0:00:02 > 0:00:05THUNDER
0:00:06 > 0:00:11This film contains some strong language.
0:00:17 > 0:00:19WOMAN: Good evening, everyone,
0:00:19 > 0:00:22and welcome to a Powell pay-per-view television event.
0:00:22 > 0:00:24It's hard to believe,
0:00:24 > 0:00:26but tonight's fight is the swan song
0:00:26 > 0:00:29for the grand old Atlantic City Arena.
0:00:29 > 0:00:32The final event to be held in this storied hall
0:00:32 > 0:00:34before it is gutted and completely renovated
0:00:34 > 0:00:38as part of Gilbert Powell's Millennium Hotel and Casino.
0:00:38 > 0:00:42I'm eager to go ringside, along with 14,000 fight fans
0:00:42 > 0:00:46who have braved Hurricane Jezebel...
0:00:46 > 0:00:49MAN: Cut! Cut! Anthea, they want you to call it
0:00:49 > 0:00:50a tropical storm.
0:00:50 > 0:00:51But it is a hurricane!
0:00:51 > 0:00:53It's also a holiday weekend,
0:00:53 > 0:00:56so please just call it a tropical storm.
0:00:56 > 0:00:59Please? I love this town. They even spin the weather!
0:00:59 > 0:01:01All right, listen. >
0:01:01 > 0:01:03We go live on this one, so don't screw up.
0:01:03 > 0:01:05I think that's Powell going in there with Secretary Kirkland.
0:01:05 > 0:01:07Zoom in on them during the intro.
0:01:07 > 0:01:10Anyway, why can't I do this from inside?
0:01:10 > 0:01:13Why do I have to stand out here like a weather bimbo?
0:01:13 > 0:01:143, 2, 1, go! >
0:01:14 > 0:01:16Good evening, everyone,
0:01:16 > 0:01:19and welcome to a Powell pay-per-view television event.
0:01:19 > 0:01:23The lucky ones are already inside at the fight,
0:01:23 > 0:01:27as the first taste of tropical storm Jezebel lashes the boardwalk
0:01:27 > 0:01:30outside the grand old Atlantic City Arena.
0:01:30 > 0:01:32It's hard to believe,
0:01:32 > 0:01:35but tonight's fight is the swan song for this hall,
0:01:35 > 0:01:37the final event to be held here.
0:01:37 > 0:01:40MAN: What have we got, 30, 40 seconds?
0:01:40 > 0:01:42Where's Shaneen? My hair looks like shit.
0:01:42 > 0:01:44I'm on TV? I'm on TV?
0:01:44 > 0:01:47Come on, Rick. I'm on in 30 seconds, will ya?
0:01:47 > 0:01:49I think people would vote for this face.
0:01:49 > 0:01:50Yeah. Blind people.
0:01:50 > 0:01:53That's the only way you get anywhere - get your big, fat smile all over the tube.
0:01:53 > 0:01:55Hi. Rick Santoro. Hello. Richard Santoro.
0:01:55 > 0:01:58Aah! I'm Ricky! Hey, you down on the fight yet?
0:01:58 > 0:01:59Shit. I forgot. You seen Jimmy George?
0:01:59 > 0:02:01Yeah. He's down in the tunnel.
0:02:01 > 0:02:02What tunnel? There's a million tunnels.
0:02:02 > 0:02:04The tunnel of love. Over by Tyler's dressing room.
0:02:04 > 0:02:06Here. Play 50 for me.
0:02:06 > 0:02:07On who?
0:02:07 > 0:02:09On who? On the bag of meat, on who. On Tyler!
0:02:09 > 0:02:10Wow. The whole 50?
0:02:10 > 0:02:12Up yours, Mr High Roller.
0:02:12 > 0:02:13Why don't you just shoot it all?
0:02:13 > 0:02:15A hundred.
0:02:15 > 0:02:18Oh, asshole. Shaneen, would you fix this?
0:02:18 > 0:02:20ANTHEA: ...His work with troubled youths,
0:02:20 > 0:02:22take on the challenger,
0:02:22 > 0:02:23Jose Pacifico Ruiz,
0:02:23 > 0:02:26in a classic 12-round confrontation
0:02:26 > 0:02:29between a counterpuncher and a brawler.
0:02:29 > 0:02:30Isn't that right, Lou Logan?
0:02:30 > 0:02:32TELEPHONE RINGS
0:02:32 > 0:02:33LOGAN: Welcome, everybody.
0:02:33 > 0:02:36Hello? Hey, baby. How are you?
0:02:36 > 0:02:37I was hoping it'd be you.
0:02:37 > 0:02:39Yeah. Happy almost birthday.
0:02:39 > 0:02:41Of course I'm still coming.
0:02:41 > 0:02:45I want to be there when it turns midnight.
0:02:45 > 0:02:48Yes, yes, I'm bringing something with me.
0:02:48 > 0:02:50Uh...it's a surprise.
0:02:50 > 0:02:53Well, if I told you, then...
0:02:53 > 0:02:55That's right, baby.
0:02:55 > 0:02:58No. No way. I'm not going to give you a hint.
0:02:58 > 0:03:00No. You're shameless!
0:03:00 > 0:03:02Monique, you can't say that on a cell phone.
0:03:02 > 0:03:04Yummy!
0:03:04 > 0:03:07All right, I will give you a hint.
0:03:07 > 0:03:11I know you really want one, and it's going to keep you very, very warm.
0:03:11 > 0:03:13Give me five secs. I'll call you back.
0:03:13 > 0:03:15Jimmy George, wait up a sec!
0:03:15 > 0:03:17Come on. I got people waiting for me.
0:03:17 > 0:03:19That's Tyler! What are you looking at?
0:03:19 > 0:03:21That's Tyler! Where do you think you're going?
0:03:21 > 0:03:23The AC Executioner's standing in front of me.
0:03:23 > 0:03:24Were you talking to him?
0:03:24 > 0:03:27Do I ask what you do at work?
0:03:27 > 0:03:30The man bets on his own fights. That's confidence. What do you want, Rick?
0:03:30 > 0:03:32What's up your ass?
0:03:32 > 0:03:33I'm having a bad day, OK?
0:03:33 > 0:03:35I want five large on Tyler.
0:03:35 > 0:03:36Five large. You got it on you? Let me see it.
0:03:36 > 0:03:38What are you, a bank now? I've got to put up front
0:03:38 > 0:03:40for the privilege of betting on a lousy fight?
0:03:40 > 0:03:43Take it or leave it because I don't need the aggravation.
0:03:43 > 0:03:45Have I ever stiffed you one time? Name one time.
0:03:45 > 0:03:46No, no. You never stiffed me.
0:03:46 > 0:03:47It's just you take forever to pay.
0:03:47 > 0:03:49Five grand. I'll see that a year from next Christmas.
0:03:49 > 0:03:53The guy is ten to one to win, all right? I can't make any money if I lay less.
0:03:53 > 0:03:55I got a very important birthday, and I got to be there.
0:03:55 > 0:03:58I'm going to buy one of those shorty fur coats
0:03:58 > 0:03:59over at Caesar's, the only place that will be open.
0:03:59 > 0:04:01You know how overpriced they are.
0:04:01 > 0:04:03I missed the part where this is my problem.
0:04:03 > 0:04:06I made a promise. I gave my word to someone.
0:04:06 > 0:04:08A man's word means nothing to you in your profession? Please.
0:04:08 > 0:04:10Come on. Cash means something to me.
0:04:10 > 0:04:12Words mean something to somebody else.
0:04:12 > 0:04:14All right. Don't move. I'll be right back.
0:04:14 > 0:04:17Cyrus! Hey! Hey!
0:04:22 > 0:04:24Ha-ha-ha!
0:04:25 > 0:04:26Oh! Ow! >
0:04:26 > 0:04:31Hey, hold it, pal. Where do you think you're going?
0:04:31 > 0:04:32On the job, sport.
0:04:32 > 0:04:34Oh, shit. Sorry, sir. You need a hand?
0:04:34 > 0:04:35No, no. I got it.
0:04:38 > 0:04:39Shit!
0:04:39 > 0:04:41You went the stupid way, didn't you, Cyrus?
0:04:41 > 0:04:47Ow! Ow! Ow! I got a cut. I need a medic. Medic. Medic!
0:04:47 > 0:04:49Well, that's a start.
0:04:49 > 0:04:51What? What do you want?
0:04:51 > 0:04:52What do you think?
0:04:52 > 0:04:54No! Yes!
0:04:54 > 0:04:56No. Come on, this is not fair. Come on.
0:04:56 > 0:04:58Call a cop. No!
0:04:58 > 0:05:00Hey! Get out of here, man!
0:05:00 > 0:05:02Aah!
0:05:02 > 0:05:06You got the wrong attitude about this. You gotta keep positive.
0:05:06 > 0:05:07When we have these little visits,
0:05:07 > 0:05:12I allow you, I permit you, I give you the opportunity
0:05:12 > 0:05:16to pay for all the extra police work that you create!
0:05:16 > 0:05:20Doesn't it feel nice to contribute to society for a change?
0:05:20 > 0:05:24Come on, come on, man! Don't do that! Aw, come on!
0:05:24 > 0:05:27You got a bad attitude, you hear?
0:05:27 > 0:05:30What makes you think you're better than me?!
0:05:30 > 0:05:34My friends, Cyrus. Everybody loves Rick Santoro.
0:05:34 > 0:05:39Jimmy George... three grand on Tyler.
0:05:39 > 0:05:41This one's a little sticky, but...
0:05:41 > 0:05:432,900. I don't want this one.
0:05:43 > 0:05:46Why? There's blood all over it!
0:05:46 > 0:05:48Well, aren't you delicate?
0:05:48 > 0:05:52Tyler! Whoo! Neptune high, right? Check it out.
0:05:52 > 0:05:56Right here. Go Sea Devils! You and me, Tyler!
0:05:56 > 0:05:59Yeah! Go, Tyler! Go, Tyler!
0:05:59 > 0:06:02Go, Tyler, go! Go, Tyler! Go, Tyler!
0:06:02 > 0:06:05Whoa! Lincoln Tyler! Lincoln Tyler! Lincoln!
0:06:05 > 0:06:07Oww! My lucky number's 7.
0:06:07 > 0:06:08Gee, that's a new one, mister.
0:06:08 > 0:06:10You are sunshine on a stormy day.
0:06:10 > 0:06:11You should work in the casino.
0:06:11 > 0:06:13I'm going to. I mean, I want to. This is just sort of temporary.
0:06:13 > 0:06:16Let me make a few phone calls. Would you?
0:06:16 > 0:06:17Yeah. Do you know how to deal blackjack?
0:06:17 > 0:06:20No. All right. Call me. I'm Rick.
0:06:20 > 0:06:22This goes straight to my special phone line.
0:06:22 > 0:06:24TELEPHONE RINGS Bye, mister! Bye!
0:06:24 > 0:06:25Hello?
0:06:25 > 0:06:27BELL RINGS Oh, yeah. Hi, baby.
0:06:27 > 0:06:28HE CLEARS THROAT
0:06:28 > 0:06:30No. I just had something stuck in my throat.
0:06:30 > 0:06:33Tell him to go to sleep. I'll talk to him in the morning.
0:06:33 > 0:06:34No, I can't.
0:06:34 > 0:06:36That's why.
0:06:36 > 0:06:39All right, tell him I love him, and I'll... No, Angela, don't...
0:06:39 > 0:06:42Hi, Mikey. I know. No, I didn't forget.
0:06:42 > 0:06:44I haven't seen him yet, but as soon as I do, I'll ask him.
0:06:44 > 0:06:47All right. I love you, too. No, no. Don't put Mommy...
0:06:47 > 0:06:51Hi. I don't know. Late. Later than that. Yeah, sure, if they're open.
0:06:51 > 0:06:54With extra cheese? I don't care. I don't care! I'm not going to eat it!
0:06:54 > 0:06:59Pepperoni, sausage, listen, why don't you just get the deluxe and save time, all right?
0:06:59 > 0:07:02Look, I got business. Call me back. There he is!
0:07:02 > 0:07:03MAN: You got a pass, sir?
0:07:03 > 0:07:05It's all right. He's with me.
0:07:05 > 0:07:07There's the man whose life I want!
0:07:07 > 0:07:09You're late.
0:07:09 > 0:07:11You know me, always upholding justice. When did you get in?
0:07:11 > 0:07:13Last night. I flew in from Norfolk with Powell and the Secretary.
0:07:13 > 0:07:16Is that him? Tuck in your shirt. I'll introduce you.
0:07:16 > 0:07:19Jesus! I get you a front-row seat, you show up looking like Don Ho.
0:07:19 > 0:07:23Pardon my savoir-faire. Why are you so uptight? It's fight night!
0:07:23 > 0:07:25Running security tonight. I got a lot on my mind.
0:07:25 > 0:07:27Kirkland's high profile. He's all over the news
0:07:27 > 0:07:29and brings the nut cases out of the woodwork.
0:07:29 > 0:07:31He's a real publicity hound. Look at this.
0:07:31 > 0:07:36...the Olympic games, and now the distinguished Secretary of Defence
0:07:36 > 0:07:40of the united states of America, Mr Charles Kirkland.
0:07:40 > 0:07:46And seated next to the Secretary is a man who needs no introduction...
0:07:46 > 0:07:50Great idea. Put a flashing light on your head while you're at it.
0:07:50 > 0:07:53Your host for the evening, Mr Gilbert Powell!
0:07:56 > 0:07:58Maintain focus on the principal, mister.
0:07:58 > 0:07:59Sorry, Commander.
0:07:59 > 0:08:01Got your locator on? Yes, sir.
0:08:01 > 0:08:04Go cover the west exit. Yes, sir.
0:08:04 > 0:08:07Oh, and throw in a couple of martinis while you're at it!
0:08:07 > 0:08:08It's fight night.
0:08:08 > 0:08:11Look. See that blip? That's him.
0:08:11 > 0:08:14Look at you. 007.
0:08:14 > 0:08:16Man, I'm so impressed. I want to get your autograph.
0:08:16 > 0:08:19I can picture us like yesterday, working summers on the beach,
0:08:19 > 0:08:21carrying the oars back across the hot sand.
0:08:21 > 0:08:24No. Me I can picture carrying the oars.
0:08:24 > 0:08:27You were usually under the boardwalk with a cute piece of jailbait.
0:08:27 > 0:08:28It's me, your lucky number!
0:08:28 > 0:08:30Listen, I've got to hit you up for something.
0:08:30 > 0:08:32Mikey's just crazy about submarines right now.
0:08:32 > 0:08:33I mean, everything's submarines with him,
0:08:33 > 0:08:36and he wanted me to ask you if you'd give him a ride on one.
0:08:36 > 0:08:38Sure. We'll dock a polaris right out at the steel pier.
0:08:38 > 0:08:39This is the kind of thing godfathers do.
0:08:39 > 0:08:41I promise I won't embarrass the brass.
0:08:41 > 0:08:43I haven't been on the water since the Renville,
0:08:43 > 0:08:45but I'll pull some strings for Michael. How's Angela?
0:08:45 > 0:08:47Fat, fantastic. I love her. What about the other one? What's her name?
0:08:47 > 0:08:49Candy? Tiffany?
0:08:49 > 0:08:51Monique. Skinny, mean, expensive. I love her!
0:08:51 > 0:08:52ANNOUNCER: Tyler!
0:08:52 > 0:08:55Oowww! Yeah! Oowww!
0:08:55 > 0:08:58Come on.
0:09:00 > 0:09:07Yeah, Lincoln! Yeah, baby! Go, baby! Yeah!
0:09:07 > 0:09:10You got a wife, a kid, a house in Margate,
0:09:10 > 0:09:11a girlfriend in an apartment.
0:09:11 > 0:09:13Being a cop pays six figures now?
0:09:13 > 0:09:15I save coupons. Are you my conscience?
0:09:15 > 0:09:18You could use one. Does Angela know about Monique?
0:09:18 > 0:09:21What are you going to do, turn me in again?
0:09:21 > 0:09:22That was just to teach you a lesson.
0:09:22 > 0:09:24You never shoplifted again, did you?
0:09:24 > 0:09:26No. I never got caught again. Angela's happy. Trust me.
0:09:26 > 0:09:27Angela's not happy. She's just uninformed.
0:09:27 > 0:09:30Maybe if she knew the rules, she could play the game, too.
0:09:30 > 0:09:32If Angela knew the rules, there would be no game.
0:09:32 > 0:09:34Rule one - Angela can't know all the rules.
0:09:34 > 0:09:36Look, I'm not like you, Kevin.
0:09:36 > 0:09:38I can't have sex with the same woman for 20 years.
0:09:38 > 0:09:40It's not natural. Terry likes to talk to me during sex.
0:09:40 > 0:09:43Last night, she called me from a hotel.
0:09:46 > 0:09:48Go, Lincoln!
0:09:52 > 0:09:54That seem right to you?
0:09:54 > 0:09:56Kevin, that is right in so many ways.
0:09:56 > 0:09:58No, I mean who's she with? Not the guy next to her.
0:09:58 > 0:10:00Beautiful woman alone at a fight?
0:10:00 > 0:10:03Sexy lady. What's the problem?
0:10:03 > 0:10:04You got to get out of this town.
0:10:04 > 0:10:06You know that, don't you?
0:10:06 > 0:10:08Would you stop going all Jiminy Cricket on me?
0:10:08 > 0:10:12You can't help yourself, can you? No, really. Get your butt down to DC,
0:10:12 > 0:10:14I call a few guys I know from Annapolis, arrange some interviews,
0:10:14 > 0:10:16get you a GS rating, you're in our programme.
0:10:16 > 0:10:20Bureau of Diplomatic Security pays about double what your salary is here.
0:10:20 > 0:10:22All right. You got to fix my life later.
0:10:22 > 0:10:23I got money on this. I want to stay in a good mood, you know?
0:10:23 > 0:10:25Keep positive because this is fight night!
0:10:25 > 0:10:27Don't make Michael grow up here.
0:10:27 > 0:10:29This isn't a beach town anymore. It's a sewer.
0:10:29 > 0:10:31But it's my sewer, Jiminy, and I love it!
0:10:31 > 0:10:33I kick around about six square blocks.
0:10:33 > 0:10:35Everybody knows me. I got the whole town wired.
0:10:35 > 0:10:38Someday, if I manage to get my face on TV a few times,
0:10:38 > 0:10:41maybe I'll run for mayor or something, but that's as far as I want to go
0:10:41 > 0:10:45because I was made for this sewer, baby, and I am the king!
0:10:45 > 0:10:46BELL RINGS
0:10:46 > 0:10:50ANNOUNCER: Look at this. He's taunting the champ mercilessly!
0:10:50 > 0:10:56'I haven't seen this kind of disrespect shown to a heavyweight champion...'
0:10:56 > 0:10:58ALL SHOUTING AT ONCE
0:10:58 > 0:11:02ANNOUNCER: Buster Douglas. Exactly. The condition he was in in some of the later...
0:11:02 > 0:11:03'Look at Ruiz dance around...'
0:11:03 > 0:11:05She's not even watching the fight.
0:11:05 > 0:11:07'The crowd is loving it! Or hating it. Exactly.'
0:11:07 > 0:11:09SECOND ANNOUNCER: What they came to see tonight
0:11:09 > 0:11:11'was a professional heavyweight championship fight,
0:11:11 > 0:11:13'and that is not what they're getting,
0:11:13 > 0:11:16'and you better believe, they are letting these fighters know!'
0:11:16 > 0:11:20FIRST ANNOUNCER: I wonder just how seriously the champ is taking this competition.
0:11:20 > 0:11:22SHOUTING DROWNS OUT ANNOUNCERS
0:11:22 > 0:11:24SECOND ANNOUNCER: The champ has shown up here tonight
0:11:24 > 0:11:25'in the worst condition of his career.'
0:11:25 > 0:11:27FIRST ANNOUNCER: Yeah, I got to agree with you.
0:11:27 > 0:11:31'There was a lot of speculation about the kind of condition he was in.'
0:11:32 > 0:11:35Hello? Hey, baby. Kind of a bad time right now.
0:11:35 > 0:11:37What? All right, guess quick, OK? The hint was,
0:11:37 > 0:11:40you really wanted it, and it'll keep you warm.
0:11:40 > 0:11:44No, it's not that. I have that. It goes where I go. Hang on.
0:11:44 > 0:11:46Oh, Jesus, Angela, the fight started!
0:11:46 > 0:11:48What? The deluxe has meatballs, baby!
0:11:48 > 0:11:50I got to go. The fight's started!
0:11:50 > 0:11:54Listen, I got to go. The fight's started.
0:11:54 > 0:11:57Hey, I dig affection, baby, but not while I'm driving.
0:11:57 > 0:11:58Oh. I'm sorry.
0:11:58 > 0:12:02That seat's taken. Oh, but you can sit here.
0:12:02 > 0:12:04Well, I'll just need one minute.
0:12:04 > 0:12:06Me, too.
0:12:08 > 0:12:09It's in the pocket.
0:12:09 > 0:12:11Have you been writing to me?
0:12:11 > 0:12:13Yeah! Go, Sea Devils!
0:12:13 > 0:12:17FIRST ANNOUNCER: Holy cow! The challenger's down! Ruiz is down!
0:12:17 > 0:12:21'What a punch by Lincoln Tyler! Ruiz is cooking him!
0:12:21 > 0:12:22'He head-butted him! He head-butted him!'
0:12:22 > 0:12:25FIRST ANNOUNCER: It's a head-butt. We saw it clearly.
0:12:25 > 0:12:28SECOND ANNOUNCER: This is a potentially devastating blow to the champ.
0:12:28 > 0:12:31FIRST ANNOUNCER: I can't see if it's opened up a cut over his eye or not.
0:12:31 > 0:12:33'We saw it in the Holyfield/Tyson match. We see it here!
0:12:33 > 0:12:36'He's down!' Low blow him, Lincoln Tyler!
0:12:36 > 0:12:38Listen to me, Mr Secretary. I am telling you.
0:12:38 > 0:12:40You are the one that's going to be sorry.
0:12:40 > 0:12:43REFEREE: Get back to your neutral corners.
0:12:43 > 0:12:44TELEPHONE RINGS
0:12:44 > 0:12:45< Neutral corners!
0:12:45 > 0:12:48Hello? What? Who are you?
0:12:48 > 0:12:49Where?
0:12:49 > 0:12:52My lucky number?
0:12:52 > 0:12:53GUNSHOT
0:12:53 > 0:12:54What?
0:12:54 > 0:12:56WOMAN SCREAMS
0:13:04 > 0:13:05Aah!
0:13:08 > 0:13:10PEOPLE SCREAM
0:13:16 > 0:13:18Principal is down.
0:13:20 > 0:13:22Hey!
0:13:24 > 0:13:26GUNSHOTS
0:13:28 > 0:13:30GUNSHOTS
0:13:33 > 0:13:36GUNSHOTS
0:13:37 > 0:13:39SCREAMING
0:13:58 > 0:13:59Kevin!
0:14:00 > 0:14:03Kevin, he's down! The man is down!
0:14:10 > 0:14:11Get out of here!
0:14:11 > 0:14:13Oh, yeah? Screw you, man.
0:14:13 > 0:14:16Tommy! Get this scum out of here!
0:14:23 > 0:14:24Oh, Jesus.
0:14:24 > 0:14:27There were two hits. The girl next to me, she threatened him,
0:14:27 > 0:14:29took something, got shot, and ran away!
0:14:32 > 0:14:33Oh, my God! Shut down the arena!
0:14:33 > 0:14:35Holy shit, is he dead? Get on your radio right now
0:14:35 > 0:14:37and shut down the arena!
0:14:47 > 0:14:49Hey! Be careful! Let go of me!
0:14:49 > 0:14:51What happened to you? Please just...
0:14:51 > 0:14:53What's going on? Let go of me!
0:14:53 > 0:14:54Come back here!
0:14:54 > 0:14:56MAN: Let's get this gurney up. Let's go!
0:14:56 > 0:14:59Come on! Make a hole through there and get that crowd out of the way!
0:14:59 > 0:15:02Tell them to bring that ambulance right through the main entrance into the arena tunnel!
0:15:02 > 0:15:05You're going to be all right, Charles.
0:15:05 > 0:15:07We're going to the hospital right now.
0:15:07 > 0:15:09You're going to be OK. You have my word on that.
0:15:09 > 0:15:12Come on! Come on! Get those people out of the tunnel! Move it there!
0:15:12 > 0:15:14KEVIN: He's going to die, Rick.
0:15:14 > 0:15:16This is my fault. I should never have left my seat.
0:15:16 > 0:15:19I opened up a sightline. I was off the deck. What the hell was I doing?
0:15:19 > 0:15:20This is my fault!
0:15:21 > 0:15:23What the hell's the matter with you?
0:15:23 > 0:15:25Don't talk shit like that where people can hear.
0:15:25 > 0:15:28You don't understand. I pulled rank on the regular detail
0:15:28 > 0:15:29and took command of security.
0:15:29 > 0:15:31I told them he would be better protected
0:15:31 > 0:15:33with me running the operation because I know the area,
0:15:33 > 0:15:36the layout of the arena. I know local law enforcement.
0:15:36 > 0:15:38I get assigned, I step out of position,
0:15:38 > 0:15:40the Secretary takes a bullet in the throat!
0:15:40 > 0:15:41Why were you out of position?
0:15:41 > 0:15:42I should never have left him.
0:15:42 > 0:15:44I could be court-martialed for this!
0:15:44 > 0:15:45That is not going to happen!
0:15:45 > 0:15:48We're not going to let that happen. Do you understand?
0:15:48 > 0:15:50You're not going to prison, so you just forget about that!
0:15:50 > 0:15:54Back up. Why were you out of position?
0:15:54 > 0:15:56The girl - the redhead - I went over to check her out.
0:15:56 > 0:15:58She ran, and I followed her up here.
0:15:58 > 0:16:00Don't say redhead and don't say girl. That's all wrong.
0:16:00 > 0:16:02What you say is suspicious character.
0:16:02 > 0:16:04You followed a suspicious character, and when you got up here,
0:16:04 > 0:16:06you saw an assassin fire, so you took him out. End of story.
0:16:06 > 0:16:09Leaving my post is dereliction of duty. It's gross negligence.
0:16:09 > 0:16:10You killed the assassin!
0:16:10 > 0:16:13You saved the day! You're a hero, Kevin.
0:16:13 > 0:16:15That's what happened, and that's how we'll spin it!
0:16:15 > 0:16:16It wasn't procedure.
0:16:16 > 0:16:18Screw procedure!
0:16:18 > 0:16:20Look. Who do you think you're talking to?
0:16:20 > 0:16:23I'm not some beat cop that needs you to plant a piece for him.
0:16:23 > 0:16:27Kevin, if there's one thing I know, it's how to cover my ass.
0:16:27 > 0:16:29I see this shit happen every day,
0:16:29 > 0:16:34and what you say and do right this minute is going to change the rest of your life.
0:16:34 > 0:16:37Go to confession later, but don't bury yourself now!
0:16:37 > 0:16:39MAN: Clear it out! Coming through!
0:16:39 > 0:16:42Come on, let's get up there. Come on.
0:16:42 > 0:16:46RICK: OK, those are state cops. They're gaming enforcement.
0:16:46 > 0:16:49They're going to try to muscle us, but we're not going to let that happen.
0:16:49 > 0:16:52We're first contact. When the feds get here, everybody writes from our report,
0:16:52 > 0:16:54and your story holds up because we say so.
0:16:54 > 0:16:56We just got to keep all media out of here until then.
0:16:56 > 0:16:58How long will it take the feds to get here?
0:16:58 > 0:17:00MAN: No comment.
0:17:00 > 0:17:02The FBI'S got to come from Trenton, so that's an hour,
0:17:02 > 0:17:05maybe an hour and a half with the storm.
0:17:05 > 0:17:08We just got to fight these guys for an hour and a half, and you're in the clear, OK?
0:17:08 > 0:17:11I can't lie. It isn't lying!
0:17:11 > 0:17:14You just tell them what you did right, and you leave out the rest!
0:17:14 > 0:17:17MAN: Shouldn't even be here. This is a crime scene.
0:17:17 > 0:17:20Or you can throw away your whole career.
0:17:27 > 0:17:28Lorton Pritzger, division of gaming enforcement.
0:17:28 > 0:17:30What the hell's going on here?
0:17:30 > 0:17:34187 with an officer-involved shooting. Secretary Kirkland was shot in the neck.
0:17:34 > 0:17:36Paramedics just wheeled him out, and that's the perpetrator.
0:17:36 > 0:17:38Security detail leader took him out.
0:17:43 > 0:17:45That's right. Commander Kevin Dunne. I'm with DOD.
0:17:45 > 0:17:47Who are you? Atlantic City major crimes.
0:17:47 > 0:17:49I'll take it now. No. Bullshit you will.
0:17:49 > 0:17:50This isn't my blood, all right?
0:17:50 > 0:17:52It's the Secretary's. I was sitting right in front of him.
0:17:52 > 0:17:54I'm a homicide detective and a material witness.
0:17:54 > 0:17:56This is mine in about six different ways!
0:17:56 > 0:17:58AC cops got no business in the casino.
0:17:58 > 0:17:59This is strictly DGE and state police.
0:17:59 > 0:18:02We're not on the casino floor, Gordo!
0:18:02 > 0:18:04And this arena ain't the Millennium yet.
0:18:04 > 0:18:06It's Atlantic City and that belongs to me!
0:18:06 > 0:18:09I'm acting case agent until relieved by appropriate federal authority.
0:18:09 > 0:18:10Now, you want to help?
0:18:10 > 0:18:13You tell your men to get all the media out.
0:18:13 > 0:18:15Unless you want the news to give the Secretary's wife and kids
0:18:15 > 0:18:18a close-up look at his internal organs!
0:18:18 > 0:18:21Phil, Jim, make this whole arena a crime scene. Shut it down!
0:18:21 > 0:18:22Nobody goes in or out
0:18:22 > 0:18:24until the main investigating party gets here.
0:18:24 > 0:18:25You the one that told them to seal the doors?
0:18:25 > 0:18:30You can't hold 14,000 people in these goddamn exit tunnels!
0:18:30 > 0:18:32Yes, we did, and yes, we can.
0:18:32 > 0:18:34Those are 14,000 eyewitnesses!
0:18:34 > 0:18:36We can detain them for as long as it takes
0:18:36 > 0:18:39to get 14,000 addresses and 14,000 phone numbers,
0:18:39 > 0:18:43and take 14,000 pictures, now that I think about it.
0:18:43 > 0:18:46Let's get the hell out of here.
0:18:48 > 0:18:49We're home free, baby.
0:18:49 > 0:18:51All right.
0:18:51 > 0:18:53The woman who ran away, you said she took something. What was it?
0:18:53 > 0:18:55A manilla envelope about this big.
0:18:55 > 0:18:57What did she look like?
0:18:57 > 0:18:59Caucasian, dressed in white, blood everywhere.
0:18:59 > 0:19:01She had a blond wig, dark hair underneath.
0:19:01 > 0:19:03All right. You stay here with every uniform you can get,
0:19:03 > 0:19:05I'll run a top to bottom and find her.
0:19:05 > 0:19:07You guys come with me.
0:19:07 > 0:19:10LOGAN: Excuse me, Commander Dunne, sir,
0:19:10 > 0:19:12could you give us the identity of the assassin, please?
0:19:12 > 0:19:14Sir, how does it feel to be a hero?
0:19:14 > 0:19:15MAN: Hey, you! Get out of here!
0:19:15 > 0:19:19We told you you can't be talking with people here. No press in the arena.
0:19:19 > 0:19:22RICK: I said no press inside the arena, Lou. Not in the arena!
0:19:22 > 0:19:25I can see why you want these others out of here, but I didn't think you were talking about me.
0:19:25 > 0:19:27You know what kind of break this is for me?
0:19:27 > 0:19:29You can't show this. Look at the mess!
0:19:29 > 0:19:32The guy's got a family. Have a heart, for Christ's sakes.
0:19:32 > 0:19:34All right, I won't shoot the spaghetti then.
0:19:34 > 0:19:36Come on. Whenever they make statements,
0:19:36 > 0:19:39they always have one pool reporter asking all the questions.
0:19:39 > 0:19:42That's the way they do it. Come on. Let me be the guy.
0:19:42 > 0:19:44They got the playback up there?
0:19:44 > 0:19:47Yeah. It's right up here. Look, you don't know what this would mean to me.
0:19:47 > 0:19:50You think I want to do this pay-per-view shit for the rest of my life?
0:19:50 > 0:19:52You know how Rather got his break?
0:19:52 > 0:19:54The goddamn Kennedy assassination!
0:19:54 > 0:19:56You make me sick, Lou!
0:19:56 > 0:19:58If you're going to be on TV,
0:19:58 > 0:20:01who better asking you the questions than your old pal Lou, huh?
0:20:01 > 0:20:04Plus I can have two grand cash in an hour and a half.
0:20:04 > 0:20:05You are a disgusting human being.
0:20:05 > 0:20:08Hey, five grand in an hour.
0:20:08 > 0:20:09Congratulations, Lou.
0:20:09 > 0:20:10Yes!
0:20:10 > 0:20:11You're the guy! Hook up out in the hallway.
0:20:11 > 0:20:13I don't want to see one TV camera inside.
0:20:13 > 0:20:15This whole arena's a crime scene.
0:20:15 > 0:20:18Rick, I got to tell you, I will always be there for you, my friend.
0:20:18 > 0:20:20Oh, yeah, and see if you can find me another shirt.
0:20:20 > 0:20:22I don't want to look like this.
0:20:22 > 0:20:24Got to be, you know, classy like you, Lou.
0:20:24 > 0:20:26Yeah.
0:20:26 > 0:20:31And, er, yeah, here's your hundred back. All bets are off.
0:21:02 > 0:21:04Secretary of Defence gets his head blown off,
0:21:04 > 0:21:07and you want to look at the knockout punch?
0:21:07 > 0:21:09Whoa, whoa, whoa. Back up.
0:21:11 > 0:21:12Stop.
0:21:14 > 0:21:17How many cameras do you have on it?
0:21:17 > 0:21:18I got four.
0:21:18 > 0:21:20All right. Let me see them all.
0:21:33 > 0:21:34I'll be damned.
0:21:34 > 0:21:36Air ball.
0:21:36 > 0:21:39What kind of a Sea Devil is that?
0:22:02 > 0:22:05Oh, God. What did you get yourself into?
0:22:08 > 0:22:12Look here, Mr Tyler- he ain't in the mood to talk to nobody.
0:22:12 > 0:22:15You see where your hand is? That's a felony!
0:22:30 > 0:22:32Meow.
0:22:36 > 0:22:42Give me a "C." Give me an "H." Give me an "a-m-P."
0:22:42 > 0:22:44What's that spell? Everybody! Champ!
0:22:44 > 0:22:46Lincoln, how you doing? Good to see you again.
0:22:46 > 0:22:48What, am I supposed to know you?
0:22:48 > 0:22:52Rick Santoro, Neptune High, fellow Sea Devil, class of '80.
0:22:52 > 0:22:54I don't remember you.
0:22:54 > 0:22:55Come on. You must have seen me plenty.
0:22:55 > 0:22:58My hair was long then, but whose wasn't, right?
0:22:58 > 0:22:59Mr Santoro...
0:22:59 > 0:23:01Detective. Detective Santoro.
0:23:01 > 0:23:03I know it might be a bad time,
0:23:03 > 0:23:05but can I get you to sign an autograph for my son?
0:23:05 > 0:23:07He thinks you're the greatest, just the greatest.
0:23:07 > 0:23:08To Mikey.
0:23:08 > 0:23:12I bet if you saw my graduation picture, the face would ring a bell.
0:23:12 > 0:23:15Look, I don't know you, OK?
0:23:15 > 0:23:17Lincoln, you hurt my feelings,
0:23:17 > 0:23:19and after I dropped ten grand on you.
0:23:19 > 0:23:23I think it would show more respect if you addressed my client as Mr Tyler.
0:23:23 > 0:23:27I'll call him Mr T the night he beat Rocky Balboa if he wants.
0:23:27 > 0:23:30He's a bad pony. I don't have to tell you, right?
0:23:30 > 0:23:34Yeah. Yeah, I saw Jimmy George - you know, the bookie.
0:23:36 > 0:23:38He was coming out of here before the fight.
0:23:38 > 0:23:42How much did you lose? Or did you win? Know what I mean?
0:23:42 > 0:23:43Wasn't his night.
0:23:43 > 0:23:45I'll say.
0:23:45 > 0:23:46They guy was a great fighter.
0:23:46 > 0:23:48You know, wow.
0:23:48 > 0:23:51You've never been knocked out your whole career.
0:23:51 > 0:23:53I mean ever - since your first golden gloves.
0:23:53 > 0:23:55I'd know. I've seen all your fights,
0:23:55 > 0:23:58what with us both being from the same school and all
0:23:58 > 0:24:00and both being Sea Devils and all.
0:24:00 > 0:24:03The man head-butted me, and I don't remember anything after that.
0:24:03 > 0:24:04Excuse me, would you drink a glass of water?
0:24:04 > 0:24:06You're lying so much, your mouth dried up,
0:24:06 > 0:24:08and you're making that funny smacking sound.
0:24:08 > 0:24:12Let me remind you who you're talking to, hotshot.
0:24:12 > 0:24:14Lincoln Tyler is a significant public figure.
0:24:14 > 0:24:16He's a goddamn pillar of this community.
0:24:16 > 0:24:17Now, let's keep that in mind,
0:24:17 > 0:24:20or this little interview that we're having here is over.
0:24:20 > 0:24:22Look, the Secretary - he's dead, isn't he?
0:24:22 > 0:24:24If you have a question, let me ask it for you.
0:24:24 > 0:24:28Look, Mickey, I just want to know if the guy is dead.
0:24:31 > 0:24:32Is he dead?
0:24:32 > 0:24:35Um, the smart money ain't on him.
0:24:37 > 0:24:41That's it. That is it. Ha-ha!
0:24:41 > 0:24:44Do you know who you remind me of out there? Sonny Liston!
0:24:44 > 0:24:46Remember in '65, they said,
0:24:46 > 0:24:50"Sonny, don't take any chances. Ali almost killed you the first time.
0:24:50 > 0:24:52"Take the payday. First punch, you go down."
0:24:52 > 0:24:54Flop! Splat! That's you!
0:24:54 > 0:24:57Detective, you either arrest him, or I'm going to ask you to leave.
0:24:57 > 0:24:58What would I arrest him for?
0:24:58 > 0:25:01What would I arrest you for, getting up too quick?
0:25:01 > 0:25:01What?
0:25:01 > 0:25:03What?! I saw you, and you saw me.
0:25:03 > 0:25:06And don't pretend you don't know who I am, girlie man.
0:25:06 > 0:25:08You wanted it to look like a knockout,
0:25:08 > 0:25:11but when you heard the gunshot, your eyes were open in half a second.
0:25:11 > 0:25:12Now you fall - understandable reaction
0:25:12 > 0:25:14but it kind of ruined the performance.
0:25:14 > 0:25:17Look, what the hell do you want from me? The man knocked me out!
0:25:17 > 0:25:22I went through the fight tape! Yeah! It was a phantom punch!
0:25:22 > 0:25:24A little bad Hollywood acting,
0:25:24 > 0:25:26but the athletic commission might find it interesting.
0:25:26 > 0:25:28And a second after you go down, an assassin fires.
0:25:28 > 0:25:32Wow. That's some coincidence. I guess they don't call you The Executioner for nothing!
0:25:32 > 0:25:34And you sign my kid's autograph!
0:25:34 > 0:25:37All right, that's it. Everybody, get out.
0:25:37 > 0:25:38Listen to me.
0:25:38 > 0:25:42Mickey! What don't you understand about this? Get the hell out of here!
0:25:42 > 0:25:44Go on! Get out!
0:25:53 > 0:25:54His name.
0:25:54 > 0:25:57Michael Santoro.
0:25:59 > 0:26:02MAN: This is a crime scene.
0:26:02 > 0:26:07'In order to exit the arena, we must see an authentic picture ID.
0:26:07 > 0:26:11'If you cannot produce one, you must step to the left,
0:26:11 > 0:26:14'where the officer will take your photograph and record your name and address.
0:26:14 > 0:26:16'I'll say this one more time.
0:26:16 > 0:26:21'No-one, and there will be no exceptions, will be allowed to exit the arena
0:26:21 > 0:26:24'until your identity has been recorded.
0:26:24 > 0:26:27'Everyone's co-operation will be greatly appreciated.'
0:26:30 > 0:26:32Uh!
0:26:34 > 0:26:37MAN: All right. Watch your step.
0:26:39 > 0:26:45Hey! Hey! Hey! We said no press in the arena, goddamn it!
0:26:45 > 0:26:47Go to your right.
0:26:47 > 0:26:48Clear the way.
0:26:48 > 0:26:50SIREN BLARES
0:26:50 > 0:26:52SHOUTING
0:27:01 > 0:27:03That punk fights like a bitch.
0:27:03 > 0:27:05He got no snap in his punches.
0:27:05 > 0:27:07He swings with his arm, no shoulder muscles.
0:27:07 > 0:27:09You threw the fight.
0:27:15 > 0:27:17If I say yes, can we cut some kind of deal?
0:27:17 > 0:27:19You don't need a deal.
0:27:19 > 0:27:21I'm not going to say anything to anybody.
0:27:21 > 0:27:23You pay me back the ten grand I lost
0:27:23 > 0:27:25plus 500 for shaming the ring, and I forgive you.
0:27:26 > 0:27:28What did you do it for?
0:27:28 > 0:27:29You can't need the money.
0:27:29 > 0:27:31You got to be worth millions.
0:27:31 > 0:27:33They didn't tell me they were going to kill somebody.
0:27:33 > 0:27:35Who? Who didn't tell you?
0:27:39 > 0:27:42Look, man, see, you just don't understand.
0:27:42 > 0:27:46I just gave away the one thing I know that makes me me...
0:27:49 > 0:27:51The Heavyweight Championship.
0:27:53 > 0:27:56Now I don't even have that.
0:27:56 > 0:27:58I don't even know who I am anymore.
0:27:58 > 0:28:00What did they have on you?
0:28:00 > 0:28:03Get them out of here, Cyrus.
0:28:03 > 0:28:05Oh, yo! Pay-per-view, huh?
0:28:05 > 0:28:06Man, great shot, buddy.
0:28:06 > 0:28:08Yeah, great shot, great shot. Terrific.
0:28:08 > 0:28:10Go on. Take a hike, OK?
0:28:10 > 0:28:12There's cameras everywhere, for Christ's sake.
0:28:12 > 0:28:14What if the guy from the commission comes in here,
0:28:14 > 0:28:16he wants to check your gloves, what are you going to do?
0:28:16 > 0:28:19Retire and live on your savings, huh? What savings?
0:28:19 > 0:28:21You got to have this freak show in here tonight of all nights?
0:28:21 > 0:28:23Mickey, Mickey. Come here, Mickey.
0:28:23 > 0:28:25Forget about it, Cyrus.
0:28:25 > 0:28:27I did not go to law school for this.
0:28:27 > 0:28:28Mickey, I...
0:28:28 > 0:28:30Keep your shirt on, Cyrus.
0:28:30 > 0:28:33Come on, Mickey. I'm trying to do this here.
0:28:33 > 0:28:34Four, right?
0:28:34 > 0:28:36MICKEY: No, no, no. We said three.
0:28:36 > 0:28:38The deal was three. We agreed.
0:28:38 > 0:28:39Hey, Mick.
0:28:39 > 0:28:41What do you want, Jimmy?
0:28:41 > 0:28:42Give me 35.
0:28:42 > 0:28:44If I could just get a second.
0:28:44 > 0:28:46Take a hike. I'll get you later. Get out of here.
0:28:46 > 0:28:49Look, man, I'm getting a lot of bets, OK?
0:28:49 > 0:28:52Very large bets against Lincoln, that is, OK?
0:28:52 > 0:28:55I'm just wondering... Would you please lower your voice?
0:28:55 > 0:28:56Yeah. OK, look, I'm sorry.
0:28:56 > 0:28:58Everybody knows that Lincoln likes the action, right?
0:28:58 > 0:29:02What I'm saying is, Lincoln likes to gamble, right?
0:29:02 > 0:29:03It's not a secret. Never on boxing.
0:29:03 > 0:29:05I've been through all this shit with the commission.
0:29:05 > 0:29:07I do not have to explain it to you. Never on boxing.
0:29:07 > 0:29:09You're right. Yeah, that's right. It's OK.
0:29:09 > 0:29:12It's just he's in heavy to some of the casinos.
0:29:12 > 0:29:13And some people are saying that maybe he's looking
0:29:13 > 0:29:15to clean up the books a little bit.
0:29:15 > 0:29:17Like, maybe Lincoln's decided tonight's not his night.
0:29:17 > 0:29:19You actually come into a fighter's dressing room
0:29:19 > 0:29:21to tell him there's a lot of action against him?
0:29:21 > 0:29:23And then you have the nerve to accuse him of what?
0:29:23 > 0:29:24I've never been this offended in my life.
0:29:24 > 0:29:27I want you to tell Lincoln what you just said to me.
0:29:27 > 0:29:28No, no, no.
0:29:28 > 0:29:29Lincoln! Listen.
0:29:29 > 0:29:31Jimmy's got something really interesting to tell you.
0:29:31 > 0:29:33Listen to this. Tell him. Come on.
0:29:33 > 0:29:36Forget it. Hey, forget everything I said.
0:29:36 > 0:29:37Knock 'em dead, champ.
0:29:37 > 0:29:39RICK: Jimmy George!
0:29:39 > 0:29:40Wait up a second.
0:29:40 > 0:29:42Come on, Rick. I got people waiting for me.
0:29:42 > 0:29:44Hey, that's Tyler! Ha-ha!
0:29:44 > 0:29:46What are you looking at? Go buy a ticket.
0:29:48 > 0:29:49You are never going to get away with this.
0:29:49 > 0:29:51Get out of my face, Mickey!
0:29:51 > 0:29:53Look at me. Look at yourself.
0:29:53 > 0:29:55No, no, no! Bleed, Mickey! Bleed!
0:29:55 > 0:29:57You taught me that.
0:29:57 > 0:29:58Remember, Mickey?
0:29:58 > 0:30:01No way, man. You got yourself into this.
0:30:01 > 0:30:03You get caught, you lose my phone number.
0:30:03 > 0:30:06I told you, you can't live like you do.
0:30:06 > 0:30:07You make yourself vulnerable.
0:30:07 > 0:30:08Everybody wants a piece of you.
0:30:08 > 0:30:11Look at this, man. They got all of you now.
0:30:11 > 0:30:12Unh!
0:30:13 > 0:30:15That's beautiful.
0:30:15 > 0:30:17That is... that's terrific. That's great.
0:30:17 > 0:30:18That's great. Jesus Christ.
0:30:18 > 0:30:19CYRUS: Mickey?
0:30:19 > 0:30:21Yeah. Come here. All right, Cyrus, look.
0:30:21 > 0:30:23Here it is, pal. Take it. Get lost, OK?
0:30:23 > 0:30:25Bets for the best, right, Mr Tyler?
0:30:25 > 0:30:27MICKEY: Come on. Get out of here.
0:30:27 > 0:30:29Tyler, Tyler...
0:30:29 > 0:30:31Tyler, Tyler.
0:30:31 > 0:30:33Uh! Uh! Tyler, Ty...
0:30:35 > 0:30:36All right, don't move.
0:30:36 > 0:30:38I'll be right back.
0:30:38 > 0:30:39Cyrus!
0:30:39 > 0:30:40Yo, yo!
0:30:40 > 0:30:41Cyrus!
0:30:41 > 0:30:42Yo!
0:30:43 > 0:30:46How much were you into the casinos for?
0:30:48 > 0:30:50Enough.
0:30:50 > 0:30:53The people that set this up said if I drop this one,
0:30:53 > 0:30:55they'd square everything I owed.
0:30:55 > 0:30:57Plus, if I lose to an underdog,
0:30:57 > 0:30:59it would set me up for a rematch,
0:30:59 > 0:31:02and a rematch is where the real money is.
0:31:02 > 0:31:04They didn't say what round they wanted it in.
0:31:04 > 0:31:07They were going to let me know during the fight.
0:31:07 > 0:31:08There was a guy in the front row.
0:31:08 > 0:31:10They told me what he was going to say,
0:31:10 > 0:31:13and it was going to be the signal to go down.
0:31:13 > 0:31:15I ain't never going to forget those words.
0:31:15 > 0:31:17"Here comes the pain."
0:31:20 > 0:31:24It was all I could do to keep from taking him out. Just one punch,
0:31:24 > 0:31:26shove that radio right through the side of his head.
0:31:26 > 0:31:28Radio?
0:31:28 > 0:31:30Yeah. He had one of those things in his ear.
0:31:30 > 0:31:32Anyway...
0:31:32 > 0:31:34the fight started.
0:31:34 > 0:31:35Come on, old man.
0:31:35 > 0:31:37See what you got. See what you got, old man.
0:31:37 > 0:31:40LINCOLN: 'I couldn't get that sucker
0:31:40 > 0:31:42'to take a decent swing at me.
0:31:42 > 0:31:43'He wouldn't stop talking,
0:31:43 > 0:31:45'like he was going to bullshit me to death.'
0:31:45 > 0:31:47You got to do better than that. Come on, baby.
0:31:47 > 0:31:48Ohh! Come on, now.
0:31:48 > 0:31:51You're too slow, man. Come on.
0:31:51 > 0:31:52RUIZ: What you going to do to me, huh?
0:31:58 > 0:32:01Ha ha! That's what I'm talking about.
0:32:01 > 0:32:02Whoo hoo hoo!
0:32:02 > 0:32:04Yeah! Come on, baby.
0:32:04 > 0:32:06Come on. Let's see what you got.
0:32:06 > 0:32:08Let's see what you got, old man.
0:32:08 > 0:32:11Come on. Bring it to me.
0:32:11 > 0:32:14Come on. Yeah! LAUGHING
0:32:24 > 0:32:25Yeah, I'm right here.
0:32:25 > 0:32:26I'm right here.
0:32:26 > 0:32:28Let me try that good stuff you got.
0:32:28 > 0:32:30Come on. You're too slow.
0:32:30 > 0:32:34LINCOLN: 'I was just trying to shut him up.
0:32:34 > 0:32:37'I barely even tapped him, and I almost won the fight.'
0:32:37 > 0:32:39REFEREE: Neutral corner.
0:32:39 > 0:32:411...
0:32:41 > 0:32:442...
0:32:44 > 0:32:473...
0:32:47 > 0:32:504...
0:32:50 > 0:32:535...
0:32:53 > 0:32:566...
0:32:56 > 0:32:597...
0:32:59 > 0:33:018...
0:33:05 > 0:33:07REFEREE: are you OK?
0:33:07 > 0:33:09Yeah. Yeah.
0:33:09 > 0:33:12CROWD CHEER
0:33:12 > 0:33:13Get it on!
0:33:15 > 0:33:17You punch like a bitch.
0:33:17 > 0:33:19This is a fight. Keep your...
0:33:20 > 0:33:24LINCOLN: 'And he did head-butt me. I wasn't lying about that.
0:33:24 > 0:33:27'Everything went wrong. It was like he was trying to screw up the deal.'
0:33:27 > 0:33:28I'm stopping the fight.
0:33:28 > 0:33:30Right after that, I got the signal.
0:33:30 > 0:33:32It was quicker than I thought.
0:33:32 > 0:33:35I don't know. Maybe they were getting nervous.
0:33:35 > 0:33:36Let's get it on.
0:33:36 > 0:33:38Here comes the pain, baby!
0:33:38 > 0:33:41Here comes the pain!
0:33:41 > 0:33:43Here comes the pain!
0:33:43 > 0:33:45I showed you what it's about.
0:33:45 > 0:33:48LINCOLN: 'I wasn't supposed to go down right away. They were very clear about that.
0:33:48 > 0:33:49'I had to take a punch, fall back into the corner,
0:33:49 > 0:33:51'let him charge in and knock me out.
0:33:51 > 0:33:54RICK: 'because they wanted everybody up on their feet, distracted,
0:33:54 > 0:33:56'giving them a clear shot right through the crowd.
0:33:56 > 0:34:00LINCOLN: 'But that punk-ass son of a bitch didn't swing through the punch,
0:34:00 > 0:34:03'and I was so far into the act in my own head, you know,
0:34:03 > 0:34:05'by the time I realised he didn't connect,
0:34:05 > 0:34:07'I was already in the corner.'
0:34:10 > 0:34:12RICK: You're a bum, Tyler!
0:34:12 > 0:34:14How could you do this to me?
0:34:14 > 0:34:15He's a bum!
0:34:15 > 0:34:17Get back.
0:34:17 > 0:34:18Neutral corner.
0:34:18 > 0:34:20Get back, man. Stay there.
0:34:20 > 0:34:221...
0:34:22 > 0:34:242...
0:34:24 > 0:34:263...
0:34:26 > 0:34:274...
0:34:27 > 0:34:28GUNSHOTS
0:34:28 > 0:34:295...
0:34:29 > 0:34:306...
0:34:30 > 0:34:31GUNSHOT
0:34:31 > 0:34:327...
0:34:32 > 0:34:348...
0:34:34 > 0:34:35GUNSHOT
0:34:35 > 0:34:369...
0:34:36 > 0:34:38But nobody was supposed to die.
0:34:38 > 0:34:39She never said anything about that.
0:34:39 > 0:34:41She?
0:34:41 > 0:34:42She?
0:34:42 > 0:34:44You hear that storm out there?
0:34:44 > 0:34:45THUNDER
0:34:45 > 0:34:47I wish it would blow this whole town away.
0:34:47 > 0:34:48No, no, no. Who's she?
0:34:48 > 0:34:50She's the one who came to me in the first place,
0:34:50 > 0:34:52told me I was supposed to go down.
0:34:52 > 0:34:54I never met anybody else but her.
0:34:54 > 0:34:55Did you get a name?
0:34:55 > 0:34:57Yeah. Name, address, serial number, 8" x 10" colour picture.
0:34:57 > 0:34:59You want to look at that, too?
0:34:59 > 0:35:01Do you remember anything unusual about her?
0:35:01 > 0:35:02Her hair maybe.
0:35:02 > 0:35:04What about it?
0:35:04 > 0:35:06It was bright red, like it was on fire.
0:35:08 > 0:35:10A Palestinian who's lived in the United States
0:35:10 > 0:35:12for the last six years.
0:35:12 > 0:35:15He's believed to be linked to a series of threatening letters
0:35:15 > 0:35:17written to various defence secretaries
0:35:17 > 0:35:19expressing outrage over the sale of missile systems
0:35:19 > 0:35:21and other weaponry to Israel.
0:35:21 > 0:35:23A handwritten note was found
0:35:23 > 0:35:25on Rabat's body.
0:35:25 > 0:35:27Could you hold that up, too, please?
0:35:27 > 0:35:30Apparently he intended it to be found after the shooting.
0:35:30 > 0:35:32Commander, what's in the note, sir?
0:35:32 > 0:35:35I can't disclose that until it's been studied by investigators.
0:35:35 > 0:35:38Commander, could you give us the condition of the Secretary, please?
0:35:38 > 0:35:40He was taken to Atlantic City medical centre,
0:35:40 > 0:35:43but I have no other information at this time.
0:35:43 > 0:35:46That's all I can say until the FBI joins the investigation.
0:35:46 > 0:35:47LOGAN: Thank you, commander.
0:35:47 > 0:35:49That was commander Kevin Dunne.
0:35:49 > 0:35:51You find her?
0:35:51 > 0:35:52No. She might have gone into the casino.
0:35:52 > 0:35:54There's a dozen service doors from here to there.
0:35:54 > 0:35:56We couldn't watch all of them.
0:35:56 > 0:35:58Double the men you have at the casino exits.
0:35:58 > 0:35:59I've got to talk to you.
0:35:59 > 0:36:00What is it?
0:36:00 > 0:36:01Let's go somewhere private.
0:36:02 > 0:36:04Just because a guy has
0:36:04 > 0:36:06something plugged into his ear...
0:36:06 > 0:36:08I asked. Tyler says it was a radio.
0:36:08 > 0:36:10OK, we'll check it out,
0:36:10 > 0:36:12but a compulsive gambler who admits he took a dive
0:36:12 > 0:36:14might not turn out to be the best witness...
0:36:14 > 0:36:16It's not just him. I'm betting that the redhead you followed
0:36:16 > 0:36:18is the same person who told Tyler to throw the fight.
0:36:18 > 0:36:20She's one, shooter's two, Tyler's three,
0:36:20 > 0:36:22the drunk who shouted the signal's four,
0:36:22 > 0:36:25and whoever was on the other end of that radio is five.
0:36:25 > 0:36:28Five people make a conspiracy, right?
0:36:28 > 0:36:30Yeah, yeah. Look, anything's possible,
0:36:30 > 0:36:31but I got to tell you.
0:36:31 > 0:36:34We've got a file an inch thick on this guy Rabat.
0:36:34 > 0:36:35He's a well-known nut case.
0:36:35 > 0:36:38It's clear he was ready to die for his cause.
0:36:38 > 0:36:39That's a suicide note.
0:36:39 > 0:36:42You know, "I fly into the arms of Allah"
0:36:42 > 0:36:43and shit like that.
0:36:43 > 0:36:46He was all worked up about our missile sales to Israel,
0:36:46 > 0:36:49and it's conceivable that he found out
0:36:49 > 0:36:50about the Norfolk test.
0:36:50 > 0:36:52Norfolk test, what's that?
0:36:52 > 0:36:54THUNDER
0:36:54 > 0:36:56Kevin, I know it's classified,
0:36:56 > 0:36:59but I am the investigating officer on the murder now.
0:37:02 > 0:37:03All right.
0:37:03 > 0:37:05But what are you chasing this for?
0:37:05 > 0:37:07You don't get out of bed
0:37:07 > 0:37:09unless there's an angle in it for you.
0:37:09 > 0:37:10Guys get elected president
0:37:10 > 0:37:13just for being in the right place at the right time,
0:37:13 > 0:37:15and I want to be mayor.
0:37:17 > 0:37:19Look...
0:37:19 > 0:37:24part of what I'm going to tell you - it could bury me.
0:37:24 > 0:37:27I hope you can keep this between us.
0:37:27 > 0:37:30Kevin, you're talking to your best friend,
0:37:30 > 0:37:33and loyalty's my only vice, so what's the problem?
0:37:33 > 0:37:37The problem is that I was in too good a mood.
0:37:39 > 0:37:42That trip to Norfolk was for a weapons test
0:37:42 > 0:37:43for the air guard,
0:37:43 > 0:37:46Powell's new anti-missile defence system.
0:37:46 > 0:37:47It's light-years ahead
0:37:47 > 0:37:49of the Sea Sparrows our ships have now.
0:37:49 > 0:37:51If we had this in the Gulf when the Renville...
0:37:53 > 0:37:55after the Renville incident,
0:37:55 > 0:37:57the old man picked me to sell it to Congress.
0:37:57 > 0:38:00Everybody at DOD wanted it to work, and it did.
0:38:00 > 0:38:01The test went beautifully.
0:38:01 > 0:38:04By the time we got to the fight tonight,
0:38:04 > 0:38:06we were all high as kites.
0:38:06 > 0:38:08I let the excitement get to me.
0:38:08 > 0:38:10I lost my edge.
0:38:10 > 0:38:12KEVIN: Can I see your ticket, please?
0:38:12 > 0:38:13My what?
0:38:13 > 0:38:16Your ticket, ma'am. I need to see your ticket for this seat.
0:38:16 > 0:38:17Oh, my ticket.
0:38:17 > 0:38:20Yeah, sure. I think I have it here.
0:38:20 > 0:38:21< PUNCHING
0:38:21 > 0:38:23CROWD CHEER
0:38:27 > 0:38:28KEVIN: Hey!
0:38:47 > 0:38:49KEVIN: Hold on a minute.
0:38:49 > 0:38:51I was talking to you back there. Where do you think you're going?
0:38:51 > 0:38:54I'm going to the ladies' room. Is that OK with you?
0:38:54 > 0:38:55In the middle of the first round?
0:38:55 > 0:38:57You're not much of a fight fan, I guess.
0:38:57 > 0:39:00Look, Sarge, I don't know who you are,
0:39:00 > 0:39:02but you have no right to hassle me like this.
0:39:02 > 0:39:04Look, I get paid to hassle people, ma'am.
0:39:04 > 0:39:07Show me your ticket, or I'll have you escorted out.
0:39:07 > 0:39:09OK, OK. I don't have a ticket.
0:39:09 > 0:39:11I mean, I have a ticket,
0:39:11 > 0:39:14but it's way up there in the nose bleed seats,
0:39:14 > 0:39:16and I couldn't see a thing, so...
0:39:16 > 0:39:18Listen, I do this all the time.
0:39:18 > 0:39:20They always let me get away with it.
0:39:20 > 0:39:22Come on. It's no big deal.
0:39:22 > 0:39:24It is tonight.
0:39:24 > 0:39:26What's so special about tonight?
0:39:26 > 0:39:28A very important man in the crowd.
0:39:28 > 0:39:30Oh. And you're, er...
0:39:30 > 0:39:33what? His bodyguard?
0:39:33 > 0:39:36That must be a very exciting job.
0:39:36 > 0:39:38Yeah. It's got its moments.
0:39:38 > 0:39:40GUNSHOTS
0:39:42 > 0:39:44CROWD SCREAM
0:39:50 > 0:39:53I was three feet away from a known terrorist,
0:39:53 > 0:39:57and I had my eyes buried in some broad's tits.
0:39:59 > 0:40:01Kevin, this might not make you feel better, but don't you see?
0:40:01 > 0:40:03That's what she was there for.
0:40:03 > 0:40:05That was the plan - to give you a boner.
0:40:05 > 0:40:07Ha! And you got one.
0:40:07 > 0:40:09Congratulations. You're human.
0:40:09 > 0:40:11Come on, Rick.
0:40:11 > 0:40:13Look on the bright side.
0:40:13 > 0:40:15I like you better. Golden boy screwed up.
0:40:15 > 0:40:17Wait a minute.
0:40:17 > 0:40:19We need to be very, very careful with this.
0:40:19 > 0:40:21We go out there and yell conspiracy,
0:40:21 > 0:40:23it's like waving a lunatic flag.
0:40:23 > 0:40:25We got to get our hands on the redhead
0:40:25 > 0:40:27or the guy that shouted the signal.
0:40:27 > 0:40:28If they're still in the building.
0:40:28 > 0:40:30And the woman who was talking to the Secretary.
0:40:30 > 0:40:33I'll stay after her. You try to find the other two.
0:40:33 > 0:40:34RICK: No, no. This is wrong.
0:40:34 > 0:40:36We're never going to find anything just walking around the arena.
0:40:36 > 0:40:37What if they've gone into the casino?
0:40:37 > 0:40:39I'm going to go up to surveillance.
0:40:39 > 0:40:41They've got cameras all over the place, just bitchin' technology.
0:40:41 > 0:40:42All right, you do that
0:40:42 > 0:40:43while I double-check with security,
0:40:43 > 0:40:45see if they found anything.
0:40:47 > 0:40:49THUNDER
0:41:26 > 0:41:28Well, I finally understand
0:41:28 > 0:41:31why you didn't want me to worry about your shooter.
0:41:31 > 0:41:33KEVIN: One less terrorist in the world.
0:41:33 > 0:41:37At least he did something productive on his way out.
0:41:37 > 0:41:39Did he know he was on a suicide mission?
0:41:41 > 0:41:42He does now.
0:41:42 > 0:41:44With all due respect, sir,
0:41:44 > 0:41:46we should have been out of here 11 minutes ago.
0:41:49 > 0:41:51Things have changed.
0:41:52 > 0:41:55We need to make an adjustment.
0:41:57 > 0:41:59KEVIN: A local cop made both of you.
0:41:59 > 0:42:01What?!
0:42:01 > 0:42:02He made us? How?
0:42:02 > 0:42:04It's not important.
0:42:04 > 0:42:06He's searching the building for you right now.
0:42:06 > 0:42:08So what do we do? Take them out?
0:42:08 > 0:42:09KEVIN: That's not an option.
0:42:09 > 0:42:11That's the only option.
0:42:11 > 0:42:12Negative.
0:42:12 > 0:42:14Not with this guy.
0:42:14 > 0:42:15Let's move out.
0:42:15 > 0:42:16Yes, sir.
0:42:16 > 0:42:18You do have a contingency plan,
0:42:18 > 0:42:20don't you, sir?
0:42:20 > 0:42:22Yes, but I don't like it.
0:42:22 > 0:42:23Why not?
0:42:23 > 0:42:25Because a soldier deserves better.
0:42:25 > 0:42:26SILENCED GUNSHOT
0:42:26 > 0:42:28Jesus Christ.
0:42:32 > 0:42:34I've been shot.
0:42:34 > 0:42:36I've been shot.
0:42:36 > 0:42:38I'm shot.
0:42:38 > 0:42:39I'm sorry.
0:42:39 > 0:42:40SILENCED GUNSHOT
0:42:40 > 0:42:42THUNDER
0:42:47 > 0:42:49MAN: I got 1,500 cameras -
0:42:49 > 0:42:52800 on the casino side, 720 on the hotel side,
0:42:52 > 0:42:54quadruple redundancy on the gaming floor.
0:42:54 > 0:42:56If they're down there, we'll find them.
0:42:56 > 0:42:57I appreciate it, Walt.
0:42:57 > 0:42:59No problem. You think one of these people is your shooter?
0:42:59 > 0:43:01We already got the shooter.
0:43:01 > 0:43:03Then what are you looking for?
0:43:03 > 0:43:04Where do we start?
0:43:04 > 0:43:05You tell me.
0:43:05 > 0:43:06Lobby.
0:43:06 > 0:43:08118.
0:43:08 > 0:43:10Can you go to the right?
0:43:10 > 0:43:11154.
0:43:11 > 0:43:13Keep moving.
0:43:13 > 0:43:14Let's go by section.
0:43:14 > 0:43:16HE PRESSES BUTTONS
0:43:17 > 0:43:18RICK: Keep going.
0:43:21 > 0:43:22No.
0:43:22 > 0:43:24CJ, punch up 383,
0:43:24 > 0:43:26the guy in the checkered shirt.
0:43:26 > 0:43:27What about him?
0:43:27 > 0:43:29Coin cup grabber. Look. Watch the money.
0:43:29 > 0:43:31You know him?
0:43:31 > 0:43:33Nah. You just get to read body language.
0:43:33 > 0:43:35There he goes. There he goes.
0:43:35 > 0:43:37WALT: See, somebody who wants to play the slots,
0:43:37 > 0:43:39they're staring at the machines,
0:43:39 > 0:43:41trying to guess which one is lucky.
0:43:41 > 0:43:43A grabber could care less. He checks out the people.
0:43:43 > 0:43:45He's like a pickpocket, only crude.
0:43:45 > 0:43:47You know, no skills.
0:43:47 > 0:43:48Keep going?
0:43:48 > 0:43:49Keep going.
0:43:49 > 0:43:51KEVIN ON TV: 'The identity of the assassin
0:43:51 > 0:43:53'is Tarik Ben Rabat, 37 years old,
0:43:53 > 0:43:56'a Palestinian who's lived in the United States
0:43:56 > 0:43:58'for the last six years.'
0:43:58 > 0:43:59MAN: Excuse me.
0:43:59 > 0:44:02Excuse me. Are you down on the race?
0:44:02 > 0:44:04KEVIN ON TV: 'Expressing outrage over the sale...'
0:44:04 > 0:44:06WOMAN: Oh.
0:44:06 > 0:44:07Yeah.
0:44:07 > 0:44:09MAN: Me, too.
0:44:09 > 0:44:12MAN: We've got two men covering every casino exit door.
0:44:12 > 0:44:13Nobody's seen her yet.
0:44:13 > 0:44:15SECOND MAN: Keep them there.
0:44:15 > 0:44:17We'll search the floor section by section.
0:44:17 > 0:44:19You are hot.
0:44:19 > 0:44:21So you want to come back to my room
0:44:21 > 0:44:23and have a little fun together?
0:44:24 > 0:44:28Um...who's, er...
0:44:28 > 0:44:30who's winning?
0:44:30 > 0:44:33Looks like the number four horse, daddy's hobby.
0:44:34 > 0:44:36Yeah?
0:44:36 > 0:44:38UNZIPPING
0:44:38 > 0:44:42Whew. God, I'm hot.
0:44:45 > 0:44:47Do you have air conditioning?
0:44:47 > 0:44:48Huh?
0:44:48 > 0:44:51In your room - air conditioning.
0:44:51 > 0:44:52Oh, yeah. Yeah.
0:44:52 > 0:44:55I keep it turned down real low. Ha ha!
0:44:55 > 0:44:56GIGGLES
0:45:00 > 0:45:01What you want?
0:45:01 > 0:45:04I need a word with Mr Tyler.
0:45:20 > 0:45:23ZIPPING
0:45:29 > 0:45:31I want to apologise, sir,
0:45:31 > 0:45:33for not securing the infrareds.
0:45:34 > 0:45:36The shooter missed the girl.
0:45:36 > 0:45:38There was nothing you could do.
0:45:49 > 0:45:53Walter, I think we got another hooker in the Princess Lounge.
0:45:53 > 0:45:54Punch up 596.
0:45:54 > 0:45:55Excuse me a second.
0:45:57 > 0:46:00She hasn't been there five minutes, she can't take her hands off him.
0:46:06 > 0:46:08Oh, my God, that's her.
0:46:08 > 0:46:09You said she had red hair.
0:46:09 > 0:46:10No, not that one. Somebody else. Where's that bar?
0:46:10 > 0:46:12They're leaving!
0:46:12 > 0:46:14Don't worry, Ricky. No problem. I'll stay with them.
0:46:14 > 0:46:17Come on. Grab a radio. Stay on channel 3.
0:46:17 > 0:46:19Here we go!
0:46:19 > 0:46:20Yeah, yeah.
0:46:20 > 0:46:22SHE GIGGLES
0:46:22 > 0:46:24THEY TALK SOFTLY
0:46:30 > 0:46:31That's her.
0:46:31 > 0:46:33We've located the girl.
0:46:33 > 0:46:34OK.
0:46:34 > 0:46:35Come on.
0:46:42 > 0:46:44Where is she?
0:46:44 > 0:46:46Over there by the elevators.
0:46:47 > 0:46:49I got it from here. Thanks.
0:46:49 > 0:46:51Done, sir.
0:47:14 > 0:47:16I don't see her, Walt.
0:47:16 > 0:47:17Walt, where is she?
0:47:17 > 0:47:18Walt!
0:47:18 > 0:47:20WALT: You're on the opposite side of the floor.
0:47:20 > 0:47:23They're playing the magnificent seven near the lobby elevators.
0:47:23 > 0:47:25Got 'em.
0:47:31 > 0:47:32I'm just playing my spare change.
0:47:32 > 0:47:34Yeah? Um, I want to go upstairs.
0:47:34 > 0:47:36Yeah, yeah. Me, too, me, too.
0:47:36 > 0:47:38Yeah. Um, I want to go...
0:47:38 > 0:47:39Yes!
0:47:39 > 0:47:41MACHINE BELL RINGS
0:47:48 > 0:47:51CHANGE FALLS INTO CUP
0:47:53 > 0:47:55Hey!
0:47:55 > 0:47:57I want to go upstairs now,
0:47:57 > 0:48:00and if you don't come with me, I'm sure somebody else will.
0:48:04 > 0:48:06WALT: Change of plans.
0:48:06 > 0:48:08They're at the elevators. Hang a right.
0:48:08 > 0:48:09Wait a minute!
0:48:16 > 0:48:18Shit!
0:48:21 > 0:48:22I missed her.
0:48:22 > 0:48:24You got her in the box?
0:48:24 > 0:48:25WALT: Yeah, Ricky, I got them.
0:48:25 > 0:48:29I'm taking this elevator. Tell me what floor they're on.
0:48:29 > 0:48:31So what kind of music do you like?
0:48:31 > 0:48:32Ow! What?
0:48:32 > 0:48:34I'm sorry. I just wanted a hug.
0:48:37 > 0:48:38What floor?
0:48:38 > 0:48:4135. What? What?
0:48:41 > 0:48:42Nothing.
0:48:42 > 0:48:45I just want to get upstairs.
0:48:47 > 0:48:49Walt, I got to know what floor.
0:48:49 > 0:48:51I can't make out the buttons.
0:48:51 > 0:48:53It's a high one.
0:48:53 > 0:48:55RICK: Can you pick them up when they get off?
0:48:55 > 0:48:57I'd have to check floor by floor. I'd lose 'em.
0:49:00 > 0:49:01WALT: Hang on.
0:49:01 > 0:49:03I got an idea.
0:49:17 > 0:49:19Come on, Walt.
0:49:19 > 0:49:22WALT: Yeah. This is McGahn of security.
0:49:22 > 0:49:25We have a Ned Campbell staying at the hotel.
0:49:26 > 0:49:27LIFT PINGS
0:49:30 > 0:49:32WOMAN: No, honey. That's going up.
0:49:35 > 0:49:36Walt!
0:49:39 > 0:49:40LIFT PINGS
0:49:40 > 0:49:42What room?
0:49:49 > 0:49:513517.
0:49:51 > 0:49:53You're a genius.
0:50:11 > 0:50:15MAN: OK! Man, this is going to be so much fun!
0:50:15 > 0:50:17LAUGHTER
0:50:17 > 0:50:20Come on. Come on.
0:50:20 > 0:50:21MEN TALK
0:50:23 > 0:50:25WOMAN LAUGHS
0:50:25 > 0:50:26WOMEN TALK
0:50:41 > 0:50:43< MAN AND WOMAN LAUGH
0:50:53 > 0:50:55WOMAN: Honey, come on.
0:50:55 > 0:50:58WOMAN ON TV: 'In the tri-state weather centre...'
0:50:58 > 0:51:01Oh, the weather is more important than me, baby?
0:51:01 > 0:51:03Look at me. Look at me!
0:51:03 > 0:51:06Look, honey, there's a hurricane on.
0:51:06 > 0:51:08So what?! I'm hot! Come on!
0:51:08 > 0:51:11You want to play rough, huh?
0:51:11 > 0:51:13I'll give you a little hurricane!
0:51:13 > 0:51:15Ha ha ha ha!
0:51:15 > 0:51:17ANCHORMAN ON TV: 'Secretary of defence Charles Kirkland
0:51:17 > 0:51:19'is in critical condition
0:51:19 > 0:51:21'at the Atlantic City medical centre
0:51:21 > 0:51:23'after being struck by an assassin's bullet
0:51:23 > 0:51:26'while attending a boxing match at the Atlantic City arena.
0:51:26 > 0:51:29'We've been getting live updates from the only reporter
0:51:29 > 0:51:31'allowed inside the arena,
0:51:31 > 0:51:34'a Lou Logan of Powell pay-per-view television.'
0:51:34 > 0:51:35MUSIC PLAYS LOUDLY
0:51:35 > 0:51:36MEN SHOUT
0:51:47 > 0:51:49NED: Hold it down in there!
0:51:49 > 0:51:51People are trying to sleep!
0:51:51 > 0:51:55ANCHORMAN: And we've also learned that Rabat left what may have been a suicide note,
0:51:55 > 0:51:58which was found on his body by police in the moments after the shooting took place.
0:51:58 > 0:52:01HE TURNS OFF TELEVISION AND TURNS ON MELLOW JAZZ MUSIC
0:52:11 > 0:52:13Ohh.
0:52:19 > 0:52:21OK.
0:52:33 > 0:52:34Hi.
0:52:34 > 0:52:36Hi. Ha ha!
0:52:36 > 0:52:38I hope you don't mind. I borrowed your shirt.
0:52:38 > 0:52:39Oh, not at all.
0:52:39 > 0:52:42I happen to think women look very sexy in men's shirts.
0:52:42 > 0:52:43Oh. Ha ha!
0:52:43 > 0:52:45Ha ha ha!
0:52:45 > 0:52:46OK.
0:52:46 > 0:52:50Um, can you just hold on one minute, OK?
0:52:50 > 0:52:51Oh, OK.
0:52:53 > 0:52:55Oh, please.
0:52:55 > 0:52:56NED: Excuse me.
0:52:56 > 0:52:58You're the one who was practically giving me the knob job
0:52:58 > 0:53:00down in the bar.
0:53:00 > 0:53:01I'm sorry. I need a place where I can just wait,
0:53:01 > 0:53:03and then I'll go.
0:53:03 > 0:53:05A place where you can just wait and go.
0:53:05 > 0:53:07What do you think this is - a bus stop?!
0:53:15 > 0:53:17What, are you on drugs or something? Yeah.
0:53:17 > 0:53:19I should've figured this out. You look like hell.
0:53:19 > 0:53:21Did you come up here to rob me? Is that what you were thinking?
0:53:21 > 0:53:23Look, I'm in trouble. Somebody shot at me, OK?
0:53:23 > 0:53:25Great. Now I've heard everything. Let's go.
0:53:25 > 0:53:27Wait. Do you know what's going on tonight? Have you heard?
0:53:27 > 0:53:29Listen, I am a very happily married man,
0:53:29 > 0:53:32and I don't need your kind of trouble, so let's go.
0:53:32 > 0:53:34Just a half an hour. No, wait. Please!
0:53:34 > 0:53:35Get out!
0:53:35 > 0:53:36Aah!
0:53:36 > 0:53:36Sorry.
0:53:36 > 0:53:37Who are you?
0:53:37 > 0:53:38Take a walk.
0:53:38 > 0:53:40What the hell's going on here?
0:53:40 > 0:53:41I said, take a walk!
0:53:45 > 0:53:47It's my room, damn it!
0:53:47 > 0:53:49Hi. Remember me? I'm Detective Santoro.
0:53:49 > 0:53:51I shoved you out of the way of that bullet.
0:53:51 > 0:53:52Yeah. Can you please help me?
0:53:52 > 0:53:54I need to get out of this building.
0:53:54 > 0:53:56The first thing we're going to do is get you out of this room.
0:53:59 > 0:54:01So you can calm down. We're going to have a little talk, OK?
0:54:01 > 0:54:02Yeah.
0:54:04 > 0:54:05This hotel sucks!
0:54:05 > 0:54:06What's the problem?
0:54:06 > 0:54:08Some guy just busted into my room.
0:54:08 > 0:54:09What guy? Where?
0:54:09 > 0:54:11Come on. I'll show you.
0:54:15 > 0:54:17There I am, minding my own business,
0:54:17 > 0:54:19writing a letter to my lovely wife,
0:54:19 > 0:54:21and some guy just busts in.
0:54:35 > 0:54:37She must have gone with him.
0:54:37 > 0:54:39Hey, is that a silencer?
0:54:39 > 0:54:41What did he look like?
0:54:43 > 0:54:46Where are you going? What's the matter with you?
0:54:46 > 0:54:47He's following me.
0:54:47 > 0:54:49You're with me now. You're safe.
0:54:49 > 0:54:52I'm your cop. I'm going to protect you. I'm going to serve you.
0:54:52 > 0:54:54We got a very cosy little step here,
0:54:54 > 0:54:56so why don't we just sit down? Calm down.
0:54:56 > 0:54:58Take a deep breath. How's your arm?
0:54:58 > 0:55:00Oh, it's fine. Thanks.
0:55:00 > 0:55:02You're not going to die on me? No.
0:55:02 > 0:55:03We can talk for a minute?
0:55:03 > 0:55:05Yeah. OK.
0:55:07 > 0:55:09No, thank you.
0:55:09 > 0:55:10THUNDER
0:55:10 > 0:55:14Um, why'd you run away from me?
0:55:15 > 0:55:17You know what? I don't know.
0:55:17 > 0:55:18I don't know what I'm doing.
0:55:18 > 0:55:21All right. I'm not interested in what you don't know.
0:55:21 > 0:55:23What I'm interested in is what you do know.
0:55:23 > 0:55:25Please.
0:55:25 > 0:55:28OK. Um...
0:55:28 > 0:55:31I, er, I work at Powell Aircraft.
0:55:31 > 0:55:34I put together the ballistics reports
0:55:34 > 0:55:35we issue after weapons tests.
0:55:35 > 0:55:37You're talking about missiles?
0:55:37 > 0:55:39Right. Now, the newest missile, the air guard,
0:55:39 > 0:55:41I've been tracking its results
0:55:41 > 0:55:44for the past couple months, and they are perfect.
0:55:44 > 0:55:46These tests are never perfect,
0:55:46 > 0:55:48so I knew something was wrong,
0:55:48 > 0:55:50but I didn't know who I could trust.
0:55:50 > 0:55:53I sent an anonymous e-mail to Secretary Kirkland
0:55:53 > 0:55:54telling him that I suspected
0:55:54 > 0:55:56that these results were doctored.
0:55:56 > 0:56:00He actually wrote me back, and he told me to get him proof.
0:56:00 > 0:56:03Yesterday I got it, and I told him that I wanted
0:56:03 > 0:56:05to give it to him in person.
0:56:05 > 0:56:08He told me to bring it to the fight tonight.
0:56:08 > 0:56:10WOMAN: Secretary Kirkland, welcome to Atlantic City.
0:56:10 > 0:56:11Are you here on official business?
0:56:11 > 0:56:14Not for a couple of hours. I'm just another fight fan.
0:56:14 > 0:56:16JULIA, VOICE-OVER: I couldn't get near him
0:56:16 > 0:56:18when they first came in. Powell was all over him.
0:56:18 > 0:56:20The South Jersey worker we are interested in tonight
0:56:20 > 0:56:22is the Atlantic City executioner!
0:56:22 > 0:56:24So I decided to wait until the fight started,
0:56:24 > 0:56:27and I had no idea where they were sitting,
0:56:27 > 0:56:29so I went up top to get a better view.
0:57:20 > 0:57:23RICK: All right. Hold it. Hold it. Stop right there.
0:57:23 > 0:57:26This is Dunne you're talking about.
0:57:26 > 0:57:28Naval uniform. Commander Kevin Dunne.
0:57:28 > 0:57:29Right.
0:57:29 > 0:57:30Talking with Rabat before he shoots Kirkland.
0:57:30 > 0:57:33Yeah. I recognised him. I had just seen him come in.
0:57:33 > 0:57:37Then you saw wrong. It wasn't Dunne. He could not be a part of it.
0:57:37 > 0:57:39Will you just listen to the rest?
0:58:06 > 0:58:07WOMAN: I'm sorry.
0:58:07 > 0:58:09RICK: That seat is taken.
0:58:09 > 0:58:12Oh, but you can sit here.
0:58:12 > 0:58:14I'll just need one minute.
0:58:14 > 0:58:15Me, too.
0:58:15 > 0:58:17It's in the pocket.
0:58:17 > 0:58:19Excuse me. Did you say something?
0:58:19 > 0:58:20It's in the pocket.
0:58:20 > 0:58:22Possible make.
0:58:22 > 0:58:23So you've been writing to me.
0:58:23 > 0:58:25Just look in the envelope, Mr Secretary.
0:58:25 > 0:58:26What is it?
0:58:26 > 0:58:28It's the satellite infrareds from yesterday's tests.
0:58:28 > 0:58:29They gave me those.
0:58:29 > 0:58:30They showed convergent impact.
0:58:30 > 0:58:32Then they gave you doctored copies.
0:58:32 > 0:58:34Make this good. Stand by.
0:58:34 > 0:58:36Please just look for yourself.
0:58:37 > 0:58:39OK. I need you to look at the heat flashes
0:58:39 > 0:58:41here at the moment of impact.
0:58:41 > 0:58:42Start the car.
0:58:42 > 0:58:43Copy.
0:58:43 > 0:58:45But there's two every time.
0:58:45 > 0:58:46The target blows up,
0:58:46 > 0:58:48but the air guard never gets within ten metres of it.
0:58:48 > 0:58:50Then why would the target blow up?
0:58:50 > 0:58:51Because they rigged it, Mr Secretary.
0:58:51 > 0:58:53They put on a fireworks display for you.
0:58:53 > 0:58:56The air guard doesn't work, and the company knows the system doesn't work,
0:58:56 > 0:58:58but they're pushing it through anyway.
0:58:58 > 0:59:00I know what they're thinking -
0:59:00 > 0:59:02we get it approved now, we say we're sorry, and we fix it later,
0:59:02 > 0:59:05but I am telling you, you're the one that's going to be sorry.
0:59:05 > 0:59:06Jesus Christ. Bert Powell is out of his mind.
0:59:06 > 0:59:09If you deploy that weapons system and a war breaks out -
0:59:09 > 0:59:11All right. I get the picture.
0:59:11 > 0:59:12Don't make any plans for the next
0:59:12 > 0:59:13six months, young lady.
0:59:13 > 0:59:15You're going to be sending
0:59:15 > 0:59:16some people to jail. Oh!
0:59:18 > 0:59:19Oh!
0:59:21 > 0:59:24PEOPLE SCREAMING
0:59:34 > 0:59:36No. That's not what happened.
0:59:36 > 0:59:37That's not what happened.
0:59:37 > 0:59:41WOMAN: I'm sorry. I wish I didn't know any of this, either.
0:59:41 > 0:59:43Who the hell do you think you are, lady?
0:59:43 > 0:59:46Sticking your nose in where it doesn't belong.
0:59:46 > 0:59:48You're a number-cruncher.
0:59:48 > 0:59:50Just crunch the goddamn numbers!
0:59:50 > 0:59:52I was doing my job.
0:59:52 > 0:59:54We were creating a defence system
0:59:54 > 0:59:56that was supposed to save people's lives.
0:59:56 > 0:59:58They're building the factory
0:59:58 > 1:00:00in a disadvantaged part of the state.
1:00:00 > 1:00:01This was a good thing to do.
1:00:01 > 1:00:03"It was a good thing to do."
1:00:03 > 1:00:06Jesus, somebody hands you a line, you just swallow it whole, don't you?
1:00:06 > 1:00:07Just a little goody two-shoes.
1:00:07 > 1:00:08Yeah. I believed in what we were doing,
1:00:08 > 1:00:10and they corrupted it, so somebody had to speak up.
1:00:10 > 1:00:12I mean, it's important.
1:00:12 > 1:00:13Does it feel important now?
1:00:13 > 1:00:16Did it feel important when the bullet hit?
1:00:16 > 1:00:18I had no choice. I can't live with the blood
1:00:18 > 1:00:21of innocent soldiers on me, OK? Whose side are you on?
1:00:21 > 1:00:23My side.
1:00:23 > 1:00:26An e-mail. You let them know you were coming.
1:00:26 > 1:00:28They just sat back and waited for you to show your face.
1:00:28 > 1:00:30I was careful. I waited till Powell left.
1:00:30 > 1:00:32I didn't sit down till it was clear.
1:00:32 > 1:00:35No. You sat down exactly when they wanted you to.
1:00:35 > 1:00:36They opened the door,
1:00:36 > 1:00:38and you walked on through right on cue.
1:00:38 > 1:00:40They didn't miss him with that second shot. They missed you.
1:00:45 > 1:00:49I thought I'd get fired, not...killed.
1:00:51 > 1:00:54What do we do now?
1:00:54 > 1:00:57Well, are you a cop, or aren't you?
1:00:57 > 1:00:59I can't get past the men at the doors by myself,
1:00:59 > 1:01:02but with you, I'd be fine. You just get me outside,
1:01:02 > 1:01:03you don't have to think about me again.
1:01:03 > 1:01:05I can take care of myself.
1:01:05 > 1:01:07You did a hell of a job so far.
1:01:08 > 1:01:10Look, I'm sorry if I -
1:01:10 > 1:01:12Who gives a shit if you're sorry?!
1:01:12 > 1:01:14What are you mad at me for?
1:01:14 > 1:01:16Because I didn't have to know!
1:01:16 > 1:01:18You decided to have this problem, not me!
1:01:18 > 1:01:20My world would have gone on turning just fine,
1:01:20 > 1:01:22but now either way I look,
1:01:22 > 1:01:24I have to do something I don't want to do.
1:01:24 > 1:01:27Do you understand what I'm saying? I do not want to do this!
1:01:29 > 1:01:30Do what?
1:01:32 > 1:01:34THUNDER
1:01:48 > 1:01:49How old are you?
1:01:51 > 1:01:53I'm 26.
1:01:53 > 1:01:56Do-Do you have, er, family around here?
1:01:56 > 1:01:58My mother in New York.
1:01:58 > 1:02:00Do you have a husband?
1:02:01 > 1:02:03No.
1:02:03 > 1:02:04Boyfriend?
1:02:04 > 1:02:06Why are you asking me all this?
1:02:06 > 1:02:09Kevin. Kevin Dunne.
1:02:09 > 1:02:11You're positive he's the one you saw with Rabat
1:02:11 > 1:02:12before the shots were fired?
1:02:12 > 1:02:15Let me tell you a little something about Kevin Dunne.
1:02:15 > 1:02:16You know him.
1:02:16 > 1:02:19He is one of the most honourable dudes on the planet!
1:02:19 > 1:02:22Yeah, I know him, and you could be wrong.
1:02:22 > 1:02:25Yeah, you could. There were people rushing in front of you,
1:02:25 > 1:02:27and you were nervous, and you were scared.
1:02:27 > 1:02:29You could be wrong. Isn't it possible?
1:02:29 > 1:02:30Yes.
1:02:30 > 1:02:31Isn't it so?
1:02:31 > 1:02:33Yeah. Now that I think about it,
1:02:33 > 1:02:34I think I could be wrong.
1:02:34 > 1:02:36You remember, I told you that my glasses,
1:02:36 > 1:02:39they had fallen off, and I couldn't quite focus.
1:02:39 > 1:02:41I don't think it was him.
1:02:41 > 1:02:43Your glasses didn't fall off till after the gunshots -
1:02:44 > 1:02:46Ah, shit.
1:02:46 > 1:02:48POWELL: What happened with the girl?
1:02:48 > 1:02:51The cop shoved her out of the way,
1:02:51 > 1:02:53and he's got her now somewhere.
1:02:53 > 1:02:55The cop?
1:02:55 > 1:02:57You mean, your cop?
1:02:57 > 1:02:59Yes.
1:02:59 > 1:03:01But it's all good, right?
1:03:01 > 1:03:02Because you've said he's controllable.
1:03:02 > 1:03:05Absolutely. He's only chasing this down
1:03:05 > 1:03:08because he thinks it's a career opportunity.
1:03:08 > 1:03:12Chasing it down? What? You said he'd sit back.
1:03:12 > 1:03:15This doesn't sound like he's sitting back.
1:03:15 > 1:03:17It sounds like he's conducting an active investigation,
1:03:17 > 1:03:19a very dangerous investigation.
1:03:19 > 1:03:21THUNDER
1:03:21 > 1:03:22Kirkland died ten minutes ago.
1:03:22 > 1:03:24Five minutes from now, I got to be on TV.
1:03:24 > 1:03:28What is it? Yes or no? We got a goddamn Columbo running around loose?
1:03:28 > 1:03:30No operation goes exactly as planned.
1:03:30 > 1:03:32You don't panic.
1:03:32 > 1:03:35You stay calm and tie up loose ends.
1:03:35 > 1:03:37What do you think I've been doing for the last hour?
1:03:37 > 1:03:41Jesus Christ! This is not the plan I invested in!
1:03:41 > 1:03:45In the plan I bought, that prairie populist
1:03:45 > 1:03:49who was criminally dismantling the entire armed forces goes down!
1:03:49 > 1:03:52The disloyal employee, she goes down with him!
1:03:52 > 1:03:56The fanatical terrorist, he takes the rap!
1:03:56 > 1:03:58The air guard missile contract is approved,
1:03:58 > 1:04:03and I-I get enough money to finish the goddamn Millennium!
1:04:03 > 1:04:05It was a good plan!
1:04:05 > 1:04:09No humiliation. No scandal. No prison!
1:04:09 > 1:04:11We're still contained.
1:04:15 > 1:04:18Once the girl is gone, it's only me...
1:04:18 > 1:04:20and two men I trust.
1:04:20 > 1:04:23Two? I thought there were four.
1:04:24 > 1:04:27Did we have another acceptable loss?
1:04:30 > 1:04:33I'm not on that list, am I?
1:04:40 > 1:04:42We'll be safe in here.
1:04:42 > 1:04:43Safe?
1:04:43 > 1:04:45I'm giving you a place to hide.
1:04:45 > 1:04:47I don't want to hide. I want to get out, OK?
1:04:47 > 1:04:49I'll be back in ten minutes,
1:04:49 > 1:04:50take you out through the casino.
1:04:50 > 1:04:52Where are you going?
1:04:52 > 1:04:53Rick?
1:04:53 > 1:04:55Rick, the door is locked.
1:04:55 > 1:04:57BANGING
1:04:57 > 1:04:58Rick!
1:04:58 > 1:05:00Rick, let me out, please!
1:05:00 > 1:05:03Rick, please, just let me out, OK?
1:05:03 > 1:05:05I'll get out on my own.
1:05:07 > 1:05:08Rick!
1:05:08 > 1:05:10Hey, Rick.
1:05:10 > 1:05:12Here.
1:05:12 > 1:05:16Come on. It's the five grand for letting me be the guy.
1:05:16 > 1:05:19Oh. A little something extra here.
1:05:19 > 1:05:21You're all heart, Rick.
1:05:21 > 1:05:24MAN: I can't believe we got called out in this rain!
1:05:34 > 1:05:36Sir, this entire area is now the site
1:05:36 > 1:05:38of an FBI investigation. You'll have to leave.
1:05:38 > 1:05:39Oh, OK.
1:05:42 > 1:05:45Log in Santoro. He's AC police.
1:05:51 > 1:05:53Here comes the pain, baby!
1:05:53 > 1:05:55Here comes the pain!
1:05:55 > 1:05:57Here comes the pain!
1:05:57 > 1:05:58BOXERS PUNCHING
1:06:01 > 1:06:04You're a bum, Lincoln Tyler!
1:06:04 > 1:06:06How could you do - He's a bum!
1:06:06 > 1:06:09TELEPHONE RINGS
1:06:09 > 1:06:10Hello?
1:06:10 > 1:06:11WOMAN: Hi, Ricky! It's me!
1:06:11 > 1:06:13Up here, sweetie! Over here, sweetie!
1:06:13 > 1:06:15It's me - your lucky number.
1:06:15 > 1:06:16My lucky number?
1:06:16 > 1:06:17Up here!
1:06:17 > 1:06:22Aah! Aah! Aah!
1:06:26 > 1:06:28THUNDER
1:06:37 > 1:06:40CAMERAMAN: It's called the zero-gravity flying eye.
1:06:40 > 1:06:42New camera. Got it in this morning.
1:06:42 > 1:06:44So nobody knew you had it?
1:06:44 > 1:06:46Well, I knew. It's remote control.
1:06:46 > 1:06:49It floated all around the arena to get crowd reaction.
1:06:55 > 1:06:57Let me see its tape.
1:07:08 > 1:07:12I-I need to look at this part alone.
1:07:12 > 1:07:13Come on.
1:07:13 > 1:07:14STOPS TAPE
1:07:14 > 1:07:16You're the man.
1:07:32 > 1:07:34PLAYS TAPE
1:07:40 > 1:07:43GUNSHOTS
1:07:43 > 1:07:44RICK: Oh, man.
1:07:47 > 1:07:49Oh, man.
1:08:02 > 1:08:03KEVIN: They were specifically told
1:08:03 > 1:08:06they couldn't have a camera up there.
1:08:16 > 1:08:18Don't give me that wounded look.
1:08:18 > 1:08:20You haven't got the face for it.
1:08:20 > 1:08:22POWELL: I just received word
1:08:22 > 1:08:25Secretary Charles Evans Kirkland is dead.
1:08:25 > 1:08:28He passed away at 10:48 pm.
1:08:28 > 1:08:31At this time, I'd like to extend my deepest sympathies
1:08:31 > 1:08:33to the secretary's family...
1:08:35 > 1:08:38and to the nation, to the people
1:08:38 > 1:08:41that he so faithfully and proudly served.
1:08:45 > 1:08:46And, er...
1:08:49 > 1:08:51I have something else to say.
1:08:53 > 1:08:58To those that would try to bully us or to terrorise us,
1:08:58 > 1:09:00to divert us from the causes
1:09:00 > 1:09:01of peace and justice...
1:09:01 > 1:09:03Kevin.
1:09:03 > 1:09:07I want you to know that in spite of what's happened here tonight,
1:09:07 > 1:09:09we are not deterred.
1:09:09 > 1:09:12Production of the air guard missile system
1:09:12 > 1:09:15will go ahead, in accordance
1:09:15 > 1:09:17with Secretary Kirkland's wishes.
1:09:17 > 1:09:21That's called the first draft of history.
1:09:21 > 1:09:23It's going to hold.
1:09:25 > 1:09:28Why did it have to be me?
1:09:28 > 1:09:31Why did you want me next to him?
1:09:31 > 1:09:35One - I needed a cop to back up my alibi.
1:09:35 > 1:09:36Two -
1:09:36 > 1:09:39I knew you could be bought if anything went wrong.
1:09:39 > 1:09:44No offence, pal, but I never thought you'd get as far as you did.
1:09:44 > 1:09:46You're my best friend.
1:09:46 > 1:09:49You used me...
1:09:49 > 1:09:51made me a sucker.
1:09:53 > 1:09:55And that hurts me
1:09:55 > 1:09:58because I would have done anything for you.
1:09:59 > 1:10:02Then tell me where the girl is.
1:10:04 > 1:10:06She didn't do nothing wrong. She was just trying
1:10:06 > 1:10:09to save some guys' lives, soldiers, like you used to be.
1:10:09 > 1:10:11Who the hell are you now, anyway?
1:10:11 > 1:10:12Don't talk to me about soldiers.
1:10:12 > 1:10:14What do you know about being a good soldier,
1:10:14 > 1:10:16a guy who finds an envelope full of cash
1:10:16 > 1:10:18in his squad car every Friday?
1:10:18 > 1:10:20What do you think I've been doing for the last ten years?
1:10:20 > 1:10:22Strutting on the boardwalk and picking up hookers?
1:10:24 > 1:10:27When The Renville took that Iraqi missile hit below decks,
1:10:27 > 1:10:29do you know what happened?
1:10:29 > 1:10:31A hole ripped open in her bulkhead,
1:10:31 > 1:10:34and the sea flooded in. We had 60 seconds
1:10:34 > 1:10:35to maintain watertight integrity.
1:10:35 > 1:10:40I had to go below and give the order to dog the hatches.
1:10:40 > 1:10:43That meant the 28 men that were still
1:10:43 > 1:10:45in the main engine space were trapped.
1:10:48 > 1:10:51You ever listen to a man drowning?
1:10:53 > 1:10:56They don't die quietly.
1:10:57 > 1:11:01Those men deserved a decent point-defence system.
1:11:01 > 1:11:03The air guard is it.
1:11:03 > 1:11:05Yeah, it has glitches,
1:11:05 > 1:11:08but you don't abandon the whole system
1:11:08 > 1:11:11because of a few bugs. You fix it.
1:11:11 > 1:11:15Charles Kirkland was a politician -
1:11:15 > 1:11:18a baby-kisser, not a soldier -
1:11:18 > 1:11:21and when the political winds said cut defence spending,
1:11:21 > 1:11:25he started playing political games with real soldiers' lives.
1:11:25 > 1:11:27He forced Powell into an early test.
1:11:27 > 1:11:29He positioned the system to fail
1:11:29 > 1:11:32because he didn't want to pay for it. So we pay!
1:11:34 > 1:11:35We die.
1:11:41 > 1:11:43We need the air guard,
1:11:43 > 1:11:46and that girl is in the way now, Rick.
1:11:46 > 1:11:49Just - Just tell me where she is.
1:11:58 > 1:12:00All right, Rick.
1:12:00 > 1:12:02Pick a number.
1:12:02 > 1:12:05How much is it going to take for you to look the other way
1:12:05 > 1:12:07like you have all your life?
1:12:07 > 1:12:09300 grand? 500?
1:12:10 > 1:12:12750?
1:12:13 > 1:12:15A million dollars?
1:12:17 > 1:12:21One million. A million bucks.
1:12:21 > 1:12:22You hit the jackpot here.
1:12:22 > 1:12:25All you have to do is cash in the ticket.
1:12:26 > 1:12:29Don't you think Angela would like a few nice things
1:12:29 > 1:12:30for once in her life?
1:12:30 > 1:12:32Don't you think she deserves them?
1:12:55 > 1:12:58QUIETLY: I never killed nobody.
1:12:58 > 1:13:00What?
1:13:01 > 1:13:04I said I never killed nobody.
1:13:04 > 1:13:08You won't have to. She's my problem.
1:13:08 > 1:13:10You just tell me where she is.
1:13:10 > 1:13:12You'll never hear another word about her.
1:13:17 > 1:13:20One million dollars.
1:13:43 > 1:13:46Kevin, that's a whole shitload of money, but...
1:13:46 > 1:13:48I can't do it.
1:13:51 > 1:13:55Kevin, you just pulled a gun on me.
1:13:55 > 1:13:57Get back.
1:13:59 > 1:14:02Oh, boy.
1:14:02 > 1:14:03Oh, god.
1:14:06 > 1:14:10Goddamn it. I'm under a lot of pressure here, all right?
1:14:14 > 1:14:15Be smart.
1:14:17 > 1:14:18Just take the money.
1:14:20 > 1:14:23Please, Rick. You're all alone on this.
1:14:23 > 1:14:25What about Tyler?
1:14:25 > 1:14:27Yeah. If he talked to me,
1:14:27 > 1:14:28he'll talk to somebody else.
1:14:42 > 1:14:44KEVIN: Lincoln and I
1:14:44 > 1:14:45have come to an understanding.
1:14:49 > 1:14:51You got nothing, kiddo.
1:14:51 > 1:14:53Snake eyes.
1:14:53 > 1:14:55The house wins.
1:14:56 > 1:14:58Now, where is she?
1:14:58 > 1:15:00Fuck you.
1:15:00 > 1:15:02RICK SCREAMING
1:15:05 > 1:15:07KEVIN: Don't make it so he can't talk.
1:15:07 > 1:15:10Why don't you at least try, man?
1:15:10 > 1:15:11I'll try.
1:15:13 > 1:15:15RICK: That's not a punch.
1:15:15 > 1:15:16Come on, girlie-man!
1:15:16 > 1:15:19Show me what you got, champ! This is the champ?
1:15:19 > 1:15:22Look, why don't you just shut up, man? This will go a lot easier.
1:15:28 > 1:15:31Sounds like three broken ribs to me.
1:15:31 > 1:15:33What is this - a heroic stand?
1:15:33 > 1:15:35You're the wrong guy for it, Rick.
1:15:35 > 1:15:37You'll be all alone in the spotlight,
1:15:37 > 1:15:40and guys like you can't stand up to that light.
1:15:40 > 1:15:41You'll burn up under it.
1:15:41 > 1:15:43The press starts looking for dirt on you -
1:15:43 > 1:15:45and they will - it will be a mudslide.
1:15:45 > 1:15:47Forget about your job, your sweet life in Margate.
1:15:47 > 1:15:49Start thinking about jail!
1:15:49 > 1:15:50Your girlfriend will be gone, too,
1:15:50 > 1:15:52at the first sign of trouble,
1:15:52 > 1:15:54but not before she has a little chat with Angela,
1:15:54 > 1:15:56so say goodbye to your wife, too!
1:15:56 > 1:15:58Twice a month with Michael won't be so bad,
1:15:58 > 1:16:01if you can get him to spend the night in your shitty apartment!
1:16:01 > 1:16:04You will lose it all, my friend -
1:16:04 > 1:16:05everything!
1:16:05 > 1:16:07And your whole connected life will fall the hell apart.
1:16:07 > 1:16:09Is that what you want?
1:16:09 > 1:16:11All you got to do is be consistent, for Christ's sake.
1:16:11 > 1:16:13Do what you always do. Take the money!
1:16:13 > 1:16:17You want to be a hero? You want to do something for your country?
1:16:17 > 1:16:19Then tell me where the girl is!
1:16:31 > 1:16:33Aah!
1:16:48 > 1:16:51If it was anybody but me, you'd be dead.
1:17:05 > 1:17:07I'll be back in half an hour.
1:17:16 > 1:17:17THUNDER AND RAIN
1:17:17 > 1:17:19GRUNTING
1:17:30 > 1:17:32GROANING
1:17:54 > 1:17:56MAN: Lower.
1:17:56 > 1:17:57Stop.
1:17:57 > 1:17:59Lower.
1:17:59 > 1:18:01Stop.
1:18:01 > 1:18:03Lower.
1:18:03 > 1:18:05Stop.
1:18:32 > 1:18:34Oh!
1:18:53 > 1:18:54CRASH
1:18:56 > 1:18:57CRASH
1:19:32 > 1:19:34LOGAN: Wow. This is great stuff.
1:19:34 > 1:19:37You know, we could sell this to local.
1:19:37 > 1:19:39Who could we get outside for a stand-up?
1:19:43 > 1:19:45THUNDER
1:20:01 > 1:20:03Package is on the boardwalk.
1:20:03 > 1:20:05KEVIN: Needs pickup at the Millennium entrance.
1:20:05 > 1:20:07Let's go.
1:20:15 > 1:20:17RICK GROANING
1:20:22 > 1:20:30METAL BENDING
1:20:30 > 1:20:31THUMPING
1:20:31 > 1:20:33WIND WHIPPING
1:20:41 > 1:20:42Aah!
1:20:49 > 1:20:51Goddamn it! Shit!
1:20:53 > 1:20:56I'd like to know what I did wrong to get all the shit assignments!
1:20:56 > 1:20:59Just roll so we can get out of here!
1:20:59 > 1:21:00In 5, 4,
1:21:00 > 1:21:023...
1:21:04 > 1:21:07Well, it looks like tropical storm Jezebel
1:21:07 > 1:21:10just may be a hurricane after all.
1:21:38 > 1:21:40We're live on the boardwalk.
1:21:40 > 1:21:43As you can see behind me,
1:21:43 > 1:21:45the huge metal globe that is the emblem
1:21:45 > 1:21:48of the Powell Millennium lies shattered.
1:21:48 > 1:21:49Oh, Anthea, you look great, hon.
1:21:49 > 1:21:51Wait. Could you get any closer to the globe?
1:21:54 > 1:21:56Julia.
1:21:58 > 1:21:59Julia.
1:22:08 > 1:22:10This is an extremely hazardous -
1:22:12 > 1:22:13Hang on!
1:22:13 > 1:22:15The police emergency unit should -
1:22:15 > 1:22:17I think I see their truck.
1:22:20 > 1:22:21Julia!
1:22:23 > 1:22:25Julia!
1:22:26 > 1:22:28Julia!
1:22:43 > 1:22:45Tell her to unlock the door and come out.
1:22:45 > 1:22:47No.
1:22:48 > 1:22:51I won't tell her to unlock it.
1:22:51 > 1:22:53Get out of the way!
1:22:58 > 1:23:00ANTHEA: The police are here
1:23:00 > 1:23:02and are waving us off the boardwalk.
1:23:03 > 1:23:05All right.
1:23:05 > 1:23:07OK.
1:23:07 > 1:23:09She's all yours.
1:23:13 > 1:23:15SIREN
1:23:15 > 1:23:16What the hell is that?
1:23:18 > 1:23:20SIREN
1:23:21 > 1:23:24KEVIN: Goddamn it, Rick! I don't want to kill you!
1:23:24 > 1:23:26OK.
1:23:26 > 1:23:27Ugh!
1:23:27 > 1:23:29JULIA HAMMERING AND GRUNTING
1:23:38 > 1:23:39Look out!
1:23:39 > 1:23:41TYRES SCREECHING
1:23:49 > 1:23:50Put the gun down!
1:23:50 > 1:23:52On the ground right now!
1:23:52 > 1:23:53Lower your gun now, sir!
1:23:53 > 1:23:55No. Wait. Wait a minute. Wait!
1:23:55 > 1:23:58KEVIN: I'm with DOD! Listen to me!
1:23:58 > 1:23:59Put the gun down!
1:23:59 > 1:24:01This - This woman is a suspect!
1:24:01 > 1:24:03We'll be forced to fire!
1:24:03 > 1:24:05No! She's a suspect, goddamn it!
1:24:05 > 1:24:07I am Commander Kevin Dunne,
1:24:07 > 1:24:09and this woman is a threat
1:24:09 > 1:24:11to the security of the United States!
1:24:11 > 1:24:13Rick, tell them!
1:24:13 > 1:24:16Please! For god's sake!
1:24:16 > 1:24:18Tell them what we got here!
1:24:19 > 1:24:20Ain't no "we," Kevin.
1:24:22 > 1:24:24You got snake eyes.
1:24:24 > 1:24:26Put the gun down, sir!
1:24:26 > 1:24:27POLICEMAN: Drop the gun, sir!
1:24:27 > 1:24:30Put the gun down. Now put it on the ground!
1:24:30 > 1:24:31Put the gun down!
1:24:31 > 1:24:34Sir, please, look at me. You need to pay attention!
1:24:34 > 1:24:35Now!
1:24:35 > 1:24:37Now, put the gun on the floor, sir!
1:24:37 > 1:24:39Sir, put the gun down!
1:24:39 > 1:24:40Please! We know who you are!
1:24:40 > 1:24:41No! Don't move!
1:24:41 > 1:24:43Take your hand off the handle!
1:24:43 > 1:24:45Back away from the door slowly and turn around!
1:24:45 > 1:24:47Slowly back up!
1:24:47 > 1:24:49We need to take the gun away!
1:24:49 > 1:24:50Put your hands where I can see them!
1:24:50 > 1:24:54Sir, please! Please put it down on the ground right now!
1:24:54 > 1:24:56POLICEMEN SHOUTING
1:24:56 > 1:24:58Argh!
1:24:58 > 1:24:59Get a paramedic quick!
1:24:59 > 1:25:01Call for a paramedic now!
1:25:01 > 1:25:04Get this camera out of here!
1:25:04 > 1:25:06JULIA SOBBING
1:25:07 > 1:25:08REPORTER: Today in Brighton Park,
1:25:08 > 1:25:10Richard Santoro -
1:25:10 > 1:25:11Atlantic City's new police hero -
1:25:11 > 1:25:14received a special valour award for heroism
1:25:14 > 1:25:15from mayor Frank Sanchini.
1:25:15 > 1:25:17The mayor extended the public's thanks to Santoro
1:25:17 > 1:25:20for his lifesaving efforts on behalf of Julia Costello,
1:25:20 > 1:25:22the Powell Aircraft researcher
1:25:22 > 1:25:24who exposed the deadly conspiracy
1:25:24 > 1:25:26that led to the assassination
1:25:26 > 1:25:27of defence secretary Charles Kirkland.
1:25:27 > 1:25:28APPLAUSE
1:25:28 > 1:25:30MAN: Hey, Rick! Over here!
1:25:30 > 1:25:31REPORTER: Hero cop Richard Santoro
1:25:31 > 1:25:34took a well-deserved break from police work today
1:25:34 > 1:25:35with his son.
1:25:35 > 1:25:37Meanwhile, the air guard investigation
1:25:37 > 1:25:38continued in Washington,
1:25:38 > 1:25:40and Gilbert Powell announced more firings at Powell Aircraft
1:25:40 > 1:25:43as he cleans house in the wake of the assassination.
1:25:43 > 1:25:45MAN: There he is.
1:25:45 > 1:25:47REPORTER: Richard Santoro's moment in the public eye
1:25:47 > 1:25:48produced an unexpected backlash this week
1:25:48 > 1:25:51as allegations of corruption swirled around him.
1:25:51 > 1:25:52Whoa, whoa. Would you back off?
1:25:52 > 1:25:53MAN: Mr Santoro, there's been some -
1:25:53 > 1:25:56Out! I'm Ricky, all right? Come on!
1:25:56 > 1:25:58Some allegations of bribery coming out of the mayor's office.
1:25:58 > 1:26:00Could you - Could you comment on those?
1:26:00 > 1:26:02And what about the cocaine?
1:26:02 > 1:26:03Cocaine my ass!
1:26:03 > 1:26:05REPORTER: Santoro was unwilling to comment
1:26:05 > 1:26:07on the reports which have come from numerous sources,
1:26:07 > 1:26:10both in the police department and elsewhere.
1:26:10 > 1:26:11REPORTERS SHOUTING
1:26:11 > 1:26:13We're waiting here
1:26:13 > 1:26:14outside the Atlantic County Superior Court
1:26:14 > 1:26:16for Richard Santoro, who's just been indicted
1:26:16 > 1:26:18on charges stemming from incidents that have been -
1:26:18 > 1:26:20Where are you going? Hey, hey, hey, Rick!
1:26:20 > 1:26:22Could you stop - Mr Santoro!
1:26:22 > 1:26:25Mr Santoro, could you comment on this indictment, sir?
1:26:25 > 1:26:26Mr Santoro!
1:26:49 > 1:26:51BUCKET FALLS
1:26:51 > 1:26:53Whoa! What are you trying to do, kill me?
1:26:53 > 1:26:55Yeah, nice going, Al.
1:26:55 > 1:26:56Hey, that's what hard hats are for!
1:26:56 > 1:26:58A reporter told me where to find you.
1:27:00 > 1:27:02I came twice before, but you were out.
1:27:02 > 1:27:04Yeah.
1:27:04 > 1:27:07I've had a lot of social engagements lately.
1:27:07 > 1:27:10Yeah. I was surprised you stayed in town.
1:27:10 > 1:27:12I thought you'd want to move away.
1:27:12 > 1:27:15Actually, I'm going to be spending some time upstate.
1:27:15 > 1:27:16Upstate?
1:27:16 > 1:27:18Oh.
1:27:18 > 1:27:19Hmm.
1:27:21 > 1:27:24I keep dreaming I'm back in that tunnel...
1:27:24 > 1:27:26underwater...
1:27:26 > 1:27:28only in my dream I drown.
1:27:30 > 1:27:33I wonder what they would have said about me then.
1:27:33 > 1:27:35You didn't have to do what you did,
1:27:35 > 1:27:38and I know what it cost you, and if it helps, I -
1:27:38 > 1:27:41Don't try to make a hero out of me. It won't fit.
1:27:41 > 1:27:43If I hadn't put a face to you,
1:27:43 > 1:27:45things probably would have gone a whole lot different.
1:27:45 > 1:27:47But they didn't.
1:27:49 > 1:27:51I testified this morning at the air guard hearings.
1:27:51 > 1:27:53Yeah, how did it go?
1:27:53 > 1:27:56Very well, I think. The whole system is being dumped.
1:27:56 > 1:27:57The company's being completely restructured.
1:27:57 > 1:28:00There are going to be all sorts of indictments
1:28:00 > 1:28:01up and down the administration, and...
1:28:01 > 1:28:03things have really changed.
1:28:03 > 1:28:06I know you may not want to see it right now,
1:28:06 > 1:28:07but it's true.
1:28:07 > 1:28:09It's going to be so different
1:28:09 > 1:28:11in Atlantic City. Ha ha ha!
1:28:12 > 1:28:16You know, they say back 200, 300 years ago,
1:28:16 > 1:28:17pirates put phoney lighthouses
1:28:17 > 1:28:20right out by those big rocks -
1:28:20 > 1:28:21right out there.
1:28:21 > 1:28:24Ships would set a course by the lights
1:28:24 > 1:28:25and crash on the rocks.
1:28:25 > 1:28:28Then everybody would go out and rob them blind.
1:28:28 > 1:28:31Only one thing's changed since then.
1:28:31 > 1:28:33Lights are brighter.
1:28:35 > 1:28:36I'm naive.
1:28:36 > 1:28:38There's worse things to be.
1:28:39 > 1:28:41Yeah.
1:28:45 > 1:28:47How old are you?
1:28:48 > 1:28:5035.
1:28:50 > 1:28:52You have family around here?
1:28:52 > 1:28:54Yeah.
1:28:54 > 1:28:56You got a wife?
1:28:56 > 1:28:58She ran away.
1:28:59 > 1:29:01Girlfriend?
1:29:01 > 1:29:03Well, she ran away, too.
1:29:03 > 1:29:05Sorry.
1:29:05 > 1:29:07Well, it could have been worse.
1:29:07 > 1:29:08How?
1:29:08 > 1:29:11They could have run away with each other.
1:29:11 > 1:29:13Ha ha ha! Uh, yeah.
1:29:13 > 1:29:15So...
1:29:15 > 1:29:18maybe in about 12 to 18 months from now,
1:29:18 > 1:29:20I'll give you a call.
1:29:20 > 1:29:22Yeah. I'd like that.
1:29:27 > 1:29:28Hey.
1:29:49 > 1:29:51Oh, what the hell.
1:29:51 > 1:29:53At least I got to be on TV.
1:29:55 > 1:29:57MAN: Let's go. Get back to work.
1:29:57 > 1:29:58We got to get this done.
1:29:58 > 1:30:02Come on, everybody up. Let's go. Come on.
1:30:02 > 1:30:05MEREDITH BROOKS: _ In this town of pain _
1:30:05 > 1:30:09_ You could be the lucky one _
1:30:09 > 1:30:12_ Fate turns on a dime _
1:30:16 > 1:30:17_ The only thing _
1:30:17 > 1:30:19_ That will change _
1:30:19 > 1:30:21_ Are the lights _
1:30:21 > 1:30:23_ And they get brighter _
1:30:23 > 1:30:27_ They replace the sun _
1:30:30 > 1:30:34_ Out the door you get burned _
1:30:34 > 1:30:37_ And there is no way back in _
1:30:37 > 1:30:39_ You got nothin' _
1:30:39 > 1:30:40_ Snake eyes _
1:30:40 > 1:30:44_ The house always wins _
1:30:44 > 1:30:46_ A drowning man _
1:30:46 > 1:30:48_ Does not die silently _
1:30:48 > 1:30:52_ You can feel the final warning _
1:30:52 > 1:30:56_ And the black money follows _
1:30:56 > 1:30:59_ Through the veins of the shallow _
1:30:59 > 1:31:00_ Change the name _
1:31:00 > 1:31:02_ To protect the guilty _
1:31:02 > 1:31:06_ You'll never leave Sin City _
1:31:06 > 1:31:10_ Just one kiss from the shadow _
1:31:10 > 1:31:12_ Will be the touch _
1:31:12 > 1:31:14_ Of an angel _
1:31:14 > 1:31:15_ Just one kiss _
1:31:15 > 1:31:17_ Is all that you need _
1:31:17 > 1:31:19_ If you never leave _
1:31:19 > 1:31:21_ Sin City _
1:31:21 > 1:31:25_ You'll never leave Sin City _
1:31:25 > 1:31:31_ You'll never leave Sin City..._
1:31:31 > 1:31:34Subtitles by The National Captioning Institute.
1:31:34 > 1:31:37E-mail subtitling@bbc.co.uk