0:00:03 > 0:00:07MUSIC: "The Warsaw Concerto"
0:01:24 > 0:01:26DISCORDANT PIANO PLAYING
0:01:48 > 0:01:50Listen, darling.
0:01:50 > 0:01:52SHE HUMS "The Warsaw Concerto"
0:02:02 > 0:02:04Not now, Nurse.
0:02:08 > 0:02:10HE CONTINUES TUNELESS PLAYING
0:02:10 > 0:02:12SHE HUMS TUNE
0:02:18 > 0:02:22Is he still the same? Yes, she's singing to him now.
0:02:22 > 0:02:26I couldn't do the blackout. I hope he stops soon.
0:02:26 > 0:02:29I have three nights' sleep to make up.
0:02:29 > 0:02:32I hope it's quiet tonight. Bombers and now him.
0:02:32 > 0:02:35To think they once paid to listen to him!
0:02:35 > 0:02:38It must be awful, not to know who you are.
0:02:38 > 0:02:42He's lucky to be alive. What good is it if you don't know who you are?
0:02:42 > 0:02:46Only bits of the plane were left. He's not even scarred.
0:02:46 > 0:02:49He's very good-looking. Not my type.
0:02:49 > 0:02:52- What is your type? - Sister, have you been in No.14?
0:02:52 > 0:02:56- Yes, Doctor.- How is he? - About the same, no change.
0:02:56 > 0:02:59Leave your things here. We'll see him later.
0:02:59 > 0:03:02Is that the new specialist? It must be.
0:03:02 > 0:03:05You can see the papers on him. That darn piano!
0:03:05 > 0:03:09- He'll drive away all my patients. - How long has it gone on?
0:03:09 > 0:03:11Three days. I gave it to him
0:03:11 > 0:03:15- the day you suggested it. - I think it's the way.
0:03:15 > 0:03:19In Philadelphia, children were cured by giving them their old toys.
0:03:19 > 0:03:21This piano is much the same.
0:03:21 > 0:03:24I must say I thought it would work.
0:03:24 > 0:03:27But he doesn't seem to want to get better.
0:03:27 > 0:03:29He doesn't give us any help at all.
0:03:29 > 0:03:33- Just sits there staring round the room.- Thanks.
0:03:33 > 0:03:359 o'clock nearly. Time for the news.
0:03:35 > 0:03:37BANGING ON KEYS
0:03:37 > 0:03:39Just listen to him.
0:03:40 > 0:03:46Stefan Radetzky, the great Polish pianist in one of his own original compositions.
0:03:48 > 0:03:50I've often heard him play.
0:03:50 > 0:03:55If we could cure him, I'd feel we'd done something for the world.
0:03:55 > 0:03:57Something for...
0:03:58 > 0:04:00Well, you know what I mean.
0:04:00 > 0:04:04If you feel like that too, we'll get him better.
0:04:04 > 0:04:07Even if it takes a miracle or an act of God.
0:04:07 > 0:04:11I just don't want to see another great artist finish up in a home.
0:04:11 > 0:04:14Let's carry on for another day or two,
0:04:14 > 0:04:19- then discuss it and perhaps try something else.- All right.
0:04:20 > 0:04:22HE PLAYS "The Warsaw Concerto"
0:04:30 > 0:04:33RADIO: This is the BBC Home Service.
0:04:33 > 0:04:37- Switch off the wireless, quickly! - What's the matter?
0:04:37 > 0:04:39The lights too.
0:04:45 > 0:04:48HE PLAYS CONCERTO CONFIDENTLY
0:04:54 > 0:04:56Know what it is? That music?
0:04:56 > 0:04:59His Warsaw Concerto. I've got the records.
0:04:59 > 0:05:03This may be the miracle we were talking about.
0:05:03 > 0:05:06- It may. I'd like to see it. - Come on.
0:05:25 > 0:05:29Perhaps that music will bring back a lot of things.
0:05:29 > 0:05:31I hope so.
0:05:32 > 0:05:35I'd like to know what he's thinking about now.
0:05:54 > 0:05:56MUSIC RISES TO CRESCENDO
0:06:06 > 0:06:08SCREAMS
0:06:40 > 0:06:42MUSIC CONTINUES GENTLY
0:07:07 > 0:07:09MUSIC CONTINUES
0:07:15 > 0:07:19It's not safe to be out alone when the moon is so bright.
0:07:19 > 0:07:23Can someone tell the Germans? They didn't hear.
0:07:23 > 0:07:25Oh, them? They never fly alone.
0:07:26 > 0:07:27Come in, please.
0:07:27 > 0:07:29Close the door.
0:07:29 > 0:07:32Don't worry about me. I'm harmless.
0:07:32 > 0:07:34I wonder.
0:07:36 > 0:07:40I'm just playing to myself. It soothes my nerves.
0:07:40 > 0:07:42Like David and King Saul.
0:07:43 > 0:07:46You move in the very best circles, I hear.
0:07:46 > 0:07:51I've played before all the crowned heads of Europe, all three of them.
0:07:52 > 0:07:54You look lovely.
0:07:54 > 0:07:56American?
0:07:56 > 0:07:59Psychic? Or is it just this voice of mine?
0:07:59 > 0:08:01Your voice, my lady, is music.
0:08:02 > 0:08:04Music as lovely as my own.
0:08:04 > 0:08:07- Your own? Did you write that? - Uh-huh.
0:08:09 > 0:08:10It's good.
0:08:10 > 0:08:12Oh, it's better than that.
0:08:12 > 0:08:14BOMB EXPLODES
0:08:14 > 0:08:16Is this your house?
0:08:16 > 0:08:18No. Isn't it yours?
0:08:18 > 0:08:21No. I just saw the piano and came in through the window.
0:08:21 > 0:08:25I just heard the piano, but I came in through the door.
0:08:25 > 0:08:27Women have such dignity.
0:08:27 > 0:08:31Whenever I break into houses, I have to be unconventional.
0:08:31 > 0:08:36- Sometimes...- You don't have to talk this nonsense. I'm not scared.
0:08:37 > 0:08:39No, I don't think you are.
0:08:40 > 0:08:44We try to amuse women so they won't think about the war.
0:08:44 > 0:08:47I wish I were half as brave as the women in Warsaw.
0:08:48 > 0:08:52What are you doing here anyway? This isn't your war.
0:08:52 > 0:08:53Newspaper.
0:08:53 > 0:08:56- Oh. Which one? - The New York Monitor.
0:08:56 > 0:08:59Don't forget to tell them what you've seen.
0:09:01 > 0:09:03I won't forget. Don't you worry.
0:09:03 > 0:09:06Who are you, though? What uniform is that?
0:09:06 > 0:09:09- Flyer. - Flyer?
0:09:09 > 0:09:12Why are you here? Why aren't you up there
0:09:12 > 0:09:16stopping them killing people, instead of just playing the piano?
0:09:16 > 0:09:20- I like playing the piano. - You could pick a better time.
0:09:27 > 0:09:29Now, listen, young woman.
0:09:29 > 0:09:33I don't like talking about these things but you asked for it.
0:09:33 > 0:09:36I've been in the air nine hours today already.
0:09:36 > 0:09:41Fighting real aeroplanes, not bits of wood and string like we use.
0:09:41 > 0:09:46You wouldn't know we've been out of petrol for nearly 10 days now.
0:09:46 > 0:09:51We have to send children into the streets to steal it from cars lying about.
0:09:52 > 0:09:54Out of my whole squadron,
0:09:55 > 0:09:57only two men are left.
0:10:00 > 0:10:02And you talk about them like that.
0:10:03 > 0:10:10Now go back home and write a lovely article all about the sufferings of Warsaw.
0:10:11 > 0:10:13They'll pay you well.
0:10:19 > 0:10:21I'm sorry.
0:10:21 > 0:10:23I didn't understand.
0:10:26 > 0:10:28Forget it.
0:10:37 > 0:10:39HE PLAYS
0:10:46 > 0:10:48Thank you.
0:11:10 > 0:11:13Is this your job? Struggling composer?
0:11:14 > 0:11:17I don't struggle very hard, though.
0:11:17 > 0:11:18Lazy?
0:11:18 > 0:11:20Sometimes.
0:11:20 > 0:11:24But tonight, I suddenly got the idea for this music.
0:11:26 > 0:11:28That's as far as I've got.
0:11:28 > 0:11:32Inspiration lacking, that's what it is.
0:11:32 > 0:11:34Perhaps.
0:11:34 > 0:11:35Tell me about yourself.
0:11:35 > 0:11:37Oh, an interview?
0:11:37 > 0:11:39All right.
0:11:39 > 0:11:41BOMBS EXPLODE
0:11:41 > 0:11:43I got born at an early age.
0:11:43 > 0:11:46Became a man. Handsome, full of charm.
0:11:46 > 0:11:48Great musician.
0:11:49 > 0:11:51I think that's about all.
0:11:51 > 0:11:53You left out modest.
0:11:53 > 0:11:55Oh, you're right. I'm sorry.
0:11:55 > 0:11:57I'll tell you about you now.
0:11:57 > 0:12:01Born in California, with a brother and six sisters.
0:12:01 > 0:12:04No mother, millionaire father, drinks heavily.
0:12:04 > 0:12:05Am I right?
0:12:05 > 0:12:09Well, apart from the fact that I'm from New York,
0:12:09 > 0:12:13have no brothers or sisters and adore my mother, yes.
0:12:13 > 0:12:15You mean he IS a millionaire?
0:12:15 > 0:12:17Yes, but he can't help it.
0:12:17 > 0:12:19No brothers, no sisters?
0:12:20 > 0:12:22Lady, will you marry me?
0:12:22 > 0:12:24He's not as rich as all that.
0:12:24 > 0:12:27Oh. Then I'd better stick to my music.
0:12:29 > 0:12:33You know, you really should. You're darn good.
0:12:33 > 0:12:35Why don't you try and give a concert?
0:12:36 > 0:12:38That's a good idea.
0:12:39 > 0:12:41Perhaps I will one day.
0:13:01 > 0:13:03Please don't go.
0:13:03 > 0:13:06Not after the love you've just given me.
0:13:07 > 0:13:09Please.
0:13:25 > 0:13:27PLANES APPROACH
0:14:01 > 0:14:05MUSIC ON RADIO: "Polonaise No.1" by Frederic Chopin
0:14:12 > 0:14:15Found it yet? I think so, in Romania.
0:14:15 > 0:14:17That's where you're to go.
0:14:17 > 0:14:21You mean me, sir? There'll be four of you altogether. Two I know,
0:14:21 > 0:14:25the others will draw for it. Who's the other one?
0:14:25 > 0:14:29Radetzky. The other men want me to get him away. You go with him.
0:14:29 > 0:14:32Radetzky should go, but I don't see why I should.
0:14:32 > 0:14:35I'm no great pianist, as far as I know.
0:14:35 > 0:14:38You're not being sent away for that, don't you worry.
0:14:38 > 0:14:41I'd still rather take my chances here.
0:14:41 > 0:14:43I've got your orders.
0:14:44 > 0:14:46That's all.
0:14:46 > 0:14:51Besides, there'll be enough misery in Poland before long.
0:14:51 > 0:14:53Without you adding to it.
0:14:53 > 0:14:55You can be sure of that.
0:14:55 > 0:14:57I'm sorry for being difficult.
0:14:57 > 0:14:59Here are all your instructions.
0:14:59 > 0:15:03Land in Romania. One day we'll use the planes again.
0:15:03 > 0:15:07I'll try. You look after things, he's not very practical.
0:15:07 > 0:15:11My own mother wouldn't call me practical, but I'll try.
0:15:13 > 0:15:15And try not to look so depressed.
0:15:15 > 0:15:19We're grateful to you, even if we don't say so.
0:15:19 > 0:15:21"Polonaise No.1"
0:15:25 > 0:15:28I won't waste your time. You know why we are here.
0:15:28 > 0:15:32While that music goes on, Warsaw still holds out.
0:15:32 > 0:15:34But at midday, it will stop.
0:15:34 > 0:15:36The Mayor has asked for a truce.
0:15:37 > 0:15:41Before then, however, two squadrons of bombers
0:15:41 > 0:15:45will pay a last call on the headquarters of the German Third Army.
0:15:45 > 0:15:49Each plane has enough petrol to get there.
0:15:49 > 0:15:51Like this, twice as many can go.
0:15:53 > 0:15:56I shall want 23 volunteers to accompany me.
0:15:56 > 0:15:59No married men, because it's a one-way journey.
0:16:00 > 0:16:02Those who will come with me,
0:16:03 > 0:16:05take one step forward.
0:16:13 > 0:16:15Stupid children.
0:16:15 > 0:16:17But I might have guessed.
0:16:21 > 0:16:24Roshinsky, you're married, aren't you?
0:16:24 > 0:16:26"Polonaise No.1"
0:16:28 > 0:16:30And you, Hapner?
0:16:36 > 0:16:39And you, Piazesetsky. I know you are married.
0:16:41 > 0:16:43I was afraid of that.
0:16:43 > 0:16:46So I wrote out some numbers for you to draw.
0:16:47 > 0:16:51There are also four men needed to take the new planes to Romania.
0:16:53 > 0:16:56Now, all of you draw a slip and go over to Topolski.
0:16:56 > 0:16:59He'll tell you if you've won a prize.
0:16:59 > 0:17:01"Polonaise No.1"
0:17:02 > 0:17:04You stay.
0:17:05 > 0:17:07Bomber.
0:17:07 > 0:17:09Bomber.
0:17:12 > 0:17:14Romania.
0:17:16 > 0:17:18You stay.
0:17:21 > 0:17:23Bomber.
0:17:27 > 0:17:28Romania.
0:17:30 > 0:17:32You stay.
0:17:35 > 0:17:37You for Romania as well?
0:17:37 > 0:17:39Mm-hmm.
0:17:39 > 0:17:42I'm Mike Carroll. You the pianist fellow?
0:17:43 > 0:17:45Yes, I suppose I am.
0:17:45 > 0:17:48Better get our things ready and get out of here.
0:17:48 > 0:17:50They'll be here in a few hours.
0:17:54 > 0:17:56"Polonaise No.1"
0:18:01 > 0:18:05We'll never keep together. I'll meet you at the consulate.
0:18:05 > 0:18:08Keep south-east. Can you manage it? I think so.
0:18:08 > 0:18:12I wish I was sure of the rest. I don't want to be interned.
0:18:12 > 0:18:16- I won't be. I'm a neutral, I hope. - Why are you here?
0:18:16 > 0:18:21Irish, the last of the Wild Geese. We always fought in other countries.
0:18:21 > 0:18:24Usually against the English. I can't stay in Romania.
0:18:24 > 0:18:26There go the last.
0:18:29 > 0:18:33One-way trip. They're a good bunch of boys.
0:18:34 > 0:18:38We'd better get cracking. Jerry'll be here soon. See you there.
0:19:29 > 0:19:31I'll be back one day.
0:19:32 > 0:19:34One day I'll be back.
0:19:47 > 0:19:51- Well, New York's the same anyway. - Why shouldn't it be?
0:19:51 > 0:19:54It's a change to see somewhere peaceful.
0:19:54 > 0:19:57- It's journey's end anyway. - What's worrying you?
0:19:57 > 0:20:00- I'm not worried. - One of your blasted moods.
0:20:00 > 0:20:03It's a cheerful way to start a concert tour.
0:20:03 > 0:20:08- A lovely six-month holiday and you complain.- It wasn't my idea.
0:20:08 > 0:20:10I'd feel happier on the other side.
0:20:10 > 0:20:14Pick up the joining-up forms at the Polish embassy.
0:20:14 > 0:20:19- When are the reporters coming? - I hate interviews, I feel like a freak.
0:20:19 > 0:20:22You are in a way - composer, pianist, airman.
0:20:22 > 0:20:27I said don't mention my flying, but De Guys was thinking of business.
0:20:27 > 0:20:32After a three-month tour, we come back to New York for the final concert.
0:20:32 > 0:20:37Gentlemen, remember that all the proceeds go to charity.
0:20:37 > 0:20:40I heard he used to be an airman. It's a good story,
0:20:40 > 0:20:43if it's true. I don't know how you heard this!
0:20:43 > 0:20:46Monsieur Radetzky is here as a pianist.
0:20:46 > 0:20:50Please say nothing about his flying activities.
0:20:50 > 0:20:53But see that it, er, leaks out quietly. OK.
0:20:53 > 0:20:57What's he been doing since Poland got taken over?
0:20:57 > 0:20:59I have prepared for that.
0:20:59 > 0:21:03"After six months, Stefan Radetzky escaped the hardship and horror
0:21:03 > 0:21:06of an internment camp in Romania."
0:21:09 > 0:21:13- You seem very sure he's the guy you met in Warsaw.- I am.
0:21:13 > 0:21:16A Polish pianist who's an ace pilot, it must be him.
0:21:16 > 0:21:18- Will he remember you? - Of course.
0:21:19 > 0:21:23- You wait and see. - Come on, step on it, will you?
0:21:23 > 0:21:26Steward, where's Mr De Guys? He's over there.
0:21:27 > 0:21:30Say, he'd make a swell Thanksgiving dinner.
0:21:30 > 0:21:34"To journey across mountains through snow and ice."
0:21:34 > 0:21:40He makes Stanley and Livingstone sound like amateurs. Let's find your pal.
0:21:40 > 0:21:44None of these guys look like piano players. Who are they?
0:21:44 > 0:21:46I don't know.
0:21:46 > 0:21:48Ah, so that's the guy.
0:21:48 > 0:21:52- Is this your first trip? - First since the war.
0:21:52 > 0:21:54- Find it different? > - Not yet.
0:21:54 > 0:21:56- Hold it. - No...
0:21:56 > 0:21:57Hello, Carol.
0:21:57 > 0:21:59Mr Radetzky, Carol Peters,
0:21:59 > 0:22:01- Buck Cooper. - How do you do?
0:22:01 > 0:22:04- < Pleased to meet you. - How do you do?
0:22:06 > 0:22:08Cigarette?
0:22:13 > 0:22:15No thanks.
0:22:15 > 0:22:17How was Warsaw when you left?
0:22:17 > 0:22:19It was still Warsaw, in a way.
0:22:19 > 0:22:21Thanks, Mr Radetzky. I'll be off.
0:22:21 > 0:22:23Same with me. Goodbye.
0:22:23 > 0:22:25Couldn't have forgotten you, eh?
0:22:25 > 0:22:29Doesn't talk much, does he? Not like musicians I know.
0:22:29 > 0:22:31You don't seem to like this much.
0:22:31 > 0:22:36- Not very much.- I don't blame you. We ask such intimate questions.
0:22:36 > 0:22:40- Here come some more. Would you like a drink?- I'd love one.
0:22:40 > 0:22:41Hey!
0:22:41 > 0:22:44Hold it, boys. Give the kid a break.
0:22:44 > 0:22:47Did you have any adventures in Warsaw?
0:22:47 > 0:22:49- Any excitement? - No.
0:22:49 > 0:22:51Have you composed anything lately?
0:22:51 > 0:22:55- I did start a concerto once but - - Don't believe a word, lady.
0:22:55 > 0:22:59Glory be. I'm Mike Carroll. THE Mike Carroll.
0:22:59 > 0:23:01I'm Carol too. Carol Peters.
0:23:01 > 0:23:03We're practically related.
0:23:03 > 0:23:07- Have hundreds of people told you you're lovely?- Thousands.
0:23:07 > 0:23:09Too bad. Promise not to go away.
0:23:09 > 0:23:11- Promise now. - I promise.
0:23:13 > 0:23:16- I suppose he is a friend of yours? - Yes.
0:23:16 > 0:23:19But there ought to be a law against men like him.
0:23:19 > 0:23:23- It's not safe to have them around. - It's not safe to be out alone
0:23:23 > 0:23:25when the moon is so bright.
0:23:31 > 0:23:33So that's where...!
0:23:33 > 0:23:35Yes. Last fall.
0:23:38 > 0:23:40I knew we'd meet again.
0:23:40 > 0:23:42Somewhere. Some day.
0:23:42 > 0:23:44I've thought about you so much.
0:23:44 > 0:23:48I even prayed that nothing would happen to you.
0:23:48 > 0:23:50I've thought about you too.
0:23:50 > 0:23:51A lot.
0:23:51 > 0:23:54Yet when we meet again, you don't recognise me.
0:23:54 > 0:23:57Well, you had a hat like that and...
0:23:57 > 0:23:59Six months ago. It was very dark.
0:23:59 > 0:24:02Think you'll know me next time?
0:24:02 > 0:24:04We can always meet in the dark.
0:24:04 > 0:24:06- When do we try? - Tonight?
0:24:06 > 0:24:09Oh, I can't. I'm working. What about tomorrow?
0:24:09 > 0:24:12- What time does it get dark in New York?- About 8.
0:24:12 > 0:24:15There you are. You left my heart in pieces.
0:24:15 > 0:24:17He tells that to all the girls.
0:24:17 > 0:24:20My intentions are honourable. Unlike some.
0:24:20 > 0:24:24Where will we have dinner tonight? Just the two of us.
0:24:24 > 0:24:28- Not tonight.- Don't pass me up for a pianist. I won't take a no.
0:24:28 > 0:24:34- You won't get yes either. - The ingratitude. Oh, sharper than the serpent's tooth.
0:24:34 > 0:24:36How about tonight?
0:24:36 > 0:24:38I've got a much better idea.
0:24:38 > 0:24:41Both of you come to dinner tomorrow night.
0:24:41 > 0:24:44I've got theatre seats and there's a party at 8.
0:24:44 > 0:24:468 o'clock.
0:24:46 > 0:24:48I'd love to, but I'm afraid I can't.
0:24:48 > 0:24:51I've got a...reporter coming to see me then.
0:24:51 > 0:24:54Oh, good. You'd only be in the way.
0:24:54 > 0:24:56Tomorrow night, then. Goodbye.
0:25:03 > 0:25:05HE HUMS
0:25:06 > 0:25:09- You'd better get a move on. - What time is it?
0:25:09 > 0:25:12- After 8 already. - I'll be late again.
0:25:12 > 0:25:15- My coat's hanging on the floor. - Certainly, sir.
0:25:16 > 0:25:19My, even your best friend won't smell you.
0:25:19 > 0:25:22- Chloroform? - You lug, it's very expensive.
0:25:22 > 0:25:25- I know. I bought it. - What would I do without you?
0:25:25 > 0:25:28- Sure you won't come? - Far too busy.
0:25:28 > 0:25:30- Got your keys? - Yes. Where's my hat?
0:25:30 > 0:25:34- Next door.- In the bathroom? - No, you fool, in here.
0:25:35 > 0:25:37Here you are.
0:25:37 > 0:25:40- Would I pass for a gentleman? - If it's dark enough.
0:25:40 > 0:25:43- You do know it's 8:10? - Why didn't you say so?
0:25:43 > 0:25:46Be good. I'll give your love to Carol. Bye.
0:25:54 > 0:25:56DOORBELL RINGS
0:26:00 > 0:26:02Can I come in?
0:26:02 > 0:26:04Or do I stay here?
0:26:05 > 0:26:08How did you get in? Was the door open?
0:26:08 > 0:26:10The darling Irishman it was.
0:26:10 > 0:26:13He ran straight past me in the corridor.
0:26:13 > 0:26:16Just as well, or I'd have had a lot to explain.
0:26:17 > 0:26:19Lovely dress you're wearing.
0:26:20 > 0:26:22Thank you, sir, she said.
0:26:24 > 0:26:26Like a drink?
0:26:26 > 0:26:28I'd love one.
0:26:30 > 0:26:32- Thank you. - To your health.
0:26:32 > 0:26:34(SHE TOASTS IN POLISH)
0:26:34 > 0:26:37How lovely to hear that again. Thank you.
0:26:40 > 0:26:44Don't you feel guilty deceiving an honest man like Mike?
0:26:44 > 0:26:48- Or have you no conscience? - Yes, I have. How's yours?
0:26:48 > 0:26:52Pretty good. But I'm glad he was in a hurry. And all for you.
0:26:52 > 0:26:54You seemed in a bit of a hurry.
0:26:54 > 0:26:56- All for me too? - Mm-hm.
0:27:05 > 0:27:07Eating in, are we?
0:27:07 > 0:27:11Yes, if you don't mind? I've had no time to unpack my evening things.
0:27:11 > 0:27:13Much nicer.
0:27:13 > 0:27:15As a matter of fact, it's not true.
0:27:15 > 0:27:20My evening things are hanging up, but this is nicer. A plot, you see?
0:27:20 > 0:27:24Same here. I only dressed up because I thought you'd like it.
0:27:24 > 0:27:26Might think I looked nice.
0:27:26 > 0:27:28WAITER CLEARS HIS THROAT
0:27:28 > 0:27:30Dinner is served.
0:27:38 > 0:27:41Wow! I think you were right when you said it was a plot.
0:27:41 > 0:27:46I never thought he'd enter into the spirit of it like that.
0:27:47 > 0:27:49It wasn't as funny as that, was it?
0:27:49 > 0:27:52No, I was thinking of Mike. I hope he's all right.
0:27:52 > 0:27:54Why? What have you done?
0:27:54 > 0:27:58I got a girl to look after him. She's a man-eater.
0:27:58 > 0:28:01She'll never eat a man again after Mike. You'll see.
0:28:03 > 0:28:05Oh.
0:28:06 > 0:28:08Wish hard.
0:28:11 > 0:28:15I always wanted to do something, and when the war started,
0:28:15 > 0:28:21I offered to go to Warsaw for the Monitor if they gave me a job when I got back.
0:28:21 > 0:28:24I got the job, and now I cover business conventions
0:28:24 > 0:28:29- and interview celebrities. - A bit of a come-down after war correspondent.
0:28:29 > 0:28:33I start at the top and work my way down. It's easy.
0:28:33 > 0:28:36- You're lucky to be back here. - So are you.
0:28:36 > 0:28:38- Glad you came? - In a way, yes.
0:28:38 > 0:28:40I didn't want to, but I had to.
0:28:40 > 0:28:44- Mike came as my manager. - I'm glad you didn't leave him.
0:28:44 > 0:28:49- I'd be interned in Romania but for him.- It's nice to have such friends.
0:28:49 > 0:28:50If you can find them.
0:28:50 > 0:28:54It's funny. When I saw you together yesterday,
0:28:54 > 0:28:58you seemed like children. But tonight, you're all grown up.
0:28:58 > 0:29:02It's much easier to behave like that. It helps you forget.
0:29:02 > 0:29:05The things we saw weren't very funny.
0:29:05 > 0:29:07I saw them too.
0:29:07 > 0:29:09You know how I feel, then.
0:29:09 > 0:29:12We're starting an air force. After this, I'll go back.
0:29:12 > 0:29:15- Back?- Yes, Mike's coming too.
0:29:16 > 0:29:18I think you're both crazy.
0:29:18 > 0:29:19How can you say that?
0:29:19 > 0:29:23But you. You of all people shouldn't be allowed to...
0:29:23 > 0:29:26Allowed what?
0:29:29 > 0:29:30Nothing.
0:29:30 > 0:29:32Gosh, the time. It can't be right.
0:29:32 > 0:29:36- Don't ask me. I don't know what day it is.- Quarter to 12.
0:29:36 > 0:29:39- Gosh, I'm late. - Must you go, Cinderella?
0:29:39 > 0:29:41I have to get to the office early.
0:29:41 > 0:29:44I'll lose my job if I'm late again.
0:29:44 > 0:29:46What did I do with my bag?
0:29:46 > 0:29:48I've got it here.
0:29:48 > 0:29:50I'm sorry I have to run away.
0:29:50 > 0:29:53You always seem to be running away from me.
0:29:53 > 0:29:55Yes. I really am sorry.
0:29:58 > 0:30:00When can I see you again and where?
0:30:00 > 0:30:02Six months' time, maybe.
0:30:02 > 0:30:04In the dark.
0:30:05 > 0:30:07Oh, no.
0:30:07 > 0:30:11Not again like that. Next time it might be too dark.
0:30:11 > 0:30:14We might both pass by and never know it.
0:30:22 > 0:30:24Oh, my darling.
0:30:24 > 0:30:26It's been so long.
0:30:26 > 0:30:29You can't ever go away from me now.
0:30:29 > 0:30:31I won't, ever again.
0:30:33 > 0:30:35Carol. Will you marry me?
0:30:36 > 0:30:37Marry you?
0:30:37 > 0:30:41- You asked me once before. - This time I mean it. Will you?
0:30:41 > 0:30:46Yes, please. You see, I'm awfully old-fashioned.
0:30:46 > 0:30:49- How soon can we get married? - My, you're in a hurry!
0:30:49 > 0:30:51You have to be. There's a war on.
0:30:56 > 0:30:58DANCE MUSIC
0:31:21 > 0:31:22Shhh.
0:31:28 > 0:31:31Wait here, darling. I'll get some things.
0:31:31 > 0:31:34I'll only be one minute. You go read the books.
0:31:34 > 0:31:38- You can read?- Only the easy words. Darling, say goodbye.
0:31:40 > 0:31:42Say thank you.
0:31:42 > 0:31:43Thank you.
0:32:05 > 0:32:09Oh, hello. I didn't know there was anybody here.
0:32:09 > 0:32:11Have you come to take somebody home?
0:32:11 > 0:32:13Yes, I have, sir.
0:32:13 > 0:32:16You're a smart boy not to have come to it yourself.
0:32:17 > 0:32:20These darn parties get my goat.
0:32:20 > 0:32:21Me too.
0:32:21 > 0:32:25Take the other one off. Much more comfortable.
0:32:25 > 0:32:27Good idea.
0:32:28 > 0:32:31I don't see why I put the darn things on anyway.
0:32:31 > 0:32:35Should have had sense enough to sneak out, like Carol.
0:32:35 > 0:32:40Smart girl, Carol. Even if she has gone out with some hungry musician.
0:32:40 > 0:32:43- Would you like a drink? - Maybe a small one.
0:32:43 > 0:32:45Well...
0:32:46 > 0:32:48- Hello, Daddy.- Hello.
0:32:48 > 0:32:49I suppose you know Stefan.
0:32:49 > 0:32:53We haven't been properly introduced. It's all right.
0:32:53 > 0:32:57- I'm Bill Peters, Carol's father. - I'm Stefan Radetzky.
0:32:57 > 0:33:01- You mean...?- Yes, but I'm not hungry, only thirsty.
0:33:01 > 0:33:04Oh, sure. I was pouring you one when Carol came in.
0:33:04 > 0:33:07What is this big secret you boys have got?
0:33:07 > 0:33:11I just said you'd gone out with some hungry musician.
0:33:11 > 0:33:13Meaning him.
0:33:13 > 0:33:15He's all right, though.
0:33:15 > 0:33:17Even if he does play music.
0:33:18 > 0:33:20But what have you got your coat for?
0:33:20 > 0:33:22Where are you kids off to?
0:33:23 > 0:33:25Maybe we ought to tell him.
0:33:25 > 0:33:28Well, as a matter of fact, Daddy... We're married.
0:33:28 > 0:33:30Married?
0:33:30 > 0:33:32Since when?
0:33:32 > 0:33:34An hour ago. If you don't mind.
0:33:34 > 0:33:37How long have you known each other?
0:33:38 > 0:33:40I met him in Warsaw months ago.
0:33:40 > 0:33:42Oh, please, Daddy.
0:33:42 > 0:33:45Don't be angry. I know what I'm doing.
0:33:45 > 0:33:47I know, honey. I know.
0:33:47 > 0:33:49But why didn't you come and tell me?
0:33:49 > 0:33:52There's no need for any secrets.
0:33:52 > 0:33:53I know...
0:33:53 > 0:33:57I just sneaked off to see him for a minute and...
0:33:57 > 0:33:59We suddenly decided to get married.
0:34:00 > 0:34:02I just had to!
0:34:02 > 0:34:04I love him.
0:34:04 > 0:34:07- Oh, please, Daddy. - All right, all right.
0:34:07 > 0:34:10You're married, so what are we arguing about?
0:34:11 > 0:34:15You'll please forgive this little family argument.
0:34:15 > 0:34:18- You understand?- Don't worry about me.
0:34:18 > 0:34:21Well, he looks a nice guy anyway.
0:34:21 > 0:34:23So long as you're happy, I am too.
0:34:23 > 0:34:26Say, does your mother know about this?
0:34:26 > 0:34:30- No.- Anyone see you come in? - Only Bates. He won't talk.
0:34:30 > 0:34:33- I'll get you out. Where's the car?- Down the side.
0:34:33 > 0:34:36The window will be safer. Where will you go?
0:34:36 > 0:34:38- To the shack.- Swell idea. Easy now.
0:34:40 > 0:34:42Now get along, you kids.
0:34:42 > 0:34:47Don't mention this to your mother, or my life won't be worth a dime.
0:34:47 > 0:34:52Goodbye, Carol. If you want anything, ring me at the office. God bless you.
0:34:52 > 0:34:55- Take care of yourself. - Bye, Dad.
0:34:56 > 0:34:59Goodbye, son. Take care of her, boy. She's a great kid.
0:34:59 > 0:35:02I know. Goodbye.
0:35:12 > 0:35:14God bless you both. Crazy kids.
0:35:23 > 0:35:27You call this a little way out of the city? It's 100 miles.
0:35:27 > 0:35:30- It's not that far the way I drive. - True.
0:35:33 > 0:35:36Well, what are we waiting for?
0:35:36 > 0:35:39I'm waiting for you to carry me across the threshold.
0:35:39 > 0:35:43- What?- You just carry me across. It's quite easy.
0:35:43 > 0:35:46- With your weight? Oh, no, madame. - You have to! Really.
0:35:46 > 0:35:50- It's an old superstition. - I know a Polish one.
0:35:50 > 0:35:54- If ever you sneeze...- Sweetheart, tell me your dreary story later.
0:35:54 > 0:35:58It's cold, and I don't intend to walk through that door.
0:35:58 > 0:36:02- Please be kind to a sentimental wife.- The word wife
0:36:02 > 0:36:05is music to my ears. For that I carry you.
0:36:05 > 0:36:07Even if I'm making a fool of myself.
0:36:07 > 0:36:09I bet we look darn silly.
0:36:11 > 0:36:13Oh.
0:36:13 > 0:36:15Some shack, this.
0:36:21 > 0:36:23HE PLAYS THE WEDDING MARCH
0:36:23 > 0:36:25Oh, darling, not that.
0:36:26 > 0:36:29Can't you think of anything more suitable?
0:36:29 > 0:36:31You want something more sentimental.
0:36:32 > 0:36:34What about this?
0:36:34 > 0:36:37HE PLAYS "Liebestraum" by Franz Liszt
0:36:46 > 0:36:48Why, Miss Carol, I'm real sorry.
0:36:48 > 0:36:51I thought you weren't coming. So I went to bed.
0:36:51 > 0:36:54Stefan, I want you to meet Uncle Joel.
0:36:54 > 0:36:57- Uncle Joel, this is my husband. - Proud to know you.
0:36:57 > 0:37:01- How do you do?- Is everything OK? No excitement?
0:37:01 > 0:37:03Not much, except that piano.
0:37:03 > 0:37:07- Oh, yes...- I had to bust down the door this morning...
0:37:07 > 0:37:11- Put the car away. We'll be up soon. - Busting the door down...
0:37:13 > 0:37:15SHE HUMS
0:37:16 > 0:37:18Ah-hem.
0:37:18 > 0:37:23So the piano only arrived this morning. Cutting it fine.
0:37:23 > 0:37:25I don't know what you mean.
0:37:27 > 0:37:30I had to have a present for the bridegroom.
0:37:30 > 0:37:33It looks to me as if I never had a chance.
0:37:33 > 0:37:35I've been trapped all along.
0:37:52 > 0:37:54Where is he?! Where is he?!
0:37:54 > 0:37:57Mon Dieu! What sort of a staff have I got?
0:37:57 > 0:38:00You may all go, unless you find Radetzky!
0:38:00 > 0:38:03You may all go. Oh, it is too much...
0:38:03 > 0:38:06Find him! Find him!
0:38:07 > 0:38:10Hello, is Stefan Radetzky there?
0:38:10 > 0:38:14Stefan Radetzky? We'd like to know. We're in a flat spin.
0:38:14 > 0:38:18The concert's been pushed forward and we can't find him.
0:38:18 > 0:38:19Mr De Guys is frantic.
0:38:19 > 0:38:25Too bad you're frantic, De Guys. To disappear like this is unbelievable!
0:38:25 > 0:38:29I know where he might be. He's always with that Peters girl.
0:38:29 > 0:38:30Hello.
0:38:32 > 0:38:35Oh. That's what I call real thoughtful.
0:38:36 > 0:38:39Just part of my Continental charm.
0:38:42 > 0:38:43Thank you.
0:38:44 > 0:38:46- You love me? - Mm-hmm.
0:38:46 > 0:38:48Love me?
0:38:51 > 0:38:53How far are we going to walk?
0:38:53 > 0:38:55- Ooh, a long way.- A mile?
0:38:55 > 0:38:58- Oh, much further than that. - I can't walk that far!
0:38:58 > 0:38:59PHONE RINGS
0:38:59 > 0:39:04- Who can that be? No-one knows we're here. Joel's out. - So are we.
0:39:04 > 0:39:06- But it might be important. - Come on!
0:39:06 > 0:39:10- It might be Daddy. I won't be a minute.- I know!
0:39:12 > 0:39:14Hello.
0:39:14 > 0:39:16Hello, Mike. What are you doing there?
0:39:16 > 0:39:19How are you?
0:39:20 > 0:39:22I'm fine. I'm married.
0:39:22 > 0:39:24Stefan? He's fine. He's married too.
0:39:25 > 0:39:27Yes, we're both married.
0:39:27 > 0:39:30Married? What is this?
0:39:30 > 0:39:32Who is married?
0:39:32 > 0:39:33Whom have you married?
0:39:34 > 0:39:37What is that you say? Radetzky married?
0:39:37 > 0:39:40That is not a way for Stefan to treat me.
0:39:40 > 0:39:43Please tell him that he must come back at once!
0:39:43 > 0:39:46Get flowers for Madame Radetzky.
0:39:46 > 0:39:48Flowers? You want a...wreath?
0:39:48 > 0:39:52A wreath! You must learn to speak English proper!
0:39:52 > 0:39:54A bouquet, not a wreath.
0:39:54 > 0:40:00Chere madame, please tell your husband that the tour now opens the day after tomorrow.
0:40:00 > 0:40:03But he can't possibly come back today.
0:40:03 > 0:40:07- SHE SIGHS - All right. Tomorrow at the earliest.
0:40:07 > 0:40:09OK, and not a minute before.
0:40:10 > 0:40:13We'll be at your office tomorrow at eleven.
0:40:13 > 0:40:16This marriage is not a happy conception.
0:40:16 > 0:40:22I want to tell Stefan they're forming a Polish air squadron in England.
0:40:22 > 0:40:26I'll be called up soon. I have a form for Stefan.
0:40:28 > 0:40:30Oh, Mike!
0:40:30 > 0:40:32That means he'll...
0:40:33 > 0:40:36I knew something like this would happen.
0:40:38 > 0:40:42Look, Mike, will you please do something for me?
0:40:42 > 0:40:45Please don't tell him anything about it yet.
0:40:45 > 0:40:47We're on our honeymoon.
0:40:47 > 0:40:51And after all, he's much more use to Poland over here.
0:40:56 > 0:41:01Stefan's coming. I must hang up. Yes, please. Thank you. Goodbye.
0:41:01 > 0:41:05I'll get frozen hands, and won't be able to play any more.
0:41:05 > 0:41:07What's the matter?
0:41:07 > 0:41:10It was De Guys. He wants you to go back.
0:41:10 > 0:41:12The concert opening has been put forward.
0:41:12 > 0:41:15I said you couldn't go till tomorrow.
0:41:15 > 0:41:19Oh, something like that would happen. Never mind.
0:41:19 > 0:41:23- Forget about it for today. - Today! It's such a little time.
0:41:23 > 0:41:25Will you promise me something?
0:41:25 > 0:41:29Come back the first night after the tour's over.
0:41:29 > 0:41:31Of course, darling, I promise.
0:41:31 > 0:41:33How was it De Guys got the number?
0:41:33 > 0:41:37Mike was there. I told him we were married.
0:41:37 > 0:41:40- How did he take it? - He just said, "What?"
0:41:40 > 0:41:42- What, that's all?- Uh-huh.
0:41:42 > 0:41:44Then De Guys came on the phone.
0:41:57 > 0:41:59PIANO PLAYS
0:43:02 > 0:43:04Remember this?
0:43:09 > 0:43:12I woke up suddenly, and it all came back to me.
0:43:12 > 0:43:15I just had to come down before I lost it again.
0:43:17 > 0:43:21Darling, you were so lovely on the stairs just then.
0:43:21 > 0:43:23You almost stopped my heart.
0:43:24 > 0:43:26This is your melody.
0:43:26 > 0:43:29- It's beautiful.- You gave it to me.
0:43:29 > 0:43:33I'll never play it again without thinking of you.
0:43:33 > 0:43:36Without you deep in my heart.
0:43:36 > 0:43:38How are you going to end it?
0:43:38 > 0:43:41- Happy, I hope.- Hope?
0:43:41 > 0:43:44You are joking. What's the matter?
0:43:44 > 0:43:46Nothing. It's just the music.
0:43:46 > 0:43:49- What do you mean? - This music is you and me.
0:43:49 > 0:43:52It's the story of the two of us in Warsaw,
0:43:52 > 0:43:54of us in America, of us in...
0:43:55 > 0:43:59Where else I don't know. That's why I can't finish it.
0:44:06 > 0:44:10- Darling, you mustn't dispel all my illusions.- Illusions?
0:44:10 > 0:44:15I thought composers wrote under the throes of inspiration.
0:44:15 > 0:44:17Not always.
0:44:17 > 0:44:21Most of it is just plain hard work, like any other job.
0:44:22 > 0:44:26It's funny, you know, darling - I know so little about you.
0:44:26 > 0:44:29In a way, we're two strangers.
0:44:29 > 0:44:32But it won't stop us from being happy, will it?
0:44:32 > 0:44:36- Of course not. We'll always be happy.- Always and always.
0:44:36 > 0:44:40If you have to be miserable with your funny Continental ways...
0:44:40 > 0:44:43Just leave it to me. I'll see to that.
0:44:43 > 0:44:45How sweet you are, and how young.
0:44:45 > 0:44:50How soon you seem to have forgotten what's happening in the world.
0:44:50 > 0:44:53No, I haven't, but please don't think about that now.
0:44:53 > 0:44:55I can't help it, darling.
0:44:55 > 0:44:57It's inside me. That's why I wish
0:44:57 > 0:45:01I hadn't time to think, like when I was a flyer.
0:45:01 > 0:45:03- How do you mean?- I can't explain it.
0:45:03 > 0:45:08But when I was a flyer, it felt like being in another world.
0:45:09 > 0:45:12There's something so cold and clean up there,
0:45:12 > 0:45:15and so beautiful too.
0:45:15 > 0:45:20You come out of the darkness of the clouds into clear, bright sun.
0:45:22 > 0:45:26Underneath are the tops of the high mountains.
0:45:26 > 0:45:28You're high above them all.
0:45:30 > 0:45:33Sometimes at night you can almost touch the stars.
0:45:34 > 0:45:37You feel you belong with them.
0:45:37 > 0:45:40You almost forget that you're fighting a war.
0:45:40 > 0:45:42It seems so far away.
0:45:44 > 0:45:47Miles and miles below you.
0:45:50 > 0:45:53I'm cold. It must be getting late too.
0:45:53 > 0:45:56Oh, I'm so sorry, darling.
0:45:56 > 0:46:00- Why didn't you tell me? - I just suddenly felt cold.
0:46:00 > 0:46:02I come from a long line of martyrs.
0:46:02 > 0:46:07- I hope it'll be fine tomorrow. - So do I. I've got to drive back.
0:46:07 > 0:46:09Oh, look, there's a strange thing.
0:46:09 > 0:46:11- What?- In the sky up there.
0:46:11 > 0:46:14You mean those two stars together in the sky?
0:46:14 > 0:46:17Yes. Star and falling star.
0:46:18 > 0:46:23Something that happens every 200 years to those two up there.
0:46:23 > 0:46:27They start together in the sky, and then move apart.
0:46:27 > 0:46:30But in the end they just have to come together again.
0:46:30 > 0:46:32Like they are now.
0:46:32 > 0:46:34What a lovely idea.
0:46:39 > 0:46:41Star and falling star.
0:46:47 > 0:46:49That is my last word.
0:46:49 > 0:46:52Oh, but this is wonderful!
0:46:52 > 0:46:55You are so early it is not believed.
0:46:55 > 0:46:58I am so happy for you both. Flowers, flowers.
0:46:58 > 0:47:00For madame, some flowers.
0:47:00 > 0:47:03- Thank you. - Your husband has fooled me.
0:47:03 > 0:47:06It is for him habitual to be four hours late,
0:47:06 > 0:47:09so I've arranged no rehearsal. I go fix one.
0:47:09 > 0:47:11Bon. Come.
0:47:12 > 0:47:16- See what marriage has done for you? - Punctuality has done no good.
0:47:16 > 0:47:20- Half an hour too early. - They told me you were here.
0:47:20 > 0:47:24How you can look me in the eye, stealing the girl I love!
0:47:24 > 0:47:26- Good morning.- Continental, you see?
0:47:26 > 0:47:29Good morning. How nice to see you again.
0:47:29 > 0:47:33She cares for me still. As for you, words fail me.
0:47:33 > 0:47:35First time that happens to an Irish man.
0:47:35 > 0:47:40Ingratitude! I must be civil to him if I intend to see a lot of his wife.
0:47:40 > 0:47:42You did marry her, I suppose?
0:47:42 > 0:47:45I'm surprised at you, putting ideas in his head.
0:47:45 > 0:47:48- Of course we're married. - Not in church yet.
0:47:48 > 0:47:51We have to wait till you can be best man.
0:47:51 > 0:47:53- Then I can kiss the bride?- Yes.
0:47:53 > 0:47:56- I'd better practise. - Wait till we are in church.
0:47:56 > 0:48:00That's where I'm being sent. I did it yesterday.
0:48:00 > 0:48:04It kept you out of trouble anyway. What else did you do?
0:48:04 > 0:48:08I meant to tell you. I was going to yesterday...
0:48:08 > 0:48:10Go on.
0:48:11 > 0:48:13Or do you have to whisper?
0:48:14 > 0:48:18- Was it about the girl?- We can't tell him now. He's a married man.
0:48:18 > 0:48:22Stefan, you can practise as much as you please.
0:48:22 > 0:48:24- Thanks.- It gives me time to change.
0:48:24 > 0:48:27- Can you drop me? - Certainly. See you later.
0:48:31 > 0:48:33Oh, my flowers.
0:48:34 > 0:48:36Here you are.
0:48:37 > 0:48:40- Thanks so much, Mike. - That's all right.
0:48:40 > 0:48:42Thank you.
0:48:49 > 0:48:51It sounds silly, but it's how I feel.
0:48:51 > 0:48:55I'm not one of these big-hearted women you read about.
0:48:55 > 0:48:58- What have they got to do with it? - I'd love to say,
0:48:58 > 0:49:01"Do what you want so long as you're happy."
0:49:01 > 0:49:03But I can't. I'm not big enough.
0:49:03 > 0:49:07Take it from me - if he wants to go, you can't stop him.
0:49:07 > 0:49:09- Maybe I can. - How?
0:49:09 > 0:49:12I want to make his life so happy here,
0:49:12 > 0:49:14maybe he'll never want to go back.
0:49:14 > 0:49:18- Maybe. - Besides, he's done enough already.
0:49:18 > 0:49:20He...
0:49:20 > 0:49:22Oh, Daddy, you look so serious!
0:49:22 > 0:49:27I don't know why. You know, I think you're imagining things.
0:49:27 > 0:49:30- Maybe he doesn't even want to go. - I hope so.
0:49:30 > 0:49:33I must go. I've got to get back to him.
0:49:33 > 0:49:35He starts his tour in the morning.
0:49:35 > 0:49:37Goodbye, Carol.
0:49:48 > 0:49:50Funny-looking things?
0:49:50 > 0:49:53They can say much more than I can in words.
0:51:10 > 0:51:14I'm like a man who is riding two horses at the same time.
0:51:34 > 0:51:36I'll be back one day.
0:51:38 > 0:51:39One day I'll be back.
0:51:48 > 0:51:51I got it all fixed up to tell you. I just didn't.
0:51:51 > 0:51:55- Didn't we plan to go together? - We talked about it.
0:51:55 > 0:51:58- It was just talk? - Why are you getting excited?
0:51:58 > 0:52:03- You do a better job here.- Why didn't you say you were going weeks ago?
0:52:03 > 0:52:05Did Carol put you up to this?
0:52:05 > 0:52:07Carol?
0:52:07 > 0:52:09No.
0:52:09 > 0:52:13You're a bad liar, Mike. Why not tell me the truth?
0:52:13 > 0:52:15I didn't want to influence you.
0:52:15 > 0:52:18I thought by this time you'd be seeing sense.
0:52:18 > 0:52:22I get the idea. What you mean is gone soft.
0:52:22 > 0:52:26Do you really think I'm going to stay behind? You must be crazy.
0:52:26 > 0:52:31You'll be late for your concert. I packed your evening things.
0:52:32 > 0:52:34What's the matter?
0:52:34 > 0:52:37He's gone off the deep end because I'm going to England.
0:52:37 > 0:52:40He's got an idea he must come too.
0:52:40 > 0:52:42Can't you talk some sense into the man?
0:52:42 > 0:52:45Why did you tell Mike to keep it a secret?
0:52:48 > 0:52:51Because I didn't want you to go too.
0:52:51 > 0:52:54You needn't look at me like that.
0:52:54 > 0:52:57I'm not ashamed. I'd do it again if necessary.
0:52:57 > 0:53:00I wish you wouldn't get at my friends behind my back.
0:53:00 > 0:53:05- It'd save a lot of trouble.- Don't start a brawl. It's my last night.
0:53:07 > 0:53:11- It doesn't suit you. - Poor Michael, you look so unhappy.
0:53:11 > 0:53:15Here, let me help you. This is where you need a woman's hand.
0:53:15 > 0:53:18Mike, you do not pack shoes with shirts.
0:53:18 > 0:53:21- It's so bad for the shoes.- I forgot.
0:53:21 > 0:53:23Come and see me before you go.
0:53:23 > 0:53:27Like the Prodigal Son on my bended knees, begging forgiveness.
0:53:27 > 0:53:29Fool.
0:53:30 > 0:53:34I'm sorry, my landing you in a spot like this.
0:53:34 > 0:53:37That's all right. I'm used to it. Always in trouble.
0:53:37 > 0:53:39Mike, you're the end.
0:53:39 > 0:53:44It'll be the first time in my life to catch a train without running.
0:53:54 > 0:53:58After all you told me about what Cromwell did to your ancestors,
0:53:58 > 0:54:02and what you think of the English, isn't it funny to fight for them?
0:54:02 > 0:54:05I don't mind the Irish taking a crack at them.
0:54:05 > 0:54:08When someone else butts in, it's different.
0:54:08 > 0:54:13We must preserve them so we have someone to fight when the war's over.
0:54:13 > 0:54:16You probably feel the same about Stefan.
0:54:16 > 0:54:19- Why are you so good to me? - I'm like that.- Mike?
0:54:19 > 0:54:24- I want to ask you something.- Go ahead. I love these sort of games.
0:54:24 > 0:54:26You're not in love with me?
0:54:26 > 0:54:29What's my going to England got to do with that?
0:54:29 > 0:54:32You're not running away because of me?
0:54:32 > 0:54:36I am in love with you. Don't hold it against me. You said I was crazy.
0:54:36 > 0:54:40- I was right.- No, I made up my mind a long time ago -
0:54:40 > 0:54:43I'm going because I'm sentimental.
0:54:43 > 0:54:46I can't help it. It's just one of those things.
0:54:46 > 0:54:48I've got nothing proper to do here.
0:54:48 > 0:54:51Oh, you've been awful useful to us.
0:54:51 > 0:54:54- In a way, perhaps. - Now you're going, I'm scared.
0:54:54 > 0:54:57- Whatever for?- About Stefan.
0:54:57 > 0:55:01While you're here it's not so bad, but now I don't know.
0:55:01 > 0:55:04- I guess you think I'm awful selfish. - Of course not.
0:55:04 > 0:55:07You've only been married a month.
0:55:07 > 0:55:12I'm not really selfish. I'm thinking of him as much as myself.
0:55:12 > 0:55:15I know how he feels. That makes it worse.
0:55:15 > 0:55:17Oh, don't worry. All aboard. >
0:55:17 > 0:55:19- I must run. - Must you?
0:55:19 > 0:55:22I'll miss you both. Do you mind if I kiss you once?
0:55:22 > 0:55:26- I'll not have time to be your best man.- Of course.
0:55:27 > 0:55:29- God bless you.- God bless you.
0:55:35 > 0:55:37God bless.
0:55:40 > 0:55:43Some things belong to me, and nobody else.
0:55:43 > 0:55:46- You ought to know that. - I'm beginning to.
0:55:46 > 0:55:50- You're not the sort of... - For heaven's sake, stop!
0:55:50 > 0:55:54Anyone would think I was a criminal. All I did was try to help.
0:55:54 > 0:55:56As a matter of fact, you did.
0:55:56 > 0:56:00All I needed was something like this, like Mike going off
0:56:00 > 0:56:04- to make me see things straight. - What do you mean?
0:56:04 > 0:56:06I was beginning to forget what I am.
0:56:06 > 0:56:09An exile. A man without a country of his own.
0:56:09 > 0:56:13You say that, after the way you've been treated here?
0:56:13 > 0:56:17That's why, Carol. I'm happy here. Everybody's kind.
0:56:17 > 0:56:21- It's easy to forget my country and people.- Don't be silly.
0:56:21 > 0:56:26You speak for them through your music. You work for them all the time.
0:56:26 > 0:56:29It's a nice, easy way of working, I must say.
0:56:30 > 0:56:32When I left Warsaw,
0:56:32 > 0:56:34I said one day I'd be back.
0:56:35 > 0:56:39Thousands of others must have said the same thing.
0:56:40 > 0:56:43But they are doing something practical.
0:56:43 > 0:56:45I'd be doing the same if I were flying.
0:56:45 > 0:56:50Do you believe you'd make any difference by yourself in the war?
0:56:50 > 0:56:53Can't you understand one important thing?
0:56:53 > 0:56:56You're a great musician with so much to give.
0:56:56 > 0:57:00Lots of men fly better than you, but can't do what you can.
0:57:00 > 0:57:03They can't think in terms of lovely music.
0:57:03 > 0:57:08There's a power in these hands to play and compose wonderful music.
0:57:08 > 0:57:14You have a great gift. You can't throw it away because of a stupid patriotic notion.
0:57:16 > 0:57:20I never thought anybody could feel like that about me.
0:57:20 > 0:57:24You're not saying this because you want me to stay on?
0:57:24 > 0:57:28- Do you really believe it?- I've never believed anything so much.
0:57:28 > 0:57:31I wonder why I never thought about that.
0:57:31 > 0:57:35I'm glad you didn't. You'd have been insufferable.
0:57:35 > 0:57:38Now you understand why you must stay?
0:57:38 > 0:57:41- It does make things look different. - Of course.
0:57:41 > 0:57:45Now will you say you're sorry for being so bad-tempered?
0:57:45 > 0:57:50You richly deserved it, but I'll be magnanimous. I forgive you.
0:57:50 > 0:57:53Such a great heart. No wonder I love you.
0:57:53 > 0:57:58- I don't blame you.- That's what I like about you - you're so modest.
0:58:05 > 0:58:07I'll take you all over the city.
0:58:07 > 0:58:12- Let's wait till fall. It's cooler. - Have you got any museums I can visit?
0:58:12 > 0:58:15My uncle has a stamp collection, but he's out of town.
0:58:15 > 0:58:19You're ashamed of me. You don't want me to meet your family.
0:58:19 > 0:58:23- How did you guess? - I'm psychic. Look in my eyes.
0:58:23 > 0:58:25Look hard. What do you see?
0:58:25 > 0:58:28Hmmm... They're a bit bloodshot, that's all.
0:58:28 > 0:58:31That's the love light. What else do you see?
0:58:31 > 0:58:34- Well, I see... - Oh, are we there?
0:58:34 > 0:58:37- It's traffic lights. - Germans in Paris! Read about it!
0:58:37 > 0:58:42- Paper, paper! - Germans in Paris! Read about it.
0:58:42 > 0:58:45Germans in Paris! Read about it.
0:58:45 > 0:58:50With Mother in Florida, it looks like my family is trying to avoid you.
0:58:50 > 0:58:54Don't worry. We'll be there ourselves in a week, won't we?
0:58:56 > 0:58:59Poor Mother. She's scared of meeting you.
0:58:59 > 0:59:03She thinks you'll have to talk by signs. Why don't you try it?
0:59:03 > 0:59:07I'd take you further, but the cab won't go up the steps.
0:59:07 > 0:59:11Will you go upstairs and get unpacked, please?
0:59:11 > 0:59:15- I've got to see somebody. Business. - Don't be long.
0:59:19 > 0:59:22This settles it. For weeks I've been trying
0:59:22 > 0:59:26to push it out of my mind, but it's back stronger than ever.
0:59:26 > 0:59:30Not just because of the news. Suddenly it seems urgent,
0:59:30 > 0:59:34and must be done at once. Otherwise, I'll be here for life.
0:59:34 > 0:59:36What you want to tell me is
0:59:36 > 0:59:40- you would like to cancel your second tour?- Yes.
0:59:41 > 0:59:45- I never did like contracts. - It's all right? You're not angry?
0:59:45 > 0:59:48- I'm not angry.- Thank you very much.
0:59:48 > 0:59:53- That's a load off my mind.- Don't be silly. I wish I was going with you.
0:59:53 > 0:59:55I forgot - you're a Frenchman. Tonight,
0:59:55 > 1:00:00- you can't feel too good.- I'm no more French than you. I'm English.
1:00:00 > 1:00:02That surprises you.
1:00:02 > 1:00:06I know you thought of me as a fake, and you were right.
1:00:06 > 1:00:10For years I worked as Gus Higgins and got nowhere.
1:00:10 > 1:00:15Suddenly, one fine day, I became Andre De Guys, the great impresario.
1:00:15 > 1:00:20- Why are you telling me this? - I don't know, but when I heard the news
1:00:20 > 1:00:24I suddenly got a sick feeling, not so much for France,
1:00:24 > 1:00:27but for England. Feeling all Land Of Hope And Glory!
1:00:27 > 1:00:31I ought to be in Hyde Park. But this is nothing to do
1:00:31 > 1:00:34with what we were talking about. You want to go.
1:00:34 > 1:00:39- I won't stand in your way. But what about your wife?- I don't know.
1:00:39 > 1:00:42Go and see her father. He likes you a lot.
1:00:42 > 1:00:44That's just what I'm going to do.
1:00:46 > 1:00:49If you feel like that there's nothing else you can do.
1:00:49 > 1:00:54- Carol will understand.- That's just it. She doesn't even try to.
1:00:54 > 1:00:57I don't want to rush off. I'm happy here.
1:00:57 > 1:01:00I love the applause, my music, I love Carol.
1:01:00 > 1:01:03I must say, it doesn't sound easy.
1:01:03 > 1:01:06She's got a good line in tempers. Got it from me.
1:01:06 > 1:01:12- Mine's not good either. - You're both liable to say and do things you'll be sorry about.
1:01:12 > 1:01:15Listen, son, you know I like you,
1:01:15 > 1:01:18and you know how I feel about Carol.
1:01:18 > 1:01:21I don't want to see any trouble between you.
1:01:21 > 1:01:25But if you've made up your mind to go back to flying,
1:01:25 > 1:01:27that's all there is to it.
1:01:28 > 1:01:31Thank you, sir. I thought you'd understand.
1:01:32 > 1:01:36Don't you worry - everything'll turn out all right.
1:01:36 > 1:01:39Are you coming to dinner before the concert?
1:01:39 > 1:01:43- No. I like to be alone. - I'll be in the theatre to hear you.
1:01:43 > 1:01:46- First concert I ever went to. - I feel guilty.
1:01:46 > 1:01:49Make it loud. It's how I like my music.
1:01:49 > 1:01:52- Loud. - I'll try my best. Good night.
1:01:52 > 1:01:54- And thanks a lot.- Good night.
1:01:57 > 1:01:59PIANO PLAYS
1:02:03 > 1:02:06Please don't play that, for heaven's sake.
1:02:06 > 1:02:09- What do you mean?- That. - It's Chopin's Polonaise.
1:02:09 > 1:02:14I know. I hate it. It reminds me of the last days in Warsaw.
1:02:14 > 1:02:16That's why I play it.
1:02:29 > 1:02:32I've got something to tell you.
1:02:32 > 1:02:35I've booked a passage on the clipper for tomorrow.
1:02:35 > 1:02:37Did you say the clipper?
1:02:37 > 1:02:39- Yes.- Have you gone crazy?
1:02:39 > 1:02:43No, but I'm joining our air force in England.
1:02:43 > 1:02:46Oh, Stefan, let's not have a scene now.
1:02:46 > 1:02:50Last time we quarrelled you were very upset. Remember?
1:02:50 > 1:02:52You played awful badly.
1:02:52 > 1:02:56I'm going to play marvellously tonight, and nothing can stop it.
1:02:58 > 1:03:00Carol, I'm not quarrelling with you.
1:03:00 > 1:03:05I'm just telling you I'm going to England, that's all.
1:03:05 > 1:03:09I don't know what's wrong. I thought you'd given up the idea.
1:03:09 > 1:03:11I've tried to, Carol. Believe me.
1:03:12 > 1:03:14I've tried.
1:03:14 > 1:03:19Every day I tell myself what a marvellous job I'm doing here.
1:03:20 > 1:03:22And every day I believe it less.
1:03:23 > 1:03:26That's why I'm going. I have to.
1:03:26 > 1:03:30Something I can't explain, something I can't help.
1:03:30 > 1:03:34But I know once I've done it I'll feel all right inside.
1:03:34 > 1:03:37I think it's madness. Such a stupid waste!
1:03:37 > 1:03:41Life would be too easy if everybody said that.
1:03:42 > 1:03:46There would be no art, no music, if it's not worth fighting for.
1:03:46 > 1:03:49Listen to me. I want to tell you something.
1:03:49 > 1:03:54Something Mike told me. He asked me not to tell you, but I must.
1:03:54 > 1:03:58Remember when you left Poland, you drew a plane to Romania?
1:03:58 > 1:04:04It was fixed. All the men in your squadron asked that you should be sent away.
1:04:04 > 1:04:09You meant something to Poland. It didn't matter about them as long as you were alive.
1:04:09 > 1:04:14You want to throw away the very thing they tried to do for you.
1:04:26 > 1:04:28Are you still going now?
1:04:29 > 1:04:32Nothing can stop me now.
1:04:32 > 1:04:34Nothing.
1:04:34 > 1:04:37You mean you're going, even without me?
1:04:37 > 1:04:39I have to.
1:04:39 > 1:04:42- You must love me an awful lot!- I do.
1:04:45 > 1:04:49I love you more than anything in life, more than life itself,
1:04:49 > 1:04:52but not even my love for you can stop me.
1:04:52 > 1:04:55Go on. Maybe it's better that way.
1:04:55 > 1:04:59- What do you mean?- I'm not going to be just a part of your life
1:04:59 > 1:05:03like your music and patriotism. I'd rather be nothing.
1:05:03 > 1:05:06If you go, you go for good. I can get a divorce any time.
1:05:06 > 1:05:09So what happens depends entirely on you!
1:05:33 > 1:05:35Thank you.
1:05:39 > 1:05:42For heaven's sake, don't be so jumpy.
1:05:42 > 1:05:44You'll make me nervous too.
1:05:44 > 1:05:47It's just I had a row with Stefan tonight.
1:05:47 > 1:05:51Yeah? I suppose it's about him going back to England?
1:05:51 > 1:05:54- How did you know? - Oh, I just guessed.
1:05:54 > 1:05:57It happened before, but...
1:05:57 > 1:05:59tonight was different.
1:05:59 > 1:06:02There, there. Everything'll work out all right.
1:06:02 > 1:06:05- Don't you worry.- I hope so.
1:06:05 > 1:06:07AUDIENCE APPLAUD
1:10:20 > 1:10:22AUDIENCE APPLAUD
1:10:22 > 1:10:24AUDIENCE CHEER
1:10:42 > 1:10:47Merveilleux! You were superb. Superb. Go and take another bow.
1:10:47 > 1:10:50They want you to make a speech. Listen!
1:10:50 > 1:10:53What an ovation. Don't tell them you are going...
1:10:53 > 1:10:58- Please, please.- Go and say something, anything. Quick, quick!
1:11:08 > 1:11:10Ladies and gentlemen,
1:11:10 > 1:11:13I couldn't make a speech to you now, even if I tried,
1:11:13 > 1:11:18but I can thank you, not only for the way you've received me tonight,
1:11:18 > 1:11:21but for all the people of your country
1:11:21 > 1:11:24have been doing for the people of mine.
1:11:24 > 1:11:26I speak for them when I say
1:11:27 > 1:11:29we are very grateful.
1:11:30 > 1:11:33Thank you.
1:11:46 > 1:11:48I'll play one more piece.
1:11:48 > 1:11:52The last music to come out of free Warsaw.
1:11:52 > 1:11:57The music that taught the world that Poland was still alive.
1:11:58 > 1:12:00Tonight it still is.
1:12:08 > 1:12:11HE PLAYS "Polonaise No.1" by Frederic Chopin
1:12:34 > 1:12:36PERFORMANCE BROADCAST ON RADIO
1:12:41 > 1:12:45Turn off the radio. For heaven's sake, turn it off!
1:12:45 > 1:12:48OK, lady. I like that sort of music myself.
1:13:02 > 1:13:04CAROL CRIES
1:13:08 > 1:13:10Say, what's going on here?
1:13:11 > 1:13:14First you run out on me, and then I find you crying.
1:13:14 > 1:13:17Say, what is all this anyway?
1:13:18 > 1:13:20I wish I was dead!
1:13:20 > 1:13:24Don't start talking like Hamlet. It's too late at night.
1:13:24 > 1:13:28That's right, have a good cry. It'll make you feel a lot better.
1:13:28 > 1:13:31Here, take this.
1:13:33 > 1:13:35Now, go on. Have a good blow.
1:13:38 > 1:13:42Thank you. I'm always borrowing your handkerchiefs.
1:13:42 > 1:13:45Yes, and I never get 'em back either.
1:13:46 > 1:13:50Tell me, young lady - what's the matter with you?
1:13:50 > 1:13:54- I've been such a beast tonight, Daddy.- You mean about Stefan?
1:13:54 > 1:13:57Yes. I told you we had a row.
1:13:57 > 1:14:00- Uh-huh. - Well, I said awful things to him.
1:14:00 > 1:14:02Things that hurt him a lot.
1:14:02 > 1:14:07People often do that to someone they really love. What did you say?
1:14:08 > 1:14:11I said if he went to England now
1:14:11 > 1:14:13I'd leave him for good.
1:14:14 > 1:14:16But I didn't mean it.
1:14:16 > 1:14:20I couldn't. I love him much too much.
1:14:20 > 1:14:24Oh, Daddy, you don't think he thought I really meant it?
1:14:24 > 1:14:29I shouldn't think so. You go tell him you're sorry, and it'll be all right.
1:14:29 > 1:14:31Oh...
1:14:31 > 1:14:33I couldn't. Not tonight.
1:14:33 > 1:14:35I wouldn't know what to say.
1:14:35 > 1:14:38Besides, I look such a mess.
1:14:39 > 1:14:40Tomorrow.
1:14:40 > 1:14:42Then you better stay here.
1:14:42 > 1:14:45Oh, Daddy, I don't know what I'd do without you.
1:14:45 > 1:14:49Well, that's what I'm here for. Good night.
1:14:49 > 1:14:53Night. Daddy? Why do you think he played the Polonaise?
1:14:53 > 1:14:56- The what?- The loud piece at the end.
1:14:56 > 1:14:59I don't know. They all sound the same to me.
1:14:59 > 1:15:04He was sticking his tongue out, to show he wouldn't change his mind.
1:15:04 > 1:15:08- I still wouldn't know. Good night. - Good night, Daddy.
1:15:58 > 1:16:00Stefan?
1:16:03 > 1:16:05Stefan?
1:16:19 > 1:16:21Stefan?
1:16:28 > 1:16:30Stefan!
1:18:00 > 1:18:04- What do you think?- Much better than I thought it would be.
1:18:04 > 1:18:09Different from the crates we used. How much do you get out of yours?
1:18:09 > 1:18:15You get 370, but after our ground boys have finished with them, you can add another 50.
1:18:15 > 1:18:18We have eight guns too, and a movie camera.
1:18:18 > 1:18:22- What's the camera for? - To keep a check on Irishmen.
1:18:22 > 1:18:25When we shoot a plane down he has his photo taken.
1:18:25 > 1:18:28Come on, you fool, I'm hungry.
1:18:29 > 1:18:31Hello, Popeye.
1:18:32 > 1:18:36Time for lemonade before lunch. Thirsty weather, this.
1:18:36 > 1:18:39- Lemonade, did you say? - I'm on the wagon.
1:18:39 > 1:18:44I wanted to ask you - don't say anything about me being a musician.
1:18:44 > 1:18:46Don't put your foot in it.
1:18:46 > 1:18:51Get a haircut. Like that, you'll pass for an ordinary human being.
1:18:52 > 1:18:54Did you have a good leave?
1:18:54 > 1:18:58Fine, thanks. Can't you see the rings under my eyes?
1:18:58 > 1:19:02Blimey, I thought it was camouflage. I hear we got 86 yesterday.
1:19:02 > 1:19:05Going down. Let's look at our own score.
1:19:05 > 1:19:0812 to 8. We still have the lead.
1:19:08 > 1:19:10Let's have lunch. HE HUMS
1:19:10 > 1:19:12Still murdering that tune?
1:19:13 > 1:19:18- Have you got an easy number to remember?- Where do you sit? - Over here.
1:19:18 > 1:19:20Hello, Pete.
1:19:20 > 1:19:24Are you on today? Yes, I think we'll be called out.
1:19:24 > 1:19:28How's your Polish getting on? Steve's teaching me a lot.
1:19:28 > 1:19:30Je suis un bon eleve, n'est-ce pas?
1:19:30 > 1:19:32Mais oui.
1:19:32 > 1:19:34SPEAKS POLISH
1:19:36 > 1:19:39Wonderful.
1:19:39 > 1:19:40Oh, right.
1:19:41 > 1:19:43Well, see you later. OK.
1:19:43 > 1:19:45Don't you wish them luck?
1:19:45 > 1:19:48We're in England. Oh, to be in England...
1:19:48 > 1:19:52I bet a lot of Jerry airmen are thinking the same thing.
1:19:52 > 1:19:55I wonder how many we'll knock down today. Cabbage.
1:19:58 > 1:20:00MIKE HUMS
1:20:10 > 1:20:14I think you're bluffing. I'll raise you to eight gallons.
1:20:14 > 1:20:17HUMS Don't you know any other music? >
1:20:17 > 1:20:20That's the finest music - the Rose Of Tralee.
1:20:20 > 1:20:24These are too darn hot for this time of year.
1:20:26 > 1:20:28I'll see you.
1:20:28 > 1:20:30HE HUMS
1:20:33 > 1:20:34Blast! >
1:20:34 > 1:20:37That's my petrol gone till October.
1:20:37 > 1:20:40Anybody want to buy a car? Going cheap.
1:20:40 > 1:20:44I knew you were bluffing. Your nose was twitching. 16,
1:20:44 > 1:20:4718, 22, 24.
1:20:47 > 1:20:50I think I'll open a garage. This is my lucky day.
1:20:50 > 1:20:53Unlucky at cards, lucky in love, eh, Steve?
1:20:59 > 1:21:02The crew'll be out for the moment. Stiff tackle.
1:21:03 > 1:21:05He forgot his cigarettes.
1:21:05 > 1:21:10What a crook that man is. I must get my own back one of these days.
1:21:10 > 1:21:14Mustn't grumble - I palmed off four dud coupons on him. Out of date.
1:21:14 > 1:21:18You don't mind a third, do you? Seems lucky, this war.
1:21:18 > 1:21:21I don't want to hear any more about it. Leave it.
1:21:21 > 1:21:25- I've forgotten her. - Hear what she has to say...
1:21:25 > 1:21:30- I don't want to. It's over as far as I'm concerned. - Don't be so pig-headed.
1:21:30 > 1:21:36Why can't you be a human being for a change? You've been like this for weeks.
1:21:36 > 1:21:42Mike, I know you're trying to help, but all you're doing is to make things worse.
1:21:42 > 1:21:46I haven't heard from Carol since I've been in England.
1:21:46 > 1:21:49I've been almost able to get her out of my system.
1:21:49 > 1:21:53Now you go and put me back where I was when we split up.
1:21:53 > 1:21:56All I want to do is forget I ever met her.
1:21:56 > 1:22:02I don't want to fight, but you are making a mess of your lives over a stupid trifle.
1:22:02 > 1:22:07You are both to blame. She may have started it, but you're trying to finish it.
1:22:07 > 1:22:12Let me, instead of interfering. I don't even want to hear her name.
1:22:12 > 1:22:15I'm trying to tell you she's written...
1:22:15 > 1:22:18Do you think you could leave me alone?
1:22:18 > 1:22:22If we're going to stay friends, keep off the subject.
1:22:22 > 1:22:24Come on, boys, get a move on.
1:23:07 > 1:23:09HE HUMS "Rose Of Tralee"
1:23:18 > 1:23:21MUSIC ON PIANO: "Rose Of Tralee"
1:23:22 > 1:23:26He was wild, but I can't think what he was trying to do.
1:23:26 > 1:23:28Yes. Poor old Mike.
1:23:28 > 1:23:31He said it was his lucky day when we were playing poker.
1:23:31 > 1:23:33Yes, I remember.
1:23:33 > 1:23:36What is that that he's playing?
1:23:36 > 1:23:38The tune Mike was always singing.
1:25:02 > 1:25:07I thought I'd seen you before. I've often seen you on records.
1:25:07 > 1:25:10I suppose you were letting off steam last night.
1:25:10 > 1:25:13- Yes.- Different ways of doing it.
1:25:13 > 1:25:17We British don't say much, but we feel things the same as others.
1:25:17 > 1:25:20This is his room, I think.
1:25:21 > 1:25:23I suppose you don't mind doing this?
1:25:23 > 1:25:25He was my best friend.
1:25:25 > 1:25:30We all liked him. You have to take these things as a matter of course,
1:25:30 > 1:25:33or we wouldn't last five minutes.
1:25:33 > 1:25:36A pilot has to be fit in every way nowadays.
1:25:36 > 1:25:41If he's upset in any way, has something on his mind, it's absolutely fatal.
1:25:41 > 1:25:45I had to get rid of one of the best pilots I've ever seen.
1:25:45 > 1:25:50He was always getting on the nerves of the rest of the squadron.
1:25:54 > 1:25:56He had these with him.
1:25:59 > 1:26:02If you mind doing it, for heaven's sake say so.
1:26:02 > 1:26:07- Somebody'll have to look through his papers.- It's all right.
1:26:07 > 1:26:10I'll get his batman to see about his cases.
1:26:13 > 1:26:15MUSIC: "Rose Of Tralee"
1:27:39 > 1:27:41SIREN BLARES
1:27:46 > 1:27:48< Hurry up! Coming.
1:28:59 > 1:29:02Squadron leader speaking. 30 bandits below.
1:29:11 > 1:29:12Let her go!
1:31:43 > 1:31:45RESUMES PLAYING
1:31:49 > 1:31:51STOPS ABRUPTLY
1:32:21 > 1:32:22(Carol.)
1:32:24 > 1:32:25(Carol.)
1:32:30 > 1:32:32It's not safe to be out alone
1:32:33 > 1:32:35when the moon is so bright.
1:32:40 > 1:32:41Stefan!
1:33:04 > 1:33:08Subtitles by ITFC Limited for BBC Broadcast - 2002