Match Point

0:00:11 > 0:00:21This programme contains some strong language.

0:00:21 > 0:00:24SCRATCHY OPERA MUSIC PLAYS

0:01:09 > 0:01:12MAN: The man who said, "I'd rather be lucky than good,"

0:01:12 > 0:01:13saw deeply into life.

0:01:14 > 0:01:19People are afraid to face how great a part of life is dependent on luck.

0:01:19 > 0:01:21It's scary to think so much is out of one's control.

0:01:23 > 0:01:26There are moments in a match when the ball hits the top of the net

0:01:26 > 0:01:30and for a split second it can either go forward or fall back.

0:01:32 > 0:01:35With a little luck, it goes forward and you win.

0:01:36 > 0:01:39Or maybe it doesn't and you lose.

0:01:56 > 0:01:58Just this way.

0:01:59 > 0:02:02So, the Beach Club, Montebourg, tennis instructor,

0:02:02 > 0:02:05Stanford House, Forty Village, Denair, Nice...

0:02:05 > 0:02:07Yes, I've had a good deal of experience.

0:02:07 > 0:02:10Yes, so I see. And I've heard very good things.

0:02:10 > 0:02:11You don't miss playing professionally?

0:02:11 > 0:02:14I thank God every day I don't have to do it.

0:02:14 > 0:02:16I hate the whole tennis tour thing.

0:02:16 > 0:02:18The constant travelling and...

0:02:18 > 0:02:21I was never going to be Rusedski or Agassi.

0:02:21 > 0:02:22You have to really want it -

0:02:22 > 0:02:25not that I have their talent.

0:02:25 > 0:02:28Well, your credentials and references are excellent.

0:02:28 > 0:02:30- And you want to live in London? - Very much.

0:02:30 > 0:02:32Very much.

0:02:32 > 0:02:35We have a very exclusive membership here.

0:02:36 > 0:02:37You can begin this weekend.

0:02:37 > 0:02:39Thank you.

0:02:39 > 0:02:41Thank you very much.

0:02:42 > 0:02:44- MAN:- Uh, that's your sofa, which also doubles up as a bed,

0:02:44 > 0:02:47which is great, you know, 'cause you can be watching some telly

0:02:47 > 0:02:49you ain't got the hassle of having to go to a bedroom.

0:02:49 > 0:02:51You can just open it up, get your kip.

0:02:51 > 0:02:54Uh, kitchen just through there.

0:02:54 > 0:02:57All your amenities, fixtures, fittings, washer, dryer.

0:02:57 > 0:02:59All that stuff.

0:02:59 > 0:03:00Lovely view not overlooked.

0:03:00 > 0:03:03So, uh, it's all good.

0:03:03 > 0:03:05This is £225 a week?

0:03:05 > 0:03:06Well, it's London, mate.

0:03:06 > 0:03:09Bang, mate. You know, if you don't like it move to Leeds.

0:03:09 > 0:03:11Do you know what I mean? You got a wok?

0:03:11 > 0:03:14You got a wok? It's one of those oriental sort of conical pans.

0:03:14 > 0:03:17- No, no, no.- The geezer who was here before, he left one in there.

0:03:17 > 0:03:19You're welcome to it. I'll throw that in.

0:03:19 > 0:03:21- I'll take it. - That's a good choice.

0:03:36 > 0:03:37Very good.

0:03:40 > 0:03:42HE SIGHS

0:03:49 > 0:03:53Chris Wilton, this is Tom Hewett.

0:03:53 > 0:03:54- Very nice to meet you. - Pleasure.

0:03:54 > 0:03:56I think Chris will be the perfect instructor for you.

0:03:56 > 0:03:59He's very patient, great at analysing a player's faults.

0:03:59 > 0:04:00- SIGHS:- I'm so out of practice.

0:04:00 > 0:04:02I mean, I haven't played since university.

0:04:02 > 0:04:05And I loved it, but I haven't picked up a racquet in bloody ages, so...

0:04:05 > 0:04:07Don't worry. It comes back.

0:04:07 > 0:04:09What you can't do is rush in and be discouraged.

0:04:09 > 0:04:11OK.

0:04:11 > 0:04:13- Good luck. - Thank you very much.

0:04:13 > 0:04:14- Have a go?- Brilliant.

0:04:26 > 0:04:30OK, so who was better or tougher - Henman or Agassi?

0:04:30 > 0:04:32- They were both great. - Yeah, I know.

0:04:32 > 0:04:34But, I mean, you held your own more than admirably.

0:04:34 > 0:04:36For a while.

0:04:36 > 0:04:38But as the game goes on, you see how really good they are.

0:04:38 > 0:04:40- Actually, I'll get this. - No, no, no.

0:04:40 > 0:04:41- No, please, Tom, I insist.- No.

0:04:41 > 0:04:44- Get your dirty, great forehand off. - HE SIGHS

0:04:46 > 0:04:47Thank you. I'll get the next one.

0:04:47 > 0:04:50So, do you need a lift after this?

0:04:50 > 0:04:53Actually, I'm looking for a music store. I want to buy some CDs.

0:04:53 > 0:04:55Music around here?

0:04:55 > 0:04:57I think there's one on the Fulham Road.

0:04:57 > 0:04:59And they'll have a decent opera section?

0:04:59 > 0:05:02- Opera? You like opera? Really? - I love opera.

0:05:02 > 0:05:06Papa gives loads to the Royal in Covent Garden.

0:05:06 > 0:05:08I know this is gonna sound a bit weird,

0:05:08 > 0:05:10but...would you like to go to the opera tomorrow night?

0:05:10 > 0:05:12LAUGHS: To the opera?

0:05:12 > 0:05:15Yeah. I mean, we've got a box and someone's not coming.

0:05:15 > 0:05:17It's 'La Bloody Traviata'.

0:05:17 > 0:05:21LAUGHS: My God. I'd love to.

0:05:21 > 0:05:24Are you sure it's not an imposition? Can I at least pay for my seat?

0:05:24 > 0:05:26It's not an imposition. It'd be an absolute pleasure.

0:05:26 > 0:05:30I just like the fact that we both share a love for opera. Brilliant.

0:05:32 > 0:05:34- So...- So I said to David...

0:05:34 > 0:05:35Evening, all. Hello, Mum.

0:05:36 > 0:05:38Hello, sweetheart. Very nice to see you.

0:05:38 > 0:05:40This is Chris. This is my father, Alec.

0:05:40 > 0:05:43I hear you're an incredible tennis player.

0:05:43 > 0:05:46I played once, and then I gave up and then I went back, then I gave up...

0:05:46 > 0:05:49THEY ALL TALK AT ONCE

0:05:51 > 0:05:53And this is my sister.

0:05:53 > 0:05:54- There's a chair somewhere. - Hi. I'm Chloe.

0:05:54 > 0:05:56- Hello, Chloe. - There's two more there.

0:05:56 > 0:05:59MAN SINGS OPERA

0:06:44 > 0:06:48Yeah, well, the olds say thank you very much for the lovely flowers.

0:06:48 > 0:06:51They said it was very thoughtful and totally unnecessary.

0:06:51 > 0:06:53But, uh, off the record -

0:06:53 > 0:06:55well done, A plus, 'cause they love that sort of thing.

0:06:55 > 0:06:59Oh, they're lovely people. And your sister's very bright.

0:06:59 > 0:07:01Frighteningly so at times.

0:07:01 > 0:07:03But, uh, anyway, she thought you were terrific

0:07:03 > 0:07:06and she wanted to invite you to our country house

0:07:06 > 0:07:07for the parents on Sunday.

0:07:07 > 0:07:10'Cause they're having a party, there'll be some good people

0:07:10 > 0:07:14and I'll play you some great music, because Dad's got an epic collection.

0:07:30 > 0:07:32HE GROANS

0:07:32 > 0:07:34Chloe, do you wanna have a knock with Chris for a bit?

0:07:34 > 0:07:36It's just that it's five o'clock somewhere, darling,

0:07:36 > 0:07:38and I've got some serious cocktails to start making.

0:07:38 > 0:07:41Irish, have you ever had a Cuba Libra or a Caipirinha?

0:07:41 > 0:07:44No, it'd be really boring for Chris to play with me on my own.

0:07:44 > 0:07:46It's really boring for him to play with me, but he's a good sport,

0:07:46 > 0:07:49and anyway, you've got better legs than I've got - chop, chop.

0:07:49 > 0:07:51Don't be silly. I teach people who've never held a racquet before.

0:07:51 > 0:07:53I'm so bad.

0:07:53 > 0:07:55Well, that's how you get better - playing with a stronger player.

0:07:55 > 0:07:57- Come on.- OK.

0:08:17 > 0:08:19- Was I dreadful?- Not at all.

0:08:19 > 0:08:21- You have a very unique style. LAUGHS:- Yeah.

0:08:21 > 0:08:23It's called "clumsy".

0:08:23 > 0:08:25How did you get to be so good, anyway?

0:08:25 > 0:08:27Tom says you played with some of the real greats.

0:08:27 > 0:08:30For me, it was a way out of a poor existence.

0:08:30 > 0:08:33Caught the eye of a good coach, I don't know.

0:08:34 > 0:08:35It all came so easy at first.

0:08:36 > 0:08:38- Do you enjoy teaching?- Not really.

0:08:38 > 0:08:40I mean, it's OK for now.

0:08:40 > 0:08:43But I'd cut my throat if I thought I had to do it forever.

0:08:43 > 0:08:45I'd like to do something with my life, you know?

0:08:45 > 0:08:48Special. I'd like to make a contribution.

0:08:49 > 0:08:52So, you're a poor boy from Ireland come to London.

0:08:52 > 0:08:54- I love it.- Mmm.

0:08:54 > 0:08:55It's so exciting and alive.

0:08:55 > 0:08:58I've never seen so much art or theatre -

0:08:58 > 0:09:00not that I've taken much advantage of it yet.

0:09:00 > 0:09:02Well, look, if you'd like someone to show you round,

0:09:02 > 0:09:04I grew up in Belgravia.

0:09:04 > 0:09:06I'd be happy to take you to all the good places.

0:09:06 > 0:09:08That'd be great.

0:09:08 > 0:09:11On one condition - I buy the tickets.

0:09:11 > 0:09:13Oh, dear. Is that going to be an issue?

0:09:13 > 0:09:15I'm afraid it is. SHE LAUGHS

0:09:15 > 0:09:16I've very old-fashioned.

0:09:16 > 0:09:19But, actually, I did read something about the...

0:09:19 > 0:09:21exhibition in the Saatchi Gallery.

0:09:21 > 0:09:22That's perfect.

0:09:22 > 0:09:25It'd be my pleasure to take you.

0:09:25 > 0:09:27You're very kind to offer this.

0:09:27 > 0:09:29Can I at least give you some free tennis lessons?

0:09:29 > 0:09:30- LAUGHS:- OK. It's a deal.

0:09:30 > 0:09:32How about Wednesday for the Saatchi?

0:09:33 > 0:09:35I can do that.

0:09:35 > 0:09:36Shall we meet for lunch first?

0:09:37 > 0:09:39It's a date.

0:09:39 > 0:09:41I'd better get ready. Your guests will be arriving soon.

0:09:41 > 0:09:43Yeah, yeah, of course. Go.

0:09:43 > 0:09:45Sweaty tennis players - hardly what they expect.

0:09:46 > 0:09:49OPERA MUSIC PLAYS

0:10:40 > 0:10:43WOMAN: So, who's my next victim?

0:10:44 > 0:10:46You?

0:10:46 > 0:10:48I haven't played table tennis in quite a while.

0:10:49 > 0:10:51Would you like to play for £1,000 a game?

0:10:53 > 0:10:55What did I walk into?

0:11:05 > 0:11:07- What did- I- walk into?

0:11:09 > 0:11:10It's like this.

0:11:11 > 0:11:13- May I?- Please.

0:11:15 > 0:11:19You have to lean in and hit through the ball.

0:11:22 > 0:11:25I was doing just fine until you showed up.

0:11:25 > 0:11:27Ah - the story of my life.

0:11:28 > 0:11:31So, tell me - what's a beautiful young American ping-pong player

0:11:31 > 0:11:33doing mingling amongst the British upper class?

0:11:38 > 0:11:42Did anyone ever tell you you play a very aggressive game?

0:11:45 > 0:11:47Did anyone ever tell you you have very sensual lips?

0:11:51 > 0:11:53Extremely aggressive.

0:11:53 > 0:11:55I'm naturally competitive.

0:11:56 > 0:11:57Is it off-putting?

0:11:59 > 0:12:01I'll have to think about that for a while.

0:12:01 > 0:12:03HE LAUGHS

0:12:05 > 0:12:07- MAN:- Ah, there you are.

0:12:07 > 0:12:08I wanted to introduce you to Chris Wilton.

0:12:08 > 0:12:12Chris Wilton, this is Nola Rice, my fiancee.

0:12:12 > 0:12:15Ah. So, you're the tennis pro.

0:12:15 > 0:12:16Hello, darling.

0:12:16 > 0:12:18A pleasure.

0:12:18 > 0:12:20He was trying to have his way with me over the table.

0:12:20 > 0:12:22Oh, really? Well, you'd better watch out for this one.

0:12:22 > 0:12:24He's made a living out of hustling.

0:12:25 > 0:12:27I'll be ready for you next time.

0:12:29 > 0:12:31I'll see you outside.

0:12:31 > 0:12:32Oh, yeah.

0:12:38 > 0:12:41- SIGHS:- She's quite something, isn't she?

0:12:43 > 0:12:45How long have you been together?

0:12:45 > 0:12:46Mmm, six months.

0:12:46 > 0:12:48Jesus, yeah. Six months.

0:12:48 > 0:12:51She came over to study acting and I met her at a party that I'd crashed

0:12:51 > 0:12:56and she'd crashed, and... one thing led to another.

0:12:56 > 0:12:58I will say, it's taken Mother quite a while

0:12:58 > 0:13:00to get used to the idea that I'm serious about her,

0:13:00 > 0:13:02but...to be honest with you,

0:13:02 > 0:13:04Mother's always had this funny little agenda

0:13:04 > 0:13:07for me which doesn't really involve marrying a struggling actress.

0:13:07 > 0:13:10Especially an American one.

0:13:11 > 0:13:12But I am crazy about her.

0:13:13 > 0:13:17Anyway, I think we should all go to dinner next week. What do you think?

0:13:17 > 0:13:19- I'd love to.- Excellent.

0:13:19 > 0:13:22Now, Irish, how about a little drop of Scottish before supper?

0:13:22 > 0:13:23Why not?

0:13:23 > 0:13:25Lead on. Quickly.

0:14:03 > 0:14:06SOFTLY: These afternoons have been great.

0:14:07 > 0:14:10I'm so glad your schedule allows you so much time off.

0:14:10 > 0:14:11Yes, it's fun.

0:14:11 > 0:14:13Although it wouldn't hurt to have a few more pupils.

0:14:16 > 0:14:17Do you need money?

0:14:19 > 0:14:20God, no.

0:14:20 > 0:14:22No, I'm fine.

0:14:22 > 0:14:24It's very sweet of you to ask, but I don't.

0:14:30 > 0:14:33I'm only asking because I care about you.

0:14:51 > 0:14:53Shall we go to your place or mine?

0:14:53 > 0:14:55I don't think mine's quite what you're used to.

0:14:55 > 0:14:57GIGGLES: Shut up.

0:14:57 > 0:14:59I think yours will be just great.

0:15:18 > 0:15:22You've been seeing a lot of Chris Wilton lately I understand.

0:15:22 > 0:15:24Yeah. He's very nice.

0:15:24 > 0:15:28I liked him. I just don't understand what he's aiming for.

0:15:28 > 0:15:31He certainly doesn't want to be a tennis pro for the rest of his life.

0:15:31 > 0:15:33Well, I find him very likeable.

0:15:33 > 0:15:35He's fought his way up the only way open to him.

0:15:35 > 0:15:37And he's not trivial.

0:15:37 > 0:15:39I had a very interesting conversation the other day

0:15:39 > 0:15:41about Dostoevski.

0:15:41 > 0:15:43Can't we do something for him?

0:15:43 > 0:15:45A place in one of your companies or something.

0:15:45 > 0:15:47- Has he expressed a desire?- No.

0:15:47 > 0:15:50But...he's open, you know, about his future.

0:15:50 > 0:15:52He really wants to make something of his life.

0:15:52 > 0:15:54Chloe, be careful.

0:15:54 > 0:15:57Tom's involved with a woman I have reservations about.

0:15:57 > 0:15:59- Don't rush off. - Tom's happy with Nola!

0:15:59 > 0:16:01You're prejudiced because she's American.

0:16:01 > 0:16:03She's spoilt and temperamental.

0:16:03 > 0:16:05She's an actress! They're emotional.

0:16:05 > 0:16:07She's deluding herself and she's moody. She's not right for Tom.

0:16:07 > 0:16:10Well, I care very deeply for Chris and I think he feels the same way.

0:16:10 > 0:16:12Who are you talking about?

0:16:12 > 0:16:14- Nola.- Oh.

0:16:25 > 0:16:28- Have you been waiting ages? - Not at all.

0:16:28 > 0:16:30Traffic was awful. The others will be here in a minute.

0:16:30 > 0:16:32They're probably stuck in it somewhere.

0:16:32 > 0:16:33Can I have a champagne cocktail, please?

0:16:36 > 0:16:38One of your father's associates spoke to me today

0:16:38 > 0:16:40about the possibility of a job.

0:16:40 > 0:16:41Did you say anything?

0:16:41 > 0:16:46Look, I just told Papa to keep his eyes open if anything juicy opened up

0:16:46 > 0:16:48so you could have first option - if you wanted it.

0:16:49 > 0:16:51- You're not cross, are you?- God, no.

0:16:51 > 0:16:54It's... extremely thoughtful of you.

0:16:55 > 0:16:57Thanks.

0:16:58 > 0:16:59Well, what do you think?

0:16:59 > 0:17:02I'm gonna have to think about it.

0:17:02 > 0:17:05I've never really seen myself in the business world.

0:17:05 > 0:17:06Mm-hm.

0:17:07 > 0:17:12So, what do you see for yourself? You know, in the future.

0:17:13 > 0:17:14I don't know, really.

0:17:16 > 0:17:18I mean, I'm sure it's a great opportunity.

0:17:18 > 0:17:21I think it is.

0:17:21 > 0:17:23Papa said it's a chance to learn the business.

0:17:23 > 0:17:27And if things go well, he'll see to it, you know,

0:17:27 > 0:17:29that you move up quickly or whatever.

0:17:30 > 0:17:33I've always felt so-so about office work.

0:17:33 > 0:17:36It's not exactly office work.

0:17:36 > 0:17:39Think of it more as a stepping stone.

0:17:39 > 0:17:45- To?- To a bigger job, more responsibility, greater earning potential.

0:17:45 > 0:17:47I don't know!

0:17:47 > 0:17:51You've always said how much you admired Papa's accomplishments.

0:17:52 > 0:17:54Well, of course.

0:17:54 > 0:17:57I mean, it's strange, but coming where I come from,

0:17:57 > 0:18:00I've always admired men like your father.

0:18:00 > 0:18:02Wealthy but not stuffy.

0:18:02 > 0:18:06Enjoying his fortune, having a grand time,

0:18:06 > 0:18:07supporting the arts.

0:18:07 > 0:18:11Well, he'd really like to open some doors for you, that's all.

0:18:11 > 0:18:12He's a very generous man.

0:18:12 > 0:18:16He respects how you've pulled yourself up against the odds.

0:18:19 > 0:18:21You don't seem very enthusiastic.

0:18:21 > 0:18:24I'm sorry. I hope my hesitation isn't upsetting.

0:18:24 > 0:18:26No, no. Not at all.

0:18:26 > 0:18:27It's just that, you know,

0:18:27 > 0:18:30you've always talked about making a contribution and...

0:18:30 > 0:18:32- I'm sorry.- I will.

0:18:34 > 0:18:36- Oh, good.- Hello.

0:18:36 > 0:18:38Hi there.

0:18:43 > 0:18:46Don't worry. The traffic was awful.

0:18:46 > 0:18:49It's my fault. I dragged Nola to the classic car show.

0:18:49 > 0:18:52It's, uh...it was unbelievable.

0:18:52 > 0:18:53I swear, my trousers are barely dry.

0:18:53 > 0:18:55Oh, God. Shut up.

0:18:55 > 0:18:56You love cars, though, don't you, Chris?

0:18:56 > 0:18:58- I think the old ones are beautiful. - Ah.

0:18:58 > 0:19:00Yeah, I like the old ones.

0:19:00 > 0:19:03But Tom likes all those new ones with the gadgets and...

0:19:03 > 0:19:05I want an Aston Martin.

0:19:05 > 0:19:07- I drove an Aston Martin.- Really?

0:19:07 > 0:19:09Yeah, I used to work... work for a man

0:19:09 > 0:19:11and I used to wash his cars for him.

0:19:11 > 0:19:13He was very, very particular about taking care of them,

0:19:13 > 0:19:15so I had to wash them every day with a toothbrush.

0:19:15 > 0:19:20I want an Aston Martin or one of those vintage convertible Mercedes.

0:19:20 > 0:19:23Well, when we're married, we'll collect vintage cars -

0:19:23 > 0:19:26just as long as I can have a DB9 with all the trimmings, OK?

0:19:26 > 0:19:29In fact, Headley is perfect for keeping all those cars.

0:19:29 > 0:19:31- In fact, speaking of Headley... - Should we order?

0:19:31 > 0:19:33- 'Cause he's waiting. - Oh, crikey. Sorry.

0:19:33 > 0:19:35Uh, I'll have the baked potatoes with truffles. That'd be lovely.

0:19:35 > 0:19:37I'd like the same, please.

0:19:37 > 0:19:39WAITER: Nothing to start?

0:19:39 > 0:19:40Oh, I think the wine list.

0:19:42 > 0:19:44I'll have the caviar blinis, please.

0:19:44 > 0:19:46Uh, roast chicken.

0:19:46 > 0:19:48God, boring!

0:19:48 > 0:19:49Honestly, they have the greatest caviar blinis here.

0:19:49 > 0:19:51- You should try them.- That's OK.

0:19:51 > 0:19:52No, do you like caviar?

0:19:52 > 0:19:54- So-so.- "So-so."

0:19:56 > 0:19:58He's been brought up as a good boy to always order modestly.

0:19:58 > 0:20:01- I'm very sorry. - He'll have the blinis.

0:20:01 > 0:20:05My goodness, was your father an oil rigger who specialised in etiquette?

0:20:05 > 0:20:06Uh, he was kind of austere.

0:20:06 > 0:20:09Chris's dad was a bit of a religious fanatic.

0:20:09 > 0:20:12- Oh, Christ.- After he lost both his legs he found Jesus.

0:20:12 > 0:20:16God. Sorry, but it just doesn't seem like a fair trade.

0:20:16 > 0:20:18SHE LAUGHS

0:20:18 > 0:20:19What were you saying about Headley?

0:20:19 > 0:20:21Oh, Papa's invited us for some shooting.

0:20:21 > 0:20:24So I'd better bring a different change of clothes.

0:20:24 > 0:20:26Your mother didn't appreciate what I brought last time.

0:20:26 > 0:20:28I think that was your swimsuit.

0:20:28 > 0:20:29She's just used to slightly more fabric.

0:20:29 > 0:20:33I'm sure if she knew you'd worn it in a movie she'd suddenly find it chic.

0:20:33 > 0:20:35- True.- Have you done many movies?

0:20:35 > 0:20:38It was a commercial, not a movie.

0:20:38 > 0:20:40But your eyes went straight to her, if you know what I mean.

0:20:40 > 0:20:44I don't think my career has really gone as planned.

0:20:44 > 0:20:46Oh, you just need a break.

0:20:46 > 0:20:48I think it's important to be lucky in anything.

0:20:48 > 0:20:50Well, I don't believe in luck. I believe in hard work.

0:20:50 > 0:20:51- Mmm.- Oh, hard work is mandatory.

0:20:51 > 0:20:55But I think everybody's afraid to admit what a big part luck plays.

0:20:55 > 0:20:58I mean, it seems scientists are confirming more and more

0:20:58 > 0:21:00that all existence is here by blind chance.

0:21:00 > 0:21:04No purpose, no design.

0:21:04 > 0:21:07Well, I don't care. I love every minute of it.

0:21:07 > 0:21:08And I envy you for it.

0:21:08 > 0:21:11What was it the vicar used to say?

0:21:11 > 0:21:14"Despair is the path of least resistance."

0:21:14 > 0:21:16It was something odd, wasn't it?

0:21:16 > 0:21:18I think that faith is the path of least resistance.

0:21:18 > 0:21:20- Oh, God.- Oh, God.

0:21:20 > 0:21:21Can we change the subject, please?

0:21:21 > 0:21:24Nola was talking about acting, which is much more interesting.

0:21:24 > 0:21:30No, I was just saying that I think I'm giving acting a second thought.

0:21:30 > 0:21:35I just can't bear people in my home town to think I've failed.

0:21:35 > 0:21:37Not that I'm ever going back to Colorado.

0:21:37 > 0:21:39Ever.

0:21:40 > 0:21:42WAITER: Have you decided on a wine?

0:21:42 > 0:21:45Two bottles of Puligny-Montrachet, thank you.

0:21:45 > 0:21:47Good morning. Chris Wilton.

0:21:47 > 0:21:49- Rod Carver. Good to meet you. - Good to meet you.

0:21:49 > 0:21:52You'll be working under Alan Sinclair here.

0:21:52 > 0:21:54Hi, Alan. How are you?

0:21:54 > 0:21:57At first you may find the assignments a little unchallenging,

0:21:57 > 0:22:00but that'll soon change as you appreciate how things wash here.

0:22:00 > 0:22:02- It's basically nine to five. - Yes, yes.

0:22:02 > 0:22:05So you'll have plenty of time to keep up the backhand, if you like.

0:22:05 > 0:22:07And if you're OK with the package,

0:22:07 > 0:22:08we'd like to begin first of the month.

0:22:08 > 0:22:10I'm sure the salary won't be a problem.

0:22:10 > 0:22:14- Good to meet you, Alan. And Rod. - I'm sure you'll be happy here.

0:22:14 > 0:22:16Exciting things are happening.

0:22:18 > 0:22:20SHE LAUGHS

0:22:20 > 0:22:23Oh, I can't tell you how happy I am you've taken that job.

0:22:23 > 0:22:25It's such good news!

0:22:26 > 0:22:29Here, I brought you this to celebrate.

0:22:29 > 0:22:31Wow. Thank you.

0:22:32 > 0:22:35Believe me, in no time you'll be running that division.

0:22:35 > 0:22:38You're so much more on the ball than Alan Sinclair,

0:22:38 > 0:22:41who's nice, but...uninspiring.

0:22:41 > 0:22:43It's very rare.

0:22:43 > 0:22:45It has some beautiful arias on it.

0:22:45 > 0:22:48His voice expresses everything that's tragic about life.

0:22:49 > 0:22:51You find it tragic, do you?

0:22:51 > 0:22:53And you?

0:22:56 > 0:22:58I love it.

0:22:59 > 0:23:04Let's stay at home and have dinner and listen to the tragedy.

0:23:05 > 0:23:08I'm gonna open one of those bottles of wine I got you.

0:23:08 > 0:23:11Ah - Puligny-Montrachet.

0:23:11 > 0:23:13I never heard of it before Tom ordered it.

0:23:13 > 0:23:15Now I'm addicted.

0:23:15 > 0:23:17Tom and Nola invited us to go and see a film with them tonight,

0:23:17 > 0:23:19but I told them we're busy.

0:23:19 > 0:23:21Oh?

0:23:21 > 0:23:23We have no plans.

0:23:23 > 0:23:25Well, no special plans.

0:23:26 > 0:23:28I thought we said we'd stay in.

0:23:29 > 0:23:32Yeah, but it wasn't written in stone.

0:23:32 > 0:23:33We could have joined them.

0:23:33 > 0:23:35We still can if you'd prefer.

0:23:37 > 0:23:40It's...it's not a case of preferring it,

0:23:40 > 0:23:43it's just...we always have fun with them,

0:23:43 > 0:23:45and...you love films.

0:23:45 > 0:23:47Well, shall I call them?

0:23:49 > 0:23:51I mean, sure - unless you'd rather not.

0:23:53 > 0:23:57Well, it might be more fun just the two of us.

0:23:57 > 0:24:00The wine, the opera.

0:24:01 > 0:24:03Absolutely.

0:24:12 > 0:24:14I just figured...

0:24:15 > 0:24:17We can stay in any night,

0:24:17 > 0:24:20and they're free and suggested a film.

0:24:20 > 0:24:22What's the film?

0:24:22 > 0:24:24I don't know, but if you'd prefer it.

0:24:26 > 0:24:28I am in the mood for a film.

0:24:33 > 0:24:35TOM: Thank you so much for that.

0:24:40 > 0:24:42Hi, guys. One second.

0:24:44 > 0:24:46There you go, Pat. Thanks so much.

0:24:46 > 0:24:47Good luck with the Sky Blues.

0:24:49 > 0:24:50- Where is she?- Mmm.

0:24:50 > 0:24:53Nola got a migraine at the last moment

0:24:53 > 0:24:55and unfortunately she can't make it, but she sends her love.

0:24:55 > 0:24:57- Is she gonna be all right? - Yeah, she'll be fine.

0:24:57 > 0:24:59The hell with her. Motorcycle Diaries.

0:24:59 > 0:25:01I bet that was her choice.

0:25:04 > 0:25:06Everybody likes you at work.

0:25:06 > 0:25:08SHE LAUGHS

0:25:08 > 0:25:11Papa says he's heard great things.

0:25:13 > 0:25:15You're a very clever boy.

0:25:16 > 0:25:18SHE LAUGHS

0:25:32 > 0:25:34Hey!

0:25:34 > 0:25:36Hey.

0:25:36 > 0:25:37- Hi.- How are you?

0:25:37 > 0:25:39What are you doing here?

0:25:39 > 0:25:40I was, uh, just looking for a sweater.

0:25:40 > 0:25:42- Uh-huh.- The kind Tom has.

0:25:42 > 0:25:46- Is it cashmere?- Um, it's vicuna.

0:25:46 > 0:25:47- Vicuna.- Vicuna.

0:25:47 > 0:25:49- Yeah.- All right.

0:25:49 > 0:25:50Where are you going?

0:25:50 > 0:25:53- Oh, I'm just, uh, having a nervous breakdown.- Why?

0:25:53 > 0:25:55Well, I have an audition in 10 minutes and, uh,

0:25:55 > 0:26:00as usual my confidence level, which started off at a 10, is now a zero.

0:26:00 > 0:26:01Don't worry. You'll be great.

0:26:01 > 0:26:04Yeah. I'm gonna be late, so...

0:26:04 > 0:26:06- Are you walk... You wanna walk? - Yeah. Sure.

0:26:06 > 0:26:11Oh - my agent was supposed to meet me, but he cancelled,

0:26:11 > 0:26:13so that's awful.

0:26:13 > 0:26:15I'm alone to just...

0:26:15 > 0:26:17Would you like me to come along for moral support?

0:26:18 > 0:26:20Yes. That would be great.

0:26:20 > 0:26:23- Sure. It's not a problem. - If it's not a problem...

0:26:23 > 0:26:24No, it's not a problem.

0:26:24 > 0:26:27I used to get really tense before I had big tennis matches.

0:26:27 > 0:26:28Uh-huh.

0:26:28 > 0:26:30Have you ever tried yoga?

0:26:31 > 0:26:33- No.- No?

0:27:26 > 0:27:28Hi.

0:27:28 > 0:27:30- Hello. Hi.- Oh. Hey.

0:27:30 > 0:27:31How was it?

0:27:31 > 0:27:33- Blew that. - SHE LAUGHS UNCOMFORTABLY

0:27:33 > 0:27:35Just works, you know, at home,

0:27:35 > 0:27:40but, I don't know, I just can never really pull through in the end.

0:27:40 > 0:27:41You will. You will.

0:27:43 > 0:27:45You know what?

0:27:45 > 0:27:48I could actually use a drink just to pull myself together a little bit.

0:27:48 > 0:27:49- Sure.- OK.

0:27:49 > 0:27:51This way.

0:28:01 > 0:28:03What was I saying?

0:28:03 > 0:28:06Um...

0:28:06 > 0:28:10My sister went to college for a couple of years,

0:28:10 > 0:28:12um, but I'm like you - I'm self-taught.

0:28:13 > 0:28:15You should see my sister -

0:28:15 > 0:28:19she's very beautiful, but she's lost in drugs and...

0:28:20 > 0:28:22I'm sure she's not more beautiful than you are.

0:28:23 > 0:28:25Oh. What I am is sexy.

0:28:25 > 0:28:32Linda's...my sister, um, is classically beautiful.

0:28:34 > 0:28:37So, you are aware of your effect on men.

0:28:39 > 0:28:42Before my parents split, they used to put her in these pageants.

0:28:43 > 0:28:45- STAMMERS:- It's a joke.

0:28:46 > 0:28:48What'd your father do?

0:28:48 > 0:28:49Um...

0:28:49 > 0:28:53He...left.

0:28:54 > 0:28:56And, uh, never sent any money.

0:28:56 > 0:28:59And my mother could never hold down a job.

0:28:59 > 0:29:02- No?- No.

0:29:02 > 0:29:04Her problem was that she drank.

0:29:06 > 0:29:08How did you meet Tom?

0:29:09 > 0:29:13Um, we met at a party.

0:29:13 > 0:29:16He was...saw me across the room

0:29:16 > 0:29:21and he honed in on me like a guided missile.

0:29:21 > 0:29:24I...I liked him right off, you know.

0:29:24 > 0:29:28I thought, um...well, I think he's very handsome.

0:29:28 > 0:29:30Don't you?

0:29:30 > 0:29:31Very.

0:29:31 > 0:29:33And he asked you to marry him?

0:29:35 > 0:29:38Mmm - well, he...

0:29:39 > 0:29:43..swept me off my feet with presents and...you know.

0:29:43 > 0:29:45What did I know about that kind of life?

0:29:45 > 0:29:47I'm just a starving actress from Boulder, Colorado.

0:29:48 > 0:29:52But...I had another bad marriage behind me.

0:29:52 > 0:29:53That's another reason she hates me.

0:29:53 > 0:29:55Who?

0:29:55 > 0:29:57Eleanor - Tom's mother.

0:29:57 > 0:30:00She wants him to marry this girl named Olivia

0:30:00 > 0:30:02who I think is a distant cousin - I don't know.

0:30:02 > 0:30:05It's sick. It's such an inbred family. It's...

0:30:05 > 0:30:07And was it love at first sight for you too?

0:30:09 > 0:30:13Um, I thought he was very handsome.

0:30:13 > 0:30:17You know, and I told you I was just...

0:30:17 > 0:30:20I was overwhelmed with attention.

0:30:23 > 0:30:24So, what about you and Chloe?

0:30:28 > 0:30:30She's very sweet.

0:30:30 > 0:30:32Mmm.

0:30:33 > 0:30:35She's very sweet.

0:30:37 > 0:30:39And she wants to marry you.

0:30:39 > 0:30:42LAUGHS: I don't think her mother would approve of that either.

0:30:42 > 0:30:44No, no. It's different.

0:30:44 > 0:30:46I don't buy into Eleanor and she knows it,

0:30:46 > 0:30:50but you are being groomed.

0:30:50 > 0:30:52You mark my words.

0:30:52 > 0:30:56They almost died when they thought that Chloe had run off with some guy

0:30:56 > 0:30:58that ran a gastropub in the city.

0:30:59 > 0:31:01Mm-mm-mm.

0:31:02 > 0:31:04You're gonna do very well for yourself -

0:31:04 > 0:31:06unless you blow it.

0:31:06 > 0:31:09And how am I going to blow it?

0:31:12 > 0:31:14By making a pass at me.

0:31:17 > 0:31:19And what makes you think that's gonna happen?

0:31:21 > 0:31:23Men always seem to wonder.

0:31:25 > 0:31:28They think I'd be something very special.

0:31:28 > 0:31:30And are you?

0:31:33 > 0:31:36Well, no-one's ever asked for their money back.

0:31:39 > 0:31:42Where was all this confidence when you needed it in the audition?

0:31:49 > 0:31:51I've had too much to drink.

0:31:51 > 0:31:53- SHE CLEARS HER THROAT: - Can you get me a cab?

0:31:54 > 0:31:56Sure.

0:32:15 > 0:32:19Thank you. You were driving a bit fast, weren't you?

0:32:19 > 0:32:20Good morning.

0:32:20 > 0:32:24- CHLOE: Which one is he in? - Second one over.

0:32:24 > 0:32:25Is he gonna be all right?

0:32:25 > 0:32:28Well, yeah, Carmine came out to look at him the other week...

0:32:28 > 0:32:30- Oh, he's so sweet. - Basically the problem with the...

0:32:32 > 0:32:35- Tom, can I feed him? - Yeah, yeah. Whack in some hay.

0:32:41 > 0:32:43Hey, baby.

0:32:43 > 0:32:45You're so beautiful.

0:32:45 > 0:32:51What would you say to the idea of taking a business course at school

0:32:51 > 0:32:53the company would pay for?

0:32:53 > 0:32:54I don't know.

0:32:58 > 0:33:01I have had very good feedback on your work,

0:33:01 > 0:33:03and at the beginning of next year

0:33:03 > 0:33:05there's going to be a very significant position opening up -

0:33:05 > 0:33:10one that carries a great deal of responsibility and pays accordingly.

0:33:10 > 0:33:13Plus, there are a number of perks.

0:33:13 > 0:33:17Expense account, driver, etc.

0:33:17 > 0:33:19We had been focusing on someone else...

0:33:20 > 0:33:23..but it's obvious to me that you and Chloe have become close.

0:33:23 > 0:33:26Although I wouldn't consider it if I didn't think you were qualified.

0:33:26 > 0:33:28I'd hate to disappoint you.

0:33:28 > 0:33:32- Oh... Come on.- We're nearly ready.

0:33:33 > 0:33:35- I'll bring a gun for Chris. - Thanks, Tom.

0:33:36 > 0:33:39GUNSHOTS RING OUT

0:33:40 > 0:33:41Never mind, fella.

0:33:41 > 0:33:43This is basically a tune-up for the grouse season,

0:33:43 > 0:33:45which is starting soon.

0:33:45 > 0:33:46But it's, um, bloody good fun.

0:33:46 > 0:33:48Don't frighten him.

0:33:48 > 0:33:50His shooting's not really up to his tennis, poor thing.

0:33:50 > 0:33:52I'll make an accomplished grouse shooter of him yet.

0:33:52 > 0:33:53Don't you worry, Chris.

0:33:53 > 0:33:55- Quite right, Papa.- Come on, Chloe.

0:33:56 > 0:33:58THUNDER RUMBLES

0:33:58 > 0:34:02- Hi, darling. Have you seen my book? - No.

0:34:02 > 0:34:04How did your audition go?

0:34:04 > 0:34:07Oh, it was pretty awful, I'm afraid.

0:34:07 > 0:34:10It's her own fault, bless her. She just tightens up.

0:34:10 > 0:34:13Well, I'm sure something worthwhile will come along.

0:34:13 > 0:34:15Unfortunately, there's just not anything right now

0:34:15 > 0:34:17that I'm that great for.

0:34:19 > 0:34:21So, how long do you keep it up?

0:34:24 > 0:34:25How long?

0:34:25 > 0:34:28Well, if time passes and nothing significant materialises,

0:34:28 > 0:34:33how long do you keep on going before you decide that...

0:34:33 > 0:34:35to try something else?

0:34:36 > 0:34:38I hardly think Nola's reached that point, Mother.

0:34:38 > 0:34:42I'm not saying that - all I'm saying is you give acting a try for a time,

0:34:42 > 0:34:43and if you keep being disappointed,

0:34:43 > 0:34:45you have to ask yourself the question,

0:34:45 > 0:34:49"Is this really what I want in my life? Is this what I want?"

0:34:49 > 0:34:51Well, I do ask myself that.

0:34:51 > 0:34:54See? It's only logical, Tom.

0:34:54 > 0:34:56Especially for a woman.

0:34:56 > 0:34:59It's a particularly cruel business for a woman.

0:34:59 > 0:35:02And as you get older and time passes,

0:35:02 > 0:35:04if nothing happens it gets harder and harder.

0:35:04 > 0:35:07Eleanor, Nola isn't exactly over the hill.

0:35:07 > 0:35:11- SHE LAUGHS: I'm not saying NOW.- Oh.

0:35:11 > 0:35:14But I'm a great one for facing up to realities.

0:35:14 > 0:35:18Your take on these realities is your own opinion and nothing else,

0:35:18 > 0:35:20and, frankly, not everybody else is interested in hearing about it.

0:35:20 > 0:35:22Tom, don't raise your voice to your mother, please.

0:35:22 > 0:35:24I'm not raising my voice.

0:35:24 > 0:35:25I'm sorry, Papa, but she's always on Nola's case,

0:35:25 > 0:35:29continually discouraging her via...innuendos.

0:35:29 > 0:35:32All I'm saying is acting's so will-o'-the-wisp.

0:35:32 > 0:35:34Those that have it know it right off.

0:35:34 > 0:35:38To pursue it because you don't want to admit defeat to friends back home

0:35:38 > 0:35:40is, frankly, unrealistic.

0:35:40 > 0:35:41I'm sorry, but that's the way I feel.

0:35:41 > 0:35:44Excuse me.

0:35:44 > 0:35:45- Nola.- That's OK.

0:35:45 > 0:35:47I'd like to be alone, thanks.

0:35:47 > 0:35:49Well, thank you very much.

0:35:49 > 0:35:50And I'm sorry if I'm raising my voice now,

0:35:50 > 0:35:52but you know that's her Achilles heel emotionally.

0:35:52 > 0:35:55He's right, Eleanor. I think you've had one too many G&Ts.

0:35:57 > 0:36:00THUNDER RUMBLES

0:37:08 > 0:37:09I was looking for you.

0:37:11 > 0:37:13I was upset. I just wanted to be alone.

0:37:13 > 0:37:15I don't mean to intrude.

0:37:17 > 0:37:18I need a drink.

0:37:18 > 0:37:20I like you when you drink.

0:37:20 > 0:37:21You get flirtatious.

0:37:21 > 0:37:23- Do I?- Yeah.

0:37:23 > 0:37:26- And confident. - I don't think this is a good idea.

0:37:26 > 0:37:27You shouldn't have followed me here.

0:37:27 > 0:37:29Do you feel guilty?

0:37:30 > 0:37:32Do you?

0:37:40 > 0:37:41We can't do this.

0:37:43 > 0:37:44I know.

0:37:51 > 0:37:53This can't lead any place.

0:38:34 > 0:38:37SHE SINGS OPERA

0:39:06 > 0:39:07Hello.

0:39:08 > 0:39:10Darling, it's for you.

0:39:11 > 0:39:12- SOFTLY:- Take it outside.

0:39:28 > 0:39:30Well, there's hope at least.

0:39:30 > 0:39:31When's the call back?

0:39:34 > 0:39:36Just let me know when you hear anything at all,

0:39:36 > 0:39:38because I really think I could be great in this part.

0:39:40 > 0:39:43Yeah. OK.

0:39:43 > 0:39:44'Bye.

0:39:44 > 0:39:47Why have you been so cold to me?

0:39:47 > 0:39:49- I haven't been cold.- Yes, you have.

0:39:49 > 0:39:51Ever since we came back from the countryside

0:39:51 > 0:39:54you've been distant, evasive.

0:39:54 > 0:39:56I don't wanna encourage anything.

0:39:56 > 0:39:58What happened happened, Chris.

0:39:58 > 0:40:01I mean, the moment was very out of control for many reasons.

0:40:01 > 0:40:03I was upset, I was drinking, and the storm was...

0:40:03 > 0:40:06- Stop rationalising. - I'm not rationalising.

0:40:06 > 0:40:10Passions are passions, but we're both very involved with other people.

0:40:11 > 0:40:13You're not such a good actress, you know. It's not possible.

0:40:13 > 0:40:17SIGHS: You daydreamed about making love to me,

0:40:17 > 0:40:20and I'm not saying the fantasy didn't cross my mind, OK?

0:40:20 > 0:40:24We had our moment, but, you know, let's move on, get back to reality.

0:40:24 > 0:40:26Chris, we're gonna be brother- and sister-in-law.

0:40:26 > 0:40:29You're exactly as I pictured you...

0:40:29 > 0:40:31Chris, forget it. It's over.

0:40:44 > 0:40:45Thanks. Henry!

0:40:46 > 0:40:48- How are you?- Hey! Chris!

0:40:48 > 0:40:51- All right. God, look at you. - Good to see you.

0:40:51 > 0:40:53Yeah, looks like you're doing alright for yourself, aren't you?

0:40:53 > 0:40:55- You still doing the tennis tour? - Yeah, I love it.

0:40:55 > 0:40:56I love it. Look at this car.

0:40:56 > 0:40:58Oh, don't worry. It's not mine. It's the company's.

0:40:58 > 0:41:01Yeah, I know you found it a bit of a grind, didn't you?

0:41:01 > 0:41:03I'm still circling the globe, deluding myself.

0:41:03 > 0:41:05I just couldn't stand it.

0:41:05 > 0:41:07No. No, I heard you went into business.

0:41:07 > 0:41:09I'm a wheel in an office, if you can believe it.

0:41:09 > 0:41:12- A big wheel. - It's who you know, Henry.

0:41:12 > 0:41:14I got involved with a woman. Very nice.

0:41:14 > 0:41:16Family's got nothing but money.

0:41:16 > 0:41:20Big estate, servants, polo ponies - all quite lovely.

0:41:20 > 0:41:23Hey, look, I understand. Beats getting your heart broken all the time by the top seeds.

0:41:23 > 0:41:25Isn't it amazing how much life turns

0:41:25 > 0:41:27on whether the ball goes over the net or comes right back at you?

0:41:27 > 0:41:29I always admired your game, though, you know.

0:41:29 > 0:41:31- Thanks.- You were very steady.

0:41:31 > 0:41:32Cool under pressure but creative.

0:41:32 > 0:41:34You could be a poet with the racquet, like Laver was.

0:41:34 > 0:41:37- I lost to you as much as I beat you. - No.

0:41:37 > 0:41:38When I played you you never beat yourself.

0:41:38 > 0:41:40A couple of bounces the other way,

0:41:40 > 0:41:42you might have beaten some of those top seeds.

0:41:42 > 0:41:43Listen, can I buy you lunch?

0:41:43 > 0:41:46Actually, what about next time I'm in town? Give me your number.

0:41:46 > 0:41:50Certainly. Um...I'm moving into a new flat, so this is my business card.

0:41:50 > 0:41:51- You should call me any time. - Very impressive.

0:41:51 > 0:41:54It's so good to see you, Henry. You look well.

0:41:54 > 0:41:55And you, mate. You look very, very well.

0:41:55 > 0:41:57I could put lunch on the expense account, so...

0:41:57 > 0:41:59- Do call.- Good. Yeah, yeah.

0:41:59 > 0:42:00- 'Bye.- 'Bye.

0:42:03 > 0:42:06SHE GIGGLES

0:42:06 > 0:42:08Why on earth would your mother invite her here?

0:42:08 > 0:42:10She met her at the supermarket yesterday.

0:42:10 > 0:42:11- The supermarket? - Can you play the piano?

0:42:11 > 0:42:13No, I'm terrible!

0:42:13 > 0:42:15So, when are you two getting married?

0:42:15 > 0:42:16- Mummy!- Oh, gosh! Eleanor!

0:42:16 > 0:42:17Don't look so surprised!

0:42:17 > 0:42:20You've been like two peas in a pod for a long time now.

0:42:20 > 0:42:22Don't tell me the subject hasn't come up.

0:42:22 > 0:42:24Mummy, come with me. You need a strong cup of coffee.

0:42:24 > 0:42:26Come on!

0:42:26 > 0:42:29Eleanor doesn't hold back when she's had a few.

0:42:29 > 0:42:31Look, it's a reasonable question. Chloe and I have discussed it.

0:42:31 > 0:42:33We would be delighted to welcome you into the family.

0:42:33 > 0:42:35Tom would love having you as a brother-in-law,

0:42:35 > 0:42:37and whatever you need, you could always rely on us.

0:42:37 > 0:42:38I appreciate that.

0:43:14 > 0:43:16Uh-uh-uh. Darling, one second.

0:43:16 > 0:43:18I just think we, um...

0:43:22 > 0:43:24You two have met, haven't you? I'm sure you've met.

0:43:24 > 0:43:26I'm sorry. Um, who'd have thought...

0:43:26 > 0:43:28What - that we were hiding in the pantry?

0:43:28 > 0:43:29It's all her fault, you know.

0:43:29 > 0:43:32How can I help it if she gets turned on by sexual intimacy

0:43:32 > 0:43:34in places that we know we're gonna get caught?

0:43:34 > 0:43:36You... You! The risky business was your idea.

0:43:36 > 0:43:38All men who see you want to attack you.

0:43:40 > 0:43:42Isn't that right, Christopher?

0:43:42 > 0:43:44Oh, God, are you all right?

0:43:45 > 0:43:47I'm fine.

0:43:47 > 0:43:49I shouldn't drink on an empty stomach.

0:43:51 > 0:43:56I now pronounce you man and wife. You may kiss the bride.

0:44:04 > 0:44:07APPLAUSE

0:44:12 > 0:44:14Oh, my God!

0:44:14 > 0:44:17- This is incredible! - Isn't it?

0:44:17 > 0:44:19- What's up here? - That's the bedroom.

0:44:19 > 0:44:21There's another bedroom through there.

0:44:21 > 0:44:23The bathroom and the kitchen.

0:44:23 > 0:44:25- A little terrace.- Wow.

0:44:25 > 0:44:28- But look at this view. - That's breathtaking.

0:44:28 > 0:44:30I just wish I could afford it.

0:44:30 > 0:44:33Oh, don't bring that up again. You know it gives Papa pleasure to help.

0:44:35 > 0:44:38Come on! The light coming through every day.

0:44:38 > 0:44:40It's beautiful. It's huge!

0:44:40 > 0:44:42We're gonna get lost in here or something.

0:44:45 > 0:44:47Did I tell you I'm scared of heights?

0:44:47 > 0:44:48- Really?- Yeah.

0:44:48 > 0:44:50That could be a problem.

0:44:51 > 0:44:52I want you to make me pregnant.

0:44:54 > 0:44:57Chloe, we discussed this.

0:44:58 > 0:45:00- It's very quick.- It's not quick.

0:45:00 > 0:45:02We've been sleeping together for ages.

0:45:03 > 0:45:06I want three children, and I want them when I'm young.

0:45:08 > 0:45:11Come on, you can do it. You've got a powerful serve.

0:45:12 > 0:45:14Oh.

0:45:16 > 0:45:17Oh.

0:45:17 > 0:45:19Hey! Where are you?

0:45:21 > 0:45:22I know, I know. I'm sorry.

0:45:24 > 0:45:25Not good.

0:45:27 > 0:45:29Listen, I've gotta tell you something.

0:45:30 > 0:45:32What?

0:45:32 > 0:45:35Well, Nola and I...broke up.

0:45:35 > 0:45:38- No.- Yeah.

0:45:38 > 0:45:39Or I should say I called it off.

0:45:42 > 0:45:44I thought you were gonna get married.

0:45:44 > 0:45:46Yeah, well, it's rather embarrassing to say,

0:45:46 > 0:45:48but I think Mother rather poisoned the well on that one.

0:45:48 > 0:45:51Not that I have any intention in marrying Olivia sodding Alred,

0:45:51 > 0:45:53who's her main candidate.

0:45:53 > 0:45:54SCOFFS: God, no.

0:45:56 > 0:45:58I'm sorry. I don't understand.

0:45:59 > 0:46:01Well, I suppose the whole truth,

0:46:01 > 0:46:04nothing but the truth so help me God part of the situation

0:46:04 > 0:46:07is that...I've met someone else.

0:46:07 > 0:46:09- No.- Yeah.

0:46:09 > 0:46:13I met someone, I fell in love, and I just knew right away.

0:46:13 > 0:46:16Although the fact that my mother is in seventh heaven about her

0:46:16 > 0:46:19I keep trying to tell myself isn't a factor,

0:46:19 > 0:46:22but...you know what I mean.

0:46:36 > 0:46:40RINGING TONE

0:46:41 > 0:46:44RECORDING: 'The number you are calling is not available.

0:46:45 > 0:46:47'The number you are calling is not available.'

0:47:03 > 0:47:05Excuse me.

0:47:05 > 0:47:07- You looking for Miss Rice?- Yes.

0:47:07 > 0:47:09She's gone. Saw her yesterday.

0:47:09 > 0:47:10She's, uh...she's given up the apartment.

0:47:13 > 0:47:15- Did she say where?- Not to me!

0:47:17 > 0:47:19- Thanks.- That's all right.

0:47:21 > 0:47:23HE SIGHS

0:47:26 > 0:47:28What are you thinking about?

0:47:28 > 0:47:30Nothing.

0:47:30 > 0:47:31Just business.

0:47:35 > 0:47:38You know it's been over a week since we made love.

0:47:38 > 0:47:41Oh, Chloe, I'm beat.

0:47:42 > 0:47:44Am I being rejected?

0:47:44 > 0:47:45Of course not.

0:47:45 > 0:47:47OK. I can take a hint.

0:47:52 > 0:47:54Meanwhile, I don't know what's wrong.

0:47:54 > 0:47:56All my cousins get pregnant so easily.

0:47:56 > 0:47:59Look, it'll happen.

0:47:59 > 0:48:02I'm just...really tired.

0:48:03 > 0:48:04Kiss?

0:48:09 > 0:48:11Sweet dreams.

0:48:16 > 0:48:19I now pronounce you man and wife.

0:48:19 > 0:48:20You may kiss the bride.

0:48:26 > 0:48:29APPLAUSE

0:48:31 > 0:48:32Just in time.

0:48:32 > 0:48:34I'm almost starting to show.

0:48:37 > 0:48:39Well, you have to see a fertility doctor.

0:48:39 > 0:48:42I know. We've tried everything.

0:48:42 > 0:48:44What about this?

0:48:44 > 0:48:47His brushstrokes are really intense, aren't they?

0:48:47 > 0:48:49- Yeah, I don't like it.- No.

0:48:49 > 0:48:51Would you ever consider adopting?

0:48:51 > 0:48:54No, absolutely not. I want my own children.

0:48:54 > 0:48:57- This one?- Um...

0:48:57 > 0:48:58It's sort of...

0:48:58 > 0:49:01Did I tell you Victoria Fyfe is pregnant?

0:49:01 > 0:49:04- Really?- She's so happy.- Whoa.

0:49:04 > 0:49:06Her and her husband just found each other.

0:49:06 > 0:49:09All their neuroses intertwined so perfectly,

0:49:09 > 0:49:10and it just works like a charm.

0:49:10 > 0:49:12After all their unhappy relationships,

0:49:12 > 0:49:14they met during a traffic accident.

0:49:14 > 0:49:18- God.- I know. It's great.

0:49:18 > 0:49:20Well, our lawyers are going over it as we speak.

0:49:21 > 0:49:23You'll have a draft by Friday, I promise.

0:49:24 > 0:49:26If I have to work all night.

0:49:26 > 0:49:28OK. Thank you.

0:49:28 > 0:49:29Thanks.

0:49:35 > 0:49:37HE SIGHS

0:49:41 > 0:49:43Samantha, can I have two aspirin, please?

0:49:50 > 0:49:52Thanks.

0:49:53 > 0:49:55Are you OK, sir?

0:49:57 > 0:50:01SIGHS: Tell me, Samantha, do you ever feel claustrophobic in here?

0:50:01 > 0:50:04Um...no. Not really.

0:50:08 > 0:50:09Oh, Christ.

0:50:09 > 0:50:11I've gotta meet my wife at the Tate Modern.

0:50:11 > 0:50:13There's a new painter she wants to show me.

0:50:13 > 0:50:16If they call back, Samantha, tell them Friday, not before.

0:50:16 > 0:50:18Goodnight.

0:51:08 > 0:51:11- Chris.- Oh! I was looking for you.

0:51:11 > 0:51:15Hi, Carol. Hello, darling.

0:51:15 > 0:51:17They've got the most amazing new artists here.

0:51:17 > 0:51:20I want you to see this woman from St Ives.

0:51:20 > 0:51:21- Oh, yes. - Look, where are you going to be?

0:51:21 > 0:51:23Why?

0:51:23 > 0:51:26I have to make a phone call and I can't get any reception down here.

0:51:26 > 0:51:28Well, we'll be over there, but hurry, 'cause they're closing soon.

0:51:28 > 0:51:30I'm coming. OK.

0:52:28 > 0:52:29Hello.

0:52:31 > 0:52:32What a surprise.

0:52:32 > 0:52:36Yeah. I moved back into town.

0:52:36 > 0:52:37I didn't know you'd left town.

0:52:37 > 0:52:41Yeah, I was...really upset about everything that happened,

0:52:41 > 0:52:44so I just went back to America to look for a job.

0:52:44 > 0:52:46I thought you hated that place.

0:52:47 > 0:52:48Any place but here.

0:52:49 > 0:52:51I looked for you.

0:52:52 > 0:52:54For what?

0:52:54 > 0:52:56You're still so angry.

0:52:59 > 0:53:01Where are you living?

0:53:01 > 0:53:04In town. Why?

0:53:06 > 0:53:07You live alone?

0:53:07 > 0:53:10Why are you asking me these questions? Aren't you still married?

0:53:12 > 0:53:13Can I meet you for a drink?

0:53:13 > 0:53:15Talk?

0:53:17 > 0:53:19Where can I reach you?

0:53:19 > 0:53:22- Come on.- My goodness. Hello.

0:53:22 > 0:53:24Hi, darling. Look who I bumped into.

0:53:25 > 0:53:27- Hi.- Hi.

0:53:27 > 0:53:29- How are you? - I'm good. How are you?

0:53:29 > 0:53:31- You look great.- Thanks.

0:53:31 > 0:53:33How's Tom?

0:53:33 > 0:53:36He's fine. Really well.

0:53:36 > 0:53:38Yeah, I heard he got married.

0:53:38 > 0:53:39Yeah. They've got a baby.

0:53:40 > 0:53:42You know, Tom - all settled down.

0:53:42 > 0:53:44OK. I think I've found it.

0:53:44 > 0:53:46Do you two know each other? This is my friend Carol.

0:53:46 > 0:53:48- This is Nola.- Hi.

0:53:49 > 0:53:52We've been looking everywhere for this video installation.

0:53:52 > 0:53:53We can't find it all.

0:53:53 > 0:53:55Will you excuse us?

0:53:55 > 0:53:57- I think it's on the third floor. - Yeah. No, no, no.

0:54:00 > 0:54:01(Say your phone number.)

0:54:01 > 0:54:02(What's the point?)

0:54:02 > 0:54:05- Just...say your phone number. - Chris...

0:54:05 > 0:54:06Please.

0:54:06 > 0:54:08Say your phone number.

0:54:12 > 0:54:1502 079 460 996.

0:54:17 > 0:54:19I'll call you.

0:54:20 > 0:54:22'Bye.

0:54:24 > 0:54:26I think he really knows what he's doing.

0:54:26 > 0:54:28Didn't you get a good feeling about him?

0:54:28 > 0:54:31To me, fertility doctors are a cut above witch doctors.

0:54:31 > 0:54:33Yeah, well, he's not like that last one.

0:54:34 > 0:54:36- It's OK, John.- I feel like it's gonna happen this time.

0:54:36 > 0:54:38You go ahead. I've got a few meetings.

0:54:38 > 0:54:40- I'll drop you. - No, it's OK. It's nearby.

0:54:40 > 0:54:42- I'll walk. See you at home.- OK. 'Bye.

0:55:15 > 0:55:17You have a very charming flat.

0:55:17 > 0:55:20The area's not so run-down as you said it was.

0:55:20 > 0:55:24Um, I was lucky to find it on such short notice.

0:55:25 > 0:55:27I mean, it's not perfect.

0:55:27 > 0:55:29The building's been burglarised a couple of times

0:55:29 > 0:55:33and the woman down the hall has mice, but...you know.

0:55:33 > 0:55:36The lobby's decent.

0:55:36 > 0:55:38The key word is it's cheap.

0:55:40 > 0:55:41What time is it?

0:55:42 > 0:55:44Time for you to go.

0:55:45 > 0:55:46It's so hard to leave you.

0:55:51 > 0:55:53Beautiful woman.

0:55:58 > 0:56:00How'd you sleep?

0:56:01 > 0:56:02Good.

0:56:05 > 0:56:08God, did you see that stuff on the news last night

0:56:08 > 0:56:09about that earthquake in China?

0:56:09 > 0:56:12- Eugh. - Mmm. Terrible.

0:56:15 > 0:56:16And now there's this whole thing

0:56:16 > 0:56:19about how they've discovered an entirely new planet.

0:56:19 > 0:56:21- Yeah?- Yeah.

0:56:33 > 0:56:36I went looking for a space to rent for the new gallery yesterday.

0:56:36 > 0:56:38Papa's getting so into the idea.

0:56:38 > 0:56:40It should be good for you.

0:56:42 > 0:56:44- I've gotta go to work.- Oh, really?

0:56:44 > 0:56:45Mmm.

0:56:46 > 0:56:50I was kind of hoping we might, you know, before you went to work.

0:56:52 > 0:56:54It's my time of the month, and remember the doctor said

0:56:54 > 0:56:57we really should try and do it as often as we can in the morning.

0:56:59 > 0:57:01Darling, I'm gonna be late.

0:57:01 > 0:57:02Come on! It'll be fun.

0:57:02 > 0:57:04Wait, I've got to take my temperature first.

0:57:17 > 0:57:19So, you wanna meet the same time next week?

0:57:19 > 0:57:20Let me come up.

0:57:20 > 0:57:23We just spent an hour at the hotel. Don't tell me that you...

0:57:23 > 0:57:26I'm sorry. I can't help it. You drive me crazy.

0:57:26 > 0:57:28Mmm.

0:57:28 > 0:57:30Mmm! You're gonna be late for work.

0:57:30 > 0:57:32I don't care.

0:57:34 > 0:57:36Come on.

0:57:41 > 0:57:43- Oh, Mrs Eastby, hello.- Oh, hello.

0:57:43 > 0:57:46- Hey, did you get that pest control... - Oh, yes, yes.

0:57:46 > 0:57:49The traps work better with a little peanut butter.

0:57:49 > 0:57:50It's much better than cheese,

0:57:50 > 0:57:53despite the popular notion that cheese is best.

0:57:53 > 0:57:56- Oh, this is Mr Harris. - Good afternoon. How are you?

0:57:56 > 0:57:57- Hello.- See you later.

0:57:57 > 0:57:59- Bye-bye.- 'Bye.

0:58:30 > 0:58:33But I think that Bruslin Street would be perfect for the gallery

0:58:33 > 0:58:35because it's just right in the thick of things and...

0:58:35 > 0:58:37It'll just be a natural success, I think,

0:58:37 > 0:58:39because you're great at picking paintings of bric-a-brac.

0:58:39 > 0:58:40Yeah.

0:58:40 > 0:58:42Knowing my luck I'll get pregnant the minute it opens.

0:58:42 > 0:58:44Yeah, well, you can manage both.

0:58:44 > 0:58:46I mean, Hez didn't have a problem

0:58:46 > 0:58:47giving up Adair when we first had Rosie.

0:58:47 > 0:58:50No, but we did have a lot of help, though.

0:58:50 > 0:58:52But the nanny left us. Got a part in a movie.

0:58:52 > 0:58:55Oh, actually, you know who we bumped into the other day?

0:58:56 > 0:58:58Obviously you know, but... Nola.

0:58:58 > 0:59:01Well, I told you we saw her... When was it? Ages ago now.

0:59:01 > 0:59:05- Mmm.- Well, she's now working in a boutique on Ledbury Road -

0:59:05 > 0:59:06I think it's Paul & Joe's, or something.

0:59:06 > 0:59:08But she's just such an odd girl.

0:59:08 > 0:59:12I mean, she still looks great - I'm sorry, but it's true.

0:59:12 > 0:59:16But something's just changed in her face.

0:59:16 > 0:59:17I mean, we barely spoke.

0:59:17 > 0:59:19Tom said she looked a bit hard.

0:59:19 > 0:59:20Yeah, well, she's always, you know,

0:59:20 > 0:59:22been a lady of the sauce, so to speak -

0:59:22 > 0:59:24I think it kind of runs in the family - but...

0:59:24 > 0:59:26I don't know.

0:59:26 > 0:59:28I mean, she's still got that come-hither look.

0:59:28 > 0:59:31Is she going out with anyone?

0:59:31 > 0:59:34Uh, strangely I forgot to ask.

0:59:34 > 0:59:36- I'll keep you in touch with that... - Hello, Tom!

0:59:36 > 0:59:39Hello, fella! What are you doing here?

0:59:39 > 0:59:42We just popped in for a bit of, you know, local tagliatelle.

0:59:42 > 0:59:44Good to see you. What a lovely family gathering!

0:59:44 > 0:59:46Are you guys going to Headley next month?

0:59:46 > 0:59:49Yeah, we're gonna try. I know Tom's dying to get away.

0:59:49 > 0:59:51Hey, I was yelling at you the other day. You didn't hear me.

0:59:51 > 0:59:53- Me?- Yeah, you were hailing a cab.

0:59:53 > 0:59:55On Malcolm Street, about five o'clock.

0:59:55 > 0:59:58- I would have given you a lift. - I was?

0:59:58 > 1:00:01- No, not me.- Yes.

1:00:01 > 1:00:03- Where is Malcolm Street? - I mean, certainly looked like you.

1:00:03 > 1:00:05No, I'm afraid you're mistaken.

1:00:05 > 1:00:07But people are always taking me for other people, so...

1:00:07 > 1:00:09I'd have sworn it was you.

1:00:09 > 1:00:11Well, it certainly wouldn't be Chris hailing a cab.

1:00:11 > 1:00:13He's completely dependent on our driver.

1:00:13 > 1:00:14Quite right.

1:00:14 > 1:00:16You should check for early Alzheimer's. You're forgetting.

1:00:16 > 1:00:18- I'm sure I'm right. - No, you are mistaken.

1:00:18 > 1:00:20But thank you for thinking of me.

1:00:20 > 1:00:23I think the only thing that comes out of this conversation

1:00:23 > 1:00:24is that you're both nuts.

1:00:24 > 1:00:26- Well, you're an authority on that. - Or drunk.

1:00:26 > 1:00:28How dare you? How dare you?

1:00:28 > 1:00:30We'd better be going on. Look, call me. Enjoy your supper.

1:00:30 > 1:00:32- 'Bye. See you.- Nuts.

1:00:34 > 1:00:35Good afternoon, Greta.

1:00:36 > 1:00:38Samantha, what do we have for this afternoon?

1:00:38 > 1:00:41- Uh, just the Saracen people at two. - Can we push it an hour?

1:00:41 > 1:00:44I should be back in time, but if I'm not, please make them comfortable.

1:00:48 > 1:00:50Chris! Where are you off to?

1:00:50 > 1:00:52I'm sorry, Rod. I've got an appointment.

1:00:52 > 1:00:54Well, we have Saracen and company this afternoon.

1:00:54 > 1:00:57I should be back in time, but if I'm not, please start without me.

1:00:57 > 1:00:59- Really?- It's OK.

1:00:59 > 1:01:00It's important. Trust me.

1:01:01 > 1:01:03It's ridiculous to go back to my place!

1:01:03 > 1:01:05Once we get there you'll have less than an hour.

1:01:05 > 1:01:08Look, it's not that I'm miserable with Chloe, it's just...

1:01:08 > 1:01:10- I don't wanna talk about Chloe! - Listen, it's just I'm bored.

1:01:10 > 1:01:12- I mean, she's very nice...- Chris!

1:01:12 > 1:01:14- Are you in a bad mood? - Yes, I AM in a bad mood!

1:01:14 > 1:01:17I just blew another audition. I'm so sick of this acting thing!

1:01:17 > 1:01:19- It's just not working out. - It's a hard field.

1:01:19 > 1:01:21- You have to keep plugging at it. - I'm sick of plugging.

1:01:21 > 1:01:24Tom's mother was right. It just gets to a point, you know.

1:01:24 > 1:01:26Or should I say your mother-in-law?

1:01:26 > 1:01:28Hey, look, let's not go into one of those, OK?

1:01:30 > 1:01:33I don't know what I'm doing with you! You're never gonna leave Chloe.

1:01:35 > 1:01:37Maybe I will.

1:01:39 > 1:01:41Don't say that unless you mean it.

1:01:43 > 1:01:45Chloe's just so desperate to get pregnant.

1:01:46 > 1:01:49I mean, it's mechanical.

1:01:52 > 1:01:55I don't know what I'd do if I couldn't see you.

1:01:57 > 1:01:58Really, I mean it.

1:02:02 > 1:02:03- Merry blood Christmas.- Lovely.

1:02:03 > 1:02:06How many cigarettes are you gonna smoke today?

1:02:06 > 1:02:08- A million at least. - Please don't start smoking.

1:02:08 > 1:02:10- Well, it is Christmas. - It's such a pity.

1:02:10 > 1:02:11Come on. Just give us one...

1:02:13 > 1:02:17Hello. I wanted to wish you a merry Christmas.

1:02:18 > 1:02:22I've been thinking about you. Mm-hm.

1:02:23 > 1:02:26I may be able to get away tomorrow for an hour or so.

1:02:28 > 1:02:32OK. See you then. Bye-bye. FOOTSTEPS APPROACH

1:02:32 > 1:02:34There you are, Chris!

1:02:34 > 1:02:37Chloe tells me you've sustained some personal loss

1:02:37 > 1:02:39in the market over the past few months.

1:02:39 > 1:02:40SIGHS: Well, I guess I've been

1:02:40 > 1:02:42a little bit careless, not concentrating,

1:02:42 > 1:02:44and, of course, I thought I made good decisions...

1:02:44 > 1:02:45Well, who could have predicted these?

1:02:45 > 1:02:48Look, I don't want you and Chloe to worry.

1:02:48 > 1:02:49You always have a safety net.

1:02:49 > 1:02:52- You're too generous. - No, no. You've made Chloe happy.

1:02:52 > 1:02:54That means a great deal to Eleanor and me.

1:02:55 > 1:02:58OPERA MUSIC PLAYS

1:03:53 > 1:03:56I think it's gonna be an amazing holiday, don't you, Chris?

1:03:56 > 1:03:58Yes.

1:03:58 > 1:04:02Oh, we have a choice of sleeping on the boat or in the different hotels.

1:04:02 > 1:04:03- Boat.- Boat.

1:04:03 > 1:04:05You know he's never been to the Greek islands?

1:04:05 > 1:04:07- What?- No, he's never been.

1:04:07 > 1:04:11No. I have been to Athens, but I hear the islands are paradise.

1:04:11 > 1:04:13Oh, that reminds me - we have to go to Sardinia

1:04:13 > 1:04:14to pop in on Brooke and Dougie Winston.

1:04:14 > 1:04:16- Oh, God!- Oh, God!

1:04:16 > 1:04:17No, Brooke's fine. Dougie's a nightmare.

1:04:17 > 1:04:20Sounds so romantic, doesn't it? Mykonos or Crete.

1:04:20 > 1:04:23I'm so anxious to see all the beautiful old temples.

1:04:23 > 1:04:24- Oh, God.- Yeah.

1:04:24 > 1:04:26Oh, I'll do that with you.

1:04:26 > 1:04:29You know, I bought Chris an ancient Greek fertility charm.

1:04:29 > 1:04:31- Do you remember?- I'll never forget.

1:04:31 > 1:04:32I sent off for that fertility thing

1:04:32 > 1:04:35and he had to put it under his pillow for two months.

1:04:35 > 1:04:38LAUGHS: And absolutely nothing happened, of course.

1:04:38 > 1:04:39MOBILE PHONE RINGS Poor thing.

1:04:39 > 1:04:41I just subjected him to the torture...

1:04:41 > 1:04:42- I think he's firing blanks. - Hello?

1:04:42 > 1:04:44I miss you.

1:04:44 > 1:04:47- Love me, just love me. - No, because it's not funny.

1:04:47 > 1:04:48I'm sorry.

1:04:50 > 1:04:53- I can't get away right now. - Well, you have to.

1:04:53 > 1:04:54When can you get here?

1:04:55 > 1:04:58Tomorrow. No, Monday.

1:04:58 > 1:05:01Look...it's a three-day weekend.

1:05:01 > 1:05:03Tuesday.

1:05:03 > 1:05:06Chris, I need to see you.

1:05:06 > 1:05:08I'll see what I can do.

1:05:08 > 1:05:09I'll call you right back.

1:05:13 > 1:05:16- Who was that?- I'm such an idiot.

1:05:16 > 1:05:19I forgot to sign some papers. I may have to drive into town.

1:05:19 > 1:05:22Oh, you can't go. It's a bank holiday weekend.

1:05:22 > 1:05:23The traffic will be terrible.

1:05:23 > 1:05:25I mean, we've all got plans.

1:05:25 > 1:05:27I don't mean today.

1:05:27 > 1:05:29Well, surely it can wait a couple of days.

1:05:29 > 1:05:31Yes. I'm sure it can.

1:05:36 > 1:05:38I think tomorrow we should go for a morning ride.

1:05:38 > 1:05:40I have some lovely new horses.

1:05:40 > 1:05:42Do you remember when Chris came here first

1:05:42 > 1:05:44and he had some serious crashes while riding?

1:05:44 > 1:05:46This morning he was talking about buying a horse of his own.

1:05:46 > 1:05:48- No.- Yeah!

1:05:48 > 1:05:49Where from?

1:05:49 > 1:05:53I think Nan's got a really nice mare.

1:05:53 > 1:05:56- SOFTLY:- Telephone call, sir. She said it was important.

1:05:58 > 1:06:00Excuse me.

1:06:08 > 1:06:12- Hello.- I tried to call your mobile, but it's off.

1:06:12 > 1:06:14Are you mad, calling me here?

1:06:14 > 1:06:16When are you coming over?

1:06:16 > 1:06:18SIGHS: I'm trying to make it for tomorrow.

1:06:18 > 1:06:20I can't wait till tomorrow. I'm going crazy.

1:06:20 > 1:06:21What the hell's the matter?

1:06:21 > 1:06:23I'm pregnant.

1:06:28 > 1:06:30I'll talk to you tomorrow.

1:06:37 > 1:06:40..it was lack of enough vegetables or something.

1:06:44 > 1:06:47Who keeps calling?

1:06:48 > 1:06:49It was Samantha, my secretary.

1:06:49 > 1:06:51I'm afraid I won't be able to go riding tomorrow.

1:06:51 > 1:06:54Samantha said she was going to her parents' this weekend.

1:06:54 > 1:06:57I know. It's all my fault, poor girl.

1:06:58 > 1:06:59SIGHS: It's no big deal.

1:06:59 > 1:07:02I'll pop back into town, the whole thing will take a few hours

1:07:02 > 1:07:04and it'll be off my mind, I promise.

1:07:04 > 1:07:08- It's really sad. - Well, it is a pity, because I...

1:07:08 > 1:07:10I think it's unfair on Samantha too, frankly.

1:07:10 > 1:07:12- ALEC:- Well, it's unfortunate,

1:07:12 > 1:07:14but, you know, Chris has a lot of responsibility.

1:07:17 > 1:07:19How the hell did you get pregnant?!

1:07:19 > 1:07:20I told you that weekend last month

1:07:20 > 1:07:23that we needed to be careful and I didn't have protection,

1:07:23 > 1:07:24but you couldn't wait!

1:07:25 > 1:07:27What unbelievable bad luck.

1:07:27 > 1:07:30Christ, I can't get my wife pregnant no matter how hard I try,

1:07:30 > 1:07:32and the minute you're unprotected I knock you up.

1:07:32 > 1:07:34It's because you love me and you don't love her.

1:07:34 > 1:07:35Is that your interpretation?

1:07:35 > 1:07:37It's a child conceived out of genuine passion,

1:07:37 > 1:07:39not as part of some fertility project.

1:07:39 > 1:07:41Well, I'll go with you and we'll get it sorted.

1:07:41 > 1:07:43- I'm not doing that again.- Again?!

1:07:43 > 1:07:44What's that supposed to mean?

1:07:44 > 1:07:46It's the third time!

1:07:46 > 1:07:49I did it once when I was younger and then I did it for Tom!

1:07:49 > 1:07:50I didn't want to, but he insisted.

1:07:50 > 1:07:52Nola, I really can't see any other way.

1:07:52 > 1:07:54- Why can't I just have it?!- And what?

1:07:54 > 1:07:57- And we'll raise it together! - That's obviously not possible.

1:07:57 > 1:07:59Why? You hate your job, you hate your life.

1:07:59 > 1:08:01I mean, it seems like a blessing! It's a sign.

1:08:01 > 1:08:03Look, Nola, I have to go.

1:08:03 > 1:08:05I'm juggling six things at the same time

1:08:05 > 1:08:07just to make this trip to the city look legit.

1:08:09 > 1:08:10I'll talk to you on Tuesday.

1:08:10 > 1:08:14Chris! You must... I expect you to do the right thing, OK?

1:08:14 > 1:08:16I'm not walking away from this!

1:08:18 > 1:08:21Is anything the matter? You seemed very gloomy all weekend.

1:08:24 > 1:08:25I wanted to talk to you.

1:08:25 > 1:08:27What about?

1:08:28 > 1:08:29Us.

1:08:30 > 1:08:32Is something wrong?

1:08:34 > 1:08:35Yeah, there is.

1:08:37 > 1:08:39What?

1:08:39 > 1:08:41If you're still taking a hammering financially in the market,

1:08:41 > 1:08:43you know it's not a problem.

1:08:43 > 1:08:46I can't keep leaning on your father, Chloe.

1:08:47 > 1:08:50Papa gets more pleasure out of helping his family

1:08:50 > 1:08:53than all the possessions he owns - you know that.

1:08:56 > 1:08:58What is it?

1:09:02 > 1:09:05Is it something to do with those phone calls you kept getting?

1:09:07 > 1:09:10'Cause you acted really strangely after each of them.

1:09:14 > 1:09:16Are you having an affair?

1:09:17 > 1:09:19Am I having an affair?

1:09:19 > 1:09:21Yeah, that's what I asked.

1:09:23 > 1:09:25No.

1:09:25 > 1:09:28- You are. - Of course I'm not. Don't be silly.

1:09:38 > 1:09:40Do you not love me anymore?

1:09:42 > 1:09:44- SIGHS:- Of course I love you.

1:09:46 > 1:09:48Well, what's wrong?

1:09:51 > 1:09:53I just feel like I'm letting you down.

1:09:53 > 1:09:55You're not! How?

1:09:58 > 1:10:00Is it because I'm not getting pregnant?

1:10:04 > 1:10:08I just...feel so guilty.

1:10:09 > 1:10:12So terribly guilty.

1:10:13 > 1:10:17Listen, Chris, we've both been to the doctor, we're both perfectly healthy.

1:10:17 > 1:10:22I can conceive and you're perfectly capable of making a woman pregnant.

1:10:23 > 1:10:27Is it me? Have I been horribly pushy and obnoxious on the subject?

1:10:29 > 1:10:32Look, I...I just want a baby.

1:10:32 > 1:10:33I want to have our baby.

1:10:35 > 1:10:37We haven't been lucky yet, that's all.

1:10:41 > 1:10:43Oh, Chloe.

1:10:48 > 1:10:50Let's get off the subject.

1:10:50 > 1:10:54Having a child should be something that makes us both happy and excited,

1:10:54 > 1:10:58not...a cause of all this tension and anxiety and...

1:10:58 > 1:11:00SHE SIGHS

1:11:02 > 1:11:03CHRIS: I had to talk to somebody.

1:11:03 > 1:11:06I'm really suffering.

1:11:06 > 1:11:09Whatever you tell me goes no further.

1:11:10 > 1:11:13I'm contemplating leaving my wife for another woman.

1:11:13 > 1:11:14Uh-huh.

1:11:14 > 1:11:16But when the time came to tell her...

1:11:17 > 1:11:19..I couldn't do it.

1:11:19 > 1:11:21Oh, well, it's not the easiest thing to do, is it?

1:11:23 > 1:11:25It's crazy.

1:11:26 > 1:11:29I can see no real future with this other woman

1:11:29 > 1:11:31and I have a very comfortable life with my wife.

1:11:31 > 1:11:33Yeah, but if you don't love her...

1:11:33 > 1:11:35I'm not saying I don't love her!

1:11:35 > 1:11:37Just not in the way I feel about this other woman.

1:11:37 > 1:11:39Well...

1:11:39 > 1:11:42Maybe it's finally the difference between love and lust.

1:11:42 > 1:11:45But what the hell am I going to do if I leave Chloe?

1:11:47 > 1:11:49I don't fool myself

1:11:49 > 1:11:51that I haven't gotten used to a certain kind of living.

1:11:51 > 1:11:54Am I supposed to give it all up? For what?

1:11:55 > 1:11:57Is it for a woman you love?

1:11:57 > 1:11:59To live how? Where?

1:11:59 > 1:12:01To work as what?

1:12:01 > 1:12:04Well, it seems to me that you're pretty good at what you're doing.

1:12:04 > 1:12:07There must be another job in another firm that you can just, you know...

1:12:07 > 1:12:10Let's face it - I'm the boss's son-in-law

1:12:10 > 1:12:12and he loves me.

1:12:13 > 1:12:16Doesn't seem to me like you want this other woman enough

1:12:16 > 1:12:17to give up everything you've achieved for it.

1:12:18 > 1:12:20We're going away for three weeks.

1:12:20 > 1:12:23When I get back, I'll tell her.

1:12:23 > 1:12:24When you get back?

1:12:24 > 1:12:27What am I supposed to do?! Stop playing games with me!

1:12:27 > 1:12:29I'm not playing games with you.

1:12:29 > 1:12:31Why don't you just tell her now, then, huh?

1:12:31 > 1:12:33I'd think you'd want to stop living such a sham.

1:12:33 > 1:12:35- Look, it's not easy.- Why not?

1:12:35 > 1:12:38If you're so bored at home with her and you're so crazy about me,

1:12:38 > 1:12:40which is all you ever tell me...

1:12:40 > 1:12:42I don't wanna mess this holiday up for everybody, OK?

1:12:43 > 1:12:48It's a big blow and it's gonna make a huge impact on everyone.

1:12:48 > 1:12:50How can you go on vacation with a woman

1:12:50 > 1:12:52that you know you're gonna leave the minute you get back?

1:12:52 > 1:12:54- Shh! Keep your voice down. - Wanna know how I feel, huh?

1:12:54 > 1:12:56I'm jealous, OK?!

1:12:56 > 1:12:58I don't like the idea of you making love with her.

1:12:58 > 1:13:02I don't like the idea of you going off island-hopping with her.

1:13:02 > 1:13:04- It's romantic! - (Keep your voice down.)

1:13:05 > 1:13:09You know I make love to her and you know it's just routine.

1:13:10 > 1:13:12For Godsakes, can't you wait a few weeks?

1:13:15 > 1:13:17- SOFTLY:- Yeah.

1:13:18 > 1:13:20I just want to know that something's gonna happen, you know.

1:13:20 > 1:13:22It will.

1:13:24 > 1:13:25- It will.- OK.

1:13:30 > 1:13:33- The holiday's off. - Why - what happened?

1:13:33 > 1:13:35Maurice Lewis has to go in for an operation.

1:13:36 > 1:13:38Why?

1:13:38 > 1:13:40Disc in his back or something. Can't walk.

1:13:40 > 1:13:41Anyway, he needs recovery time

1:13:41 > 1:13:44and everyone thought we should just move it till after the summer.

1:13:44 > 1:13:45Mm-hm.

1:13:45 > 1:13:47Let me just pack up my stuff.

1:13:47 > 1:13:49We should probably walk to the opera. It's so close.

1:13:49 > 1:13:51Yeah.

1:14:03 > 1:14:06PHONE RINGS

1:14:06 > 1:14:08Hello?

1:14:19 > 1:14:21Hello?

1:14:28 > 1:14:31MAN SINGS OPERA

1:14:37 > 1:14:39An opportunity has arisen, Chris,

1:14:39 > 1:14:42- which I think may be a lucrative one for you.- Really?

1:14:42 > 1:14:44We're structuring something with a Japanese company -

1:14:44 > 1:14:45it's an independent operation.

1:14:45 > 1:14:48There's a great deal of money to be made, and my thought was

1:14:48 > 1:14:51anyone in on the ground floor stands to profit hugely,

1:14:51 > 1:14:53assuming our predictions are correct.

1:14:53 > 1:14:55- Sounds exciting.- It is.

1:14:55 > 1:14:59- Eleanor, I've just told Chris the good news.- Mmm.

1:14:59 > 1:15:01What would make me the happiest has nothing to do with money.

1:15:01 > 1:15:03I'd like you to make me a young grandmother.

1:15:03 > 1:15:05You already are a young grandmother.

1:15:05 > 1:15:07Yes! Tom and Heather are trying for their second.

1:15:07 > 1:15:09But I'd like you to be a mother.

1:15:09 > 1:15:11Oh, all right. Don't look at me like that.

1:15:11 > 1:15:13I'll be quiet.

1:15:13 > 1:15:14What would you like for your birthday?

1:15:14 > 1:15:16- I don't know.- Your birthday?

1:15:16 > 1:15:18Great! You forgot.

1:15:18 > 1:15:20I didn't, actually. I bought you something already.

1:15:20 > 1:15:22Aha! So, my hints worked.

1:15:22 > 1:15:25MOBILE PHONE RINGS

1:15:25 > 1:15:27Hello?

1:15:27 > 1:15:29- Chris?- Excuse me.

1:15:29 > 1:15:30By all means.

1:15:30 > 1:15:33Yes, darling. I spoke out of turn. I'm sorry.

1:15:33 > 1:15:36Hey! Hey. What are you two bickering about?

1:15:36 > 1:15:38I told you not to call me, I'd call you.

1:15:38 > 1:15:40Well, I...I was waiting for you to call.

1:15:40 > 1:15:42I've been waiting a week.

1:15:42 > 1:15:45Well, there's always people around. I can't talk.

1:15:45 > 1:15:47When are you coming home?

1:15:47 > 1:15:49- In about two weeks.- About two weeks?

1:15:49 > 1:15:51You said the whole trip was three weeks.

1:15:51 > 1:15:52Yeah, right. Three weeks.

1:15:52 > 1:15:54Chris, Mummy and Papa are leaving!

1:15:54 > 1:15:56OK. OK.

1:15:56 > 1:15:58Who is that? What country are you in?

1:15:58 > 1:16:00Your mobile's been impossible.

1:16:00 > 1:16:02I told you - I'm in Greece

1:16:02 > 1:16:04and there's always people around so I can't talk.

1:16:04 > 1:16:07I said I'd be home soon and I will call you.

1:16:08 > 1:16:10I'm just lonely. I'm anxious.

1:16:10 > 1:16:14Can you just...please tell Chloe as soon as you get home.

1:16:14 > 1:16:16I just want this situation to be resolved.

1:16:17 > 1:16:19Do you miss me?

1:16:19 > 1:16:21OK. 'Bye. 'Bye.

1:16:21 > 1:16:24- Is everything OK? - Yeah, everything's fine.

1:16:24 > 1:16:26- Are you leaving already?- Yes.

1:16:51 > 1:16:54Chris, it's Nola. Where have I reached you?

1:16:54 > 1:16:56Sardinia.

1:16:56 > 1:16:58I'll be back in five or six days, OK?

1:17:08 > 1:17:10- Good morning, John. - Oh, you're early, sir.

1:17:10 > 1:17:12I'll bring the car around.

1:17:19 > 1:17:20- You lied to me.- Oh, Jesus.

1:17:20 > 1:17:22- You lied to me!- Quiet!

1:17:22 > 1:17:23- I wanna see Chloe!- (Quiet. Quiet.)

1:17:23 > 1:17:26I wanna talk to Chloe! I wanna talk to Chloe!

1:17:26 > 1:17:28- I can explain... - You're a liar! You're a liar!

1:17:28 > 1:17:30- You're a liar!- Taxi!

1:17:30 > 1:17:33I'm not going anywhere with you. I'm not going anywhere with you.

1:17:33 > 1:17:35- Nola, Nola, Nola, calm down. - You're a liar! You're a liar!

1:17:35 > 1:17:38You're a liar! You're a liar!

1:17:38 > 1:17:40I wanna talk to Chloe! I wanna talk to Chloe!

1:17:42 > 1:17:44I wanna talk to Chloe.

1:17:44 > 1:17:46You're a liar! You're a liar! You're a liar!

1:17:51 > 1:17:52I decided to cut the trip short

1:17:52 > 1:17:54because all this is eating away at me!

1:17:54 > 1:17:56I only came back the day before yesterday

1:17:56 > 1:17:58because I need a week in the city to deal with Chloe,

1:17:58 > 1:18:00without you breathing down my neck!

1:18:00 > 1:18:01Oh, you're driving me crazy!

1:18:01 > 1:18:03I don't know whether to believe you or not!

1:18:03 > 1:18:05- Please believe me, Nola. - Well, did you tell her?

1:18:05 > 1:18:07- I was about to when you called! - What do you mean?

1:18:07 > 1:18:08- I got flustered.- Oh, please.

1:18:08 > 1:18:10I was ready to tell her, you called,

1:18:10 > 1:18:12then I feel guilty telling you I'm still in Greece.

1:18:12 > 1:18:14- You said Sardinia. - I...I was talking fast.

1:18:14 > 1:18:17I...I didn't want her to know what I was talking about.

1:18:17 > 1:18:18Well, she has to know eventually!

1:18:18 > 1:18:20I can't tell her!

1:18:20 > 1:18:22- Then I will.- Nola, stop.

1:18:22 > 1:18:24This is crazy! We're having a child together!

1:18:24 > 1:18:25We don't have to have a child together!

1:18:25 > 1:18:27It'd make life a lot simpler if we didn't.

1:18:27 > 1:18:29Yeah, simpler for you, but not for me.

1:18:29 > 1:18:30HE SIGHS

1:18:30 > 1:18:33It occurred to me that even if you had the child

1:18:33 > 1:18:34I could help you out financially.

1:18:34 > 1:18:37- That's not enough. - Nola, be reasonable!

1:18:37 > 1:18:40That's exactly what Tom said when he broke off our engagement.

1:18:40 > 1:18:42Being reasonable got me where I am right now.

1:18:42 > 1:18:43So, you're threatening me?

1:18:43 > 1:18:46If I don't do what you say, you're gonna go to my wife?

1:18:46 > 1:18:48Were you lying to me?

1:18:48 > 1:18:50All those times we made love, all those conversations...

1:18:50 > 1:18:52Were you lying to me then?

1:18:52 > 1:18:53Of course I wasn't lying.

1:18:53 > 1:18:56Tell Chloe! Someone has to explain the situation!

1:18:56 > 1:18:58Either you do it or I'll do it.

1:18:59 > 1:19:01OK, OK.

1:19:01 > 1:19:03I'll do the right thing.

1:19:07 > 1:19:10OPERA MUSIC PLAYS

1:20:53 > 1:20:56- Have you seen Chris? - A minute ago. He went that way.

1:20:56 > 1:20:58Chris?

1:20:59 > 1:21:01Chris?

1:21:02 > 1:21:03Chris!

1:21:10 > 1:21:12Where are you, Chris?

1:21:13 > 1:21:15Chris?

1:21:18 > 1:21:21Chloe, are you there?

1:21:21 > 1:21:23Have you seen Chris anywhere?

1:21:23 > 1:21:25No. Could you come up for a minute?

1:21:25 > 1:21:27I want you to give me some advice about this dress.

1:21:54 > 1:21:56I'm telling Chloe tomorrow.

1:21:56 > 1:21:59You say that every day and you always back out!

1:21:59 > 1:22:01I'm back where I started!

1:22:01 > 1:22:02I want something done, Chris!

1:22:02 > 1:22:05If you don't have the nerve to do it, I'll do it!

1:22:05 > 1:22:07That would be revenge for you against the whole Hewett family, wouldn't it?

1:22:07 > 1:22:09What the hell is that supposed to mean?!

1:22:09 > 1:22:12My theory is you want me to so you don't have to do it yourself!

1:22:12 > 1:22:13My God, it seems like you've had

1:22:13 > 1:22:15this whole thing checked out by some psychiatrist.

1:22:15 > 1:22:17I wish! I wish I had someone to confide in.

1:22:17 > 1:22:19But it's all so damn secretive!

1:22:19 > 1:22:23Look, Chris, if I don't do something about this, we're gonna grow apart.

1:22:23 > 1:22:25- I'm having your child! - I'm telling her tomorrow, Nola!

1:22:25 > 1:22:28- What more do you want me to do? - What more?! Tell her now! Tonight!

1:22:28 > 1:22:31I can't! Not before she goes to sleep. It wouldn't be the right time!

1:22:32 > 1:22:36Nola, tomorrow is fine. What time will you get back from work?

1:22:36 > 1:22:37Same time I always get off - 6:30.

1:22:37 > 1:22:39- So, you'll be home by 6:45.- Yeah!

1:22:39 > 1:22:42Chris, you make me say these things! I hate myself for them!

1:22:42 > 1:22:44- I just want us to be together! - We will be.

1:22:46 > 1:22:49You were very nervy all through the ballet.

1:22:49 > 1:22:51- Did you hate it? - No, I'm just out of sorts.

1:22:51 > 1:22:54Yeah! I thought you were gonna pass out.

1:22:54 > 1:22:56Low blood sugar. I'll be better soon.

1:22:59 > 1:23:01I still can't do it with you tonight.

1:23:01 > 1:23:04I'm not over my little dose of whatever.

1:23:04 > 1:23:05Ow.

1:23:07 > 1:23:11Did the cleaner put one of my tennis shirts in with your gear?

1:23:11 > 1:23:13No. What are you doing?

1:23:13 > 1:23:15Really? Just let me have a quick look.

1:23:15 > 1:23:17Look, I'll check. I'll check. I've got everything arranged in there.

1:23:17 > 1:23:19OK. I wasn't gonna disturb anything.

1:23:19 > 1:23:21'Cause I don't know where else it can be.

1:23:21 > 1:23:24She's always bloody mixing my stuff in with yours.

1:23:28 > 1:23:30- Is this it?- See. I knew it.

1:23:30 > 1:23:33She always bloody does that. I've gotta have words with her about it.

1:23:33 > 1:23:37It's really st... What did you just put in your pocket?

1:23:37 > 1:23:39- Oh, it's just my pillbox. - What do you mean - a pillbox?

1:23:39 > 1:23:40A pillbox. You know what a pillbox...

1:23:40 > 1:23:42- Let me have a look.- No.

1:23:42 > 1:23:44- What pills are you taking? - They're just my pills.

1:23:44 > 1:23:45- Go on. Let me see. - It's for stress.

1:23:45 > 1:23:47'Cause you stress me so much.

1:23:47 > 1:23:48- Guess what.- What?

1:23:48 > 1:23:50I got tickets for the theatre for tomorrow night.

1:23:50 > 1:23:52- You haven't. That's not like you. - Mm-hm.

1:23:52 > 1:23:54- What for?- The Woman In White.

1:23:54 > 1:23:57- I hear it's great. - I thought you hated musicals.

1:23:57 > 1:23:58No, that's not so.

1:23:58 > 1:24:00And anyway, you love his music.

1:24:00 > 1:24:02That's great.

1:24:02 > 1:24:04I'll have to meet you outside the theatre

1:24:04 > 1:24:06because I'll be coming straight from the gallery.

1:24:06 > 1:24:08Why don't you take the chauffeur?

1:24:08 > 1:24:11I'll grab a taxi and, with any luck, I can get an hour of tennis in.

1:24:12 > 1:24:14You're so sweet.

1:24:14 > 1:24:17You knew how much I wanted to see that.

1:24:20 > 1:24:23All right. Come to bed, 'cause you're tired, my darling.

1:24:23 > 1:24:24OK, I will.

1:24:25 > 1:24:28PHONE RINGS

1:24:28 > 1:24:30- Hello?- Hello. Nola?

1:24:31 > 1:24:33When you get off work today, come right home.

1:24:33 > 1:24:35I have some good news.

1:24:37 > 1:24:39Everything's taken care of, but I'm reluctant to talk on the phone.

1:24:39 > 1:24:41You've gotta meet me right after work.

1:24:41 > 1:24:43We have, uh, plans to make.

1:24:45 > 1:24:48OK. Um, I'll cancel my agent appointment.

1:24:48 > 1:24:50That's good. This is good.

1:24:50 > 1:24:52I'll see you soon. 'Bye.

1:24:53 > 1:24:55- Was it him?- Yeah.

1:24:57 > 1:25:00So, you'll have to be prepared to cashflow the first six months.

1:25:00 > 1:25:02Is that right, Chris? A half-year?

1:25:02 > 1:25:03Mmm. Uh, yes.

1:25:03 > 1:25:06A half-year should do it. Maybe less.

1:25:06 > 1:25:08Good. Jolly good.

1:25:08 > 1:25:10- Well, see you next time. - Arigato gozaimasu.

1:25:11 > 1:25:14Arigato gozaimasu. Arigato gozaimasu.

1:25:14 > 1:25:16- Sayonara.- Good.

1:25:18 > 1:25:19Sayonara indeed.

1:25:19 > 1:25:21I thought you showed some interesting ideas there

1:25:21 > 1:25:22for developing their capacity.

1:25:22 > 1:25:25- I'm excited about this venture, Rod. - Good. Good.

1:25:34 > 1:25:36Playing a little tennis later?

1:25:36 > 1:25:38Yes. Yes.

1:25:38 > 1:25:40Amazing energy. Love it.

1:25:40 > 1:25:42Envy it.

1:26:24 > 1:26:25KNOCKS

1:26:41 > 1:26:42BANGS

1:26:45 > 1:26:47- Yes?- Uh, hello.

1:26:47 > 1:26:49Um, I'm Chris.

1:26:49 > 1:26:51I'm a friend of Nola's, your neighbour from next door.

1:26:51 > 1:26:55- We met here last, uh... - I'm sorry. I don't let anybody in.

1:26:55 > 1:26:56But...do you not remember? We met.

1:26:56 > 1:27:01Uh...she asked you something about your trouble with your mice

1:27:01 > 1:27:04and you mentioned something about peanut butter.

1:27:04 > 1:27:06Oh, yes. Yes.

1:27:08 > 1:27:11I'm Chris Wilton, the tennis instructor.

1:27:11 > 1:27:12Oh. Well, what's the trouble?

1:27:12 > 1:27:15Uh, no trouble at all, really, and I don't mean to disturb you.

1:27:15 > 1:27:18I was wondering if I could look at your TV reception.

1:27:18 > 1:27:20Uh, we seem to have trouble next door.

1:27:20 > 1:27:22What - with the TV?

1:27:22 > 1:27:24Yes, um, we're getting some interference,

1:27:24 > 1:27:27and it's Nola's favourite TV night.

1:27:27 > 1:27:30So, I don't know if it's the aerial on the roof or if it's us.

1:27:30 > 1:27:32- Oh, it's in there.- Thank you.

1:27:32 > 1:27:34- I have to take my medicine. - Mm-hm.

1:27:49 > 1:27:51There was no trouble before.

1:27:51 > 1:27:53I had it on and it was fine.

1:28:15 > 1:28:18Didn't you say your name was Harris?

1:30:19 > 1:30:20HE GROANS

1:31:51 > 1:31:53Mrs Eastby?

1:31:57 > 1:31:58It's Ian.

1:32:03 > 1:32:05KNOCK AT DOOR

1:32:05 > 1:32:07Mrs Eastby?

1:32:10 > 1:32:12KNOCK AT DOOR

1:32:12 > 1:32:13Mrs Eastby, it's Ian.

1:32:16 > 1:32:19I'm going down the corner shop. Can I get you anything?

1:32:22 > 1:32:25Mrs Eastby, are you all right?

1:32:49 > 1:32:52Hi, princess. Did you ever get that portable CD player we talked about?

1:32:52 > 1:32:54Yes, I did. Thanks so much for helping me.

1:32:54 > 1:32:55Excellent.

1:33:12 > 1:33:13- OK.- See you later.

1:33:13 > 1:33:15'Bye.

1:33:44 > 1:33:45Nola.

1:33:55 > 1:33:56Excuse me.

1:34:05 > 1:34:06Hello?

1:34:06 > 1:34:08Where are you?

1:34:10 > 1:34:12I'm almost there. I'll be two minutes.

1:34:17 > 1:34:20HE SOBS

1:34:43 > 1:34:44- Good evening.- Hello.

1:34:49 > 1:34:51- How much?- It's £2, please.

1:34:57 > 1:34:59- My tickets?- Yes. Thank you.

1:35:10 > 1:35:11# Whenever... #

1:35:11 > 1:35:14SIRENS BLARE

1:35:16 > 1:35:18There's a terrible mess in there, sir.

1:35:18 > 1:35:19Well, I think it's pretty obvious what's happened here.

1:35:19 > 1:35:21Someone's robbed and killed the old lady.

1:35:21 > 1:35:23As he or they were running out,

1:35:23 > 1:35:25they've run into the Rice woman coming in, so they've shot her too.

1:35:25 > 1:35:27Either out of panic

1:35:27 > 1:35:29or because they saw a chance to make an additional score.

1:35:29 > 1:35:32Poor unsuspecting soul came home at the wrong moment.

1:35:32 > 1:35:34He's cleared out the house of all prescription dogs, sir?

1:35:34 > 1:35:36Oh, no, it's definitely a drugs-related robbery.

1:35:36 > 1:35:39He might have known there was an old lady living in flat eight,

1:35:39 > 1:35:43probably cased her, and was surprised by running into the other woman.

1:35:43 > 1:35:44She picked the wrong time to come home.

1:35:45 > 1:35:47Some people just don't have any luck.

1:35:48 > 1:35:51I...I just spoke to her. I... This is unbelievable.

1:35:51 > 1:35:53Um, half an hour ago I came down the stairs,

1:35:53 > 1:35:55knocked on Mrs Eastby's door 'cause I couldn't smell...

1:35:55 > 1:35:56- Do you need anything from the car? - Yeah.

1:35:56 > 1:35:58Tell the exhibits officer to get a move on,

1:35:58 > 1:36:00'cause this is getting ridiculous.

1:36:00 > 1:36:01This is quite important. She usually bakes today.

1:36:01 > 1:36:03I thought maybe she'd run out of stuff,

1:36:03 > 1:36:05so I asked her if she needed anything...

1:36:05 > 1:36:07So, half an hour ago you talked to her?

1:36:07 > 1:36:08So, whoever it was was still in there.

1:36:08 > 1:36:10That's terrifying. I can't believe that.

1:36:10 > 1:36:13- So, somebody was in there? - And you spoke to Nola Rice?

1:36:13 > 1:36:15Did she say anything?

1:36:15 > 1:36:16Could we send the photographers in now, please?

1:36:16 > 1:36:18No. Uh, hang on.

1:36:18 > 1:36:20We've just gotta get the exhibits officer in there first.

1:36:20 > 1:36:22Chris. Chris!

1:36:22 > 1:36:23Liaise with this man here.

1:36:23 > 1:36:26Wait, wait, wait. Wait. Just catch him there.

1:36:26 > 1:36:28Well, I ran into... Yeah, I bumped into Nola right here.

1:36:28 > 1:36:31Scenes of Crime will be on their way very shortly, all right?

1:36:31 > 1:36:33I bumped into her here, we talked...we chatted.

1:36:33 > 1:36:36I recommended a piece of music equipment and she bought it.

1:36:36 > 1:36:40- Music equipment. What was that? - Uh, it was a portable CD player.

1:36:40 > 1:36:42It's drugs, guv. Someone after money for some drugs.

1:36:42 > 1:36:46- But Mrs Eastby wasn't wealthy. - Oh, they don't care.

1:36:46 > 1:36:47- Drugs?- Yeah, definitely drugs.

1:36:47 > 1:36:49They went after money for 'em.

1:36:49 > 1:36:51They'd kill you for a pound if they wanted to, you know.

1:36:51 > 1:36:53Sorry state of affairs, isn't it?

1:36:53 > 1:36:56It's not as if the old lady had any enemies. She rarely went out.

1:36:56 > 1:36:58- Used a shotgun.- A shotgun?

1:36:58 > 1:37:00That's a bit obvious, isn't it? Somebody must have seen something.

1:37:00 > 1:37:02Not if it was sawn off. They can make 'em pretty small.

1:37:02 > 1:37:04Katherine, love, you can't park there. Leave that clear.

1:37:04 > 1:37:06We've got the SOCO coming down.

1:37:08 > 1:37:10Did you like the musical last night?

1:37:11 > 1:37:14Yeah, I did. It was good fun. Pretty music.

1:37:14 > 1:37:16Yeah. He's very good.

1:37:17 > 1:37:19I'm gonna get tickets for Mummy and Papa.

1:37:19 > 1:37:21Good.

1:37:24 > 1:37:26Oh, my God.

1:37:26 > 1:37:27What? What is it?

1:37:28 > 1:37:32Oh, my God! Nola!

1:37:32 > 1:37:34- Nola Rice!- What?

1:37:34 > 1:37:38She was killed in a burglary! A drugs burglary!

1:37:38 > 1:37:40What?!

1:37:40 > 1:37:41Hey, let me see that.

1:37:41 > 1:37:43Jesus Christ.

1:37:47 > 1:37:49Apparently she was coming home from work

1:37:49 > 1:37:51and someone who was already there,

1:37:51 > 1:37:54who'd burgled another flat and shot an old lady,

1:37:54 > 1:37:56ran into Nola by chance and...

1:37:56 > 1:37:58She was entering the building and he was running out,

1:37:58 > 1:37:59and he shot her!

1:37:59 > 1:38:01Oh, my God.

1:38:01 > 1:38:03PHONE RINGS

1:38:07 > 1:38:08Hello?

1:38:09 > 1:38:12Yeah. Yeah! We've just this second read it.

1:38:12 > 1:38:13Isn't it just terrible?

1:38:13 > 1:38:16I never got along with her, but this is just tragic.

1:38:16 > 1:38:18It's tragic!

1:38:18 > 1:38:20- Does Tom know?- I've just called him.

1:38:20 > 1:38:23- He can't believe it.- I know.

1:38:23 > 1:38:26Wait, wait. That must be him. I'll call you back.

1:38:26 > 1:38:28Hello?

1:38:28 > 1:38:31Yeah, we've just read it and Mummy just called.

1:38:31 > 1:38:34Well, yeah, yeah, I know. I mean, at the wrong place at the wrong time.

1:38:34 > 1:38:35I mean, I suppose she must have...

1:38:35 > 1:38:38I mean, disturbed the burglar or burglars or whatever.

1:38:38 > 1:38:40I mean, it doesn't say how many of them there were.

1:38:40 > 1:38:41Well, even Mummy's really shaken up,

1:38:41 > 1:38:43and you know they weren't exactly friends.

1:38:44 > 1:38:46It says here that there's been a rise

1:38:46 > 1:38:48in drug-related crime in the area over the past year.

1:38:49 > 1:38:51Did you hear that? Yeah.

1:38:51 > 1:38:55I just can't believe it. It's just... I know.

1:39:02 > 1:39:03- Mummy.- Mm-hm?

1:39:03 > 1:39:05Mm-hm?

1:39:05 > 1:39:07I've got something to tell you.

1:39:07 > 1:39:09But I want Chris to be here.

1:39:10 > 1:39:12Chris?

1:39:13 > 1:39:15- Where did he go?- I don't know.

1:39:15 > 1:39:17He was just in here. Chris?

1:39:18 > 1:39:19Chris!

1:39:27 > 1:39:28He was just here.

1:39:28 > 1:39:30Well, what did you want to tell me?

1:39:30 > 1:39:32Just wait. Wait, wait. Chris!

1:40:03 > 1:40:05Where are you, Chris?

1:40:06 > 1:40:08Well, what did you want to tell me?

1:40:08 > 1:40:11Well, I don't really want it to be... Hang on. There he is. There you are!

1:40:12 > 1:40:14- Can we tell her now?- Sure.

1:40:14 > 1:40:16Well, I wanted you to be here.

1:40:16 > 1:40:18Well, what is it?

1:40:18 > 1:40:22Mummy, you can finally crack open the champagne.

1:40:22 > 1:40:24It looks like I'm pregnant.

1:40:24 > 1:40:26- When did you hear?- This morning!

1:40:26 > 1:40:30Oh! I'm so delighted.

1:40:30 > 1:40:32- Good.- Oh! Alec!

1:40:32 > 1:40:33Alec!

1:40:33 > 1:40:35Come here!

1:40:35 > 1:40:37Oh, we're both walking on air!

1:40:37 > 1:40:40Well, you're walking on air. Your husband looks a bit shell-shocked.

1:40:40 > 1:40:42I've exhausted him, poor thing.

1:40:42 > 1:40:43- What?- Chloe's pregnant.

1:40:43 > 1:40:47Oh, what a great day! Oh, my darling.

1:40:47 > 1:40:49I'm absolutely thrilled. I couldn't be more pleased.

1:40:49 > 1:40:51- Excuse me, sir. Excuse me.- Yes?

1:40:51 > 1:40:53Phone call, sir. Your secretary.

1:40:53 > 1:40:55- OK. Oh!- Margaret, I'm pregnant!

1:40:55 > 1:40:57Oh! Congratulations!

1:40:57 > 1:40:59- That's wonderful. - Thank you, Margaret.

1:41:01 > 1:41:02Sam?

1:41:02 > 1:41:04Yeah, there's a message for you

1:41:04 > 1:41:06that Mike Banner - Detective Mike Banner - called.

1:41:06 > 1:41:09Uh, he wants you to call him at Shepherd's Bush Police Station.

1:41:10 > 1:41:13Yep, no, I don't think it's urgent, but he left a number.

1:41:13 > 1:41:15Banner?

1:41:15 > 1:41:18You'd better give me the number.

1:41:20 > 1:41:22Mm-hm.

1:41:24 > 1:41:26Mm-hm.

1:41:29 > 1:41:31OK. Thanks, Samantha.

1:41:42 > 1:41:45Thank God! Thank God!

1:41:45 > 1:41:46Detective Banner, please.

1:41:46 > 1:41:48This is Chris Wilton.

1:41:52 > 1:41:55Oh, hello. This is Chris Wilton. You called?

1:41:55 > 1:41:59Oh, yes. I was wondering if there was a time you could drop in here.

1:41:59 > 1:42:00If it's more convenient we can come see you.

1:42:00 > 1:42:02In reference to what?

1:42:02 > 1:42:04I'd rather not explain on the phone.

1:42:04 > 1:42:07It's just a few questions and I'm sure you'd prefer it to be discreet.

1:42:09 > 1:42:12I've no reason to bring a lawyer, do I?

1:42:12 > 1:42:14I certainly hope not.

1:43:18 > 1:43:20Chris Wilton, Detective Banner.

1:43:20 > 1:43:21- Good afternoon.- How are you doing?

1:43:21 > 1:43:23- Take a seat.- Thank you.

1:43:24 > 1:43:26This is nothing to be alarmed about.

1:43:26 > 1:43:28We're just doing a routine investigation

1:43:28 > 1:43:30into the Betty Eastby, Nola Rice murders.

1:43:30 > 1:43:32Mm-hm.

1:43:32 > 1:43:34Were you...acquainted with either of the victims?

1:43:34 > 1:43:37Peripherally I knew Nola Rice.

1:43:37 > 1:43:38How?

1:43:38 > 1:43:42She was engaged for a time to the man who's now my brother-in-law.

1:43:42 > 1:43:47- That's...Tom Hewett. - That's correct.

1:43:47 > 1:43:52Uh...they broke up a year ago. More.

1:43:52 > 1:43:54Mm-hm. And when did you last see her?

1:43:56 > 1:43:57Oh, God, I can't remember.

1:43:57 > 1:43:59Uh...

1:44:01 > 1:44:04At the Tate Modern. My wife and I ran into her.

1:44:04 > 1:44:07But...that was a long time ago.

1:44:09 > 1:44:10Have you seen her since?

1:44:10 > 1:44:12Not that I recall.

1:44:15 > 1:44:19Have, um...have you ever seen this?

1:44:19 > 1:44:21No. What is it?

1:44:23 > 1:44:25Are you aware that Nola Rice kept a diary?

1:44:35 > 1:44:36No.

1:44:37 > 1:44:41As you can see, you're all over it.

1:44:49 > 1:44:51Yes, I can see that.

1:44:55 > 1:44:57Do you still claim that you haven't seen her

1:44:57 > 1:44:59except for more than a year ago at the Tate Modern?

1:45:02 > 1:45:04You can't blame me for trying to hide the fact

1:45:04 > 1:45:05that I had an affair with her.

1:45:06 > 1:45:08But you people have to protect me here.

1:45:09 > 1:45:12I hope you don't think I had anything to do with her murder.

1:45:12 > 1:45:13How long did your affair go on?

1:45:15 > 1:45:18HE SIGHS HEAVILY

1:45:19 > 1:45:21It began casually when she was still engaged to Tom.

1:45:22 > 1:45:25They broke up, she moved away.

1:45:25 > 1:45:29She came back and I ran into her at the Tate Modern and it began again.

1:45:31 > 1:45:33You've gotta have a heart.

1:45:34 > 1:45:36My wife is gonna have a baby.

1:45:36 > 1:45:38This will devastate her.

1:45:40 > 1:45:43Did you...promise that you were going to leave your wife

1:45:43 > 1:45:45and marry Miss Rice?

1:45:45 > 1:45:47No, I did not.

1:45:48 > 1:45:51I mean, it's possible she had that fantasy.

1:45:51 > 1:45:54And...obviously she wrote that I did.

1:45:59 > 1:46:02But I tried to finesse that point with her.

1:46:02 > 1:46:04I didn't want the sexual relationship to end,

1:46:04 > 1:46:06but I'm not going to break up my home.

1:46:08 > 1:46:11My wife and I are trying very hard to have a baby.

1:46:11 > 1:46:15We've seen several fertility doctors, etc.

1:46:15 > 1:46:19You can check that out if you'd like, but I beg you to be discreet.

1:46:19 > 1:46:21But you did lead her on

1:46:21 > 1:46:23so that she had the impression you were unhappy at home.

1:46:24 > 1:46:27I tried to tiptoe around it and not lead her on,

1:46:27 > 1:46:29but she's going to believe what she wants to believe.

1:46:30 > 1:46:34Look, don't irresponsibly run roughshod over this

1:46:34 > 1:46:35and wreck people's lives.

1:46:36 > 1:46:39I mean, there is no case because I would not harm anyone,

1:46:39 > 1:46:41much less Nola Rice.

1:46:46 > 1:46:48Isn't it obvious that somebody killed her neighbour

1:46:48 > 1:46:50and she walked in when it was happening?

1:46:52 > 1:46:55God, I beg you, don't go on a fishing expedition over this

1:46:55 > 1:46:58and...wreck people's lives.

1:46:59 > 1:47:01My family, my marriage is at stake.

1:47:02 > 1:47:05We just have to check out everything in a murder case.

1:47:05 > 1:47:07OK. But I'm not your man.

1:47:08 > 1:47:11I know it's not the most honourable thing to cheat on your wife,

1:47:11 > 1:47:13but that does not make me a murderer.

1:47:13 > 1:47:16We're obligated to review the situation.

1:47:16 > 1:47:18I understand it's sensitive stuff for you,

1:47:18 > 1:47:20and if we have to talk to you again,

1:47:20 > 1:47:22we'll do everything in our power to keep it very private.

1:47:22 > 1:47:24Your personal life's your own.

1:47:24 > 1:47:25We're not making any moral judgments,

1:47:25 > 1:47:27just investigating a crime.

1:47:37 > 1:47:39I understand.

1:47:40 > 1:47:43Look, if you have to get in contact with me again,

1:47:43 > 1:47:45which God in heaven I hope you don't,

1:47:45 > 1:47:47please call me on my mobile.

1:47:47 > 1:47:50This is my number.

1:47:51 > 1:47:53Thanks.

1:47:53 > 1:47:55Oh, um, one other thing.

1:47:55 > 1:47:57Do you own or have access to a shotgun?

1:47:59 > 1:48:01Me?

1:48:01 > 1:48:06No. Uh... My father-in-law shoots on the estate, but not me.

1:48:06 > 1:48:09You can check it out, but, uh...

1:48:09 > 1:48:13..I beg you to consider mine and his position.

1:48:13 > 1:48:15Of course.

1:48:18 > 1:48:19Thank you.

1:48:28 > 1:48:29So, what do you think?

1:48:30 > 1:48:32I think it's what it looks like.

1:48:32 > 1:48:35Someone robbed and killed Mrs Eastby,

1:48:35 > 1:48:38was surprised leaving and killed Nola Rice.

1:48:39 > 1:48:42Yeah, I know. I know. It's got drug robbery written all over it.

1:48:42 > 1:48:44Expecting a baby.

1:48:44 > 1:48:46OK, he's not gonna win a medal for fidelity,

1:48:46 > 1:48:49but...we can find out discreetly enough

1:48:49 > 1:48:51whether the Hewetts had a shotgun unaccounted for.

1:48:54 > 1:48:58I don't think he would know the first thing about stealing one, though,

1:48:58 > 1:49:00never mind sawing one off.

1:49:01 > 1:49:04It's a bit of a stretch. He's got no previous convictions.

1:49:04 > 1:49:06Not even a speeding ticket.

1:49:06 > 1:49:08The coroner says that Eastby was killed first.

1:49:08 > 1:49:11There's no sign of a forced entry.

1:49:11 > 1:49:13So, Mrs Eastby knew the killer if she let him in.

1:49:13 > 1:49:15Well, come on, Mike.

1:49:15 > 1:49:1790% of the crimes we go out on,

1:49:17 > 1:49:18people open the doors and invite the criminals in.

1:49:18 > 1:49:21Yeah, I know. You're right. I'm just thinking out loud.

1:49:21 > 1:49:23It's just...he's got a real motive.

1:49:23 > 1:49:24Yeah, maybe.

1:49:24 > 1:49:29But a motive, as you and I both painfully know, is not a case.

1:49:29 > 1:49:32I'm torn, because the Rice murder was clearly an afterthought,

1:49:32 > 1:49:33but I'd love to pursue it a little more.

1:49:33 > 1:49:37But I'm reluctant to fish around and cause problems for everybody.

1:49:37 > 1:49:39Well, if something develops we can pursue it.

1:49:39 > 1:49:41I doubt anything's gonna drop into our laps.

1:49:42 > 1:49:45CLOCK TICKS

1:50:17 > 1:50:18CREAKING

1:50:23 > 1:50:25RATTLING

1:50:36 > 1:50:38RATTLING CONTINUES

1:51:34 > 1:51:36Chris.

1:51:46 > 1:51:47Nola.

1:51:49 > 1:51:51It wasn't easy.

1:51:52 > 1:51:55But when the time came, I could pull the trigger.

1:51:57 > 1:52:00You never know who your neighbours are till there's a crisis.

1:52:01 > 1:52:05You can learn to push the guilt under the rug and go on.

1:52:06 > 1:52:08You have to -

1:52:08 > 1:52:10otherwise it overwhelms you.

1:52:10 > 1:52:12- MRS EASTBY:- And what about me?

1:52:13 > 1:52:15What about the next-door neighbour?

1:52:16 > 1:52:19I had no involvement in this awful affair.

1:52:20 > 1:52:23Is there no problem about me having to die -

1:52:23 > 1:52:25as an innocent bystander?

1:52:27 > 1:52:31The innocent are sometimes slain to make way for a grander scheme.

1:52:33 > 1:52:35You were collateral damage.

1:52:35 > 1:52:37So was your own child.

1:52:42 > 1:52:44Sophocles said...

1:52:45 > 1:52:50.."To never have been born may be the greatest boon of all."

1:52:52 > 1:52:54Prepare to pay the price, Chris.

1:52:55 > 1:52:59Your actions were clumsy, full of holes -

1:52:59 > 1:53:02almost like someone begging to be found out.

1:53:06 > 1:53:08It would be fitting if I were apprehended...

1:53:09 > 1:53:11..and punished.

1:53:12 > 1:53:15At least there would be some small sign of justice.

1:53:16 > 1:53:22Some small measure of hope for the possibility of meaning.

1:53:24 > 1:53:26Chris Wilton killed them.

1:53:26 > 1:53:28I see how he did it.

1:53:28 > 1:53:29- WOMAN:- What?

1:53:30 > 1:53:33It's as we speculated and said it was too elaborate,

1:53:33 > 1:53:35but that's what he did.

1:53:35 > 1:53:37He killed the next-door neighbour first to throw us off the scent

1:53:37 > 1:53:39and set up the appearance of a robbery.

1:53:39 > 1:53:41He waited in the hall.

1:53:41 > 1:53:42He knew she'd be back same time as usual,

1:53:42 > 1:53:45and he killed her, making it appear she surprised a burglar running out.

1:53:45 > 1:53:47He planned it all so he could make the theatre in time

1:53:47 > 1:53:49to strengthen his alibi if one became necessary.

1:53:49 > 1:53:52Now, I haven't figured out the weapon problem,

1:53:52 > 1:53:54and I know it's a lot to ask a jury,

1:53:54 > 1:53:56but the correctness of it came to me in my sleep,

1:53:56 > 1:53:58and I am going to break this case.

1:53:58 > 1:54:01- I hate to be the bearer of bad news, Mike.- What?

1:54:01 > 1:54:02Not that your dream isn't of primary interest...

1:54:02 > 1:54:04What's the bad news?

1:54:04 > 1:54:06There was another shooting in the area last night, 4am.

1:54:06 > 1:54:09Drug addict killed - looks like a drug sale turned nasty.

1:54:09 > 1:54:12What - and he confessed to killing two women before he died?

1:54:12 > 1:54:14No. He didn't have to.

1:54:14 > 1:54:17The old woman's wedding ring was right in his pocket.

1:54:18 > 1:54:20- No. - Name and date engraved right on it.

1:54:21 > 1:54:23I don't believe it.

1:54:23 > 1:54:27I know. I know. Your case looked good. Lots of motive.

1:54:27 > 1:54:29But his motive was pretty strong too - heroin.

1:54:29 > 1:54:32Junkie with a long string of convictions.

1:54:32 > 1:54:34Killed by one of his own, no doubt.

1:54:34 > 1:54:36Come on. I'll buy you breakfast.

1:54:36 > 1:54:39You can traumatise me with the rest of your dreams.

1:54:39 > 1:54:40No, wait.

1:54:40 > 1:54:44What if Wilton did it, threw the jewels away, this guy finds them?

1:54:45 > 1:54:48I don't know. See what tonight's dream tells you.

1:54:48 > 1:54:50I'm sure a jury will be interested.

1:54:50 > 1:54:52Come on.

1:54:54 > 1:54:56I give up.

1:54:56 > 1:54:57I knew Wilton didn't do it.

1:54:57 > 1:54:59He's a cruel schmuck who cheated on his wife.

1:55:00 > 1:55:03You see those pictures of Nola Rice, you can see why, though.

1:55:04 > 1:55:06What a world. Am I right, hey?

1:55:06 > 1:55:09Careful, careful. I'm always afraid they'll drop.

1:55:09 > 1:55:12- Oh, chill out, Dad. - Babies are so, so soft.

1:55:12 > 1:55:14Right. Champagne.

1:55:14 > 1:55:17- I think he's got your eyes, Chloe. - Really?

1:55:17 > 1:55:19I think he's got your colouring, darling. I really do.

1:55:19 > 1:55:22Mummy, you can't tell anything yet. They change all the time.

1:55:22 > 1:55:25My nephew.

1:55:25 > 1:55:27- Uncle Tom. Oh, look. - No, he does look like Christopher.

1:55:27 > 1:55:29Actually, speaking of which,

1:55:29 > 1:55:30didn't you move into Alan Sinclair's old office?

1:55:30 > 1:55:32- Mm-hm.- Lucky swine.

1:55:32 > 1:55:34Oh, Mummy, look, he's dreaming.

1:55:34 > 1:55:35Let's work on number two. Come on.

1:55:35 > 1:55:39Come on! He is a handsome boy. Look at that face.

1:55:39 > 1:55:40- Yeah, he's gorgeous. - All right, here we are.

1:55:40 > 1:55:44Eleanor, please... There we go.

1:55:44 > 1:55:45- Ah.- You stay there, darling.

1:55:48 > 1:55:51To Terrence Elliot Wilton.

1:55:51 > 1:55:53With parents like Chloe and Chris,

1:55:53 > 1:55:57this child will be great at anything he sets his mind to.

1:55:57 > 1:56:01You know, I don't care if he's great. I just hope that he's lucky.

1:56:01 > 1:56:03Oh, lovely.

1:56:10 > 1:56:13I bet you any money the next one's a girl.

1:56:14 > 1:56:16Mmm.

1:56:25 > 1:56:29- Here we are. To Terrence. ALL:- To Terrence.

1:56:29 > 1:56:31- TOM:- And all that sail on him.

1:57:23 > 1:57:27Subtitles by the Australian Caption Centre