0:00:10 > 0:00:15MAJESTIC MUSIC
0:00:34 > 0:00:37THUNDER ROLLS
0:00:55 > 0:00:58Think she'll get over this way?
0:01:02 > 0:01:03Might.
0:01:03 > 0:01:05Best bed them down.
0:01:05 > 0:01:10SWEEPING MUSIC
0:01:43 > 0:01:46THUNDER CRACKS
0:01:57 > 0:01:59Come on, Tig.
0:02:21 > 0:02:24THUNDER
0:02:33 > 0:02:34THUNDER CRACKS VIOLENTLY
0:02:34 > 0:02:35HORSES WHINNY
0:02:35 > 0:02:37WHIMPERS
0:02:38 > 0:02:40There she goes.
0:02:45 > 0:02:47Looks like we're in for it.
0:03:06 > 0:03:07You see 'em?
0:03:10 > 0:03:12I can't see 'em. I can't hear 'em.
0:03:12 > 0:03:15You ever seen one this bad?
0:03:16 > 0:03:18Not since Noah and the flood.
0:03:19 > 0:03:22Well, you should know, Boss. Since you was there.
0:03:24 > 0:03:25What did you say?
0:03:25 > 0:03:28He said, "You should know since you was there."
0:03:34 > 0:03:36Even that wasn't this damn wet.
0:03:36 > 0:03:38One thing's certain,
0:03:38 > 0:03:42Noah never shovelled as much bull from them he had aboard.
0:03:43 > 0:03:45Let's rustle up some grub.
0:03:46 > 0:03:47Mose!
0:03:48 > 0:03:50Hey!
0:03:52 > 0:03:53- That hurt? - Yeah.
0:03:53 > 0:03:56Mose. Still got them cards?
0:03:56 > 0:03:57Yeah, I got them.
0:03:57 > 0:04:00Yeah? Get them out. Let's have us a game after breakfast.
0:04:00 > 0:04:03THUNDER CRACKS
0:04:13 > 0:04:15- BOSS: - Button!
0:04:15 > 0:04:17Pull them plates under here.
0:04:21 > 0:04:23You going to play them cards, Mose,
0:04:23 > 0:04:25or stare a hole through 'em?
0:04:25 > 0:04:26Don't rush me.
0:04:30 > 0:04:31I'll take four.
0:04:32 > 0:04:35Oh, for pity's sakes. "Take four."
0:04:41 > 0:04:43All right, that's it.
0:04:45 > 0:04:46I'm out.
0:04:47 > 0:04:49Hey, kid...
0:04:54 > 0:04:56A man's trust is a valuable thing, Button.
0:04:56 > 0:04:59You don't want to lose it for a handful of cards.
0:05:13 > 0:05:16BIRDS CHIRP
0:05:55 > 0:05:57Well, at least it ain't raining.
0:06:00 > 0:06:01Get yourself dressed, Button.
0:06:01 > 0:06:04Help Mose get things cleaned up around here,
0:06:04 > 0:06:06then walk out and look for them horses.
0:06:19 > 0:06:22- MOSE:- Looks like you could use a little muscle there, Charley.
0:06:26 > 0:06:28You just keep on like you are.
0:06:29 > 0:06:32You'll get your chance soon enough.
0:06:37 > 0:06:39No need to ask for more chores, Mose.
0:06:39 > 0:06:42Every man's got to pull his weight, Button.
0:06:42 > 0:06:44Yeah, but my weight is half of yours.
0:06:48 > 0:06:52You know, it's hard to figure Charley sometimes.
0:06:52 > 0:06:54I ain't even sure if he likes me.
0:06:54 > 0:06:56He likes you.
0:06:57 > 0:07:01You know, Boss had some pause about hiring me on.
0:07:02 > 0:07:05Too big to get around on horses and work them cows.
0:07:06 > 0:07:08Afraid I'd eat too much.
0:07:09 > 0:07:11Charley there talked him into it.
0:07:11 > 0:07:14I ain't one to take a man's confidence lightly.
0:07:14 > 0:07:16- You know I ain't either. - I know.
0:07:16 > 0:07:17It's best to keep remembering it
0:07:17 > 0:07:19if you want respect
0:07:19 > 0:07:21when you're riding with men like Charley and Boss.
0:07:36 > 0:07:39GENTLE MUSIC
0:07:51 > 0:07:53Button, pull!
0:07:54 > 0:07:55GROANS: Pull.
0:07:55 > 0:07:57Button!
0:07:58 > 0:07:59Button!
0:07:59 > 0:08:02Quit playing with that dog and pull the wagon!
0:08:07 > 0:08:08DOG BARKS Pull it!
0:08:14 > 0:08:16- Pull! - Oh, yeah.
0:08:30 > 0:08:32Hey! Hey! Look at that!
0:08:32 > 0:08:35ROUSING MUSIC
0:09:03 > 0:09:05Old Boss sure can cowboy, can't he?
0:09:06 > 0:09:09Yeah, broke the mould after him.
0:09:23 > 0:09:26Main bunch is working its way towards water.
0:09:26 > 0:09:29We'll go up country, find the rest of them, push 'em back.
0:09:29 > 0:09:31- BUTTON: - I'm waiting, come on!
0:09:31 > 0:09:33Look at that.
0:09:35 > 0:09:37Goddamn kids.
0:09:37 > 0:09:38Anyway, once we get them together,
0:09:38 > 0:09:41we can start driving them back, closer to camp.
0:09:41 > 0:09:44Could be a while before we see another town.
0:09:44 > 0:09:46Could use supplies, coffee and such.
0:09:46 > 0:09:48MOSE AND BUTTON LAUGH
0:09:48 > 0:09:49Mose!
0:09:50 > 0:09:51Mose!
0:09:56 > 0:10:00You'll have to ride back to that town we passed a way's back.
0:10:00 > 0:10:02- When do you want me to go? - Tonight.
0:10:03 > 0:10:04- BUTTON: - I'll go.
0:10:04 > 0:10:06I can go.
0:10:06 > 0:10:08How long you figure, Charley?
0:10:08 > 0:10:12Without cows slowing things, maybe one day there, one back.
0:10:12 > 0:10:13That sounds about right.
0:10:13 > 0:10:15Come on, Boss. I can do it.
0:10:15 > 0:10:17Sure you can, boy.
0:10:17 > 0:10:19I'm just not sure that town's ready
0:10:19 > 0:10:22to have you turned loose on it just yet.
0:10:22 > 0:10:24- HE SWEARS IN SPANISH BOSS:- English!
0:10:24 > 0:10:27- BUTTON:- Damn! Shit! Bullshit!
0:10:34 > 0:10:36CATTLE BELLOW
0:10:36 > 0:10:38STIRRING MUSIC
0:11:38 > 0:11:41By God, if you're going to pick your feet like a monkey,
0:11:41 > 0:11:42you do it downwind.
0:11:46 > 0:11:49I swear to God, old Tig takes better care of herself.
0:11:50 > 0:11:52It was a mistake
0:11:52 > 0:11:54not getting you on to some town to learn a trade.
0:11:54 > 0:11:57I don't like towns. Never liked them.
0:11:57 > 0:11:59You're just saying that cos you heard me say it.
0:11:59 > 0:12:01Get yourself a trade in a town,
0:12:01 > 0:12:03you'll always have a roof over your head,
0:12:03 > 0:12:06bed off the ground and food as close as a cafe.
0:12:08 > 0:12:09Ain't that so, Charley?
0:12:12 > 0:12:14That was a big goddamn help.
0:12:14 > 0:12:16Might as well talk to this horse.
0:12:17 > 0:12:19Put your boot on, Button. Let's go to work.
0:12:22 > 0:12:25Of course, if you was to live in a town...
0:12:26 > 0:12:28..you'd have to clean up some.
0:12:30 > 0:12:32Otherwise no-one could stand the stink.
0:12:42 > 0:12:43What you do that for?!
0:12:50 > 0:12:52Cheatin' at cards.
0:12:56 > 0:12:57Ch...?
0:12:57 > 0:12:59Ch...but...
0:12:59 > 0:13:01I apologised to you for that!
0:13:03 > 0:13:05Hey, Boss, I apologised to him for that.
0:13:05 > 0:13:07Evidently, he ain't over it yet.
0:13:26 > 0:13:28It's getting dark, Boss.
0:13:29 > 0:13:32He could have got hurt between that town and the camp.
0:13:32 > 0:13:34Probably just taking his time.
0:13:34 > 0:13:37Don't suppose he got into a poker game, do you?
0:13:37 > 0:13:40Wouldn't gamble your money, Boss.
0:13:41 > 0:13:43- BUTTON:- What if he's lying out there
0:13:43 > 0:13:44waiting for us to come along?
0:13:44 > 0:13:46We'll never find him at night, Button.
0:13:46 > 0:13:48Come on down from there.
0:13:48 > 0:13:50He's worried.
0:13:50 > 0:13:52- Are you worried? - Yeah, I'm worried.
0:13:52 > 0:13:54Been worried since yesterday.
0:13:54 > 0:13:55You should have sent me.
0:13:55 > 0:13:57Mose can look out for himself.
0:13:57 > 0:14:00Then why ain't he sitting here with us?
0:14:00 > 0:14:03You never wanted to go to towns - this or any other.
0:14:03 > 0:14:05I don't want to go now, neither.
0:14:05 > 0:14:07But we better find him, wherever he is.
0:14:10 > 0:14:11All right.
0:14:11 > 0:14:15You and me strike out early. Button can watch the outfit.
0:14:15 > 0:14:19Button, come on down from there and get supper a-workin'.
0:14:30 > 0:14:32- BOSS:- Most likely be back before suppertime.
0:14:32 > 0:14:34- BUTTON:- Three sets of eyes is better than two.
0:14:34 > 0:14:36You stay with the wagon.
0:14:36 > 0:14:38Come on, Boss. No-one is going to bother it.
0:14:38 > 0:14:42We haven't seen a single person since we set up the camp.
0:14:42 > 0:14:44I always feel better about leaving a wagon
0:14:44 > 0:14:45if someone's close around.
0:14:45 > 0:14:48You've been workin' hard. You deserve some loafin' time.
0:14:48 > 0:14:49Stay right here.
0:14:52 > 0:14:53TIG BARKS
0:14:53 > 0:14:56- Stay, Tig. - Wants to go.
0:14:56 > 0:14:58She acts like she does, but she don't.
0:14:58 > 0:15:01Still got the heart, not the legs.
0:15:03 > 0:15:05You keep that rifle close.
0:15:05 > 0:15:08DRAMATIC MUSIC BUILDS
0:15:19 > 0:15:22MUSIC INTENSIFIES
0:15:57 > 0:15:58- MAN:- Get up.
0:15:58 > 0:16:01MYSTERIOUS MUSIC
0:16:13 > 0:16:16I always liked me a side-arm with some heft.
0:16:16 > 0:16:18Took this off a man
0:16:18 > 0:16:20who couldn't pay all he owed for some cows.
0:16:20 > 0:16:22Damn fine weapon.
0:16:23 > 0:16:26Always noticed you favour something light, don't you?
0:16:33 > 0:16:36GENTLE MUSIC
0:17:38 > 0:17:40Hello!
0:17:45 > 0:17:46Howdy!
0:17:46 > 0:17:48Howdy.
0:17:48 > 0:17:49Feed and water 'em?
0:17:49 > 0:17:51Curry 'em down with saddles on.
0:17:51 > 0:17:53OK. That'll be four bits each.
0:17:57 > 0:17:58Not planning on staying long?
0:17:58 > 0:18:01Long as it takes to find who we're looking for.
0:18:01 > 0:18:03Well, maybe I can help you, gents.
0:18:03 > 0:18:05I've been here since Harmonville was Fort Harmon
0:18:05 > 0:18:08and we still had soldiers to chase off the Indians.
0:18:08 > 0:18:10I know everybody in town and for miles beyond.
0:18:11 > 0:18:14Big man, needing a haircut. About 30.
0:18:14 > 0:18:16Uh...
0:18:16 > 0:18:17That's his rig right there.
0:18:21 > 0:18:22Oh, yeah.
0:18:22 > 0:18:24Know who you're talking about.
0:18:24 > 0:18:25Very friendly young fella.
0:18:25 > 0:18:29Looks like he's been living out of saddlebags most of his life.
0:18:29 > 0:18:30Got his horse in the corral.
0:18:30 > 0:18:32Ride with you, does he?
0:18:32 > 0:18:35- Know where we can find him? - Yeah.
0:18:35 > 0:18:37Yeah, he's up in the jailhouse.
0:18:37 > 0:18:40He got into it with some... with some cattlemen
0:18:40 > 0:18:41over at the general store.
0:18:41 > 0:18:43- Cattlemen? - Yeah.
0:18:43 > 0:18:44They busted him up pretty bad,
0:18:44 > 0:18:46before Marshal Poole came up back of him,
0:18:46 > 0:18:48hit him with his gun barrel.
0:18:48 > 0:18:51Yeah, he's lucky he didn't get shot in the back,
0:18:51 > 0:18:53if you know what I mean.
0:18:53 > 0:18:55You might want to keep that in mind
0:18:55 > 0:18:56when you're talking to Marshal Poole.
0:18:56 > 0:18:58Saddle his horse.
0:18:58 > 0:18:59That cover what he owes?
0:18:59 > 0:19:01Oh, yeah.
0:19:01 > 0:19:03Name's Percy, if you should need anything else.
0:19:03 > 0:19:05- Much obliged. - Let's go, fellas.
0:19:05 > 0:19:06Hold on.
0:19:16 > 0:19:18- MAN:- How long you had him here, then?
0:19:18 > 0:19:20I brought him in here yesterday afternoon
0:19:20 > 0:19:23and I tell ya, it wasn't easy getting him in his cell.
0:19:23 > 0:19:25Why's that?
0:19:25 > 0:19:26Goddamn bear, the size of him.
0:19:29 > 0:19:30Evening.
0:19:30 > 0:19:33Name's Boss Spearman.
0:19:33 > 0:19:34This here's Charley Waite.
0:19:34 > 0:19:36Evening.
0:19:36 > 0:19:39Believe you have a friend of ours in your jail.
0:19:39 > 0:19:41Name's Mose Harrison.
0:19:41 > 0:19:43Yeah, I got him here.
0:19:43 > 0:19:46He started a fight in the general store.
0:19:46 > 0:19:50Oh, Mose don't start fights.
0:19:50 > 0:19:51Just finishes them.
0:19:51 > 0:19:54I just said he started it, you said he didn't.
0:19:54 > 0:19:56Maybe you're calling me a liar.
0:19:56 > 0:19:58You got a charge against him?
0:19:58 > 0:20:00I got plenty.
0:20:00 > 0:20:03Inciting a fight, disturbing the peace,
0:20:03 > 0:20:05creating a public nuisance - take your pick.
0:20:05 > 0:20:07Hear tell he got hit over the head.
0:20:10 > 0:20:12He'll be fine.
0:20:12 > 0:20:13Well, I come to get him.
0:20:14 > 0:20:16Well...
0:20:16 > 0:20:18You pay the fines and you can have him.
0:20:18 > 0:20:23How does 50 each offence sound?
0:20:23 > 0:20:25Like robbery.
0:20:28 > 0:20:30Lot of money.
0:20:30 > 0:20:32Oh, yes. A lot of money.
0:20:33 > 0:20:36I've been waiting for you, Mr Spearman.
0:20:36 > 0:20:37My name's Denton Baxter.
0:20:38 > 0:20:40Be your men Mose tussled with.
0:20:40 > 0:20:42That's right.
0:20:42 > 0:20:44You know, folks in Fort Harmon country
0:20:44 > 0:20:48don't take to free-grazers or free-grazing.
0:20:48 > 0:20:51They hate them more than they used to hate the Indians.
0:20:51 > 0:20:54I expect by 'folks', you mean ranchers like yourself.
0:20:57 > 0:20:59I got the biggest spread round these parts.
0:20:59 > 0:21:01Bigger than any three or four put together.
0:21:01 > 0:21:03Built it up with my own two hands,
0:21:03 > 0:21:05piece by piece.
0:21:05 > 0:21:06Along with this town.
0:21:06 > 0:21:08And there ain't no free-graze cattle
0:21:08 > 0:21:11going to take the feed off my cattle on this range.
0:21:11 > 0:21:13Free-graze is legal.
0:21:13 > 0:21:17Times change, Mr Spearman. Most folks change with them.
0:21:17 > 0:21:19A few hold-outs never do.
0:21:21 > 0:21:25Now, a few years back, a free-graze outfit came through.
0:21:25 > 0:21:27One night, the cattle got stampeded,
0:21:27 > 0:21:30the wagons caught on fire, and one of those boys
0:21:30 > 0:21:34was shot off his horse in the middle of it all.
0:21:34 > 0:21:36Shot in the back, was he?
0:21:41 > 0:21:44Your man's horse and rig are at the livery barn.
0:21:44 > 0:21:47You can take him with you when you leave tonight.
0:21:47 > 0:21:49And come sunrise, you hitch up your wagon
0:21:49 > 0:21:52and get your damned free-graze cattle moving
0:21:52 > 0:21:53and keep them moving
0:21:53 > 0:21:55till you're out of Fort Harmon country.
0:21:56 > 0:21:59Now, you let Mr Spearman fetch his man
0:21:59 > 0:22:01so he can be on his way.
0:22:01 > 0:22:04DRAMATIC MUSIC
0:22:20 > 0:22:21Charley...
0:22:22 > 0:22:24HE SIGHS
0:22:24 > 0:22:26- WHISPERS:- Oh, it's...
0:22:26 > 0:22:29- Boss? Boss? - Uh-uh.
0:22:30 > 0:22:32- Ugh! - HE SIGHS
0:22:33 > 0:22:37Looks like someone's put the boots to him after he was down.
0:22:37 > 0:22:38Does it?
0:22:44 > 0:22:45- Mose? - HE MUMBLES
0:22:45 > 0:22:47- Gotta get up. - Charley.
0:22:47 > 0:22:49I'm glad to see you.
0:22:49 > 0:22:53- MOANS:- I don't much like this town.
0:22:55 > 0:22:57Here you go.
0:22:59 > 0:23:01Boy, they really laid into him.
0:23:01 > 0:23:03You got a doctor in this town?
0:23:03 > 0:23:04Yeah. Doc Barlow.
0:23:04 > 0:23:07It's the house up behind the barn by the church.
0:23:07 > 0:23:09Look for a picket fence.
0:23:09 > 0:23:11He's got a sign out front.
0:23:12 > 0:23:15Oh, my. Bring him right in.
0:23:21 > 0:23:22Lay him down in there.
0:23:32 > 0:23:35I'll fetch the doctor.
0:23:35 > 0:23:36Get his legs, Boss.
0:23:38 > 0:23:39Easy. MOSE GROANS
0:23:39 > 0:23:41Good.
0:23:49 > 0:23:50I'm Dr Barlow.
0:23:50 > 0:23:52Boss Spearman.
0:23:53 > 0:23:55Charley Waite.
0:23:55 > 0:23:57Patient there is Mose Harrison. He works for me.
0:23:57 > 0:23:59These wounds are a couple days old.
0:23:59 > 0:24:01Easier if you bring them in right away.
0:24:01 > 0:24:04Your marshal had him, and he don't keep a friendly jail.
0:24:04 > 0:24:06Is this the man in the fight with Baxter's men?
0:24:06 > 0:24:08That's right.
0:24:08 > 0:24:10He certainly gave as good as he got.
0:24:10 > 0:24:12Broke the arm of one.
0:24:12 > 0:24:14Knowing them, they had it coming, I expect.
0:24:16 > 0:24:17See what we got here.
0:24:17 > 0:24:19HE GROANS PAINFULLY
0:24:19 > 0:24:21- Easy, Mose. - Easy, Mr Harrison.
0:24:21 > 0:24:23Nobody's trying to hurt you on purpose here, Mose.
0:24:23 > 0:24:25You got a couple of broken ribs.
0:24:25 > 0:24:27Need to get this shirt off.
0:24:36 > 0:24:39Sue, I'm going to need some soap, some water, some alcohol.
0:24:39 > 0:24:41Mm-hm.
0:24:46 > 0:24:48I want you to drink this, Mr Harrison.
0:24:48 > 0:24:50That's it.
0:24:50 > 0:24:52MOSE COUGHS
0:24:54 > 0:24:56Let's clean up these cuts on his face.
0:24:56 > 0:24:59He's got a nice gash in his scalp there.
0:25:00 > 0:25:01I'd say, "To good health," gentlemen,
0:25:01 > 0:25:04but then I'd probably be out of business, wouldn't I?
0:25:04 > 0:25:07We'll drink to good health for them that have it coming.
0:25:08 > 0:25:10Yeah.
0:25:10 > 0:25:12The two of you can wait in the parlour.
0:25:17 > 0:25:20TRANQUIL MUSIC
0:25:26 > 0:25:27- DOC:- Be better he didn't travel.
0:25:27 > 0:25:29BOSS: Well, he'll have to.
0:25:31 > 0:25:33How much I owe you, Doctor?
0:25:33 > 0:25:34We're even.
0:25:34 > 0:25:37I've made enough off what he did to Baxter's men.
0:25:37 > 0:25:39I wish he'd made you wealthy.
0:25:41 > 0:25:42Ma'am.
0:26:09 > 0:26:11BOSS: Doc Barlow's got him a pretty wife.
0:26:11 > 0:26:13Noticed that, did ya?
0:26:13 > 0:26:15Well, I ain't dead.
0:26:15 > 0:26:16Glad to hear it.
0:26:16 > 0:26:18Sweet too.
0:26:18 > 0:26:21Treated us good as anybody. A real lady.
0:26:21 > 0:26:23Woman like that
0:26:23 > 0:26:27makes a man think about setting down roots, hey.
0:26:28 > 0:26:30Doc looks like a real hard working fella.
0:26:30 > 0:26:33Probably working away on making some little ones too.
0:26:34 > 0:26:36Creates quite a picture now, don't it?
0:26:36 > 0:26:39Yeah. Heard they're worth a thousand words.
0:26:40 > 0:26:43SWEEPING, DRAMATIC MUSIC
0:26:56 > 0:26:57TIG BARKS
0:27:11 > 0:27:13Now, where do you suppose he is?
0:27:28 > 0:27:29HE SIGHS
0:27:29 > 0:27:31Goddamn kid.
0:27:33 > 0:27:35Button's all right, Boss.
0:27:39 > 0:27:42Anyone done him harm, they'd have gone through the wagon.
0:27:42 > 0:27:43Reckon you're right.
0:27:48 > 0:27:49Here he is.
0:27:50 > 0:27:53If you're awake, Mose, you might want to see this.
0:27:53 > 0:27:55- BOSS: Where you been? - I seen it before, Charley.
0:27:55 > 0:27:57- BUTTON:- Out with the herd.
0:27:57 > 0:27:59I thought I told you to stay with the wagon.
0:27:59 > 0:28:02- What happened to... - Did you hear what I said?!
0:28:02 > 0:28:03Yeah, but what happened?
0:28:03 > 0:28:06He ran into a little trouble in that town.
0:28:06 > 0:28:08It looks like more than a little.
0:28:09 > 0:28:11Are we moving on?
0:28:11 > 0:28:14We always do, don't we? Once we've grazed off a place.
0:28:23 > 0:28:25Did I do something wrong, Charley?
0:28:25 > 0:28:27Just leave him be for a while.
0:28:27 > 0:28:29Here. Have some coffee.
0:28:29 > 0:28:31Made fresh for a change.
0:28:31 > 0:28:34There was three riders scouting out the herd this morning.
0:28:34 > 0:28:36Where?
0:28:36 > 0:28:37Maybe half a mile out.
0:28:37 > 0:28:40Just sitting there, looking at the cattle.
0:28:40 > 0:28:43DRAMATIC MUSIC
0:28:50 > 0:28:52BOSS: Same ones?
0:28:52 > 0:28:54Four this time.
0:28:55 > 0:28:56Country's filling up.
0:28:56 > 0:28:58Maybe we should push on.
0:28:58 > 0:29:00Do no good, Button.
0:29:00 > 0:29:01I've seen them like Baxter before.
0:29:01 > 0:29:05He means to have this herd or scatter it to the wind.
0:29:05 > 0:29:07- BUTTON:- If he was going to take the herd,
0:29:07 > 0:29:09why not just keep you in that town?
0:29:09 > 0:29:11Marshal already had Mose.
0:29:11 > 0:29:13- CHARLEY:- Wants us all in one place.
0:29:14 > 0:29:16Far from there when it happens.
0:29:16 > 0:29:19Don't make no sense, him telling us to move on, and all.
0:29:19 > 0:29:22Weren't the only thing he said.
0:29:22 > 0:29:26Most of the time a man will tell you his bad intentions
0:29:26 > 0:29:28if you listen, let yourself hear.
0:29:28 > 0:29:31"Few years back, free-graze outfit come through..."
0:29:33 > 0:29:35That weren't no idle story.
0:29:35 > 0:29:37BOSS: Let's find out for certain.
0:29:37 > 0:29:40TENSE MUSIC
0:30:12 > 0:30:15CATTLE LOW
0:30:24 > 0:30:25BOSS SIGHS
0:30:28 > 0:30:30Beautiful country.
0:30:31 > 0:30:33A man can get lost out here.
0:30:33 > 0:30:37Forget there's people and things that ain't so simple as this.
0:30:40 > 0:30:42How long we been riding together, Charley?
0:30:43 > 0:30:45Nigh on ten years.
0:30:45 > 0:30:46Mm-hm.
0:30:47 > 0:30:50You know what they call that? They call it a decade.
0:30:50 > 0:30:52Long time.
0:30:52 > 0:30:55Been a lot of change since then.
0:30:57 > 0:30:58What's on your mind, Boss?
0:30:58 > 0:31:00BOSS SIGHS
0:31:00 > 0:31:03Way I figure it, we can leave the cattle behind and run,
0:31:03 > 0:31:05or you and me can go out there in the dark
0:31:05 > 0:31:08and stop them before they scatter the herd.
0:31:11 > 0:31:15You reckon them cows are worth getting killed over?
0:31:15 > 0:31:16The cows is one thing.
0:31:16 > 0:31:18But one man telling another man
0:31:18 > 0:31:21where he can go in this country is something else.
0:31:21 > 0:31:23That rancher sat in that jailhouse sort of sneering
0:31:23 > 0:31:26and letting his lawman lay down the law,
0:31:26 > 0:31:28till he figured it was time to show us
0:31:28 > 0:31:30that he gave the orders around here.
0:31:30 > 0:31:33Ooh, it sticks in my craw.
0:31:37 > 0:31:41Well, we sure as hell owe 'em for what they done to Mose.
0:31:41 > 0:31:42Yeah.
0:31:45 > 0:31:46I'll saddle the horses.
0:31:52 > 0:31:54You two keep a sharp eye out.
0:31:55 > 0:31:58Got the scattergun. We'll be watching for them.
0:31:58 > 0:32:00- Yeah. - You'll want to douse that fire.
0:32:00 > 0:32:02Button, you keep to the wagon for cover.
0:32:02 > 0:32:05I don't want to see you out in the open. OK?
0:32:10 > 0:32:12I got some sugar in that town.
0:32:14 > 0:32:16It's in the wagon.
0:32:20 > 0:32:21THEY LAUGH
0:32:24 > 0:32:27CRICKETS CHIRP
0:32:33 > 0:32:35- MAN:- I wouldn't want to have him
0:32:35 > 0:32:36coming down on me like these cowboys.
0:32:36 > 0:32:38What the hell's the matter with you, Gus?
0:32:38 > 0:32:40You're twitching all damn night.
0:32:40 > 0:32:46Damn back's so sore from being flung into that stove.
0:32:46 > 0:32:50- SIGHS:- I feel like I been humped by a 300-pound whore.
0:32:52 > 0:32:54Well, Gus, I'd say you got off easy.
0:32:54 > 0:32:55Look at my face.
0:32:58 > 0:33:01You can bet Butler will square things with that big man.
0:33:01 > 0:33:03Breaking his arm and all.
0:33:04 > 0:33:06Did you hear it snap?
0:33:08 > 0:33:09I heard it snap.
0:33:09 > 0:33:12Lucky for him, he shoots with either hand.
0:33:12 > 0:33:13GUN COCKS
0:33:14 > 0:33:16BOSS: One twitch and you're in hell!
0:33:16 > 0:33:18Now get on your feet, all of you!
0:33:21 > 0:33:23Now throw them guns on the ground.
0:33:24 > 0:33:26GUN COCKS
0:33:26 > 0:33:28HORSE NEIGHS SOFTLY
0:33:28 > 0:33:29I ain't going to say it again.
0:33:35 > 0:33:36And kick 'em away.
0:33:44 > 0:33:47Which one of you has got a sore back?
0:33:49 > 0:33:50Which one?
0:33:50 > 0:33:52Him.
0:33:54 > 0:33:56- You Gus? - Yeah.
0:33:56 > 0:33:58Ought not gang up on a man three to one.
0:33:58 > 0:33:59HE GRUNTS
0:33:59 > 0:34:02Wait a minute, mister. It wasn't our idea to jump him.
0:34:02 > 0:34:05- Shut up, Wylie. - Get up, you son of a bitch.
0:34:05 > 0:34:07- What's your name? - Vince.
0:34:08 > 0:34:12Mighty nice tie-down you got there. You a gun hand, are ya?
0:34:12 > 0:34:14- You fast? - No.
0:34:14 > 0:34:17Uh-huh. How many riders does he have?
0:34:18 > 0:34:20I said, how many riders?
0:34:20 > 0:34:23The rest are on their way to your wagon.
0:34:27 > 0:34:28MAN CRIES OUT
0:34:28 > 0:34:30You want to smile now? Go ahead.
0:34:30 > 0:34:33Be a while before he's of use.
0:34:33 > 0:34:36Charley, throw me them saddlebags.
0:34:41 > 0:34:43HORSE WHINNIES
0:34:44 > 0:34:46Put your spook hats on.
0:34:48 > 0:34:50The ones in your belt - put them on!
0:34:54 > 0:34:55Now get your britches off.
0:34:57 > 0:34:59I'm not taking my britches off for nobody.
0:35:00 > 0:35:02HE GRUNTS
0:35:03 > 0:35:06You listen out of your good ear, now. Now get 'em off!
0:35:13 > 0:35:14Pretty scary bunch, eh, Charley?
0:35:18 > 0:35:21Get belly-down. Flat out! HE GRUNTS
0:35:21 > 0:35:23Get your peckers in the dirt.
0:35:24 > 0:35:26- SHOUTING:- Hah! Hah!
0:35:26 > 0:35:29HORSES WHINNY
0:35:29 > 0:35:32If I hear so much as a twig break...
0:35:32 > 0:35:34..I'll come back and kill you all.
0:35:40 > 0:35:41BOSS: Charley?
0:35:41 > 0:35:43Charley!
0:35:43 > 0:35:46DRAMATIC MUSIC
0:35:51 > 0:35:55DRAMATIC MUSIC
0:36:15 > 0:36:17No Tig come to meet us.
0:36:32 > 0:36:35Ooh, the bastards.
0:36:35 > 0:36:39They shot the boy, but he's alive.
0:36:41 > 0:36:42Is that Mose?
0:36:48 > 0:36:51He's dead.
0:36:51 > 0:36:53Shot him in the head.
0:36:59 > 0:37:01Charley. >
0:37:01 > 0:37:05DARK MUSIC
0:37:05 > 0:37:07Charley.
0:37:09 > 0:37:12Charley. Get the lantern and the whisky.
0:37:19 > 0:37:22Despierta. Despierta.
0:37:22 > 0:37:24Come on, wake up. Charley.
0:37:26 > 0:37:27They shot him here
0:37:27 > 0:37:29and cracked him in the head here.
0:37:29 > 0:37:32We'll have to dig that bullet out.
0:37:34 > 0:37:36COW MOOS
0:37:38 > 0:37:40You done good, Boss.
0:37:43 > 0:37:45Him going in and out like that.
0:37:46 > 0:37:50I don't know. He lost a lot of blood.
0:37:50 > 0:37:51A whack on the head
0:37:51 > 0:37:54can make a man strange for the rest of his days.
0:37:56 > 0:37:57Well, you done all you can.
0:37:57 > 0:38:00He needs a doctor now.
0:38:01 > 0:38:03If Button lives through morning,
0:38:03 > 0:38:06you take him in a wagon and move on.
0:38:08 > 0:38:11Are you just going to sit out here waiting with them cows?
0:38:11 > 0:38:13That's right.
0:38:14 > 0:38:16And I'm going to kill
0:38:16 > 0:38:18every son of a bitch that comes to take them.
0:38:20 > 0:38:22For one man on open ground,
0:38:22 > 0:38:24you sure got a lot of killing in mind.
0:38:37 > 0:38:39You know I've never gone against you, Boss.
0:38:39 > 0:38:42I always let you do most of the talking.
0:38:43 > 0:38:48But he needs that doctor back in that town and I aim to take him.
0:38:48 > 0:38:51If you want to come along, fine, we'll go together.
0:38:51 > 0:38:54Otherwise...you do what you have to do. I'll do the same.
0:38:54 > 0:38:56You think they'll just let you waltz in there,
0:38:56 > 0:38:58pretty as you please and waltz out again?
0:38:58 > 0:39:00That don't figure into it.
0:39:00 > 0:39:02Button deserves every chance we can give him.
0:39:06 > 0:39:08All right.
0:39:12 > 0:39:15But I aim to kill Baxter and those that done this
0:39:15 > 0:39:18and if that marshal gets in the way, I'll kill him too.
0:39:18 > 0:39:22So you best get your mind right about what's got to be done.
0:39:22 > 0:39:25I got no problem with killing, Boss.
0:39:25 > 0:39:27Never have.
0:39:27 > 0:39:31GENTLE MUSIC
0:40:08 > 0:40:11METAL CLANKING
0:40:24 > 0:40:26Looks real nice, Charley.
0:40:27 > 0:40:31Well, a man ought to have something to show he was here.
0:40:32 > 0:40:34It'll be gone in another big storm.
0:40:34 > 0:40:37It don't matter none. He's got your dog for company.
0:40:37 > 0:40:40He'd like it you put old Tig with him.
0:40:41 > 0:40:45Yeah, well, he was more Mose's dog in the end than he was mine.
0:40:47 > 0:40:49You right to say some words?
0:40:49 > 0:40:50BOSS SIGHS
0:40:50 > 0:40:53If you want to speak with the man upstairs, do it.
0:40:53 > 0:40:56I'll stand right here and listen, hat in hand.
0:40:56 > 0:40:58But I ain't talking to that son of a bitch.
0:40:58 > 0:41:01And I'll be holding a grudge for him letting this befall
0:41:01 > 0:41:03a sweet kid like Mose.
0:41:09 > 0:41:12Well, he sure as hell wasn't one to complain.
0:41:14 > 0:41:15Woke with a smile.
0:41:15 > 0:41:18It seemed like he could keep it there all day.
0:41:19 > 0:41:22Kind of man who'd say "Good morning" and mean it,
0:41:22 > 0:41:24whether it was or not.
0:41:24 > 0:41:26HORSES NEIGH
0:41:26 > 0:41:27To tell you the truth, Lord,
0:41:27 > 0:41:30if there was two gentler souls in this world,
0:41:30 > 0:41:31I've never seen them.
0:41:31 > 0:41:35It seemed like old Tig wouldn't even kill birds in the end.
0:41:36 > 0:41:39You got yourself a good man and a good dog
0:41:39 > 0:41:41and I'm inclined to agree with Boss
0:41:41 > 0:41:44about holding a grudge against you for it.
0:41:45 > 0:41:47I guess that means amen.
0:42:09 > 0:42:10SPITS: God!
0:42:11 > 0:42:13- BOSS: - Charley, are you all right?
0:42:18 > 0:42:20I'm fine.
0:42:21 > 0:42:23Seems like you was, you know...
0:42:23 > 0:42:25I said I'm fine, just...
0:42:25 > 0:42:27CHARLEY SIGHS
0:42:27 > 0:42:29..Just got some old feelings coming up.
0:42:29 > 0:42:31- Yeah. - CHARLEY SNIFFS
0:42:31 > 0:42:33You know, Charley, we never asked each other much.
0:42:33 > 0:42:35It's always been OK with me.
0:42:35 > 0:42:37I figured it was always OK with you.
0:42:37 > 0:42:40But you said some things the last couple of days,
0:42:40 > 0:42:45things that seemed like they had kind of a history to them.
0:42:45 > 0:42:46CHARLEY SNIFFS
0:42:48 > 0:42:51- Eh, Charley? - Don't stand behind me, Boss.
0:43:01 > 0:43:04CRICKETS CHIRP
0:43:14 > 0:43:17When I was a kid,
0:43:17 > 0:43:20a bunch of us would go to the woods with our peashooters.
0:43:20 > 0:43:22Nothing fancy,
0:43:22 > 0:43:24just enough to kill a bird or a squirrel, maybe,
0:43:24 > 0:43:26something larger if we was lucky.
0:43:28 > 0:43:31I killed my first man in them woods.
0:43:31 > 0:43:36He held the paper on our farm and after my pa died he...
0:43:36 > 0:43:37he'd come round
0:43:37 > 0:43:40and get payment from my mom any way he could.
0:43:40 > 0:43:44Not much older than Button when I shot him in the throat.
0:43:45 > 0:43:47I knew there'd be more killing,
0:43:47 > 0:43:50so I ran off and joined the army.
0:43:50 > 0:43:54The war was on, they was...they was only too happy to have me.
0:43:56 > 0:43:57My first skirmish
0:43:57 > 0:44:00was pretty much like hunting in them woods with my friends.
0:44:00 > 0:44:04We just sat up in some trees and they came marching right at us.
0:44:04 > 0:44:07Must've been 100 of them lying dead
0:44:07 > 0:44:08after the smoke cleared.
0:44:09 > 0:44:12We went around and shot the rest who weren't.
0:44:13 > 0:44:17Those of us with the knack was made into a special squad,
0:44:17 > 0:44:20so we could travel light and on our own into enemy territory.
0:44:21 > 0:44:25Orders were pretty simple - make trouble wherever we could.
0:44:26 > 0:44:30With room like that, it wasn't long before we was killing men
0:44:30 > 0:44:32who weren't even in uniform.
0:44:33 > 0:44:37It seemed like that went on the rest of the war.
0:44:38 > 0:44:40After that, I come west.
0:44:41 > 0:44:45A lot of call for men with them skills
0:44:45 > 0:44:48and I put them to work for men just like Baxter.
0:44:53 > 0:44:54And every once in a while,
0:44:54 > 0:44:59I almost get through a day without thinking about who I am,
0:44:59 > 0:45:01what I'd done.
0:45:06 > 0:45:09HORSES SNORT
0:45:10 > 0:45:12He drifted off again.
0:45:12 > 0:45:14No better, but no worse, either.
0:45:15 > 0:45:18You're a real honest man, Charley.
0:45:18 > 0:45:20Well, I ain't going to lie to you about Button.
0:45:20 > 0:45:22It's not Button I'm talking about.
0:45:22 > 0:45:25DARK MUSIC
0:45:49 > 0:45:51- Mr Spearman. - Doctor in?
0:45:51 > 0:45:52No, he's not here.
0:45:52 > 0:45:54We've got a boy who's hurt bad.
0:45:54 > 0:45:57Here. Put him in the examining room.
0:45:57 > 0:45:59Ma'am.
0:45:59 > 0:46:00Oh, God.
0:46:04 > 0:46:07WIND HOWLS
0:46:13 > 0:46:15It's not his hearing, ma'am.
0:46:15 > 0:46:17He hears real well when he's awake.
0:46:17 > 0:46:20I'm checking to see if there's blood in his ears.
0:46:20 > 0:46:22It could mean a fractured skull.
0:46:24 > 0:46:25MOUTHS SILENTLY
0:46:25 > 0:46:27Are you the boy's father?
0:46:27 > 0:46:28No, ma'am.
0:46:28 > 0:46:31His name's Button and he works for me.
0:46:31 > 0:46:34It appears that's not very healthy.
0:46:34 > 0:46:37Oh, you know the way to the parlour.
0:46:37 > 0:46:38Sit down.
0:46:38 > 0:46:40I'll be a while.
0:46:41 > 0:46:44CLOCK TICKS
0:46:47 > 0:46:50THUNDER ROLLS
0:46:59 > 0:47:01SHE SIGHS
0:47:01 > 0:47:04Well, I don't think it's a fracture.
0:47:04 > 0:47:07Concussion's more likely, but it's bad.
0:47:07 > 0:47:10DOGS BARK
0:47:17 > 0:47:21I have to admit, we don't see a lot of people shot.
0:47:21 > 0:47:23I cleaned and dressed the wound as best I could.
0:47:23 > 0:47:26- It doesn't look infected. - What about the fever?
0:47:26 > 0:47:29He needs to lay still and let his body do its work.
0:47:29 > 0:47:32No offence, ma'am, but we come a long way
0:47:32 > 0:47:36to see that the boy gets looked after proper by Dr Barlow.
0:47:36 > 0:47:38Now, where's he at?
0:47:38 > 0:47:39One of Dent Baxter's hands
0:47:39 > 0:47:41came and fetched him out to the ranch.
0:47:41 > 0:47:44Some men there had an accident night before last.
0:47:49 > 0:47:52You must tell me what happened, Mr Spearman.
0:47:53 > 0:47:56Baxter sent his men to stampede the herd
0:47:56 > 0:47:59and I figured we would stop them before they could do it.
0:47:59 > 0:48:01Surprised them where they was hiding in some trees
0:48:01 > 0:48:03and we had at 'em.
0:48:03 > 0:48:05Them's the ones Dr Barlow is putting back together.
0:48:05 > 0:48:07We got back to camp.
0:48:07 > 0:48:09Others had shot Mose in the head,
0:48:09 > 0:48:11shot Button, left him for dead.
0:48:11 > 0:48:13Oh.
0:48:16 > 0:48:18Shot our dog.
0:48:18 > 0:48:19SHE SIGHS
0:48:19 > 0:48:22- SIGHS:- I'll be getting money from the wagon.
0:48:22 > 0:48:24- It's not necessary. - THUNDER ROLLS
0:48:24 > 0:48:26We pay our way, ma'am.
0:48:31 > 0:48:33Please.
0:48:33 > 0:48:34Sit, Mr Waite.
0:48:38 > 0:48:40Button - is that his real name?
0:48:41 > 0:48:44Please, sit.
0:48:45 > 0:48:47Yeah. Sorry.
0:48:47 > 0:48:49Only one we've known.
0:48:51 > 0:48:53He's just a boy.
0:48:54 > 0:48:56Yeah.
0:48:56 > 0:48:59Picked him up in a Texas town a few years back.
0:48:59 > 0:49:01Living off cafe garbage.
0:49:01 > 0:49:03Couldn't speak a word of English.
0:49:03 > 0:49:06I thought we was doing him a favour.
0:49:06 > 0:49:08What about you?
0:49:08 > 0:49:09TENSE MUSIC
0:49:09 > 0:49:13Hmm? You know that the marshal works for Baxter.
0:49:13 > 0:49:15People saw you ride in.
0:49:17 > 0:49:18Well, there's payment to be made
0:49:18 > 0:49:20by them that done this.
0:49:20 > 0:49:22I don't intend to run.
0:49:24 > 0:49:27We could wire for the federal marshal.
0:49:30 > 0:49:33If he started riding today, he wouldn't make it for a week.
0:49:33 > 0:49:35With the storm coming, maybe longer.
0:49:37 > 0:49:40We're obliged to deal with the marshal and Baxter ourselves.
0:49:40 > 0:49:42Well, what about Button?
0:49:45 > 0:49:48Well, he's fighting for his life.
0:49:48 > 0:49:49We're going to do the same.
0:49:50 > 0:49:52DOOR OPENS
0:49:55 > 0:49:57Whatever's needed for Button,
0:49:57 > 0:50:00you do it.
0:50:00 > 0:50:03If he wakes, he'll need to stay here a couple of days,
0:50:03 > 0:50:05so we can watch him.
0:50:05 > 0:50:07Whatever's best for him.
0:50:19 > 0:50:23- PERCY:- Can't stay away from my little paradise, gents?
0:50:23 > 0:50:26I believe Satan says the same at the gates of hell,
0:50:26 > 0:50:27old timer.
0:50:27 > 0:50:30- LAUGHTER - We'd like to put the horses up.
0:50:30 > 0:50:31They've had a tough trail.
0:50:31 > 0:50:33I'd like to set the wagon yonder.
0:50:33 > 0:50:36Help yourself. Hurry up though.
0:50:36 > 0:50:40I've seen it like this before. Big 'un is coming.
0:50:40 > 0:50:42Yah, yah, yah.
0:51:44 > 0:51:45Son of a bitch.
0:51:53 > 0:51:54Sorry, Charley.
0:51:58 > 0:51:59Yeah.
0:52:14 > 0:52:16Jesus Christ.
0:52:20 > 0:52:22Oh, whoa, whoa, whoa.
0:52:27 > 0:52:30Maybe you should've built it in another spot.
0:52:31 > 0:52:33Oh, mercy.
0:52:35 > 0:52:38THUNDER CRACKS
0:52:50 > 0:52:52MAN YELLS
0:52:53 > 0:52:55- MAN:- Get the dog!
0:52:57 > 0:52:58Get the dog!
0:52:58 > 0:52:59DOG YELPS
0:52:59 > 0:53:02It's a...it's a dog there, Charley.
0:53:02 > 0:53:03DOG WHIMPERS
0:53:11 > 0:53:13Take this!
0:53:15 > 0:53:17There he is! Back here, Charley!
0:53:18 > 0:53:20To your left. To the left.
0:53:20 > 0:53:21Get it! Get it!
0:53:24 > 0:53:25Ah! HE CHUCKLES
0:53:28 > 0:53:30Are you all right, Charley?
0:53:30 > 0:53:32Yeah.
0:53:32 > 0:53:34Considering I've just been swimming!
0:53:39 > 0:53:41I owe you, mister.
0:53:41 > 0:53:43A sweet pup you've got there.
0:53:43 > 0:53:45Remind you of anyone, Charley?
0:53:46 > 0:53:50Small version. Too small to be let out in this weather.
0:53:50 > 0:53:51Belongs to my daughter.
0:53:51 > 0:53:55I tried to grab him but the water was too fast for me.
0:53:55 > 0:53:57If you're going into the cafe,
0:53:57 > 0:54:00I'd be proud to buy you both a cup of coffee.
0:54:03 > 0:54:06Coffee would be good about now.
0:54:08 > 0:54:12GENERAL CHATTER
0:54:12 > 0:54:13This is like the storm
0:54:13 > 0:54:16that washed away Gunnison 10, 12 years back.
0:54:16 > 0:54:18Water come down from the mountains.
0:54:18 > 0:54:21Nowhere to go but straight into town.
0:54:21 > 0:54:23Killed a lot of folks.
0:54:23 > 0:54:26The town's been here a long time, Mack.
0:54:26 > 0:54:28And will be here a lot longer.
0:54:28 > 0:54:30That's right, Papa.
0:54:30 > 0:54:32Every once in a while, a good storm washes through
0:54:32 > 0:54:35and leaves her as clean as a baby's bottom.
0:54:35 > 0:54:38Got to look on the bright side, gents.
0:54:50 > 0:54:51Marshal.
0:54:51 > 0:54:54Meat and spuds, Les, as always.
0:54:57 > 0:54:59This cover our meal?
0:54:59 > 0:55:03Worth a man's life to walk across that road tonight.
0:55:03 > 0:55:05Thanks for the coffee.
0:55:05 > 0:55:07Well, appreciate what you've done.
0:55:09 > 0:55:13That'll be two bits. Two bits.
0:55:34 > 0:55:36I'll be having words with you two!
0:55:36 > 0:55:39We'll be having more than that with you, Marshal.
0:55:51 > 0:55:54No need to make the cafe messy. But folks...
0:55:54 > 0:55:57I've got a warrant sworn out for your arrest
0:55:57 > 0:55:59for assaulting Baxter's men.
0:55:59 > 0:56:02We've got a warrant sworn for them that tried killing the boy
0:56:02 > 0:56:05who's laying at the Doc's trying to stay alive.
0:56:05 > 0:56:06Swore out another one
0:56:06 > 0:56:08for them that murdered the big fella in your cell.
0:56:08 > 0:56:11Only ours ain't writ by no tin star,
0:56:11 > 0:56:12bought and paid for, Marshal.
0:56:12 > 0:56:15It's writ by us. And we aim to enforce it.
0:56:15 > 0:56:17Is that so?
0:56:17 > 0:56:20We got no quarrel with none of you folks.
0:56:20 > 0:56:24Baxter's men bushwhacked our friend, shot him dead.
0:56:24 > 0:56:26Shot a 16-year-old boy too
0:56:26 > 0:56:28and clubbed him so hard...
0:56:30 > 0:56:32..he might not live!
0:56:32 > 0:56:35Tried to take our cattle.
0:56:35 > 0:56:38Your marshal here ain't going to do nothing about it.
0:56:40 > 0:56:42You don't like free-grazers in this town
0:56:42 > 0:56:45and we don't much like being here.
0:56:45 > 0:56:46But a man's got a right
0:56:46 > 0:56:48to protect his property and his life.
0:56:48 > 0:56:52And we ain't letting no rancher or his lawmen take either.
0:56:54 > 0:56:56We've got no intention of harming bystanders.
0:56:56 > 0:56:59Anyone who helps or comforts
0:56:59 > 0:57:01these goddamn law-breaking free-grazers
0:57:01 > 0:57:04is going to have to deal with me.
0:57:05 > 0:57:07SUSPENSEFUL MUSIC
0:57:16 > 0:57:18Your call, Marshal.
0:57:23 > 0:57:25We don't have to settle this here and now.
0:57:25 > 0:57:28You ain't going nowhere in this weather.
0:57:28 > 0:57:31But I'll be seeing you gents real soon.
0:57:31 > 0:57:33You can count on that.
0:57:33 > 0:57:36SOMBRE MUSIC
0:57:46 > 0:57:49That marshal ain't going to wait.
0:57:49 > 0:57:51That son of a bitch is going to get some men to look for us.
0:57:51 > 0:57:56He'll need us locked up in jail by the time Baxter hits town.
0:57:56 > 0:57:58If we ain't, Baxter will start to think
0:57:58 > 0:58:00that maybe Marshal Poole ain't worth what he's paying him.
0:58:00 > 0:58:05If you've got something on your mind, just spit it out.
0:58:05 > 0:58:07Well, I say we take him right at his jail.
0:58:07 > 0:58:10Lock him up, wait till Baxter comes riding in.
0:58:10 > 0:58:11Hell, Charley,
0:58:11 > 0:58:13why don't we just ride to Baxter's ranch
0:58:13 > 0:58:15and go straight to him too?
0:58:17 > 0:58:20Well, I'll fight wherever you want, Boss. Just make the call.
0:58:20 > 0:58:23- Goddammit! - Now, hold on, Charley, hold on.
0:58:23 > 0:58:26Well, you asked me. I told you.
0:58:31 > 0:58:33Charley, come on in out of the rain, would you?
0:58:33 > 0:58:35Come on!
0:58:39 > 0:58:40Come on!
0:58:46 > 0:58:49Just getting testy in my old age. It's not a bad idea.
0:58:49 > 0:58:51Just roll it around is all I ask.
0:58:54 > 0:58:56What'd you think of my speech in there?
0:58:59 > 0:59:01Liked it.
0:59:01 > 0:59:03Maybe I ought to run for mayor.
0:59:03 > 0:59:06Yeah, well, I believe he's got to be living, Boss.
0:59:06 > 0:59:08HE CHUCKLES
0:59:13 > 0:59:15KNOCK AT DOOR
0:59:15 > 0:59:17BOSS: Come to see about the boy.
0:59:17 > 0:59:19He's asleep.
0:59:19 > 0:59:22- Please, come in. - Are you sure, ma'am?
0:59:22 > 0:59:23We're a mite rank.
0:59:23 > 0:59:25We don't want to mess your house.
0:59:25 > 0:59:27No, no, no. Please. It's all right. Come on in.
1:00:00 > 1:00:02Thank you, ma'am.
1:00:04 > 1:00:06There we are.
1:00:19 > 1:00:22- WHISPERS: - I can't get my fingers in.
1:00:22 > 1:00:23BOSS CHUCKLES
1:00:26 > 1:00:29Can't get our big fat fingers in these holes.
1:00:29 > 1:00:30GIGGLES: Too many broke knuckles.
1:00:30 > 1:00:33- Let me get something bigger. - No, ma'am. We can make do.
1:00:33 > 1:00:35No. No, it's all right.
1:00:35 > 1:00:37It's just nice to be sitting at a table
1:00:37 > 1:00:40set with fine china.
1:00:40 > 1:00:41Those were my mother's.
1:00:41 > 1:00:43They're the only things of hers
1:00:43 > 1:00:46that survived the trip out here.
1:00:47 > 1:00:50I don't know why I bring 'em out. I can't hold 'em either.
1:00:50 > 1:00:52I guess it just makes me feel good.
1:00:52 > 1:00:53SHE CHUCKLES
1:00:53 > 1:00:56I just say what's on my mind, good or bad.
1:00:56 > 1:00:57I admire that.
1:00:57 > 1:00:59Try living with it.
1:01:00 > 1:01:03See that? No need for a wife or home.
1:01:03 > 1:01:06We're just like an old married couple.
1:01:06 > 1:01:10So is it marriage that scares you two?
1:01:10 > 1:01:11- Putting down roots? - No.
1:01:11 > 1:01:15Who'd have him, old and mangey? Like a rough old dog.
1:01:15 > 1:01:18How about I just hold your head under water for a while?
1:01:29 > 1:01:32I married once.
1:01:32 > 1:01:34Never know that, did you, Charley?
1:01:34 > 1:01:36Had a wife and child.
1:01:36 > 1:01:39Sweet little spread too.
1:01:39 > 1:01:42Nothing fancy, but we was young.
1:01:42 > 1:01:44Loved each other.
1:01:45 > 1:01:47Never had a cross word.
1:01:49 > 1:01:51They caught the typhus and died,
1:01:51 > 1:01:54and after that, home didn't seem a place to spend time.
1:01:54 > 1:01:57Believe I've changed my mind on that
1:01:57 > 1:01:59now that I'm getting on in years.
1:02:04 > 1:02:08If Button lives, and we survive Baxter,
1:02:08 > 1:02:12I swear I aim to see to it there's a home he's sleeping in
1:02:12 > 1:02:14instead of the cold prairie.
1:02:22 > 1:02:25Have yourself the last cup of tea, Charley.
1:02:25 > 1:02:29I'd like to see Button again, Miss Barlow. I know the way.
1:02:32 > 1:02:34Ooh...
1:02:43 > 1:02:45Been riding with him ten years.
1:02:45 > 1:02:48Never said nothing about being married.
1:02:57 > 1:02:59Where are you and Mr Spearman spending the night?
1:02:59 > 1:03:01Don't rightly know.
1:03:01 > 1:03:03It depends on circumstances.
1:03:03 > 1:03:06You mean Marshal Poole?
1:03:06 > 1:03:09We have a spare room. It's yours if you want it.
1:03:09 > 1:03:11Couldn't do that, ma'am.
1:03:11 > 1:03:14We'd be putting you in a spot with the Marshal and Baxter.
1:03:14 > 1:03:15Besides, it's a small town.
1:03:15 > 1:03:18It wouldn't look right for us to spend the night,
1:03:18 > 1:03:20particularly with the Doc away.
1:03:25 > 1:03:28TENDER GUITAR MUSIC
1:03:38 > 1:03:39I'll take those.
1:03:39 > 1:03:42Do you know where they go?
1:03:42 > 1:03:44I think so.
1:03:47 > 1:03:50BOSS: It's been raining like hell ever since we got here.
1:03:50 > 1:03:52Water washing right down Main Street.
1:03:52 > 1:03:56Charley saved a pup from being washed away.
1:03:56 > 1:03:58Looked a little like old Tig.
1:04:03 > 1:04:06Now, if you can, you've got to listen and pay attention.
1:04:06 > 1:04:09Cos I've got something important to say.
1:04:11 > 1:04:15I haven't been looking after you for you to go out this way.
1:04:15 > 1:04:17The world ain't a perfect place, Button.
1:04:17 > 1:04:20But you've got unfinished business here.
1:04:22 > 1:04:24So you come back. You hear me now?
1:04:26 > 1:04:27WHISPERS: You come back.
1:04:34 > 1:04:36Kind of dumb talking to him, I guess.
1:04:36 > 1:04:41No. No, it's good.
1:04:41 > 1:04:43You all right, Mr Spearman?
1:04:43 > 1:04:46I'm as right as a man can be under the circumstances.
1:04:46 > 1:04:49'Circumstances' - that's just what Mr Waite called 'em.
1:04:49 > 1:04:52I asked him to reconsider and I'm asking you.
1:04:52 > 1:04:56By 'reconsider', you mean tuck tail and run?
1:04:56 > 1:04:58I mean save your life and his.
1:04:58 > 1:05:00He'll listen to you.
1:05:00 > 1:05:03Charley thinks for himself, Miss Barlow.
1:05:03 > 1:05:06He's a good man. He knows what has to be done.
1:05:06 > 1:05:07Mm-hm.
1:05:07 > 1:05:10We'll pay you now for whatever else Button needs.
1:05:10 > 1:05:13In case things go bad for Charley and me,
1:05:13 > 1:05:16maybe you and Doc will see to it we're taken care of properly.
1:05:16 > 1:05:19I'd like to put pen to paper, if you have 'em.
1:05:19 > 1:05:21Yes. Of course.
1:05:39 > 1:05:41THUNDER CRACKS
1:06:01 > 1:06:03THUNDER CLAPS LOUDLY
1:06:14 > 1:06:17- SUE:- Mr Waite?
1:06:17 > 1:06:19- INTRUDER: - Look at my face!
1:06:19 > 1:06:20CRASH!
1:06:20 > 1:06:21I'm sorry!
1:06:21 > 1:06:23SUE GASPS
1:06:23 > 1:06:25I'm sorry.
1:06:25 > 1:06:28- Oh! - It's all right, Charley!
1:06:28 > 1:06:30OK? It just be us!
1:06:33 > 1:06:35It's all right, Charley!
1:06:44 > 1:06:46It's all right, Charley.
1:06:50 > 1:06:52CHINA BREAKS
1:06:52 > 1:06:54It's all right. I'll get it.
1:06:54 > 1:06:57WISTFUL MUSIC
1:07:18 > 1:07:20Jumpy is all.
1:07:34 > 1:07:36She ought not sneak up like that.
1:07:36 > 1:07:37She weren't sneaking.
1:07:39 > 1:07:41I scared that woman half to death.
1:07:41 > 1:07:42Yeah.
1:07:42 > 1:07:43Scared me a bit too.
1:07:43 > 1:07:46Well, that's how it is, Boss.
1:07:46 > 1:07:48Ain't a pretty picture.
1:07:48 > 1:07:51Got your wits about you now?
1:07:52 > 1:07:54- Yeah. - Yeah.
1:07:54 > 1:07:58- Weren't as bad as it looked. - I'll bet.
1:08:09 > 1:08:11MAN YELLS: Go on! Ya!
1:08:36 > 1:08:38BOSS: Two whiskeys, barkeep.
1:08:46 > 1:08:48Barkeep, two whiskeys.
1:08:52 > 1:08:54See that sign?
1:08:54 > 1:08:57Round these parts, free-grazers is the first.
1:09:06 > 1:09:07Ow!
1:09:08 > 1:09:10GLASS SMASHES
1:09:14 > 1:09:18Now, he asked you twice. Ain't going to ask again.
1:09:21 > 1:09:24Hey, Bill. It's all right.
1:09:24 > 1:09:26These are the fellows that saved my dog.
1:09:26 > 1:09:29I couldn't serve them if they saved Jesus himself.
1:09:29 > 1:09:31Mr Baxter would have my job.
1:09:31 > 1:09:33- Baxter the owner? - That's right.
1:09:33 > 1:09:36Give me a bottle. I'll serve them myself.
1:09:36 > 1:09:38You know I can't do that.
1:09:39 > 1:09:42GLASS SMASHES
1:09:48 > 1:09:50Now we'll have our drinks.
1:10:06 > 1:10:08I'm going to have me another.
1:10:10 > 1:10:11Yes, sir.
1:10:17 > 1:10:21Well, looks like the rain's let up a bit.
1:10:21 > 1:10:25If it don't, there'll be trout fishing right on Main Street.
1:10:25 > 1:10:26ALL LAUGH
1:10:26 > 1:10:29I'd like you to meet my boys.
1:10:30 > 1:10:32- Ray, Cory. - How are you doing?
1:10:32 > 1:10:35We run a freight outfit when the weather cooperates.
1:10:35 > 1:10:39Boss Spearman. And the marksman here is Charley Waite.
1:10:39 > 1:10:43Is all that true, what you said in the cafe?
1:10:43 > 1:10:44Yeah.
1:10:46 > 1:10:47This kid over at Doc's house
1:10:47 > 1:10:49was put on death's doorstep by Baxter.
1:10:49 > 1:10:51Doc's wife's caring for him
1:10:51 > 1:10:53until he comes back after the storm.
1:10:53 > 1:10:55- Doc's wife? - Yeah. Miss Barlow.
1:10:55 > 1:10:57You mean Sue?
1:10:57 > 1:10:58That's right.
1:10:58 > 1:11:03She'll make somebody a fine wife, but she ain't the Doc's.
1:11:04 > 1:11:05That's his sister.
1:11:05 > 1:11:08- His sister? - Ain't his wife.
1:11:13 > 1:11:15- Good evening, Mack. - Ralph.
1:11:15 > 1:11:17Ray, Cory. Whisky.
1:11:17 > 1:11:20This is Ralph Petersen. He runs the general store.
1:11:20 > 1:11:22That's where I was when the dog got free.
1:11:22 > 1:11:25And you fellows the free-grazers, I expect?
1:11:31 > 1:11:32Oh.
1:11:32 > 1:11:34No offence.
1:11:34 > 1:11:36Personally, I don't stand with others round here
1:11:36 > 1:11:38about free-grazers.
1:11:38 > 1:11:41There was a fight in your store about a week or so back.
1:11:41 > 1:11:44Some of Baxter's men jumped our friend.
1:11:44 > 1:11:48- He was a big fellow. - Yeah, I saw the whole thing.
1:11:48 > 1:11:50That big fellow drubbed the hell out of them other three.
1:11:50 > 1:11:51Broke one's arm.
1:11:51 > 1:11:54Be a gun hand named Butler, would it?
1:11:54 > 1:11:56That's what they say.
1:11:56 > 1:11:58CLEARS THROAT
1:11:58 > 1:12:01Felt bad about your friend. Is he all right?
1:12:01 > 1:12:03He's dead.
1:12:07 > 1:12:10That's too bad. He seemed like a nice young fellow.
1:12:10 > 1:12:13It's a shame what this town's come to.
1:12:13 > 1:12:15You could do something about it.
1:12:17 > 1:12:19What?
1:12:19 > 1:12:21We're freighters.
1:12:21 > 1:12:23Ralph here's a shopkeeper.
1:12:23 > 1:12:26You're men, ain't you?
1:12:26 > 1:12:30I didn't raise my boys just to see 'em killed.
1:12:32 > 1:12:34Well, you may not know this,
1:12:34 > 1:12:37but there's things that gnaw at a man worse than dying.
1:12:49 > 1:12:52DRAMATIC MUSIC
1:13:02 > 1:13:03Hey!
1:13:06 > 1:13:08- Evening, gents. - Evening.
1:13:08 > 1:13:09Better get out of this weather
1:13:09 > 1:13:12or your bones will be stiffer than mine come morning.
1:13:12 > 1:13:14Heading into the saloon to do just that.
1:13:14 > 1:13:16Come looking for you boys.
1:13:16 > 1:13:18Would have bought you a drink earlier.
1:13:18 > 1:13:20Well, then, turn around and do it now.
1:13:20 > 1:13:23Marshal's got men waiting back at the livery.
1:13:23 > 1:13:24Another one's in your wagon
1:13:24 > 1:13:27and then there's another in the shed across from it.
1:13:27 > 1:13:29- Marshal with them? - No.
1:13:29 > 1:13:32He's sitting up there all by his lonesome
1:13:32 > 1:13:35in that warm, dry jailhouse with his feet up
1:13:35 > 1:13:37waiting for them to bring you in.
1:13:37 > 1:13:38Or kill you.
1:13:38 > 1:13:40Well, thanks for the warning.
1:13:40 > 1:13:41Well, like I told you,
1:13:41 > 1:13:44I've never been partial to the marshal's ways.
1:13:44 > 1:13:46Dent Baxter's either.
1:13:46 > 1:13:49You're nearly the only friend we've got in this town.
1:13:49 > 1:13:52I'll be buying a drink or two if you keep it quiet.
1:13:52 > 1:13:54All right?
1:13:57 > 1:14:00Time's come. How you want to play it?
1:14:00 > 1:14:03Well, I work for you, Boss. I play it however you want.
1:14:03 > 1:14:05Nobody works for anybody here, Charley.
1:14:05 > 1:14:08Now, the name Butler mean anything to you?
1:14:08 > 1:14:11You hear names when you're on the other side of things.
1:14:11 > 1:14:13Is he as fast as they...they say?
1:14:13 > 1:14:14He's a killer.
1:14:14 > 1:14:16You'd know him if you saw him?
1:14:16 > 1:14:18He ain't hard to recognise
1:14:18 > 1:14:19if you know what you're looking for.
1:14:19 > 1:14:21Yeah.
1:14:21 > 1:14:23Too bad we could get shot off tonight
1:14:23 > 1:14:25before getting a chance at him and Baxter.
1:14:25 > 1:14:27Sure as hell is.
1:14:27 > 1:14:29I'd like to sit some place dry
1:14:29 > 1:14:31while the marshal's men sit out in this rain.
1:14:31 > 1:14:33Won't be so steady come morning.
1:14:33 > 1:14:35It's a small town.
1:14:35 > 1:14:37Hard to hide even at night in this weather.
1:14:38 > 1:14:41What do you want to do?
1:14:41 > 1:14:44Yep. Heard me an idea that sounded pretty good.
1:14:46 > 1:14:47You did, did you?
1:14:50 > 1:14:52Well, all right.
1:14:52 > 1:14:55VIOLIN MUSIC PLAYS
1:15:06 > 1:15:08He's alone.
1:15:08 > 1:15:10CHARLEY: Get your hands up.
1:15:10 > 1:15:14- You must be plum-crazy! - Shut up.
1:15:17 > 1:15:19CHAINS RATTLE
1:15:19 > 1:15:22HE GRUNTS
1:15:26 > 1:15:28You're dead men.
1:15:30 > 1:15:32Didn't he tell you to shut up?
1:15:33 > 1:15:35HE GROANS
1:15:36 > 1:15:39- What's that? - Chloroform.
1:15:39 > 1:15:41Stole it from the Doc's.
1:15:43 > 1:15:46You going to arrest me for that, Marshal?
1:15:47 > 1:15:49HE GROANS
1:15:50 > 1:15:52Jesus!
1:15:52 > 1:15:56HE PANTS, THEN FALLS SILENT
1:15:58 > 1:16:01GENTLE MUSIC
1:16:02 > 1:16:06THUNDER CRACKS
1:16:08 > 1:16:11FOOTSTEPS APPROACH
1:16:21 > 1:16:24DRAMATIC MUSIC
1:16:31 > 1:16:34Well, looky here.
1:16:34 > 1:16:35He's asleep.
1:16:35 > 1:16:36No.
1:16:38 > 1:16:40Looky here.
1:16:41 > 1:16:43Put 'em down.
1:16:46 > 1:16:48This way.
1:16:52 > 1:16:55THUNDER CRACKS
1:16:59 > 1:17:04- BOSS:- Do you like it? - CHAIN RATTLES
1:17:07 > 1:17:09MAN GROANS
1:17:14 > 1:17:17Wasn't no call to leave me sitting out like that.
1:17:17 > 1:17:20- There wasn't a lot of time. - I ain't thick, Charley.
1:17:25 > 1:17:27I hear you.
1:17:27 > 1:17:28Best you remember it.
1:17:28 > 1:17:31Well, I guess you ain't going to let me forget, are you?
1:17:33 > 1:17:36You're starting to enjoy that part, aren't you?
1:17:36 > 1:17:37KNOCK AT DOOR
1:17:42 > 1:17:45- Sorry if we woke you. - No, no, no, you didn't.
1:17:45 > 1:17:47- Come to see if... - Come see for yourself.
1:17:49 > 1:17:50BUTTON GROANS
1:17:51 > 1:17:54Hey.
1:17:54 > 1:17:57- Hey, Boss. - You gave us a fright, pard.
1:17:57 > 1:17:59Thought we were going to lose you.
1:17:59 > 1:18:02Just taking a little nap, that's all.
1:18:02 > 1:18:04It's good to have you back.
1:18:04 > 1:18:07We owe you, Miss Barlow, and we thank you.
1:18:07 > 1:18:08No, you best thank God instead.
1:18:08 > 1:18:12Yes, ma'am. We'll...we'll give that a try.
1:18:12 > 1:18:15Well, I expect you men are hungry.
1:18:15 > 1:18:18Button just ate. I thought I'd make myself some breakfast.
1:18:18 > 1:18:20Two more mouths wouldn't be any bother.
1:18:21 > 1:18:23I'm just going to change.
1:18:23 > 1:18:26You...you should try to sleep.
1:18:26 > 1:18:28He will.
1:18:28 > 1:18:30You do as she says, now.
1:18:30 > 1:18:33Yes, Boss.
1:18:33 > 1:18:35All right.
1:18:36 > 1:18:38- Boss? - Yeah?
1:18:39 > 1:18:41Mose?
1:18:41 > 1:18:43I'll be along in a minute, Charley.
1:18:44 > 1:18:45Be seeing you, Button.
1:18:50 > 1:18:53THUNDER RUMBLES
1:19:00 > 1:19:01HE SIGHS
1:19:29 > 1:19:32GENTLE STRING MUSIC
1:20:44 > 1:20:46If you don't mind my saying, ma'am, you look...
1:20:48 > 1:20:49..tired.
1:20:49 > 1:20:53Oh. It's been a long night.
1:20:53 > 1:20:55Why don't you sit?
1:20:57 > 1:20:59Let an old cowpoke cook up some breakfast.
1:20:59 > 1:21:02No, I couldn't let you.
1:21:02 > 1:21:04Sure you could.
1:21:06 > 1:21:08Well, thank you.
1:21:11 > 1:21:14Want to apologise for...earlier.
1:21:14 > 1:21:17Oh, no, no. There's no need. You were startled.
1:21:17 > 1:21:20No, it was... it was more than that.
1:21:23 > 1:21:25I'm trying to put some bad times behind me
1:21:25 > 1:21:27but sometimes they don't...stay put.
1:21:29 > 1:21:31It always makes me feel better
1:21:31 > 1:21:33to let things breathe a little, not bury 'em.
1:21:33 > 1:21:36I'm learning that. Trying anyway.
1:21:36 > 1:21:40Well, that's all any of us can do.
1:21:40 > 1:21:42I'm just glad Button's getting better.
1:21:43 > 1:21:46I don't believe I've ever seen Boss so worried.
1:21:47 > 1:21:49Well, the doctor will be on his way home
1:21:49 > 1:21:52as soon as the storm's passed.
1:21:52 > 1:21:54By the doctor, you mean your brother?
1:21:58 > 1:22:00It's just that we've been thinking
1:22:00 > 1:22:01that you and the Doc was...
1:22:01 > 1:22:03husband and wife.
1:22:04 > 1:22:06Oh.
1:22:06 > 1:22:08You did?
1:22:08 > 1:22:10Didn't find out until last night.
1:22:12 > 1:22:13Thought you was married, Sue.
1:22:13 > 1:22:18- Why, no, I'm... I'm not, Charley. - SHE GIGGLES
1:22:20 > 1:22:22Well, that's good.
1:22:23 > 1:22:24I mean, that's good to know,
1:22:24 > 1:22:27otherwise we'd...otherwise we'd been thinking wrong.
1:22:27 > 1:22:28We wouldn't want to do that.
1:22:28 > 1:22:30No. No. Of course not.
1:22:30 > 1:22:33GENTLE MUSIC
1:22:51 > 1:22:53Much obliged to you, ma'am.
1:22:53 > 1:22:55You're very welcome, Mr Spearman.
1:22:57 > 1:22:59Thank you, Sue.
1:23:00 > 1:23:02Take care of yourself, Charley.
1:23:14 > 1:23:17Are you just going to go off like that without saying nothing?
1:23:17 > 1:23:18Ain't nothing to say.
1:23:18 > 1:23:21I seen how you both look at each other.
1:23:21 > 1:23:23Ain't right to walk away without a word.
1:23:23 > 1:23:26What do you want me to tell her, Boss?
1:23:26 > 1:23:29"We probably ain't going to make it"?
1:23:29 > 1:23:31It'd be a big, fat comfort.
1:23:33 > 1:23:35I don't know what you should tell her, Charley.
1:23:35 > 1:23:39I wish I'd have said more to my wife before she passed.
1:23:39 > 1:23:42This may be the last time she sees you, Charley,
1:23:42 > 1:23:43or you her,
1:23:43 > 1:23:46so tell her whatever you can, cos she's entitled
1:23:46 > 1:23:49to more than just your backside walking away.
1:23:49 > 1:23:51KNOCK AT DOOR
1:23:55 > 1:23:56Charley.
1:23:58 > 1:24:01I'm, er... I'm not sure what's worth saying or not.
1:24:03 > 1:24:05You don't have to say anything, Charley.
1:24:05 > 1:24:06Yeah, I do.
1:24:06 > 1:24:08Boss is right about that.
1:24:08 > 1:24:11He's, er...he's right about a lot of things.
1:24:12 > 1:24:13It's just...
1:24:18 > 1:24:20I'm not who you think I am, Sue.
1:24:20 > 1:24:22I... I've been places, I've done things.
1:24:22 > 1:24:24Most of them, I'm not proud of.
1:24:26 > 1:24:28You know,
1:24:28 > 1:24:31I always hoped somebody gentle and caring might come along.
1:24:34 > 1:24:38Years pass and... small town and all and...
1:24:40 > 1:24:42..your hopes begin to fade a little every day
1:24:42 > 1:24:44until you hardly remember what they were.
1:24:45 > 1:24:47I've seen who you are, Charley.
1:24:47 > 1:24:49The way you looked after that boy.
1:24:49 > 1:24:52And the respect you give Boss.
1:24:52 > 1:24:54They might be little bits,
1:24:54 > 1:24:57but they're enough for a woman who looks.
1:25:01 > 1:25:03Men are going to get killed here today, Sue.
1:25:03 > 1:25:06And I'm going to kill them. You understand that?
1:25:08 > 1:25:10Yes.
1:25:11 > 1:25:13Um, I want you to have this.
1:25:14 > 1:25:16It's always brought me luck.
1:25:16 > 1:25:21I... I can't...take your locket.
1:25:22 > 1:25:24It's not your choice when it's a gift.
1:25:25 > 1:25:27It's a good likeness of you.
1:25:27 > 1:25:30- LAUGHS:- It's my mother, When she was young.
1:25:33 > 1:25:34She's beautiful.
1:25:40 > 1:25:44I want you to know that if I don't ever see you again
1:25:44 > 1:25:47that I meant everything I said to you.
1:25:47 > 1:25:50And I appreciate everything you said to me.
1:25:51 > 1:25:55Ain't nothing that happened in this old town been a surprise.
1:25:55 > 1:25:57Except you.
1:25:57 > 1:26:00SOLEMN MUSIC
1:26:08 > 1:26:10I'll be seeing you, Charley Waite.
1:26:10 > 1:26:13SENTIMENTAL MUSIC
1:26:25 > 1:26:28- Happy? - Yeah, well, if you are.
1:26:35 > 1:26:39ROOSTER CROWS, BIRDSONG
1:26:39 > 1:26:42VIOLIN STRINGS SQUEAK
1:26:51 > 1:26:53Good morning, boys.
1:26:55 > 1:26:57Brought you breakfast.
1:26:57 > 1:26:58MEN GROAN
1:26:58 > 1:27:03- MAN:- Hey, kids, come away from there. Come on.
1:27:03 > 1:27:05You kids head home.
1:27:09 > 1:27:13BOSS HAMMERS NAIL INTO WALL
1:27:16 > 1:27:19What do you suppose this looks like?
1:27:19 > 1:27:20It don't matter.
1:27:20 > 1:27:23Whole town knows there's a fight coming.
1:27:23 > 1:27:25They just hope it don't spill over to them.
1:27:25 > 1:27:28TENSE MUSIC
1:27:38 > 1:27:40BOSS: Well, if I'm going to get killed,
1:27:40 > 1:27:43I got a hankering to soothe my sweet tooth.
1:27:49 > 1:27:51Morning.
1:27:51 > 1:27:52Morning.
1:27:55 > 1:27:57What could I do for you fellows?
1:27:57 > 1:27:59I'm thinking about some candy.
1:28:00 > 1:28:02- Candy? - Yeah.
1:28:02 > 1:28:05Yes, sir. Candy.
1:28:05 > 1:28:06Got anything you want.
1:28:06 > 1:28:09Got, um, jaw-breakers, gumdrops,
1:28:09 > 1:28:12candy canes, liquorice,
1:28:12 > 1:28:16caramel, honeycrisp, jujubes, lollipops, milk chocolate...
1:28:16 > 1:28:18I'm looking for something special.
1:28:18 > 1:28:20Now, what's the most expensive you got?
1:28:20 > 1:28:24Uh...well, um...
1:28:24 > 1:28:26Ooh! I got just the thing.
1:28:35 > 1:28:37- This is dark chocolate. - Yeah.
1:28:37 > 1:28:40It comes all the way from Switzerland, Europe.
1:28:40 > 1:28:42That's near France, see.
1:28:42 > 1:28:46They call it bittersweet. Melts in your mouth.
1:28:46 > 1:28:49- You tried it? - No.
1:28:49 > 1:28:51How do you know it melts in your mouth?
1:28:53 > 1:28:57Uh, well...truth is... we can't afford it ourselves.
1:28:57 > 1:28:59I'll take two.
1:29:00 > 1:29:02- Don't you want to know how much? - No.
1:29:03 > 1:29:06Yes, sir.
1:29:06 > 1:29:08And three of your finest cigars.
1:29:08 > 1:29:12My friend and me got a hankering for Switzerland chocolate...
1:29:12 > 1:29:14and a good smoke.
1:29:22 > 1:29:25Now, these come all the way from Havana, Cuba.
1:29:25 > 1:29:27Thank you.
1:29:27 > 1:29:30- Anything else? - No, that'll do.
1:29:30 > 1:29:32How much I owe you?
1:29:32 > 1:29:33It's...it's 5.
1:29:39 > 1:29:41Charley. Go on.
1:29:42 > 1:29:44Believe I'll enjoy these later, Boss.
1:29:47 > 1:29:49You ought to do yourselves a favour
1:29:49 > 1:29:51and ride on while you still got time.
1:29:51 > 1:29:54We tried minding our own business, hey.
1:29:57 > 1:29:59Hell, this is good. Worth every penny.
1:30:04 > 1:30:06You can get yourselves killed.
1:30:06 > 1:30:07Try that.
1:30:07 > 1:30:08Oh.
1:30:12 > 1:30:14Sitting right here in front of you
1:30:14 > 1:30:16and never even tried it.
1:30:16 > 1:30:20Shame to go forever without taking a taste of something.
1:30:27 > 1:30:29Charley, let's go.
1:30:29 > 1:30:32TENSE MUSIC
1:30:33 > 1:30:35- Percy? - Up here.
1:30:35 > 1:30:37I brought you a cigar.
1:30:37 > 1:30:39- All the way from Havana, Cuba. - You don't say!
1:30:39 > 1:30:42I've heard about them, but I never had one.
1:30:42 > 1:30:43Much obliged to you.
1:30:43 > 1:30:45SNIFFS: What do you think?
1:30:45 > 1:30:48Better than them crappers I usually smoke.
1:30:48 > 1:30:50You're going to make your stand down here?
1:30:50 > 1:30:52Yeah. Out there, around our wagon.
1:30:52 > 1:30:55Not much choice without getting a lot of innocent folks shot up.
1:30:55 > 1:30:57Like to place some guns and ammo
1:30:57 > 1:31:00where we can get to it on a short run.
1:31:00 > 1:31:01Help yourself.
1:31:01 > 1:31:04We'll try to stay out of your barn. Might not be able to.
1:31:04 > 1:31:07Best bring in your livestock.
1:31:07 > 1:31:10- Be wishing you good luck now. - Thank you.
1:31:14 > 1:31:17SOLEMN MUSIC
1:31:29 > 1:31:32It's a pretty day for makin' things right.
1:31:32 > 1:31:34Well, enjoy it, because once it starts
1:31:34 > 1:31:37it's going to be messy like nothing you've ever seen.
1:31:37 > 1:31:39Well, I ain't survived my years
1:31:39 > 1:31:41without being in some fights, Charley.
1:31:43 > 1:31:44I ain't doubtin' your grit, Boss.
1:31:44 > 1:31:47You've got more than any man I've ever known.
1:31:47 > 1:31:48It's just that...
1:31:48 > 1:31:50I don't mean to be hard,
1:31:50 > 1:31:52it's just the other night,
1:31:52 > 1:31:54them fellows back in them trees we let go...
1:31:54 > 1:31:55It was my call, Charley.
1:31:55 > 1:31:58I can see now it was probably a mistake.
1:31:58 > 1:32:01That's not what I meant. I mean, maybe it was.
1:32:01 > 1:32:04But the fact is, it's what I always respected about you,
1:32:04 > 1:32:06what I always appreciated -
1:32:06 > 1:32:08how you treated other people,
1:32:08 > 1:32:10how you...treated me.
1:32:10 > 1:32:13How you never looked for no trouble
1:32:13 > 1:32:15and...that kept me from trouble.
1:32:16 > 1:32:18But it's found us here, Boss,
1:32:18 > 1:32:20and if we're to have any chance, you'll...
1:32:20 > 1:32:23You go on and talk, Charley. I hear you.
1:32:24 > 1:32:26I'm almost certain
1:32:26 > 1:32:28they'll be overly confident in their numbers.
1:32:28 > 1:32:31Especially if we're standing right out here in front of them.
1:32:31 > 1:32:33It's not like we'll have any advantage,
1:32:33 > 1:32:35but if they're out there with us,
1:32:35 > 1:32:37then they won't have as much as they might have otherwise.
1:32:37 > 1:32:40I don't figure all of them to be killers -
1:32:40 > 1:32:42maybe two or three like Butler will have done much.
1:32:42 > 1:32:44I'll be lookin' to him.
1:32:45 > 1:32:47The others will be hired men, probably -
1:32:47 > 1:32:49saddle tramps, maybe ex-army.
1:32:50 > 1:32:52The rest'll be cowpunchers.
1:32:52 > 1:32:54They won't want to line up in front of us.
1:32:56 > 1:32:58It'll happen fast once I start,
1:32:58 > 1:33:00so just keep yourself moving forward.
1:33:00 > 1:33:02And they'll either move or root -
1:33:02 > 1:33:04maybe even freeze up.
1:33:04 > 1:33:06It don't matter which.
1:33:06 > 1:33:09You just start writing it on them with that scattergun.
1:33:09 > 1:33:11When you've done both barrels,
1:33:11 > 1:33:12drop it, pull your pistol
1:33:12 > 1:33:16and make a run for that building where we stashed them others.
1:33:16 > 1:33:18I'll be doing the same if I can.
1:33:18 > 1:33:19Right.
1:33:19 > 1:33:22Sounds like you've got it all worked out.
1:33:23 > 1:33:26Yeah. Except the part where we don't get killed.
1:33:26 > 1:33:30Heh! Best smoke these while we got the chance.
1:33:32 > 1:33:33Yeah.
1:33:33 > 1:33:36OMINOUS MUSIC
1:33:57 > 1:33:59- BOSS:- I'm thinkin' about
1:33:59 > 1:34:01gettin' out of the damn cattle business.
1:34:04 > 1:34:07You never said nothin' except nag me and Button
1:34:07 > 1:34:08about gettin' ourselves out.
1:34:08 > 1:34:11Well, maybe my own words struck a chord.
1:34:11 > 1:34:13Heh.
1:34:13 > 1:34:15Thought maybe I'd sell off the cattle
1:34:15 > 1:34:17and have enough to start up a saloon somewhere.
1:34:17 > 1:34:20A man could stay cool in the summer
1:34:20 > 1:34:22and dry in the winter.
1:34:23 > 1:34:25LAUGHS QUIETLY
1:34:25 > 1:34:27And some dancin' girls might be nice.
1:34:27 > 1:34:29- You know? - HE LAUGHS
1:34:29 > 1:34:31Have to get me some.
1:34:31 > 1:34:33BOTH LAUGH
1:34:33 > 1:34:35Ah!
1:34:35 > 1:34:38POIGNANT MUSIC
1:34:40 > 1:34:44- PERCY READS:- "If I die, please sell my good horse
1:34:44 > 1:34:47"and my good saddle and my guns
1:34:47 > 1:34:52"to buy a tea set for Miss Barlow.
1:34:52 > 1:34:55"Charley Waite.
1:34:58 > 1:35:04"Postscript. I like this one, but I don't know.
1:35:04 > 1:35:07"Princess pattern."
1:35:12 > 1:35:13Oh, hell!
1:35:13 > 1:35:15What's the matter?
1:35:17 > 1:35:19Oh. Looks like you waited too long.
1:35:19 > 1:35:22Kinda like us and free-grazing.
1:35:22 > 1:35:23BOSS CHUCKLES
1:35:23 > 1:35:27Well, good is good, melted or not.
1:35:30 > 1:35:34BUTLER LAUGHS RASPINGLY
1:35:37 > 1:35:40Looks like you're plum chained to your work, Marshal.
1:35:40 > 1:35:42- BAXTER:- Get up, Poole!
1:35:42 > 1:35:44He ain't worth a damn.
1:35:44 > 1:35:46Get 'em all up!
1:35:46 > 1:35:48Sobered up!
1:35:49 > 1:35:51Ooooh!
1:35:53 > 1:35:56I got a feeling there's going to be a new marshal in town.
1:35:56 > 1:35:58HE LAUGHS
1:35:59 > 1:36:03Right! It's time to settle these free-grazers.
1:36:03 > 1:36:05Now you leave your horses!
1:36:05 > 1:36:07FOREBODING MUSIC
1:36:07 > 1:36:09We're walkin' down to their wagon.
1:36:09 > 1:36:12When we get there, you better empty your guns in them,
1:36:12 > 1:36:14or I'll damn well shoot you myself.
1:36:18 > 1:36:21Right, now, you three skirt the buildings.
1:36:21 > 1:36:23Get into the alleys on the side.
1:36:23 > 1:36:24Go on.
1:36:24 > 1:36:27SUSPENSEFUL MUSIC
1:36:45 > 1:36:46CLANG!
1:36:53 > 1:36:56Hayley! Come away from there.
1:36:59 > 1:37:00We'll finish these later.
1:37:07 > 1:37:11I'm not going to my maker without knowin' your given name.
1:37:11 > 1:37:14Mine ain't Waite. It's Postelwaite.
1:37:14 > 1:37:16Charles Travis Postelwaite.
1:37:16 > 1:37:17What's yours?
1:37:17 > 1:37:20It sure ain't Boss.
1:37:24 > 1:37:27I mean it, Boss. I'm askin' you straight up.
1:37:27 > 1:37:29It's Bluebonet.
1:37:31 > 1:37:33- Bluebonet? - Bluebonet, yeah.
1:37:34 > 1:37:37- No middle name? - No. Just Bluebonet Spearman.
1:37:37 > 1:37:39And don't you tell no-one.
1:37:40 > 1:37:43I want to hear you swear an oath now. Go on.
1:37:43 > 1:37:45- All right? - I swear it.
1:37:45 > 1:37:47Right. OK.
1:37:49 > 1:37:51Just in case.
1:37:51 > 1:37:54TENSE MUSIC BUILDS
1:38:07 > 1:38:08You said eight. I count five.
1:38:15 > 1:38:18You should have run when you had the chance, Spearman.
1:38:18 > 1:38:20Not much for runnin' from cowards.
1:38:22 > 1:38:24I see the marshal ain't with you.
1:38:24 > 1:38:26You won't find it so funny
1:38:26 > 1:38:28when you're all shot to hell and dyin'.
1:38:41 > 1:38:43Are you the one killed our friend?
1:38:43 > 1:38:47That's right. I shot the boy too, and I enjoyed it.
1:38:55 > 1:38:58RAPID GUNFIRE
1:39:31 > 1:39:32BOSS GROANS
1:39:32 > 1:39:35HORSE WHINNIES
1:39:35 > 1:39:37GUNSHOT
1:39:43 > 1:39:45HORSE WHINNIES
1:39:51 > 1:39:54TENSE MUSIC
1:40:00 > 1:40:03HE GROANS
1:40:16 > 1:40:17- WOMAN:- Hayley!
1:40:20 > 1:40:22Back up!
1:40:22 > 1:40:25GUNFIRE
1:40:26 > 1:40:28Where's the back door? Back door?!
1:40:28 > 1:40:29Right this way.
1:40:35 > 1:40:36GUNSHOT
1:40:46 > 1:40:48Aaagh!
1:40:48 > 1:40:50HE WINCES AND GROANS
1:40:52 > 1:40:54It's locked.
1:41:01 > 1:41:03SOMBRE MUSIC
1:41:03 > 1:41:04RIFLE CLICKS
1:41:12 > 1:41:13You hit?
1:41:13 > 1:41:15I'm good.
1:41:18 > 1:41:19- BAXTER:- You!
1:41:24 > 1:41:26You get out of this house!
1:41:26 > 1:41:29HE BREATHES RAPIDLY
1:41:32 > 1:41:34You pull that trigger, Baxter,
1:41:34 > 1:41:37and you can forget about me patching you up.
1:41:40 > 1:41:44You get your bag, go with me. Go on.
1:41:47 > 1:41:48GUNSHOT
1:41:53 > 1:41:55GUNSHOT
1:41:55 > 1:41:58SUSPENSEFUL MUSIC
1:42:23 > 1:42:26SUSPENSEFUL MUSIC
1:42:35 > 1:42:37DRAMATIC MUSIC
1:42:57 > 1:43:00GUNSHOTS ECHO
1:43:12 > 1:43:15TENSE MUSIC, GUNSHOTS
1:43:15 > 1:43:16BREAKS GLASS
1:43:16 > 1:43:18FIRES GUN
1:43:36 > 1:43:39Get the hell up, Poole. On your feet, goddammit!
1:43:43 > 1:43:44Get up!
1:43:45 > 1:43:48You...you're goin' out there.
1:43:48 > 1:43:51We ain't ourselves yet!
1:43:51 > 1:43:54DARK MUSIC
1:44:12 > 1:44:13I see they hobbled you.
1:44:13 > 1:44:16It's been a while since I was in a fight.
1:44:16 > 1:44:19I panicked. Fell back like to broke my foot.
1:44:19 > 1:44:20Ornery old fool.
1:44:20 > 1:44:23Well, that damn Cuban cigar got me riled up.
1:44:24 > 1:44:26HE GROANS
1:44:27 > 1:44:30- Charley? - You two wait here.
1:44:30 > 1:44:32- BOSS: - Hold on there, Charley. Hold on!
1:44:32 > 1:44:35I ain't lookin' over my shoulder the rest of my days.
1:44:35 > 1:44:36Charley?
1:44:36 > 1:44:40You said we was going to kill 'em all. I aim to do just that.
1:44:40 > 1:44:42Kill 'em, not murder 'em.
1:44:42 > 1:44:44Splittin' hairs, ain't you, Boss?
1:44:44 > 1:44:47Mister, I heard what you said.
1:44:48 > 1:44:50I won't come after you, I promise.
1:44:50 > 1:44:52No, I expect you won't.
1:44:52 > 1:44:54I can't let you do it, Charley.
1:44:54 > 1:44:56Do this, you ain't no different than Poole, Baxter
1:44:56 > 1:44:59or that gun hand of his that murdered Mose.
1:45:00 > 1:45:02Him killin' Mose is how this started.
1:45:02 > 1:45:03We've come for justice, not vengeance.
1:45:03 > 1:45:05Now them is two different things.
1:45:05 > 1:45:07Not today they ain't.
1:45:09 > 1:45:10- Step aside! - Listen to him, Son.
1:45:10 > 1:45:12You done what you had to here
1:45:12 > 1:45:14because they give you no choice.
1:45:14 > 1:45:16Don't go making this into something bad.
1:45:16 > 1:45:18TENSE MUSIC
1:45:18 > 1:45:20This ain't the way, pard.
1:45:20 > 1:45:23SUSPENSEFUL MUSIC
1:45:27 > 1:45:30HORSE GRUNTS
1:45:30 > 1:45:32HE GRUNTS AND GASPS
1:45:32 > 1:45:34Mister, thank you.
1:45:34 > 1:45:36Thank you.
1:45:36 > 1:45:38Didn't do it for you, boy.
1:45:38 > 1:45:40You best make peace with your bad deeds.
1:45:43 > 1:45:45Sue!
1:45:46 > 1:45:47Get in here!
1:45:47 > 1:45:49Oh, my God!
1:45:51 > 1:45:54TENSE MUSIC
1:45:58 > 1:45:59Get out of the way.
1:46:01 > 1:46:02Button!
1:46:02 > 1:46:03CLICKS GUN
1:46:03 > 1:46:05GUNSHOT ECHOES
1:46:05 > 1:46:08DRAMATIC MUSIC
1:46:11 > 1:46:13GUNSHOTS
1:46:16 > 1:46:19SHOUTING
1:46:20 > 1:46:22- MAN:- Let the lady go free!
1:46:30 > 1:46:32- Let the lady be! - Put it down.
1:46:44 > 1:46:46GUN COCKS
1:47:05 > 1:47:08SHE PANTS
1:47:08 > 1:47:11SOMBRE MUSIC
1:47:19 > 1:47:22HORSES NEIGH AND RUN
1:47:27 > 1:47:29- BAXTER:- We've got your boy, Spearman.
1:47:39 > 1:47:40You'd better drop them guns
1:47:40 > 1:47:43and come walking down the street or I'll shoot him.
1:47:44 > 1:47:46You've got ten seconds.
1:47:47 > 1:47:49We ain't giving up our guns.
1:47:50 > 1:47:52He's going to kill Button anyway.
1:47:52 > 1:47:53- BAXTER:- One!
1:47:53 > 1:47:55The only chance for him or us
1:47:55 > 1:47:57when we walk there is these guns.
1:47:57 > 1:47:58Two!
1:48:00 > 1:48:01Three!
1:48:02 > 1:48:03Sue!
1:48:03 > 1:48:06- SUE:- Stop! Stop it!
1:48:06 > 1:48:08Stop it right now.
1:48:14 > 1:48:15Four!
1:48:16 > 1:48:18Sue.
1:48:19 > 1:48:21You're a disgrace, Marshal Poole.
1:48:21 > 1:48:23You always have been.
1:48:24 > 1:48:27I know it. That's just the way it is.
1:48:28 > 1:48:30Five!
1:48:32 > 1:48:34Six!
1:48:34 > 1:48:37TENSE MUSIC
1:48:56 > 1:48:58Have a nice rest, did you, Marshal?
1:48:58 > 1:49:01You'll be having a long one yourself in a minute.
1:49:01 > 1:49:03Been enough killing for you?
1:49:03 > 1:49:06Enough when you're both dead and buried.
1:49:08 > 1:49:11Let the woman and boy go. They ain't part of this.
1:49:11 > 1:49:12If you want considerations,
1:49:12 > 1:49:15you drop them guns on the ground.
1:49:15 > 1:49:17Let her take him to the Doc's.
1:49:17 > 1:49:18The Doc's in jail.
1:49:18 > 1:49:21He ain't leaving unless your guns are in the dirt.
1:49:23 > 1:49:26I'll crush any man who stands with them.
1:49:26 > 1:49:28When I've finished with you, I'll torch your homes
1:49:28 > 1:49:30and drive your wives and children
1:49:30 > 1:49:33out into the cold prairie.
1:49:33 > 1:49:34So you women,
1:49:34 > 1:49:36you'd better take hold of your men.
1:49:36 > 1:49:39If you don't, you'll be raising orphans by winter.
1:49:39 > 1:49:42- LAUGHS:- Mack Langley!
1:49:43 > 1:49:46It doesn't matter whether you run or stay,
1:49:46 > 1:49:49you and your boys are already dead!
1:49:50 > 1:49:52Mack Langley is our friend.
1:50:03 > 1:50:05I didn't come all the way from Ireland
1:50:05 > 1:50:09to see my land pissed on by free-grazers.
1:50:10 > 1:50:13Now, I want them guns in the dirt.
1:50:15 > 1:50:18Him first - the gun hand.
1:50:22 > 1:50:25SUSPENSEFUL MUSIC
1:50:59 > 1:51:01Looks like you're losing your army, Marshal.
1:51:04 > 1:51:05GUNSHOT
1:51:57 > 1:52:00- GROANS: Oh! - It went through?
1:52:00 > 1:52:01Yeah.
1:52:01 > 1:52:04Is he hit, Sue?
1:52:05 > 1:52:07- Sue, is he hit?! - SUE:- No, no.
1:52:07 > 1:52:09But he's bleeding bad again.
1:52:09 > 1:52:11Goddammit. Well, can you stop it?
1:52:11 > 1:52:12I'm trying.
1:52:12 > 1:52:14I'm going to kill you, Baxter.
1:52:14 > 1:52:17Well, come on, if you're coming!
1:52:20 > 1:52:22- GROANS:- Can you cover me?
1:52:22 > 1:52:25It'd be best to wait him out. Probably bleed to death.
1:52:25 > 1:52:28HISSES IN PAIN: Arggh!
1:52:28 > 1:52:31I ain't waiting. Button needs that doctor right now.
1:52:31 > 1:52:32Well, you know, that door's locked.
1:52:32 > 1:52:35Well, it won't be when the scattergun hits it.
1:52:35 > 1:52:37- BAXTER:- I'm waiting for you, Spearman!
1:52:40 > 1:52:42I'm coming for you, you son of a bitch!
1:52:45 > 1:52:49- OK, Charley? - GROANS: Yeah.
1:52:49 > 1:52:50Ready?
1:52:51 > 1:52:53Yeah. HE GROANS
1:52:53 > 1:52:56MOMENTOUS MUSIC
1:53:31 > 1:53:32CHAMBER CLICKS
1:53:32 > 1:53:34BOTH CHAMBERS CLICK
1:53:45 > 1:53:50- I'm... I'm dying. - And for what - more cows?!
1:53:50 > 1:53:52You killed a good man
1:53:52 > 1:53:54and maybe that boy out there out yonder.
1:53:54 > 1:53:56You get no sympathy from me.
1:53:56 > 1:53:58- KICKS GUN AWAY - Get!
1:53:58 > 1:54:02You're...you're nothing.
1:54:02 > 1:54:04Yeah? Maybe so.
1:54:04 > 1:54:06But I'll still be breathing in another minute.
1:54:06 > 1:54:10- PANTING:- Well, k-kill me then.
1:54:12 > 1:54:13COCKS GUN
1:54:18 > 1:54:20(No.)
1:54:21 > 1:54:23I ain't wasting a good bullet
1:54:23 > 1:54:25to ease your pain, you son of a bitch.
1:54:25 > 1:54:26BAXTER GROANS
1:54:33 > 1:54:36GENTLE MUSIC
1:55:16 > 1:55:19GUNSHOTS
1:56:25 > 1:56:27Your man's in the saloon.
1:56:28 > 1:56:30Ordered everybody out.
1:56:32 > 1:56:35Asked to see your...your sister if she's willing.
1:56:42 > 1:56:44Um, he'd like to speak with you, Miss Barlow,
1:56:44 > 1:56:47if you ain't offended by entering a saloon.
1:56:56 > 1:56:57Sue.
1:57:01 > 1:57:04- Doc. - Bring him on up.
1:57:04 > 1:57:06Put him in there. We'll make room.
1:57:14 > 1:57:18- Baxter got any kin? - A daughter is all he has left.
1:57:18 > 1:57:20Wouldn't be bad if somebody explained things to her.
1:57:20 > 1:57:22There never was any love lost between them.
1:57:22 > 1:57:28Even so, she's his daughter and kin is funny about such things.
1:57:56 > 1:57:58DOOR SLAMS
1:58:04 > 1:58:06CHARLEY GROANS
1:58:10 > 1:58:12I didn't mean for you to have to
1:58:12 > 1:58:14walk into this place in front of all those people.
1:58:14 > 1:58:17I don't care what anyone out there thinks, Charley.
1:58:17 > 1:58:20You don't have to stand up for me.
1:58:22 > 1:58:24Well, just the same, I wanted to...tell you
1:58:24 > 1:58:27that I'll be leaving in a day or two.
1:58:34 > 1:58:35I'd like you to stay.
1:58:35 > 1:58:38I think others would too.
1:58:40 > 1:58:43I can't say I haven't thought about it.
1:58:43 > 1:58:45The truth is there wouldn't be a corner here
1:58:45 > 1:58:47that don't have a bad memory for me.
1:58:51 > 1:58:54I've been holding my love a long time, Charley.
1:58:56 > 1:58:58I know you feel something for me too.
1:59:01 > 1:59:03I do.
1:59:05 > 1:59:08But I ain't no more than those who come to kill us.
1:59:08 > 1:59:09You've seen that yourself.
1:59:09 > 1:59:12Maybe you've done some bad things.
1:59:12 > 1:59:14Maybe worse than bad,
1:59:14 > 1:59:16but what happened here today wasn't one of them.
1:59:20 > 1:59:24And those killings, they don't...give you pause?
1:59:25 > 1:59:28I'm not afraid of you, Charley.
1:59:33 > 1:59:36QUIET MUSIC
1:59:44 > 1:59:46Brought me luck.
1:59:46 > 1:59:47Just like you said.
1:59:50 > 1:59:53It's yours now. You keep it.
1:59:59 > 2:00:01I don't have the answers, Charley.
2:00:01 > 2:00:03But I know that people get confused in this life
2:00:03 > 2:00:07about what they want and what they've done,
2:00:07 > 2:00:10and what they think they should've because of it.
2:00:10 > 2:00:15Everything they think they are or did takes hold so hard
2:00:15 > 2:00:18that it won't let them see what they can be.
2:00:20 > 2:00:22SHE SIGHS
2:00:23 > 2:00:25I've got a big idea about us, Charley.
2:00:27 > 2:00:31And I'm not going to wait forever, but I am going to wait.
2:00:31 > 2:00:35And when you're far away, I want you to think about that.
2:00:37 > 2:00:40And...come back to me.
2:02:30 > 2:02:32BIRDS CHIRP
2:02:40 > 2:02:42HORSE WHINNIES
2:02:51 > 2:02:54HOPEFUL MUSIC
2:03:11 > 2:03:13I'm in love with you, Sue.
2:03:15 > 2:03:17Been that way since I first laid eyes on you.
2:03:17 > 2:03:21It just...took me a while to see...see things clear.
2:03:24 > 2:03:26I know I'm not the kind of man
2:03:26 > 2:03:28you expected to walk up your front walk.
2:03:28 > 2:03:32If I was your brother, I wouldn't choose me for you.
2:03:37 > 2:03:39Charley...
2:03:40 > 2:03:43..do you know how old I am?
2:03:43 > 2:03:46I don't care how old you are.
2:03:47 > 2:03:49I'm not a girl any more.
2:03:50 > 2:03:53You're the handsomest woman I ever saw.
2:03:53 > 2:03:55I've had my disappointments, Charley.
2:03:55 > 2:03:58Well, I'm not going to be one of them.
2:04:00 > 2:04:03I never thought I'd live as long as I have, Sue.
2:04:03 > 2:04:07I guess living the way I have, it never really mattered.
2:04:09 > 2:04:12But riding away thinking I was never going to see you again
2:04:12 > 2:04:15was maybe the...was maybe the most awful feeling
2:04:15 > 2:04:17I've ever had in my life.
2:04:21 > 2:04:25I know I can be a good husband to you.
2:04:27 > 2:04:29And I know I ain't asked you proper
2:04:29 > 2:04:32but...I'm asking you now.
2:04:37 > 2:04:39Will you marry me, Sue?
2:04:41 > 2:04:44- LAUGHS:- Charley.
2:04:44 > 2:04:45Yes.
2:04:47 > 2:04:48I'll marry you.
2:04:53 > 2:04:55Can I kiss you?
2:05:15 > 2:05:18I'm going to... I'm going to give you a thousand of these
2:05:18 > 2:05:20before I'm done.
2:05:41 > 2:05:46Hey, Charley, looks like the Doc changed his mind about you.
2:05:53 > 2:05:54Something wrong?
2:05:54 > 2:05:56No. Everything's fine.
2:05:56 > 2:05:58I forgot to say I'll have word about the saloon
2:05:58 > 2:06:00by the time you get back.
2:06:00 > 2:06:01Sounds good.
2:06:03 > 2:06:04You take care now.
2:06:06 > 2:06:08Charley.
2:06:08 > 2:06:11- Sue. - I'll be along.
2:06:16 > 2:06:18Saloon?
2:06:18 > 2:06:21Told you I was wanting out of the cattle business.
2:06:21 > 2:06:24Funny thing is, the saloon back there just had its owner die.
2:06:24 > 2:06:27Hoping you'd be my partner.
2:06:30 > 2:06:32I can't afford something like that.
2:06:32 > 2:06:34Not even half.
2:06:34 > 2:06:38Well, we'll let the brains of the outfit do the thinking.
2:06:38 > 2:06:40- Sue? - SHE LAUGHS
2:06:46 > 2:06:48You are coming back, aren't you?
2:06:50 > 2:06:53Then I'll be waiting for you, Charles Postelwaite.
2:06:55 > 2:06:57You bucketmouth!
2:06:59 > 2:07:01Can't keep nothing private.
2:07:06 > 2:07:09I gotta go. You gotta go back now.
2:07:09 > 2:07:12I don't want you to lose sight of the rooftops.
2:07:15 > 2:07:18I mean it, Sue. You gotta go.
2:07:20 > 2:07:21ROMANTIC MUSIC
2:07:23 > 2:07:28How's this...how's this going to work if you don't do what I say?
2:07:29 > 2:07:31LAUGHS
2:07:38 > 2:07:40I told you I'll give you
2:07:40 > 2:07:42a thousand of these before I'm done.
2:07:42 > 2:07:44I'm going to make sure you do.
2:08:21 > 2:08:23Let's go get our cows.
2:08:23 > 2:08:26MUSIC BUILDS
2:09:00 > 2:09:03GENTLE GUITAR MUSIC
2:09:09 > 2:09:14# Like a night waiting
2:09:14 > 2:09:18# For the sun to rise
2:09:18 > 2:09:20# I felt it stream in
2:09:20 > 2:09:25# Through the light of your eyes
2:09:27 > 2:09:32# Yes and night is a canyon
2:09:32 > 2:09:36# Only dreams should fill
2:09:38 > 2:09:46# When hope lay still, this heart stayed true
2:09:47 > 2:09:55# Been holding all my love for you
2:09:57 > 2:10:05# Restless rivers rush beneath midnight rains
2:10:05 > 2:10:10# Dreams left for lost start to flow in again... #
2:10:10 > 2:10:13Subtitles by Red Bee Media Ltd
2:10:13 > 2:10:16E-mail subtitling@bbc.co.uk