0:02:30 > 0:02:31MIAOW
0:02:34 > 0:02:35MIAOW
0:02:39 > 0:02:40MIAOW
0:03:04 > 0:03:05Attila!
0:03:05 > 0:03:06Where are you, boy?
0:03:06 > 0:03:08Did you get that rabbit?
0:03:08 > 0:03:09Did you?
0:03:09 > 0:03:10I bet you did.
0:03:10 > 0:03:11My mighty hunter.
0:03:11 > 0:03:13You vicious killer.
0:03:13 > 0:03:15That's my dog.
0:03:15 > 0:03:17That's my beast.
0:03:17 > 0:03:19Come on, give me a kiss.
0:03:29 > 0:03:32Wait a minute.
0:03:32 > 0:03:35Wait a damn minute. Attila!
0:03:35 > 0:03:37And you call yourself security?!
0:03:37 > 0:03:38WOOF
0:03:41 > 0:03:43Don't change the subject.
0:03:44 > 0:03:49DRIVER IS SINGING "Love Child" ALONG WITH THE RADIO
0:03:52 > 0:03:53Hey, George.
0:03:53 > 0:03:55# ..born in poverty... #
0:03:55 > 0:03:57You gonna just stand there,
0:03:57 > 0:03:58or you gonna help me with these boxes?
0:03:58 > 0:04:00Now what have you got me carrying, huh?
0:04:00 > 0:04:03Got a deal on solar panels and batteries.
0:04:03 > 0:04:07I told you I wasn't doin' any more improvements on the house.
0:04:07 > 0:04:08I'm sellin' this place some day.
0:04:08 > 0:04:11Yeah, right. But I see you improved the garden anyway.
0:04:11 > 0:04:15And that goddamn rabbit still got in there.
0:04:15 > 0:04:16I told you,
0:04:16 > 0:04:17he went under your fence, George.
0:04:17 > 0:04:18He did not.
0:04:18 > 0:04:20He did, too.
0:04:20 > 0:04:21I put that fence
0:04:21 > 0:04:23a foot and a half underneath the ground.
0:04:23 > 0:04:25Well, it's a mystery, George.
0:04:25 > 0:04:27Anyway,
0:04:27 > 0:04:29this little outfit,
0:04:29 > 0:04:31it's gonna save you money,
0:04:31 > 0:04:33and it's free.
0:04:33 > 0:04:34So happy birthday.
0:04:34 > 0:04:35Thanks, Nate.
0:04:35 > 0:04:36Thank you.
0:04:39 > 0:04:40HE LAUGHS
0:04:40 > 0:04:41What?
0:04:41 > 0:04:43Who's gonna put it together, huh?
0:04:43 > 0:04:45Not me.
0:04:45 > 0:04:47It comes with a manual in three different languages.
0:04:47 > 0:04:48Forget it.
0:04:48 > 0:04:50Look, if it's a car, I can fix it.
0:04:50 > 0:04:53If it's in the garden, I probably can grow it, but...
0:04:53 > 0:04:57this is way out of MY neighbourhood.
0:04:57 > 0:04:59Hey, you, er, you bringing a date tonight?
0:04:59 > 0:05:01No. You?
0:05:01 > 0:05:04Well, I'm thinkin' of askin' somebody.
0:05:04 > 0:05:05When?
0:05:05 > 0:05:06Today?
0:05:06 > 0:05:08You don't give 'em much notice, do you?
0:05:08 > 0:05:10You even ask anybody? Huh?
0:05:10 > 0:05:13I always ask Diana Ross, but...
0:05:13 > 0:05:15She never says yes to me.
0:05:15 > 0:05:16See ya.
0:05:16 > 0:05:18See you later.
0:05:18 > 0:05:22NATE: # But you're never ever gonna return... #
0:05:22 > 0:05:25DIANA ROSS: # ..to ease the fire that within me burns
0:05:25 > 0:05:29# Keeps me cryin', baby, for you
0:05:29 > 0:05:32# Keeps me sighin', baby, for you
0:05:32 > 0:05:35# So won't you hurry?
0:05:35 > 0:05:37# Come on, boy... #
0:05:37 > 0:05:38HORN HONKS
0:05:38 > 0:05:40Hey, Bill.
0:05:43 > 0:05:45Hey, George. George! I forgot to tell you, man.
0:05:45 > 0:05:47HE SPEAKS SPANISH
0:05:47 > 0:05:48Hold on. Hold on.
0:05:48 > 0:05:49HE REPEATS THE SPANISH PHRASE >
0:05:49 > 0:05:50The doctor called.
0:05:50 > 0:05:54Banes, will you let me figure it out?
0:05:54 > 0:05:56A las diez. >
0:05:56 > 0:05:59At 10 o'clock. ..At 10 o'clock.
0:06:01 > 0:06:03Qui...qui dijo?
0:06:03 > 0:06:04Que dijo?
0:06:04 > 0:06:06He want you...
0:06:06 > 0:06:07que veas a su ventana...
0:06:07 > 0:06:08at 10 o'clock...
0:06:08 > 0:06:09que veas a su ventana.
0:06:09 > 0:06:11Ventana. Ventana. >
0:06:11 > 0:06:13He wants you to look at his window.
0:06:13 > 0:06:15Man!
0:06:15 > 0:06:18ENGINE FALTERS
0:06:23 > 0:06:25How ya doin', Lace?
0:06:26 > 0:06:28You look great.
0:06:28 > 0:06:29Yeah.
0:06:29 > 0:06:30How are the chairs sellin'?
0:06:30 > 0:06:33I got one left. I need four more.
0:06:33 > 0:06:35Wow.
0:06:35 > 0:06:37It's goin' a lot better than I expected.
0:06:37 > 0:06:39Yeah, well, you know, people sit down a lot around here.
0:06:39 > 0:06:41Yeah.
0:06:41 > 0:06:43- I can get these. - No, I got it. Thanks.
0:06:45 > 0:06:46I'll help you.
0:06:47 > 0:06:49Hey, er, Lace,
0:06:49 > 0:06:51there's a party tonight at the Elkhorn Bar...
0:06:51 > 0:06:52Why do they call it that?
0:06:52 > 0:06:54There's no elk around here.
0:06:54 > 0:06:55I don't know. They just always called it the Elkhorn.
0:06:55 > 0:06:58Why? They got some poor elk's horn hanging over the bar?
0:06:58 > 0:07:00I don't think so.
0:07:00 > 0:07:02Anyway, it's my birthday today,
0:07:02 > 0:07:03and there's a party tonight at the Elkhorn.
0:07:03 > 0:07:05I said that, didn't I?
0:07:05 > 0:07:06Yep.
0:07:06 > 0:07:07George!
0:07:07 > 0:07:10Oh, I gotta look up here at 10 o'clock.
0:07:10 > 0:07:11Why?
0:07:11 > 0:07:12Well, that's Doc Brunder's office. Have you met him yet?
0:07:12 > 0:07:14No. What does he want?
0:07:14 > 0:07:16I don't know.
0:07:16 > 0:07:19So, er, hey, er, you think you could come to the party?
0:07:19 > 0:07:21No. I don't like to leave my kids home alone at night.
0:07:21 > 0:07:22I know a good baby-sitter - Tito's wife.
0:07:22 > 0:07:23You know Tito. Tito!
0:07:23 > 0:07:24Tito!
0:07:24 > 0:07:25Hey.
0:07:25 > 0:07:27George.
0:07:27 > 0:07:29Hey. That's nice.
0:07:30 > 0:07:31EVERYONE LAUGHS
0:07:31 > 0:07:33God.
0:07:33 > 0:07:34Ha ha ha ha ha!
0:07:34 > 0:07:36So that's the doctor.
0:07:36 > 0:07:38Yep, that's the doctor.
0:07:41 > 0:07:43Would you please come tonight?
0:07:43 > 0:07:44No, not tonight.
0:07:47 > 0:07:48Is it me?
0:07:48 > 0:07:50No.
0:07:50 > 0:07:51It's not you.
0:07:51 > 0:07:53Well, then I'll keep askin'.
0:07:53 > 0:07:56ENGINE FAILS TO START
0:07:56 > 0:07:59Man, I would love to get my hands on your carburettor.
0:07:59 > 0:08:00ENGINE STARTS
0:08:00 > 0:08:01I bet you would.
0:08:05 > 0:08:08TAUNTING REMARK IN SPANISH
0:08:18 > 0:08:21DIANA ROSS: # Ooh ooh
0:08:21 > 0:08:24# Baby love, my baby love
0:08:24 > 0:08:25# I need you
0:08:25 > 0:08:27# Oh, oh, I need you... #
0:08:27 > 0:08:30Hey, Nate, Nate.
0:08:30 > 0:08:31It's a scandal. You and Diana Ross.
0:08:31 > 0:08:33I told the press.
0:08:33 > 0:08:34Oh, man.
0:08:34 > 0:08:35Yeah.
0:08:35 > 0:08:36She'd be so happy over at my farm.
0:08:36 > 0:08:37No stress.
0:08:37 > 0:08:38Oh, it's true.
0:08:38 > 0:08:40No media. No press.
0:08:40 > 0:08:43Just...just heaven.
0:08:43 > 0:08:44Hey, you're not supposed to be buyin' drinks tonight.
0:08:44 > 0:08:46Jimmy! < Yo!
0:08:46 > 0:08:48George doesn't buy drinks tonight. It's his birthday.
0:08:48 > 0:08:49Hey, Doc!
0:08:49 > 0:08:50Happy birthday.
0:08:51 > 0:08:52Hey, Doc!
0:08:52 > 0:08:53How's everybody?
0:08:53 > 0:08:55Hey, you still breathing in and out?
0:08:55 > 0:08:57Doc, you gotta try that cake.
0:08:57 > 0:08:58Tito's wife made it.
0:08:58 > 0:09:00It is macho bueno.
0:09:00 > 0:09:01Open it, George.
0:09:01 > 0:09:02Oh, Doc, this...
0:09:02 > 0:09:04thank you.
0:09:04 > 0:09:05You're welcome.
0:09:05 > 0:09:07You're learning the moves, George,
0:09:07 > 0:09:10but you've never played amidst turmoil and confusion, so...
0:09:10 > 0:09:13I wish we could go back to checkers. Maybe I could win.
0:09:13 > 0:09:14No. No, no, no.
0:09:14 > 0:09:16You have potential, George.
0:09:16 > 0:09:18I always said George Malley has something extra to offer this world.
0:09:18 > 0:09:19I said that the day I, er...
0:09:19 > 0:09:20circumcised you.
0:09:20 > 0:09:23He says that every birthday.
0:09:23 > 0:09:25You did good tonight.
0:09:25 > 0:09:28You know, you ruined my chance of romance with that obscene...
0:09:28 > 0:09:29It was an outrage.
0:09:29 > 0:09:30It was a disgrace.
0:09:30 > 0:09:32Then this beautiful girl walked right away from me.
0:09:32 > 0:09:34It was so embarrassin'.
0:09:34 > 0:09:36George, you talkin' about the one with the chairs?
0:09:36 > 0:09:38They're not all that comfortable.
0:09:38 > 0:09:39Well, I think they're perfect,
0:09:39 > 0:09:40but you gotta learn how to sit in 'em.
0:09:40 > 0:09:42Ah, here you go.
0:09:42 > 0:09:43On the house.
0:09:43 > 0:09:46I hope there's a no-smoking section in heaven.
0:09:46 > 0:09:48Ah, don't start, Doc. Don't start.
0:09:50 > 0:09:52Happy cumpleanos, amigo.
0:09:52 > 0:09:54PEOPLE OFFER TOASTS
0:09:54 > 0:09:56MAN: We love you, man.
0:09:58 > 0:10:00This is great.
0:10:00 > 0:10:01This is great.
0:10:01 > 0:10:03Tito, wait, wait, wait!
0:10:03 > 0:10:04Tito!
0:10:05 > 0:10:07Thanks for comin' to my party, man.
0:10:07 > 0:10:08Ha ha ha ha!
0:10:08 > 0:10:09Happy birthday, kid.
0:10:09 > 0:10:11Yeah. Happy birthday.
0:10:11 > 0:10:12Ahh...
0:10:14 > 0:10:16Ahh...
0:10:16 > 0:10:19Yep, happy birthday.
0:10:22 > 0:10:23Ahh...
0:10:25 > 0:10:2737.
0:10:28 > 0:10:3037.
0:11:14 > 0:11:16Anybody see that?
0:11:16 > 0:11:17There was... that light?
0:11:17 > 0:11:18What kind of light?
0:11:18 > 0:11:20There was a noise. Did you hear it?
0:11:20 > 0:11:21Nope.
0:11:21 > 0:11:25Can we finish the game, George?
0:11:25 > 0:11:27Man, it-it was like-like...
0:11:27 > 0:11:29like an explosion,
0:11:29 > 0:11:30and it was a flash...
0:11:30 > 0:11:31Like a plane?
0:11:31 > 0:11:33No. It was bigger than that.
0:11:33 > 0:11:34It was farther away.
0:11:34 > 0:11:36NATE: You mean like a star, George?
0:11:36 > 0:11:39Man, it knocked me off my feet.
0:11:39 > 0:11:40You fell?
0:11:40 > 0:11:43Yeah, I fell! I was at...
0:11:43 > 0:11:44The man's inebriated.
0:11:44 > 0:11:46I warned you.
0:11:46 > 0:11:47I'm not drunk, Nate.
0:11:47 > 0:11:49I'm taking your queen, George.
0:11:49 > 0:11:51Now, pay attention.
0:11:52 > 0:11:54Isn't that checkmate?
0:11:54 > 0:11:56That's checkmate, isn't it?
0:11:57 > 0:11:59You mean he beat you?
0:11:59 > 0:12:00You let him win, Doc?
0:12:00 > 0:12:01Birthday present?
0:12:01 > 0:12:03I didn't let him win anything.
0:12:03 > 0:12:05You're a little pissed off about that, aren't you?
0:12:05 > 0:12:06Play another one?
0:12:06 > 0:12:09You can get your revenge on me tomorrow, all right?
0:12:09 > 0:12:10You feeling OK? Yup.
0:12:10 > 0:12:12Can you drive, George?
0:12:12 > 0:12:13Yeah, I'm all right.
0:12:13 > 0:12:16Hey...thanks, everybody.
0:12:16 > 0:12:17Happy birthday, buddy.
0:12:17 > 0:12:18Happy birthday, George.
0:12:18 > 0:12:20That was a good party.
0:12:26 > 0:12:28HE PRACTISES SPANISH
0:12:36 > 0:12:39Ah, I can't sleep.
0:12:41 > 0:12:43Ohh...
0:12:44 > 0:12:46Ahh...
0:12:47 > 0:12:49That's it!
0:12:51 > 0:12:54TELEPHONE RINGS
0:12:56 > 0:12:57What?
0:12:57 > 0:12:59I figured it out.
0:12:59 > 0:13:02George, what are you doin' callin' me? It's late.
0:13:02 > 0:13:04I thought farmers got up when it was still dark.
0:13:04 > 0:13:06That's if you have cows.
0:13:06 > 0:13:09I don't have any cows, George.
0:13:09 > 0:13:12Now, look, there's only one explanation for that rabbit.
0:13:12 > 0:13:13What?
0:13:13 > 0:13:15When I built that fence higher and deeper,
0:13:15 > 0:13:17he was already in there.
0:13:17 > 0:13:21See. He was hiding. I fenced him in.
0:13:21 > 0:13:23There's only one thing I can do now -
0:13:23 > 0:13:24just let him out.
0:13:25 > 0:13:27Right.
0:14:15 > 0:14:17HE CHUCKLES
0:14:23 > 0:14:24Here's Roger.
0:14:24 > 0:14:26George, can I have my bronco back?
0:14:26 > 0:14:28I don't have any cash right now,
0:14:28 > 0:14:29but I need my car.
0:14:29 > 0:14:32Well, I need some solar panels installed on my roof.
0:14:32 > 0:14:34I don't know anything about solar.
0:14:34 > 0:14:36Charlie Shipper does, and he needs
0:14:36 > 0:14:37a well dug on his property.
0:14:37 > 0:14:39You help him dig the well,
0:14:39 > 0:14:41he'll help me with the panels,
0:14:41 > 0:14:43and I'll fix your car. Deal?
0:14:43 > 0:14:44Yeah, deal!
0:14:46 > 0:14:49I'll, uh... I'll call Charlie.
0:14:49 > 0:14:52Hi. I just called about fixin' my brakes.
0:14:52 > 0:14:54Oh, yeah. Be right with you.
0:14:54 > 0:14:56Tito, atiende a senor.
0:14:56 > 0:14:57Estoy ocupado con algo...
0:14:57 > 0:15:02Uh, sigue...con este despues.
0:15:06 > 0:15:07Come on.
0:15:07 > 0:15:10Tito, he speaks Spanish better than I do now.
0:15:10 > 0:15:13Yeah. Better than me, too.
0:15:38 > 0:15:40HORN HOOTS
0:15:45 > 0:15:47Vroom! Vroom!
0:15:47 > 0:15:50Hi. Where's the owner and operator of this vehicle?
0:15:50 > 0:15:51You a cop?
0:15:51 > 0:15:53Our mom's in the store.
0:15:53 > 0:15:55Mm-hmm. You got the brake on, sport?
0:15:55 > 0:15:57His name's Al.
0:15:57 > 0:15:58And what's your name?
0:15:58 > 0:16:00Glory.
0:16:00 > 0:16:02Well, I'm George.
0:16:02 > 0:16:03Pop the hood, Al.
0:16:05 > 0:16:06Why?
0:16:06 > 0:16:08You know how to start this thing?
0:16:08 > 0:16:10Duh.
0:16:10 > 0:16:11ENGINE STARTS
0:16:11 > 0:16:13Ah. Emergency road service, ma'am.
0:16:13 > 0:16:15Truck can't breathe, and your idle's too fast.
0:16:15 > 0:16:17Sorry...gotta go.
0:16:17 > 0:16:18Where?
0:16:18 > 0:16:20You're not leavin' town, are you?
0:16:20 > 0:16:22Nope. San Francisco for the day.
0:16:22 > 0:16:23I used to live there.
0:16:23 > 0:16:25Ask me directions on where you're goin'.
0:16:25 > 0:16:28Matter of fact, ask me anything at all.
0:16:28 > 0:16:29You could even ask me to come along.
0:16:29 > 0:16:31I'll show you the sights, the hazards. What do you think?
0:16:31 > 0:16:32I think your idle's too fast.
0:16:33 > 0:16:34San Francisco, huh?
0:16:34 > 0:16:36But you were born here, right?
0:16:36 > 0:16:38How'd you know I was born here?
0:16:38 > 0:16:39Just now, in the store.
0:16:39 > 0:16:42Someone said, "I've known George Malley all my life,
0:16:42 > 0:16:44"and if he says he saw a UFO, he saw one."
0:16:45 > 0:16:47I didn't say that.
0:16:47 > 0:16:49BOY: You saw one?
0:16:49 > 0:16:50I didn't say what I saw.
0:16:50 > 0:16:52GIRL: What'd it look like?!
0:16:52 > 0:16:54Well, it could've been!
0:16:57 > 0:16:59That's mate, Doc.
0:16:59 > 0:17:02Wait, wait, wait... George!
0:17:02 > 0:17:04What in the hell is goin' on? What?
0:17:04 > 0:17:07Well, you know... I don't know. I really don't.
0:17:07 > 0:17:10Just lately, I've been seeing things
0:17:10 > 0:17:12so clearly, you know, and, er...
0:17:12 > 0:17:16I understand right away...concentrate...
0:17:16 > 0:17:18And books, I can't stop feeding myself.
0:17:18 > 0:17:20I read two or three books a day.
0:17:20 > 0:17:24Imagine that. And I...you know, I can't stop, and I...
0:17:24 > 0:17:28I can't sleep... Ever since the...
0:17:31 > 0:17:33I-I gotta go, get back to work.
0:17:33 > 0:17:36Ever since... the sighting.
0:17:36 > 0:17:39Roger, it was a damn light.
0:17:39 > 0:17:41And a boom.
0:17:41 > 0:17:42Now, did you hear it?
0:17:42 > 0:17:44Well, no.
0:17:44 > 0:17:47Anybody? About nine days ago, right outside here?
0:17:47 > 0:17:51What was that, 12 o'clock...George?
0:17:51 > 0:17:54George, come in for a physical, OK?
0:17:59 > 0:18:01George...
0:18:01 > 0:18:03George, three books a day?
0:18:03 > 0:18:05At least.
0:18:05 > 0:18:06About what?
0:18:06 > 0:18:07About everything.
0:18:07 > 0:18:10All the things I've wanted to know about and learn.
0:18:10 > 0:18:11Like what?
0:18:11 > 0:18:13You tell me, Rog.
0:18:13 > 0:18:16What have you always wanted to know about and learn?
0:18:16 > 0:18:17< Hmm?
0:18:18 > 0:18:20Think about it.
0:18:30 > 0:18:33PETER GABRIEL: # I'm a-waitin' for ignition
0:18:33 > 0:18:36# I'm lookin' for the spark
0:18:36 > 0:18:39# Any chance collision, and I
0:18:39 > 0:18:41# light up in the dark
0:18:41 > 0:18:44# Such a mass of motion
0:18:44 > 0:18:46# Do not know where it goes
0:18:46 > 0:18:50# I move with the movement, and...
0:18:51 > 0:18:52# I have the touch
0:18:57 > 0:19:02# Any social occasion, it's "Hello, how do you do?"
0:19:02 > 0:19:03# All those introductions
0:19:03 > 0:19:07# I never miss my cue
0:19:07 > 0:19:09# So before a question
0:19:09 > 0:19:12# So before a doubt
0:19:12 > 0:19:15# My hand moves out, and...
0:19:15 > 0:19:17# I have the touch... #
0:19:17 > 0:19:19WOOF!
0:19:20 > 0:19:22# Only...only...
0:19:22 > 0:19:24# Wanting contact
0:19:26 > 0:19:28# Shake those hands
0:19:29 > 0:19:30# Shake those hands
0:19:31 > 0:19:33# Shake hands
0:19:36 > 0:19:38# Shake hands
0:19:43 > 0:19:46# I have the touch... #
0:19:48 > 0:19:52CQ, this is WB6-QLF standing by.
0:19:52 > 0:19:54Searcher out of Harmon, California.
0:19:54 > 0:19:55Is anybody on the board tonight?
0:19:55 > 0:19:58I'm lookin' for Diana Ross, but...
0:19:58 > 0:20:00I'll accept any voice that needs to talk.
0:20:00 > 0:20:01CLATTER
0:20:01 > 0:20:03Is that you, Diana?
0:20:04 > 0:20:06Hey, George.
0:20:06 > 0:20:07Now, look, Nate, you haven't sat
0:20:07 > 0:20:08till you put your ass
0:20:08 > 0:20:10on one of these homemade willow chairs.
0:20:10 > 0:20:11Now, I brought you a pair
0:20:11 > 0:20:13so you could put your feet up,
0:20:13 > 0:20:15or if you want a friend to sit in there,
0:20:15 > 0:20:17if you decide one day to invite someone over. What do you think?
0:20:19 > 0:20:21I don't think they go, George.
0:20:21 > 0:20:23Oh, what would you know?
0:20:23 > 0:20:25Looks like a swap meet blew in here.
0:20:25 > 0:20:27Talk about needin' a woman's touch.
0:20:27 > 0:20:28This is an emergency.
0:20:28 > 0:20:32Hey, Nate, I been workin' on that solar kit you gave me.
0:20:32 > 0:20:33I am tellin' you,
0:20:33 > 0:20:35the whole field of photovoltaics
0:20:35 > 0:20:36is just in babyland!
0:20:36 > 0:20:39You know, the idea that plants
0:20:39 > 0:20:41have been storin' and usin' the sun's energy
0:20:41 > 0:20:43since the birth of the world...
0:20:43 > 0:20:46Photosynthesis is a model for us,
0:20:46 > 0:20:47and we're just scratchin' the surface
0:20:47 > 0:20:49of what we can do with these silicon cells,
0:20:49 > 0:20:51I'm tellin' you.
0:20:51 > 0:20:52What?
0:20:55 > 0:20:56What?
0:20:56 > 0:20:58You just talk so fast, George,
0:20:58 > 0:21:00and you know so much stuff.
0:21:00 > 0:21:03I'm sorry.
0:21:03 > 0:21:05I can't help it, Nate.
0:21:05 > 0:21:07It's OK.
0:21:07 > 0:21:08WARBLING STATIC
0:21:08 > 0:21:09What is that?
0:21:09 > 0:21:12Uh, it's just computers talkin' to computers.
0:21:12 > 0:21:13Shh. Leave it, leave it.
0:21:13 > 0:21:14Oh, come on.
0:21:14 > 0:21:16The Morse code's goin' too fast
0:21:16 > 0:21:17for you to pick that out.
0:21:17 > 0:21:19No, it's... I can hear it.
0:21:19 > 0:21:20Bull.
0:21:20 > 0:21:21No. I'll tell you what it is.
0:21:21 > 0:21:22A repeated pattern. A looping message.
0:21:22 > 0:21:27"Watering the golds... Friday."
0:21:27 > 0:21:30Yeah. Now, who'd be sending a coded message like that
0:21:30 > 0:21:31in simple Morse, hmm?
0:21:31 > 0:21:34Man, look, I pick up two different air force bases.
0:21:34 > 0:21:36I think we'd better leave this one alone, George.
0:21:36 > 0:21:38No. There's a different one. Listen.
0:21:38 > 0:21:41This one's much denser, but it's still a loop.
0:21:41 > 0:21:42It still repeats.
0:21:42 > 0:21:45Seriously, I think we... Oh, I gotta record this.
0:21:45 > 0:21:47Think we need to leave this alone.
0:21:47 > 0:21:48No, no, no, no.
0:21:48 > 0:21:49What are you doin'?
0:21:49 > 0:21:50I'm gonna take it home
0:21:50 > 0:21:52so I can break it down, then we can answer it.
0:21:52 > 0:21:54Why?
0:21:54 > 0:21:56Because it gives me somethin' to do, Nate.
0:21:59 > 0:22:01I don't know if it's gettin' worse
0:22:01 > 0:22:03or if it's gettin' better, but...
0:22:03 > 0:22:06I have 12 hours in the night to kill.
0:22:06 > 0:22:09I get tired of reading. I do crossword puzzles,
0:22:09 > 0:22:10but they're all too simple.
0:22:10 > 0:22:13I mean, too simple?
0:22:13 > 0:22:16And then everybody I know is asleep,
0:22:16 > 0:22:17and I'm awake at night.
0:22:17 > 0:22:20There somethin'... somethin' I could do?
0:22:20 > 0:22:22Hey, why don't we just go outside and box?
0:22:22 > 0:22:24I could split your lip again.
0:22:24 > 0:22:26Yeah, you'll feel a lot better.
0:22:26 > 0:22:27No.
0:22:29 > 0:22:31Hey, if you sent a message, would they get it?
0:22:31 > 0:22:33Yeah, sure. Um...
0:22:33 > 0:22:35Send this.
0:22:35 > 0:22:36Send them "Don't..."
0:22:36 > 0:22:38er, "Don't overwater the golds." Say that.
0:22:38 > 0:22:40OK, fine. The golds?
0:22:40 > 0:22:41Marigolds. Oh, yeah.
0:22:41 > 0:22:45No. Say "Don't overwater the marigolds Friday."
0:22:45 > 0:22:49"Don't overwater... marigolds on Friday."
0:22:49 > 0:22:51Right.
0:22:51 > 0:22:52"We'll be watching."
0:22:52 > 0:22:53Yeah, yeah! "We'll be watchin'."
0:22:55 > 0:22:56This is cool.
0:23:25 > 0:23:28DOG WHIMPERS AND BARKS
0:23:33 > 0:23:35It's OK, Attila. It's nothin'.
0:23:35 > 0:23:37Static electricity, that's all.
0:23:37 > 0:23:38That's all it is.
0:23:40 > 0:23:44See. There...you go. OK...
0:23:44 > 0:23:46All right, OK...
0:23:53 > 0:23:55Oh, my God!
0:23:55 > 0:23:57Oh, God!
0:23:57 > 0:23:58Oh, man!
0:23:58 > 0:24:02Is somebody tryin' to tell me somethin'?!
0:24:02 > 0:24:04Huh?!
0:24:05 > 0:24:06What?!
0:24:15 > 0:24:16HE EXHALES DEEPLY
0:24:17 > 0:24:19Did you pee in the cup?
0:24:19 > 0:24:21Yep. Still havin' trouble sleeping?
0:24:21 > 0:24:23Yup. Any ideas?
0:24:25 > 0:24:27How long you been feelin' this way?
0:24:27 > 0:24:30You know how long I been feelin' this way. Everybody does.
0:24:30 > 0:24:33It's been over a month since my birthday.
0:24:33 > 0:24:36Notice anything else, or...?
0:24:38 > 0:24:40Yeah.
0:24:40 > 0:24:41What?
0:24:43 > 0:24:46Well, watch your fountain pen there.
0:24:46 > 0:24:47What do you mean?
0:24:50 > 0:24:53Ooh. Uh...er...
0:24:55 > 0:24:56HE CHUCKLES UNCOMFORTABLY
0:24:58 > 0:24:59That's telekinesis.
0:24:59 > 0:25:00Yeah.
0:25:02 > 0:25:04Is that OK?
0:25:05 > 0:25:07Do it again. Do it again.
0:25:22 > 0:25:23You know, I...
0:25:23 > 0:25:25I consider myself a rational man,
0:25:25 > 0:25:29a man of science... whatever, but...
0:25:29 > 0:25:32Uh, I feel like a child, George.
0:25:32 > 0:25:33I feel scared.
0:25:33 > 0:25:36Me, too.
0:25:38 > 0:25:40Well, whatever the reason is,
0:25:40 > 0:25:42I promise you we'll find it. OK?
0:25:43 > 0:25:44Now...
0:25:44 > 0:25:47let me see you do that one more time!
0:25:51 > 0:25:54ENGINE REVS
0:25:54 > 0:25:56It's a monster, George.
0:25:56 > 0:25:59Yup. This old Frankenstein here
0:25:59 > 0:26:01gets 90 miles to the gallon on methane...
0:26:01 > 0:26:03And that's made from my garbage
0:26:03 > 0:26:06and Nate's pig manure. Special blend.
0:26:06 > 0:26:09Sure smells like it.
0:26:13 > 0:26:15See, Georgie...
0:26:16 > 0:26:17Hello, Lace.
0:26:17 > 0:26:19Hey. These are a little bit different.
0:26:19 > 0:26:21I used a little bit of a wider branch.
0:26:21 > 0:26:23Yeah, they look great.
0:26:23 > 0:26:24George, are these yours?
0:26:24 > 0:26:26Yeah, yeah. I've been workin'
0:26:26 > 0:26:28on some special organic fertilisers.
0:26:28 > 0:26:30Go ahead, taste it. Mmm!
0:26:30 > 0:26:33No, no. Bite into it, like an apple.
0:26:35 > 0:26:36Oh.
0:26:36 > 0:26:39Hey, you got some on your chin. Sorry.
0:26:41 > 0:26:44Maybe, um, maybe the kids would like some.
0:26:44 > 0:26:46It's great. Thanks.
0:26:46 > 0:26:47No, no. Wait, wait.
0:26:47 > 0:26:49Let me pick some out for you.
0:26:49 > 0:26:51If the kids like 'em, you could...make anything.
0:26:51 > 0:26:55You could make some sauce or soup...
0:26:58 > 0:27:00George, I thought you were smart.
0:27:00 > 0:27:02Hey, what's she got anyway?
0:27:02 > 0:27:04Yeah...yeah, besides uncomfortable chairs?
0:27:06 > 0:27:11My heart, amigos. My heart.
0:27:11 > 0:27:14# Jump in, let's go
0:27:15 > 0:27:19# Lay back, enjoy the show
0:27:19 > 0:27:22# Jump in, let's go
0:27:23 > 0:27:27# These are the days when anything goes
0:27:27 > 0:27:30# Every day is a winding road
0:27:32 > 0:27:35# I get a little bit closer
0:27:35 > 0:27:39# Every day is a faded sign
0:27:40 > 0:27:42# I get a little bit closer... #
0:27:42 > 0:27:45You guys goin' home?
0:27:45 > 0:27:46You want a ride?
0:27:46 > 0:27:47OK.
0:27:47 > 0:27:49Glory!
0:27:49 > 0:27:49Be quiet.
0:27:49 > 0:27:52Glory, come ba...
0:27:52 > 0:27:53Come on!
0:27:53 > 0:27:55All right.
0:27:55 > 0:27:57Al! OK!
0:27:57 > 0:27:58Hurry up!
0:28:00 > 0:28:02# Jump in, let's go
0:28:04 > 0:28:07# These are the days when anything goes
0:28:07 > 0:28:11# Every day is a winding road
0:28:11 > 0:28:13# to feelin' fine... #
0:28:13 > 0:28:15Are those for my mom?
0:28:15 > 0:28:16Yup.
0:28:16 > 0:28:19I thought flowers were for dates.
0:28:19 > 0:28:22Don't get spooky, Al.
0:28:22 > 0:28:24Did she invite you?
0:28:26 > 0:28:28Hey, wait a minute.
0:28:28 > 0:28:30Blue. I don't have blue.
0:28:32 > 0:28:35# Every day is a winding road... #
0:28:40 > 0:28:42Oh, great.
0:28:52 > 0:28:55You guys know the name of this stuff? This flower?
0:28:55 > 0:28:56No. No.
0:28:56 > 0:28:58Delphinium belladonna.
0:28:58 > 0:29:00It's the ranunculaceae family.
0:29:00 > 0:29:02I didn't always know the names of flowers,
0:29:02 > 0:29:05but it seems recently I can pretty much name
0:29:05 > 0:29:07any flower I see.
0:29:07 > 0:29:09Yeah. Like this one is Limonium sinuatum,
0:29:09 > 0:29:12and this is the, er...
0:29:13 > 0:29:17Doesn't make 'em any prettier, though.
0:29:18 > 0:29:19Is that a garbage bag tie?
0:29:19 > 0:29:23Yeah. I was improvising.
0:29:25 > 0:29:28Hey, now, that's a good idea.
0:29:38 > 0:29:39Oh, that's much better.
0:29:39 > 0:29:40Yup.
0:29:40 > 0:29:42Thank you.
0:29:42 > 0:29:43You're welcome.
0:29:46 > 0:29:49# Every day is a winding road
0:29:50 > 0:29:54# Every day is a winding road... #
0:29:55 > 0:29:58My mom's around back!
0:29:58 > 0:30:02# Every day is a winding road... #
0:30:02 > 0:30:03Lace? >
0:30:05 > 0:30:06Hi.
0:30:07 > 0:30:08Hi.
0:30:08 > 0:30:11Now, you didn't nearly take enough tomatoes.
0:30:11 > 0:30:13I'm very proud of them.
0:30:13 > 0:30:15Well, there you go.
0:30:15 > 0:30:19And, er... I got you these.
0:30:19 > 0:30:23That's every wild flower from my house to your house.
0:30:23 > 0:30:25Your kids helped.
0:30:25 > 0:30:26Thanks.
0:30:26 > 0:30:28Hey, what are you workin' on?
0:30:28 > 0:30:30N-nothin'.
0:30:30 > 0:30:31Nothing.
0:30:32 > 0:30:34Wow. That's really great work.
0:30:34 > 0:30:36Look at this... Beautiful.
0:30:36 > 0:30:38Uh, you want to, um...walk?
0:30:38 > 0:30:40Sure.
0:30:40 > 0:30:41CHILDREN LAUGH
0:30:41 > 0:30:42Shh.
0:30:42 > 0:30:44I gotta tell you, you got great kids.
0:30:44 > 0:30:46Yeah, they are great kids,
0:30:46 > 0:30:48but you don't really know that yet, George,
0:30:48 > 0:30:50because you don't know them,
0:30:50 > 0:30:51and you don't know me.
0:30:51 > 0:30:53But I'm tryin' to get to know you.
0:30:53 > 0:30:56I know. I really want to keep my life simple,
0:30:56 > 0:30:59even predictable. That's why I moved here.
0:30:59 > 0:31:02I don't like surprises,
0:31:02 > 0:31:04and I don't like complications.
0:31:06 > 0:31:08What happened to you, Lace?
0:31:09 > 0:31:12Oh, I'm sorry. That's none of my business.
0:31:12 > 0:31:13No, no. That's OK.
0:31:13 > 0:31:15Oh, I'm so sorry.
0:31:15 > 0:31:17So, let me ask you something, George.
0:31:17 > 0:31:18When a man comes over
0:31:18 > 0:31:20with a basket full of tomatoes,
0:31:20 > 0:31:22what's he expecting? Dinner?
0:31:22 > 0:31:26No, no, no. Just hoping.
0:31:27 > 0:31:29Trolifolium.
0:31:29 > 0:31:31You don't have any purple in the flowers
0:31:31 > 0:31:33I got you, do you?
0:31:33 > 0:31:35Whoa...what...?
0:31:35 > 0:31:36Did you feel that?
0:31:36 > 0:31:38Feel what?
0:31:38 > 0:31:40Whoa. That...
0:31:43 > 0:31:44Come here, come here.
0:31:44 > 0:31:46OK.
0:31:46 > 0:31:49Feel that, right there.
0:31:49 > 0:31:50Feel what?
0:31:52 > 0:31:55Oh, God. I think I know what this is.
0:31:55 > 0:31:57What? Could I use your phone?
0:31:57 > 0:31:58Yeah.
0:31:59 > 0:32:02OK, yeah.
0:32:02 > 0:32:05Just east of Harmon. Do you know which one I'm talking about?
0:32:05 > 0:32:07No, well, I was told to call you,
0:32:07 > 0:32:10and I'm telling you right now that I picked up on some activity.
0:32:10 > 0:32:14No, we didn't use any instrumentation.
0:32:14 > 0:32:16No, I don't have a degree,
0:32:16 > 0:32:18and I haven't studied anywhere, but I'm just tryin' to...
0:32:18 > 0:32:20Are you shutting me down here? Is that what's goin' on?
0:32:20 > 0:32:21Are you tryin' to shut me down?
0:32:21 > 0:32:23Look, I'm just tryin' to tell you
0:32:23 > 0:32:25that I felt the compression waves, OK?
0:32:25 > 0:32:27ULF - Ultra low frequency waves.
0:32:27 > 0:32:30Now, they have the ability to make you nauseous and dizzy. Am I right?
0:32:30 > 0:32:31OK. Well, that's what I felt,
0:32:31 > 0:32:34and I'm tryin' to tell you that I think that there...
0:32:34 > 0:32:36DIALLING TONE
0:32:36 > 0:32:38There's an earthquake coming.
0:32:39 > 0:32:41Um...listen, Al,
0:32:41 > 0:32:44why don't you put some masking tape on the cupboards,
0:32:44 > 0:32:47and, Glory, take the vases down and the china.
0:33:13 > 0:33:15This is good, Lace.
0:33:16 > 0:33:18I think you're a good cook.
0:33:18 > 0:33:20No, I'm not.
0:33:20 > 0:33:23I only make two things pretty well.
0:33:23 > 0:33:26Pork chops and, um, turkey.
0:33:27 > 0:33:29Which is this?
0:33:33 > 0:33:34I'm sorry!
0:33:36 > 0:33:37EVERYONE LAUGHS
0:33:46 > 0:33:48RATTLING
0:33:48 > 0:33:49Look!
0:33:56 > 0:33:57Al...
0:33:58 > 0:34:00I'll kill you.
0:34:00 > 0:34:01I was just joking.
0:34:04 > 0:34:05Oh, you see him?
0:34:08 > 0:34:10You're funny.
0:34:12 > 0:34:14SHE CLEARS HER THROAT
0:34:26 > 0:34:28All right, can I say it now?
0:34:28 > 0:34:29What's that?
0:34:29 > 0:34:31You've got great kids.
0:34:31 > 0:34:32Oh, thanks.
0:34:32 > 0:34:33And I thank you for dinner.
0:34:33 > 0:34:34You're welcome.
0:34:34 > 0:34:35And...good night.
0:34:35 > 0:34:37Good night.
0:34:37 > 0:34:38Good night.
0:34:42 > 0:34:44Shh! She's coming.
0:34:44 > 0:34:46Tell her.
0:34:46 > 0:34:47You tell her.
0:34:47 > 0:34:48Shh. Come on.
0:34:51 > 0:34:52He's neat.
0:34:52 > 0:34:53Yeah, he's nice, isn't he?
0:34:53 > 0:34:55Yeah, but he thinks he saw a UFO,
0:34:55 > 0:34:57and he thinks he can predict earthquakes.
0:34:57 > 0:34:59There may be a warning here.
0:34:59 > 0:35:01But he never said for sure it was a UFO.
0:35:01 > 0:35:02Yep.
0:35:02 > 0:35:04RUMBLING AND RATTLING
0:35:04 > 0:35:05Go.
0:35:05 > 0:35:06Go.
0:35:13 > 0:35:15Let's get in the truck. Get in the truck.
0:35:15 > 0:35:16It's over.
0:35:16 > 0:35:17I know it's over. Let's go. Now!
0:35:29 > 0:35:30ATTILA BARKS
0:35:30 > 0:35:32Did you feel it?
0:35:32 > 0:35:33Huh?
0:35:33 > 0:35:34Did you get scared?
0:35:34 > 0:35:36Do you realise the possibilities of this, huh?
0:35:36 > 0:35:38Do you know what this means?
0:35:38 > 0:35:40VEHICLE APPROACHES
0:35:46 > 0:35:49You felt it, didn't you?
0:35:49 > 0:35:50You did.
0:35:50 > 0:35:51What is going on, George?
0:35:51 > 0:35:53Wasn't that amazing?
0:35:53 > 0:35:54Tell me what's happening.
0:35:54 > 0:35:55I don't know.
0:35:55 > 0:35:56I don't know what's happening.
0:35:56 > 0:35:58I need the simple truth, George.
0:35:58 > 0:35:59This is the truth.
0:35:59 > 0:36:02Wh-wh-what's happening to me is the truth.
0:36:14 > 0:36:16Oh, no.
0:36:19 > 0:36:21HE EXHALES DEEPLY
0:36:22 > 0:36:24Lace.
0:36:32 > 0:36:34I love those chairs, Lace.
0:36:34 > 0:36:35I love them.
0:36:35 > 0:36:36I didn't...
0:36:36 > 0:36:38You-you made them.
0:36:38 > 0:36:39OK?
0:36:39 > 0:36:41All right?
0:36:43 > 0:36:45I-I wanted to see you, OK? I mean...
0:36:45 > 0:36:46bring 'em back to your shop tomorrow.
0:36:46 > 0:36:47I'll give you your money back.
0:36:47 > 0:36:49I don't want my money back, Lace.
0:36:49 > 0:36:50I just asked you for one thing, George...
0:36:50 > 0:36:51the truth.
0:36:51 > 0:36:54And you couldn't handle it.
0:36:54 > 0:36:56TRUCK DOOR OPENS
0:36:59 > 0:37:00ENGINE STARTS
0:37:00 > 0:37:01TRUCK DRIVES OFF
0:37:15 > 0:37:17George, haven't you called her yet?
0:37:17 > 0:37:19Never mind about that, will you?
0:37:19 > 0:37:20Now, this is the second one. Gladiolus. Remember that.
0:37:20 > 0:37:22How do you know she's still mad at you?
0:37:22 > 0:37:23I know. All right.
0:37:23 > 0:37:24Write her a note.
0:37:24 > 0:37:25Now, I found this.
0:37:25 > 0:37:27Classic five-bedded garden pattern.
0:37:27 > 0:37:29Flowers. You should send her flowers or candy.
0:37:29 > 0:37:32Got marigolds, gladiolus, roses, et cetera.
0:37:32 > 0:37:35And I went to the library, and I looked up
0:37:35 > 0:37:36the missile silo pattern
0:37:36 > 0:37:38at the Masterson air force base
0:37:38 > 0:37:40and made my own overlay,
0:37:40 > 0:37:42and here we go.
0:37:42 > 0:37:43There.
0:37:43 > 0:37:45See. That's their... that's their garden.
0:37:45 > 0:37:46You see?
0:37:46 > 0:37:47Well, that's old stuff.
0:37:47 > 0:37:50It's-it's, er, declassified.
0:37:50 > 0:37:52But now this... this stuff is trickier.
0:37:52 > 0:37:54This is trigraphs and tetragraphs and...
0:37:54 > 0:37:55George.
0:37:55 > 0:37:56Why don't you just tell me
0:37:56 > 0:37:57what you want me to send? Right.
0:37:57 > 0:37:59OK, send this.
0:37:59 > 0:38:01Why don't you send this?
0:38:01 > 0:38:03"Mind your garden. Frost coming like in the Mosop."
0:38:03 > 0:38:05Want to know what Mosop is?
0:38:05 > 0:38:07That's OK. It's your game, George.
0:38:07 > 0:38:09Yeah, yeah, yeah. Hey, you sit in this chair yet?
0:38:09 > 0:38:12It's nice. You should give her a call right now.
0:38:12 > 0:38:13Nah. Let her cool off.
0:38:13 > 0:38:16I figure I'll give her about a year.
0:38:16 > 0:38:18NATE LAUGHS
0:38:18 > 0:38:20Pick up the phone and call her, George.
0:38:20 > 0:38:22Look who's talkin'.
0:38:22 > 0:38:23Diana Ross fan club.
0:38:23 > 0:38:26Have you said ten words to a woman this year?
0:38:31 > 0:38:33I'm sorry, Nate.
0:38:33 > 0:38:35Your transmission's finished there.
0:38:35 > 0:38:38I've just been goin' through some things lately.
0:38:38 > 0:38:41Everybody's goin' through some.
0:38:41 > 0:38:43I know, but...
0:38:43 > 0:38:46This thing's been hard for me to handle.
0:38:46 > 0:38:48Let me show you somethin'.
0:39:19 > 0:39:22You suppose they magnetised you?
0:39:22 > 0:39:23I don't know, buddy.
0:39:23 > 0:39:25I wish I did.
0:39:31 > 0:39:33There he is.
0:39:33 > 0:39:34What have we got?
0:39:34 > 0:39:37Doc, I'm really glad you came.
0:39:37 > 0:39:38In here. Right here.
0:39:38 > 0:39:39Come on, Doc.
0:39:39 > 0:39:40MUTTERING IN PORTUGUESE
0:39:40 > 0:39:42One of you go to the garbage
0:39:42 > 0:39:43and bring me any food containers you find.
0:39:43 > 0:39:45HE IS GROANING AND MUTTERING
0:39:45 > 0:39:46Somebody else go in the cabinets...
0:39:46 > 0:39:49Look for damaged or swollen cans.
0:39:49 > 0:39:50Food poisoning.
0:39:50 > 0:39:52I think.
0:39:52 > 0:39:53Who speaks Spanish?
0:39:53 > 0:39:56That's Portuguese. They just came in last week.
0:39:56 > 0:39:57Portuguese?
0:39:57 > 0:39:59HE SPEAKS PORTUGUESE
0:39:59 > 0:40:02He's tryin' to tell us something about Berto.
0:40:02 > 0:40:05That's the little one. It's a little boy.
0:40:05 > 0:40:06All right, some of you search around here for the kid.
0:40:06 > 0:40:08I'm gonna tell you right now, he could be pretty darn sick.
0:40:08 > 0:40:10Now, Bonnie, wait.
0:40:10 > 0:40:11Uh...
0:40:11 > 0:40:13Get on the phone and get George Malley over here.
0:40:13 > 0:40:16Tell him what's goin' on and tell him to stop at the library
0:40:16 > 0:40:17for an English-Portuguese book.
0:40:17 > 0:40:19Tell him to find out how to ask
0:40:19 > 0:40:21where a lost boy is.
0:40:21 > 0:40:22Got that?
0:40:22 > 0:40:23George Malley?
0:40:23 > 0:40:24You bet.
0:40:24 > 0:40:25George.
0:40:25 > 0:40:27Go on, do it. Just go on. Go on.
0:40:27 > 0:40:30TELEPHONE RINGS
0:40:34 > 0:40:35Don't you answer that?
0:40:35 > 0:40:37Not when I'm workin'.
0:40:37 > 0:40:39I've been farmin' all my life,
0:40:39 > 0:40:42but this growth's amazing, George.
0:40:45 > 0:40:46This is embarrassin'.
0:40:46 > 0:40:49You know, I want to try this fertiliser in your south 40.
0:40:49 > 0:40:50You just sprayed my boots, man.
0:40:50 > 0:40:52We're suin' the county.
0:40:52 > 0:40:54Can't even get weeds to grow in that field.
0:40:54 > 0:40:56But I bet we could get corn to grow in that field.
0:40:56 > 0:41:00You bet. You don't have any money to bet.
0:41:00 > 0:41:02You spent all your money on chairs, remember?
0:41:02 > 0:41:04CAR APPROACHES
0:41:07 > 0:41:09ATTILA HOWLS
0:41:15 > 0:41:17< George Malley?
0:41:17 > 0:41:19Yeah, I'm George Malley.
0:41:19 > 0:41:21I-I'm John Ringold.
0:41:21 > 0:41:23< We talked on the phone the other day.
0:41:23 > 0:41:24John Ringold?
0:41:24 > 0:41:25Yes. From Berkeley?
0:41:25 > 0:41:26Yes.
0:41:26 > 0:41:27All right!
0:41:27 > 0:41:28Hi.
0:41:28 > 0:41:29I'm glad you came by.
0:41:29 > 0:41:31Will your dog let me step out?
0:41:31 > 0:41:32Oh, yeah, yeah. Well, he...
0:41:32 > 0:41:34he just... has a thing for seismologists.
0:41:34 > 0:41:35Come on out.
0:41:35 > 0:41:36Thank you.
0:41:36 > 0:41:38This is my friend Nate Pope.
0:41:38 > 0:41:39How do you do?
0:41:39 > 0:41:40How do you do?
0:41:40 > 0:41:42Well, let me get you a cold drink. Come on in.
0:41:42 > 0:41:43From the university, huh?
0:41:43 > 0:41:45Yes. And we are very interested
0:41:45 > 0:41:48in how you were able to predict that earthquake, Mr Malley.
0:41:48 > 0:41:50Oh. That.
0:41:50 > 0:41:52See, I... I just picked up
0:41:52 > 0:41:53the subsonic frequency waves, right?
0:41:53 > 0:41:55And of course I was standing on the fault,
0:41:55 > 0:41:57so that made it easier.
0:41:57 > 0:41:59What instrumentation did you use?
0:41:59 > 0:42:00Just me.
0:42:00 > 0:42:01If you think that's somethin',
0:42:01 > 0:42:03you should see him move stuff with his brain.
0:42:03 > 0:42:04Nate, never mind that.
0:42:04 > 0:42:07You see, I felt the ultra low frequency waves,
0:42:07 > 0:42:09and they kind of made me dizzy and nauseous, right?
0:42:09 > 0:42:11And that's how I perceived all this.
0:42:11 > 0:42:13We've been studying quake prediction for...
0:42:13 > 0:42:14ten years.
0:42:14 > 0:42:16There's no record of any person
0:42:16 > 0:42:18ever feeling the prequake activity.
0:42:18 > 0:42:21Now there is.
0:42:22 > 0:42:25We have some ULF equipment in our labs.
0:42:25 > 0:42:27Could you come in for an experiment?
0:42:27 > 0:42:29Come to Berkeley? Yes.
0:42:29 > 0:42:32HE LAUGHS Yes.
0:42:32 > 0:42:33Well, my department would like to interview you
0:42:33 > 0:42:34and clear this up.
0:42:34 > 0:42:36I-I would be...
0:42:36 > 0:42:38I would be so glad to come to Berkeley.
0:42:38 > 0:42:39Do you think that I could meet
0:42:39 > 0:42:41with some other departments as well?
0:42:41 > 0:42:44I have some experiments I'd like to show you. Come with me.
0:42:45 > 0:42:46They're nice.
0:42:49 > 0:42:51All right, well, er, let's see.
0:42:51 > 0:42:52Um...
0:42:52 > 0:42:55Oh-oh, yes, here. OK. Now, look,
0:42:55 > 0:42:57um, I've taken solar panels,
0:42:57 > 0:42:59and I've actually germinated the seeds
0:42:59 > 0:43:00that-that made these... these plants grow,
0:43:00 > 0:43:02tryin' to change the electromagnetic field, all right?
0:43:02 > 0:43:03Um, Mr Malley.
0:43:03 > 0:43:05I took an incandescent light...
0:43:05 > 0:43:06Mr Malley.
0:43:06 > 0:43:08And turned it into sunlight,
0:43:08 > 0:43:09which actually made these plants grow.
0:43:09 > 0:43:10Mr Malley.
0:43:10 > 0:43:11Oh, now, look,
0:43:11 > 0:43:12I-I took pig manure,
0:43:12 > 0:43:14and I turned it into a fuel,
0:43:14 > 0:43:16which I-I believe will actually run an automobile.
0:43:16 > 0:43:18All I'm interested in is the earthquake.
0:43:18 > 0:43:22We need to know if that was a fluke...
0:43:22 > 0:43:23a...coincidence.
0:43:23 > 0:43:25A fluke?
0:43:26 > 0:43:29George, why don't you move somethin' with your mind?
0:43:31 > 0:43:32Maybe move his, er...
0:43:32 > 0:43:34Something like that.
0:43:34 > 0:43:36Look, Mr Ringold...
0:43:36 > 0:43:37Doctor.
0:43:37 > 0:43:39Dr Ringold, I...
0:43:39 > 0:43:40Look, I...
0:43:40 > 0:43:42I've I've got my garden out there,
0:43:42 > 0:43:43and that acts like a lab, right?
0:43:43 > 0:43:46And I've got everything that you see here, but I...
0:43:46 > 0:43:48I really need to talk to people like you, OK. I...
0:43:48 > 0:43:49HORN HOOTS Hey, George! George, you home?
0:43:49 > 0:43:51Please don't go, OK?
0:43:51 > 0:43:53Just please don't go.
0:43:53 > 0:43:54HOOTING
0:43:54 > 0:43:55Hey, George!
0:43:56 > 0:43:59George, Doc says you better come right now.
0:43:59 > 0:44:00What's the matter?
0:44:00 > 0:44:02Come on, man! It's an emergency!
0:44:02 > 0:44:04You gotta learn how to talk Portuguese on the way over there.
0:44:04 > 0:44:06I gotta go.
0:44:06 > 0:44:08Portuguese?
0:44:08 > 0:44:10Learn Portuguese?
0:44:10 > 0:44:13Why don't you go along, Professor?
0:44:30 > 0:44:32George, Doc's inside.
0:44:32 > 0:44:34He thinks it's food poisoning.
0:44:34 > 0:44:35Hey, George.
0:44:35 > 0:44:38Doc, George is here.
0:44:38 > 0:44:39He's gonna be fine, George,
0:44:39 > 0:44:40but his grandson is missing.
0:44:40 > 0:44:42Now, if they ate the same thing,
0:44:42 > 0:44:44the boy could be a lot worse off. You brought the book?
0:44:44 > 0:44:45Yeah.
0:44:45 > 0:44:47OK. Ask him where the boy is.
0:44:48 > 0:44:50HE SPEAKS PORTUGUESE
0:44:50 > 0:44:52REPLIES IN PORTUGUESE
0:44:52 > 0:44:55He's in the orchard. He said he's in the orchard.
0:44:55 > 0:44:58OLD MAN SPEAKS PORTUGUESE
0:45:03 > 0:45:05He said that they ate something bad
0:45:05 > 0:45:07and he thinks the boy is sick.
0:45:07 > 0:45:09PORTUGUESE
0:45:17 > 0:45:18Obrigado.
0:45:18 > 0:45:20Obrigado.
0:45:24 > 0:45:27Tito drove the truck while I read the book.
0:45:27 > 0:45:28George Malley,
0:45:28 > 0:45:31you learned the Portuguese language in 20 minutes?
0:45:31 > 0:45:33Not all of it.
0:45:35 > 0:45:37What are you lookin' for here, a kid?
0:45:37 > 0:45:38What's the kid's name?
0:45:38 > 0:45:39It's Alberto.
0:45:39 > 0:45:40Alberto?
0:45:40 > 0:45:41Alberto, yeah.
0:45:41 > 0:45:42Alberto.
0:45:42 > 0:45:44Let's spread out
0:45:44 > 0:45:46and comb these trees.
0:45:46 > 0:45:48Everybody, let's go. Look real careful.
0:45:48 > 0:45:49Alberto!
0:45:49 > 0:45:50Call out his name.
0:45:50 > 0:45:52Alberto! Alberto!
0:45:52 > 0:45:53Alberto! Alberto!
0:45:53 > 0:45:54Alberto!
0:45:54 > 0:45:55Alberto!
0:45:55 > 0:45:56Berto!
0:45:56 > 0:45:58Berto!
0:45:58 > 0:46:00EVERYONE IS CALLING ALBERTO
0:46:00 > 0:46:01Let's go!
0:46:01 > 0:46:03Where are you, kid?
0:46:03 > 0:46:04Alberto?
0:46:04 > 0:46:05Where are you, fella? We're comin'.
0:46:05 > 0:46:07Alberto! Alberto!
0:46:07 > 0:46:08Alberto! Alberto!
0:46:35 > 0:46:36GROANING
0:46:51 > 0:46:53George, what you got?
0:46:53 > 0:46:54GROANING
0:46:54 > 0:46:55What?
0:46:55 > 0:46:57He's not in the orchard.
0:46:57 > 0:46:58Huh?
0:46:58 > 0:46:59He's sick, Doc.
0:46:59 > 0:47:00Huh?
0:47:00 > 0:47:01Mm-mmm.
0:47:01 > 0:47:03He's there.
0:47:03 > 0:47:05Where is he, George? Where?
0:47:05 > 0:47:06Over here.
0:47:06 > 0:47:08OK. Let's go.
0:47:10 > 0:47:12We're with you, George.
0:47:28 > 0:47:29You OK, George?
0:47:29 > 0:47:32It's not me, it's him.
0:47:32 > 0:47:33Ohh...
0:47:33 > 0:47:34Tell me where he is.
0:47:36 > 0:47:37I don't know.
0:47:37 > 0:47:38I don't know.
0:47:44 > 0:47:47CRACKING AND RUMBLING
0:47:51 > 0:47:53Dios mio!
0:47:58 > 0:48:01TITO: Look! There's a ladder under there.
0:48:02 > 0:48:03Come on.
0:48:13 > 0:48:15He was right!
0:48:15 > 0:48:18He's up here!
0:48:18 > 0:48:19Doc?
0:48:19 > 0:48:22You better get up here fast.
0:48:22 > 0:48:23Good work, George.
0:48:33 > 0:48:35Ohh...
0:48:36 > 0:48:38So, is Wednesday good for you, say 2 o'clock?
0:48:38 > 0:48:39Sure. Wednesday's good.
0:48:39 > 0:48:41Should I send a car?
0:48:41 > 0:48:42No, no, John. I'll get there on my own.
0:48:42 > 0:48:45I'll have somebody from solar energy there,
0:48:45 > 0:48:46and, er...
0:48:46 > 0:48:47Anything else?
0:48:47 > 0:48:48Yeah. Automotive.
0:48:48 > 0:48:51Do you have an agricultural school in Berkeley?
0:48:51 > 0:48:52Yeah.
0:48:52 > 0:48:55Well, how about for my fertiliser?
0:48:55 > 0:48:56I'll take care of it.
0:49:03 > 0:49:04TITO: Hey, George.
0:49:06 > 0:49:09Esa mujer con Doc...
0:49:09 > 0:49:11That's the little boy's mom.
0:49:11 > 0:49:13She's the only one who talks English, I think.
0:49:13 > 0:49:15Oh. Too bad she wasn't here earlier, huh?
0:49:15 > 0:49:18Yeah. But...
0:49:18 > 0:49:19I guess she had to look for work, man.
0:49:21 > 0:49:23I want you to meet a very special guy.
0:49:23 > 0:49:26This is the man who found your son. OK?
0:49:26 > 0:49:29Very special. This is George Malley.
0:49:29 > 0:49:31This is Ella.
0:49:31 > 0:49:32Hello.
0:49:37 > 0:49:38Thank you.
0:49:38 > 0:49:40It's OK.
0:49:40 > 0:49:42Thank you. Thank you.
0:49:42 > 0:49:44Thank you.
0:49:44 > 0:49:45I'll take you to the hospital, OK?
0:49:45 > 0:49:47Thank you, George.
0:49:50 > 0:49:52Way to go, patron.
0:49:52 > 0:49:54Do you know what kind of work she was lookin' for?
0:49:54 > 0:49:57Um...cook, I think they say housekeeper.
0:49:57 > 0:49:58Por que?
0:49:58 > 0:50:00You know somebody who's looking?
0:50:03 > 0:50:04All right, Nate.
0:50:04 > 0:50:05Thanks, George.
0:50:05 > 0:50:07I found a housekeeper for you.
0:50:07 > 0:50:09Portuguese woman. She cooks, too.
0:50:09 > 0:50:10I think she's perfect for you.
0:50:10 > 0:50:12I don't know if I can eat Portuguese food, George.
0:50:12 > 0:50:14Oh, she'll cook you anything you want, Nate,
0:50:14 > 0:50:15and she'll try to make sense
0:50:15 > 0:50:17of this so-called house that you live in.
0:50:17 > 0:50:18She speak English?
0:50:18 > 0:50:20Well, a bit, but, er...
0:50:20 > 0:50:21That's what we're gonna do.
0:50:21 > 0:50:23We're gonna work on your Portuguese.
0:50:23 > 0:50:24Me? Yeah.
0:50:24 > 0:50:25You have a problem with that?
0:50:25 > 0:50:27No, no. It's, er...
0:50:27 > 0:50:29I don't know if that's gonna work, George.
0:50:29 > 0:50:30All right. Well, let's try it.
0:50:30 > 0:50:31What do you want to say?
0:50:33 > 0:50:34How about, er...
0:50:34 > 0:50:35something like, um...
0:50:35 > 0:50:37um..."Can you come twice a week"?
0:50:37 > 0:50:39OK. Can you come twice a week?
0:50:39 > 0:50:41OK. Can you come twice a week?
0:50:43 > 0:50:45E mais bonita
0:50:45 > 0:50:47do que uma sinfonia.
0:50:48 > 0:50:50That sounds complicated, George.
0:50:50 > 0:50:52Oh, no. You got your tape recorder,
0:50:52 > 0:50:54and you'll learn it phonetically.
0:50:54 > 0:50:56No problem.
0:50:56 > 0:50:57What else?
0:50:57 > 0:50:58Uh...
0:50:58 > 0:50:59How much per day?
0:50:59 > 0:51:01How much per...? Oh, very good.
0:51:01 > 0:51:02How much per day?
0:51:02 > 0:51:04O teu rosto
0:51:04 > 0:51:05e um poema.
0:51:06 > 0:51:07I like that one. Yeah.
0:51:07 > 0:51:09That was nice. OK... What else?
0:51:09 > 0:51:11OK, um...
0:51:12 > 0:51:14Uh, can you start next week?
0:51:14 > 0:51:15Perfect. Logical, right?
0:51:15 > 0:51:17Yeah. Yeah. OK.
0:51:17 > 0:51:18Can you start next week?
0:51:18 > 0:51:21HE SPEAKS PORTUGUESE
0:51:21 > 0:51:23Beautiful language, huh?
0:51:23 > 0:51:24That's it? Yup.
0:51:24 > 0:51:25Work on those.
0:51:27 > 0:51:30You know, George, I might be pretty good at Portuguese.
0:51:30 > 0:51:32COYOTE HOWLS
0:51:36 > 0:51:37DOG BARKS
0:51:37 > 0:51:39COYOTES HOWLING
0:51:43 > 0:51:45No...
0:51:45 > 0:51:48Oh, never mind. We'll get used to 'em.
0:51:48 > 0:51:51If you leave them alone, they'll leave you alone.
0:51:51 > 0:51:52It's a good arrangement.
0:51:52 > 0:51:53What are we reading?
0:51:53 > 0:51:55This.
0:51:55 > 0:51:57What is this? Where did you get this?
0:51:57 > 0:51:59From me.
0:51:59 > 0:52:02Aw, this is not a good choice for bedtime.
0:52:02 > 0:52:03You still mad at him?
0:52:03 > 0:52:05What's the difference?
0:52:05 > 0:52:07He's neat.
0:52:07 > 0:52:08And they say he saved that boy's life
0:52:08 > 0:52:09at the orchard.
0:52:09 > 0:52:11He's funny.
0:52:11 > 0:52:13We are funny enough.
0:52:13 > 0:52:14We laugh all the time.
0:52:17 > 0:52:19Look, we're reading Black Beauty,
0:52:19 > 0:52:20and we are not talking about men.
0:52:20 > 0:52:22I've got enough to worry about.
0:52:22 > 0:52:24Too much.
0:52:24 > 0:52:26AL: What?
0:52:26 > 0:52:27Well, you guys, for one.
0:52:27 > 0:52:29We're not little any more.
0:52:29 > 0:52:31I know you're not little any more, sweetie,
0:52:31 > 0:52:32but you think that George Malley is safe,
0:52:32 > 0:52:34and you're afraid of coyotes.
0:52:34 > 0:52:36You got it all backwards.
0:52:36 > 0:52:38Here. Find our place.
0:52:39 > 0:52:41Go brush your teeth. I'll be right back.
0:52:41 > 0:52:42Don't you have a report to do?
0:52:42 > 0:52:43Did it.
0:52:47 > 0:52:50Oh, Al, do you really believe this?
0:52:50 > 0:52:52Yeah. There's been a lot of UFO people
0:52:52 > 0:52:56comin' into town since George saw...
0:52:56 > 0:52:57what he saw.
0:52:57 > 0:52:58The word's spreading, Ma.
0:52:58 > 0:53:00You just believe what you want to believe.
0:53:00 > 0:53:02Most people do. You'll get over it.
0:53:02 > 0:53:04COYOTES HOWL
0:53:06 > 0:53:08Hey, I thought we were getting ready for bed.
0:53:08 > 0:53:10No.
0:53:10 > 0:53:11Oh...
0:53:13 > 0:53:15Let's stop talking about him, all right?
0:53:15 > 0:53:16Why do you hate him?
0:53:16 > 0:53:18Ohh...
0:53:18 > 0:53:19Cos I like him.
0:53:19 > 0:53:21Tell it to him.
0:53:21 > 0:53:22Miaow-miaow.
0:53:22 > 0:53:25But if he was sitting here with us right now,
0:53:25 > 0:53:27wouldn't you be watching him,
0:53:27 > 0:53:29wondering, what's he thinking?
0:53:29 > 0:53:32When's he gonna leave?
0:53:32 > 0:53:33Is he gonna leave?
0:53:33 > 0:53:35Hmm? >
0:53:35 > 0:53:37We don't need that.
0:53:38 > 0:53:40LOUD HOWL
0:53:41 > 0:53:43It's OK. Shh.
0:53:45 > 0:53:46It hardly took 20 minutes.
0:53:46 > 0:53:4920 minutes, he read the whole darn book and knew Portuguese.
0:53:50 > 0:53:51I'm worried about George.
0:53:51 > 0:53:54Shh. Here he comes. Here he comes.
0:53:56 > 0:53:57Hey, George.
0:53:57 > 0:53:58Hello.
0:53:58 > 0:53:59Hi. Hi.
0:54:02 > 0:54:03So, George...
0:54:03 > 0:54:06how'd you feel that earthquake comin'?
0:54:06 > 0:54:07Voices tell you?
0:54:07 > 0:54:09Voices?
0:54:09 > 0:54:10Hell, no.
0:54:10 > 0:54:12What else do you know, George?
0:54:12 > 0:54:15Well, I know you're on the outs with Lisa again.
0:54:15 > 0:54:16How'd you know that?
0:54:16 > 0:54:17Well, because when she's living with you,
0:54:17 > 0:54:19she makes sure your clothes match.
0:54:19 > 0:54:21LAUGHTER
0:54:21 > 0:54:23You get messages, George?
0:54:23 > 0:54:26Well, yeah, when Paulette delivers the mail, I do,
0:54:26 > 0:54:28but, er, today, she was two hours late.
0:54:28 > 0:54:30I think we ought to do something about that.
0:54:30 > 0:54:32Complain or somethin'.
0:54:32 > 0:54:34Earthquake. Earthquake. Can we...?
0:54:34 > 0:54:35Well, it... you know, Jim,
0:54:35 > 0:54:36you know, I was out by Ash Creek,
0:54:36 > 0:54:38and I felt some vibrations, that's all.
0:54:38 > 0:54:40How did you know where to find the boy in that orchard?
0:54:40 > 0:54:41Well, I don't know, Bonnie. Come on.
0:54:41 > 0:54:43Do you know what's going to happen?
0:54:43 > 0:54:45Roger, come on!
0:54:45 > 0:54:46I'm sorry, I...
0:54:46 > 0:54:48They say at the library you read four books a day now.
0:54:48 > 0:54:50Yeah, well, that was last week, and...
0:54:55 > 0:54:57Uh, I'd better go.
0:54:57 > 0:54:59How many languages do you speak now?
0:54:59 > 0:55:01Excusez-moi, Jimmy.
0:55:01 > 0:55:02Huh?
0:55:02 > 0:55:04If anything bad was gonna happen, you'd tell us!
0:55:06 > 0:55:07Won't you?
0:55:08 > 0:55:09Hey!
0:55:26 > 0:55:27Hi, Lace.
0:55:27 > 0:55:28Hello.
0:55:34 > 0:55:36I'm sorry I lied to you about the chairs.
0:55:39 > 0:55:40I just wanted you to come to my shop
0:55:40 > 0:55:42so-so you would talk to me.
0:55:44 > 0:55:46Instead of, um...
0:55:46 > 0:55:48Instead of always walking away from me.
0:55:48 > 0:55:49What do you want, George?
0:55:53 > 0:55:54I want you to come to Berkeley with me. I...
0:55:54 > 0:55:56I've been invited to talk to, er,
0:55:56 > 0:55:58some scientists about the earthquake thing,
0:55:58 > 0:56:00about some of my... my experiments.
0:56:00 > 0:56:02You know, the fertiliser
0:56:02 > 0:56:03and the solar panels and...
0:56:03 > 0:56:04That's really nice.
0:56:04 > 0:56:06I'm excited, but I...
0:56:08 > 0:56:10I guess I'm scared, too.
0:56:10 > 0:56:12I sure would like you there with me.
0:56:12 > 0:56:14What for?
0:56:14 > 0:56:15Support.
0:56:15 > 0:56:18Confidence.
0:56:18 > 0:56:19A friend.
0:56:19 > 0:56:20You've got friends, you know.
0:56:20 > 0:56:22Everyone in the whole area code.
0:56:22 > 0:56:25I don't know. You know, since that orchard thing,
0:56:25 > 0:56:27people are different now. They're...
0:56:27 > 0:56:28I don't like it.
0:56:28 > 0:56:29You know, the funny thing is...
0:56:29 > 0:56:32is that you're probably the only one that-that...
0:56:32 > 0:56:34that's mad at me for a good reason.
0:56:39 > 0:56:41You're just tryin' to make up.
0:56:41 > 0:56:43Yes.
0:56:43 > 0:56:44I'm tryin' to make up with you,
0:56:44 > 0:56:46I am tryin' to get a date with you,
0:56:46 > 0:56:47and I would love it...
0:56:47 > 0:56:48if you stood by me while all those scientists
0:56:48 > 0:56:51and teachers asked me questions.
0:56:51 > 0:56:53You know, I spent half of school in detention.
0:56:53 > 0:56:56HE LAUGHS
0:56:56 > 0:56:57When?
0:56:57 > 0:56:58Wednesday?
0:56:58 > 0:57:00What time?
0:57:01 > 0:57:02Leave about noon?
0:57:02 > 0:57:05I'll be outside...
0:57:05 > 0:57:06your shop at noon if I'm coming,
0:57:06 > 0:57:08and if I'm not there...
0:57:08 > 0:57:11OK.
0:57:11 > 0:57:12Thanks, Lace.
0:57:17 > 0:57:18DIANA ROSS ON HEADPHONES
0:57:18 > 0:57:19# Touch
0:57:19 > 0:57:23# me in the mo-o-or-ning
0:57:25 > 0:57:27# then just walk
0:57:27 > 0:57:29# away... #
0:57:29 > 0:57:31KNOCK ON DOOR
0:57:34 > 0:57:35KNOCKING CONTINUES
0:57:35 > 0:57:37Uh...
0:57:37 > 0:57:38One second.
0:57:38 > 0:57:39One second.
0:57:39 > 0:57:41Here I come.
0:57:47 > 0:57:48You are Mr Pope?
0:57:50 > 0:57:53You are Mr...Pope?
0:57:53 > 0:57:56I am Micaela.
0:57:56 > 0:57:59Mic-ella. Um...
0:57:59 > 0:58:00You're Ella?
0:58:00 > 0:58:02Yes.
0:58:04 > 0:58:05Oh, I'm sorry. Please.
0:58:05 > 0:58:06Oh. Um,
0:58:06 > 0:58:08maybe you need to...
0:58:08 > 0:58:10MICAELA: Yes, this is the place.
0:58:10 > 0:58:11NATE LAUGHS SHEEPISHLY
0:58:11 > 0:58:13I cook, too. You need cooking?
0:58:13 > 0:58:14Cookin'...
0:58:14 > 0:58:15Yeah.
0:58:15 > 0:58:17Good. Fine.
0:58:17 > 0:58:18Good. Um,
0:58:18 > 0:58:19how much you pay?
0:58:19 > 0:58:20Uh...
0:58:22 > 0:58:23Oh, wait.
0:58:23 > 0:58:24Uh...
0:58:24 > 0:58:27I speak a little Portuguese.
0:58:27 > 0:58:28Ohh...
0:58:28 > 0:58:30muito bem!
0:58:30 > 0:58:31Assim vamos entender-nos.
0:58:31 > 0:58:33Uh...
0:58:33 > 0:58:35Onde aprendeu o portugues?
0:58:35 > 0:58:36I don't know
0:58:36 > 0:58:38what you just said, but it sounded great.
0:58:40 > 0:58:42Um... Sorry.
0:58:42 > 0:58:43OK. Uh, tomorrow,
0:58:43 > 0:58:45I come back, 9.00.
0:58:45 > 0:58:50OK. I work, and we talk about money.
0:58:50 > 0:58:51No, wait...
0:58:54 > 0:58:56E mais bonita do que uma sinfonia.
0:58:58 > 0:58:59That's all I really know.
0:58:59 > 0:59:01That and, um...
0:59:03 > 0:59:05O teu rosto e um poema...
0:59:05 > 0:59:06HE CONTINUES IN PORTUGUESE
0:59:10 > 0:59:12Is that right?
0:59:14 > 0:59:16You're cute.
0:59:19 > 0:59:21Tomorrow. Tomorrow.
0:59:22 > 0:59:23Tomorrow then.
0:59:33 > 0:59:34CQ...
0:59:34 > 0:59:35CQ...
0:59:37 > 0:59:39This is WB6QLF.
0:59:40 > 0:59:42Diana, if you can hear me...
0:59:44 > 0:59:45I know you'll understand this.
0:59:48 > 0:59:50I just met...
0:59:50 > 0:59:52an angel
0:59:52 > 0:59:54from Portugal.
0:59:54 > 0:59:57Here.
0:59:57 > 0:59:58In my house!
1:00:11 > 1:00:13VOICES ON POLICE RADIO
1:00:26 > 1:00:28Excuse me.
1:00:32 > 1:00:34You George Malley?
1:00:34 > 1:00:36Jack Hatch,
1:00:36 > 1:00:37FBI.
1:00:37 > 1:00:39Nate Pope sent a coded message
1:00:39 > 1:00:41to Masterson air force base.
1:00:41 > 1:00:42No, no, no. Nate-Nate Pope
1:00:42 > 1:00:44did not send a coded message
1:00:44 > 1:00:46to the air force base. I did.
1:00:46 > 1:00:48Well, who taught you the cipher, Mr Malley?
1:00:48 > 1:00:50Nobody. I just broke... broke the code.
1:00:50 > 1:00:52Who trained you?
1:00:52 > 1:00:54As I said, nobody. I...
1:00:54 > 1:00:57Oh, man...
1:00:57 > 1:00:59Mm-hmm.
1:01:11 > 1:01:12Well?
1:01:19 > 1:01:22Can't do it.
1:01:22 > 1:01:24You can do it, Mr Malley.
1:01:24 > 1:01:25Too complex.
1:01:28 > 1:01:30DOOR BANGS
1:01:30 > 1:01:32We're releasing Nathan Pope.
1:01:34 > 1:01:35It's about time.
1:01:35 > 1:01:37Can I talk to him?
1:01:37 > 1:01:39No.
1:01:40 > 1:01:42Try this one.
1:01:42 > 1:01:44You know, it was just a game. OK?
1:01:44 > 1:01:46I mean, a game.
1:01:46 > 1:01:47You caused the cancellation
1:01:47 > 1:01:49of a top secret training exercise, Mr Malley,
1:01:49 > 1:01:52the scrapping of an entire cipher system.
1:01:52 > 1:01:54You cost the government a lot of money.
1:01:55 > 1:01:57So bill me.
1:02:10 > 1:02:12WOMAN: I think he's what he says he is,
1:02:12 > 1:02:13a fluke.
1:02:13 > 1:02:16He's an independent, playing some kind of genius games.
1:02:16 > 1:02:17I want him tested.
1:02:19 > 1:02:20Can't keep holdin' him.
1:02:20 > 1:02:21Yes, we can.
1:02:21 > 1:02:23He resisted arrest.
1:02:23 > 1:02:24No, he didn't.
1:02:24 > 1:02:26Yes, he did. >
1:02:27 > 1:02:29Test him.
1:02:29 > 1:02:30All right,
1:02:30 > 1:02:32I'll start the questions,
1:02:32 > 1:02:35and...I'll be timing your responses.
1:02:36 > 1:02:38And we'll be recording.
1:02:38 > 1:02:39Any questions?
1:02:39 > 1:02:42What's your first name?
1:02:42 > 1:02:43My first name is Bob.
1:02:46 > 1:02:47Shoot, Bob.
1:02:47 > 1:02:49All right.
1:02:49 > 1:02:51Name as many mammals as you can
1:02:51 > 1:02:53in 60 seconds.
1:02:53 > 1:02:54Ready?
1:02:54 > 1:02:55Go.
1:02:55 > 1:02:57Hmm. 60 seconds.
1:02:57 > 1:02:58Well, how would you like that?
1:02:58 > 1:03:00How about alphabetical?
1:03:00 > 1:03:02Aardvark, baboon, caribou, dolphin,
1:03:02 > 1:03:03eohippus, fox, gorilla, hyena,
1:03:03 > 1:03:05ibex, jackal, kangaroo, lion,
1:03:05 > 1:03:07marmoset, Newfoundland, ocelot, panda,
1:03:07 > 1:03:09rat, sloth, tiger, unicorn, varmint,
1:03:09 > 1:03:11whale, yak, zebra.
1:03:11 > 1:03:13Now, varmint is a stretch, so is Newfoundland.
1:03:13 > 1:03:15That's a dog breed.
1:03:15 > 1:03:18Unicorn is mythical, eohippus is prehistoric,
1:03:18 > 1:03:20but you weren't being very specific, now, were you, Bob?
1:03:24 > 1:03:25HE CHUCKLES
1:03:25 > 1:03:26Well.
1:03:27 > 1:03:29I'll...
1:03:29 > 1:03:31I'll try to be more specific.
1:03:32 > 1:03:33Ready for the next one?
1:03:33 > 1:03:34Shoot.
1:03:34 > 1:03:37Answer as quickly as you can.
1:03:37 > 1:03:40How old is a person born in 1928?
1:03:40 > 1:03:41Man or woman?
1:03:41 > 1:03:42HE STOPS WATCH
1:03:43 > 1:03:44Why?
1:03:44 > 1:03:46Specifics, Bob.
1:03:46 > 1:03:49OK. One more time.
1:03:49 > 1:03:51How old is a man
1:03:51 > 1:03:52born in 1928?
1:03:52 > 1:03:54Is he still alive? STOPS WATCH
1:03:58 > 1:04:00If a man is born
1:04:00 > 1:04:01in 1928,
1:04:01 > 1:04:03and he's still alive,
1:04:03 > 1:04:04how old is he?
1:04:04 > 1:04:05What month? STOPS WATCH
1:04:07 > 1:04:12If a man was born October 3, 1928,
1:04:12 > 1:04:13and he's still alive,
1:04:13 > 1:04:14how old is he?
1:04:14 > 1:04:16What time? STARTS AND STOPS WATCH
1:04:16 > 1:04:1810 o'clock...
1:04:18 > 1:04:19pm.
1:04:19 > 1:04:20Where? Anywhere!
1:04:20 > 1:04:22Well, let's get specific, Bob.
1:04:22 > 1:04:23I mean, if the guy's still alive,
1:04:23 > 1:04:26born in California October 3, 1928, 10pm,
1:04:26 > 1:04:30he's 67 years, 9 months, 22 days, 14 hours, and...
1:04:30 > 1:04:32and 12 minutes.
1:04:32 > 1:04:35If he was born in New York, he's three hours older now, isn't he?
1:04:41 > 1:04:44PENCIL ROLLS ON TABLE
1:04:51 > 1:04:53How do you do that?
1:04:55 > 1:04:57How-how do you make that pencil move?
1:04:59 > 1:05:00Is that a trick pencil?
1:05:00 > 1:05:04No. I ask it to move.
1:05:04 > 1:05:06I mean, I could say that I will it, but...
1:05:06 > 1:05:09That would be more like a command.
1:05:09 > 1:05:11This is more like a...
1:05:11 > 1:05:14collaboration, a partnership.
1:05:14 > 1:05:15Partnership?
1:05:15 > 1:05:16Mm-hm.
1:05:16 > 1:05:17With a pencil?
1:05:17 > 1:05:19Well, why not?
1:05:19 > 1:05:20We're all made of the same stuff, aren't we?
1:05:23 > 1:05:24Wood?
1:05:24 > 1:05:27Energy, Bob.
1:05:27 > 1:05:30You know, the little pieces.
1:05:30 > 1:05:32I want to go home.
1:05:32 > 1:05:34How the hell can I get home, Bob?
1:05:41 > 1:05:43I don't know.
1:05:43 > 1:05:44Sorry.
1:05:58 > 1:06:00Hey.
1:06:02 > 1:06:05See you haven't slept.
1:06:05 > 1:06:07Who is that?
1:06:07 > 1:06:08The keepers?
1:06:08 > 1:06:10Oh, I'm all right.
1:06:11 > 1:06:12You know, you're a pretty gifted man, Mr Malley.
1:06:12 > 1:06:13HE LAUGHS
1:06:13 > 1:06:16No. No, really.
1:06:16 > 1:06:17We were hopin'...
1:06:17 > 1:06:19Well, I was kind of hopin'...
1:06:19 > 1:06:20that you might find somethin'
1:06:20 > 1:06:22that you would enjoy doin',
1:06:22 > 1:06:25something useful in our world.
1:06:25 > 1:06:26Your world?
1:06:26 > 1:06:27Intelligence.
1:06:27 > 1:06:30Oh. No, no, no.
1:06:30 > 1:06:32It's home for me, Jack.
1:06:32 > 1:06:34I'm jumpin' out of my skin here.
1:06:34 > 1:06:36I mean, I want my life...
1:06:36 > 1:06:38I want my life.
1:06:41 > 1:06:43What do you want?
1:06:43 > 1:06:44It's not what I want.
1:06:44 > 1:06:47What do they want?
1:06:47 > 1:06:49They want to feel safe.
1:06:49 > 1:06:51They don't feel safe with you out there.
1:06:51 > 1:06:53Well, why would they?
1:06:53 > 1:06:56They're havin' me break codes all night.
1:06:56 > 1:06:57Secret codes. I mean, they're...
1:06:57 > 1:06:59I shouldn't be listening to a code from Britain
1:06:59 > 1:07:00to Saudi Arabia.
1:07:00 > 1:07:02These are our allies.
1:07:02 > 1:07:05If you guys are gonna accuse me of a crime or keep me here,
1:07:05 > 1:07:07I...I'll tell the press.
1:07:07 > 1:07:09Or I'll call London or...
1:07:09 > 1:07:11Riyadh...
1:07:11 > 1:07:14I know all the, er, capitals now, by the way.
1:07:14 > 1:07:15You can test me.
1:07:16 > 1:07:18My interest in Mr Malley
1:07:18 > 1:07:21has to do with seismology and geology.
1:07:21 > 1:07:22It has nothing to do with...
1:07:22 > 1:07:23security issues.
1:07:23 > 1:07:25Oh, I know. But that's not the point.
1:07:25 > 1:07:27Mr Malley has been released without charges,
1:07:27 > 1:07:30but he is considered a security risk.
1:07:30 > 1:07:33I'll be frank with you. He's an unknown quantity,
1:07:33 > 1:07:36and we'd feel better for the time being...
1:07:36 > 1:07:38if he wasn't granted any access to the institutions
1:07:38 > 1:07:40where sensitive government projects are in the works.
1:07:40 > 1:07:42Access?
1:07:42 > 1:07:44Access even to personnel.
1:07:46 > 1:07:48KNOCK ON WINDOW
1:07:48 > 1:07:49MALLEY: Lace.
1:07:49 > 1:07:50KNOCK KNOCK >
1:07:50 > 1:07:51Ohhh... It's me. >
1:07:51 > 1:07:52Ohhh...
1:08:01 > 1:08:02Hi. Hi.
1:08:02 > 1:08:03Sorry I didn't...
1:08:03 > 1:08:04didn't come through the front door.
1:08:04 > 1:08:05I was so afraid I'd wake...
1:08:05 > 1:08:08Oh, that's OK. That's OK.
1:08:08 > 1:08:09Are you all right?
1:08:09 > 1:08:10Yeah.
1:08:10 > 1:08:11I wanted to see you.
1:08:12 > 1:08:14Nate told me about the FBI.
1:08:14 > 1:08:16I'm so glad they let you go.
1:08:16 > 1:08:17Yeah, well, they had no choice.
1:08:17 > 1:08:20They are watching me so closely.
1:08:20 > 1:08:22I think I scare them.
1:08:25 > 1:08:27You scare me, too.
1:08:29 > 1:08:30I do?
1:08:31 > 1:08:32Hmm.
1:08:37 > 1:08:39Listen, George, it's getting really complicated.
1:08:39 > 1:08:41I just, er...
1:08:41 > 1:08:43I just don't know what's gonna happen next.
1:08:48 > 1:08:50I should probably leave you alone, shouldn't I?
1:08:56 > 1:08:57I guess so.
1:09:06 > 1:09:08I'll see you.
1:09:08 > 1:09:10Goodbye.
1:09:25 > 1:09:27Hey.
1:09:27 > 1:09:28Beer, George?
1:09:28 > 1:09:29Yup. >
1:09:31 > 1:09:32Nate...
1:09:33 > 1:09:37I am really sorry for what happened, OK?
1:09:37 > 1:09:40I told 'em everything, George.
1:09:40 > 1:09:43Told 'em everything about you.
1:09:43 > 1:09:44Everything.
1:09:44 > 1:09:47Well, you know, that's supposed to happen, OK?
1:09:47 > 1:09:48I mean, you know, it's...
1:09:48 > 1:09:50I was thinkin' I was gonna be so scared,
1:09:50 > 1:09:52you're sittin' there,
1:09:52 > 1:09:54you don't know what's gonna happen,
1:09:54 > 1:09:55and then all of a sudden
1:09:55 > 1:09:57something happens inside you, right?
1:09:57 > 1:09:59You don't know what it is, but...
1:09:59 > 1:10:02It's all right. It was my game, you know?
1:10:08 > 1:10:10What'd they do to you, George?
1:10:11 > 1:10:14They tested me.
1:10:14 > 1:10:16What'd they find out?
1:10:18 > 1:10:19I'm pregnant.
1:10:21 > 1:10:22That's how it feels.
1:10:22 > 1:10:23How what feels?
1:10:23 > 1:10:26You know, to be full of ideas, and you can't deliver, OK?
1:10:26 > 1:10:28I mean, you know, you're ready to break out,
1:10:28 > 1:10:29and you can't deliver.
1:10:29 > 1:10:31You know, this professor, he won't even talk to me.
1:10:31 > 1:10:33He won't even talk to me.
1:10:33 > 1:10:35You're not goin' to Berkeley, George?
1:10:35 > 1:10:36Oh, come on. Me to Berkeley.
1:10:36 > 1:10:39That's a thought, huh?
1:10:39 > 1:10:40I'm sorry, buddy.
1:10:40 > 1:10:42You mean inventions? You got inventions?
1:10:42 > 1:10:44No, no. Ideas, OK? I got a thousand ideas a day.
1:10:44 > 1:10:47Every damn minute, OK?
1:10:47 > 1:10:48Big holy cow kind of ideas
1:10:48 > 1:10:51and little "what if" ideas, all right?
1:10:51 > 1:10:52I got ideas for you, Jimmy. Look at this.
1:10:52 > 1:10:55Look at this. Your parking lot is laid out all wrong, OK?
1:10:55 > 1:10:57Now, if you just follow this, right,
1:10:57 > 1:10:58you can put six more cars in,
1:10:58 > 1:10:59and nobody gets fender benders, all right?
1:10:59 > 1:11:01Where's Paulette? Where is she?
1:11:01 > 1:11:03Bonnie, here, take this.
1:11:03 > 1:11:04This is a new route for her mail, OK?
1:11:04 > 1:11:06Now, if she does this, she can save an hour a day,
1:11:06 > 1:11:07and everybody gets their mail by 3 o'clock.
1:11:07 > 1:11:09Imagine - 3 o'clock.
1:11:09 > 1:11:10Oh, and I got a holy shit idea, too.
1:11:10 > 1:11:11Look at this.
1:11:11 > 1:11:15Now, this may be the most efficient way to store solar energy, OK?
1:11:15 > 1:11:16Take it. What am I gonna do with it?
1:11:16 > 1:11:18What the heck am I supposed to do with it, huh?
1:11:18 > 1:11:19You know what that light was?
1:11:19 > 1:11:21You know what that sound was?
1:11:21 > 1:11:22Tell us. I'm gonna tell ya what it was.
1:11:22 > 1:11:24It was a damn alien.
1:11:24 > 1:11:25Don't say that. You don't know what it was.
1:11:25 > 1:11:26I know what it is, Nate.
1:11:26 > 1:11:27You don't know what it was. Don't say that!
1:11:27 > 1:11:28Well, tell us!
1:11:28 > 1:11:30It's a goddamn mistake, is what it is. OK?
1:11:30 > 1:11:32It was supposed to happen to someone smart,
1:11:32 > 1:11:33someone scientific,
1:11:33 > 1:11:35someone who's a leader.
1:11:35 > 1:11:37But it didn't. It happened to me, George freakin' Malley.
1:11:37 > 1:11:39Look at him. Look at him. Look!
1:11:39 > 1:11:41GLASS SHATTERS
1:11:46 > 1:11:47Jimmy...
1:11:49 > 1:11:50Are you OK?
1:11:50 > 1:11:52Yeah.
1:11:52 > 1:11:53I'm sorry.
1:11:53 > 1:11:55Well...it's all right.
1:11:55 > 1:11:57I'll pay for it.
1:11:57 > 1:11:58All right.
1:11:58 > 1:12:03Bonnie. Bonnie, please, it's OK.
1:12:03 > 1:12:05Aw, man.
1:12:17 > 1:12:19Hmm.
1:12:20 > 1:12:21OK.
1:12:21 > 1:12:25Who was that, a customer?
1:12:26 > 1:12:27It's Banes.
1:12:27 > 1:12:29Said he can't work here no more.
1:12:29 > 1:12:31Sorry.
1:12:31 > 1:12:33Why didn't he talk to me?
1:12:33 > 1:12:35Little bit scared, I guess.
1:12:35 > 1:12:36Jesus Christ.
1:12:36 > 1:12:38Look, George, it'll wear off.
1:12:38 > 1:12:39They'll forget.
1:12:39 > 1:12:42Their cars are gonna break down...
1:12:42 > 1:12:43Hey, Doc.
1:12:43 > 1:12:44Hi.
1:12:47 > 1:12:49Energy, vibrations, what is it?
1:12:49 > 1:12:50I don't know.
1:12:50 > 1:12:51Telekinesis, what?
1:12:51 > 1:12:53Yeah, maybe. I...maybe. Yeah.
1:12:53 > 1:12:54Things gettin' out of hand?
1:12:54 > 1:12:55Well, look, I was mad, all right?
1:12:55 > 1:12:58I was pissed off, and I'm not mad now, OK?
1:12:58 > 1:13:02Good. I'll sound the all clear, call off the paratroopers!
1:13:02 > 1:13:03Jesus, George.
1:13:03 > 1:13:05Now, listen, you owe me a CAT scan.
1:13:05 > 1:13:07I want more blood.
1:13:07 > 1:13:09Also you look like hell.
1:13:09 > 1:13:11Ah, that's good.
1:13:11 > 1:13:13Doc, what's the matter with everybody?
1:13:13 > 1:13:14They won't give me a chance to explain anything.
1:13:14 > 1:13:16I look... I look at them,
1:13:16 > 1:13:19and they look at me like I'm a green buck or something.
1:13:19 > 1:13:20Give 'em some time, George.
1:13:20 > 1:13:21Look, I have an idea.
1:13:21 > 1:13:23You look at this. Now, look at this.
1:13:23 > 1:13:24Now, look at that.
1:13:24 > 1:13:26I'm a big deal at the Harmon library.
1:13:26 > 1:13:28I can take up to 30 books a night, OK?
1:13:28 > 1:13:29And I told 'em I'd be part of this.
1:13:29 > 1:13:31I said I'd put out a table...
1:13:31 > 1:13:32Pressure...
1:13:32 > 1:13:35I'd sit there, you could ask me questions - meet George Malley. What do you think?
1:13:35 > 1:13:37Like a circus attraction.
1:13:37 > 1:13:39Oh, God, Doc, please.
1:13:39 > 1:13:42You know, I could explain to them once and for all.
1:13:42 > 1:13:44I could share my ideas with them.
1:13:44 > 1:13:46You know, then I can get my life back together.
1:13:46 > 1:13:47Come see me for that scan.
1:13:47 > 1:13:50Take it easy on sugar and salt, OK?
1:13:50 > 1:13:52And do like I told you all your life...
1:13:52 > 1:13:53breathe in and out.
1:13:53 > 1:13:54OK, George?
1:14:36 > 1:14:38BREEZE WHISTLES
1:15:16 > 1:15:17Come on, give it.
1:15:17 > 1:15:18No. >
1:15:18 > 1:15:19Give it. No!
1:15:19 > 1:15:20You're not careful...
1:15:20 > 1:15:23Al, what do you got there?
1:15:29 > 1:15:31Hey, that's dangerous, sweetie.
1:15:31 > 1:15:32He bought it.
1:15:32 > 1:15:33What?
1:15:33 > 1:15:36It's a piece of the mirror George broke.
1:15:36 > 1:15:38Richard Smith is selling 'em at school.
1:15:38 > 1:15:39Oh, you're kidding.
1:15:39 > 1:15:40It's hot. Feel it.
1:15:40 > 1:15:42It's not hot.
1:15:42 > 1:15:45Richard said the aliens probably took George Malley away
1:15:45 > 1:15:47and put this man in his place.
1:15:47 > 1:15:48This man?
1:15:48 > 1:15:50Like, he's not human.
1:15:50 > 1:15:52That's really dumb,
1:15:52 > 1:15:54and it's really mean.
1:15:54 > 1:15:57Can't they just look in his eyes and see who he is?
1:15:57 > 1:15:58Can't you?
1:15:59 > 1:16:01Do you remember when Daddy left,
1:16:01 > 1:16:03how people treated us differently?
1:16:03 > 1:16:05Even our so-called friends?
1:16:07 > 1:16:09Remember how much it hurt?
1:16:09 > 1:16:11You don't do that to people.
1:16:14 > 1:16:15How much you pay for that?
1:16:15 > 1:16:16A...quarter.
1:16:16 > 1:16:18A dollar.
1:16:18 > 1:16:19What's the truth, Al?
1:16:19 > 1:16:20I paid a dollar.
1:16:20 > 1:16:23I was gonna check it with my magnets.
1:16:23 > 1:16:25Wait a minute, wait a minute.
1:16:25 > 1:16:27You see something really strange in there?
1:16:27 > 1:16:28What?
1:16:28 > 1:16:29What?
1:16:29 > 1:16:30A sucker.
1:16:33 > 1:16:34Nope.
1:17:04 > 1:17:06Lace.
1:17:07 > 1:17:08Hi.
1:17:10 > 1:17:11Hi.
1:17:12 > 1:17:14I just...I just called you.
1:17:14 > 1:17:16You did?
1:17:16 > 1:17:17Hmm.
1:17:17 > 1:17:18Come in. Come in.
1:17:24 > 1:17:27I'm so... so glad you came.
1:17:27 > 1:17:29Well, I was just...
1:17:29 > 1:17:32W-why were you calling?
1:17:32 > 1:17:35I found some things out, Lace.
1:17:35 > 1:17:38Things are-are... coming clearer to me.
1:17:38 > 1:17:41I mean, at least they're starting to.
1:17:41 > 1:17:42Things?
1:17:42 > 1:17:44Mmm.
1:17:44 > 1:17:46I want to talk to the people, Lace.
1:17:46 > 1:17:49I don't want them to be scared of me or frightened.
1:17:49 > 1:17:53I-I mean, I want to tell them what I know.
1:17:53 > 1:17:58So I've...I've decided to speak at the library fair.
1:17:58 > 1:18:01Do you think that they'll listen to me?
1:18:02 > 1:18:06What would they do, throw stones?
1:18:07 > 1:18:11Oh, my God, please, sit down. I can't believe this.
1:18:11 > 1:18:12Would you like somethin' to drink?
1:18:12 > 1:18:14< A beer?
1:18:14 > 1:18:17What? What can I get you?
1:18:19 > 1:18:20Scissors.
1:18:20 > 1:18:24# I can hear her heart beat
1:18:24 > 1:18:28# From a thousand miles
1:18:28 > 1:18:31# And the heavens open up
1:18:31 > 1:18:35# Every time she smiles
1:18:35 > 1:18:38# And when I come to her
1:18:38 > 1:18:41# That is where I belong
1:18:41 > 1:18:45# And I'm runnin' through her
1:18:45 > 1:18:48# Like a river's song
1:18:48 > 1:18:53# She gives me love, love, love, love
1:18:53 > 1:18:55# Crazy love
1:18:55 > 1:19:00# She gives me love, love, love, love
1:19:00 > 1:19:02# Crazy love
1:19:02 > 1:19:06# She's got a fine sense of humour
1:19:06 > 1:19:09# When I'm feelin' low down
1:19:09 > 1:19:10# Ooh-ooh-ooh
1:19:10 > 1:19:13# And I'm callin' to her
1:19:13 > 1:19:16# When the sun goes down
1:19:16 > 1:19:17# Ooh-ooh-ooh
1:19:17 > 1:19:20# Take away my troubles
1:19:20 > 1:19:23# Oh, take away my grief
1:19:23 > 1:19:24# Ooh-ooh-ooh
1:19:24 > 1:19:27# Take away my heartaches
1:19:27 > 1:19:30# In the night like a thief
1:19:30 > 1:19:34# She gives me love, love, love, love
1:19:34 > 1:19:37# crazy love
1:19:37 > 1:19:41# She gives me love, love, love, love
1:19:41 > 1:19:45# crazy love
1:19:45 > 1:19:50# And I need her in the daytime
1:19:50 > 1:19:52# I need her
1:19:52 > 1:19:56# And I need her in the night
1:19:56 > 1:19:58# I need her
1:19:58 > 1:20:04# And I want to throw my arms around her... #
1:20:04 > 1:20:06Have you done this before?
1:20:06 > 1:20:07Nope.
1:20:07 > 1:20:11# Kiss and hug her tight
1:20:11 > 1:20:16# Ahh, ohh... #
1:20:16 > 1:20:17Up or down?
1:20:17 > 1:20:19Down.
1:20:19 > 1:20:22# And when I'm returnin' from so far away
1:20:22 > 1:20:23# Ooh-ooh-ooh
1:20:23 > 1:20:26# Give me some sweet lovin'
1:20:26 > 1:20:29# Brightens up my day
1:20:29 > 1:20:30# Ooh-ooh-ooh
1:20:30 > 1:20:33# And it makes me righteous
1:20:33 > 1:20:36# And it makes me whole
1:20:36 > 1:20:40# And it makes me mellow
1:20:40 > 1:20:43# Right down to my soul
1:20:43 > 1:20:47# She gives me love, love, love, love
1:20:47 > 1:20:50# crazy love
1:20:50 > 1:20:54# She gives me love, love, love, love
1:20:54 > 1:20:57# crazy love #
1:20:57 > 1:20:59Is it close enough?
1:21:01 > 1:21:03You tell me.
1:21:03 > 1:21:08# She gives me love, gives me love... #
1:21:08 > 1:21:11That's pretty close.
1:21:11 > 1:21:15# Love...
1:21:15 > 1:21:18# crazy love
1:21:18 > 1:21:22# She gives me love, love, love, love
1:21:22 > 1:21:24# crazy love. #
1:21:27 > 1:21:30You're running away?
1:21:33 > 1:21:35Are ya comin' back?
1:21:41 > 1:21:42HE CHUCKLES
1:21:46 > 1:21:47Hope so.
1:21:51 > 1:21:53INDISTINCT CHATTER
1:22:25 > 1:22:27Oh, hi, Doc.
1:22:27 > 1:22:29Well, did you improve your mind
1:22:29 > 1:22:31with all this reading?
1:22:31 > 1:22:32Yes, Doc.
1:22:32 > 1:22:35Lady Chatterley's Lover?
1:22:35 > 1:22:36LAUGHTER
1:22:36 > 1:22:38Yeah, well...
1:22:38 > 1:22:40All right, well, you know, that's kind of a...
1:22:40 > 1:22:42that's kind of a code book for anyone who, er,
1:22:42 > 1:22:44wants to understand a woman's heart and mind.
1:22:44 > 1:22:46I read it twice.
1:22:46 > 1:22:47LAUGHTER
1:22:47 > 1:22:48Can you, er...?
1:22:48 > 1:22:50Can you name the presidents
1:22:50 > 1:22:52forwards and backwards for these people?
1:22:52 > 1:22:54No, but I can name some forward presidents
1:22:54 > 1:22:55and some backward ones.
1:22:55 > 1:22:57LAUGHTER
1:22:57 > 1:23:00You know, I can really only tell you what I've read in these books...
1:23:00 > 1:23:01He looks better.
1:23:01 > 1:23:03Yeah. Yeah, he does.
1:23:03 > 1:23:07I seem to have an increased capacity for learning, right?
1:23:07 > 1:23:10How do we know you read all these books?
1:23:10 > 1:23:13Well, um, ask me something.
1:23:13 > 1:23:16I'll be glad to answer any question that you have.
1:23:16 > 1:23:18How did you break that mirror, George,
1:23:18 > 1:23:20without even touching it?
1:23:20 > 1:23:23Now, I want to talk to you about that, Banes,
1:23:23 > 1:23:26because I know you've been worried about it, and, um...
1:23:26 > 1:23:27OK, come here.
1:23:27 > 1:23:30Come here, everybody. Gather closely.
1:23:30 > 1:23:33May I use your glasses?
1:23:33 > 1:23:35What you're about to see is not a trick. OK?
1:23:35 > 1:23:39It's just, um, well, let's call it an experiment in energy.
1:23:39 > 1:23:41Whoa...
1:23:41 > 1:23:42Are you getting this?
1:23:42 > 1:23:45Everything is made up of some living energy, OK?
1:23:45 > 1:23:48You know, all this is, is kind of a dance
1:23:48 > 1:23:51or a partnership between the energy coming from me
1:23:51 > 1:23:54and the energy of the plastic.
1:23:54 > 1:23:56Now, th-that's it.
1:23:56 > 1:23:57Well, why can't we do it?
1:23:57 > 1:24:01Well, focus? Um, clarity of thought?
1:24:01 > 1:24:03I don't know. Maybe you can, Banes.
1:24:03 > 1:24:05What about the UFOs? What are they?
1:24:05 > 1:24:06I don't know that either.
1:24:06 > 1:24:07Yes, you do.
1:24:07 > 1:24:09Yes, you do! >
1:24:09 > 1:24:10This power began
1:24:10 > 1:24:12the night that you saw the object in the sky.
1:24:12 > 1:24:14Th-that was a light.
1:24:14 > 1:24:16Now, let me just finish this one thing.
1:24:16 > 1:24:18Now, we're talking about a partnership.
1:24:18 > 1:24:23Do you know what the largest living organism in the world is?
1:24:23 > 1:24:25OK, it's a grove of aspen trees in Colorado.
1:24:25 > 1:24:28Acres of aspens. OK?
1:24:28 > 1:24:30Now, they thought they were disconnected - separate,
1:24:30 > 1:24:31but, indeed, they found out that they weren't,
1:24:31 > 1:24:34that they're one giant organism
1:24:34 > 1:24:35with the same root system.
1:24:35 > 1:24:37What sort of light was it?
1:24:38 > 1:24:39Now, that's not unlike us.
1:24:39 > 1:24:40< Answer the question!
1:24:40 > 1:24:44Why won't you tell us what you know about the UFOs? > Can you move the table? >
1:24:44 > 1:24:46How did you feel when you saw that light? >
1:24:46 > 1:24:47I think you know more than you're telling us.
1:24:47 > 1:24:51ALL TALK AT ONCE
1:24:53 > 1:24:56Just put your hands on my boy.
1:24:57 > 1:24:58Move the glasses some more.
1:24:58 > 1:25:00VOICES ECHO AROUND HIM
1:25:02 > 1:25:05Please. He's dying. Just do it.
1:25:13 > 1:25:16'George...George, can you see?
1:25:16 > 1:25:19'George. George, you OK?'
1:25:34 > 1:25:36Mr Malley? Are you all right?
1:26:09 > 1:26:11You look sorrowful.
1:26:11 > 1:26:12No.
1:26:13 > 1:26:14What's the matter?
1:26:14 > 1:26:17Are there any more tests to give me?
1:26:17 > 1:26:20How did you manage to get your pressure to come down?
1:26:20 > 1:26:24Oh, I found my pace.
1:26:24 > 1:26:26A simple thing, really.
1:26:26 > 1:26:27Hard to explain.
1:26:27 > 1:26:29What, you figure I'm too thick?
1:26:29 > 1:26:33What I figure about you is that you're stalling.
1:26:35 > 1:26:38I'm not stalling. No. I'm...I'm...waiting.
1:26:38 > 1:26:40For what?
1:26:40 > 1:26:42Reinforcements.
1:26:44 > 1:26:46< Ha ha ha!
1:26:46 > 1:26:49Ahh...
1:26:49 > 1:26:50Well...
1:26:50 > 1:26:53You pick good people.
1:26:53 > 1:26:55You bet.
1:26:58 > 1:26:59See...
1:27:01 > 1:27:05George, George...
1:27:05 > 1:27:08there's a tumour in your brain
1:27:08 > 1:27:10that's spread out like a hand,
1:27:10 > 1:27:13threads of it, you know, everywhere.
1:27:13 > 1:27:14But instead of dysfunction...
1:27:14 > 1:27:16Now, here's the mystery, George.
1:27:16 > 1:27:19Instead of destroying the brain function,
1:27:19 > 1:27:22so far it's been stimulating it.
1:27:22 > 1:27:24We can't understand that.
1:27:24 > 1:27:26You have more area of active brain use
1:27:26 > 1:27:29than anybody ever tested - ever...
1:27:29 > 1:27:31because of those tentacles.
1:27:31 > 1:27:33I mean, we've seen tumours like this before.
1:27:33 > 1:27:35It's called astrosyntoma,
1:27:35 > 1:27:40and it explains, er, the dizziness and...
1:27:40 > 1:27:43the illusion of light.
1:27:43 > 1:27:47But the way it's in there, waking up areas of the brain,
1:27:47 > 1:27:48it's, er...
1:27:51 > 1:27:53..a big mystery.
1:27:53 > 1:27:54So...
1:27:54 > 1:27:56And it's killing me.
1:27:56 > 1:27:57Well, er...
1:27:57 > 1:27:58For sure.
1:28:02 > 1:28:05We got a call from the best brain man in the country.
1:28:05 > 1:28:07I mean, actually, he's one of the best in the world.
1:28:07 > 1:28:10He's gonna study your tests and then talk to you.
1:28:10 > 1:28:13But, er...
1:28:13 > 1:28:15The blood flow is in danger now,
1:28:15 > 1:28:18and you're gonna start to weaken, maybe...
1:28:20 > 1:28:22..black out.
1:28:22 > 1:28:25We-we really don't know. > It's-it's...
1:28:25 > 1:28:28But it's a damn lousy scenario... You see.
1:28:32 > 1:28:34Listen, now...
1:28:40 > 1:28:41God damn it.
1:28:44 > 1:28:46Somethin' happened about 25 years ago
1:28:46 > 1:28:48when you broke your leg and I set it, George.
1:28:48 > 1:28:51I don't know what to call it, but, er...
1:28:51 > 1:28:56Somehow you got into my heart more than most.
1:28:56 > 1:28:57And...
1:29:01 > 1:29:03And for a man who's never been a father,
1:29:03 > 1:29:05I sure feel like I'm losin' a son.
1:29:11 > 1:29:13Georgie...
1:29:13 > 1:29:14Yeah.
1:29:19 > 1:29:22Can I do somethin' for you, George? >
1:29:22 > 1:29:23Anything?
1:29:23 > 1:29:24Yes.
1:29:24 > 1:29:28Next spring when you plant the south 40,
1:29:28 > 1:29:30I want you to use the new fertiliser.
1:29:30 > 1:29:32< I want you to put corn in that field,
1:29:32 > 1:29:34and I know what you're thinkin'. You're thinking
1:29:34 > 1:29:36that it's just too tough a crop, but it's not.
1:29:36 > 1:29:41I'm tellin' ya, you'll get four to five years without rotation.
1:29:41 > 1:29:43Now, trust me on this.
1:29:43 > 1:29:44OK.
1:29:47 > 1:29:49I'm gonna wait outside.
1:29:49 > 1:29:51OK.
1:29:51 > 1:29:53Doc, you wanna come with me?
1:29:53 > 1:29:54Yeah.
1:29:58 > 1:29:59Bye, Doc.
1:30:08 > 1:30:11Now, er...
1:30:11 > 1:30:13He didn't say how long.
1:30:16 > 1:30:19Days...or weeks.
1:30:19 > 1:30:21They don't... they don't know.
1:30:22 > 1:30:24I'm so sorry, Lace.
1:30:26 > 1:30:29I know how you hate surprises.
1:30:30 > 1:30:33I tried so hard not to love you.
1:30:33 > 1:30:34How'd you make out?
1:30:34 > 1:30:35Terrible.
1:30:39 > 1:30:40Hey...
1:30:40 > 1:30:43would you, er, love me the rest of my life?
1:30:43 > 1:30:45No.
1:30:45 > 1:30:47I'm gonna love you for the rest of mine.
1:31:10 > 1:31:12George Malley?
1:31:12 > 1:31:15I'm Dr Wellin.
1:31:16 > 1:31:18George, I'm recording this
1:31:18 > 1:31:19because I'm going to be asking you
1:31:19 > 1:31:20some very important questions.
1:31:20 > 1:31:23You ready?
1:31:23 > 1:31:24Not another test.
1:31:24 > 1:31:26No. No, no.
1:31:26 > 1:31:28No more tests.
1:31:28 > 1:31:31A dialogue.
1:31:31 > 1:31:33I'm going to ask for your permission
1:31:33 > 1:31:36for my team to perform open-brain surgery.
1:31:36 > 1:31:38But...I don't want you to answer
1:31:38 > 1:31:40till we've had our dialogue, all right?
1:31:40 > 1:31:42You said that this tumour was inoperable.
1:31:42 > 1:31:44I think the odds are very small,
1:31:44 > 1:31:47say one in...500
1:31:47 > 1:31:48that we'd be able to remove
1:31:48 > 1:31:50enough of the tumour to even prolong your life.
1:31:50 > 1:31:52Well, why...? But, but...
1:31:52 > 1:31:54what I want to explain is
1:31:54 > 1:31:58that this would not be a lifesaving operation.
1:31:58 > 1:31:59This would be...
1:31:59 > 1:32:00HE SIGHS
1:32:00 > 1:32:03Call it an expedition.
1:32:04 > 1:32:07This'll be a voyage of discovery. >
1:32:07 > 1:32:08You're in a position
1:32:08 > 1:32:11to contribute as much to our knowledge
1:32:11 > 1:32:13as any man or woman who's come before you.
1:32:15 > 1:32:18And if you were to wait and, er...
1:32:18 > 1:32:21do this operation after I'm done with my brain,
1:32:21 > 1:32:22what-what, er...
1:32:22 > 1:32:24If that's what you want, yes, an autopsy...
1:32:24 > 1:32:25that's all we'll do.
1:32:25 > 1:32:27But it wouldn't be as useful.
1:32:27 > 1:32:30The study of a living, active brain
1:32:30 > 1:32:31would tell us volumes.
1:32:31 > 1:32:33All right, so if you were to do this operation,
1:32:33 > 1:32:35wouldn't it most likely kill me
1:32:35 > 1:32:37or at least shorten my life?
1:32:37 > 1:32:38George, I...I'm asking you
1:32:38 > 1:32:41to try and see the larger picture,
1:32:41 > 1:32:44to realise what you have to offer to us,
1:32:44 > 1:32:47the ones you're leaving behind.
1:32:47 > 1:32:50You could be our greatest teacher, George.
1:32:50 > 1:32:51Hmm?
1:32:51 > 1:32:55I can be your biographer, in a sense.
1:32:55 > 1:32:57I can present you to the world.
1:32:57 > 1:32:59But that's not me.
1:32:59 > 1:33:00That's just my brain.
1:33:00 > 1:33:02You understand?
1:33:02 > 1:33:03Look, Doctor, you know,
1:33:03 > 1:33:06I might just have somethin' to say in my last few hours.
1:33:06 > 1:33:08I just might have something to say.
1:33:08 > 1:33:09What you're saying
1:33:09 > 1:33:11is that I have somethin' to teach,
1:33:11 > 1:33:13and yet you're willing to end me
1:33:13 > 1:33:15to study my brain under a microscope.
1:33:15 > 1:33:16Is that all I'm here for?
1:33:16 > 1:33:18What else. You're not a scholar or...
1:33:18 > 1:33:19I'll tell you what I am, OK?
1:33:19 > 1:33:21I'll tell you what I think I am.
1:33:21 > 1:33:23I think I'm what everybody can be.
1:33:23 > 1:33:24Everyone with a malignant tentacle...
1:33:24 > 1:33:25no, no, no, no.
1:33:25 > 1:33:28It's-it's...that just helped me get here. OK?
1:33:28 > 1:33:30I mean, anybody can get here.
1:33:30 > 1:33:31It's... I'm the...
1:33:31 > 1:33:34I'm the possibility, all right?
1:33:34 > 1:33:35And I think you've got
1:33:35 > 1:33:37this desperate grasp on, er, technology
1:33:37 > 1:33:38and this grasp on science,
1:33:38 > 1:33:41and you don't have a hand left to grasp what's important.
1:33:41 > 1:33:43If I had to choose between a tumour that got me here
1:33:43 > 1:33:46and some flash of light from an alien craft,
1:33:46 > 1:33:49I'd choose the tumour, I would, because it's here, within us.
1:33:49 > 1:33:51What I'm talking about is the human spirit.
1:33:51 > 1:33:54That's the challenge. That's the voyage.
1:33:54 > 1:33:56That's the expedition.
1:33:59 > 1:34:02You need to go now.
1:34:02 > 1:34:04I need my rest, and, er...
1:34:04 > 1:34:06I want to go home.
1:34:06 > 1:34:08THUNDER RUMBLES
1:34:24 > 1:34:25Hey. Hey, hey.
1:34:25 > 1:34:27I tried to release my patient.
1:34:27 > 1:34:28What's going on?
1:34:28 > 1:34:29It's done. What's done?
1:34:29 > 1:34:30Didn't feel George Malley
1:34:30 > 1:34:32was competent to make the decision.
1:34:32 > 1:34:34He's a surgical patient now.
1:34:34 > 1:34:36Well, what did you tell the judge, that you could save him?
1:34:36 > 1:34:38I might prolong his life, yes.
1:34:38 > 1:34:40Bullshit!
1:34:40 > 1:34:43If he were rational, he'd say yes. You know he would.
1:34:43 > 1:34:46Now I know why you guys wear masks.
1:34:50 > 1:34:52BANES: Yeah, if it was light enough,
1:34:52 > 1:34:54he could have been blowin' it out with his breath.
1:34:54 > 1:34:55Coulda had a string,
1:34:55 > 1:34:57somethin' thin,
1:34:57 > 1:34:58like catgut.
1:34:58 > 1:35:00He coulda had it on his finger
1:35:00 > 1:35:01and on the glasses.
1:35:01 > 1:35:02He coulda made it move that way.
1:35:02 > 1:35:04< Don't you think he could've, um...
1:35:04 > 1:35:06< thrown somethin' at that mirror somehow?
1:35:06 > 1:35:08< We just didn't see it.
1:35:08 > 1:35:09No way.
1:35:09 > 1:35:11That quake could have been a coincidence.
1:35:11 > 1:35:12< He just thought he knew stuff.
1:35:12 > 1:35:15< I mean, he just studied harder on Spanish, that's all.
1:35:15 > 1:35:17It's not like he really knew stuff.
1:35:17 > 1:35:18Just studied harder at chess
1:35:18 > 1:35:20and made us think he was changing, but...
1:35:20 > 1:35:22Yeah, he never really changed at all.
1:35:22 > 1:35:24Isn't that right, Doc?
1:35:24 > 1:35:27I mean, he never really got any smarter.
1:35:27 > 1:35:29Doc?
1:35:29 > 1:35:30Banes.
1:35:32 > 1:35:34How's your ladylove?
1:35:35 > 1:35:37We, er, we broke up.
1:35:39 > 1:35:40Really? That's too bad.
1:35:40 > 1:35:41Yeah.
1:35:41 > 1:35:44Now, George, he's got a love at his side,
1:35:44 > 1:35:46and she's stickin' with him. You know why?
1:35:46 > 1:35:49Because he bought her chairs.
1:35:49 > 1:35:52That's pretty smart to me.
1:35:52 > 1:35:54You ever buy Lisa's chairs?
1:35:54 > 1:35:55HE CHUCKLES
1:35:55 > 1:35:57Doc's really drunk tonight!
1:35:57 > 1:35:59Every woman has her chair,
1:35:59 > 1:36:02something she needs to put herself into, Banes.
1:36:02 > 1:36:05You ever figure out what Lisa's chairs were >
1:36:05 > 1:36:07and buy 'em? >
1:36:09 > 1:36:10Nope.
1:36:11 > 1:36:13But you're right about one thing.
1:36:13 > 1:36:15George never changed. Nope.
1:36:15 > 1:36:16No.
1:36:20 > 1:36:23Doc's makin' no sense tonight.
1:36:23 > 1:36:25Yeah. Maybe caught it from George!
1:36:26 > 1:36:28Now, goddamn it!
1:36:28 > 1:36:30Why do you have to tear him down?!
1:36:30 > 1:36:32What are you so afraid of?! What have you got to lose?!
1:36:32 > 1:36:33< He wasn't selling anything!
1:36:33 > 1:36:36< He didn't want anything from anybody!
1:36:36 > 1:36:38He wanted nothing from nobody!
1:36:38 > 1:36:39Nothing!
1:36:39 > 1:36:41Nothing!
1:36:42 > 1:36:45And you people have to tear him down
1:36:45 > 1:36:47so you can sleep better tonight?
1:36:47 > 1:36:48So you can prove that the world is flat
1:36:48 > 1:36:52and sleep better tonight. Am I right?!
1:36:59 > 1:37:00I'm right.
1:37:05 > 1:37:06To hell with all of you.
1:37:06 > 1:37:08To hell with every one of you.
1:37:17 > 1:37:19Hey, George.
1:37:19 > 1:37:20How you doin'?
1:37:20 > 1:37:22Here you go. Drink up.
1:37:22 > 1:37:23All right.
1:37:26 > 1:37:27Good job.
1:37:29 > 1:37:31Whoa, whoa. Don't take the pudding.
1:37:31 > 1:37:32That's the good part.
1:37:32 > 1:37:34Hey, is Cal around?
1:37:34 > 1:37:35Sure. You wanna see him?
1:37:35 > 1:37:36Yeah. Thanks.
1:37:36 > 1:37:37OK.
1:38:03 > 1:38:04Hey, dude. Hey, man.
1:38:04 > 1:38:05How's it goin'? All right.
1:38:05 > 1:38:06Can you stay for a few minutes?
1:38:06 > 1:38:08Sure.
1:38:08 > 1:38:09Saved you some pudding again.
1:38:09 > 1:38:10Ah. My buddy.
1:38:10 > 1:38:12I love this stuff.
1:38:19 > 1:38:20Night, dude.
1:38:34 > 1:38:35Hey, Doc, you seen him?
1:38:35 > 1:38:37Seen who? What?
1:38:37 > 1:38:39George Malley. He's out. He sneaked out.
1:38:39 > 1:38:40We're lookin' all over for him.
1:38:40 > 1:38:41He's out?
1:38:41 > 1:38:43Yeah, he flew the coop. Nobody knows where he is.
1:38:43 > 1:38:45I heard it on the radio. Flew the coop.
1:38:45 > 1:38:48Those FBI guys are gonna have me drivin' around all night.
1:38:48 > 1:38:51I was looking... > Ha ha ha.
1:38:53 > 1:38:54AIR HISSES
1:38:54 > 1:38:57Ah, ha ha ha ha ha!
1:38:58 > 1:39:00I want you to take these and give 'em to Doc.
1:39:00 > 1:39:03These I'm taking with me because I haven't finished them yet.
1:39:03 > 1:39:05They're for Dr Ringold.
1:39:07 > 1:39:08This I wrote for you, Nate.
1:39:08 > 1:39:11It's about soils and - and some of my own thoughts.
1:39:11 > 1:39:12Your thoughts?
1:39:12 > 1:39:13Yeah.
1:39:15 > 1:39:16I could drive you.
1:39:16 > 1:39:18No. No, man. It's too chancy.
1:39:20 > 1:39:22You gonna make it, man?
1:39:49 > 1:39:51Ahh.
1:39:55 > 1:39:56Ohh...
1:40:06 > 1:40:08ENGINE REVS
1:40:13 > 1:40:15VOICES OUTSIDE
1:40:29 > 1:40:31That tight enough?
1:40:31 > 1:40:33Why don't you do it once more?
1:40:35 > 1:40:36Go ahead.
1:40:36 > 1:40:37OK.
1:40:43 > 1:40:44There you go.
1:40:44 > 1:40:46Good. Now you've fixed it.
1:40:51 > 1:40:52What?
1:40:55 > 1:40:57You came here to die, didn't you?
1:41:03 > 1:41:04But, er...
1:41:04 > 1:41:06I like this place and, er...
1:41:06 > 1:41:08all the people here.
1:41:34 > 1:41:37You know, if... if we were to, er...
1:41:37 > 1:41:41to put this apple down and leave it,
1:41:41 > 1:41:45it would be spoiled and gone within a few days.
1:41:45 > 1:41:46But...
1:41:46 > 1:41:50if we were to take a bite of it like this...
1:41:50 > 1:41:52it would become part of us,
1:41:52 > 1:41:55and we could take it with us for ever.
1:42:13 > 1:42:16Al...
1:42:16 > 1:42:22everything is on its way to somewhere.
1:42:22 > 1:42:23Everything.
1:42:43 > 1:42:45That's a good bite.
1:43:06 > 1:43:08Keep an eye out.
1:43:18 > 1:43:21Have you seen George Malley, Ms Pennamin? >
1:43:21 > 1:43:22What's the point?
1:43:24 > 1:43:26Look, it's not my call.
1:43:28 > 1:43:30I haven't seen him.
1:43:49 > 1:43:51You mind if I get in your truck?
1:43:51 > 1:43:53Why?
1:43:59 > 1:44:00ENGINE STARTS
1:44:06 > 1:44:08What's your first name?
1:44:11 > 1:44:12Jack.
1:44:12 > 1:44:16How would you want to die, Jack?
1:44:21 > 1:44:23TURNS OFF ENGINE
1:44:26 > 1:44:28Well, let's go.
1:44:42 > 1:44:44There you are.
1:44:47 > 1:44:49I knew I'd find you here. >
1:44:51 > 1:44:53What are you working on?
1:44:53 > 1:44:55Dr Ringold's comin' tomorrow,
1:44:55 > 1:44:58and I just wanted to finish this up.
1:44:58 > 1:44:59Finish what?
1:44:59 > 1:45:01Ah, just some possibilities.
1:45:03 > 1:45:05Hey, come sit by me.
1:45:10 > 1:45:12You scared?
1:45:12 > 1:45:14No.
1:45:15 > 1:45:17I wish I knew what you feel.
1:45:17 > 1:45:19Ah, you do.
1:45:19 > 1:45:22You've always known it, Lace.
1:45:22 > 1:45:23I'll show you.
1:45:23 > 1:45:26When your children were babies, how did you hold them?
1:45:31 > 1:45:33And if they had a hard time sleeping,
1:45:33 > 1:45:37you had to rock 'em to sleep. Well, how did you do it?
1:45:57 > 1:45:58Hmm hmm hmm.
1:45:58 > 1:45:59See?
1:46:03 > 1:46:04Hey.
1:46:04 > 1:46:06Look what I made back there.
1:46:07 > 1:46:10Ha. That looks like a bed.
1:46:11 > 1:46:13Are you expectin' to get lucky?
1:46:13 > 1:46:15Nah.
1:46:15 > 1:46:16Just hoping.
1:46:24 > 1:46:29JEWEL: # When the road gets dark
1:46:31 > 1:46:35# and you can no longer see
1:46:36 > 1:46:42# Just let my love throw a spark, baby
1:46:43 > 1:46:47# And have a little faith in me
1:46:49 > 1:46:54# And when the tears you cry
1:46:56 > 1:47:00# are all you can believe
1:47:01 > 1:47:06# Just give these lovin' arms a try, baby
1:47:07 > 1:47:12# And have a little faith in me
1:47:12 > 1:47:17# Have a little faith in me
1:47:18 > 1:47:23# Have a little faith in me
1:47:24 > 1:47:29# Have a little faith in me
1:47:30 > 1:47:35# Have a little faith in me. #
1:47:45 > 1:47:48Hey, I never kissed you there.
1:47:48 > 1:47:49Mmm, no.
1:47:49 > 1:47:50Keeping track?
1:47:50 > 1:47:51Mm-hmm.
1:47:56 > 1:47:59You going to sleep?
1:47:59 > 1:48:01Mm-mm.
1:48:01 > 1:48:02Are you?
1:48:02 > 1:48:03No.
1:48:03 > 1:48:06I don't wanna sleep unless you're sleeping.
1:48:06 > 1:48:08I don't wanna...
1:48:15 > 1:48:16Lace.
1:48:16 > 1:48:17What?
1:48:17 > 1:48:19Sweetheart.
1:48:19 > 1:48:20What?
1:48:24 > 1:48:26Honey, you have to listen to me now.
1:48:26 > 1:48:27What?
1:48:32 > 1:48:34It's happening.
1:48:34 > 1:48:35No.
1:48:35 > 1:48:36Mm-hmm.
1:48:36 > 1:48:38No. Wait, George.
1:48:38 > 1:48:39Wait.
1:48:39 > 1:48:41No.
1:48:41 > 1:48:43And it's gonna be OK.
1:48:45 > 1:48:46George.
1:48:46 > 1:48:48It's OK.
1:48:48 > 1:48:50It's gonna be OK.
1:48:52 > 1:48:53OK.
1:48:56 > 1:48:58Goodbye, honey.
1:48:58 > 1:48:59No.
1:49:13 > 1:49:15Ohhh...
1:49:44 > 1:49:45Hello. I'm John Ringold.
1:49:45 > 1:49:47I'm here to see George Malley.
1:49:49 > 1:49:50Oh.
1:49:50 > 1:49:52I'm sorry, John.
1:49:52 > 1:49:54George Malley passed away last night.
1:49:58 > 1:50:00I'm...I'm sorry.
1:50:06 > 1:50:08He left these for you.
1:50:12 > 1:50:14Except they're not finished.
1:50:16 > 1:50:17You'll have to do it.
1:50:21 > 1:50:24I'll do my best.
1:50:25 > 1:50:26Thank you.
1:50:26 > 1:50:27You're welcome.
1:50:31 > 1:50:32Goodbye.
1:50:32 > 1:50:33Bye.
1:50:57 > 1:50:58SOBS
1:51:27 > 1:51:29BREEZE WHISTLES
1:51:31 > 1:51:32Ohhh...
1:51:56 > 1:51:57Thank you, sweetie.
1:52:43 > 1:52:46ELLA SPEAKS PORTUGUESE
1:52:46 > 1:52:48We're coming! We're coming!
1:52:52 > 1:52:56ERIC CLAPTON: # If I can reach the stars
1:52:56 > 1:53:00# pull one down for you
1:53:01 > 1:53:04# shine it on my heart
1:53:06 > 1:53:10# so you could see the truth
1:53:11 > 1:53:15# that this love I have inside
1:53:15 > 1:53:18# is everything it seems... #
1:53:18 > 1:53:20Beautiful.
1:53:20 > 1:53:23# but for now, I find... #
1:53:23 > 1:53:24Oh. Oh.
1:53:24 > 1:53:26HE SPEAKS PORTUGUESE
1:53:26 > 1:53:28It's OK.
1:53:28 > 1:53:29It's OK.
1:53:29 > 1:53:33# I can change the world... #
1:53:33 > 1:53:36Better late than never.
1:53:36 > 1:53:39What am I gonna do with this? What am I gonna do with it?
1:53:39 > 1:53:43# You would think my love was really somethin' good
1:53:43 > 1:53:46# Baby, if I could
1:53:46 > 1:53:48# cha-a-ange... #
1:53:48 > 1:53:50It's not here. Not here.
1:53:50 > 1:53:52Tell you where it is.
1:53:52 > 1:53:54Oh! It's right there.
1:53:54 > 1:53:55How did you do that?
1:53:55 > 1:53:57How'd I do that? > It's magic.
1:53:57 > 1:54:00Can you hear her? She just kicked out.
1:54:02 > 1:54:03Have a cold one.
1:54:03 > 1:54:04Thank you.
1:54:04 > 1:54:05Getting any rest?
1:54:05 > 1:54:06Not much.
1:54:06 > 1:54:08You get it now,
1:54:08 > 1:54:10because there's no sleep once you have the baby.
1:54:12 > 1:54:13Check.
1:54:14 > 1:54:17# Baby, if I could
1:54:17 > 1:54:19# cha-a-ange... #
1:54:19 > 1:54:20Come on, now.
1:54:20 > 1:54:23You think it through. Think it through.
1:54:23 > 1:54:25# ..the world #
1:54:48 > 1:54:51BRYAN FERRY: # Oh, hoo...
1:54:51 > 1:54:52# Ah hah
1:54:59 > 1:55:02# I was thinkin' out loud
1:55:04 > 1:55:09# One life's such a short time for love
1:55:09 > 1:55:13# When a match made in heaven arrives
1:55:13 > 1:55:17# Eternity is never enough
1:55:19 > 1:55:22# I need to dance
1:55:22 > 1:55:24# with life
1:55:24 > 1:55:29# Sweep you away into the night
1:55:29 > 1:55:35# When there is no-one else around
1:55:35 > 1:55:37# I will make every day count... #