0:00:25 > 0:00:27SHOUTING
0:00:27 > 0:00:29GUNFIRE
0:00:29 > 0:00:33Come on, Maria!
0:00:30 > 0:00:33SHE SCREAMS Maria!
0:00:37 > 0:00:39I can't swim!
0:00:42 > 0:00:45I don't want to!
0:00:45 > 0:00:48SHOUTING
0:00:48 > 0:00:50Maria, come back!
0:00:51 > 0:00:53Come back!
0:00:54 > 0:00:57It's OK, Maria.
0:00:57 > 0:01:00I've got you. You'll be OK.
0:01:01 > 0:01:06HE SHOUTS: Come on! Let's get out!
0:01:07 > 0:01:09LUKE! >
0:01:13 > 0:01:15Swim, Maria!
0:01:15 > 0:01:19Swim! Get your heads down! Get your heads down!
0:01:19 > 0:01:21MARIA SCREAMS
0:01:21 > 0:01:24MOVE IT! MOVE!
0:01:24 > 0:01:28Come on. We can do it!
0:01:26 > 0:01:28RAPID GUNFIRE
0:01:28 > 0:01:29Arghhh!
0:01:29 > 0:01:31COME ON!
0:01:31 > 0:01:34ARGHHHHHH!
0:01:34 > 0:01:39LU-U-U-U-U-KE! Come back!
0:01:39 > 0:01:41Luke!
0:01:41 > 0:01:43Come on!
0:01:45 > 0:01:49You can do it! Swim!
0:01:47 > 0:01:49Maria! Swim!
0:01:49 > 0:01:51Swim, baby!
0:01:51 > 0:01:53- Yeah!- That's it. Come on!
0:01:56 > 0:01:59That's it!
0:01:59 > 0:02:02Honey. Honey. Are you OK? Let's go!
0:02:02 > 0:02:04GUNFIRE
0:02:24 > 0:02:27THUNDERCLAP
0:02:33 > 0:02:37BUZZ OF PHONES AND VOICES
0:03:11 > 0:03:14I'm going to activate one chip.
0:03:16 > 0:03:24'Our strategy will be...
0:03:18 > 0:03:24'Don't worry. I've just sent all my research papers to printing.'
0:03:24 > 0:03:29We've tapped into everything moving through the exchange from one phone.
0:03:29 > 0:03:31Isolate a conversation.
0:03:32 > 0:03:36'A billion.
0:03:33 > 0:03:36'Dollars? Not Yen?!
0:03:36 > 0:03:38'It's that or lose 50 billion.
0:03:38 > 0:03:41'We can't take that. OK.
0:03:41 > 0:03:47'I'll authorise 5 billion for discretionary buying...'
0:03:47 > 0:03:54Buy today, get rich tomorrow!
0:03:48 > 0:03:54What about military information?
0:03:50 > 0:03:54For that, we need just one phone.
0:03:53 > 0:03:58NATO, CIA, UN. Their superhighway will end right here.
0:04:02 > 0:04:04Now, show me Phase Two.
0:04:04 > 0:04:08So soon?
0:04:06 > 0:04:08Show me.
0:04:08 > 0:04:10THUNDER
0:04:10 > 0:04:13'..Hong Kong. I've got a bid of 51.
0:04:13 > 0:04:17'I've got a bid of 51. Just give me today's high.'
0:04:17 > 0:04:20'Give me 2,000. ARGHHHHH!'
0:04:20 > 0:04:23EXCITED SHOUTING
0:04:27 > 0:04:30Total information meltdown!
0:04:30 > 0:04:32Anywhere we have a phone!
0:04:37 > 0:04:40Now, we launch the satellite.
0:04:40 > 0:04:42THUNDER
0:04:43 > 0:04:47'Yesterday's meltdown of the Hong Kong Stock Exchange
0:04:47 > 0:04:52'roared through Wall Street like...'
0:04:49 > 0:04:52I can feel the panic.
0:04:52 > 0:04:56'The Dow fell 1,000 points. A broker sums it up.
0:04:55 > 0:05:01'Once Joe Average thinks the market is out of control, they want out.
0:05:01 > 0:05:03'Any price. It's sell, sell, sell,
0:05:03 > 0:05:10'but nobody's buying.'
0:05:05 > 0:05:10This is a nervous group.
0:05:07 > 0:05:10'What about the small investor?
0:05:10 > 0:05:13'We lost everything. Our kids' savings....'
0:05:13 > 0:05:20Who would think a thunderstorm in Hong Kong could make such a mess?
0:05:17 > 0:05:20It's more than a thunderstorm.
0:05:20 > 0:05:28'Trading in Hong Kong is suspended.'
0:05:22 > 0:05:28Sir. We lost communication with Graham and Sheen at 0700.
0:05:27 > 0:05:33What about the diplomat's children?
0:05:30 > 0:05:33- Not a word.- Thank you.
0:05:33 > 0:05:39TV: 'Amid the global financial chaos, good news for Amsterdam.
0:05:39 > 0:05:41'After two years on a world tour,'
0:05:41 > 0:05:47Rembrandt's Night Watch finally returns to Amsterdam's Rijksmuseum.
0:05:47 > 0:05:50From tomorrow, the majestic piece
0:05:50 > 0:05:52'will again be on exhibition.'
0:05:52 > 0:05:58The finest example of baroque chiaroscuro ever created!
0:05:58 > 0:06:01Oh, what a magnificent piece!
0:06:01 > 0:06:04(Oh, I have to throw up!)
0:06:08 > 0:06:11Oh!
0:06:11 > 0:06:13Ah!
0:06:23 > 0:06:25- Stephanie?- Yes?
0:06:25 > 0:06:29Bring me Abrahm's Rembrandt.
0:06:26 > 0:06:29Yes, Dr Armond.
0:06:29 > 0:06:34What is it, Louis?
0:06:31 > 0:06:34The drummer!
0:06:34 > 0:06:38What do you mean?
0:06:35 > 0:06:38Maybe it's his drum.
0:06:38 > 0:06:44Page 347, please.
0:06:39 > 0:06:44It looks fine, to me.
0:06:41 > 0:06:44- Yeah.- Ah-ha!
0:06:44 > 0:06:47What colour is this dot?
0:06:45 > 0:06:47Blue.
0:06:47 > 0:06:50Yes. And this dot?
0:06:53 > 0:06:57Let's see what the X-ray machine shows.
0:06:58 > 0:07:02Miles? This is not the Night Watch.
0:07:02 > 0:07:04This is a fake.
0:07:18 > 0:07:21Thanks.
0:07:37 > 0:07:39Not one country will help.
0:07:39 > 0:07:46How can that be, Inspector?
0:07:41 > 0:07:46They don't want the blame.
0:07:43 > 0:07:46It should never have left here.
0:07:46 > 0:07:52Do I have to guard a painting, day and night, for two years?
0:07:50 > 0:07:52I would have,
0:07:52 > 0:07:59if it was my idea to launch a tour.
0:07:54 > 0:07:59- Gentlemen, calm down. We're getting in experts from the UN.- The UN?!
0:07:59 > 0:08:02This isn't about terrorism.
0:08:04 > 0:08:07Because our intelligence was wrong.
0:08:09 > 0:08:14The kids were hidden in the village.
0:08:11 > 0:08:14You got them out. All of them.
0:08:14 > 0:08:19- Yeah.- They're alive, because of you.
0:08:17 > 0:08:19Yeah.
0:08:19 > 0:08:21How do you feel about that?
0:08:23 > 0:08:29You want me to say the mission was a success. OK. It was a success.
0:08:31 > 0:08:34Opening up to your feelings
0:08:34 > 0:08:37is nothing to be ashamed about, Michael.
0:08:37 > 0:08:45You want to work, Michael?
0:08:39 > 0:08:45I don't think that would be wise.
0:08:41 > 0:08:45Make a note of that. Michael?
0:08:50 > 0:08:55I don't know.
0:08:52 > 0:08:55Detective work. No combat.
0:08:54 > 0:09:01Expense accounts...
0:08:55 > 0:09:01Something to keep me busy?
0:08:58 > 0:09:01- Exactly. It will be with Carver.- Ah.
0:09:01 > 0:09:07I can't authorise field work before a psychological evaluation.
0:09:07 > 0:09:10Thank you. Make a note of that, too.
0:09:10 > 0:09:16Will this job be cushy?
0:09:11 > 0:09:16- You could say that.- Travel?
0:09:13 > 0:09:16Here and there.
0:09:19 > 0:09:21Sabrina Carver, you said?
0:09:21 > 0:09:24I did.
0:09:24 > 0:09:26Hm!
0:09:30 > 0:09:32Thank you. Let's go.
0:09:43 > 0:09:46It's not Sabrina, you know.
0:09:46 > 0:09:52Of course not!
0:09:47 > 0:09:52No, I mean it. I couldn't stand another moment with that shrink.
0:09:52 > 0:09:56KNOCK AT DOOR
0:09:54 > 0:09:56Come on in.
0:09:56 > 0:10:01- Yes, sir?- Carver, what do you know about Rembrandt's Night Watch?
0:10:01 > 0:10:07The Company of Capt Frans Banning Cocq and Lt Willem van Ruytenburch.
0:10:07 > 0:10:10Commissioned in 1640. Completed in 1642.
0:10:10 > 0:10:13I know a little bit about it, sir.
0:10:13 > 0:10:15Hi, Michael.
0:10:16 > 0:10:20- Hello, Sabrina.- How are you?
0:10:18 > 0:10:20Not bad. You cut your hair.
0:10:20 > 0:10:22Oh, yeah!
0:10:23 > 0:10:27Look, I'm really sorry about what happened.
0:10:30 > 0:10:33I know it must be hard for you.
0:10:32 > 0:10:35You got the kids out.
0:10:35 > 0:10:38I've already heard that one.
0:10:38 > 0:10:43I've been thinking of teaming you two up. Any objections, Carver?
0:10:43 > 0:10:45No.
0:10:45 > 0:10:50Excellent. Night Watch has been stolen and a forgery substituted.
0:10:50 > 0:10:54Find the original. Start at the Rijksmuseum.
0:10:54 > 0:10:57This time, Carver is in command.
0:10:57 > 0:11:04Nick, just a moment!
0:10:59 > 0:11:04Her art expertise tips the scales.
0:11:01 > 0:11:04- OK.- You could see that psychologist.
0:11:04 > 0:11:06Here.
0:11:07 > 0:11:14Special Services will fill you in.
0:11:09 > 0:11:14It does more than tell the time?
0:11:11 > 0:11:14- Indeed, it does.- Oh, yeah!
0:11:14 > 0:11:19Dick Tracey to chief. See? I'm still a fun-loving guy!
0:11:19 > 0:11:25Yeah. That's what I'm afraid of.
0:11:21 > 0:11:25Your hair looks good, by the way.
0:11:25 > 0:11:27Boss!
0:11:36 > 0:11:40From our X-ray lab, this is what is underneath it.
0:11:40 > 0:11:44A real old painting?
0:11:41 > 0:11:44Yes. 17th century Dutch.
0:11:44 > 0:11:46A landscape.
0:11:46 > 0:11:50We rarely sample the paint. It's too destructive.
0:11:50 > 0:11:54Forgers generally use an old canvas as a base,
0:11:54 > 0:11:57hoping to pass a cursory analysis.
0:11:57 > 0:12:04Who owned the original painting?
0:11:59 > 0:12:04It was purchased at Sotheby's and stolen while being transported.
0:12:06 > 0:12:09Gosh! This is an amazing forgery.
0:12:09 > 0:12:15What Dutch craftsmen are known for.
0:12:11 > 0:12:15Indeed.
0:12:12 > 0:12:15But the paint is from the Far East.
0:12:15 > 0:12:21Meaning?
0:12:15 > 0:12:21Dutch painters use European paint.
0:12:18 > 0:12:21- Not necessarily.- Whatever!
0:12:21 > 0:12:27All this happened because Miles insisted on the tour.
0:12:24 > 0:12:27Louis, maybe the painting
0:12:27 > 0:12:29was swapped before the tour.
0:12:29 > 0:12:33Impossible! I would have noticed.
0:12:41 > 0:12:45I would have noticed. And he knows it!
0:12:45 > 0:12:50Miss Carver, we catalogue our local artists. You can search our slides
0:12:50 > 0:12:56for the forger.
0:12:51 > 0:12:56I'd be glad to. Thank you.
0:12:52 > 0:12:56- I'll arrange it.- Great.
0:12:56 > 0:13:00Yes, well... Quite a pair, our boys, aren't they?
0:13:00 > 0:13:04They're so enthusiastic.
0:13:01 > 0:13:04Yeah. So am I. So am I.
0:13:04 > 0:13:10The guy who bought this landscape lives in Amsterdam.
0:13:08 > 0:13:10- Lemmer's a dealer.- Art?
0:13:10 > 0:13:18Heroin. He's been either pushing or in prison for the last 20 years.
0:13:15 > 0:13:18- Which is he now?- Let's find out.
0:13:30 > 0:13:32Hi.
0:13:32 > 0:13:38Fascinating, isn't it?
0:13:33 > 0:13:38Yeah. How many images do you have?
0:13:36 > 0:13:38Over a million.
0:13:38 > 0:13:43Oh, great.
0:13:40 > 0:13:43- I'll leave you, now. Bye bye.- Bye.
0:13:47 > 0:13:48Oh!
0:13:48 > 0:13:53Lemmer, the guy who bought the painting, lives here.
0:13:53 > 0:13:57It's not over his mantlepiece! I'll poke around.
0:13:57 > 0:14:00We don't have a warrant.
0:13:58 > 0:14:00I know that.
0:14:00 > 0:14:04OK. You'd better not be here. I'll see you later.
0:14:14 > 0:14:16No, no, no, no, no!
0:14:16 > 0:14:19I'll handle it myself!
0:15:08 > 0:15:10# Sugar
0:15:10 > 0:15:13# Oh, honey, honey
0:15:14 > 0:15:18# I am your candy girl
0:15:18 > 0:15:21# And you've got me wanting you... #
0:15:21 > 0:15:24RAP INTERLUDE
0:15:48 > 0:15:50# Sugar
0:15:50 > 0:15:54# Oh, honey, honey... #
0:15:52 > 0:15:54Hi.
0:15:54 > 0:15:58I'm looking for this big painting...
0:15:58 > 0:16:00Ooohhh!
0:16:00 > 0:16:02Ahhhhhhhh!
0:16:04 > 0:16:07# Honey
0:16:07 > 0:16:10# Oh, sugar, sugar
0:16:11 > 0:16:14# I am your candy girl
0:16:14 > 0:16:17# And you've got me wanting you... #
0:16:19 > 0:16:22RAP INTERLUDE
0:16:46 > 0:16:48ARGHHHHH!
0:16:49 > 0:16:51Arghhh!
0:16:51 > 0:16:53OHHH!
0:16:58 > 0:17:01What are you doing here?
0:17:01 > 0:17:06ME?!
0:17:02 > 0:17:06Who is this guy?
0:17:06 > 0:17:14What are you doing on his boat if you don't know who the hell he is?
0:17:10 > 0:17:14I ask the questions around here!
0:17:14 > 0:17:17Oh, gee. He cut me.
0:17:16 > 0:17:17Michael!
0:17:17 > 0:17:19You're hurt!
0:17:19 > 0:17:23Don't fuss. Please don't fuss.
0:17:21 > 0:17:23Michael!
0:17:24 > 0:17:26This job's supposed to be easy.
0:17:26 > 0:17:31MOTORBIKE APPROACHES
0:17:29 > 0:17:31I wanna talk to her.
0:17:41 > 0:17:46You burglarised his place. He's the one who can press charges.
0:17:46 > 0:17:48And you did it on my watch.
0:17:48 > 0:17:53If you just...
0:17:49 > 0:17:53At least we know Miles met Lemmer.
0:17:53 > 0:17:58Lemmer bought the painting and had it stolen.
0:17:56 > 0:17:58- No.- I wanna tail this guy.
0:17:58 > 0:18:01You'd better not let them know.
0:18:01 > 0:18:05If we generate enough paperwork, Lemmer can't make trouble.
0:18:05 > 0:18:09Can I just ask you...
0:18:06 > 0:18:09Come now!
0:18:09 > 0:18:14Mike, you look so mad. Maybe you should talk to him!
0:18:17 > 0:18:19BLEEPING
0:18:37 > 0:18:41HE WHISTLES FRENCH NATIONAL ANTHEM
0:18:45 > 0:18:48Are we done?
0:18:46 > 0:18:48WATCH BLEEPS
0:18:48 > 0:18:51Hey. Do you think I enjoy staying late?
0:18:51 > 0:18:54WATCH BLEEPS
0:18:54 > 0:18:56BLEEPING STOPS
0:19:03 > 0:19:07BLEEPING
0:19:07 > 0:19:10Mike. He's home.
0:19:10 > 0:19:13Glad you're still on the job!
0:19:21 > 0:19:24CREAKING ELECTRONIC SOUNDS
0:19:53 > 0:19:56RADIO BLEEPS
0:20:23 > 0:20:26SOBBING
0:20:34 > 0:20:37Oh, man. Who did this to you?
0:20:39 > 0:20:42Lemmer?
0:20:44 > 0:20:46He's gone.
0:20:46 > 0:20:48SHE SOBS
0:20:48 > 0:20:51Where did he go?
0:20:51 > 0:20:57I don't know.
0:20:52 > 0:20:57Hey?
0:20:53 > 0:20:57He came home from the cops, mad.
0:21:00 > 0:21:04Oh, Jesus Christ. I'm sorry. Come on.
0:21:04 > 0:21:07Let's take you to the hospital. There you go.
0:21:16 > 0:21:20'Brokerage firms are still staggering
0:21:20 > 0:21:22'after the Hong Kong massacre.
0:21:22 > 0:21:27'Stock prices continued falling, with no bottom in sight.'
0:21:27 > 0:21:30BLEEPING Yup?
0:21:30 > 0:21:33Michael, go to visual.
0:21:33 > 0:21:36Mmm. I see you.
0:21:36 > 0:21:38'We may have a lead.
0:21:38 > 0:21:43'In every city the Night Watch toured, the museum paid.'
0:21:43 > 0:21:46Every city but Hong Kong. There,
0:21:46 > 0:21:49Martin Shrater, art connoisseur,
0:21:49 > 0:21:53'businessman, picked up the whole ticket.'
0:21:53 > 0:21:57American?
0:21:54 > 0:21:57'Yeah. What about your suspects?'
0:21:57 > 0:21:59Maybe. Gotta go. How're you doing?
0:21:59 > 0:22:02OK. With painkillers.
0:22:04 > 0:22:10How come you're still here?
0:22:05 > 0:22:10I thought you might like a cup of coffee. Come on.
0:22:16 > 0:22:18BLEEPING
0:22:38 > 0:22:43Let me ask you a question. Has he done this to you before?
0:22:43 > 0:22:50I'm not going anywhere with you.
0:22:45 > 0:22:50OK. We'll just talk here.
0:22:46 > 0:22:50I don't talk to cops. I'll go home.
0:22:50 > 0:22:55If you're looking for Lemmer, he's not there. The cops picked him up.
0:22:55 > 0:22:59What for?
0:22:57 > 0:22:59Assault. I called it in.
0:22:59 > 0:23:04- Leave me alone.- Jennifer!
0:23:01 > 0:23:04- Get out of my face!- JENNIFER!
0:23:09 > 0:23:11CLOCK CHIMES
0:23:32 > 0:23:34GUNSHOTS
0:23:37 > 0:23:39MAN SHOUTS IN DUTCH
0:23:41 > 0:23:43WOMAN SHOUTS
0:23:50 > 0:23:53WOMAN SCREAMS IN TERROR
0:23:54 > 0:23:57No! Oh!
0:23:57 > 0:23:59Hey! Come here!
0:24:01 > 0:24:03Call an ambulance!
0:24:10 > 0:24:12GUN CLICKS
0:24:12 > 0:24:14Oh!
0:24:44 > 0:24:46Hey! Oh!
0:25:19 > 0:25:21Move!
0:26:12 > 0:26:14I just want to talk, all right?
0:26:15 > 0:26:17Arghhhh!
0:26:17 > 0:26:20Ha ha! Oh! Oh! Oh!
0:26:23 > 0:26:27Arghhh!
0:26:28 > 0:26:30Ooohhhh!
0:26:37 > 0:26:40Arghhhhh!
0:26:57 > 0:27:00What happened next?
0:27:00 > 0:27:03I don't remember.
0:27:03 > 0:27:05You don't remember doing this?
0:27:05 > 0:27:08Well, I didn't do that.
0:27:08 > 0:27:15You are sure?
0:27:09 > 0:27:15- Yes.- What happened to your knuckles?
0:27:12 > 0:27:15- I was working.- What work?
0:27:15 > 0:27:17This guy is not going to talk.
0:27:17 > 0:27:20< That's what I said.
0:27:20 > 0:27:22He might.
0:27:22 > 0:27:24< I'm going for a cup of coffee.
0:27:27 > 0:27:30I'm sorry I wasn't there for you.
0:27:30 > 0:27:33So am I.
0:27:37 > 0:27:41Look, it's no big deal.
0:27:38 > 0:27:41- Yes, it is.- Don't start that.
0:27:41 > 0:27:46I mean, it's not like what happened at the beach with Luke. OK?
0:27:46 > 0:27:49- Yeah.- Not at all.- Yeah, sure.
0:27:50 > 0:27:53Sure. It's just that... um...
0:27:55 > 0:27:57It's just that I feel I...
0:27:57 > 0:28:01should have been there. I should have done more.
0:28:01 > 0:28:06I should have gotten closer with the boat. I...
0:28:05 > 0:28:10Nobody could have saved Luke if you couldn't have.
0:28:12 > 0:28:16Someday, you'll know that, too.
0:28:17 > 0:28:19Hey.
0:28:19 > 0:28:23Come in. It's OK. He can't see you.
0:28:23 > 0:28:26So what? She fell. We didn't fight.
0:28:26 > 0:28:32She fell! She's a stupid, clumsy twit.
0:28:28 > 0:28:32We're told she has scars for life.
0:28:32 > 0:28:34Who gives a damn?
0:28:34 > 0:28:38You don't care that she ended up in the hospital?
0:28:38 > 0:28:41No, why should I?
0:28:41 > 0:28:48Why does the waitress at the coffee shop say you told her...
0:28:45 > 0:28:48I saw what he did with the painting.
0:28:48 > 0:28:52Isn't that what you want to know?
0:28:50 > 0:28:52Yes.
0:28:53 > 0:28:57After it was nicked, he gave it to some guy.
0:28:58 > 0:29:03Who?
0:29:00 > 0:29:03Don't know. He lived in Hong Kong.
0:29:07 > 0:29:10TRADITIONAL FAR EASTERN MUSIC
0:29:23 > 0:29:25Thank you.
0:29:29 > 0:29:33Welcome to the Regent Hong Kong, Mr and Mrs Graham.
0:29:33 > 0:29:36Thank you. (How do they know us?)
0:29:36 > 0:29:38Class.
0:29:38 > 0:29:42Hi. Did you have a pleasant flight, Mrs Graham?
0:29:42 > 0:29:48Yes, thank you.
0:29:43 > 0:29:48Excellent. The manager reserved you our honeymoon suite.
0:29:48 > 0:29:53Isn't that wonderful, darling?
0:29:50 > 0:29:53- Thank you very much.- Yes.
0:29:57 > 0:30:00Oh, my sweet. What a lavish room.
0:30:00 > 0:30:06I can't wait to be in your loving arms.
0:30:03 > 0:30:06- Mike, cool it.- Is that an order?
0:30:06 > 0:30:09Cauldwell created the perfect cover.
0:30:09 > 0:30:15Whatever you say, dear.
0:30:11 > 0:30:15It lets us work together and explains our trip.
0:30:15 > 0:30:19It doesn't explain where you're sleeping!
0:30:22 > 0:30:25'Yeah. Yes, very nice.
0:30:25 > 0:30:30'Let me see the other one, next to it. That's it.
0:30:30 > 0:30:32'Oh. Uh-huh. That's good.'
0:30:32 > 0:30:38They're both lovely.
0:30:34 > 0:30:38WATCH BLEEPS Excuse me a moment.
0:30:38 > 0:30:41'Michael. Mikie.'
0:30:39 > 0:30:41Yup?
0:30:41 > 0:30:43Your watch is on.
0:30:44 > 0:30:48Uh-huh.
0:30:45 > 0:30:48What are you doing?
0:30:50 > 0:30:54I'm a guy on honeymoon.
0:30:51 > 0:30:54'You're getting a chaperon!'
0:30:54 > 0:31:02It's not necessary, I promise you.
0:30:56 > 0:31:02You just need to avoid the Hong Kong police, to keep things greased.
0:31:02 > 0:31:06Meet Myra Tang, your local CIA connection.
0:31:08 > 0:31:11'Myra Tang. Hong Kong office.'
0:31:11 > 0:31:18Easy on the eyes, eh?
0:31:12 > 0:31:18One identity at a time!
0:31:15 > 0:31:18- Yes, sir.- 'I'll see you tomorrow.'
0:31:24 > 0:31:26Martin Shrater's.
0:31:32 > 0:31:37Wow! What will he do when the red Chinese take over in 1997?
0:31:37 > 0:31:42Good question. Stay, and trust the communists or move to safer ground?
0:31:42 > 0:31:47Have you been inside, Myra?
0:31:44 > 0:31:47Yeah. Parties. Art, everywhere.
0:31:47 > 0:31:55But no Night Watch?
0:31:49 > 0:31:55Sure(!) It probably has a sign: "Stolen from the Rijksmuseum".
0:31:55 > 0:31:57Hey. He's the only lead I can offer.
0:31:57 > 0:32:01OK. Maybe you two girls should knock on the door.
0:32:01 > 0:32:04I'll introduce you at his casino.
0:32:04 > 0:32:07You can do that?
0:32:07 > 0:32:11Being the lottery girl does have its perks.
0:32:10 > 0:32:17Wait a minute! You think this guy's gonna show us his stolen painting?
0:32:14 > 0:32:17Tell me if you get a better idea.
0:32:17 > 0:32:21OK. Fine.
0:32:19 > 0:32:21Good.
0:32:32 > 0:32:36INAUDIBLE CONVERSATION
0:32:36 > 0:32:38Mike. This is Mao Yixin.
0:32:38 > 0:32:42Hi. I'm Graham.
0:32:39 > 0:32:42Call me Tim. You winning, Mike?
0:32:42 > 0:32:49Just pocket change. Myra tells me you run this place. It's very nice.
0:32:46 > 0:32:49Thank you.
0:32:49 > 0:32:53This is a friend from my modelling days. Sabrina Carver.
0:32:53 > 0:32:58It's Graham, now. Sabrina Graham.
0:32:55 > 0:32:58Ah. Newlyweds.
0:32:58 > 0:33:05- Mm-hm.- Yes. Two days ago.
0:33:00 > 0:33:05Then we would like to offer you 80 Hong Kong dollars of good luck!
0:33:09 > 0:33:12Thanks. (That's about ten bucks!)
0:33:12 > 0:33:14What a charmer, eh?
0:33:15 > 0:33:17Martin Shrater.
0:33:19 > 0:33:21Oh, yeah.
0:33:21 > 0:33:26Well, that would make it show time, girls! Shall we?
0:33:30 > 0:33:33What's the bet limit?
0:33:31 > 0:33:33Five thousand US.
0:33:36 > 0:33:38Five thousand.
0:33:38 > 0:33:42Cauldwell won't cover you. This is your money.
0:33:48 > 0:33:50Seventeen.
0:33:50 > 0:33:53Hit me.
0:33:51 > 0:33:53Nineteen.
0:33:54 > 0:33:56House has a natural.
0:34:01 > 0:34:08Shall we up the stakes?
0:34:02 > 0:34:08Mike. Are you kidding? You already lost 5,000.
0:34:08 > 0:34:10Shall we say 10,000?
0:34:12 > 0:34:15How about a quarter million?
0:34:22 > 0:34:25He's put Shrater on the spot.
0:34:28 > 0:34:32(The customer with a moustache wants to bet 250,000.)
0:34:32 > 0:34:36You want to bet 250,000 on one hand?
0:34:37 > 0:34:39That's right.
0:34:40 > 0:34:46Myra?
0:34:41 > 0:34:46This is Mike Graham. His wife, Sabrina, is an old friend.
0:34:49 > 0:34:52I'm good for it.
0:34:56 > 0:35:00All right. One against the bank.
0:34:58 > 0:35:00MIKE CLEARS HIS THROAT
0:35:02 > 0:35:05Save the lecture, just wish me luck.
0:35:05 > 0:35:08You know that I do!
0:35:08 > 0:35:10Thank you.
0:35:10 > 0:35:16A glass of water please, and a vodka martini waiting over there. Thanks.
0:35:16 > 0:35:23The game is Blackjack. House rules. Mr Graham's bet is 250,000.
0:35:23 > 0:35:25BUZZ OF EXCITEMENT
0:35:34 > 0:35:36Eight.
0:35:36 > 0:35:39Fifteen.
0:35:39 > 0:35:45He could pull a five-card trick.
0:35:41 > 0:35:45Meaning?
0:35:43 > 0:35:45It would beat the house.
0:35:54 > 0:35:56Hit me.
0:35:58 > 0:36:00SPECTATORS GASP
0:36:00 > 0:36:02One.
0:36:02 > 0:36:04Er, wait. Um...
0:36:05 > 0:36:12I'm gonna need another card.
0:36:07 > 0:36:12For six cards under twenty-one, the house pays double.
0:36:12 > 0:36:15The dealer gives me the sixth card face down.
0:36:15 > 0:36:19The house plays its hand out. You have no option
0:36:19 > 0:36:22but to go for a six-card trick.
0:36:22 > 0:36:28Should the house bust, and my card is six or more, I pay you 250,000.
0:36:30 > 0:36:36If the house busts and my last card is five or under...
0:36:38 > 0:36:41..you pay me out.
0:36:43 > 0:36:45Pay you out 1 million?
0:36:46 > 0:36:48Done.
0:37:08 > 0:37:11The house is bust.
0:37:35 > 0:37:42Four of hearts. Mr Graham's total is 20. The house owes you 1 million.
0:37:42 > 0:37:44APPLAUSE
0:37:44 > 0:37:48I'm Shrater. It's my million you've just won!
0:37:48 > 0:37:53Now, let me see. Myra, which is the most needy charity in town?
0:37:53 > 0:37:59The Royal Orphans Fund.
0:37:55 > 0:37:59There you have it. Give my winnings to the orphans.
0:37:59 > 0:38:04Unbelievable.
0:38:00 > 0:38:04Well, I made my fortune. Auto parts.
0:38:04 > 0:38:06A little stock racing on the side.
0:38:06 > 0:38:14Always happy to have more sponsors.
0:38:08 > 0:38:14"Blue Grass Auto Parts." Kentucky?
0:38:11 > 0:38:14Entire south. Started in Kentucky.
0:38:14 > 0:38:18I'm from Indiana.
0:38:15 > 0:38:18I won't tell anybody!
0:38:32 > 0:38:37What would you have told Cauldwell if you lost all that money?
0:38:40 > 0:38:43(What if Shrater has us under surveillance?)
0:38:47 > 0:38:50I mean, how do you tell your best player
0:38:50 > 0:38:54that you lost all that money on your honeymoon?!
0:38:54 > 0:38:58I ain't gonna think about it because it didn't happen.
0:38:58 > 0:39:01Mmmm. Nice buns.
0:39:02 > 0:39:07Baby, you look good tonight. You look hot. Mmm. Yes, yes, yes.
0:39:07 > 0:39:10Nice big, bouncy bed and everything.
0:39:10 > 0:39:14You're going to slip into something cool, now.
0:39:18 > 0:39:21Michael, I admit it's a turn-on,
0:39:21 > 0:39:24but I'm really pretty tired.
0:39:24 > 0:39:29You're tired, darling? I feel very... Very kind of up, and happy.
0:39:29 > 0:39:32Michael, I'm actually really tired.
0:39:32 > 0:39:38Yes. So... I must say, Hong Kong is a little sweaty, don't you think?
0:39:38 > 0:39:40Yes.
0:39:41 > 0:39:46I'm really very tired.
0:39:43 > 0:39:46You're very tired? I feel good.
0:39:46 > 0:39:48(Ooh! Socks!) I feel...
0:39:49 > 0:39:52..very, very awake!
0:39:54 > 0:39:56Good. Relaxed.
0:39:58 > 0:40:00Yes.
0:40:00 > 0:40:02Oh, baby!
0:40:02 > 0:40:06Baby, baby! It's the PJs again! Ooh!
0:40:06 > 0:40:09What is it about those PJs that gets me so hot?
0:40:10 > 0:40:13My good luck(?)
0:40:14 > 0:40:20In you get, honeybunch. I'm all yours. I'm waiting. Oh!
0:40:20 > 0:40:26I'll get the light.
0:40:21 > 0:40:26No! Leave it on.
0:40:22 > 0:40:26Michael. Are you crazy?!
0:40:26 > 0:40:30I don't think so.
0:40:27 > 0:40:30- I'll get the light.- I like it on.
0:40:30 > 0:40:32Oohhh!
0:40:32 > 0:40:36Very boisterous, my darling. Very boisterous. Oohhh!
0:40:36 > 0:40:38Oh, darling.
0:40:59 > 0:41:01SPRINGS CREAK
0:41:02 > 0:41:04Ooh, Sabrina!
0:41:04 > 0:41:06Oh! Oh, darling! Oh!
0:41:06 > 0:41:08SPRINGS CREAK
0:41:08 > 0:41:11Michael, shhhh!
0:41:09 > 0:41:11Oh, darling! Oooh! Oooh!
0:41:11 > 0:41:13MUFFLED MOANING
0:41:13 > 0:41:17HE GIGGLES
0:41:15 > 0:41:17Stop it! Michael!
0:41:17 > 0:41:20HE BANGS THE HEADBOARD
0:41:20 > 0:41:23Mmmmmm!
0:41:21 > 0:41:23Uhhhh!
0:41:24 > 0:41:26Hhhh! Oh, Michael!
0:41:26 > 0:41:29That was great. Really great.
0:41:29 > 0:41:35I'm so pleased, darling. I know you love quickies. Here I come again.
0:41:35 > 0:41:39HE SIGHS
0:41:36 > 0:41:39Well, goodnight.
0:41:39 > 0:41:41I get the hint.
0:41:41 > 0:41:47You were just overcome with passion, there. I'll go to the bathroom.
0:41:47 > 0:41:49That's something I love about you.
0:41:49 > 0:41:53I'm just walking a little funny, that's all.
0:41:54 > 0:41:56I must say, darling,
0:41:56 > 0:42:00marrying you was the smartest bet I ever made.
0:42:02 > 0:42:04Oh, Mike!
0:42:12 > 0:42:18- WOMAN'S VOICE: - 'Mike, here's your profile on Martin Shrater.
0:42:18 > 0:42:22'He was chief engineer for a telecom company.
0:42:21 > 0:42:26'He was accused of industrial espionage and fired.'
0:42:25 > 0:42:29Did he do time?
0:42:27 > 0:42:29'No. Charges were dropped.
0:42:29 > 0:42:35'A year before, his wife and daughter died in a car accident.'
0:42:33 > 0:42:35Sounds suspicious.
0:42:35 > 0:42:38'No. Shrater was driving.
0:42:38 > 0:42:40'I'm logging off. Take care.'
0:42:51 > 0:42:59The company is sweeping your hotel room for surveillance gear.
0:42:55 > 0:42:59Good. You can't honeymoon all day.
0:42:59 > 0:43:05Speak for yourself!
0:43:00 > 0:43:05What?! You like him?!
0:43:02 > 0:43:05- Honey, who wouldn't?- Oh, Myra!
0:43:05 > 0:43:10You cheap slut!
0:43:07 > 0:43:10With him, anytime.
0:43:10 > 0:43:15Anywhere. You're not attracted?
0:43:12 > 0:43:15Of course not. We work together.
0:43:15 > 0:43:17Right(!)
0:43:17 > 0:43:19It's true.
0:43:22 > 0:43:25So, what do you think?
0:43:25 > 0:43:29I think all your cards are on the table.
0:43:30 > 0:43:32Good!
0:43:51 > 0:43:54Graham to base. Graham to base.
0:43:54 > 0:43:56'We got you.'
0:43:56 > 0:44:02I'm sending you some video of two guys. Will you run it?
0:44:01 > 0:44:04'I'll be delighted.'
0:44:13 > 0:44:17INAUDIBLE CONVERSATION
0:45:24 > 0:45:29Did you get that?
0:45:25 > 0:45:29- 'I did. We'll enhance.'- Gracias.
0:45:38 > 0:45:44We put the architect's drawings of Shrater's estate in the computer.
0:45:44 > 0:45:46Here, he could have a hidden room.
0:45:46 > 0:45:51This air vent is the only direct access from the outside.
0:45:51 > 0:45:56It's about 100 feet off the ground.
0:45:53 > 0:45:56It's 113 feet, to be exact.
0:45:56 > 0:45:59Bathroom window.
0:45:59 > 0:46:01No video surveillance.
0:46:01 > 0:46:03Unless Shrater's a voyeur.
0:46:03 > 0:46:06He's many things, but not that.
0:46:06 > 0:46:11Any more on that industrial espionage charge?
0:46:08 > 0:46:11Dropped. But Shrater didn't sue
0:46:11 > 0:46:15for wrongful discharge. He's guilty of something.
0:46:15 > 0:46:19You don't buy that estate on an engineer's salary.
0:46:19 > 0:46:22- I can climb this.- It's sheer rock.
0:46:22 > 0:46:26- Go through the vent at the party and scope it out.- Nick?
0:46:26 > 0:46:31Ted! I want you to meet Mike Graham and Sabrina Carver.
0:46:31 > 0:46:35This is Ted Fisk. Head of CIA operations here.
0:46:35 > 0:46:40- Shall I show you what I got?- Yes. - The murder Mike taped -
0:46:40 > 0:46:42the local police are hush hush.
0:46:42 > 0:46:47The CIA aren't their favourite allies, I'm afraid.
0:46:47 > 0:46:50The murder victim was a computer designer.
0:46:50 > 0:46:55When the stock exchange collapsed, he was called in.
0:46:55 > 0:46:57Here's an enhancement of the video.
0:46:57 > 0:47:02That looks like a computer chip in Mao Yixin's hand.
0:47:01 > 0:47:07Other than that Mao Yixin is Shrater's employee, we have nothing.
0:47:07 > 0:47:12Nothing?! The CIA has nothing? We need prints, here.
0:47:12 > 0:47:15I'll handle it.
0:47:13 > 0:47:15Remember he's a killer.
0:47:17 > 0:47:23The computer chips are installed in the phones like any other component.
0:47:23 > 0:47:25ASKS A QUESTION IN ASIAN LANGUAGE
0:47:25 > 0:47:30General Kim wonders about security.
0:47:27 > 0:47:30No-one knows about this.
0:47:30 > 0:47:34The General relies on me.
0:47:32 > 0:47:34HE ASKS ANOTHER QUESTION
0:47:34 > 0:47:39Will you explain his satellite?
0:47:36 > 0:47:39Oh! It's HIS satellite?
0:47:39 > 0:47:45HE SPEAKS IN ASIAN LANGUAGE
0:47:45 > 0:47:51The People's Republic of North Korea paid for it.
0:47:47 > 0:47:51Have a seat, General Kim.
0:47:52 > 0:47:55This is what your money bought.
0:47:55 > 0:47:59Executing worldwide data collection requires a satellite.
0:47:59 > 0:48:04Once it's in orbit, we can use cellular transponders
0:48:04 > 0:48:08to bounce signals from any point on the globe.
0:48:07 > 0:48:12We can eavesdrop on worldwide telecommunications
0:48:12 > 0:48:16or destroy whatever systems you choose.
0:48:16 > 0:48:18Only North Korea would be safe.
0:48:18 > 0:48:22And, unlike your nuclear programme,
0:48:22 > 0:48:24it's reliable and secret.
0:48:26 > 0:48:29HE TURNS TV ON
0:48:29 > 0:48:32What if I can't keep Shrater busy?
0:48:34 > 0:48:36Mike!
0:48:36 > 0:48:41Are you listening to me?
0:48:38 > 0:48:41Yes, of course I am.
0:48:42 > 0:48:45You're so stubborn.
0:48:47 > 0:48:49You ought to know.
0:48:51 > 0:48:56OK. I admit it. I'm worried about your safety.
0:49:00 > 0:49:02I'm worried about YOUR safety!
0:49:08 > 0:49:15Artist?
0:49:10 > 0:49:15Titus. Titan. Tittian.
0:49:11 > 0:49:15It's pronounced Ti-shan. Title?
0:49:15 > 0:49:22Er... Love.
0:49:17 > 0:49:22Sacred and Profane Love. Know the difference? And this?
0:49:22 > 0:49:23Oh, yeah.
0:49:23 > 0:49:29This guy has a TV show. Van Dyck.
0:49:26 > 0:49:29- Sure his name's not the Beaver?- Hm.
0:49:29 > 0:49:32What about this?
0:49:30 > 0:49:32Mary Cassatt. The Bath.
0:49:32 > 0:49:37An American who lived in Paris around 1890.
0:49:37 > 0:49:38Wow!
0:49:38 > 0:49:40Hm!
0:49:40 > 0:49:43My mother loved Mary Cassatt.
0:49:44 > 0:49:47We had The Bath in our kitchen.
0:49:47 > 0:49:49Hm. Not such a savage, after all.
0:49:50 > 0:49:53PAN PIPES MUSIC
0:49:55 > 0:49:58MUSIC AND CHATTERING
0:50:20 > 0:50:24Am I overdressed?
0:50:21 > 0:50:24No. You look lovely. There's Myra.
0:50:24 > 0:50:28Mike. No-one told you about Shrater's parties!
0:50:28 > 0:50:35Really! What's that?
0:50:30 > 0:50:35A tradition. A competition for the most daring dress.
0:50:35 > 0:50:37Mm-hm. You look...
0:50:37 > 0:50:42very traditional. Oh, there's Shrater. By the Gauguin.
0:50:43 > 0:50:46Gauguin?
0:50:46 > 0:50:49Oh, it is a Gauguin.
0:50:47 > 0:50:49Yes, it is.
0:50:49 > 0:50:56He's got a great sense of erotic sensuality. The tropical blush...
0:50:53 > 0:50:56- I'll keep Shrater busy.- Good idea.
0:50:56 > 0:51:00Great eye for a good breast.
0:50:58 > 0:51:00Mike? Get to work!
0:51:02 > 0:51:06Got to go and make a living. Lovely dress.
0:51:21 > 0:51:26How about a private tour? For a lady who will appreciate it.
0:51:26 > 0:51:29Mike's not enthusiastic about art.
0:51:29 > 0:51:31But he's a heck of a gambler!
0:51:31 > 0:51:33That's true!
0:52:01 > 0:52:03Let me know when he comes out.
0:53:00 > 0:53:02(OK.)
0:53:07 > 0:53:11Unfortunately, it's a copy. See?
0:53:12 > 0:53:17"A copy of an original from the Wichita Art Museum, Kansas."
0:53:17 > 0:53:25They're not forgeries. I admired them so much, I commissioned my own.
0:53:22 > 0:53:25They're perfect!
0:53:25 > 0:53:30Like that one! I remember seeing the original in Chicago.
0:53:30 > 0:53:32I love Degas.
0:53:34 > 0:53:38Look how he's captured her innocence. L'Etoile.
0:53:38 > 0:53:42You're the star, tonight.
0:54:04 > 0:54:06Arghhhhh!
0:54:24 > 0:54:28I thought you might do that.
0:54:26 > 0:54:28But you didn't move away.
0:54:28 > 0:54:30No.
0:54:30 > 0:54:33I understand you.
0:54:33 > 0:54:35Do you?
0:54:52 > 0:54:54SHIRT RIPS
0:55:08 > 0:55:13Is Graham out?
0:55:09 > 0:55:13No, sir.
0:55:11 > 0:55:13Where is Shrater?
0:55:15 > 0:55:17Tragical!
0:55:53 > 0:55:57Graham to Cauldwell. Graham to Cauldwell.
0:55:57 > 0:56:01'Cauldwell.'
0:55:58 > 0:56:01Transmitting video.
0:56:07 > 0:56:10There's your Night Watch, Nick.
0:56:09 > 0:56:12'What's the other thing?'
0:56:16 > 0:56:18Mao Yixin. Why the hurry?!
0:56:18 > 0:56:20Oh! Nothing.
0:56:20 > 0:56:24My fourth. Or is it my fifth champagne?! Please.
0:56:24 > 0:56:26Get me some more.
0:56:39 > 0:56:41Take me back to the party!
0:56:41 > 0:56:45Sabrina. I thought you wanted...
0:56:42 > 0:56:45Let me go!
0:56:47 > 0:56:50This is your fifth, or is it sixth?
0:56:50 > 0:56:56SHE GIGGLES
0:56:51 > 0:56:56So you won't remember tomorrow if I tell you I want to kiss your breast
0:56:56 > 0:57:01till dawn? But I'm working.
0:56:58 > 0:57:01You know, you really...
0:57:17 > 0:57:19Mr Graham?
0:57:21 > 0:57:23'Mr Graham?'
0:57:23 > 0:57:30Yes?
0:57:24 > 0:57:30Is everything all right?
0:57:25 > 0:57:30Uh... Uh... I've been better.
0:57:29 > 0:57:33Is there anything I can do?
0:57:31 > 0:57:33No. Thanks.
0:57:39 > 0:57:41Uh!
0:57:41 > 0:57:44You don't sound yourself, Mr Graham.
0:57:44 > 0:57:47Patience, Timothy. Patience.
0:57:51 > 0:57:53(Oh!)
0:57:58 > 0:58:02RETCHING SOUND
0:58:09 > 0:58:11Ughhhh!
0:58:25 > 0:58:27HE FLUSHES TOILET
0:58:39 > 0:58:42Hi.
0:58:41 > 0:58:45Whew! It's all yours. Mind the step.
0:58:47 > 0:58:49HE WHISTLES
0:58:52 > 0:58:56Sabrina. I'm sorry I misread your signals.
0:58:56 > 0:59:03Martin, act your age. OK?
0:58:58 > 0:59:03- Telling Mike would only spoil your honeymoon.- Such wisdom!
0:59:03 > 0:59:09Oh, Mike! Martin showed me his collection. Such beautiful pictures.
0:59:09 > 0:59:14- Great.- Are you OK?
0:59:10 > 0:59:14I have this terrible stomach. We should go.
0:59:14 > 0:59:17Do you need a doctor?
0:59:17 > 0:59:21No, that's OK. I just need some hotel time.
0:59:21 > 0:59:27Listen, this was great. Good to see you again. Yeah.
0:59:24 > 0:59:27- Goodnight.- Goodbye.
0:59:29 > 0:59:31Oh, hi.
0:59:34 > 0:59:36Watch the Americans.
0:59:40 > 0:59:44That was close.
0:59:41 > 0:59:44It sure was! HE WHISTLES
0:59:52 > 0:59:54Look at me.
0:59:54 > 0:59:57Someone's on to us. Kiss me.
0:59:57 > 0:59:59What?!
1:00:16 > 1:00:18In a moment.
1:00:27 > 1:00:29Thanks.
1:00:54 > 1:00:57Myra! Do you want a ride?
1:00:56 > 1:00:57Sure.
1:01:06 > 1:01:09Heck of a party.
1:01:09 > 1:01:16I wouldn't know.
1:01:10 > 1:01:16Feeling badly?
1:01:12 > 1:01:16Was. That kiss made me feel better.
1:01:16 > 1:01:21Well, I'm glad I could be of help, darling.
1:01:27 > 1:01:32I wish we'd danced, Mike. I could take you both to a club.
1:01:32 > 1:01:34This corner's fine, thanks.
1:01:34 > 1:01:38Myra, that'd be great! Mike, me, you and your date.
1:01:43 > 1:01:45We'll talk tomorrow.
1:01:47 > 1:01:49Goodnight!
1:01:50 > 1:01:53Carry on.
1:01:53 > 1:01:57Well?!
1:01:54 > 1:01:57- Just a goodnight kiss.- Oh!
1:02:00 > 1:02:03BUSY STREET SOUNDS
1:02:52 > 1:02:55Fisk.
1:02:53 > 1:02:55- This is Myra. Code Red.- Myra?
1:02:55 > 1:03:00Mao Yixin's after me. I'm unarmed. Hurry!
1:03:06 > 1:03:08Myra's in trouble.
1:03:12 > 1:03:14EXCITED CHATTERING
1:03:21 > 1:03:25DISTANT SIREN
1:03:27 > 1:03:31What could I do? Turn away? She wanted to kiss me.
1:03:31 > 1:03:33- Mm-hm!- We had a mayday from Myra.
1:03:33 > 1:03:35Myra? When?
1:03:35 > 1:03:38Five minutes ago.
1:03:46 > 1:03:48Mr Shrater. It's for you.
1:03:50 > 1:03:57Hello. This is Martin.
1:03:51 > 1:03:57Check the satellite. Someone knows.
1:03:52 > 1:03:57- What do you mean?- Just do it!
1:04:06 > 1:04:09COMPUTER: Good evening, Mr Shrater.
1:04:41 > 1:04:43Definitely a space vehicle.
1:04:43 > 1:04:46Probably a satellite.
1:04:46 > 1:04:51We're running Mao Yixin's fingerprints. Nothing yet.
1:04:51 > 1:04:56Why would Shrater have all those reproductions in his private study?
1:04:56 > 1:04:59I mean, they're not worth much.
1:04:59 > 1:05:05What launch base does this satellite need?
1:05:01 > 1:05:05Not a lot. It's so miniature.
1:05:05 > 1:05:08- What if they're real.- What?
1:05:07 > 1:05:11Shrater's paintings. He swapped the Night Watch.
1:05:11 > 1:05:15I'd recognise a real Degas.
1:05:14 > 1:05:17Are you sure?
1:05:19 > 1:05:24It's Nick. (Where was this Degas?)
1:05:21 > 1:05:24Um... Chicago Art Institute.
1:05:24 > 1:05:26Call the Chicago Art Institute
1:05:26 > 1:05:32and ask them to check on the authenticity of L'Etoile by Degas.
1:05:32 > 1:05:34Yeah. Now.
1:05:34 > 1:05:37We need a list of Shrater's art.
1:05:39 > 1:05:41Damn!
1:05:41 > 1:05:47Myra and the Grahams worked together.
1:05:43 > 1:05:47- You don't know that.- Shut up!
1:05:47 > 1:05:54This arrogant scheme! Why the hell did you insist on forging paintings?
1:05:52 > 1:05:54You got over a million phones
1:05:54 > 1:05:58and I've finished the satellite that controls them.
1:05:58 > 1:06:04Remember that when you bad-mouth our deal.
1:06:04 > 1:06:06Our deal is over.
1:06:22 > 1:06:28We know Mao killed the girl. We know the painting's there.
1:06:25 > 1:06:28OK.
1:06:28 > 1:06:32But it's the satellite. We found a guy who built one.
1:06:32 > 1:06:35For what? That's what Cauldwell's after.
1:06:35 > 1:06:40Cauldwell barely knew Myra.
1:06:38 > 1:06:40Mike, listen.
1:06:40 > 1:06:43Cauldwell has to deal with a lot of red tape.
1:06:43 > 1:06:46We have to give him some time.
1:06:46 > 1:06:50He can take his time. I'm gonna go after Mao.
1:06:50 > 1:06:53Mike! Listen! Mike!
1:06:53 > 1:06:55SHE SIGHS
1:07:04 > 1:07:07MIKE! That's an order!
1:07:15 > 1:07:18MICHAEL! DAMMIT! MICHAEL!
1:07:25 > 1:07:28HE MURMURS AN ORDER
1:07:34 > 1:07:37- Arghhh!- Ughhh! UGHHHH!
1:07:37 > 1:07:41Arghhh! Uhhhhh! Uhhhhh!
1:07:43 > 1:07:46Arghhhh!
1:07:50 > 1:07:52HELP!
1:07:55 > 1:07:57Stop it!
1:08:16 > 1:08:18HELP!
1:08:29 > 1:08:32GUNSHOTS
1:08:41 > 1:08:43OK? Are you all right?
1:08:43 > 1:08:48No.
1:08:44 > 1:08:48Can I help you?
1:08:47 > 1:08:51FRIGHTENED SHOUTING
1:08:55 > 1:09:00Who do you work for? Answer me!
1:08:57 > 1:09:00DRIVER SOUNDS HORN
1:09:04 > 1:09:07RAPID GUNFIRE
1:09:12 > 1:09:15ANGRY SHOUTING
1:09:17 > 1:09:19Ugh! Uhhhhh!
1:10:14 > 1:10:17Sabrina?
1:11:35 > 1:11:38Hey. Have you seen a girl?
1:12:42 > 1:12:46Mike! I'm here!
1:12:52 > 1:12:55You screwed up, Graham.
1:12:59 > 1:13:02I mean, this time. Just this time.
1:13:02 > 1:13:06Didn't want to lose another partner.
1:13:04 > 1:13:06I know.
1:13:06 > 1:13:08Especially you.
1:13:20 > 1:13:25Mao Yixin? I got something on his fingerprints from US customs.
1:13:25 > 1:13:32Member of the Communist Party of North Korea.
1:13:30 > 1:13:32North Korea!
1:13:32 > 1:13:37He visited California the same year Shrater left for Hong Kong.
1:13:37 > 1:13:40I bet Mao's running the show.
1:13:48 > 1:13:56What do you think you're doing?
1:13:50 > 1:13:56The satellite's ready to launch.
1:13:52 > 1:13:56Since when...? Uhhhh! Oohhhh!
1:14:06 > 1:14:10The capitalist, as his true self.
1:14:09 > 1:14:18If you're thinking of killing me, there's a password you better know.
1:14:14 > 1:14:18The one for the satellite software?
1:14:20 > 1:14:23HE SHOUTS ORDERS IN KOREAN
1:14:23 > 1:14:28On permanent loan from the National Gallery in Washington.
1:14:28 > 1:14:31You see, I've spent the last eight years
1:14:31 > 1:14:36baby-sitting a capitalist eccentric while he created
1:14:36 > 1:14:40the weapon of the 21st century. A perfect marriage
1:14:40 > 1:14:45of technology, convenience and greed.
1:14:49 > 1:14:52Now, what's the password?
1:14:52 > 1:14:55Uh-uh. You wouldn't do it.
1:14:54 > 1:14:59You think I'll kill you, once I get the password? Oh, no.
1:14:59 > 1:15:03What if the system fails? Now, the password.
1:15:03 > 1:15:06No! You won't burn it.
1:15:06 > 1:15:08Watch me.
1:15:11 > 1:15:14Watch me, Martin.
1:15:17 > 1:15:19STOP! OH, GOD!
1:15:22 > 1:15:27There are many more paintings, and I have plenty of lighter fuel.
1:15:31 > 1:15:33The password is "Hoosier".
1:15:34 > 1:15:38H-O-O-S...
1:15:39 > 1:15:41..I-E-R.
1:15:50 > 1:15:54'The Hong Kong police say there were no witnesses.'
1:15:54 > 1:15:58What else?
1:15:55 > 1:15:58'The company that fired Shrater
1:15:58 > 1:16:03'built the scrambling system for US military communications.'
1:16:03 > 1:16:10Did he work on it?
1:16:05 > 1:16:10'He designed it. Pentagon details soon. Logging off.'
1:16:15 > 1:16:17The phone!
1:16:43 > 1:16:45Bess!
1:16:45 > 1:16:47Send your systems expert in here!
1:16:49 > 1:16:52THEY SPEAK KOREAN
1:16:57 > 1:16:59Watch this.
1:16:59 > 1:17:04'Authorisation to commence routine procedural rotation of sector two.
1:17:04 > 1:17:09'Agent Sang to supervise. Top six agents in Zone F...'
1:17:08 > 1:17:11It's a secure line from Washington!
1:17:11 > 1:17:17Not with this little guy. Let's patch it into the mainframe.
1:17:24 > 1:17:26That's amazing!
1:17:26 > 1:17:33Was that supposed to do that?
1:17:28 > 1:17:33Apparently.
1:17:29 > 1:17:33- A communication bomb.- Wait a second.
1:17:33 > 1:17:37When the eavesdropping phone gets the signal, it blows?
1:17:37 > 1:17:42And it's all controlled by...?
1:17:39 > 1:17:42By the satellite.
1:17:42 > 1:17:45Snappy. Pretty snappy.
1:17:48 > 1:17:54Is there anything worse than seeing your children die?
1:17:51 > 1:17:54Take them. For mankind's sake!
1:17:54 > 1:17:58Mankind has been enjoying your fakes for years.
1:17:58 > 1:18:01Mankind doesn't know the difference.
1:18:02 > 1:18:07After you've seen them burn, you can blow to kingdom come.
1:18:07 > 1:18:12These last eight years have been hell, Martin, but today,
1:18:12 > 1:18:14today makes up for it.
1:18:29 > 1:18:32Goodbye, Martin.
1:18:40 > 1:18:43The Degas in Chicago is a fake.
1:18:43 > 1:18:47Shrater had a Mary Cassatt in his collection.
1:18:47 > 1:18:50< OK! Move it!
1:18:50 > 1:18:53SHIP HORN BLOWS
1:18:53 > 1:18:56Red Star. On our way to you.
1:18:56 > 1:18:59Roger. Docking in ten minutes.
1:19:20 > 1:19:23ELECTRONIC BLEEPING
1:19:30 > 1:19:33BLEEPING SPEEDS UP
1:19:35 > 1:19:39NO! PLEASE! NO-O-O-O-O-O!
1:19:51 > 1:19:53SERGEANT! ON THE DOOR!
1:19:57 > 1:20:00FAST ELECTRONIC BLEEPING
1:20:07 > 1:20:09Go! Go! Go!
1:20:13 > 1:20:15Where's that coming from?!
1:20:23 > 1:20:27I'll go.
1:20:24 > 1:20:27No, I'll go. Wait!
1:20:40 > 1:20:45- I like this. Let's go.- HELP ME!
1:20:43 > 1:20:45I hear Shrater!
1:20:45 > 1:20:48They're burning the paintings!
1:20:57 > 1:21:01HE SPEAKS KOREAN
1:21:00 > 1:21:03REPLIES IN KOREAN
1:21:08 > 1:21:10PLEASE! NO!
1:21:10 > 1:21:17Shrater, is that you?
1:21:12 > 1:21:17- Yes.- It could be a set up. What are you doing?- I'll decide.
1:21:17 > 1:21:24How do we beat security, Shrater?
1:21:19 > 1:21:24- You can't.- I'll do it.
1:21:20 > 1:21:24COMPUTER: Entry denied.
1:21:26 > 1:21:28Go!
1:21:30 > 1:21:32Mao booby-trapped the paintings!
1:21:32 > 1:21:35Oh, Mom!
1:21:44 > 1:21:52Where's the satellite?
1:21:45 > 1:21:52- Mao took it to the launch.- Where?
1:21:48 > 1:21:52They're meeting a Korean freighter.
1:21:52 > 1:21:59They have a rocket. Two Mercedes vans. White. One is ground control.
1:21:56 > 1:21:59Fisk, search the estate. Let's go!
1:21:58 > 1:22:01WAIT! There's a bomb.
1:22:01 > 1:22:03A bomb?!
1:22:04 > 1:22:06A bomb!
1:22:06 > 1:22:11Mike!
1:22:07 > 1:22:11It's OK. I got it. I got it.
1:22:11 > 1:22:15Red, yellow...
1:22:12 > 1:22:15Be careful.
1:22:12 > 1:22:15..blue. Oh!
1:22:19 > 1:22:21Oh! Out!
1:22:25 > 1:22:26GO!
1:22:26 > 1:22:30Everybody, clear the building!
1:22:30 > 1:22:33What the...?! Come on!
1:22:34 > 1:22:36Mike!
1:22:44 > 1:22:45Ohhhh!
1:22:52 > 1:22:54SHIP HORN BLOWS
1:22:57 > 1:23:00The idea is to get there alive.
1:23:00 > 1:23:04You know, this honeymoon cover is just a cover.
1:23:04 > 1:23:07You don't get romantically involved.
1:23:07 > 1:23:09Of course, sir.
1:23:09 > 1:23:12Michael?
1:23:10 > 1:23:12I'm just glad to be here.
1:23:12 > 1:23:15SHIP HORN
1:23:15 > 1:23:18EXCITED SHOUTING
1:23:35 > 1:23:37Satellite dish.
1:23:41 > 1:23:44Look out. It could be booby-trapped.
1:23:45 > 1:23:49It's empty.
1:23:46 > 1:23:49- Where's the satellite?- Look.
1:23:49 > 1:23:57That's our freighter, Michael. Sabrina, find mission control.
1:23:53 > 1:23:57- Come on!- Do it! Close the door.
1:24:05 > 1:24:08HE SHOUTS ORDERS
1:24:18 > 1:24:22Oi! Come here, buddy! We want your boat.
1:24:22 > 1:24:27I'm on holiday, here!
1:24:24 > 1:24:27Off! Off! Throw the line!
1:24:27 > 1:24:29Come on!
1:24:29 > 1:24:32When do I get my boat back? Hey!
1:24:53 > 1:24:57How about that rope?
1:24:55 > 1:24:57- I see it.- I'll get you close.
1:24:57 > 1:24:59Give me your gun.
1:25:26 > 1:25:32THEY SPEAK KOREAN
1:25:37 > 1:25:39I'll decoy.
1:25:44 > 1:25:48SHOUTING
1:25:53 > 1:25:56EXCITED SHOUTING
1:26:22 > 1:26:25Arghhhh!
1:26:33 > 1:26:35Countdown.
1:26:47 > 1:26:49HE SHOUTS
1:27:11 > 1:27:14COUNTDOWN CONTINUES IN KOREAN
1:27:23 > 1:27:26COUNTDOWN CONTINUES
1:27:43 > 1:27:46Uhhhhhh!
1:27:58 > 1:28:01- Ooooh!- Uhhhh!
1:28:06 > 1:28:08Arghhhh!
1:28:26 > 1:28:30COUNTDOWN CONTINUES
1:28:54 > 1:28:56Lift off!
1:29:18 > 1:29:19FREEZE!
1:29:19 > 1:29:25Don't move! Get down! Where's the abort button? Come on!
1:29:25 > 1:29:27Get back here!
1:30:03 > 1:30:05Oh!
1:30:05 > 1:30:07- Oh!- Oh.
1:30:15 > 1:30:21Now, children, this is Rembrandt's largest painting. The Night Watch.
1:30:21 > 1:30:24How many people can you see in the shadows?
1:30:26 > 1:30:30Now, that, the real one, is a beautiful piece of work.
1:30:30 > 1:30:36Hmmm. Can you tell the difference? Are you sure it's the Night Watch?
1:30:36 > 1:30:40The real, no-kidding Rembrandt's Night Watch?
1:30:40 > 1:30:47Because, I don't know about you, but I can't tell the difference.
1:30:43 > 1:30:47Of course I can tell. That's it!
1:30:47 > 1:30:49OK.
1:31:01 > 1:31:04Got you guessing, eh?!
1:31:16 > 1:31:22Subtitles by IMS