23:12 > 0:23:14RECORD PLAYING
0:23:14 > 0:23:17# How many times
0:23:17 > 0:23:21# Have you heard someone say
0:23:21 > 0:23:25# If I had his money
0:23:25 > 0:23:29# I could do things my way
0:23:29 > 0:23:33# But little they know
0:23:33 > 0:23:37# That it's so hard to find
0:23:37 > 0:23:39# One rich man in ten... #
0:23:39 > 0:23:41METAL VIBRATING
0:23:41 > 0:23:46# With a satisfied mind
0:23:46 > 0:23:54# Once I was winning in fortune and fame
0:23:54 > 0:23:58# Everything that I dreamed for
0:23:58 > 0:24:01# To get a start in life's game
0:24:01 > 0:24:04# Then suddenly it happened
0:24:04 > 0:24:09# I lost every dime
0:24:09 > 0:24:10# But I'm richer... #
0:24:10 > 0:24:11DOGS GROWLING AND BARKING
0:24:11 > 0:24:13NEEDLE SCRATCHES, SONG STOPS
0:24:13 > 0:24:15FOOTSTEPS
0:24:40 > 0:24:42RECORD PLAYS
0:24:42 > 0:24:46# How many times
0:24:46 > 0:24:50# Have you heard someone say...? #
0:24:55 > 0:24:57GUNSHOT
0:24:57 > 0:25:00GROANING
0:25:00 > 0:25:03# That it's so hard to find... #
0:25:03 > 0:25:07# One rich man in ten CHUCKLING
0:25:07 > 0:25:11# With a satisfied mind CHUCKLING
0:25:11 > 0:25:15# Once I was winning... #
0:25:15 > 0:25:17NEEDLE SCRATCHES
0:25:22 > 0:25:23SNIFFS
0:25:24 > 0:25:30Now... that gentled you down some, didn't it?
0:25:34 > 0:25:36METAL CLANGS
0:25:38 > 0:25:39Yup.
0:25:39 > 0:25:42Ain't nobody a badass
0:25:42 > 0:25:44with a double dose of rock salt,
0:25:44 > 0:25:46dug deep in their tits.
0:25:46 > 0:25:48COUGHING
0:25:50 > 0:25:52Not having...
0:25:52 > 0:25:54tits...
0:25:58 > 0:26:03...as fine or as big as yours,
0:26:03 > 0:26:07I can't even imagine how bad that shit must sting.
0:26:07 > 0:26:10COUGHING
0:26:11 > 0:26:13Yeah...
0:26:16 > 0:26:19I don't want to, neither.
0:26:19 > 0:26:21GROANING
0:26:26 > 0:26:27SPITS
0:26:29 > 0:26:32PANTING
0:26:33 > 0:26:34SPITS
0:26:34 > 0:26:36PANTING
0:26:40 > 0:26:41I win.
0:26:41 > 0:26:44COUGHING
0:26:44 > 0:26:47GROANING
0:26:51 > 0:26:53GROANING
0:27:15 > 0:27:17BOTTLE CLANKING
0:27:47 > 0:27:50CELL PHONE RINGING
0:27:51 > 0:27:52Bill?
0:27:52 > 0:27:55Wrong brother, you hateful bitch.
0:27:55 > 0:27:58- Budd. - Bingo.
0:27:58 > 0:28:02And to what do I owe this dubious pleasure?
0:28:02 > 0:28:07I just caught me the cowgirl, ain't never been caught.
0:28:07 > 0:28:10'Did you kill her?'
0:28:10 > 0:28:12Well, not yet I ain't.
0:28:12 > 0:28:14'I shot her full of rock salt.
0:28:14 > 0:28:16'She's so gentle right now,
0:28:16 > 0:28:20'I could perform her coup de grace with a rock.'
0:28:20 > 0:28:23Any-who...
0:28:26 > 0:28:29Guess what I'm holding in my hand right now.
0:28:29 > 0:28:31What?
0:28:31 > 0:28:34A brand spanking new Hattori Hanzo sword.
0:28:34 > 0:28:38And I'm here to tell you, Elle,
0:28:38 > 0:28:41that's what I call sharp.
0:28:41 > 0:28:42How much?
0:28:42 > 0:28:44Oh, that's hard to say,
0:28:44 > 0:28:47being that it's priceless and all.
0:28:47 > 0:28:49What's the terms?
0:28:49 > 0:28:51'You get your bony ass down here
0:28:51 > 0:28:53first thing in the morning,
0:28:53 > 0:28:56with a million dollars in folding cash,
0:28:56 > 0:29:00and I'll give you...
0:29:00 > 0:29:02the greatest sword ever made by a man.
0:29:05 > 0:29:08'Now how do you like the sound of that?'
0:29:08 > 0:29:10Sounds like we got a deal.
0:29:10 > 0:29:11One condition.
0:29:11 > 0:29:13What?
0:29:13 > 0:29:16She must suffer to her last breath.
0:29:16 > 0:29:19CHUCKLING Well...
0:29:19 > 0:29:21That, Elle darling,
0:29:21 > 0:29:24I can pretty much damn well guarantee.
0:29:24 > 0:29:27Then I'll see you in the morning,
0:29:27 > 0:29:28millionaire.
0:29:28 > 0:29:31All right.
0:29:40 > 0:29:44CRICKETS CHIRPING
0:29:44 > 0:29:46MUFFLED SPANISH SONG PLAYING
0:29:46 > 0:29:49DISTANT LAUGHTER
0:29:49 > 0:29:53MAN GRUNTING
0:29:55 > 0:29:57DISTANT CAWING
0:29:57 > 0:30:00DISTANT SHOVELLING
0:30:08 > 0:30:11CREAKING
0:30:11 > 0:30:15COUGHING
0:30:15 > 0:30:19APPROACHING FOOTSTEPS
0:30:20 > 0:30:22METAL CLANGING
0:30:27 > 0:30:30CHUCKLES
0:30:30 > 0:30:32Wakey wakey...
0:30:32 > 0:30:33eggs and bakey.
0:30:37 > 0:30:38GRUNTING
0:30:45 > 0:30:50LOW PANTING
0:30:50 > 0:30:53GRUNTING
0:31:07 > 0:31:09MAN: I'm done!
0:31:09 > 0:31:12Get me out of this hole!
0:31:22 > 0:31:25GRUNTING
0:31:35 > 0:31:37CAN OPENS
0:31:41 > 0:31:43CLANGING
0:31:47 > 0:31:49Whoa, look at those eyes.
0:31:49 > 0:31:51This bitch is furious.
0:31:51 > 0:31:53CHUCKLING
0:31:53 > 0:31:55What did I tell you?
0:31:55 > 0:31:58Is she the cutest little blond pussy
0:31:58 > 0:32:00you ever saw,
0:32:00 > 0:32:03or is she the cutest little blonde pussy
0:32:03 > 0:32:04you ever saw?
0:32:04 > 0:32:07I seen better.
0:32:07 > 0:32:09SLURPS
0:32:10 > 0:32:12You got anything to say?
0:32:14 > 0:32:15MAN: White women
0:32:15 > 0:32:17call this the silent treatment.
0:32:17 > 0:32:21And we let them think we don't like it.
0:32:21 > 0:32:23LAUGHING
0:32:23 > 0:32:25SNORTS
0:32:25 > 0:32:27You grab the feet, I'll get the head.
0:32:27 > 0:32:28SLURPS
0:32:28 > 0:32:30BURPS
0:32:31 > 0:32:34GRUNTING
0:32:35 > 0:32:36Hey!
0:32:36 > 0:32:37Hey.
0:32:37 > 0:32:38Hey!
0:32:38 > 0:32:41PANTING Wiggle worm, you see this?
0:32:42 > 0:32:46You see it, don't you?
0:32:46 > 0:32:49That's a can of mace.
0:32:49 > 0:32:51Uh-huh.
0:32:51 > 0:32:55Now, you're going underneath the ground tonight, and...
0:32:55 > 0:32:57that's all there is to it.
0:33:01 > 0:33:04I'm going to bury you.
0:33:06 > 0:33:08I was going to bury you...
0:33:13 > 0:33:15CHUCKLES ..With this.
0:33:19 > 0:33:21But if you're going to act
0:33:21 > 0:33:25like a horse's ass...
0:33:25 > 0:33:28I'm going to spray this whole goddamned can
0:33:28 > 0:33:30right in your eyeballs!
0:33:30 > 0:33:33I'll burn 'em right out of your fuckin' head.
0:33:33 > 0:33:35Then you're going to be blind...
0:33:35 > 0:33:37and burning...
0:33:40 > 0:33:42..and buried alive.
0:33:47 > 0:33:49Now, what's it going to be, sister?
0:34:00 > 0:34:03That's a wise decision.
0:34:06 > 0:34:08PANTING
0:34:15 > 0:34:18This is for breaking my brother's heart.
0:34:23 > 0:34:25HAMMERING
0:34:25 > 0:34:28POUNDING
0:34:28 > 0:34:30CRYING AND GASPING
0:34:35 > 0:34:37PANTING
0:34:45 > 0:34:46PANTING
0:34:52 > 0:34:55GASPING, CRYING SOFTLY
0:34:55 > 0:34:57HAMMERING
0:34:57 > 0:34:58GASPS
0:34:58 > 0:35:01PANTING LOUDLY
0:35:05 > 0:35:07CONTINUES PANTING
0:35:07 > 0:35:09LOUD GASP
0:35:09 > 0:35:11GASPS
0:35:11 > 0:35:15DIRT CLATTERING LOUDLY ON COVER
0:35:15 > 0:35:18PANTING
0:35:18 > 0:35:21DIRT CLATTERING
0:35:21 > 0:35:25QUICK, GASPING BREATHS
0:35:25 > 0:35:28DIRT CLATTERING
0:35:28 > 0:35:31PANTING
0:35:31 > 0:35:33MAN CHUCKLING
0:35:33 > 0:35:34MAN GRUNTING
0:35:34 > 0:35:36CREAKING
0:35:36 > 0:35:39ECHOING BOOM
0:35:39 > 0:35:41PANTING QUIETS
0:35:41 > 0:35:43SNIFFLES
0:35:43 > 0:35:45PANTING STOPS
0:35:46 > 0:35:49DIRT CLATTERING
0:35:49 > 0:35:50PANTING RESUMES
0:35:50 > 0:35:53DIRT CLATTERING, CRYING GASP
0:35:56 > 0:35:59DIRT CLATTERING, PANTING
0:36:01 > 0:36:04DIRT CLATTERING
0:36:04 > 0:36:06PANTING
0:36:06 > 0:36:07DIRT CLATTERING
0:36:08 > 0:36:09DIRT CLATTERING
0:36:10 > 0:36:12DIRT CLATTERING
0:36:14 > 0:36:18YELLING AND GASPING
0:36:18 > 0:36:20CRYING
0:36:20 > 0:36:23DIRT CLATTERING
0:36:25 > 0:36:28LOUD, RHYTHMIC GRUNTING
0:36:28 > 0:36:32HYSTERICAL GASPING
0:36:32 > 0:36:34DIRT CLATTERING SOFTLY
0:36:44 > 0:36:48PANTING, BANGING HEAD REPEATEDLY
0:36:48 > 0:36:50PANTING
0:36:50 > 0:36:54LABOURED GRUNTING
0:36:54 > 0:36:58YELLING
0:37:01 > 0:37:03PANTING
0:37:05 > 0:37:10PANTING SUBSIDES, ENGINE STARTS IN DISTANCE
0:37:10 > 0:37:13PANTING RESUMES
0:37:13 > 0:37:15CRIES SOFTLY
0:37:15 > 0:37:17BANGS HEAD
0:37:17 > 0:37:19VEHICLE DEPARTING
0:37:21 > 0:37:25BREATHING CALMLY
0:37:37 > 0:37:41# WOODEN FLUTE PLAYING SIMPLE MELODY
0:37:47 > 0:37:50CONTINUES PLAYING
0:37:54 > 0:37:56STOPS PLAYING
0:37:57 > 0:37:59Once upon a time,
0:37:59 > 0:38:03in China...
0:38:03 > 0:38:06some believe around the year
0:38:06 > 0:38:10one-double-aught-three,
0:38:10 > 0:38:13head priest of the White lotus clan, Pai Mei,
0:38:13 > 0:38:18was walking down the road and...
0:38:18 > 0:38:20contemplating whatever it is that a man
0:38:20 > 0:38:25of Pai Mei's infinite powers would contemplate -
0:38:25 > 0:38:28which is another way of saying, who knows?
0:38:28 > 0:38:32When a Shaolin monk appeared on the road
0:38:32 > 0:38:35travelling in the opposite direction.
0:38:35 > 0:38:39As the monk and priest crossed paths,
0:38:39 > 0:38:41Pai Mei...
0:38:41 > 0:38:47in a practically unfathomable display of generosity,
0:38:47 > 0:38:52gave the monk the slightest of nods.
0:38:52 > 0:38:56The nod was not returned.
0:38:56 > 0:38:57BLOWS AIRY NOTE
0:38:59 > 0:39:00Now, was it the intention
0:39:00 > 0:39:05of the Shaolin monk to insult Pai Mei,
0:39:05 > 0:39:10or did he just fail to see the generous social gesture?
0:39:10 > 0:39:14The motives of the monk remain unknown.
0:39:14 > 0:39:17What is known
0:39:17 > 0:39:20were the consequences.
0:39:20 > 0:39:23PLAYING SIMPLE MELODY
0:39:28 > 0:39:30STOPS PLAYING
0:39:30 > 0:39:32The next morning,
0:39:32 > 0:39:37Pai Mei appeared at the Shaolin temple
0:39:37 > 0:39:40and demanded of the temple's head abbot
0:39:40 > 0:39:47that he offer Pai Mei his neck to repay the insult.
0:39:47 > 0:39:51The abbot at first tried to console Pai Mei,
0:39:51 > 0:39:55only to find Pai Mei was...
0:39:55 > 0:39:56inconsolable.
0:39:56 > 0:39:59PLAYING MELODY
0:40:07 > 0:40:12So began the massacre of the Shaolin temple
0:40:12 > 0:40:15and all 60 of the monks inside,
0:40:15 > 0:40:19at the fists of the White lotus.
0:40:19 > 0:40:22And so began the legend
0:40:22 > 0:40:27of Pai Mei's five-point palm exploding heart technique.
0:40:27 > 0:40:29And what, pray tell, is the five-point palm
0:40:29 > 0:40:30exploding heart technique?
0:40:30 > 0:40:32Quite simply,
0:40:32 > 0:40:36the deadliest blow in all of martial arts.
0:40:36 > 0:40:38AIR WHOOSHES
0:40:38 > 0:40:41He hits you with his fingertips
0:40:41 > 0:40:45at five different pressure points on your body
0:40:45 > 0:40:49and then lets you walk away.
0:40:49 > 0:40:52But once you've taken five steps,
0:40:52 > 0:40:56your heart explodes inside your body,
0:40:56 > 0:40:59and you fall to the floor, dead.
0:40:59 > 0:41:01Did he teach you that?
0:41:01 > 0:41:02No.
0:41:02 > 0:41:03He teaches no-one
0:41:03 > 0:41:07the five-point palm exploding heart technique.
0:41:07 > 0:41:11Now...one of the things
0:41:11 > 0:41:14I've always liked about you...
0:41:14 > 0:41:17kiddo...
0:41:17 > 0:41:21is you appear wise beyond your years.
0:41:21 > 0:41:23FLUTE WHISTLES
0:41:24 > 0:41:29So allow me to impart a word to the wise.
0:41:29 > 0:41:30Whatever -
0:41:30 > 0:41:31WHATEVER
0:41:31 > 0:41:35Pai Mei says, obey.
0:41:35 > 0:41:38If you flash him, even for an instant,
0:41:38 > 0:41:40a defiant eye, he'll pluck it out.
0:41:40 > 0:41:45And if you throw any American sass his way,
0:41:45 > 0:41:47he'll snap your back and your neck
0:41:47 > 0:41:48like they were twigs.
0:41:48 > 0:41:51FLUTE WHISTLES SOFTLY
0:41:52 > 0:41:54And that will be the story of you.
0:41:57 > 0:42:00PLAYING MELODY
0:42:01 > 0:42:04CONTINUES PLAYING
0:42:13 > 0:42:16He'll accept you as his student.
0:42:16 > 0:42:17What happened to you?
0:42:17 > 0:42:18Nothing.
0:42:18 > 0:42:20Get in a fight?
0:42:20 > 0:42:21Friendly contest.
0:42:21 > 0:42:23Why did he accept me?
0:42:23 > 0:42:25Because he's a very,
0:42:25 > 0:42:27very, very old man,
0:42:27 > 0:42:30and like all rotten bastards,
0:42:30 > 0:42:33when they become old,
0:42:33 > 0:42:36they get lonely...
0:42:36 > 0:42:38which has no effect on their dispositions,
0:42:38 > 0:42:41but it does teach them the value of company.
0:42:44 > 0:42:46SIGHS Oh...
0:42:46 > 0:42:50just seeing those steps again makes me ache.
0:42:50 > 0:42:52You're going to have a lot of fun
0:42:52 > 0:42:56carrying buckets of water up and down that fucker.
0:43:00 > 0:43:02When will I see you again?
0:43:02 > 0:43:03That's the title
0:43:03 > 0:43:06of my favourite soul song of the '70s.
0:43:06 > 0:43:07What? Nothing.
0:43:07 > 0:43:10When he tells me you're done.
0:43:10 > 0:43:12When do you think that might be?
0:43:12 > 0:43:15That, my dearest, depends entirely on you.
0:43:15 > 0:43:16Now, remember,
0:43:16 > 0:43:19no sarcasm, no back talk.
0:43:19 > 0:43:21At least not for the first year or so.
0:43:21 > 0:43:24You're going to have to let him warm up to you.
0:43:24 > 0:43:28He hates Caucasians, despises Americans,
0:43:28 > 0:43:31and has nothing but contempt for women.
0:43:31 > 0:43:33CHUCKLES
0:43:33 > 0:43:36So in your case, it might take a little while.
0:43:36 > 0:43:37Adios.
0:43:37 > 0:43:41STARTS ENGINE
0:43:46 > 0:43:48TYRES SCREECH
0:45:15 > 0:45:16SPEAKING MANDARIN:
0:45:41 > 0:45:43A little.
0:46:04 > 0:46:07Yes, he is.
0:46:15 > 0:46:17I am proficient in tiger crane style,
0:46:17 > 0:46:19and I am more than proficient
0:46:19 > 0:46:22in the exquisite art of the Samurai sword.
0:46:22 > 0:46:23SCOFFS
0:46:33 > 0:46:36CHUCKLES
0:46:43 > 0:46:44SPEAKS MANDARIN
0:46:51 > 0:46:52LAUGHS
0:47:37 > 0:47:38AIR WHIPPING
0:47:46 > 0:47:48ROBE WHOOSHING
0:48:13 > 0:48:14AIR WHIPPING
0:48:14 > 0:48:17GRUNTING
0:48:17 > 0:48:18THUNDEROUS RUMBLING
0:48:18 > 0:48:19GRUNTS
0:48:28 > 0:48:30LAUGHS
0:48:35 > 0:48:39AIR WHIPPING
0:48:42 > 0:48:44GROANS
0:48:44 > 0:48:46LAUGHS
0:48:46 > 0:48:48METAL CLINKING
0:48:54 > 0:48:56GRUNTS
0:49:07 > 0:49:08METAL CLANKING
0:49:08 > 0:49:11AIR WHIPPING
0:49:21 > 0:49:25GRUNTING AND GROANING
0:49:29 > 0:49:31GRUNTS
0:49:45 > 0:49:46DULL THUD
0:49:46 > 0:49:48GASPS
0:49:49 > 0:49:50YELLS
0:49:50 > 0:49:53LAUGHS
0:49:53 > 0:49:54PANTING
0:49:54 > 0:49:55YELLS
0:49:55 > 0:49:56GRUNTS
0:49:56 > 0:49:58SCREAMS
0:49:59 > 0:50:00SCREAMS
0:50:03 > 0:50:04CHUCKLES
0:50:09 > 0:50:10BONE CRUNCHING
0:50:10 > 0:50:11CHUCKLES
0:50:15 > 0:50:16No, please don't!
0:50:16 > 0:50:17CHUCKLES
0:50:21 > 0:50:22BONES CRUNCHING
0:50:22 > 0:50:24SHE YELLS
0:50:44 > 0:50:48PANTING
0:50:54 > 0:50:55Yes!
0:51:01 > 0:51:03PANTING
0:51:05 > 0:51:06AIR WHIPPING
0:51:06 > 0:51:07YELLS
0:51:43 > 0:51:45GRUNTS, SOFT THUD
0:51:46 > 0:51:48GRUNTS
0:51:56 > 0:51:58GRUNTS
0:52:00 > 0:52:02GRUNTS
0:52:02 > 0:52:04GROANS
0:52:04 > 0:52:05HE SCOFFS
0:52:15 > 0:52:17SCOFFS
0:52:24 > 0:52:26SOFT THUD
0:52:27 > 0:52:29GRUNTS
0:52:29 > 0:52:31WHOOSHING
0:52:32 > 0:52:34GRUNTS
0:52:34 > 0:52:35SCOFFS
0:52:37 > 0:52:39RHYTHMIC GRUNTING
0:52:39 > 0:52:40SIGHS
0:52:40 > 0:52:41SHARP THUD, GROAN
0:52:50 > 0:52:52GRUNTS ECHOING
0:52:55 > 0:52:57GASPS
0:52:58 > 0:53:03AIR WHIPPING
0:53:06 > 0:53:07GRUNTS
0:53:11 > 0:53:14RHYTHMIC GRUNTING
0:53:20 > 0:53:21Hmm.
0:53:21 > 0:53:24DISTANT GRUNTING
0:53:24 > 0:53:26THUNDER RUMBLING
0:53:26 > 0:53:28RAIN PATTERING
0:53:32 > 0:53:34INHALING DEEPLY
0:53:44 > 0:53:47PATTERING CONTINUES
0:53:51 > 0:53:52CHOPSTICKS CLATTERING
0:53:55 > 0:53:56THUD
0:54:20 > 0:54:24RAIN PATTERING
0:54:24 > 0:54:25MUFFLED MOANS
0:54:41 > 0:54:43SHE SIGHS
0:54:50 > 0:54:52SHE SIGHS
0:54:58 > 0:55:00SHE PANTS
0:55:32 > 0:55:34TAPPING
0:55:54 > 0:55:56GRUNTS
0:55:59 > 0:56:01SIGHS
0:56:39 > 0:56:41GRUNTS
0:57:21 > 0:57:24DULL SCRAPING
0:57:28 > 0:57:30GRUNTS
0:57:33 > 0:57:37Come on, come on, you...bitch!
0:57:38 > 0:57:40SIGHS
0:57:42 > 0:57:44SMACKS A KISS
0:57:46 > 0:57:47SIGHS
0:58:04 > 0:58:06GENTLE THUDDING
0:58:15 > 0:58:18OK, Pai Mei.
0:58:20 > 0:58:21Here I come.
0:58:25 > 0:58:26GRUNTING
0:58:45 > 0:58:46WOOD GROANING
0:58:48 > 0:58:50DIRT TRICKLING
0:58:54 > 0:58:57RHYTHMIC GRUNTING
0:58:57 > 0:59:01RAPID GRUNTS
0:59:01 > 0:59:04DIRT, ROCKS CLATTERING
0:59:09 > 0:59:13ROCK THUDDING
0:59:22 > 0:59:25RUMBLING
0:59:28 > 0:59:32GASPS
0:59:34 > 0:59:35GASPS
0:59:42 > 0:59:44GRUNTS
0:59:44 > 0:59:46Ah!
0:59:48 > 0:59:50GASPING AND PANTING
0:59:55 > 0:59:57PANTING
0:59:59 > 1:00:05CRICKETS CHIRPING
1:00:18 > 1:00:19BELL DINGS
1:00:24 > 1:00:26DIRT TRICKLES
1:00:26 > 1:00:29May I have a glass of water, please?
1:00:51 > 1:00:53TYRES SQUEALING
1:01:30 > 1:01:31WHOOSHING
1:01:31 > 1:01:33HAWK SCREECHES
1:03:01 > 1:03:04So, that's a Texas funeral?
1:03:04 > 1:03:06Yep.
1:03:06 > 1:03:08I have to give it to you, Budd.
1:03:08 > 1:03:11That's a pretty fucked-up way to die.
1:03:11 > 1:03:13What's the name on the grave she's buried under?
1:03:13 > 1:03:17Paula...
1:03:17 > 1:03:20Schultz.
1:03:20 > 1:03:22ICE CLATTERING
1:03:24 > 1:03:26Can I look at the sword?
1:03:26 > 1:03:28That's my money right there
1:03:28 > 1:03:29in that red bag, isn't it?
1:03:29 > 1:03:32It sure is.
1:03:32 > 1:03:35Well, then, it's your sword now.
1:03:45 > 1:03:49LOUD WHIRRING
1:03:49 > 1:03:52SPEAKING INDISTINCTLY
1:03:53 > 1:03:54What's that you said?
1:03:54 > 1:03:57So, this is a Hattori Hanzo sword.
1:03:57 > 1:03:58That's a Hanzo sword,
1:03:58 > 1:03:59all right.
1:03:59 > 1:04:02Bill tells me you once had one of these of your own.
1:04:02 > 1:04:05Yeah, once.
1:04:05 > 1:04:08Yeah, how does this one compare to that?
1:04:17 > 1:04:22If you're going to compare a Hanzo sword,
1:04:22 > 1:04:26you compare it to every other sword ever made
1:04:26 > 1:04:30that wasn't made by Hattori Hanzo.
1:04:35 > 1:04:37CLEARS THROAT
1:04:37 > 1:04:38Here you go.
1:04:38 > 1:04:41Wrap your lips around that.
1:04:42 > 1:04:44SIGHS
1:04:48 > 1:04:49GRUNTS
1:04:49 > 1:04:52So...
1:04:52 > 1:04:55which R are you filled with?
1:04:55 > 1:04:58What?
1:05:00 > 1:05:03They say the number-one killer
1:05:03 > 1:05:07of old people is retirement.
1:05:09 > 1:05:11When people got a job to do,
1:05:11 > 1:05:14they tend to live a little bit longer,
1:05:14 > 1:05:15so they can do it.
1:05:15 > 1:05:18I've always figured
1:05:18 > 1:05:22that warriors and their enemies
1:05:22 > 1:05:25share the same relationship.
1:05:25 > 1:05:28So, now that you're not going to have to face
1:05:28 > 1:05:30your enemy no more on the battlefield,
1:05:30 > 1:05:35which R you filled with?
1:05:36 > 1:05:40Relief...
1:05:40 > 1:05:42or regret?
1:05:42 > 1:05:45A little bit of both.
1:05:45 > 1:05:47Or shit?
1:05:49 > 1:05:52I'm sure you do feel a little bit of both.
1:05:52 > 1:05:55But I know damn well that you feel one
1:05:55 > 1:05:58more than you feel the other.
1:05:58 > 1:06:00My question was...
1:06:00 > 1:06:02which one is it?
1:06:02 > 1:06:05Regret.
1:06:05 > 1:06:09You know, you got to hand it to the old girl.
1:06:09 > 1:06:11I never saw anybody Buffalo Bill
1:06:11 > 1:06:13the way she Buffaloed Bill.
1:06:13 > 1:06:16Bill thought she was so damn smart,
1:06:16 > 1:06:18and I tried to tell him...
1:06:18 > 1:06:20she was just smart for a blonde.
1:06:24 > 1:06:25THUD
1:06:31 > 1:06:34CHUCKLES
1:06:39 > 1:06:41Thanks a bunch.
1:06:41 > 1:06:43CRUNCHING ICE
1:06:47 > 1:06:50SNIFFLES, CLEARS THROAT
1:06:50 > 1:06:53CHUCKLES
1:06:53 > 1:06:54All right...
1:06:54 > 1:06:57HISSING
1:06:57 > 1:07:00GRUNTING
1:07:09 > 1:07:13GRUNTING AND GASPING
1:07:22 > 1:07:24SNIFFLES
1:07:24 > 1:07:26Mmm. I'm sorry, Budd.
1:07:26 > 1:07:30That was rude of me, wasn't it?
1:07:30 > 1:07:33Budd, I'd like to introduce my friend, the Black Mamba.
1:07:33 > 1:07:36Black Mamba, this is Budd.
1:07:36 > 1:07:39You know, before I picked that little fella up,
1:07:39 > 1:07:40I looked him up on the internet.
1:07:40 > 1:07:44Fascinating creature, the Black Mamba.
1:07:44 > 1:07:46Listen to this.
1:07:46 > 1:07:48GRUNTING
1:07:50 > 1:07:52"In Africa, the saying goes,
1:07:52 > 1:07:55"'In the bush, an elephant can kill you,
1:07:55 > 1:07:57"'a leopard can kill you
1:07:57 > 1:07:59"'and a Black Mamba can kill you.'
1:07:59 > 1:08:01"'But only with the mamba - and this has been true
1:08:01 > 1:08:05"'in Africa since the dawn of time - is death sure.
1:08:05 > 1:08:09"'Hence, its handle - death incarnate.'"
1:08:09 > 1:08:10Pretty cool, huh?
1:08:10 > 1:08:12GRUNTING
1:08:12 > 1:08:14"Its neurotoxic venom
1:08:14 > 1:08:16"is one of nature's most effective poisons,
1:08:16 > 1:08:19"acting on the nervous system, causing paralysis.
1:08:19 > 1:08:21"The venom of a Black Mamba
1:08:21 > 1:08:23"can kill a human being in four hours,
1:08:23 > 1:08:26"if, say, bitten on the ankle or the thumb.
1:08:26 > 1:08:28"However, a bite to the face or torso
1:08:28 > 1:08:31"can bring death from paralysis within 20 minutes."
1:08:31 > 1:08:33Now, you should listen to this,
1:08:33 > 1:08:35cos this concerns you.
1:08:35 > 1:08:36MOANS
1:08:36 > 1:08:39"The amount of venom
1:08:39 > 1:08:41"that can be delivered from a single bite
1:08:41 > 1:08:43"can be gargantuan."
1:08:43 > 1:08:44MOANS
1:08:44 > 1:08:47You know, I've always liked that word - "gargantuan".
1:08:47 > 1:08:49I so rarely have an opportunity to use it in a sentence.
1:08:49 > 1:08:50GROANS
1:08:50 > 1:08:53"If not treated quickly with anti-venom,
1:08:53 > 1:08:56"10 to 15 milligrams can be fatal to human beings.
1:08:56 > 1:08:58"However, the Black Mamba can deliver
1:08:58 > 1:09:00"as much as 100 to 400 milligrams
1:09:00 > 1:09:02"of venom from a single bite."
1:09:02 > 1:09:04MOANS
1:09:04 > 1:09:06SHUDDERS
1:09:06 > 1:09:08Now...
1:09:08 > 1:09:09in these last
1:09:09 > 1:09:11agonizing minutes of life you have left,
1:09:11 > 1:09:14let me answer that question you asked earlier
1:09:14 > 1:09:16more thoroughly.
1:09:17 > 1:09:20MOANS
1:09:20 > 1:09:22Right at this moment...
1:09:22 > 1:09:25the biggest R I feel is regret.
1:09:25 > 1:09:27GRUNTS
1:09:27 > 1:09:29Regret that maybe
1:09:29 > 1:09:32the greatest warrior I have ever met
1:09:32 > 1:09:35met her end at the hands
1:09:35 > 1:09:42of a bushwhackin', scrub, alkie, piece of shit like you.
1:09:42 > 1:09:43SIGHS
1:09:43 > 1:09:46That woman deserved better.
1:09:46 > 1:09:48RASPING GASP
1:09:48 > 1:09:49GASPING STOPS
1:10:24 > 1:10:26PHONE RINGS
1:10:28 > 1:10:30Bill...
1:10:30 > 1:10:33I have some tragic news.
1:10:33 > 1:10:37Your brother's dead.
1:10:37 > 1:10:39I am so sorry, baby.
1:10:39 > 1:10:43She put a Black Mamba in his camper.
1:10:43 > 1:10:45I got her, sweetie.
1:10:45 > 1:10:47She's dead.
1:10:47 > 1:10:50Let me put it this way.
1:10:50 > 1:10:52You ever start feeling sentimental,
1:10:52 > 1:10:54go to Barstow, California.
1:10:54 > 1:10:56When you get here, walk into a florist's
1:10:56 > 1:10:58and buy a bunch of flowers.
1:10:58 > 1:11:01Then you take those flowers to Huntington cemetery
1:11:01 > 1:11:02on Fuller and Guadeloupe,
1:11:02 > 1:11:05look for the headstone marked Paula Schultz
1:11:05 > 1:11:07and lay them on the grave.
1:11:07 > 1:11:10Cos you will be standing at the final resting place
1:11:10 > 1:11:13of Beatrix Kiddo.
1:11:13 > 1:11:14SCHOOL BELL RINGS Marty Catroser?
1:11:14 > 1:11:15Here.
1:11:15 > 1:11:17- Melanie Whorehouse? - Here.
1:11:17 > 1:11:18Beatrix Kiddo?
1:11:18 > 1:11:19Here.
1:11:19 > 1:11:23Look, I can be there in about four hours.
1:11:23 > 1:11:25You want me to come over?
1:11:25 > 1:11:26No, no, no, no.
1:11:26 > 1:11:29You need me, baby, I'm there.
1:11:31 > 1:11:33OK.
1:11:33 > 1:11:34I'm leaving now.
1:11:34 > 1:11:38You go smoke some pot or something. I'll be there soon.
1:11:40 > 1:11:42GRUNTS
1:11:48 > 1:11:50GRUNTING
1:11:51 > 1:11:53BLADE WHIPPING AIR
1:11:58 > 1:11:59ECHOING METALLIC TWANG
1:11:59 > 1:12:01GRUNTS
1:12:03 > 1:12:04GRUNTS
1:12:08 > 1:12:12YELLS
1:12:18 > 1:12:23PANTING
1:12:24 > 1:12:25YELLS
1:12:35 > 1:12:37YELLS
1:12:37 > 1:12:39Ugh! Gross.
1:12:45 > 1:12:47GRUNTING AND GROANING
1:12:57 > 1:12:59HANDS WHIPPING AIR
1:12:59 > 1:13:02DISEMBODIED YELL
1:13:09 > 1:13:10GRUNTS
1:13:19 > 1:13:22GRUNTING
1:13:26 > 1:13:27MUFFLED GRUNTS
1:13:32 > 1:13:34PANTING
1:13:35 > 1:13:36YELLS
1:13:48 > 1:13:50Hi-yah!
1:13:53 > 1:13:55PANTING
1:13:55 > 1:13:57WHOOSHING
1:13:59 > 1:14:02"To my brother, Budd, the only man I ever loved -
1:14:02 > 1:14:03"Bill."
1:14:05 > 1:14:07WHOOSH
1:14:14 > 1:14:16What's that?
1:14:18 > 1:14:21Budd's Henzo sword.
1:14:21 > 1:14:23He said he pawned it.
1:14:23 > 1:14:26Guess that makes him a liar, now, don't it?
1:14:29 > 1:14:31Elle?
1:14:31 > 1:14:33B?
1:14:33 > 1:14:36Something I've always been curious about.
1:14:36 > 1:14:38Just 'tween us girls.
1:14:40 > 1:14:41What did you say to Pai Mei
1:14:41 > 1:14:44to make him snatch out your eye?
1:14:44 > 1:14:47SCREAMING
1:14:47 > 1:14:51I called him a miserable old fool.
1:14:51 > 1:14:53Ooh.
1:14:53 > 1:14:56Bad idea.
1:14:56 > 1:14:58Know what I did?
1:14:58 > 1:15:02I killed that miserable old fool.
1:15:03 > 1:15:04GRUNTS
1:15:04 > 1:15:06How do you like the fish head, you miserable old fool?
1:15:06 > 1:15:08'I poisoned his fish heads.'
1:15:13 > 1:15:16LAUGHING
1:15:19 > 1:15:24'And I told him, "To me, the word of an old fool like you...
1:15:24 > 1:15:26"is worth..."
1:15:26 > 1:15:27YELLS
1:15:27 > 1:15:29"..less than nothing."
1:15:29 > 1:15:30CHUCKLES
1:15:31 > 1:15:33LAUGHS
1:15:33 > 1:15:35That's right.
1:15:35 > 1:15:36I killed your master.
1:15:36 > 1:15:39And now I'm going to kill you, too.
1:15:39 > 1:15:42With your own sword, no less.
1:15:42 > 1:15:45Which, in the very immediate future,
1:15:45 > 1:15:48will become my sword.
1:15:50 > 1:15:52Bitch...
1:15:52 > 1:15:54you don't have a future.
1:16:23 > 1:16:24YELLS
1:16:35 > 1:16:37YELLS
1:16:37 > 1:16:42SCREAMING
1:16:42 > 1:16:45SHOUTING INDISTINCTLY
1:16:47 > 1:16:49Fucking bitch!
1:16:49 > 1:16:51Fucking bitch!
1:16:51 > 1:16:53SCREAMING INDISTINCTLY
1:16:57 > 1:16:58I'm going to kill you!
1:16:58 > 1:17:00You're going to die!
1:17:02 > 1:17:04You bitch! You bitch!
1:17:04 > 1:17:06SHRIEKING
1:17:06 > 1:17:08WALLS THUMPING, SCREAMING INDISTINCTLY
1:17:08 > 1:17:11I'm going to kill you, bitch!
1:17:11 > 1:17:12SNAKE HISSES
1:17:12 > 1:17:14ELLE: Fuck you!
1:17:14 > 1:17:16I'll kill you!
1:17:16 > 1:17:18SCREAMING INDISTINCTLY
1:17:21 > 1:17:22Where are you?
1:17:25 > 1:17:27Where are you?
1:17:27 > 1:17:30I'm going to kill you, fucking bitch!
1:17:30 > 1:17:31You fucking bitch!
1:17:31 > 1:17:32THUMPING AND CLATTERING
1:17:32 > 1:17:34I'm going to kill you!
1:17:34 > 1:17:35CLATTERING
1:17:35 > 1:17:36Oh...shit!
1:17:40 > 1:17:42SCREAMING FADES
1:17:42 > 1:17:46WIND WHISTLING
1:17:46 > 1:17:49THUNDEROUS, ECHOING THUD
1:18:24 > 1:18:28ENGINE ROARING
1:19:01 > 1:19:02THE BRIDE: 'Like most men
1:19:02 > 1:19:06'who never knew their father, Bill collected father figures.
1:19:06 > 1:19:09'The first was Esteban Vihaio.
1:19:09 > 1:19:12'Esteban was a pimp and a friend of Bill's mother.
1:19:12 > 1:19:16'He ran a brothel in Acuna, Mexico, for over 50 years.
1:19:16 > 1:19:19'His army, the Acuna boys -
1:19:19 > 1:19:22'made up of the fatherless offspring of his whores -
1:19:22 > 1:19:26'ran Acuna. He ran the Acuna boys.
1:19:26 > 1:19:29'Now at the age of 80,
1:19:29 > 1:19:32'it would be this retired gentleman of leisure
1:19:32 > 1:19:35'who could point me in Bill's direction.'
1:19:37 > 1:19:39Senor Esteban Vihaio?
1:19:40 > 1:19:42Yes.
1:19:42 > 1:19:44May I join you?
1:19:46 > 1:19:49Only on the condition that you call me Esteban.
1:19:49 > 1:19:52May I join you, Esteban?
1:19:52 > 1:19:54Please.
1:19:56 > 1:19:58Americana?
1:19:58 > 1:20:00Yes.
1:20:00 > 1:20:03I speak a little Spanish, if you prefer.
1:20:03 > 1:20:05No, no, no.
1:20:05 > 1:20:07I prefer English.
1:20:07 > 1:20:09I haven't spoken in a while,
1:20:09 > 1:20:13but I would relish the opportunity to converse
1:20:13 > 1:20:15with such a pretty companion as yourself.
1:20:15 > 1:20:17It's my pleasure to be in the company
1:20:17 > 1:20:19of such a fine gentleman as yourself.
1:20:19 > 1:20:23I must warn you, young lady...
1:20:23 > 1:20:25I am susceptible to flattery.
1:20:28 > 1:20:30How may I be of service to you?
1:20:38 > 1:20:40Where's Bill?
1:20:42 > 1:20:45Ah...
1:20:45 > 1:20:47you must be Beatrix.
1:20:47 > 1:20:50I can see the attraction.
1:20:52 > 1:20:55I remember when Bill was only five years old,
1:20:55 > 1:20:57I took him to the movies.
1:20:57 > 1:21:01It was a movie starring Lana Turner -
1:21:01 > 1:21:04The Postman Always Rings Twice,
1:21:04 > 1:21:06with John Garfields.
1:21:06 > 1:21:09And whenever she would appear on the screen,
1:21:09 > 1:21:14Bill began compulsively to suck his thumb to an obscene amount.
1:21:14 > 1:21:17And I knew from this very moment,
1:21:17 > 1:21:21this boy was a fool for blondes.
1:21:26 > 1:21:28Hmm...
1:21:28 > 1:21:30You know...
1:21:30 > 1:21:34being a fool for a woman such as yourself
1:21:34 > 1:21:38is always the right thing to do.
1:21:40 > 1:21:44If we had met when I was back in business,
1:21:44 > 1:21:48you would have been my number-one lady.
1:21:49 > 1:21:52Well, I'm flattered.
1:21:52 > 1:21:55You got the world by the weenie.
1:21:56 > 1:21:57This?!
1:21:57 > 1:22:01I heard you were driving a truck.
1:22:01 > 1:22:03My pussy wagon died on me.
1:22:03 > 1:22:04CLICKS TONGUE
1:22:04 > 1:22:05The pussy died.
1:22:05 > 1:22:07Hmm.
1:22:09 > 1:22:12Bill shoot you in the head, no?
1:22:12 > 1:22:14Yes.
1:22:14 > 1:22:15Hmm.
1:22:15 > 1:22:18I would have been much nicer.
1:22:18 > 1:22:21I would have just cut your face.
1:22:24 > 1:22:25You must forgive me.
1:22:25 > 1:22:26Please.
1:22:26 > 1:22:29You have a drink with me.
1:22:31 > 1:22:33Lily!
1:22:33 > 1:22:35BLOWS KISSES
1:22:35 > 1:22:37Coming.
1:22:40 > 1:22:42Dos anejos.
1:22:45 > 1:22:46And Lily...
1:22:48 > 1:22:49CLEARS THROAT
1:22:52 > 1:22:53INHALES
1:22:55 > 1:22:56LISPING: Gracias.
1:22:56 > 1:22:59Eh...
1:23:01 > 1:23:05What were we talking about?
1:23:10 > 1:23:12Bill.
1:23:14 > 1:23:15Where's Bill?
1:23:15 > 1:23:18Where's Bill?
1:23:18 > 1:23:20Yeah. Hmm...
1:23:20 > 1:23:22Bill is at the villa cuatro.
1:23:22 > 1:23:25On the road to Salina.
1:23:25 > 1:23:28I will draw you a map.
1:23:29 > 1:23:32Bill is like a son to me.
1:23:33 > 1:23:35Do you know why I help you?
1:23:35 > 1:23:37No.
1:23:37 > 1:23:39Because he would want me to.
1:23:39 > 1:23:43Now, that I don't believe.
1:23:43 > 1:23:45Ah...
1:23:45 > 1:23:49how are we ever going to see you again?
1:24:11 > 1:24:13TYRES SCREECHING
1:24:55 > 1:24:56Freeze, Mommy.
1:24:56 > 1:24:59Bang-bang! Oh!
1:24:59 > 1:25:00Oh! she got us, BB.
1:25:00 > 1:25:01Mommy got us.
1:25:01 > 1:25:02BB GROANING
1:25:02 > 1:25:03Oh, I'm dying.
1:25:03 > 1:25:04I'm dying.
1:25:04 > 1:25:05GROANING
1:25:05 > 1:25:08I'm dy... Oh...
1:25:08 > 1:25:09Fall down, sweetheart.
1:25:09 > 1:25:11Mommy shot us.
1:25:13 > 1:25:16But little did quick-draw Kiddo know,
1:25:16 > 1:25:19that little BB was only playing possum...
1:25:19 > 1:25:24due to the fact that she was impervious to bullets.
1:25:24 > 1:25:26I'm pervious to bullets, Mommy.
1:25:26 > 1:25:27Hey, get back down there.
1:25:27 > 1:25:30Oh, yeah. You're playing possum.
1:25:30 > 1:25:34So, as the smirking killer advanced on what she thought
1:25:34 > 1:25:40was a bullet-ridden corpse... that's when little BB fired.
1:25:43 > 1:25:44Bang-bang!
1:25:51 > 1:25:55You're dead, Mommy, so...die.
1:25:55 > 1:25:57Oh!
1:26:00 > 1:26:02BB?
1:26:05 > 1:26:08Oh!
1:26:08 > 1:26:10BB!
1:26:10 > 1:26:11GRUNTING
1:26:11 > 1:26:14I should've known.
1:26:14 > 1:26:16You are...the best.
1:26:24 > 1:26:27Oh, Mommy, don't die.
1:26:27 > 1:26:28I was just playing.
1:26:34 > 1:26:36I know.
1:26:50 > 1:26:51I told her you were asleep,
1:26:51 > 1:26:56but that one day, you'd wake up and come back to her.
1:26:56 > 1:26:58And she asked me,
1:26:58 > 1:27:01"If mommy's been asleep since I was born,
1:27:01 > 1:27:04"then how will she know what I look like?"
1:27:04 > 1:27:06To which I replied,
1:27:06 > 1:27:10"Because Mommy's been dreaming of you."
1:27:10 > 1:27:13That's what I said.
1:27:13 > 1:27:15Did you dream of me?
1:27:15 > 1:27:17I dreamed of you.
1:27:17 > 1:27:22Every single night, baby. Every single night.
1:27:22 > 1:27:26I waited a long time for you to wake up, Mommy.
1:27:34 > 1:27:35SNIFFLES
1:27:35 > 1:27:37Here, let me look at you.
1:27:39 > 1:27:41Oh...
1:27:44 > 1:27:48My, my, my, what a pretty little girl you are.
1:27:48 > 1:27:50You're pretty, too, Mommy.
1:27:50 > 1:27:54LAUGHS
1:27:56 > 1:28:00Tell Mommy what you said when I showed you her picture.
1:28:00 > 1:28:01Uh-uh.
1:28:01 > 1:28:03Come on...silly girl.
1:28:03 > 1:28:04Uh-uh!
1:28:04 > 1:28:05Come on.
1:28:05 > 1:28:06You know what you said.
1:28:06 > 1:28:08Come on, tell Mommy.
1:28:08 > 1:28:09No.
1:28:09 > 1:28:11It'll make her feel good. Come on.
1:28:11 > 1:28:12Uh-uh!
1:28:12 > 1:28:13Yeah. Come on.
1:28:13 > 1:28:17I said... I said, "you're the most
1:28:17 > 1:28:20"beautifullest woman I ever saw
1:28:20 > 1:28:22"in the whole wide world."
1:28:22 > 1:28:23GENTLE LAUGH
1:28:23 > 1:28:25That's the truth.
1:28:25 > 1:28:26That's what she said.
1:28:27 > 1:28:30Baby, don't you think Mommy has
1:28:30 > 1:28:34the prettiest hair in the whole wide world?
1:28:34 > 1:28:35Yes, I do.
1:28:35 > 1:28:37Matter of fact, it's better than pretty.
1:28:37 > 1:28:40What's better than pretty?
1:28:40 > 1:28:42Mmm...
1:28:42 > 1:28:43gorgeous.
1:28:43 > 1:28:45Very good.
1:28:45 > 1:28:46Gorgeous.
1:28:46 > 1:28:48Mommy is gorgeous.
1:28:50 > 1:28:52Hmm.
1:28:52 > 1:28:55You know, sweetie, Mommy's kind of mad at Daddy.
1:28:55 > 1:28:58Why, Daddy? Were you being a bad Daddy?
1:28:58 > 1:29:00I'm afraid I was.
1:29:00 > 1:29:02I was a real bad Daddy.
1:29:03 > 1:29:05Our little girl
1:29:05 > 1:29:07learned about life and death the other day.
1:29:07 > 1:29:09Want to tell Mommy
1:29:09 > 1:29:12about what happened to Emilio?
1:29:14 > 1:29:17I killed him.
1:29:17 > 1:29:19Emilio was her goldfish.
1:29:19 > 1:29:21Emilio was my goldfiss.
1:29:21 > 1:29:22CHUCKLES
1:29:22 > 1:29:24She came running into my room,
1:29:24 > 1:29:26holding the fish in her hand
1:29:26 > 1:29:29and crying, "Daddy, Daddy, Emilio's dead."
1:29:29 > 1:29:33And I said, "Really?
1:29:33 > 1:29:35"That's so sad.
1:29:35 > 1:29:36"How did he die?"
1:29:36 > 1:29:38And what did you say?
1:29:38 > 1:29:40"I stepped on him."
1:29:40 > 1:29:42Actually, young lady,
1:29:42 > 1:29:44the words you so strategically used were,
1:29:44 > 1:29:48"I accidentally stepped on him."
1:29:50 > 1:29:53To which I queried, "And just how did your foot
1:29:53 > 1:29:56"accidentally find its way into Emilio's fishbowl?"
1:29:56 > 1:29:58And she said, "No, no, no.
1:29:58 > 1:30:01"Emilio was on the carpet when I stepped on him."
1:30:01 > 1:30:04Mmm. The plot thickens.
1:30:04 > 1:30:08"And just how did Emilio get on the carpet?"
1:30:08 > 1:30:13And Mommy, you would have been so proud of her.
1:30:13 > 1:30:15CHUCKLES
1:30:15 > 1:30:16She didn't lie.
1:30:17 > 1:30:19She said she took Emilio
1:30:19 > 1:30:21out of his bowl
1:30:21 > 1:30:23and put him on the carpet.
1:30:23 > 1:30:28And what was Emilio doing on the carpet?
1:30:30 > 1:30:31Flapping.
1:30:31 > 1:30:34And then you stomped on him.
1:30:34 > 1:30:35Uh-huh.
1:30:35 > 1:30:37And when you lifted up
1:30:37 > 1:30:39your foot...
1:30:39 > 1:30:42what was Emilio doing then?
1:30:42 > 1:30:44Nothing.
1:30:44 > 1:30:47He stopped flapping, didn't he?
1:30:49 > 1:30:51She told me later
1:30:51 > 1:30:54that the second she lifted up her foot
1:30:54 > 1:30:56and saw Emilio not flapping,
1:30:56 > 1:30:58she knew what she had done.
1:30:58 > 1:31:02Is that not the perfect visual image of life and death -
1:31:02 > 1:31:05a fish flapping on the carpet
1:31:05 > 1:31:08and a fish not flapping on the carpet?
1:31:10 > 1:31:13So powerful, even a four-year-old
1:31:13 > 1:31:18with no concept of life or death, knew what it meant.
1:31:18 > 1:31:20You loved Emilio, didn't you?
1:31:20 > 1:31:21Uh-huh.
1:31:23 > 1:31:25Well, I love Mommy, too.
1:31:25 > 1:31:27What I did to Mommy,
1:31:27 > 1:31:28and what you did to Emilio...
1:31:28 > 1:31:30You stomped on Mommy?
1:31:30 > 1:31:32Worse.
1:31:32 > 1:31:35I shot Mommy.
1:31:35 > 1:31:37Not pretend shooting, like we were just doing.
1:31:37 > 1:31:39I shot her for real.
1:31:39 > 1:31:41Why? Did you want to see what would happen?
1:31:41 > 1:31:46No, I knew what would happen to Mommy if I shot her.
1:31:46 > 1:31:48What I didn't know
1:31:48 > 1:31:50was when I shot Mommy, what would happen to me.
1:31:50 > 1:31:52What happened?
1:31:52 > 1:31:55I was very sad.
1:31:55 > 1:31:58And that's when I learned
1:31:58 > 1:32:02some things, once you do, they can never be undone.
1:32:06 > 1:32:09What happened to Mommy?
1:32:10 > 1:32:12Why don't you ask Mommy?
1:32:12 > 1:32:15You OK, Mommy? Does it hurt?
1:32:15 > 1:32:17No, sweetie.
1:32:19 > 1:32:21It doesn't hurt any more.
1:32:26 > 1:32:27Did it make you sick?
1:32:28 > 1:32:29No.
1:32:30 > 1:32:32It made me sleep.
1:32:32 > 1:32:35That's why I haven't been with you, BB.
1:32:35 > 1:32:40I've been asleep. But you're awake now, Mommy, right?
1:32:40 > 1:32:43I'm wide awake, pretty girl.
1:32:43 > 1:32:46BB, would you like Mommy to watch a video with you
1:32:46 > 1:32:48before sleepy time?
1:32:48 > 1:32:49Uh-huh.
1:32:49 > 1:32:52Mommy, do you want to watch a video with me
1:32:52 > 1:32:53before sleepy time?
1:32:53 > 1:32:55Oh, yeah. I would love to.
1:32:55 > 1:32:57Which one do you want to watch?
1:32:57 > 1:32:59Shogun Assassin. No, BB,
1:32:59 > 1:33:00Shogun Assassin's too long.
1:33:00 > 1:33:03Mm-mm!
1:33:03 > 1:33:05No, it's not.
1:33:05 > 1:33:07Well, then...
1:33:07 > 1:33:10I'll leave you ladies to it.
1:33:14 > 1:33:16BOY IN MOVIE: When I was little...
1:33:18 > 1:33:20..my father was famous.
1:33:21 > 1:33:24He was the greatest Samurai in the Empire.
1:33:24 > 1:33:28And he was the Shogun's decapitator.
1:33:28 > 1:33:32He cut off the heads of 131 lords.
1:33:33 > 1:33:35My father would come home to Mother
1:33:35 > 1:33:40and when he would see her, he would forget about the killings.
1:33:40 > 1:33:42He wasn't scared of the Shogun,
1:33:42 > 1:33:44but the Shogun was scared of him.
1:33:44 > 1:33:47Maybe that was the problem.
1:33:47 > 1:33:51One night, the Shogun sent his...
1:33:51 > 1:33:54# My man
1:33:54 > 1:33:55# Got a heart
1:33:56 > 1:34:02# Like a rock cast in the sea
1:34:03 > 1:34:04# My man
1:34:06 > 1:34:07# Got a heart
1:34:08 > 1:34:14# Like a rock cast in the sea
1:34:22 > 1:34:25# Well, no-one told me about her
1:34:28 > 1:34:29# The way she lied
1:34:32 > 1:34:38# Well, no-one told me about her
1:34:39 > 1:34:42# How many people cried
1:34:51 > 1:34:53# My man
1:34:54 > 1:34:55# Got a heart
1:34:56 > 1:35:02# Like a rock cast in the sea
1:35:03 > 1:35:04# My man
1:35:06 > 1:35:08# Got a heart
1:35:08 > 1:35:13# Like a rock cast in the sea
1:35:13 > 1:35:17# The sea, the sea, the sea
1:35:20 > 1:35:25# Well, no-one told me about her
1:35:27 > 1:35:29# The way she lied
1:35:32 > 1:35:38# Well, no-one told me about her
1:35:39 > 1:35:41# How many people cried
1:35:43 > 1:35:48# But it's too late to say you're sorry
1:35:49 > 1:35:54# How would I know? Why should I care?
1:35:55 > 1:36:00# Please don't bother tryin' to find her
1:36:00 > 1:36:05# She's not there... #
1:36:07 > 1:36:09I was just admiring your sword.
1:36:11 > 1:36:13A piece of work.
1:36:13 > 1:36:16Speaking of which, how is Hanzo-san?
1:36:17 > 1:36:19He's good.
1:36:21 > 1:36:23Has his sushi gotten any better?
1:36:27 > 1:36:28I couldn't believe it...
1:36:28 > 1:36:31you got him to make you a sword.
1:36:31 > 1:36:32It was easy.
1:36:34 > 1:36:35I just dropped your name, Bill.
1:36:35 > 1:36:37HE CHUCKLES That'd do it.
1:36:51 > 1:36:55# Well, no-one told me about her
1:37:02 > 1:37:06# Well, no-one told me about her... #
1:37:08 > 1:37:11I suppose the idea is we cross Hanzo swords.
1:37:11 > 1:37:12Am I right?
1:37:15 > 1:37:16Well...
1:37:16 > 1:37:18it just so happens
1:37:18 > 1:37:20this hacienda has its own private beach.
1:37:20 > 1:37:23And that private beach just so happens
1:37:23 > 1:37:26to look particularly beautiful bathed in moonlight.
1:37:28 > 1:37:31And there just so happens to be a full moon out tonight.
1:37:31 > 1:37:35So, sword-fighter, if you want a sword fight,
1:37:35 > 1:37:37that's where I suggest.
1:37:38 > 1:37:41But, if you want to be old-school about it,
1:37:41 > 1:37:45and you know I'm all about old-school...
1:37:45 > 1:37:46SHE LAUGHS
1:37:46 > 1:37:47...Then we could wait until dawn
1:37:47 > 1:37:49and slice each other up at sunrise,
1:37:49 > 1:37:51like a couple of real-life, honest to God...
1:37:53 > 1:37:56Now, if you don't settle down,
1:37:56 > 1:37:58I'm going to have to put one in your kneecap.
1:37:58 > 1:38:01And I hear tell that's a very painful place to get shot in.
1:38:03 > 1:38:05HE LAUGHS
1:38:06 > 1:38:07I'm just fuckin' with you.
1:38:09 > 1:38:10Now...
1:38:10 > 1:38:12when it comes to you...
1:38:12 > 1:38:14and us...
1:38:17 > 1:38:19I have a few unanswered questions.
1:38:19 > 1:38:21So...
1:38:21 > 1:38:25before this tale of bloody revenge reaches its climax,
1:38:25 > 1:38:28I'm going to ask you some questions,
1:38:28 > 1:38:30and I want you to tell me the truth.
1:38:31 > 1:38:34However, therein lies a dilemma.
1:38:34 > 1:38:38Because, when it comes to the subject of me,
1:38:38 > 1:38:42I believe you are truly and utterly incapable
1:38:42 > 1:38:45of telling the truth - especially to me.
1:38:45 > 1:38:47And least of all, to yourself.
1:38:47 > 1:38:51And when it comes to the subject of me,
1:38:51 > 1:38:58I am truly and utterly incapable of believing anything you say.
1:38:58 > 1:39:00How do you suppose we solve this dilemma?
1:39:00 > 1:39:02Well, it just so happens
1:39:03 > 1:39:05I have a solution.
1:39:05 > 1:39:06SHE SCREAMS
1:39:06 > 1:39:07Gotcha!
1:39:08 > 1:39:10Goddamn!
1:39:11 > 1:39:12HE CHUCKLES
1:39:12 > 1:39:15What the fuck did you just shoot me with?
1:39:15 > 1:39:19My greatest invention - or at least my favourite.
1:39:19 > 1:39:23Don't touch it or I'll stick another one right in your cheek.
1:39:27 > 1:39:29What lies within that dart,
1:39:29 > 1:39:33just begging to course its way through your veins,
1:39:33 > 1:39:39is an incredibly potent and quite infallible truth serum.
1:39:39 > 1:39:41I call it The Undisputed Truth.
1:39:41 > 1:39:44Twice as strong as sodium pentothal,
1:39:44 > 1:39:46with no druggy after-effects,
1:39:46 > 1:39:49except for a slight wave of euphoria.
1:39:51 > 1:39:52You feel it?
1:39:52 > 1:39:53Euphoria?
1:39:53 > 1:39:54Yeah.
1:39:54 > 1:39:56No.
1:39:56 > 1:39:57Too bad.
1:39:58 > 1:40:01As you know,
1:40:01 > 1:40:03I'm quite keen on comic books.
1:40:05 > 1:40:07Especially the ones about superheroes.
1:40:07 > 1:40:09I find the whole mythology
1:40:09 > 1:40:12surrounding superheroes fascinating.
1:40:13 > 1:40:17Take my favourite superhero - Superman.
1:40:17 > 1:40:21Not a great comic book. Not particularly well drawn...
1:40:24 > 1:40:26But the mythology...
1:40:26 > 1:40:30the mythology is not only great, it's unique.
1:40:30 > 1:40:34How long does this shit take to go into effect?
1:40:34 > 1:40:35About two minutes.
1:40:35 > 1:40:38Just long enough for me to finish my point.
1:40:38 > 1:40:43Now, a staple of the superhero mythology
1:40:43 > 1:40:47is there's the superhero and there's the alter ego.
1:40:47 > 1:40:49Batman is actually Bruce Wayne. Spiderman is actually Peter Parker.
1:40:51 > 1:40:54When that character wakes up in the morning, he's Peter Parker.
1:40:54 > 1:40:58He has to put on a costume to become Spiderman.
1:40:59 > 1:41:04And it is in that characteristic Superman stands alone.
1:41:05 > 1:41:07Superman didn't become Superman.
1:41:08 > 1:41:09Superman was born Superman.
1:41:10 > 1:41:13When Superman wakes up in the morning, he's Superman.
1:41:15 > 1:41:16His alter ego is Clark Kent.
1:41:18 > 1:41:23His outfit with the big red S, that's the blanket
1:41:23 > 1:41:26he was wrapped in as a baby when the Kents found him.
1:41:26 > 1:41:28Those are his clothes.
1:41:28 > 1:41:32What Kent wears - the glasses, the business suit, that's the costume.
1:41:33 > 1:41:36That's the costume Superman wears to blend in with us.
1:41:39 > 1:41:41Clark Kent is how Superman views us.
1:41:42 > 1:41:44And what are the characteristics of Clark Kent?
1:41:45 > 1:41:46He's weak,
1:41:48 > 1:41:49he's unsure of himself,
1:41:50 > 1:41:52he's a coward.
1:41:53 > 1:41:55Clark Kent is Superman's critique
1:41:55 > 1:41:57on the whole human race.
1:42:00 > 1:42:04Sort of like Beatrix Kiddo and Mrs Tommy Plympton.
1:42:05 > 1:42:09Ah, so...the point emerges.
1:42:11 > 1:42:13You would have worn the costume of Arlene Plympton,
1:42:15 > 1:42:16but you were born Beatrix Kiddo.
1:42:18 > 1:42:20And every morning when you woke up,
1:42:20 > 1:42:22you'd still be Beatrix Kiddo.
1:42:22 > 1:42:25Oh, you can take the needle out.
1:42:32 > 1:42:34Are you calling me a superhero?
1:42:34 > 1:42:36I'm calling you a killer.
1:42:36 > 1:42:38A natural born killer.
1:42:40 > 1:42:42You always have been and you always will be.
1:42:43 > 1:42:47Moving to El Paso, working in a used-record store,
1:42:49 > 1:42:50going to the movies with Tommy,
1:42:51 > 1:42:52clipping coupons,
1:42:52 > 1:42:57that's you, trying to disguise yourself as a worker bee.
1:42:57 > 1:43:00That's you trying to blend in with the hive.
1:43:01 > 1:43:02But you're not a worker bee.
1:43:04 > 1:43:06You're a renegade killer bee.
1:43:07 > 1:43:09And no matter how much beer you drank or barbecue you ate,
1:43:09 > 1:43:12or how fat your ass got -
1:43:12 > 1:43:16nothing in the world would ever change that.
1:43:19 > 1:43:20First question.
1:43:23 > 1:43:26Did you really think your life in El Paso was going to work?
1:43:34 > 1:43:35No.
1:43:39 > 1:43:40But I would've had BB!
1:43:42 > 1:43:43Don't get me wrong,
1:43:43 > 1:43:46I think you would've been a wonderful mother...
1:43:48 > 1:43:49but you are a killer.
1:43:54 > 1:43:56All those people you killed to get to me...
1:43:56 > 1:43:59felt damn good, didn't they?
1:44:02 > 1:44:03Yes.
1:44:03 > 1:44:05Every single one of them?
1:44:16 > 1:44:17Yes.
1:44:21 > 1:44:22That was the warm-up crowd.
1:44:22 > 1:44:27Now comes the 64,000 question.
1:44:35 > 1:44:38Why did you run away from me and my baby?
1:44:42 > 1:44:44Do you remember the last assignment you sent me on?
1:44:46 > 1:44:47Of course.
1:44:48 > 1:44:50Lisa Wong.
1:44:51 > 1:44:53The morning I left, I was sick.
1:44:55 > 1:44:57On the plane, I threw up.
1:44:59 > 1:45:01So I started thinking...
1:45:03 > 1:45:05Maybe I was pregnant.
1:45:05 > 1:45:06"Easy to use.
1:45:06 > 1:45:09"Remove cap and urinate on the absorbent end for five seconds.
1:45:12 > 1:45:14"Accurate results in only 90 seconds.
1:45:15 > 1:45:17"You can read the results as soon as the line appears in the window."
1:45:33 > 1:45:36WATCH TICKS
1:45:42 > 1:45:44WATCH TICKS
1:45:52 > 1:45:53Fuck.
1:45:53 > 1:45:54'What I didn't know
1:45:54 > 1:45:58'was that somewhere on my journey, I had been spotted.
1:46:00 > 1:46:02'With me in LA, it didn't take Lisa Wong long
1:46:02 > 1:46:05'to send an assassin of her own.'
1:46:05 > 1:46:07DOORBELL RINGS
1:46:07 > 1:46:08Hello. Can I help you?
1:46:08 > 1:46:09Hello. I'm Karen Kim.
1:46:09 > 1:46:11I'm the hospitality manager of the hotel.
1:46:11 > 1:46:13I have a welcome gift from the management.
1:46:13 > 1:46:15That's nice, um...
1:46:16 > 1:46:18Can you just leave it by the door?
1:46:30 > 1:46:31You pretty good with that shotgun?
1:46:31 > 1:46:33Not that I have to be, at this range,
1:46:33 > 1:46:35but I'm a fuckin' surgeon with this shotgun.
1:46:35 > 1:46:37Well, guess what, bitch?
1:46:37 > 1:46:38I'm better than Annie Oakley,
1:46:38 > 1:46:40and I got you right in my sight.
1:46:40 > 1:46:41I could blow your fuckin' head off.
1:46:41 > 1:46:44Not before I put one right between your eyes.
1:46:44 > 1:46:45So let's talk.
1:46:47 > 1:46:48Karen...
1:46:50 > 1:46:53I just found out...
1:46:54 > 1:46:55right now...
1:46:55 > 1:46:59not a moment before you blew a hole through the door...
1:47:01 > 1:47:02that I'm pregnant.
1:47:02 > 1:47:04What is this?
1:47:05 > 1:47:07On the floor, by the door,
1:47:08 > 1:47:11is a strip that says I'm pregnant.
1:47:11 > 1:47:12Bullshit.
1:47:14 > 1:47:16Any other time, you'd be 100% right.
1:47:17 > 1:47:19But this time...
1:47:20 > 1:47:22you're 100% wrong.
1:47:24 > 1:47:26I'm the deadliest woman in the world.
1:47:28 > 1:47:32But right now, I'm just scared shitless for my baby.
1:47:33 > 1:47:34Please...
1:47:36 > 1:47:37just look at the strip.
1:47:40 > 1:47:42Please!
1:47:43 > 1:47:46Stay where you are and don't move.
1:48:05 > 1:48:06I don't know what this fuckin' shit means.
1:48:06 > 1:48:08The box with the directions is right there.
1:48:20 > 1:48:21"Easy to use...
1:48:21 > 1:48:24"Remove the cap and urinate...
1:48:24 > 1:48:26"..The absorbent end..."
1:48:26 > 1:48:28Blue means pregnant.
1:48:28 > 1:48:30I'll read it myself, thank you.
1:48:38 > 1:48:39OK.
1:48:40 > 1:48:42Say I would've believed you. What then?
1:48:42 > 1:48:44Just go home.
1:48:46 > 1:48:48I'll do the same.
1:48:54 > 1:48:55DOOR OPENING
1:49:07 > 1:49:08Congratulations.
1:49:08 > 1:49:10RUNNING FOOTSTEPS
1:49:12 > 1:49:14'Before that strip turned blue,'
1:49:14 > 1:49:16I was a woman, I was your woman.
1:49:18 > 1:49:20I was a killer who killed for you.
1:49:21 > 1:49:23Before that strip turned blue,
1:49:23 > 1:49:26I would've jumped a motorcycle onto a speeding train...
1:49:27 > 1:49:29for you.
1:49:31 > 1:49:33But once that strip turned blue...
1:49:34 > 1:49:36I could no longer do any of those things.
1:49:37 > 1:49:39Not anymore.
1:49:40 > 1:49:41Because I was going to be a mother.
1:49:45 > 1:49:47Can you understand that?
1:49:50 > 1:49:51Yes.
1:49:53 > 1:49:54Why didn't you...
1:49:54 > 1:49:56tell me then, instead of now?
1:49:57 > 1:49:59Once you knew, you'd claim her...
1:50:00 > 1:50:02and I didn't want that.
1:50:03 > 1:50:05Not your decision to make.
1:50:05 > 1:50:06Yes.
1:50:06 > 1:50:08But it's the right decision,
1:50:08 > 1:50:10and I made it for my daughter.
1:50:10 > 1:50:14She deserved to be born with a clean slate.
1:50:16 > 1:50:17But with you,
1:50:17 > 1:50:20she would've been born into a world she shouldn't have.
1:50:23 > 1:50:25I had to choose.
1:50:26 > 1:50:28I chose her.
1:50:30 > 1:50:32You know,
1:50:32 > 1:50:34five years ago, if I had to make a list
1:50:34 > 1:50:38of impossible things that could never happen,
1:50:38 > 1:50:40you performing a coup de grace on me
1:50:40 > 1:50:43by busting a cap in my crown...
1:50:46 > 1:50:48...would've been right at the top of the list.
1:50:50 > 1:50:53I'd have been wrong, wouldn't I?
1:50:53 > 1:50:55I-I'm sorry.
1:50:55 > 1:50:57Was that a question?
1:50:59 > 1:51:01Of impossible things that could never happen...
1:51:01 > 1:51:05yes, in this instance, you would've been wrong.
1:51:05 > 1:51:07Well?
1:51:07 > 1:51:10When you never came back,
1:51:10 > 1:51:14I naturally assumed Lisa Wong,
1:51:14 > 1:51:17or somebody else, had killed you.
1:51:17 > 1:51:20Oh! and, for the record,
1:51:20 > 1:51:23letting somebody think somebody they love is dead,
1:51:23 > 1:51:26when they're not, is quite cruel.
1:51:26 > 1:51:30I mourned you for three months.
1:51:33 > 1:51:34And in the third month of mourning you,
1:51:37 > 1:51:38I tracked you down.
1:51:39 > 1:51:41I wasn't trying to track you down,
1:51:41 > 1:51:42I was trying to track down
1:51:42 > 1:51:45the fucking assholes I thought killed you.
1:51:46 > 1:51:48So I find you.
1:51:50 > 1:51:51And what do I find?
1:51:52 > 1:51:54Not only are you not dead,
1:51:54 > 1:51:59you're getting married to some fucking jerk.
1:52:01 > 1:52:03And you're pregnant.
1:52:07 > 1:52:09I, er, overreacted.
1:52:18 > 1:52:19You overreacted?!
1:52:20 > 1:52:21Is that your explanation?
1:52:21 > 1:52:23I didn't say I was going to explain myself,
1:52:23 > 1:52:25I said I was going to tell you the truth.
1:52:26 > 1:52:30But, if that's too cryptic, let's get literal.
1:52:33 > 1:52:34I'm a killer.
1:52:35 > 1:52:37I'm a murdering bastard, you know that,
1:52:38 > 1:52:40and there are consequences
1:52:40 > 1:52:44to breaking the heart of a murdering bastard.
1:52:46 > 1:52:47You experienced them.
1:52:51 > 1:52:55Was my reaction really that surprising?
1:52:55 > 1:52:57Yes... It was.
1:53:01 > 1:53:03Could you do what you did?
1:53:04 > 1:53:06Of course you could.
1:53:08 > 1:53:09But I never thought
1:53:10 > 1:53:14you would or could do that to me.
1:53:14 > 1:53:16I'm really sorry, kiddo,
1:53:16 > 1:53:19but you thought wrong.
1:53:25 > 1:53:28You and I have unfinished business.
1:53:29 > 1:53:31Baby...
1:53:32 > 1:53:33you ain't kiddin'.
1:54:05 > 1:54:09Pai Mei taught you the five-point-palm- exploding-heart technique?
1:54:13 > 1:54:15Of course he did.
1:54:17 > 1:54:19Why didn't you tell me?
1:54:23 > 1:54:24I don't know.
1:54:27 > 1:54:28Because I'm...
1:54:30 > 1:54:32a bad person.
1:54:32 > 1:54:33Nah...
1:54:36 > 1:54:38you're not a bad person.
1:54:39 > 1:54:42You're a terrific person.
1:54:42 > 1:54:44You're my favourite person.
1:54:46 > 1:54:48But every once in a while,
1:54:50 > 1:54:52you can be a real cunt.
1:55:11 > 1:55:13How do I look?
1:55:28 > 1:55:29You look ready.
1:56:45 > 1:56:47SWORD SLIDES INTO SHEATH
1:56:56 > 1:57:00CAR APPROACHING
1:57:13 > 1:57:16'Well, well, well, if it ain't the little flower.
1:57:23 > 1:57:24'Good evening Mr and Mrs America,
1:57:24 > 1:57:26'and all the ships at sea, let's go to press.
1:57:28 > 1:57:29'Do you have a magpie in your home?
1:57:29 > 1:57:31'If you do, you are most fortunate.
1:57:31 > 1:57:35'The magpie is the most charming bird in all the world.
1:57:35 > 1:57:37'He is the best friend the farmer ever had.
1:57:37 > 1:57:40'Treat him gently. Treat him kindly.
1:57:40 > 1:57:45'And always remember, the magpie deserves your respect.'
1:57:45 > 1:57:47CRYING
1:58:20 > 1:58:21Thank you.
1:58:23 > 1:58:24Thank you.
1:58:26 > 1:58:28Thank you.
1:58:32 > 1:58:34'I ain't got no headache.
1:58:34 > 1:58:37'Oh, yes, you have, brother.'
2:02:00 > 2:02:05# There's a nail in the door and there's glass on the lawn
2:02:05 > 2:02:09# Tacks on the floor and the TV is on
2:02:09 > 2:02:15# And I always sleep with my guns when you're gone
2:02:17 > 2:02:20# There's a blade by the bed and a phone in my hand
2:02:20 > 2:02:24# A dog on the floor and some cash on the night stand
2:02:24 > 2:02:28# When I'm all alone the dreaming stops
2:02:28 > 2:02:30# And I just can't stand
2:02:32 > 2:02:37# What should I do? I'm just a little baby
2:02:37 > 2:02:41# What if the lights go out and maybe
2:02:41 > 2:02:45# And when the wind just starts to moan
2:02:47 > 2:02:50# Outside the door, he followed me home
2:02:50 > 2:02:52# Well, good night, moon
2:02:52 > 2:02:54# I want the sun
2:02:54 > 2:02:57# If it's not here soon, I might be done
2:02:57 > 2:03:02# No, it won't be too soon till I say
2:03:02 > 2:03:04# Good night, moon
2:03:22 > 2:03:26# I'm up so high, I can't be seen
2:03:26 > 2:03:29# And when the dark comes here tonight
2:03:29 > 2:03:32# And take me up, up, up, up
2:03:32 > 2:03:34# And into the bed
2:03:34 > 2:03:38# Where he kisses my face and eats my head
2:03:38 > 2:03:43# What should I do? I'm just a little baby
2:03:43 > 2:03:47# What if the lights go out and maybe
2:03:47 > 2:03:50# And when the wind just starts to moan
2:03:50 > 2:03:55# Outside the door, he followed me home
2:03:55 > 2:03:58# Now, good night, moon I want the sun
2:03:58 > 2:04:03# If it's not here soon, I might be done
2:04:03 > 2:04:05# No, it won't be too soon
2:04:05 > 2:04:06# Till I say
2:04:07 > 2:04:09# Good night, moon
2:04:11 > 2:04:13# No, it won't be too soon
2:04:13 > 2:04:15# Till I say
2:04:15 > 2:04:17# Good night, moon. #
2:06:04 > 2:06:06TARANTINO: And...action!
2:06:06 > 2:06:08MAN SCREAMS
2:06:08 > 2:06:10Cut!
2:06:10 > 2:06:12Oh, come on, let's do it again.