0:02:54 > 0:02:56SHE SOBS
0:03:02 > 0:03:03Maddalena?
0:03:07 > 0:03:10The Reverend Mother wishes to see you.
0:03:18 > 0:03:22Maddalena... I had this letter this morning from your father.
0:03:22 > 0:03:27He thinks you've been with us long enough and that now you ought to take your proper place in life.
0:03:27 > 0:03:33- But, Reverend Mother, I want to stay here always.- That's just how I'd like you to feel.
0:03:33 > 0:03:38But we can't always think of ourselves, my child. Your father has plans for your future.
0:03:39 > 0:03:42You've heard of Mr Giuseppe Labardi?
0:03:42 > 0:03:44I met him once. With Father.
0:03:44 > 0:03:49Mr Labardi wants to marry you and it would make your father very happy.
0:03:49 > 0:03:54Marry? No, no. I don't want to get married. I want to stay here with you always.
0:03:54 > 0:03:57But you don't want to disappoint your father.
0:03:57 > 0:03:59No, Reverend Mother.
0:03:59 > 0:04:02We shall miss you, Maddalena,
0:04:02 > 0:04:06and I want you to take this prayer book for your comfort always.
0:04:06 > 0:04:08Thank you, Reverend Mother.
0:04:08 > 0:04:10Bless you, my child.
0:04:33 > 0:04:36It's so quaint and charming.
0:04:36 > 0:04:40I've had that prayer book for years. It was given me just before I was married.
0:04:40 > 0:04:44About this idea of yours, Sister, I'd much rather not.
0:04:44 > 0:04:49Madame Labardi, without you, there would have been no children's ward in our hospital.
0:04:49 > 0:04:53- It's only right that it should bear your name.- I couldn't agree to that.
0:04:53 > 0:04:58I meant to have done so much more for the children. And for my daughter too.
0:05:01 > 0:05:03Well, did you persuade Maddalena?
0:05:03 > 0:05:06No, Mr Labardi, she would not consent.
0:05:06 > 0:05:09I warned you that she will not advertise.
0:05:09 > 0:05:11Mario!
0:05:11 > 0:05:13Good afternoon.
0:05:13 > 0:05:15Good afternoon.
0:05:19 > 0:05:25A pity Botticelli isn't alive. I should have liked him to paint you just as you are now.
0:05:25 > 0:05:28- He painted saints.- I know.
0:05:28 > 0:05:30Looking at that map again?
0:05:30 > 0:05:36I suppose it's all right for Angela and Millie Fiske to come all the way from England by car at their age?
0:05:36 > 0:05:41Yes, she must be having the time of her life after being pent up in school for five years.
0:05:41 > 0:05:45It may be too much for her. She's a quiet, retiring child.
0:05:45 > 0:05:49She was. When I last saw her, she'd come a long way out of her shell.
0:05:49 > 0:05:53School and England will have changed her quite a bit.
0:05:53 > 0:05:58I hope not too much. Five years is a long time to be separated from your daughter.
0:05:58 > 0:06:01I'm looking forward to picking up the old threads again.
0:06:01 > 0:06:05Forget about the old threads and be prepared for some new ones.
0:06:05 > 0:06:11- We've got to move with the times. Her times.- I hate the idea of those children coming all that way alone.
0:06:11 > 0:06:13Let's look at that map.
0:06:13 > 0:06:16They must have broken the back of their journey by now.
0:06:16 > 0:06:19Let me see. Here we are.
0:06:19 > 0:06:23They crossed from Dover to Calais on Monday morning,
0:06:23 > 0:06:27so if I'm any judge, by now they should have reached Cannes.
0:06:28 > 0:06:31Shove them in the back. There'll be three of us.
0:06:31 > 0:06:36- Are you going far, monsieur? - As far as Rome, but we're breaking the journey at Florence.
0:06:36 > 0:06:38Hello, Angela. Are you ready?
0:06:38 > 0:06:42- You haven't got to go just yet?- Yes. - I wish I was going too.
0:06:42 > 0:06:46- What a lovely time we had last night! - Didn't we? Goodbye, everybody.
0:06:46 > 0:06:52- We've been ditched. Millie isn't coming.- Rubbish! Of course she is. - She isn't, Evelyn.- Why not?
0:06:52 > 0:06:58- Just another of her crushes. She's just like her mother.- You don't mean that dancer fellow?- Sandro Barucci.
0:06:58 > 0:07:04- It's a lovely name, even if you don't like the rest of him.- I'll talk to her.- It won't do any good.
0:07:05 > 0:07:09- Angela!- Sandro, we were just talking about you.
0:07:09 > 0:07:14- Somebody ought to drop you in a pond.- It was Millie's idea staying on here, not mine.
0:07:14 > 0:07:20- Then they ought to drop you in two ponds.- Lyn, you should be grateful. It leaves you and Angela alone.
0:07:20 > 0:07:22Now look here, Millie... Oh.
0:07:22 > 0:07:27- Angela, let's go.- Have a good time, darlings.- Goodbye, Millie.
0:07:27 > 0:07:30- Au revoir, Angela. We shall meet again.- Bye, everybody!
0:07:30 > 0:07:32- Goodbye.- Goodbye, Angela.
0:07:32 > 0:07:36- Hey, Sandro, I thought you said those flowers were for me.- Hmm?
0:07:37 > 0:07:40- For you, orchids.- Where are they?
0:07:52 > 0:07:56There you are. Soon be there. Bear up a little longer.
0:07:56 > 0:08:00How very unromantic! I thought you liked it.
0:08:00 > 0:08:06- I do enormously, but I don't want to run into anything.- You shouldn't have such a comfortable shoulder.
0:08:06 > 0:08:11- You think I'm a bit of a responsibility?- A nice one, but I'm taking no risks.
0:08:11 > 0:08:15- Is that why they put you in the Diplomatic Service?- Of course.
0:08:16 > 0:08:18I wonder why I like you so much.
0:08:18 > 0:08:22You're not at all the sort of person I should expect to like.
0:08:22 > 0:08:28- Did you wire about our rooms?- Yes, Hotel Barbarelli with baths.- I hope they've got a good swing band.
0:08:28 > 0:08:33- Band? Aren't you supposed to be tired?- I'm never too tired to dance.
0:08:33 > 0:08:37- I wonder if I take after Maddalena? - Who?- My fond mama.
0:08:37 > 0:08:41Can you imagine the glorious time we'll have? Dances, parties, theatres?
0:08:41 > 0:08:45- Perhaps she isn't that kind of mother.- What a terrifying thought!
0:08:45 > 0:08:50- It would give someone else the chance to take you about.- You, for instance?
0:08:50 > 0:08:54- If there isn't too much competition. - I dare say there will be.
0:08:54 > 0:08:57- Now you listen to me... - No, I'm much too tired.
0:09:06 > 0:09:10Oh, don't bother with that thing. Ask somebody.
0:09:10 > 0:09:14Excuse me. Could you direct me to the Hotel Barbarelli?
0:09:14 > 0:09:17- I'm sorry. I don't live here. - Oh. Thanks.
0:09:17 > 0:09:19Excuse me!
0:09:19 > 0:09:22Are you a stranger in these parts?
0:09:24 > 0:09:26No. You are.
0:09:26 > 0:09:29We're looking for the Hotel Barbarelli.
0:09:29 > 0:09:33You go straight down the road for about 200 yards, then you turn left.
0:09:33 > 0:09:37Not the first turning or the second, the third. By the statue.
0:09:37 > 0:09:41- Then after that...- All right, thanks. We'll find it somehow.
0:09:50 > 0:09:52DOORBELL RINGS
0:09:52 > 0:09:57Never mind, I'll go. Yes, yes, I'm coming. Can't you hear? I'm coming!
0:09:57 > 0:10:01- Good afternoon, Tessa.- Oh, Dr Ackroyd, I didn't know it was you.
0:10:01 > 0:10:03- Mr Labardi phoned for me.- I know.
0:10:03 > 0:10:09- My dear Charles, how nice of you. - She didn't sleep much. Overexcited with Miss Angela coming home.
0:10:09 > 0:10:11Thank you, Tessa. I'll tell him.
0:10:11 > 0:10:17- I was in and out of her room a dozen times.- I don't expect there's much the matter.- You're wrong, Doctor.
0:10:17 > 0:10:21- When I took in her coffee... - All right, Tessa, all right.
0:10:21 > 0:10:26- How thoughtful of you!- Flowers are often the best medicine.
0:10:26 > 0:10:29- I believe you're almost as fond of her as I am.- Fonder.
0:10:29 > 0:10:32Come and tell her that. It'll cheer her up.
0:10:32 > 0:10:38- Wait a minute. Have you heard from Angela?- Not yet.- Indirectly, I have. From Mrs Fiske.
0:10:38 > 0:10:44- That scatterbrained daughter of hers dropped off at Cannes and left Angela to come on alone.- Giuseppe!
0:10:44 > 0:10:48- I thought you were in the drawing room.- It isn't true?- Good job too.
0:10:48 > 0:10:52- Millie Fiske is the last person I'd want in a car.- Angela's alone.
0:10:52 > 0:10:57- It'll teach her to be independent. All this coddling's out of date. - Of course it is.
0:10:57 > 0:11:04- Take her along with you, Charles. I'll get some cocktails.- We'll drink to the return of the prodigal.
0:11:06 > 0:11:08I brought you these.
0:11:18 > 0:11:21- You're very kind.- You're very silly.
0:11:22 > 0:11:26Jumping at shadows, looking for dangers where they don't exist.
0:11:26 > 0:11:30I sometimes wonder what we get from religion if it isn't faith.
0:11:30 > 0:11:35- Angela is little more than a child. - In England, girls are used to going about alone.
0:11:35 > 0:11:39From what Giuseppe tells me, your daughter can look after herself.
0:11:39 > 0:11:43You don't know the things that can happen. Awful things.
0:11:43 > 0:11:45What kind of things?
0:11:46 > 0:11:51You'll be making a mistake if you expect Angela to behave like a girl from a convent.
0:11:51 > 0:11:57- It's an unconventional age. Whether we like it or not, it's the age we live in.- Why tell me all this?
0:11:57 > 0:12:03Because I hope that you and your daughter are going to be friends and confidantes.
0:12:03 > 0:12:07- Not just to live together, but to be together. - DOORBELL RINGS
0:12:07 > 0:12:10Oh, that bell keeps on ringing!
0:12:11 > 0:12:14All right, Tessa, I'll take it.
0:12:19 > 0:12:21Give the boy ten lire.
0:12:21 > 0:12:25Ten lire? Just for ringing a bell!
0:12:25 > 0:12:28- Here we are, news at last. - From Angela?- Mm-hm.
0:12:28 > 0:12:34- "Stopped night at Florence. Arriving about six with Evelyn. Love, Angela." - Evelyn?- She's a new one on me.
0:12:34 > 0:12:38No need to worry now. She's found another girl to come with her.
0:12:38 > 0:12:42- What time was it handed in?- 11.45. I could have walked it in the time.
0:12:42 > 0:12:45- She ought to be here at any moment. - By Jove, you're right.
0:12:45 > 0:12:48I think I'll put these flowers in her room.
0:12:51 > 0:12:55This merits a long procession of quick ones.
0:12:58 > 0:13:00Happy days.
0:13:00 > 0:13:02BRAKES SCREECH
0:13:02 > 0:13:04Angela!
0:13:10 > 0:13:12- Daddy!- Angela, my dear.
0:13:15 > 0:13:18Now go and kiss your mother.
0:13:20 > 0:13:23It isn't possible.
0:13:23 > 0:13:25Nobody could be so lovely.
0:13:28 > 0:13:31Mummy darling!
0:13:31 > 0:13:33I wouldn't have known you.
0:13:33 > 0:13:37I adore the new house. It's grand to be really home at last.
0:13:37 > 0:13:43Millie got stuck on a man and ditched us at Cannes, so Evelyn and I had to come on alone.
0:13:43 > 0:13:48We stopped the night in Florence and spent an hour in the art gallery before coming here.
0:13:48 > 0:13:55Of course, you don't know Evelyn! Wait while I give him a shout. He's wrestling with the suitcases.
0:13:55 > 0:13:57Oh, Lyn!
0:14:01 > 0:14:03Did she say "he"?
0:14:04 > 0:14:08- "She".- It sounded like "he". - Drops her S's, I should think.
0:14:08 > 0:14:11He's coming.
0:14:13 > 0:14:18What's wrong...? Oh, my shorts. Couldn't wear anything else in this weather.
0:14:18 > 0:14:22Very modest of you not to arrive in your bathing costume.
0:14:23 > 0:14:26Here he is - Evelyn Penshurst!
0:14:28 > 0:14:32Come and shake hands like a nice, little gentleman.
0:14:33 > 0:14:36Reading from left to right, Daddy, Mummy
0:14:36 > 0:14:38and a gentleman with a smile.
0:14:38 > 0:14:42- Dr Charles Ackroyd, my dear. - Doctor of music, I hope. Hot music.
0:14:42 > 0:14:48- Angela!- How are you, Doctor? - I refuse to tell you.- Quite right. She doesn't deserve it.
0:14:49 > 0:14:53Tessa! Aren't you going to give me a kiss?
0:14:53 > 0:14:56Bless her little heart. She hasn't forgotten!
0:14:57 > 0:15:00Oh, come on, Evelyn. Don't stand there gaping.
0:15:00 > 0:15:04Madame Labardi, I'm afraid our coming alone, you'll think...
0:15:04 > 0:15:08We think nothing of the kind. Let's go and have a drink.
0:15:11 > 0:15:16- It's your turn to do some talking. - I'm so glad to have you with me. I can think of nothing to say.
0:15:16 > 0:15:22You must be very tired. Go up to your room and rest. I'll bring you up some milk.
0:15:22 > 0:15:26Milk? Rest? Darling, I'm not still in the nursery, you know.
0:15:26 > 0:15:29- This is more in our line, isn't it, Lyn?- Angela!
0:15:29 > 0:15:33- That's a cocktail!- I should hope so too with a father in the wine trade.
0:15:33 > 0:15:39- Mother doesn't like me to drink anything stronger than cough mixture.- Tell us about yourself.
0:15:39 > 0:15:43- He's very...- I'd like to if Angela would let me get a word in edgeways.
0:15:43 > 0:15:47He's fairly civilised. He's kind to animals and old people.
0:15:47 > 0:15:52- He's a rising light in the Diplomatic Service.- For the Lord's sake, put a sock in it!
0:15:52 > 0:15:58It must seem very unconventional, Angela and I finishing our journey alone. But we had no choice.
0:15:58 > 0:16:04- That doesn't excuse you locking my room and sleeping with the key under your pillow.- That's an absolute lie.
0:16:04 > 0:16:08I applaud the action. She ought to be permanently under lock and key.
0:16:08 > 0:16:10- I'll be getting along. - Where are you staying?
0:16:10 > 0:16:13- The embassy. - Why not dine with us?
0:16:13 > 0:16:17I've promised to feed with some old friends - the Logans. You know them?
0:16:17 > 0:16:18No.
0:16:18 > 0:16:24- If I haven't made too ghastly an impression, perhaps you'll let Angela dine with me some night?- Hey!
0:16:24 > 0:16:27What are you talking about? I don't have to ask permission.
0:16:27 > 0:16:30Well, goodbye.
0:16:30 > 0:16:33- Thanks for the buggy ride. - You'd better see him off, my dear.
0:16:33 > 0:16:38- I suppose I'd better. - Goodbye, Madame Labardi. Goodbye, sir.- Come on!
0:16:41 > 0:16:43Well, Maddalena...
0:16:43 > 0:16:46Shall we take a turn in the garden?
0:16:47 > 0:16:50- It has been fun.- Tremendous fun.
0:16:50 > 0:16:54Have you enjoyed being with me as much as I've enjoyed being with you?
0:16:54 > 0:16:59- I don't know how much you've enjoyed being with me.- More than I've ever enjoyed being with anyone.
0:16:59 > 0:17:04As this conversation might never end, I'll carry Angela off to her room.
0:17:04 > 0:17:07- Yes, of course. Goodbye, sir. - Goodbye.
0:17:07 > 0:17:09Goodbye. See you again soon.
0:17:18 > 0:17:21Oh, Daddy, darling, it's a dream!
0:17:21 > 0:17:25Yes, but you must thank your mother. It's all her doing.
0:17:25 > 0:17:29Oh, Mummy is sweet. She's thought of everything.
0:17:29 > 0:17:33You know, Angela, your homecoming means more than you imagine to her.
0:17:36 > 0:17:38Have I been a success?
0:17:38 > 0:17:41Well, we live a very quiet life here.
0:17:41 > 0:17:45- You are like a gust of fresh air. - Isn't that a good thing?
0:17:45 > 0:17:49A breath, yes. But you're rather a gust, you know.
0:17:50 > 0:17:52You don't mean I've hurt her?
0:17:52 > 0:17:58No. She just needs time to realise how different you are from the little girl she used to know.
0:17:58 > 0:18:01- But I was sent away to be different, wasn't I?- Of course.
0:18:01 > 0:18:05There's nothing to pull down the corners of your mouth about.
0:18:05 > 0:18:09She'll fall into your ways and you into hers, but do it gently, darling.
0:18:09 > 0:18:11All right.
0:18:11 > 0:18:16I know it's only high spirits, but all my life I've tried to avoid the world.
0:18:16 > 0:18:22- Now it seems to have rushed in on me.- Develop the other side of your nature to meet it.
0:18:22 > 0:18:26- I have no other side. What I am... - GARDENER HUMS ROMANTIC TUNE
0:18:26 > 0:18:29- ..I am. - Yes, but it should be possible...
0:18:30 > 0:18:34- Oh!- What's the matter, Maddalena?
0:18:43 > 0:18:46Oh, Mummy, my room's lovely!
0:18:46 > 0:18:48What's wrong? Is she ill?
0:19:18 > 0:19:20I don't like it.
0:19:20 > 0:19:22It isn't natural.
0:19:22 > 0:19:24Here you are.
0:19:26 > 0:19:29There's something on her mind, Giuseppe.
0:19:30 > 0:19:33A shadow on her mind.
0:19:34 > 0:19:38- What is it?- Oh, just nerves. She's as nervous as a kitten.
0:19:38 > 0:19:40Yes, but why?
0:19:42 > 0:19:48She loves you, she loves her daughter, she has a hundred useful interests in life, and yet...
0:19:49 > 0:19:51Something seems to be haunting her.
0:19:53 > 0:19:57- Some...- Between ourselves, she's often been like this.
0:19:57 > 0:20:02- Often?- Mm-hm. - When did you first notice it? - Soon after we were married.
0:20:02 > 0:20:05- You were living in Florence then, weren't you?- Yes.
0:20:05 > 0:20:09We moved to Rome as I felt a change of environment might do her good.
0:20:09 > 0:20:13- Did you consult any doctors in Florence?- Yes, several.
0:20:14 > 0:20:16Who were they?
0:20:16 > 0:20:20My dear fellow, I'm a perfect fool about names.
0:20:20 > 0:20:22What did they say about her?
0:20:23 > 0:20:25Oh... The usual thing.
0:20:25 > 0:20:29Plenty of care and rest. It's so long ago, I...
0:20:29 > 0:20:33Giuseppe, why didn't she go to England with you to see Angela?
0:20:33 > 0:20:39Charles, as a friend, there are questions which I... which I beg you not to ask.
0:20:39 > 0:20:42But I came here today as a doctor.
0:20:42 > 0:20:44And I've told you all I can.
0:20:48 > 0:20:51SWING MUSIC
0:20:51 > 0:20:53- DOOR OPENS - Darling!
0:20:53 > 0:20:57- I wondered where the music was coming from.- I'm sorry, Mummy.
0:20:57 > 0:21:00- Did it disturb you?- Not a bit.
0:21:00 > 0:21:03- I'm glad to see you happy. - Oh, you are a pip.
0:21:03 > 0:21:07Such a change. I wouldn't have believed it possible.
0:21:07 > 0:21:10Darling, those things...
0:21:10 > 0:21:12You've hardly anything on.
0:21:12 > 0:21:15Now, Mummy, you listen to me.
0:21:15 > 0:21:19Woollies, mufflers, body belts and gaiters are things of the past.
0:21:19 > 0:21:23- Can you remember that? - Yes, but...- No, let me go on.
0:21:23 > 0:21:26Fresh air is a tonic and freedom the finest thing in the world.
0:21:26 > 0:21:30Yes, dear, I know, but this isn't London.
0:21:30 > 0:21:32You see, here we lead a very quiet life.
0:21:32 > 0:21:38Perhaps before very long, suitable young men will call and they'll expect to find you...
0:21:38 > 0:21:40A nice, little, tame mouse!
0:21:40 > 0:21:43Yes, I know, dear. But I'm not a tame mouse.
0:21:43 > 0:21:46- And you're not going to be a tame mouse either.- Ah...
0:21:46 > 0:21:52- You're young and attractive enough to have a wonderful time. I'll see you get it.- But I'm quite content.
0:21:52 > 0:21:57You've got no right to be content at your age. I'm going to take you in hand.
0:21:57 > 0:22:01My education's finished. Yours is just beginning.
0:22:01 > 0:22:03Now, let me see...
0:22:04 > 0:22:07Now, isn't this charming, Madame Labardi?
0:22:07 > 0:22:10Oyster pink is such a wonderful colour for you.
0:22:10 > 0:22:14Yes, it's very lovely, but it's not quite what I wanted for Mummy.
0:22:14 > 0:22:18Mummy wants something a little more sophisticated.
0:22:18 > 0:22:21- Do I?- Yes, of course. That's the whole idea.
0:22:21 > 0:22:24I prefer this one myself.
0:22:24 > 0:22:29- It's very attractive, but it isn't quite what we want. - Madame, it's very smart...
0:22:29 > 0:22:34< It's the most frightful garment I ever saw. Take it away and never bring it near me.
0:22:34 > 0:22:38It looks like something that the cat might have brought in.
0:22:38 > 0:22:41I wouldn't be seen dead in it. It makes me look peculiar.
0:22:41 > 0:22:45- Mummy, you are peculiar.- Whether I am or not, I refuse to wear it.
0:22:45 > 0:22:50- C'est parfait for Madame's waistline. - Refer to my waistline at your peril!
0:22:50 > 0:22:54Never in the whole of my life have I seen such an atrocity!
0:22:54 > 0:22:59I demand to see... Why, if it isn't Madame Labardi! I didn't realise anyone was here.
0:22:59 > 0:23:04Hello, Angela dear. How are you, my dear? How nice to see you at a show like this!
0:23:04 > 0:23:07That's the sort of thing I should wear.
0:23:07 > 0:23:10It would be warmer for you, wouldn't it?
0:23:10 > 0:23:14I've rather an elusive line. It's never the same for two weeks on end.
0:23:14 > 0:23:19It has an extraordinary resemblance to my late husband - here today and gone tomorrow.
0:23:19 > 0:23:22It's nearly three years since he made me divorce him.
0:23:22 > 0:23:26- We had a lovely time. Sandro taught me all the latest steps.- I'll bet!
0:23:26 > 0:23:31I don't know whether you do or are or have contemplated a divorce, but I wouldn't.
0:23:31 > 0:23:36They cost a lot of money and are not nearly as good as they're painted.
0:23:36 > 0:23:38If you don't mind, I really must be going.
0:23:48 > 0:23:50- What's that for?- Gratitude.
0:23:50 > 0:23:54- You're coming out into a new world. Angela's world.- I suppose I am.
0:23:54 > 0:24:00- Because it's warm and friendly and natural, you're going to like it. - I hope so.
0:23:59 > 0:24:05SHE STARTS PLAYING PIANO Nice, my dear. You haven't played that for a long time.
0:24:05 > 0:24:11- Mummy looks lovely in that new dress.- She always looks lovely, even without your unholy influence.
0:24:11 > 0:24:16I have only one suggestion. Why don't you wear that old Cellini pendant?
0:24:16 > 0:24:22- For the good and sufficient reason that it was stolen from our house in Florence.- Stolen? You never told me.
0:24:22 > 0:24:28- Was anything else taken? - Practically all her jewellery. - Didn't the police do anything?
0:24:28 > 0:24:34- No. Besides, I was very anxious about your mother's health, which was far more important.- Yes, but...
0:24:34 > 0:24:39In any case, I'm well enough off to buy you or your mother any jewellery you may want.
0:24:39 > 0:24:42PLAYS GENTLE CLASSICAL PIECE
0:24:50 > 0:24:53MUSIC BECOMES LIVELIER
0:25:13 > 0:25:16STOPS PLAYING
0:25:18 > 0:25:20STARTS PLAYING GENTLE PIECE
0:25:21 > 0:25:25Why didn't you tell me you'd been so ill, darling?
0:25:25 > 0:25:27I didn't want to frighten you.
0:25:29 > 0:25:33- That's why she never came with me when you were in England.- I see.
0:25:33 > 0:25:34Charles?
0:25:34 > 0:25:36Thanks.
0:25:36 > 0:25:39Doctor, she didn't write to me once for a whole year.
0:25:39 > 0:25:44- What was the matter with her, Daddy? - Oh, just nerves. Nothing serious.
0:25:44 > 0:25:50- An attack of nerves that lasted a whole year must have been serious. - You must ask Dr Ackroyd about that.
0:25:50 > 0:25:55- He was attending her. - Oh? I didn't know you attended Mummy in Florence.
0:25:57 > 0:25:59Oh, you poor pet.
0:25:59 > 0:26:05What form did the illness take? Sleepwalking, loss of memory or what? Is it likely to come on again?
0:26:05 > 0:26:08SUDDEN STRIDENT NOTES
0:26:09 > 0:26:13Steady, darling, steady. Of course it's not likely to come on again.
0:26:13 > 0:26:18- I'm sorry, but I couldn't possibly know.- I'm a little tired. I think I'll go to my room.
0:26:18 > 0:26:21- You go along with her, Angela. - Oh, Mummy!
0:26:25 > 0:26:31Why did you say I attended Maddalena in Florence when I knew neither of you at the time?
0:26:31 > 0:26:35To stop awkward questions. Any talk of her illness upsets her.
0:26:35 > 0:26:38Obviously, but why? What was wrong with her?
0:26:39 > 0:26:43- Do you mind if we drop the subject? - Yes, I do mind. I want to help.
0:26:43 > 0:26:46As a friend, if not as a doctor.
0:26:46 > 0:26:48Won't you tell me?
0:26:48 > 0:26:51- Have a drink?- Then you won't.
0:26:52 > 0:26:58I was hoping to bring Mummy here and teach her dancing. I'm afraid that's all off. For the time being anyway.
0:26:58 > 0:27:02How very disappointing. That means we'll have to be alone.
0:27:02 > 0:27:05- If you can bear it. - I'll have a darn good try.
0:27:05 > 0:27:10- I haven't had you to myself once since we arrived in Rome. - Well, you have now, haven't you?
0:27:10 > 0:27:13Angela, this takes a bit of saying, but...
0:27:13 > 0:27:15Yoo-hoo! Angela!
0:27:15 > 0:27:19Well, you two do tuck yourselves away.
0:27:20 > 0:27:23- I hope we're not butting in. - Not in the least.
0:27:23 > 0:27:26- That's good. - Still being diplomatic, Evelyn?
0:27:26 > 0:27:28Trying to be.
0:27:28 > 0:27:32What have you been doing to Evelyn? He's as bristly as a hairbrush.
0:27:32 > 0:27:37- You notice I hurried to Rome?- Weren't you earning enough money in Cannes?
0:27:37 > 0:27:40Oh, I got bored with Cannes. Anyway, what is money?
0:27:42 > 0:27:46What a lovely, slender wrist you have!
0:27:46 > 0:27:48Sandro, I'll dance.
0:28:05 > 0:28:11- Doesn't that fellow know when he's not wanted?- Sandro's all right. He's a wonderful dancer.
0:28:11 > 0:28:14- I suppose that makes up for everything.- Quite a lot.
0:28:14 > 0:28:18- You'd better ask him to your birthday party on the 16th.- I'm going to.
0:28:18 > 0:28:22Oh, I shan't get much of a look in then, shall I?
0:28:22 > 0:28:24I'll try and keep you the supper dance.
0:28:24 > 0:28:27What a pity I haven't a girlfriend!
0:28:27 > 0:28:30Perhaps you can find one between now and then.
0:28:30 > 0:28:33That's an idea. I think I could.
0:28:33 > 0:28:35- You can?- Yes.
0:28:35 > 0:28:37Nesta.
0:28:37 > 0:28:39Who's Nesta?
0:28:39 > 0:28:42Oh, we've known each other since we were so high.
0:28:42 > 0:28:46- I'd love to ask her if you really mean it?- Oh, do, by all means!
0:28:48 > 0:28:53- Nesta!- Stop it! Stop doing that, Jimmy Logan, while I'm c-cooking for a guest.
0:28:53 > 0:28:57Evelyn isn't a guest. He's been here every day for two weeks.
0:28:57 > 0:29:01I wish he'd talk about something else. It's Angela all the time.
0:29:01 > 0:29:05- Or her mother. - If she's so beautiful, I'd give my eye teeth to paint her.
0:29:05 > 0:29:11- You'd have to use stained glass. - No, I see her in blue velvet and a tin halo.
0:29:12 > 0:29:18- S-Stop doing that!- Not until you stop stammering.- I c-can't when you're making love to me.
0:29:18 > 0:29:21- KNOCK AT DOOR - Hello there!
0:29:22 > 0:29:24Hello, you two.
0:29:24 > 0:29:28Hmm, that smells grand, Nesta! Are these any good to you?
0:29:28 > 0:29:33How lovely! Q-Quite the little Santa Claus, isn't he? Put those on the table, Jimmy.
0:29:33 > 0:29:38- What's she gibbering like that for? - Well...- If you tell him, I'll k-kill you!
0:29:38 > 0:29:41Lunch won't be long. Have a cigarette.
0:29:41 > 0:29:43This is pretty good. Yes, I like it.
0:29:43 > 0:29:47It's tripe really, but it's tripe that appeals to summer visitors.
0:29:47 > 0:29:53- How are you settling down?- Fine. I like Rome. I'm having the time of my life.- I bet you are!
0:29:53 > 0:29:58- Here it is.- Nesta, would you and Jimmy like to come to a party with me on Thursday?
0:29:58 > 0:30:03- No, I don't think so. It's not quite our cup of tea. - No, Jimmy's got some work to do.
0:30:03 > 0:30:09We're off to Florence on Friday. He's doing some pictures for a New York dealer. What's the party about?
0:30:09 > 0:30:15- It's Angela's birthday. Quite a slap-up affair.- If it means meeting her mother, we'll be there.
0:30:15 > 0:30:21- I have to get my one evening dress out of pawn.- You'll meet Angela. - Are you engaged yet?- Not officially.
0:30:21 > 0:30:23But you l-love her very much?
0:30:23 > 0:30:25JIMMY LAUGHS What's the joke?
0:30:25 > 0:30:29- She can't even mention love without stammering.- Beast!
0:30:39 > 0:30:44Orchids, how lovely! If I ever marry, I hope my husband will be as attentive as you are.
0:30:44 > 0:30:50- The signs are very promising. Is your mother dressed yet?- I don't know, but Tessa says it's come off.
0:30:50 > 0:30:56- What's come off?- The new gown I persuaded her to wear.- What is she going to wear?- The new gown!
0:30:56 > 0:31:01- Then it hasn't come off. It's going on. I don't understand half the things you say!- Oh, Daddy!
0:31:02 > 0:31:09There's to be no nonsense. If you feel the least bit tired, up to bed you come, whatever anybody says.
0:31:09 > 0:31:12Don't fuss, Tessa. I shall be perfectly all right.
0:31:12 > 0:31:14- KNOCK AT DOOR - Who is it?
0:31:14 > 0:31:16It's only me.
0:31:16 > 0:31:19Well, now, that's something like!
0:31:19 > 0:31:22I've told her it's straight to bed if she feels tired.
0:31:22 > 0:31:25Get along with you! You're a menace.
0:31:25 > 0:31:27They're lovely.
0:31:27 > 0:31:29And so are you.
0:31:29 > 0:31:32Do you really want me to go down looking like this?
0:31:32 > 0:31:36I insist. There won't be a woman in Rome to hold a candle to you.
0:31:36 > 0:31:38You're so good to me, Giuseppe.
0:31:38 > 0:31:40I love you very, very much.
0:31:40 > 0:31:42And I you, my dear.
0:31:42 > 0:31:46I often think I'm the luckiest woman in the world.
0:31:47 > 0:31:50Never let me go, Giuseppe. Never let me go.
0:31:50 > 0:31:52- KNOCK AT DOOR - May I come in?
0:31:53 > 0:31:56Oh, Mummy! How wonderful you look!
0:31:56 > 0:32:02Any hopes you had, young woman, of being the centre of attraction have gone with the wind.
0:32:02 > 0:32:08- Stop staring at me, you two. You're making me embarrassed. - I'm off to give the band a drink.
0:32:08 > 0:32:12- This is for you.- What is it? - A present for being so sweet to me.
0:32:12 > 0:32:16- Darling, you shouldn't do these things.- Well, I must fly.
0:32:19 > 0:32:22How beautiful! They must be very old.
0:32:22 > 0:32:25Like the peasant women used to wear.
0:32:28 > 0:32:30Yes.
0:32:30 > 0:32:33Like the peasant women used to wear.
0:32:37 > 0:32:40Mother of God, why do you look like that?
0:32:40 > 0:32:42- Like what?- A different person.
0:32:42 > 0:32:45Someone I've never seen before.
0:32:46 > 0:32:48Take them away, Tessa.
0:32:48 > 0:32:51Put them in my jewel box.
0:32:54 > 0:32:56WALTZ MUSIC
0:33:05 > 0:33:07MUSIC STOPS
0:33:07 > 0:33:09APPLAUSE
0:33:11 > 0:33:17My dear, what a transformation! You've stepped out of one century into another.
0:33:17 > 0:33:22- I'm not sure I feel comfortable in the new one.- You feel uncomfortable when you look as I do.
0:33:22 > 0:33:28- Had I your figure, I'd run naked through the hemlock. - It would be a very moving spectacle.
0:33:28 > 0:33:34- Have you brought Millie with you? - No, but she'll be here soon. She wouldn't go out with her own mother.
0:33:36 > 0:33:40I think your wife's the loveliest person I've ever seen in my life.
0:33:40 > 0:33:45As compliments are flying, Mrs Logan, may I say how very charming you are in that frock?
0:33:45 > 0:33:49I'm glad. It was a pair of curtains yesterday.
0:33:49 > 0:33:53My husband's longing to meet her, but I can't find him in this crowd.
0:33:53 > 0:33:58Oh, there's Nesta. Come along, Angela. I want you to meet her.
0:33:58 > 0:34:00That's my daughter.
0:34:00 > 0:34:01Hello, sir.
0:34:01 > 0:34:04- Nesta, this is Angela.- How do you do?
0:34:04 > 0:34:06See you all later.
0:34:06 > 0:34:10- I'm so glad you were able to come. - It was very sweet of you to ask us.
0:34:10 > 0:34:14Not at all, but I'm sure you two would rather dance than talk to me.
0:34:14 > 0:34:17- I think I'd rather look for Jimmy. - Who's Jimmy?
0:34:17 > 0:34:21Her husband, darling, and they're depressingly fond of each other.
0:34:21 > 0:34:25- You never told me she had a husband. - He's one of my oldest friends.
0:34:25 > 0:34:27My dance, I think.
0:34:27 > 0:34:30- Is it?- Of course not. It's mine.
0:34:31 > 0:34:34Hey! You're going the wrong way.
0:34:34 > 0:34:37No, I'm sure they're not.
0:34:47 > 0:34:52- At last I've got you. - How do you mean, got me? - To myself, of course.
0:34:52 > 0:34:55Why, so you have. What happens next?
0:34:55 > 0:34:57The most important moment of my life.
0:34:57 > 0:35:00Oh, I'm glad to be present for that.
0:35:00 > 0:35:04- It couldn't very well have been otherwise.- That's lucky, isn't it?
0:35:04 > 0:35:06It's more than lucky. It's...
0:35:06 > 0:35:12Darling, will you have the ring before you say yes or say yes before you have the ring?
0:35:12 > 0:35:14- What ring?- This one.
0:35:15 > 0:35:17Oh, darling!
0:35:17 > 0:35:19Well?
0:35:19 > 0:35:22I think I'd like to say yes and have the ring
0:35:22 > 0:35:25and have you kiss me all at the same time.
0:35:30 > 0:35:32I don't believe it's true.
0:35:32 > 0:35:34- Neither do I.- How do you feel?
0:35:34 > 0:35:37- Dizzy.- Me too.
0:35:37 > 0:35:41- Sit down if you're tired. - I'm not tired.- Shall we dance then?
0:35:41 > 0:35:45- Hello, Mrs Logan. Haven't you a partner?- Yes, but I can't see him.
0:35:45 > 0:35:51- Perhaps we can find him for you. - Please don't bother. He's sure to turn up, he always does.
0:35:53 > 0:35:56- Ah, there you are!- Oh, hello.
0:35:56 > 0:36:01That was frightfully rude. You just passed Madame Labardi without saying a word to her.
0:36:01 > 0:36:05Did I? I've been trying to catch a glimpse of her all evening!
0:36:05 > 0:36:08Hello, Jimmy. I want you to meet my future wife.
0:36:08 > 0:36:12- Jimmy Logan, Angela Labardi. - You're very lucky. How do you do?
0:36:12 > 0:36:17- Congratulations to you both. - Thank you. We're going to tell Mummy. Have you seen her?- Nearly.
0:36:17 > 0:36:21- She went towards the drawing room. - Come on, Evelyn.- See you later.
0:36:21 > 0:36:25If we're to catch the morning train to Florence, we'd better slip away.
0:36:25 > 0:36:31Oh, Mummy! Evelyn's asked me and I said yes and he gave me this and now I want to tell everybody!
0:36:31 > 0:36:33Angela!
0:36:33 > 0:36:35Darling!
0:36:35 > 0:36:38Hello, you two. I thought you were never coming. >
0:36:38 > 0:36:41The best people are always late.
0:36:41 > 0:36:43Who is that?
0:36:43 > 0:36:47That's the dancing partner of Millie Fiske's - Sandro Barucci.
0:36:47 > 0:36:50Sandro...Barucci.
0:36:53 > 0:36:54Mummy!
0:36:58 > 0:37:03I think she'll be all right. The pulse is normal and she's sleeping peacefully.
0:37:03 > 0:37:09- I'd advise you all to leave her. - Leave her lying there alone?- Yes, I'd rather she wasn't disturbed.
0:37:16 > 0:37:19I should let her sleep until the morning.
0:37:52 > 0:37:54'But I don't want to get married.
0:37:54 > 0:37:58'You don't know the things that can happen. The awful things.
0:37:58 > 0:38:01'All my life I've tried to avoid the world
0:38:01 > 0:38:04'and now it's rushed in on me.
0:38:04 > 0:38:09'What form did the illness take, Doctor? Is it likely to come on again?
0:38:09 > 0:38:12'Never let me go, Giuseppe. Never let me go.
0:38:13 > 0:38:16'Rosanna... Rosanna...
0:38:16 > 0:38:18'Rosanna!'
0:39:30 > 0:39:31Oh!
0:39:33 > 0:39:36CLOCK CHIMES
0:40:17 > 0:40:19Florence.
0:40:19 > 0:40:21- Return?- No return.
0:40:45 > 0:40:47Oh! Oh!
0:40:47 > 0:40:49Oh! Oh! Oh!
0:40:50 > 0:40:53Oh, sir! Quickly!
0:40:53 > 0:40:56What is it? What's the matter?
0:40:56 > 0:40:58What are you shouting for?
0:40:58 > 0:41:00Maddalena? Where is she?
0:41:00 > 0:41:02It's happened again. She's gone.
0:41:02 > 0:41:05Just like she did the last time.
0:41:05 > 0:41:07And look, her jewel case!
0:41:07 > 0:41:09What is all this shindy about?
0:41:09 > 0:41:12- Why, where's Mummy? - She's gone.- Gone?
0:41:12 > 0:41:15- This happened before, Angela. - Daddy...
0:41:17 > 0:41:19I lost her for a whole year.
0:41:20 > 0:41:22Ah!
0:41:23 > 0:41:25The seven moons.
0:41:37 > 0:41:42- Well, here's where I leave you. - I wonder why artists always choose the worst parts of a town?
0:41:42 > 0:41:47The answer, my girl, is on the walls of every picture gallery in Europe.
0:41:52 > 0:41:54CHILDREN SHOUTING
0:42:05 > 0:42:08ARGUING
0:42:31 > 0:42:34Get out of here! Get out, you scum!
0:42:34 > 0:42:36Devils!
0:42:36 > 0:42:39Are you going to be all day plucking that fowl?
0:42:40 > 0:42:44Hey, mind what you're doing with those feathers!
0:42:44 > 0:42:49Quite the duchess, aren't you, since Nino took you upstairs from the scullery?
0:42:49 > 0:42:52- Stop flapping, you old fool! - Well, you never know.
0:42:52 > 0:42:58- You may soon be back again. - That's what you think. Me, I'm not like the others. Where I am, I stay.
0:42:58 > 0:43:01There's only one not like the others.
0:43:01 > 0:43:03Rosanna.
0:43:04 > 0:43:06When she left, they came and went.
0:43:06 > 0:43:09Came and went. As you will.
0:43:09 > 0:43:11Oh, shut up!
0:43:14 > 0:43:16Rosanna!
0:43:17 > 0:43:20Why has she come back?
0:43:48 > 0:43:50ROMANTIC JINGLE PLAYS
0:44:28 > 0:44:31< MAN WHISTLING ROMANTIC TUNE
0:44:54 > 0:44:57HE STOPS WHISTLING
0:45:05 > 0:45:07Rosanna!
0:45:15 > 0:45:17Rosanna!
0:45:17 > 0:45:18Nino!
0:45:26 > 0:45:30You're not like the others, eh? Where you are, you stay!
0:45:30 > 0:45:34- She can't do this to me. - Get back to the scullery, you!
0:45:36 > 0:45:39SHE SOBS
0:45:42 > 0:45:46There seems to be a little trouble in the house over the way.
0:45:46 > 0:45:51- Nino's woman has returned. - The red-headed beauty who passed a few minutes ago?- Yes, Rosanna.
0:45:51 > 0:45:58- If I asked her very nicely, do you think she'd let me do a little sketch of her?- You don't know Nino.
0:45:58 > 0:46:03- Who's Nino? Never heard of him. - He has a bad temper and he's very quick with a knife.
0:46:03 > 0:46:09He can't murder me for being polite to a lady in public. There's no law against that, is there?
0:46:09 > 0:46:11Here, Nino is the law.
0:46:11 > 0:46:13I see.
0:46:13 > 0:46:15Thanks.
0:46:15 > 0:46:17I don't know what's happened to me.
0:46:17 > 0:46:23No other woman would dare treat me the way you do - walking in and out of my life like it was an open door.
0:46:23 > 0:46:27- You've never shut me out yet. - No. More fool me perhaps.
0:46:27 > 0:46:30I nearly went mad those last four years.
0:46:30 > 0:46:33- Is it four years?- Hmm.
0:46:33 > 0:46:35What does time matter?
0:46:35 > 0:46:37I only live when we're together.
0:46:37 > 0:46:39It's the same for me too.
0:46:39 > 0:46:42When you went away, I could have killed you.
0:46:42 > 0:46:45- Could you kill me now, Nino?- Yes.
0:46:48 > 0:46:51No. No, the madness has passed.
0:46:51 > 0:46:54Loving makes it easy to forgive.
0:46:54 > 0:46:57It seems as if we've been dead for four years.
0:46:57 > 0:46:59But we're alive now.
0:46:59 > 0:47:01Both of us. Wonderfully alive.
0:47:01 > 0:47:03But will it last?
0:47:03 > 0:47:08Or shall I wake up to find you gone like a puff of smoke in the night?
0:47:08 > 0:47:11Does it matter? Love like ours can't be measured by time.
0:47:17 > 0:47:21- Nino, I've just remembered something.- What?- Look on the table.
0:47:28 > 0:47:30What, this?
0:47:30 > 0:47:33- Well, what is it?- It's for you.- Me?
0:47:34 > 0:47:37Rosanna!
0:47:37 > 0:47:39- You're pleased?- Pleased?
0:47:40 > 0:47:43- I believe they mean more to you than I do.- Hmm?
0:47:43 > 0:47:45HE LAUGHS LOUDLY
0:47:45 > 0:47:50I love you when you laugh, Nino. It's like ice and fire. I love you when...
0:47:53 > 0:47:57- Then this is the third time she's disappeared?- Yes.
0:47:57 > 0:47:59When did she first leave you?
0:47:59 > 0:48:02A few days after our marriage.
0:48:02 > 0:48:04She was, as you know, very young.
0:48:04 > 0:48:09- A quarrel?- Of course not. I didn't even know she was unhappy.
0:48:09 > 0:48:11She stayed away how long?
0:48:12 > 0:48:15- Six months. - Tell me about the second time.
0:48:15 > 0:48:19- It followed my sending Angela to England.- Maddalena was against that?
0:48:19 > 0:48:22- She wanted her to go to a convent. - You quarrelled?
0:48:22 > 0:48:25How could anyone quarrel with Maddalena?
0:48:25 > 0:48:28No, she was hurt by my attitude.
0:48:28 > 0:48:31She seemed to draw away, within herself.
0:48:31 > 0:48:34And then as before, she disappeared?
0:48:36 > 0:48:39And I blamed her for not writing to me.
0:48:39 > 0:48:42When she returned, still no clue?
0:48:42 > 0:48:43No.
0:48:43 > 0:48:47She asked why the dust sheets were over the furniture.
0:48:48 > 0:48:53And who had moved a vase of lilies that she had arranged that morning.
0:48:56 > 0:48:58That morning was a year before.
0:48:58 > 0:49:01Nothing to explain that symbol of seven moons?
0:49:01 > 0:49:05Once in her sleep, she cried out, "Rosanna!
0:49:05 > 0:49:07"Rosanna of the seven moons."
0:49:07 > 0:49:12But apart from that and the marking on the mirror, nothing.
0:49:12 > 0:49:15Then that's all we have to help us find her.
0:49:15 > 0:49:17If we ever do.
0:49:19 > 0:49:21I'll leave him with you.
0:49:26 > 0:49:29Don't worry.
0:49:31 > 0:49:34Angela! I came as soon as I could get away.
0:49:34 > 0:49:40I don't know quite how to tell you this, but my chief's sending me back to England on a special job.
0:49:40 > 0:49:43- Oh, Lyn! For how long? - Two weeks. Three at most.
0:49:43 > 0:49:47It would happen now, just when I need you. Father can't do anything.
0:49:47 > 0:49:51- If Mother's to be found, it's up to us.- That's what I was thinking.
0:49:51 > 0:49:55I tell you what - why not advertise for some of that jewellery?
0:49:55 > 0:49:58- The Cellini pendant, for instance. - That's a grand idea.
0:49:58 > 0:50:04- I'll advertise in every newspaper in Italy.- I'll take a plane back as soon as I'm through.
0:50:04 > 0:50:07Yes, please do. I'm going to need you.
0:50:07 > 0:50:10When you do, I'll be there.
0:50:10 > 0:50:13Don't worry too much, darling. It'll all work out.
0:50:19 > 0:50:21- Nine on the ten, Nino.- Right.
0:50:21 > 0:50:25- He's coming out. - Yes, he's coming out.
0:50:31 > 0:50:33We're all here, Nino.
0:50:33 > 0:50:36- Six on the five.- Hmm.
0:50:36 > 0:50:40Are we going to hang about while he plays cards with himself?
0:50:40 > 0:50:43Nino's the best judge of that.
0:50:44 > 0:50:50- I came here to say something and I'm going to say it now. - Since when were you made spokesman?
0:50:50 > 0:50:54What's it matter who's spokesman as long as it gets itself said?
0:50:54 > 0:50:56We're not satisfied, Nino.
0:50:56 > 0:51:01Love's young dream is all very well so long as it doesn't interfere with business.
0:51:01 > 0:51:08It's her that keeps him here. He's afraid to let her out of his sight in case he loses her again.
0:51:08 > 0:51:10Vittoria, come here.
0:51:11 > 0:51:14What are you whispering about?
0:51:14 > 0:51:16I was saying you were all right.
0:51:16 > 0:51:19You forgot to make the bed this morning.
0:51:19 > 0:51:21Go and do it.
0:51:25 > 0:51:28Bed! That's about all you're fit for!
0:51:31 > 0:51:34All right, Scorpi, let's have it.
0:51:34 > 0:51:36Well, I've been thinking.
0:51:36 > 0:51:41We stood by you solid in the past, but things are different since she came back.
0:51:41 > 0:51:47While you worked with the rest of us, there was no complaint, even if your share was bigger than ours,
0:51:47 > 0:51:53but we're not satisfied to do all the work while you sit at home, smelling roses.
0:51:58 > 0:52:01HE CHUCKLES
0:52:02 > 0:52:05You're doing fine, Scorpi. Go on.
0:52:05 > 0:52:07I've said all I want to say.
0:52:07 > 0:52:10You've said all you want to say, huh?
0:52:13 > 0:52:15Are you sure?
0:52:16 > 0:52:19You know, you're a useful fellow, Scorpi.
0:52:19 > 0:52:21In some ways.
0:52:21 > 0:52:25Many's the time our Scorpi's hands have been a great help,
0:52:25 > 0:52:28but Scorpi thinking, Scorpi using his head?
0:52:29 > 0:52:31It doesn't make sense somehow.
0:52:33 > 0:52:36Wait a minute. I'm wrong.
0:52:36 > 0:52:38He did use his head once.
0:52:38 > 0:52:40As a battering ram.
0:52:42 > 0:52:45Don't misunderstand me. I like you.
0:52:45 > 0:52:47I like you a lot.
0:52:48 > 0:52:52But you stick to using those and don't use that.
0:52:56 > 0:52:57Nino!
0:53:00 > 0:53:02That wasn't friendly!
0:53:04 > 0:53:06Anyone else want to say anything?
0:53:06 > 0:53:08All right, then.
0:53:10 > 0:53:12Now you listen to me.
0:53:12 > 0:53:18I've given up this small-time business. Purse here, brooch there. It's all you idiots are good for.
0:53:19 > 0:53:25When Rosanna came back, she brought more sparklers than you've ever seen outside a jeweller's window.
0:53:25 > 0:53:31That's the class of stuff we'll deal with in future - big stuff that's worth risking our necks for.
0:53:31 > 0:53:35But where we get it and when we get it is my affair.
0:53:35 > 0:53:39And you take your orders from me. Understood?
0:53:40 > 0:53:42All right. Get out.
0:53:42 > 0:53:44All of you.
0:54:04 > 0:54:11Oh, Daddy. I hate to see you sitting here holding that cross Mother gave you and looking so unhappy.
0:54:11 > 0:54:13I know, my dear. I'm sorry.
0:54:15 > 0:54:19Why don't you go away for a complete change? On a cruise, perhaps?
0:54:19 > 0:54:24- One doesn't escape sorrow by running away from it.- No.
0:54:24 > 0:54:28- A better idea would be for you to go away.- Would you mind if I did?
0:54:28 > 0:54:33Just for a little while? There's something I want to do. This morning I...
0:54:33 > 0:54:37- Mrs Fiske called.- Mrs Fiske? It was Millie I expected.
0:54:37 > 0:54:42If you don't mind, I'll go for a stroll. Visitors just now...
0:54:43 > 0:54:48- Did you tell him you had a letter about the Cellini pendant? - I was just going to.
0:54:48 > 0:54:53- Ah, there you are, my poor child. - Take these into the house, please.
0:54:53 > 0:54:58- I suppose there isn't any news?- I'm afraid not.- I'm desperately sorry.
0:54:58 > 0:55:03- Is there anything I can do? - As a matter of fact... - Everybody says it's a secret,
0:55:03 > 0:55:08but I shall never breathe a word. Now, tell me, why did she run away?
0:55:08 > 0:55:14- We don't know. - Oh, how very disappointing. I hoped for the truth from you.
0:55:14 > 0:55:20- I've a bridge party this afternoon and it would have been so nice to... - Did Millie get my message?- Millie?
0:55:20 > 0:55:24Oh, my Millie? She's gone to Monte Carlo to meet her ex-husband.
0:55:24 > 0:55:29I mean, her ex-father, my ex-husband. We had a row over that awful Sandro,
0:55:29 > 0:55:34but I paid him and sent him away and Millie's gone to console herself.
0:55:34 > 0:55:40- I've traced a piece of my mother's jewellery. I wanted Millie to come to Florence.- Did you? How nice.
0:55:40 > 0:55:45- It may be a means of finding Mummy. Could you come with me?- I? No!
0:55:45 > 0:55:51I'm off tomorrow to meet a very dear friend, Mrs Brunswick. She's just got her divorce. It's a critical period.
0:55:51 > 0:55:57- So I couldn't dream of going with you as I'll be at least a week away... Did you say Florence?- Yes.
0:55:57 > 0:56:03That's just where I'm going! What a small world. I'll pick you up in the morning.
0:56:06 > 0:56:10- Pick it up and put it down properly. - Don't be too hard on her.
0:56:10 > 0:56:14She'll put powdered glass on my spaghetti instead of cheese!
0:56:14 > 0:56:19- Vitrum's more in her line. - She wouldn't go as far as that.
0:56:19 > 0:56:25- Has old Bossi paid you yet for that jewellery?- Not yet.- It needs careful handling. I'm seeing him today.
0:56:25 > 0:56:29- Has Rosanna told you where she got it from?- Any business of yours?
0:56:29 > 0:56:34- She takes such a nice interest in us(!)- Perhaps you have a reason.
0:56:34 > 0:56:38Perhaps you didn't steal it. Maybe somebody gave you it for something.
0:56:38 > 0:56:40- Ah! - Hello!
0:56:40 > 0:56:45Mother of mercy! Look who's here - Sandro!
0:56:45 > 0:56:49- Sandro!- Well, well, you old cow! It's good to see you again.
0:56:49 > 0:56:51My son.
0:56:51 > 0:56:56- My lovely boy!- That's the sort of welcome to warm a man's heart.
0:56:56 > 0:57:00Hello, Nino. So the police haven't nabbed you yet? Hello!
0:57:00 > 0:57:06- Another wanderer come back to the fold.- Look at him - silk next to the skin.
0:57:06 > 0:57:11- A suit a prince would be proud of! - Stop pawing me, Ma. Go and get me something to eat.
0:57:11 > 0:57:15Food for my son, you cheap slut. The best in the house.
0:57:15 > 0:57:21How's business, brother? Still content to pick up trifles in this backwater?
0:57:21 > 0:57:26A bit above yourself, aren't you? Did you dance into society?
0:57:26 > 0:57:32- You'd only get in through the window.- Yes, but I'd bring out something to pay me for my trouble.
0:57:32 > 0:57:36I've danced more money into my pocket than you'll ever see.
0:57:36 > 0:57:40I was doing well with my last partner, then fell for her friend.
0:57:40 > 0:57:42Ah! This is something like.
0:57:42 > 0:57:47- Was the friend as impressed by you? - I didn't get a chance.
0:57:47 > 0:57:53- Who was she?- Angela Labardi. If I had three wishes, she'd be in every one of them.
0:57:53 > 0:58:01- I was all set to try my luck at her birthday party when her mother ruined everything.- Jealous, perhaps.
0:58:01 > 0:58:07I never met the woman. All I saw was her feet as they carried her upstairs.
0:58:07 > 0:58:11And then she disappeared during the night.
0:58:15 > 0:58:19Look out. This fellow mustn't see me.
0:58:23 > 0:58:25I'm sorry.
0:58:30 > 0:58:35- Phew! That was a near thing.- Who was he?- An English artist I met in Rome.
0:58:35 > 0:58:39It would lower my stock if he found me in this rogues' gallery.
0:58:39 > 0:58:43- I'll show him we don't want artists here.- No, I will. You're too rough.
0:58:43 > 0:58:46He'll give the quarter a bad name.
0:58:47 > 0:58:51No, I don't remember ever seeing that pendant before.
0:58:51 > 0:58:56- Mr Bossi, the lady was positive she bought it from you.- She may.
0:58:56 > 0:59:00Mine is a large business. I cannot remember things sold so long ago.
0:59:00 > 0:59:04What I really want to know is where did you get it from?
0:59:04 > 0:59:10It may have been an unredeemed pledge or perhaps an assistant bought it over the counter,
0:59:10 > 0:59:14- but from whom it would be impossible to say.- Then you won't help me?
0:59:14 > 0:59:19My dear young lady, nothing would please me more, but what can I do?
0:59:19 > 0:59:23Mr Bossi, I believe this pendant was stolen property.
0:59:24 > 0:59:28In that case, you'd better apply to the police.
0:59:28 > 0:59:30Good afternoon.
0:59:32 > 0:59:34DOOR SLAMS
0:59:34 > 0:59:36TAPPING
0:59:43 > 0:59:44Ah.
0:59:45 > 0:59:49- Well?- Yes, yes, things are going quite nicely.
0:59:49 > 0:59:55- We've disposed of some of them locally, but I'm still waiting to hear from Amsterdam...- Come off it.
0:59:55 > 1:00:01- I've heard all that before. - It's no use being impatient. These things take time and I...- Come on.
1:00:01 > 1:00:03- Come on.- Mm.
1:00:03 > 1:00:07Oh, well... perhaps a little on account.
1:00:15 > 1:00:16There.
1:00:17 > 1:00:19Thanks.
1:00:20 > 1:00:25How exciting. I never suspected you were a female Sherlock Holmes!
1:00:25 > 1:00:31- It's a frightful cheek inflicting my troubles on you both, but I knew you wouldn't mind.- Of course not.
1:00:31 > 1:00:39- We're delighted, aren't we, Jimmy? - Some of these would do well in New York.- Whose idea was it to advertise?
1:00:39 > 1:00:45- Lyn, but it seems to have led to a dead end.- A bunch of beauties there have to be seen to be believed.
1:00:45 > 1:00:51Never mind Jimmy. He talks to himself when he has a picture on his mind. What happened next?
1:00:51 > 1:00:57Nothing. I showed him the pendant and he pretended to know nothing. I'm certain he was lying.
1:00:57 > 1:01:00I say, this is rather good. Come and have a look.
1:01:01 > 1:01:04Oh, Jimmy. What a pest you are!
1:01:08 > 1:01:12Yes, you're a clever brute even if you do talk too much.
1:01:12 > 1:01:14Heavens! Look!
1:01:18 > 1:01:24- There goes our dinner.- Never mind. Let's go out and get something we CAN eat. Come on, Angela.
1:01:32 > 1:01:36- Haven't you any other clue? - Yes, the Seven Moons.
1:01:36 > 1:01:40- Let's have a look at this thing again.- Here you are.
1:01:40 > 1:01:46I copied it from the lipstick design Mother left on her mirror. And once in her sleep she spoke of Rosanna.
1:01:46 > 1:01:52- Could it be the name of a place? - That's what I'm counting on and why I'm in Florence.
1:01:52 > 1:01:59- Wait. There isn't any proof that the Seven Moons is in Florence.- Why say such a miserable thing?- There isn't.
1:01:59 > 1:02:03I know, but Mother spent most of her life here. It's worth trying.
1:02:03 > 1:02:09- You can't wander round the slums without an escort.- I was longing for you to say that.- Very sweet of you,
1:02:09 > 1:02:13- but it's the blind leading the blind.- Well, I do know it a bit.
1:02:13 > 1:02:16Angela! Excuse me.
1:02:16 > 1:02:20- My dearest Angela. - You know each other, don't you?
1:02:21 > 1:02:27- What brought you to Florence? - A perfectly ordinary train. You're mending a broken heart?- Oh, Millie?
1:02:27 > 1:02:31Don't mention that girl. It was a very lucky escape.
1:02:31 > 1:02:38- Where are you staying?- The Barbarelli with Mrs Fiske.- That old cockatoo. - She's very amusing about you.
1:02:38 > 1:02:40Angela, we'd better see you home.
1:02:40 > 1:02:47- Won't you let me do that?- Yes, why not? You're just the man I want. - You're always the one I want.
1:02:47 > 1:02:51- Don't let's trouble Mr Barucci. - It's no bother. He'd love to.
1:02:51 > 1:02:57Good night. Thanks most awfully. I'll call on you in a day or two. Come on, Sandro.
1:02:58 > 1:03:00Meeting you was a bit of luck.
1:03:01 > 1:03:08- I don't like her going off with a nasty piece of work like that. - Nor do I. Waiter - bill, please.
1:03:08 > 1:03:14- Did you happen to notice that ring he was wearing?- That big, black affair? Couldn't miss it. Why?
1:03:14 > 1:03:18I have an idea I've seen it somewhere before. Quite recently.
1:03:18 > 1:03:20Where?
1:03:20 > 1:03:22That's just it. Where?
1:03:24 > 1:03:30- Do you know Florence well?- Like the back of my hand.- How would you like to pilot me around?- Angela!
1:03:30 > 1:03:34- There's nothing I'd like better! - Taxi!- What did you do that for?
1:03:35 > 1:03:39It's a guide I want, not a lover. To the Barbarelli.
1:03:39 > 1:03:44Call for me tomorrow morning at the hotel. Good night.
1:03:58 > 1:04:03- Who are you making yourself pretty for?- Myself. I've no time for men.
1:04:03 > 1:04:05Only one and he's out of reach,
1:04:05 > 1:04:10even if he did amuse himself with you when there was nothing better.
1:04:10 > 1:04:14- If you loved Nino, you wouldn't have left him.- Who knows what I'd do?
1:04:14 > 1:04:21- Even I don't.- You only come back when you're tired of your other lover.- Have I another lover?
1:04:21 > 1:04:23Maybe.
1:04:23 > 1:04:29Maybe not. I live in the present. The past and the future mean nothing to me.
1:04:29 > 1:04:34- One day you'll go for good and Nino will want me again. - As a drug to help him to forget.
1:04:34 > 1:04:41But I'm the only woman who will ever mean anything to Nino. Whether I'm here or not, he'll always be mine.
1:04:41 > 1:04:45Mine, do you understand? You'd better understand.
1:04:45 > 1:04:49Yours now, Rosanna, but for how long? Men are all alike, you know.
1:04:49 > 1:04:54Ever asked yourself what you'd do if you saw him in another woman's arms?
1:04:54 > 1:04:57Don't be a little fool. I never shall.
1:04:57 > 1:05:03But supposing you did. And he was kissing her face and her throat as he once kissed mine.
1:05:03 > 1:05:05I'd kill him!
1:05:06 > 1:05:08I'd kill them both.
1:05:10 > 1:05:12But it isn't going to happen.
1:05:12 > 1:05:14It couldn't happen.
1:05:33 > 1:05:36ORGAN PLAYS IN CHAPEL
1:06:03 > 1:06:05Are you all right?
1:06:05 > 1:06:09- I know who you are. You're the English artist.- Yes.
1:06:09 > 1:06:12What are you doing here?
1:06:12 > 1:06:17It was here Nino found me, years ago. I was lost. My mind was blank.
1:06:17 > 1:06:20Found you? That accounts for it.
1:06:21 > 1:06:27- Accounts for what?- You struck me as different from the usual type of woman at the San Gimignano.
1:06:27 > 1:06:32They're just beasts who love and hate and breed and die.
1:06:32 > 1:06:34Are you married to this Nino?
1:06:34 > 1:06:41- No. I belong to nobody but myself. - Why were you looking at the church as if you were afraid to go in?
1:06:41 > 1:06:43Nino hates churches.
1:06:43 > 1:06:46So I hate them, too.
1:06:47 > 1:06:50- Only fools pray.- Hmm.
1:06:51 > 1:06:58- Was Nino the one sitting with you at the cafe table, or the one who was drunk?- Nino's never drunk.
1:06:58 > 1:07:00That was his brother.
1:07:00 > 1:07:03You ask too many questions. I'm going.
1:07:05 > 1:07:07LATIN CHANT
1:07:15 > 1:07:17ALTAR BOYS SING
1:08:10 > 1:08:13Hold me up... Hold me up!
1:08:13 > 1:08:17Don't let me kneel! You can't let me kneel!
1:08:17 > 1:08:19ORGAN MUSIC PLAYS
1:08:29 > 1:08:36- Oh, dear. There's an awful lot of Florence left.- Why don't you tell me what you're trying to do?
1:08:36 > 1:08:42- I'm trying to find my mother. - I don't even know what she looks like.- Do you know what this is?
1:08:42 > 1:08:48Mother left that before she disappeared. I believe if I could trace that I could find her.
1:08:48 > 1:08:52- Funny. This reminds me of something. - What?- I don't quite know.- Think.
1:08:52 > 1:08:56- Let me keep it. I'll have inquiries made.- Here's something to go on with.
1:08:56 > 1:09:02- Must you?- No, if you'd rather... - Well, perhaps... perhaps you're right.
1:09:04 > 1:09:08- A present from your fiance? - A birthday present from Father.
1:09:08 > 1:09:15- If you were mine, I'd cover you with jewels.- For the sake of your pocket, it's as well I'm not! Oh, there!
1:09:15 > 1:09:18- Hm? - A friend of yours - Mrs Fiske.
1:09:18 > 1:09:25Ah, Angela. Come along, my dear. Mrs Brunswick is going to have all sorts of things done to her face.
1:09:25 > 1:09:29- I'm ready. Call me when you get any news.- All right. See you later.
1:09:29 > 1:09:33Is there anything the matter with your hat that it doesn't come off?
1:09:33 > 1:09:37If any cutting's to be done, I'm the one who'll do it.
1:09:37 > 1:09:44- What's this drawing got to do with her mother's disappearance?- Search me.- Who cares one way or the other?
1:09:44 > 1:09:50If she has all this jewellery, bring her after dark. If she can't find anything, we will.
1:09:50 > 1:09:56- I want more than jewellery from Angela Labardi.- Pleasure before business. What a Romeo the boy is!
1:09:56 > 1:09:59Let's look at this paper, anyway.
1:09:59 > 1:10:03What's the idea of pretending you don't know what it is? Look.
1:10:03 > 1:10:07- Sign of the Seven Moons! - I had it copied for Rosanna.
1:10:07 > 1:10:11He doesn't even remember what's over his own front door.
1:10:18 > 1:10:22How did the Labardi girl know about this place? I don't like it.
1:10:22 > 1:10:29- She's just making a fool of him. - No woman can make a fool out of me, not even you.- Oh, shut up.
1:10:29 > 1:10:34- Has she ever been here? - Of course not. She said her mother left that sign.
1:10:34 > 1:10:40- Makes sense.- I'm not sure I can't put this to good use. - Wait a minute. We take no chances.
1:10:40 > 1:10:45- Until I've thought it over, the girl is to be told nothing.- Who says so?
1:10:45 > 1:10:51- What I choose to do with Angela Labardi is my business. - Be careful, Brother.- Of what?
1:10:51 > 1:10:54You run your show and I'll run mine.
1:10:55 > 1:10:59I've been trying to get Angela off the beaten track for days.
1:10:59 > 1:11:04Now the chance has been given me. On a plate.
1:11:08 > 1:11:14- Sympathy's all very well, Charles, but I've had more than I can stand. - Yes.- It's always the same thing.
1:11:14 > 1:11:18Letters, telephone calls, flowers as if she were dead.
1:11:18 > 1:11:22People stop me in the street and ask me if I have any news.
1:11:22 > 1:11:25Even at my club there's no escape.
1:11:25 > 1:11:31It's ungenerous of me to talk like this, but only one person's sympathy meant anything and she's gone.
1:11:31 > 1:11:36- So I'm clearing out, Charles.- Where are you going?- Back to Florence.
1:11:36 > 1:11:41- I'm opening up our old house there. I wired Angela this morning. - Is Florence wise?
1:11:41 > 1:11:48- Isn't it better to escape from memories?- It's there she came back to me before. Twice before.- I see.
1:11:48 > 1:11:52I wouldn't like her to find an empty house.
1:12:07 > 1:12:12- I want to talk to you.- They hold up their hands like children at prayer.
1:12:12 > 1:12:16- Who?- Those spires, rising out of the ugliness into the sky.
1:12:16 > 1:12:21Stop mooning about and listen. What do you know about the name Labardi?
1:12:21 > 1:12:25It's the girl's name. Sandro's girl.
1:12:25 > 1:12:31- Is that all you know?- Yes, that's all.- Why don't you admit the jewels you brought belonged to Labardi?
1:12:31 > 1:12:36- Did they? I don't know where I got them.- Well, I do.
1:12:36 > 1:12:42Bossi told me and he's no fool. That pearl necklace was bought by Labardi three years ago in Genoa!
1:12:42 > 1:12:46He's traced other pieces of his. But what I want to know is this -
1:12:46 > 1:12:50how did you get those jewels from the Labardi house?
1:12:50 > 1:12:55How did you get them? Look at me and answer... Rosanna!
1:13:04 > 1:13:07Rosanna. Rosanna...
1:13:13 > 1:13:15Why are you staring at me?
1:13:15 > 1:13:18But...what was the matter with you?
1:13:21 > 1:13:23I went on a journey.
1:13:23 > 1:13:27Somebody was calling from a long way off.
1:13:27 > 1:13:32- There's no one here but ourselves. It was I who called.- Oh?
1:13:32 > 1:13:34There's no one here but ourselves?
1:13:34 > 1:13:38- I don't know what it could have been!- Hey, wait a minute!
1:13:38 > 1:13:40Is this a trick?
1:13:40 > 1:13:46- A trick? - To avoid answering my questions. - I don't remember any questions.
1:13:46 > 1:13:50- I was standing by the window... - Where do you go when you leave me?
1:13:50 > 1:13:52I can't tell you!
1:13:52 > 1:13:57- I don't remember. - Tonight you're going to tell me.
1:13:57 > 1:14:03I can't tell you, Nino! All that I've had to give I've given you - love, money, everything!
1:14:03 > 1:14:05Except the truth about where you go!
1:14:05 > 1:14:10I tell you, I don't know! And if that isn't enough, I'll clear out!
1:14:10 > 1:14:14- No, Rosanna...- Then stop asking! Stop asking, will you?!
1:14:40 > 1:14:42- Huh...- What?- Huh!
1:14:42 > 1:14:44Oh, a telegram.
1:14:44 > 1:14:49- It's from Father. He won't arrive until after dinner.- I'd hope not.
1:14:49 > 1:14:55With none of the linen and only half of the silver unpacked? He'd get a piece of my mind!
1:14:55 > 1:14:57Oh, dear. Sounds very indigestible.
1:14:57 > 1:15:01- PHONE RINGS - I'll answer it.
1:15:01 > 1:15:02Hello?
1:15:02 > 1:15:03Who?
1:15:03 > 1:15:05Oh, Mrs Fiske!
1:15:05 > 1:15:09Yes? Yes, I just heard. He's coming after dinner.
1:15:09 > 1:15:14Thank you very much, but I couldn't. The whole place is in a turmoil.
1:15:14 > 1:15:18I quite understand, but you mustn't starve yourself.
1:15:18 > 1:15:22You promised to dine with me tomorrow. It's carnival night.
1:15:22 > 1:15:24Right you are. I'll be there.
1:15:24 > 1:15:29- BELL - Oh, dear. There's the front door. I must go. Goodbye.
1:15:29 > 1:15:33There's a Mr Barucci to see you. He says it's important.
1:15:33 > 1:15:36- Hello!- Sandro! All right, Tessa.
1:15:36 > 1:15:40- How on earth did you find me here? - They told me at the hotel.
1:15:40 > 1:15:46- Our search is near the end.- You found the Seven Moons?- No, but I know a man who knows where it is.- Where?
1:15:46 > 1:15:51It's not quite as easy as that. He says it's in rather a bad quarter.
1:15:51 > 1:15:55- I don't care where it is. Take me. I'll go now.- Not now, but soon.
1:15:55 > 1:16:02This man's on the run. He never goes out except at night. Unlike myself, he isn't doing it entirely for love.
1:16:02 > 1:16:06- Well, how much does he want? - I suggested 10,000 lire.- That's OK.
1:16:06 > 1:16:08Well...
1:16:08 > 1:16:13- As a matter of fact, he asked for more.- I don't mind!
1:16:13 > 1:16:17Very well. I'll try to get in touch with him as soon as I can.
1:16:17 > 1:16:21- You'll come any time I send for you? - Of course.
1:16:21 > 1:16:25- Tomorrow, if it can be arranged? - Of course.- Can I get you by phone?
1:16:25 > 1:16:30- Tonight, yes, but tomorrow I'm dining with Mrs Fiske.- Good.
1:16:30 > 1:16:32If not here, there.
1:16:33 > 1:16:41- I hope that neither of us will be disappointed.- Oh, Sandro...ask him if he's ever heard of Rosanna.
1:16:41 > 1:16:47- Why should I ask him that?- I believe someone called Rosanna has something to do with Mother's disappearance.
1:16:47 > 1:16:51If I hear anything, I'll...let you know. Goodbye.
1:16:51 > 1:16:53Goodbye.
1:16:55 > 1:16:59- Is that clear? Scorpi?- Yes. - Tabalo? Maccho?- Yes.
1:16:59 > 1:17:03The job's tomorrow. Carnival night. Just after twelve.
1:17:03 > 1:17:09- To fool the police, we all wear the same costumes. Understood?- We all know the Labardi house, Nino,
1:17:09 > 1:17:15- but is there anything in it? It's been empty. - It's not now. That's all.
1:17:15 > 1:17:16Nino!
1:17:18 > 1:17:21- What do you want? - You and no listeners.
1:17:24 > 1:17:28- How do you like the new set-up? - Better if I knew how we get in.
1:17:28 > 1:17:33- Easy. We use that thick head of yours as a battering ram.- Why, you!
1:17:33 > 1:17:38- Don't be a blind fool. She knows Rosanna is mixed up in her mother's disappearance!- It's a lie!
1:17:38 > 1:17:43- Rosanna had never even heard the name Labardi.- So she says!
1:17:43 > 1:17:47There's not much mystery now why Madame Labardi left her husband.
1:17:47 > 1:17:51There was another woman. The thing's as clear as day.
1:17:51 > 1:17:57Rosanna didn't steal those jewels. Labardi gave them to her. And he didn't give them to her for nothing.
1:17:57 > 1:18:01- If that's true... - You know it's true.
1:18:17 > 1:18:19There's a change in the plan.
1:18:19 > 1:18:25I'm going into the Labardi house alone. I have a private reckoning with Labardi.
1:18:25 > 1:18:31When that's settled, the rest is yours and I want no part of it.
1:18:32 > 1:18:37Well? What are you waiting for? You've had your orders. Get out!
1:18:37 > 1:18:39Get out!
1:18:47 > 1:18:49Sandro...
1:18:49 > 1:18:54If you want to bring that girl here, I won't stop you.
1:18:54 > 1:18:58- You can work in with us. - But if she sees Rosanna...
1:18:58 > 1:19:03She won't see Rosanna or any other woman here tomorrow night.
1:19:04 > 1:19:06Right.
1:19:29 > 1:19:34Well, you're done for. One rat less in the world.
1:19:37 > 1:19:39What is it, my son?
1:19:41 > 1:19:44You have murder in your eyes.
1:19:44 > 1:19:46What is it, Nino?
1:19:47 > 1:19:49She's broken my heart, that's all.
1:19:49 > 1:19:54- Rosanna? - All those years she was lost to me she spent with another man.
1:19:54 > 1:19:58- Didn't you spend them with other women?- It was her I loved.
1:19:58 > 1:20:01And you doubt her love for you?
1:20:02 > 1:20:06Of course, he was a gentleman. Rich. He gave her jewels, money.
1:20:06 > 1:20:10- I...- Yet in spite of that she came back to you.
1:20:13 > 1:20:15Fair's fair, my son.
1:20:15 > 1:20:18I have no great love for Rosanna,
1:20:18 > 1:20:25but I had a gypsy mother and I have enough clear bright in my veins to know the true from the false.
1:20:26 > 1:20:30I'd trust her love for you before all the proof in the world.
1:20:32 > 1:20:36If she loves me, Mother, why did she leave me?
1:20:36 > 1:20:38Who am I to say?
1:20:39 > 1:20:41Rosanna is a mystery, always was.
1:20:42 > 1:20:46- I doubt that even she could solve it.- She says she doesn't know.
1:20:46 > 1:20:48Can't remember.
1:20:48 > 1:20:51Isn't that your answer?
1:20:51 > 1:20:54Maybe there's a wondrous curse on the girl,
1:20:54 > 1:20:57a call she has to answer.
1:20:57 > 1:20:59A call?
1:20:59 > 1:21:03Somebody...calling, she said, from a long way off.
1:21:04 > 1:21:08Isn't that where your vengeance lies?
1:21:08 > 1:21:09Yes...
1:21:09 > 1:21:11Yes!
1:21:13 > 1:21:17Mother, I... I want to believe in her. I must!
1:21:17 > 1:21:19Without her I'm lost.
1:21:19 > 1:21:23Then take those knives out of your eyes, my son.
1:21:23 > 1:21:27Or it's in your own heart you'll be driving them.
1:21:27 > 1:21:31What am I to do, Mother? What am I to do?
1:21:32 > 1:21:36Take her away somewhere for a little while.
1:21:36 > 1:21:38Be alone.
1:21:38 > 1:21:40And you will see.
1:21:44 > 1:21:50- Wondering where we are?- Yes, I... - The last time we were here, we came through that gap in the wall.
1:21:52 > 1:21:57- Nino! It's the old garden. - So you hadn't forgotten?
1:21:57 > 1:22:01But everything's so changed. The grass and the trees are taller.
1:22:01 > 1:22:05- It seems so deserted. - Deserted and forgotten.
1:22:05 > 1:22:08Like a man whose woman has left him.
1:22:10 > 1:22:14Look, it was here I picked you a rose and had to stoop for it.
1:22:14 > 1:22:18Now they're above our heads! Lift me up, Nino.
1:22:25 > 1:22:28Never let me go again, Nino.
1:22:28 > 1:22:30Never let me go again.
1:22:30 > 1:22:34Why should you go? Why did you ever go?
1:22:35 > 1:22:37Rosanna...why did you leave me?
1:22:38 > 1:22:40I don't know.
1:22:40 > 1:22:43I know I never wanted to.
1:22:44 > 1:22:48Well...after tonight there will no longer be any reason to leave.
1:22:48 > 1:22:55- Why do you say after tonight? - I have to deal with...something that has stood in our paths too long.
1:22:55 > 1:22:58- You're going into danger.- Maybe.
1:22:58 > 1:23:02- What kind of danger? - It's best you shouldn't know.
1:23:02 > 1:23:04- I shall go with you.- No!
1:23:04 > 1:23:06Stay in your room until I return.
1:23:06 > 1:23:11- Things will be going on you're best out of.- If you don't come back...
1:23:11 > 1:23:13Oh, I shall come back.
1:23:13 > 1:23:16- If you're not waiting...- I promise.
1:23:18 > 1:23:22Don't look so worried. Smile for me.
1:23:22 > 1:23:24Come on, smile.
1:23:26 > 1:23:28That's better.
1:23:28 > 1:23:31Nino, play our song for me.
1:23:33 > 1:23:35Hello!
1:23:35 > 1:23:37What are you doing here?
1:23:37 > 1:23:39HE STRUMS
1:23:42 > 1:23:45# Rosanna
1:23:45 > 1:23:50# Lovely rose of my heart
1:23:51 > 1:23:54# Rosanna
1:23:54 > 1:23:59# Must we meet but to part?
1:24:00 > 1:24:03# This love I feel just for you
1:24:03 > 1:24:08# Is as real as the stars that shine
1:24:09 > 1:24:11# You hold a spell
1:24:11 > 1:24:16# For your eyes never tell me you're really mine
1:24:17 > 1:24:20# Rosanna
1:24:20 > 1:24:24# When I dream you are near
1:24:26 > 1:24:28# Rosanna
1:24:28 > 1:24:33# Like a dream you appear
1:24:34 > 1:24:38# I know the kiss of a will of the wisp
1:24:38 > 1:24:43# 'Til my heart has flown
1:24:43 > 1:24:45# You're gone
1:24:45 > 1:24:51# And I'm alone... #
1:24:55 > 1:24:57What is it? What's the matter?
1:24:57 > 1:25:00You're trembling!
1:25:00 > 1:25:02Something cold went past me.
1:25:04 > 1:25:07The ghost of this old garden, perhaps.
1:25:08 > 1:25:11There are no ghosts in this garden.
1:25:11 > 1:25:13Oh, yes, there are.
1:25:13 > 1:25:19The great ladies and gentlemen who used to walk here when the beds were bright with flowers.
1:25:19 > 1:25:23Mm, well, that's all very fine, but I much prefer it this way.
1:25:23 > 1:25:26Oh, so do I because it's so wild.
1:25:26 > 1:25:30It's broken the shackles that once made it neat and tidy.
1:25:30 > 1:25:35- Oh, Nino, why can't we stay here forever?- I wish we could.
1:25:35 > 1:25:37But there's work to be done.
1:25:39 > 1:25:44- We'll come back another day. - Shall we? How can we be sure?
1:25:45 > 1:25:50For all we know, this may be the last time we shall ever lie here...
1:25:50 > 1:25:54Don't talk like that! Don't say such things! If you love me...
1:25:54 > 1:25:58- I do love you, Nino. - If only I could believe that.
1:26:02 > 1:26:04Now can you believe me?
1:26:13 > 1:26:18And that's the explanation, Giuseppe. It must be. It answers everything.
1:26:19 > 1:26:23You're asking me to believe that Maddalena has a dual personality?
1:26:23 > 1:26:27- That she's living two separate lives?- Yes.
1:26:27 > 1:26:31And in the one she has no knowledge of the other.
1:26:32 > 1:26:39We know very little of the workings of the human mind. You see, something happened to split her mind in two.
1:26:39 > 1:26:45- It may have been a shock during her childhood. It was always after a period of mental strain.- True.
1:26:45 > 1:26:51When things became too much for her, she broke away from all ties, all mental torments,
1:26:51 > 1:26:54and took refuge in her other self.
1:26:54 > 1:26:58A door in her mind closed and another opened.
1:27:01 > 1:27:03MUSIC AND CHEERING
1:27:43 > 1:27:45Well, how do I look?
1:27:46 > 1:27:51- Wonderful! I thought there was something you had to do.- There is.
1:27:51 > 1:27:55Later on. I shall do it none the worse for wearing this costume.
1:27:55 > 1:27:57Well, wish me luck.
1:28:04 > 1:28:06Don't forget your promise.
1:28:06 > 1:28:10I'll wait here until you come back. Aren't you going to kiss me goodbye?
1:28:25 > 1:28:29- Sandro, any news?- He'll see us if we come at once.- Wonderful.
1:28:29 > 1:28:33- But I'm just going to have dinner. - We must hurry.- What about Mrs Fiske?
1:28:33 > 1:28:38- Can't you say you got a message that Nesta Logan is ill?- I suppose.
1:28:38 > 1:28:42I'll tell the reception clerk to give her the message.
1:28:59 > 1:29:02Why, Nino, how wonderful you look.
1:29:04 > 1:29:10- You needn't serve here tonight. Go out and enjoy yourself.- Go with me. Think what fun we had before.
1:29:10 > 1:29:12- Remember?- Mm.- Come with me.
1:29:12 > 1:29:18- I have other things to do.- Please... - Go along. I don't want any women here tonight.
1:29:32 > 1:29:35ECHO OF CHURCH SINGING
1:30:02 > 1:30:04FESTIVE MUSIC
1:30:26 > 1:30:28SINGING FROM CHAPEL
1:31:03 > 1:31:07- What an awful place.- It isn't very grand. There. Sit down, shall we?
1:31:11 > 1:31:16- Well, where is the man?- Doesn't seem to have arrived. I'll order wine.
1:31:16 > 1:31:22- I'd rather have coffee. - Waiter, bring me a cognac and some coffee for the lady.
1:31:40 > 1:31:44- If I'd known it would be like this, I wouldn't have come.- Don't worry.
1:31:44 > 1:31:46I can look after you.
1:31:46 > 1:31:51He said he'd be here at 10. Must have got held up by the procession.
1:31:53 > 1:31:55Drink your coffee. Don't worry.
1:32:27 > 1:32:31- Hello! - I got back sooner than I expected.
1:32:31 > 1:32:35- What's wrong with Nesta?- Nothing. - Why? Is there supposed to be?
1:32:35 > 1:32:42- I can't make this out. Didn't you send a message to Angela saying you were ill?- No.
1:32:42 > 1:32:46But Mrs Fiske told me that... I can't understand it.
1:32:46 > 1:32:51- Who delivered the message? - A slim, dark bloke, they said.
1:32:51 > 1:32:55- That sounds like Sandro Barucci. - What the devil does he want, then?
1:32:55 > 1:33:00She had some idea he might be able to help her locate her mother.
1:33:00 > 1:33:04- I don't like it.- You don't like him. - I nearly punched his nose last time.
1:33:04 > 1:33:10- Why didn't you?- I didn't like the look of his knuckleduster.- What? - A ring like a lump of coal.
1:33:11 > 1:33:14Good Lord, so that's who it was!
1:33:14 > 1:33:20- Remember my telling you about that gang of cut-throats?- Yes. - Well, that's the fellow.
1:33:20 > 1:33:24- Jimmy!- Do you know where this was? - Of course.- Let's get a move on!
1:33:27 > 1:33:29Good luck!
1:33:45 > 1:33:48- What's he doing that for? - He's shutting up.
1:33:56 > 1:34:01Why doesn't the man come? I can't stand this waiting.
1:34:01 > 1:34:03He won't be long now.
1:34:23 > 1:34:25DRUNKEN LAUGHTER
1:34:29 > 1:34:32LAUGHTER CONTINUES
1:34:59 > 1:35:01Nice stuff, Sandro.
1:35:04 > 1:35:06Come on, boys. Let's get out of it.
1:35:12 > 1:35:17VITTORIA: Ever ask yourself what you'd do if you saw him in another woman's arms?
1:35:17 > 1:35:19- NINO: - Stay in your room 'til I return.
1:35:19 > 1:35:23Things will be going on you're best out of.
1:35:25 > 1:35:30And he was kissing her face and her throat, as he once kissed mine...
1:35:41 > 1:35:43What do you want? Go on, get out!
1:36:03 > 1:36:05Nino!
1:36:07 > 1:36:09So that's what he meant.
1:36:14 > 1:36:18I wouldn't be in so much of a hurry if I were you.
1:36:18 > 1:36:22- Fool! You're not wanted in there. - Take your hands off me!
1:36:22 > 1:36:28I said you wouldn't last forever and I was right. You're finished! Nino's in there with another woman!
1:36:32 > 1:36:36- I tell you, I saw them. - You lying little...
1:36:39 > 1:36:41Let me go!
1:37:20 > 1:37:22Rosanna!
1:37:22 > 1:37:23Sandro!
1:37:43 > 1:37:44Rosanna!
1:37:49 > 1:37:52Where is Maddalena?
1:37:54 > 1:37:57What have you done with my mother?
1:38:03 > 1:38:05Angela...
1:38:07 > 1:38:10Mummy! Mummy, darling! Mummy!
1:38:10 > 1:38:12Mummy...
1:38:16 > 1:38:18Lyn!
1:38:18 > 1:38:20- Come quickly.- Angela!
1:38:23 > 1:38:26- Mother is...!- We'll look after her.
1:38:28 > 1:38:30Get a doctor at once.
1:38:30 > 1:38:34Dr Ackroyd's at Labardi's now. We must take her there straight away.
1:38:40 > 1:38:44- Have you seen Nino? - Yes, he went towards the square.
1:38:52 > 1:38:56- Rosanna!- What's happened?! - Something awful!
1:39:06 > 1:39:08Rosanna?
1:39:47 > 1:39:51- Where's Rosanna?- They took her to Labardi's.- Labardi's!
1:40:05 > 1:40:09You haven't much time. I'm afraid she won't last much longer.
1:40:22 > 1:40:26Now, my dear child, are you ready to make your peace with God?
1:40:26 > 1:40:28Yes, Father.
1:40:33 > 1:40:34Dominus...
1:40:41 > 1:40:44I've sinned so much, Father.
1:40:44 > 1:40:48My child, you were in the dark. You couldn't see.
1:40:49 > 1:40:55Now thank God for this good confession and for your holy penance say one Hail Mary
1:40:55 > 1:40:58and make a good act of contrition.
1:40:58 > 1:41:01Ego te absolvo a peccatis...
1:41:24 > 1:41:28Corpus Domini nostri Jesu Christi...
1:41:28 > 1:41:31HE GIVES COMMUNION
1:41:32 > 1:41:34..in vitam aeternum. Amen.
1:41:43 > 1:41:46ADMINISTERS LAST RITES
1:42:00 > 1:42:02Jesus have mercy.
1:42:07 > 1:42:11Lord have mercy upon her. THEY REPEAT
1:42:11 > 1:42:16Lord have mercy upon her. Go forth, o Christian soul, out of this world,
1:42:16 > 1:42:21in the name of God, the Father Almighty, who created thee...
1:42:21 > 1:42:23A BELL TINKLES
1:43:38 > 1:43:41Goodbye, Maddalena, my beloved wife.
1:43:42 > 1:43:47The memory of our life together will always be with me.
1:43:47 > 1:43:50I wish I'd made you happier.
1:43:50 > 1:43:52Forgive me.
1:44:14 > 1:44:17Goodbye, Rosanna.
1:44:43 > 1:44:48Subtitles by Subtext for Red Bee Media Ltd - 2011
1:44:49 > 1:44:51Email subtitling@bbc.co.uk