Kitty Foyle

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0:01:29 > 0:01:36# I want a girl just like the girl that married dear old Dad

0:01:38 > 0:01:45# She was a pearl and the only girl that Daddy ever had

0:01:45 > 0:01:50# A good old-fashioned girl with heart so true

0:01:50 > 0:01:54# One who loves nobody else but you... #

0:02:39 > 0:02:43"Daisy, Daisy" PLAYING ON GRAMOPHONE

0:03:35 > 0:03:39WOMEN SINGING "Shoulder to Shoulder"

0:04:41 > 0:04:44Got a date tonight, Jane? Yeah.

0:04:44 > 0:04:49Don't you girls ever think of anything but men?

0:04:49 > 0:04:56Flattering the ego of a male! I can think of a thousand better ways of being happy.

0:04:56 > 0:04:58Name two!

0:04:58 > 0:05:02Me, I want a man and I don't care who knows it!

0:05:02 > 0:05:06Amen! Anywhere from 18 to 80!

0:05:06 > 0:05:14Isn't independence worth anything? What's the difference between men bachelors and girl bachelors?

0:05:14 > 0:05:18Men bachelors are that way on purpose!

0:05:18 > 0:05:22I'm so old, I can't remember my first kiss.

0:05:22 > 0:05:25I can't even remember me last!

0:05:58 > 0:06:04I'm sorry, Kitty. We had a couple of emergencies at the hospital.

0:06:04 > 0:06:09- Have you been waiting long? - Oh, no.- Good. Step on it, driver.

0:06:10 > 0:06:13You must be as hungry as I am.

0:06:13 > 0:06:21- I'm afraid you're gonna get a little hungrier. I've got another case first.- Before dinner?- An emergency.

0:06:21 > 0:06:23We're racing the stork right now!

0:06:25 > 0:06:27Hurry, Doctor!

0:06:33 > 0:06:35BABY CRIES

0:06:50 > 0:06:55Take care of this while I finish up!

0:07:12 > 0:07:17You've no idea how right you look with a babe in your arms.

0:07:17 > 0:07:20You have no idea how right I feel.

0:07:20 > 0:07:25- Boy or a girl?- It's a boy. Almost lost the little fella.

0:07:25 > 0:07:30Might have been better if he HADN'T pulled through.

0:07:30 > 0:07:35Don't say that, Mark. It's always better to pull through.

0:07:35 > 0:07:40There's something about the way you said that.

0:07:44 > 0:07:47Kitty, will you...

0:07:47 > 0:07:54I got a lot of money tied up in that little hoop. Will you marry me?

0:07:58 > 0:08:03Do you think you could find my finger under these blankets?

0:08:08 > 0:08:16You DID say "yes", didn't you? There's no confusion, you understood what I asked you?

0:08:16 > 0:08:20- You asked me to marry you? - Exactly.

0:08:20 > 0:08:24I got it. That's why I said "yes."

0:08:25 > 0:08:28What I'm getting around to is...

0:08:28 > 0:08:31that fella in Philadelphia.

0:08:31 > 0:08:33Is that all over?

0:08:33 > 0:08:36All over.

0:08:36 > 0:08:44You're not kidding yourself? It wouldn't do either of us any good if you weren't sure.

0:08:44 > 0:08:47I'm sure, darling.

0:08:47 > 0:08:52I've got to go back to the hospital, but I'll check out at midnight.

0:08:52 > 0:08:57- Meet me there and we'll go straight to Gretna Green.- Gretna Green?- Sure!

0:08:57 > 0:09:02They stay open all night! Can you be ready by then?

0:09:02 > 0:09:07- Who says I can't?- Meet me at St Timothy's at 12, smack on the dot.

0:09:07 > 0:09:11- 12...smack on the dot... St Timothy's.- Right.

0:09:11 > 0:09:15Driver, Pocahontas Hotel for Women.

0:09:15 > 0:09:20- What about my dinner?- Save it and we'll have a big breakfast!

0:09:20 > 0:09:25- Good evening, Miss Foyle. - Will you make up my bill?

0:09:25 > 0:09:32- You're leaving?- I'll say I am - I'm getting married! Send for my bags around 11.30.

0:09:41 > 0:09:43Hello.

0:09:45 > 0:09:50Well, what are you doing out of Philadelphia on a night like this?

0:09:51 > 0:09:54How did you get in?

0:09:54 > 0:09:57Men aren't allowed in this hotel.

0:09:57 > 0:10:01The operator on the back elevator is corrupt.

0:10:02 > 0:10:05Oh, Wyn, why did you come?

0:10:05 > 0:10:08You sent for me.

0:10:08 > 0:10:12I told you if you ever wanted me or needed me

0:10:12 > 0:10:17- to send it back. - That isn't what I meant.

0:10:17 > 0:10:20I sent it back because...

0:10:22 > 0:10:24that was all. That was the end.

0:10:24 > 0:10:27- Don't say that, Kitty.- It's true.

0:10:29 > 0:10:32I'm sorry, you'll have to go.

0:10:32 > 0:10:37- I can't go. Not until I've told you something.- I don't want to hear.

0:10:37 > 0:10:40Please go.

0:10:40 > 0:10:43Please don't make me ask you again.

0:10:49 > 0:10:52I'm sailing at midnight.

0:10:52 > 0:10:54Where?

0:10:54 > 0:10:57South America. Buenos Aires.

0:10:57 > 0:10:59I'm going to live there.

0:10:59 > 0:11:02With...your wife?

0:11:03 > 0:11:05Alone.

0:11:05 > 0:11:08Unless you'll go with me.

0:11:11 > 0:11:15- Oh, Wyn. - That's what I came to tell you.

0:11:16 > 0:11:21The thousands of times I've prayed for you to say that.

0:11:21 > 0:11:26Prayed and prayed and prayed... and you never could, you never did.

0:11:26 > 0:11:32I'm saying it now. From the bottom of my heart.

0:11:32 > 0:11:39Why couldn't you have thought to say those same little words five years ago?

0:11:39 > 0:11:43I thought of them. Hadn't the strength to say them.

0:11:43 > 0:11:47You know me better than I know myself.

0:11:47 > 0:11:55There's no life for me without you. I want you. I need you. I love you now as I've never loved you before.

0:11:56 > 0:11:59And I thought you had forgotten.

0:11:59 > 0:12:05You didn't! You never thought that! You know too well how I've wanted you.

0:12:06 > 0:12:09You're going to be divorced?

0:12:10 > 0:12:12No.

0:12:12 > 0:12:17- I'm afraid I can't even promise you that.- Then we...?

0:12:17 > 0:12:22That's it. I wish it were different.

0:12:22 > 0:12:25But that's the way it is.

0:12:26 > 0:12:29I see.

0:12:34 > 0:12:39Whatever you decide, I'm sailing anyway. I've broken away for good.

0:12:39 > 0:12:44But I'm praying that we'll go away together and be together always.

0:12:44 > 0:12:47Of all the days in all the years.

0:12:47 > 0:12:50You haven't forgotten have you?

0:12:50 > 0:12:53I thought I had.

0:12:53 > 0:12:58- I was sure I had.- The firelight at Lake Pocono...- Please, Wyn.

0:12:58 > 0:13:06- Our Assembly in New York... - The dreams we dreamed. The sound of our laughter...

0:13:06 > 0:13:08- I remember.- We must never forget!

0:13:08 > 0:13:12It isn't too late. Is it?

0:13:12 > 0:13:15I'm afraid it never will be.

0:13:15 > 0:13:20- This is the beginning!- I shouldn't. I shouldn't. It's wrong.

0:13:20 > 0:13:25- Wrong to be happy?- Don't let me think, just take me with you.

0:13:27 > 0:13:30Darling, we sail at midnight.

0:13:30 > 0:13:36- I'll be at the pier. Meet me there. - You know I will.- Goodbye. Don't be late!

0:13:38 > 0:13:40Wyn!

0:13:40 > 0:13:43You didn't say what boat, what pier.

0:13:43 > 0:13:49When I'm with you I forget about everything else. Pier 48. I'll be waiting.

0:14:13 > 0:14:17'You're making a mistake, you know.'

0:14:21 > 0:14:24'Am I?'

0:14:24 > 0:14:28YOU'RE that little girl on the sleigh ride.

0:14:28 > 0:14:33Trouble is, you're no longer a little girl. You're a woman.

0:14:33 > 0:14:36I'm only 24.

0:14:36 > 0:14:38You're 26. Don't try to kid me.

0:14:38 > 0:14:45Well, I'm not old, anyway. No. But maybe you aren't very smart either.

0:14:45 > 0:14:47I know what I'm doing.

0:14:47 > 0:14:55Unsatisfactory role you're preparing to play. Even under the best circumstances.

0:14:55 > 0:14:57This is the only chance we have.

0:14:57 > 0:15:02How do you imagine you'll be described? As Wyn's girlfriend?

0:15:02 > 0:15:10In about ten years when your figure gets out of control, it'll sound like a comedy line.

0:15:10 > 0:15:13- <- His woman? That's getting warmer.

0:15:13 > 0:15:16- <- "That woman Wyn's mixed up with."

0:15:16 > 0:15:21- <- You have no idea how often you'll get that one.

0:15:21 > 0:15:23We'll just have to face it.

0:15:23 > 0:15:26Correction. YOU'LL have to face it.

0:15:26 > 0:15:33MARRIED people face things together. Did you think of it that way? No time!

0:15:33 > 0:15:38You'd better take a little time. Forever is a long, long time.

0:15:38 > 0:15:43It never hurts to check... Marriage isn't everything.

0:15:43 > 0:15:46It's just a piece of paper.

0:15:46 > 0:15:52I don't need a piece of paper to prove that I love Wyn or that he loves me.

0:15:52 > 0:15:58You'd be a lot happier with Mark and that "piece of paper"

0:15:58 > 0:16:02than Wyn and a "key for him and a key for you."

0:16:02 > 0:16:07You know what I think? I think you're wrong.

0:16:08 > 0:16:13I remember you using those same words before.

0:16:13 > 0:16:15Remember...

0:16:15 > 0:16:20way back, when you lived on Griscomb Street in Philadelphia?

0:16:20 > 0:16:25That's where Pop brought you up. What a grand guy he was.

0:16:25 > 0:16:30It was the night of the Philadelphia Assembly.

0:16:30 > 0:16:35Remember? You should have been home but you weren't. You were about 15.

0:16:38 > 0:16:41< That's P.C. McBurwin!

0:16:46 > 0:16:48< Mrs Rosie Fittenhaus!

0:17:09 > 0:17:13What a clock. Always slow. Philadelphia blood.

0:17:14 > 0:17:16Kitty.

0:17:16 > 0:17:19- I was just...- Come here.

0:17:19 > 0:17:24- I was just going...- Oh, I know what you were just doing.

0:17:24 > 0:17:31The Assembly's tonight. You were gawking at those rich folk and getting silly ideas.

0:17:31 > 0:17:34- No, Pop...- Kitty!

0:17:34 > 0:17:38You've got to get this trash out of your mind.

0:17:38 > 0:17:43From now on, you're going to Sunday School.

0:17:43 > 0:17:48- Why, Pa?- It'll give you a little Christian upbringing.

0:17:48 > 0:17:51- Give you a sense of values.- Oh.

0:17:54 > 0:17:58You mean, and then I won't ever sin?

0:17:58 > 0:18:04It might not keep you from sinning, but it'll keep you from getting any fun out of it!

0:18:04 > 0:18:11- Take your mind off that tommyrotten society page.- No more tommyrotten than The Lady Of Shalott.

0:18:11 > 0:18:18- The Lady Of Shalott?- "And sometimes through the mirror blue the knights went riding two by two.

0:18:18 > 0:18:22"She hath no loyal knight and true..."

0:18:22 > 0:18:29- Always got your head stuck in a Cinderella book. - Must be wonderful, Pop.

0:18:29 > 0:18:36- Sitting in ashes and then suddenly a prince...- When did you sit in ashes?- I don't mean me.

0:18:36 > 0:18:39- I mean Cinderella.- Ohh!

0:18:39 > 0:18:46If ever a man deserves to be hung it's the fella who started that Cinderella stuff.

0:18:46 > 0:18:52Poisoning the minds of children, putting crazy ideas into girls' heads.

0:18:52 > 0:18:58Why, they're the ruination of more girls than forty actors.

0:18:58 > 0:19:05I don't see what's the ruination about it. The Prince and Cinderella lived happily ever afterwards.

0:19:05 > 0:19:10These writing fellas are smart. They end the story before it begins.

0:19:12 > 0:19:15Why couldn't they be happy, Pop?

0:19:15 > 0:19:18What would they have to talk about?

0:19:18 > 0:19:23Do you think he wants to go on hearing about the ashes?!

0:19:23 > 0:19:29"Let's talk about something else." And there she'd be - alone.

0:19:29 > 0:19:31Sitting on that velvet cushion,

0:19:31 > 0:19:38ready to swap strawberries and cream for a hamburger...well done. With onions!

0:19:40 > 0:19:43You know what I think, Pop?

0:19:43 > 0:19:47- I think you're wrong. - Judas Priest!

0:19:51 > 0:19:56But time moved on and skirts got six inches longer.

0:19:56 > 0:20:03They stopped playing "Sonny Boy" and took up "Who's Afraid Of The Big Bad Wolf?"

0:20:03 > 0:20:06Then came the Depression.

0:20:06 > 0:20:11You had to trade in a few of those dreams for shorthand.

0:20:11 > 0:20:19June, 1932. Mr Hoover said if Mr Roosevelt was elected grass would grow in the streets.

0:20:19 > 0:20:25Mr Roosevelt said if Mr Hoover got back in, there wouldn't BE any streets.

0:20:25 > 0:20:29All of a sudden you were set. Oh, boy!

0:20:29 > 0:20:35All you needed to get a peach of a job was this fancy document.

0:20:35 > 0:20:38And a miracle.

0:20:38 > 0:20:44Then, on July 23rd at exactly 4.37pm, will you ever forget...?

0:20:44 > 0:20:47Judas Priest! Put it out!

0:20:47 > 0:20:53- I'll take care of it. - Get some water! Water!

0:20:53 > 0:20:56No, not that! Not that!

0:20:56 > 0:20:59- Drop that bottle.- Don't get excited.

0:20:59 > 0:21:06- All the water in the world, and you use whisky! - There's more where that came from.

0:21:06 > 0:21:11- He's been sick. He shouldn't be upset.- This doesn't grow on trees.

0:21:11 > 0:21:16- What are you doing?- Just trying to put the fire out.- That's the rug!

0:21:16 > 0:21:20My fault. I dropped some ashes. That's my daughter.

0:21:20 > 0:21:27Kitty, this is Mr Wyn Strafford. One of those mainliners you talked about!

0:21:30 > 0:21:33How do you do, Miss Foyle?

0:21:33 > 0:21:39I'm sorry I spoke a little sharply to you. I'm usually a little cooler headed.

0:21:39 > 0:21:44- I'm sure.- He wants my help with his new magazine.

0:21:44 > 0:21:50- What are you doing in here in your shirt tail?- Judas Priest!

0:21:50 > 0:21:52Get out!

0:21:52 > 0:21:56She's too big to be running around like that.

0:21:56 > 0:21:59- Nice girl.- She's a good kid.

0:21:59 > 0:22:06- If I wasn't ill, she'd be going to college. - Does she type?

0:22:06 > 0:22:08Faster than you can think.

0:22:08 > 0:22:13If she can type, we might be able to use her down at the office.

0:22:13 > 0:22:21Ask her to drop in. There's an informality about her that might brighten our lives.

0:22:49 > 0:22:51This is not right, Miss Foyle.

0:22:53 > 0:22:58The use of "esquire" in business is a New York affectation.

0:22:58 > 0:23:03I've seen letters addressed to you with "Mr W Strafford, Esq."

0:23:03 > 0:23:10New Yorkers, perhaps. A man can't be "Mr" and "Esq" at the same time.

0:23:10 > 0:23:17- One or the other is about all he's capable of being. - I've seen 'em just plain "Esq."

0:23:17 > 0:23:24- How does one get to be an esquire anyway?- I don't know. Just is.

0:23:24 > 0:23:30Pop says you get to be an esquire if you can sit on one animal and chase another.

0:23:30 > 0:23:32Did I sound stuffy? I'm sorry.

0:23:32 > 0:23:38- Pardon?- OK. Get stuffy yourself. I've said I'm sorry.

0:23:38 > 0:23:40Uh...

0:23:40 > 0:23:45- did you get my column off the Dictaphone?- Yes. It's...

0:23:45 > 0:23:47What?

0:23:47 > 0:23:51- Nothing.- What about it? Don't be afraid.

0:23:51 > 0:23:56I was just thinking how your voice sounds on the Dictaphone.

0:23:56 > 0:24:00- Do you know who it sounds like? - No. Who?

0:24:00 > 0:24:03Ronald Coleman.

0:24:03 > 0:24:05Really?

0:24:05 > 0:24:10- I've played it over again. It's lovely.- That's funny.

0:24:10 > 0:24:15So different from what it is actually.

0:24:34 > 0:24:39- RONALD COLEMAN: - Do you really think it's true, Miss Foyle,

0:24:39 > 0:24:42that I sound like Mr Coleman?

0:24:42 > 0:24:46Hello, everybody! CHORUS OF "HELLO, JEAN"

0:24:46 > 0:24:54- Miss Bauler, did you bring in your copy?- Copy?- Your copy on the Wheeler wedding.- Oh, that!

0:24:54 > 0:24:58I never got to the wedding. I went to a party.

0:24:58 > 0:25:01It was a crashing bore!

0:25:01 > 0:25:07Why don't you make Wyn throw a party here? A sort of house-warming.

0:25:07 > 0:25:10Sounds like a crashing good idea(!)

0:25:26 > 0:25:31I would just like to say that I'm sorry I was fresh just now.

0:25:31 > 0:25:36- I didn't notice it. - Well, I was, and I'm sorry.

0:25:36 > 0:25:41Why don't you kick out some of those "friends" of yours?

0:25:41 > 0:25:46They do the sort of stuff we've got to have.

0:25:46 > 0:25:48None of my business, I know.

0:25:48 > 0:25:54But I'd just like you to know I'm in your corner, that's all.

0:25:54 > 0:26:00Thank you. It's encouraging to find someone who takes this seriously.

0:26:01 > 0:26:06- Would you like me to run that off? - No, no.

0:26:06 > 0:26:11- I was just fiddling with it... - It's very simple.- Go to lunch!

0:26:11 > 0:26:15- It'll only take seconds... - Miss Foyle!

0:26:15 > 0:26:22'Do you really think it's true, Miss Foyle, that I sound like Mr Coleman?

0:26:22 > 0:26:25'Foyle, Foyle, Foyle and oil!

0:26:25 > 0:26:31'Roses are red, violets are blue, Miss Foyle has nice legs. I love you.'

0:26:31 > 0:26:36- Is that all?- 'Don't sit with your legs crossed during conferences.

0:26:36 > 0:26:43'We have difficulties enough getting this magazine out without such demoralising exhibitions.'

0:26:43 > 0:26:46- I'll go to lunch.- Let me explain!

0:26:46 > 0:26:51- Wyn, Wyn, boil in gin! - I'm sorry. I didn't intend...

0:26:51 > 0:26:58- I was testing it. I never thought about what I was saying. - Let me out.- No.

0:27:00 > 0:27:03Not until I've made you understand.

0:27:03 > 0:27:06It was like automatic writing.

0:27:06 > 0:27:08People go into trances...

0:27:08 > 0:27:11don't know what they're saying.

0:27:11 > 0:27:16- It just comes out. Whole books sometimes.- Very amusing.

0:27:16 > 0:27:19- I'm going to lunch.- Miss Foyle.

0:27:20 > 0:27:24I want you to take some dictation before you go.

0:27:34 > 0:27:37Let's see...

0:27:37 > 0:27:43inter-office memo to Miss Foyle. I'm sorry I said you cross your legs in conferences.

0:27:43 > 0:27:46Which you do.

0:27:46 > 0:27:48I'm sorry I said they demoralise me.

0:27:48 > 0:27:51But they do.

0:27:51 > 0:27:57I'm sorry you seem to think that I am making love to you.

0:28:01 > 0:28:04But...

0:28:04 > 0:28:06I am.

0:28:22 > 0:28:27Those were probably the happiest days in your whole life.

0:28:27 > 0:28:32Days when you were learning those little things about each other

0:28:32 > 0:28:37that make two ordinarily normal people a little daffy.

0:28:37 > 0:28:43Like the first time he took you to New York. Remember?

0:28:43 > 0:28:46- Violets! Violets! - Yes!

0:28:46 > 0:28:49Two bunches, please.

0:28:55 > 0:29:00- I've never been in a speakeasy before.- Don't be concerned.

0:29:00 > 0:29:04The best people in New York come here.

0:29:06 > 0:29:10- Who is it?- Giono! - Mr Strafford!

0:29:10 > 0:29:14- Come in!- Giono, how are you?

0:29:14 > 0:29:19It is nice to see you. I haven't seen you since a long time!

0:29:22 > 0:29:25RADIO BROADCAST

0:29:25 > 0:29:28'Latest returns from New York State.

0:29:28 > 0:29:33'7,864 precincts out of a total of 9,046

0:29:33 > 0:29:35'give Hoover...

0:29:35 > 0:29:38'936,421.

0:29:38 > 0:29:43'Roosevelt, one million, four...' CHEERS DROWN OUT RADIO

0:29:43 > 0:29:48Looks bad now, but Roosevelt will never make it.

0:29:49 > 0:29:52Didn't YOU vote for him?

0:29:52 > 0:29:59Me, vote for Roosevelt? He wants to repeal prohibition. Prohibition goes, where am I?

0:30:05 > 0:30:09Some Scotch? Fresh off the boat today.

0:30:09 > 0:30:14You mean, some of that bilge-water you whipped up this afternooon!

0:30:14 > 0:30:19- How about some strega? - I just got one bottle.

0:30:19 > 0:30:22- I save it just for you. - How nice!

0:30:22 > 0:30:27- You liar! Let's have it. - And one glass of water.

0:30:35 > 0:30:39- What's strega? - It's an Italian liqueur.

0:30:39 > 0:30:43It has a picture of a witch on the bottle.

0:30:43 > 0:30:51- They say that if two people drink it together, they'll never drink it apart.- How cosy!

0:30:52 > 0:30:58'Republican HQ have just conceded the state of Pennsylvania to...Roosevelt!'

0:30:58 > 0:31:01He'll never make it.

0:31:01 > 0:31:05Wait until the returns come in from the Mid-West.

0:31:05 > 0:31:08Giono, from now on...

0:31:08 > 0:31:10this is our bottle.

0:31:10 > 0:31:15- I won't even touch it myself. - We'll fix that.

0:31:23 > 0:31:26There!

0:31:36 > 0:31:39Why so solemn?

0:31:39 > 0:31:43- Oh, I was just wondering. - What about?

0:31:43 > 0:31:49- Why did you bring me to New York? - I thought you'd like it. Why?

0:31:49 > 0:31:54Because... Well, when I was going to high school in Manatu, Illinois,

0:31:54 > 0:31:59it's a small town and everybody knew everybody else's business.

0:31:59 > 0:32:05So when a man took somebody out that he didn't want to be seen with,

0:32:05 > 0:32:08he'd take her up to Chicago.

0:32:09 > 0:32:12I see.

0:32:12 > 0:32:16But this isn't like that. It's the opposite.

0:32:16 > 0:32:20I wanted to make a good impression on you.

0:32:20 > 0:32:25So I brought you where I thought I most likely could do it.

0:32:27 > 0:32:34- I'm sorry if...- Kitty... - 'Republican HQ have conceded Kansas and Nebraska...

0:32:34 > 0:32:37'to Roosevelt.'

0:32:37 > 0:32:39CHEERING

0:32:48 > 0:32:52Wait until the Pacific Coast returns come in.

0:32:52 > 0:32:57That's where Hoover is going to murder him.

0:33:01 > 0:33:03Thanks.

0:33:05 > 0:33:10Kitty, will you go to the Assembly with me this year?

0:33:13 > 0:33:16Will you?

0:33:16 > 0:33:17Ohh!

0:33:17 > 0:33:21Wyn, that's awfully nice,

0:33:21 > 0:33:24but you don't have to do that.

0:33:24 > 0:33:27I want you to go. It isn't a gesture.

0:33:29 > 0:33:34When I was a little girl I used to read about the Assembly

0:33:34 > 0:33:41and cut out the pictures of the society ladies and use them as paper dolls.

0:33:41 > 0:33:49- Probably the best use they've ever been put to.- A committee goes over the invitation list...- Mmm.

0:33:49 > 0:33:57If they run across a Foyle, boom! Next thing, she's being scraped off the sidewalk.

0:33:57 > 0:34:00Leave it to me. Is it a date?

0:34:02 > 0:34:06I know I'm crazy... but it's a date.

0:34:06 > 0:34:13'Attention, everybody! Republican National HQ have just conceded that the next president

0:34:13 > 0:34:17'will be Franklin Delano ROOSEVELT!'

0:34:35 > 0:34:40EVERYONE SINGING: "Happy Days Are Here Again"

0:34:40 > 0:34:42Hooray! Hooray!

0:34:42 > 0:34:50- What are you celebrating? Hoover didn't win.- I'm celebrating our first kiss!- You're crazy!

0:34:50 > 0:34:54If you don't sing you ain't 100% American!

0:34:54 > 0:35:02- Thanks for reminding me. We're 100% Americans, ain't we? - Sure!- Kitty for President!

0:35:02 > 0:35:09# The skies above are clear again Let us sing a song of cheer again Happy days are here again! #

0:35:09 > 0:35:13- What are you doing? - It isn't private enough.

0:35:13 > 0:35:20- Let's go see the sunset. - It's already set. - Then let's go see the moon rise!

0:35:25 > 0:35:29"But Lancelot mused a little space

0:35:29 > 0:35:32"He said, She has a lovely face.

0:35:34 > 0:35:36"God in his mercy lend her grace,

0:35:36 > 0:35:39"The Lady of Shalott."

0:35:39 > 0:35:44I thought you said this was your favourite poem.

0:35:44 > 0:35:47What tune is this?

0:35:51 > 0:35:53- Night and Day.- Aww!

0:35:53 > 0:35:56All right. YOU play one.

0:36:02 > 0:36:07- Stormy Weather.- No! - Play it again!- All right.

0:36:09 > 0:36:12- #- Three little words...- #- Yes!

0:36:12 > 0:36:18"The stag at eve had drunk his fill Where danced the moon on Monan's rill..."

0:36:18 > 0:36:25- "Brushed his teeth, combed his hair, took a whiff of mountain air." - You've destroyed it!

0:36:25 > 0:36:32- You've no sense of the importance of beauty!- Tell me about the importance, Teacher!

0:36:32 > 0:36:35Glad to!

0:36:35 > 0:36:40It's a man's duty to instruct women in all subjects. Pick a subject.

0:36:40 > 0:36:42Well...

0:36:42 > 0:36:45tell me...where we are.

0:36:45 > 0:36:51- We're in the Pocono Mountains, Pennsylvania. - But where are we REALLY?

0:36:51 > 0:36:54- In heaven?- No.

0:36:54 > 0:36:56In love.

0:36:58 > 0:37:01Tell me about love.

0:37:01 > 0:37:04Well, first there was a man.

0:37:04 > 0:37:09Just as he was learning his way about, there was a woman.

0:37:09 > 0:37:11- Was the woman beautiful?- Very.

0:37:11 > 0:37:14She had...reddish hair

0:37:15 > 0:37:18a nose than went like so...

0:37:18 > 0:37:23and her eyes were as blue-green as the sea.

0:37:23 > 0:37:25She looked something like me!

0:37:25 > 0:37:30Well, her voice didn't sound so much like music

0:37:30 > 0:37:35and her eyes didn't trap the starlight half as cleverly.

0:37:37 > 0:37:40What did the man and the woman do?

0:37:40 > 0:37:43At first they just hung around.

0:37:43 > 0:37:50Didn't take any notice of each other. Maybe a grunt now and then, nothing more.

0:37:50 > 0:37:55They thought of each other as company or perhaps as friends.

0:37:55 > 0:38:00Then, one night, a strange thing happened.

0:38:00 > 0:38:01What?

0:38:01 > 0:38:06The man and woman were sitting in front of a fire.

0:38:06 > 0:38:13The firelight played on her face and the man saw how beautiful she was.

0:38:13 > 0:38:16Immediately he made love to her.

0:38:16 > 0:38:18How?

0:38:18 > 0:38:20He bent down over her...

0:38:20 > 0:38:23rubbed her nose with his...

0:38:23 > 0:38:26- Didn't the woman object?- No!

0:38:26 > 0:38:29- No.- She loved him too.

0:38:29 > 0:38:31Why?

0:38:31 > 0:38:34- Well...- Because...

0:38:34 > 0:38:38he was all that she had ever dreamed of.

0:38:39 > 0:38:43Tell me some more about the man and woman.

0:38:43 > 0:38:46Let me see. Where was I?

0:38:47 > 0:38:50You were...here.

0:39:03 > 0:39:05Judas Priest!

0:39:05 > 0:39:08Pop, what are you doing downstairs?

0:39:11 > 0:39:16Didn't Dr Cartwright tell you to stay in bed?

0:39:16 > 0:39:21- Dr Cartwright is a quack. - You're going to stay down.

0:39:21 > 0:39:23Understand?

0:39:23 > 0:39:26There, now.

0:39:27 > 0:39:30How does the rebel feel?

0:39:30 > 0:39:33I have an idea I'm below par.

0:39:37 > 0:39:41You were born four drinks below par.

0:39:44 > 0:39:49Think you could force a little of this down? I know you hate it.

0:39:49 > 0:39:53I guess you'll just have to steel yourself.

0:39:53 > 0:39:58- Do you promise?- I only take it to tone up my system.

0:39:58 > 0:40:03- BACK DOOR OPENS - Is that you, Myrtle?

0:40:03 > 0:40:09- Yes, Miss Kitty. - I'm going out to dinner tonight, so Myrtle will get yours.

0:40:09 > 0:40:12- Goodbye, darling.- Come here, honey.

0:40:18 > 0:40:21- Remember when I gave you this?- Mmm.

0:40:21 > 0:40:27I didn't mean you to BE a little girl on a sleigh ride.

0:40:27 > 0:40:29Go on. I don't know what you mean.

0:40:29 > 0:40:32I mean Wyn Strafford.

0:40:32 > 0:40:33Oh.

0:40:33 > 0:40:41You might as well try to argue me out of a case of bronchitis. Cos I love him.

0:40:42 > 0:40:47- Judas Priest!- You said it! - You want to marry him?- Mmm.

0:40:47 > 0:40:55- Has he ever asked you to meet his family?- I've never worried about his family.

0:40:55 > 0:40:59- I'm just as good as they are. - Just as good?

0:40:59 > 0:41:06You're so far above them they can't touch you with a 10-foot pole!

0:41:06 > 0:41:13Mainline? They haven't caught up with the present. Your grandpa was a mainliner.

0:41:13 > 0:41:20- Grandpa Foyle?- He helped lay the tracks. REAL mainlining. Those tracks were GOING somewhere.

0:41:20 > 0:41:24Fall in love with a man that's going somewhere.

0:41:24 > 0:41:27There's no use arguing about it.

0:41:27 > 0:41:32One, I don't agree with you, and two, he hasn't asked me. Yet!

0:41:32 > 0:41:37- And he never will. - But he loves me, Pop.

0:41:37 > 0:41:40Where does that get you? Exactly nowhere.

0:41:40 > 0:41:43I taught them cricket at school.

0:41:43 > 0:41:48They may want to break away, but they never do, Kitty.

0:41:48 > 0:41:55They always marry one of their own kind. I was a fool to let him in here.

0:41:55 > 0:41:58Darling! I've got to go to work.

0:41:58 > 0:42:02But I'll let you in on a little secret.

0:42:02 > 0:42:08A woman can always tell when a man is going to propose.

0:42:08 > 0:42:12Woman's instinct - there's a real piece of idiocy.

0:42:12 > 0:42:19Every woman is a crystalgazer! She can foretell the future like a politician.

0:42:19 > 0:42:22Goodbye! I've got to go to work!

0:42:22 > 0:42:25Goodbye, darling.

0:42:25 > 0:42:27Don't worry about me, Pop.

0:42:27 > 0:42:31I can take care of myself.

0:42:32 > 0:42:38Take care of yourself. By Judas Priest, you're going to break your heart.

0:42:43 > 0:42:46- Good morning!- Morning.

0:42:46 > 0:42:51- What's the matter? - Wyn wants to see you.

0:42:51 > 0:42:54Oh, is he in already?

0:43:02 > 0:43:04Morning, darling.

0:43:07 > 0:43:09- May I come in?- No. I'm coming out.

0:43:09 > 0:43:13Good morning! Hey, what's all that?

0:43:13 > 0:43:19- Heard of the Depression?- Yes. It comes around when everybody's broke.

0:43:19 > 0:43:22It's right here in this office.

0:43:22 > 0:43:26- What do you mean? - Our magazine is folding.

0:43:26 > 0:43:29- Oh, Wyn!- Your boss is a flop.

0:43:29 > 0:43:33Don't say that, darling. It's not so.

0:43:34 > 0:43:40- Sit down and tell me about it. - There's not much to tell. - What happened?

0:43:40 > 0:43:46I got the idea for this magazine because I didn't like following the family.

0:43:46 > 0:43:51I still don't. I thought this might be the answer.

0:43:51 > 0:43:55They say all magazines lose money at first.

0:43:55 > 0:43:59That's great - when you've got it to lose.

0:43:59 > 0:44:06I haven't. The 10,000 the family gave me has gone. That's all there is to it.

0:44:06 > 0:44:13You're a big boy with the right number of arms and hands and legs and plenty of brains.

0:44:13 > 0:44:20I'm not going to cry over your first set-back. You've still got your health!

0:44:20 > 0:44:25I tried to break away and it didn't work. I'm washed up.

0:44:25 > 0:44:32I suppose you're the only guy in the United States who's got washed up this year!

0:44:32 > 0:44:37- So, what are you going to do about it? Leap out a window?- No!

0:44:37 > 0:44:44- I guess I'll have to go back to the bank.- They can't make a banker out of you!

0:44:44 > 0:44:47You're too sweet!

0:44:47 > 0:44:53Wyn Strafford, if you talk like that again I'll pop you on the nose.

0:44:53 > 0:44:56You can't do that.

0:44:56 > 0:45:00You're different. You're GOING somewhere.

0:45:00 > 0:45:03Like the REAL mainliners.

0:45:04 > 0:45:07Do you really believe that, Kitty?

0:45:07 > 0:45:12I told you I was in your corner, didn't I? I still am.

0:45:12 > 0:45:20- One round you've lost, but there are 14 others coming up. - Darling, what about YOU?

0:45:20 > 0:45:24- Me?- Yes. What are YOU going to do?

0:45:24 > 0:45:27That's right. I'm out of a job!

0:45:28 > 0:45:31I never thought about that.

0:45:31 > 0:45:33Well...

0:45:33 > 0:45:35I might get a job in New York.

0:45:35 > 0:45:38A friend of mine lives there.

0:45:38 > 0:45:41- I can't let you do that.- Why not?

0:45:41 > 0:45:44Because you'd be too far away.

0:45:45 > 0:45:48It's not China.

0:45:54 > 0:45:56Kitty.

0:45:56 > 0:45:57Huh?

0:46:01 > 0:46:04You're all alone.

0:46:04 > 0:46:06Your dad isn't very well.

0:46:08 > 0:46:13I think it's too much of a load for you to handle.

0:46:13 > 0:46:19I feel kind of responsible. It isn't YOUR fault the magazine folded.

0:46:19 > 0:46:21So...

0:46:21 > 0:46:23until...

0:46:23 > 0:46:26you can get another job...

0:46:26 > 0:46:28What do you mean?

0:46:28 > 0:46:36- I'll just keep you on the payroll. It's only fair...- Just a minute. You needn't worry about ME.

0:46:36 > 0:46:41I'm free and twenty-one. Well, almost.

0:46:41 > 0:46:45I'll go on loving you from here on out.

0:46:45 > 0:46:48Or until I stop loving you.

0:46:48 > 0:46:53But nobody owes a thing to Kitty Foyle.

0:46:53 > 0:46:55Except Kitty Foyle!

0:47:11 > 0:47:14You were right, Pop.

0:47:21 > 0:47:24Well, it was just like you said.

0:47:33 > 0:47:35Pop!

0:47:35 > 0:47:38Pop! POP!

0:47:38 > 0:47:41KITTY SOBS

0:47:41 > 0:47:44Oh, no, Pop!

0:47:46 > 0:47:54So it was goodbye to Pop. And Philadelphia. And all of that part of your life.

0:47:54 > 0:47:57You ran away to New York.

0:47:57 > 0:48:00And why New York?

0:48:00 > 0:48:07All right, kid, let's face it. It was because New York reminded you of Wyn.

0:48:07 > 0:48:13You may have shut the door on him but you had no intention of locking it.

0:48:13 > 0:48:18What you REALLY hoped was that Wyn would come and find you.

0:48:18 > 0:48:23So you joined the New York white collar brigade and waited...

0:48:25 > 0:48:30This perfume should never be applied directly.

0:48:32 > 0:48:34So...

0:48:37 > 0:48:41What do you think, Madame Delphine? I wish you'd do as well.

0:48:41 > 0:48:50Quality is rather competitive. Its base, of course, is allure. You will notice... May I?

0:48:50 > 0:48:56There is a slightly aloof... slightly supercilious quality to the bouquet,

0:48:56 > 0:49:00but the merest shade of promise there, too.

0:49:00 > 0:49:03That's right!

0:49:03 > 0:49:08- The favourite of la femme chic de Paris.- Really?- Are you married?

0:49:09 > 0:49:11Yes.

0:49:11 > 0:49:17- It's still a charming perfum, even around the house. - I'll take it.- I'm glad.

0:49:17 > 0:49:20It will make monsieur happy, too.

0:49:21 > 0:49:24It is...

0:49:26 > 0:49:3167 an ounce. How many ounces...?

0:49:31 > 0:49:38- Isn't that...rather expensive? - How else could we keep the wrong sort of person from wearing it?

0:49:39 > 0:49:42One ounce will do.

0:49:42 > 0:49:44Merci.

0:49:47 > 0:49:55- Miss Detaille really holds off on charges. 67 bucks an ounce. Whew! - Look at some of these customers.

0:49:55 > 0:49:57They at least want to SMELL good.

0:49:57 > 0:50:01- Where do I find a box to fit this? - Ring Stock.

0:50:04 > 0:50:07BURGLAR ALARM RINGS

0:50:12 > 0:50:17- I must have done something wrong. - You said it!- What'll I do?- Flop!

0:50:17 > 0:50:20- Huh?- Faint!

0:50:25 > 0:50:28What's the matter?

0:50:28 > 0:50:32Ohh! Somebody get a doctor!

0:50:34 > 0:50:39Operator! Get a doctor! Get an ambulance!

0:50:39 > 0:50:42BELL RINGS CONTINUOUSLY

0:50:49 > 0:50:51WOMEN SCREAM

0:50:52 > 0:50:56ALARM STOPS RINGING

0:50:56 > 0:51:02Where's the patient? I'LL be the patient if you don't let me out!

0:51:23 > 0:51:28This looks bad. Probably a fracture.

0:51:28 > 0:51:31Seems all right.

0:51:31 > 0:51:36- OK from the knees down. Probably hip dislocation.- Lay off!

0:51:36 > 0:51:38Faking, eh?

0:51:38 > 0:51:42Yes. Be a good guy and go away.

0:51:42 > 0:51:44I've got just the thing for you.

0:51:44 > 0:51:50Listen, I'll lose my job if they find out I turned on that alarm.

0:51:50 > 0:51:53Well, how about a date tonight?

0:51:53 > 0:51:59- No.- OK. I'll try to inject this so it won't hurt you...much.

0:51:59 > 0:52:06- You're not really gonna do that? - What do you think?- I'll scream. - And lose your job?

0:52:06 > 0:52:09- All right, you win.- It's a date?

0:52:09 > 0:52:14- Yes.- Where do you live? Hurry, somebody's coming.

0:52:14 > 0:52:18- 1622 Rex Hill. Apartment 31. - Is 8 o'clock all right?

0:52:18 > 0:52:23- It's a little late for dinner. - 8 o'clock.

0:52:24 > 0:52:29What's the matter? Oh, it's Kitty. It's my new girl! Oh, she's...

0:52:29 > 0:52:33Oh, the poor little thing! She's fainted.

0:52:34 > 0:52:38Oh, there, there. Poor darling.

0:52:41 > 0:52:47I'm looking forward to a five-course dinner. That's the least I'll settle for!

0:52:47 > 0:52:50You've got more faith than me! Me, too.

0:52:50 > 0:52:56I haven't made up my mind whether I should demand dancing or not. How do I look?

0:52:56 > 0:53:01A chain of holes isn't very leg flattering.

0:53:01 > 0:53:07- Maybe it's just as well. - DOOR BUZZER - The doctor, I dare say.

0:53:07 > 0:53:11OK, we're leaving. Goodbye.

0:53:11 > 0:53:14You needn't rush away on my account.

0:53:21 > 0:53:23- Good evening.- Good evening.

0:53:23 > 0:53:28And how is our little patient this evening?

0:53:29 > 0:53:35- If you're referring to me, I'm all right.- I'm fine, too.

0:53:35 > 0:53:39It was a very funny way we met this afternoon.

0:53:39 > 0:53:46Just a minute, doctor. I agreed to have a date with you and I intend to keep my word.

0:53:46 > 0:53:52But if you think I'll laugh over that trick of yours, you're wrong.

0:53:52 > 0:53:54I thought we'd sit and reminisce.

0:53:54 > 0:54:01They're not going. I knew he was a squatter. I got goose bumps when I heard the buzzer.

0:54:01 > 0:54:06Let's throw Kitty a lifeline. OK, let's.

0:54:08 > 0:54:13- It's a nice place. - I share it with two other girls.

0:54:13 > 0:54:17- What could be better? - Sharing with ONE(?)

0:54:17 > 0:54:24- You know the first thing I thought of when I saw you today?- Yes.

0:54:25 > 0:54:29- Goodnight.- Oh, please, I'm sorry. I won't do it again.

0:54:29 > 0:54:32You walk close to the edge, doctor.

0:54:32 > 0:54:34I was just trying to get the reins.

0:54:39 > 0:54:41Pardon me.

0:54:44 > 0:54:46Pardon me.

0:54:47 > 0:54:54- Is that one of them?- Yes, Molly. I forgot to introduce you. - Don't worry.

0:54:56 > 0:55:01- Pat, this is Dr Mark... Miss Day. - How do you do? Pleased to meet ya.

0:55:04 > 0:55:09- Is this a gag? - They're just relaxed. That's all.

0:55:09 > 0:55:14I've seen better specimens in a glass jar.

0:55:16 > 0:55:18Well, what's your programme?

0:55:18 > 0:55:24- Do you like to play cards?- No. Besides, we haven't any.

0:55:24 > 0:55:28As chance would have it, I have a deck right here.

0:55:30 > 0:55:35- Now, isn't that a strange coincidence?- Yes, isn't it?

0:55:37 > 0:55:39Double solitaire?

0:55:43 > 0:55:45He's digging in for the night.

0:55:45 > 0:55:51Poor Kitty! Her first date and she draws a guy that's slap-jack happy!

0:55:51 > 0:55:54I guess I'll finish the laundry.

0:55:55 > 0:55:58What are you doing?

0:55:58 > 0:56:03If I'm any judge of that guy, I'll be able to finish this book.

0:56:08 > 0:56:11Jack. Queen. King. 17 games to 3.

0:56:13 > 0:56:17- Strong coffee.- Too strong. It's keeping me awake.

0:56:17 > 0:56:24- You're not very good at sol. - Not when I'm hungry. I thought we had a date tonight.

0:56:24 > 0:56:32- What do you think's been going on here?- For one thing, I've slowly grown to hate you.

0:56:32 > 0:56:38- Me? But why?- Because I'm hungry. I thought you were going to take me to dinner.

0:56:38 > 0:56:43- I've only got a dime. - We could go out and spend that.

0:56:43 > 0:56:49All we could get for a dime is coffee, and we've got coffee.

0:56:52 > 0:56:55I've had an awfully nice time.

0:56:55 > 0:57:00I'm so glad(!) We must do it again. And soon, too(!)

0:57:00 > 0:57:05- You've taken an awful beating, haven't you?- YOU should know.

0:57:05 > 0:57:09All of this has been kind of a test.

0:57:11 > 0:57:14You mean, you've been testing ME?!

0:57:14 > 0:57:21Don't make it sound so awful. It's just that the girl I fall for mustn't be a gold-digger.

0:57:21 > 0:57:28I haven't got the dough for it. So I won't fall for one unless I can like her without spending any money.

0:57:28 > 0:57:34- That's just for the first evening. - Well, how did I come out?- You're OK.

0:57:34 > 0:57:40I must point out that anything I did to prove that to you was unintentional.

0:57:40 > 0:57:42I know that.

0:57:48 > 0:57:54- How about the movies, Saturday night?- I'm sorry. I can't afford it. - I'll pay!

0:57:54 > 0:57:59- Coal Isle Johnny, eh? - And the bus both ways.

0:58:04 > 0:58:10Well, I never thought I'd fall for a flashy fella, but it's a date.

0:58:10 > 0:58:12- Goodnight.- Goodnight.

0:58:22 > 0:58:27- All clear. - He's gone. Ooh! So am I!

0:58:30 > 0:58:35- I'd have asked him for rent.- I know what his answer would've been.

0:58:35 > 0:58:39- What made him rush off(?) - His cards began to wear out.

0:58:39 > 0:58:42That boy'll get somewhere.

0:58:42 > 0:58:47- What makes you think so? - The way he saves his money.

0:58:47 > 0:58:54- It's better than staying home alone. - And it's better than having your leg amputated!

0:58:54 > 0:58:58I'm too sleepy to make up my bed. Goodnight.

0:59:00 > 0:59:04Douse the light, Molly.

0:59:20 > 0:59:26- Kitty?- Mm?- Whatever happened to that fella in Philadelphia?

0:59:26 > 0:59:29The knight in shining armour.

0:59:30 > 0:59:32Oh, him?

0:59:34 > 0:59:39I don't know. I guess he must've caught the wrong horse.

0:59:51 > 0:59:56- Don't you like this poor man's caviar?- Sure. I was just studying.

0:59:56 > 1:00:02- There's a lot to be seen on a subway if you can read.- Ads or faces?

1:00:02 > 1:00:04People. It's good practice.

1:00:04 > 1:00:07Take Slim. What do you figure he is?

1:00:10 > 1:00:14- A ballet dancer? - He looks like a real estater.

1:00:14 > 1:00:20- I'd say he has two kids, a house in Brooklyn and a skinny wife. - He looks worried.

1:00:20 > 1:00:27- It's late. He's wondering about what to tell the wife.- He stopped worrying about that years ago.

1:00:27 > 1:00:34- Then he's worrying about how to get ahead in the world. - We all think about that.- Not ME.

1:00:34 > 1:00:41I'm taking a job in a kids' clinic. It won't pay as much as Park Avenue neurotics, but...

1:00:43 > 1:00:50That little kid's gonna be like that for the rest of his life - weak, frail and unhappy.

1:00:50 > 1:00:57Thousands of little guys like him in New York. They need attention whether they can pay for it or not.

1:00:57 > 1:01:02- Why, Mark, you're an idealist! - Not me! I don't even like them.

1:01:02 > 1:01:08- Idealists?- They're always patting themselves on the back.

1:01:09 > 1:01:14- That's to save you the trouble. - '96th Street.' That's us.

1:01:14 > 1:01:17Now, take me. I like idealists!

1:01:20 > 1:01:22- Kitty?- Mm?

1:01:22 > 1:01:26- Have you ever fallen in love?- Uh-huh.

1:01:27 > 1:01:29What kind of a fella?

1:01:31 > 1:01:34I don't know what you'd call him.

1:01:36 > 1:01:38But I thought he was wonderful.

1:01:38 > 1:01:41You still love him, huh?

1:01:42 > 1:01:45Why didn't you marry him, then?

1:01:48 > 1:01:55- He had too much money. - You must be running a fever. Nobody's got too much money.

1:01:55 > 1:01:58HE did.

1:01:58 > 1:02:03- You want a poor man? - I don't want anybody.

1:02:03 > 1:02:08Those rich fellas have no way of telling when they're falling in love.

1:02:08 > 1:02:15- A fella like me knows when he's falling in love. - Well, that's very interesting.

1:02:15 > 1:02:21- How do you know when you're falling in love?- I don't make much dough.

1:02:21 > 1:02:28When I find myself wanting to spend 10 on a girl, I know I'm falling in love.

1:02:29 > 1:02:32You're still safe then.

1:02:32 > 1:02:34I'm NOT.

1:02:38 > 1:02:43Kitty, how'd you like to go out, Friday night, dinner, dancing?

1:02:43 > 1:02:48You mean, you want to take me out to dinner?

1:02:48 > 1:02:52Yes. Friday night. Do it up brown!

1:02:52 > 1:02:54OK?

1:02:55 > 1:02:58OK.

1:03:04 > 1:03:07- Goodnight.- Goodnight.

1:03:22 > 1:03:25- Same as usual?- Yes, please, Billy.

1:03:27 > 1:03:31Why do you still buy that Philadelphia paper?

1:03:31 > 1:03:38- Just to keep up with the old town, I guess. - To keep up with that boyfriend!

1:03:38 > 1:03:41After all this time, I'd forget him.

1:03:45 > 1:03:49- What's the matter?- Tonight's the Assembly in Philadelphia.

1:03:49 > 1:03:57- Wyn'll be there in his shining armour(!)- You'll be out with Mark in his shining stethoscope.

1:03:57 > 1:04:00Your change. Violets. >

1:04:02 > 1:04:06- Violets, five cents. - Sure. I'll have two bunches, please.

1:04:25 > 1:04:29What is all this? Somebody's cuckoo.

1:04:29 > 1:04:36These things have been coming in all evening. In the bath tub we've got water lilies.

1:04:36 > 1:04:41They're all for you. The cards are full of mush but they're unsigned.

1:04:41 > 1:04:47This is an oriental meat-eating plant that needs to be fed three times a day.

1:04:47 > 1:04:52- Have you fed it? I... - He's a fool.

1:04:52 > 1:04:55What is it? What's so funny?

1:04:55 > 1:05:00- DOOR BUZZER - It's Wyn. I know it.

1:05:00 > 1:05:05- Girls, please...? - We'll join the water lilies.

1:05:07 > 1:05:10Come in.

1:05:13 > 1:05:17- Oh, Wyn!- Kitty!

1:05:18 > 1:05:22- Darling!- Oh, Wyn, I never... - Darling!

1:05:22 > 1:05:29I just got here and look what I found. And I bought myself a dime worth of violets!

1:05:29 > 1:05:32Oh, darling, how did you find me?

1:05:32 > 1:05:37I just followed my heartbeat. Shall I go outside while you dress?

1:05:37 > 1:05:43- Dress?- I told you once I'd take you to the Assembly. It's tonight.

1:05:43 > 1:05:46Only ours will be here in New York.

1:05:46 > 1:05:49Oh, and you remembered!

1:05:52 > 1:05:57- Wait a minute! - Where are you going?

1:06:03 > 1:06:07- Think it'll do? - Oh, isn't that beautiful?

1:06:07 > 1:06:11Oh, I'm so happy and you're so crazy.

1:06:11 > 1:06:16- I forgot to tell you how much I love you.- How much do you love me?

1:06:16 > 1:06:23- If I loved you as much as you love me, would that be enough? - There'd be no love left for anyone.

1:06:26 > 1:06:31MUSIC: "I'll See You In My Dreams"

1:06:32 > 1:06:38We ought to be close together like those new French telephones.

1:06:40 > 1:06:42- Hey!- Lips quicker than the eye!

1:06:42 > 1:06:50Besides, nobody knows who we are. You look like the wrapping round the neck of a champagne bottle.

1:06:53 > 1:06:57I feel like something wrapped round your neck.

1:06:59 > 1:07:04- You like to dance, don't you? - All women do. It's good training.

1:07:04 > 1:07:12- How do you mean?- It's the first way a girl learns what a man is going to do before he does it.

1:07:21 > 1:07:25- We're all alone really, aren't we? - Uh-huh.

1:07:25 > 1:07:28And yet we're surrounded by people.

1:07:28 > 1:07:33It's because you and I together make something entirely different

1:07:33 > 1:07:39from either one of us when we're separated. A new element, like in chemistry.

1:07:39 > 1:07:42We'll always be alone.

1:07:42 > 1:07:44As long as we're together.

1:07:55 > 1:07:59ORCHESTRA PLAYS ROMANTIC MUSIC

1:08:43 > 1:08:49How long has Nijinsky over there rented the joint for? 5am.

1:08:49 > 1:08:54That's when some dance in Philadelphia ends(!)

1:09:08 > 1:09:13MUSIC: "Home, Sweet Home"

1:09:16 > 1:09:19It's 5 o'clock.

1:09:19 > 1:09:23- Mm?- It's 5 o'clock.

1:09:23 > 1:09:26Oh. Well, the Assembly's over.

1:09:26 > 1:09:29Oh, I don't ever want it to stop.

1:09:30 > 1:09:35How about some scrambled eggs, little sausages and champagne?

1:09:35 > 1:09:42- Is that traditional at the Assembly?- Yes. The eggs and sausages were added in 1897.

1:09:46 > 1:09:50All I'm asking is that the orchestra play in my room.

1:09:50 > 1:09:56- Sir, we have other guests in the hotel. - Show him how softly you play.

1:09:59 > 1:10:03You see? VERY softly.

1:10:11 > 1:10:15- I'm sorry, Mr Strafford. - What a town!

1:10:15 > 1:10:18Come on, boys. Bring the wine.

1:10:20 > 1:10:26This day started out like any other old day in the year.

1:10:26 > 1:10:31- Can you think of anyone we haven't drunk to?- Nobody left but strangers.

1:10:31 > 1:10:36Very well. To the people we don't know.

1:10:48 > 1:10:54- In five minutes the alarm will be going off.- Shut it off. I'm awake.

1:10:57 > 1:10:59See this?

1:11:03 > 1:11:05What is it? An heirloom?

1:11:05 > 1:11:13It was my great-grandmother's. It's a symbol of eternal life. From her to me...and you.

1:11:13 > 1:11:15To those that come after us.

1:11:15 > 1:11:18It's our family.

1:11:18 > 1:11:23You'd better put it away if it's family stuff.

1:11:27 > 1:11:33- Boys, can you play Tales From The Vienna Woods?- Feebly.

1:11:37 > 1:11:44I don't know why I should need all this background but, Kitty, will you marry me?

1:11:48 > 1:11:51Will you?

1:11:53 > 1:11:55No, darling.

1:11:57 > 1:11:59Don't you love me?

1:11:59 > 1:12:03- Uh-huh.- But you won't marry me?

1:12:04 > 1:12:08- Uh-uh.- Why not?

1:12:11 > 1:12:16Well, Wyn, darling, we're happy now, aren't we?

1:12:16 > 1:12:20- I mean, here, this minute. - Of course we are.

1:12:20 > 1:12:22Do you know why?

1:12:22 > 1:12:26Because we love each other and we're together.

1:12:26 > 1:12:28No, that's not it.

1:12:28 > 1:12:33- It's because we're not in Philadelphia. - This is no time to joke.

1:12:33 > 1:12:38In New York we're happy. At Pocono we're happy.

1:12:38 > 1:12:45In Seattle and New Orleans and Dallas we could be happy. But not in Philadelphia.

1:12:45 > 1:12:52Everywhere else we're just two people in love, minding our own business and bothering nobody.

1:12:53 > 1:12:56You see what I mean.

1:12:56 > 1:13:01- Kitty...- In Philadelphia, you're Darby Mill and I'm Griscomb Street.

1:13:01 > 1:13:04We're two addresses...

1:13:05 > 1:13:09..23 miles and 500 light years apart.

1:13:10 > 1:13:13Oh, Griscomb Street could stand it.

1:13:13 > 1:13:15But not Darby Mill.

1:13:18 > 1:13:24Oh, Wyn, I wish I could see you happy that way but...I just can't.

1:13:24 > 1:13:27And...is that ALL?

1:13:27 > 1:13:33Oh, we're both the same colour, if that's what you mean.

1:13:33 > 1:13:36Boys, The Sidewalks Of New York.

1:13:36 > 1:13:38The Sidewalks Of New York.

1:13:39 > 1:13:43- What's the idea? - That's our theme song now.

1:13:43 > 1:13:47We're New Yorkers, both of us.

1:13:47 > 1:13:52- Oh, Wyn, you're not kidding? - No, darling, I really mean it.

1:13:52 > 1:13:57I wish you weren't so right about all that in Philadelphia.

1:13:57 > 1:14:01But you are, so that's the end of it.

1:14:01 > 1:14:05This is where we'll live, where we'll be happy.

1:14:07 > 1:14:09Oh, Wyn, I'm so happy now.

1:14:09 > 1:14:13I'm so happy, I can't tell you how much.

1:14:21 > 1:14:26- BELLS RING - They don't know it...

1:14:27 > 1:14:31..but they're wedding bells for us.

1:14:33 > 1:14:36No mainline?

1:14:36 > 1:14:38No Philadelphia?

1:14:38 > 1:14:40Just you and me?

1:14:42 > 1:14:44Me and you!

1:14:46 > 1:14:51Oh, dear God, don't ring the alarm clock now.

1:14:51 > 1:14:54For just a little while.

1:14:54 > 1:14:58ORCHESTRA STRIKES UP: "Here Comes The Bride"

1:15:08 > 1:15:16But the alarm DID ring. It had a funny jangle and you heard it all the way back to Philadelphia.

1:15:16 > 1:15:22Wyn wanted to go back just long enough to tell his family.

1:15:22 > 1:15:29There you were Mr and Mrs Wynnewood Strafford VI, coming home to announce their marriage.

1:15:41 > 1:15:47- You aren't getting scared, are you? - Leave it to me, darling. - Don't fumble it.

1:15:48 > 1:15:50After you, Mrs Strafford.

1:15:52 > 1:15:58- Would you mind saying that again? - After you, Mrs Strafford.- Thank you.

1:16:05 > 1:16:07Harrison.

1:16:07 > 1:16:10Good afternoon, Mr Strafford.

1:16:10 > 1:16:15- Where's Mother?- The family are taking tea in the drawing room.

1:16:15 > 1:16:17Don't let Uncle Kenneth scare you.

1:16:17 > 1:16:25- He's an old Quaker banker who only knows three words - thee, thou and no.- Here goes the bell!

1:16:26 > 1:16:31- Hello, everybody.- Wyn, dear! - Mother, you remember Kitty.

1:16:31 > 1:16:37- So nice to see you again.- Thank you. - And you remember my grandmother.

1:16:37 > 1:16:43- Yes.- And Aunt Jessica. Uncle Edgar, Uncle Kenneth...- Miss Foyle.

1:16:43 > 1:16:47The fact is, the name isn't Foyle any more.

1:16:47 > 1:16:50It's Strafford.

1:16:50 > 1:16:52Kitty and I have been married.

1:16:56 > 1:17:04Why doesn't somebody say something? Or is she so beautiful she's taken your breath away?

1:17:04 > 1:17:07Congratulations. Of course. Congratulations.

1:17:07 > 1:17:10Well, shall we all sit down?

1:17:14 > 1:17:17- Will you have tea?- No, thank you.

1:17:17 > 1:17:20- Wyn?- No, Mother.

1:17:20 > 1:17:25- When were you married? - Last Saturday.- I see.

1:17:25 > 1:17:30I thought he was going to wait a year. Yes, Mother.

1:17:30 > 1:17:36Wyn told us how much he loved you. Do the papers know about this?

1:17:36 > 1:17:38I don't know. I don't suppose so.

1:17:38 > 1:17:44- We'll have the Darby Mill house redecorated for them.- Tell them.

1:17:44 > 1:17:49This would have been simpler if Wyn hadn't been so impetuous.

1:17:49 > 1:17:54< I thought you were going to send her to school first.

1:17:54 > 1:18:01Above everything else, we want your happiness and his. That's foremost, isn't it?

1:18:01 > 1:18:03Naturally. Of course.

1:18:03 > 1:18:09I don't mean to be rude, but what are you driving at?

1:18:09 > 1:18:17- Well, it's like this...- No, Mother. You see, I promised them that we wouldn't be married for a year.

1:18:17 > 1:18:22- Mother was going to take you under her wing and prepare you.- Prepare?

1:18:22 > 1:18:27- Prepare me for what? - Finishing school and...- School?

1:18:27 > 1:18:32- Are you kidding me? - It needn't be school.

1:18:32 > 1:18:37When she has met our friends we can have a proper wedding.

1:18:37 > 1:18:45- What do you call what we've just done? A rehearsal?- Wait...- I know we sound frightfully snobbish.

1:18:45 > 1:18:50But, my dear, we realise too that you have not been accustomed

1:18:50 > 1:18:56- to the life that you will have to lead...- What about OUR plans? Tell them.

1:18:56 > 1:19:02- Doesn't she WANT to go to school? - School is out, definitely.

1:19:02 > 1:19:05I'm a big girl now.

1:19:05 > 1:19:09Wyn and I are not going to live in Philadelphia.

1:19:09 > 1:19:13We couldn't be happy in Phildelphia.

1:19:13 > 1:19:18I'm Griscomb Street and he's mainline. We both know it.

1:19:18 > 1:19:24Anywhere else in the world it wouldn't make any difference.

1:19:24 > 1:19:29So we're going to live anywhere else in the world. Right, Wyn?

1:19:29 > 1:19:36- Of course... - Miss Foyle, thou must realise that such a thing is impossible.

1:19:36 > 1:19:40- Why?- The Strafford money is a trust fund,

1:19:40 > 1:19:44established by family wills. They provide that Wyn,

1:19:44 > 1:19:51when he takes unto himself a wife, shall reside at Darby Mill and be an officer of the family bank.

1:19:51 > 1:19:57Those terms are irrevocable. There's nothing we can do about it.

1:19:57 > 1:20:04- It's the way Wyn's money has been left to him.- All those dead people can tell us what to do?

1:20:04 > 1:20:07Wyn can't live his own life?

1:20:07 > 1:20:11Within the limits of his responsibilities, yes.

1:20:13 > 1:20:16And what if Wyn refuses?

1:20:16 > 1:20:21In that case, his inheritance would pass into the family trust.

1:20:21 > 1:20:27So what? Wyn isn't rich any more. What is that to me?

1:20:27 > 1:20:32I didn't marry Wyn for his money! I don't care!

1:20:32 > 1:20:36- Thou art not being reasonable. - Says thou!

1:20:36 > 1:20:41- Thy temper!- Let's get a few things straight around here.

1:20:41 > 1:20:47I married a man, not an institution or a trust fund or a bank!

1:20:47 > 1:20:54I can imagine you all trying to figure how to take the curse off Kitty Foyle!

1:20:54 > 1:20:58Buy her an education and make a mainline doll out of her!

1:20:58 > 1:21:03It takes six generations to make a bunch of people like you.

1:21:03 > 1:21:08- Judas Priest! I haven't got that much time!- Kitty!

1:21:08 > 1:21:12Darling, please, I've got to talk to you.

1:21:20 > 1:21:25Darling, please try to understand the family's point of view.

1:21:25 > 1:21:28You can't just square off at them.

1:21:28 > 1:21:30It's no use, Wyn.

1:21:30 > 1:21:33They've got you under contract.

1:21:35 > 1:21:37Kitty.

1:21:37 > 1:21:42We're going to New York. You and I. Live our lives just as we planned.

1:21:42 > 1:21:49- Give up your inheritance and everything that your family's built up?- That's all right.

1:21:49 > 1:21:55- I can make a living.- Can you learn to live in a one-room apartment?

1:21:55 > 1:22:01Eat in drugstores and save a dollar against the time when you haven't got a job?

1:22:01 > 1:22:04Do you think you could learn that?

1:22:04 > 1:22:09- If we're together.- Do you think you'd be happy living that way?

1:22:09 > 1:22:13Wait here. I'm going to tell them.

1:22:49 > 1:22:52You left for good that time.

1:22:52 > 1:22:54Back to New York and your old job.

1:22:54 > 1:23:01Oh, you went through the motions of living, but you weren't living at all.

1:23:01 > 1:23:07It's not living when you'd give an eyetooth to hear someone say "Hello."

1:23:07 > 1:23:09Hello!

1:23:09 > 1:23:12- Hello, Mark.- It's been a while.

1:23:12 > 1:23:14- Yes.- How about going for a drink?

1:23:14 > 1:23:18- I'm sorry, I...- Don't explain. Come on.

1:23:20 > 1:23:25- Here's a place. Quite a place, too, they tell me.- Yes, quite a place.

1:23:41 > 1:23:43- What'll you have?- Anything YOU like.

1:23:43 > 1:23:47Give us something kind of special. Strega?

1:23:49 > 1:23:51Yes. Two of them.

1:23:53 > 1:23:55Say, what IS strega anyhow?

1:23:55 > 1:24:01- It's an Italian drink.- Oh. - 'There's a picture of a witch on the bottle.

1:24:01 > 1:24:07'They say that if two people drink it together, they'll never drink it apart.'

1:24:07 > 1:24:13- It's been a long time since I've seen you. Too long.- Yes.

1:24:14 > 1:24:19Kitty. There's something I want to tell you.

1:24:19 > 1:24:26- You always show up at the wrong time, Mark.- Why? - You knew I was married.

1:24:26 > 1:24:30- Yes.- Well, I'm not any more.

1:24:30 > 1:24:33Today I got my decree.

1:24:33 > 1:24:41Funny! It started out, "The people of this free state send you greetings."

1:24:51 > 1:24:56We haven't had any calls for strega since a long time.

1:25:00 > 1:25:03Well, how about a toast?

1:25:08 > 1:25:11Still love him?

1:25:13 > 1:25:15I'm afraid so.

1:25:16 > 1:25:19Why didn't it turn out?

1:25:19 > 1:25:24I couldn't live HIS life, he couldn't live MINE.

1:25:24 > 1:25:27Is there any chance for me?

1:25:27 > 1:25:29I'm afraid not.

1:25:29 > 1:25:32You know I love you, don't you?

1:25:32 > 1:25:35Yes.

1:25:35 > 1:25:43'I don't know why I should need all this background, but, Kitty, will you marry me?'

1:25:45 > 1:25:50Well, we could go out to dinner, see a show. I can afford seats now!

1:25:50 > 1:25:55I'd like to, but all the time I'd be thinking of HIM.

1:25:55 > 1:25:59It's only fair that you should know.

1:25:59 > 1:26:01I see.

1:26:06 > 1:26:09Maybe we'd better say goodbye here.

1:26:10 > 1:26:12I understand.

1:26:14 > 1:26:20If you need anything, you know you can call me.

1:26:20 > 1:26:24- I know. - I'm a pretty good doctor, Kitty.

1:26:24 > 1:26:29But seeing you, I wish I'd specialised in heart trouble.

1:26:40 > 1:26:46- 'I want to see the sun set on Lake Pocano.' - But we're too late.

1:26:46 > 1:26:49It's already set.

1:26:57 > 1:27:02You began to find out about then there's a lot of living to do.

1:27:02 > 1:27:10AND if you're worthwhile, you get hurt. Funny, the things love does to a woman.

1:27:10 > 1:27:13Come back in a week, Mrs Foyle.

1:27:13 > 1:27:15Yes, Doctor.

1:27:19 > 1:27:24- I'm sorry I'm late, Delphine. - That's all right, my pet.

1:27:24 > 1:27:32- Oh, you had a long-distance call. - Really?- A few minutes ago. Call Philadelphia operator twelve.

1:27:39 > 1:27:42Operator twelve, please.

1:27:43 > 1:27:47You have a call from Philadelphia for Miss Foyle.

1:27:48 > 1:27:51I'll wait, thank you.

1:27:54 > 1:27:56Hello.

1:27:56 > 1:27:59Who is it?

1:27:59 > 1:28:02Oh, Wyn!

1:28:02 > 1:28:05Yes, Wyn, yes.

1:28:05 > 1:28:08Of course we can have a talk.

1:28:09 > 1:28:125.30 at Giono's?

1:28:12 > 1:28:15You know I'll be there.

1:28:17 > 1:28:19Goodbye.

1:28:21 > 1:28:23I'll be there!

1:28:23 > 1:28:28- Everything all right? - It is NOW.

1:28:28 > 1:28:32The reason I was late this morning is because...

1:28:32 > 1:28:35I had to go to the doctor's.

1:28:35 > 1:28:37- Are you ill?- No.

1:28:37 > 1:28:40Then what's the matter?

1:28:40 > 1:28:46Well, as I was leaving his office, he called me MRS Foyle.

1:28:46 > 1:28:49Oh! My dear!

1:28:49 > 1:28:56- Can I help you? - No. It's all right now, because you see, Wyn called.

1:28:56 > 1:28:58He knows, your Mr Philadelphia?

1:28:58 > 1:29:01Of course he knows.

1:29:01 > 1:29:05I mean, of course he doesn't know. He can't...

1:29:05 > 1:29:12Oh, but in his heart he must, because he called and I'm going to see him.

1:29:12 > 1:29:21- This is just what he needed. Just what- I- needed too. Me and Wyn and something to fight for.

1:29:21 > 1:29:26- Good afternoon, Miss Foyle. - Good afternoon, Giono.

1:29:26 > 1:29:31Mr Strafford called. He said strega and two glasses.

1:29:31 > 1:29:34Oh, um...

1:29:34 > 1:29:37I think I'd better have milk.

1:29:37 > 1:29:44- Milk?- Yes. - But when you have good strega why should you want milk?

1:29:44 > 1:29:51- I don't want him growing up to be a dipsomaniac.- Pardon? - Oh, just milk.

1:29:51 > 1:29:54- All right. Milk.- Oh, Giono.- Yes?

1:29:54 > 1:29:58- Grade A milk. - Grade A milk.

1:30:27 > 1:30:31- Uh...- Grade A! - Let me out of here.- Miss Foyle.

1:30:31 > 1:30:35- I'm sorry. - Can I do anything for you?- No.

1:30:35 > 1:30:41- What will I tell Mr Strafford? - Tell him I hope the first one is a boy.

1:31:01 > 1:31:04What's wrong?

1:31:05 > 1:31:08Wyn's going to be married.

1:31:08 > 1:31:11But to somebody else.

1:31:13 > 1:31:16Then...then he doesn't know?

1:31:16 > 1:31:18You didn't tell him?

1:31:18 > 1:31:21No.

1:31:23 > 1:31:26- Obviously somebody must.- No!

1:31:26 > 1:31:28No.

1:31:28 > 1:31:31I wouldn't want him like that.

1:31:31 > 1:31:35He'd feel gallant and conscientious.

1:31:35 > 1:31:40There's no happiness for anybody in a marriage like that.

1:31:40 > 1:31:43What are you going to do?

1:31:43 > 1:31:45I'm going to have this baby.

1:31:45 > 1:31:50- Oh, my dear! Have you thought what that really means?- Sure.

1:31:50 > 1:31:56I know. And I know what I'm going to name him, too.

1:31:56 > 1:32:02The doctor called me Mrs Foyle, so I'm going to call the baby Foyle.

1:32:02 > 1:32:08Tom Foyle, after my pop. He'll grow up to be proud of his name and his mother.

1:32:08 > 1:32:14And by Judas Priest, he'll be a fighter, too. Hard as a pine knot.

1:32:14 > 1:32:18Tom Foyle - the toughest kid on the block.

1:32:22 > 1:32:25This is what women want.

1:32:25 > 1:32:28It isn't men. Not really.

1:32:28 > 1:32:33It's something down inside them that's the future.

1:32:33 > 1:32:36That was it. The future.

1:32:36 > 1:32:41In the year 2000 AD, your son would be only 65 years old.

1:32:41 > 1:32:45He'd write it some day, on a letter maybe.

1:32:45 > 1:32:48January 1st, 2000.

1:32:49 > 1:32:52Your candidate for the year 2000.

1:32:52 > 1:32:56Your sweet, tough... little candidate.

1:33:16 > 1:33:21You don't have to tell me, Delphine, I know.

1:33:22 > 1:33:25It's a boy.

1:33:25 > 1:33:26Yes.

1:33:26 > 1:33:31It's the funniest thing - you get so dopey.

1:33:33 > 1:33:36All the time...it seemed...

1:33:36 > 1:33:40I was dreaming that he was drowning.

1:33:41 > 1:33:44And I was swimming after him.

1:33:44 > 1:33:48Trying to keep his little head above water.

1:33:48 > 1:33:51It's funny, isn't it?

1:33:56 > 1:33:59It seems like I heard him crying.

1:33:59 > 1:34:03I bet his lungs are awful good, aren't they?

1:34:04 > 1:34:07If I could hear him crying.

1:34:07 > 1:34:12I was swimming way down there under the water.

1:34:13 > 1:34:18He cried good and loud, too. Didn't he, Delphine?

1:34:18 > 1:34:20Yes.

1:34:24 > 1:34:28When are they going to let me have him?

1:34:28 > 1:34:32So I can hold him?

1:34:55 > 1:34:57Delphine.

1:34:58 > 1:35:00Delphine!

1:35:00 > 1:35:05- You must rest, Kitty. - I want my son. Where is he?

1:35:05 > 1:35:08Delphine, he isn't...!

1:35:10 > 1:35:13He isn't.

1:35:15 > 1:35:17Oh...

1:35:26 > 1:35:28I'm sorry.

1:35:31 > 1:35:34I'm not thinking about me.

1:35:34 > 1:35:39I'm thinking about my little candidate for the year 2000.

1:35:40 > 1:35:43It's so good to be alive...

1:35:43 > 1:35:47and he didn't even get a chance to fight.

1:35:53 > 1:35:59But time kept on doing business at the same old stand. Five years of it.

1:35:59 > 1:36:06Then Delphine sent you to Philadelphia to open a branch in that department store.

1:36:06 > 1:36:11You were afraid to go...afraid of all the things it might bring back.

1:36:11 > 1:36:16But nothing happened until the afternoon of your last day there.

1:36:16 > 1:36:22What would you suggest to bring out the colour of my eyes?

1:36:22 > 1:36:28A touch more orange in your lip rouge would do it.

1:36:36 > 1:36:40- That's a good idea. What about perfume?- Perfume?

1:36:40 > 1:36:46- Are you going to the opera? - I'm going to the Assembly tonight.

1:36:46 > 1:36:51- What flowers are you wearing? - I hadn't decided yet.

1:36:51 > 1:36:56If you're going to wear orchids, I would suggest...

1:36:56 > 1:37:02Mrs Strafford, you're wanted on the telephone. Thank you.

1:37:04 > 1:37:08Hello. Oh, hello, Wyn.

1:37:08 > 1:37:12You don't have to go to New York again, do you?

1:37:12 > 1:37:17We've never been to an Assembly together.

1:37:17 > 1:37:20Oh, all right.

1:37:20 > 1:37:23Wait till I get home.

1:37:23 > 1:37:24Goodbye.

1:37:24 > 1:37:30- I'm sorry. I'll have to leave. - Shall I send something to your home?

1:37:30 > 1:37:35No. Charge the lipstick to Mr Strafford. Mummy!

1:37:35 > 1:37:38< Are we going home? < Yes, dear.

1:37:38 > 1:37:44You told me I could buy Daddy a birthday present. We'll get it tomorrow.

1:38:02 > 1:38:06- I forgot my bear. - I was just bringing it to you.

1:38:06 > 1:38:09Thank you.

1:38:15 > 1:38:19I bet I can tell you what your name is.

1:38:19 > 1:38:25- I bet you couldn't. - It's Wyn Strafford.

1:38:28 > 1:38:31Wynnewood Strafford the Seventh.

1:38:31 > 1:38:34How did you know?

1:38:34 > 1:38:38I understand little boys. You see, I...

1:38:39 > 1:38:42used to know a little boy once.

1:38:42 > 1:38:45He'd be just about your age now.

1:38:45 > 1:38:52- What was his name? - And I think his eyes might have been just like yours.

1:38:52 > 1:38:57I have eyes like my daddy's, but he's big.

1:38:58 > 1:39:03Do you want a birthday present for your daddy very badly?

1:39:03 > 1:39:07Oh, yes. He always gives ME one.

1:39:12 > 1:39:15You can give this to your daddy.

1:39:15 > 1:39:18But it's got to be a secret.

1:39:23 > 1:39:26Oh, no. That's just for your daddy.

1:39:26 > 1:39:29But it's a secret.

1:39:31 > 1:39:38Here he is! I'll be coming in again soon. Could I have your name?

1:39:38 > 1:39:43Oh, I'm sorry. We're not allowed to give out our names.

1:39:43 > 1:39:47- Oh. That's too bad. Goodbye. - Goodbye...

1:39:47 > 1:39:50Mrs Strafford.

1:40:04 > 1:40:08There you are, kid. There's the record.

1:40:08 > 1:40:12Mark's waiting for you at St Timothy's,

1:40:12 > 1:40:15and here's Wyn again.

1:40:15 > 1:40:18Think fast, Captain Foyle.

1:40:24 > 1:40:27DOOR BUZZER

1:40:27 > 1:40:29- Bags ready, Miss Foyle?- Oh, yes.

1:40:31 > 1:40:34What time IS it?

1:40:34 > 1:40:36Twenty five to twelve, ma'am.

1:40:40 > 1:40:45- Would you tell the doorman to call a cab for me?- Yes, ma'am.

1:41:06 > 1:41:09- Bye, Tim.- Thank you.

1:41:09 > 1:41:14- Going to be gone long?- Permanently. - Sorry to lose you.- Thank you.

1:41:14 > 1:41:19- We don't get many pretty girls here.- Tim...

1:41:19 > 1:41:24- Yes.- I think a young man will call for me a little after midnight.

1:41:24 > 1:41:31- I want you to tell him from me that...- Just a minute. I want to get this straight.

1:41:31 > 1:41:36Tell him that I...I admire him very much and I always will.

1:41:36 > 1:41:39You admire him...

1:41:39 > 1:41:46- very much...and... - ..and I'll never forget him. - ..and you will never...forget...

1:41:46 > 1:41:51Tell him that I'll always love him in a very special way.

1:41:51 > 1:41:54You'll always...love him...

1:41:54 > 1:41:59- And that I'm going to be married tonight.- And...

1:41:59 > 1:42:02St Timothy's Hospital.

1:42:06 > 1:42:09Well, Judas Priest!

1:42:11 > 1:42:17Subtitles by Janice Hamilton and Audrey Flynn, BBC 1995

1:42:17 > 1:42:22E-mail us at subtitling@bbc.co.uk