0:01:19 > 0:01:22HURDY GURDY MUSIC
0:01:22 > 0:01:25WHISTLE BLOWS REPEATEDLY
0:01:41 > 0:01:44MUSIC STOPS
0:01:45 > 0:01:48VOICES SINGING
0:01:48 > 0:01:49# For he's a jolly good fellow
0:01:49 > 0:01:52# For he's a jolly good fellow
0:01:52 > 0:01:55# Which nobody can deny
0:01:55 > 0:01:58# Which nobody can deny Which nobody can deny
0:01:58 > 0:02:02# For he's a jolly good fellow For he's a jolly good fellow
0:02:02 > 0:02:07# For he's a jolly good fellow
0:02:07 > 0:02:10# Which nobody can deny! #
0:02:10 > 0:02:13VOICES SHOUT HAPPILY WAITER WHISPERS
0:02:17 > 0:02:24Well, boys, I hate to break up a good party, but you can't keep a woman waiting. You know how it is!
0:02:24 > 0:02:27That's right, J J!
0:02:27 > 0:02:32I can see you all understand, all right! LAUGHTER
0:02:32 > 0:02:37Believe you me, boys, I've had the time of my life! Speaking of time,
0:02:37 > 0:02:42I have here a 14-carat, 17-jewel timepiece.
0:02:42 > 0:02:49And that's only right because the man I'm giving it to is a 14-carat, 17-jewel cashier!
0:02:49 > 0:02:52ALL: Hear! Hear!
0:02:52 > 0:02:55Pass it along to him, boys!
0:02:55 > 0:02:57Oh, wonderful!
0:03:06 > 0:03:09Read what's engraved inside, Chris!
0:03:12 > 0:03:15"To my friend Christopher Cross...
0:03:15 > 0:03:20"in token of 25 years of faithful service
0:03:20 > 0:03:26"from J J Hogarth. 1909 - 1934."
0:03:27 > 0:03:29Speech! Speech!
0:03:29 > 0:03:31Speak Up! Come on, Chris!
0:03:31 > 0:03:34Well, I, er...
0:03:34 > 0:03:37I hardly know what to say, J J.
0:03:37 > 0:03:41This, er... Why, it's beautiful.
0:03:41 > 0:03:45I-I never expected to own a watch like this.
0:03:45 > 0:03:49No, sir, I... Well...
0:03:49 > 0:03:53All I can say is that we've got the best boss in New York.
0:03:55 > 0:03:58# For he's a jolly good fellow
0:03:58 > 0:03:59# For he's a jolly good fellow
0:03:59 > 0:04:03# For he's a jolly good fellow
0:04:03 > 0:04:06# And nobody can deny! #
0:04:08 > 0:04:11Congratulations, old boy! Congratulations!
0:04:13 > 0:04:18Thank you, Chris. Thank you, my old friend. God bless you.
0:04:18 > 0:04:20- Thank you.- Have a smoke before I go.
0:04:20 > 0:04:23Well, I-I-I don't usually...
0:04:23 > 0:04:28Go ahead and try it. It's made especially for me. Dollar a piece.
0:04:39 > 0:04:43- You're not superstitious, are you, Chris?- No, no. No, sir.
0:04:45 > 0:04:51Don't break up a good party just because I've got to go. Everything is charged to J J.
0:04:51 > 0:04:54ALL: Thanks! Drink all you want.
0:04:54 > 0:04:58Only don't come in late Monday morning with a hangover!
0:04:58 > 0:05:02Don't worry, we won't!
0:05:02 > 0:05:05Goodnight, boys! ALL: Goodnight, J J!
0:05:05 > 0:05:09THEY TALK AMONGST THEMSELVES
0:05:09 > 0:05:13I'll treasure this for the rest of my life.
0:05:15 > 0:05:20< Hey, fellas, look! Look! Come here!
0:05:29 > 0:05:31Get a load of that dame!
0:05:33 > 0:05:36That's J J's wife? THEY ALL LAUGH
0:05:36 > 0:05:38The boss is stepping out!
0:05:38 > 0:05:43If I had the dough he's got, I'd step out too!
0:05:51 > 0:05:55Ah! Nothing like the smell of spring.
0:05:55 > 0:06:01- Which way do you go, Chris?- I'll take the East Side subway, gets me to Brooklyn a little quicker.
0:06:04 > 0:06:10- You haven't got an umbrella. I'll take you to your bus.- That's out of your way.- I don't mind walking -
0:06:10 > 0:06:13fresh air, spring!
0:06:13 > 0:06:16Hey! I'm a little drunk!
0:06:32 > 0:06:37Well, never mind, I'll catch the next one. You go on to the subway.
0:06:37 > 0:06:40I don't mind waiting. I feel kind of lonely tonight.
0:06:45 > 0:06:50Say, Charlie, do you suppose J J is running around with that young lady?
0:06:50 > 0:06:52It looks that way.
0:06:52 > 0:06:55I-I-I wonder what it's like.
0:06:55 > 0:07:00- What, Chris?- Well, to be loved by a young girl like that.
0:07:00 > 0:07:05Nobody ever looked at me like that. Not even when I was young.
0:07:05 > 0:07:11When we're young we have dreams that never pan out, but we go on dreaming.
0:07:11 > 0:07:19When I was young, I wanted to be an artist. I dreamt I would be a great painter some day. So I'm a cashier!
0:07:19 > 0:07:23- Do you stil paint?- Yes, every Sunday. - That's one way to kill time.
0:07:23 > 0:07:29- Sunday is one day of the week that I don't like. I never know what to do with myself.- Come over tomorrow.
0:07:29 > 0:07:31Thanks, I'll do that.
0:07:33 > 0:07:37- Goodnight, Chris.- Goodnight, Charlie, see you tomorrow.
0:07:53 > 0:07:59- Hm, stopped raining.- Yeah, a half hour ago.- Which way is it to the East Side subway?
0:07:59 > 0:08:07- Round the corner, four blocks.- Thank you, officer. These streets are all mixed up in Greenwich Village!
0:08:49 > 0:08:53Is he hurt?
0:08:54 > 0:08:57- I'll go call a policeman!- No, wait!
0:08:57 > 0:08:58Wait!
0:09:06 > 0:09:08Officer!
0:09:08 > 0:09:11Officer!
0:09:25 > 0:09:28- Where did he go?- In that direction!
0:09:28 > 0:09:32- What does he look like?- I don't know.- I didn't see his face.
0:09:32 > 0:09:39- He took 15, then began pushing me around. This gentleman knocked him down.- He was right there!
0:09:39 > 0:09:42- He got up and ran.- Wait here.
0:09:43 > 0:09:47- Come on, let's get out of here. - We have to wait for the officer!
0:09:47 > 0:09:51- I don't want to get my name in the newspaper, do you?!- The news...
0:09:51 > 0:09:57We'll have to make a complaint and when they make an arrest, they send detectives to your house!
0:09:57 > 0:10:01- Won't you take me home?- Why, yes...
0:10:01 > 0:10:05If you...think that, er...
0:10:05 > 0:10:07Well, here's where I live.
0:10:11 > 0:10:18I'm sorry I can't ask you to come up, but I share my apartment with another girl - Millie.
0:10:18 > 0:10:21Goodnight and thanks for everything.
0:10:21 > 0:10:27- Er...don't you want a cup of coffee? - ..All right.
0:10:27 > 0:10:33# Come to me my melancholy baby
0:10:33 > 0:10:40# Cuddle up and don't be blue
0:10:42 > 0:10:47# All your fears are foolish fancy... #
0:10:47 > 0:10:51- Hello, Kitty.- Hello, Tiny. This is Mr, er...- Cross.- Glad to know you.
0:10:51 > 0:10:56- How do you do?- ..You seen Johnny?
0:10:56 > 0:10:59No...not since he left here.
0:10:59 > 0:11:04- Two coffees, please.- I could stand a drink. ..A Rum Collins.
0:11:04 > 0:11:10- One Rum Collins?- Yes, yes. - Oh, come on! Keep me company!
0:11:10 > 0:11:14Well, er, you see, I've already had a good deal of champagne.
0:11:14 > 0:11:17- You want champagne?- Oh, no! No.
0:11:17 > 0:11:19Make mine the same.
0:11:19 > 0:11:24Ever since I first saw you, I was wondering what your name was.
0:11:24 > 0:11:27- Kitty.- It's really Kat...
0:11:28 > 0:11:30..Katherine.
0:11:30 > 0:11:34Katherine March. My friends call me Kitty.
0:11:36 > 0:11:39- What do your friends call you? - Er, Chris.
0:11:39 > 0:11:42Chris...Cross.
0:11:42 > 0:11:44Chris Cross!
0:11:44 > 0:11:49Yes, the boys tease me about it but I don't mind.
0:11:58 > 0:12:02Why are you looking at me?
0:12:02 > 0:12:04Is my face dirty?
0:12:04 > 0:12:06It's beautiful.
0:12:06 > 0:12:09I'll bet it is!
0:12:10 > 0:12:13Oh, gee! I'm a sight!
0:12:16 > 0:12:18Oh, er, thank you.
0:12:21 > 0:12:23Cheers, Chris.
0:12:23 > 0:12:26Miss March...
0:12:26 > 0:12:28Kitty.
0:12:28 > 0:12:32Yes, Miss M...I mean, Kitty.
0:12:32 > 0:12:36Well, er, look, Kitty...
0:12:36 > 0:12:41- since I'm old enough to be your father...- You're not so old.
0:12:41 > 0:12:47- You don't think so?- Well, you're not a boy, you're just...mature.
0:12:47 > 0:12:50I like mature people.
0:12:50 > 0:12:55Well, I wanted to say...you shouldn't be alone in the street so late at night.
0:12:57 > 0:13:00I was coming home from work.
0:13:00 > 0:13:02- You work this late?- Mm-hm.
0:13:02 > 0:13:05What do you do?
0:13:05 > 0:13:07Guess.
0:13:10 > 0:13:14- You're an actress. - Oh, you are clever!
0:13:14 > 0:13:16Now tell me about yourself!
0:13:16 > 0:13:18- What do you do?- I?
0:13:18 > 0:13:21I, er... Well, you see...
0:13:21 > 0:13:25No, don't tell me! You work in a bank?
0:13:25 > 0:13:27- No.- Well, let's see.
0:13:27 > 0:13:33Greenwich Village is full of artists. I meet you in Greenwich Village... You must be an artist!
0:13:33 > 0:13:35- Right?- Well, I, er...
0:13:35 > 0:13:38Yes, yes, I paint.
0:13:38 > 0:13:41Of course, you're a painter!
0:13:41 > 0:13:45- To think I took you for a cashier! - Well...
0:13:45 > 0:13:48You know those art galleries on 5th Avenue, the prices they charge!
0:13:48 > 0:13:52I saw one little picture that cost 50,000!
0:13:52 > 0:13:55They call it a...Seezanne.
0:13:55 > 0:14:02- Cezanne. Oh, he was a great French painter. I'd like to own that painting.- You would?
0:14:02 > 0:14:04Mm.
0:14:04 > 0:14:06For 50,000?!
0:14:06 > 0:14:10You can't put any price on masterpieces like that.
0:14:10 > 0:14:14They're worth whatever you can afford to pay for them.
0:14:14 > 0:14:18I bet I saw your pictures there and didn't know it!
0:14:18 > 0:14:21- Next time I'll look for your name. - Oh, no, no, no.
0:14:21 > 0:14:25I don't sell my pictures.
0:14:25 > 0:14:29- Not in New York, you mean?- No, I... - I know!
0:14:29 > 0:14:32I bet you sell your pictures in Europe! France or some place!
0:14:32 > 0:14:39I bet you get as much for your pictures in France as those Frenchmen get here in New York!
0:14:39 > 0:14:42- Well...- You're never appreciated in your own country.
0:14:42 > 0:14:46Well, that's one way of looking at it.
0:14:46 > 0:14:51But when I paint, I don't think of money. I just paint for fun.
0:14:51 > 0:14:55- Fun?- I think it's the most fun I know, painting.
0:14:55 > 0:14:58I wish I had all the time to paint.
0:14:58 > 0:15:02- Don't you have time?- Oh, no... Well, yes...
0:15:02 > 0:15:07You see, I, er... Well, you know, business takes a lot of time.
0:15:07 > 0:15:11No wonder when you've got all that money.
0:15:11 > 0:15:13What play are you acting in?
0:15:13 > 0:15:18- It closed tonight.- Which one?- The one I was in. What time is it?
0:15:18 > 0:15:20Oh, er...
0:15:25 > 0:15:31- It's only 10 past 2.- Only?! It's time for Kitty to be in bed!
0:15:33 > 0:15:36So you won't forget me.
0:15:36 > 0:15:39Thank you.
0:15:40 > 0:15:46- Can I see you again?- Sure. Some time.- Give me your telephone num... - Haven't got a phone.
0:15:46 > 0:15:50- May I write you?- That's the address. Goodnight, Chris.- ..Who's Johnny?
0:15:51 > 0:15:53Why do you ask that?
0:15:53 > 0:15:55I heard you ask the bartender.
0:15:55 > 0:16:03Oh, sure. He's just a fellow I know. He's Millie's boyfriend. You know - the girl I live with. Goodnight.
0:16:03 > 0:16:04Goodnight, Kitty.
0:16:39 > 0:16:40DOORBELL RINGS
0:16:40 > 0:16:43Christopher!
0:16:43 > 0:16:47DOORBELL RINGS AGAIN
0:16:47 > 0:16:49Christopher!
0:16:49 > 0:16:52Yes, Adele.
0:17:04 > 0:17:07Well, well, this is a pleasure.
0:17:07 > 0:17:09I didn't expect to see you, Charlie.
0:17:09 > 0:17:12But, Chris, you asked me...
0:17:13 > 0:17:17My wife. Well, it's good to see you anyway!
0:17:17 > 0:17:22Say, that was a swell party last night, wasn't it, Charlie?
0:17:22 > 0:17:26What time did we go home - after midnight, wasn't it?
0:17:28 > 0:17:34- You know, I haven't been to bed yet. - You haven't?- I guess I'm not as old as I thought I was!- No, no.
0:17:34 > 0:17:39I've got to do the dishes for Adele. You don't mind, do you?
0:17:39 > 0:17:41No, no, go right ahead.
0:17:48 > 0:17:51Say, did you paint this?
0:17:51 > 0:17:57Great scot, no! That isn't painting, that's mud! Done by a photographer.
0:17:57 > 0:18:00- Who is it?- The, er, late departed.
0:18:00 > 0:18:05- Oh. Your wife's former husband. - Detective Sergeant Higgins.
0:18:05 > 0:18:10- Homer Higgins. - Say, that's a real medal.
0:18:10 > 0:18:12Yeah. Adele got it.
0:18:12 > 0:18:15Your wife?
0:18:15 > 0:18:19Yeah. After he was drowned in the East River.
0:18:19 > 0:18:22Jumped in to save a woman.
0:18:22 > 0:18:25- Neither body was found.- Oh.
0:18:25 > 0:18:28Too bad.
0:18:28 > 0:18:30Yeah. Too bad.
0:18:38 > 0:18:40Oh, thank you.
0:18:41 > 0:18:45How long have you been married, Chris?
0:18:45 > 0:18:47Five years.
0:18:49 > 0:18:57Well, er, she didn't want to spend his insurance money so she rented out the spare room.
0:18:57 > 0:19:04Only 4 a week. I was trying to save money to buy paints and I moved in.
0:19:04 > 0:19:07Oh, she was sweet.
0:19:07 > 0:19:09Butter wouldn't melt in her mouth.
0:19:11 > 0:19:14And, er...
0:19:14 > 0:19:16Well, you know how these things go.
0:19:16 > 0:19:20- Smoke?- Oh...
0:19:20 > 0:19:23I guess another time.
0:19:26 > 0:19:29Where are your paintings, Chris?
0:19:29 > 0:19:33- They're out in the hall. Would you like to see what I did today?- Yes!
0:19:45 > 0:19:49Where did you find a flower like that?
0:19:52 > 0:19:58- You mean...you see this when you look at that?- Well, yes.
0:19:58 > 0:20:00That is, I sort of feel it.
0:20:00 > 0:20:04- You see, when I look at that flower, I...- Agh!
0:20:04 > 0:20:07Is there any privacy in this house?!
0:20:08 > 0:20:11I'm sorry, Adele.
0:20:11 > 0:20:14We'd better get out of here.
0:20:19 > 0:20:22All right, Adele.
0:20:34 > 0:20:40# ..Cuddle up and don't be blue
0:20:43 > 0:20:51# All your fears are foolish fancy, maybe
0:20:52 > 0:20:58# You know, dear, that I'm in love... In love... In love... #
0:20:58 > 0:21:01RECORD STICKS
0:21:08 > 0:21:13- Care to get those lazy legs off that couch?- Come here.
0:21:15 > 0:21:19- Can't you do any better than that?! - That's all you think about.
0:21:19 > 0:21:22What else is there to think about?
0:21:27 > 0:21:32- If you want more heat in this apartment, you'll have to call a janitor.- You idiot.
0:21:32 > 0:21:39- How come you're holding out on me? - Oh, stop talking about Saturday night!- I'm not talking about that.
0:21:39 > 0:21:41I'm talking about this.
0:21:41 > 0:21:48Sounds like a schoolboy trying to make a date. You must be robbing the cradle!
0:21:48 > 0:21:52- What's so funny?- YOU are! He's old enough to be my father!
0:21:52 > 0:21:56He's the old fellow who came to my rescue Saturday night! My hero!
0:21:56 > 0:22:00- No kidding!- See? You were too tight to remember anything!
0:22:00 > 0:22:06- If I hadn't told the cop to go in the wrong direction, he'd have picked you up.- This the old fella who butted in?
0:22:06 > 0:22:12- The painter?- He's rich and famous and very sweet too, Johnny.
0:22:12 > 0:22:19- He doesn't pull any rough stuff like you.- I had a chance to clean up in a crap game! I only needed 50 bucks!
0:22:19 > 0:22:21What did you show up with? 15!
0:22:21 > 0:22:27That's all I had! Besides, you kept me waiting two hours in the rain!
0:22:27 > 0:22:31- And then you gave me a dirty look. - I did not!
0:22:31 > 0:22:37Any girl who waits two hours in the rain for a guy is gonna give him a dirty look.
0:22:37 > 0:22:40Trouble with you, baby, is you have no imagination.
0:22:40 > 0:22:43What do you expect me to do?
0:22:43 > 0:22:46I expect you to use your brain.
0:22:46 > 0:22:49This chump is crazy about ya!
0:22:49 > 0:22:53- This is a set-up. He's in the big money, isn't he?- Mm-hm.
0:22:53 > 0:23:00Here I am, knocking my brains out, trying to raise a little capital and this is right in your lap.
0:23:00 > 0:23:04You don't have to call whatsisname and get a measly 50.
0:23:04 > 0:23:06This bird is goofy about ya.
0:23:06 > 0:23:12- Write him. Date him up.- I can't take money off an old man like that!
0:23:15 > 0:23:19Get big hearted and smart, lazy legs.
0:23:19 > 0:23:24I see fellas in the big dough without half my brains, but ability isn't enough.
0:23:24 > 0:23:28You gotta have money to make money. Capital.
0:23:28 > 0:23:33- The boys in the Acme Garage'll cut me in if I can put up the money. - How much do they want?
0:23:33 > 0:23:37- Oh, three or four thousand.- Yikes! - I'm not talking about chicken feed!
0:23:37 > 0:23:43Use your imagination. You get an interest in a business like that
0:23:43 > 0:23:48and it's a cinch to squeeze out your partner and you're on Easy Street.
0:23:48 > 0:23:52- Jeepers! The pipe dreams you have. - Now, what about the letter?
0:23:52 > 0:23:59- I can get 50 or 100, but not the kind of money you're talking about! I wouldn't know how!- Ah!
0:23:59 > 0:24:02Johnny? Johnny, where are you going?
0:24:02 > 0:24:05- Where I won't be wasting my time! - Johnny!
0:24:05 > 0:24:08Johnny.
0:24:10 > 0:24:16- Oh, I don't know why I'm so crazy about you.- Oh, yes, you do.
0:24:16 > 0:24:18What about my proposition?
0:24:18 > 0:24:23You don't have to tap the old chump for much, not at first.
0:24:23 > 0:24:28We'll get you a decent apartment, some place where I'd like to come and see ya, not a dump like this.
0:24:28 > 0:24:30Well, lazy legs?
0:24:31 > 0:24:35- May I come into my own apartment? - Hello, funny face.
0:24:35 > 0:24:38Why don't you just move in, then I can move out?
0:24:38 > 0:24:44- Stop picking on my fiance.- How do you spell that word? - With an f, like in funny face.
0:24:44 > 0:24:49- She pays half the rent, doesn't she? - That was the general idea when we signed the lease!
0:24:49 > 0:24:54I don't mind if you want this place to yourself. ..Do you, baby?
0:24:59 > 0:25:02- What does he mean by that? - Oh, nothing! You know Johnny!
0:25:02 > 0:25:07Yeah, I know Johnny, all right! Has he bought that engagement ring yet?
0:25:07 > 0:25:10You worry more about it than I do!
0:25:14 > 0:25:20The new 45 model. Rogers let me have it for 18.
0:25:20 > 0:25:26- Said he made a profit at that.- I thought you were modelling girdles for the catalogue.- I have been. Oh!
0:25:26 > 0:25:29I ache like a dog.
0:25:29 > 0:25:33If corsets ever come back, I swear I'll quit modelling.
0:25:35 > 0:25:38Why don't you go back to work?
0:25:38 > 0:25:43- That figure. If you weren't so darn lazy.- Who do you think you are?
0:25:43 > 0:25:46- My guardian angel?- Not me, honey.
0:25:46 > 0:25:50- I lost those wings a long time ago. - That's what I thought.
0:25:50 > 0:25:53No wonder you got fired - you're so darn snippy!
0:25:53 > 0:25:57You never could get to work on time after you met that Johnny.
0:25:57 > 0:26:00Honey, what's happened to you?
0:26:00 > 0:26:04Don't you wish it could happen to you? I'm in love. Crazy in love!
0:26:04 > 0:26:10- With a man that pushes you around. - Leave Johnny out of this!- You could get any man you want!
0:26:10 > 0:26:14- But there's only one I want.- And he's making a tramp out of you!
0:26:14 > 0:26:19- You wouldn't know love if it hit you in the face!- If that's where it hits you, you ought to know!
0:26:23 > 0:26:27MUSIC PLAYS LOUDLY
0:26:57 > 0:27:00BIRDS SING SWEETLY
0:27:06 > 0:27:12That robin sings just like I feel. Look, there's a pair of them up there, building their nest.
0:27:12 > 0:27:15HE WHISTLES
0:27:18 > 0:27:20Say, where'd you learn that?
0:27:22 > 0:27:27When I was a kid. I bet I haven't done that in 40 years.
0:27:27 > 0:27:29I feel like a kid myself today.
0:27:34 > 0:27:38- Sold any pictures lately?- Uh-uh. - Why don't you paint my picture?
0:27:38 > 0:27:42I'd like to. Could I bring my easel to your apartment?
0:27:42 > 0:27:46My girlfriend wouldn't like that. How long does it take to paint a picture?
0:27:46 > 0:27:50Sometimes a day, sometimes a year.
0:27:50 > 0:27:55- You can't tell, it has to grow. - I never knew paint could grow!
0:27:55 > 0:27:59Feeling grows. That's the important thing - feeling.
0:27:59 > 0:28:05Nobody ever taught me how to draw, so I just put a line around what I feel when I look at things.
0:28:05 > 0:28:11- Yeah, I see.- It's like, er, it's like falling in love, I guess.
0:28:12 > 0:28:18You know...first you see someone and then it keeps growing and...
0:28:18 > 0:28:23- Till you can't think of anyone else. - That's interesting.
0:28:23 > 0:28:28The way I look at things, that's all art is. Every painting, if it's any good, is a love affair.
0:28:28 > 0:28:32I never heard anyone talk like that before.
0:28:32 > 0:28:37Oh, well, there aren't many people you can talk to this way,
0:28:37 > 0:28:42so you keep it to yourself. You walk round with everything bottled up.
0:28:42 > 0:28:46Yeah, that's right. That's the way it is with me, too.
0:28:46 > 0:28:50I'm sort of keeping things bottled up too, Chris.
0:28:51 > 0:28:54The truth is, I'm in a jam.
0:28:54 > 0:28:58- You, Kitty?- You've probably guessed it, I'm broke.
0:28:58 > 0:29:01Even this dress belongs to Millie. I can't pay my rent.
0:29:01 > 0:29:04Well, how much is it?
0:29:04 > 0:29:07Oh, forget it. I shouldn't have told you.
0:29:09 > 0:29:12- It'll spoil your day.- But, Kitty...
0:29:12 > 0:29:15I couldn't take anything from you.
0:29:15 > 0:29:18- No... Yes... I mean... - No, no, I couldn't.
0:29:18 > 0:29:25- I've never taken money from a man and I'm not going to now. And I'm not going to spoil our friendship.- But...
0:29:25 > 0:29:28- I couldn't pay you back.- Oh...
0:29:28 > 0:29:31Chris!
0:29:31 > 0:29:34Maybe I could pay you back!
0:29:34 > 0:29:40If you put up the money for a studio apartment, I'd have a place to live and you could paint there!
0:29:40 > 0:29:42You could paint my portrait.
0:29:45 > 0:29:48What's the matter?
0:29:48 > 0:29:53- Don't you want to paint my picture? - There's something I've got to tell you, Kitty.- What?
0:29:53 > 0:29:57I deceived you. I lied.
0:29:58 > 0:30:00I'm a married man, Kitty.
0:30:05 > 0:30:07Why didn't you tell me, Chris?
0:30:07 > 0:30:11You know I'm not the kind of girl to run around with a married man?!
0:30:11 > 0:30:15You know what you said about meeting someone,
0:30:15 > 0:30:20how you begin to like them and you can't think about anybody else?
0:30:20 > 0:30:24You should have told me you had a wife, Chris.
0:30:24 > 0:30:26Yes, but I'm not in love with her.
0:30:26 > 0:30:31- You married her.- I was lonely. I couldn't stand my loneliness.
0:30:33 > 0:30:35Poor Chris.
0:30:35 > 0:30:40- You're not angry with me?- I suppose I ought to be, but...I'm not.
0:30:40 > 0:30:43Not with you, Chris.
0:30:43 > 0:30:47- I'm going to let you help me. - How much do you need?- 500.
0:30:53 > 0:30:54500...
0:31:38 > 0:31:43I need 500. I could pay it back 10 a week.
0:31:43 > 0:31:48That's all right, Mr Cross, but you'll have to have a co-signer.
0:31:48 > 0:31:53- A property owner.- Property owner? - Just a formality.
0:31:56 > 0:31:59- Thank you very much.- Any time.
0:32:01 > 0:32:08Why can't that old skinflint Hogarth give you a raise?! You don't even make enough money to buy me a radio.
0:32:08 > 0:32:14I have to run downstairs every night to listen to the radio! The way I have to scrimp and save
0:32:14 > 0:32:17and you wasting money on paints!
0:32:17 > 0:32:21Poor dear Homer. If only he had a grave where I could put some flowers.
0:32:21 > 0:32:28You couldn't even ask me to marry you. I had to put the words into your mouth! I was better off a widow.
0:32:28 > 0:32:32I only put up with you because I'm married to you! I'm stuck!
0:32:32 > 0:32:34Yes, and I'm stuck too.
0:32:34 > 0:32:39- Have you been drinking?!- No, I haven't.- Let me smell your breath.
0:32:41 > 0:32:46No. Then what's the matter with you? Why are you shouting at me?
0:32:46 > 0:32:48You keep blaming me for not buying you a radio.
0:32:48 > 0:32:55- You think I like running downstairs every night?- You have money to buy a radio.- His insurance money?!
0:32:55 > 0:33:00- I don't want a radio, YOU want it. - Those bonds are for my old age.
0:33:00 > 0:33:06If Homer were alive, I'd have a radio. He made a good salary. He gave me a good home.
0:33:06 > 0:33:10- You're living in the same apartment. - Yes, but it didn't smell of paint!
0:33:10 > 0:33:15I can't sleep for the smell of paint. And all your silly pictures cluttering up the hall.
0:33:15 > 0:33:18Get rid of that trash or I'll give it to the junk man!
0:33:20 > 0:33:23- Adele!- I will.
0:33:23 > 0:33:27I swear I will. And the things you paint!
0:33:27 > 0:33:35- It was bad enough when you copied picture postcards.- Utrillo copies postcards and he is a great painter!
0:33:35 > 0:33:41Now I suppose you're copying Utrillo or whatever his name is! They're getting crazier all the time!
0:33:41 > 0:33:45I saw what you're doing. Girls.
0:33:45 > 0:33:49Snakes. Next thing, you'll be painting women without clothes!
0:33:49 > 0:33:53- I never saw a woman without any clothes!- I should hope not!
0:33:53 > 0:33:55KNOCKING
0:33:58 > 0:34:02The Happy Household Hour - just coming on, dear.
0:34:02 > 0:34:06I'll be right down, Dora. Mr Cross came home late.
0:34:10 > 0:34:13Go ahead and eat. And then do the dishes.
0:34:13 > 0:34:16- RADIO:- 'The Happy Household Hour..."
0:34:16 > 0:34:20- DOOR SLAMS- '..brought to you by Happy Hour Bubble Suds.
0:34:20 > 0:34:28'No soap gives you more washings and more suds per package than Happy Hour Bubble Suds.
0:34:28 > 0:34:32'Ask your nearest grocer for the large, economy-size package today.
0:34:32 > 0:34:37'Now for the next episode of Hilda's Hope For Happiness.
0:34:37 > 0:34:42- 'As you remember, we left Hilda...' - INTERFERENCE ON RADIO
0:35:20 > 0:35:21Christopher!
0:35:33 > 0:35:34Christopher!
0:35:39 > 0:35:42What are you doing?
0:35:42 > 0:35:45I was, er, looking for the paper.
0:35:45 > 0:35:46Are you blind?
0:35:46 > 0:35:50Oh. Didn't you, er, didn't you like the radio?
0:35:50 > 0:35:56It went off right in the middle of the programme! I wouldn't have such a radio.
0:35:57 > 0:36:01- Did you read this?- Read what? - This murder in Queens.
0:36:01 > 0:36:07A man killed his wife with a window weight, put the body in a trunk and shipped it to California...
0:36:07 > 0:36:14I've read the paper, thank you. He didn't get away with it, did he? He'll go to the chair, as he should!
0:36:14 > 0:36:17A man hasn't got a chance with these New York detectives.
0:36:17 > 0:36:20Can't you put that paper down and do the dishes?
0:36:36 > 0:36:38Adele?
0:36:38 > 0:36:44- You didn't mean what you said about giving my paintings away to the junk man?- You'll find out.
0:36:53 > 0:36:55Well, er...you won't have to.
0:36:55 > 0:37:01A friend of mine is taking an apartment in Greenwich Village. I'll move everything there.
0:37:01 > 0:37:04If he's fool enough to let you do it, go ahead!
0:37:08 > 0:37:12Top floor. You'll get plenty of light.
0:37:12 > 0:37:17Lots of privacy. Have you heard of Tony Rivera, the illustrator?
0:37:17 > 0:37:22He had this apartment on a three-year lease. Couldn't work anywhere else.
0:37:22 > 0:37:26This was his studio. The sketches on the wall are Rivera's.
0:37:26 > 0:37:33He'd do that with his models sometimes when working on a magazine cover.
0:37:33 > 0:37:37Some people would pay a lot of money for those.
0:37:37 > 0:37:41- Are you an artist?- Uh-huh. - Where's the bedroom?- This way.
0:37:45 > 0:37:48- What's the rent, Mr Jones?- 150.
0:37:48 > 0:37:55Rivera left some things stored in the basement. They go with the apartment if you care to use them.
0:37:55 > 0:37:57Here you are. Bedroom.
0:37:59 > 0:38:02I don't like the wallpaper.
0:38:02 > 0:38:08- Will they change the paper? - I guess so, on a year's lease. - I'll pick it out myself.
0:38:13 > 0:38:16DOORBELL RINGS
0:38:58 > 0:39:00Don't break the bank.
0:39:02 > 0:39:04Hello, lazy legs.
0:39:04 > 0:39:06I thought I heard the doorbell.
0:39:06 > 0:39:10- HE YAWNS - I didn't hear anything.
0:39:13 > 0:39:20- Say, is this all you've got?- I'm lucky I have that left the way you were throwing it around last night.
0:39:20 > 0:39:22You even bought me a book!
0:39:22 > 0:39:25You're supposed to be an actress.
0:39:25 > 0:39:28Shakespeare, for Pete's sake!
0:39:34 > 0:39:36Hey!
0:39:36 > 0:39:40- That's all I have left.- You know where to get more, don't you?
0:39:40 > 0:39:45He hasn't sold any pictures for a long time.
0:39:45 > 0:39:48And I'm in hock for all this!
0:40:02 > 0:40:05Look, Kitty...
0:40:05 > 0:40:09I need at least 1,000.
0:40:09 > 0:40:14- Ouch!- You got him softened up, now push him around a bit.
0:40:14 > 0:40:18He seems to get scared when I talk about money.
0:40:18 > 0:40:24- Listen, baby, you got him right where you want him. He's on the hook and can't get off.- He can walk out.
0:40:24 > 0:40:31- He's got a wife. Just drop a hint that his wife might find out about this apartment.- That's blackmail.
0:40:31 > 0:40:37It's only blackmail, baby, when you're dumb enough to get caught.
0:40:39 > 0:40:41- KNOCKING - Is that him?
0:40:41 > 0:40:45- I told you I heard the doorbell! - Get rid of him!
0:40:55 > 0:40:58KNOCKING
0:41:10 > 0:41:12KNOCKING
0:41:15 > 0:41:19Why...!
0:41:19 > 0:41:26- Don't you answer doorbells?- Thought you were mad at me.- Peace offering. Scotch.- Thanks, honey.
0:41:26 > 0:41:31I didn't think you were out. Only 10 past 12. I rang and rang downstairs.
0:41:31 > 0:41:34Well, well, well!
0:41:34 > 0:41:38You're doing all right for a working girl.
0:41:38 > 0:41:40Don't start that again.
0:41:45 > 0:41:47Don't tell me he's under the sofa too!
0:41:47 > 0:41:49No, bright eyes.
0:41:49 > 0:41:52You can come out, Johnny.
0:41:52 > 0:41:56All you have to do is call, funny face.
0:41:57 > 0:41:58Oh!
0:41:58 > 0:42:02- Must have made a killing in Wall Street, Mr Prince.- Could be.
0:42:02 > 0:42:07- Last time I saw Johnny, he was talking about going to Hollywood. - I might try it yet.
0:42:07 > 0:42:13I read in a movie magazine about a fella who landed in Hollywood stone broke and cleaned up a million!
0:42:13 > 0:42:17All he had was looks. And he worked in a drug store.
0:42:17 > 0:42:20If he worked, Johnny, he didn't look like you.
0:42:20 > 0:42:26- Oh, you two stop fighting!- I'm not fighting, baby. She just doesn't know my speed.
0:42:26 > 0:42:33I hear of movie actors getting 10,000 a week! For what? For acting tough, pushing girls in the face.
0:42:33 > 0:42:38- If you're so clever, why don't you do it?- I might, funny face. I might.
0:42:38 > 0:42:40KNOCKING AT DOOR
0:42:46 > 0:42:50- Chris!- I brought over some of my things, Kitty.
0:42:50 > 0:42:54I'll bring some more tomorrow, the rest on Saturday.
0:42:57 > 0:43:02- Oh. You have company.- Just Millie and Johnny.- J...?- Millie's boyfriend.
0:43:02 > 0:43:08- I want you to meet them. ..Millie, this is a friend of mine Mr Cross. Miss Ray.- How do you do, Miss Ray?
0:43:08 > 0:43:14- Pleased to meet you, Mr Cross.- And Johnny Prince.- Glad to know you.
0:43:15 > 0:43:20- How do you do? Seems to me I've seen you before somewhere.- Could be.
0:43:20 > 0:43:24- Could be, Mr Cross.- Yes, I, er...
0:43:24 > 0:43:29- I just don't seem to remember. Maybe I'm mistaken.- Could be.
0:43:29 > 0:43:34- Well, I have to run along. - I'll go with you, sweetheart.
0:43:34 > 0:43:41- Oh, don't bother, Johnny.- I wouldn't think of letting you go alone. You might get run over by a streetcar.
0:43:44 > 0:43:47Goodbye, Mr Cross. Nice to see you.
0:43:47 > 0:43:51- Thanks for the scotch, Millie. - That's OK. Bye.
0:43:51 > 0:43:54- So long, Kitty.- So long, Johnny.
0:43:56 > 0:43:59What's the matter, Chris?
0:43:59 > 0:44:03I don't think I like that young man she's in love with.
0:44:03 > 0:44:07- Oh, Johnny's all right.- I know he is or he wouldn't be your friend,
0:44:07 > 0:44:12- but there's something about him... - She's crazy about him.
0:44:13 > 0:44:17Would you like to see my pictures?
0:44:17 > 0:44:19Not yet. Come and sit down.
0:44:22 > 0:44:24You happy?
0:44:24 > 0:44:27For the first time in my life.
0:44:27 > 0:44:32- Very happy? - I think of you all the time.
0:44:32 > 0:44:35All I want is to see you, be near you...
0:44:37 > 0:44:41I know I haven't any right to ask you this, but have you ever...?
0:44:43 > 0:44:45Well, there must have been other men who...
0:44:47 > 0:44:50Just one, Chris.
0:44:50 > 0:44:53You still...see him?
0:44:55 > 0:44:58I've forgotten him.
0:44:58 > 0:45:02Look, Kitty...if I were single...
0:45:02 > 0:45:06- if I had no wife...- But you have a wife.- Yes, I know,
0:45:06 > 0:45:07but if she...
0:45:07 > 0:45:12Well, if something would happen that would make me free...
0:45:12 > 0:45:15would you marry me?
0:45:15 > 0:45:21Oh, let's not talk about it now, dear. I'm worried about getting a job. Living like this is expensive.
0:45:21 > 0:45:28I don't like to ask you for anything more because, well, you haven't sold any pictures lately.
0:45:28 > 0:45:34- Yes, but don't you have enough money...?- You have no idea the problem money is for an actress!
0:45:34 > 0:45:38Talent doesn't count. Everything is knowing the right people.
0:45:38 > 0:45:44- You have to get an agent - they charge plenty - wear smart clothes, be attractive.- But you're beautiful.
0:45:44 > 0:45:48Oh, Chris... your face doesn't mean a thing.
0:45:48 > 0:45:52It's clothes, perfumes, making the right impression.
0:45:52 > 0:45:57- An actress needs 1,000 just to get a decent wardrobe.- 1,000?!- At least.
0:45:57 > 0:46:01Maybe I can borrow it from Millie. Or her boyfriend Johnny.
0:46:01 > 0:46:05- He's got plenty of money.- Oh. No, no.
0:46:05 > 0:46:10- No, Kitty, not from Johnny.- Why not?
0:46:10 > 0:46:13I-I'll get you the money, some way.
0:46:13 > 0:46:16Chris, you're a darling!
0:46:16 > 0:46:19I really believe you're in love with me.
0:46:19 > 0:46:22I am, Kitty, I am!
0:46:25 > 0:46:31Chris! You're a caveman! I like you to like me, but...there's a limit.
0:46:31 > 0:46:35- Yes, I know, but... - BELL TOLLS
0:46:35 > 0:46:40I've got to go. I'm supposed to be back. I'll come here tomorrow noon.
0:46:40 > 0:46:44I'll be waiting for you. I'm sorry you have to go.
0:46:46 > 0:46:49Bye-bye, dear.
0:46:52 > 0:46:55- Don't forget the money.- I'll get it.
0:46:58 > 0:47:01- Bye-bye, Chris.- Goodbye.
0:47:37 > 0:47:39DOOR OPENS
0:47:48 > 0:47:51I don't get it.
0:47:51 > 0:47:56The poor sap must be a hophead - seeing snakes on the L.
0:47:56 > 0:47:59Imagine anyone paying money for this stuff!
0:48:00 > 0:48:03Say, are you sure he's not a phoney?
0:48:03 > 0:48:07- Ah! He's too dumb to be a phoney! - You're right there.
0:48:07 > 0:48:09Then how'd he get all the money?
0:48:09 > 0:48:14If he had to work for a living, he couldn't make 50 a week!
0:48:14 > 0:48:16You just don't know art.
0:48:16 > 0:48:21- Maybe not, but I'm gonna find out about it.- I kinda like this one.
0:48:21 > 0:48:24But where would you find flowers like that?
0:48:24 > 0:48:26I wonder if I couldn't sell these!
0:48:26 > 0:48:31- What do I do when he asks where they are?- Say you put 'em in storage.
0:48:31 > 0:48:36You gotta protect them. You can't leave valuable paintings lying around.
0:48:36 > 0:48:39Any gallery'd know his work!
0:48:40 > 0:48:43He tried to kiss me today.
0:48:43 > 0:48:47- And don't think I liked it. - You been kissed before.
0:48:47 > 0:48:52- Say, they're not even signed!- That doesn't matter. They'd know him.
0:48:52 > 0:48:55- Not where I'd take 'em, baby. - Johnny!
0:48:55 > 0:48:59I can't stand to have anybody touch me but you.
0:48:59 > 0:49:06I hate him when he looks at me like that! If he were mean or vicious, I'd like him better.
0:49:06 > 0:49:09You don't love me or you'd understand what I mean.
0:49:09 > 0:49:13- No?- No.
0:49:24 > 0:49:27- So?- Well, maybe.
0:49:35 > 0:49:40- Working late tonight, Mr Cross? - I'm about through, Ben, you can let me out in a minute.- Yes, sir.
0:50:11 > 0:50:13I just caught you in time.
0:50:24 > 0:50:28- Cash this for me, will you, Chris? It's personal.- Yes, yes...
0:50:28 > 0:50:30Yes, of course, JJ.
0:50:53 > 0:50:57- Here you are, JJ.- Thank you, Chris. Good night.- Good night, JJ.
0:51:07 > 0:51:10- Hello, Nick.- Hi.
0:51:20 > 0:51:23What have you got?
0:51:23 > 0:51:28The fella that painted those gets 50 grand for a single picture.
0:51:28 > 0:51:31- HE SPITS - Hey! What's the matter with you?
0:51:31 > 0:51:34Where'd you pick 'em up, over in Washington Square?
0:51:34 > 0:51:39The Village long hairs are peddling junk like that for the price of the canvas.
0:51:39 > 0:51:43- These weren't painted by any Village long hair. - That's my pawn shop, isn't it?
0:51:43 > 0:51:49- And that snake is strictly from the Bronx.- This fella lives in Brooklyn, he's famous.
0:51:49 > 0:51:51- Yeah, what's his name?- Well, I...
0:51:51 > 0:51:56- Look, Nick, I brought you stuff before and you never asked for a name on it.- That was jewellery.
0:51:56 > 0:51:59Bring me more of that and we can do business, Johnny.
0:51:59 > 0:52:03Take this junk back to Washington Square, where you got it.
0:52:43 > 0:52:48I can see you've quite an eye for art... That's one of my best.
0:52:48 > 0:52:50Take a look at these.
0:52:50 > 0:52:55- Oh, I didn't know you were a painter. - I'm not.
0:52:58 > 0:53:01- Are they any good?- Well...
0:53:01 > 0:53:06they've got something, a certain peculiar...
0:53:06 > 0:53:09something, but no perspective.
0:53:09 > 0:53:12- Is that important?- I should say.
0:53:12 > 0:53:16Look at my paintings! Where did you buy them?
0:53:16 > 0:53:20- I didn't buy them I want to sell 'em.- You want me to sell them on commission?- How much are they worth?
0:53:20 > 0:53:23I always start everything at 25.
0:53:23 > 0:53:26Then, you know, it's a hard business selling pictures.
0:53:26 > 0:53:32People don't buy art nowadays. No appreciation, taste, no perception.
0:53:32 > 0:53:34- And no perspective. - HE LAUGHS
0:53:39 > 0:53:43- Let me have your name and address. - I'll come back later, so long.
0:53:49 > 0:53:52- Hello, Johnny.- Hiya, Penny.
0:53:55 > 0:53:57Where d'you get that?
0:53:57 > 0:54:00- Off Nick.- What about my ring?
0:54:00 > 0:54:05- You know how much a good diamond costs?- I gave you 900.
0:54:05 > 0:54:07Will you pipe down?
0:54:14 > 0:54:17You've been telling me what a dope the old guy is.
0:54:17 > 0:54:21Maybe you're the dope.
0:54:21 > 0:54:24He told you those paintings are worth a lot of money...
0:54:24 > 0:54:27- Did you check up on that story? - What's wrong with it?
0:54:27 > 0:54:32- They're worth just 25 bucks a piece. That's what's wrong with it. - You're crazy.
0:54:34 > 0:54:39- If I weren't a gentleman.- Don't get sore.- Well, don't tell me I'm crazy.
0:54:46 > 0:54:50- I tell ya, the old boy's a phoney. - His money isn't phoney, is it?
0:54:50 > 0:54:54He could borrow dough or have it stashed away, or even steal it.
0:54:54 > 0:54:58Chris steal! Jeepers, Johnny, he's not the type, he wouldn't have the nerve.
0:54:58 > 0:55:02- Well he didn't get it from his pictures.- He may be dumb, but not about art.
0:55:02 > 0:55:05The day he took me to the museum, he explained how everything was done.
0:55:05 > 0:55:08You should've heard him. People stood around and listened.
0:55:08 > 0:55:13- What museum.- The Metropolitan. Yipe, they've got pictures there worth a million bucks.
0:55:19 > 0:55:21Where are you going?
0:55:25 > 0:55:30- I'm gonna make a monkey outta you, lazy legs.- You can't take his pictures to the museum.
0:55:30 > 0:55:32Who says I can't?
0:55:46 > 0:55:47You know who bought them?
0:55:47 > 0:55:52Janeway! The famous Janeway.
0:55:52 > 0:55:54- Don't you know who he is?- Uh-uh.
0:55:54 > 0:55:59He's an art critic. The best authority in New York on modern art.
0:55:59 > 0:56:05He took one look and bought them both. I couldn't even GIVE him my pictures - not for nothing.
0:56:05 > 0:56:09He wants to get hold of you. He told me to telephone him! You wait here.
0:56:09 > 0:56:11No, no...
0:56:28 > 0:56:31SHE LAUGHS GENTLY
0:56:31 > 0:56:33For cat's sake, what's so funny?
0:56:33 > 0:56:36You are, smarty pants.
0:56:36 > 0:56:41You're the Mr Fix-it who was gonna make a monkey out of poor, dopey, little Kitty.
0:56:41 > 0:56:46So you gave away two pictures for a couple of dimes, and now you can't collect the dime.
0:56:46 > 0:56:48Oh, dry up.
0:56:48 > 0:56:51Jeepers!
0:56:51 > 0:56:54- Now what.- What am I gonna tell Chris?- He won't find out.
0:56:54 > 0:56:58- The heck he won't, that Janeway's a critic, he writes for the newspapers.- Daah!
0:56:58 > 0:57:03- Golly, you got us in a spot.- You're just nervous. The old guy who sold them doesn't know me from Adam.
0:57:03 > 0:57:06Give me that drink, I could use it.
0:57:06 > 0:57:07KNOCK AT DOOR
0:57:10 > 0:57:12- Chris?- Uh-uh. He's got a key.
0:57:12 > 0:57:14KNOCKING RESUMES
0:57:14 > 0:57:17Go ahead, see who it is, hurry up.
0:57:28 > 0:57:33I beg your pardon, we're looking for a man and I don't know his name.
0:57:33 > 0:57:35Well, I'm afraid I can't help you.
0:57:35 > 0:57:39- I'm sorry.- Look!
0:57:43 > 0:57:44There!
0:57:47 > 0:57:50These are his. Oh, there he is.
0:57:52 > 0:57:54Why did you run away from me like that, huh?
0:57:54 > 0:58:00- Here, 50 less 20%.- I don't know what you're talking about.
0:58:00 > 0:58:04- But the pictures you brought. - Perhaps we'd better introduce ourselves.
0:58:04 > 0:58:07- My name is Janeway. This is Mr Dellarowe.- How do you do?
0:58:07 > 0:58:11- What is it you want?- We'd like to find out who painted the pictures.
0:58:11 > 0:58:14- You don't know.- Of course they don't know. That's what we're here for.
0:58:14 > 0:58:18Look, if you're a friend of the painter, you will put Mr Dellarowe in touch with him.
0:58:18 > 0:58:21Why d'you buy those pictures if you don't know who painted them?
0:58:21 > 0:58:26- Because they're good. - Who painted them?
0:58:33 > 0:58:36- No, Johnny, no.- Don't be so modest.
0:58:36 > 0:58:42Now you see, you got me in bad, she made me promise not to tell.
0:58:42 > 0:58:44That's why I made out like I didn't know.
0:58:47 > 0:58:52She's funny about her paintings, never lets anyone see 'em. Doesn't even put her name on them.
0:58:52 > 0:58:55So I observed. You're an extraordinary artist, Miss March.
0:58:55 > 0:59:01- Oh, no.- See, she can't stand for anybody to talk about it. She got the idea they weren't any good.
0:59:01 > 0:59:07That's why I took those two to you, to give her confidence. I knew they were good.
0:59:07 > 0:59:11- Now I'll take that money.- I never would have guessed it was a woman.
0:59:11 > 0:59:16- Nor I. Your work is very strong. - May we see some more?
0:59:16 > 0:59:18- Sure, go ahead, look at her studio. - Thank you.
0:59:25 > 0:59:29- You're crazy to try a thing like this.- I thought they were cops.
0:59:29 > 0:59:33- I know what I'm doing, they don't know from nothing.- I can't fool that critic.
0:59:33 > 0:59:36You always wanted to be an actress, now's your chance.
0:59:36 > 0:59:40You've been around the old boy long enough to pick up his lingo. Feed Janeway some of that.
0:59:40 > 0:59:43- I'll get him in here alone with you. - No, wait!
0:59:46 > 0:59:48How long has she been painting?
0:59:48 > 0:59:51Ever since she was a kid, Mr Janeway.
0:59:51 > 0:59:54- Never went to art school. - No, she just picked it up.
0:59:54 > 0:59:58I'm the only one who's been encouraging her, helping her along.
0:59:58 > 1:00:01As a friend, you know. Just a friend.
1:00:01 > 1:00:03Oh, I didn't get your name.
1:00:03 > 1:00:04Prince.
1:00:07 > 1:00:10(Mr Janeway, she's...
1:00:10 > 1:00:11(kind of upset.)
1:00:11 > 1:00:14Maybe you'd go in and talk to her?
1:00:14 > 1:00:16Glad to.
1:00:23 > 1:00:24Well, Mr Dellarowe?
1:00:27 > 1:00:31I wonder if Miss March would let me have all of these?
1:00:31 > 1:00:32Well, that depends.
1:00:32 > 1:00:35Um...what's...in it for her?
1:00:35 > 1:00:39Prices will have to be built up, Mr Prince.
1:00:49 > 1:00:52I can usually tell whether a canvas has been painted by a man or woman
1:00:52 > 1:00:55but you fooled me completely, Miss March.
1:00:55 > 1:00:58Your work is not only original, it has a masculine force.
1:00:58 > 1:01:01How long does it take you to paint a picture?
1:01:03 > 1:01:05Sometimes a day...
1:01:05 > 1:01:07sometimes a year.
1:01:07 > 1:01:10- You can't tell. It has to grow.- Of course.
1:01:10 > 1:01:15It's a matter of feeling. You know how...how a feeling grows...
1:01:15 > 1:01:16It's like...
1:01:16 > 1:01:19like falling in love, I guess.
1:01:21 > 1:01:23That's a very good description.
1:01:23 > 1:01:25The way I look at it,
1:01:25 > 1:01:30every painting, if it's any good, is a love affair.
1:01:30 > 1:01:32- May I quote that?- Oh, no, no, no.
1:01:32 > 1:01:36- Please don't write about me.- I can see you're going to be a hard case.
1:01:36 > 1:01:39Why don't you have confidence in your work?
1:01:39 > 1:01:41Because I can't draw.
1:01:41 > 1:01:42You do all right.
1:01:42 > 1:01:47I just put a line around what I feel when I look at things.
1:01:48 > 1:01:51You're a very stimulating person to talk to.
1:01:51 > 1:01:52How you two getting along?
1:01:54 > 1:01:56I think I'm breaking the ice.
1:01:56 > 1:02:00Kitty, Mr Dellarowe wants to handle all your work exclusively.
1:02:00 > 1:02:04- Is that all right? As a friend, I'd advise it. - Come to the Galleries tomorrow.
1:02:04 > 1:02:06What time?
1:02:06 > 1:02:08Any time that's convenient.
1:02:08 > 1:02:11How about twelve o'clock? Then lunch afterwards with me.
1:02:11 > 1:02:13Well...
1:02:13 > 1:02:14I...
1:02:14 > 1:02:16She'll be there.
1:02:16 > 1:02:20I'm glad you're around, Mr Prince, to make up her mind for her.
1:02:20 > 1:02:22I can see you're tired, Miss March.
1:02:22 > 1:02:25This has been enough for one evening. We'd better go.
1:02:25 > 1:02:29- Until tomorrow.- Thanks, Mr Janeway. So long.
1:02:29 > 1:02:30Good evening.
1:02:30 > 1:02:32'Night, Mr Dellarowe. Good night.
1:02:39 > 1:02:41Good night. Good night.
1:02:43 > 1:02:45< DOOR CLOSES
1:02:47 > 1:02:48Lazy legs!
1:02:50 > 1:02:55- I don't know what you told Janeway, but you got him eating out of your hand.- It won't stop with lunch.
1:02:55 > 1:02:57What's the difference?
1:02:57 > 1:03:00- If you mean...- Oh, stop acting like a green kid.
1:03:02 > 1:03:06Let him talk about what he wants to talk about and he won't talk about art.
1:03:06 > 1:03:08If I had any sense, I'd walk out on you.
1:03:08 > 1:03:11You haven't got any sense.
1:03:27 > 1:03:30Right here, just like you'd sign a letter.
1:03:31 > 1:03:32Come on!
1:03:34 > 1:03:36Katherine March.
1:03:36 > 1:03:37Kitty!
1:03:37 > 1:03:38Cat's sake!
1:03:38 > 1:03:40Put that one back.
1:03:41 > 1:03:42Kitty?
1:03:44 > 1:03:45Hiya.
1:03:45 > 1:03:47Oh, Kitty, I happened to be in the neigh...
1:03:49 > 1:03:51Oh, hello, Mr Cross.
1:03:51 > 1:03:54I just dropped in. I thought Millie was here.
1:03:55 > 1:03:58I hope you don't mind my looking at your picture.
1:03:58 > 1:04:01Oh, no, not at all, Mr Prince.
1:04:01 > 1:04:04Fine work, that. Remarkable painting.
1:04:04 > 1:04:10- You have a little trouble with perspective, don't you?- Yes, that's one thing I never could master.
1:04:10 > 1:04:13Well, I guess I'll have to run along.
1:04:13 > 1:04:15So long, Mr Cross.
1:04:15 > 1:04:19If Millie drops in, tell her I'll be at Tiny's place. I'll let myself out.
1:04:25 > 1:04:27DOOR CLOSES >
1:04:27 > 1:04:29Has he been here long?
1:04:29 > 1:04:31No. Why?
1:04:31 > 1:04:34- I don't like him. - Johnny's all right.
1:04:34 > 1:04:37He's a nice fella, Chris. I don't know why you don't like him.
1:04:37 > 1:04:39Was he the one?
1:04:39 > 1:04:43- One what?- Well, you said there was one man...
1:04:43 > 1:04:47- Oh, for heaven's sake! Won't you ever forget that?- Was he?- No!- Kitty.
1:04:47 > 1:04:50I'm not gonna stick around if you're gonna torment me.
1:05:26 > 1:05:27Kitty?
1:05:29 > 1:05:31Oh, Kitty.
1:05:31 > 1:05:34Oh, leave me alone! I'm going out for dinner.
1:05:36 > 1:05:38Kitty, don't be angry.
1:05:38 > 1:05:42Why did you come here if you want to cry? I didn't ask you to come here.
1:05:42 > 1:05:43Oh, please, Kitty.
1:05:43 > 1:05:45Oh, for Pete's sake.
1:05:45 > 1:05:47Go and paint!
1:05:47 > 1:05:51I can't. I...I...can't do a thing when you're angry with me.
1:05:53 > 1:05:55Do you want me to go?
1:05:55 > 1:05:58I want you to stay here and paint.
1:06:08 > 1:06:09Chris...
1:06:09 > 1:06:14I'm sorry, Chris, but why do you torment me about something that's over and done with?
1:06:14 > 1:06:16Well, because I...
1:06:17 > 1:06:20- Would you marry me?- You can't.
1:06:20 > 1:06:23- Well, something might happen.- What?
1:06:23 > 1:06:26You'd better not let your wife hear you talking like that.
1:06:26 > 1:06:31Of course I'd marry you if you were free, but you're not, so let's not talk about it.
1:06:31 > 1:06:32You go on and paint.
1:06:32 > 1:06:34Could I paint you?
1:06:36 > 1:06:40Well, I was going to do this myself but...
1:06:41 > 1:06:43Paint me, Chris.
1:06:54 > 1:06:57They'll be masterpieces.
1:07:28 > 1:07:30TRAFFIC DROWNS SPEECH
1:07:42 > 1:07:45Hello, Adele. I dropped over to the butcher's like you told me to.
1:07:45 > 1:07:47I got a nice piece of liver.
1:07:51 > 1:07:54How long have you known Katherine March?
1:07:57 > 1:07:58Answer me!
1:08:01 > 1:08:03I don't know what you're talking about.
1:08:03 > 1:08:05How long have you known her?
1:08:05 > 1:08:08Don't get excited. Let me help you off with your coat.
1:08:08 > 1:08:12You're the one that's excited. Get away with that knife.
1:08:12 > 1:08:14Do you want to cut my throat?
1:08:17 > 1:08:19How long have you known her?
1:08:19 > 1:08:25- I don't know what you're talking about.- Don't lie! You've been copying her work for years.
1:08:25 > 1:08:31Pretending you painted those pictures out of your own head and all the time you were just copying a real artist!
1:08:31 > 1:08:35- I bet you're at Dellarowe's every day making notes.- Where?- You know where!
1:08:35 > 1:08:37Dellarowe's the art gallery.
1:08:37 > 1:08:41They've got a window full of paintings by Katherine March.
1:08:41 > 1:08:45- You're talking crazy.- She gets 500 for a single picture! She's a genius.
1:08:45 > 1:08:49No wonder sometimes I used to think there was something in your work.
1:08:49 > 1:08:51Now I know why.
1:08:51 > 1:08:54If you ever do any more painting around here,
1:08:54 > 1:08:59I swear I'll write that woman a letter telling her you're stealing her ideas.
1:08:59 > 1:09:00You're a thief.
1:09:00 > 1:09:05Hogarth had better watch out or next thing you'll be stealing his money!
1:09:11 > 1:09:13Not that one, honey.
1:09:13 > 1:09:16Dellarowe's asking for more pictures.
1:09:16 > 1:09:18He's just finished it. He'll miss it.
1:09:18 > 1:09:23Janeway says the new pictures are the best things you've done.
1:09:26 > 1:09:30- Wasn't I right about Janeway? - Yeah, but he gets on my nerves.
1:09:30 > 1:09:35I've been out to dinner with him three times this week and now he's talking about breakfast.
1:09:35 > 1:09:39- He's getting that look in his eye. - All you gotta do is keep it there.
1:09:39 > 1:09:43It's all very well for you to say. But what about the wear and tear on MY nerves?
1:09:43 > 1:09:46Papa will take care of Kitty.
1:09:46 > 1:09:49Baby's gonna have a big diamond ring.
1:09:49 > 1:09:51And a shiny limousine.
1:09:51 > 1:09:53And a penthouse.
1:09:53 > 1:09:55And Johnny?
1:09:55 > 1:09:57He goes with the penthouse.
1:09:59 > 1:10:00DOOR BANGS OPEN
1:10:07 > 1:10:09Chris...
1:10:12 > 1:10:14How did my pictures get into Dellarowe's window?
1:10:19 > 1:10:21Oh, Chris.
1:10:21 > 1:10:24Don't be angry with me.
1:10:24 > 1:10:27No, I'm not angry. I just can't understand.
1:10:27 > 1:10:29It's not possible.
1:10:29 > 1:10:32Forgive me, darling. I needed money.
1:10:32 > 1:10:34They were going to take the furniture back.
1:10:34 > 1:10:37It was humiliating. I...
1:10:37 > 1:10:40I couldn't ask you for more. You've been so generous.
1:10:40 > 1:10:42I just couldn't.
1:10:42 > 1:10:45I sold them.
1:10:45 > 1:10:47- To Dellarowe?- Uh-huh.
1:10:47 > 1:10:50You actually sold those pictures?
1:10:50 > 1:10:51Uh-huh.
1:10:51 > 1:10:55Oh, I know I shouldn't have put my name on them but...
1:10:55 > 1:10:58Mr Dellarowe wanted to know who painted them and I...
1:10:58 > 1:11:00I just couldn't give him your name.
1:11:00 > 1:11:04Now I can't tell him different.
1:11:04 > 1:11:05- Can I?- No.
1:11:05 > 1:11:10The funny part is...it didn't seem to make any difference.
1:11:10 > 1:11:14The funny part is it made a great deal of difference.
1:11:14 > 1:11:17If I'd brought those pictures to a man like Dellarowe,
1:11:17 > 1:11:20he wouldn't have taken them. I'm a failure, Kitty.
1:11:20 > 1:11:24Oh, you're a great painter, Chris.
1:11:24 > 1:11:28Mr Dellarowe said so and so did Mr Janeway.
1:11:28 > 1:11:29That is...
1:11:32 > 1:11:33..they say I am.
1:11:33 > 1:11:37- Well, they're gonna keep on saying it.- Oh, Chris!- Oh, now, don't.
1:11:37 > 1:11:41Don't, Kitty. Don't cry. I'm happy. Why, it's just like a dream!
1:11:41 > 1:11:44Oh, Chris. It's so good, so kind.
1:11:44 > 1:11:48What difference does it make whose name is on those pictures?
1:11:48 > 1:11:50Why, it's just like we were married.
1:11:50 > 1:11:53Only I take YOUR name.
1:11:53 > 1:11:57Well...that gives me a little authority around here.
1:11:57 > 1:12:01I want to paint your picture, Kitty. How about it?
1:12:01 > 1:12:03Uh-huh.
1:12:06 > 1:12:08Come with me.
1:12:28 > 1:12:30Know what we're going to call this?
1:12:30 > 1:12:32Self-portrait.
1:13:13 > 1:13:16- Why, hello, Janeway.- Hello, there.
1:13:16 > 1:13:21Well, this is the first time I've ever agreed with you, Janeway.
1:13:21 > 1:13:22Thank you!
1:13:22 > 1:13:26I find the painter even more fascinating than her paintings.
1:13:26 > 1:13:29What's she like? Mona Lisa without the smile.
1:13:29 > 1:13:31Something hidden.
1:13:31 > 1:13:34Sometimes it seems as if she were two people.
1:13:34 > 1:13:37I mention that in my notice. Would you care to see it?
1:13:46 > 1:13:47BUZZER
1:13:49 > 1:13:52- Mr Cross, a man outside says he wants to see you.- Who?
1:13:52 > 1:13:56I didn't get no name, sir, but he said he was a detective.
1:14:21 > 1:14:26- Are you the detective? - Well, I used to be, Mr Cross.
1:14:26 > 1:14:28Don't you recognise me?
1:14:29 > 1:14:31No.
1:14:35 > 1:14:36Oh, my...!
1:14:36 > 1:14:38Quite a shock, huh?
1:14:38 > 1:14:42Don't faint, Mr Cross. I'll explain everything.
1:14:42 > 1:14:45Well, I was in trouble at the time...
1:14:45 > 1:14:49collecting a little extra money from speakeasies along the waterfront.
1:14:49 > 1:14:52Word got around to headquarters.
1:14:52 > 1:14:54I was up for investigation.
1:14:54 > 1:14:58One night, I'm down by Brooklyn Bridge, trying to fix things up,
1:14:58 > 1:15:02a man runs in the speakeasy and says, "A woman just jumped off the bridge."
1:15:02 > 1:15:05So I run out, tear off my coat, jump in...
1:15:05 > 1:15:09The way I felt, I hope I don't come up again.
1:15:10 > 1:15:11- Do you mind?- No.
1:15:18 > 1:15:24Well, there I am swimming around in the dark. I had a hold of her hat once. Next thing, I'm all tired out.
1:15:24 > 1:15:28I heard a tugboat whistle and right down on top of me...
1:15:28 > 1:15:31comes a coal barge so I grab a hold an climb aboard.
1:15:31 > 1:15:35I look down at my hand. What do you think I've got?
1:15:35 > 1:15:37Her pocketbook.
1:15:37 > 1:15:40That's what I grabbed a hold of when I thought it was her hat.
1:15:40 > 1:15:44And inside is 2,700 in folded money.
1:15:44 > 1:15:48Imagine anybody committing suicide with that much money!
1:15:48 > 1:15:53Well, the coal barge unloaded on a banana boat bound for Honduras.
1:15:53 > 1:15:56Well...I went with it.
1:15:56 > 1:15:58Yes, but if you're not dead...
1:15:58 > 1:16:02then I'm not really married to Adele, am I?
1:16:06 > 1:16:11What's it worth to you for me to keep my mouth shut
1:16:11 > 1:16:13and just...fade away?
1:16:14 > 1:16:18Yes, but...but if you are Adele's husband...
1:16:18 > 1:16:22Wait a minute. I can see you need Adele. I need money.
1:16:24 > 1:16:28You're a cashier. It ought to be easy for you to put your hands on a few thousand.
1:16:28 > 1:16:30Oh, I... I...
1:16:30 > 1:16:33I...I couldn't do a thing like that.
1:16:35 > 1:16:37- Are you going back to her?- No!
1:16:37 > 1:16:40But not to do YOU a favour, mister.
1:16:40 > 1:16:43I'm clearing out for Adele's sake.
1:16:45 > 1:16:48And don't think you're gonna get any peace of mind.
1:16:48 > 1:16:51I might turn up again someday.
1:16:51 > 1:16:54She'd kick you out in a minute for a man like me.
1:16:55 > 1:16:57Uh...
1:16:57 > 1:16:59I...I'll get you some money.
1:16:59 > 1:17:02Now you're using your head.
1:17:02 > 1:17:04But you'll have to wait here.
1:17:04 > 1:17:08- I can't get it till after we close at six o'clock.- I'll wait.
1:17:08 > 1:17:10HORN TOOTS
1:17:11 > 1:17:13Hello, Johnny! ..Hello, Kitty.
1:17:13 > 1:17:17Hiya, Marchetti. ..Don't forget the champagne, Kitty.
1:17:17 > 1:17:21Nice car you have, Johnny. She go fast, huh?
1:17:21 > 1:17:24Like to see any cop that could catch me.
1:17:24 > 1:17:28- I'd give you four bits for a bucket of that ice.- OK, Johnny.
1:17:34 > 1:17:35Can I borrow the ice pick?
1:17:35 > 1:17:38- You give it back, huh?- Sure. Sure.
1:17:40 > 1:17:42Thank you.
1:17:45 > 1:17:47Only 200?
1:17:47 > 1:17:49Well, that's all I could get.
1:17:49 > 1:17:52Don't you think your wife's worth more than that?
1:17:54 > 1:17:59Look, I...I want you to get all that's coming to you, Mr Higgins.
1:17:59 > 1:18:02- What about the insurance money? - Insurance?- Yes. 2,000.
1:18:02 > 1:18:07On your life. Adele collected it. It's really yours, isn't it?
1:18:07 > 1:18:12She keeps it in her bedroom. Now, I wouldn't touch a penny of it but...
1:18:12 > 1:18:16if YOU took it, it would be perfectly legal.
1:18:16 > 1:18:20- But just how could I get it? - That's easy.
1:18:20 > 1:18:24This is the night that she always goes out to the movies.
1:18:24 > 1:18:27I'll let you in, you take the money...
1:18:27 > 1:18:29I let you out.
1:18:32 > 1:18:33But why don't you get it?
1:18:33 > 1:18:37I've got to be able to say that I didn't touch it.
1:18:37 > 1:18:39You know Adele.
1:18:43 > 1:18:47What if she don't go out and I show up?
1:18:47 > 1:18:49Your goose is cooked, isn't it?
1:18:49 > 1:18:51Yes, but...
1:18:51 > 1:18:54I can play it safe.
1:18:54 > 1:18:55How?
1:18:55 > 1:18:57Well...
1:18:57 > 1:19:00you come along the street eleven o'clock tonight.
1:19:47 > 1:19:48OK?
1:19:48 > 1:19:50- Ssh.- Why are you whispering?
1:19:50 > 1:19:52How come the lights are out?
1:19:52 > 1:19:55Mrs Michaels. You remember Mrs Michaels, don't you?
1:19:55 > 1:19:57- Oh, yes.- And the neighbours.
1:20:05 > 1:20:07Where's the money?
1:20:07 > 1:20:10In there, in the bottom drawer of the chest.
1:20:12 > 1:20:14OK, give me the flashlight.
1:20:24 > 1:20:26ADELE SCREAMS
1:20:26 > 1:20:29< Police! Murder!
1:20:29 > 1:20:33Christopher! Christopher, get on the light!
1:20:33 > 1:20:34CHRISTOPHER!
1:20:38 > 1:20:40ROMANTIC BALLAD PLAYS
1:20:48 > 1:20:50RECORD STICKS
1:20:50 > 1:20:54# Love you, love you, love you Love you, love you, love you
1:20:54 > 1:20:58# Love you, love you, love you Love you, love you, love you... #
1:20:58 > 1:21:00Johnny!
1:21:00 > 1:21:03- Oh, Johnny!- Lazy legs!
1:21:03 > 1:21:05Jeepers, I love you.
1:21:07 > 1:21:09SUITCASE BANGS
1:21:09 > 1:21:11What's that?
1:21:11 > 1:21:13< MORE BANGING
1:21:21 > 1:21:22Chris?
1:21:30 > 1:21:33- Johnny, is it Chris?- Call him. Quick.
1:21:34 > 1:21:36Chris!
1:21:36 > 1:21:39- CHRIS!- I ought to push you over on your head.
1:21:39 > 1:21:43How did I know he was coming here? I don't understand it.
1:21:43 > 1:21:48- You don't understand anything. - Why get sore?- I'm tied up with a dumb cluck like you!
1:21:48 > 1:21:52- I told you to watch your step.- Blame me.- I didn't want to stay tonight.
1:21:52 > 1:21:57- Johnny, don't talk like that!- Well, it's the truth. I'm fed up with you.
1:21:57 > 1:21:58Johnny!
1:21:58 > 1:22:02That's the only thing you understood. I'm through with you.
1:22:14 > 1:22:17- SOFTLY ECHOES: - "Jeepers, I love you, Johnny."
1:22:25 > 1:22:27"Jeepers, I love you, Johnny."
1:22:29 > 1:22:32MAN: O, Lord, have mercy upon us sinners.
1:22:32 > 1:22:36The way of the sinner is made plain with stones
1:22:36 > 1:22:39but the end thereof is the pit of hell.
1:22:40 > 1:22:43O, Lord, be merciful to me, a sinner.
1:22:43 > 1:22:47CROWD: Hallelujah. Hallelujah. Amen!
1:22:51 > 1:22:53Millie? Yeah, Kitty.
1:22:53 > 1:22:55Have you seen Johnny?
1:22:55 > 1:22:58Oh, I thought he'd go to Tiny's. Is he getting tight?
1:22:58 > 1:23:00Oh, just a fight.
1:23:00 > 1:23:04Listen, he can't live without me any more than I can live without him.
1:23:04 > 1:23:06Said he was coming back here?
1:23:06 > 1:23:08To beat me up?!
1:23:08 > 1:23:11Jeepers! The way that guy shoots off his mouth.
1:23:11 > 1:23:15Oh, you don't have to warn me. That's just the way he talks.
1:23:15 > 1:23:17If you were in love, you'd understand.
1:23:17 > 1:23:21Oh, stop it! Johnny wouldn't kill a fly.
1:23:22 > 1:23:24That's love, honey.
1:23:24 > 1:23:26DOOR SLAMS OPEN
1:23:26 > 1:23:29(Here he is now and has he got a bun on!
1:23:29 > 1:23:30(Goodbye, hon.)
1:23:30 > 1:23:33Hello, Johnny.
1:23:36 > 1:23:39Come on, Johnny. I heard you.
1:23:50 > 1:23:52You lied to me, Kitty.
1:23:52 > 1:23:54It was him, wasn't it?
1:23:54 > 1:23:57Can I help it if I'm in love?
1:23:57 > 1:24:00No, it's just an infatuation.
1:24:00 > 1:24:03You couldn't love a man like that, Kitty.
1:24:03 > 1:24:05He's evil.
1:24:06 > 1:24:09He wouldn't let you alone, isn't that right?
1:24:11 > 1:24:13I wanted to kill him.
1:24:13 > 1:24:15But that's wrong.
1:24:15 > 1:24:17Why did you come here?
1:24:18 > 1:24:22- To ask you to marry me.- What about your wife?- I haven't any wife.
1:24:22 > 1:24:25- For cat's sake...- Her husband turned up. I'm free.
1:24:27 > 1:24:29Oh, now, don't cry, Kitty.
1:24:29 > 1:24:33I know how you feel, but that's all over now.
1:24:33 > 1:24:35We all make mistakes.
1:24:35 > 1:24:38I don't care what's happened. I...
1:24:38 > 1:24:42I can marry you now. I want you to be my wife.
1:24:42 > 1:24:47We'll go away together, way far off so you can forget this other man.
1:24:48 > 1:24:50Don't cry, Kitty, please don't cry.
1:24:52 > 1:24:54I'm not crying, you fool. I'm laughing.
1:24:54 > 1:24:56Kitty!
1:24:56 > 1:24:59Oh, you idiot! How can a man be so dumb?!
1:24:59 > 1:25:01Kitty!
1:25:01 > 1:25:03KITTY CONTINUES TO LAUGH
1:25:07 > 1:25:10I've wanted to laugh in your face ever since I first met you.
1:25:10 > 1:25:14- You're old and ugly and I'm sick of you. Sick! Sick! Sick!- Kitty!
1:25:14 > 1:25:19You kill Johnny? I'd like to see you try! Why, he'd break every bone in your body. He's a man.
1:25:19 > 1:25:22You want to marry me? YOU?!
1:25:22 > 1:25:24GET OUT OF HERE! Get out.
1:25:24 > 1:25:26Get away from me. Chris!
1:25:26 > 1:25:28Chris! Get away from me. Chris!
1:25:28 > 1:25:30CHRIS!
1:25:38 > 1:25:40TYRES SQUEAL
1:25:42 > 1:25:44Hey!
1:25:44 > 1:25:48Oh, you look out, Johnny. You'll kill somebody.
1:27:28 > 1:27:30Chris!
1:27:55 > 1:27:58Hold on, Chris, wait a minute.
1:27:59 > 1:28:02What made you do it, Chris?
1:28:02 > 1:28:05When these officers told me, I wouldn't believe them.
1:28:05 > 1:28:08- We were tipped off. - By a man named Higgins.
1:28:08 > 1:28:11I checked the cash before you came in.
1:28:11 > 1:28:13Do you know how much is missing?
1:28:14 > 1:28:18- Over 1,200.- We'll take him, you can make the complaint, Mr Hogarth.
1:28:18 > 1:28:20Hold on, boys.
1:28:20 > 1:28:23- I just can't do it.- But, Mr Hogarth!
1:28:23 > 1:28:25You've done your duty and I'm obliged to you.
1:28:25 > 1:28:29There's a box of cigars on the table. Take them along with you.
1:28:29 > 1:28:32OK, Mr Hogarth. It's up to you.
1:28:36 > 1:28:37DOOR CLOSES
1:28:40 > 1:28:42Chris, it was a woman, wasn't it?
1:28:44 > 1:28:45I thought so.
1:28:45 > 1:28:48I'm not gonna put you in jail, Chris.
1:28:49 > 1:28:51Only, of course, you're through.
1:29:12 > 1:29:14I didn't do anything!
1:29:14 > 1:29:16I want a...! I want a lawyer.
1:29:16 > 1:29:20- Where was he picked up? - Riverside Drive.
1:29:20 > 1:29:24- He tried to get away in the murdered girl's car.- That was MY car.
1:29:25 > 1:29:29This is yours, too. It's got your initials on it.
1:29:29 > 1:29:31But it's her blood.
1:29:33 > 1:29:36- This 140 was taken out of her pocketbook.- It was mine.
1:29:39 > 1:29:45- This is her diamond ring - worth, oh, 5-600.- Huh!
1:29:45 > 1:29:46You guys know a lot, don't you?
1:29:46 > 1:29:49It cost 1200!
1:29:49 > 1:29:56These, her personal jewellery, not much value, but he cleaned her out.
1:29:56 > 1:29:59Why wouldn't I? She didn't have any more use for it, did she?
1:30:04 > 1:30:08Listen, you guys, I want a lawyer. I'm a citizen. I got my rights.
1:30:10 > 1:30:13This belongs to you too, huh?
1:30:13 > 1:30:17- It's got your fingerprints on it. - Naturally, I picked it up. How did I know she was dead?
1:30:17 > 1:30:19I thought she was asleep at first.
1:30:19 > 1:30:22Uh-huh...
1:30:22 > 1:30:25She didn't paint those pictures.
1:30:25 > 1:30:29Old Cross isn't as dumb as he looks. He painted them.
1:30:29 > 1:30:34The accused brought me two pictures. He told me Miss March painted them.
1:30:34 > 1:30:40In my expert opinion, there's no doubt about it, she was a very great artist.
1:30:40 > 1:30:43She told me she was an artist when she rented the studio.
1:30:43 > 1:30:46He was with her. I didn't like him then and I don't like him now.
1:30:46 > 1:30:52Yeah, he was mean when he was drunk. He said he was gonna fix her when he left my place around 2am.
1:30:52 > 1:30:56That's when I tell him, "You look out, Johnny, you kill somebody."
1:30:56 > 1:30:58So he kills her with my ice pick.
1:30:58 > 1:31:02And then I heard her say, "Hello, Johnny" before she hung up. He was there all right.
1:31:02 > 1:31:06But I don't understand this talk about her being an artist. I never saw her paint.
1:31:06 > 1:31:10That was one of her peculiar traits, she never let anyone see her paint.
1:31:10 > 1:31:15I've compared her handwriting with the signature. There's no question.
1:31:15 > 1:31:20Mr Cross paint?! Huh, he only copied her work. He's a thief!
1:31:20 > 1:31:24He stole from me, from his employer and from Katherine March.
1:31:24 > 1:31:30My wife, I mean my former wife, is correct. I really can't paint.
1:31:33 > 1:31:35My copies were so bad, I had to destroy them.
1:31:35 > 1:31:37FOR CAT'S SAKE, HE'S LYING!
1:31:49 > 1:31:53- Hello, Mr Cross.- Hello.- Tom Crocker, Evening Globe.
1:31:53 > 1:31:59- Oh, yes, Tom Crocker.- Joe Williams, Morning World, Conway for the Ledger.
1:31:59 > 1:32:02- Cigarette?- No thanks.
1:32:02 > 1:32:08- Going to Sing Sing?- Yeah.- I don't like the coverage, but I must say, this is one I don't mind.
1:32:08 > 1:32:12You sure cooked Johnny's goose, Mr Cross, when you testified you couldn't paint.
1:32:12 > 1:32:17Nobody cooked Johnny's goose except Johnny - the way he shot off his mouth.
1:32:17 > 1:32:20He was a dead pigeon when he dragged the girl's name through the mud.
1:32:20 > 1:32:24- I watched the jury.- If he'd kept his trap shut, he might've got off with life.
1:32:24 > 1:32:26Sure, the evidence was only circumstantial.
1:32:26 > 1:32:30- What do you mean? He got a fair trial, didn't he?- Yeah, but there's always a doubt.
1:32:30 > 1:32:36I suppose you're gonna say it's a miscarriage of justice. That someone's getting away with murder.
1:32:36 > 1:32:38Not me, there's no such thing.
1:32:38 > 1:32:41Mr Cross, nobody gets away with murder.
1:32:41 > 1:32:43How's that?
1:32:43 > 1:32:46Oh, ho, don't get him started! He'll talk your ear off.
1:32:46 > 1:32:48That's his pet theory.
1:32:48 > 1:32:52All right, go ahead and laugh but no-one escapes punishment.
1:32:52 > 1:32:58I figure we have a little courtroom right in here - judge, jury and executioner.
1:32:58 > 1:33:03- I don't get it. - Murder never solves anything.
1:33:03 > 1:33:07- How about it, fellas, you've covered lots of trials.- I'm sorry but I have to admit you're right.
1:33:07 > 1:33:10The problem just moves in here where it can never get out.
1:33:10 > 1:33:16Right here in solitary. So what? So you go right on punishing yourself. You can't get away with it.
1:33:16 > 1:33:19- Never.- That doesn't make any sense.
1:33:19 > 1:33:22You haven't seen as much of murder as I have, Mr Cross.
1:33:22 > 1:33:27I'd rather have the judge give me the works, than have to do it to myself.
1:33:31 > 1:33:33What time do they throw the switch?
1:33:37 > 1:33:3811 o'clock.
1:33:55 > 1:33:58FOOTSTEPS ECHO
1:34:13 > 1:34:16I didn't do it. I tell ya, I didn't do it. Won't anybody believe me?
1:34:16 > 1:34:18GIVE ME A BREAK, SOMEBODY!
1:34:18 > 1:34:22I never had a square deal in my life. Won't somebody, give me a break?!
1:34:22 > 1:34:24DOOR CLANGS SHUT
1:34:39 > 1:34:44HE WHISTLES: "My Melancholy Baby"
1:35:26 > 1:35:29KITTY'S VOICE: Johnny, Johnny...
1:35:29 > 1:35:32Oh, Johnny! Johnny!
1:35:32 > 1:35:37- JOHNNY'S VOICE: Lazy legs... - Johnny, darling...
1:35:37 > 1:35:40I'm here, baby, here, baby.
1:35:40 > 1:35:42Jeepers, I love you, Johnny.
1:35:45 > 1:35:47Johnny. ECHO: Johnny.
1:35:47 > 1:35:50Lazy legs. ECHO: Lazy legs.
1:35:50 > 1:35:53Jeepers, how I love you, Johnny.
1:36:04 > 1:36:06Hah...
1:36:18 > 1:36:22- Oh, Johnny, now we're together.- Yeah.
1:36:22 > 1:36:24ECHOING LAUGHTER
1:36:24 > 1:36:28- He killed me too, Kitty. - EERIE LAUGHTER
1:36:28 > 1:36:31He brought us together, Johnny, forever.
1:36:31 > 1:36:32CROSS GASPS
1:36:32 > 1:36:34Oh, you idiot, how can a man be so dumb?
1:36:34 > 1:36:38- No, Kitty, no. - You wanted to marry me?! YOU?!
1:36:38 > 1:36:40GHOSTLY LAUGHTER
1:36:40 > 1:36:43- She's mine, Chris.- Let her alone!
1:36:43 > 1:36:47- Forever.- You killed me, Chris.
1:36:47 > 1:36:51You're old and ugly and you killed me, you killed me!
1:36:51 > 1:36:55No, no, Kitty. It was him. You were innocent, you were pure.
1:36:55 > 1:36:58That's what he killed in you, he's the murderer.
1:36:58 > 1:37:04- Not Johnny.- See, Chris, she loves ME. - That's why you had to die.
1:37:04 > 1:37:08- You're the one I killed. - GHOSTLY LAUGHTER
1:37:08 > 1:37:15- She's mine, Chris.- YOU killed Johnny? Why he'd break every bone in your body.
1:37:15 > 1:37:19- VOICES CONTINUE - KITTY!
1:37:19 > 1:37:21SILENCE
1:37:31 > 1:37:33Johnny, Johnny!
1:37:33 > 1:37:36Oh, Johnny. ECHO: Johnny.
1:37:36 > 1:37:41GHOSTLY WHISPERING CROSS GROANS
1:37:41 > 1:37:45Jeepers, I love you, Johnny.
1:37:45 > 1:37:48DRAMATIC MUSIC
1:37:49 > 1:37:53- There's something wrong in there. - CRASHING AND BANGING
1:38:17 > 1:38:20It's all right, old man, it's all right.
1:38:20 > 1:38:22'Johnny... Oh, Johnny!
1:38:22 > 1:38:30'Jeepers, I love you, Johnny.'
1:38:30 > 1:38:32HE SOBS
1:38:48 > 1:38:51Get up! Come on, get up!
1:38:53 > 1:38:57Oh, it's you. Haven't I told you to keep out of this park?
1:38:57 > 1:38:58You know the mayor's orders.
1:39:08 > 1:39:10Get on down to the Bowery, where you belong.
1:39:12 > 1:39:14Come on! Come on!
1:39:25 > 1:39:29- Who's that wreck?- Oh, he's got a crazy idea he killed a couple of people five or six years ago.
1:39:29 > 1:39:32Can't get it off his mind. Always trying to give himself up.
1:39:34 > 1:39:38Wants to be tried and executed... You know these nuts.
1:39:41 > 1:39:44MUSIC: "Oh Come All Ye Faithful"
1:39:57 > 1:39:58DRAMATIC MUSIC
1:40:22 > 1:40:26Well, there goes her masterpiece.
1:40:32 > 1:40:38- I really hate to part with it. - At 10,000, I shouldn't think you'd mind, Mr Dellarowe.
1:40:53 > 1:40:56KITTY'S VOICE ECHOES
1:40:56 > 1:41:02Oh, Johnny...
1:41:02 > 1:41:06Lazy legs...
1:41:06 > 1:41:10Jeepers, I long for you, Johnny.