0:00:53 > 0:00:58This film contains very strong language
0:00:58 > 0:01:01and some violent scenes.
0:01:24 > 0:01:27RACING COMMENTARY IN BACKGROUND
0:01:27 > 0:01:30'Starting to make up the ground. He's closing on the outside.
0:01:30 > 0:01:32'As they pass the quarter-mile length,
0:01:32 > 0:01:35'Cosy Girl has gone clear by three lengths.
0:01:35 > 0:01:36'Now coming...'
0:01:36 > 0:01:38Come on, Cosy Girl. Come on!
0:01:38 > 0:01:43'..will be the danger to Cosy Girl. Cosy girl is clear by two.'
0:01:43 > 0:01:46POLICE RADIO: '114 to Roper.'
0:01:44 > 0:01:46Come on, dig in! Roper here.
0:01:46 > 0:01:49'114, Roper, code 2CP 4th and Grand.
0:01:52 > 0:01:54Come on, Cosy Girl!
0:01:54 > 0:01:57ETA in five. I'm en route. 'Cosy Girl is tenacious,
0:01:57 > 0:01:59'but Backtrack keeps making up ground on her.
0:01:59 > 0:02:03'Cosy Girl and Backtrack! It's going to be a tight photo!'
0:02:03 > 0:02:04Come on, Cosy, baby!
0:02:04 > 0:02:06Where's the wire?!
0:02:06 > 0:02:08'Here's the wire...
0:02:08 > 0:02:14'It's so close between those two, but Backtrack has won at a nose over Cosy Girl.'
0:02:14 > 0:02:18Cosy Girl, you lazy bitch! You lazy hag-ass bitch.
0:02:18 > 0:02:25That Cosy shit is why we lost this race - being fucking cosy. You need to get the fire under yo' ass!
0:02:27 > 0:02:31HELICOPTER BLADES WHIRR
0:02:36 > 0:02:38Move back. All the way back.
0:02:42 > 0:02:44Take position!
0:02:44 > 0:02:46On the right.
0:02:46 > 0:02:48Got this one.
0:02:48 > 0:02:50SIREN WAILS
0:02:51 > 0:02:53SIREN CONTINUES
0:03:10 > 0:03:1397 at the inner perimeter. >
0:03:13 > 0:03:18No, no. Communications are down. He ripped the phone out. Yeah, he's here now. Got it.
0:03:18 > 0:03:20Hey, Scott.
0:03:20 > 0:03:23Eko, where's the command post?
0:03:21 > 0:03:23Down here. Hey, Bob, I need two guys to go to CP.
0:03:23 > 0:03:29What's up?
0:03:24 > 0:03:29The bank opened, suspect botched robbery. Teller hit the alarm.
0:03:29 > 0:03:32He's taken 17 hostages, shot the guard. He's still alive.
0:03:32 > 0:03:34So far he's asked for a...
0:03:33 > 0:03:34...car.
0:03:34 > 0:03:37And a plane. And if he doesn't get that...
0:03:36 > 0:03:37...he'll kill the hostages.
0:03:37 > 0:03:39Right.
0:03:39 > 0:03:41What's the suspect's name?
0:03:40 > 0:03:41Earl.
0:03:41 > 0:03:43Earl.
0:03:43 > 0:03:46You'd think on a day like today Earl would go to the park, right?
0:03:46 > 0:03:48Ladies and gentlemen!
0:03:48 > 0:03:49Scott.
0:03:49 > 0:03:50Hey.
0:03:50 > 0:03:55Rope, glad you could make it. Captain Solis is coming.
0:03:53 > 0:03:55Have you got Earl's profile?
0:03:55 > 0:03:57Yeah.
0:03:58 > 0:03:59He's no genius.
0:03:59 > 0:04:02They ain't usually graduate students.
0:04:01 > 0:04:02SWAT wants to go in.
0:04:02 > 0:04:05They ain't killed nobody yet this week?
0:04:05 > 0:04:10OK, we've got a guy who's probably on drugs. He's got a record of 459. Busted on possession.
0:04:10 > 0:04:15Never been busted on a major felony. What's this guy's demeanour?
0:04:13 > 0:04:15Fucking agitated -
0:04:15 > 0:04:17he ripped the phone out.
0:04:17 > 0:04:19I got to go face to face.
0:04:19 > 0:04:24No, I don't think so.
0:04:20 > 0:04:24You've got hostages. One's hurt - we don't know how bad.
0:04:24 > 0:04:27He cut the telephone and he got a gun on somebody.
0:04:27 > 0:04:30If SWAT goes in you're going to lose a person.
0:04:30 > 0:04:33You got to let me go in and check everything's all right.
0:04:32 > 0:04:33I don't know.
0:04:33 > 0:04:37Sam, look at the guy's rap sheet. There's no violence. The guy's never offed anybody.
0:04:39 > 0:04:43Will you let me go in there, or are we going to let him bleed to death?
0:04:42 > 0:04:43SIGHS
0:04:46 > 0:04:48Can I have a dozen doughnuts, please?
0:04:57 > 0:04:59What makes a guy do something like that?
0:04:59 > 0:05:01Give me a roof and a rifle any day.
0:05:28 > 0:05:33CP, I see a WMA holding a handgun to Asian female's head.
0:05:33 > 0:05:36Suspect is wearing a black vest and T-shirt.
0:05:36 > 0:05:39I'm going to kill somebody if they don't give me my goddam car.
0:05:39 > 0:05:40I'm going to kill somebody!
0:05:44 > 0:05:46Who the fuck are you?!
0:05:46 > 0:05:50How are you doing, Earl? I'm Scott Roper, the negotiator.
0:05:47 > 0:05:50Get up where I can see you.
0:05:50 > 0:05:53Hands up! Get back! Get back! Stop right there, motherfucker!
0:05:56 > 0:05:58Hands up! Hands up!
0:05:58 > 0:06:00Get back! >
0:06:01 > 0:06:03Get back! Step back!
0:06:03 > 0:06:07Stop right there, man. Stop!
0:06:05 > 0:06:07OK, Earl. I'm stopping.
0:06:07 > 0:06:08All right, turn around.
0:06:08 > 0:06:11I don't carry a weapon. I'm a negotiator. I have no gun, see.
0:06:11 > 0:06:16Keep your hands up! >
0:06:12 > 0:06:16Just patting down for you. Patting down for you.
0:06:16 > 0:06:17All right.
0:06:17 > 0:06:20What's in the bag, man?
0:06:20 > 0:06:25These are doughnuts. I brought doughnuts if anybody wants a snack or something.
0:06:25 > 0:06:29Drop the fucking bag! Drop the bag!
0:06:27 > 0:06:29No problem. I'll put them down.
0:06:29 > 0:06:33Just doughnuts, OK. Relax.
0:06:31 > 0:06:33Kick them over. Hands up!
0:06:32 > 0:06:33HOSTAGES YELL
0:06:33 > 0:06:35Goddam it, let me see you.
0:06:35 > 0:06:38Kick it over, man! Kick it over!
0:06:39 > 0:06:41Pick it up. Pick it up.
0:06:41 > 0:06:44Open it up. Show me what's in the bag.
0:06:47 > 0:06:50It's doughnuts, man.
0:06:49 > 0:06:50What I said - they're doughnuts.
0:06:50 > 0:06:54Bullshit, man. You poisoned that shit!
0:06:55 > 0:07:00No, Earl. I'm not playing. They're just doughnuts.
0:06:59 > 0:07:00Eat it! Eat one.
0:07:00 > 0:07:04< Please, eat. Don't worry about them.
0:07:02 > 0:07:04Eat it!
0:07:04 > 0:07:06Let 'em eat them. See?
0:07:05 > 0:07:06Where's my fucking car?
0:07:06 > 0:07:12I'm getting you your car, but first things first. We have to do this thing right. All right?
0:07:12 > 0:07:13OK, Earl?
0:07:13 > 0:07:18I want you to point the gun away from... What's your name, miss?
0:07:16 > 0:07:18- SOBS:- Debbie.
0:07:18 > 0:07:24Point that gun away from Debbie.
0:07:20 > 0:07:24Debbie's brain will be on the floor if you don't give me my car.
0:07:24 > 0:07:26That's the worst thing you can do.
0:07:26 > 0:07:29A really bad move if you do that, OK?
0:07:30 > 0:07:35Be clear about something. If you kill anybody I can't help you.
0:07:35 > 0:07:37Please, God.
0:07:37 > 0:07:39Rules of the game change, then.
0:07:39 > 0:07:42SWAT will take you out if you kill somebody.
0:07:42 > 0:07:45That's what they're for.
0:07:43 > 0:07:45Help! Help!
0:07:45 > 0:07:49They're ready to do you right now. I want you to see something. Come here.
0:07:49 > 0:07:56Just look out the window here. Just across the street. There's a sniper in the window.
0:07:56 > 0:07:59He's looking at you right now in his rifle scope.
0:07:59 > 0:08:03The window next to it, there's a sniper in there, too.
0:08:02 > 0:08:03Shit, man.
0:08:03 > 0:08:08All around the building you got SWAT on the roof. They've been given the word.
0:08:08 > 0:08:14You kill anybody, ANYBODY, they take you out. They don't give a shit.
0:08:14 > 0:08:19They'll take you out and go right to lunch.
0:08:17 > 0:08:19Fuck! Fuck, man! Fuck!
0:08:22 > 0:08:26What are my chances, man?
0:08:24 > 0:08:26Not bad.
0:08:26 > 0:08:30Last month someone robbed a bank in the city. He made the freeway.
0:08:30 > 0:08:34Cops gave him a car, he got on the freeway and he lost them.
0:08:33 > 0:08:34Really?
0:08:34 > 0:08:36But they didn't kill anybody.
0:08:36 > 0:08:40How are you doing, Harold?
0:08:39 > 0:08:40What are you doing?
0:08:40 > 0:08:44OK, Earl, I got to take Harold out of here. He's bleeding pretty bad.
0:08:44 > 0:08:50I took an oath. If I go into a hostile situation and there's an injured party...
0:08:50 > 0:08:55I'm bound by oath to take the person to safety. Shoot me if you want, but the next guy will say the same.
0:08:55 > 0:08:58Just give me my car, man. Give me my car.
0:08:58 > 0:09:00Everything will be all right. We're going to get everybody out.
0:09:00 > 0:09:05You give me my car or I'll do her!
0:09:03 > 0:09:05I'll get your car.
0:09:05 > 0:09:11Earl. Take the gun down from Debbie's head.
0:09:09 > 0:09:11Don't fuck with me.
0:09:11 > 0:09:13No accidents. Things are cool.
0:09:13 > 0:09:15Give me my car, man.
0:09:14 > 0:09:15SOBS
0:09:15 > 0:09:16Shut up! >
0:09:16 > 0:09:20Come on.
0:09:17 > 0:09:20Hold your fire!
0:09:20 > 0:09:21Let's go.
0:09:24 > 0:09:27That's one out, 17 to go.
0:09:27 > 0:09:29OK, Harold. There you go.
0:09:30 > 0:09:32GROANS
0:09:32 > 0:09:33Give me your gun.
0:09:32 > 0:09:33What?
0:09:33 > 0:09:35Give me your gun.
0:09:40 > 0:09:43I haven't shot anybody in three years.
0:09:42 > 0:09:43Why not keep the streak alive?
0:09:43 > 0:09:46This junkie will kill someone.
0:09:46 > 0:09:47What are you doing out there?!
0:09:47 > 0:09:49What's going on?! >
0:09:53 > 0:09:55OK, Earl, it's happening.
0:09:56 > 0:10:00Your car's coming. Harold's gone to safety. It's cool. Everybody's going out.
0:10:00 > 0:10:03First, to show good faith, give me another hostage.
0:10:03 > 0:10:05Debbie.
0:10:04 > 0:10:05You got the old man.
0:10:05 > 0:10:09He don't count. He was going to die. That's on your ass.
0:10:09 > 0:10:12I did you a favour taking him out of here. Give me Debbie.
0:10:12 > 0:10:14Get me my car!
0:10:14 > 0:10:16I'm going to get your car, but give me a hostage. Come on, give me Debbie.
0:10:19 > 0:10:23Take them, man! Take 'em. Take 'em!
0:10:23 > 0:10:26FRIGHTENED MURMURS
0:10:24 > 0:10:26Go!
0:10:27 > 0:10:29Don't kill me. Please, help!
0:10:29 > 0:10:33See? Progress. We'll get everyone out. Everyone relax.
0:10:33 > 0:10:36I'm going to get your car right now.
0:10:34 > 0:10:36Get me my car, man.
0:10:35 > 0:10:36I'll get your car.
0:10:36 > 0:10:39Oh, there's one other thing.
0:10:37 > 0:10:39What?!
0:10:39 > 0:10:42You want a hard-top or convertible?
0:10:44 > 0:10:48Hard-top, man. Hard-top.
0:10:45 > 0:10:48Hard-top. All right.
0:10:50 > 0:10:53Manual or automatic?
0:10:52 > 0:10:53Automatic.
0:10:54 > 0:10:56HOSTAGES SCREAM
0:10:56 > 0:10:59Stay down! Don't you fucking move!
0:11:01 > 0:11:05Don't shoot. Don't shoot. I give up.
0:11:02 > 0:11:05Everybody, down! On the floor.
0:11:08 > 0:11:10SWAT MEN SHOUT
0:11:11 > 0:11:16On the floor. On the floor.
0:11:13 > 0:11:16Don't shoot, man. Don't shoot.
0:11:16 > 0:11:20Captain Solis, can we speak to Inspector Roper?
0:11:18 > 0:11:20ALL SHOUT QUESTIONS
0:11:23 > 0:11:27You negotiated in the past. What was different here?
0:11:27 > 0:11:32The inspector is not available to answer your questions right now. We're just thankful nobody died.
0:11:32 > 0:11:34Give us something.
0:11:34 > 0:11:40He will answer your questions at the official police briefing at headquarters.
0:11:40 > 0:11:42Are you OK, Inspector?
0:11:42 > 0:11:43Please, please. >
0:11:43 > 0:11:45Hi.
0:11:46 > 0:11:48Now, that is one for the front page.
0:11:48 > 0:11:52What are you doing here torturing me? You know I'm in love with you.
0:11:51 > 0:11:52Don't start.
0:11:52 > 0:11:56Don't tell me not to start. That baseball player you're with is bad news.
0:11:56 > 0:12:01Really? Let's think about this. He makes two million a year, nice guy, and he worships me.
0:12:01 > 0:12:03I worship you, too.
0:12:03 > 0:12:08You worship the bookie.
0:12:04 > 0:12:08Forget that. What's this guy's name?
0:12:06 > 0:12:08Greg.
0:12:08 > 0:12:12I read that Greg's knees are blown out. In ten years, he'll be in a wheelchair.
0:12:12 > 0:12:14Lot of hills here.
0:12:14 > 0:12:15You know what I think?
0:12:15 > 0:12:19I think you only want me back because you can't have me.
0:12:19 > 0:12:24It don't matter what you think. I think we should be together. Hey, hey. Listen to me.
0:12:24 > 0:12:28Can we please go out this weekend?
0:12:27 > 0:12:28No way.
0:12:28 > 0:12:32Talking of going out, what about Troy? You said you'd take him out over a month ago.
0:12:33 > 0:12:36Veronica, I've had a really rough month.
0:12:36 > 0:12:38He misses you.
0:12:38 > 0:12:43I say you're coming around and his eyes light up. Then you don't...
0:12:41 > 0:12:43Why lay this guilt on me?
0:12:43 > 0:12:47We'll get together Saturday. Me, you and Troy for a beautiful day. One happy family.
0:12:47 > 0:12:51No, no, no. You and Troy. We spend enough time together.
0:12:51 > 0:12:56Troy needs a man in his life. And besides, I'm seeing Greg on Saturday.
0:12:56 > 0:13:04What do you mean? You go out with Greg, and I go with Troy to the park?! That's tacky!
0:13:04 > 0:13:09Tacky?
0:13:05 > 0:13:09Yes, that's tacky. And it's going to confuse Troy. You don't think so?
0:13:09 > 0:13:14Look, can I drive you to the paper so we can talk about this? Please? Can I drive you?
0:13:14 > 0:13:15Hey!
0:13:17 > 0:13:20Hey! Hey, that's my car!
0:13:20 > 0:13:25Not any more! Now it belongs to Silver Hills Financial!
0:13:33 > 0:13:35PHONE RINGS
0:13:35 > 0:13:38Good work today, Scott.
0:13:36 > 0:13:38Thank you, Inspector.
0:13:38 > 0:13:42I needed it two days ago. >
0:13:39 > 0:13:42How are we doing for tonight?
0:13:42 > 0:13:43- Two on the floor. - You're my hero.
0:13:43 > 0:13:45Dinner's on you.
0:13:45 > 0:13:49You got a deal. I'm meeting Solis.
0:13:46 > 0:13:49OK, go get him.
0:13:47 > 0:13:49Later on.
0:13:57 > 0:13:58Absolutely.
0:13:58 > 0:14:02Agree with you 100%. Yeah, he's just walked into my office.
0:14:02 > 0:14:04Chief says good job. Congratulations.
0:14:04 > 0:14:09Tell him to give me a raise, then.
0:14:06 > 0:14:09He says thank you very much, Chief.
0:14:07 > 0:14:09Not what I said.
0:14:09 > 0:14:14Yes, sir. I'll discuss it with him right now. Goodbye, Chief.
0:14:14 > 0:14:15Roper.
0:14:15 > 0:14:17What?
0:14:17 > 0:14:21You will take a new partner and train him to be able to take over for you.
0:14:21 > 0:14:27Is that why you got this guy in the Sunday school outfit out here?
0:14:25 > 0:14:27He's Kevin McCall.
0:14:27 > 0:14:28Oh, Captain!
0:14:28 > 0:14:35Every Metro captain agrees that he's their best sharpshooter and the most likely to succeed.
0:14:35 > 0:14:36What is this bullshit, Captain?
0:14:39 > 0:14:43High in intellectual aptitude. Not as high as me, but pretty high.
0:14:43 > 0:14:44That's true.
0:14:44 > 0:14:49National Marksman's finalist. Attended NYC. Very impressive.
0:14:49 > 0:14:50DI sniper school.
0:14:50 > 0:14:55Additional skills - bi-athlete, marathon, lip-reading-
0:15:00 > 0:15:04This is great(!) He's not a negotiator. He'll quit in two weeks.
0:15:04 > 0:15:05You let me worry about that.
0:15:05 > 0:15:10I hope there's an expression of appreciation if I've got to be with Huck Finn over there.
0:15:10 > 0:15:17Wha... What kind if appreciation do you have in mind?
0:15:14 > 0:15:17Honestly?
0:15:18 > 0:15:195,000.
0:15:26 > 0:15:28OK, I can do that.
0:15:28 > 0:15:28And a car.
0:15:28 > 0:15:33No goddam car! I just gave you a 5,000 raise. Get your own damn car.
0:15:33 > 0:15:38I've been down to the impound. You got a beautiful black Benz just doing nothing.
0:15:38 > 0:15:41Impound is not Rent-A-Car.
0:15:39 > 0:15:41Car's in the deal. I don't have a car.
0:15:41 > 0:15:44What happened to your TransAm?
0:15:42 > 0:15:44They repo'd my shit.
0:15:44 > 0:15:49I'm not promising you nothing, but I'll see what I can do.
0:15:47 > 0:15:49Do what you can.
0:15:49 > 0:15:52I get to keep all the money if he quits.
0:15:52 > 0:15:56SWAT guys don't have the temperament or background for what I do. OK, Captain?
0:15:56 > 0:15:59How are you? Heard great things about you.
0:15:58 > 0:15:59Looking forward to it.
0:15:59 > 0:16:02It'll be good. It's hard work to be a negotiator.
0:16:02 > 0:16:06I'm up for it. And don't worry, I'll be around longer than two weeks, so don't worry about that, OK?
0:16:09 > 0:16:13Don't be reading my lips. Save that for sniper school.
0:16:13 > 0:16:17Don't worry about what I'm going to do for two weeks.
0:16:15 > 0:16:17Can we move on?
0:16:17 > 0:16:20We're just getting acquainted with each other.
0:16:18 > 0:16:20I'm fine.
0:16:20 > 0:16:24Very nice. If you'll both excuse me, I have other work to do.
0:16:22 > 0:16:24My bad. We gone.
0:16:24 > 0:16:26Thank you, Captain.
0:16:25 > 0:16:26Roper.
0:16:26 > 0:16:26Sir?
0:16:26 > 0:16:31About the transportation issue, see the impound sergeant.
0:16:29 > 0:16:31Thank you so much.
0:16:31 > 0:16:33Appreciate it.
0:16:34 > 0:16:37Have you been in a hostage situation?
0:16:35 > 0:16:37Only at the very end.
0:16:37 > 0:16:40What did you feel like after the shooting?
0:16:38 > 0:16:40It had to be done.
0:16:40 > 0:16:43It rarely has to be done.
0:16:41 > 0:16:43I've rarely shot anyone.
0:16:43 > 0:16:47Yeah, well, SWAT is a life-saving unit, remember that.
0:16:45 > 0:16:47I know that, OK?
0:16:47 > 0:16:49You know a lot of... You're a wise-ass.
0:16:49 > 0:16:54Excuse me?
0:16:49 > 0:16:54You heard what I said, wise-ass. I got a test for first-day wise-asses.
0:16:54 > 0:16:59Look. Get this cap out of the bottle without touching, without destroying the bottle.
0:16:59 > 0:17:01OK, don't move.
0:17:01 > 0:17:01What's the point?
0:17:01 > 0:17:06A test in lateral thinking. The obvious solution isn't the only one.
0:17:06 > 0:17:10Use your mind. Don't break the bottle.
0:17:09 > 0:17:10OK.
0:17:10 > 0:17:12Have a nice day.
0:17:11 > 0:17:12OK.
0:17:12 > 0:17:14< No touching!
0:17:18 > 0:17:23Hey, don't look at me. I went to public school.
0:17:20 > 0:17:23Right. Great. Thank you.
0:17:24 > 0:17:26Mind if we make a stop on the way?
0:17:26 > 0:17:30We busted Frank Antonucci on possession. He gave us a lead, too.
0:17:30 > 0:17:34Phoney Frank?! That guy would finger his first-born to dodge a collar.
0:17:34 > 0:17:39Still got to do it. Wasting time is half my job.
0:17:38 > 0:17:39< Yeah, all right.
0:17:39 > 0:17:45I think that SWAT guy might be a good idea. It may take pressure off you. I'm beginning to worry.
0:17:45 > 0:17:48Seven-20. What are you worrying about me for?
0:17:48 > 0:17:52I saw you with Ronnie this morning. Why can't you get it back together?
0:17:51 > 0:17:52Ah!
0:17:52 > 0:17:54You're mad not to get with that.
0:17:54 > 0:18:00What? It's not me. It's her. She's going out with some baseball player named Greg Barnett.
0:18:00 > 0:18:05No kidding! Get out of here! That boy can hit...and run.
0:18:06 > 0:18:08And throw!
0:18:08 > 0:18:12Why don't you just start chanting, "Greg, Greg, Greg"? Fuck him.
0:18:12 > 0:18:14CHUCKLES
0:18:14 > 0:18:18What is wrong with this car door?!
0:18:17 > 0:18:18CAR ALARM BLARES
0:18:18 > 0:18:19Come on, man!
0:18:19 > 0:18:20Gimme the keys.
0:18:22 > 0:18:25There's no alarm on those. Hey, you got a spare key
0:18:25 > 0:18:29so I can get to this kill switch in here? Turn this shit off.
0:18:29 > 0:18:33ALARM CONTINUES
0:18:30 > 0:18:33This shit is bad. You hearing this?
0:18:33 > 0:18:37Rope, this is it.
0:18:36 > 0:18:37This is too fly.
0:18:37 > 0:18:39< This is it.
0:18:39 > 0:18:40What?
0:18:40 > 0:18:42This is it. This is your ride.
0:18:44 > 0:18:48That's not my ride. This is my ride over here, this black car.
0:18:47 > 0:18:48ALARM STOPS
0:18:48 > 0:18:52Oh no. No, no. This black one is mine. That's the one I'm... This is my...
0:18:53 > 0:18:55This is your ride.
0:18:55 > 0:19:01Oh, come on. Who am I? Redd Fox? I can't roll in no shit like that, man. What's up, Sam?
0:19:01 > 0:19:02CHUCKLES
0:19:02 > 0:19:06That shit's not funny, Sam. I got to roll around in this shit all week.
0:19:06 > 0:19:08Man, where's your stereo?
0:19:08 > 0:19:13Never mind that. What's the smell?
0:19:10 > 0:19:13Get in. We ain't got all day.
0:19:13 > 0:19:15Man, this truck smells like fish.
0:19:18 > 0:19:19Fish and shit.
0:19:20 > 0:19:22Apartment 304.
0:19:22 > 0:19:24You want me to come up?
0:19:24 > 0:19:26Nah, won't find anything. I'm gonna talk to him.
0:19:26 > 0:19:32Good, cos I don't want to be late. Hey, you want anything on the game?
0:19:30 > 0:19:32What's the line?
0:19:32 > 0:19:34Warriors plus six.
0:19:34 > 0:19:38I'll take half of your action.
0:19:36 > 0:19:38Very very smart man.
0:19:38 > 0:19:40Hurry up, man.
0:20:18 > 0:20:20DOORBELL RINGS
0:20:21 > 0:20:25< Who is it?
0:20:21 > 0:20:25Lieutenant Sam Baffett from the San Francisco Police Department.
0:20:28 > 0:20:34Everything all right?
0:20:30 > 0:20:34May I come in? I would like to ask you a couple of questions.
0:20:34 > 0:20:36Absolutely. Come on in.
0:20:36 > 0:20:38Thank you.
0:20:39 > 0:20:41Nice.
0:20:41 > 0:20:42Very nice.
0:20:42 > 0:20:44Thanks. >
0:20:44 > 0:20:46Count Basie?
0:20:46 > 0:20:53Ellington - Things Ain't What They Used to Be. Recorded July 30th, 1945.
0:20:53 > 0:20:56Yeah, yeah. Now I can hear it.
0:20:56 > 0:21:02Where did you find that record?
0:20:58 > 0:21:02A used-record shop called Memory Lane.
0:21:03 > 0:21:07I went there for a rare Robert Johnson.
0:21:05 > 0:21:07I know it. I'll have to go there.
0:21:07 > 0:21:10You should.
0:21:08 > 0:21:10Mr Korda, do you know a Frank Antonucci?
0:21:10 > 0:21:13The guy who owns the bakery down the street?
0:21:13 > 0:21:19No, a different Frank. This is a man who deals in jewellery. Stolen, usually.
0:21:19 > 0:21:22You wouldn't know anybody like that.
0:21:21 > 0:21:22No, I certainly would not.
0:21:24 > 0:21:25COUGHS
0:21:26 > 0:21:29No, it's just a little something here.
0:21:30 > 0:21:32Could I have a little water, please?
0:21:33 > 0:21:35Sure.
0:21:36 > 0:21:38Thank you.
0:21:40 > 0:21:46The reason I'm asking you is because we arrested him with some stolen jewellery...
0:21:46 > 0:21:50and traced it back to a robbery
0:21:50 > 0:21:52down on Port Street.
0:21:52 > 0:21:55He said he was fencing it to you.
0:21:55 > 0:21:58Obviously there's been some mistake.
0:22:00 > 0:22:02I've got to level with you.
0:22:02 > 0:22:08I got this cousin - there you go - he's had a lot of run-ins with the law.
0:22:08 > 0:22:12It's no surprise if he entangled me in this. Wouldn't be the first time.
0:22:12 > 0:22:15This cousin of yours - what's his name?
0:22:15 > 0:22:21Clarence Teal. Believe me, they'll know who I'm talking about. Your cough seems better.
0:22:21 > 0:22:24Oh, yes.
0:22:24 > 0:22:27200 bucks. I take the points. OK.
0:22:32 > 0:22:35Judge Stone, this is Lieutenant Samuel Baffett.
0:22:35 > 0:22:38I'm at a suspect's residence. I'm requesting a telephonic search warrant.
0:22:42 > 0:22:46There's visible evidence on the premises - glass, jeweller's markings.
0:22:48 > 0:22:51That is correct, Judge Stone.
0:22:51 > 0:22:54I believe a full search of the premises...
0:22:54 > 0:22:56SCREAMS
0:23:25 > 0:23:26SHE SCREAMS
0:23:36 > 0:23:39Jesus. Sam!
0:23:39 > 0:23:41Sam!
0:23:45 > 0:23:47Call an ambulance! Now!
0:23:47 > 0:23:49Now!
0:24:18 > 0:24:19Oh, my God! >
0:24:29 > 0:24:31I'm a cop.
0:24:46 > 0:24:48DISTANT SIRENS WAIL
0:24:54 > 0:24:59All of our forces will be brought to bear. We will get this man.
0:24:59 > 0:25:00Yeah, he's here. I'll tell him.
0:25:03 > 0:25:06The chief wants you to know how sorry he is.
0:25:11 > 0:25:13He said he was just going up to talk to him.
0:25:17 > 0:25:19He said...
0:25:26 > 0:25:28I want to be put on this case.
0:25:27 > 0:25:28I can't do that.
0:25:28 > 0:25:31I want to be put on this case.
0:25:31 > 0:25:35You know damn well I can't assign you. You're too close to it, to Sam.
0:25:35 > 0:25:37The department will handle it.
0:25:36 > 0:25:37Who's running it?
0:25:37 > 0:25:37Roper!
0:25:37 > 0:25:42Who's running it?
0:25:39 > 0:25:42Kimura and Glass will head the investigation.
0:25:44 > 0:25:45Scott.
0:25:45 > 0:25:47Go home. >
0:25:56 > 0:25:57OK, check on it.
0:25:57 > 0:26:01Tell me what you've got on this son of a bitch.
0:25:59 > 0:26:01Let me get back to you.
0:26:01 > 0:26:08Solis said to keep you out of this.
0:26:02 > 0:26:08I don't give a shit. Anybody get information on Korda, you tell me!
0:26:40 > 0:26:42BRAKES SQUEAL
0:26:52 > 0:26:54Just a minute.
0:27:00 > 0:27:01Hey.
0:27:01 > 0:27:04Hey, yourself. I came to see Troy.
0:27:04 > 0:27:09It's a little late for that, Scott. He's asleep.
0:27:07 > 0:27:09Oh, shit!
0:27:09 > 0:27:10Jack Daniels?
0:27:10 > 0:27:15Yes, I spent some time with Jack tonight, but I'm not drunk yet.
0:27:16 > 0:27:18Maybe you should be.
0:27:20 > 0:27:22You heard about what happened?
0:27:22 > 0:27:25Yeah. I'm sorry.
0:27:31 > 0:27:32Can I come in for a minute?
0:27:47 > 0:27:49Is that a new picture?
0:27:49 > 0:27:51It's about four months old.
0:27:51 > 0:27:53I've been working in a different style.
0:27:56 > 0:27:59DOG BARKS
0:27:57 > 0:27:59Hey, Troy. How you doing?
0:28:01 > 0:28:07How are you doing? Did you miss me? Ha? Did you miss me? Ha, Troy?
0:28:07 > 0:28:10No kissing. No kissing.
0:28:10 > 0:28:14I don't do that kissing thing, all right?
0:28:24 > 0:28:28I'm not going to take up too much of your time. I just need somebody I can talk to.
0:28:28 > 0:28:33Must be awful. You don't usually talk to someone when you're hurting.
0:28:33 > 0:28:40It was my fault. I was right downstairs. All I had to do was just go up there.
0:28:40 > 0:28:45I was right there.
0:28:41 > 0:28:45Scott, you can't save everyone.
0:28:45 > 0:28:50I definitely proved that tonight, for sure.
0:29:16 > 0:29:17Look...
0:29:17 > 0:29:24I don't even know why I came up here. This is a total waste of my time.
0:29:24 > 0:29:30Where did I put my keys? Where did I put my keys?
0:29:27 > 0:29:30Scott, what do you want from me?
0:29:30 > 0:29:34Obviously something I can't have.
0:29:31 > 0:29:34Don't you dare try to make me feel guilty.
0:29:34 > 0:29:38When we were together you tried to prove you didn't need me.
0:29:38 > 0:29:44Now, suddenly, for one night, you need me again? I can't do that. I can't be more than a friend.
0:29:44 > 0:29:45I know what will happen.
0:29:45 > 0:29:51In a few weeks you'll be back on top. You'll shut me out as soon as you don't need me again.
0:29:51 > 0:29:52Is that what you think?
0:29:52 > 0:29:56You think I didn't need you? Is that what you think?
0:29:56 > 0:29:58If you did, you never showed it.
0:30:02 > 0:30:06Oh, Ronnie. Look, listen to me.
0:30:06 > 0:30:08Listen. Look at me.
0:30:08 > 0:30:11Look at me. My whole life, I never...
0:30:11 > 0:30:13KNOCK AT DOOR
0:30:16 > 0:30:18Were you expecting somebody?
0:30:23 > 0:30:26This night is just getting better and better.
0:30:28 > 0:30:30Where are my keys?
0:30:30 > 0:30:33They're here on the table where you always leave them.
0:30:42 > 0:30:44Hey, baby. I thought you...
0:30:44 > 0:30:46Hey, Greg Barnett.
0:30:48 > 0:30:50Excuse me.
0:31:23 > 0:31:25If you weren't family, I'd fucking kill you!
0:31:24 > 0:31:25Mikey, Mikey!
0:31:25 > 0:31:29You told Antonucci you got that shit from me!
0:31:33 > 0:31:37I'm sorry, Mike.
0:31:34 > 0:31:37Sorry about what?
0:31:35 > 0:31:37He's got respect for you.
0:31:37 > 0:31:38He was trying to low-ball me.
0:31:38 > 0:31:44What the fuck do I use you for, Clarence? To be a walking fucking advertisement?!
0:31:44 > 0:31:47I'm sorry, Mike.
0:31:45 > 0:31:47You're sorry?!
0:31:47 > 0:31:53Antonucci never flipped before. He said he had the cops paid off.
0:31:50 > 0:31:53Not the cop that showed at my door!
0:31:58 > 0:32:00What happened, Mike?
0:32:09 > 0:32:11Mike.
0:32:12 > 0:32:14I'm sorry, Mike.
0:32:16 > 0:32:21Great(!) I could have taken that fucking store. Now I can't even show my face.
0:32:24 > 0:32:27I got a couple of thousand bucks. If you need to leave town...
0:32:27 > 0:32:31Leave town! They're going to know me in Des Moines by now.
0:32:31 > 0:32:3610 million, Clarence. Ten million fucking dollars!
0:32:37 > 0:32:41I could have disappeared. I could have had it made!
0:32:43 > 0:32:46That's all right, Clarence.
0:32:47 > 0:32:49I'll just stick around.
0:32:49 > 0:32:53Take care of you for the rest of my fucking life.
0:32:55 > 0:32:57Did you kill him, Mike?
0:33:04 > 0:33:06- WHISPERS: - Oh, God...
0:33:06 > 0:33:08Sorry, Mike.
0:33:11 > 0:33:14I'm sorry, Mike. I didn't know, Mike.
0:33:15 > 0:33:17I fucked up, Mike.
0:33:20 > 0:33:23I fucked up now. Oh, I fucked up.
0:33:27 > 0:33:30I didn't know. I didn't know, Mike. I messed up.
0:33:30 > 0:33:32It's all right.
0:33:35 > 0:33:38I messed everything up.
0:33:36 > 0:33:38It's all right.
0:33:40 > 0:33:42It's all right.
0:33:43 > 0:33:46It's not your fault you're stupid.
0:33:50 > 0:33:53Eko, what have you got on Korda?
0:33:53 > 0:33:58He's got a cousin in town. Clarence Teal. Small-time thief. Got his last known address.
0:33:58 > 0:34:02He moved a month ago. We got a couple of leads.
0:34:00 > 0:34:02Did you check with DMV?
0:34:02 > 0:34:04Faxing over now.
0:34:04 > 0:34:09How about the record room - incident reports? Get medical records. Check with Burglary Detail.
0:34:09 > 0:34:12See if they know him...
0:34:10 > 0:34:12Look, Roper, we...
0:34:11 > 0:34:12Take line two. >
0:34:12 > 0:34:15Bars. Check with neighbours which bars he went to.
0:34:14 > 0:34:15Scott, we're on to it.
0:34:15 > 0:34:22Roper! We've already had this conversation. You are not active on this case.
0:34:23 > 0:34:26It's in everyone's best interests.
0:34:38 > 0:34:41Y'all are doing good work here.
0:34:44 > 0:34:46Sorry about your friend.
0:34:46 > 0:34:52I lost somebody in SWAT. It's rough.
0:34:49 > 0:34:52Thanks for your concern. Let's leave it at that.
0:34:52 > 0:34:54What's this you're reading?
0:34:54 > 0:34:59"Strategies and Countermeasures in Hostage Situations."
0:34:59 > 0:35:04Not having much progress with this.
0:35:02 > 0:35:04Oh, wait, no.
0:35:05 > 0:35:08You really had me stumped.
0:35:20 > 0:35:25Very impressive. You get an A. See? No force was required, no damage was done. All right?
0:35:52 > 0:35:54That was your partner?
0:35:54 > 0:35:56Yeah.
0:36:04 > 0:36:06Why did he do that?
0:36:06 > 0:36:13Well, he figured the kid had a 0% chance of survival. I guess he thought his odds were better.
0:36:13 > 0:36:14We had a plan.
0:36:14 > 0:36:19Then SWAT opened the fire too early and the perp took out my partner.
0:36:19 > 0:36:25You remember this. Always use your eyes to keep that connection. It's the most important thing.
0:36:25 > 0:36:27It's like hypnosis. >
0:36:27 > 0:36:29Right.
0:36:29 > 0:36:33Connect with them. You're always on their side.
0:36:33 > 0:36:35OK.
0:36:46 > 0:36:48How much money you got?
0:36:48 > 0:36:49What's that?
0:36:49 > 0:36:53How much money you got?
0:36:51 > 0:36:53A hundred bucks. Why?
0:37:05 > 0:37:09You know why I like coming to the track?
0:37:07 > 0:37:09You're a compulsive gambler.
0:37:09 > 0:37:11Nah. The multitude of possibilities.
0:37:11 > 0:37:15Everything is here for you to see if you know what to look for.
0:37:15 > 0:37:18Like a hostage situation. See the "four" horse?
0:37:17 > 0:37:18Mmm.
0:37:18 > 0:37:22Dropping in class, no works, looking all broken down.
0:37:22 > 0:37:23You wouldn't bet on it.
0:37:23 > 0:37:23Right.
0:37:23 > 0:37:28Wrong. You bet on him. See the woman with the big belt buckle? That's the owner.
0:37:28 > 0:37:33That buckle is a championship buckle. She wouldn't wear it unless the horse was live.
0:37:33 > 0:37:36You pick by belt buckles?
0:37:35 > 0:37:36Trust me.
0:37:36 > 0:37:40The favourite horse - his tail's up. Looks washy. Foaming at the mouth.
0:37:40 > 0:37:42Looking all rank and shit.
0:37:41 > 0:37:42Uh-huh.
0:37:42 > 0:37:45Meant to be the favourite. He don't want to run today. Not him.
0:37:45 > 0:37:46OK.
0:37:46 > 0:37:52Now the "six" horse looks great. A shiny coat and that bouncy walk. That horse is live.
0:37:52 > 0:37:55And that trainee jockey combo - you can't lose on that.
0:37:55 > 0:37:59What do you think?
0:37:56 > 0:37:59I got two words for you. Seek help.
0:37:59 > 0:38:02Oh, and I have three words for you. "Exacta".
0:38:02 > 0:38:04Mm-hm. Come on.
0:38:04 > 0:38:06ELECTRONIC BELL RINGS
0:38:06 > 0:38:08Come on!
0:38:08 > 0:38:10Come on!
0:38:11 > 0:38:14OK, we're in good shape. In good shape.
0:38:16 > 0:38:19Six horses to last.
0:38:17 > 0:38:19Don't worry. That's his style.
0:38:19 > 0:38:21To run last?
0:38:20 > 0:38:21To run late.
0:38:25 > 0:38:29The favourite's fading, and the four horse in the lead, just like I said.
0:38:28 > 0:38:29We're last.
0:38:29 > 0:38:31Don't worry. He'll be there at the post.
0:38:31 > 0:38:33Come on, six horse!
0:38:33 > 0:38:36Come on!
0:38:35 > 0:38:36We need first and second.
0:38:36 > 0:38:38Come on, Russell!
0:38:38 > 0:38:41Who's Russell?
0:38:38 > 0:38:41The jockey. Come on, Russell!
0:38:41 > 0:38:42Come on, Russell!
0:38:42 > 0:38:45How much do we win?
0:38:43 > 0:38:45800.
0:38:45 > 0:38:47We'd win 800?
0:38:46 > 0:38:47800.
0:38:47 > 0:38:50BOTH: Come on, Russell!
0:38:48 > 0:38:50Come on, Russell!
0:38:50 > 0:38:51Get us that 800, Russell!
0:38:51 > 0:38:53BOTH: Come on, Russell!
0:38:53 > 0:38:54BOTH: Come on, Russell!
0:38:54 > 0:38:56BOTH: Go, Russell!
0:39:02 > 0:39:03All right! We won.
0:39:03 > 0:39:06We lost!
0:39:04 > 0:39:06We won.
0:39:06 > 0:39:06You wanna bet?
0:39:06 > 0:39:12You wanna bet on whether we won? Are you crazy?
0:39:09 > 0:39:12Russell, you little midget fuck!
0:39:12 > 0:39:15We won. Hey!
0:39:15 > 0:39:16We won.
0:39:15 > 0:39:16Yay!
0:39:16 > 0:39:18Way to go, Russell!
0:39:17 > 0:39:18Hey, Russell.
0:39:18 > 0:39:22Don't worry about him, Russell.
0:39:20 > 0:39:22Hey, it's cool.
0:39:24 > 0:39:28How long you been coming here?
0:39:25 > 0:39:28Six years. My old partner put me on to it.
0:39:28 > 0:39:33Is it always like this?
0:39:29 > 0:39:33Well, occasionally you lose, but today we are winners.
0:39:33 > 0:39:35Pay the winners, please.
0:39:35 > 0:39:37< All Benjamins.
0:39:37 > 0:39:42Benjamin looks so sad. I'm in such a wonderful mood, Benjamin. There's your share.
0:39:42 > 0:39:45That's only three.
0:39:43 > 0:39:45What?
0:39:45 > 0:39:47You got good eyes.
0:39:47 > 0:39:52It's part of your training. I was making sure you could...
0:39:52 > 0:39:54Hello.
0:39:58 > 0:39:59OK, I'm on my way.
0:39:59 > 0:40:01Let's go.
0:40:08 > 0:40:10SIREN WAILS
0:40:18 > 0:40:21REPORTERS CALL OUT QUESTIONS
0:40:29 > 0:40:33What's the ten-20 on the incident?
0:40:31 > 0:40:33Right on the corner.
0:40:40 > 0:40:43Man, this looks like shit sandwich.
0:40:44 > 0:40:46You see this car?
0:40:46 > 0:40:51I'm riding around in a shit-mobile and Solis got this from impound for 14 grand. It's worth 30.
0:40:51 > 0:40:54Police corruption's everywhere.
0:40:52 > 0:40:54Bastards!
0:40:57 > 0:40:59Where's Solis?
0:41:01 > 0:41:03Joe!
0:41:03 > 0:41:0932 minutes ago the silent alarm went off. There was a unit a block away. The suspect is trapped inside.
0:41:09 > 0:41:14Verification on numbers?
0:41:10 > 0:41:14So far we've only seen and talked to one suspect - "Joe".
0:41:14 > 0:41:16There could be more.
0:41:16 > 0:41:22An employee escaped through the rear door. There's two jewellers, two salespeople...
0:41:22 > 0:41:26a manager, security guard, elderly woman and, we believe, one other female.
0:41:26 > 0:41:30They do a lot of jewellery making and repair.
0:41:30 > 0:41:35On any day, they can have 10 million in raw stones, so they knew what they were looking for.
0:41:35 > 0:41:38What have you promised?
0:41:36 > 0:41:38Just that I'd talk to my superiors.
0:41:38 > 0:41:43Find any good points of entry?
0:41:40 > 0:41:43This place is designed to be a vault.
0:41:56 > 0:41:58- WOMAN:- OK, tape's rolling.
0:42:01 > 0:42:05- MAN:- Yeah.
0:42:02 > 0:42:05Hello. Joe. Inspector Roper. How are you people doing?
0:42:05 > 0:42:06< Good.
0:42:06 > 0:42:09Solis is off the job. I'm authorised to give you what you want.
0:42:09 > 0:42:13First, I've got to come down and talk to you.
0:42:11 > 0:42:13No, you don't.
0:42:13 > 0:42:16I do have to come and talk to you...
0:42:16 > 0:42:20to be sure there are no misunderstandings and that nobody's hurt before we do business.
0:42:21 > 0:42:24All right. You want to come, come.
0:42:24 > 0:42:25Listen, Joe.
0:42:25 > 0:42:26I'm not armed, OK?
0:42:26 > 0:42:32You've got to operate on trust. I'm gonna come down and get you guys out as soon as possible.
0:42:32 > 0:42:34Five minutes.
0:42:48 > 0:42:52This is obviously the part of the job that sucks.
0:43:17 > 0:43:19REPORTERS CLAMOUR
0:43:32 > 0:43:35POLICE RADIO CRACKLES SOFTLY
0:43:54 > 0:43:57How can he be sure the guy won't shoot him?
0:43:57 > 0:43:59He can't.
0:44:15 > 0:44:17Right there.
0:44:19 > 0:44:22Can I put my hands down?
0:44:20 > 0:44:22Where I can see 'em.
0:44:26 > 0:44:29Now, you're Roper and you're in charge, right?
0:44:28 > 0:44:29Yep.
0:44:29 > 0:44:36You listen up. I say this one time. I want a four-wheel drive vehicle - new, perfect condition.
0:44:36 > 0:44:40I want a uniform cop drive it up, leave the engine running, he walks down the block.
0:44:40 > 0:44:42Then we'll come out.
0:44:42 > 0:44:45I know all the tricks, so no remote-control devices, OK?
0:44:45 > 0:44:50When I say perfect condition, I mean if it's low on wiper fluid someone gets shot.
0:44:50 > 0:44:54I want a plane at the airport. I'll tell them where I'm going when I get there.
0:44:54 > 0:44:55Is that all?
0:44:55 > 0:44:57For now that's all. >
0:44:59 > 0:45:03You'll get those things, but first you do something for me.
0:45:03 > 0:45:08Let me inside and take a look around - make sure everybody's all right.
0:45:06 > 0:45:08Just do shit for me right now.
0:45:08 > 0:45:10Wait a minute, Joe. I'm doing a lot for you, OK?
0:45:10 > 0:45:15You've gotta do something, show an act of good faith. Let me have one hostage.
0:45:15 > 0:45:17I'll give you something.
0:45:18 > 0:45:20Here.
0:45:33 > 0:45:3815 minutes it will be a bigger piece. We understand each other?
0:45:38 > 0:45:43Yeah, we understand each other.
0:45:40 > 0:45:43Good.
0:45:41 > 0:45:43No. No, please!
0:45:43 > 0:45:48No, sir, not to the best of my knowledge. That's correct.
0:45:48 > 0:45:53That's right. He's here right now. Let me get back to you.
0:45:55 > 0:46:00We're gonna have to take this guy out.
0:45:57 > 0:46:00Well, can't we wear him down?
0:46:03 > 0:46:08I believe there's a fatality in there. I think it was a gunfight that set the fire alarm off.
0:46:08 > 0:46:11I think this guy's working alone, cos the whole time...
0:46:11 > 0:46:17he had a gun to a hostage and he wouldn't leave the doorway. The guy is a fucking wacko.
0:46:17 > 0:46:21The scariest thing is he indicated familiarity with our techniques.
0:46:21 > 0:46:24So do you want to go in there and get him?
0:46:24 > 0:46:29Let him come out. There's too many unknowns in there.
0:46:26 > 0:46:29He's right.
0:46:30 > 0:46:32Show me.
0:46:34 > 0:46:40When we drive up the car, make sure it's at an angle about 3ft away from the kerb. We put our best man high.
0:46:40 > 0:46:42OK, 20 degrees down angle.
0:46:43 > 0:46:47Tell Anderson to prep and notify us when he's online.
0:46:47 > 0:46:51I can feel this thing going sideways on us.
0:46:51 > 0:46:55There's some good news - he's wearing a ski mask to protect his identity -
0:46:55 > 0:46:59he hasn't determined whether he's going to kill the rest of the hostages. Yet.
0:47:09 > 0:47:11You. You. Up. Up!
0:47:11 > 0:47:16Start pulling those bodies back behind that counter. Let's go. Do it. Move!
0:47:16 > 0:47:18Let's go. Come on! >
0:47:20 > 0:47:21Back behind here.
0:47:21 > 0:47:25Faster. Let's go.
0:47:23 > 0:47:25SOBS LOUDLY: He's gonna kill us.
0:47:28 > 0:47:30In there.
0:47:39 > 0:47:42I'm not staying here. I'm not staying here.
0:47:42 > 0:47:43No. Please don't.
0:47:43 > 0:47:46Please don't go, Mrs Dotson. Please!
0:47:47 > 0:47:48Hey!
0:47:48 > 0:47:50Stop, Mrs Dotson.
0:47:50 > 0:47:52Hey!
0:47:51 > 0:47:52Leave her alone.
0:47:52 > 0:47:53- What?! - Leave her alone!
0:47:55 > 0:47:57Think.
0:48:00 > 0:48:03Doug, please, sit down.
0:48:03 > 0:48:05Sit down.
0:48:23 > 0:48:26If she's not conscious by the time I'm done, she's dead.
0:48:35 > 0:48:38OK, it's time to give this wacko a call.
0:48:40 > 0:48:42PHONE RINGS
0:48:49 > 0:48:51How come he's not answering?
0:48:53 > 0:48:55Wait, wait, wait. There's your answer.
0:49:03 > 0:49:04He's smart.
0:49:04 > 0:49:09He's cutting down visibility.
0:49:05 > 0:49:09Yep. He's doing a good job of it.
0:49:09 > 0:49:12All positions, you have a green light.
0:49:16 > 0:49:19Come on, give us one clean shot, asshole.
0:49:19 > 0:49:25Command One, repeat, all positions, you have a green light.
0:49:25 > 0:49:28That's Korda! That's Korda!
0:49:28 > 0:49:30Hold your fire.
0:49:29 > 0:49:30Hold your fire.
0:49:30 > 0:49:32GUNSHOT
0:49:32 > 0:49:35ALL: Hold your fire!
0:49:35 > 0:49:37- Hold your fire. - WOMEN SCREAM
0:49:38 > 0:49:43No. No!
0:49:39 > 0:49:43Come here.
0:49:41 > 0:49:43Please. Let me go!
0:49:43 > 0:49:46Please.
0:49:46 > 0:49:48Jones. Get him on the radio.
0:49:48 > 0:49:53Are these your keys?!
0:49:50 > 0:49:53Yeah, those are my keys. Roper, what are you gonna do?
0:50:24 > 0:50:27SIRENS WAIL
0:50:27 > 0:50:30HORNS BLARE
0:50:39 > 0:50:42All units in the area. We need all units in the area.
0:50:44 > 0:50:47No, please, God.
0:50:54 > 0:50:56HORN BLARES
0:51:03 > 0:51:04HORN BLARES
0:51:22 > 0:51:25Suspect heading west on Sutton. Can we get an intercept?
0:51:57 > 0:51:58HORN BLARES
0:52:05 > 0:52:06Come on now!
0:52:06 > 0:52:08HORN BLARES
0:52:08 > 0:52:11Ah, let me out. Please.
0:52:11 > 0:52:12Shut up.
0:52:42 > 0:52:44Everybody OK? >
0:52:44 > 0:52:45Stay there, man. >
0:52:48 > 0:52:50TRAM BELL RINGS
0:53:05 > 0:53:06What's going on?
0:53:08 > 0:53:10Hey, man, what's this?
0:53:09 > 0:53:10Get the fuck off.
0:53:15 > 0:53:17Everybody just stay calm.
0:53:20 > 0:53:22Just take it easy.
0:53:22 > 0:53:22What?!
0:53:22 > 0:53:25Just take it easy. Put the gun down.
0:53:36 > 0:53:38What the fuck is going on?
0:53:38 > 0:53:39We gotta get up there.
0:53:39 > 0:53:41WOMEN SCREAM
0:54:43 > 0:54:44Shit!
0:54:49 > 0:54:50Get the fuck off me.
0:54:50 > 0:54:53Hold the wheel. Take the wheel.
0:54:51 > 0:54:53What?
0:54:56 > 0:54:57Shut up!
0:55:32 > 0:55:34Get out of the way.
0:56:39 > 0:56:41Urgh!
0:57:07 > 0:57:10What's the problem?
0:57:08 > 0:57:10I can't get the brakes to work.
0:57:21 > 0:57:24We're coming to the end of the line.
0:57:26 > 0:57:27Oh, shit.
0:57:27 > 0:57:30Get the car steady!
0:57:28 > 0:57:30Come on.
0:57:32 > 0:57:34Go! Move ahead.
0:57:34 > 0:57:35All right.
0:57:48 > 0:57:49Get outta the way!
0:57:51 > 0:57:52Get outta the way.
0:58:06 > 0:58:08What the hell's that?
0:58:12 > 0:58:14TYRES SCREECH
0:58:14 > 0:58:16Out of the way!
0:58:33 > 0:58:36Oh, my ass!
0:58:36 > 0:58:39- It's that guy down there. - There, he's running.
0:58:39 > 0:58:41Hey, he's getting away.
0:58:41 > 0:58:43Somebody stop him. >
0:58:58 > 0:58:59Shit, I lost my piece.
0:59:03 > 0:59:05God bless SWAT.
0:59:04 > 0:59:05Ready?
0:59:12 > 0:59:15You check this floor. I'm going up.
1:00:37 > 1:00:41DOG BARKS
1:00:38 > 1:00:41CAR ALARM BLARES
1:00:48 > 1:00:50ALARM CONTINUES
1:01:38 > 1:01:39Shit!
1:01:44 > 1:01:49Wait there! Don't you move. Don't you fucking move. Right there! Right there!
1:01:49 > 1:01:52Put your hands up. Put 'em up. Spread your fucking legs.
1:01:52 > 1:01:55Don't you fucking move or I'll blow your fucking head in.
1:02:00 > 1:02:05Sam Baffett was a friend of mine. He had a wife and he had a daughter.
1:02:05 > 1:02:07Why don't you tell that to somebody who gives a shit?
1:02:14 > 1:02:16You wanna kill me...
1:02:16 > 1:02:19Inspector? Huh?
1:02:19 > 1:02:22You can't kill me.
1:02:22 > 1:02:24Oh, I can't?!
1:02:24 > 1:02:30What if we got into a struggle and my gun went off?
1:02:27 > 1:02:30BANG!
1:02:30 > 1:02:32Can I kill you then?
1:02:32 > 1:02:35Huh? Can I kill you then?
1:02:42 > 1:02:44< Roper!
1:02:47 > 1:02:49You got him.
1:02:49 > 1:02:51Put the gun down.
1:02:51 > 1:02:54You got him. Now put it down.
1:02:56 > 1:02:59Come on, put it down.
1:03:10 > 1:03:12Huh...
1:03:12 > 1:03:13Argh!
1:03:13 > 1:03:15I'll do this shit by the book,
1:03:15 > 1:03:19but you ain't gonna be fucking smiling at me.
1:03:24 > 1:03:25Give me your hands.
1:03:29 > 1:03:31Come on. Get up.
1:03:31 > 1:03:34Get up. Come on.
1:03:44 > 1:03:48Listen, I'll catch up with you guys later.
1:03:46 > 1:03:48OK. See ya. >
1:04:08 > 1:04:10You weren't at the press conference.
1:04:13 > 1:04:16I wanted to get this out of the way first.
1:04:17 > 1:04:20Have you got a bet on the game tonight?
1:04:20 > 1:04:25As a matter of fact, I do have a bet on the game tonight.
1:04:23 > 1:04:25'Course you do.
1:04:25 > 1:04:32It's already started.
1:04:28 > 1:04:32Well, I was gonna catch the last half on TV later on.
1:04:37 > 1:04:39Good night.
1:04:39 > 1:04:42You having dinner with Mr Baseball?
1:04:42 > 1:04:46Greg...is actually on a road trip.
1:04:48 > 1:04:53I was just gonna go home and make myself some pasta.
1:04:51 > 1:04:53Oh, go home and make some pasta?
1:04:54 > 1:04:59The one with the garlic and the oil that I like so much?
1:04:57 > 1:04:59No. The kind you get out of a box -
1:04:59 > 1:05:03the macaroni and the cheese.
1:05:01 > 1:05:03The instant macaroni?
1:05:03 > 1:05:07Mmm. I've been craving that stuff all week.
1:05:07 > 1:05:09Yeah. It's hard to get.
1:05:09 > 1:05:12Who are you telling?
1:05:15 > 1:05:16Just dinner.
1:05:17 > 1:05:20Yeah, just dinner.
1:05:21 > 1:05:25What the fuck? Bring me over here to tell me you ain't got no collateral.
1:05:25 > 1:05:29- I'm a fucking bail bondsman. - I know, I know. What I'm saying...
1:05:29 > 1:05:32You think I got time for messing round with this crap?
1:05:32 > 1:05:38I got the stuff, it's outside. I'm waiting for somebody to cash it in.
1:05:36 > 1:05:38Give me a fucking break.
1:05:39 > 1:05:45Look, just give me your card, I'll get it to you by tomorrow night.
1:05:53 > 1:05:59OK, now that's the freshly ground pepper. Stir it briskly. Are you listening?
1:05:59 > 1:06:02Then you need lemon. I need lemon.
1:06:00 > 1:06:02Should be one in the fridge.
1:06:02 > 1:06:06Lemon in the refrigerator.
1:06:04 > 1:06:06Hey, you know the game's on.
1:06:06 > 1:06:08Oh, really? What game is that?
1:06:08 > 1:06:11Oh, you ARE making an effort.
1:06:12 > 1:06:16That's right and I'm going to win, too. I'm going to be the victor. I'm going to score.
1:06:16 > 1:06:19I don't mean, like, really score, you know...
1:06:20 > 1:06:23Just dinner, remember?
1:06:21 > 1:06:23I know the rules - just dinner.
1:06:23 > 1:06:25OK, I got this lemon in here.
1:06:25 > 1:06:34Now, when you taste this, I want you to know that you're going to be experiencing culinary perfection.
1:06:34 > 1:06:39This is the bomb salad dressing that I bring to all the cookouts when my family gathers.
1:06:39 > 1:06:44They say, "Bring Scott." Are you ready? Taste this, huh?
1:06:44 > 1:06:50Is that not the bomb? That is the shit, right there.
1:06:48 > 1:06:50Honestly? Something's missing.
1:06:50 > 1:06:59Oh, no, that's not missing anything. You're just jealous. In the UK they don't teach you how to make this.
1:06:59 > 1:07:02You know, it does need a little sugar.
1:07:02 > 1:07:05Why don't you put your finger in there for the proper sweetness.
1:07:04 > 1:07:05Scott.
1:07:05 > 1:07:11It's a joke. I-It's a compliment. I could have said why don't you put your ass in this bowl?
1:07:11 > 1:07:15That's a joke. I don't see how you're offended because of that.
1:07:15 > 1:07:20If somebody told me to put my ass in a bowl of salad dressing, I would be complimented.
1:07:27 > 1:07:30What would you say if I gave up gambling?
1:07:33 > 1:07:35I'd say you'd be miserable.
1:07:37 > 1:07:42It's not so much the gambling, it's more what the gambling got in the way of.
1:07:42 > 1:07:48The track is where you would take your troubles instead of sharing them with me.
1:07:50 > 1:07:56Scott, do you remember when you lost that hostage on Union Square?
1:07:54 > 1:07:56Yes, I do.
1:07:57 > 1:08:03You came here that night and you made love to me, and it was so intense and so passionate...
1:08:03 > 1:08:08but you hadn't even talked to me. I didn't know what happened until I saw it on the news.
1:08:08 > 1:08:10I don't want you to be part of that world.
1:08:10 > 1:08:15That's the point. It's not "that" world, it's your world.
1:08:15 > 1:08:18It's part of who you are.
1:08:32 > 1:08:35Look, Ronnie, it's not easy for me.
1:08:36 > 1:08:43I know I can't change overnight. But, listen to me, I know that I miss you.
1:08:44 > 1:08:47And I don't ever want to be without you again.
1:08:47 > 1:08:49I'd really like to believe you.
1:08:49 > 1:08:52Well, then, believe me.
1:08:52 > 1:08:54DOG YAWNS LOUDLY
1:08:54 > 1:08:58DOG WHINES
1:08:56 > 1:08:58Hey, nobody asked you anything.
1:09:15 > 1:09:17I missed you.
1:09:47 > 1:09:52I'm Officer McCall. What's going on?
1:09:49 > 1:09:52What the fuck do you mean "what's going on"?
1:09:52 > 1:09:55I'm going to fucking waste everybody in here, pal!
1:09:55 > 1:09:59I'm a hostage negotiator. I'm here to help you.
1:09:57 > 1:09:59< How are you gonna help me, pig?
1:09:59 > 1:10:01< Screw you, man!
1:10:01 > 1:10:04< Fuck you, dude!
1:10:04 > 1:10:08I want you to tell me what you need.
1:10:05 > 1:10:08I'll tell you what I fucking need, man.
1:10:08 > 1:10:13I need you to find that dirtbag that fucking ran off with my wife, dude.
1:10:13 > 1:10:16So I can cut his fucking balls off, man.
1:10:16 > 1:10:18OK, I can't do that.
1:10:18 > 1:10:23You can't fucking do it? Then why am I wasting my fucking time with you, man?
1:10:23 > 1:10:28You piece of fucking frog shit, piece of shit asshole!
1:10:28 > 1:10:32Hey, is all the name calling necessary? I don't like the verbal abuse.
1:10:32 > 1:10:37Not really, but I like to give it the natural ambience, you know.
1:10:39 > 1:10:41I'm Officer McCall.
1:10:42 > 1:10:47I'm unarmed, I want to make sure everybody gets out of here safely.
1:10:45 > 1:10:47Stop there. Close your eyes.
1:10:47 > 1:10:49OK.
1:10:49 > 1:10:55Tell me what you see.
1:10:50 > 1:10:55I see a scumbag with a sawn-off 9mm tucked away in his waistband.
1:10:55 > 1:10:59There's a female hostage down, with a red polka dot dress.
1:10:59 > 1:11:05Another hostage 3ft to her right, with blue jeans and a chequered shirt. A male hostage down...
1:11:05 > 1:11:08in front of the candy rack. There's a female scumbag behind me,
1:11:08 > 1:11:11with a gun in her shirt passing herself off as a hostage.
1:11:11 > 1:11:18And there's a special on toilet paper - four for 1.29. That's a lot of toilet paper. Am I right?
1:11:18 > 1:11:22That's pretty good - good eyes.
1:11:19 > 1:11:22Do you like that? >
1:11:20 > 1:11:22Very impressive.
1:11:32 > 1:11:36Are you doing all right, Mike?
1:11:33 > 1:11:36How the fuck do you think I'm doing?
1:11:37 > 1:11:42I got something I want you to do for me. This fucker Roper...
1:11:42 > 1:11:44he's got a girlfriend.
1:11:44 > 1:11:47She works at the newspaper.
1:11:49 > 1:11:52What do you want...? What do...?
1:11:56 > 1:11:57No, Mike.
1:11:57 > 1:11:59No, Mike. Come on.
1:11:59 > 1:12:03You know that's not my thing.
1:12:00 > 1:12:03Don't give me shit. I'm in here because of YOU.
1:12:03 > 1:12:10Come on, man. You were just robbing a store and he was doing his job.
1:12:08 > 1:12:10Fuck you!
1:12:13 > 1:12:14Oh, Mike.
1:12:14 > 1:12:21I carried you your whole life. Hey, you needed money, you needed a place to stay, you were strung out.
1:12:21 > 1:12:23This time YOU are there for ME.
1:12:23 > 1:12:26Mikey, don't do this to me, please.
1:12:25 > 1:12:26You do it!
1:12:26 > 1:12:29I won't get away with it.
1:12:26 > 1:12:29You just fucking do it!
1:12:32 > 1:12:34Guard!
1:12:46 > 1:12:48THUNDER RUMBLES
1:13:08 > 1:13:09PHONE RINGS
1:13:16 > 1:13:18Hello?
1:13:16 > 1:13:18Hey, how are you doing?
1:13:18 > 1:13:23I'm gonna stop and get some wine. I've got the bread already.
1:13:21 > 1:13:23Dinner will be ready soon.
1:13:23 > 1:13:25OK, good. I'm starving.
1:13:25 > 1:13:27All right. See ya later.
1:15:37 > 1:15:39OVEN BELL DINGS
1:15:45 > 1:15:47Ow.
1:15:52 > 1:15:54SHE SCREAMS
1:16:11 > 1:16:12No!
1:16:31 > 1:16:33Help me!
1:16:35 > 1:16:38Help me!
1:16:40 > 1:16:42DOG BARKS
1:16:54 > 1:16:55Ronnie!
1:17:17 > 1:17:19You OK?
1:17:19 > 1:17:21Yeah.
1:17:57 > 1:18:01TYRES SCREECH
1:18:00 > 1:18:01Watch it!
1:18:44 > 1:18:45Argh.
1:19:30 > 1:19:31HORN BLARES
1:20:13 > 1:20:17If you try to hurt me or anybody else I know, I swear to God,
1:20:17 > 1:20:22I'm gonna find a way to bust your fucking ass. I'll put my gun in your mouth your fucking brains out!
1:20:22 > 1:20:24I don't know what you're...
1:20:24 > 1:20:30You know what the fuck I'm talking about. Don't fucking play games. You know what I'm talking about.
1:20:30 > 1:20:31See this guy here?
1:20:31 > 1:20:35That's your cousin, right? The guy with the white gloves is the coroner.
1:20:35 > 1:20:40That's what the fuck I'm talking about. I'm talking about not playing with me, motherfucker.
1:20:40 > 1:20:44Don't fuck with me, man. I'm not playing with you.
1:20:48 > 1:20:54You know, in Naples, there's an expression "when you think you're fucking them, they're fucking you."
1:20:54 > 1:20:58You ain't in motherfucking Naples right now! Fuck that Naples shit!
1:20:58 > 1:21:00Did you hear what the fuck I just told you?
1:21:00 > 1:21:04I don't give a fuck about anything...
1:21:04 > 1:21:07or anybody. Not now.
1:21:09 > 1:21:12Least of all a nigger cop interferes with what's mine.
1:21:12 > 1:21:16And what is mine is 10 million worth.
1:21:16 > 1:21:18You come in here, you threaten me...
1:21:18 > 1:21:22show me a photo of my dead cousin, my family.
1:21:23 > 1:21:29I got at least 10 years in here to figure out exactly how to fuck with you
1:21:29 > 1:21:31- and everything you care about. - Hey, fuck you!
1:21:31 > 1:21:34You don't give a fuck? I don't give a fuck neither!
1:21:34 > 1:21:37I don't give a fuck about you, motherfucker! Try me.
1:21:37 > 1:21:39Fucking try me and see what the fuck...
1:21:39 > 1:21:41Get the fuck off me. You try me!
1:22:06 > 1:22:08Sorry.
1:22:09 > 1:22:11Thank you.
1:22:14 > 1:22:16Thank you so much.
1:22:17 > 1:22:22It has an excellent nose. It's quite vintage and you may serve it up.
1:22:20 > 1:22:22Thank you.
1:22:22 > 1:22:28This evening's specials, we have grilled squab with a sweet-potato foie gras spring roll...
1:22:28 > 1:22:35with a wild huckleberry sauce. We also are offering sweetbreads with a white truffle sauce...
1:22:35 > 1:22:38on cracked bulgar.
1:22:36 > 1:22:38Cracked bulgar?
1:22:38 > 1:22:42My mouth has been screaming for cracked bulgar all week(!)
1:22:42 > 1:22:45Can we have a couple of minutes to look at the menu?
1:22:43 > 1:22:45Oh, sure.
1:22:45 > 1:22:49Man can't live on cracked bulgar alone.
1:22:47 > 1:22:49BOTH LAUGH
1:22:52 > 1:22:53< Nice place, huh?
1:22:53 > 1:22:58Yeah, I think it's really nice. It would be expensive, though.
1:22:56 > 1:22:58Very, very, very expensive.
1:22:58 > 1:23:02In fact, it's costing me quite a pretty penny to wine and dine you in such fashion.
1:23:02 > 1:23:05But I think I'm worth it.
1:23:05 > 1:23:12I think you're worth it, too. In fact, this is the perfect setting for my little plan.
1:23:12 > 1:23:18You see, I know you know that there's a very important reason why I wanted to have dinner with you.
1:23:18 > 1:23:20I didn't realise that at all, no.
1:23:20 > 1:23:26Veronica, this last week has been incredible for me. You know, I...
1:23:26 > 1:23:32I feel like our relationship went to the next phase and kinda crystallised into this new thing.
1:23:32 > 1:23:35I'm hoping that the feeling's mutual.
1:23:33 > 1:23:35Well, of course it's mutual.
1:23:35 > 1:23:43Good, because, Veronica, there comes a time in every relationship where things get more serious.
1:23:43 > 1:23:45Yeah.
1:23:45 > 1:23:47The last week I rehearsed this many times,
1:23:47 > 1:23:50I've been sitting and figuring out the best way to do this.
1:23:50 > 1:23:53This is the prefect setting. You've got the perfect dress
1:23:53 > 1:23:57and the perfect face. I think I should just show you.
1:23:57 > 1:24:01Oh, no, no. We haven't even spoken about this, Scotty.
1:24:01 > 1:24:05This is going to be really embarrassing. Come on. Please, can we...?
1:24:05 > 1:24:07Ah.
1:24:09 > 1:24:11Tahiti?
1:24:11 > 1:24:13Tahiti, yes.
1:24:13 > 1:24:18Vacation.
1:24:14 > 1:24:18Yes, a vacation to Tahiti. You and I, two round-trip tickets
1:24:18 > 1:24:22to Tahiti. Yes?
1:24:20 > 1:24:22Yeah, that I will do.
1:24:22 > 1:24:25What do you mean "that"? What did you think I would ask?
1:24:24 > 1:24:25Come on.
1:24:25 > 1:24:29The way you were talking...
1:24:26 > 1:24:29Oh, wait a minute. Whoa, whoa.
1:24:29 > 1:24:32Let's go to Tahiti first, make it a little road test, huh?
1:24:32 > 1:24:34So are we going to go to Tahiti?
1:24:33 > 1:24:34That is a yes.
1:24:34 > 1:24:37- We're going to Tahiti.- Ssh!
1:24:37 > 1:24:43They're not gonna be there. They ain't gonna see us no more. Let's toast it. To being nekkid in Tahiti.
1:24:43 > 1:24:46Say it. Nekkid in Tahiti.
1:24:45 > 1:24:46Naked in Tahiti.
1:24:46 > 1:24:49Not "naked" in Tahiti.
1:24:47 > 1:24:49That's how I say it.
1:24:48 > 1:24:49Nekkid.
1:24:49 > 1:24:53Nekkid.
1:24:50 > 1:24:53There you go, "nekkid in Tahiti".
1:24:55 > 1:24:57Oh, let me picture you naked.
1:24:57 > 1:25:00Oh, look at the sun bouncing off your ass.
1:25:00 > 1:25:02BOTH LAUGH
1:25:03 > 1:25:06If it's not here by five it's not my problem.
1:25:06 > 1:25:11Don't talk to me about Mitch. I'm running this shit, not Mitch. I don't care.
1:25:11 > 1:25:12Got another load.
1:25:12 > 1:25:15Rack 'em.
1:25:13 > 1:25:15BUZZER SOUNDS
1:25:15 > 1:25:18< You got the memo from City Hall, too, right?
1:25:19 > 1:25:21< I've got 'em right here.
1:25:23 > 1:25:27Yeah, they've got the old forms. The new forms have the wrong date or something.
1:25:29 > 1:25:31< Yeah.
1:25:31 > 1:25:35< Well, don't give me any grief about it. Frank told me.
1:25:37 > 1:25:40I can't spend any more time on this.
1:25:40 > 1:25:42Set. >
1:25:44 > 1:25:45BUZZER SOUNDS
1:25:45 > 1:25:48You can tell that to Mitch, too.
1:25:49 > 1:25:55Don't call me on this any more. Well, don't give me any grief about it.
1:25:58 > 1:26:00< Don't you guys keep notes?
1:26:40 > 1:26:43In foreign movies the young girl always falls for the old guy.
1:26:43 > 1:26:50Well, I guess women in Europe find older men sexy.
1:26:46 > 1:26:50Shit. When I get old and fat...
1:26:50 > 1:26:56I'm definitely moving to Europe. That guy was 60 years old.
1:26:54 > 1:26:56Shit. I forgot to feed Troy.
1:26:56 > 1:26:58I bet he's starving.
1:26:58 > 1:27:01Troy, where are you, baby? I'm sorry.
1:27:01 > 1:27:04Troy. >
1:27:04 > 1:27:06< Troy, where are you hiding?
1:27:09 > 1:27:10Troy? >
1:27:10 > 1:27:14My eyes are still hurting from reading that movie.
1:27:14 > 1:27:16Troy? >
1:27:16 > 1:27:18I've got food for you.
1:27:18 > 1:27:20Troy?
1:27:27 > 1:27:30RATTLING
1:27:28 > 1:27:30Where are you? >
1:27:40 > 1:27:42Scott, have you seen Troy?
1:27:41 > 1:27:42DOG BARKS
1:27:42 > 1:27:45Hey, baby, there you are!
1:27:45 > 1:27:52Hey, have you been eating my face soap again? You have, haven't you?
1:27:52 > 1:27:54Scott, what is it?
1:27:54 > 1:27:56Korda escaped.
1:27:56 > 1:27:58Korda's escaped?
1:27:58 > 1:28:00< This morning.
1:28:00 > 1:28:03You don't think he'd try and...
1:28:03 > 1:28:08I'm just a little on edge. I need to relax. I'm sure he'll try to get out of town. We leave tomorrow anyway.
1:28:08 > 1:28:12I'm sorry about that. I just overreacted, OK?
1:28:14 > 1:28:15DOG BARKS
1:28:15 > 1:28:19Go and feed the dog before we have Cujo on our hands.
1:28:24 > 1:28:25DOG BARKS
1:28:27 > 1:28:34Have you packed everything? You sure you didn't forget your bowling ball?
1:28:30 > 1:28:34I sent that ahead, wise guy.
1:28:34 > 1:28:37You're bringing a lot to where you're not supposed to wear a lot.
1:28:37 > 1:28:42It would be better if you stayed in the house till we're ready to go.
1:28:40 > 1:28:42I'm gonna help you guys.
1:28:42 > 1:28:46No, I'm not playing. I think you should go in the house.
1:28:44 > 1:28:46Hold up a second.
1:28:46 > 1:28:51We are going to Tahiti. We're going to have a great time. YOU are going to forget everything.
1:28:51 > 1:28:54Everything. So just calm down.
1:28:54 > 1:28:56I'm calm. Look at me.
1:28:59 > 1:29:02I just think you should go in the house.
1:29:01 > 1:29:02I'll get my cameras.
1:29:02 > 1:29:05Take your time, all right?
1:29:05 > 1:29:07Man.
1:29:06 > 1:29:07DOG BARKS
1:29:07 > 1:29:10You've got to relax.
1:29:08 > 1:29:10I'm relaxed.
1:29:09 > 1:29:10Calm down.
1:29:10 > 1:29:12I don't want nothing to go wrong.
1:29:12 > 1:29:15Ronnie, come on, now.
1:29:15 > 1:29:18Veronica!
1:29:18 > 1:29:20Come on.
1:29:20 > 1:29:24We've gotta be there an hour and a half early to check in. What are you doing?
1:29:24 > 1:29:26Come on, Ronnie.
1:29:26 > 1:29:28Hey.
1:29:29 > 1:29:33Ronnie, how long it take to get some camera equipment, huh?
1:29:40 > 1:29:42Ronnie?
1:29:43 > 1:29:46Veronica.
1:29:44 > 1:29:46DOG BARKS
1:29:46 > 1:29:49What's that, Troy? Is she out there?
1:29:49 > 1:29:52Man, is she? Watch it.
1:29:52 > 1:29:54Hey, Veronica.
1:30:07 > 1:30:09Roper, what's up?
1:30:09 > 1:30:11What is it?
1:30:24 > 1:30:28KORDA ON TAPE: 'You're missing something, Roper. I got it.
1:30:28 > 1:30:32'You got something that belongs to me, and I want it back.
1:30:32 > 1:30:37'4.15 tomorrow, Mayor Island, north entrance, off Dixon.
1:30:37 > 1:30:44'Pull up to berth 16. I so much as smell another cop I'll be sending you pieces of her for a month.'
1:30:48 > 1:30:51He's gonna kill her, no matter what.
1:30:51 > 1:30:55If I take him those jewels he's gonna kill me and her.
1:30:53 > 1:30:55So what do you want to do? >
1:30:55 > 1:30:57We go back long ways, but you can't make me do this.
1:30:57 > 1:31:01Frank, this guy's a psychopath. It's the only way I'll get close to him.
1:31:01 > 1:31:06Go to the lieutenant or the DA. This is my fucking job you're asking me to lay on the line.
1:31:06 > 1:31:11Any department involvement, she's dead. This guy's a fucking maniac. He killed Sam. He'll kill her.
1:31:11 > 1:31:14I got one shot at this guy, Frank - alone.
1:31:14 > 1:31:21What if it was Mary? You'd do the same thing - break every fucking rule in the book, wouldn't you?
1:31:21 > 1:31:24I just hope to God I never have to make that decision.
1:31:30 > 1:31:35This conversation never happened. I never saw you today.
1:31:38 > 1:31:40Now I gotta go take a leak.
1:31:57 > 1:32:02This is an abandoned shipyard. He's gonna be able to get a vantage point from anywhere -
1:32:02 > 1:32:04trains, abandoned buildings, everything.
1:32:04 > 1:32:07He's gonna be able to see everything we do.
1:32:07 > 1:32:09We're gonna have to figure a way to sneak me in here.
1:32:45 > 1:32:47Korda!
1:32:51 > 1:32:53Korda!
1:32:53 > 1:32:55- KORDA ON LOUDSPEAKER:- Roper,
1:32:55 > 1:32:58nice of you to make it.
1:32:58 > 1:33:01Now take the jacket off and put it on the hood.
1:33:04 > 1:33:07Good. Let's have a look at that tarp.
1:33:07 > 1:33:10Under the tarp in the back.
1:33:11 > 1:33:13Pull it back. Pull it back.
1:33:17 > 1:33:23Over there to your right. See that concrete block? There's a radio on it. Walk to it.
1:33:24 > 1:33:27That's it. Come on. Come on.
1:33:27 > 1:33:29Come on.
1:33:39 > 1:33:40..Uh...
1:33:40 > 1:33:43before you touch it you throw away your piece.
1:33:49 > 1:33:52Good. Your back-up, too. Do it.
1:34:01 > 1:34:03Pick up the bag, bring it to me.
1:34:05 > 1:34:10Walk past those cranes on your right, get to the end, you make a left.
1:34:10 > 1:34:14At the end of that building you go to your right.
1:34:14 > 1:34:16Walk to building 36.
1:34:30 > 1:34:32Ah.
1:35:34 > 1:35:37That's it. Keep coming.
1:35:37 > 1:35:39That's good. Right there.
1:35:41 > 1:35:43Come on in.
1:35:43 > 1:35:46Somebody's dying to say hello.
1:35:51 > 1:35:54Shit.
1:36:08 > 1:36:09Scott!
1:36:13 > 1:36:15Shit.
1:36:14 > 1:36:15Hey.
1:36:22 > 1:36:25Over to the table.
1:36:37 > 1:36:39Open your shirt.
1:36:39 > 1:36:43I'm not wearing a wire. This is between me and you.
1:36:41 > 1:36:43Fuck you. Open the shirt.
1:36:49 > 1:36:51OK?
1:36:53 > 1:36:56Where are you, McCall?
1:36:54 > 1:36:56Right here, Roper.
1:37:01 > 1:37:04You satisfied?
1:37:02 > 1:37:04Open the bag. Dump it on the table.
1:37:21 > 1:37:22Pick something up.
1:37:22 > 1:37:27What?
1:37:23 > 1:37:27Nope. Closer to the front of the pile. There.
1:37:27 > 1:37:28Let's go.
1:37:29 > 1:37:31You stay put.
1:37:49 > 1:37:52That's impressive.
1:37:53 > 1:37:56What the fuck did you have to do? Steal 'em?
1:37:55 > 1:37:56Yeah, I stole 'em.
1:37:56 > 1:37:58That won't look good on the service record.
1:37:58 > 1:38:02Let me worry about that. Let's just get this shit over with.
1:38:02 > 1:38:04A man after my own heart.
1:38:04 > 1:38:07There you go. Fill it up.
1:38:19 > 1:38:22Come on, man. Bring him out. Move him out.
1:38:24 > 1:38:26Step up.
1:38:31 > 1:38:34That's far enough. Right there - bag on the floor.
1:38:34 > 1:38:38I'm not putting the bag on the floor. Now you let my girl go.
1:38:38 > 1:38:41Scott, just do what he says, please.
1:38:41 > 1:38:45Hey, Ronnie, relax. I'm gonna get us out of here.
1:38:43 > 1:38:45That I gotta see.
1:38:45 > 1:38:47Just a little more.
1:38:50 > 1:38:51No. No!
1:38:51 > 1:38:52Scott!
1:38:54 > 1:38:55Hey.
1:38:57 > 1:39:01Back off.
1:39:01 > 1:39:03Don't move.
1:39:06 > 1:39:08Shit. Damn it.
1:39:08 > 1:39:16I rewired this switch, so you keep your finger on the red button otherwise it gets kinda messy.
1:39:16 > 1:39:19Such a nice neck, too.
1:39:19 > 1:39:20Shit.
1:39:20 > 1:39:21Now walk to me.
1:39:24 > 1:39:28That's it. Right there. Right there. Put the bag down.
1:39:29 > 1:39:33Now, real nice, you kick over what's mine.
1:39:38 > 1:39:40Oh no. Please. Scott!
1:39:42 > 1:39:44Remember what I said?
1:39:44 > 1:39:46Remember that?
1:39:46 > 1:39:51When you think you're fucking them, they're fucking you.
1:39:52 > 1:39:53You just got fucked.
1:39:58 > 1:40:02Gotta go. Got a plane to catch. Oh shit, look at this.
1:40:02 > 1:40:06Got my car here and that's the only exit.
1:40:06 > 1:40:10Only way out. You're standing right in front of it.
1:40:10 > 1:40:12Now, you can move, but...
1:40:15 > 1:40:18KORDA WHISTLES
1:40:22 > 1:40:23Scott, what's he doing?
1:40:28 > 1:40:29Damn.
1:40:32 > 1:40:34CAR STARTS UP
1:40:42 > 1:40:43Scott, move.
1:40:48 > 1:40:49Get out of the way!
1:40:50 > 1:40:52Do it now, Scott!
1:40:53 > 1:40:55McCall, stop the...
1:40:55 > 1:40:56SILENT MOUTHING
1:40:56 > 1:40:57What car?
1:40:57 > 1:40:59ENGINE ROARS
1:41:01 > 1:41:04Please move.
1:41:03 > 1:41:04Take the shot!
1:41:13 > 1:41:14Argh!
1:41:15 > 1:41:16Argh!
1:41:26 > 1:41:28TYRES SCREECH
1:41:31 > 1:41:32Scott!
1:41:38 > 1:41:41HE SPLUTTERS
1:41:41 > 1:41:44Come on, please! Help me.
1:41:47 > 1:41:49SHE SHRIEKS
1:41:57 > 1:41:58Come on, Scott!
1:42:48 > 1:42:51Argh!
1:42:51 > 1:42:55Stay in here.
1:42:52 > 1:42:55No!
1:42:52 > 1:42:55Stay inside, Ronnie! Stay here.
1:43:02 > 1:43:04McCall!
1:43:04 > 1:43:08He went around that way.
1:43:05 > 1:43:08How bad you hit?
1:43:07 > 1:43:08He went down that way.
1:43:08 > 1:43:11You all right?
1:43:09 > 1:43:11I'm OK.
1:43:11 > 1:43:12< Get him.
1:43:34 > 1:43:36ENGINE TURNS OVER
1:43:36 > 1:43:38ENGINE STARTS
1:44:51 > 1:44:52Hey!
1:45:01 > 1:45:03Motherfucker!
1:45:05 > 1:45:06Get the fuck off it!
1:46:09 > 1:46:12PEOPLE CHATTER
1:46:22 > 1:46:25I've never seen a sky so blue...
1:46:25 > 1:46:29and sea so clear. This place is amazing.
1:46:29 > 1:46:31Yeah.
1:46:31 > 1:46:35Yep. I could really get used to this paradise shit.
1:46:35 > 1:46:38Oh, excuse me, miss.
1:46:38 > 1:46:42Can you get me another pina colada, and can you shave the ice for me?
1:46:42 > 1:46:44Oui, monsieur.
1:46:44 > 1:46:49"Oui, monsieur." That's nice.
1:46:47 > 1:46:49Mademoiselle.
1:46:48 > 1:46:49Oui, merci.
1:46:49 > 1:46:52"Mademoiselle." "Oui, merci."
1:46:52 > 1:46:55Au revoir.
1:46:53 > 1:46:55Au revoir.
1:46:55 > 1:46:58That's some smooth shit, French.
1:46:59 > 1:47:00Scott...
1:47:02 > 1:47:05there's something really special I want to talk to you about.
1:47:05 > 1:47:08What's that?
1:47:08 > 1:47:12I think it's time for this relationship to go to another level - a deeper level.
1:47:16 > 1:47:17A deeper level?
1:47:17 > 1:47:20I think this is it. Here and now.
1:47:20 > 1:47:25We should strip down and get naked in Tahiti.
1:47:28 > 1:47:33You're talking about getting naked in Tahiti? I thought you were talking about the "M" word.
1:47:33 > 1:47:36The "M" word? What did you think I was talking about?
1:47:35 > 1:47:36You know.
1:47:36 > 1:47:39What, marriage?
1:47:39 > 1:47:43Why are you laughing? The way you said that "deeper level" and...
1:47:43 > 1:47:46But you did say you would get naked on the beach in Tahiti.
1:47:46 > 1:47:51I didn't say naked on the beach. I said let's get naked in Tahiti. The hotel room is in Tahiti, too.
1:47:51 > 1:47:52You're a prude.
1:47:52 > 1:47:56I'm not a prude. I'm just... These are strangers.
1:47:55 > 1:47:56Prude.
1:47:56 > 1:48:00I'm not getting naked on no beach. We could go to the room, I'll get naked.
1:48:00 > 1:48:04That thong in the suitcase, that's not getting worn on the beach.
1:48:04 > 1:48:07I'm disappointed. You didn't even try it on, and I bought it for you.
1:48:07 > 1:48:09That's for me?!
1:48:09 > 1:48:13Imagine me in some shit like that. You actually bought that for me?
1:48:13 > 1:48:16- It would look cute on your arse. - Yeah?! Forget about it.
1:48:16 > 1:48:20What if one of my mother's friends was down here and seen me in that shit.
1:48:20 > 1:48:27Don't bring your mother into this.
1:48:21 > 1:48:27Somebody that knows my mother sees me, they say, "Miss Roper's son....
1:48:27 > 1:48:31"be on the beach in Tahiti with his ass out, on his vacation. Watch him, girl.
1:48:31 > 1:48:37"I see he had a string up his ass." Get the fuck out of here. Not today.
1:49:19 > 1:49:23Subtitles by Captioning NZ.
1:49:23 > 1:49:27E-mail subtitling@bbc.co.uk