0:02:57 > 0:03:00APPLAUSE Thank you very much, and welcome to To Tell The Truth.
0:03:00 > 0:03:01Our first guest -
0:03:01 > 0:03:03he's made a career out of being
0:03:03 > 0:03:06the most outrageous impostor that we've ever come across on this show,
0:03:06 > 0:03:08and you're going to see what I mean.
0:03:08 > 0:03:11Number one - what is your name, please?
0:03:11 > 0:03:13My name is Frank William Abagnale.
0:03:13 > 0:03:16- Number two? - MY name is Frank William Abagnale.
0:03:16 > 0:03:19- Number three? - MY name is Frank William Abagnale.
0:03:19 > 0:03:22- ANNOUNCER:- From 1964 to 1967,
0:03:22 > 0:03:26I successfully impersonated an airline pilot for Pan Am Airways,
0:03:26 > 0:03:29and I flew over two million miles for free.
0:03:29 > 0:03:31During that time,
0:03:31 > 0:03:34I was also the chief resident paediatrician at a Georgia hospital
0:03:34 > 0:03:38and an assistant attorney-general for the state of Louisiana.
0:03:38 > 0:03:39By the time I was caught,
0:03:39 > 0:03:44I was considered the youngest and most daring conman in US history.
0:03:44 > 0:03:47I had cashed almost 4 million in fraudulent cheques
0:03:47 > 0:03:50in 26 foreign countries and all 50 states.
0:03:50 > 0:03:53And I did it all before my 19th birthday.
0:03:53 > 0:03:56My name is Frank William Abagnale.
0:03:56 > 0:03:59APPLAUSE
0:04:01 > 0:04:03So, for the first time, he's going to have to tell the truth
0:04:03 > 0:04:05and we're going to start our questioning with Kitty.
0:04:05 > 0:04:08Thank you. Number one, why, with all your talent -
0:04:08 > 0:04:10and you're obviously a very bright fellow -
0:04:10 > 0:04:13why didn't you go in for a legitimate profession?
0:04:13 > 0:04:16It was really a question of dollars and cents.
0:04:16 > 0:04:17When I was a young man, I needed the money,
0:04:17 > 0:04:20and I thought this list of careers was the easiest way to get it.
0:04:20 > 0:04:22I see.
0:04:22 > 0:04:24Number two, I find this all very fascinating.
0:04:24 > 0:04:29- Who was it that finally caught you? - His name was Carl Hanratty.
0:04:29 > 0:04:31- STRONG FRENCH ACCENT:- Ratty?
0:04:31 > 0:04:33- ALL IMITATE:- Ratty? - Hanratty!
0:04:33 > 0:04:36- ALL:- Ratty!- Hanratty!
0:04:36 > 0:04:40SLOWLY: I...am... Carl Hanratty.
0:04:40 > 0:04:44OK? The FBI from the United States of America.
0:04:44 > 0:04:46- ALL:- Oui. Oui.
0:04:46 > 0:04:49I have orders to see the American prisoner Abagnale.
0:04:49 > 0:04:51ALL ARGUE IN FRENCH
0:05:17 > 0:05:20You sit here.
0:05:20 > 0:05:23You do not open the door.
0:05:23 > 0:05:28You do not pass him anything through the hole.
0:05:33 > 0:05:35HE SPEAKS FRENCH
0:05:36 > 0:05:38COUGHING
0:05:38 > 0:05:40Oh, great.
0:05:40 > 0:05:42COUGHS VIOLENTLY
0:05:45 > 0:05:48THUNDER RUMBLES, WATER DRIPS
0:05:55 > 0:05:58COUGHING
0:06:00 > 0:06:02You know, I got a little bit of a cold myself.
0:06:02 > 0:06:03COUGHS AND RETCHES
0:06:03 > 0:06:06Frank, I'm here to read the articles of extradition
0:06:06 > 0:06:09according to the European Court for Human Rights.
0:06:09 > 0:06:12Article 1. "Extradition shall be granted in respect of all offences
0:06:12 > 0:06:15"punishable under laws of deprivation of liberty and a detention order
0:06:15 > 0:06:18"for the maximum period of at least one year of a severe penalty."
0:06:18 > 0:06:20Help me.
0:06:20 > 0:06:23Frank, stop it.
0:06:23 > 0:06:25Help me.
0:06:25 > 0:06:27You don't think you actually can fool me, do you?
0:06:27 > 0:06:30COUGHS VIOLENTLY
0:06:30 > 0:06:3216 pages to go. Stay with me.
0:06:32 > 0:06:34Article 2.
0:06:34 > 0:06:37READS RAPIDLY: "If the request for extradition includes..."
0:06:37 > 0:06:38CONTINUES READING RAPIDLY
0:06:41 > 0:06:43Frank.
0:06:45 > 0:06:46Frank?
0:06:48 > 0:06:50Get me a doctor in here!
0:06:50 > 0:06:52- I need a doctor!- Yes.
0:06:52 > 0:06:53Doctor, now!
0:06:53 > 0:06:56Don't sweat it, Frank. We're going to get you right to a doctor.
0:06:56 > 0:06:58MEN SPEAK IN FRENCH
0:07:00 > 0:07:02Frank, if you can hear me, don't worry -
0:07:02 > 0:07:04I'm going to take you home in the morning.
0:07:04 > 0:07:05Home in the morning, Frank.
0:07:09 > 0:07:11What are you doing?
0:07:11 > 0:07:12Washing off the lice.
0:07:12 > 0:07:15This man has to be on a plane for America. He has to see a doctor.
0:07:15 > 0:07:17The doctor comes in tomorrow.
0:07:17 > 0:07:20I have worked too long, too hard for you to take this away from me.
0:07:20 > 0:07:22If he dies, I'm holding you responsible.
0:07:29 > 0:07:31Monsieur!
0:07:32 > 0:07:35ALL EXCLAIM IN FRENCH
0:07:35 > 0:07:36Oh, Frank.
0:07:36 > 0:07:39ALARM BLARES ALL CHEER
0:07:42 > 0:07:44COUGHS VIOLENTLY
0:07:44 > 0:07:46PRISONERS CHEER AND WHISTLE
0:08:17 > 0:08:18OK, Carl.
0:08:18 > 0:08:21Let's go home.
0:08:22 > 0:08:23- MAN:- The New Rochelle Rotary Club
0:08:23 > 0:08:27has a history that goes back to 1919.
0:08:27 > 0:08:32In all those years, we've only seen a handful of deserving gentlemen
0:08:32 > 0:08:35inducted as lifetime members.
0:08:35 > 0:08:38It's an honour that has seen
0:08:38 > 0:08:4157 names enshrined on the wall of honour,
0:08:41 > 0:08:44and tonight we make it 58.
0:08:44 > 0:08:48So, please stand as I present my very good friend -
0:08:48 > 0:08:53a man who keeps our pencils sharp... and our pens in ink.
0:08:53 > 0:08:55Frank William Abagnale!
0:09:14 > 0:09:19I stand here humbled by the presence of Mayor Robert Wagner.
0:09:23 > 0:09:26And our club president, Jack Barnes.
0:09:26 > 0:09:29APPLAUSE
0:09:31 > 0:09:34Most of all, I'm honoured to see my loving wife, Paula...
0:09:37 > 0:09:40..and my son, Frank Jr...
0:09:40 > 0:09:42Frank...
0:09:47 > 0:09:50..sitting in the front row. SCATTERED LAUGHTER
0:09:54 > 0:09:58Two little mice fell in a bucket of cream.
0:09:58 > 0:10:02The first mouse quickly gave up and drowned.
0:10:02 > 0:10:06The second mouse wouldn't quit.
0:10:06 > 0:10:12He struggled so hard that eventually he churned that cream into butter
0:10:12 > 0:10:14and crawled out.
0:10:14 > 0:10:18Gentlemen, as of this moment, I am that second mouse.
0:10:29 > 0:10:32MUSIC: Embraceable You by Judy Garland
0:10:34 > 0:10:37- PAULA:- You're a better dancer than your father, Frankie.
0:10:37 > 0:10:39- You hear that, Daddy? - FRANK SR: Like fun!
0:10:39 > 0:10:41The girls don't know what they're in for.
0:10:41 > 0:10:43Show him the dance you were doing when we met.
0:10:43 > 0:10:45Oh, who can remember?
0:10:45 > 0:10:47The people in that little French village
0:10:47 > 0:10:49were so happy to see Americans.
0:10:49 > 0:10:52They decided to put on a show for us.
0:10:52 > 0:10:55- So, they crammed... - Yeah, we know the story, Daddy.
0:10:55 > 0:10:58..into that tiny social hall,
0:10:58 > 0:11:01and the first person to walk onstage is your mother,
0:11:01 > 0:11:03and she starts to dance.
0:11:03 > 0:11:07You know, it had been months since we'd even seen a woman.
0:11:07 > 0:11:09Here's this blonde angel.
0:11:09 > 0:11:12- Blonde bombshell. - GIGGLES
0:11:12 > 0:11:15And the men are literally holding their breath.
0:11:15 > 0:11:17Holding their breath for you.
0:11:17 > 0:11:18- You hear that? - LAUGHS
0:11:18 > 0:11:22And I turned to my buddies and I said...
0:11:22 > 0:11:24"I will not leave France without her."
0:11:24 > 0:11:25And I didn't.
0:11:25 > 0:11:27You didn't.
0:11:27 > 0:11:29I didn't.
0:11:30 > 0:11:32Oh! Oh, shit, the rug.
0:11:32 > 0:11:34- Oh, Mom. - I can't believe I did that.
0:11:34 > 0:11:35No, no, it's nothing, it's nothing.
0:11:35 > 0:11:37- Oh, Frankie! Frankie, get a towel. - Yeah.
0:11:37 > 0:11:39Come on!
0:11:42 > 0:11:44Dance with me, Paula.
0:11:47 > 0:11:48SIGHS AND GIGGLES
0:11:55 > 0:11:58Whenever I dance for you, I get in trouble.
0:12:08 > 0:12:10Oh!
0:12:12 > 0:12:14Frank, wake up! Come on, let's go!
0:12:14 > 0:12:15Get up! Come on, come on!
0:12:15 > 0:12:17Frank, wake up.
0:12:17 > 0:12:19- SLEEPILY:- Dad...
0:12:19 > 0:12:21You don't have to go to school today. It's OK.
0:12:21 > 0:12:23Why? Is it snowing?
0:12:23 > 0:12:25Do you have a black suit?
0:12:25 > 0:12:26Oh, I overslept again, huh?
0:12:26 > 0:12:28We have a very important meeting in the city.
0:12:28 > 0:12:31Here, eat that. Come on, come on!
0:12:31 > 0:12:33FRANK SR: Ma'am, open up! Just open up, please!
0:12:33 > 0:12:34- FRANK JR:- Ma'am!
0:12:34 > 0:12:36Oh, gosh!
0:12:36 > 0:12:38- We don't open for half an hour. - Open the door, please.
0:12:38 > 0:12:40Just open the door. It's important.
0:12:40 > 0:12:42I'm sorry - we don't open for half an hour.
0:12:42 > 0:12:44- What's your name, ma'am?- Darcy.
0:12:44 > 0:12:45Darcy. That's a pretty name.
0:12:45 > 0:12:49I'm in a bit of a fix. I need a suit for my kid. This is my son, Frank.
0:12:49 > 0:12:51- Oh, hi. - He needs a black suit.
0:12:51 > 0:12:53- Black suit? - There was a death in the family.
0:12:53 > 0:12:56- My father - 85 years old, war hero. - Yeah?
0:12:56 > 0:12:59There's a funeral this afternoon, military funeral.
0:12:59 > 0:13:01Planes flying overhead, 21-gun salute.
0:13:01 > 0:13:03Jeez.
0:13:03 > 0:13:05Frank needs to borrow a suit for a couple of hours.
0:13:05 > 0:13:07I'm sorry. We don't loan suits and we're not open.
0:13:07 > 0:13:11Darcy. Darcy, please, come back. SHE SIGHS
0:13:11 > 0:13:13Darcy, is this yours?
0:13:19 > 0:13:21I just found it in the parking lot.
0:13:21 > 0:13:23Uh-huh.
0:13:23 > 0:13:25It must have slipped right off your neck.
0:13:27 > 0:13:29TYRES SCREECH
0:13:29 > 0:13:30FRANK SR: Don't hit the kerb!
0:13:35 > 0:13:38Now, get out, walk around the back and hold the door open for me.
0:13:48 > 0:13:50All right. What's next?
0:13:50 > 0:13:51OK, stop grinning.
0:13:51 > 0:13:55When I get inside, you go back to the front seat and wait.
0:13:55 > 0:13:57Even if a cop comes and writes you a ticket,
0:13:57 > 0:13:59you don't move the car, understood?
0:13:59 > 0:14:01Dad, what's all this for?
0:14:01 > 0:14:03You know why the Yankees always win, Frank?
0:14:03 > 0:14:04Cos they have Mickey Mantle?
0:14:04 > 0:14:06No, it's cos the other teams
0:14:06 > 0:14:08can't stop staring at those damn pinstripes.
0:14:08 > 0:14:10Watch this.
0:14:10 > 0:14:12The manager of Chase Manhattan Bank
0:14:12 > 0:14:14is about to open the door for your father.
0:14:17 > 0:14:21Mr Abagnale, we don't usually loan money
0:14:21 > 0:14:24to people who have unresolved business with the IRS.
0:14:24 > 0:14:27That's a misunderstanding. I hired the wrong guy to do my books.
0:14:27 > 0:14:29A mistake - anybody could make it.
0:14:29 > 0:14:32I just need you guys to help me weather the storm.
0:14:32 > 0:14:35Sir, you're being investigated by the government for tax fraud.
0:14:35 > 0:14:37My store is a landmark in New Rochelle.
0:14:37 > 0:14:39I have customers all over New York.
0:14:39 > 0:14:43Well, you're not a customer at Chase Manhattan. We don't know you.
0:14:43 > 0:14:45I'm sure your bank in New Rochelle, they know you.
0:14:45 > 0:14:47- They can help you out. - My bank went out of business.
0:14:47 > 0:14:49Banks like this one put them out of business.
0:14:49 > 0:14:51Now, I know I made a mistake -
0:14:51 > 0:14:54I admit that - but these people want blood.
0:14:54 > 0:14:58They want my store. They've threatened to put me in jail.
0:14:58 > 0:15:01This is America, right? I'm not a criminal.
0:15:01 > 0:15:02I'm a Medal of Honor winner,
0:15:02 > 0:15:05a lifetime member of the New Rochelle Rotary Club.
0:15:05 > 0:15:08All I'm asking is for you to help me beat these guys.
0:15:08 > 0:15:12It's not a question of winning and losing. It's a question of risk.
0:15:12 > 0:15:15You're the largest bank in the world.
0:15:15 > 0:15:16Where's the...?
0:15:16 > 0:15:18Where's the risk?
0:15:24 > 0:15:26Dad, how could you just let 'em take our car like that?
0:15:26 > 0:15:28He didn't take anything. We took HIM.
0:15:28 > 0:15:30He overpaid by 500.
0:15:30 > 0:15:33Come on, Frank. Let's return the suit.
0:15:34 > 0:15:35SHE SOBS
0:15:42 > 0:15:43This place is good.
0:15:43 > 0:15:47It's small, but, you know, it's going to be a lot less work,
0:15:47 > 0:15:49a lot less work for you.
0:16:10 > 0:16:12Hey, Dad.
0:16:12 > 0:16:13Hi.
0:16:17 > 0:16:19Where's your mother?
0:16:19 > 0:16:21I don't know.
0:16:21 > 0:16:25She said something about going to look for a job.
0:16:26 > 0:16:30What's she going to be - a shoe salesman at a centipede farm?
0:16:34 > 0:16:36What are you doing?
0:16:38 > 0:16:40You want some pancakes?
0:16:40 > 0:16:43For dinner, on my son's 16th birthday?
0:16:43 > 0:16:45We're not going to eat pancakes!
0:16:47 > 0:16:51Why are you looking at me like that? You thought I'd forgotten?
0:16:51 > 0:16:53I didn't think you forgot.
0:16:53 > 0:16:56I opened a chequing account in your name.
0:16:56 > 0:16:59I put 25 in the account so you can buy whatever you want.
0:16:59 > 0:17:02- Don't tell your mother. - I won't.
0:17:02 > 0:17:03Thanks, Dad.
0:17:03 > 0:17:06Didn't the bank turn you down for a loan, though?
0:17:06 > 0:17:08Yes, they all turned me down.
0:17:08 > 0:17:11Then why are you opening a banking account?
0:17:11 > 0:17:16Because one day you'll want something from these people - a house, a car.
0:17:16 > 0:17:18They have all the money.
0:17:22 > 0:17:27There's 50 cheques there, Frank, which means from this day on...
0:17:29 > 0:17:30..you're in their little club.
0:17:31 > 0:17:33I'm in their little club.
0:17:34 > 0:17:36You got that, you got it all.
0:17:36 > 0:17:39It's even got my name there, huh?
0:17:40 > 0:17:41To the moon.
0:17:41 > 0:17:44To the moon!
0:17:44 > 0:17:46To the moon.
0:17:46 > 0:17:48BELLS CHIME
0:17:54 > 0:17:58See that? It's just a school. No different than Westburn.
0:17:58 > 0:18:02Ma, you said you were going to quit.
0:18:06 > 0:18:09Frankie, you don't have to wear the uniform here.
0:18:09 > 0:18:12Why don't you take off your jacket?
0:18:12 > 0:18:14I'm used to it.
0:18:19 > 0:18:20- Excuse me.- Oh, yes?
0:18:20 > 0:18:22Do you know where room 17 French is?
0:18:22 > 0:18:24Yeah, it's...
0:18:24 > 0:18:25BOTH SNIGGER
0:18:30 > 0:18:32BELL RINGS
0:18:38 > 0:18:39You selling encyclopaedias?
0:18:39 > 0:18:42Yeah, he looks like a substitute teacher.
0:18:56 > 0:18:59GIRLS GIGGLE NOISILY Quiet down, people!
0:18:59 > 0:19:01My name is Mr Abagnale.
0:19:01 > 0:19:03That's A-big-nail -
0:19:03 > 0:19:06not A-big-nah-lee, not A-big-naily,
0:19:06 > 0:19:08but ABAGNALE.
0:19:08 > 0:19:11Will somebody please tell me where you left off in your textbooks?
0:19:13 > 0:19:15Excuse me, people - if I need to ask again,
0:19:15 > 0:19:18I'm going to write up the entire class! Take your seats!
0:19:22 > 0:19:24Chapter seven.
0:19:24 > 0:19:26Will you please open your textbooks to chapter eight
0:19:26 > 0:19:28and we'll get started?
0:19:29 > 0:19:32- Excuse me - what's your name?- Brad.
0:19:32 > 0:19:35Brad, why don't you get up here in front of the class here
0:19:35 > 0:19:37and read conversation number five.
0:19:42 > 0:19:45READS BADLY IN FRENCH
0:19:46 > 0:19:49ALL LAUGH
0:19:51 > 0:19:55They sent for me. They said they needed a sub for Roberta.
0:19:55 > 0:19:58I came all the way from Dixon.
0:19:58 > 0:20:01Well, I always sub for Roberta.
0:20:01 > 0:20:03Excuse me - why aren't you reading?
0:20:03 > 0:20:04BRAD CONTINUES READING
0:20:04 > 0:20:08I'll never come back to Bellamy Jefferson again.
0:20:08 > 0:20:10You tell them not to call me!
0:20:10 > 0:20:12What - do they think it's easy for a woman my age?
0:20:12 > 0:20:14And all the money that it costs to travel!
0:20:14 > 0:20:15I tell you, they don't give a damn!
0:20:15 > 0:20:20Mr and Mrs Abagnale, this is not a question of your son's attendance.
0:20:20 > 0:20:23I regret to inform you that for the past week,
0:20:23 > 0:20:27Frank has been teaching Mrs Glasser's French class.
0:20:28 > 0:20:29He what?
0:20:29 > 0:20:34Your son has been pretending to be a substitute teacher -
0:20:34 > 0:20:37lecturing the students, giving out homework.
0:20:37 > 0:20:42Mrs Glasser has been ill and there was some confusion with the real sub.
0:20:43 > 0:20:47Your son held a teacher-parent conference yesterday
0:20:47 > 0:20:49and was planning a class field trip
0:20:49 > 0:20:52to a French bread factory in Trenton.
0:20:52 > 0:20:55Do you see the problem we have?
0:20:57 > 0:21:00Mrs Davenport, I have a note to miss fifth and sixth period today.
0:21:00 > 0:21:03- Doctor's appointment. - One moment. I'll be right with you.
0:21:04 > 0:21:05(Hey.)
0:21:05 > 0:21:08- (You should fold it.)- What?
0:21:08 > 0:21:11That note. It's a fake, right? You should fold it.
0:21:11 > 0:21:14It's a note from my mom. I have a doctor's appointment.
0:21:14 > 0:21:17Yeah, but there's no crease in the paper.
0:21:17 > 0:21:19When your mom hands you a note to miss school,
0:21:19 > 0:21:22the first thing you do is you fold it and you put it in your pocket.
0:21:22 > 0:21:24I mean, if it's real, where's the crease?
0:21:30 > 0:21:32BELL RINGS
0:21:34 > 0:21:36Oh, Frankie.
0:21:50 > 0:21:52- Ma, I'm home! - ROMANTIC MUSIC PLAYS
0:21:55 > 0:21:58You remember that girl Joanna I was telling you about?
0:21:58 > 0:22:01I asked her out today.
0:22:01 > 0:22:03I think we're going to go to the junior prom.
0:22:05 > 0:22:07- NEEDLE SCRATCHES RECORD - Ma, is this my driver's licence?
0:22:07 > 0:22:09That's all there is - two bedrooms.
0:22:09 > 0:22:11Oh, Frankie.
0:22:11 > 0:22:14You remember Dad's friend?
0:22:14 > 0:22:17Jack Barnes. From the club.
0:22:17 > 0:22:19- Hello. - He came by looking for your father.
0:22:19 > 0:22:22I was giving him a tour of the apartment.
0:22:22 > 0:22:25It's very, er...er, spacious, Paula.
0:22:30 > 0:22:31Dad's at the store.
0:22:32 > 0:22:35So, Frank...
0:22:35 > 0:22:37you're getting to look more like your old man every day.
0:22:41 > 0:22:42Thanks for the sandwich, Paula.
0:22:42 > 0:22:46- I'll see you later, huh?- Wait.
0:22:50 > 0:22:52Is this yours?
0:22:52 > 0:22:54Oh.
0:22:55 > 0:22:58Well, thanks, Frank. That's the president's pin.
0:22:58 > 0:23:01I'd be in deep trouble if I lost that.
0:23:08 > 0:23:09I'll see you all later, huh?
0:23:19 > 0:23:20Are you hungry, Frankie?
0:23:20 > 0:23:22I'll make you a sandwich.
0:23:31 > 0:23:33Jack wanted to talk business with your father.
0:23:33 > 0:23:37He thinks we should get a lawyer and sue the government.
0:23:39 > 0:23:41It is not legal, what they're doing to us.
0:23:44 > 0:23:46Why aren't you saying anything?
0:23:53 > 0:23:56You're not going to tell him, are you?
0:23:56 > 0:23:59No.
0:23:59 > 0:24:02That's right. There's nothing to tell.
0:24:02 > 0:24:05I'm going out for a few hours
0:24:05 > 0:24:07to visit some old friends from the tennis club
0:24:07 > 0:24:13and when I get home, we'll all have dinner together, right?
0:24:13 > 0:24:18But you won't say anything, because it's...it's just silly, isn't it?
0:24:18 > 0:24:20How could we sue anybody?
0:24:24 > 0:24:25Oh...
0:24:25 > 0:24:28do you need some money, Frankie?
0:24:28 > 0:24:32A few dollars to buy some...record albums?
0:24:32 > 0:24:34Here. Take 5.
0:24:34 > 0:24:36Oh, 10.
0:24:42 > 0:24:45You promised you were going to quit.
0:25:03 > 0:25:05Ma, I'm home.
0:25:15 > 0:25:17DOOR OPENS
0:25:19 > 0:25:20Hey, hey!
0:25:20 > 0:25:22Look, you - you stay away from her, you hear me?
0:25:22 > 0:25:25I don't know who you are, but if you ever come back here again...
0:25:25 > 0:25:28Frank! Frank! Frank, calm down, will you? I'm Dick Kesner.
0:25:28 > 0:25:30Now, I want you to leave your things here,
0:25:30 > 0:25:34follow me into the next room, OK? They're all waiting for you.
0:25:37 > 0:25:38PAULA: You don't have to be scared.
0:25:38 > 0:25:41I'm right here, Frank. I'll always be here.
0:25:41 > 0:25:45But there are laws. Everything in this country has to be legal.
0:25:45 > 0:25:48So what we need to do is make some decisions.
0:25:48 > 0:25:49That's what Mr Kesner is here for.
0:25:49 > 0:25:52Many times these decisions are left up to the courts,
0:25:52 > 0:25:54but that can be very expensive, Frank,
0:25:54 > 0:25:56- people fighting over their children. - Nobody's fighting.
0:25:56 > 0:25:59Look at me, Frank. Nobody's fighting.
0:25:59 > 0:26:01SPEAKS FRENCH
0:26:01 > 0:26:04SHE REPLIES IN FRENCH
0:26:04 > 0:26:05Dad, what's going on?
0:26:07 > 0:26:11Do you remember your grandma, Eve? She arrived this morning.
0:26:11 > 0:26:13- Bonjour.- Hello.
0:26:13 > 0:26:15SPEAKS FRENCH
0:26:19 > 0:26:20Allez, Maman.
0:26:22 > 0:26:25Do you understand what we're saying to you, Frank?
0:26:26 > 0:26:30Your father and I... are getting a divorce.
0:26:30 > 0:26:33SPEAKS FRENCH
0:26:33 > 0:26:35Nothing's going to change. We're still going to see each other.
0:26:35 > 0:26:37Oh, stop it, please, Frank. Don't interrupt.
0:26:37 > 0:26:39Frank, you don't have to read all of this.
0:26:39 > 0:26:41Most of it's for your parents - boring adult business -
0:26:41 > 0:26:44but this paragraph right here, this IS important,
0:26:44 > 0:26:47because it states who you are going to live with...
0:26:47 > 0:26:50after the divorce.
0:26:50 > 0:26:51Whose custody you will be in.
0:26:51 > 0:26:54And there's a blank space right here.
0:26:54 > 0:26:56MUTTERS IN FRENCH
0:26:56 > 0:26:58Now, I want you to go into the kitchen, sit at the table,
0:26:58 > 0:27:00and put a name down.
0:27:00 > 0:27:02You can take as long as you want,
0:27:02 > 0:27:03but when you come back into this room,
0:27:03 > 0:27:05I want to see a name on that line.
0:27:05 > 0:27:08Frank, just write down a name.
0:27:08 > 0:27:11This will all be over. It's going to be OK.
0:27:11 > 0:27:12What name?
0:27:12 > 0:27:14Your mother or your father.
0:27:14 > 0:27:17Just put the name there - it's as simple as that.
0:27:17 > 0:27:20And don't look so scared. It's not a test.
0:27:20 > 0:27:22There's no wrong answer.
0:27:35 > 0:27:37Hi.
0:27:37 > 0:27:39One ticket to Grand Central, please.
0:27:39 > 0:27:40That'll be 3.50, sir.
0:27:42 > 0:27:44Is it OK if I write you a cheque?
0:27:49 > 0:27:52Carl, when do I get to call my father?
0:27:52 > 0:27:55You can call him when we get to New York.
0:27:55 > 0:27:58We leave for the airport in seven hours.
0:27:58 > 0:28:01Until then, just sit there. Be quiet.
0:28:01 > 0:28:06You know, Carl, on the other side of the hotel, they got suites that face the park.
0:28:07 > 0:28:10It's the best room the FBI can afford.
0:28:13 > 0:28:15That's OK. I've stayed in worse.
0:28:15 > 0:28:17Mr Mertrick. Mr Mertrick, please! You have to listen to me!
0:28:17 > 0:28:21I don't want to hear your story. This is two cheques that bounced.
0:28:21 > 0:28:23You know how much trouble I'm in.
0:28:23 > 0:28:25No, but listen. I'll telling you, the bank, THEY made the mistake.
0:28:25 > 0:28:27I'll write you another cheque right now.
0:28:27 > 0:28:29What - do I look like I was born yesterday?
0:28:29 > 0:28:32Look, it's midnight, Mr Mertrick. Where am I going to go?!
0:28:32 > 0:28:35You're a goddamn kid. Go HOME.
0:29:20 > 0:29:22I mean, I hope you understand.
0:29:22 > 0:29:24My boss sent me to Brooklyn, then Queens.
0:29:24 > 0:29:25Now he wants me in Long Island
0:29:25 > 0:29:28to take a few clients out for a night on the town.
0:29:28 > 0:29:31I'm sorry, but we're not allowed to cash cheques from other banks.
0:29:31 > 0:29:33How would we know if they're any good?
0:29:33 > 0:29:34What did you say your name was?
0:29:34 > 0:29:36- Ashley.- Ashley.
0:29:36 > 0:29:38You know what I found on the sidewalk out there?
0:29:44 > 0:29:46Must have slipped right off your neck.
0:29:50 > 0:29:53Is there something I can help you with, son?
0:29:53 > 0:29:56Well, you see, it's my grandmother's birthday next week
0:29:56 > 0:29:58and I want to get her something extra special.
0:29:58 > 0:30:01Please? I mean, it's my midterm next week and my books were stolen.
0:30:01 > 0:30:03COUGHS AND SPLUTTERS
0:30:03 > 0:30:06Please, it's just 5. No-one would have to know.
0:30:06 > 0:30:09I'm sorry, BUT we are not allowed to take cheques
0:30:09 > 0:30:12from people we don't know.
0:30:39 > 0:30:41ALL LAUGH
0:30:51 > 0:30:53Pleasure to have you back, Captain Carlson.
0:30:53 > 0:30:57What do you think, Angelo? The tomatoes are ripe this afternoon!
0:31:04 > 0:31:06- What have we here? - May I have your autograph?
0:31:06 > 0:31:09- You betcha! - Can I have your autograph, too?
0:31:09 > 0:31:10- You want to be a pilot?- Mm-hm.
0:31:10 > 0:31:13All right, there you go. Work hard in school.
0:31:13 > 0:31:17FRANK JR: Dear Dad, I have decided to become an airline pilot.
0:31:17 > 0:31:19I have applied to all the big airlines
0:31:19 > 0:31:22and I have several promising interviews lined up.
0:31:22 > 0:31:25How's Mom? Have you called her lately?
0:31:25 > 0:31:28Love, your son, Frank.
0:31:31 > 0:31:32Hello.
0:31:32 > 0:31:35I'm Frank Black from Monroe High School,
0:31:35 > 0:31:37and I have an appointment with Mr Morgan.
0:31:37 > 0:31:40You're the young man who's writing the article for the school paper.
0:31:40 > 0:31:42Yes, ma'am, that's me.
0:31:42 > 0:31:44I want to know everything about being a pilot.
0:31:44 > 0:31:46What airports does Pan Am fly to?
0:31:46 > 0:31:49What does a pilot make in a year, and who tells them where they're going to fly to?
0:31:49 > 0:31:51Whoa. Let's take 'em one at a time.
0:31:51 > 0:31:54All right - what does it mean when one pilot says to another pilot,
0:31:54 > 0:31:56"What kind of equipment are you on?"
0:31:56 > 0:31:58They want to know what kind of aircraft you're flying -
0:31:58 > 0:32:00is it a DC8, 707, Constellation...
0:32:00 > 0:32:02And what about those ID badges that I've seen pilots wear?
0:32:02 > 0:32:05Every pilot has to have two things with him at all times -
0:32:05 > 0:32:06one is his airline personnel badge,
0:32:06 > 0:32:09looks just like this one here from Pan Am,
0:32:09 > 0:32:13the other one is their FAA licence, and that looks just like this.
0:32:14 > 0:32:15Oh!
0:32:15 > 0:32:18Do you think I can make a copy of this to put into my article?
0:32:18 > 0:32:21Well, Frank, you can have that one. It's three years expired.
0:32:21 > 0:32:25Oh, thanks. What about your ID badge? Do you have one I could borrow?
0:32:25 > 0:32:26No, I can't help you there.
0:32:26 > 0:32:28Those are special order from Polaroid.
0:32:28 > 0:32:31The only way to get one of those is to become a real live pilot
0:32:31 > 0:32:33for Pan American Airways.
0:32:37 > 0:32:39'Pan Am. May I help you?'
0:32:39 > 0:32:41Yeah, hello. I'm calling about a uniform.
0:32:41 > 0:32:43- 'Hold for Purchasing.'- Thank you.
0:32:43 > 0:32:45'Purchasing.'
0:32:45 > 0:32:47I'm a co-pilot based out of San Francisco,
0:32:47 > 0:32:50I flew a flight into New York last night,
0:32:50 > 0:32:52but the problem is I'm headed out to Paris in three hours.
0:32:52 > 0:32:54How can we help you?
0:32:54 > 0:32:57I sent my uniform to be cleaned through the hotel,
0:32:57 > 0:33:00and I...I guess they must have lost it.
0:33:00 > 0:33:02'They lost a uniform. Happens all the time.
0:33:02 > 0:33:05'Go down to the Well Built Uniform Company at 9th and Broadway -
0:33:05 > 0:33:06'they're our uniform supplier.
0:33:06 > 0:33:08'I'll tell Mr Rosen you're coming.'
0:33:08 > 0:33:10You look too young to be a pilot.
0:33:10 > 0:33:12I'm a co-pilot.
0:33:12 > 0:33:13Why so nervous?
0:33:13 > 0:33:18How'd you feel if you lost your uniform first week on the job?
0:33:18 > 0:33:19Relax.
0:33:19 > 0:33:23Pan Am's got lots of uniforms. It's going to be 164.
0:33:23 > 0:33:26Great. I'll write you a cheque.
0:33:26 > 0:33:28Sorry. No cheques. No cash.
0:33:28 > 0:33:32You'll have to fill in your employee ID number and then I'll bill Pan Am.
0:33:32 > 0:33:34They'll take it out of your next pay cheque.
0:33:35 > 0:33:37Even better.
0:33:39 > 0:33:40FRANK JR: Dear Dad,
0:33:40 > 0:33:43you always told me that an honest man has nothing to fear,
0:33:43 > 0:33:46so I'm trying my best not to be afraid.
0:33:46 > 0:33:49I'm sorry I ran away, but you don't have to worry.
0:33:49 > 0:33:52I'm going to get it all back now, Daddy. I promise.
0:33:52 > 0:33:54I'm going to get it all back.
0:34:00 > 0:34:03- Are you a real live pilot? - I sure am, little lady.
0:34:03 > 0:34:05- And what's your name?- Celine.
0:34:05 > 0:34:07Celine, it's a pleasure to meet you.
0:34:07 > 0:34:09It's a pleasure to meet you, too!
0:34:13 > 0:34:18That's 50, 70, 80, 90, 100.
0:34:18 > 0:34:21You have yourself a great time in Paris.
0:34:21 > 0:34:22I always do.
0:34:22 > 0:34:24Excuse me.
0:34:26 > 0:34:28I'm John Marticker. I manage this branch.
0:34:28 > 0:34:30I want to thank you for coming in and using our institution.
0:34:30 > 0:34:33- Well, it's a pleasure to meet you, John. I'll be back again.- Good.
0:34:33 > 0:34:35Have you stayed with us before?
0:34:35 > 0:34:39Uh, no. I've been primarily based on the west coast.
0:34:39 > 0:34:41Is it all right if I write you a cheque for the room?
0:34:41 > 0:34:43- No problem, sir.- Great.
0:34:51 > 0:34:55Uh, I was also wondering if I could write you a personal cheque?
0:34:55 > 0:34:58For airline personnel, we cash personal cheques up to 100.
0:34:58 > 0:35:00Payroll cheques, we cash up to 300.
0:35:02 > 0:35:04Did you say 300 for a payroll cheque?
0:35:04 > 0:35:07TYPEWRITER CLACKS
0:35:09 > 0:35:10FRANK JR: Dear Dad,
0:35:10 > 0:35:14I've decided to become a pilot for Pan American Airways,
0:35:14 > 0:35:16the most trusted name in the skies.
0:35:16 > 0:35:19They've accepted me into their training programme
0:35:19 > 0:35:22and told me that if I work hard, I should earn my wings real soon.
0:35:22 > 0:35:26Please get in touch with Joanna Carlton from the 10th grade.
0:35:26 > 0:35:29Tell her I'm sorry that I could not take her to the junior prom.
0:35:29 > 0:35:31Love, your son, Frank.
0:36:08 > 0:36:10- Hello. How are you? - Fine, thank you.
0:36:10 > 0:36:12I have a payroll cheque here I'd like to cash.
0:36:12 > 0:36:14- Certainly.- Thank you.
0:36:14 > 0:36:19Uh, excuse me - I'm sure you hear this all the time,
0:36:19 > 0:36:24but you have the most beautiful eyes I have ever seen.
0:36:24 > 0:36:26I DO get that all the time.
0:36:26 > 0:36:28How would you like it?
0:36:43 > 0:36:45Oh, I'm sorry, sir.
0:36:45 > 0:36:47We won't have any cash until the banks open in an hour.
0:36:47 > 0:36:51But I'm sure they can cash your cheque at the airport.
0:36:51 > 0:36:54The airport? Who cashes cheques at the airport?
0:36:54 > 0:36:57Well, the airlines, sir.
0:36:57 > 0:36:59They've always taken care of their own.
0:37:07 > 0:37:09- Hello. - Hi. Are you deadheading?
0:37:09 > 0:37:13- What?- Are you my deadhead to Miami?
0:37:16 > 0:37:17Yes, yes. SHE LAUGHS
0:37:17 > 0:37:20Yeah, I'm a deadhead. Here you go.
0:37:20 > 0:37:24You're a little late, but the jump seat is open.
0:37:25 > 0:37:27You know, it's been a while since I've done this.
0:37:27 > 0:37:30Which one's the jump seat again?
0:37:31 > 0:37:33Have a nice flight.
0:37:33 > 0:37:36Are you my deadhead?
0:37:37 > 0:37:40Frank, Captain Oliver. John Larkin, the co-pilot.
0:37:40 > 0:37:42- Hello.- Fred Tully, flight engineer.
0:37:42 > 0:37:45Frank Taylor, Pan Am. Thanks for giving me a lift, boys.
0:37:45 > 0:37:47Go ahead and take a seat, Frank. We're about to push.
0:37:47 > 0:37:50What kind of equipment you on - DC8?
0:37:50 > 0:37:52707.
0:37:52 > 0:37:53You turning around on the red-eye?
0:37:53 > 0:37:56I'm jumping puddles for the next few months,
0:37:56 > 0:37:59trying to earn my keep running leapfrogs for the weak and weary.
0:37:59 > 0:38:02No shame in that. We all did it.
0:38:08 > 0:38:10- Have a seat.- Thank you.
0:38:11 > 0:38:14Would you like a drink after take-off?
0:38:14 > 0:38:15Milk?
0:38:15 > 0:38:18- LARKIN:- 80 knots. - OLIVER:- Check.
0:38:18 > 0:38:20V-1. Rotate.
0:38:21 > 0:38:24V-2. Positive lift.
0:38:24 > 0:38:26Gear up.
0:38:26 > 0:38:29FRANK JR: Dear Dad, today was graduation.
0:38:29 > 0:38:34I am now a co-pilot earning 1,400 a month plus benefits.
0:38:34 > 0:38:38And the best part is, they tell me my family can fly for free.
0:38:38 > 0:38:41So tell Mom to pack her bags and buy a new swimsuit,
0:38:41 > 0:38:43because I'm taking us all to Hawaii for Christmas.
0:38:43 > 0:38:45I love you, Dad.
0:38:45 > 0:38:48Aloha. Frank.
0:38:48 > 0:38:50- Hello, deadhead.- Hello.
0:38:50 > 0:38:52Enjoying your free ride?
0:38:57 > 0:39:01Marci, did you drop this?
0:39:05 > 0:39:06Must have slipped right off your neck.
0:39:06 > 0:39:08No.
0:39:08 > 0:39:10No!
0:39:10 > 0:39:12No.
0:39:12 > 0:39:15MARCI GASPS: Yes! Yes! Yes!
0:39:15 > 0:39:17Yes!
0:39:17 > 0:39:20- Yes! - CRASH
0:39:22 > 0:39:24Why are you stopping?
0:39:26 > 0:39:27I want to tell you something, Marci.
0:39:30 > 0:39:36This is by far the best date I have ever been on.
0:40:06 > 0:40:09Welcome to Miami Mutual Bank. How may I help you?
0:40:09 > 0:40:13My name is Frank Taylor. I'm a co-pilot for Pan Am.
0:40:13 > 0:40:15I'd like to cash this cheque here and then...
0:40:15 > 0:40:18I'd like to take you out for a steak dinner.
0:40:28 > 0:40:30And then we feed the cheques into the MICR machine,
0:40:30 > 0:40:33which uses special ink to encode the account numbers on the cheques.
0:40:35 > 0:40:36And where are these numbers?
0:40:36 > 0:40:40They're, um...right here.
0:40:40 > 0:40:42- Right there.- See?
0:40:45 > 0:40:47They're called the routing numbers.
0:40:47 > 0:40:49So, where do the cheques get routed to?
0:40:49 > 0:40:53You know, I don't exactly know. Nobody ever asked me that before.
0:40:55 > 0:40:58Next item up for bid is also from the Jersey Central Bank foreclosure.
0:40:58 > 0:41:02This is a MICR encoder - a machine used to encode bank cheques.
0:41:02 > 0:41:03Do I have an opening bid?
0:41:03 > 0:41:07HANRATTY: Our unknown subject is a paperhanger who started working on the east coast.
0:41:07 > 0:41:11In the last few weeks, this unsub has developed a new form of cheque fraud which I'm calling "the float".
0:41:11 > 0:41:14What he's doing is, he's opening chequing accounts at various banks
0:41:14 > 0:41:19and then changing the MICR ink routing numbers at the bottom of those cheques. Next slide, please.
0:41:19 > 0:41:21Next slide, please.
0:41:21 > 0:41:25The remote thing is broken, you might have to do it by hand.
0:41:25 > 0:41:27- You've gotta...- Try the...
0:41:27 > 0:41:30Agent Molen, it should be the square button just there by the side.
0:41:30 > 0:41:32That's a bad carousel you got here.
0:41:32 > 0:41:34- Thank you, Agent Molen. - You've got to move it manually.
0:41:34 > 0:41:37This is a map of the 12 banks of the US Federal Reserve.
0:41:37 > 0:41:39Slide.
0:41:40 > 0:41:42MICR scanners at every bank read these numbers
0:41:42 > 0:41:44at the bottom of a cheque. Slide.
0:41:44 > 0:41:48And then ship that cheque off to its corresponding branch.
0:41:48 > 0:41:51Carl, for those of us who are unfamiliar with bank fraud,
0:41:51 > 0:41:53do you mind telling us what the hell you're talking about?
0:41:53 > 0:41:58The east coast branches are numbered 01 to 06,
0:41:58 > 0:42:01the central branches are 07, 08, so on, so forth.
0:42:01 > 0:42:04Do you mean those numbers on the bottom of a cheque mean something?
0:42:04 > 0:42:06All of this was in the report I filed two days ago.
0:42:06 > 0:42:10If you change a 02 to a 12,
0:42:10 > 0:42:13that means that cheque which was cashed in New York
0:42:13 > 0:42:15does not go to the New York federal branch,
0:42:15 > 0:42:18but it is re-routed all the way to the San Francisco federal branch.
0:42:18 > 0:42:21The bank doesn't even know the cheque has bounced for two weeks,
0:42:21 > 0:42:24which means our unsub can stay in one place,
0:42:24 > 0:42:27paper the same city over and over again while these cheques circle the country.
0:42:27 > 0:42:30You know, you want to talk to my wife -
0:42:30 > 0:42:32she's the one that balances the chequebook at our house.
0:42:32 > 0:42:35LAUGHTER
0:42:37 > 0:42:39Next slide.
0:42:45 > 0:42:47Daddy!
0:42:49 > 0:42:52My son the bird man. That's some uniform, Frank.
0:42:52 > 0:42:54What do you think?
0:42:54 > 0:42:56- Nice.- Sit down.
0:43:00 > 0:43:02Dad... Daddy, have you gotten the postcards?
0:43:02 > 0:43:05Of course. This fork is ice-cold.
0:43:05 > 0:43:09No, no. Dad, that's a chilled salad fork.
0:43:09 > 0:43:11(It's a fancy restaurant, you know?)
0:43:17 > 0:43:20Here...I got you something.
0:43:20 > 0:43:22What's that?
0:43:22 > 0:43:24Open it.
0:43:28 > 0:43:31You know what those are, right?
0:43:31 > 0:43:37Those are the keys to a 1965 Cadillac DeVille convertible - brand-new, Dad.
0:43:37 > 0:43:39Red, with white interior,
0:43:39 > 0:43:43split seats, air-conditioning, the works.
0:43:43 > 0:43:47- You're giving me a Cadillac? - I'm giving you a Cadillac.
0:43:47 > 0:43:49Dad, she's parked downstairs.
0:43:49 > 0:43:52When we're done eating lunch, why not drive on over to Mom's house,
0:43:52 > 0:43:54pick her up, take a little joy-ride?
0:43:54 > 0:43:57Do you know what would happen if the IRS found out
0:43:57 > 0:43:59I was driving around in a new coupe?
0:44:01 > 0:44:04I took the train here, Frank. I'm taking the train home.
0:44:06 > 0:44:08All right.
0:44:15 > 0:44:18I have plenty of money. You know, if you ever, ever need anything...
0:44:18 > 0:44:22You worried...about me?
0:44:22 > 0:44:24No, I'm not... I'm not worried.
0:44:24 > 0:44:27You think I can't buy my own car?
0:44:27 > 0:44:32Two mice fell in a bucket of cream, Frank - which one am I?
0:44:33 > 0:44:35You're that second mouse.
0:44:37 > 0:44:39I went by the store today...
0:44:41 > 0:44:42I had to close the store for a while.
0:44:42 > 0:44:44It's all about timing, Frank.
0:44:44 > 0:44:47The goddamn government knows that - they hit you when you're down.
0:44:47 > 0:44:49I wasn't going to let them take it from me,
0:44:49 > 0:44:52so I just shut the doors myself, called their bluff.
0:44:57 > 0:44:59Sooner or later, they'll forget about me.
0:44:59 > 0:45:01I understand. I...
0:45:02 > 0:45:04Have you told Ma?
0:45:06 > 0:45:09She's so stubborn. Your mother...
0:45:13 > 0:45:16Don't worry. I'm not going to let her go without a fight.
0:45:16 > 0:45:18I've been fighting for us s...
0:45:20 > 0:45:22Dad?
0:45:24 > 0:45:26..since the day we met.
0:45:26 > 0:45:29Daddy, out of all those men,
0:45:29 > 0:45:32you were the one that took her home, remember that?
0:45:32 > 0:45:37200 men sitting in that tiny social hall watching her dance.
0:45:40 > 0:45:41What was the name of that town?
0:45:41 > 0:45:44Montrichard, Dad.
0:45:44 > 0:45:48I didn't speak a word of French and six weeks later, she was my...
0:45:51 > 0:45:53She's your wife.
0:45:55 > 0:45:59My son bought me a Cadillac today. I think that calls for a toast.
0:46:08 > 0:46:11To the best damn pilot in the sky.
0:46:12 > 0:46:15It's not what you think. I'm just a co-pilot.
0:46:17 > 0:46:18You see these people staring at you?
0:46:22 > 0:46:26These are the most powerful people in New York City
0:46:26 > 0:46:30and they keep peeking over their shoulders wondering where you're going tonight.
0:46:30 > 0:46:32Where are you going, Frank?
0:46:32 > 0:46:35Dad, nobody's staring at me.
0:46:35 > 0:46:36Someplace exotic?
0:46:39 > 0:46:40Just tell me where you're going.
0:46:43 > 0:46:45Los An... Hollywood.
0:46:45 > 0:46:47Hollywood?
0:46:53 > 0:46:56(The rest of us really are suckers.)
0:47:02 > 0:47:04So, I got on this red dress and these high heels, right,
0:47:04 > 0:47:07and I got a bra, like, out here, OK?
0:47:07 > 0:47:09I'm chasing these two Puerto Rican guys through the park.
0:47:09 > 0:47:12They got a suitcase filled with bank robbery loot.
0:47:12 > 0:47:15OK, I'm screaming out, "FBI! Freeze!" And I'm reaching for my gun,
0:47:15 > 0:47:18but I can't find it in the bra, it's so damn big.
0:47:18 > 0:47:20I thought I was going to shoot my tits off.
0:47:22 > 0:47:25You know, that's a funny story - people always laugh at that story.
0:47:25 > 0:47:27Let me ask you a question, Mr Amdursky -
0:47:27 > 0:47:29if you were having so much fun undercover,
0:47:29 > 0:47:31why did you transfer to bank fraud?
0:47:31 > 0:47:34I didn't transfer, I was censured and reassigned.
0:47:34 > 0:47:38It's like being punished - I was punished. I screwed up in the field.
0:47:38 > 0:47:42And you, Mr Fox? Were you punished for screwing up in the field?
0:47:42 > 0:47:44Oh, no, no, I've never worked in the field before.
0:47:44 > 0:47:46I audited background investigations
0:47:46 > 0:47:48of Department of Justice clerical applicants.
0:47:48 > 0:47:49Well, that's just great.
0:47:49 > 0:47:52I ask for a team and they drag the bottom of the Pacific.
0:47:52 > 0:47:54Mind if I ask you a question, Agent Hanratty?
0:47:54 > 0:47:57How come you're so serious all the time?
0:47:57 > 0:47:58Does it bother you, Mr Amdursky?
0:47:58 > 0:48:01Yeah. Yeah, it does bother me.
0:48:01 > 0:48:05- Does it bother you, Mr Fox? - A little, I guess.
0:48:05 > 0:48:08Well, would you like to hear me tell a joke?
0:48:10 > 0:48:13Yeah. Yeah, we'd love to hear a joke from you.
0:48:15 > 0:48:17- Knock, knock.- Who's there?
0:48:19 > 0:48:22- Go flog yourselves. - TURNS RADIO UP
0:48:29 > 0:48:32MUSIC: Girl From Ipanema
0:48:34 > 0:48:37MAN: He cashed three cheques, they all cleared.
0:48:37 > 0:48:39I was going to deposit this one today.
0:48:40 > 0:48:42I don't want any trouble.
0:48:43 > 0:48:45No trouble.
0:48:45 > 0:48:48No trouble at all. We'll take this cheque and be on our way. Thank you.
0:48:48 > 0:48:52Good. Because I don't want my customers harassed.
0:48:54 > 0:48:56What are you saying? Is he still here?
0:48:58 > 0:48:59201.
0:49:01 > 0:49:02Thank you.
0:49:02 > 0:49:06- A corner here. - Oh, thanks, son.
0:49:07 > 0:49:09- Some steps.- Steps.
0:49:12 > 0:49:15- Hey, Mr Murphy, how are ya? - Is that Frank?
0:49:15 > 0:49:17- Yeah, it's Frank. - Hey, Frank. How are you?
0:49:17 > 0:49:20- How's the knee? - Come on, I'll race you right now.
0:49:20 > 0:49:23- HE LAUGHS Take care.- OK, Frank.
0:49:23 > 0:49:25Come on, Carl, this guy's a pen-and-ink man -
0:49:25 > 0:49:27a goddamn paperhanger.
0:49:27 > 0:49:29- He doesn't carry a gun. - Why can't we go with you?
0:49:29 > 0:49:32Just keep your eyes open, do your job and I'll buy you both a Good Humor Bar.
0:49:41 > 0:49:43- SHE GASPS - It's all right, ma'am - FBI.
0:49:46 > 0:49:49201. 201. 201.
0:49:50 > 0:49:56201. 201. 201. 201...
0:50:00 > 0:50:01FBI!
0:50:08 > 0:50:09TOILET FLUSHES
0:50:09 > 0:50:12FBI!
0:50:12 > 0:50:14Come out of the bathroom!
0:50:15 > 0:50:17Step out of the bathroom!
0:50:20 > 0:50:21Hands on your head.
0:50:21 > 0:50:24You know, that's the new IBM Selectric.
0:50:24 > 0:50:26You can change the print type in five seconds.
0:50:26 > 0:50:28Shut up! Put your hands on your head! Put your hands...
0:50:28 > 0:50:31You know, he's got over 200 cheques here.
0:50:31 > 0:50:33Hands on your head!
0:50:33 > 0:50:36He even has little payroll envelopes addressed to himself from...
0:50:36 > 0:50:38- Put it down! DROP IT!- Relax!
0:50:38 > 0:50:40You're late, all right?
0:50:40 > 0:50:42My name's Barry Allen, United States Secret Service.
0:50:42 > 0:50:45Your boy just tried to jump out the window. My partner has him in custody.
0:50:45 > 0:50:47I don't know what you're talking about.
0:50:47 > 0:50:50What - you think the FBI are the only ones on this guy?
0:50:50 > 0:50:53I mean, come on...come on, he's dabbling in government cheques here.
0:50:53 > 0:50:57I've been following a paper trail on this guy for months now.
0:50:57 > 0:50:59Hey, do you mind taking that gun out of my face?
0:50:59 > 0:51:01Please, really, I mean, it makes me nervous.
0:51:01 > 0:51:03Let me see some credentials.
0:51:03 > 0:51:05Yeah, sure.
0:51:06 > 0:51:08Take my whole wallet.
0:51:08 > 0:51:11You want my gun, too? Come over here, take my gun.
0:51:11 > 0:51:15Hey. Hey, look. Just do me a favour, take a look outside.
0:51:15 > 0:51:16Look, look out the window.
0:51:16 > 0:51:19My partner's walking him to the car as we speak. Look.
0:51:21 > 0:51:25The old guy almost pissed in his pants when I came through the door.
0:51:25 > 0:51:28He jumped right through the window onto the hood of my car.
0:51:28 > 0:51:30- Hey, Murph!- Yeah?
0:51:30 > 0:51:34Call the LAPD again. I don't want people walking through my crime scene.
0:51:34 > 0:51:35CLEARS THROAT
0:51:35 > 0:51:38I didn't expect the secret service on this.
0:51:38 > 0:51:41Don't worry about it. Well, what's your name?
0:51:41 > 0:51:44Hanratty. Carl Hanratty.
0:51:50 > 0:51:53- Mind if I see some identification? - Sure.
0:51:53 > 0:51:55You know, you never can be too careful these days.
0:51:56 > 0:51:58Well, tough luck, Carl.
0:51:58 > 0:52:01Five minutes earlier, you would have landed yourself a pretty good collar.
0:52:01 > 0:52:04Is that right? Ten seconds later and you would have been shot.
0:52:04 > 0:52:08Mind if I come downstairs with you? I've got to take a look at this guy.
0:52:08 > 0:52:11Sure thing - just do me a favour and sit tight for a second
0:52:11 > 0:52:12while I get this evidence downstairs.
0:52:12 > 0:52:15You know, I don't want some maid walking through here
0:52:15 > 0:52:18- and making the bed. LAPD should be here any sec.- Wait.
0:52:22 > 0:52:24Your wallet.
0:52:24 > 0:52:27You hang on to it for a minute. I trust ya.
0:52:30 > 0:52:31SIGHS
0:52:33 > 0:52:35SIGHS HEAVILY
0:52:36 > 0:52:40Oh. Oh.
0:52:43 > 0:52:45Yeah.
0:52:45 > 0:52:47Secret service.
0:53:28 > 0:53:30Hey!
0:53:30 > 0:53:32Oh, goddammit!
0:53:32 > 0:53:36It was stupid. I made a stupid mistake.
0:53:36 > 0:53:40Forget about it. There are hundreds of unknown subjects out there.
0:53:40 > 0:53:41I can get this guy, Sean.
0:53:41 > 0:53:44The worst thing a paperhanger can do is show his face.
0:53:44 > 0:53:49I read the report - 6ft tall, brown hair, 27 to 30 years of age, 160lb.
0:53:49 > 0:53:51This could be almost anybody.
0:53:51 > 0:53:53I heard his voice, Sean. I saw his face.
0:53:53 > 0:53:55There's nothing for him to hide behind any more.
0:53:55 > 0:53:58Just be careful.
0:53:58 > 0:54:00You've got 12 years in.
0:54:00 > 0:54:03Nobody bothers you - you practically wrote the book on bank fraud.
0:54:03 > 0:54:06That's the kind of thing that can make you section chief some day.
0:54:06 > 0:54:09Just don't put yourself in this type of position.
0:54:09 > 0:54:11What type of position?
0:54:12 > 0:54:14The position of being humiliated.
0:54:23 > 0:54:26Sean, would you like to hear me tell a joke?
0:54:26 > 0:54:28Yeah, sure.
0:54:28 > 0:54:31Knock, knock.
0:54:33 > 0:54:37FRANK JR: So, my next question is, when a pilot retires,
0:54:37 > 0:54:41Pan Am sends him a cheque every single month?
0:54:41 > 0:54:44Ah, yeah, pension programme sends a cheque and benefits.
0:54:44 > 0:54:45How much is that cheque for?
0:54:45 > 0:54:48Er, kid, I'm really not in the mood for this right now.
0:54:48 > 0:54:50- This skyway man's driving me crazy. - Who's the skyway man?
0:54:50 > 0:54:54Some nut that's flying around the country posing as a Pan Am pilot.
0:54:54 > 0:54:56There's a column about him in the paper today.
0:55:02 > 0:55:04I keep telling them, this is not my problem.
0:55:04 > 0:55:07This guy doesn't even fly Pan Am. Flies everybody else.
0:55:07 > 0:55:11Flies United, TWA, Continental, Eastern.
0:55:11 > 0:55:13The skyway man.
0:55:13 > 0:55:15Newspaper loves this clown.
0:55:15 > 0:55:18They call him the James Bond of the sky.
0:55:20 > 0:55:22Did you say...
0:55:22 > 0:55:24Bond, James Bond.
0:55:32 > 0:55:36- Tell me, Jill, why does he do it? - He likes to win.
0:55:36 > 0:55:39- Come on, come on! - We'll be landing in 20 minutes.
0:55:39 > 0:55:42Do you want to play it easy, or the hard way?
0:55:42 > 0:55:43And this isn't a tranquilliser.
0:55:43 > 0:55:47Now, Pussy, you know a lot more about planes than guns.
0:55:47 > 0:55:49IMITATES SEAN CONNERY: Hello, Pussy.
0:55:49 > 0:55:51Now, you're sure this is the suit, right?
0:55:51 > 0:55:54Positive. This is the exact suit he wore in the movie.
0:55:54 > 0:55:57OK, I'll take three.
0:55:57 > 0:55:59Certainly, Mr Fleming.
0:55:59 > 0:56:02Now all you need is one of those foreign sports cars that he drives.
0:56:22 > 0:56:25MUSIC: The Look Of Love by Dusty Springfield
0:56:29 > 0:56:32- Hello.- Hi.
0:56:34 > 0:56:37Haven't I seen you before?
0:56:39 > 0:56:40Maybe.
0:56:40 > 0:56:44A couple of years ago, I was on the cover of "17".
0:56:44 > 0:56:47Yeah, you're that model, right - Cheryl?
0:56:47 > 0:56:49Mm-hm.
0:56:49 > 0:56:51Guys used to put your picture on their lockers.
0:56:53 > 0:56:57Isn't that your silver car I saw parked out front?
0:56:57 > 0:56:59Yeah...one of 'em.
0:57:03 > 0:57:06So, do you think I could get an autograph?
0:57:09 > 0:57:12Do you have a pen in your room?
0:57:45 > 0:57:47Shh.
0:57:48 > 0:57:51Men like you can buy anything you want.
0:58:02 > 0:58:05He buys a deck of cards at the hotel gift shop.
0:58:08 > 0:58:11Do you want to see a card trick?
0:58:11 > 0:58:14How much did these cards cost?
0:58:16 > 0:58:19Oh, 55 cents, I think.
0:58:21 > 0:58:25And if they sold me downstairs at the hotel gift shop...
0:58:27 > 0:58:29..how much would you pay?
0:58:29 > 0:58:35I'm sor... I'm sorry, how much would I pay for what?
0:58:37 > 0:58:39The entire night.
0:58:41 > 0:58:44How much would you pay me for the entire night?
0:58:49 > 0:58:52Cheryl, I...I really don't know.
0:58:52 > 0:58:54Don't be scared.
0:58:59 > 0:59:00Make me an offer.
0:59:08 > 0:59:11300?
0:59:11 > 0:59:13Go fish.
0:59:16 > 0:59:18Er...500?
0:59:18 > 0:59:20Go fish.
0:59:20 > 0:59:22600?
0:59:24 > 0:59:25Go fish.
0:59:28 > 0:59:301,000.
0:59:32 > 0:59:34OK.
0:59:35 > 0:59:371,000.
0:59:38 > 0:59:43OK. I'll be right back.
0:59:43 > 0:59:44Wait a second, where are you going?
0:59:44 > 0:59:47I'm going downstairs to cash a cheque.
0:59:48 > 0:59:52Do you think this hotel is going to cash a 1,000 cheque at 3am?
0:59:54 > 0:59:56It's a New York Savings and Loan cheque.
0:59:56 > 0:59:58It's like gold - they'll cash it.
0:59:58 > 1:00:01Don't you think they might get a little suspicious?
1:00:01 > 1:00:02Here, let me see that.
1:00:04 > 1:00:06It's a cashier's cheque. Endorse it over to me.
1:00:06 > 1:00:08No, I couldn't do that.
1:00:08 > 1:00:12You see, this cheque is for 1,400. We agreed upon 1,000.
1:00:13 > 1:00:18Why don't I give you back 400 and you give me that cheque?
1:00:20 > 1:00:22Even better.
1:00:52 > 1:00:54Does this belong to anybody?
1:01:06 > 1:01:08PHONE RINGS
1:01:10 > 1:01:12This is Hanratty. Merry Christmas.
1:01:12 > 1:01:15- FRANK JR:- Hello, Carl.
1:01:15 > 1:01:17Hello.
1:01:17 > 1:01:20Barry Allen, secret service.
1:01:20 > 1:01:24I've been trying to track you down now for the last couple of hours.
1:01:24 > 1:01:25What do you want?
1:01:25 > 1:01:30I wanted to apologise for what happened out in Los Angeles.
1:01:30 > 1:01:33'Uh-uh, uh-uh. No. No, you don't apologise to me.'
1:01:33 > 1:01:36Do you always work on Christmas Eve, Carl?
1:01:36 > 1:01:40I volunteered so the men with families could go home early.
1:01:40 > 1:01:43You looked like you were wearing a wedding ring out in Los Angeles.
1:01:43 > 1:01:45I thought maybe you had a family.
1:01:45 > 1:01:47No, no family.
1:01:48 > 1:01:52You want to talk to me... let's talk face to face.
1:01:52 > 1:01:57All right. I'm at my suite at the Stuyvesant Arms, room 3113.
1:01:57 > 1:02:00In the morning, I leave for Las Vegas for the weekend.
1:02:02 > 1:02:05You think you're going to get me again?
1:02:05 > 1:02:08You're not going to Vegas, you're not in the Stuyvesant Arms.
1:02:10 > 1:02:13You'd love for me to send out 20 agents Christmas Eve.
1:02:13 > 1:02:15We barge into your hotel, knock down the door
1:02:15 > 1:02:17so you can make fools out of us all.
1:02:17 > 1:02:21I'm really sorry if I made a fool out of you, I really am.
1:02:21 > 1:02:23- Uh-uh. No. No, no. - Listen, I really am.
1:02:23 > 1:02:26You do not feel sorry for me.
1:02:26 > 1:02:30The truth is, I knew it was you. Maybe I didn't get the cuffs on you, but I knew.
1:02:30 > 1:02:33Well, people only know what you tell them, Carl.
1:02:33 > 1:02:38Well, then, tell me this, Barry Allen, secret service,
1:02:38 > 1:02:41how did you know I wouldn't look in your wallet?
1:02:41 > 1:02:44The same reason the Yankees always win -
1:02:44 > 1:02:47nobody can keep their eyes off the pinstripes.
1:02:47 > 1:02:50The Yankees win because they have Mickey Mantle.
1:02:50 > 1:02:52No-one ever bets on the uniform.
1:02:52 > 1:02:55You sure about that, Carl?
1:02:55 > 1:02:57I'll tell you what I am sure of -
1:02:57 > 1:03:00you're going to get caught, one way or another.
1:03:00 > 1:03:04It's a mathematical fact - it's like Vegas, the house always wins.
1:03:10 > 1:03:14Well, Carl, I'm sorry, but I have to go.
1:03:14 > 1:03:18Oh, you didn't call just to apologise, did you?
1:03:18 > 1:03:20What do you mean?
1:03:20 > 1:03:23You have no-one else to call.
1:03:26 > 1:03:27Whoa!
1:03:30 > 1:03:32LAUGHS
1:03:32 > 1:03:36SINGS ALONG TO RADIO
1:03:48 > 1:03:50- You got that burger up?- Yep.
1:03:59 > 1:04:01More coffee, sir?
1:04:07 > 1:04:09Are you a collector?
1:04:09 > 1:04:10Of what?
1:04:10 > 1:04:12The Captives of the Cosmic Ray, The Big Freeze,
1:04:12 > 1:04:14Land of the Golden Giants - I've got them all.
1:04:14 > 1:04:17- What are you talking about? - Barry Allen.
1:04:20 > 1:04:22The Flash.
1:04:24 > 1:04:26Wait. Kid, kid, kid?
1:04:28 > 1:04:30- You mean, like, the comic book? - Yeah, the comic book.
1:04:30 > 1:04:32When he's not the Flash, that's his name - Barry Allen.
1:04:34 > 1:04:35Thank you.
1:04:39 > 1:04:42Now, get this - he reads comic books.
1:04:42 > 1:04:45Comic books. Barry Allen is the Flash.
1:04:45 > 1:04:49- 'Carl, slow down. I don't know what you're talking about.' - He's a kid. Our unsub is a kid.
1:04:49 > 1:04:52That's why we couldn't match his prints, why he doesn't have a record.
1:04:52 > 1:04:56I want you to contact NYPD for every all-points juvenile runaways
1:04:56 > 1:04:58in New York City, and don't forget the airports.
1:04:58 > 1:05:01- He's been kiting cheques all over the country.- 'Well, why New York?'
1:05:01 > 1:05:04The Yankees - he said something about the Yankees.
1:05:06 > 1:05:08- HANRATTY:- So, where are we on the list?
1:05:08 > 1:05:10Number 53...
1:05:10 > 1:05:11Abagnale.
1:05:13 > 1:05:16Good morning, ma'am. We're the FBI agents who called.
1:05:16 > 1:05:17Oh, yes, I've been waiting.
1:05:17 > 1:05:21I hope you're all hungry. I put out the Sara Lee.
1:05:24 > 1:05:26My husband, Jack, is a lawyer.
1:05:26 > 1:05:29What about your first husband, Mrs Abagnale?
1:05:29 > 1:05:30CORRECTS PRONUNCIATION: Abagnale.
1:05:30 > 1:05:32But I prefer to be called Barnes.
1:05:34 > 1:05:36Frank William Abagnale.
1:05:36 > 1:05:39It says here he was in the service. Did you two meet during the war?
1:05:39 > 1:05:44Yeah, I lived in a very small village in France - Montrichard -
1:05:44 > 1:05:48the kind of place where they've never heard of Sara Lee.
1:05:48 > 1:05:51- Help yourselves. - Nobody doesn't like Sara Lee.
1:05:51 > 1:05:54You filled out a missing persons report for a runaway juvenile
1:05:54 > 1:05:56by the name of Frank Abagnale Jr.
1:05:56 > 1:05:58Is Frankie OK?
1:05:58 > 1:06:00Are you aware of the fact that he wrote some cheques
1:06:00 > 1:06:02on a closed account at Chase Manhattan Bank?
1:06:02 > 1:06:06Oh, yes. The police think he's some type of criminal.
1:06:06 > 1:06:08What he did was a felony, Mrs Barnes.
1:06:08 > 1:06:10Oh, it was 1,000.
1:06:10 > 1:06:13Half the kids his age are on dope,
1:06:13 > 1:06:16throwing rocks at police,
1:06:16 > 1:06:19and they scared me to death because my son made a little mistake.
1:06:21 > 1:06:25A 17-year-old boy has to eat, has to have a place to sleep.
1:06:25 > 1:06:27We understand, ma'am.
1:06:27 > 1:06:30Would you happen to have a picture of your son?
1:06:30 > 1:06:31Oh, yes. I have his old yearbook.
1:06:40 > 1:06:42OK.
1:06:42 > 1:06:47OK, OK. We need to send out an all-office teletype.
1:06:47 > 1:06:50Our unsub's name is Frank Abagnale Jr, aged 17.
1:06:50 > 1:06:52Is Frankie OK? Is he in trouble?
1:06:52 > 1:06:55Ma'am, I'm sorry to have to tell you, your son is forging cheques.
1:06:55 > 1:06:58Forging cheques? Wait, I'm sure we can take care of that.
1:06:58 > 1:07:00I'm working part-time at the church now.
1:07:00 > 1:07:03Just tells me how much he owes and I'll pay you back.
1:07:03 > 1:07:05So far, it's about 1.3 million.
1:07:10 > 1:07:12ALARM DINGS
1:07:22 > 1:07:23- Hi, Melanie. How are you?- Hi.
1:07:23 > 1:07:26When you're in the house, please just use an ashtray.
1:07:26 > 1:07:29- Frank, this fondue is so good! - Wait, here, take this.
1:07:29 > 1:07:30Oh, good! I love Moet!
1:07:36 > 1:07:38MUSIC DISTORTS
1:07:38 > 1:07:42James! James! Please, just stay away from the hi-fi system, all right?
1:07:42 > 1:07:44It's reel-to-reel. You can't wind it like that.
1:07:48 > 1:07:50Christ, Terry!
1:07:50 > 1:07:52This is Italian knit! Watch where you're going!
1:07:52 > 1:07:54It's just a shirt, man.
1:07:54 > 1:07:56Frank, come quick!
1:07:56 > 1:07:59Lance just fell into the conversation pit.
1:08:05 > 1:08:07Excuse me, do you know where Lance Applebaum is?
1:08:07 > 1:08:09Thank you.
1:08:12 > 1:08:14- MAN:- Do you understand how dangerous this is? Do you?
1:08:14 > 1:08:16Don't cry, just nod your head
1:08:16 > 1:08:17and tell me you won't do it again.
1:08:17 > 1:08:20Now dry up and get back to work.
1:08:23 > 1:08:25Hey, hey.
1:08:25 > 1:08:27Are you OK?
1:08:27 > 1:08:30He told me to pick up the blood, so I did,
1:08:30 > 1:08:32but he never told me to label it.
1:08:32 > 1:08:35Hey, it's OK. Stop crying.
1:08:35 > 1:08:37What's your name?
1:08:38 > 1:08:40- Brenda.- Brenda.
1:08:40 > 1:08:42Brenda, I wouldn't worry about it.
1:08:42 > 1:08:46You know, these doctors, you know, they don't know everything.
1:08:46 > 1:08:51It's my first week. And I think they're going to fire me.
1:08:51 > 1:08:54No, no, nobody's going to fire you, Brenda.
1:08:54 > 1:08:56I bet you're good at your job.
1:08:56 > 1:08:58No, I'm not.
1:08:59 > 1:09:02Yeah, I bet if I asked you to check on the status
1:09:02 > 1:09:05of my friend Lance Applebaum that you could do that for me in a second.
1:09:14 > 1:09:17Mr Applebaum fractured his ankle.
1:09:17 > 1:09:20Dr Ashland is treating him in exam room seven.
1:09:20 > 1:09:23You see that? No problem.
1:09:25 > 1:09:26This is the emergency chart.
1:09:27 > 1:09:31See that blue star there? That means that the patient has been diagnosed.
1:09:31 > 1:09:35And then after he's been treated, we put a red circle here.
1:09:35 > 1:09:37See?
1:09:37 > 1:09:38How do you like those braces?
1:09:40 > 1:09:42I guess they're all right.
1:09:42 > 1:09:47I got mine off last year. Boy, I hated them. They were bottoms.
1:09:47 > 1:09:50You know, I've still got to wear my mouthguard.
1:09:51 > 1:09:53You have really nice teeth.
1:09:55 > 1:09:58Well, thank you. You have a pretty smile.
1:10:02 > 1:10:06No, I mean it - I really think those braces look good on you.
1:10:06 > 1:10:08Thank you.
1:10:08 > 1:10:10You're welcome.
1:10:13 > 1:10:15- Brenda?- Yeah?
1:10:15 > 1:10:18Do you know if they're hiring here at the hospital?
1:10:19 > 1:10:22I'm not sure. What do you want to do?
1:10:24 > 1:10:25I'm a doctor.
1:10:29 > 1:10:33FRANK JR: Dear Dad, I've decided to get off the road for a while.
1:10:33 > 1:10:37I've taken a night job at a hospital and met some really nice people.
1:10:37 > 1:10:39It feels good to have my feet on the ground,
1:10:39 > 1:10:41to wake up in the same bed every night.
1:10:42 > 1:10:46Who knows? Maybe I'll even find someone to settle down WITH.
1:10:49 > 1:10:52Harvard Medical School, top of your class.
1:10:53 > 1:10:56Southern California Children's Hospital.
1:10:56 > 1:10:59Well, that's a pretty impressive resume, Dr Conners.
1:10:59 > 1:11:01But, unfortunately,
1:11:01 > 1:11:05the only thing I need is an emergency room supervisor
1:11:05 > 1:11:09for my midnight to 8am shift -
1:11:09 > 1:11:13someone to baby-sit six interns and 20 nurses.
1:11:13 > 1:11:15But, um...
1:11:15 > 1:11:19Hell, I doubt that you'd be interested in that.
1:11:20 > 1:11:24Well, in the past, they've always let me choose my own nurses.
1:11:26 > 1:11:28FRANK JR: Dr Connelly.
1:11:28 > 1:11:31- Dr Harris.- Present.
1:11:31 > 1:11:33Dr Ashland.
1:11:33 > 1:11:36Dr Conners...are you going to take roll every night?
1:11:36 > 1:11:39Yes, I will, Dr Ashland,
1:11:39 > 1:11:42and if you're going to be late, I suggest you bring a note.
1:11:45 > 1:11:47Miss Vassman.
1:11:47 > 1:11:49Miss Mase.
1:11:49 > 1:11:52- Miss Strong.- Here.
1:11:52 > 1:11:54Nurse Brown.
1:11:54 > 1:11:56Nurse Sanford.
1:11:56 > 1:11:58- TV:- 30mg of codeine every four hours.
1:11:58 > 1:12:00Run the plasma at 60 drops a minute
1:12:00 > 1:12:02until we calculate the food requirements.
1:12:02 > 1:12:05What do you estimate the degree and extent of the burns, Kildare?
1:12:05 > 1:12:08Second and third degree burns over about 20% of the body surface.
1:12:08 > 1:12:11- Do you concur?- I concur. Let's get him up to Paediatrics.
1:12:18 > 1:12:21- Hello, Brenda.- Hi, Dr Conners.
1:12:21 > 1:12:24- You need to sign these. - Thank you.
1:12:30 > 1:12:33Do you notice anything different about me?
1:12:33 > 1:12:35- You got your braces off.- Yeah!
1:12:35 > 1:12:38- Come here, let me see.- I've been trying to show you all night.
1:12:38 > 1:12:41Wow. Good job.
1:12:41 > 1:12:44So, did it hurt when they took them off? Mine felt so weird after.
1:12:44 > 1:12:47Mmm, I keep rubbing my tongue over them. I can't stop.
1:12:47 > 1:12:49They're so slippery.
1:12:49 > 1:12:52- It feels good, though, doesn't it? - Yeah, it feels incredible.
1:13:02 > 1:13:04Oh, my.
1:13:04 > 1:13:05I'm sorry.
1:13:17 > 1:13:19- WOMAN OVER PA: - Dr Conners to the ER.
1:13:19 > 1:13:20Dr Conners to the ER.
1:13:20 > 1:13:23- Shouldn't you go?- No, no, no.
1:13:23 > 1:13:27They have a staff doctor in the emergency ward. They'll be fine.
1:13:32 > 1:13:34Oh, what if he's in surgery?
1:13:36 > 1:13:37Do you really think I have to go?
1:13:37 > 1:13:39Oh, in here, Dr Conners.
1:13:39 > 1:13:40BOY CRIES OUT
1:13:50 > 1:13:52CRIES
1:13:56 > 1:14:00Gentlemen, what seems to be the problem?
1:14:00 > 1:14:05Bicycle accident. Fractured tibia about five inches below the patella.
1:14:05 > 1:14:06Hmm.
1:14:09 > 1:14:11- Dr Harris?- Yes.
1:14:11 > 1:14:15- Do you concur? - Concur with what, sir?
1:14:16 > 1:14:19Well, with what Dr Ashland just said, do you concur?
1:14:20 > 1:14:24Er...well, it's a bicycle accident. The boy told us.
1:14:24 > 1:14:28- So you concur?- Concur?
1:14:28 > 1:14:29I think we should take an X-ray,
1:14:29 > 1:14:31then stitch him up and put him in a walking cast.
1:14:35 > 1:14:37Very good, Dr Ashland, very good.
1:14:37 > 1:14:40Well, you don't seem to have much need for me.
1:14:40 > 1:14:41Carry on.
1:14:43 > 1:14:44I blew it, didn't I?
1:14:46 > 1:14:48Why didn't I concur?
1:14:52 > 1:14:54VOMITS VIOLENTLY
1:15:08 > 1:15:10Make yourself at home!
1:15:11 > 1:15:13Frank Abagnale Sr.
1:15:13 > 1:15:14You're not a cop.
1:15:16 > 1:15:19Special Agent Hanratty, FBI.
1:15:19 > 1:15:22You're not a cop. My landlord said you were not a cop.
1:15:22 > 1:15:24Well, if you're going to arrest me,
1:15:24 > 1:15:27I'd like to put on a different suit, if that's OK with you.
1:15:27 > 1:15:29I'm not here to arrest you. I'm looking for your son.
1:15:29 > 1:15:31He's in trouble. Do you know where he is?
1:15:34 > 1:15:37If I tell you where he is, will you promise not to tell his mother?
1:15:37 > 1:15:39Sure.
1:15:40 > 1:15:44Frank made up a fake ID and enlisted in the marine corps.
1:15:44 > 1:15:46He's over in Vietnam right now.
1:15:46 > 1:15:48That kid is halfway round the world,
1:15:48 > 1:15:51crawling through the damned jungle fighting the communists.
1:15:51 > 1:15:53So...
1:15:53 > 1:15:55please don't come to my home
1:15:55 > 1:15:57and call my boy a criminal, because that kid...
1:15:57 > 1:16:00I never said he was a criminal, Mr Abagnale.
1:16:00 > 1:16:01I said he was in trouble.
1:16:01 > 1:16:05If you'd like to give me a call and talk, here's my number.
1:16:17 > 1:16:19You're not a father, are you?
1:16:21 > 1:16:23Pardon me?
1:16:23 > 1:16:27If you were a father, you'd know I would never give up my son.
1:16:28 > 1:16:31I would never give up my son.
1:16:32 > 1:16:34Yes, sir, I understand.
1:16:35 > 1:16:37John... John, now get this.
1:16:37 > 1:16:42Riverbend Apartments, 415 Landover, Atlanta, Georgia.
1:16:42 > 1:16:45Atlanta, Georgia. Yeah, I'm on my way to the airport.
1:16:45 > 1:16:48I'll meet the team in four hours. Bye-bye.
1:16:50 > 1:16:53- Come on, it's OK. - WOMAN SOBS
1:16:53 > 1:16:55You don't have to cry.
1:16:55 > 1:16:57I'm sorry.
1:16:57 > 1:16:59I'm so sorry, Frank. I just...
1:16:59 > 1:17:04Brenda, listen to me... I don't care if you're a virgin, all right?
1:17:04 > 1:17:05Really, I can wait.
1:17:07 > 1:17:08I'm not a virgin.
1:17:13 > 1:17:15I had an abortion two years ago.
1:17:18 > 1:17:20My parents had a friend.
1:17:20 > 1:17:24He was...this man my father plays golf with.
1:17:25 > 1:17:29And then when I got better, they kicked me out of the house.
1:17:30 > 1:17:33I had an abortion and I wasn't their daughter any more.
1:17:33 > 1:17:35- Hey.- I'm so sorry.
1:17:35 > 1:17:37Please don't be mad at me. Please.
1:17:37 > 1:17:40- Please don't be mad at me. - No, no, no.
1:17:40 > 1:17:42- Please don't be mad at me.- Shh.
1:17:42 > 1:17:46Now...what if I spoke to your parents, right?
1:17:46 > 1:17:48Maybe I can straighten things out, huh?
1:17:48 > 1:17:52I ask them all the time, but they said I still can't come home.
1:17:53 > 1:17:56My dad is...is a lawyer.
1:18:04 > 1:18:05Brenda...
1:18:07 > 1:18:12..what if you were engaged to a doctor, would that change anything?
1:18:12 > 1:18:14What?
1:18:17 > 1:18:19What if I went to your parents...
1:18:21 > 1:18:23..and I spoke to your father...
1:18:26 > 1:18:29..and I asked permission to marry you?
1:18:42 > 1:18:44- It's empty.- Nobody here.
1:19:07 > 1:19:10Dr Conners, are you Lutheran?
1:19:11 > 1:19:15Yes, I am a Lutheran, but please call me Frank.
1:19:16 > 1:19:18Frank, would you like to say grace?
1:19:24 > 1:19:26Unless you're not comfortable.
1:19:27 > 1:19:28Absolutely.
1:19:38 > 1:19:41Two little mice fell into a bucket of cream.
1:19:43 > 1:19:45The first mouse quickly gave up and drowned,
1:19:45 > 1:19:47but the second mouse, he struggled so hard
1:19:47 > 1:19:50that he eventually churned that cream into butter
1:19:50 > 1:19:51and he walked out.
1:19:53 > 1:19:54Amen.
1:19:54 > 1:19:56- Amen.- Amen.
1:19:56 > 1:19:59Oh, that was beautiful.
1:19:59 > 1:20:01The mouse, he churned that cream into butter?
1:20:04 > 1:20:06That's right.
1:20:06 > 1:20:08Thank you.
1:20:08 > 1:20:11Frank, have you decided which hospital you want to work at here in New Orleans?
1:20:11 > 1:20:16Well, to be quite honest, I'm... thinking about getting back into law.
1:20:16 > 1:20:20Oh, my! Are you a doctor or a lawyer?
1:20:20 > 1:20:23Well, before I went to medical school, I passed the bar in California.
1:20:23 > 1:20:25I practised law for one year,
1:20:25 > 1:20:28then I decided, why not try my hand at paediatrics?
1:20:30 > 1:20:34- Well, you're just full of surprises. - Yeah.
1:20:35 > 1:20:39Oh, my, a doctor AND a lawyer. I'd say that Brenda hit the jackpot.
1:20:39 > 1:20:41Where did you go to law school?
1:20:41 > 1:20:44Berkeley. ALL GASP
1:20:44 > 1:20:47Berkeley, Berkeley. Oh, my gosh. Isn't that where you went, Daddy?
1:20:47 > 1:20:49Oh, maybe Frank could come work for you, Roger.
1:20:49 > 1:20:52You're always saying how hard it is to find assistant prosecutors.
1:20:52 > 1:20:55Could he, Daddy? Could he, please? Could he come work with you, please?
1:20:55 > 1:20:57Was that snake Hollingsworth still teaching there
1:20:57 > 1:20:59when you went through Berkeley?
1:21:01 > 1:21:05Hollingsworth, yes. Grumpy old Hollingsworth, right?
1:21:05 > 1:21:06I tell you - meaner than ever.
1:21:06 > 1:21:08And that dog of his?
1:21:11 > 1:21:14Tell me, Frank, what was the name of his little dog?
1:21:23 > 1:21:25I'm sorry, er...
1:21:25 > 1:21:28the dog was dead.
1:21:28 > 1:21:30Oh.
1:21:31 > 1:21:33How unfortunate.
1:21:33 > 1:21:35Yeah.
1:22:04 > 1:22:07A doctor, a lawyer, a Lutheran.
1:22:09 > 1:22:11So what are you, Frank?
1:22:12 > 1:22:16Cos I think you're about to ask for my daughter's hand in marriage,
1:22:16 > 1:22:17and I have a right to know.
1:22:17 > 1:22:19Know what, sir?
1:22:19 > 1:22:21The truth.
1:22:23 > 1:22:25Tell me the truth, Frank.
1:22:26 > 1:22:28What are you doing here?
1:22:30 > 1:22:32What is a man like you doing with Brenda?
1:22:34 > 1:22:38If you want my blessing, if you want my daughter...
1:22:38 > 1:22:40I'd like to hear it from you now.
1:22:43 > 1:22:44The truth is, sir, that...
1:22:48 > 1:22:50The truth is that...
1:22:53 > 1:22:55..I'm not a doctor, I'm not a lawyer...
1:22:58 > 1:23:00..I'm not an airline pilot.
1:23:00 > 1:23:03I'm... I'm nothing, really.
1:23:10 > 1:23:14I'm just a kid who's in love with your daughter.
1:23:15 > 1:23:17No.
1:23:25 > 1:23:28You know what you are?
1:23:28 > 1:23:30You're a romantic.
1:23:30 > 1:23:33Men like us are nothing without the women we love.
1:23:33 > 1:23:36I must confess, I'm guilty of the same foolish whimsy.
1:23:36 > 1:23:39I proposed to Carol after five dates with two nickels in my pockets
1:23:39 > 1:23:43and holes in my shoes, because I knew she was the one.
1:23:43 > 1:23:45So go ahead, Frank.
1:23:49 > 1:23:51Don't be afraid.
1:23:51 > 1:23:53Ask the question you came here to ask me.
1:23:56 > 1:24:02Sir...what would I have to do to take the bar here in New Orleans?
1:24:07 > 1:24:09No, the other question.
1:24:14 > 1:24:16WOMAN: Right through that door.
1:24:18 > 1:24:22- Good luck, Mr Conners.- Thank you.
1:24:29 > 1:24:31Hey, Frank?
1:24:31 > 1:24:33You know what I could never figure out?
1:24:33 > 1:24:36How did you cheat in the bar exam in Louisiana?
1:24:36 > 1:24:37Why - what's the difference?
1:24:37 > 1:24:39Someone else took the test for you, didn't they?
1:24:39 > 1:24:42Carl, I'm going to prison for a long time.
1:24:42 > 1:24:45Seriously, what's the difference?
1:24:45 > 1:24:47It's a simple question.
1:24:47 > 1:24:49Are you going to eat that eclair?
1:24:52 > 1:24:55Yeah, I'm saving it for later.
1:24:55 > 1:24:57Well, you want to split it with me?
1:24:57 > 1:24:59No.
1:25:01 > 1:25:04Give me half of that eclair and I'll tell ya.
1:25:14 > 1:25:17I'm going to figure it out sooner or later.
1:25:23 > 1:25:27You'll be working under Philip Rigby in corporate law.
1:25:27 > 1:25:30Why don't you settle in, organise your desk?
1:25:30 > 1:25:32Thank you.
1:25:32 > 1:25:34We're having lunch at 12.30
1:25:34 > 1:25:39with the attorney-general AND Governor McKithick himself.
1:25:39 > 1:25:42- The governor? - Did we spell it right?
1:25:42 > 1:25:44Sure did.
1:25:44 > 1:25:45Congratulations.
1:25:45 > 1:25:47- Thank you, sir. - Welcome aboard.
1:25:47 > 1:25:49Now...
1:25:55 > 1:25:57..look at this photograph, Mr Stuart.
1:25:57 > 1:26:02It's a photograph of Prentice York where they found him, dead.
1:26:02 > 1:26:04Now, here is an enlargement of part of that photograph.
1:26:04 > 1:26:07This is a photograph of the defendant's signature
1:26:07 > 1:26:08on a cancelled cheque.
1:26:08 > 1:26:11Now here is an enlargement of that same signature
1:26:11 > 1:26:15which matches the signature on the letters that he wrote to Mrs Simon
1:26:15 > 1:26:17which discuss the possibility
1:26:17 > 1:26:19of defrauding the great state of Louisiana.
1:26:19 > 1:26:22Your Honour, ladies and gentlemen of the jury,
1:26:22 > 1:26:27this is irrefutable evidence that the defendant is, in fact, lying.
1:26:32 > 1:26:36Mr Conners, this is a preliminary hearing.
1:26:36 > 1:26:40There is no...defendant.
1:26:40 > 1:26:45There is no...jury.
1:26:45 > 1:26:47It's just me.
1:26:49 > 1:26:53Son, what in the hell is wrong with you?
1:26:53 > 1:26:58- APPLAUSE ON TV - Is that Mitch? Roger...it's Mitch.
1:26:58 > 1:26:59Oh, my, I lost all track of time.
1:26:59 > 1:27:03MITCH MILLER ON TV: As studio guests for the sing-along tonight,
1:27:03 > 1:27:05we have the children's choir of St Monica's Church in New York City.
1:27:05 > 1:27:09Won't you join them and the gang in a few songs for the Irish? Everybody!
1:27:09 > 1:27:12CHOIR SINGS: # Has anybody here seen Kelly?
1:27:12 > 1:27:15- FAMILY SING: - # K-E-double L-Y
1:27:15 > 1:27:17# Has anybody here seen Kelly?
1:27:17 > 1:27:19# Have you seen him smile?
1:27:19 > 1:27:22# So his hair is red and his eyes are blue
1:27:22 > 1:27:24# And he's Irish through and through
1:27:24 > 1:27:26# Has anybody here seen Kelly?
1:27:26 > 1:27:29# Kelly from the Emerald Isle
1:27:29 > 1:27:31# Has anybody here seen Kelly?
1:27:31 > 1:27:34# K-E-double-L-Y
1:27:34 > 1:27:36# Has anybody here seen Kelly?
1:27:36 > 1:27:38# Have you seen him smile?
1:27:38 > 1:27:41# So his hair is red and his eyes are blue
1:27:41 > 1:27:44- ALL:- # And he's Irish Through and through
1:27:44 > 1:27:46# Has anybody here seen Kelly? #
1:27:46 > 1:27:49MUSIC: Embraceable You by Judy Garland
1:28:36 > 1:28:38(Dad?)
1:28:42 > 1:28:44What are you doing here?
1:28:45 > 1:28:47I came to see you.
1:28:51 > 1:28:53What are you doing dressed like this?
1:28:53 > 1:28:57I took a job, a government job. You see what I'm doing.
1:28:57 > 1:28:58Do you have a good lawyer?
1:28:58 > 1:29:01Well... I sort of am a lawyer now.
1:29:01 > 1:29:04Look at this letter - the IRS wants more.
1:29:04 > 1:29:07I had a deal with them, two penalties.
1:29:07 > 1:29:10They ate the cake, now they want the crumbs.
1:29:10 > 1:29:11I want to sue them.
1:29:13 > 1:29:14Well, they want the crumbs.
1:29:16 > 1:29:20Here, sit down. They're trying to scare me, intimidate me.
1:29:20 > 1:29:22Do you know what?
1:29:22 > 1:29:24Do you know what?
1:29:24 > 1:29:28I'll make them chase me... for the rest of their lives.
1:29:34 > 1:29:36Hey, it's great to see you, Daddy.
1:29:38 > 1:29:41Sit down. I want to show you something.
1:29:43 > 1:29:46I came here to give you this.
1:29:46 > 1:29:48It's an invitation to an engagement party.
1:29:51 > 1:29:53Daddy, I'm getting married.
1:29:53 > 1:29:56Can you believe that I'm getting married?
1:29:56 > 1:29:59You don't need to worry about anything now, Dad.
1:29:59 > 1:30:01Listen, I'm getting a brand-new Cadillac.
1:30:01 > 1:30:05I'm getting a 60,000 house. I'm getting it all back.
1:30:05 > 1:30:07All the jewellery, all the furs - everything, Dad.
1:30:07 > 1:30:09Everything they took from us, I'm going to get it back.
1:30:09 > 1:30:14Now...has Ma seen you dressed like this?
1:30:16 > 1:30:18She came to pick up some boxes.
1:30:18 > 1:30:20That's OK, that's OK. You know why?
1:30:20 > 1:30:22Cos she's going to the wedding with us.
1:30:22 > 1:30:24I'm going to get you a brand-new suit, Dad.
1:30:24 > 1:30:26I'm getting you a brand-new suit,
1:30:26 > 1:30:28one of those Manhattan eagle three-button suits.
1:30:28 > 1:30:30- You'll look great. - Those are nice, yeah.
1:30:30 > 1:30:32She won't see me.
1:30:34 > 1:30:36Have you tried to call her?
1:30:36 > 1:30:38No.
1:30:38 > 1:30:40Why don't you call her right now?
1:30:40 > 1:30:42Dad, why don't you call her right now? Here.
1:30:42 > 1:30:46Dad, just call her. Call her for me.
1:30:46 > 1:30:47You call her, you tell her
1:30:47 > 1:30:49I have two first-class tickets to go see her son.
1:30:49 > 1:30:51Your mother's married now to my friend Jack Barnes.
1:30:51 > 1:30:53They have a house in Long Island.
1:30:55 > 1:30:57I had an FBI agent come see me.
1:30:59 > 1:31:02You got their number, son. That guy looked scared.
1:31:02 > 1:31:07The United States Government, champ, running for the hills.
1:31:07 > 1:31:09Pow! To the moon.
1:31:20 > 1:31:23Dad, it's over.
1:31:23 > 1:31:26I'm going to stop now.
1:31:26 > 1:31:30But you've... They're never going to catch you, Frank.
1:31:30 > 1:31:33- Dad, she wouldn't do that. - Why won't you sit down?
1:31:33 > 1:31:36- Why would she do that to you? - Come on, sit with me, have a drink. I'm your father.
1:31:38 > 1:31:40Then ask me to stop.
1:31:40 > 1:31:43Then ask me to stop.
1:31:45 > 1:31:47You can't stop.
1:31:49 > 1:31:51Where are you going?
1:31:51 > 1:31:53Come on, Frank, where are you going?
1:31:53 > 1:31:56Where are you going? Where are you going tonight?
1:31:56 > 1:32:00Someplace exotic? Where are you going tonight - Tahiti, Hawaii?
1:32:10 > 1:32:12PHONE RINGS
1:32:17 > 1:32:19This is Hanratty.
1:32:19 > 1:32:23- FRANK JR:- Hello, Carl. Merry Christmas.
1:32:23 > 1:32:26How are you, Dr Conners?
1:32:26 > 1:32:30Carl, I haven't been Dr Conners for months now.
1:32:32 > 1:32:38Well, I'm sitting here in my office on Christmas Eve. What do you want?
1:32:44 > 1:32:46- FRANK SIGHS - OK.
1:32:49 > 1:32:51I want it to be over.
1:32:54 > 1:32:56Um... I want it to be over.
1:32:56 > 1:33:00I'm getting married. You know, I'm settling down.
1:33:00 > 1:33:02You've stolen almost 4 million.
1:33:02 > 1:33:05You think we can just call that a wedding present?
1:33:05 > 1:33:07No, this isn't something you get to walk away from, Frank.
1:33:07 > 1:33:09I want to call a truce.
1:33:09 > 1:33:11No truce. You will be caught, you will go to prison.
1:33:11 > 1:33:13Where did you think this was going?
1:33:13 > 1:33:16Please leave me alone, Carl.
1:33:16 > 1:33:18Please.
1:33:18 > 1:33:20I'm getting close, aren't I?
1:33:20 > 1:33:23You're scared because I'm getting close.
1:33:23 > 1:33:25I know you...you rented that car in Shreveport.
1:33:25 > 1:33:28You stayed in that hotel in Lake Charles.
1:33:28 > 1:33:30If you want to run, be my guest.
1:33:30 > 1:33:32Your cheques don't lie as well as you do.
1:33:32 > 1:33:35Stop chasing me.
1:33:37 > 1:33:39I can't stop.
1:33:40 > 1:33:42It's my job.
1:33:43 > 1:33:44'It's OK, Carl.'
1:33:46 > 1:33:49I just thought I'd ask, you know?
1:33:51 > 1:33:54Hey... Merry Christmas, huh?
1:33:54 > 1:33:57CALL DISCONNECTS
1:33:57 > 1:33:58I love my job.
1:34:00 > 1:34:01All right.
1:34:01 > 1:34:03Let's get every newspaper we can,
1:34:03 > 1:34:05every newspaper in Louisiana for the last two months.
1:34:05 > 1:34:06What are we looking for?
1:34:06 > 1:34:09Engagement announcements, name of Conners.
1:34:09 > 1:34:12Conners? Come on, Carl, the kid would have changed his name by now.
1:34:12 > 1:34:15Uh-uh. He can't change it.
1:34:15 > 1:34:16She thinks he's Conners.
1:34:16 > 1:34:20If he loses the name, he loses the girl.
1:34:29 > 1:34:31- Congratulations. - Are you having a good time?
1:34:36 > 1:34:37Keep dancin', huh?
1:34:40 > 1:34:43- Hi.- Gee, thank you.
1:34:43 > 1:34:46- I'm going to the little boys' room. - OK. Hurry back.
1:35:02 > 1:35:05Good evening. I'm Agent Hanratty with the FBI.
1:35:05 > 1:35:07I'd like to have a few quiet words with your host if possible.
1:35:07 > 1:35:09I'll get him for you, sir.
1:35:11 > 1:35:12Right over there.
1:35:12 > 1:35:14- Hi, Roger. How are you?- Hi, Ben.
1:35:15 > 1:35:17Good evening, gentlemen. I'm Roger Strong.
1:35:17 > 1:35:21Carl Hanratty, FBI. This is agents Amdursky and Fox.
1:35:21 > 1:35:25- Sorry to crash your party, sir. - Not at all. What can I do for you?
1:35:25 > 1:35:28If it's not too much trouble, I'd like to meet the groom.
1:35:28 > 1:35:30Is there a problem?
1:35:32 > 1:35:35- Frank, can you hold all these? - Yeah. Come here.
1:35:35 > 1:35:37They're cheques, from my dad's friends.
1:35:37 > 1:35:39They're for us so we can start a new life.
1:35:39 > 1:35:40Hey, what are you do...
1:35:40 > 1:35:43- What's wrong?- We have to leave.
1:35:43 > 1:35:44What?
1:35:45 > 1:35:47Brenda, you love me, right?
1:35:47 > 1:35:49- Yeah. - I mean, you love me no matter what.
1:35:49 > 1:35:51You'd love me whether I was sick
1:35:51 > 1:35:54or whether I was poor or even if I had a different name.
1:35:54 > 1:35:56Frank, where did you get all that money?
1:35:56 > 1:35:59Brenda, listen - a name, right, it doesn't matter.
1:35:59 > 1:36:01My name is Frank Conners, right? That's who I am with you.
1:36:01 > 1:36:02But...but we all have secrets.
1:36:02 > 1:36:05Sometimes when I travel, I use the name Frank Taylor.
1:36:05 > 1:36:06- That's my secret.- Frank Taylor?
1:36:06 > 1:36:09Yeah, Frank Taylor, you know? Frank Black, you know?
1:36:09 > 1:36:11- Frank Black? - Yeah, it doesn't matter.
1:36:11 > 1:36:13Why are you saying all this?
1:36:13 > 1:36:16Brenda...Brenda, I don't want to lie to you any more, all right?
1:36:16 > 1:36:18I'm not a doctor, I never went to medical school.
1:36:18 > 1:36:22I'm not a lawyer or a Harvard graduate or a Lutheran.
1:36:22 > 1:36:25Brenda, I ran away from home a year and a half ago when I was 16.
1:36:25 > 1:36:27Frank...
1:36:28 > 1:36:29Frank?
1:36:30 > 1:36:32You're not a Lutheran?
1:36:32 > 1:36:35Brenda, you see all this money?
1:36:35 > 1:36:38You see all this money? I have more. I have plenty more.
1:36:39 > 1:36:43I have enough money to last us for the rest of our lives. Look.
1:36:43 > 1:36:46Frank, stop teasing me.
1:36:46 > 1:36:49You're Frank Conners. You're Frank Conners and you're 28 years old.
1:36:50 > 1:36:53- Brenda.- Why would you lie to me?
1:36:53 > 1:36:56- Brenda...Brenda... - I want to know your name.
1:36:56 > 1:36:57- Brenda, listen to me. - You tell me your name.
1:36:57 > 1:37:01Brenda, we can live anywhere we want, but you have to trust me, Brenda.
1:37:01 > 1:37:02- Do you trust me?- Yes.
1:37:02 > 1:37:04- Do you love me, Brenda?- Yes.
1:37:04 > 1:37:05- You love me.- I love you.
1:37:05 > 1:37:07Excuse me, Mother.
1:37:07 > 1:37:10Honey, this is Mr Hanratty. My wife, Carol.
1:37:10 > 1:37:12- Mr..- Hanratty, ma'am.
1:37:12 > 1:37:14- ..Ratty. - Have you seen Frank or Brenda?
1:37:14 > 1:37:16I think they went upstairs.
1:37:21 > 1:37:23Frank.
1:37:25 > 1:37:27Brenda, come here.
1:37:27 > 1:37:29OK, in two days, you're going to meet me
1:37:29 > 1:37:31at Miami International Airport, all right?
1:37:31 > 1:37:34You're going to leave the house after your parents go to sleep, take a taxi cab.
1:37:34 > 1:37:36You give the taxi driver this money
1:37:36 > 1:37:38and tell him to drive through the night.
1:37:38 > 1:37:41Brenda, you're going to leave at 10am - 10am, all right?
1:37:41 > 1:37:44SCATS TO JAZZ MUSIC
1:37:44 > 1:37:46# I never stop... #
1:38:00 > 1:38:02- Which room, sir?- In the corner.
1:38:02 > 1:38:06You have to listen to me, all right? The international terminal in Miami.
1:38:06 > 1:38:08- Say it - no matter what. - No matter what.
1:38:08 > 1:38:10- You're going to take a taxi cab. - A taxi.
1:38:10 > 1:38:12- You're going to be there at 10am. - 10am, no matter what.
1:38:12 > 1:38:15In two days. Two days, Brenda. Two days.
1:38:15 > 1:38:18In two days I'll be there, no matter what, at 10am.
1:38:25 > 1:38:28We're not going to tell anyone, Brenda. You have to promise me now.
1:38:28 > 1:38:31Wait, please! Before you go, please tell me your name.
1:38:31 > 1:38:32Please tell me.
1:38:34 > 1:38:37Frank William Abagnale Jr.
1:39:03 > 1:39:05SHE SOBS
1:40:44 > 1:40:46Brenda...
1:40:58 > 1:41:00This guy's a no-show. He must have gotten wise to us.
1:41:00 > 1:41:03We'll get him before he leaves the country.
1:41:03 > 1:41:05He doesn't have a passport.
1:41:05 > 1:41:07For the last six months, he's gone to Harvard and Berkeley.
1:41:07 > 1:41:09I'm betting he can get a passport.
1:41:09 > 1:41:12So we have all our men waiting for him here in Miami International.
1:41:12 > 1:41:14He's used it before, he knows the layout.
1:41:14 > 1:41:17Miami police have offered us 50 uniform cops in two shifts of 25.
1:41:17 > 1:41:20With our guys, that's almost 100 men in one airport.
1:41:20 > 1:41:23- Don't you think we should spread it around? - No, no, this is the exit point.
1:41:23 > 1:41:26How do you know he hasn't driven to the airports in New York, Atlanta?
1:41:26 > 1:41:29Because I'm not in New York, I'm not in Atlanta.
1:41:29 > 1:41:31Yes, this is Frank Roberts
1:41:31 > 1:41:34and I'm letting all the universities in the area know
1:41:34 > 1:41:38that Pan Am will be initiating a new recruiting programme this year.
1:41:38 > 1:41:41I'll be stopping by your campus tomorrow morning.
1:41:41 > 1:41:44Thank you all very much for coming.
1:41:44 > 1:41:47At the end of the day, I'll be choosing eight young ladies
1:41:47 > 1:41:50to be a part of... CHEERING AND APPLAUSE
1:41:50 > 1:41:53..Pan Am's Future Stewardess Flight Crew Programme.
1:41:53 > 1:41:55Now, these eight young ladies will accompany me
1:41:55 > 1:41:58on a two-month public relations tour through Europe.
1:41:58 > 1:41:59EXCITED CHATTER
1:41:59 > 1:42:02They will discover first-hand what it takes
1:42:02 > 1:42:04to be a Pan American stewardess.
1:42:06 > 1:42:10Give me at least two men...nah, one man per every two counters.
1:42:10 > 1:42:12- Mm-hm.- All right?
1:42:12 > 1:42:14- Amdursky?- Yeah.
1:42:14 > 1:42:19Make sure your uniforms are covering the sidewalk entrances and exits.
1:42:19 > 1:42:24Hey...let's have periodic sweeps of the men's lav.
1:42:25 > 1:42:29What qualifies me to be a future stewardess?
1:42:29 > 1:42:32Well, I think that I'm really friendly
1:42:32 > 1:42:33and I can really help out
1:42:33 > 1:42:37and make people feel welcome on the plane and...
1:42:37 > 1:42:41We'll be travelling at 6,000 miles per hour at an altitude of 300ft.
1:42:41 > 1:42:43# All my bags are packed
1:42:43 > 1:42:46# I'm ready to go... #
1:42:46 > 1:42:48HE PLAYS "COME FLY WITH ME"
1:42:48 > 1:42:51Eileen Anderson. SCREAMING AND APPLAUSE
1:42:57 > 1:43:00Miggy Acker. SCREAMING AND APPLAUSE
1:43:03 > 1:43:06Debra Jo McMillan. SCREAMING AND APPLAUSE
1:43:12 > 1:43:14Candy Haskin. SCREAMING
1:43:14 > 1:43:17MUSIC: Come Fly With Me by Frank Sinatra
1:44:10 > 1:44:13- You see that blonde out front? - Should have been a pilot.
1:44:13 > 1:44:14Exactly.
1:44:14 > 1:44:17- WOMAN OVER PA:- Mr Carl Hanratty, please pick up a courtesy telephone.
1:44:17 > 1:44:20- Hanratty.- MAN: Carl, your walkie-talkie wasn't working.
1:44:20 > 1:44:21There's a guy in a Pan Am uniform
1:44:21 > 1:44:24sitting in a white coupe DeVille out front of terminal J.
1:44:24 > 1:44:26That's the charter terminal.
1:44:26 > 1:44:28- Can you get a look at his face? - He's got his pilot's cap on.
1:44:28 > 1:44:30Carl, I think it's him.
1:44:31 > 1:44:34SIREN WAILS
1:44:35 > 1:44:38The DeVille! White coupe DeVille!
1:44:41 > 1:44:44Get out of the car, Frank.
1:44:44 > 1:44:46Frank! Step out of the car.
1:44:48 > 1:44:49Keep your hands where I can see them.
1:44:49 > 1:44:51Don't shoot me, I'm just a driver.
1:44:51 > 1:44:54A man paid me 100 to wear this and pick someone up at the airport.
1:44:54 > 1:44:56Who are you picking up?
1:44:56 > 1:44:58Hey!
1:45:20 > 1:45:23South America, Australia, Singapore, Egypt.
1:45:23 > 1:45:25The kid's gone completely out of control.
1:45:25 > 1:45:28- Why wasn't I called? - Nobody was called, sir.
1:45:28 > 1:45:30The banks didn't know what was happening till last week.
1:45:30 > 1:45:34- That's impossible. - They didn't call cos it's not counterfeiting, it's something else.
1:45:34 > 1:45:36- What's he doing? - Making real cheques, sir.
1:45:36 > 1:45:38These are so perfect, the airline couldn't tell.
1:45:38 > 1:45:40The last cheque was cashed in Madrid a week ago.
1:45:40 > 1:45:42I think he's still there. We have to leave today, sir.
1:45:42 > 1:45:45Go where? Spain? You want to go to Spain?
1:45:45 > 1:45:47He's got to go back to where the cheques were printed.
1:45:47 > 1:45:49I think that's why he's moving back through Europe.
1:45:49 > 1:45:52Look at the map, sir. He's making a circle, running out of cheques.
1:45:52 > 1:45:56I know it's a long shot, sir, but we could still catch him.
1:45:56 > 1:45:58I'm sorry, Carl, if you couldn't catch him here,
1:45:58 > 1:45:59you're not going to catch him there.
1:45:59 > 1:46:01But, sir, are we going to let him get away?
1:46:01 > 1:46:04No, Carl, YOU let him get away.
1:46:45 > 1:46:49A perfect one-sixteenth all the way around.
1:46:49 > 1:46:53Hmm...the colour separation is flawless.
1:46:56 > 1:46:58There's no bleeding. Hmm.
1:46:58 > 1:47:00Nobody does work like this in the States.
1:47:00 > 1:47:01Nobody but us.
1:47:01 > 1:47:03Where was it printed?
1:47:03 > 1:47:05It was printed on a monster.
1:47:05 > 1:47:07- A monster. - A Heidelberg, an Istra.
1:47:07 > 1:47:10- Heidelberg.- A dinosaur - four colours.
1:47:10 > 1:47:12You can smell the weight.
1:47:12 > 1:47:14Two tonnes, without the ink.
1:47:14 > 1:47:16Where do they do printing like this?
1:47:16 > 1:47:19Germany, Great Britain.
1:47:19 > 1:47:22- France. PRINTERS:- France!
1:47:22 > 1:47:25France? Frank's mother said the name of a village in France
1:47:25 > 1:47:27where they didn't have Sara Lee, the village she met Frank's father.
1:47:27 > 1:47:30- Oh, yeah, I don't remember... - It started with an M.
1:47:30 > 1:47:32It was "Ma" something. Ma... Mr Fox?
1:47:32 > 1:47:35Yes, yes. "Question - you met your husband during the war?
1:47:35 > 1:47:37"Answer - yes, I lived in a very small village in France -
1:47:37 > 1:47:40"the kind of place where they never heard of Sara Lee."
1:47:40 > 1:47:42Tell me you wrote down the name of the village, Mr Fox.
1:47:43 > 1:47:45Montrichard.
1:47:45 > 1:47:47CHOIR SINGS
1:48:20 > 1:48:22MACHINERY CLATTERS
1:48:35 > 1:48:37ALARM RINGS
1:48:39 > 1:48:41Carl. CARL!
1:48:43 > 1:48:44Merry Christmas!
1:48:44 > 1:48:47How is it that we're always talking on Christmas, Carl?!
1:48:47 > 1:48:49Every Christmas, I'm talking to you!
1:48:49 > 1:48:52Put your shirt on, Frank, you're under arrest.
1:48:52 > 1:48:54Hey, are you hungry? Do you want some beans, Carl?
1:48:54 > 1:48:57They've got the best French beans here!
1:48:57 > 1:48:59There's two dozen French police officers outside.
1:48:59 > 1:49:04- I gotta tell you, they're delicious. - They wanted to bring you in. Don't want the help of an American.
1:49:04 > 1:49:07I wouldn't bring you in unless I put the cuffs on you myself.
1:49:07 > 1:49:09Do you have a gun?
1:49:09 > 1:49:11- No gun?- No.
1:49:12 > 1:49:18And you're telling me what - there's two dozen French police officers
1:49:18 > 1:49:19out there right now on Christmas Eve?
1:49:19 > 1:49:21- That's what you're telling me?- Yeah.
1:49:21 > 1:49:24All right - all right, well, there's no windows here,
1:49:24 > 1:49:26I'm going to take a look out the front door.
1:49:26 > 1:49:29No, no! I told them I'd walk out first and give a signal.
1:49:29 > 1:49:32- Here, you can put these on yourself. - No, I can't do that.
1:49:32 > 1:49:33I can't do that.
1:49:33 > 1:49:35You know why?
1:49:35 > 1:49:36Cos I think you're full of shit.
1:49:36 > 1:49:38I don't think there's anyone else out there.
1:49:38 > 1:49:40I think... I think it's just me and you.
1:49:40 > 1:49:43That's right. I think it's just me and you.
1:49:43 > 1:49:46And you know what? You're going to have to catch me yourself.
1:49:46 > 1:49:47Now, we don't have time for this.
1:49:47 > 1:49:50That's good, that's good.
1:49:50 > 1:49:52Tell me what you want me to see, huh?
1:49:52 > 1:49:55- I wouldn't lie to you. - Look, you're wearing a wedding ring.
1:49:55 > 1:49:58A wedding ring, Carl. You lied to me about that.
1:49:58 > 1:50:01- You lied to me about that! - You asked me if I had a family.
1:50:01 > 1:50:03I did, but I don't any more.
1:50:03 > 1:50:05PHONE RINGS
1:50:11 > 1:50:14Yes. No, no, no, there is no problem. We're coming out right now.
1:50:14 > 1:50:16FRANK LAUGHS
1:50:16 > 1:50:18Oh, that was good. That was good.
1:50:18 > 1:50:22What - did you pay some hotel desk clerk to make that call for you?
1:50:22 > 1:50:24That was Captain Luc. I've got one minute to...
1:50:24 > 1:50:25"Captain Luc"?
1:50:25 > 1:50:27"Captain Luc"? Oooh, Captain Luc.
1:50:27 > 1:50:30Well, Carl, I've got to say that sounds pretty official to me,
1:50:30 > 1:50:33but like I said, I think it's just me and you here, just me and you,
1:50:33 > 1:50:35so you're going to have to catch me.
1:50:35 > 1:50:38Frank... Frank, you have to trust me on this.
1:50:38 > 1:50:40These people have been embarrassed, Frank. They're angry.
1:50:40 > 1:50:43You rob their banks, steal their money, live in their country.
1:50:43 > 1:50:46I told you this was going to happen,
1:50:46 > 1:50:47that there was no other way for it to end.
1:50:47 > 1:50:50Don't make a mistake!
1:50:50 > 1:50:53That's good. That's good, Carl, you know?
1:50:53 > 1:50:54Keep pushing that lie.
1:50:54 > 1:50:57Keep pushing it. Keep pushing till you make it true.
1:50:57 > 1:50:59They're going to kill ya!
1:50:59 > 1:51:02You walk out that door, they're going to kill you.
1:51:07 > 1:51:08Is that the truth?
1:51:12 > 1:51:15Yeah.
1:51:19 > 1:51:21Do you have any children, Carl?
1:51:21 > 1:51:23I have a four-year-old daughter.
1:51:24 > 1:51:26You swear on your daughter?
1:51:29 > 1:51:31You swear?
1:51:36 > 1:51:37You swear?
1:51:48 > 1:51:51CHOIR SINGS
1:52:08 > 1:52:10That was really good, Carl.
1:52:11 > 1:52:13SIREN WAILS
1:52:17 > 1:52:20MAN SHOUTS IN FRENCH
1:52:20 > 1:52:22I got him. I got him. It's all right!
1:52:24 > 1:52:26It's all right. I got him.
1:52:26 > 1:52:28SPEAKS FRENCH
1:52:29 > 1:52:32Hey, I want it on the record...
1:52:32 > 1:52:34Frank Abagnale surrendered of his own accord.
1:52:34 > 1:52:36Understood? Understood?
1:52:36 > 1:52:39Where are you taking him? I'm supposed to go.
1:52:39 > 1:52:41Where are you taking him?
1:52:41 > 1:52:43Let me in the car. Let me in the car.
1:52:43 > 1:52:45Hey, let me in the car!
1:52:49 > 1:52:52Don't worry, Frank, I'll have you extradited back to the United States.
1:52:52 > 1:52:55Don't worry. SIREN WAILS
1:53:13 > 1:53:15Carl...
1:53:15 > 1:53:21Carl...you have to remember to let me call my father when we land.
1:53:21 > 1:53:24I just want to talk to him before he sees me on television
1:53:24 > 1:53:25or something like that.
1:53:35 > 1:53:39Carl, look - that's La Guardia right there.
1:53:39 > 1:53:40Runway 44.
1:53:40 > 1:53:43Frank, your father is dead.
1:53:43 > 1:53:45I'm sorry.
1:53:45 > 1:53:48I didn't want to say anything until we got closer to home.
1:53:48 > 1:53:52He...he fell down some steps at Grand Central Station
1:53:52 > 1:53:55trying to catch a train.
1:53:55 > 1:53:57I didn't want to be the one to tell you.
1:53:57 > 1:53:59You're lying, right?
1:54:01 > 1:54:03You said I could talk to him.
1:54:03 > 1:54:06Carl, who are you to say something like that, huh?
1:54:06 > 1:54:09Who are you to say something like that? You said I could talk to him.
1:54:09 > 1:54:12He fell and he broke his neck. I'm sorry.
1:54:13 > 1:54:15I'm really sorry.
1:54:26 > 1:54:28Goddammit!
1:54:28 > 1:54:33Carl, I'm going to be sick. Carl, I gotta go to the bathroom.
1:54:33 > 1:54:36- I'm going to be sick. - Sure. Let's go in the bathroom.
1:54:43 > 1:54:44Goddammit.
1:54:48 > 1:54:51FRANK JR BANGS ON DOOR
1:55:02 > 1:55:04(Oh, Daddy.)
1:55:06 > 1:55:09You'll have to take your seat, sir. I've told you twice, we're landing.
1:55:09 > 1:55:11- Sorry. Thank you.- ALL of you.
1:55:11 > 1:55:13Frank, come on, now. Frank?
1:55:13 > 1:55:17We're landing in six minutes. All of you need to be in your seats with your seat belts fastened.
1:55:17 > 1:55:19Frank!
1:55:50 > 1:55:53Frank! Frank!
1:55:57 > 1:56:01- All right, remain seated, everyone, please.- FBI - stay seated.
1:56:09 > 1:56:11- Please remain seated. - Stay seated.
1:56:11 > 1:56:12- STEWARDESS: - You must stay seated
1:56:12 > 1:56:14until the aircraft has come to a complete stop.
1:56:14 > 1:56:16God almighty.
1:56:17 > 1:56:20# Chestnuts roasting on an open fire... #
1:56:53 > 1:56:55BLOWS HARMONICA
1:57:03 > 1:57:04What's your name?
1:57:08 > 1:57:10Where's your mommy?
1:57:50 > 1:57:51Hands behind your head!
1:57:51 > 1:57:53Carl...
1:57:53 > 1:57:55get me in the car, please.
1:57:55 > 1:57:57Get me in the car.
1:57:58 > 1:58:00Put him in.
1:58:16 > 1:58:19MAN: Taking into account the gravity of these crimes,
1:58:19 > 1:58:22your history of bold and elusive behaviour
1:58:22 > 1:58:27and your complete lack of respect for the laws of the United States,
1:58:27 > 1:58:31I have no choice but to ignore your request to be treated as a minor
1:58:31 > 1:58:36and sentence you to 12 years in Atlanta's maximum-security prison
1:58:36 > 1:58:40and recommend strongly that you be kept in isolation
1:58:40 > 1:58:42for the entirety of that sentence.
1:59:23 > 1:59:25Merry Christmas, Frank.
1:59:27 > 1:59:29Hey, I got you some comic books.
1:59:36 > 1:59:39How's your daughter? What was her name?
1:59:39 > 1:59:40Grace.
1:59:40 > 1:59:43Well, I don't know, she lives with her mother in Chicago.
1:59:43 > 1:59:45I don't get to see her much.
1:59:47 > 1:59:51- What's in the briefcase? - Oh, I'm on my way to the airport.
1:59:51 > 1:59:54It's a paperhanger who's working his way through Minnesota.
1:59:56 > 1:59:58Oh, jeez, he's driving us crazy.
1:59:58 > 2:00:00You got any of the cheques?
2:00:00 > 2:00:05Yeah, I got a counterfeit that he drew on Great Lake Savings and Loan.
2:00:05 > 2:00:08See, he's just using a stencil machine and an Underwood.
2:00:08 > 2:00:10It's a teller at the bank.
2:00:10 > 2:00:13- Say again? - It's definitely a teller, Carl.
2:00:13 > 2:00:17I mean, banks, they always use hand stamps for the dates, see?
2:00:17 > 2:00:19They get used over and over again, so they always get worn out
2:00:19 > 2:00:21and the numbers are always cracking.
2:00:21 > 2:00:24The sixes and the nines, see, they go first.
2:00:27 > 2:00:28Thanks.
2:00:28 > 2:00:30BUZZING
2:00:34 > 2:00:37I'd like you to take a look at something for me.
2:00:41 > 2:00:43Tell me what you think.
2:00:46 > 2:00:47It's a fake.
2:00:47 > 2:00:49How do you know? You haven't looked at it.
2:00:49 > 2:00:51Well, there's no perforated edge, right?
2:00:51 > 2:00:54I mean, this cheque was hand cut, not fed.
2:00:57 > 2:01:00The paper is double-bonded, much too heavy to be a bank cheque.
2:01:01 > 2:01:05Magnetic ink, it's raised against my fingers instead of flat.
2:01:05 > 2:01:07HE SNIFFS
2:01:07 > 2:01:11And this doesn't smell like MICR, it's some kind of a drafting ink,
2:01:11 > 2:01:13you know, the kind you get at a stationery store.
2:01:19 > 2:01:22Frank...would you be interested
2:01:22 > 2:01:24in working with the FBI's financial crimes unit?
2:01:26 > 2:01:29I already got a job here, you know - I deliver the mail.
2:01:31 > 2:01:34Frank, we have the power to take you out of prison.
2:01:35 > 2:01:37You'd be placed in the custody of the FBI
2:01:37 > 2:01:39and serve out the remainder of your sentence
2:01:39 > 2:01:41as an employee of the Federal Government.
2:01:44 > 2:01:45Under whose custody?
2:01:54 > 2:01:56Hi, I'm Frank Abagnale.
2:01:56 > 2:01:59I'm supposed to start work here today.
2:01:59 > 2:02:02It's a tour company operating out of a BBI.
2:02:02 > 2:02:05- Sir, Mr Abagnale is here. - I'm going to call you back.
2:02:34 > 2:02:37- Carl.- Welcome to the FBI.
2:02:37 > 2:02:39I'll show you where you're working.
2:02:46 > 2:02:51Carl...how long do I have to work here?
2:02:51 > 2:02:53It's 8.15 in the morning till 5 in the afternoon.
2:02:53 > 2:02:5545 minutes for lunch.
2:02:55 > 2:02:58No... I mean, how long?
2:03:00 > 2:03:04Every day. Every day, Frank, till we let you go.
2:03:56 > 2:03:57- Yeah?- Hey, Carl.
2:03:57 > 2:03:59Hi.
2:03:59 > 2:04:01What are you doing?
2:04:01 > 2:04:04It's not a good time, Frank. I'm clearing my desk for the weekend.
2:04:07 > 2:04:09Carl, you mind if I come to work with you tomorrow?
2:04:09 > 2:04:12Tomorrow? It's Saturday.
2:04:12 > 2:04:14I'm flying to Chicago to see my daughter.
2:04:14 > 2:04:17- I'll be back to work on Monday. - Are you going to see Grace, huh?
2:04:17 > 2:04:19Well, that's the plan.
2:04:22 > 2:04:24So what should I do till Monday?
2:04:24 > 2:04:26I'm sorry, kid, I can't help you there. Excuse me.
2:04:30 > 2:04:32PHONE RINGS
2:04:34 > 2:04:36This is Hanratty.
2:04:36 > 2:04:37Well, yeah, put him on.
2:04:45 > 2:04:48Mr Sawyer...how are you?
2:04:49 > 2:04:53I have a half a dozen more cheques on that tour operator at the BBI.
2:05:25 > 2:05:28- WOMAN OVER PA: - American Airlines 355
2:05:28 > 2:05:32servicing Chicago and San Francisco is now open for passenger check-in.
2:05:32 > 2:05:33How did you do it, Frank?
2:05:35 > 2:05:38How did you pass the bar in Louisiana?
2:05:38 > 2:05:39What are you doing here?
2:05:40 > 2:05:44Listen...I'm sorry I put you through all this.
2:05:44 > 2:05:47You go back to Europe, you're going to die in Perpignan Prison.
2:05:47 > 2:05:51If you try to run here in the States, we'll send you back to Atlanta for 50 years.
2:05:51 > 2:05:53I know that.
2:05:54 > 2:05:57I spent four years trying to arrange your release.
2:05:57 > 2:05:58I had to convince my bosses at the FBI
2:05:58 > 2:06:04- and the attorney-general of the United States you wouldn't run. - Why'd you do it?
2:06:04 > 2:06:07- You're just a kid. - I'm not YOUR kid.
2:06:07 > 2:06:10You said you were going to Chicago.
2:06:10 > 2:06:13My daughter can't see me this weekend, she's going skiing.
2:06:13 > 2:06:16You said she was four years old. You're lying.
2:06:16 > 2:06:19She was four when I left. Now she's 15.
2:06:19 > 2:06:22My wife's been remarried for 11 years.
2:06:22 > 2:06:24I see Grace every now and again.
2:06:25 > 2:06:28- I don't understand.- Sure, you do.
2:06:28 > 2:06:30Sometimes it's easier living the lie.
2:06:33 > 2:06:36I'm going to let you fly tonight, Frank.
2:06:37 > 2:06:39I'm not even going to try to stop you,
2:06:39 > 2:06:41because I know you'll be back on Monday.
2:06:41 > 2:06:44Yeah? How do you know I'll come back?
2:06:47 > 2:06:49Look.
2:06:49 > 2:06:52Frank...nobody's chasing you.
2:06:54 > 2:06:57- WOMAN ON PA:- American Airlines Flight 131 to Pittsburgh
2:06:57 > 2:06:59is now ready for boarding.
2:06:59 > 2:07:03Passengers with boarding passes, please proceed to gate 23A.
2:07:12 > 2:07:15Alice, has he still not called?
2:07:15 > 2:07:16No, he hasn't.
2:07:28 > 2:07:31Good morning. I've called this meeting to discuss
2:07:31 > 2:07:33a new type of cheque fraud and counterfeiting
2:07:33 > 2:07:35in which the unsub is washing and altering cheques
2:07:35 > 2:07:37and then passing them throughout Arizona.
2:07:41 > 2:07:45This unsub is a big dog, passing cheques as large as five figures.
2:07:45 > 2:07:46DOOR OPENS
2:07:48 > 2:07:50Sorry I'm late.
2:07:51 > 2:07:53Sorry.
2:07:57 > 2:07:59We have a recovered cheque on Agent Rayder's desk.
2:07:59 > 2:08:01Why don't we step out to the bullpen?
2:08:06 > 2:08:08There's impressions on every line.
2:08:10 > 2:08:13Looks like the original amount was for 60.
2:08:17 > 2:08:18Mind if I take a look?
2:08:21 > 2:08:23Cashed in Flagstaff a week ago.
2:08:26 > 2:08:28Cost the bank 16,000.
2:08:30 > 2:08:31It's a real cheque.
2:08:31 > 2:08:34Yeah. Yeah, it's been washed.
2:08:34 > 2:08:36The only thing original is the signature.
2:08:36 > 2:08:41But it's perfect, Carl. I mean, this isn't hydrochloride or bleach.
2:08:41 > 2:08:44No, something new.
2:08:44 > 2:08:45Maybe a nail polish remover
2:08:45 > 2:08:48where the acetone removes the ink that's not been printed.
2:08:51 > 2:08:53How did you do it, Frank?
2:08:55 > 2:08:58How did you cheat on the bar exam in Louisiana?
2:09:02 > 2:09:04I didn't cheat.
2:09:06 > 2:09:08I studied for two weeks and I passed.
2:09:10 > 2:09:14Is that the truth, Frank? Is that the truth?
2:09:14 > 2:09:17I'll bet this guy steals cheques out of mailboxes,
2:09:17 > 2:09:19he washes off their names and he puts on his own.
2:09:21 > 2:09:23Are you saying that he's a local?
2:09:23 > 2:09:26Well, if it were me, you know, I'd call the bank first,
2:09:26 > 2:09:27I'd check out the balance.
2:09:27 > 2:09:31- Make sure there's enough money in there to make it worth your while. - Exactly.
2:09:31 > 2:09:34You know, Carl, I think this guy's pretty smart.
2:09:34 > 2:09:36Huh, I guess all we have to do now is catch him.
2:09:37 > 2:09:40We'll start first thing in the morning.