Full Frontal

0:00:08 > 0:00:12This programme contains very strong language.

0:00:14 > 0:00:18'Gus Delario - the invisible man is Gus.

0:00:18 > 0:00:20'He's one of those guys

0:00:20 > 0:00:22'who you feel like you know them really well,

0:00:22 > 0:00:24'but when you think about it

0:00:24 > 0:00:27'you don't know them at all, you know what I mean?

0:00:27 > 0:00:28'And, you know, obviously

0:00:28 > 0:00:30'you look at all the movies he's done -

0:00:30 > 0:00:33'he's been very successful. Almost every actor in town

0:00:33 > 0:00:37'wants to work in, you know, one of Gus' movies.'

0:00:38 > 0:00:40'I've done some mean things in my life.

0:00:40 > 0:00:45'Yeah. And sometimes, the...

0:00:45 > 0:00:48'the worst part is is that sometimes...

0:00:48 > 0:00:49'it doesn't bother me.

0:00:49 > 0:00:51'I just say, "Well, yeah, this is mean.

0:00:51 > 0:00:54'"I wanted to be mean, and I was mean.

0:00:54 > 0:00:56'"Period."'

0:00:58 > 0:01:01'Well, I have to be somewhat judgmental,

0:01:01 > 0:01:03'because of what I do, you know...

0:01:03 > 0:01:07'so I don't think that it's such a bad thing to be judgmental.

0:01:07 > 0:01:11'I think that's how you get through life.

0:01:11 > 0:01:13'You have to assess things...

0:01:13 > 0:01:16'and people do it about you all the time,

0:01:16 > 0:01:19'and that's life, and it's too bad.'

0:01:20 > 0:01:22'I think there is no amount of money

0:01:22 > 0:01:24'I could have been paid,

0:01:24 > 0:01:26'There is no deal that I could have made

0:01:26 > 0:01:30'that she would not have felt that I had been too passive

0:01:30 > 0:01:36'and that... I think that her opinion of me on that level

0:01:36 > 0:01:39'was formed before the movie was ever sold.

0:01:39 > 0:01:42'I think it has nothing to do with the movie, frankly.'

0:01:44 > 0:01:47'It's frightening. It's monstrous.

0:01:47 > 0:01:49'It's evil to not have feelings.

0:01:49 > 0:01:52'So I spoke to Carl about it, and we discussed it

0:01:52 > 0:01:54'and we went immediately

0:01:54 > 0:01:57'to the most monstrous character we could think of in history -

0:01:57 > 0:01:59'you know, Hitler himself.'

0:01:59 > 0:02:02'Yeah, they're always trying to set me up...

0:02:02 > 0:02:04'Lee and Carl. They...

0:02:04 > 0:02:06'They never have introduced me to anyone,

0:02:06 > 0:02:09'but they always talk about how I should be dating.

0:02:09 > 0:02:11'But they're trying to set me up now

0:02:11 > 0:02:15'with this producer friend of theirs - a guy named Gus.

0:02:15 > 0:02:19'Uh...we'll see. I don't think

0:02:19 > 0:02:22'a film producer's going to go for me, but I don't know.'

0:04:10 > 0:04:12- Catherine? - Nicholas.

0:04:12 > 0:04:14Yes.

0:04:14 > 0:04:16- How are you? - I'm good. How are you?

0:04:16 > 0:04:19Excellent. Thank you. Thank you for having me.

0:04:19 > 0:04:22- Sure. - Mind if we get started?

0:04:22 > 0:04:24So, I play his partner.

0:04:24 > 0:04:26An equal partner?

0:04:26 > 0:04:29No, I'm his flunky...

0:04:29 > 0:04:32if that's what you want to hear. Is that what you want to write?

0:04:32 > 0:04:34Is that what you want me to write?

0:04:34 > 0:04:38No. No, you can write sidekick. That's fine.

0:04:38 > 0:04:41See, the thing is, I've done a lot of TV.

0:04:41 > 0:04:43He's an established star, a big star.

0:04:43 > 0:04:46I figure it doesn't make me any less talented.

0:04:46 > 0:04:49So, no, I don't have a problem with it.

0:04:49 > 0:04:51If I'm going to make the leap to the big screen

0:04:51 > 0:04:53I expect to work for it. Make sense?

0:04:53 > 0:04:55Don't you think most black actors...

0:04:55 > 0:04:57expect to have to work to make that leap?

0:04:57 > 0:05:00It doesn't seem to happen as often with white actors.

0:05:00 > 0:05:02- Jesus. - Don't you find that the case?

0:05:02 > 0:05:03A couple of movies...

0:05:03 > 0:05:0515, 20-million dollar pay cheques, magazine covers.

0:05:05 > 0:05:09OK, is this the kind of story you want to write? We can go there.

0:05:09 > 0:05:11Trust me, I've got plenty of opinions on the subject.

0:05:49 > 0:05:50Jesus.

0:06:16 > 0:06:19Carl, I've reached the point...

0:06:19 > 0:06:21where I can't continue in this marriage.

0:06:21 > 0:06:24I'm writing because I can't take any more

0:06:24 > 0:06:26emotional confrontations about it.

0:06:26 > 0:06:28I'm out of ideas, and I want to make a change.

0:06:29 > 0:06:32When I get home tonight, we can discuss

0:06:32 > 0:06:34the practical issues of how to separate.

0:06:34 > 0:06:37Please don't call me. I'm sorry.

0:06:51 > 0:06:56Fifth robbery in two weeks at a pornographic bookstore.

0:06:56 > 0:07:00- Oh. - They say it's a woman. - Jesus.

0:07:00 > 0:07:03Did you have bad dreams last night?

0:07:03 > 0:07:05No.

0:07:05 > 0:07:07Well, I did.

0:07:07 > 0:07:09Well, I had a weird dream.

0:07:09 > 0:07:13I dreamt that my job

0:07:13 > 0:07:17was that every day I would go into work

0:07:17 > 0:07:22and narrate a documentary about some guy's life

0:07:22 > 0:07:25and go home from work and have dinner

0:07:25 > 0:07:28and go to bed and go back to work in the morning.

0:07:28 > 0:07:35It's like I have no effect on...anyone.

0:07:36 > 0:07:38So, what's on for today?

0:07:38 > 0:07:40More bloodshed.

0:07:42 > 0:07:46God. How do you stand it?

0:07:48 > 0:07:51Hey, listen, don't forget to make the brownies

0:07:51 > 0:07:55- for Gus tonight, OK? - Right.

0:07:55 > 0:07:56Bye.

0:08:03 > 0:08:07'Nobody I know is in any kind of long-term relationship

0:08:07 > 0:08:09'with anybody they've met on the internet

0:08:09 > 0:08:12'but the short-term stuff have been pretty exciting.

0:08:12 > 0:08:15'I don't know what I'm gonna do when I meet her.

0:08:15 > 0:08:19'She thinks I'm 22 years old, and I'm not.

0:08:19 > 0:08:24I'm not a painter, although I'd like to paint.

0:08:24 > 0:08:26So, it could be anything.

0:08:26 > 0:08:29'I mean, the imagination could take you anywhere.

0:08:29 > 0:08:32'I find that really, really exciting.

0:08:32 > 0:08:36'And it's one of those places where I can lie.'

0:08:38 > 0:08:42I'm happy with meeting men on the computer...

0:08:42 > 0:08:44'on the internet, in the chat rooms.

0:08:44 > 0:08:47'And, you know, people disappoint

0:08:47 > 0:08:49'and these people don't so much, so...

0:08:49 > 0:08:52'I really connected with somebody.

0:08:52 > 0:08:54'So... And he's a painter

0:08:54 > 0:08:57'and, you know, gosh...

0:08:57 > 0:09:00'five years from now, I'd like to be living there with him.

0:09:00 > 0:09:04'I've told him I'm a massage therapist...

0:09:04 > 0:09:06'and I didn't lie.

0:09:07 > 0:09:10'I lied a little about my age -

0:09:10 > 0:09:12'just a little - because he's so young.

0:09:12 > 0:09:15'So, I just knocked a few years off of that.

0:09:39 > 0:09:43She said, No, baby, you're bored,

0:09:43 > 0:09:47but why are you taking that out on us?

0:09:47 > 0:09:49It was that kind of thing.

0:09:49 > 0:09:53It just, you know, everything clicked...for me.

0:09:56 > 0:09:58Oh. Sorry.

0:10:00 > 0:10:02You transcribe those yourself?

0:10:02 > 0:10:05Someone at work.

0:10:05 > 0:10:07- Like an intern? - Mm-hmm.

0:10:07 > 0:10:10Male or female?

0:10:10 > 0:10:14What do you think?

0:10:14 > 0:10:16Male.

0:10:18 > 0:10:21Yeah. So, which is it?

0:10:21 > 0:10:25And don't tell me you're not gonna say.

0:10:25 > 0:10:26Male.

0:10:28 > 0:10:30Do you want to know if he's straight?

0:10:30 > 0:10:32Oh, no, I know he's straight.

0:10:32 > 0:10:34TELEPHONE RINGS Oh, shit.

0:10:34 > 0:10:38Yeah, I'm coming, I'm coming.

0:10:39 > 0:10:40Wait.

0:10:44 > 0:10:46Django, go, go, go, go, go.

0:10:53 > 0:10:54Hey, Frank!

0:10:57 > 0:11:00I'll tell you, I'll tell you what it's like.

0:11:00 > 0:11:02OK, you know, I work at this magazine.

0:11:02 > 0:11:05This magazine is great. It's very good.

0:11:05 > 0:11:07It has very high standards, I think.

0:11:07 > 0:11:09I think they can do really good work.

0:11:09 > 0:11:11But I think the guy who runs the thing

0:11:11 > 0:11:13is just not very smart.

0:11:13 > 0:11:15I mean, you know, this is between us

0:11:15 > 0:11:17but I just don't think he's very smart.

0:11:17 > 0:11:20I think his instincts are all wrong

0:11:20 > 0:11:23and I think he's, you know, a big butt.

0:11:23 > 0:11:26Yeah, you know, I've lost my temper in traffic.

0:11:26 > 0:11:28I have. I've lost my temper.

0:11:28 > 0:11:30I wouldn't call it road rage

0:11:30 > 0:11:34but I have gotten pissed driving

0:11:34 > 0:11:38because people, you know,

0:11:38 > 0:11:41they drive cars that are ridiculous,

0:11:41 > 0:11:46you know, wrong for them.

0:11:55 > 0:11:57I don't really like my job.

0:11:57 > 0:11:58I've thought about doing something else.

0:11:58 > 0:12:01I like the money.

0:12:01 > 0:12:03I don't even like that that much.

0:12:03 > 0:12:07I could get a better job.

0:12:07 > 0:12:09Lee is ambitious and smart and beautiful

0:12:09 > 0:12:11and she always has been all of those things

0:12:11 > 0:12:13and she's always done really well, you know?

0:12:13 > 0:12:15So, maybe she is completely in control.

0:12:24 > 0:12:25- Hey. - Hey

0:12:25 > 0:12:27- Coffee. - Herr director.

0:12:27 > 0:12:29- How are you? - What's up, man?

0:12:29 > 0:12:32Rehearsing something for ten days sucks.

0:12:32 > 0:12:35And I know how tough it's been.

0:12:35 > 0:12:39Oh, no, no. Listen, I think I know where you're going, man.

0:12:39 > 0:12:40First of all, I got to apologise.

0:12:40 > 0:12:42I know I've been all over the map

0:12:42 > 0:12:45and that's my process, and I've kind of been crazy.

0:12:45 > 0:12:47I really feel bad about what I said to your friend.

0:12:47 > 0:12:48I know he's Jewish

0:12:48 > 0:12:51and I went way too far with that whole oven thing.

0:12:51 > 0:12:52But believe me, I was going over

0:12:52 > 0:12:54some of my anger management stuff last night

0:12:54 > 0:12:56and I feel like I had another breakthrough.

0:12:56 > 0:12:59- That's great. That's great. - But I just... Oh, I felt so bad.

0:12:59 > 0:13:01You know what, Carl and I wrote this for you.

0:13:01 > 0:13:04You are our Hitler. Don't you ever forget that, OK?

0:13:04 > 0:13:06That means a lot, but I know this is

0:13:06 > 0:13:08your and Carl's vision, I mean, you wrote this.

0:13:08 > 0:13:12But, yeah, it's funny, I was talking to Tom Sizemore

0:13:12 > 0:13:16and he was saying the only way to learn how to act is to act.

0:13:16 > 0:13:17And I know you're concerned

0:13:17 > 0:13:19because I haven't really memorized anything

0:13:19 > 0:13:21and I've been all over the place, but believe me

0:13:21 > 0:13:23on the day... Well, you know, tonight...

0:13:23 > 0:13:25Yeah, I really think it's gonna be salty.

0:13:25 > 0:13:28I just want to make sure you're all right.

0:13:28 > 0:13:29- I'm good. - All right.

0:13:29 > 0:13:33I don't take cream, could you, just, black?

0:13:34 > 0:13:38# Bad boys, bad boys, what you gonna do?

0:13:38 > 0:13:41# What you gonna do when they come for you...? #

0:13:41 > 0:13:44Well, no, not married.

0:13:44 > 0:13:46This guy that I was seeing,

0:13:46 > 0:13:50this guy Tom that I was seeing last year at this time

0:13:50 > 0:13:54said when he broke up with me, he said he was

0:13:54 > 0:13:56getting back together with an ex-girlfriend

0:13:56 > 0:13:58but I don't know if that's true or not.

0:13:58 > 0:14:00I heard he's I heard it's not true.

0:14:00 > 0:14:02But that's what he said at the time.

0:14:02 > 0:14:03- Hey! - Hey, how are you?

0:14:03 > 0:14:05Good, good.

0:14:07 > 0:14:08It's funny.

0:14:08 > 0:14:10Yeah, what are the odds, right?

0:14:10 > 0:14:15Well, uh, have a good day. See you.

0:14:17 > 0:14:18I like Carl.

0:14:21 > 0:14:24Uh, have you ever been in therapy?

0:14:24 > 0:14:27Who?

0:14:27 > 0:14:30No. I don't even get that.

0:14:30 > 0:14:33I don't even get that. It's like...

0:14:33 > 0:14:35they're just selling you back to yourself.

0:14:35 > 0:14:37What is that?

0:14:37 > 0:14:43Hmm. I never thought of it that way.

0:14:43 > 0:14:46Your appetite is certainly worth noting.

0:14:46 > 0:14:48I'm hungry.

0:14:48 > 0:14:51Oh, don't tell me you're one of those...

0:14:51 > 0:14:53- You don't eat? - Oh, no, I eat.

0:14:53 > 0:14:56I just don't eat airplane food.

0:14:56 > 0:14:58Why not? It's first class.

0:14:58 > 0:15:00They cook the shit on the premises.

0:15:00 > 0:15:01What's the problem?

0:15:01 > 0:15:03I'll wait for the cookies.

0:15:03 > 0:15:06Man, how corrupt was your father?

0:15:06 > 0:15:08And milk.

0:15:08 > 0:15:10Did he kill people?

0:15:10 > 0:15:13He killed their spirits.

0:15:13 > 0:15:15Did he threaten their identities?

0:15:15 > 0:15:16Something like that.

0:15:18 > 0:15:20So, what about you?

0:15:22 > 0:15:25He, um...

0:15:25 > 0:15:27No, no, that's all right. Sorry.

0:15:27 > 0:15:30- No. - OK.

0:15:30 > 0:15:34No, he didn't. He, he adored me, actually.

0:15:34 > 0:15:37- Adored? - Mm-hmm.

0:15:37 > 0:15:40Wow. I don't think I've ever been adored.

0:15:41 > 0:15:45You can get paid to have sex by a company.

0:15:45 > 0:15:48I mean, acting in an adult film.

0:15:48 > 0:15:50But if some guy pays you five hundred bucks

0:15:50 > 0:15:53to have sex with him, that's illegal.

0:15:53 > 0:15:56So, you're in porn.

0:15:56 > 0:15:58Why are you in porn? Two reasons.

0:15:58 > 0:16:02Either you need the money, or you're an exhibitionist.

0:16:02 > 0:16:06- What do you think is exhibitionism? - Porn.

0:16:06 > 0:16:10What... Well, no, OK. That's a good question.

0:16:10 > 0:16:15I think it goes way beyond just wanting to perform.

0:16:15 > 0:16:19You can't pretend that you're having sex with someone

0:16:19 > 0:16:22when you are actually having sex with them.

0:16:22 > 0:16:26Well, I think it's easier to think

0:16:26 > 0:16:29that they're enjoying themselves. Or maybe they want you to enjoy yourselves.

0:16:29 > 0:16:31Why would you want to think about it so much?

0:16:31 > 0:16:34It's been made to turn you on. It's nothing deeper than that.

0:16:34 > 0:16:35Yes, I do.

0:16:35 > 0:16:38Sorry. I thought you said this didn't bother you.

0:16:38 > 0:16:42Carl, I can't have conversations like this anymore.

0:16:42 > 0:16:43You can't?

0:16:45 > 0:16:46I've met someone.

0:16:49 > 0:16:52- Oh. - It's not appropriate anymore.

0:16:52 > 0:16:55- Oh, I understand. - Sorry.

0:16:55 > 0:16:58Don't be...sorry? Hey, you are showing absolute respect

0:16:58 > 0:17:02by being honest with me and not being weird or, you know

0:17:02 > 0:17:04protracted about it. Thank you.

0:17:04 > 0:17:07I just... Hey, I like to know where I stand.

0:17:07 > 0:17:09- Otherwise, - I- feel like an asshole.

0:17:12 > 0:17:14Are you all right?

0:17:14 > 0:17:16Yep.

0:17:16 > 0:17:21Yeah, I was just thinking of the rest of my day.

0:17:21 > 0:17:23Jerry wants to meet with me.

0:17:23 > 0:17:26- Really? - Yes.

0:17:26 > 0:17:28He's never liked me, you know, from day one.

0:17:28 > 0:17:32Just...nothing I can do about that.

0:17:32 > 0:17:34I'm sure you'll do just fine.

0:17:36 > 0:17:40You are aware of the recent layoffs, correct?

0:17:40 > 0:17:42Well, yes.

0:17:42 > 0:17:46We're making some changes, rearranging our priorities

0:17:46 > 0:17:49getting things straight, that sort of thing.

0:17:53 > 0:17:56Are you a smoker, Brian?

0:17:56 > 0:18:00I participate when it's available.

0:18:00 > 0:18:03- Are you a smoker? - No, but I smoke.

0:18:03 > 0:18:07Have you ever been caught driving under the influence?

0:18:07 > 0:18:09Under the influence of what?

0:18:11 > 0:18:15- DUI - you're familiar with the term. - Yeah.

0:18:15 > 0:18:19- Correct? - Yeah. No. I mean, what does this have to do with...

0:18:19 > 0:18:22Do you vote Democrat or Republican?

0:18:22 > 0:18:26Neither. Either. I vote for the best person.

0:18:26 > 0:18:32- And how do you judge that? Do you know in an instant? - Yes.

0:18:33 > 0:18:34Right.

0:18:51 > 0:18:53Oh, come on, kitten, the water works?

0:18:54 > 0:18:56You know, we've talked about this.

0:18:56 > 0:18:57nothing's changed...

0:18:57 > 0:19:01since the last time we had this discussion.

0:19:01 > 0:19:04I'm just... I'm too committed to my work

0:19:04 > 0:19:07to sustain a serious relationship right now.

0:19:07 > 0:19:10You know, I bring work home with me. I'm distracted.

0:19:10 > 0:19:14I'm taking a swim in lake me, you know?

0:19:14 > 0:19:18And, you...hey, you deserve better, believe you me.

0:19:18 > 0:19:20I would only cause you pain.

0:19:20 > 0:19:23Remember how I let you twirl my key chain?

0:19:23 > 0:19:27Nice, right? Hugging, kissing, all nice.

0:19:27 > 0:19:31Now, go on, sweetie. Go on, split. Come on, come on.

0:19:31 > 0:19:33I'll call you.

0:19:39 > 0:19:42If the phone doesn't ring, it's probably me.

0:19:42 > 0:19:44Oh, man. PHONE RINGS

0:19:46 > 0:19:49Fucking Goebbels - he thinks it's a toy.

0:19:51 > 0:19:54Gone to get haircut.

0:19:54 > 0:19:56What an asshole.

0:19:58 > 0:20:00I don't know why, I just started that.

0:20:00 > 0:20:02I just don't want them knowing me, you know?

0:20:02 > 0:20:04I don't want them knowing me.

0:20:04 > 0:20:09I give the name Ann all the time

0:20:09 > 0:20:10because it seems like Ann is

0:20:10 > 0:20:12one.

0:20:12 > 0:20:14And it's less invasive.

0:20:14 > 0:20:17I'm more anonymous, you know?

0:20:17 > 0:20:19And more invisible. If they know me as Ann

0:20:19 > 0:20:21they don't know who really is in the room with them.

0:20:23 > 0:20:25And for some reason, that feels good to me.

0:20:46 > 0:20:50Nicholas. I will begin simply.

0:20:50 > 0:20:51I love you.

0:20:51 > 0:20:54Have always loved you

0:20:54 > 0:20:57and will always love you.

0:20:57 > 0:20:59ever since the moment I met you

0:20:59 > 0:21:02the love I feel for you is overwhelming.

0:21:02 > 0:21:05When we are apart, you are all I think about

0:21:05 > 0:21:07and can't wait until

0:21:07 > 0:21:11we are just even in the same room again.

0:21:11 > 0:21:13Until then.

0:21:20 > 0:21:22I've been away a lot.

0:22:00 > 0:22:03- Hey, Mike? - Yes?

0:22:03 > 0:22:06- Can I ask you a question? - Yes.

0:22:06 > 0:22:10- It's kind of personal. - Shoot.

0:22:10 > 0:22:13Is that your real hair?

0:22:13 > 0:22:14Absolutely.

0:22:16 > 0:22:19I'm thinking of getting some more.

0:22:19 > 0:22:21Don't do that.

0:22:21 > 0:22:24- Why not? - You'll have doll head.

0:22:24 > 0:22:25I don't care. I want more hair.

0:22:25 > 0:22:31Low-level, free-floating anxiety about it, you know?

0:22:31 > 0:22:34I have anxiety about it. I see homeless guys

0:22:34 > 0:22:36with a full head of hair, and I think, What the fuck?

0:22:36 > 0:22:38You know, Kirk Douglas, what the fuck...

0:22:39 > 0:22:41Does Lee mind?

0:22:42 > 0:22:44Uh, she says no.

0:22:44 > 0:22:45Well, that's a lie.

0:22:46 > 0:22:50She doesn't say anything, and I assume that's a no.

0:22:50 > 0:22:55We sit in the same room, we live in the same house

0:22:55 > 0:23:00- but, uh... - And. - What?

0:23:00 > 0:23:04Try changing your buts to ands. See what happens.

0:23:04 > 0:23:07We live in the same house, and...

0:23:07 > 0:23:09Now you got it.

0:23:13 > 0:23:15Yes, I would say that.

0:23:15 > 0:23:16How often?

0:23:16 > 0:23:20Once a week, once a month, once a year, once...

0:23:20 > 0:23:23- This is kind of... - I'll come back to that.

0:23:23 > 0:23:26God. Do you believe in him?

0:23:26 > 0:23:27Well, you know, not like a bearded guy...

0:23:27 > 0:23:31- It's a yes or no question, David. - Yes, then.

0:23:31 > 0:23:33Listen, I'm sorry, I just thought...

0:23:33 > 0:23:36I'm going to be straight with you, David, OK? - OK.

0:23:36 > 0:23:38In three years, you haven't impressed

0:23:38 > 0:23:41a single person at this agency.

0:23:41 > 0:23:46You'll be notified officially through the mail.

0:23:46 > 0:23:48- I'll watch for it. - OK. Do you have a girlfriend?

0:23:49 > 0:23:52What? Are you involved?

0:23:52 > 0:23:57Are you... Are you... What...what are you doing?

0:23:57 > 0:23:59Put that chair against the door.

0:24:01 > 0:24:04Ms Bright? Yeah.

0:24:04 > 0:24:05Is this a joke? 'cause I'm a good sport.

0:24:05 > 0:24:07This is a test of skill of sorts.

0:24:07 > 0:24:12I like you, David. I'll tell you that right now.

0:24:12 > 0:24:14- OK. - OK?

0:24:14 > 0:24:16Yeah.

0:24:16 > 0:24:18On one leg - balanced.

0:24:19 > 0:24:24You are a piece of work, do you know that?

0:24:24 > 0:24:27- OK. - Good!

0:24:27 > 0:24:29- All righty. - OK.

0:24:29 > 0:24:35Now, name all the countries in Africa in one minute.

0:24:35 > 0:24:38There's this guy I met on the internet.

0:24:38 > 0:24:40Ooh, are we doing this now?

0:24:40 > 0:24:43Mm-hmm. He wants me to meet him in Tucson for the weekend.

0:24:43 > 0:24:46- He's a kid. - In Tucson?

0:24:46 > 0:24:48- You have to try these. - Do they have sugar?

0:24:48 > 0:24:52- No, sugar-free. Why Tucson? - He lives near there.

0:24:52 > 0:24:54Does he live in the desert?

0:24:54 > 0:24:56But we're staying at a Holiday Inn.

0:24:56 > 0:24:59I'm intrigued.

0:24:59 > 0:25:01- In Tucson? - These are good.

0:25:01 > 0:25:03I know. They're sweetened with fruit juice.

0:25:03 > 0:25:05I could eat this whole damn tray.

0:25:05 > 0:25:08I bought new underwear.

0:25:08 > 0:25:11- Have you seen a photo? - No.

0:25:11 > 0:25:14That Holiday Inn part, that's kind of a little sad.

0:25:14 > 0:25:17- Why is that sad? - Because, Tucson?

0:25:17 > 0:25:20- So what? He knows a good one. - All right.

0:25:20 > 0:25:22Seems like you put a lot of thought into this.

0:25:22 > 0:25:23- Planned - we both have. - Mm-hmm.

0:25:23 > 0:25:25- Kind of like a wedding? - Sort of.

0:25:25 > 0:25:29OK, I think that was good, but I really, really think...

0:25:29 > 0:25:30you guys shouldn't make eye contact.

0:25:30 > 0:25:32Hold on, hold on.

0:25:32 > 0:25:33That whole thing of you guys being an extension of me -

0:25:33 > 0:25:36hold on. Stop giving them directions.

0:25:36 > 0:25:38Just let me work this out, OK? One second.

0:25:38 > 0:25:41You know when we do that first scene where I'm exercising

0:25:41 > 0:25:43You guys gotta have athletic supporters.

0:25:43 > 0:25:45You know what, stop. Stop.

0:25:45 > 0:25:48Hey, pal, guess who the world doesn't revolve around?

0:25:48 > 0:25:49You. OK? I'm trying.

0:25:49 > 0:25:51Maybe you want to come out here and look at it.

0:25:51 > 0:25:55- Give me the jacket... - Can I talk to you for a second?

0:25:55 > 0:25:58- I'm fucking giving my all here. - I know, I know.

0:25:58 > 0:26:00I'm giving my all, and I'm really fucking worried, OK?

0:26:00 > 0:26:02Because last week you tell me

0:26:02 > 0:26:04you want me to play it like Danny Kaye, right?

0:26:04 > 0:26:06This morning, you come in, and you say...

0:26:06 > 0:26:08Hey, why don't you play it like Alan Alda?

0:26:08 > 0:26:09What am I, fucking Danny Alda?

0:26:09 > 0:26:11OK, I think you're really distracted.

0:26:11 > 0:26:12You've been on the fucking laptop...

0:26:12 > 0:26:15like a little crack monkey, logging onto Expedia

0:26:15 > 0:26:17for this fucking chick in Tucson?

0:26:17 > 0:26:19Let me tell you something, man. This is art.

0:26:19 > 0:26:22I dumped my girlfriend the day we started rehearsals.

0:26:22 > 0:26:24You're not here, man. You're not present.

0:26:24 > 0:26:25I am here. I am here.

0:26:25 > 0:26:28You're not, OK? And I'm starting to question

0:26:28 > 0:26:30whether you and Carl know what the fuck you're talking about.

0:26:30 > 0:26:34Peter Ustinov said, to act is difficult...

0:26:34 > 0:26:36but it's more difficult to write a bad play

0:26:36 > 0:26:38than to give a bad performance.

0:26:38 > 0:26:40You know what? You know what?

0:26:40 > 0:26:43What a great fucking idea, watching me squirm.

0:26:43 > 0:26:45What are you talking about?

0:26:45 > 0:26:49- Catherine. - What are you talking about?

0:26:49 > 0:26:51- The letter. - What letter?

0:26:51 > 0:26:53The letter.

0:26:55 > 0:26:57- May I? - Oh, yeah.

0:26:58 > 0:27:02You're acting crazy.

0:27:06 > 0:27:08Wow. Well.

0:27:12 > 0:27:14Pretty extraordinary.

0:27:14 > 0:27:16Really?

0:27:19 > 0:27:21This is a prank, right?

0:27:21 > 0:27:24I mean, that's cool. You can tell me.

0:27:24 > 0:27:26I don't think it's a prank, no.

0:27:26 > 0:27:28You didn't write this?

0:27:28 > 0:27:30Is it your fantasy that I wrote it?

0:27:30 > 0:27:32Oh, don't. Don't do that.

0:27:32 > 0:27:34I don't know what to tell you.

0:27:34 > 0:27:35OK, here's the deal.

0:27:35 > 0:27:37This right here, you can't write about.

0:27:37 > 0:27:40- I can't? - No, you cannot. It's not fair.

0:27:40 > 0:27:41They really do have ovens back there.

0:27:41 > 0:27:43I am onto you, girl.

0:27:43 > 0:27:45Well, I think I'm onto you, all right?

0:27:45 > 0:27:47Look at me.

0:27:47 > 0:27:50- Look at me. - Oh, my.

0:27:50 > 0:27:52Come on, did you write the letter?

0:27:54 > 0:28:00It's OK.

0:28:01 > 0:28:02See?

0:28:06 > 0:28:09I'm just not gonna play this game with you anymore.

0:28:09 > 0:28:11I ain't even thinking about you. Look.

0:28:21 > 0:28:23You missed a piece.

0:28:26 > 0:28:29So, Tracy... Is that your given name?

0:28:29 > 0:28:31Yes.

0:28:31 > 0:28:34And what's your porn name?

0:28:34 > 0:28:35I'm...

0:28:35 > 0:28:37Do you know about porn names?

0:28:37 > 0:28:38- No. - OK.

0:28:38 > 0:28:40Your porn name is your middle name...

0:28:40 > 0:28:45and the name of the first street you grew up on.

0:28:45 > 0:28:46OK.

0:28:46 > 0:28:50So, like, my porn name is Andrew Highland.

0:28:50 > 0:28:53It's terrible. It's not very sexy.

0:28:53 > 0:28:56So, you're Tracy...

0:28:56 > 0:28:58I don't have a middle name.

0:28:58 > 0:29:00Oh, well, you can...

0:29:00 > 0:29:04Yeah, well, you can also use the name of your first pet.

0:29:04 > 0:29:08We weren't allowed to have pets.

0:29:08 > 0:29:10Ivory Coast, Senegal, Sierra Leone...

0:29:10 > 0:29:12Mm-hmm. Good.

0:29:12 > 0:29:15Ghana, Mali.

0:29:15 > 0:29:17Have you ever...been tested lately for the HIV Virus?

0:29:17 > 0:29:21No. Yes. Morocco, Mozambique, Angola...

0:29:21 > 0:29:23- Cameroon... - Stay there.

0:29:23 > 0:29:25- Congo... - God, you are good.

0:29:25 > 0:29:27Gabon, Angola.

0:29:27 > 0:29:30- Go east. - Kenya, Somalia Republic...

0:29:30 > 0:29:31- Jesus. - Ethiopia.

0:29:31 > 0:29:35Time. You are very impressive.

0:29:36 > 0:29:39I don't think you're allowed to do this.

0:29:41 > 0:29:43Of course I am.

0:29:43 > 0:29:45Get down from there.

0:29:47 > 0:29:49Just meet me in the lobby, please.

0:29:49 > 0:29:52You'll have a great time. I know you'll love Gus.

0:29:52 > 0:29:55I can't go to a party like that. I have nothing to wear.

0:29:55 > 0:29:57Wear the green dress. You look great in it.

0:29:57 > 0:29:59It's too tight. It doesn't fit me anymore...

0:29:59 > 0:30:01- And it has a stain that's... - You always have an excuse.

0:30:01 > 0:30:03It's not an excuse. Lee, that's a reason.

0:30:03 > 0:30:06There's a difference. Look, are we still having lunch today?

0:30:06 > 0:30:09Because I have a birthday present for you.

0:30:09 > 0:30:11It's tomorrow.

0:30:11 > 0:30:13You know what? I know when your birthday is, OK?

0:30:13 > 0:30:15I'm not here tomorrow.

0:30:15 > 0:30:17Hey, Linda...

0:30:17 > 0:30:19Hello?

0:30:19 > 0:30:21You're breaking up. Call me back.

0:30:21 > 0:30:23Hello? Listen, if you can hear me, call me back.

0:30:23 > 0:30:24- Call me back. - Fuck.

0:30:24 > 0:30:26Yeah, I think about him a lot.

0:30:26 > 0:30:31You know? It's hard. I found him in the basement.

0:30:31 > 0:30:35And then I found Lee...

0:30:35 > 0:30:37who was outside, I think, or somewhere else in the house.

0:30:37 > 0:30:41I remember screaming, and then I remember her appearing.

0:30:41 > 0:30:44Uh, and then, you know, no one else was home

0:30:44 > 0:30:47so she ran to a neighbour's...

0:30:47 > 0:30:52and I stayed with him.

0:30:52 > 0:30:56And then neighbours came, and...

0:30:56 > 0:30:57and then my mom was home.

0:30:57 > 0:31:01They found my mom, and so...

0:31:02 > 0:31:03It's pretty surprising

0:31:03 > 0:31:06when you see somebody you know...

0:31:06 > 0:31:11like your dad, you know, in that state, you know?

0:31:11 > 0:31:12So, it was surprising,

0:31:12 > 0:31:17but I think that, you know, in retrospect, he...

0:31:21 > 0:31:25He was pretty unhappy

0:31:25 > 0:31:27most of the time.

0:31:27 > 0:31:30My friend Gus says that people - the straight world -

0:31:30 > 0:31:33will always be fascinated by gangster sagas...

0:31:33 > 0:31:37because, here are these guys, they say

0:31:37 > 0:31:39we're not gonna live by some unspoken rule

0:31:39 > 0:31:40that we don't take you to the cleaners

0:31:40 > 0:31:43when you're not looking. We don't have any agreement

0:31:43 > 0:31:45not to take advantage of you.

0:31:45 > 0:31:48And these people, they're in the minority, fortunately

0:31:48 > 0:31:49otherwise, there would be chaos.

0:31:49 > 0:31:55But we love watching them, because, because...

0:31:55 > 0:31:58it's a walk on the wild side

0:31:58 > 0:32:00without any real risk of corruption.

0:32:00 > 0:32:02It's two-dimensional, you know?

0:32:02 > 0:32:04And it's always gonna be compelling.

0:32:04 > 0:32:07Sometimes, we can't look away.

0:32:07 > 0:32:09But...and we should.

0:32:09 > 0:32:13- Hey, Carl, how you doing, pal? - Good to see you.

0:32:13 > 0:32:16- You look great. - Thanks. Uh...

0:32:16 > 0:32:18You know, that's amazing that you called today

0:32:18 > 0:32:21because I needed to see you.

0:32:21 > 0:32:24I have an idea. I have an idea. I think it's a cover.

0:32:36 > 0:32:38You got slobber all up on you.

0:32:41 > 0:32:43What time is it?

0:32:43 > 0:32:46Oh, I feel... I feel nauseous.

0:32:46 > 0:32:48Are you ready to talk about this?

0:32:50 > 0:32:52Nicholas...

0:32:52 > 0:32:54Look, I think that you're very talented

0:32:54 > 0:32:58and I'll probably write a very nice piece about you

0:32:58 > 0:33:01but you're really annoying about this whole letter thing.

0:33:01 > 0:33:05No. You're annoying.

0:33:05 > 0:33:06Mm-hmm. OK.

0:33:06 > 0:33:10You see, I think that is worth discussing. I really do.

0:33:10 > 0:33:13Well, Carl, I'll discuss anything with you anytime...

0:33:13 > 0:33:16because every time you've come into my office...

0:33:16 > 0:33:18every time I've asked to see you...

0:33:18 > 0:33:20or you've come to see me with an idea

0:33:20 > 0:33:24about a cover or a feature story or anything you want to do

0:33:24 > 0:33:27it always has validity. It always has...

0:33:27 > 0:33:30It's important to me to hear your ideas, you know?

0:33:30 > 0:33:31Thank you, thank you.

0:33:31 > 0:33:32Let me ask you a question.

0:33:32 > 0:33:34The reason I called you in today, actually...

0:33:34 > 0:33:36Yeah. Sorry.

0:33:36 > 0:33:38I have a question for you...

0:33:38 > 0:33:42and it's kind of important to me to hear the answer.

0:33:42 > 0:33:43And the question is...

0:33:43 > 0:33:47when you go to your refrigerator in your home

0:33:47 > 0:33:51and you open the door, and you see a bottle of beer,

0:33:51 > 0:33:53do you take that bottle of beer

0:33:53 > 0:33:55and pour it into a glass and drink it

0:33:55 > 0:33:57or do you drink it from the bottle?

0:34:01 > 0:34:03Well, I drink it from a glass.

0:34:03 > 0:34:05Ah, you see?

0:34:06 > 0:34:08That's the problem.

0:34:08 > 0:34:14You see, I want this magazine to drink from the bottle.

0:34:19 > 0:34:22In talks? What the fuck, Alex?

0:34:22 > 0:34:24All right, in talks.

0:34:25 > 0:34:27I need this.

0:34:28 > 0:34:30All right, all right.

0:34:30 > 0:34:35HE RAPS I suppose we've come a ways since Sambo, Mr Bojangles.

0:34:35 > 0:34:37Step and fetch it, boy.

0:34:37 > 0:34:41What? Man, call me Mr Tibbs,

0:34:41 > 0:34:42we've heard Poitier say.

0:34:42 > 0:34:44It's a new day, some say.

0:34:44 > 0:34:48Because every now and then, black men are even in.

0:34:48 > 0:34:52Motion picture heroes. It's the American way, Wesley.

0:34:52 > 0:34:54Be cute and still save the world.

0:34:54 > 0:34:56Yes, we will, Will.

0:34:56 > 0:34:58Go from boy in the hood to man of honour.

0:34:58 > 0:35:00Show 'em the money now, Cuba.

0:35:00 > 0:35:02Give 'em funnies like Chris Rock or Tucker.

0:35:02 > 0:35:04Or just cool it, be anybody, like Denzel.

0:35:04 > 0:35:09But wait. He ain't even really getting no loving

0:35:09 > 0:35:12like Sidney before him and whoever after him.

0:35:12 > 0:35:15Romancin' and dancin' with amore's passion...

0:35:15 > 0:35:17ain't in the script's equation.

0:35:17 > 0:35:19But can even Mr Washington

0:35:19 > 0:35:21briefly be seen kissing a pretty woman

0:35:21 > 0:35:23underneath a pelican moon?

0:35:23 > 0:35:25Can even he be a romantic lead?

0:35:25 > 0:35:28Check it. From Sambo to Sidney to Denzel to me.

0:35:28 > 0:35:31Brothers ain't getting nor giving no love now.

0:35:31 > 0:35:35I don't want to complain, but my doctor says I'm suffering

0:35:35 > 0:35:38from underloved syndrome.

0:35:38 > 0:35:41Maybe it is a conspiracy. But do folks still fear

0:35:41 > 0:35:45the black man's sexuality like that?

0:35:45 > 0:35:49A fear that could be wiped out just by seeing us love

0:35:49 > 0:35:51not by race, but by heart.

0:35:51 > 0:35:53And can't a brother get some love?

0:35:53 > 0:35:55Now, that, Catherine...

0:35:55 > 0:35:58is a question for the screen pages

0:35:58 > 0:36:00written by folks who rarely look like me

0:36:00 > 0:36:04but want to see me run and jump and shoot,

0:36:04 > 0:36:08but don't care to see me kiss a woman with my skin tone

0:36:08 > 0:36:11and would shoot me if I were kissing a woman of their hue.

0:36:11 > 0:36:14Who are you?

0:36:14 > 0:36:16Who are you? Who are we?

0:36:16 > 0:36:19We are human, too...

0:36:19 > 0:36:23and we love loving, and...

0:36:23 > 0:36:26Can't a brother get some love?

0:36:26 > 0:36:28That's the state of being

0:36:28 > 0:36:30a chocolate leading man in Hollywood today.

0:36:30 > 0:36:31I keep bringing it up

0:36:31 > 0:36:32because I don't want you to think I forgot.

0:36:32 > 0:36:34Just pay me back when you have all of it.

0:36:34 > 0:36:36- I have half now, so... - Keep it. I don't want...

0:36:36 > 0:36:38- It just feels awkward. - Please.

0:36:38 > 0:36:41- Hi. - Right this way.

0:36:41 > 0:36:43- Thank you. - Thanks.

0:36:43 > 0:36:44What would you like to start with?

0:36:44 > 0:36:46Some Evian or Pellegrino?

0:36:46 > 0:36:48- Thank you. - You're welcome.

0:36:48 > 0:36:51You still going on your weekend with that guy from the internet?

0:36:51 > 0:36:52Mm-hmm. No, I haven't cancelled.

0:36:52 > 0:36:54I'm putting myself out there. I'm going.

0:36:54 > 0:36:56Good. You need money for that.

0:36:56 > 0:36:57You want me to meet men, and I'm meeting men.

0:36:57 > 0:36:59You could meet men there. There'll be plenty.

0:36:59 > 0:37:01I can't come tonight. I can't.

0:37:01 > 0:37:03On the internet? How is that meeting?

0:37:03 > 0:37:04It's encountering.

0:37:06 > 0:37:08What airline are you flying?

0:37:08 > 0:37:09Southwest.

0:37:09 > 0:37:11- Southwest? - Yeah.

0:37:11 > 0:37:15That's a good airline. Southwest, younger man...

0:37:15 > 0:37:18new underwear, Tucson, Holiday Inn.

0:37:18 > 0:37:19What is your point?

0:37:19 > 0:37:20Have you ever stayed at a Holiday Inn?

0:37:20 > 0:37:22No. Have you?

0:37:22 > 0:37:23I think that's what's really bothering me.

0:37:23 > 0:37:25You know what, Lee? He's paying for it.

0:37:25 > 0:37:26So if that's what's really bothering you...

0:37:26 > 0:37:28- What does he do? - He's an artist.

0:37:28 > 0:37:30- An actor. - A painter.

0:37:30 > 0:37:31In Tucson?

0:37:31 > 0:37:33Yeah. He says the desert inspires him.

0:37:33 > 0:37:36- Lend me what? - What is wrong with you?

0:37:36 > 0:37:40Seriously, what is wrong with you right now?

0:37:40 > 0:37:43Friday. Fridays are good. TGIF - Fridays are good, Lee.

0:37:43 > 0:37:45You're acting insane.

0:37:46 > 0:37:49I'm going to have the squash.

0:37:49 > 0:37:52But this is a boundary issue, man!

0:37:52 > 0:37:57What I do off-stage is my process and my business, OK?

0:37:57 > 0:37:58And I don't care what anybody thinks.

0:37:58 > 0:38:00And it's my business to put on a play.

0:38:00 > 0:38:03And now I've got three hours to find a new Eva Braun.

0:38:03 > 0:38:05Oh, OK. You know what? Fuck her.

0:38:05 > 0:38:07And here's why. Number one -

0:38:07 > 0:38:10anyone who's offended by drinking blood...

0:38:10 > 0:38:12obviously doesn't drink blood.

0:38:12 > 0:38:15Number two - anybody who drinks as much blood as I do

0:38:15 > 0:38:17knows it has no effect.

0:38:17 > 0:38:18Number three -

0:38:18 > 0:38:21there is absolutely no scientific connection

0:38:21 > 0:38:23between drinking a shot of blood a day

0:38:23 > 0:38:25and being an extraordinary actor.

0:38:25 > 0:38:29And number 4 - it is impossible to prove number 3.

0:38:29 > 0:38:31You know, do the words "masai" mean anything to you?

0:38:31 > 0:38:33Do you know who that is?

0:38:33 > 0:38:35Yeah. Herzog made a documentary about them.

0:38:35 > 0:38:37The herdsmen of fire, warriors of Africa.

0:38:37 > 0:38:38They drank blood.

0:38:38 > 0:38:41Jack fucking Lalanne drank blood in the fifties.

0:38:41 > 0:38:43Yeah, granted, his wife wouldn't kiss him,

0:38:43 > 0:38:44but this is bullshit, man.

0:38:44 > 0:38:46I don't care what you do outside of this theatre.

0:38:46 > 0:38:49I don't give a shit. You could eat the ass out of a dead wolf.

0:38:49 > 0:38:52I don't care. Just keep it to yourself, OK?

0:38:52 > 0:38:53Just keep it to yourself.

0:38:53 > 0:38:55I think it's fucking hysterical that she walked.

0:38:55 > 0:38:58And I know comedy.

0:38:58 > 0:38:59I don't understand.

0:38:59 > 0:39:02I don't understand what's wrong. I mean, birthdays are fun.

0:39:02 > 0:39:06Well, OK, this is Mom when I was four

0:39:06 > 0:39:08at my birthday introducing me to people.

0:39:08 > 0:39:13And this is Lee. She ruined my body, didn't you, dear?

0:39:13 > 0:39:15- There. - Thanks.

0:39:15 > 0:39:17I won't be here tomorrow, so happy birthday.

0:39:17 > 0:39:20Oh. It's smaller than the gift you gave me last year

0:39:20 > 0:39:22for my fortieth birthday.

0:39:22 > 0:39:24You know what, Lee, you make forty a bigger deal than it is.

0:39:24 > 0:39:27- You have no idea about forty. - I'll be forty.

0:39:27 > 0:39:30What did I give you last year? I don't even remember.

0:39:30 > 0:39:35You know, that - that thing. That...

0:39:35 > 0:39:39- Oh. You didn't like it? - No.

0:39:39 > 0:39:41Well, honestly, I would have rather had...

0:39:41 > 0:39:43just, like, a card or something.

0:39:43 > 0:39:44OK. God.

0:39:44 > 0:39:46It's just a weird gift to give your sister -

0:39:46 > 0:39:48who's married - on her fortieth birthday.

0:39:48 > 0:39:50You know what Gus gave me last year for my birthday?

0:39:50 > 0:39:52First edition of Bernard Shaw's the Sanity Of Art.

0:39:52 > 0:39:55Did you get anything out of it?

0:39:55 > 0:39:57- Which? - The gift I gave you.

0:39:57 > 0:40:00Are you kidding?

0:40:00 > 0:40:03No. I mean, yes or no.

0:40:03 > 0:40:05But for my fortieth birthday?

0:40:05 > 0:40:08Well, I have one, so...

0:40:08 > 0:40:10I used it once.

0:40:10 > 0:40:13OK. All right. Well, what happened?

0:40:13 > 0:40:15I got stuck in the chair.

0:40:17 > 0:40:21You used it in a chair?

0:40:21 > 0:40:24Well, yeah, that's what's on the box.

0:40:24 > 0:40:26Different ways. I've never...

0:40:26 > 0:40:29Not in a chair. I've never...

0:40:29 > 0:40:31Well...

0:40:31 > 0:40:33Gift-giving, you know, it's an art.

0:40:33 > 0:40:36You should have the person in mind -

0:40:36 > 0:40:38OK, I'm sorry. I thought you'd like it. I like it -

0:40:38 > 0:40:40Well, that's - but you should give people...

0:40:40 > 0:40:43What you think they would want - you know, something personal.

0:40:43 > 0:40:45How much more personal could that be?

0:40:45 > 0:40:48But then, you and that guy - what was his name?

0:40:48 > 0:40:49- Tom. - Tom.

0:40:49 > 0:40:52Yeah. You sat at the other end of the table...

0:40:52 > 0:40:53and just stared at each other the whole time.

0:40:53 > 0:40:55You didn't even really socialize.

0:40:55 > 0:40:57Oh, my god. Oh, my god. Lee, forgive me, OK?

0:40:57 > 0:41:00I happened to be in love for a brief period of time.

0:41:00 > 0:41:02Once - which happened to include...

0:41:02 > 0:41:03the week of your birthday.

0:41:03 > 0:41:05- This is all a year later. - You don't get it.

0:41:05 > 0:41:06Christ!

0:41:06 > 0:41:08You know what? Gift - it's a gift.

0:41:08 > 0:41:09A gift is a gift. Don't question it.

0:41:09 > 0:41:12At least not to the giver and out loud a whole year later.

0:41:16 > 0:41:18- OK, now I know. - What?

0:41:18 > 0:41:20Well, that it meant something to you.

0:41:20 > 0:41:22What?

0:41:22 > 0:41:25Just the whole thing, that you put thought into it.

0:41:30 > 0:41:33You know, it's for your small change.

0:41:35 > 0:41:40So he gives me this injection, and I become invisible.

0:41:40 > 0:41:42And I can do anything, right?

0:41:42 > 0:41:43Because, you know, I'm invisible.

0:41:43 > 0:41:48What do I do? I go to one of my colleagues - Carl...

0:41:48 > 0:41:51and I make him sign a confession...

0:41:51 > 0:41:54while I hold a knife to his neck.

0:41:54 > 0:41:58Now, it's just weird, because I really like Carl.

0:41:58 > 0:42:00He's a brilliant, talented man...

0:42:00 > 0:42:04completely misunderstood by his boss.

0:42:04 > 0:42:07Well, you know, I'm not surprised he was in my dream...

0:42:07 > 0:42:12really, because I think of him a lot.

0:42:13 > 0:42:16I think I'm actually -

0:42:16 > 0:42:17Wheel in Nicholas. We're ready for him.

0:42:17 > 0:42:19It's funny, because he's one of these guys -

0:42:19 > 0:42:20You know what? I want to tell you...

0:42:20 > 0:42:23what I think about that, but I gotta go do this.

0:42:23 > 0:42:27OK. I'll be here - listening.

0:42:29 > 0:42:30Hey, Pitty.

0:42:32 > 0:42:33Hey, man. What's going on?

0:42:33 > 0:42:36OK, exactly the same thing. We're starting from over here.

0:42:36 > 0:42:38It took me a little bit -

0:42:38 > 0:42:40I needed to do this with track instead of just the walk-up...

0:42:40 > 0:42:41so we're gonna do a little bit of a push-in.

0:42:41 > 0:42:43There's probably going to be some focus stuff...

0:42:43 > 0:42:45so we're gonna shoot a few.

0:42:45 > 0:42:47But just split the extras as they come through -

0:42:47 > 0:42:49don't be precious about it.

0:42:49 > 0:42:52- Tell them we're coming through. - I will, I will.

0:42:52 > 0:42:55R-139, take one.

0:42:59 > 0:43:01And background action - action!

0:43:01 > 0:43:03Move! Move!

0:43:03 > 0:43:05- Out of the way! - Goddamn it.

0:43:07 > 0:43:08Looks like we're late.

0:43:08 > 0:43:10Looks like.

0:43:10 > 0:43:12Back to square one.

0:43:12 > 0:43:14That's what he thinks.

0:43:14 > 0:43:17You think different?

0:43:17 > 0:43:19Like the back of my big ten-inch.

0:43:19 > 0:43:21- Oh. - Come on.

0:43:24 > 0:43:26One minute I'm drinking a beer, and the next minute...

0:43:26 > 0:43:29I'm unemployed. How does that happen?

0:43:39 > 0:43:40He said I have confused...

0:43:40 > 0:43:44my personality quirks with standards.

0:43:45 > 0:43:47What the fuck?

0:43:47 > 0:43:51You have no idea what I have lost just now.

0:43:51 > 0:43:56This goes way beyond this job. I could lose everything.

0:43:56 > 0:43:59The ripple effect. It's the ripple effect.

0:43:59 > 0:44:01It's like, "oh, yeah, by the way, you're fired."

0:44:01 > 0:44:05Oh, yeah, honey, by the way, you don't think I'm so great.

0:44:05 > 0:44:07Guess what? They don't think I'm so great at work.

0:44:07 > 0:44:10Hey, maybe I'm not so great. Hey, that's simple.

0:44:10 > 0:44:12Well, there, I can write that. I can write, "I'm not so great."

0:44:12 > 0:44:13Maybe I can write it...

0:44:13 > 0:44:15a hundred-fucking-thousand times on a blackboard -

0:44:15 > 0:44:17I can teach. I used to teach. I love teaching.

0:44:17 > 0:44:18I do love teaching.

0:44:18 > 0:44:22R-139, take 49, mark!

0:44:22 > 0:44:27OK, here we go! And background! Action!

0:44:27 > 0:44:29Move!

0:44:29 > 0:44:30- Out of the way! - Move!

0:44:30 > 0:44:32- Move! - Out of the way!

0:44:33 > 0:44:35Looks like we're late.

0:44:35 > 0:44:37Looks like.

0:44:37 > 0:44:39Back to square one.

0:44:39 > 0:44:41That's what he thinks.

0:44:41 > 0:44:43You think different?

0:44:46 > 0:44:48I know different.

0:44:48 > 0:44:49Come on.

0:44:52 > 0:44:54- Cut it! - OK, we got.

0:44:57 > 0:44:59Nice one.

0:44:59 > 0:45:00Very nice, very nice.

0:45:00 > 0:45:01Check the gate. Check the gate.

0:45:01 > 0:45:03Lunch?

0:45:03 > 0:45:05OK.

0:45:05 > 0:45:09So, David, David. You need me for anything?

0:45:09 > 0:45:11No, no. Absolutely. Lunch - go ahead.

0:45:11 > 0:45:13- Nice scene, man. - Yeah, thanks, Brad.

0:45:20 > 0:45:22Thanks.

0:45:22 > 0:45:24Would you not take a role if you felt...

0:45:24 > 0:45:27the people of the black community wouldn't like it?

0:45:30 > 0:45:32This guy that lives in my neighbourhood -

0:45:32 > 0:45:34lives right across the street from me.

0:45:34 > 0:45:36and he dresses like - Yeah, yeah.

0:45:36 > 0:45:39..he dresses like a vampire 24 hours a day.

0:45:39 > 0:45:41I don't know if he's got a job. I don't know what he does...

0:45:41 > 0:45:43but I know he dresses like a vampire...

0:45:43 > 0:45:47like Dracula all the damn time. You want to go?

0:45:47 > 0:45:49I mean, look, I see this guy at Pavilion's...

0:45:49 > 0:45:51buying romaine lettuce dressed as Dracula...

0:45:51 > 0:45:53so you got to figure...

0:45:53 > 0:45:56he's an actor, right? He's got to be.

0:45:56 > 0:45:57Well, you could find out.

0:45:57 > 0:46:01Yeah. The point is, the answer to your question is...

0:46:01 > 0:46:04If I needed the money, abso-fucking-lutely.

0:46:04 > 0:46:06Absolutely. Now, am I proud of that?

0:46:06 > 0:46:08No. But, yeah, I'd take it...

0:46:08 > 0:46:10Cos, look, a brother's got to eat.

0:46:16 > 0:46:20- OK. Are they gonna say cut? - I don't know.

0:46:23 > 0:46:24OK, what's going on?

0:46:27 > 0:46:30- OK, can somebody... - Did they call cut?

0:46:30 > 0:46:32Well, can somebody communicate - OK.

0:46:32 > 0:46:35Bonnie, Bonnie, this is itching me so bad today.

0:46:35 > 0:46:37Fran, listen, listen. Hey, after lunch...

0:46:37 > 0:46:38next time we do this, could you give me...

0:46:38 > 0:46:39more to work with on this whole attraction -

0:46:39 > 0:46:41What do you mean? That was good, huh?

0:46:41 > 0:46:44We can't hear in there, though. We can't hear anything.

0:46:44 > 0:46:46No, cos I'm not feeling the whole sexual chemistry.

0:46:46 > 0:46:47No, no, but remember...

0:46:47 > 0:46:49You gotta leave yourself somewhere to go...

0:46:49 > 0:46:51for the second letter at the airport.

0:46:51 > 0:46:54All right. Oh! All right, all right.

0:46:54 > 0:46:56Right?

0:46:56 > 0:46:57In the way it's got to build...

0:46:57 > 0:46:58you gotta give me something to go on.

0:46:58 > 0:47:00- We had it going before. - Did he call?

0:47:00 > 0:47:03- Yeah. - It's not working for me.

0:47:03 > 0:47:04OK, well, if you're going to stay for lunch...

0:47:04 > 0:47:06let's talk about whatever it is -

0:47:06 > 0:47:08No. I gotta run an errand, so next time - and maybe it's me.

0:47:08 > 0:47:09All right.

0:47:09 > 0:47:11We'll figure it out. Don't worry about it.

0:47:11 > 0:47:13All right. I think it was good! Oh, thanks.

0:47:13 > 0:47:15No, it's the movie. This is the only movie.

0:47:15 > 0:47:18As far as he's concerned, it's the only movie.

0:47:26 > 0:47:28Hey, can you hold that door for me?

0:47:28 > 0:47:29- Sure. - Thank you.

0:47:29 > 0:47:30Got it?

0:47:37 > 0:47:38Excuse me.

0:47:45 > 0:47:47'Oh, the film. Well, the film -

0:47:47 > 0:47:49'Arty and I wrote this.

0:47:49 > 0:47:50'We started working together -

0:47:50 > 0:47:52'really writing together, about a year ago.

0:47:52 > 0:47:54'we tossed around a couple of ideas.

0:47:54 > 0:47:57'And Arty's a pretty good playwright in his own right.

0:47:57 > 0:48:00'And we thought, you know, maybe this -

0:48:00 > 0:48:04'sort of my understanding of Hollywood and everything...

0:48:04 > 0:48:06'and his ability to actually write...

0:48:06 > 0:48:08'would be a good combination...

0:48:08 > 0:48:10'and so we came up with this idea...

0:48:10 > 0:48:13'for what is now Rendezvous, the movie.

0:48:13 > 0:48:16'It's almost like a spy film in the intrigue...

0:48:16 > 0:48:19'of this romantic encounter...

0:48:19 > 0:48:23'between this guy that Calvin plays...

0:48:23 > 0:48:26I'm sorry, there's a...

0:48:27 > 0:48:29..uh, and this woman.

0:48:29 > 0:48:31And anyway, I think it's a neat story.

0:48:31 > 0:48:35And I think it's a great cast.

0:48:38 > 0:48:39But...

0:48:41 > 0:48:43Yeah. I'm sorry, I have some - it's weird.

0:48:43 > 0:48:46I'm really happy about the project. I really am.

0:48:46 > 0:48:49I got - you know, there's - I've got issues with some of -

0:48:49 > 0:48:52Actually, Calvin. Calvin is, I think, I don't know -

0:48:52 > 0:48:56You know, other people get more excited about him than I do.

0:48:56 > 0:49:00It's not to say I'm not happy having him on the movie.

0:49:00 > 0:49:02I think that's great, and I'm sure he's very good in it.

0:49:02 > 0:49:08I just don't get what the big thing is with Calvin.

0:49:08 > 0:49:12I think - you know, you picture a role in a certain way...

0:49:12 > 0:49:15and sometimes it's - I'm not always right, either.

0:49:15 > 0:49:18I know, you know, certainly my wife thinks he's great.

0:49:25 > 0:49:27I'm starving to death.

0:49:27 > 0:49:29- Well, I've got it right here. - I might actually faint.

0:49:29 > 0:49:32OK, tuna. No celery.

0:49:32 > 0:49:33No celery and no...

0:49:33 > 0:49:35- Onion. - Right.

0:49:35 > 0:49:39Uh, so listen...

0:49:39 > 0:49:41You know that thing that we were talking about?

0:49:41 > 0:49:45Um, I can't keep -

0:49:45 > 0:49:46OK, I mean -

0:49:46 > 0:49:49- Come on, come on. - OK, OK.

0:49:49 > 0:49:53I'm uncomfortable dealing with this aspect of your life.

0:49:53 > 0:49:55I don't want to talk to them.

0:49:55 > 0:49:57Well, I don't want to talk to them, either.

0:49:57 > 0:50:00I don't even want to talk to the guys I'm dating.

0:50:02 > 0:50:06Uh-huh. Well, I'm not dating anyone.

0:50:06 > 0:50:08A date is not dating.

0:50:08 > 0:50:11Well, you know, someone buys you dinner...

0:50:11 > 0:50:13you owe them a phone call, in my opinion.

0:50:13 > 0:50:15see, dinner - that's where I fucked up.

0:50:15 > 0:50:17it should have been lunch, because lunch is meaningless.

0:50:19 > 0:50:21They all seem pretty nice to me.

0:50:21 > 0:50:24Well, they don't strike you as, like, networky, freaky...

0:50:24 > 0:50:26actress-dating executive types...

0:50:26 > 0:50:29with their water bottles in, like, a mesh tote bag?

0:50:29 > 0:50:32This is really - this is disgusting.

0:50:32 > 0:50:34I can't eat this. That arugula is so bitter.

0:50:34 > 0:50:36It's like my algebra teacher on bread.

0:50:36 > 0:50:37OK.

0:50:37 > 0:50:40I'm truly, I'm - look at me.

0:50:40 > 0:50:42I'm gonna faint. I might actually faint.

0:50:42 > 0:50:44We all know how you get when your blood sugar's low.

0:50:44 > 0:50:48- All right. I'll be right back. - OK. Thank you.

0:50:48 > 0:50:50- You're welcome. - I need some wet naps, too.

0:50:50 > 0:50:53- OK. - Tuna fingers.

0:50:53 > 0:50:56- Don't want tuna fingers. - No, we don't.

0:50:56 > 0:50:59- You're an angel. Thank you. - Oh, you're welcome.

0:50:59 > 0:51:00Oh, Post-its!

0:51:02 > 0:51:04See, I knew something was wrong, I just -

0:51:04 > 0:51:06I didn't know it was that.

0:51:12 > 0:51:14I had that one this morning.

0:51:16 > 0:51:17Hey...

0:51:20 > 0:51:23I need to talk to you about something.

0:51:23 > 0:51:25- Lee - - Don't.

0:51:25 > 0:51:28MOBILE PHONE RINGS

0:51:36 > 0:51:38Why did you even pursue this?

0:51:38 > 0:51:42What? Wait a minute. You came over and spoke to me.

0:51:42 > 0:51:44Now, all of this began because of you.

0:51:44 > 0:51:46Are you saying you weren't attracted to me?

0:51:46 > 0:51:47No -

0:51:47 > 0:51:50Gus told me to watch out for you.

0:51:50 > 0:51:52Gus told me to watch out for you.

0:51:55 > 0:51:57I'm forty-one tomorrow, Calvin -

0:51:57 > 0:51:58the age where I could have a stroke...

0:51:58 > 0:52:00in the middle of the night.

0:52:01 > 0:52:03If you think I'm not going to Gus', you're...

0:52:05 > 0:52:10OK, I have a meeting. Go fuck somebody else.

0:52:20 > 0:52:22- Hey. - Hi.

0:52:22 > 0:52:25- You're still here? - Yeah, I was just upstairs.

0:52:25 > 0:52:27I was shopping for my friend Gus.

0:52:27 > 0:52:28- Oh. - Yeah.

0:52:28 > 0:52:32- Are you OK? - Oh, yeah, I'm good.

0:52:32 > 0:52:36I've just had really some sad cases today, so I'm just -

0:52:36 > 0:52:38- I'm sorry. - I'm emotional.

0:52:38 > 0:52:41Yeah. What did you get him?

0:52:43 > 0:52:46- Who? - What did you get Gus?

0:52:46 > 0:52:49Oh. They didn't have it.

0:52:49 > 0:52:51- What was it? - Yeah.

0:52:53 > 0:52:56- Are you... - It was a thing.

0:52:56 > 0:52:59He's - he's, er...

0:52:59 > 0:53:02It was - they didn't - you know, cos he's forty today...

0:53:02 > 0:53:05and I was just gonna get him some, I don't know, this -

0:53:05 > 0:53:06- Are you OK? - Yeah.

0:53:06 > 0:53:08I just have to go. I'm really late, so -

0:53:08 > 0:53:10- Are you sure? - Yeah.

0:53:14 > 0:53:16I'll call you later.

0:53:16 > 0:53:17Oh, OK.

0:53:17 > 0:53:19Thank you.

0:53:23 > 0:53:25Um, you need to find him.

0:53:25 > 0:53:27I don't know if he knows I'm here at the office...

0:53:27 > 0:53:30so I have to have a contact name in order to transfer you.

0:53:30 > 0:53:33Um, Harvey's not here at the office right now.

0:53:33 > 0:53:36He sees on the TV a murder...

0:53:36 > 0:53:40and as he listens to the murder, he just goes white.

0:53:40 > 0:53:43His whole face just goes white, and he bolts from his apartment.

0:53:43 > 0:53:44Now, we follow him.

0:53:44 > 0:53:47The murders - they deviate at this key point...

0:53:47 > 0:53:49For reasons nobody can understand, because -

0:53:49 > 0:53:52Tell Trevors I'm not gonna do it. I'm not gonna do it.

0:53:52 > 0:53:54Good, good. Go. Sorry. Go ahead.

0:53:56 > 0:53:58My brother Bob should look at this.

0:53:58 > 0:54:01Yeah. Good. Good!

0:54:01 > 0:54:02- Great. - Good.

0:54:02 > 0:54:05Motherfuckers.

0:54:05 > 0:54:07Did you see their faces looking at us?

0:54:07 > 0:54:08Yes.

0:54:08 > 0:54:10It was like a Labrador staring at a Picasso.

0:54:10 > 0:54:11Right.

0:54:11 > 0:54:13Ed, we walked in there with a china cup.

0:54:13 > 0:54:16- They want beer mugs. - Yeah, right?

0:54:16 > 0:54:18I could so see myself in that part.

0:54:18 > 0:54:20Right?

0:54:20 > 0:54:22Fuck!

0:54:22 > 0:54:24- It's all right. - All right, I gotta go.

0:54:24 > 0:54:25- See you later. - See you.

0:54:28 > 0:54:30Hey, Ed, keep the faith.

0:54:30 > 0:54:32It was good. It was good.

0:54:32 > 0:54:35- Mr Liveright. - Hey, hey. Bill.

0:54:35 > 0:54:37- Come on in. - Thanks.

0:54:37 > 0:54:38- Ann? - Yeah.

0:54:38 > 0:54:41My massage is here. I'll call you back in an hour.

0:54:41 > 0:54:44- How about in back? Good? - OK, sure.

0:54:44 > 0:54:48Um, what do you think about the lighting?

0:54:48 > 0:54:50A little light - too bright?

0:54:50 > 0:54:52Whatever you're comfortable with is fine. Yeah.

0:54:52 > 0:54:55I think a little darker.

0:54:55 > 0:54:57- Like so. - Sure.

0:54:57 > 0:54:59- Need some help? - No.

0:54:59 > 0:55:01Done it before, huh?

0:55:01 > 0:55:05Bill Liveright - great name.

0:55:05 > 0:55:08Well, a name with a message is a good name, right?

0:55:08 > 0:55:10I don't know. It just always eluded me.

0:55:12 > 0:55:14Money is just feminine energy.

0:55:15 > 0:55:19It always seems so male. I don't get it.

0:55:19 > 0:55:22Money - Mater. The Latin.

0:55:22 > 0:55:24You connect with that, and you're golden.

0:55:24 > 0:55:26You make it sound pretty simple.

0:55:26 > 0:55:28- It is. - Just connecting with it.

0:55:28 > 0:55:30You're catching on, Ann.

0:55:30 > 0:55:33Look, don't be one of the confused people.

0:55:33 > 0:55:37If you have purpose, you can just wade right through.

0:55:37 > 0:55:40It's like running past people who are asleep.

0:55:43 > 0:55:45OK...

0:55:46 > 0:55:48You can turn over now.

0:55:48 > 0:55:51I think I kind of drooled a little bit.

0:55:51 > 0:55:55Just scoot your head down, so you're not in the hole.

0:56:04 > 0:56:05OK.

0:56:10 > 0:56:12You're from LA?

0:56:12 > 0:56:14No. Miami, actually. You?

0:56:14 > 0:56:16New York.

0:56:21 > 0:56:23Do you find me attractive?

0:56:23 > 0:56:25What?

0:56:29 > 0:56:30Yes.

0:56:32 > 0:56:35In what sort of way?

0:56:35 > 0:56:37In a human sort of way.

0:56:41 > 0:56:43- Ann. - Bill.

0:56:43 > 0:56:45It's my birthday, Ann.

0:56:45 > 0:56:46- Really? - Yeah.

0:56:46 > 0:56:48Happy birthday.

0:56:50 > 0:56:52What's your philosophy on release?

0:56:52 > 0:56:55You know what, Bill, I know where you're going with this...

0:56:55 > 0:56:57and the thing is, I don't do it, so...

0:56:57 > 0:56:59Right. Not even for a little extra money?

0:56:59 > 0:57:02Mm-mmm. It's not the kind of massage I do.

0:57:02 > 0:57:03Right.

0:57:03 > 0:57:05I offer a release of tension and toxins...

0:57:05 > 0:57:07and sometimes emotion, but...

0:57:07 > 0:57:09Yes, well, that's what I'm talking about.

0:57:09 > 0:57:11- Well, I don't do it, so - - It would take thirty seconds.

0:57:11 > 0:57:12Oh, yeah. You can come in thirty seconds?

0:57:12 > 0:57:14- Do you have a second hand? - Look, I can't do it.

0:57:14 > 0:57:15You could stop after thirty seconds.

0:57:15 > 0:57:17Five hundred dollars. When was the last time...

0:57:17 > 0:57:19you made five hundred dollars for thirty seconds of work?

0:57:19 > 0:57:21- You're cruel. - I'm not cruel, I'm practical.

0:57:21 > 0:57:23You need the cash, I need the release.

0:57:23 > 0:57:25This is crazy.

0:57:25 > 0:57:27Five hundred dollars, Ann.

0:57:32 > 0:57:34You can't make any noise.

0:57:34 > 0:57:37- The place is noisy. - No. You can audibly exhale.

0:57:37 > 0:57:38You can't moan or grunt or sigh.

0:57:38 > 0:57:40I can't moan or grunt or sigh, just audible exhale only?

0:57:40 > 0:57:42Yes. HE SIGHS

0:57:42 > 0:57:45No. Too loud. And if you do it - it's too much.

0:57:45 > 0:57:49I'll be quiet. OK, Ann, I'll be quiet.

0:57:49 > 0:57:50Are you ready?

0:57:50 > 0:57:52Fuck.

0:57:52 > 0:57:54Are you ready?

0:57:54 > 0:57:57Will you just hand me that plastic bag right there?

0:57:57 > 0:57:59Well, why?

0:57:59 > 0:58:01No reason.

0:58:26 > 0:58:28Oh, my God.

0:58:42 > 0:58:45- Here. - Thank you.

0:58:52 > 0:58:54Shit.

0:58:54 > 0:58:56- Hey, Ann? - What?

0:58:56 > 0:58:58I'm sorry. I thought I had more cash on me.

0:58:58 > 0:59:00- That's OK, Bill. - I saw an ATM in the lobby.

0:59:00 > 0:59:02You know what? There's a limit.

0:59:02 > 0:59:05There's a limit.

0:59:05 > 0:59:07To the machine. You can only get three hundred dollars out.

0:59:07 > 0:59:10Could you move that, please? That bag.

0:59:10 > 0:59:13- You're kidding. - No, I'm not kidding.

0:59:13 > 0:59:15- I feel bad. - You should.

0:59:15 > 0:59:17You should feel really bad and ashamed.

0:59:17 > 0:59:19It's...

0:59:24 > 0:59:26- Hold on. - Forget it.

0:59:26 > 0:59:28- Just hold on a second. - You know what? Forget it.

0:59:28 > 0:59:31It's pathetic.

0:59:31 > 0:59:35Mater equals money. I mean, give me a fucking break.

0:59:38 > 0:59:41All the world loves a winner.

0:59:42 > 0:59:44You know why they love the winner?

0:59:46 > 0:59:49Because they think he knows something.

0:59:49 > 0:59:52I mean, he had to know something in order to win.

0:59:54 > 0:59:57So, we admire him.

0:59:57 > 1:00:02But the winner doesn't learn anything from winning.

1:00:05 > 1:00:09No, the loser - the loser learns something about himself.

1:00:09 > 1:00:11Losing teaches you about yourself.

1:00:11 > 1:00:13So, the loser's the winner.

1:00:13 > 1:00:15I don't know. I mean, it's not in actual terms.

1:00:15 > 1:00:17I'm speaking figuratively.

1:00:21 > 1:00:24Sorry. Excuse me.

1:00:27 > 1:00:30- Good night, Denny. - Ann, can I see you, please?

1:00:32 > 1:00:35The gentleman in 205 left this for you.

1:00:41 > 1:00:43Wow. That was nice.

1:00:50 > 1:00:54"Ann, thanks for the happy ending. Bill."

1:00:58 > 1:00:59Nice card.

1:02:02 > 1:02:03Django?

1:02:05 > 1:02:07Django? Hey, hey, hey!

1:02:07 > 1:02:09Sweetie-pie?

1:02:13 > 1:02:15I know what they say.

1:02:15 > 1:02:17I know what they say about me -

1:02:17 > 1:02:20my colleagues...

1:02:20 > 1:02:22and my family.

1:02:22 > 1:02:25I don't... Fucking movies.

1:02:25 > 1:02:28OK, let's fucking go.

1:02:28 > 1:02:30Fucking movies!

1:02:30 > 1:02:34Fucking overpaid, fucking unhappy childhood fuckers.

1:02:34 > 1:02:37Fucking movie fucking fuckers.

1:02:37 > 1:02:39Let's go! Somebody - Jesus, buddy!

1:02:39 > 1:02:42Er, do you think somebody else could go?

1:02:42 > 1:02:45Maybe one of us could fucking cross the street?

1:02:45 > 1:02:47Fucking movie cop!

1:02:47 > 1:02:49Hey, fucking movie cop!

1:02:49 > 1:02:52Could I maybe fucking cross the street?

1:02:52 > 1:02:56Francesca Davis. Fuck.

1:02:56 > 1:02:59Yes. He's gonna get - what? Dehydrated? OK.

1:02:59 > 1:03:04Yes. Yeah, I understand. Thank you.

1:03:11 > 1:03:14Hello. Yeah, hi.

1:03:14 > 1:03:17I did that, and - and I gave him some water, yeah...

1:03:17 > 1:03:20and I was just hoping that Dr Green could come by...

1:03:20 > 1:03:23and, er, and give him a quick look.

1:03:25 > 1:03:27Oh, he is?

1:03:27 > 1:03:30Oh, I see.

1:03:30 > 1:03:32Yeah?

1:03:32 > 1:03:35Well, if - you know, I just, er...

1:03:35 > 1:03:37want to make sure he's not gonna die...

1:03:37 > 1:03:38you know, or anything.

1:03:38 > 1:03:41Um, so if you could, that would be great.

1:03:42 > 1:03:44Right. Yeah.

1:03:44 > 1:03:46That's fantastic.

1:03:46 > 1:03:48Yes, I will see you then.

1:03:48 > 1:03:52Yes. What? The address?

1:03:52 > 1:03:53Oh, my address. Oh, yeah.

1:03:53 > 1:03:55I guess you'd need that, wouldn't you?

1:04:02 > 1:04:04MOBILE PHONE RINGS

1:04:08 > 1:04:10Hi.

1:04:10 > 1:04:12I know. You know, I can't really talk.

1:04:12 > 1:04:15I'm going into a store. Can I call you back?

1:04:17 > 1:04:19OK.

1:04:19 > 1:04:22Oh, really?

1:04:22 > 1:04:24Oh that'd be - that's - that's great.

1:04:24 > 1:04:27I'm - I'm glad.

1:04:27 > 1:04:28You met Gus?

1:04:28 > 1:04:32Where? Wow. Yeah, well, there's a guy...

1:04:32 > 1:04:34who could change your life, you know?

1:04:40 > 1:04:41So, I'm gonna get the dress.

1:04:41 > 1:04:42- Oh, good. Great. - Yeah.

1:04:42 > 1:04:44Mm-hmm. Sure.

1:04:44 > 1:04:48Yeah. I was, um, fat...

1:04:48 > 1:04:51overweight, and very short...

1:04:51 > 1:04:54and I hadn't gone through puberty.

1:04:54 > 1:04:58So, yeah, I mean, I looked, you know - I did not look...

1:04:58 > 1:05:00like I would've liked to have looked in high school.

1:05:00 > 1:05:02Yeah, surely I would've changed my social status.

1:05:02 > 1:05:04I still would. Yeah.

1:05:04 > 1:05:06Treat myself.

1:05:06 > 1:05:08So, that's five there.

1:05:08 > 1:05:10Oh, great. Thank you very much.

1:05:11 > 1:05:12- OK. - Excellent. Thank you.

1:05:51 > 1:05:54Hey, you came. I thought you were coming later.

1:05:54 > 1:05:55No.

1:05:55 > 1:05:58Hey. How are you, man? Good to see you.

1:05:58 > 1:06:02The house is open, guys, if you want to...

1:06:02 > 1:06:05- Oh. Hi, Dee. - It's good to see you.

1:06:05 > 1:06:08Good to see you. Thank you for coming.

1:06:09 > 1:06:11Good.

1:06:11 > 1:06:14That guy didn't pay.

1:06:14 > 1:06:15Did you pay, sir?

1:06:15 > 1:06:16I did, yes. Would you like...

1:06:16 > 1:06:19No, no. I just - I saw you come the other way...

1:06:19 > 1:06:21and most people were coming... I'm sorry.

1:06:21 > 1:06:25Right in here. Right there on the sofa.

1:06:25 > 1:06:27Oh, boy.

1:06:33 > 1:06:36What else was in the brownies besides chocolate?

1:06:36 > 1:06:37Um...

1:06:37 > 1:06:39- Hash? - Yeah.

1:06:39 > 1:06:40Aw, come on, man.

1:06:40 > 1:06:42No. My wife brought it back from London.

1:06:42 > 1:06:45We made the brownies for my friend's 40th.

1:06:45 > 1:06:47So, what'd you do, leave it out for him to eat?

1:06:47 > 1:06:50No, no. When I left it, it was right here on this counter.

1:06:50 > 1:06:52I didn't think he could jump that high.

1:06:52 > 1:06:55He's got little legs like a...

1:06:55 > 1:06:58All this - he ate all this.

1:06:58 > 1:07:00It's so much better than pot, right?

1:07:00 > 1:07:02Aw, no, no, no.

1:07:02 > 1:07:03You don't understand, you don't understand.

1:07:03 > 1:07:07I haven't smoked that in years, so, you know what I'm saying?

1:07:07 > 1:07:08Goddamn.

1:07:08 > 1:07:11When I was in my 20s, this guitar player and I

1:07:11 > 1:07:13would make up all these lyrics while he played...

1:07:13 > 1:07:15and our songs would end up...

1:07:15 > 1:07:18with all these fucked-up rhyme schemes.

1:07:18 > 1:07:21Heather. Heather, I'm sorry. Is he going to be all right?

1:07:21 > 1:07:23Oh, he's going to be fine. He's going to be fine.

1:07:23 > 1:07:26So, er...

1:07:26 > 1:07:27You going to throw that out?

1:07:34 > 1:07:35Look, you liked it...

1:07:35 > 1:07:37and you've told me you haven't liked things.

1:07:37 > 1:07:39You liked it. Man, listen. I don't want you telling me

1:07:39 > 1:07:40you're not going to pursue any more meetings...

1:07:40 > 1:07:44because this is what I want to do. I'm serious, OK?

1:07:44 > 1:07:48Hey, listen. Could you, like...

1:07:49 > 1:07:51It's better now. It's a lot better now.

1:07:51 > 1:07:53Ed and I, we've been working on it, beefing up the scenes.

1:07:53 > 1:07:54And that whole thing you mentioned...

1:07:54 > 1:07:56I agree with you - about me being in it.

1:07:56 > 1:07:59I'm not going to do it. Even if they ask about it...

1:07:59 > 1:08:01we're not going to build it in.

1:08:01 > 1:08:03I figure, you know, in the long run...

1:08:03 > 1:08:05it's probably a good thing...

1:08:05 > 1:08:09me trying to establish myself as a writer instead of an actor.

1:08:09 > 1:08:11Like Pinter. You know, Pinter, he was an actor.

1:08:11 > 1:08:14He started off as an actor.

1:08:14 > 1:08:16He still acts, occasionally.

1:08:20 > 1:08:22All right, this shit is cyclical, you know that?

1:08:27 > 1:08:31All right, don't. Don't, don't, don't.

1:08:31 > 1:08:32I got it.

1:08:32 > 1:08:34OK. Thank you.

1:08:34 > 1:08:38PHONE RINGS

1:08:45 > 1:08:47If you stop telling me that that letter makes sense...

1:08:47 > 1:08:49you can throw up all you want. How about that?

1:08:51 > 1:08:52Do you know her?

1:08:52 > 1:08:55- Who? - Carl's wife.

1:08:55 > 1:08:57Nuh-uh.

1:08:57 > 1:08:59That's kind of funny, because I've heard things, actually.

1:08:59 > 1:09:01Yeah. Yeah. A couple of them.

1:09:01 > 1:09:04Hey, how are you doing?

1:09:04 > 1:09:05Hey, Fran, listen, I want you to meet...

1:09:05 > 1:09:08Frannie. It's Lucy Morgan. LA Magazine.

1:09:08 > 1:09:10- I'm sorry. I... - The Sedona piece.

1:09:10 > 1:09:12Oh, my God. Yes. Oh, wow.

1:09:12 > 1:09:14Wow. You changed your hair or something?

1:09:14 > 1:09:17Yeah. How do you know Cal?

1:09:17 > 1:09:19- Uh, we... - It was a dinner.

1:09:19 > 1:09:21Yeah.

1:09:21 > 1:09:23Excuse me.

1:09:25 > 1:09:27Hey.

1:09:28 > 1:09:29Hi.

1:09:29 > 1:09:33Is it - is it upstairs, or is it in there?

1:09:33 > 1:09:34God.

1:09:34 > 1:09:36- Oh, this is wrong. - No.

1:09:36 > 1:09:38- I'm overdressed. - You look...

1:09:38 > 1:09:41- I wasn't sure what... - It's on the roof.

1:09:41 > 1:09:42Where's Carl?

1:09:42 > 1:09:44He's not here yet. I just, um...

1:09:44 > 1:09:46- We should go up and... - OK.

1:09:46 > 1:09:47- Wow. - You OK?

1:09:47 > 1:09:48Yeah.

1:09:48 > 1:09:52- I wish I didn't have this on. - No. You look great.

1:09:52 > 1:09:54Well...

1:09:54 > 1:09:57I have to admire you for your belief in this project...

1:09:57 > 1:10:00but the reality is a whole different thing altogether.

1:10:00 > 1:10:01It's all marketplace shit, and I don't think

1:10:01 > 1:10:03this is a good role for you, so don't even push that.

1:10:03 > 1:10:05When does this article come out?

1:10:05 > 1:10:07In a couple of months.

1:10:07 > 1:10:09Well, you call me...

1:10:10 > 1:10:13..if you can't get any answers out of this guy.

1:10:13 > 1:10:15Thank you.

1:10:15 > 1:10:16Nice to meet you.

1:10:16 > 1:10:18Nice seeing you.

1:10:27 > 1:10:29Meltzin.

1:10:29 > 1:10:32Name kind of suits him. Oh, Nicholas.

1:10:34 > 1:10:37No, it looks good. Where'd you get that dress?

1:10:37 > 1:10:39- Seaver. - Where?

1:10:39 > 1:10:41On third. Do you know it?

1:10:41 > 1:10:42- Is it good? - Yeah.

1:10:42 > 1:10:46- It was on sale. I like it. - No, it's...

1:10:56 > 1:10:57God.

1:11:01 > 1:11:04All chromium is not bad, though...

1:11:04 > 1:11:06because I get Fitness magazine...

1:11:06 > 1:11:07I need a drink.

1:11:13 > 1:11:15No. I'm saying there's a lot of good chromiums.

1:11:15 > 1:11:17- I read it in a magazine. - Hey.

1:11:17 > 1:11:19Hey. I wouldn't go to the lengths

1:11:19 > 1:11:21of bathing in bottled water, that's all I'm saying.

1:11:21 > 1:11:22I believe what you're saying.

1:11:22 > 1:11:24- Franny Davis? - Yeah.

1:11:24 > 1:11:26Sam Osborne.

1:11:27 > 1:11:30- I'm sorry. - The Duchess of Malfi.

1:11:30 > 1:11:32- Birchers. - Yeah.

1:11:32 > 1:11:34I was the lighting guy.

1:11:36 > 1:11:38Oh, my God. Oh, OK. Yeah.

1:11:38 > 1:11:40- Sam Osborne. - Osborne.

1:11:40 > 1:11:41- How are you? - Nice to see you again.

1:11:41 > 1:11:43Oh, you, too. Wow. That's funny.

1:11:43 > 1:11:44- Yeah. - That's...

1:11:44 > 1:11:48Do you remember when you said...

1:11:48 > 1:11:51I feel like a waitress on vacation?

1:11:51 > 1:11:52oh, God.

1:11:52 > 1:11:55It was, like, just the cutest thing I've ever heard, and...

1:11:55 > 1:11:57I don't know why that just stuck out.

1:11:57 > 1:11:59Yeah. I just - um, well...

1:11:59 > 1:12:01- I was going to go... - OK.

1:12:01 > 1:12:04Jesus. You remember that?

1:12:04 > 1:12:05Yeah.

1:12:05 > 1:12:10Yeah, I do. I got a funny memory that way.

1:12:10 > 1:12:12Anyway, hey, I don't want to bug you.

1:12:12 > 1:12:13I know you got lots of people to see.

1:12:13 > 1:12:15I just wanted to say how happy I am for you, and...

1:12:15 > 1:12:16Oh, thanks. Thank you.

1:12:16 > 1:12:19It's... I always thought you had something special.

1:12:19 > 1:12:20This...

1:12:20 > 1:12:24You know, it's just amazing what you've been able to do...

1:12:24 > 1:12:28- Well, from... - From nothing.

1:12:28 > 1:12:29Or, well...yeah.

1:12:29 > 1:12:32No. I'm just - I'm - thank you. Thank you.

1:12:32 > 1:12:34Right. Good. Well, hey...

1:12:34 > 1:12:36- Cheers. Good to see you. - Thank you. Cheers.

1:12:36 > 1:12:38I couldn't cheers you. I don't have a drink, but...

1:12:38 > 1:12:41Well, shit, Sam Osborne...

1:12:41 > 1:12:43Birchers lighting guy.

1:12:43 > 1:12:44Birchers.

1:12:44 > 1:12:47Get me a... Why don't you come with me?

1:12:48 > 1:12:50- Yeah. OK. - OK.

1:12:50 > 1:12:53- Nicholas. Oh, my goodness. - Oh, God.

1:12:53 > 1:12:55Let's get you on the sofa.

1:12:55 > 1:12:57- Oh, God, did I just...? - Yes, you did.

1:12:57 > 1:12:59Go slowly.

1:12:59 > 1:13:01Ah, Catherine, I'm sorry.

1:13:01 > 1:13:02Are you all right?

1:13:02 > 1:13:04- Here's some water. - Oh, thank you so much.

1:13:04 > 1:13:07- I feel a little light-headed. - Here, have some water.

1:13:07 > 1:13:09- Yeah. - Drink it.

1:13:10 > 1:13:12Yeah? Are you sure you're all right?

1:13:12 > 1:13:15- Mm-hmm. - Thank goodness.

1:13:15 > 1:13:18- I need to ask you something. - What?

1:13:19 > 1:13:22I need you to come back to New York with me.

1:13:22 > 1:13:25- Nicholas, I can't... - No. It's the letter.

1:13:25 > 1:13:28Catherine, it's that letter. I can't get it out of my head.

1:13:28 > 1:13:29Well, but that was...

1:13:29 > 1:13:32I've never had anybody write me a love letter.

1:13:32 > 1:13:33- Never. - But I just...

1:13:33 > 1:13:36No, listen. You come back to New York.

1:13:36 > 1:13:39You're here. You there just makes sense.

1:13:39 > 1:13:44You write the article, and...and we go from there.

1:13:44 > 1:13:46Nicholas, these kind of things...

1:13:48 > 1:13:51A moment of inspiration...

1:13:52 > 1:13:55That's all anybody ever really wants.

1:14:00 > 1:14:02To have an original idea...

1:14:02 > 1:14:04to fall in love.

1:14:04 > 1:14:07It takes courage...

1:14:07 > 1:14:10to surrender these things.

1:14:10 > 1:14:13Especially when you have control issues.

1:14:13 > 1:14:15I get that a lot.

1:14:24 > 1:14:26I know what they're going to talk about...

1:14:26 > 1:14:28when they talk about me.

1:14:29 > 1:14:32They're going to talk about the moustache.

1:14:32 > 1:14:36People are so fucking petty.

1:14:36 > 1:14:37People say, God, what's up with that?

1:14:37 > 1:14:39Like, didn't you know that Chaplin had it first?

1:14:39 > 1:14:43Yeah! I knew, OK?

1:14:47 > 1:14:49It's either the name of your first pet...

1:14:49 > 1:14:52and the first street that you ever lived on...

1:14:52 > 1:14:54or it's your middle name...

1:14:54 > 1:14:57and the first street that you lived on.

1:14:57 > 1:14:59Well, which is it? I think... Is it pet?

1:14:59 > 1:15:00- Pet. - It's pet.

1:15:00 > 1:15:02So, if it's pet...all right.

1:15:02 > 1:15:04I'm Daisy Bufane.

1:15:04 > 1:15:06Daisy Bufane?

1:15:06 > 1:15:08Jo Jo Mountainview.

1:15:08 > 1:15:10LAUGHTER

1:15:11 > 1:15:14I would be Peavey Meander.

1:15:14 > 1:15:17- What? - Peavey Meander.

1:15:17 > 1:15:19Meander.

1:15:19 > 1:15:21Thurston Craddock.

1:15:21 > 1:15:23Er, Baron Von Huge Cock.

1:15:23 > 1:15:26LAUGHTER

1:15:26 > 1:15:28What? That's...that was my street.

1:15:28 > 1:15:30I lived on Van Huge Cock Avenue.

1:15:32 > 1:15:34The little kid who lives on Van Huge Cock.

1:15:34 > 1:15:36Oh, God, where is Gus?

1:15:36 > 1:15:39Save us from this misery.

1:15:39 > 1:15:42So, it's your middle name first.

1:15:42 > 1:15:45- Right. - And then...and then...

1:15:45 > 1:15:49the name of the street that you grew up on.

1:15:49 > 1:15:51OK.

1:15:53 > 1:15:56Lolita...

1:15:56 > 1:15:58Honeysuckle.

1:15:58 > 1:16:01HE LAUGHS

1:16:05 > 1:16:08PHONE RINGS

1:16:09 > 1:16:10All right, I'll open it.

1:16:10 > 1:16:13Obviously, everybody, Gus is not here...

1:16:13 > 1:16:16So I was thinking...

1:16:16 > 1:16:19to pass the time, why don't we all just kind of...

1:16:19 > 1:16:22whoever wants to, stand up and give our little Gus stories.

1:16:22 > 1:16:24Er, so, let me start off.

1:16:24 > 1:16:27I think my favourite Gus moment

1:16:27 > 1:16:30was when he called me at 1:20 in the morning

1:16:30 > 1:16:32to ask what I really thought about him.

1:16:32 > 1:16:34What'd you say?

1:16:34 > 1:16:36What did I say? What did I say? I said, well, "Gus,

1:16:36 > 1:16:38"whatever I think about you,

1:16:38 > 1:16:41"I'm gonna think the same thing at 10:00 in the morning."

1:16:41 > 1:16:43Then I hung up.

1:16:43 > 1:16:45- Whatever. - Calvin.

1:16:45 > 1:16:46APPLAUSE

1:16:46 > 1:16:48It's all right. It's all right.

1:16:48 > 1:16:51Listen, let's get down to business.

1:16:51 > 1:16:53If someone wants to stand up, please, feel free.

1:16:53 > 1:16:54The floor is open.

1:16:54 > 1:16:56All right. I got one, Calvin.

1:16:56 > 1:16:58Yes, that's right, that's right.

1:16:58 > 1:17:00So, Gus and I - some of you may not know this -

1:17:00 > 1:17:03Gus and I used to hunt together, all right?

1:17:03 > 1:17:06And this one time, we're waiting up in this deer stand

1:17:06 > 1:17:09and Gus climbs down

1:17:09 > 1:17:12to relieve himself in the bushes, OK?

1:17:12 > 1:17:15And, er...it gets funnier. It gets funnier.

1:17:15 > 1:17:17So, er...

1:17:26 > 1:17:27Wow. Thank you, man.

1:17:27 > 1:17:28I can't tell you how much that means to me.

1:17:28 > 1:17:30I really appreciate that, you know?

1:17:30 > 1:17:31Especially coming from someone like you

1:17:31 > 1:17:36who writes and acts and directs and plays the sax.

1:17:36 > 1:17:38Originally, I kind of felt like it was really coming after me.

1:17:38 > 1:17:40Now I feel like I'm coming after it.

1:17:40 > 1:17:41Perfect.

1:17:41 > 1:17:43It's not coming after me. I'm going to get it.

1:17:43 > 1:17:46- Can you grab that sword? - I'm already on it, man.

1:17:46 > 1:17:50It's weird. I was watching this interview with Al.

1:17:50 > 1:17:51- Pacino? - Yeah.

1:17:51 > 1:17:52And he was talking about the differences

1:17:52 > 1:17:54between stage acting and film acting

1:17:54 > 1:17:55and he was talking about how being on stage

1:17:55 > 1:17:57is like being on this high wire, like, a hundred feet up.

1:17:57 > 1:17:59And if you fall, you're fucked...

1:17:59 > 1:18:01But acting in film is like having the wire on the...

1:18:01 > 1:18:02- Ground. - On the ground.

1:18:02 > 1:18:04Oh, OK, you've heard that.

1:18:04 > 1:18:06Yeah, man, working for guys like you and Carl.

1:18:06 > 1:18:08- The writing, just everything... - Aw, come on, man.

1:18:08 > 1:18:10Where is Carl, by the way? Is he...

1:18:10 > 1:18:11He had a party to go to.

1:18:11 > 1:18:13Oh, that's right. Is that that producer guy?

1:18:13 > 1:18:14- Gus Delario. - Oh, OK.

1:18:14 > 1:18:17That's not too shabby. Carl owns a tux, huh?

1:18:17 > 1:18:20Not just one of those shirts with the design on it?

1:18:20 > 1:18:22You know, he says good luck and break a leg.

1:18:22 > 1:18:24Thank you. Thank you.

1:18:24 > 1:18:25Did I tell you about tomorrow?

1:18:25 > 1:18:27Yeah. Fuck, man. Good luck, you know?

1:18:27 > 1:18:29That should go really good. Ann? Is that her name?

1:18:29 > 1:18:30Yeah. It's a nice name.

1:18:30 > 1:18:32I hope so, man. I've been looking a long time.

1:18:32 > 1:18:34Yeah. I hear you. It's hard. I don't know.

1:18:34 > 1:18:35You want to go for a beer or something?

1:18:35 > 1:18:37No, I got to teach a pilates class, but thank you.

1:18:37 > 1:18:39Shouldn't we all say grace?

1:18:39 > 1:18:42I think you're right.

1:18:42 > 1:18:46Listen, it's been 45 minutes, and Gus is still not here...

1:18:46 > 1:18:50So let's eat. Everybody dig in.

1:18:50 > 1:18:51Thank you.

1:18:51 > 1:18:53Even at a party - bossy, bossy.

1:18:53 > 1:18:57You know you love it. You love it. You know you do.

1:19:03 > 1:19:06What are you doing? Shit.

1:19:07 > 1:19:11C-C-Calvin

1:19:11 > 1:19:13I'll get my ball.

1:19:13 > 1:19:17Er, everybody, this is Lee Bright, Carl's wife.

1:19:17 > 1:19:20Our writer. Gave us a beautiful script.

1:19:22 > 1:19:24Hi. Thank you.

1:19:24 > 1:19:28Lee, Lucy Morgan. LA Magazine. I've worked with Carl.

1:19:28 > 1:19:31Oh, yeah. That's right. Hi. How are you? Nice to meet you.

1:19:31 > 1:19:33Hi. I'm Lee.

1:19:33 > 1:19:36Yeah. Hi, hi.

1:19:36 > 1:19:40Hey, can you name all the countries in Africa, Calvin?

1:19:40 > 1:19:43What do you want from me?

1:19:43 > 1:19:45- I'm not drunk. - OK. Let's go.

1:19:45 > 1:19:48I'm just... you know, fuck you, man.

1:19:48 > 1:19:49- Yeah, let's go. - He needs to sober up.

1:19:49 > 1:19:53All right. Sorry. Sit down. Sit down.

1:19:53 > 1:19:56He needs to fucking sober up. I mean, come on.

1:19:56 > 1:19:58You know what? Enough. No more.

1:19:58 > 1:20:01No more drinks, all right? I'm sorry. I'm sorry.

1:20:01 > 1:20:04No more. Do not drink anything. Carl's on his way, all right?

1:20:04 > 1:20:06- Where are you going? - I'll be right back.

1:20:06 > 1:20:08Don't drink and don't talk to anybody.

1:20:08 > 1:20:10No-one!

1:20:18 > 1:20:21Hey, Soledad. Do me a favour.

1:20:21 > 1:20:23- You're beautiful. - Oh, thank you.

1:20:23 > 1:20:25- You working? - No, I'm not.

1:20:25 > 1:20:27You know, I left something in here today.

1:20:27 > 1:20:29Could you just let me in for a second?

1:20:29 > 1:20:30Of course.

1:20:30 > 1:20:32Yeah. Thank you.

1:20:32 > 1:20:36Thanks. Gus?

1:20:36 > 1:20:38Hello?

1:20:40 > 1:20:41Hello?

1:20:48 > 1:20:50Oh, my God.

1:20:51 > 1:20:53Oh, my God.

1:20:58 > 1:21:00I mean, I'm wearing a linen suit, for God's sake

1:21:00 > 1:21:04and mascara's running all over my face

1:21:04 > 1:21:06and I'm the only fucking car in the parking lot.

1:21:06 > 1:21:07It's...

1:21:07 > 1:21:09PHONE RINGS

1:21:09 > 1:21:11..late...

1:21:11 > 1:21:14Hey, where did you go?

1:21:14 > 1:21:16Why?

1:21:20 > 1:21:22He's what?

1:21:22 > 1:21:25OK, look, look, look, we gotta call somebody, OK?

1:21:25 > 1:21:27We'll call down, and I'll say I left something in here

1:21:27 > 1:21:30and I came up and I knocked and he didn't answer, OK?

1:21:30 > 1:21:32what? What? Lee, I don't know what!

1:21:32 > 1:21:33- Just wait. - Fuck!

1:21:33 > 1:21:36Wait for what? Oh, my God!

1:21:36 > 1:21:39A few hours ago he was alive, OK? He was really alive!

1:21:39 > 1:21:41- Oh, man! - Gus?

1:21:41 > 1:21:43- Fuck, fuck! Do not touch him! - He's cold.

1:21:43 > 1:21:45- Jesus Christ! - Oh, my God!

1:21:45 > 1:21:46Of course he's cold!

1:21:46 > 1:21:48'I don't know if you can calculate.

1:21:48 > 1:21:52'I don't know if you can quantify...

1:21:52 > 1:21:56'the effect that would have on a ten-year-old girl.

1:21:56 > 1:21:59'I think Lee is like...

1:21:59 > 1:22:03'Have you ever seen a dog get hit by a car...

1:22:03 > 1:22:06'but walk away?

1:22:06 > 1:22:09'And...there's this impact...

1:22:09 > 1:22:11'and you know something terrible

1:22:11 > 1:22:14'has happened to that dog

1:22:14 > 1:22:16'but it walks away

1:22:16 > 1:22:20'and it doesn't seem to even realise the implications

1:22:20 > 1:22:21'cos it just goes on.

1:22:21 > 1:22:25'But you know that something terrible

1:22:25 > 1:22:27'has happened inside this dog.'

1:22:27 > 1:22:29Why do you think he did it?

1:22:29 > 1:22:33Oh, God, I don't know.

1:22:33 > 1:22:38It's some weird sex thing. I don't know.

1:22:38 > 1:22:41No. Not this.

1:22:46 > 1:22:48'That's, I think, what happened to Lee.

1:22:48 > 1:22:50'It's like - it's like -

1:22:50 > 1:22:52'she's a dog that got hit by a car, and she walked away...

1:22:52 > 1:22:56'and she's still walking, but...'

1:22:56 > 1:22:58I don't know. I guess he was really sad.

1:22:58 > 1:23:03'..some very, very important things inside her are damaged.'

1:23:10 > 1:23:12Jesus.

1:23:16 > 1:23:20So...my wife and I were having trouble

1:23:20 > 1:23:23and I said I thought maybe we were in a rut

1:23:23 > 1:23:25and that maybe we should try something

1:23:25 > 1:23:29to liven things up, and she said, like what?

1:23:29 > 1:23:35And I said like maybe we should tape ourselves doing it.

1:23:35 > 1:23:37And she was completely shocked by this

1:23:37 > 1:23:39and she thought it was beyond disgusting

1:23:39 > 1:23:42and that was that for, like, four months.

1:23:42 > 1:23:44And then one night, out of the blue

1:23:44 > 1:23:48she says, let's do it.

1:23:51 > 1:23:56So, we get it all set up, and I'm ready and she's ready...

1:23:56 > 1:24:00and she has gone out and bought herself

1:24:00 > 1:24:04a little toy to use in the video.

1:24:04 > 1:24:05Really?

1:24:05 > 1:24:10Well, it's not a little toy. It's a - it's a huge...

1:24:12 > 1:24:14Fucking... I mean, it was...

1:24:14 > 1:24:16No-one has a...you know, OK.

1:24:16 > 1:24:17Well, anyway, I took one look at this thing...

1:24:17 > 1:24:21And I knew I would not be able to...

1:24:21 > 1:24:25I mean, it - I just couldn't - I couldn't...

1:24:28 > 1:24:30I couldn't.

1:24:33 > 1:24:36So we haven't.

1:24:36 > 1:24:40And, you know...

1:24:40 > 1:24:44You can't come back from something like that.

1:24:44 > 1:24:48I don't know whether she lost respect for me...

1:24:48 > 1:24:53Or I lost respect for myself, but something was lost.

1:24:55 > 1:24:57What are you going to do?

1:24:57 > 1:25:00I have no idea.

1:25:00 > 1:25:03I mean, I know professionally, I'm gonna go back to teaching.

1:25:03 > 1:25:05I always loved teaching.

1:25:05 > 1:25:06- Really? - Yeah.

1:25:06 > 1:25:09Never learned a thing in my life, but I love teaching.

1:25:09 > 1:25:13The legacy of higher education.

1:25:13 > 1:25:15What about your wife?

1:25:18 > 1:25:21I...

1:25:21 > 1:25:24will hope that we get over this.

1:25:26 > 1:25:30Aside from loving her, I just really like her.

1:25:30 > 1:25:33A lot.

1:25:33 > 1:25:36But...

1:25:36 > 1:25:41I guess she thinks everyone and everything is against her.

1:25:41 > 1:25:45Somehow I just think...

1:25:45 > 1:25:47it keeps her from being happy.

1:25:53 > 1:25:55Is that your wife?

1:25:57 > 1:25:58- Hey! - Hi.

1:25:58 > 1:26:03- I'm with Dr Green. - This is...Heather, this is Lee.

1:26:03 > 1:26:06- Django, he was sick. - Django ate the brownies.

1:26:06 > 1:26:08- Yeah. - He's OK.

1:26:08 > 1:26:10- He's fine now. - We put him to bed.

1:26:10 > 1:26:11Are you OK?

1:26:13 > 1:26:16Um, the...

1:26:16 > 1:26:20They found Gus in his hotel room.

1:26:20 > 1:26:22He's...he's dead.

1:26:22 > 1:26:24He's...

1:26:25 > 1:26:27I should go.

1:26:27 > 1:26:30OK, OK. Thank you. Thank you. Thank you for that.

1:26:30 > 1:26:32Yeah.

1:26:42 > 1:26:44He's dead.

1:26:46 > 1:26:48Oh, sweetie pie. OK.

1:26:55 > 1:26:57Well...

1:27:03 > 1:27:06If you ever left me, I would die.

1:27:06 > 1:27:10I would die. Please don't.

1:27:13 > 1:27:14OK.

1:27:34 > 1:27:37I just want this day to be over.

1:27:56 > 1:27:57Yeah. Let it out.

1:28:15 > 1:28:18- Happy birthday. - Thanks.

1:28:24 > 1:28:27Hi.

1:28:27 > 1:28:29Did you have any interesting dreams last night?

1:28:29 > 1:28:32um...no. Back to normal.

1:28:34 > 1:28:37I had an Afro.

1:28:43 > 1:28:46LEE: 'I really don't know what you should do...

1:28:46 > 1:28:47'when you're in love with someone.

1:28:47 > 1:28:50'I know that you're thinking about them all the time.

1:28:50 > 1:28:53'You want to be with them and see things with them.

1:28:53 > 1:28:56'I think it's impossible. It's an ideal to just think...

1:28:56 > 1:29:00'that you can actually be kind all the time

1:29:00 > 1:29:03'and never be disappointed in them or by them.

1:29:03 > 1:29:09'It's hard. I mean, it's like the dream is short-lived.'

1:29:09 > 1:29:15CARL: 'You've got to keep hoping that...

1:29:19 > 1:29:21'that there's more.'

1:29:23 > 1:29:26FRANCESCA: 'You know, you always...

1:29:26 > 1:29:27'It's when you least expect it

1:29:27 > 1:29:30'that something kind of pops up, literally.

1:29:30 > 1:29:32'He just was... appeared, kind of.

1:29:32 > 1:29:34'Um, so...

1:29:34 > 1:29:40'And nice that it's somebody that I knew a really long time ago.

1:29:40 > 1:29:44'And, clearly, you know, paid attention to me...

1:29:44 > 1:29:46'before I was, you know, blonde.

1:29:48 > 1:29:50'So, that makes it nice...

1:29:50 > 1:29:54'but I think that it's just fate, and it's kind of, um...

1:29:54 > 1:29:56'I don't know. And today, just negative ions in the air...

1:29:56 > 1:30:00'bringing good fortune and...and, yeah.

1:30:00 > 1:30:02'Yeah.

1:30:02 > 1:30:05'Sam Osborne.'

1:30:18 > 1:30:20CALVIN: 'I think, you know, with Lucy...

1:30:20 > 1:30:22'She's a good listener, like I said,

1:30:22 > 1:30:27'but she's also, you know, she's teaching me stuff.

1:30:27 > 1:30:30'She comes from a nice family. Her parents are still together.

1:30:30 > 1:30:32'She got three-four brothers and sisters

1:30:32 > 1:30:34'and they're a real close-knit family.

1:30:34 > 1:30:37'It's just the opposite of where I had come from.

1:30:37 > 1:30:40'I don't know. Honestly, I don't know what it is.

1:30:40 > 1:30:43'I mean, I gotta just kinda go off my gut right now...

1:30:43 > 1:30:46'and just see what feels right. And right now...

1:30:46 > 1:30:49'when I'm with Lucy, man, it just feels right.'

1:31:26 > 1:31:29Catherine.

1:31:29 > 1:31:31Nicholas.

1:31:31 > 1:31:33You're here.

1:31:33 > 1:31:35I am.

1:31:35 > 1:31:36I wasn't sure.

1:31:36 > 1:31:39Neither was I...

1:31:40 > 1:31:43Until now.

1:32:28 > 1:32:31- Did you get that? - The announcement? No.

1:32:35 > 1:32:37- Where you going? - Oh, Tucson.

1:32:37 > 1:32:39- I'm going to Tucson. - Oh, yeah?

1:32:39 > 1:32:40- Yeah. - You ever been?

1:32:40 > 1:32:43No. It's supposed to be beautiful.

1:32:43 > 1:32:44That's what I hear. I've never been, either.

1:32:46 > 1:32:48- I'll see you on the plane. - All right.

1:32:48 > 1:32:50- Oh, are you Russian? - No.

1:32:50 > 1:32:54No, you're supposed to say, am I rushin' where?

1:32:58 > 1:33:01- That's funny. - Thanks.

1:33:09 > 1:33:11Hi. I'm sorry. Is this seat taken?

1:33:11 > 1:33:13- No, no. - Great.

1:33:15 > 1:33:18Sorry. I hope this isn't a full flight.

1:33:18 > 1:33:20- Yeah, I hope so, too. - Sorry.

1:33:20 > 1:33:22'You know, I was ready to go. I was at the airport...

1:33:22 > 1:33:24'and I met...

1:33:24 > 1:33:27'like, in the food court, I met this guy

1:33:27 > 1:33:30'and then he sat next to me on the plane

1:33:30 > 1:33:32'and we just hit it off.

1:33:32 > 1:33:34'His name's Arty, and we just...

1:33:34 > 1:33:38'He just made me laugh. He's really funny and sweet

1:33:38 > 1:33:41'and sort of open.

1:33:41 > 1:33:44'We just talked the whole time, the whole flight.'

1:33:44 > 1:33:50'She laughed in a way that made me feel like she saw me.

1:33:50 > 1:33:54'I blew off meeting...meeting Ann,

1:33:54 > 1:33:57'but we ended up spending the weekend together.

1:34:00 > 1:34:03'And she's terrific.'

1:34:03 > 1:34:05LINDA: 'It was amazing. We just had an amazing time.

1:34:05 > 1:34:08'It was definitely...

1:34:08 > 1:34:10'It was like out of a movie.'

1:36:19 > 1:36:24This is, like, the apex of the drama.

1:36:24 > 1:36:27When we know who the killer is...

1:36:27 > 1:36:29I know. The audience doesn't know yet.

1:36:29 > 1:36:30But I know.

1:36:32 > 1:36:34And this is where you see me put the pieces together.