0:00:58 > 0:01:01CASTANETS RATTLE
0:01:01 > 0:01:05THEY RATTLE FASTER
0:01:11 > 0:01:13CASTANETS STOP
0:01:14 > 0:01:19- I can do better with my teeth in a cold shower.- She's a local.
0:01:19 > 0:01:26- When the dudes come to New Mexico they want Latin glamour. It's a bad town for blondes.- So I've noticed.
0:01:26 > 0:01:31- Jerry will come up with something. - You think he's nice?- Why not?
0:01:31 > 0:01:37- He's a good press agent and a good friend.- Wish he'd front page for ME.
0:01:37 > 0:01:44I don't mean this personally, Miss Walker, but it's ironic about you being a big star,
0:01:44 > 0:01:49- while I'm a cigarette girl. - You have talent, I get the breaks.
0:01:49 > 0:01:51I hear it in every nightclub.
0:01:53 > 0:01:55< SCREAM
0:01:55 > 0:01:59HISSING AND GROWLING
0:02:02 > 0:02:10- Get him out of here!- Kiki, he's nothing to be afraid of.- Out! - Guess what I cooked up.- Easy - ME.
0:02:10 > 0:02:14I said, is Kiki just gonna walk out there cold,
0:02:14 > 0:02:18in front of a bunch of gawks who want a Spanish twirler?
0:02:18 > 0:02:25- No, not my client. She's gonna make a real entrance. - On his back, I suppose?
0:02:25 > 0:02:30- No, just lead him in. - You're too good to me(!)
0:02:30 > 0:02:36- You know we're a thing, but this is serious. Big competition.- Clo-Clo?
0:02:36 > 0:02:41You might strut the kitten in right in the middle of her act.
0:02:43 > 0:02:48See what a picture you'd make with this for a pet.
0:02:48 > 0:02:55- I could take over. Your red dress fits me perfect.- I bet some day you'll try on my coffin.
0:02:55 > 0:02:58You look awful good in that number.
0:02:58 > 0:03:01The red dress?
0:03:03 > 0:03:06No, the black one.
0:03:06 > 0:03:08Then I'll be just like him.
0:03:08 > 0:03:11CASTANETS RATTLE
0:03:13 > 0:03:17LATIN MUSIC PLAYS
0:04:16 > 0:04:20CROWD GASPS
0:04:22 > 0:04:27(Don't just stand there, Kiki. You're on stage.)
0:04:32 > 0:04:35CONSTERNATION
0:04:46 > 0:04:51RATTLING
0:04:55 > 0:04:57You OK?
0:05:01 > 0:05:05CLANKING OF POTS AND PANS
0:05:05 > 0:05:10No leopard, Chief. Nothing. We have to tackle the houses.
0:05:16 > 0:05:19CLANKING CONTINUES
0:05:25 > 0:05:32Hey, mister, you said 10 bucks for the loan of my cat, 225 if anything happened to it.
0:05:32 > 0:05:37- Nothing has happened to it. They'll find it.- You don't get it.
0:05:37 > 0:05:43These cops banging those pans, they're going to scare my poor cat.
0:05:43 > 0:05:46Cats don't want to hurt you,
0:05:46 > 0:05:50but if you scare them, they go crazy.
0:05:54 > 0:05:57Maybe Mr Manning would help ME.
0:05:57 > 0:06:05- I don't need a leopard. I have talent.- There's enough cats... - Goodnight, Mr Publicity Man.
0:06:09 > 0:06:14WOMAN'S VOICE: Why are you hurrying, Clo-Clo?
0:06:16 > 0:06:19- Oh, it's you, faker.- Take a card.
0:06:19 > 0:06:21See what the night holds for you.
0:06:21 > 0:06:29- Your cards are a joke. I wouldn't give you one centavo. - One card, Clo-Clo, for nothing.
0:06:39 > 0:06:41Faker.
0:06:43 > 0:06:46Hello, Shorty.
0:06:52 > 0:06:55SHE BLOWS KISSES
0:06:58 > 0:07:01- Hello, Chiquita.- Hello, Clo-Clo.
0:07:03 > 0:07:08Mamasito, why can't Pedro go? I'm so tired.
0:07:08 > 0:07:16- I'm too young. - If your father comes home and there are no tortillas, he'll shout.
0:07:16 > 0:07:18I know what she's afraid of.
0:07:18 > 0:07:20This.
0:07:20 > 0:07:23And what is this?
0:07:23 > 0:07:31A leopard. A lady at the El Pueblo had it on a string. It ran away. A leopard(!)
0:07:31 > 0:07:33They're big!
0:07:33 > 0:07:38Did you ever meet one of them yet when you went to the store for me?
0:07:38 > 0:07:44Then you won't meet one this time, either. Now get out. Do as I say.
0:07:54 > 0:08:01LOCK CLICKS Now, you will not come in again, not till you bring the corn meal.
0:08:16 > 0:08:20SHE KNOCKS Senora? Senora Calderon?
0:08:20 > 0:08:24It is Teresa, Senora - Teresa Delgado.
0:08:24 > 0:08:29The store is closed. I just want a sack of corn meal.
0:08:29 > 0:08:34Please, or I must go clear across the arroyo to the big grocery.
0:08:34 > 0:08:39Taking off the lock, putting on the lights - it's too much trouble.
0:08:39 > 0:08:43Once I close, I close. Ay, Senora!
0:08:51 > 0:08:54THE WIND HOWLS
0:08:57 > 0:09:02TRAIN WHISTLE BLOWS IN THE DISTANCE
0:09:44 > 0:09:46Thank you.
0:09:49 > 0:09:51Oh, the toy birds.
0:09:51 > 0:09:59- You've seen them before. Couldn't chase you away when you were little. - I'd forgotten them.
0:09:59 > 0:10:05I remember, Teresita. I remember the little girl
0:10:05 > 0:10:08who was afraid of the dark. She shouldn't send you.
0:10:08 > 0:10:13I'm not afraid. What could happen to me?
0:10:13 > 0:10:16I'll pay you tomorrow.
0:10:16 > 0:10:21Next time you come. The poor don't cheat one another.
0:10:21 > 0:10:24< We're all poor together.
0:11:23 > 0:11:26TRAIN THUNDERS PAST
0:11:52 > 0:11:57< Mamasita, let me in! Let me in, let me in!
0:11:57 > 0:11:59Let me in!
0:11:59 > 0:12:04"Let me in! I've spent half the night getting corn meal."
0:12:04 > 0:12:08It's getting closer! I can see it!
0:12:08 > 0:12:12She needs someone to hurry her up. SHE SCREAMS
0:12:12 > 0:12:16LEOPARD GROWLS
0:12:16 > 0:12:20Wait, Teresa! I come! I will let you in!
0:12:20 > 0:12:24Your mother is here. I will let you in!
0:12:45 > 0:12:52< The evidence having been presented before me on this the 10th April,
0:12:52 > 0:12:59< I declare that Teresa Maria Delgado died by violence resulting from the release of a wild animal.
0:12:59 > 0:13:02< Death by accident.
0:13:02 > 0:13:07(Sister, I want the family to have this for the funeral expenses.)
0:13:22 > 0:13:27It's all right, my friend. It is the will of God.
0:13:27 > 0:13:32(I'll slip them a few bucks to help with the funeral expenses.
0:13:32 > 0:13:35(Don't be soft.)
0:13:35 > 0:13:37An unfortunate accident.
0:13:37 > 0:13:42Nobody blames you, Mr Manning. You mustn't feel bad.
0:13:42 > 0:13:44Sign here, please.
0:13:49 > 0:13:55You can go now, Manning. There's no way they can hold you legally responsible.
0:13:55 > 0:13:57Thanks, Sheriff.
0:13:57 > 0:14:03That leopard's got to be found. I'm forming a posse. Could use some help.
0:14:03 > 0:14:10- I haven't done that since my matinee kid days. I rode with Tom Mix.- On foot.
0:14:10 > 0:14:13Sorry, I'm literally a tenderfoot.
0:14:27 > 0:14:34- I suppose he was trying to make me feel bad. - I suppose you DON'T feel bad(?)
0:14:34 > 0:14:36Who was that man?
0:14:36 > 0:14:43Oh, I don't know. A witness. He knew something about animals. Expert testimony.
0:14:43 > 0:14:50- Did he have to look at the body? - We all had to look at the body. It was awful, Kiki.
0:14:50 > 0:14:53Excuse us, please.
0:15:15 > 0:15:22- That card again? - I made a mistake. It was a misdeal. I'll try once more.
0:15:22 > 0:15:28It's a black card and a bad card, but not the card of the cat.
0:15:28 > 0:15:33- Not the card of four-footed things. - I saw Teresa.
0:15:33 > 0:15:39I was one of the last people to see her - I was going past the house.
0:15:39 > 0:15:44They went hunting for the leopard. Didn't get him.
0:15:44 > 0:15:49Fools! Why don't they let Charlie How-Come hunt it? He's an Indian.
0:15:49 > 0:15:51Men are ALL fools.
0:15:51 > 0:15:56They like to make a big show - hunt, shout.
0:15:56 > 0:15:58That bad card again?
0:16:01 > 0:16:09- What did they say before the bad card came up?- You will meet a rich man who will give you money.
0:16:09 > 0:16:15You and your cards! Meet a rich man? I look for them with money.
0:16:15 > 0:16:20For what was I born, if not money? You're not telling me anything.
0:16:20 > 0:16:23Watch and see.
0:16:23 > 0:16:30A day or a week - certainly in a month - you'll have money from a man, and then...
0:16:30 > 0:16:32And then what?
0:16:32 > 0:16:36I'll have to deal again. I made a mistake.
0:16:36 > 0:16:39Oh, you and your mistakes!
0:16:39 > 0:16:43Get out. I have to get dressed for the show,
0:16:43 > 0:16:47and I don't want you putting the evil eye on me. Andale!
0:16:52 > 0:16:55- You decent?- Yes, come in.
0:16:58 > 0:17:05- Well, does everybody love us? You've been gone long enough to soft-soap 20 city editors.- Yeah.
0:17:05 > 0:17:08Did you get the leopard?
0:17:10 > 0:17:15It's the altitude, you hunting with a bunch of boots-and-saddle boys.
0:17:15 > 0:17:23The whole town's in a state, Kiki. People huddled together like scared sheep. Nobody on the streets.
0:17:23 > 0:17:28- Our first real break and we throw wild animals at the audience.- Yeah.
0:17:28 > 0:17:31Oh, let's forget it.
0:17:31 > 0:17:36I'm buying a drink for a fella that was on the posse. Nice guy.
0:17:36 > 0:17:43- Come along. He'll get a kick out of meeting you.- Who is he? - Remember this morning - Galbraith?
0:17:43 > 0:17:47Just got time before the supper show.
0:17:49 > 0:17:54Jack rabbits and sagebrush, sagebrush and jack rabbits.
0:17:54 > 0:17:59- Thrills and excitement(!) - No sign of the leopard?
0:17:59 > 0:18:06- You're an expert on animals. Can't you tell where it went?- To know that, you'd have to BE a leopard.
0:18:06 > 0:18:11You can hardly describe me as an expert on hunting lost leopards.
0:18:11 > 0:18:16I used to teach zoology in a little college back east. I gave that up.
0:18:16 > 0:18:21- What do you do now?- There's a little museum in town. I run it.
0:18:21 > 0:18:27- We have some interesting exhibits on Indian art.- Why stop teaching?
0:18:27 > 0:18:33Various reasons. But why should you be interested in my dusty career?
0:18:33 > 0:18:36You lead such a gay, exciting life.
0:18:36 > 0:18:38Show business?
0:18:38 > 0:18:41Yes, it's always fascinated me.
0:18:41 > 0:18:46Once, when I was a youngster, I saw Mrs Lesley Carter in Zsa-Zsa.
0:18:46 > 0:18:54- Meeting you is a real thrill for me.- I'm hardly Mrs Lesley Carter, whoever SHE was.
0:18:54 > 0:19:00I'm not much of a success around here, especially after the leopard.
0:19:00 > 0:19:05- Yes, that was unfortunate. - It was a calamity. Look.
0:19:05 > 0:19:08BAND STRIKES UP
0:19:17 > 0:19:20CASTANETS RATTLE
0:19:24 > 0:19:30I'm next. You won't hear anything like that. I'm not popular.
0:19:30 > 0:19:37- If you are as talented as you are beautiful, you have nothing to worry about.- Thank you.
0:19:37 > 0:19:43- I'd best be off.- There's something I wanted to ask, about the leopard.
0:19:43 > 0:19:49- Worried about it killing again?- No. - Then why did you come on the posse?
0:19:49 > 0:19:54Jerry, why do you feel you must seem hard and disinterested?
0:19:54 > 0:19:58You said you didn't want to come, yet you did.
0:19:58 > 0:20:06- Not easy for a tenderfoot like you. - Galbraith, where I was brought up you had to be tough.
0:20:06 > 0:20:11It didn't pay to let anybody know how you really feel or think.
0:20:11 > 0:20:18All right, so I feel rotten. I wanna be sure that that cat doesn't hurt anyone else.
0:20:18 > 0:20:26- It's a wild animal. Do you think it prefers walls when it can get into open country?- Sure, right.
0:20:26 > 0:20:28Don't feel so concerned, Jerry.
0:20:28 > 0:20:34I've learned one thing. We're like that ball dancing on the fountain.
0:20:34 > 0:20:39We know as little about the forces that move us and the world about us
0:20:39 > 0:20:44as that empty ball does about the water that pushes it into the air.
0:20:44 > 0:20:47Don't feel bad about Teresa Delgado.
0:20:58 > 0:21:04Roses are like children. Some have short legs, some have long ones.
0:21:07 > 0:21:15- You can't sell it. It's a day old. - My stomach is not a day old. If I don't sell flowers, I don't eat.
0:21:15 > 0:21:23- I'll tell everyone you gave it to me. That'll be good for business. - But bad for my wife.
0:21:23 > 0:21:28My mistress, Consuela Contreras, does not have to beg for flowers.
0:21:28 > 0:21:30- She won't miss one.- Thank you.
0:21:40 > 0:21:46Ssh! We'll spoil the birthday song if we wake her too soon.
0:22:09 > 0:22:18THEY HUM GENTLY
0:22:18 > 0:22:22# Happy birthday, Consuela
0:22:22 > 0:22:26# The sun has burnt through the night
0:22:26 > 0:22:33# Consuela, happy birthday Open wide your eyes and see
0:22:33 > 0:22:37# Little roses of the morning
0:22:37 > 0:22:42# But not as lovely as thee. #
0:22:42 > 0:22:45Mamasita! Good morning, Senorita.
0:22:45 > 0:22:50It is a good morning, nina. See how the sun is shining for you.
0:22:50 > 0:22:57What a lovely way to wake up. It's beautiful, Cousin Felipe. Thank you for buying it.
0:22:57 > 0:23:02How carefully you must have picked it.
0:23:05 > 0:23:10Had you forgotten it was your birthday? I believe you had.
0:23:10 > 0:23:14No. I'm so happy. So happy.
0:23:14 > 0:23:16Rosita! >
0:23:22 > 0:23:26Hurry now, or we'll be late for mass.
0:23:30 > 0:23:33Quick, give it to me.
0:23:33 > 0:23:40He will be waiting. Say that you want to take some roses to your father's grave.
0:23:40 > 0:23:44At four. He'll be there at four.
0:23:48 > 0:23:51The time will never pass.
0:23:51 > 0:23:58You'll get a headache, Mama. If we don't do a little each day, these will never get done.
0:23:58 > 0:24:02CLOCK CHIMES It IS late, isn't it?
0:24:02 > 0:24:10Too late to go to the cemetery. No, I MUST go to the cemetery. It's my birthday.
0:24:11 > 0:24:16I did not come into this world a middle-aged widow, Consuelita.
0:24:16 > 0:24:21Everything you think and do, I thought and did before you.
0:24:21 > 0:24:29You're young. I don't want you to look back on anything lacking in dignity a few years from now.
0:24:29 > 0:24:34Young men will be attracted to you. They should come here to your house.
0:24:34 > 0:24:41They should be introduced to you by their parents, or by Felipe, or by some other older relative.
0:24:41 > 0:24:44Very well. Get Rosita and go.
0:24:47 > 0:24:51Oh, Mama! I'll hurry. I'll be right back.
0:24:56 > 0:25:00See you later, Senorita. You are late.
0:25:00 > 0:25:05I have flowers for Father's grave. It will only take a moment.
0:25:05 > 0:25:12A moment can be as short as a breath or as long as eternity. Don't linger.
0:25:12 > 0:25:15The gates are locked at six.
0:25:21 > 0:25:24Forgive me for deceiving Mother.
0:25:24 > 0:25:30She will meet Raoul soon and everything will be as you would wish. I promise.
0:25:49 > 0:25:51Raoul?
0:25:53 > 0:25:55Raoul?
0:26:28 > 0:26:32PIERCING WHISTLE
0:27:18 > 0:27:21Let me out!
0:27:24 > 0:27:26Let me out!
0:28:43 > 0:28:46CAR ENGINE STARTS
0:28:46 > 0:28:49CAR DRIVES OFF
0:28:49 > 0:28:52Wait! Wait!
0:28:52 > 0:28:56SHE SCREAMS, CAR STOPS
0:28:56 > 0:28:59MAN'S VOICE: < Hello? Who's there?
0:28:59 > 0:29:05Here! I'm in here behind the wall. Please help. I've been locked in.
0:29:05 > 0:29:07< You wait there. I'll get a ladder.
0:29:07 > 0:29:15No, don't leave me! Don't go! < You're all right. It's just a matter of a few minutes.
0:29:15 > 0:29:19You'll come back? < Stay where you are.
0:29:19 > 0:29:22< I'll be back before you know it.
0:29:22 > 0:29:25CAR DRIVES OFF
0:29:31 > 0:29:34LEAVES RUSTLE
0:29:50 > 0:29:53Why?
0:29:59 > 0:30:05Es el novio. Her boyfriend. Take him out of here.
0:30:08 > 0:30:12It's the leopard again. Any witnesses?
0:30:12 > 0:30:19Only the man that was helping her and the man he borrowed the ladder from. They found the body.
0:30:19 > 0:30:25I warned her. It's all right, my friend. It wasn't your fault.
0:30:25 > 0:30:29Anything else? Clues?
0:30:29 > 0:30:34It's the leopard, all right. A broken claw, some black hairs.
0:30:34 > 0:30:41- Claw marks on the tree. - Must have made those getting out. They've been dug in from above.
0:30:41 > 0:30:46Leaves don't fall at this time of year. Must have shaken them down.
0:30:46 > 0:30:49Doc...
0:30:51 > 0:30:57- Something you said...- Yes? - You said the leopard would head for open country.
0:30:57 > 0:31:00Yes. What's that got to do with it?
0:31:00 > 0:31:05Why didn't it stay here? It's got trees and bushes here.
0:31:05 > 0:31:10I was talking about an ordinary wild leopard. This is different.
0:31:10 > 0:31:16A caged animal, travelling around. That's why it kills human beings.
0:31:16 > 0:31:23- Why?- It doesn't know how to hunt its natural prey. - But it doesn't...eat them.
0:31:23 > 0:31:28Caged animals are unpredictable. I can't answer your question.
0:31:28 > 0:31:33- It just mauls and tears them. - There's something wrong with this.
0:31:33 > 0:31:40Yes, people who want publicity at any cost. What risks they make people run.
0:31:40 > 0:31:47- What agony and sorrow they bring. - I know all that, Chief. But there's something else.
0:31:47 > 0:31:50- Look...- Robles, let him go on.
0:31:50 > 0:31:57I can understand how the cat could kill the first girl. All that noise and those lights scared it crazy.
0:31:57 > 0:32:05- But there was nothing to frighten it here.- So? - It might not be a cat this time.
0:32:11 > 0:32:16I can sell you the secret of the cat's strength.
0:32:16 > 0:32:18One dollar. One dollar.
0:32:20 > 0:32:25I can't make a buck without my leopard, Mr Manning.
0:32:25 > 0:32:27Find my cat or pay up.
0:32:27 > 0:32:34Charlie, have a little patience. You don't want that cat, anyhow. It's killed two people.
0:32:34 > 0:32:37No, sir.
0:32:37 > 0:32:42That girl in the cemetery? My cat didn't kill her.
0:32:42 > 0:32:45Cats don't go looking for trouble.
0:32:45 > 0:32:50He's out in the country somewhere, hiding.
0:32:50 > 0:32:55- You really think so, Charlie? - Sure. That cat ain't mean.
0:32:55 > 0:33:00For six years I feed him out of my own hand. Why don't he kill me?
0:33:00 > 0:33:06At night, in the truck, I let him out of the cage. He walk back and forth.
0:33:06 > 0:33:09I go to sleep. He don't hurt me.
0:33:09 > 0:33:15- They all say your cat killed that second girl. - They don't say it to me.
0:33:15 > 0:33:21I'd like one of them to say it. I'd like to have you hear his reasons.
0:33:21 > 0:33:26- Will you?- Sure.- OK, in the truck. - Where is this man?- Up at the museum.
0:33:50 > 0:33:55- Hello.- Hello.- You know Charlie How-Come?- Yes, we're old friends.
0:33:55 > 0:33:59- Come to look around? - Yes.- I'll show you.
0:33:59 > 0:34:05- Got some nice things. - Charlie and I were talking. - About his leopard?- Yes.
0:34:05 > 0:34:13Here's something interesting, Charlie - a stone leopard head made by your ancestors 600 years ago.
0:34:13 > 0:34:20The jaguar was considered the personification of force and violence in religious rites.
0:34:20 > 0:34:23Don't look like a leopard to me.
0:34:23 > 0:34:31- Charlie doesn't think his leopard killed the second girl.- Oh?- Sure. - He admits it killed the first girl.
0:34:31 > 0:34:37- Charlie, why do you think it didn't kill the Contreras girl? - Nothing to scare it.
0:34:37 > 0:34:45- If the leopard didn't do it, what did?- Might be a man.- Might be, but why would a man do it?
0:34:45 > 0:34:50It wasn't robbery. It wasn't a crime of jealousy or passion.
0:34:50 > 0:34:57- She had no enemies. - There's all sorts of men. I've met some funny ones.- I understand.
0:34:57 > 0:35:00Demented men, pathological cases.
0:35:00 > 0:35:05- But what sort of man would kill like a leopard?- A crazy guy.
0:35:05 > 0:35:11He'd have to have access to leopard claws and hair. This is a new find.
0:35:11 > 0:35:16We'd given up digging, but I tried again, on a hunch.
0:35:16 > 0:35:21Hunch? That's all I've got on this thing - a hunch. It was a man.
0:35:21 > 0:35:24- What sort of a man?- I don't know.
0:35:24 > 0:35:31Charlie, you know about leopards. You might have an old claw around somewhere.
0:35:31 > 0:35:36- Sure.- I'm serious about this. - I'm only exploring your theory.
0:35:36 > 0:35:40And you drink, don't you, Charlie?
0:35:40 > 0:35:43- Yeah, I drink.- And do you get drunk?
0:35:43 > 0:35:48- Sure.- Then what do you do? - I sleep it off.
0:35:48 > 0:35:56- But between the time you leave the cantina and fall into bed, what happens?- I don't know.
0:35:56 > 0:36:00You could do anything in that time.
0:36:00 > 0:36:07- Charlie wasn't drunk last night. - Yes...I was drunk last night, Mr Manning.
0:36:07 > 0:36:10See? There's a suspect for you.
0:36:10 > 0:36:14Come on. We'll find a better suspect.
0:36:14 > 0:36:18- But the exhibits... - Some other time.
0:36:22 > 0:36:25I'm sick.
0:36:25 > 0:36:30- Charlie, have a cigarette. He was only kidding.- No, he wasn't.
0:36:30 > 0:36:32I'm sick.
0:36:32 > 0:36:35Claw women?
0:36:35 > 0:36:37Hurt little girls?
0:36:37 > 0:36:39No.
0:36:39 > 0:36:45- I don't know. I want to see Robles. - What do you want to see him for?
0:36:45 > 0:36:48I want him to lock me up.
0:36:48 > 0:36:55- You didn't do it, Charlie. You know you didn't.- I DON'T know. I want him to lock me up.
0:36:55 > 0:37:00Charlie, you didn't do it. Better lock me up.
0:37:00 > 0:37:06- I told him, but he won't listen. - Let me get one thing clear.
0:37:06 > 0:37:12- Did Galbraith make a direct accusation?- No, he was kidding him.
0:37:12 > 0:37:17Lock me up. If I do things like that, I want to be put away.
0:37:17 > 0:37:23Charlie, if it'll make you feel better, I'll put you away for a few days.
0:37:28 > 0:37:31CASTANETS RATTLE OUTSIDE
0:37:40 > 0:37:42Valgame Dios.
0:37:44 > 0:37:47CASTANETS RATTLE
0:37:48 > 0:37:53- Two men for one beat? Afraid of the big cat?- Sure, got a family.
0:38:02 > 0:38:06# Graciosa y tan bonita... #
0:38:06 > 0:38:09DANCE MUSIC PLAYS
0:38:17 > 0:38:21- Hello. - Well, hello there.
0:38:21 > 0:38:26We ordered a half-hour ago. Let's have a drink.
0:38:26 > 0:38:31I don't want one. Do you, Dwight? No, thank you.
0:38:31 > 0:38:35Wanna dance, Elaine? I suppose so.
0:38:35 > 0:38:38Dwight...
0:38:52 > 0:38:57- Hello.- We seem to be playing tag, or maybe hide-and-seek, huh?
0:38:57 > 0:39:01- Is someone with you? Can I get you a drink?- Sure.
0:39:04 > 0:39:09Just a minute. You've ordered this, but you don't have to drink it.
0:39:09 > 0:39:14Do you want it, or do you want another beer?
0:39:17 > 0:39:19Two beers. Big ones.
0:39:19 > 0:39:25It's taken this trip to show me what an old fool Father is.
0:39:25 > 0:39:30When you marry champagne, you can't trade it in for beer.
0:39:30 > 0:39:34I don't know. You mean I'm a gold-digger?
0:39:34 > 0:39:39- Sure, I'm a gold-digger. Why not? - Why not, if that's what you want?
0:39:39 > 0:39:45Maybe I should forget about money, Mama, the kids, the bills, the rent,
0:39:45 > 0:39:50and marry some poor dope like Carlos Dominguez and get fat.
0:39:50 > 0:39:56- Who's Carlos Dom-whatshisname? - Nobody. Boy who works in a grocery.
0:39:56 > 0:39:58- Good-looking?- Yeah.
0:39:58 > 0:40:04- Nice fellow? Is...is he in love with you?- I don't know.
0:40:04 > 0:40:07Why do you ask so many questions?
0:40:07 > 0:40:10What does it matter how we feel?
0:40:10 > 0:40:17- Feelings don't buy houses and pay for rent and bring up kids...- Drink your beer. Don't get so excited.
0:40:27 > 0:40:33- Madame will wait at the entrance. - Madame will have to go on waiting.
0:40:33 > 0:40:38To have such a father and treat him like a poor cousin!
0:40:38 > 0:40:41- For Mama and the kids.- And for me?
0:40:41 > 0:40:49- Oh, you'll get your money from your husband.- Husband? - Carlos Whatshisname, at the grocery.
0:41:23 > 0:41:29- Did he give you a lot of money?- Who? - The elderly man I told you about.
0:41:29 > 0:41:31He slipped up on the money.
0:41:31 > 0:41:34Try it again, why don't you?
0:41:37 > 0:41:40Put your wish in them.
0:41:49 > 0:41:51Money?
0:41:51 > 0:41:53Maybe a honeymoon.
0:42:01 > 0:42:04- Cut.- What are you doing that for?
0:42:09 > 0:42:12Again.
0:42:17 > 0:42:20Something black.
0:42:20 > 0:42:23- Something on its way to you.- Go on.
0:42:24 > 0:42:27Let me see it.
0:42:27 > 0:42:31- Don't look at that.- Let me see it.
0:42:36 > 0:42:39Death card.
0:42:39 > 0:42:44Maybe not. Cards mean different things at different times.
0:42:53 > 0:42:56Walk a little way with me, huh?
0:43:22 > 0:43:25Well...
0:43:25 > 0:43:27- see you tomorrow.- Tomorrow.
0:43:51 > 0:43:54Hey, Chiquita! Wanna lift?
0:43:54 > 0:43:57- What way are you going?- YOUR way.
0:44:01 > 0:44:04- What's the matter?- Your car...
0:44:04 > 0:44:06What colour is it?
0:44:06 > 0:44:12- Black.- Get out of here! Get away from me with that!
0:44:12 > 0:44:15What do you mean, "that"?
0:44:30 > 0:44:32Pepita...
0:44:32 > 0:44:40Pepita, tomorrow I'm going to buy you the most beautiful dress in the whole world.
0:44:40 > 0:44:42You don't believe me, do you?
0:44:50 > 0:44:55Wait until you see what I have, then you'll believe me.
0:45:05 > 0:45:07Is that you, Gabriella?
0:45:11 > 0:45:13Have you lost something?
0:45:13 > 0:45:16Yes, money.
0:45:16 > 0:45:19I must have lost it in the street.
0:45:19 > 0:45:25Are you going out again? Why don't you stay home and rest? Gabriella?
0:46:02 > 0:46:05FOOTSTEPS APPROACH
0:46:10 > 0:46:14Carlos?
0:46:39 > 0:46:42TERRIFIED SCREAMS
0:46:44 > 0:46:50- You sent for the state hunters? - Yes.- Hunters?- Professional hunters.
0:46:50 > 0:46:55- You still think it was the leopard? - Anything to suggest it wasn't?
0:46:55 > 0:46:58- The lipstick.- Why?- Ask Kiki.
0:46:58 > 0:47:04Girls don't put on lipstick at that time unless they're going to meet a man.
0:47:04 > 0:47:10Just the same, I'm going to use the state hunters. Come on, Charlie.
0:47:13 > 0:47:18- Now I know I didn't hurt anybody. - Charlie, I never thought you did.
0:47:18 > 0:47:23You know a lot. You've taken a lot of fancy college courses.
0:47:23 > 0:47:26What kind of a man kills like that?
0:47:26 > 0:47:32- Those fancy courses were about the dead, not the living.- Dead, then.
0:47:32 > 0:47:39- In history there must have been men with kinks in their brains. - Yes, men who kill for pleasure.
0:47:39 > 0:47:44Bluebeard in France, Jack the Ripper in London.
0:47:44 > 0:47:51If there were a man like that running around loose, what would he be like?
0:47:51 > 0:47:56He'd be a hard man to find, Jerry, particularly if he were clever.
0:47:56 > 0:47:59He'd go about his business calmly.
0:47:59 > 0:48:04You've thought about this before. You know it isn't the leopard.
0:48:14 > 0:48:17There you are.
0:48:17 > 0:48:22Here's luck to you both in Chicago. Must be great to get out of here.
0:48:22 > 0:48:28- With this place closing for the weekend, we'll get some rest.- Good.
0:48:28 > 0:48:35- What is this procession? Do they close the cafe every year for it? - It's the big ceremony round here.
0:48:35 > 0:48:41- All the cafes close. Stay for it. - All I wanna do is get to Chicago.
0:48:41 > 0:48:46Are you lucky, you two! The big buses go by my house.
0:48:46 > 0:48:51I can hear the sound of their tyres on the road.
0:48:51 > 0:48:57I think of Chicago, being with somebody, being a real entertainer.
0:48:57 > 0:49:00Don't worry, kid. You'll get there.
0:49:05 > 0:49:09This for Senorita Kiki. I call your cab.
0:49:11 > 0:49:14Here we go.
0:49:20 > 0:49:25- That was nice of Mr Galbraith. - He's a nice guy.
0:49:25 > 0:49:29- We ought to keep in touch with him. - Pretty.
0:49:29 > 0:49:34- It's funny. Flowers only mean one thing to me now.- I know. Funerals.
0:49:34 > 0:49:36Yes.
0:49:38 > 0:49:43Jerry, these flowers weren't really meant for me.
0:49:43 > 0:49:48- You mean you wanna take them by the cemetery?- Yes. Do you mind?
0:49:58 > 0:50:00And she waited here for him?
0:50:00 > 0:50:05Robles said so. Raoul waited here for her, then left.
0:50:05 > 0:50:09She missed him by just a few minutes.
0:50:09 > 0:50:11I wonder what she thought about.
0:50:11 > 0:50:17- Such a sad place.- What do you wanna stay for? It'll make you feel bad.
0:50:17 > 0:50:22- Maybe I want to feel bad. - That doesn't make sense.
0:50:22 > 0:50:27Maybe I'm tired of pretending that nothing bothers me,
0:50:27 > 0:50:31that all I care about is myself and my career.
0:50:31 > 0:50:36- What else do you care about, Kiks? - You. Us.
0:50:36 > 0:50:39I'm glad you care about us, Kiks.
0:50:39 > 0:50:45- Those things can get lost.- We've been so busy trying to be tough.
0:50:55 > 0:50:58Confession - I'm a complete softie.
0:51:00 > 0:51:08- I've been conscience-stricken ever since that leopard escaped.- If that makes a softie, there's two of us.
0:51:08 > 0:51:10- Kiki...- Hmm?
0:51:10 > 0:51:13It wasn't the leopard.
0:51:13 > 0:51:16- You're positive?- Absolutely sure.
0:51:16 > 0:51:21We're not going to catch a train. We're going to catch a murderer.
0:51:21 > 0:51:26- Are you sure?- You know the answer. I want this town to be safe.
0:51:26 > 0:51:31I don't know how to start. All I know is, I want to do something.
0:51:31 > 0:51:36Oh...oh, Kiki. I'm out of cash. You'll have to loan me some dough.
0:51:36 > 0:51:41- Didn't you take your cut?- Yes, but I got clipped in a crap game.
0:51:41 > 0:51:47- You've never lost that much before. I'm out of cash, too.- You can't be.
0:51:47 > 0:51:52- I bought jewellery from Eloise. - That wouldn't use up your pay.
0:51:52 > 0:51:55All right. I'm not ashamed of it.
0:51:55 > 0:52:00- I split it two ways...- Between the Delgados and Clo-Clo's family?
0:52:00 > 0:52:03How did you know?
0:52:03 > 0:52:05You did the same thing yourself?
0:52:09 > 0:52:12- Must get lonely here.- No.
0:52:12 > 0:52:17I have many friends, but they don't bother me with talk.
0:52:17 > 0:52:20I guess that'll hold you.
0:52:20 > 0:52:27- 225 you owe me. - Have you found the leopard? - What's left of him.- Where was he?
0:52:27 > 0:52:35North, in an arroyo, shot through the head, maybe a week ago. No good. Skin, everything gone.
0:52:35 > 0:52:40- What arroyo, Charlie? How do you get to it?- You go...
0:52:42 > 0:52:45And here is Three-Tree Mesa.
0:52:45 > 0:52:52- And the canyon. - I remember it. I couldn't make it but Galbraith went ahead.
0:52:52 > 0:52:59Just a moment. Miss Walker, will you sit alongside me? I can't stand, so you must sit.
0:52:59 > 0:53:00Thank you, but...
0:53:00 > 0:53:06- Chief...- You think Galbraith found the leopard while on the posse.- Yes.
0:53:06 > 0:53:12Beautiful! There's no-one else like him. He's a genius in his own line.
0:53:12 > 0:53:20- Galbraith knows something.- Look, I'm not interested in what somebody thinks that somebody else thinks.
0:53:20 > 0:53:22- I need facts.- That leopard's a fact.
0:53:22 > 0:53:27- Yes, and I'm taking it down to HQ. - Don't go to Galbraith with it.
0:53:27 > 0:53:35Involve the department in a slander suit? I'm in office to protect taxpayers' money, not throw it away.
0:53:35 > 0:53:39Here you are, son. Come on, Charlie.
0:53:44 > 0:53:48- We'll have to do it ourselves. - We will.
0:54:02 > 0:54:04Lovely face, tender smile.
0:54:04 > 0:54:11That's what you see, isn't it? Blood smeared on torn rags, that's what I see.
0:54:11 > 0:54:14- I know.- At night, she calls out.
0:54:14 > 0:54:19- I wake up and hear her screaming, "Raoul!"- Take it easy, boy.
0:54:19 > 0:54:26- Maybe there's something I can do. - Have a drink.- No. That's no good for you.
0:54:26 > 0:54:31You've got to kick at something to get it out of your system.
0:54:31 > 0:54:37You have nothing to fight except fate and a dumb brute animal.
0:54:37 > 0:54:42I've got something to tell you. It wasn't an animal. It was a man.
0:54:42 > 0:54:44A man?
0:54:44 > 0:54:46Who?
0:54:46 > 0:54:52I don't know, and I need your help to find out.
0:55:14 > 0:55:19- Oh, Mr Galbraith, I'm so glad you're here.- Good evening.
0:55:19 > 0:55:25Do you know what this procession's all about? I've never known.
0:55:25 > 0:55:30It's to remind people of the great tragedy that took place here,
0:55:30 > 0:55:37so they won't ever forget that a peaceful village of Indians was wiped out by the conquistadores.
0:55:37 > 0:55:43A band of monks did penance for their deaths. Hence the procession.
0:55:43 > 0:55:50- That's very interesting. - Well, I'll get on to the museum. - Thank you.
0:55:52 > 0:55:54- Help.- >
0:55:54 > 0:55:56- Help.- >
0:55:58 > 0:56:02- Let me out.- >
0:56:11 > 0:56:14CASTANETS RATTLE
0:57:12 > 0:57:17CASTANETS RATTLE IN THE DISTANCE
0:57:17 > 0:57:20RATTLING ECHOES
0:57:30 > 0:57:33RATTLING STOPS
0:57:53 > 0:57:57FOOTSTEPS APPROACH
0:58:05 > 0:58:11- I've disturbed you. I'm sorry.- Miss Walker, I didn't expect anyone.
0:58:11 > 0:58:14I came up to see the procession.
0:58:14 > 0:58:21- I remembered your kind invitation. - Of course, only I'm afraid you'll be cheated.
0:58:21 > 0:58:28- There isn't much of a view. - I thought they came right past. - But there are no lights out there.
0:58:28 > 0:58:33- They'll just be shadows. - It's not so dark.
0:58:33 > 0:58:36Turn off the lights. We'll see them.
0:58:36 > 0:58:43- No use turning off the lights till they get here. - They're coming. You hear them?
0:58:43 > 0:58:47- MOURNFUL SINGING - Turn off the lights.
0:58:47 > 0:58:51- Wait... - No, really. I can see them.
0:58:54 > 0:58:56They're coming now.
0:58:56 > 0:58:59Turn off the lights.
0:59:25 > 0:59:28SOMETHING FALLS TO THE GROUND
0:59:35 > 0:59:39Raoul, don't! Put that gun away! Kiki!
0:59:40 > 0:59:44It's all right. I'm not hurt.
0:59:44 > 0:59:47MOURNFUL SINGING
1:00:24 > 1:00:29- It was you, Galbraith.- No! - It WAS.- No, I tell you!
1:00:29 > 1:00:34- You killed Consuela and Clo-Clo. And tonight...- No!
1:00:35 > 1:00:40- She screamed. Something frightened her.- Consuela screamed, too.
1:00:40 > 1:00:43Why did you do it? Tell me why.
1:00:43 > 1:00:48Why do you accuse me? You don't know what you're doing.
1:00:48 > 1:00:51You don't understand. Nobody does.
1:00:51 > 1:00:57You don't know what it means to be tormented this way.
1:00:57 > 1:01:02- Tormented? Why? - I couldn't rest, couldn't sleep.
1:01:02 > 1:01:07All I could see was Teresa Delgado's body - broken, mangled.
1:01:07 > 1:01:12- I saw it day and night, everywhere I turned.- You found the leopard.
1:01:12 > 1:01:15I didn't want to kill, but I had to.
1:01:15 > 1:01:22I heard the little girl in the cemetery, talking to the man in the auto.
1:01:22 > 1:01:28When he went away, I thought I was going to help her get out. I can't remember.
1:01:28 > 1:01:32I looked down...in the darkness...
1:01:32 > 1:01:37and saw her white face, the eyes full of fear.
1:01:37 > 1:01:41Fear, that was it. Little, frail body.
1:01:41 > 1:01:44Soft skin.
1:01:44 > 1:01:46And then she screamed.
1:01:51 > 1:01:55(Consuela...)
1:02:05 > 1:02:12SHERIFF: It's a serious charge. You'll have to stand trial for murder.
1:02:15 > 1:02:17We stood here once before.
1:02:17 > 1:02:20I know. Teresa.
1:02:20 > 1:02:26I hated you that day. You and your flip talk. A little girl lying dead.
1:02:26 > 1:02:31I know. How do you think I felt when you told me not to be soft?
1:02:31 > 1:02:34Oh, Jerry, I want you to be soft.
1:02:34 > 1:02:38You ARE soft inside, where it counts.
1:02:38 > 1:02:44Kiki, Galbraith said something - something that you ought to know.
1:02:44 > 1:02:49He said that people were like that ball in the fountain at the hotel.
1:02:49 > 1:02:54That they get pushed around by things bigger than themselves.
1:02:54 > 1:02:59That's the way it was with us, only we were too small to see it.
1:03:12 > 1:03:15Subtitles by Red Bee Media Ltd E-mail subtitling@bbc.co.uk