0:00:27 > 0:00:31'A million and a half people ride the L trains every day.
0:00:31 > 0:00:35'Over 20 years, I've written wills for...
0:00:35 > 0:00:37'about 8,000 of 'em.
0:00:37 > 0:00:40'I've sat with 'em as they've combed through their assets,
0:00:40 > 0:00:43'figured out which kid gets the painting over the fireplace,
0:00:43 > 0:00:47'which one gets the antique spoon collection.
0:00:47 > 0:00:51'Last thanks, parting shots, confessions...
0:00:52 > 0:00:55'People try to fit it all in.
0:00:55 > 0:00:57'And once I've finished,
0:00:57 > 0:01:00'another life has been summed up -
0:01:00 > 0:01:03'assets and debts tallied, then zeroed out.
0:01:03 > 0:01:06'You initial here and there, you sign at the bottom.
0:01:06 > 0:01:08'Then, if you're like most clients,
0:01:08 > 0:01:10'you look up, smile,
0:01:10 > 0:01:14'and you ask the question I've heard for 20 years...
0:01:14 > 0:01:16'"Is that it, then?"
0:01:16 > 0:01:19'"That's it for the paperwork," I tell 'em.
0:01:19 > 0:01:23'"The rest is up to you."'
0:01:23 > 0:01:25# Happy birthday to you
0:01:25 > 0:01:29# Happy birthday to you
0:01:29 > 0:01:32# Happy birthday, dear Dad
0:01:32 > 0:01:35# Happy birthday to you. #
0:01:35 > 0:01:37Ohh, wow. Beautiful.
0:01:37 > 0:01:39All right, make a wish.
0:01:39 > 0:01:42MOBILE-PHONE JINGLE
0:01:42 > 0:01:44Sorry. I just have to take this call.
0:01:44 > 0:01:47< Did you win? "Take this call"?
0:01:47 > 0:01:49She's 14. How can she be "taking calls"?
0:01:49 > 0:01:52Jen, not now. Now's not the time.
0:01:52 > 0:01:54Remind me. Why was it we agreed to give her the phone?
0:01:54 > 0:01:56- Emergencies. - Which this is, by the way.
0:01:56 > 0:01:58Serious problem over there.
0:01:58 > 0:02:00Get off, Jen. Now, please. Come on.
0:02:00 > 0:02:02- All right! - Come on, get off.
0:02:02 > 0:02:05Yeah, my dad's just gonna blow out about a million candles. Bye.
0:02:06 > 0:02:09All right, everyone, are we all happy now?
0:02:14 > 0:02:15Thank you. Thank you. >
0:02:15 > 0:02:17Thank you. Thank you very much.
0:02:17 > 0:02:19Thank you. Thank you.
0:02:21 > 0:02:24- Sorry about the bathrobe. - What do you mean?
0:02:24 > 0:02:27Oh, I just had such a hard time getting you a present.
0:02:27 > 0:02:29I love this bathrobe.
0:02:29 > 0:02:32I think the problem is that you never really want anything.
0:02:32 > 0:02:33That's not true. That's true.
0:02:33 > 0:02:36Tell me one thing that you really want. What you gave me tonight.
0:02:36 > 0:02:39Evan coming home, everyone's at dinner, that cake you make...
0:02:39 > 0:02:42Tell me one thing that you want that comes in a box.
0:02:45 > 0:02:47I rest my case.
0:02:57 > 0:03:00Yes. That's it. That's it!
0:03:00 > 0:03:02That's what we needed.
0:03:06 > 0:03:09Good night, Mary. I left the Anderson will on your desk.
0:03:09 > 0:03:11'Night, Bill.
0:03:38 > 0:03:41'Next stop, Sedgwick.'
0:03:42 > 0:03:44Hello. I'm home.
0:03:44 > 0:03:46FEMALE LAUGHTER
0:03:46 > 0:03:49SHRIEKS BURST OF MUSIC
0:03:52 > 0:03:53There's a female bonding ritual going on in the den.
0:03:53 > 0:03:55I know. What are they doing in there?
0:03:55 > 0:03:57Tattooing "I love Satan" on their foreheads,
0:03:57 > 0:03:59piercing their bellybuttons, stuff like that.
0:03:59 > 0:04:00What did you say about that?
0:04:00 > 0:04:02I said, "Don't get any blood on the couch."
0:04:02 > 0:04:05I worry about Jenna. She's too beautiful. That's your fault.
0:04:05 > 0:04:07Here, sign this. What is it?
0:04:07 > 0:04:09It's your mom's birthday card. Oh, God! Thank you.
0:04:09 > 0:04:11How was your workout? Same. How are you?
0:04:11 > 0:04:15Fine. You know, ordering the spring line at the store, yada-yada.
0:04:15 > 0:04:18I've got to get going. > I thought you just got here.
0:04:18 > 0:04:21Yeah, but it's the fundraiser at Jen's school.
0:04:21 > 0:04:24So your dinner's in the oven, and the girls have already eaten.
0:04:24 > 0:04:25Can we go see a movie sometime?
0:04:27 > 0:04:29Yeah.
0:04:29 > 0:04:32Or at least we could look at the ads in the paper together!
0:04:34 > 0:04:36How are you doing?
0:04:37 > 0:04:38Fine.
0:04:41 > 0:04:43Check on them now and then, OK?
0:04:43 > 0:04:45Don't wait up.
0:04:52 > 0:04:54SHRIEKING Get out of here, Dad!
0:05:47 > 0:05:51DANCE MUSIC PLAYS
0:05:55 > 0:05:57MUSIC STOPS
0:06:07 > 0:06:08Bev?
0:06:08 > 0:06:11It's not true that I don't want anything.
0:06:16 > 0:06:18Bev?
0:06:47 > 0:06:50'Doors open on the right.'
0:06:58 > 0:07:01'Doors closing. Next stop, Sedgwick.' Excuse me.
0:07:11 > 0:07:15Oh, my God! What are you doing? What are you doing?
0:07:19 > 0:07:22You know what? I'm gonna just go up.
0:07:26 > 0:07:28Oh, my God.
0:07:31 > 0:07:34LAUGHTER AND CHATTER
0:07:34 > 0:07:36'That was a great class!'
0:07:40 > 0:07:41Come on.
0:07:43 > 0:07:45Are we goin' up, or what? I'm just trying to...
0:07:45 > 0:07:47Here.
0:07:47 > 0:07:49OK, don't do that. Do what?
0:07:49 > 0:07:52Stand there looking dumb. It's just not cute in a guy your age.
0:07:52 > 0:07:55Be a doll and help me carry my clothes.
0:07:55 > 0:07:58Come on! And stop lookin' at my ass.
0:07:58 > 0:08:01I'll try.
0:08:01 > 0:08:05T...a...n-g-o...
0:08:05 > 0:08:08T...a...n-g-o...
0:08:08 > 0:08:12T...a...n-g...oh!
0:08:12 > 0:08:15I found him at the bottom of the stairs.
0:08:15 > 0:08:18Um...er... Paulina, could you help?
0:08:18 > 0:08:19Excuse me.
0:08:26 > 0:08:27May I help you?
0:08:29 > 0:08:31The sign said, "Feel free to watch."
0:08:31 > 0:08:34Are you here for lessons?
0:08:34 > 0:08:36Yes.
0:08:37 > 0:08:40Mr...? Clark.
0:08:40 > 0:08:42Are you registering as a couple or as a single?
0:08:42 > 0:08:46Single. I mean, not that I'm...
0:08:47 > 0:08:50Single. Yeah, just me.
0:08:53 > 0:08:55Single privates are 45 an hour.
0:08:55 > 0:08:57If you buy six at a time, the price per class drops 5.
0:08:57 > 0:09:01Have you ever danced before? No. No. But I'm a fast learner.
0:09:01 > 0:09:03We're starting a new intro ballroom series for singles.
0:09:03 > 0:09:06I recommend that beginners start with that. There's still room in the class.
0:09:06 > 0:09:10It meets every Wednesday at 7.30, for eight weeks.
0:09:10 > 0:09:11All right.
0:09:12 > 0:09:15Right, Wednesdays, 7.30. Great.
0:09:15 > 0:09:17Great. Well...
0:09:19 > 0:09:22I'll come back then. Thank you. Mr Clark?
0:09:22 > 0:09:25Where are you going? The class starts tonight.
0:09:25 > 0:09:28Tonight?
0:09:28 > 0:09:31Oh, right, yeah. Wednesday, 7.30.
0:09:31 > 0:09:34You can wait over there. We'll begin shortly.
0:09:35 > 0:09:37OK...
0:09:37 > 0:09:39LATIN MUSIC PLAYS
0:09:54 > 0:09:58Hey. I'm Vern.
0:09:58 > 0:09:59John.
0:10:01 > 0:10:03You beginning ballroom?
0:10:03 > 0:10:05Yeah, looks that way. Yeah.
0:10:05 > 0:10:06Chic. Hey.
0:10:06 > 0:10:07Hey.
0:10:16 > 0:10:18So, you dance much?
0:10:20 > 0:10:22High-school prom.
0:10:22 > 0:10:24Stairway To Heaven.
0:10:24 > 0:10:25You?
0:10:25 > 0:10:28Not even a prom. I didn't go.
0:10:28 > 0:10:29Anybody see any girls?
0:10:29 > 0:10:32I mean, I'm here for the babes, right.
0:10:34 > 0:10:37I mean, it can't be just us, can it?
0:10:37 > 0:10:40Guys dancin' with guys ain't my kinda thing, you know?
0:10:40 > 0:10:41No offence, sir.
0:10:44 > 0:10:45None taken.
0:10:50 > 0:10:53Hi. Hi.
0:10:53 > 0:10:55See the slinky one with the eyebrows?
0:10:55 > 0:10:57That's me - if you don't mind.
0:10:57 > 0:10:59I know you won't mind.
0:11:01 > 0:11:03Be my guest. All right.
0:11:05 > 0:11:07CHIC: Work the goods.
0:11:09 > 0:11:12'Oh, yeah. Here they come. Come to Papa.
0:11:12 > 0:11:14'Here they...'
0:11:16 > 0:11:17Ouch.
0:11:17 > 0:11:20Memories of high school, huh, boys?
0:11:20 > 0:11:23SHE LAUGHS
0:11:39 > 0:11:42Good evening, gentlemen,
0:11:42 > 0:11:44and welcome to the beginners' ballroom class.
0:11:44 > 0:11:46My name is Miss Mitzi.
0:11:46 > 0:11:47I am the owner of this dancing establishment,
0:11:47 > 0:11:49and I am going to be your teacher.
0:11:49 > 0:11:51Disappointed that I'm older?
0:11:51 > 0:11:53Yes. I mean, no. I mean...
0:11:53 > 0:11:55Hey, you look... experienced.
0:11:55 > 0:12:00Forward, side, close... Back, side, close.
0:12:01 > 0:12:04Very good, Chic. Is it "Chick" or "Sheek"?
0:12:04 > 0:12:06Oh, "Chick". "Chick".
0:12:06 > 0:12:08- Yes. Very good. - Easy.
0:12:08 > 0:12:10Remember to use the balls of your feet.
0:12:10 > 0:12:12Wait a minute, Vern. Where is your right foot?
0:12:12 > 0:12:13It's right back there. See?
0:12:13 > 0:12:16Yes, I know. It hasn't moved, has it? Not yet.
0:12:16 > 0:12:18- Well, now would be a good time. - OK.
0:12:18 > 0:12:21OK. Close. Close...
0:12:21 > 0:12:23Excellent. Very good!
0:12:23 > 0:12:28All right. Forward, side, close. Back, side, close.
0:12:28 > 0:12:31One, two, three, rise.
0:12:31 > 0:12:35CHIC: Hey, hey, hey! You guys saw that?
0:12:35 > 0:12:39Excellent, gentlemen. Excellent.
0:12:39 > 0:12:40Keep your sticks up.
0:12:40 > 0:12:43Promenade. And...
0:12:43 > 0:12:45counter-promenade.
0:12:45 > 0:12:48Let me see what you're doing. Ah!
0:12:48 > 0:12:50Miss Mitzi, I'm sorry. Sorry. God. Jesus!
0:12:50 > 0:12:52I said I'm sorry. Put the stick down.
0:12:52 > 0:12:55We re not gonna play with these sticks any more if you boys won't behave.
0:12:55 > 0:12:58A little faster this time. And...
0:12:58 > 0:13:02Heel, toe, toe-toe, toe, heel, toe-toe.
0:13:02 > 0:13:05Excuse me. When we go forward, is it heel-toe or toe...
0:13:05 > 0:13:07It's forward, heel, toe, toe...
0:13:07 > 0:13:08JOHN: So it's back...
0:13:08 > 0:13:09Uh...!
0:13:18 > 0:13:20< Harder than it looks, isn't it, gentlemen?
0:13:20 > 0:13:22Well, you've all done very, very well
0:13:22 > 0:13:24for your first lesson.
0:13:24 > 0:13:25And before you leave tonight,
0:13:25 > 0:13:27I'm gonna give you a little incentive
0:13:27 > 0:13:29to keep on dancing.
0:13:29 > 0:13:32Paulina? Would you and Francesco
0:13:32 > 0:13:35mind giving our new students a little demonstration?
0:13:35 > 0:13:37Certainly, Miss Mitzi.
0:13:37 > 0:13:39Daphne?
0:13:49 > 0:13:51MUSIC: Moon River
0:14:45 > 0:14:48Thank you, Paulina.
0:14:50 > 0:14:53Whoo. Whoo!
0:14:54 > 0:14:55That was beautiful.
0:14:57 > 0:15:01You all right? Yeah, I'm good.
0:15:01 > 0:15:03Hey, guys, wait up! I'm comin'.
0:15:03 > 0:15:06Great. How lucky for us.
0:15:06 > 0:15:07Hey. Where are we goin'?
0:15:07 > 0:15:09- Somewhere close. - Yeah. I haven't got long.
0:15:09 > 0:15:11Anyway, you guys, don't go to Jim's.
0:15:11 > 0:15:14They got a bad roach problem there around the corner.
0:15:14 > 0:15:17You're gonna go anywhere after class, you come here, OK? ..Thank you.
0:15:17 > 0:15:19Why'd you guys decide to take dance, anyway?
0:15:19 > 0:15:21I'm gettin' married in September. Nice.
0:15:21 > 0:15:24Yeah. My bride said she'd like to see me lose a few pounds.
0:15:24 > 0:15:27She thinks the dancing will help. I said it won't. ..Thank you.
0:15:27 > 0:15:29I think you'll win that argument.
0:15:29 > 0:15:30I m taking classes to impress the ladies.
0:15:30 > 0:15:32You know what they say about guys who can dance, right?
0:15:32 > 0:15:34- That they're great in bed. - Yeah, baby!
0:15:34 > 0:15:36Where'd you get that stupid crap?
0:15:36 > 0:15:38Everywhere. What do you think?
0:15:38 > 0:15:41Everybody knows a guy who can move on the dance floor can move in the sack.
0:15:41 > 0:15:43Most guys, they can't dance at all.
0:15:43 > 0:15:45Guys who can, they get their pick of the litter.
0:15:45 > 0:15:47When I'm done with this class, babes will drop at my feet.
0:15:47 > 0:15:49They're gonna be droppin' dead at your feet!
0:15:49 > 0:15:51When you took your shoes off in class today,
0:15:51 > 0:15:53I had to run to the window for air.
0:15:53 > 0:15:55What kind of person says something like that
0:15:55 > 0:15:56to somebody they don't even know?
0:15:56 > 0:15:58Hey, man, I'm doin' you a favour.
0:15:58 > 0:16:00I'm telling you something obnoxious about yourself that you might not be aware of.
0:16:00 > 0:16:03If there's something obnoxious about me that you don't think I'm aware of,
0:16:03 > 0:16:06you-all should feel free to say something about it to me.
0:16:07 > 0:16:09Shooting fish in a barrel.
0:16:09 > 0:16:12- Where are all the ladies? - I don't know what I'm talking about.
0:16:12 > 0:16:15The ladies, they all go and take the classes down at Doctor Dance -
0:16:15 > 0:16:17that's, like, the hip place to go downtown.
0:16:17 > 0:16:19Ditzy Mitzi's is only hangin' on by a thread.
0:16:19 > 0:16:23Only reason I go there is she lets me rehearse whenever I want for free.
0:16:23 > 0:16:26I m gonna compete in the Chicago Taittinger Trophy.
0:16:26 > 0:16:28Soon as I find a partner.
0:16:28 > 0:16:32So...that leaves you.
0:16:33 > 0:16:35Leaves me. How? What?
0:16:35 > 0:16:37Leaves you as the only one here
0:16:37 > 0:16:39who hasn't said why he's dancing yet.
0:16:39 > 0:16:42Oh. Well, I'm dancing for exercise, like Vern. Bull.
0:16:42 > 0:16:46Because I'm lousy in bed, like Chic. There, I've said it.
0:16:46 > 0:16:48That is bull. I didn't say I was bad in bed.
0:16:48 > 0:16:50You didn't have to. Come on, why?
0:16:51 > 0:16:54Is there any pepper here? Could I have some?
0:16:54 > 0:16:56That's what I thought.
0:16:56 > 0:16:59She was a Blackpool finalist, you know.
0:16:59 > 0:17:00CHIC: Who?
0:17:00 > 0:17:03The princess. The other teacher, Paulina.
0:17:03 > 0:17:04What's Blackpool?
0:17:04 > 0:17:07Every year, all the best dancers from all over the world
0:17:07 > 0:17:09go to England to compete there.
0:17:09 > 0:17:11She was there last year with her partner -
0:17:11 > 0:17:14who they say was much more to her than just her partner.
0:17:14 > 0:17:17Anyway, he dumped her. That's the only reason she came back here to teach -
0:17:17 > 0:17:19mad at the world, boo-hoo-hoo and all that.
0:17:19 > 0:17:20- Why'd he dump her? - Yeah.
0:17:20 > 0:17:22How the hell should I know?
0:17:22 > 0:17:25God, they say WOMEN gossip. Golly!
0:17:46 > 0:17:50Hello! I'm home.
0:18:05 > 0:18:07LATIN MUSIC PLAYS
0:18:07 > 0:18:09Great. Great, Vern.
0:18:09 > 0:18:11Slow. The mambo is slow.
0:18:11 > 0:18:13Slide that hand one inch south of the equator,
0:18:13 > 0:18:15and I will bust you on your ass, twinkle-toes.
0:18:15 > 0:18:17Let's get something straight.
0:18:17 > 0:18:20I don't like the tropics any more than you do, OK?
0:18:36 > 0:18:38MISS MITZI: Five, six, seven, eight...
0:18:38 > 0:18:41Arms. And basic. And cross over.
0:18:41 > 0:18:43Right.
0:18:43 > 0:18:46One more time, and walk around.
0:18:46 > 0:18:48And basic.
0:18:48 > 0:18:49Watch out.
0:18:49 > 0:18:52And big ending.
0:18:57 > 0:18:59THEY LAUGH
0:19:00 > 0:19:02Look at you, John!
0:19:10 > 0:19:11That was pretty good.
0:19:11 > 0:19:15MISS MITZI: You were really good.
0:19:41 > 0:19:44Hey, I'm sorry I'm late. I'm gonna go up and change.
0:19:44 > 0:19:46Right.
0:19:46 > 0:19:48Dad work late tonight? Yeah, looks that way.
0:19:51 > 0:19:54Guess whatever he's working on, he must like it.
0:19:54 > 0:19:55Why do you say that?
0:19:55 > 0:19:58He seems happier lately.
0:20:01 > 0:20:03Does he?
0:20:08 > 0:20:10I called the Halston people in New York.
0:20:10 > 0:20:12We're gonna have trouble getting more stock in.
0:20:12 > 0:20:13Everything's on back-order.
0:20:13 > 0:20:15Look, Carolyn, I'm gonna need you
0:20:15 > 0:20:17to go to New York and sweet-talk them.
0:20:17 > 0:20:19Can you leave tomorrow? No.
0:20:19 > 0:20:20Why not?
0:20:22 > 0:20:24My husband is having an affair.
0:20:27 > 0:20:29How do you know that?
0:20:29 > 0:20:32I picked up the receiver last night to phone a friend,
0:20:32 > 0:20:37not knowing that Greg was already on the other line in the den.
0:20:37 > 0:20:39He was whispering.
0:20:39 > 0:20:42What was he whispering? >
0:20:42 > 0:20:44I don't know.
0:20:44 > 0:20:47I was so scared, I hung up before I could hear anything.
0:20:47 > 0:20:49Well, there's lots of other reasons
0:20:49 > 0:20:51why he could be whispering.
0:20:51 > 0:20:56I mean, maybe he didn't wanna wake up the kids. Huh?
0:20:56 > 0:20:59Or he could be planning a surprise for you.
0:20:59 > 0:21:01I mean, your birthday's coming up, isn't it?
0:21:03 > 0:21:04In two weeks.
0:21:07 > 0:21:10SHE GASPS WITH RELIEF
0:21:10 > 0:21:12That's it.
0:21:15 > 0:21:18Take a breath, go get yourself a brownie in the kitchen, just chill.
0:21:18 > 0:21:19It's gonna be fine.
0:21:19 > 0:21:22OK.
0:21:22 > 0:21:24Euh!
0:21:24 > 0:21:28You silly goose, you.
0:21:28 > 0:21:30She'll be divorced by Easter.
0:21:34 > 0:21:36JAZZ AND LATIN FUSION
0:21:42 > 0:21:44Come on, John. Join the warm-up.
0:22:22 > 0:22:24Ow! Jesus. I'm sorry!
0:22:27 > 0:22:28What, you think you own this floor?
0:22:28 > 0:22:30I'll have a bruise the size of Texas tomorrow!
0:22:30 > 0:22:32Go away! Go away? You go away!
0:22:32 > 0:22:35Take your stupid music with you. I can't dance to that crap.
0:22:35 > 0:22:38You just gonna stand there and let that fat cow insult you?
0:22:38 > 0:22:40I'm sorry. What did you say?
0:22:40 > 0:22:43Nothing. She didn't say anything.
0:22:43 > 0:22:45SHE SCREAMS
0:22:52 > 0:22:54Sorry.
0:22:54 > 0:22:56These are the teeth I wear for the Latin.
0:22:56 > 0:22:59It gets your smile out there. Just a little bit bigger smile.
0:22:59 > 0:23:02Bam. Gets the judges right in the eye, catches the light.
0:23:02 > 0:23:04And then the make-up - you know, the make-up.
0:23:04 > 0:23:07Swish-Butt, Fancy Pants, Pinky Boy...
0:23:07 > 0:23:10all these names, all these names I've been called ever since I was eight years old
0:23:10 > 0:23:12and dancing around to my mother's rumba records.
0:23:12 > 0:23:14You know what the worst of it is, huh?
0:23:16 > 0:23:18I'm not gay.
0:23:18 > 0:23:20Can you imagine how much easier my life would be if I were?
0:23:20 > 0:23:23I mean, a straight man who likes to dance around in sequins
0:23:23 > 0:23:25walks a very lonely road, I got news for you.
0:23:25 > 0:23:28Look, you're not gonna tell anybody in the office, are you?
0:23:28 > 0:23:31No, I wouldn't do that. Look, I'm in the same boat, aren't I?
0:23:31 > 0:23:33No, you're not. You're not. Why not?
0:23:33 > 0:23:35Because...people like you.
0:23:35 > 0:23:37You know what I mean? You're charming.
0:23:37 > 0:23:40I'm Linky Link. They would crucify me if they found out.
0:23:40 > 0:23:42I'm the sports trivia king.
0:23:42 > 0:23:45I'm the super sports fan, you know? You don't like football?
0:23:45 > 0:23:47I...you know.
0:23:47 > 0:23:49Run three yards, fall down, pile up.
0:23:49 > 0:23:51Run three yards, fall down, pile up.
0:23:51 > 0:23:53I mean, four months of that, I'm ready to put a gun to my head.
0:23:53 > 0:23:56Fooled me. I know. I fooled everybody.
0:23:56 > 0:23:59You know what my dream is? What?
0:24:01 > 0:24:03My dream...
0:24:03 > 0:24:06is to be able to dance free and proud.
0:24:06 > 0:24:10Under my own name for all the world to see.
0:24:10 > 0:24:12That's my dream.
0:24:12 > 0:24:14Did I get it all?
0:24:19 > 0:24:21Hey, Andy. It's Bev.
0:24:21 > 0:24:24Look, I'm sorry to call you so late. I was just trying to find John.
0:24:24 > 0:24:28Called the office at six and Betsy said that he'd left for the day,
0:24:28 > 0:24:29and I was just...
0:24:29 > 0:24:32You got home by five? How did you manage that, you lucky dog?
0:24:32 > 0:24:35Ah, there's the door. OK. See you. Bye.
0:24:35 > 0:24:38Sorry I'm late. I got hung up at the office.
0:24:38 > 0:24:40I wish you'd call. We were looking all over for your car keys for ever...
0:24:40 > 0:24:43I thought you were shopping with Jenna. That was weeks ago.
0:24:43 > 0:24:46I called the office and Betsy said you left for the day at six.
0:24:46 > 0:24:48Yeah, I did - for a sandwich. Then I came back.
0:24:48 > 0:24:51Oh. Well, I called your private line a few times. Nobody picked up.
0:24:51 > 0:24:53That's because I wasn't working in my office, I was in Andy's.
0:24:53 > 0:24:55Oh. How is Andy?
0:24:55 > 0:24:58We're working on a really big estate plan together.
0:24:58 > 0:25:00So he was there?
0:25:00 > 0:25:01What?
0:25:01 > 0:25:03Was Andy there?
0:25:03 > 0:25:05Why are you asking me all these questions?
0:25:05 > 0:25:07I don't know.
0:25:07 > 0:25:12Anyway, I stopped off for a bite on the way home with Link Peterson.
0:25:12 > 0:25:14< Remember him? Interesting guy.
0:25:14 > 0:25:17Not what you'd think.
0:25:17 > 0:25:18How was your day?
0:25:18 > 0:25:21Great.
0:25:27 > 0:25:29JOHN: (One, two, three, four...
0:25:32 > 0:25:33(One, two, three...)
0:25:50 > 0:25:52Mom? >
0:25:52 > 0:25:55Dad's acting weird.
0:26:01 > 0:26:04They met five years ago
0:26:04 > 0:26:07in a chat room for gardeners.
0:26:09 > 0:26:12He says they're in love.
0:26:12 > 0:26:14He's moving out Saturday.
0:26:14 > 0:26:17He'll be back. He loves those kids.
0:26:17 > 0:26:19I thought we were happy.
0:26:19 > 0:26:23He seemed happy to me.
0:26:23 > 0:26:25I didn't know anything.
0:26:27 > 0:26:29I didn't know.
0:26:31 > 0:26:34SHE PANTS
0:26:37 > 0:26:39Ohh... TOILET FLUSHES
0:26:39 > 0:26:41< Hi.
0:26:41 > 0:26:42I, er...
0:26:42 > 0:26:46I give free consultations during my lunch hour.
0:26:46 > 0:26:48You sure you don't wanna come in?
0:26:48 > 0:26:50So he comes home late on Wednesdays,
0:26:50 > 0:26:53and when he comes home his shirts smell like perfume.
0:26:53 > 0:26:55He's been seen making strange body movements,
0:26:55 > 0:26:56and you feel he has a secret.
0:26:56 > 0:26:59That's correct. Ever think about just asking him?
0:26:59 > 0:27:01Yes, I've thought about it... Mrs Clark...
0:27:02 > 0:27:06things happen in long marriages to the best of people.
0:27:06 > 0:27:09And sometimes the thing that happens doesn't mean anything.
0:27:09 > 0:27:10Doesn't need an investigator,
0:27:10 > 0:27:12just needs somebody to look the other way for a while.
0:27:12 > 0:27:14My husband is a serious man, Mr Devine.
0:27:14 > 0:27:16If he's having an affair, it is not casual.
0:27:16 > 0:27:19In which case, the sooner I know, the better.
0:27:20 > 0:27:22All right. Give me a moment
0:27:22 > 0:27:25while I call in my associate Mr Harcourt.
0:27:25 > 0:27:27Scottie! >
0:27:27 > 0:27:29Scottie Harcourt, this is Mrs Clark.
0:27:29 > 0:27:32She suspects her husband's up to no good.
0:27:32 > 0:27:36"To catch a husband is an art. To hold him is a job."
0:27:36 > 0:27:37Simone de Beauvoir said that.
0:27:37 > 0:27:40It's very nice to meet you, Mrs Clark. Same here.
0:27:40 > 0:27:42I think we can start this investigation
0:27:42 > 0:27:44without too much cost to Mrs Clark.
0:27:44 > 0:27:46Yes. Follow that husband around for a few days,
0:27:46 > 0:27:48take some pictures, see what's up.
0:27:48 > 0:27:50But I have to warn you, if it goes to trial it's gonna be...
0:27:50 > 0:27:51Trial?
0:27:54 > 0:27:55In the event of a divorce.
0:27:55 > 0:27:58But we don't know if he's having an affair.
0:27:58 > 0:28:01I mean, he could just be involved with...
0:28:01 > 0:28:03I don't know...
0:28:03 > 0:28:06People who get together to invest things,
0:28:06 > 0:28:10and...and the place that they invest things
0:28:10 > 0:28:12is filled with potpourri,
0:28:12 > 0:28:16and that's why his shirts smell so sweet when he comes home.
0:28:16 > 0:28:17It's possible.
0:28:17 > 0:28:19Yeah, it's possible. > It's possible.
0:28:19 > 0:28:21It's possible we could find your husband
0:28:21 > 0:28:24neck-deep in potpourri, investing things.
0:28:24 > 0:28:25Not likely.
0:28:30 > 0:28:32Look, this is what we'll do.
0:28:34 > 0:28:36We start out gently.
0:28:41 > 0:28:43We look for the potpourri.
0:28:43 > 0:28:46And if we find it and it smells like flowers,
0:28:46 > 0:28:48then 2,000 ought to cover my time.
0:28:48 > 0:28:50But if we find the potpourri
0:28:50 > 0:28:52and there's something big and stinky in the pot,
0:28:52 > 0:28:54then you and I renegotiate, OK?
0:28:54 > 0:28:56That sound good?
0:28:56 > 0:28:58OK.
0:29:03 > 0:29:05- Hey. - Hi.
0:29:05 > 0:29:07- How you doin'? - Good.
0:29:09 > 0:29:11I can tell, you know.
0:29:11 > 0:29:13Tell what? That you've been dancing.
0:29:13 > 0:29:15Your posture, it's a dead giveaway.
0:29:15 > 0:29:19You're kidding! No.
0:29:19 > 0:29:22How much you been practising, anyway? Just in class.
0:29:22 > 0:29:25No. Should be five to one. Five-to-one ratio.
0:29:25 > 0:29:29Five hours of practice for every one hour of class.
0:29:32 > 0:29:35Doctor Dance has an open dance party every Thursday.
0:29:35 > 0:29:38Anybody can go and practise. Even you.
0:29:39 > 0:29:41Ballroom is all or nothing, John.
0:29:41 > 0:29:45I'm draggin' your ass out of class and onto a real dance floor.
0:29:45 > 0:29:47We'll go straight there after work.
0:29:47 > 0:29:50Link? Yeah?
0:29:50 > 0:29:52Can you really tell?
0:29:52 > 0:29:53Yeah.
0:30:01 > 0:30:03LOUD UP-TEMPO LATIN BEAT
0:30:15 > 0:30:17Having fun?
0:30:17 > 0:30:20What are you doing here? Spying.
0:30:42 > 0:30:44MUSIC ENDS
0:30:46 > 0:30:49Excuse me. We were dancing together.
0:30:49 > 0:30:52Dude, she does not wanna dance with you. Now back off.
0:30:52 > 0:30:54Hey, you know, I...
0:30:54 > 0:30:58MUSIC: Shall We Dance?
0:30:58 > 0:30:59Link always insists on dancing
0:30:59 > 0:31:02with the youngest girls.
0:31:02 > 0:31:04I've never seen him with his perfect partner.
0:31:04 > 0:31:07Not that those are easy to find.
0:31:07 > 0:31:09Have you ever found one?
0:31:09 > 0:31:11Once.
0:31:11 > 0:31:13He was my dancing partner for 15 years.
0:31:13 > 0:31:16We were husband and wife for 14. Wow.
0:31:16 > 0:31:18Yeah. He was my perfect partner.
0:31:18 > 0:31:21Doesn't happen twice in a lifetime.
0:31:21 > 0:31:23I'm lucky it even happened once.
0:31:23 > 0:31:25Ah!
0:31:25 > 0:31:30At last, a song I know. Oh, I love this song.
0:31:30 > 0:31:32# Da da-da da...
0:31:32 > 0:31:34# Shall we still be together
0:31:34 > 0:31:36# With our arms around each other
0:31:36 > 0:31:41# And shall you be my new romance?
0:31:41 > 0:31:43# On the clear understanding
0:31:43 > 0:31:45# That this kind of thing can happen
0:31:45 > 0:31:50# Shall we dance? Shall we dance? Shall we dance? #
0:31:50 > 0:31:52It's The King And I. Yul Brynner and Deborah Kerr.
0:31:52 > 0:31:54Do you remember that?
0:31:54 > 0:31:57They held hands like this. Oh, come on, John, let's try it.
0:31:57 > 0:31:59No. No, no, no, I can't. No way. I can't. Why not?
0:31:59 > 0:32:01Oh, John, come on. Come on.
0:32:01 > 0:32:04I don't... No, I don't want to...
0:32:04 > 0:32:07MITZI SINGS ALONG
0:32:11 > 0:32:13Let go, John.
0:32:20 > 0:32:22That's it, John.
0:32:25 > 0:32:29Whoa. Sorry! I wasn't watching. Hi. How are you?
0:32:29 > 0:32:33- It doesn't matter. We're finished anyway. - What do you mean?
0:32:33 > 0:32:35No offence, but I can't be your dance partner.
0:32:35 > 0:32:37Why? You're too much of a freak.
0:32:37 > 0:32:40I mean, look at your palms. They're bright orange from self-tanning lotion.
0:32:40 > 0:32:44Don't you know you're supposed to wash your hands after you use that stuff?
0:32:51 > 0:32:52Excuse me.
0:33:17 > 0:33:20Miss Mitzi couldn't make it tonight, so I'll be your teacher.
0:33:20 > 0:33:22I'm Paulina.
0:33:22 > 0:33:27And you're Chic and Vern and...
0:33:29 > 0:33:31- Tom. - John. It's John.
0:33:34 > 0:33:37What would you like to work on tonight?
0:33:37 > 0:33:38Well, in my opinion - Chic -
0:33:38 > 0:33:42I think since we're beginners, a good idea would be...
0:33:42 > 0:33:44Waltz.
0:33:44 > 0:33:47Maybe the waltz.
0:33:49 > 0:33:51OK. Um...
0:33:51 > 0:33:53I'll work with you one at a time,
0:33:53 > 0:33:56and you can be first.
0:33:56 > 0:33:58OK. All right.
0:34:39 > 0:34:41Oops. I'm sorry.
0:35:31 > 0:35:34So are you really a reporter for the Times,
0:35:34 > 0:35:37or are you just pickin' up on her like everybody else?
0:35:37 > 0:35:40I'm a reporter. Plus, she's not my type.
0:35:40 > 0:35:44I like a woman built for comfort, not for speed.
0:35:45 > 0:35:48Really? Why don't you put the camera down
0:35:48 > 0:35:50and take me out on the dance floor?
0:35:50 > 0:35:53Two reasons, I'm working and this is not my type of dance.
0:35:53 > 0:35:55Well, how do you know if you've never tried?
0:35:55 > 0:35:58Come on, put the camera down. Come on, give me a shot.
0:35:58 > 0:36:02Oh, dear. Sorry, sorry!
0:36:04 > 0:36:07I'm sorry. It's gonna stain.
0:36:07 > 0:36:10Don't...worry. I'll take care of it.
0:36:30 > 0:36:33Would you like to use this? Excuse me?
0:36:33 > 0:36:37Just to wipe your coat, or...
0:36:37 > 0:36:41Go ahead, just take it. Please. Go ahead.
0:36:41 > 0:36:44It's silly, but it's my favourite coat. I'm sorry.
0:36:44 > 0:36:47It's vintage.
0:36:47 > 0:36:50But this part's real suede, so now it's ruined.
0:36:50 > 0:36:53You sure? Maybe they can fix that.
0:36:53 > 0:36:57No. I know about stains. It's...
0:36:57 > 0:37:00You know, I never understood that. I never understood -
0:37:00 > 0:37:04live cows get dirty all the time, they don't get stained.
0:37:04 > 0:37:07All that leather stands in the mud, nothing happens.
0:37:07 > 0:37:08Go figure. What is that?
0:37:08 > 0:37:11Exactly.
0:37:12 > 0:37:17Get a little sauce on your coat and look.
0:37:17 > 0:37:19Why is that? I don't know.
0:37:19 > 0:37:22We'll have to ask the next cow that comes by.
0:37:32 > 0:37:34A man with a handkerchief.
0:37:34 > 0:37:38Wow. I didn't know they made those any more.
0:37:43 > 0:37:45I haven't eaten yet.
0:37:45 > 0:37:49If you haven't eaten yet, maybe we can go and... get a bite.
0:37:49 > 0:37:52Someplace close. You know, I saw a Chinese over here.
0:37:52 > 0:37:54We could use chopsticks
0:37:54 > 0:37:57and drop an endless variety of things on our clothes.
0:37:57 > 0:38:00I'm sorry, I prefer not to socialise with students.
0:38:00 > 0:38:03Oh, OK. All right.
0:38:03 > 0:38:05I shouldn't have taken this from you.
0:38:05 > 0:38:07I'll buy you a new one. Please.
0:38:07 > 0:38:10I didn't...I didn't mean anything by that.
0:38:10 > 0:38:12I'll buy you a new one.
0:38:12 > 0:38:13Excuse me.
0:38:19 > 0:38:22Mr Clark, I take dance very seriously.
0:38:22 > 0:38:24Miss Mitzi's is a school, not a disco.
0:38:25 > 0:38:27And I hope you didn't join class with me as your goal,
0:38:27 > 0:38:31because you'd be wasting your time.
0:38:31 > 0:38:34Don't dance if that's what you're after.
0:38:51 > 0:38:54Dance lessons. My husband is taking dance lessons?
0:38:54 > 0:38:57Well, I've found a lot worse hiding in the potpourri over the years.
0:38:57 > 0:38:58Consider yourself lucky.
0:38:58 > 0:39:01What's this beautiful young woman? Who's she?
0:39:01 > 0:39:04His substitute teacher. His regular teacher's a much older woman.
0:39:04 > 0:39:06Great legs, but older.
0:39:06 > 0:39:08Mr Devine, what would make a man
0:39:08 > 0:39:10who's done the same thing for the last 20 years
0:39:10 > 0:39:13suddenly do something so completely out of character
0:39:13 > 0:39:15just out of the blue? That's a question for a shrink.
0:39:15 > 0:39:18I'm just a detective. I'm not asking you as a detective.
0:39:18 > 0:39:20I'm asking you as a man.
0:39:26 > 0:39:27Scottie?
0:39:27 > 0:39:29What would cause a man after 20 years
0:39:29 > 0:39:31to do something completely out of character out of the blue?
0:39:31 > 0:39:33Did I get that right? Yeah.
0:39:35 > 0:39:40"The mass of men lead lives of quiet desperation."
0:39:40 > 0:39:42Maybe the desperation can't be quiet any more.
0:39:42 > 0:39:44Bingo.
0:39:44 > 0:39:46That's a wonderful use of Thoreau, Scottie.
0:39:46 > 0:39:49Thank you. Hello again, Mrs Clark.
0:39:49 > 0:39:51Hey.
0:39:51 > 0:39:53Desperation.
0:39:53 > 0:39:54Well, that's a possibility.
0:39:54 > 0:39:57Mrs Clark, the point is your husband's dancing,
0:39:57 > 0:39:58he's not checking into hotel rooms.
0:39:58 > 0:40:00We can continue to keep an eye on things for you,
0:40:00 > 0:40:02but my guess is your husband
0:40:02 > 0:40:04will hang up his dancing shoes shortly anyway.
0:40:04 > 0:40:06What makes you say that?
0:40:06 > 0:40:09Voice of experience. HE CHUCKLES
0:40:09 > 0:40:12You give him some time. He'll be home soon.
0:40:20 > 0:40:23"The rest is up to you," I tell my clients.
0:40:23 > 0:40:25"The rest is up to you."
0:40:25 > 0:40:28Every few years they come back,
0:40:28 > 0:40:30so I have these snapshots in my head
0:40:30 > 0:40:32of how they've changed over the years.
0:40:32 > 0:40:34The ones who've changed the most
0:40:34 > 0:40:36finally bought that boat,
0:40:36 > 0:40:39moved to that island.
0:40:39 > 0:40:41Those who haven't changed,
0:40:41 > 0:40:46I suppose they take comfort in knowing what course their lives are on.
0:40:46 > 0:40:49They like to believe they know what lies ahead.
0:41:17 > 0:41:18Dad!
0:41:18 > 0:41:21Evan! What are you doing here?
0:41:21 > 0:41:25Trying to meet up with some friends. What are you doing here?
0:41:25 > 0:41:27Well, you know, work.
0:41:27 > 0:41:29I had to come to visit a client over here. I had to come by and...
0:41:29 > 0:41:33It's really weird. It is?
0:41:33 > 0:41:35Yeah. Because I've been wanting you
0:41:35 > 0:41:37to meet this girl that I'm crazy about,
0:41:37 > 0:41:39and I'm going to meet her right now
0:41:39 > 0:41:41at this bar with my other friends.
0:41:41 > 0:41:45So can you...? Do you wanna go?
0:41:45 > 0:41:48Of course I do. Lead on, my son.
0:41:48 > 0:41:51DISCO RAPPING
0:42:03 > 0:42:06Come on, let's get out there.
0:42:06 > 0:42:08So, does your dad wanna dance?
0:42:08 > 0:42:11I don't know. Dad, you haven't danced in, what, 90 years?
0:42:11 > 0:42:15You two go. Go. It's been a long day for me.
0:42:35 > 0:42:37MUSIC FADES
0:42:40 > 0:42:42Mr Clark? >
0:42:42 > 0:42:44Mr Clark? >
0:42:44 > 0:42:46Do you wanna dance?
0:42:49 > 0:42:52Yes. Yes, I do.
0:42:52 > 0:42:53OK.
0:42:53 > 0:42:55Could you say goodbye to Evan for me?
0:42:55 > 0:42:57Thank you. Sure.
0:43:06 > 0:43:09LATIN MUSIC
0:43:09 > 0:43:10Sorry I'm late.
0:43:10 > 0:43:12MISS MITZI: Don't let it happen again.
0:43:14 > 0:43:17Join the warm-up, John. >
0:43:56 > 0:43:58LATIN MUSIC PLAYS
0:44:04 > 0:44:06MUSIC DROWNS HER WORDS
0:44:19 > 0:44:20Come on!
0:44:20 > 0:44:22Christ, Vern!
0:44:22 > 0:44:23MUSIC OFF
0:44:23 > 0:44:26You're soaking wet, man! I already had a shower today.
0:44:26 > 0:44:29- Sorry. - You're disgusting!
0:44:29 > 0:44:33You don't have to put it like that. Why not? It's the truth.
0:44:33 > 0:44:36And I prefer to tell the truth, unlike some people who make up stories
0:44:36 > 0:44:38about non-existent fiancees.
0:44:38 > 0:44:40What are you talking about? He's getting married in the fall.
0:44:40 > 0:44:42Oh, come on. What, are ya, dumb?
0:44:42 > 0:44:44People who are engaged take the classes together,
0:44:44 > 0:44:46or what the hell's the point?
0:44:46 > 0:44:48Come on, tell the people the truth.
0:44:48 > 0:44:50You're not engaged, are you?
0:44:50 > 0:44:52Huh?
0:44:52 > 0:44:55Not exactly. Uh-huh.
0:44:55 > 0:44:58I haven't asked her quite yet. Thank you very much.
0:45:00 > 0:45:04Look, I was gonna lose some weight first,
0:45:04 > 0:45:07and then I was gonna take her dancing
0:45:07 > 0:45:09somewhere romantic
0:45:09 > 0:45:13and then maybe pop the question.
0:45:13 > 0:45:15But I guess if I'm sweating all over the place,
0:45:15 > 0:45:18that wouldn't be too romantic, huh?
0:45:18 > 0:45:21< She's a great dancer.
0:45:23 > 0:45:25Well, hey, don't listen to me.
0:45:25 > 0:45:26What, are you...?
0:45:28 > 0:45:30C'mon, don't be a big baby.
0:45:30 > 0:45:33I didn't mean to upset you > or anything. Jesus, Vern!
0:45:36 > 0:45:39I said I was sorry.
0:45:40 > 0:45:41Bobbie!
0:45:42 > 0:45:44Somebody call a doctor.
0:45:44 > 0:45:47Are you all right? She's out.
0:45:48 > 0:45:50It's her electrolytes.
0:45:50 > 0:45:52They get crazy because she overworks herself.
0:45:52 > 0:45:55She's been in here twice before.
0:45:55 > 0:45:58And it's getting so boring, Mom.
0:45:58 > 0:46:00Shut up, Tina. No, you shut up. God, she pisses me off.
0:46:00 > 0:46:03She pulls a 12-hour shift at Jimmy's diner,
0:46:03 > 0:46:04working five till five,
0:46:04 > 0:46:08and then she goes and cooks and cleans for an old feeb in a wheelchair
0:46:08 > 0:46:09to earn extra money for her crazy costumes.
0:46:09 > 0:46:13And then she plays Cinderella every night at dance practice.
0:46:13 > 0:46:16When you should be home, resting. I don't need rest.
0:46:16 > 0:46:18Right. You need to hang out and flirt
0:46:18 > 0:46:20with the shy guy with the nice-smelling sweat.
0:46:20 > 0:46:23She told me all about you. Shut up, Tina.
0:46:23 > 0:46:25I never said his sweat smells nice. I never said...
0:46:25 > 0:46:27She said it was the best-smelling sweat she'd ever smelled.
0:46:27 > 0:46:28OK, kill me now.
0:46:28 > 0:46:33It's all right, Bobbie. I've smelled his sweat, and I agree, it's not bad.
0:46:33 > 0:46:36Well, I mean, it's no field of flowers after a spring rain...
0:46:36 > 0:46:38Yeah, I think we've talked about this enough.
0:46:38 > 0:46:41Maybe we should all go home now and let Bobbie get some rest.
0:46:41 > 0:46:43Yeah. Bye, sweetheart.
0:46:43 > 0:46:46Thank you. Thank you.
0:46:58 > 0:47:03Bobbie needs a partner for the competition.
0:47:03 > 0:47:05Why not you, John?
0:47:05 > 0:47:08Me. Competition? No, no, I can't...
0:47:08 > 0:47:11She'd never go for it anyway. Forget it.
0:47:11 > 0:47:13Why not? What are you talking about?
0:47:13 > 0:47:15You heard her daughter. She likes you.
0:47:15 > 0:47:19And dance begins with the dancers' feelings.
0:47:19 > 0:47:22I'll work with the both of you after class. Two extra hours.
0:47:22 > 0:47:28The Miss Mitzi Special. We've got three months.
0:47:28 > 0:47:29This is good.
0:47:36 > 0:47:37What do you think?
0:47:39 > 0:47:42I think you better stock up on deodorant.
0:47:50 > 0:47:54Anything a client says in a lawyer's office is confidential.
0:47:54 > 0:47:57So I've gotten used to holding onto secrets.
0:47:57 > 0:48:00They're usually nothing incriminating,
0:48:00 > 0:48:02but a lot of people
0:48:02 > 0:48:04have accounts they haven't reconciled,
0:48:04 > 0:48:07things they're just not ready to share.
0:48:15 > 0:48:17I took the liberty of ordering for you.
0:48:17 > 0:48:19Bombay Sapphire, three limes.
0:48:19 > 0:48:22I hired you to watch my husband. You're not supposed to be watching me.
0:48:22 > 0:48:24It's very hard not to, Mrs Clark, with all due respect.
0:48:24 > 0:48:26Are you a married man, Mr Devine?
0:48:26 > 0:48:27I was.
0:48:27 > 0:48:31Oh, what happened? Unfaithful.
0:48:31 > 0:48:33She hired a detective? No, no, no.
0:48:33 > 0:48:36When she found out, I was too far gone, so...
0:48:36 > 0:48:39You're smiling at me.
0:48:39 > 0:48:41You are on a strange journey to redemption, Mr Devine.
0:48:41 > 0:48:44And a very long one, Mrs Clark.
0:48:48 > 0:48:50All these promises that we make and we break.
0:48:50 > 0:48:52Why is it, do you think, that people get married?
0:48:52 > 0:48:53Passion.
0:48:53 > 0:48:55No.
0:48:55 > 0:48:59That's interesting. Because I would've taken you for a romantic. Why, then?
0:49:01 > 0:49:03Because we need a witness to our lives.
0:49:03 > 0:49:08There's a billion people on the planet. I mean, what does any one life really mean?
0:49:08 > 0:49:09But in a marriage,
0:49:09 > 0:49:12you're promising to care about everything...
0:49:12 > 0:49:15The good things, the bad things,
0:49:15 > 0:49:17the terrible things, the mundane things...
0:49:17 > 0:49:19All of it. All the time, every day.
0:49:19 > 0:49:26You're saying, "Your life will not go unnoticed, because I will notice it.
0:49:26 > 0:49:30"Your life will not go unwitnessed, because I will be your witness."
0:49:34 > 0:49:37You can quote me on that, if you like.
0:49:37 > 0:49:38I'm sure I will.
0:49:38 > 0:49:41Anyway, the reason that I called you here today,
0:49:41 > 0:49:44to tell you in person that I won't be needing your services any more.
0:49:44 > 0:49:46Oh.
0:49:46 > 0:49:47I think to continue
0:49:47 > 0:49:52would be an unwarranted invasion of my husband's privacy and...
0:49:52 > 0:49:54Anyway, even though there was a reason...
0:49:54 > 0:50:00I'm sorry for what I've done, and I know enough now, and...
0:50:00 > 0:50:03It's time to stop.
0:50:03 > 0:50:06Thank you for everything and...goodbye.
0:50:06 > 0:50:07Bye.
0:50:10 > 0:50:12Mrs Clark?
0:50:14 > 0:50:17I was right. You are a romantic.
0:50:21 > 0:50:23UP-TEMPO LATIN MUSIC PLAYS
0:50:26 > 0:50:27Bobbie!
0:50:27 > 0:50:29- A new costume. - Yeah.
0:50:29 > 0:50:32I got it from this mermaid dream I had in the hospital.
0:50:32 > 0:50:34Just floated up from my subconscious.
0:50:34 > 0:50:36Where, tragically, it did not stay.
0:50:38 > 0:50:41Come on, partner. > What are you waiting for?
0:50:41 > 0:50:43Divine intervention?
0:50:43 > 0:50:45You're a brave man, John Clark.
0:50:45 > 0:50:48Not just anyone could take on the Bobbinator.
0:50:48 > 0:50:51Yeah. Good luck, man. We're with you.
0:50:51 > 0:50:53Somebody help me up! >
0:50:54 > 0:50:55Please.
0:50:56 > 0:50:58John! >
0:51:00 > 0:51:03OK. 55 days from today,
0:51:03 > 0:51:06you two are gonna win the novice competition.
0:51:06 > 0:51:09That means you're gonna have to master five dances.
0:51:09 > 0:51:12I've asked Paulina to videotape you tonight
0:51:12 > 0:51:15so you can see what you're doing wrong.
0:51:15 > 0:51:16< Let's start with a rumba.
0:51:18 > 0:51:20MUSIC STARTS
0:51:42 > 0:51:43What? What is it?
0:51:43 > 0:51:44MUSIC OFF
0:51:44 > 0:51:49It's the rumba. It's the dance of love.
0:51:49 > 0:51:52And he's just not giving me anything.
0:51:52 > 0:51:54What does she want me to do? I'm doing it exactly the way I was taught.
0:51:54 > 0:51:56You think it's easy...?
0:51:56 > 0:51:57The rumba...
0:51:57 > 0:52:01is a vertical expression of a horizontal wish.
0:52:01 > 0:52:03You have to hold her
0:52:03 > 0:52:07like the skin on her thigh is your reason for living.
0:52:07 > 0:52:13Let her go like your heart's being ripped from your chest.
0:52:13 > 0:52:15Pull her back
0:52:15 > 0:52:17like you're gonna have your way with her,
0:52:17 > 0:52:19right here on the dance floor.
0:52:19 > 0:52:21And then finish... THUD
0:52:23 > 0:52:25..like she's ruined you for life.
0:52:38 > 0:52:41See? Why can't you just do it like that?
0:52:41 > 0:52:45Anyone else care for a glass of water?
0:52:48 > 0:52:50Damn it! ..No, not you.
0:52:50 > 0:52:53Look, I have to call you back.
0:52:53 > 0:52:55No, he's not home yet.
0:53:02 > 0:53:05What was the score at halftime in the NBA playoffs last night?
0:53:05 > 0:53:06Why?
0:53:06 > 0:53:07Why? You said you watched. What was the score?
0:53:07 > 0:53:08I forget now.
0:53:08 > 0:53:10You didn't forget. You didn't watch.
0:53:10 > 0:53:13You don't care about playoffs. You care about dancing!
0:53:13 > 0:53:15Shh. I do not.
0:53:15 > 0:53:18Yeah. Then what's this?
0:53:18 > 0:53:21Give me that. No! Give me that. Give me...
0:53:21 > 0:53:24It's not even mine. It's my mother's.
0:53:25 > 0:53:27At least, it was my mother's
0:53:27 > 0:53:32until I took it to this wonderful alterations guy who had it tailored for me.
0:53:32 > 0:53:35Look, it's not like I've figured this out, either.
0:53:35 > 0:53:38Hey, listen... What?
0:53:38 > 0:53:39Come back to class. No.
0:53:39 > 0:53:43You could take over as Bobbie's partner in the Latin dances.
0:53:43 > 0:53:46You've got those knocked already. There's no way I could learn 'em in time.
0:53:46 > 0:53:49I'm not comin' back as the Bobbinator's partner!
0:53:49 > 0:53:51We'll look like an olive and a toothpick together.
0:53:51 > 0:53:53Besides, she would never dance with me.
0:53:53 > 0:53:56Sure she would. Just the Latin dances.
0:53:56 > 0:53:59I'll still do the waltz and the quickstep.
0:53:59 > 0:54:01She would.
0:54:01 > 0:54:03No!
0:54:03 > 0:54:07Not if he was the last bald, bad-breathed, heterosexual sequin-freak on Earth...
0:54:07 > 0:54:10which he probably is. I'm not doin' it.
0:54:10 > 0:54:13You wanna win the Latin competition or not? It's up to you. I don't care.
0:54:13 > 0:54:15Link already knows the dances,
0:54:15 > 0:54:17and he'll be a good competitor.
0:54:17 > 0:54:18Right, Link? >
0:54:26 > 0:54:29So, finally giving up on the underage bimbettes
0:54:29 > 0:54:31< and gonna go for a real woman. Is that it?
0:54:31 > 0:54:33Yeah, no more underage bimbettes for me.
0:54:33 > 0:54:35Only real women from now on.
0:54:35 > 0:54:39Don't even think about coming near me without a breath mint. You got that?
0:54:42 > 0:54:44And quit lookin' at my ass.
0:54:44 > 0:54:46BOTH: We'll try.
0:54:47 > 0:54:51Vern, you know, there's a joyful freedom in your Latin.
0:54:51 > 0:54:57And, Chic, you have an innate sensuality quite uncommon in a man.
0:54:57 > 0:55:01I've entered you both in the competition, along with John.
0:55:03 > 0:55:04Good. That's settled.
0:55:08 > 0:55:10MUSICAL INTERLUDE
0:55:25 > 0:55:27You...are the frame.
0:55:27 > 0:55:29I'm the frame.
0:55:29 > 0:55:31She is the picture...
0:55:31 > 0:55:33She is the picture...
0:55:33 > 0:55:35..in your frame.
0:55:35 > 0:55:38Everything that you do is to show her off.
0:55:38 > 0:55:42You got that? I didn't hear that.
0:55:55 > 0:55:58Nice. Invite the lady in.
0:55:58 > 0:56:01And...make the connection.
0:56:04 > 0:56:07Projecting to the third balcony.
0:56:09 > 0:56:12911. 911, quick!
0:56:12 > 0:56:14Quick, 911. 9...
0:56:14 > 0:56:17BOTH LAUGH
0:56:17 > 0:56:20And start here with an initial sweep past the crowd.
0:56:20 > 0:56:22Watch.
0:56:27 > 0:56:29And contra-check.
0:56:38 > 0:56:39Excellent.
0:57:23 > 0:57:26Oh, Jesus.
0:57:26 > 0:57:27We wanted something unusual.
0:57:27 > 0:57:28Are you OK? Yeah.
0:57:28 > 0:57:30You sure? No, I'm good.
0:57:30 > 0:57:33But you guys look exhausted.
0:57:33 > 0:57:36I tell you what, why don't we call it a night?
0:57:36 > 0:57:40For your sake, John. You look like you're toast.
0:57:40 > 0:57:43And tomorrow's the big day. Yeah.
0:57:43 > 0:57:45Get home safe. OK.
0:57:45 > 0:57:48I'm wearing you guys out. No. No, no, no. >
0:57:48 > 0:57:50It's good. I like it when my feet hurt.
0:57:50 > 0:57:52Takes my mind off my knees.
0:57:52 > 0:57:54I've just been getting carried away, you know,
0:57:54 > 0:57:56working hard with the two of you.
0:57:56 > 0:58:00< I guess I like it. Feels good, you know?
0:58:00 > 0:58:01For me, too.
0:58:02 > 0:58:06All right. Well, I'm going home.
0:58:06 > 0:58:07Hey, wait.
0:58:11 > 0:58:13I wanted to talk to you
0:58:13 > 0:58:15about that night that you asked me to dinner.
0:58:15 > 0:58:18I'm sorry about how I treated you.
0:58:18 > 0:58:22It's just, you know, that people get the wrong idea about me all the time.
0:58:22 > 0:58:25Paulina, you don't have to explain anything to me, ever.
0:58:25 > 0:58:28Well, I know I don't have to explain anything to anybody
0:58:28 > 0:58:31because I don't care what people think about me.
0:58:31 > 0:58:32Good. Good.
0:58:32 > 0:58:33I mean it.
0:58:33 > 0:58:37Yeah, uh-huh. Good. Good.
0:58:45 > 0:58:48I'm sorry. I shouldn't be here right now.
0:58:48 > 0:58:54No, it's OK. I think I'm just hungry or something.
0:58:57 > 0:59:00Hungry? Very.
0:59:01 > 0:59:03Oh, this is so stupid.
0:59:03 > 0:59:08No. No, not at all. No, no. I cry, too, when I'm hungry.
0:59:08 > 0:59:10For French fries, usually. You?
0:59:11 > 0:59:13Cake.
0:59:13 > 0:59:16BOTH LAUGH
0:59:17 > 0:59:20Careful. Don't spill it on your new coat.
0:59:20 > 0:59:23Old coat, new colour. I had it dyed. Yeah?
0:59:23 > 0:59:26Yeah. My dad did it. He's a dry-cleaner.
0:59:26 > 0:59:30As is my mom, my brother, my two older sisters and me.
0:59:30 > 0:59:32I told you I know about stains.
0:59:32 > 0:59:33You're a dry-cleaner?
0:59:33 > 0:59:37Well, I was. Until I was eight.
0:59:37 > 0:59:39Actually, that's when I started dancing.
0:59:39 > 0:59:42I was helping out in the store one day after school
0:59:42 > 0:59:45when my mom asked me to go in the back and get an order.
0:59:45 > 0:59:48It was this incredibly delicate sequined thing
0:59:48 > 0:59:51held together by a gold thread.
0:59:51 > 0:59:55'Well, I carried the costume like it was gonna break.
0:59:55 > 0:59:57'And then I saw the customer.
0:59:57 > 0:59:59'She was the most beautiful woman
0:59:59 > 1:00:02'I had ever laid eyes on.
1:00:02 > 1:00:05'She invited us to see her dance that night,
1:00:05 > 1:00:08'and my mother said yes.
1:00:10 > 1:00:11'It was like the whole world
1:00:11 > 1:00:15'had suddenly gone from black and white to colour.
1:00:15 > 1:00:18'The beautiful woman and her partner
1:00:18 > 1:00:21'stopped right in front of us and did a waltz pose.
1:00:21 > 1:00:25'She tilted her head back, and she winked at me.
1:00:27 > 1:00:30'And I felt like she was trying to tell me something.
1:00:30 > 1:00:33'I took it as a sign.
1:00:33 > 1:00:38'And from then on, I knew that ballroom dancing would be my life.'
1:00:43 > 1:00:47It wasn't the kind of dream my parents had in mind.
1:00:48 > 1:00:50What made you wanna dance?
1:00:51 > 1:00:52You.
1:00:54 > 1:00:57Looking out that window, right up there.
1:00:59 > 1:01:03You can see it from the train, and...
1:01:03 > 1:01:04every night,
1:01:04 > 1:01:08I'd come home from work and I'd look for you, your face.
1:01:10 > 1:01:14You looked on the outside the way I was feeling on the inside.
1:01:14 > 1:01:16I was watching you, too.
1:01:16 > 1:01:19From the window, I saw you practising on the platform.
1:01:19 > 1:01:21No. Oh...
1:01:25 > 1:01:27That night I said all those things to you,
1:01:27 > 1:01:30I didn't think I'd ever see you again.
1:01:33 > 1:01:35But you kept coming back.
1:01:35 > 1:01:37I didn't want to.
1:01:38 > 1:01:43But I figured if I hadn't, you'd have been right about everything you accused me of.
1:01:43 > 1:01:47Then I started dancing, and I found I really liked it. It made me happy.
1:01:47 > 1:01:49Yes, it shows.
1:01:49 > 1:01:54I mean, I feel excited about something for the first time in such a long time.
1:01:54 > 1:01:56Aren't you? Excited?
1:01:56 > 1:01:58About tomorrow. The competition.
1:01:58 > 1:02:01No, no, no. I'm petrified. I'm...
1:02:01 > 1:02:06I'm gonna forget everything, I won't be able to put one foot in front of the other.
1:02:06 > 1:02:09I'll make a mess of the whole thing. No. I know. I'm just...
1:02:13 > 1:02:15Give me one hour.
1:02:19 > 1:02:23MUSIC: Santa Maria by Gotan Project
1:02:23 > 1:02:26Leave it. Leave the light.
1:02:32 > 1:02:35Don't say anything... and don't think.
1:02:38 > 1:02:40And don't move unless you feel it.
1:05:03 > 1:05:04Be this alive.
1:05:08 > 1:05:10Be this alive tomorrow.
1:05:24 > 1:05:26Thank you.
1:06:25 > 1:06:28God, I'm sorry. I'm sorry, I lost my balance.
1:06:28 > 1:06:29Oh, that's OK. I lost my fiance.
1:06:29 > 1:06:31Lisa. Lisa.
1:06:31 > 1:06:33There you are. Found the earring.
1:06:38 > 1:06:41John Clark. Photo op. Come on.
1:06:41 > 1:06:43Smile, everyone.
1:06:43 > 1:06:44CHIC: Paso doble!
1:06:44 > 1:06:46THEY ALL CHEER
1:06:47 > 1:06:48Good luck, everybody.
1:06:48 > 1:06:50Good luck.
1:06:50 > 1:06:52- Hey. - Yeah.
1:06:52 > 1:06:55So what did I tell you? Girls love guys who can dance, right?
1:06:55 > 1:06:57Even I got a partner. Check it out.
1:06:58 > 1:07:01Cute. But who's the guy?
1:07:01 > 1:07:03Oh, that's her brother.
1:07:06 > 1:07:08Yeah, we play basketball together.
1:07:15 > 1:07:18Aren't they adorable? They're gonna get slaughtered.
1:07:18 > 1:07:20Oh, shh. Don't say that.
1:07:22 > 1:07:23Mr Clark.
1:07:25 > 1:07:27John?
1:07:28 > 1:07:31You look blue. Breathe.
1:07:36 > 1:07:38Thanks.
1:07:41 > 1:07:44Ladies and gentlemen, good evening.
1:07:44 > 1:07:45The Chicago Taittinger Trophy
1:07:45 > 1:07:47Latin competition will now begin.
1:07:47 > 1:07:49< Judges, this is a semi-final round
1:07:49 > 1:07:52< with 11 couples on the floor.
1:07:52 > 1:07:55And now, ladies and gentlemen, your first dance is the cha-cha.
1:07:55 > 1:07:57< Music, please.
1:08:20 > 1:08:22Nice chasse, Vern!
1:08:51 > 1:08:52Oh!
1:09:05 > 1:09:07APPLAUSE
1:09:16 > 1:09:18< Let's hear it for the cha-cha, ladies and gentlemen.
1:09:18 > 1:09:21Who's your favourite couple out there? Let them hear their numbers.
1:09:22 > 1:09:26We danced like...! All you did was worry about that stupid wig!
1:09:26 > 1:09:28Well, what did you expect me to do? You saw...
1:09:28 > 1:09:30I know, he's a pig. But this is Latin.
1:09:30 > 1:09:32The judges are looking at your hips, not your hair.
1:09:32 > 1:09:35So unless that thing looks good on your ass, lose it!
1:09:37 > 1:09:38Fine!
1:09:41 > 1:09:44CHEERING
1:09:44 > 1:09:46MAN: We love you, baldy!
1:09:47 > 1:09:49< Thank you, dancers.
1:09:49 > 1:09:52< Please take your positions for your second and final dance of this competition,
1:09:52 > 1:09:55the paso doble.
1:09:55 > 1:09:56Music, please.
1:10:21 > 1:10:24Looks like he got rid of a lot more than the wig.
1:11:29 > 1:11:33'Ladies and gentlemen, I have the final results for the Latin competition.'
1:11:33 > 1:11:35Your finalists are... couple 102...
1:11:38 > 1:11:41We did it. Lisa, we did it, we did it!
1:11:41 > 1:11:42Couple 104.
1:11:46 > 1:11:47Oh, my God. Oh, my God!
1:11:47 > 1:11:49'Couple 106.
1:11:49 > 1:11:51'Couple 109.'
1:11:51 > 1:11:53Couple 110.
1:11:53 > 1:11:56And couple 105...
1:11:56 > 1:11:58has been disqualified.
1:11:58 > 1:11:59What?!
1:11:59 > 1:12:01CHEERING
1:12:05 > 1:12:07I thought Slick Willy was pretty good.
1:12:07 > 1:12:09Bad attitude. Ungentlemanly behaviour.
1:12:09 > 1:12:11It's a British sport, after all.
1:12:11 > 1:12:14The man was working it. Well...
1:12:14 > 1:12:16< Immediately following, the standard competition.
1:12:16 > 1:12:17Ladies and gentlemen,
1:12:17 > 1:12:20the Chicago Taittinger Trophy standard competition
1:12:20 > 1:12:21will now begin.
1:12:21 > 1:12:25'Judges, this is a semi-final round with ten couples on the floor.
1:12:25 > 1:12:27'They'll be dancing the waltz and the quickstep.
1:12:27 > 1:12:30'Now, ladies and gentlemen, let's bring our dancers out
1:12:30 > 1:12:32'with a nice big round of applause.
1:12:32 > 1:12:34'Couple 115.'
1:12:36 > 1:12:37Couple 116.
1:12:41 > 1:12:43'Couple number 117.
1:12:45 > 1:12:47'Couple number 118.
1:12:49 > 1:12:50'Couple number 119.
1:12:52 > 1:12:53'Couple 120.
1:12:54 > 1:12:56'Couple 121...'
1:13:00 > 1:13:01Wow.
1:13:01 > 1:13:05Come on, come on, > we're gonna be late.
1:13:06 > 1:13:08Hey, you're not gonna choke on me, are you?
1:13:08 > 1:13:11I think my feet are asleep, I don't remember anything...
1:13:11 > 1:13:12You're great. You look beautiful.
1:13:12 > 1:13:15And finally, couple number 126.
1:13:28 > 1:13:29There they are.
1:13:29 > 1:13:31Yeah. They look nervous.
1:13:31 > 1:13:33No, not them. Them.
1:13:37 > 1:13:39You invited them?
1:13:39 > 1:13:42She said she wanted to be a witness to her husband's life.
1:13:42 > 1:13:44I thought she should witness this.
1:13:44 > 1:13:45So you're a marriage counsellor now?
1:13:45 > 1:13:49But could you at least bill Mrs Clark for that?
1:13:50 > 1:13:54'As our dancers take their positions...' There he is.
1:13:54 > 1:13:58'I'd like to remind the judges that you'll be recalling six couples for the final round.
1:14:00 > 1:14:03'Ladies and gentlemen, your first dance is the waltz.'
1:14:06 > 1:14:07Music, please.
1:14:26 > 1:14:27APPLAUSE
1:14:32 > 1:14:34Well done!
1:14:43 > 1:14:46He's awesome.
1:14:46 > 1:14:49Dad is awesome!
1:15:18 > 1:15:21Spectacular.
1:15:21 > 1:15:23It's spectacular.
1:15:44 > 1:15:45MUSIC ENDS
1:15:53 > 1:15:54116!
1:15:54 > 1:15:56Whoo!
1:16:04 > 1:16:07Way to go, Dad!
1:16:11 > 1:16:13COMPERE: Such a beautiful waltz.
1:16:13 > 1:16:15We weren't terrible. I can't believe it.
1:16:15 > 1:16:18Of course we weren't. You were dancing with me, you big nut.
1:16:18 > 1:16:21..the second and final dance of this competition, the quickstep!
1:16:21 > 1:16:24DRUM AND TRUMPET INTRO
1:16:29 > 1:16:33Hey, is your daughter here tonight? No. Why?
1:16:33 > 1:16:36I thought I heard someone yell at you, "Go, Dad."
1:16:59 > 1:17:01Yes!
1:17:16 > 1:17:18126!
1:17:18 > 1:17:21Go, Dad! >
1:17:28 > 1:17:30Way to go, Dad!
1:17:32 > 1:17:33SUDDEN SILENCE
1:17:38 > 1:17:40GASPS AND SOME LAUGHTER
1:18:32 > 1:18:34Beverly! Dad?
1:18:34 > 1:18:37Wait a minute. Wait, wait. Dad, you were terrific.
1:18:37 > 1:18:40Get in the car, Jen. Just get in the car.
1:18:40 > 1:18:42Beverly, how did you know?
1:18:42 > 1:18:45Because I hired a detective. I thought you were having an affair.
1:18:45 > 1:18:47It's ridiculous, I know. OK. I feel...
1:18:47 > 1:18:49Hey, listen, that was really bad luck.
1:18:49 > 1:18:51Don't worry. There's always next year.
1:18:51 > 1:18:53Oh, "There's always next year." Thanks.
1:18:53 > 1:18:55Well, I have a whole year to prepare for it.
1:18:55 > 1:18:57Beverly, please, can we talk...?
1:18:57 > 1:18:58No, there's nothing to talk about.
1:18:58 > 1:19:00Please... Will you please stay...?
1:19:03 > 1:19:04HORN BLARES
1:19:04 > 1:19:06Stop. No.
1:19:07 > 1:19:08Please, will you talk to me?
1:19:08 > 1:19:12Then start by explaining what was it that I just saw? What did I witness?
1:19:12 > 1:19:15I'm not having an affair. There was no aff...
1:19:15 > 1:19:17What's goin' on?! HORN BLARES
1:19:17 > 1:19:19Let's go! > They're new friends.
1:19:19 > 1:19:21You could've told me about it, couldn't you?
1:19:21 > 1:19:22You just completely left me out.
1:19:22 > 1:19:25Why didn't you tell me, John? You've gotta answer that.
1:19:25 > 1:19:28I was ashamed. Ashamed of what? Of dancing?
1:19:28 > 1:19:30No, no... Well, then of what?
1:19:31 > 1:19:33Of wanting to be happier...
1:19:34 > 1:19:36..when we have so much.
1:19:39 > 1:19:40HORN BLARES
1:19:40 > 1:19:43And it's not your fault.
1:19:43 > 1:19:45Hey, Fred Astaire! >
1:19:45 > 1:19:46You're blocking traffic!
1:19:53 > 1:19:56< Finally. Thank you!
1:20:09 > 1:20:11'The reading of a will
1:20:11 > 1:20:16'can actually come as a kind of relief.
1:20:16 > 1:20:18'After the initial shock wears off
1:20:18 > 1:20:20'about that trust fund for the family dog
1:20:20 > 1:20:23'or the opera seats left to the gardener,
1:20:23 > 1:20:25'there is at least the sense
1:20:25 > 1:20:29'that everything is finally out on the table.'
1:20:31 > 1:20:34This... You are not gonna believe this, guys. Louis! Louis!
1:20:34 > 1:20:37"Link started dancing in 1985.
1:20:37 > 1:20:41"It soon became his passion, and he started dancing six days a week.
1:20:41 > 1:20:43"Lawyer by day and dancer by night,
1:20:43 > 1:20:46"Link really lights up the floor with all of his energy."
1:20:46 > 1:20:50'See. I told you. I knew it. I knew Link Peterson was...'
1:20:50 > 1:20:53I think Linky Link might be batting for the other team,
1:20:53 > 1:20:55you know what I mean?
1:20:55 > 1:20:58WOMAN: Could those pants be any tighter? Look at his package!
1:20:58 > 1:21:00Somebody get a magnifying glass!
1:21:00 > 1:21:05There is nothing wrong with ballroom dancing.
1:21:13 > 1:21:15Sorry.
1:21:17 > 1:21:19Oh...
1:21:20 > 1:21:21SHE SQUEAKS
1:21:30 > 1:21:32And football sucks.
1:21:43 > 1:21:45LINK: Hey, how you doin'? Hey.
1:21:45 > 1:21:48Surprise. This is gorgeous.
1:21:48 > 1:21:51Yeah, it's a pretty spot. Thanks.
1:21:51 > 1:21:53John, we just wanted to talk to you for a minute.
1:21:53 > 1:21:55Yeah, I just hope you weren't staying away from class on account of me.
1:21:55 > 1:21:58I'm not mad about you ripping my dress or anything - seriously.
1:21:58 > 1:22:04I know you always wanted to look at my ass, and you picked a pretty weird time to do it, but I forgive you.
1:22:04 > 1:22:06Thanks. Thank you. Honestly. OK?
1:22:06 > 1:22:10- Can we tell Miss Mitzi you're coming back? - I'm sorry. I'm not coming back.
1:22:10 > 1:22:14It's...it's... I'm done with that now.
1:22:14 > 1:22:18But thanks a lot for coming out here. I really appreciate that.
1:22:18 > 1:22:20John, look...
1:22:20 > 1:22:21Paulina, you know,
1:22:21 > 1:22:24she's gonna go to England to study dance,
1:22:24 > 1:22:28and we're havin' a little, you know, going-away party for her,
1:22:28 > 1:22:30and we'd love for you to come.
1:22:30 > 1:22:33Really love it if you would come by.
1:22:33 > 1:22:36She gave me this to give to you, so...
1:22:40 > 1:22:43Anyway, we hope that we see you there.
1:22:43 > 1:22:44All right?
1:22:44 > 1:22:46All right, come on.
1:22:46 > 1:22:48Bye, John. Bye.
1:22:55 > 1:22:59"I hope you're not upset about what happened with you and Bobbie,
1:22:59 > 1:23:02"because you were wonderful that night.
1:23:02 > 1:23:04"I'd hate to think that what happened
1:23:04 > 1:23:06"would make you give it all up.
1:23:07 > 1:23:10"You looked so graceful and brave out there -
1:23:10 > 1:23:12"a different person from the one
1:23:12 > 1:23:15"who first walked into Miss Mitzi's studio.
1:23:15 > 1:23:19"But a lot has changed for both of us over the last few months.
1:23:22 > 1:23:25"When my partner and I went to Blackpool last year,
1:23:25 > 1:23:28"we were so excited to make it to the finals.
1:23:30 > 1:23:34"Everyone was convinced that we were going to win,
1:23:34 > 1:23:36"and we wanted to prove them right.
1:23:36 > 1:23:40"We'd been together as a couple for as long as we'd been partners.
1:23:40 > 1:23:46"But we began training too hard, pushing each other, expecting too much.
1:23:48 > 1:23:49"Well, we didn't win.
1:23:49 > 1:23:50"Not even close.
1:23:54 > 1:23:58"I came back without my trophy or my partner.
1:23:58 > 1:24:02"And all this time, I've been hiding out at Miss Mitzi's,
1:24:02 > 1:24:07"angry at myself, frustrated and embarrassed.
1:24:09 > 1:24:10"But coaching you and Bobbie,
1:24:10 > 1:24:14"seeing how alive you were out there,
1:24:14 > 1:24:17"made me realise just how much I'd given up.
1:24:42 > 1:24:46"And now, for the first time in a long time...
1:24:48 > 1:24:50"..I want to dance again.
1:24:52 > 1:24:57"So I need to thank you - thank you for helping me to see this.
1:25:02 > 1:25:06"I hope I get to see you and dance with you once more before I leave.
1:25:09 > 1:25:11"Paulina."
1:25:23 > 1:25:24Thanks.
1:25:27 > 1:25:30By the way, I'm not going to this party.
1:25:30 > 1:25:34Oh, OK. But you're not giving up dancing, are you?
1:25:39 > 1:25:42You could... teach me to dance.
1:25:45 > 1:25:47Beverly, I'm not dancing any more.
1:25:48 > 1:25:50Why not, Dad?
1:25:52 > 1:25:55Why don't you teach Mom how to dance?
1:26:13 > 1:26:18The one thing I am proudest of in my whole life...
1:26:19 > 1:26:21..is that you are happy with me.
1:26:23 > 1:26:25If I couldn't... >
1:26:25 > 1:26:28If I couldn't tell you that I was unhappy sometimes,
1:26:28 > 1:26:33it was because I didn't want to risk hurting the one person I treasure most.
1:26:36 > 1:26:38I'm so sorry.
1:27:05 > 1:27:07# The book of love
1:27:07 > 1:27:10# is long and boring
1:27:10 > 1:27:15# And no-one can lift the damn thing
1:27:15 > 1:27:17# It's full of charts
1:27:17 > 1:27:20# And facts and figures
1:27:21 > 1:27:24# And instructions for dancing
1:27:25 > 1:27:26# But I...
1:27:31 > 1:27:34# I love it when you read to me
1:27:35 > 1:27:38# And you-ou
1:27:41 > 1:27:45# You can read me anything
1:27:46 > 1:27:48# The book of love
1:27:48 > 1:27:51# has music in it
1:27:52 > 1:27:56# In fact, that's where music comes from
1:27:57 > 1:28:00# Some of it's just transcendental
1:28:02 > 1:28:06# Some of it's just really dumb
1:28:06 > 1:28:08# But I... #
1:28:09 > 1:28:12So, John, I'll see you at the party, huh?
1:28:12 > 1:28:15# I love it when you sing to me
1:28:17 > 1:28:19# And you-ou
1:28:23 > 1:28:27# You can sing me anything
1:28:28 > 1:28:32# The book of love is long and boring
1:28:33 > 1:28:36# and written very long ago
1:28:38 > 1:28:43# It's full of flowers and heart-shaped boxes
1:28:44 > 1:28:48# and things we're all too young to know
1:28:48 > 1:28:51# But I-I...
1:28:54 > 1:28:59# I love it when you give me things
1:28:59 > 1:29:01# And you-ou
1:29:05 > 1:29:09# You ought to give me wedding rings
1:29:15 > 1:29:19# The book of love has music in it
1:29:21 > 1:29:24# In fact, that's where music comes from
1:29:26 > 1:29:29# Some of it's just transcendental... #
1:29:29 > 1:29:31I like this palette. It looks lovely.
1:29:31 > 1:29:35I just am now worried, though, that these guys are too dark...
1:29:35 > 1:29:38# But I-I...
1:29:41 > 1:29:46# I love it when you sing to me
1:29:46 > 1:29:49# And you-ou
1:29:52 > 1:29:55# You can sing me anything. #
1:30:11 > 1:30:13It's a silly rose.
1:30:13 > 1:30:15It's beautiful.
1:30:17 > 1:30:19Why aren't you at the party?
1:30:19 > 1:30:23Oh, because it's a dance and, to dance, you need a partner.
1:30:25 > 1:30:28My partner is right here.
1:30:37 > 1:30:40Beverly...dance with me.
1:30:41 > 1:30:43I don't know how.
1:30:43 > 1:30:44Yeah, you do. No, I don't.
1:30:44 > 1:30:48You've been dancing with me for 19 years.
1:30:48 > 1:30:49But I don't know the steps.
1:30:51 > 1:30:54I'll teach you.
1:30:56 > 1:30:58Here?
1:30:59 > 1:31:01Right now.
1:31:01 > 1:31:03# And you-ou
1:31:06 > 1:31:10# You ought to give me wedding rings
1:31:10 > 1:31:13# And I-I...
1:31:16 > 1:31:21# I love it when you give me things
1:31:21 > 1:31:23# And you-ou
1:31:27 > 1:31:31# You ought to give me wedding rings
1:31:38 > 1:31:41# You ought to give me
1:31:41 > 1:31:44# ..wedding rings. #
1:31:46 > 1:31:47APPLAUSE
1:31:51 > 1:31:55And now Paulina will choose her partner for her special farewell dance.
1:31:55 > 1:31:57ALL: Aw-w-w...
1:31:58 > 1:32:00Paulina.
1:32:01 > 1:32:04- You taught me well. Come on! - It'd be my pleasure.
1:32:04 > 1:32:06Let me show you how much I learned.
1:32:06 > 1:32:08< I'm available.
1:32:10 > 1:32:13BOBBIE: There's John!
1:32:16 > 1:32:19MUSIC: Shall We Dance?
1:32:20 > 1:32:22Come on! Come on!
1:32:36 > 1:32:38Shall we dance, Mr Clark?
1:32:38 > 1:32:40I would love to.
1:33:21 > 1:33:23Beverly, this is Paulina. Hi. Nice to meet you.
1:33:23 > 1:33:26C'mon, c'mon. C'mon, c'mon, c'mon. Thank you.
1:33:26 > 1:33:28Come on, let's go dance.
1:33:28 > 1:33:31WHOOPING
1:33:33 > 1:33:37# When marimba rhythms start to play
1:33:37 > 1:33:38# Dance with me
1:33:38 > 1:33:41# Make me sway
1:33:41 > 1:33:44# Like a lazy ocean hugs the shore
1:33:44 > 1:33:46# Hold me close
1:33:46 > 1:33:48# Sway me more
1:33:48 > 1:33:51# Like a flower bending in the breeze
1:33:51 > 1:33:53# Bend with me
1:33:53 > 1:33:55# Sway with ease
1:33:55 > 1:33:58# When we dance, you have a way with me
1:33:58 > 1:34:00# Stay with me
1:34:00 > 1:34:03# Sway with me
1:34:03 > 1:34:06# Other dancers may be on the floor
1:34:06 > 1:34:10# Dear, but my eyes will see only you
1:34:10 > 1:34:14# Only you have that magic technique
1:34:14 > 1:34:16# When we sway, I go weak
1:34:16 > 1:34:17# I go so weak
1:34:17 > 1:34:20# I can hear the sound of violins
1:34:20 > 1:34:25# Long before it begins
1:34:25 > 1:34:27# Make me thrill as only you know how
1:34:27 > 1:34:32# Sway me smooth, sway me now
1:34:32 > 1:34:33# Mi amore
1:34:33 > 1:34:35# Sway me
1:34:35 > 1:34:37# Take me
1:34:37 > 1:34:39# Thrill me
1:34:39 > 1:34:41# Hold me
1:34:41 > 1:34:42# Bend me
1:34:42 > 1:34:44# Ease me
1:34:44 > 1:34:47# You have a way with me
1:34:52 > 1:34:53# Yeah, yeah
1:34:53 > 1:34:55# Sway me
1:35:01 > 1:35:05# Other dancers may be on the floor
1:35:05 > 1:35:08# Dear, but my eyes will see only you
1:35:08 > 1:35:12# Only you have that magic technique
1:35:12 > 1:35:16# When we sway, I go weak
1:35:16 > 1:35:19# I go weak
1:35:19 > 1:35:22# I can hear the sound of violins
1:35:22 > 1:35:27# Long before it begins
1:35:27 > 1:35:30# Make me thrill as only you know how
1:35:30 > 1:35:34# Sway me smooth, sway me now
1:35:48 > 1:35:52# Make me thrill as only you know how
1:35:52 > 1:35:56# Sway me smooth, sway me now. #
1:35:59 > 1:36:02MUSIC: Santa Maria by Gotan Project