0:00:20 > 0:00:22THUNDER RUMBLES
0:00:28 > 0:00:30RAIN POURS
0:00:31 > 0:00:34I did, I did. I thought I was a cat. Ooh!
0:00:34 > 0:00:37Kind of, kind of. I identified with cats.
0:00:37 > 0:00:40I kind of did. I wonder why that was?
0:00:40 > 0:00:42They bite when you stroke them.
0:00:42 > 0:00:47Maybe I was a sad cat. Was I? Yeah, yeah, I wondered about cats.
0:00:47 > 0:00:50Truly I did, I did. Cos I was a fuddy-duddy.
0:00:50 > 0:00:52Kissed them all, always kissed cats.
0:00:52 > 0:00:55If a cat'd let me kiss it, I would.
0:00:55 > 0:00:59See a cat on the fence, I'd kiss it. Always, didn't I?
0:01:02 > 0:01:04THUNDER RUMBLES
0:01:08 > 0:01:10RAIN POURS
0:01:15 > 0:01:16Ho-ho!
0:01:16 > 0:01:18Life's a perpetual risk, isn't it?
0:01:18 > 0:01:20I think it is.
0:01:20 > 0:01:22I was different then, wasn't I?
0:01:22 > 0:01:25I gotta be different again, got to be different again.
0:01:25 > 0:01:27Can a leopard change its spots? Who knows?
0:01:30 > 0:01:32Ho-ho!
0:01:32 > 0:01:36It's a blood sport, I think so. It's true. It seems to be true.
0:01:36 > 0:01:38Or is it a blank?
0:01:38 > 0:01:39Bit of a scrabble. Hoooooy!
0:01:39 > 0:01:43Put the pieces together. See if you make words. Ho!
0:01:43 > 0:01:44That's funny, that's funny.
0:01:44 > 0:01:46It's a mystery, it's a mystery.
0:02:16 > 0:02:19- MAN:- Oh, thank you, thank you.
0:02:23 > 0:02:24- Here we go. - Bye.
0:02:24 > 0:02:26- WOMAN:- Take care.
0:02:27 > 0:02:29Bye-bye.
0:02:39 > 0:02:41We're closed!
0:02:45 > 0:02:48HE KNOCKS REPEATEDLY
0:02:51 > 0:02:53What's the problem, mate?
0:02:53 > 0:02:55Sorry, sorry, mate, I'm the problem.
0:02:55 > 0:02:57Ho-ho. Such a problem. I'm wet, oh!
0:02:57 > 0:02:59But it's not an ideal world, is it?
0:02:59 > 0:03:03We must make the most of it, but it's more ideal than before.
0:03:03 > 0:03:05Because, I mean, we're privileged, right?
0:03:05 > 0:03:09Not long ago, people would've been burnt at the stake, maybe.
0:03:09 > 0:03:12- It's Tony. Who are you? - Not maybe. Tony, Tony.
0:03:12 > 0:03:14Who knows, Tony. I don't know myself. Ah!
0:03:14 > 0:03:17I'm David, David. How does that sound?
0:03:17 > 0:03:20- Hi, David. How can Sylvia help? - Is it Sylvia? Oh!
0:03:20 > 0:03:22Pleased to meet you, Sylvia, oh! SHE GASPS
0:03:22 > 0:03:25Schubert, wasn't it? He said, "Who's Sylvia, what is she?"
0:03:25 > 0:03:29- What can we do for you, David? - Do for me?
0:03:29 > 0:03:32- Got to stop talking. It's a problem. - No, it's all right.
0:03:32 > 0:03:34Just tell Sylvia why you're here.
0:03:34 > 0:03:35- A mystery. - Are you lost?
0:03:35 > 0:03:38- That's it! How does that sound? - Yes?
0:03:38 > 0:03:40Oh, is that your piano, beautiful Sylvia?
0:03:40 > 0:03:43Oh, isn't Sylvia beautiful, Toby? SHE LAUGHS
0:03:43 > 0:03:45Not Toby - Tony. You're beautiful too, Tony! Oh!
0:03:45 > 0:03:47Perhaps I could play it?
0:03:47 > 0:03:50- MAN:- Like hell, baby.- > Could I? You say.
0:03:50 > 0:03:53- Shut up, Sam. - Hell baby, oh, the devil. Diablerie!
0:03:53 > 0:03:55- David. - Get out of here. Go on.
0:03:55 > 0:03:58- Sylvia, Sylvia, could I play? - David, your name and address.
0:03:58 > 0:04:00Leave it, Sylvia. Leave, leave it.
0:04:00 > 0:04:03That's very important, isn't it? Molto, molto.
0:04:03 > 0:04:06Then again, it's a lifelong struggle, isn't it Sylvia, Tony?
0:04:06 > 0:04:07To live, to survive.
0:04:07 > 0:04:10To survive undamaged, not destroy any creature.
0:04:10 > 0:04:13Wrongdoers are punished for the rest of your life.
0:04:13 > 0:04:15- Is it a lifelong struggle? - Yep.
0:04:15 > 0:04:18To keep your head above water, not get it chopped off.
0:04:18 > 0:04:21I'm not disappointing you, am I Sylvia-Tony-Tony-Sylvia?
0:04:21 > 0:04:23- Sam, yay, Sam! Oh! - Oh, no. Get off.
0:04:23 > 0:04:25DAVID LAUGHS
0:04:25 > 0:04:28Helfgott, what a name, oh! ALL LAUGH
0:04:28 > 0:04:32Helfgott - with the help of God. That's what it means. How's that?
0:04:32 > 0:04:35You see, Daddy's daddy was very religious, strict, and a meanie.
0:04:35 > 0:04:38But he got exterminated. God didn't help him. Whooahhh.
0:04:38 > 0:04:40Not very funny. Very sad, really.
0:04:40 > 0:04:44I'm callous. Callous and a bit of a meanie.
0:04:44 > 0:04:46Sorry, Sylvia. I mustn't damage Sylvia.
0:04:46 > 0:04:48Perhaps I haven't got a soul.
0:04:48 > 0:04:51- What makes you say that? - Daddy said there's no such thing.
0:04:51 > 0:04:54- That's ridiculous. - Right. I'm ridiculous and callous.
0:04:54 > 0:04:58Ridiculous and callous, uh, because it was a tragedy, a tragedy.
0:04:58 > 0:05:00A ridiculous tragedy.
0:05:00 > 0:05:03SLOW-MOTION APPLAUSE BEGINS
0:05:10 > 0:05:12BOY: (I'm going to win. I'm going to win.)
0:05:12 > 0:05:14(I'm going to win!)
0:05:17 > 0:05:19(I'm going to win.)
0:05:27 > 0:05:29David's going to play the piano for us.
0:05:29 > 0:05:30- Aren't you, David? - Yes.
0:05:30 > 0:05:33What are you going to play?
0:05:33 > 0:05:34David?
0:05:36 > 0:05:38David. What are you going to play?
0:05:38 > 0:05:39- MAN:- Excuse me.
0:05:39 > 0:05:41Chopin. The Polonaise.
0:05:43 > 0:05:45AUDIENCE CLAPS
0:06:00 > 0:06:02BELL RINGS
0:06:37 > 0:06:39PIANO SCRAPES AGAINST FLOOR
0:06:41 > 0:06:43PIANO STOOL SCREECHES
0:06:44 > 0:06:45STOOL SCREECHES
0:06:49 > 0:06:52This is crazy. The piano!
0:06:52 > 0:06:54The piano!
0:06:57 > 0:06:59That is crazy. The piano.
0:06:59 > 0:07:00This kid's good.
0:07:00 > 0:07:02He's great!
0:07:05 > 0:07:07He is my son.
0:07:08 > 0:07:10My son.
0:07:24 > 0:07:26- GIRL:- Here they come.
0:07:27 > 0:07:28Did he win or lose?
0:07:28 > 0:07:31Margaret!
0:07:31 > 0:07:32He lost.
0:07:33 > 0:07:35Now we'll cop it.
0:07:53 > 0:07:55It's your turn.
0:07:55 > 0:07:57Uh?
0:07:58 > 0:07:59It's your turn, Daddy.
0:08:00 > 0:08:04Ah, let me see. Let me see.
0:08:05 > 0:08:06Ah, let me see.
0:08:07 > 0:08:10HE CHUCKLES
0:08:10 > 0:08:13You're losing. You're losing. You're losing.
0:08:13 > 0:08:16David, always win!
0:08:16 > 0:08:18Always...
0:08:18 > 0:08:19win!
0:08:19 > 0:08:21You know, when I...
0:08:21 > 0:08:24When I was a boy your age I bought a violin,
0:08:24 > 0:08:26a beautiful violin.
0:08:26 > 0:08:28I saved for this violin.
0:08:28 > 0:08:30- And you know what happened to it? - Yes.
0:08:30 > 0:08:32He smashed it.
0:08:32 > 0:08:34Yeah...he smashed it.
0:08:36 > 0:08:38David...
0:08:38 > 0:08:40you're a very lucky boy.
0:08:40 > 0:08:43My father never let me have music.
0:08:43 > 0:08:44I know.
0:08:44 > 0:08:46You're a very lucky boy.
0:08:46 > 0:08:48Say it.
0:08:48 > 0:08:50I'm a very lucky boy.
0:08:51 > 0:08:53Very...lucky.
0:08:54 > 0:08:56Now shall I play for you?
0:08:56 > 0:08:59No. Pick up this piece.
0:09:14 > 0:09:17- MARGARET:- I bet I could have won. - You would have been too scared.
0:09:17 > 0:09:19- Sssh! - CLASSICAL RECORD PLAYS
0:09:19 > 0:09:21CHESS PIECES CLUNK
0:09:21 > 0:09:23DAVID! Sh!
0:09:24 > 0:09:25Have a listen, have a listen.
0:09:37 > 0:09:38KNOCK AT DOOR
0:09:40 > 0:09:41Margaret!
0:09:41 > 0:09:44I told you, tell your friends not to come.
0:09:53 > 0:09:56TRAIN BELL RINGS
0:10:01 > 0:10:03- GIRL:- I spy...
0:10:03 > 0:10:05I? Come on, wait!
0:10:07 > 0:10:08Good boy.
0:10:08 > 0:10:10Hello.
0:10:11 > 0:10:13Daddy, there's somebody here!
0:10:16 > 0:10:17Hello.
0:10:17 > 0:10:20I hope I'm not interrupting.
0:10:22 > 0:10:25- Ben Rosen. I was one of the judges. - Yes?
0:10:25 > 0:10:28You left before all the prizes were announced.
0:10:28 > 0:10:30You were very good this afternoon, David.
0:10:30 > 0:10:32Thank you.
0:10:32 > 0:10:34He can play better.
0:10:34 > 0:10:38Maybe he was a little too good. Some people don't like that.
0:10:38 > 0:10:41We gave him a special prize for his courage.
0:10:45 > 0:10:47A difficult piece you chose, David.
0:10:47 > 0:10:49Daddy chose it.
0:10:49 > 0:10:52Even great pianists think twice before attacking the Polonaise.
0:10:52 > 0:10:55- A prize for losing? - I wouldn't call him a loser.
0:10:55 > 0:10:56Das genugt, das genugt.
0:10:56 > 0:10:58Sie spielt aber gut.
0:11:00 > 0:11:03They all, they all play.
0:11:03 > 0:11:05I'm quite sure...
0:11:05 > 0:11:09David could win lots of competitions with the right tuition.
0:11:09 > 0:11:11My card.
0:11:11 > 0:11:13- I teach him. - You've obviously done very well.
0:11:13 > 0:11:15Yeah. No-one taught me.
0:11:16 > 0:11:19No music teachers, Mr Rosen.
0:11:19 > 0:11:21No, of course. It's just a...
0:11:21 > 0:11:26A few bad habits is the difference between winning or losing.
0:11:26 > 0:11:28Perhaps you'd like to think about it. Mmm?
0:11:38 > 0:11:41GENTLE PIANO TUNE
0:12:05 > 0:12:06Rachmaninoff.
0:12:09 > 0:12:10It's beautiful.
0:12:10 > 0:12:13Yeah. You taught yourself?
0:12:13 > 0:12:15From the record.
0:12:15 > 0:12:19Oh, yeah. It's... it's very difficult.
0:12:19 > 0:12:21It's very difficult.
0:12:21 > 0:12:22It's...
0:12:23 > 0:12:27It's, uh, the hardest piece in the world, you know.
0:12:27 > 0:12:29Will you teach me?
0:12:35 > 0:12:36You know...
0:12:36 > 0:12:39one day you will play it.
0:12:39 > 0:12:43You will make me very proud, very proud of you, David.
0:12:43 > 0:12:45Yes.
0:12:46 > 0:12:48Mmm.
0:12:52 > 0:12:54And, uh...
0:12:54 > 0:12:55next time...
0:12:55 > 0:12:58what are we going to do?
0:12:58 > 0:13:02- We're going to win. - We are going to win, yes.
0:13:02 > 0:13:05So... Good night.
0:13:05 > 0:13:08Good night, Daddy.
0:13:34 > 0:13:35HE SIGHS
0:14:05 > 0:14:07Come, come, come, come.
0:14:20 > 0:14:21DOORBELL RINGS
0:14:24 > 0:14:26Don't touch it, don't touch it.
0:14:29 > 0:14:30Yes?
0:14:30 > 0:14:33Mr Rosen, I have decided I would like...
0:14:33 > 0:14:36you teach David...this.
0:14:39 > 0:14:41Rachmaninoff. Don't be ridiculous.
0:14:41 > 0:14:43He can play it already.
0:14:43 > 0:14:46He's just a boy. He can't express that sort of passion!
0:14:46 > 0:14:48You are a passionate man, Mr Rosen.
0:14:48 > 0:14:50You will teach him, no?
0:14:50 > 0:14:52No!
0:14:52 > 0:14:55I'll teach him what I think's best.
0:14:55 > 0:14:56Rachmaninoff is best.
0:14:59 > 0:15:01But...
0:15:01 > 0:15:04You are his teacher. I'll let you decide.
0:15:04 > 0:15:05Thank you.
0:15:06 > 0:15:08We'll start with Mozart.
0:15:08 > 0:15:10Mr Rosen...
0:15:10 > 0:15:13I can't afford to pay.
0:15:22 > 0:15:25THUNDERSTORM BREAKS
0:15:25 > 0:15:29SCALES PLAYED ON PIANO
0:15:37 > 0:15:39Come on, David. Sylvia's getting wet.
0:15:39 > 0:15:42- Sorry, Sylvia, sorry. Bye, Tony. - See you later.
0:15:42 > 0:15:45It's raining cats and dogs, dogs and pussycats.
0:15:45 > 0:15:46Ho-ho-ho-ho-ho!
0:15:46 > 0:15:48- Ho, look out! - Oh.
0:15:48 > 0:15:49Ha-ha-ha-ha-ha-ha!
0:15:53 > 0:15:57- You'll be right then, David? - I'm fine. Home sweet home.
0:15:57 > 0:16:01- Oh, you CAN play! - Oh, kind of, kind of play, Sylvia.
0:16:01 > 0:16:03Chopin, Sylvia, Chopinzee! The Pole-popolski.
0:16:03 > 0:16:06Like Daddy and his family before they were concentrated.
0:16:06 > 0:16:09- How long have you been here? - Golly, a few years.
0:16:09 > 0:16:10Aeons, how does that sound?
0:16:10 > 0:16:13And Schubert, nothing wrong with Schubert, except syphilis.
0:16:13 > 0:16:17Then typhoid on top of that, so we lost him.
0:16:17 > 0:16:19- A bit careless of us. - So, you're back.- >
0:16:19 > 0:16:23Oh, Jim! I've been a naughty boy. Was I a naughty boy?
0:16:23 > 0:16:27- I almost sent out a search party. - A party. I won't be invited...
0:16:27 > 0:16:32- He came to my restaurant a bit lost. - He's very good at that, thanks.
0:16:32 > 0:16:33- ..have a party... - Bye, David.
0:16:33 > 0:16:37It's time for a wine and a very fine time, mardis gras and a long cigar.
0:16:43 > 0:16:45HEAVY RAIN BECOMES...
0:16:45 > 0:16:47APPLAUSE The winner...
0:16:47 > 0:16:49our youngest state champion... CROWD CHEERS
0:16:49 > 0:16:51..David Helfgott.
0:16:54 > 0:16:57- Rosen, we won, we won. - Thanks to Mozart, hmm?
0:16:57 > 0:17:00- And now he can play Rachmaninoff. - ROSEN SIGHS
0:17:00 > 0:17:03To present David with the prize money,
0:17:03 > 0:17:05our very special guest from America, ladies and gentlemen.
0:17:05 > 0:17:08Currently on tour in Australia, Mr Isaac Stern.
0:17:08 > 0:17:10- AUDIENCE APPLAUDS - Isaac...Isaac Stern.
0:17:19 > 0:17:21You have a very special talent, David.
0:17:21 > 0:17:25Thank you, thank you, Mr Stern. So do you.
0:17:25 > 0:17:26AUDIENCE LAUGHS
0:17:26 > 0:17:30How much are you prepared to give to your music, David?
0:17:30 > 0:17:32- How much? - Everything, EVERYTHING!
0:17:32 > 0:17:33Sh!
0:17:33 > 0:17:35Ah, uh, everything.
0:17:35 > 0:17:39But, uh, I do like tennis and, uh, chemistry too. AUDIENCE TITTERS
0:17:39 > 0:17:42Do you play tennis as well as you play Mozart?
0:17:42 > 0:17:46I bounce the ball against the wall at home mainly.
0:17:46 > 0:17:49How would you like to go to a special American school
0:17:49 > 0:17:50where MUSIC bounces off walls?
0:17:50 > 0:17:52America?
0:17:52 > 0:17:56You know - land of the free, home of the brave, Mickey Mouse!
0:17:56 > 0:18:00Ladies and gentlemen, what an honour for our young state champion -
0:18:00 > 0:18:02an invitation to study in America!
0:18:02 > 0:18:05AUDIENCE CHEERS AND APPLAUDS
0:18:14 > 0:18:17- GIRL:- And now, all the way from America...
0:18:17 > 0:18:20David Helfgott! Woooo!
0:18:20 > 0:18:23- Thank you, thank you. - He's not from America.
0:18:23 > 0:18:24He's going to America,
0:18:24 > 0:18:28and when he comes back, he'll be coming from there, won't you?
0:18:28 > 0:18:30- I suppose so. BOY:- (Margaret.)
0:18:33 > 0:18:35Ooooh!
0:18:40 > 0:18:43No, I have no money to send David to America.
0:18:43 > 0:18:44Well, um...
0:18:44 > 0:18:48- We'll raise it! - What?
0:18:53 > 0:18:55Bar Mitzvah.
0:18:55 > 0:18:57David hasn't yet had his Bar Mitzvah.
0:19:06 > 0:19:07Religion is nonsense.
0:19:09 > 0:19:11It's also a goldmine if you know where to dig.
0:19:18 > 0:19:21And one day I'll play with an orchestra.
0:19:21 > 0:19:23Wow! Can I come when you do?
0:19:23 > 0:19:25You can ride in my Cadillac.
0:19:25 > 0:19:27Where will you live in America?
0:19:27 > 0:19:30With a nice Jewish family, they said.
0:19:30 > 0:19:33Here is not a nice family?
0:19:33 > 0:19:36Oh, yes, Daddy. It's very nice.
0:19:36 > 0:19:39You're very lucky to have a family, David.
0:19:42 > 0:19:45- MARGARET LAUGHS BOY:- She was down there with him.
0:19:45 > 0:19:47CHATTER CONTINUES
0:19:49 > 0:19:50DOG BARKS
0:19:50 > 0:19:52I've gotta go.
0:19:55 > 0:19:57It's one of the finest music schools in the world.
0:19:57 > 0:19:59It is for his father to decide.
0:19:59 > 0:20:03He would be well looked after, I promise.
0:20:03 > 0:20:04Rachel, please.
0:20:04 > 0:20:07David could be one of the truly great pianists.
0:20:07 > 0:20:10He is just a boy, Mr Rosen.
0:20:10 > 0:20:12He still wets his bed.
0:20:14 > 0:20:15DOOR SHUTS
0:20:29 > 0:20:31Take this one, the brown one.
0:20:32 > 0:20:33Yes.
0:20:52 > 0:20:55You see...how fit I am, how strong?
0:20:55 > 0:20:59Show me the lion scratches when you worked in the circus, Daddy.
0:21:01 > 0:21:04HE HUMS A TUNE
0:21:04 > 0:21:08Yeah. That what happens when you're too close to the bars, eh?
0:21:08 > 0:21:10David, come here.
0:21:11 > 0:21:12- Hit me. - OK.
0:21:12 > 0:21:14- Hit me. - Arggh!
0:21:14 > 0:21:18- Yeah, as hard as you can. You too. - Me too, Daddy!
0:21:18 > 0:21:21You see - a man of steel.
0:21:21 > 0:21:23No-one can hurt me.
0:21:23 > 0:21:26Because in this world only the fit survive.
0:21:26 > 0:21:29- The weak get crushed like insects. - HE LAUGHS
0:21:29 > 0:21:30Like grasshoppers, Daddy?
0:21:30 > 0:21:33Believe me. If you want to survive in America...
0:21:33 > 0:21:37you have to be fit and strong.
0:21:37 > 0:21:40- Like you, Daddy? - Yeah! Ha-ha.
0:21:40 > 0:21:43Like me. Yes! Ha-ha.
0:21:43 > 0:21:47Yeah, that's good.
0:21:48 > 0:21:50SOFT TAPPING AT TYPEWRITER
0:21:57 > 0:21:59PAPER IS TORN
0:22:14 > 0:22:16MAN LAUGHS
0:22:16 > 0:22:19See you next week, David. Don't forget to study.
0:22:19 > 0:22:21Thank you, Rabbi.
0:22:39 > 0:22:43Mr Helfgott! It is exciting, isn't it?
0:22:43 > 0:22:46David, the Lord Mayor is dying to meet you!
0:22:49 > 0:22:52- Peter. - Mr Rosen.
0:22:52 > 0:22:55Ladies and gentlemen, can I have your attention, please?
0:22:56 > 0:23:00I would like to thank our wonderful Lord Mayor
0:23:00 > 0:23:04for establishing this fund to send David to America.
0:23:04 > 0:23:05APPLAUSE
0:23:05 > 0:23:09And now to play for us, our very own David Helfgott!
0:23:09 > 0:23:11APPLAUSE
0:23:34 > 0:23:36'These people are a disgrace!'
0:23:36 > 0:23:38They think they are so important.
0:23:38 > 0:23:41What do they know, with their furs and their diamonds?
0:23:41 > 0:23:46It makes me sick to the stomach! That Rosen - what kind of man is he?
0:23:46 > 0:23:49He's not married. He has no children.
0:23:50 > 0:23:53MUFFLED: Don't ever talk to me about Rosen.
0:23:53 > 0:23:56He only wants for David the same as you have always wanted.
0:23:56 > 0:23:57Don't ever compare me to him.
0:23:57 > 0:24:00What has he suffered? Not a day in his life!
0:24:00 > 0:24:04What does he know... What does he know about families?
0:24:05 > 0:24:11About how your sisters died? And my mother and father?
0:25:22 > 0:25:24Thank you! Thank you, David!
0:25:24 > 0:25:28Thank you, Comrade Helfgott! Your son is a credit to you!
0:25:31 > 0:25:35On behalf of the Soviet Friendship Society, we applaud you!
0:25:41 > 0:25:44Meet Katherine Prichard.
0:25:53 > 0:25:55You play beautifully.
0:25:55 > 0:25:57Thank you.
0:25:57 > 0:25:59My name's Sonia.
0:25:59 > 0:26:00I-I'm David.
0:26:00 > 0:26:02I know who you are.
0:26:03 > 0:26:06You've got the most wonderful hands.
0:26:06 > 0:26:08So do you.
0:26:10 > 0:26:14So, um...are you... You're going to America?
0:26:14 > 0:26:15That's right, yeah.
0:26:15 > 0:26:18One day you'll go to Russia too.
0:26:18 > 0:26:20Why not?
0:26:23 > 0:26:24David!
0:26:26 > 0:26:28I-I'm here.
0:26:28 > 0:26:30There's someone important who wants to meet you.
0:26:32 > 0:26:34I'd better go.
0:26:45 > 0:26:50I've never met anyone who plays the piano as beautifully as you, David.
0:26:50 > 0:26:52I've never met a writer before, Mrs Prichard.
0:26:52 > 0:26:54You must be very proud of him.
0:26:54 > 0:26:56As proud as a father can be.
0:26:56 > 0:26:59I have a long-suffering old piano at home.
0:26:59 > 0:27:00Ah, suffering piano!
0:27:00 > 0:27:02From neglect.
0:27:02 > 0:27:04Perhaps you'll play it for me one day.
0:27:04 > 0:27:06Yes...anything to help.
0:27:06 > 0:27:08I'd like that very much.
0:27:08 > 0:27:09Me too.
0:27:09 > 0:27:11TAPS ON GLASS
0:27:11 > 0:27:14Your attention, comrades. I wish to propose a toast.
0:27:14 > 0:27:15That's my cue.
0:27:15 > 0:27:18To our founder and very special guest this evening,
0:27:18 > 0:27:20Katherine Susannah Prichard.
0:27:20 > 0:27:22You will learn much from this old woman.
0:27:22 > 0:27:24She has been to the Soviet Union.
0:27:50 > 0:27:52America!
0:27:52 > 0:27:55"We have been informed of your exceptional talent
0:27:55 > 0:28:00"and can only say how privileged we feel to have you stay with us.
0:28:00 > 0:28:03"You'll feel very much at home here and you'll be pleased to know
0:28:03 > 0:28:06"we're having the Bosendorfer tuned especially.
0:28:06 > 0:28:09"We eagerly await your innement arrival..."
0:28:09 > 0:28:12- "Imminent". - I wonder if they've got a Cadillac!
0:28:12 > 0:28:16"..imminent arrival and look forward to hearing you play for us.
0:28:16 > 0:28:20"Kindest wishes, Simon and Basha Mickleburg."
0:28:20 > 0:28:21Read it again!
0:28:21 > 0:28:24Shush! You'll wake the baby!
0:28:24 > 0:28:26"You'll enjoy the company of our parakeet
0:28:26 > 0:28:29"and our poodle, called Margaret."
0:28:29 > 0:28:30- SHE LAUGHS - Hey! It is not!
0:28:30 > 0:28:33- Pig! - It is too!
0:28:33 > 0:28:35Enough! Enough!
0:28:35 > 0:28:37Turn it off! Give me the letter.
0:28:37 > 0:28:39MUSIC OFF
0:28:39 > 0:28:40David is not going anywhere.
0:28:44 > 0:28:45Daddy!
0:28:46 > 0:28:50What are you looking at, you fools? He's not going to America.
0:28:50 > 0:28:53I won't let anyone destroy THIS FAMILY!
0:28:53 > 0:28:55Please, Daddy, don't!
0:28:58 > 0:29:02I know, David, what is best, because I'm your father.
0:29:02 > 0:29:06I am your father and THIS IS YOUR FAMILY!
0:29:09 > 0:29:12David! David, come back!
0:29:12 > 0:29:13Come back!
0:29:13 > 0:29:17SHE SHOUTS ANGRILY IN YIDDISH
0:29:18 > 0:29:22I know what's best. Believe me.
0:29:22 > 0:29:24Close the door!
0:29:32 > 0:29:34Mr Rosen!
0:29:36 > 0:29:39Mr Rosen, please! It's David!
0:29:41 > 0:29:43Mr Rosen!
0:30:08 > 0:30:10LOUD DRIP
0:30:13 > 0:30:14DRIP
0:30:25 > 0:30:29Time to get out, David. It's my turn for the bath.
0:30:29 > 0:30:32Are you feeling better now? Have you stopped shivering?
0:30:32 > 0:30:34You know, a bath is always the best, David.
0:30:34 > 0:30:36Always...
0:30:36 > 0:30:40Hmmm. You disgusting animal.
0:30:40 > 0:30:44To shit in the bath. To do this to me.
0:30:44 > 0:30:48You DISGUSTING ANIMAL!
0:31:04 > 0:31:06HE SINGS FROM THE TORAH
0:31:57 > 0:31:59Peter!
0:32:01 > 0:32:03I know you can hear me.
0:32:04 > 0:32:06Don't do this to David!
0:32:07 > 0:32:11You mustn't stop him going! Peter!
0:32:29 > 0:32:34Whatever you do, don't you dare inflict bloody Rachmaninoff on him.
0:32:34 > 0:32:35He's not ready!
0:32:39 > 0:32:41SCREEN DOOR SLAMS
0:32:45 > 0:32:47CAR DOOR CLOSES
0:32:47 > 0:32:49CAR ENGINE STARTS
0:32:51 > 0:32:53CAR DRIVES OFF
0:32:57 > 0:32:59FOOTSTEPS APPROACH SLOWLY
0:32:59 > 0:33:02- PETER:- David. My boy.
0:33:04 > 0:33:07It's a terrible thing, to hate your father.
0:33:10 > 0:33:15Life is cruel, but...but music...
0:33:16 > 0:33:20Music, it will always... always be your friend.
0:33:20 > 0:33:24Everything else... will let you down in the end.
0:33:24 > 0:33:26Everything. Believe me - everything.
0:33:26 > 0:33:31- HE SPEAKS YIDDISH - David. Don't hate me.
0:33:34 > 0:33:36Life is cruel.
0:33:37 > 0:33:43But you have...you have to... you have to survive.
0:33:46 > 0:33:48You have to survive.
0:33:49 > 0:33:51Say it.
0:33:51 > 0:33:55You have to survive, Dad. You have to survive.
0:34:06 > 0:34:11No-one...will love you like me.
0:34:13 > 0:34:15You can't trust anyone.
0:34:16 > 0:34:21But I will always...be there.
0:34:23 > 0:34:27David...give me a hug.
0:34:28 > 0:34:32I will always be with you, for ever and ever.
0:34:33 > 0:34:35For ever and ever, Dad.
0:35:15 > 0:35:19MUSIC: Fast Zu Ernst by Schumann
0:35:35 > 0:35:38Each time you play for me,
0:35:38 > 0:35:44it expresses so completely the...inexpressible.
0:35:44 > 0:35:46Is that good?
0:35:46 > 0:35:48It's divine.
0:35:48 > 0:35:51- Inexpressibly divine. - Quite.
0:35:54 > 0:35:56HE RESUMES PLAYING Tell me a story, Katherine.
0:35:56 > 0:35:58What's the story today?
0:35:58 > 0:36:02A new story - drops of water.
0:36:03 > 0:36:07- Raindrops? - Yes, raindrops.
0:36:21 > 0:36:25Perfect. I shall treasure this till the day I die.
0:36:37 > 0:36:41"To you, all these wild weeds and wind flowers of my life,
0:36:41 > 0:36:45"I bring, my Lord and lay them at your feet.
0:36:45 > 0:36:47"They're not frankincense or myrrh,
0:36:47 > 0:36:51"but you are Krishna, Christ and Dionysus,
0:36:51 > 0:36:56"in your beauty, tenderness and strength."
0:37:08 > 0:37:12MUSICIANS TUNE INSTRUMENTS
0:37:26 > 0:37:30APPLAUSE
0:37:30 > 0:37:33- ANNOUNCER:- 'That was our final contestant, David Helfgott,
0:37:33 > 0:37:36'with a very stirring Rachmaninoff.
0:37:36 > 0:37:38'Well, what a close contest we have,
0:37:38 > 0:37:41'with the national championship almost certainly going
0:37:41 > 0:37:43'to one of the two pianists.'
0:37:43 > 0:37:44Bravo, David!
0:37:44 > 0:37:50'It'll be difficult for the judges to separate them, either one a worthy winner.
0:37:50 > 0:37:52'The judges are now conferring.'
0:38:01 > 0:38:03It's a tough game, isn't it, Roger?
0:38:03 > 0:38:05It's a blood sport.
0:38:38 > 0:38:41Ladies and gentlemen, I'm pleased to announce the winner
0:38:41 > 0:38:44of this year's Instrumental and Vocal Competition.
0:38:44 > 0:38:48Our new National Champion is...
0:38:50 > 0:38:53- ..Roger Woodward. - ENTHUSIASTIC APPLAUSE
0:39:17 > 0:39:19APPLAUSE CONTINUES
0:39:48 > 0:39:51What was he like, Katherine?
0:39:51 > 0:39:53Your father.
0:39:55 > 0:39:58He was for ever busy in his study.
0:39:58 > 0:40:02"Go away, Kattie, I'm writing", he'd always say.
0:40:02 > 0:40:07One day - oh, I was very young - I got so annoyed
0:40:07 > 0:40:11that I upset the ink pots all over his desk
0:40:11 > 0:40:14and scrawled on his work - pages of it.
0:40:15 > 0:40:19When he saw it, he just stood there, SEETHING with anger -
0:40:19 > 0:40:21I could feel it.
0:40:21 > 0:40:23"What are you doing?!" he shouted.
0:40:24 > 0:40:27There was this terrible silence.
0:40:29 > 0:40:33And I just stared at him and said, "Go away, Daddy, I'm writing."
0:40:33 > 0:40:40- SHE LAUGHS - He ran at me and he picked me up and cuddled me breathless.
0:40:43 > 0:40:47My first literary effort, he always called it.
0:40:48 > 0:40:50SHE CHUCKLES
0:40:53 > 0:40:55David, what is it?
0:41:07 > 0:41:09Royal College of Music.
0:41:11 > 0:41:13A scholarship.
0:41:14 > 0:41:16Oh, David, that's MARVELLOUS!
0:41:18 > 0:41:21Daddy won't cuddle ME, Katherine. Oh, no.
0:41:22 > 0:41:24He can't stop you, David.
0:41:24 > 0:41:26He's such an angry lion, Katherine.
0:41:26 > 0:41:28Oh, nonsense, he's a pussycat.
0:41:32 > 0:41:34I'll miss you.
0:41:43 > 0:41:46These were for my son, but YOU better have them.
0:41:46 > 0:41:50It gets very, very cold in London.
0:41:58 > 0:42:00BIRDS SING
0:42:29 > 0:42:31David.
0:42:32 > 0:42:33Where have you been?
0:42:33 > 0:42:35Um...I missed the train.
0:42:35 > 0:42:37That Prichard woman!
0:42:38 > 0:42:40What is this?
0:42:40 > 0:42:41The gloves?
0:42:47 > 0:42:49Look at me.
0:42:50 > 0:42:51Look at me!
0:43:03 > 0:43:05HE CHUCKLES
0:43:07 > 0:43:11And you think you can just do as you please?
0:43:13 > 0:43:15I...I want to go...
0:43:15 > 0:43:16and, um...you can't stop me.
0:43:16 > 0:43:18David.
0:43:18 > 0:43:22I am your father, who has done EVERYTHING for you!
0:43:22 > 0:43:24- Everything! - DAVID WHIMPERS
0:43:24 > 0:43:25You cruel, callous boy!
0:43:25 > 0:43:27Mama! Margaret!
0:43:27 > 0:43:28- You stupid, stupid boy! - MUM!
0:43:28 > 0:43:30Leave me! Leave him!
0:43:30 > 0:43:31- Leave me alone! - Margaret!
0:43:31 > 0:43:34Don't hurt him! Don't hurt him!
0:43:34 > 0:43:36DAVID!
0:43:36 > 0:43:37You want to go - go!
0:43:37 > 0:43:39You want to go - go!
0:43:39 > 0:43:41- Out! Out! - MARGARET:- I'll call the police!
0:43:41 > 0:43:43- Out! Out! Out! - Stop it!
0:43:44 > 0:43:46HE GASPS
0:43:46 > 0:43:47Leave him!
0:43:47 > 0:43:48He is all right.
0:43:48 > 0:43:51Are you all right, David?
0:43:52 > 0:43:54Are you all right?
0:43:54 > 0:43:56Yeah? Come on, David.
0:43:57 > 0:43:59He is all right.
0:43:59 > 0:44:03I'm old enough to make up my own mind.
0:44:03 > 0:44:05He thinks he's going to London.
0:44:05 > 0:44:09I've been accepted into the Royal College of Music.
0:44:09 > 0:44:12What do you think will happen to you in London?
0:44:15 > 0:44:17David...if you go...
0:44:17 > 0:44:20you will never come back into this house again.
0:44:20 > 0:44:23You will never be anybody's son.
0:44:23 > 0:44:26The girls will lose a brother.
0:44:26 > 0:44:28Is that what you want?
0:44:28 > 0:44:30You want....
0:44:30 > 0:44:33You want to destroy...your family?
0:44:33 > 0:44:35I'm sorry. I'm sorry.
0:44:37 > 0:44:39David!
0:44:39 > 0:44:42David, if you love me, you will stop this nonsense.
0:44:42 > 0:44:44You will not step out...that door.
0:44:44 > 0:44:46David...
0:44:47 > 0:44:51..if you go, you will be punished...
0:44:52 > 0:44:54..for the rest of your life.
0:44:54 > 0:44:57My David...don't go.
0:45:01 > 0:45:02(I'm sorry.)
0:45:02 > 0:45:04(I'm sorry.)
0:45:08 > 0:45:10DAVID!
0:45:10 > 0:45:12Don't make me do it!
0:45:27 > 0:45:29HE SOBS
0:46:15 > 0:46:18He has the most fantastic hands.
0:46:18 > 0:46:20Not connected to anything above his shoulders.
0:46:21 > 0:46:23Yes. He's a bit fragile, certainly.
0:46:23 > 0:46:25A Chopinzee!
0:46:25 > 0:46:27I've seen enough to suggest
0:46:27 > 0:46:30he could make the finals of the concerto trials.
0:46:30 > 0:46:32And what have you seen, Cecil?
0:46:32 > 0:46:34Moments of genius.
0:46:34 > 0:46:36Genius?
0:46:37 > 0:46:38Really!
0:46:42 > 0:46:43HE CHUCKLES
0:46:43 > 0:46:45'Come on, David!'
0:46:45 > 0:46:47Boldness of attack!
0:46:47 > 0:46:49PROFESSOR SLAMS DISCORDANT KEYS Whoa!
0:46:49 > 0:46:50- Diablerie! - Whoa!
0:46:50 > 0:46:53- The devil, David! - Mustn't break the piano.
0:46:53 > 0:46:55Liszt broke plenty of strings.
0:46:55 > 0:46:56Right, right, right.
0:46:56 > 0:46:58Come on!
0:46:58 > 0:47:00Fill in for this useless arm of mine.
0:47:00 > 0:47:02The notes first.
0:47:02 > 0:47:04Interpretation comes on top of them.
0:47:04 > 0:47:06On top, yes. Yes, yes.
0:47:06 > 0:47:08- DAVID PLAYS - You agree, do you?
0:47:08 > 0:47:10Oh, yes. I always agree, Professor.
0:47:10 > 0:47:11Is that wise?
0:47:11 > 0:47:13I don't know. Is it?
0:47:14 > 0:47:17Don't forget, it's on the page!
0:47:17 > 0:47:20Yes. Well, the...the notes are on the page.
0:47:20 > 0:47:23But not the feeling, the emotion. That's what I feel.
0:47:23 > 0:47:25You mustn't sacrifice everything to emotion.
0:47:25 > 0:47:27It's all a question of balance.
0:47:27 > 0:47:29Oh...is that the question, Professor?
0:47:29 > 0:47:31Precisely.
0:47:31 > 0:47:33Uh-huh. I thought so.
0:47:33 > 0:47:35That's what I thought.
0:47:36 > 0:47:39THEY PLAY LISZT'S "LA CAMPENELLA"
0:47:49 > 0:47:50- MAN:- 'Mr Helfgott!'
0:47:50 > 0:47:53- Your allowance cheque! - Thank you, Mr Wright!
0:47:53 > 0:47:54Sorry, sorry, sorry.
0:47:54 > 0:47:56I'll...I'll just stand still here.
0:47:56 > 0:47:58Be careful, David.
0:47:58 > 0:47:59Oh. By all means, Sarah.
0:47:59 > 0:48:02- You look lovely today, Sarah. - Thank you, David.
0:48:02 > 0:48:03You too, Muriel!
0:48:03 > 0:48:05Ease up, Helfgott.
0:48:05 > 0:48:06- DAVID MUMBLES - Sarah!
0:48:06 > 0:48:08David! You missed the bank.
0:48:08 > 0:48:11- You'll have to wait until tomorrow. - Can't bank on the bank.
0:48:11 > 0:48:15- We know someone who'll cash it. - Do we, Robert?
0:48:15 > 0:48:19# Long before this dance has reached the end
0:48:19 > 0:48:22# Bom ba ba ba baa Bom ba ba ba
0:48:22 > 0:48:27# To you across the floor My love, I'll sing
0:48:27 > 0:48:31# Bom ba ba ba baa Bom ba ba ba
0:48:31 > 0:48:33# I just hope and pray
0:48:34 > 0:48:37# That I'll find a way to say
0:48:37 > 0:48:39# Can I dance with you?
0:48:39 > 0:48:43# Bom ba ba ba baa Bom ba ba ba... #
0:48:43 > 0:48:46PIGEON COOS
0:48:51 > 0:48:52HE SIGHS
0:49:08 > 0:49:10DAVID: 'Got to concentrate, Katherine.
0:49:10 > 0:49:12'Got to practise, practise, practise.
0:49:12 > 0:49:15'Because there's three important things, ah...Professor Parkes says.
0:49:15 > 0:49:16'And that's work, work, work.
0:49:16 > 0:49:19DAVID ON TAPE: 'That's what I have to do
0:49:19 > 0:49:22'to make the finals for the Concerto Medal,
0:49:22 > 0:49:26'the winner of which gets to play at the Royal Albert Hall.
0:49:26 > 0:49:28'You see, I bought a piano, Katherine.
0:49:28 > 0:49:30'A beautiful piano.
0:49:30 > 0:49:32'It's a suffering piano, like yours.'
0:49:32 > 0:49:34Ah...I wrote to Daddy.
0:49:34 > 0:49:36So that's a...a positive.
0:49:36 > 0:49:38It's a positive, isn't it?
0:49:38 > 0:49:39Well, it seems to be.
0:49:39 > 0:49:42He didn't write back, but, um... ha, ha, ha!
0:49:42 > 0:49:45BABY CRIES IN THE DISTANCE
0:49:56 > 0:49:59How did we manage to get into the finals, David?
0:49:59 > 0:50:02- You're a conductor's nightmare. - It's true.
0:50:02 > 0:50:03And what will we do?
0:50:03 > 0:50:05- We're going to win, Ashley-Robert. - Won't we!
0:50:07 > 0:50:10- PROFESSOR PARKES:- Rachmaninoff?
0:50:10 > 0:50:12Are you sure?
0:50:12 > 0:50:13Um....ah...kind of.
0:50:13 > 0:50:16I'm never really sure about anything, Mr Parkes.
0:50:16 > 0:50:18The Rach' 3.
0:50:19 > 0:50:20It's monumental.
0:50:20 > 0:50:22See, it's a mountain.
0:50:22 > 0:50:25It's the hardest piece you could everest play.
0:50:25 > 0:50:28No-one's ever been mad enough to attempt the Rach' 3.
0:50:29 > 0:50:32Am I...mad enough, Professor?
0:50:32 > 0:50:33Am I?
0:50:36 > 0:50:40HE PLAYS RACHMANINOFF'S PIANO CONCERTO NO.3
0:50:40 > 0:50:42- PROFESSOR PARKES:- Think of it as two separate melodies
0:50:42 > 0:50:44jousting for supremacy.
0:50:46 > 0:50:50The hands are giants, ten fingers each!
0:50:53 > 0:50:55Performing's a risk, you know?
0:50:55 > 0:50:57No safety net!
0:50:57 > 0:51:01Make no mistake, David. It's dangerous!
0:51:01 > 0:51:02People get hurt.
0:51:03 > 0:51:06You have to learn to be able to play it blindfolded.
0:51:09 > 0:51:10The page, for God's sake! The notes!
0:51:10 > 0:51:13Sorry. I was forgetting them, Professor.
0:51:13 > 0:51:16Would it be asking too much to learn them first?
0:51:16 > 0:51:19- And THEN forget them? - Precisely.
0:51:19 > 0:51:21Just give me the fingering.
0:51:43 > 0:51:47RACHMANINOFF'S CONCERTO NO. 3 CONTINUES
0:52:01 > 0:52:03David! Come on, my boy.
0:52:03 > 0:52:06We're going to rest the muscles and fingers today.
0:52:06 > 0:52:08Try to exercise the imagination.
0:52:08 > 0:52:11First Movement. Cadenza.
0:52:11 > 0:52:14Let's pick it up from, er...
0:52:14 > 0:52:16# ..pom...pom-pom...
0:52:16 > 0:52:18- # Pom-pom! - Pom-pom pom-pom... #
0:52:18 > 0:52:21DAVID AND PROFESSOR CONTINUE POMMING
0:52:23 > 0:52:26Your hands must form the unbreakable habit of playing the notes
0:52:26 > 0:52:29so you can forget all about them...
0:52:30 > 0:52:32..and let it come from here.
0:52:32 > 0:52:34The heart! That's where it comes from.
0:52:47 > 0:52:51Don't you just love those big fat chords?!
0:52:51 > 0:52:55You have to tame the piano, David, or it'll get away from you!
0:52:55 > 0:52:56It's a monster!
0:52:56 > 0:52:59Tame it, or it'll swallow you whole!
0:53:01 > 0:53:03METAL TWANGS PROFESSOR LAUGHS
0:53:03 > 0:53:05Coming along nicely, David.
0:53:52 > 0:53:53Morning, Mrs Perkins.
0:54:01 > 0:54:03DOOR SLAMS
0:54:16 > 0:54:17(Katherine.)
0:55:06 > 0:55:10- PROFESSOR PARKES:- I call this my little mausoleum, David.
0:55:11 > 0:55:12Ah! Liszt!
0:55:12 > 0:55:14Warts and all.
0:55:14 > 0:55:15HE CHUCKLES
0:55:15 > 0:55:17They made this after he was dead.
0:55:19 > 0:55:21Poor Franz. Dead as a post.
0:55:21 > 0:55:24You can still get these on the Left Bank, you know?
0:55:24 > 0:55:25Quite cheap.
0:55:32 > 0:55:35I've got Rachmaninoff in here somewhere.
0:55:36 > 0:55:37Ah!
0:55:39 > 0:55:41Magnificent fingers.
0:55:41 > 0:55:43So virile.
0:55:47 > 0:55:50You know, I played the Rach' 3 for him once.
0:55:50 > 0:55:52Really?
0:55:53 > 0:55:55Yes.
0:55:55 > 0:55:58He said he could hear himself in my playing.
0:55:59 > 0:56:03He said it seemed... as if I had touched his soul.
0:56:04 > 0:56:07That wasn't so bad, was it?
0:56:07 > 0:56:09Not too bad at all, Professor.
0:56:09 > 0:56:11Now, it's your turn, David.
0:56:11 > 0:56:14Remember...once you've done it,
0:56:14 > 0:56:17nobody can ever take it away from you.
0:56:18 > 0:56:20And you must play...
0:56:20 > 0:56:22as if there was no tomorrow.
0:56:26 > 0:56:29APPLAUSE
0:56:43 > 0:56:45Come on, David. Don't let me down.
0:56:50 > 0:56:52How many moments of genius today, Cecil?
0:56:59 > 0:57:01APPLAUSE DIES DOWN
0:58:05 > 0:58:08ORCHESTRA PLAYS SWEEPING MELODY WITH PIANO
0:58:34 > 0:58:38ORCHESTRAL MUSIC RISES AND FALLS WITH PIANO
0:58:53 > 0:58:57DAVID'S PIANO SOLO PLAYS ON TAPE RECORDER
0:59:45 > 0:59:48ORCHESTRAL MUSIC SWELLS TO A CRESCENDO
0:59:55 > 0:59:58STRIDENT, RHYTHMICAL STRINGS
1:00:24 > 1:00:26MUSIC DISTORTS
1:00:26 > 1:00:29KEYS CREAK AND THUD
1:00:37 > 1:00:41HEARTBEAT THUMPS
1:00:47 > 1:00:50DISTANT RIPPLING PIANO
1:00:51 > 1:00:54KEYS CREAK AND THUD
1:00:56 > 1:01:00HEARTBEAT THUMPS
1:01:03 > 1:01:06CRESCENDO OF PIANO AND ORCHESTRAL MUSIC
1:01:19 > 1:01:22WILD APPLAUSE, CHEERING
1:01:30 > 1:01:32Bravo! Bravo!
1:01:32 > 1:01:33Bravo!
1:01:34 > 1:01:37APPLAUSE FROM TAPE RECORDER
1:01:44 > 1:01:46DISTANT CRIES OF "BRAVO"
1:01:46 > 1:01:48BREATHES RASPINGLY
1:01:52 > 1:01:53HEAVY THUD
1:01:53 > 1:01:54DISCORDANT PIANO NOTES ECHO
1:01:54 > 1:01:57SILENCE
1:02:00 > 1:02:03TELEPHONE RINGS DISTANTLY
1:02:06 > 1:02:09FOOTSTEPS APPROACH
1:02:09 > 1:02:12TELEPHONE CONTINUES RINGING
1:02:14 > 1:02:17ELECTRICITY HUMS
1:02:27 > 1:02:30TELEPHONE RINGING INCREASES IN VOLUME
1:02:37 > 1:02:40TELEPHONE RINGS
1:02:52 > 1:02:54- PETER:- Hello?
1:02:54 > 1:02:56Who is this?
1:02:57 > 1:02:59Hello?
1:03:00 > 1:03:01DAVID: 'Daddy.'
1:03:01 > 1:03:04THUNDER CRACKS
1:03:04 > 1:03:06Daddy, I'm home.
1:03:06 > 1:03:08'Daddy?'
1:03:10 > 1:03:12'Hello? Daddy?'
1:03:20 > 1:03:23PHONE BEEPS
1:04:20 > 1:04:22Someone here to see you, David.
1:04:22 > 1:04:24It's me, David.
1:04:24 > 1:04:26Suzie.
1:04:28 > 1:04:30Suzie.
1:04:30 > 1:04:32Suzie. Do we know Suzie?
1:04:32 > 1:04:35- Your sister, David. - Oh, sister Suzie. Sister Suzie.
1:04:35 > 1:04:37Thank you, sister, sister nurse. Sister Suzie.
1:04:43 > 1:04:46David, I won't be able to come and visit so often.
1:04:46 > 1:04:49Not so often, sweet Suzie. Not so often.
1:04:49 > 1:04:50I'm going to live in Melbourne.
1:04:50 > 1:04:52That's the trick. Don't tell Daddy.
1:04:52 > 1:04:54The milk. Mustn't cry over spilt milk.
1:04:54 > 1:04:56Oh, well. What can you do, Margaret?
1:04:56 > 1:04:58Margaret's in Israel, remember?
1:04:58 > 1:05:00I remember Margaret. She called me Dopey.
1:05:00 > 1:05:03Or was it a pig? It was the poodle.
1:05:03 > 1:05:06It was all very complicated, wasn't it?
1:05:06 > 1:05:08"Complicato" in Israel.
1:05:08 > 1:05:10It...it was a battleground.
1:05:10 > 1:05:15War zone. Such a bore. Such a bore. Always a war. Always a war.
1:05:15 > 1:05:17It just destroys everything, really, doesn't it?
1:05:41 > 1:05:43BIRDS CHIRP
1:05:59 > 1:06:01TROLLEY TRUNDLES NOISILY
1:06:42 > 1:06:44- David! - That's right, Nurse. That's me.
1:06:44 > 1:06:46I knew I'd find you here.
1:06:46 > 1:06:49I've been a naughty boy again. I've misbehaved, haven't I, Nurse?
1:06:49 > 1:06:51- I think I have. - Come on, David.
1:06:51 > 1:06:54I might get punished for the rest of my life.
1:06:54 > 1:06:56I'm flawed. I'm fatally flawed.
1:06:56 > 1:06:57- That's right. - Silly sausage.
1:06:57 > 1:07:00It's f-f-forbidden fruit. The doctor said it's forbidden fruit.
1:07:14 > 1:07:16HE MUTTERS INCOHERENTLY
1:07:17 > 1:07:22The thing is...he's...he's... he didn't approve, did he?
1:07:22 > 1:07:24He was very disapproving.
1:07:24 > 1:07:26Oh, he was very disapproving.
1:07:26 > 1:07:28HE BABBLES INCOHERENTLY
1:07:32 > 1:07:35LIGHT-HEARTED PIANO MUSIC PLAYS
1:07:47 > 1:07:49Come on, Charlie. Let's put this over here.
1:07:56 > 1:07:58Oh! So you can read music?
1:07:58 > 1:08:00Kind of. Kind of.
1:08:00 > 1:08:02Perhaps I'm just turning over a new leaf.
1:08:02 > 1:08:04That's all right, isn't it?
1:08:04 > 1:08:06My name's Beryl Alcott. What's yours?
1:08:06 > 1:08:08Alcott. That sounds like my name.
1:08:08 > 1:08:09- Helfgott. That's my name. - Helfgott?
1:08:09 > 1:08:13That's right. Ridiculous. It means "with the help of God".
1:08:13 > 1:08:15What's your first name, Mr Helfgott?
1:08:15 > 1:08:16Oh, yes. First names first.
1:08:16 > 1:08:19David. I'm David. I'm David. How's that sound?
1:08:19 > 1:08:21SHE STOPS PLAYING
1:08:21 > 1:08:23- You're David Helfgott? - That's right, Beryl. Right.
1:08:23 > 1:08:24That's right. That's right.
1:08:24 > 1:08:26I watched you win all those competitions.
1:08:26 > 1:08:29Win some, lose some. Can't lose them all.
1:08:29 > 1:08:31- Not your fault. - I was a fan.
1:08:36 > 1:08:39- Do you still play? - The doctor said I mustn't.
1:08:39 > 1:08:41- It'll end in tears if I misbehave. - You mustn't?
1:08:41 > 1:08:43I mustn't. That's right.
1:08:43 > 1:08:45Is that right? I think so.
1:08:45 > 1:08:48The doctor said it might damage me because it did once before.
1:08:48 > 1:08:50Long, long, long time ago. That's the story.
1:08:50 > 1:08:52So you play, Beryl. You play.
1:08:52 > 1:08:54Boldness of attack.
1:08:54 > 1:08:57SHE PLAYS "DAISY, DAISY"
1:08:57 > 1:09:00Oh, that's good, Beryl. That's good.
1:09:00 > 1:09:03Oh, very good left hand. Very good.
1:09:03 > 1:09:06You've got to share and care and care and share and just behave.
1:09:06 > 1:09:08That's right. That's right. Yes.
1:09:08 > 1:09:10This is going to be a stylish marriage.
1:09:10 > 1:09:12Ah, it's a stylish marriage, Beryl!
1:09:12 > 1:09:16Oh, that's very good, Beryl. Very good.
1:09:16 > 1:09:18Mmm. Oh, it's very good.
1:09:18 > 1:09:19Oh, it's very good.
1:09:19 > 1:09:21Oh! Press those pedals!
1:09:21 > 1:09:24They're riding the bicycle, Beryl. Pedal, Beryl. Pedal.
1:09:24 > 1:09:27- What goes on in his head? - God only knows.
1:09:27 > 1:09:30He's confusing at the best of times.
1:09:30 > 1:09:32It's a complex disorder.
1:09:32 > 1:09:35- Lives in his own little world. - Poor lost soul.
1:09:35 > 1:09:37Mmm. He's a sweetie.
1:09:37 > 1:09:40He could leave tomorrow if he had somewhere to go.
1:09:40 > 1:09:42BIRDS CHIRP
1:09:45 > 1:09:47Come along, David.
1:09:47 > 1:09:48Beryl. Beryl. Beryl.
1:09:50 > 1:09:52David, you know I can't abide smoke.
1:09:52 > 1:09:53Oh, sorry, Beryl. Sorry.
1:09:53 > 1:09:55What are you doing?
1:09:55 > 1:09:58- I'll walk. I'll walk. - You don't know the way.
1:09:58 > 1:10:00- I'll follow you. How does that sound? - Oh...
1:10:00 > 1:10:02- SHE CHUCKLES - It's all right.
1:10:02 > 1:10:04Get in, David.
1:10:04 > 1:10:06SHE LAUGHS
1:10:06 > 1:10:09God bless you, David Helfgott!
1:10:09 > 1:10:11- How's this, Beryl? This all right? - Oh!
1:10:11 > 1:10:13SHE LAUGHS WHOOAAAA!
1:10:15 > 1:10:18MUSIC: Gloria by Vivaldi
1:10:31 > 1:10:32Is that you, Nurse?
1:10:32 > 1:10:34It's all right, David.
1:10:34 > 1:10:36- I'm here. - Oh, here, here, never fear.
1:10:36 > 1:10:38Where's the nurse? Where's the sister, Beryl?
1:10:38 > 1:10:40- This is where you live now, David. - That's right.
1:10:40 > 1:10:43I'm fine. I'm fine. Aren't I, Daisy?
1:10:43 > 1:10:44Daisy, Daisy, Beryl, Daisy.
1:10:44 > 1:10:47Now David Helfgott really gets back on the rails.
1:10:47 > 1:10:49Oh, that's the story. That's the story.
1:10:49 > 1:10:50Mmm.
1:10:51 > 1:10:53Mmm.
1:10:53 > 1:10:55That's good, Beryl. That's good.
1:11:05 > 1:11:07Oh, ho, ho, ho, ho!
1:11:07 > 1:11:10Don't you just love those big fat chords, Beryl?
1:11:10 > 1:11:13Oh, ho, ho, ho, ho, ho!
1:11:15 > 1:11:17CHOIR SINGS "GLORIA"
1:11:41 > 1:11:44Botanical Garden's just down the road.
1:11:44 > 1:11:45Nice walk.
1:11:45 > 1:11:48You'll be able to come and go as you please.
1:11:48 > 1:11:51Mr Minogue's a lovely man.
1:11:51 > 1:11:52A real Christian gentleman.
1:11:52 > 1:11:55I know you're going to like him, David.
1:11:55 > 1:11:58And guess what? You'll even have your own piano!
1:12:01 > 1:12:04PLAYS LOUD, VIGOROUS MUSIC
1:12:39 > 1:12:41HE MUTTERS INCOHERENTLY
1:12:55 > 1:12:57- MAN UPSTAIRS:- Shut up!
1:13:00 > 1:13:03- BANGING ON CEILING - For goodness' sake, shut up!
1:13:04 > 1:13:06Morning, David.
1:13:06 > 1:13:08Wakey, wakey. Rise and shine.
1:13:08 > 1:13:10It's breakfast time.
1:13:10 > 1:13:14I think it's about time we gave that piano another rest, eh, David?
1:13:14 > 1:13:16Here. Sign your cheque.
1:13:16 > 1:13:18Ah, look at you.
1:13:18 > 1:13:21- You should get out and exercise. - Exercise. Yes. That's right.
1:13:21 > 1:13:23Get some fresh air into your lungs, David.
1:13:23 > 1:13:26Because the weak get crushed like insects, don't they?
1:13:26 > 1:13:28Like grasshoppers.
1:14:02 > 1:14:04THUNDER RUMBLES
1:14:05 > 1:14:07Whooaa!
1:14:08 > 1:14:10Whooaa!
1:14:49 > 1:14:51THUNDER RUMBLES
1:14:51 > 1:14:53LIGHT PIANO MUSIC
1:14:55 > 1:14:57- MAN:- Thank you, thank you.
1:14:57 > 1:15:00Hope you enjoyed your evening.
1:15:00 > 1:15:02- WOMAN:- It was great.
1:15:02 > 1:15:03- Bye. - Bye.
1:15:18 > 1:15:20We're closed!
1:15:56 > 1:15:58DOOR CLOSES
1:15:58 > 1:16:00PEOPLE CHAT AND LAUGH
1:16:09 > 1:16:12Sylvia. Your stray dog's back.
1:16:12 > 1:16:14- Want me to get rid of him? - No, I'll handle it.
1:16:17 > 1:16:19Hey, Baby. What about a tune?
1:16:19 > 1:16:21A tune. Sure. No worries. No worries.
1:16:27 > 1:16:29Bravo. Bravo. Encore.
1:16:29 > 1:16:31- HE CHUCKLES - Oh, sock it to us, Liberace!
1:16:31 > 1:16:33- PEOPLE LAUGH - That's enough, Sam.
1:16:33 > 1:16:35David...
1:16:35 > 1:16:37HE PLAYS "FLIGHT OF THE BUMBLE-BEE" BY RIMSKY-KORSAKOV
1:17:40 > 1:17:42ALL APPLAUD LOUDLY AND CHEER
1:17:44 > 1:17:45Fantastic!
1:17:46 > 1:17:48- MAN:- More!
1:17:55 > 1:17:57Thank you!
1:17:57 > 1:17:59Thank you.
1:17:59 > 1:18:00Two more, mate.
1:18:21 > 1:18:24SPEECH IS DROWNED OUT BY APPLAUSE
1:18:33 > 1:18:34Oh, I've got a live one!
1:18:34 > 1:18:37Hey! Hey! Give us Beethoven's Fifth.
1:18:37 > 1:18:39Sure, baby, no worries. Symphony or concerto?
1:19:16 > 1:19:18I played quite well tonight, didn't I?
1:19:18 > 1:19:20I played quite well.
1:19:20 > 1:19:22I deserve a bit of a snack.
1:19:22 > 1:19:24TIN THUMPS ON FLOOR
1:19:26 > 1:19:27Hello, David.
1:19:29 > 1:19:30Hello, Daddy.
1:19:30 > 1:19:32H-hello.
1:19:34 > 1:19:36Are you feeling well?
1:19:37 > 1:19:39Well. Well, well, well.
1:19:39 > 1:19:41T-the thing is, the lid, I can't open it.
1:19:41 > 1:19:44- There's something wrong. - What could be wrong, David?
1:19:44 > 1:19:46It's a mystery. It's a mystery.
1:19:46 > 1:19:48Close this.
1:19:49 > 1:19:51Give it to me.
1:19:51 > 1:19:52I'll show you.
1:19:54 > 1:19:56Hmm.
1:19:56 > 1:19:57Here.
1:19:57 > 1:19:59Hmm.
1:20:08 > 1:20:10HE CHUCKLES
1:20:11 > 1:20:13You see...
1:20:13 > 1:20:15how easy it is?
1:20:15 > 1:20:17Couldn't be...couldn't be easier.
1:20:17 > 1:20:19That's right. Couldn't be easier.
1:20:19 > 1:20:21David.
1:20:24 > 1:20:26Here.
1:20:35 > 1:20:37Look at me.
1:20:37 > 1:20:40You are a lucky boy, David.
1:20:40 > 1:20:42That's true. True. That seems to be true.
1:20:42 > 1:20:43People...people say that.
1:20:43 > 1:20:45- T-they think that I... - David.
1:20:45 > 1:20:47Get to the point.
1:20:47 > 1:20:49I'm a very lucky boy.
1:20:53 > 1:20:54HE BREATHES DEEPLY
1:20:58 > 1:21:00No-one will love you like me.
1:21:00 > 1:21:03No-one...like me.
1:21:11 > 1:21:12You see?
1:21:13 > 1:21:18Do you realise what an opportunity you have here?
1:21:18 > 1:21:20Opportunity of a lifetime.
1:21:20 > 1:21:22That's right, Daddy.
1:21:22 > 1:21:23Yes.
1:21:23 > 1:21:25When I was a boy...
1:21:28 > 1:21:31..I...I bought a violin.
1:21:31 > 1:21:34Beautiful violin.
1:21:34 > 1:21:37I saved...
1:21:38 > 1:21:40..for this violin.
1:21:40 > 1:21:43Now, you know...what...
1:21:43 > 1:21:45what happened to it?
1:21:45 > 1:21:48You know what happened...to it?
1:21:51 > 1:21:53No. What happened to it, Daddy?
1:21:53 > 1:21:56No, I don't. What happened? I've got no idea.
1:22:06 > 1:22:09The thing is, you've got to be fit to survive.
1:22:09 > 1:22:11To stay alive. That's right, isn't it?
1:22:41 > 1:22:43(Good night, Daddy.)
1:22:51 > 1:22:53Where are the kids?
1:22:53 > 1:22:55Around somewhere amusing themselves.
1:22:57 > 1:22:59I must warn you. I've got someone staying on weekends.
1:22:59 > 1:23:01Not another Scorpio, is he?
1:23:01 > 1:23:04Very funny, Gills. He's a child prodigy.
1:23:04 > 1:23:07- LOUD OPERATIC MUSIC PLAYS - David!
1:23:10 > 1:23:12Oh, thanks.
1:23:12 > 1:23:14It's a madhouse.
1:23:14 > 1:23:15David!
1:23:20 > 1:23:22MUSIC STOPS
1:23:25 > 1:23:27There.
1:23:28 > 1:23:30Is that the water running?
1:23:30 > 1:23:32David!
1:23:34 > 1:23:36David.
1:23:36 > 1:23:39David?
1:23:39 > 1:23:41Where in God's earth...?
1:23:57 > 1:23:59- Mum! - Hey, Mum!
1:23:59 > 1:24:01David's been on it for hours.
1:24:01 > 1:24:03- He's so cool! - Whoa!
1:24:03 > 1:24:06- David! - That you, Doctor?
1:24:06 > 1:24:08There's no more hot water, Sylvia.
1:24:08 > 1:24:11- Where does it go? - David, come and meet someone.
1:24:11 > 1:24:13There's no more hot water. It's all gone. All gone.
1:24:13 > 1:24:15Where does it go? Who can say?
1:24:15 > 1:24:17Where does hot water go?
1:24:17 > 1:24:20- Gillian's a dear friend of mine. - A friendly doctor.
1:24:20 > 1:24:22- Pleased to meet you. - She's not a doctor.
1:24:22 > 1:24:24- Not a doctor. - She's an astrologer.
1:24:24 > 1:24:25A specialist! A heart surgeon.
1:24:25 > 1:24:27An open heart surgeon!
1:24:27 > 1:24:29- Don't be ridiculous. - I'm ridiculous. I'm ridiculous.
1:24:29 > 1:24:31- Gillian.- Gillian! That's it.
1:24:31 > 1:24:33- Gillian might do your chart. - Would she, Sylvia?
1:24:33 > 1:24:35- Will you, Gillian? - Of course, David.
1:24:35 > 1:24:37- What sort of chart? - An astrological chart.
1:24:37 > 1:24:39Oh, the stars! I love the stars. Astronomical.
1:24:39 > 1:24:41- And the planets. - Oh, the planets!
1:24:41 > 1:24:44Of course. Mercury and Neptune and so forth.
1:24:44 > 1:24:45Music of the spheres.
1:24:45 > 1:24:47If music be the food of love... Gastronomical!
1:24:47 > 1:24:49The food of love! It is, Gillian.
1:24:49 > 1:24:52What's he like when he gets to know you better?
1:24:52 > 1:24:54Ohh!
1:24:54 > 1:24:56DAVID PLAYS SWEEPING, ELEGANT MUSIC
1:25:39 > 1:25:41PEOPLE APPLAUD AND CHEER
1:25:44 > 1:25:46So what does he do?
1:25:46 > 1:25:48Oh, he's an investment adviser.
1:25:48 > 1:25:51- That's how I met him. - So far, so good.
1:25:51 > 1:25:52- How serious is it? - Oh...
1:25:52 > 1:25:55Come on, Gills! On a scale of one to ten?
1:25:57 > 1:25:59I'll take that as a ten.
1:26:00 > 1:26:02- When's the happy day? - Oh, you know me.
1:26:02 > 1:26:04I hate to rush into things.
1:26:14 > 1:26:17Lovely, gorgeous hair. Blondes have more fun, don't they?
1:26:19 > 1:26:21Hey, my doctor.
1:26:24 > 1:26:26Ooh-hoo-hoo.
1:26:26 > 1:26:27Better go to my room.
1:26:32 > 1:26:35- Oh! Good night, Lucy. Oh! - You were sensational!
1:26:43 > 1:26:45LAUGHTER AND CONVERSATION CONTINUE
1:26:50 > 1:26:51Mind if I come in?
1:26:51 > 1:26:53Oh, hello, Doctor. Entrez, entrez, entrez.
1:26:53 > 1:26:56- I've got these. Ooh, sorry. - It's not your fault.
1:26:56 > 1:26:59It's amazing. It just seems to be getting bigger.
1:26:59 > 1:27:02It's amazing what you find when you're not even looking.
1:27:02 > 1:27:03- There he is. - Who?
1:27:03 > 1:27:06- Roger, Roger, Roger, Roger. - Oh, Roger Woodward.
1:27:06 > 1:27:09Oh, Roger, Roger. Yeah, he's a winner. He's a winner.
1:27:09 > 1:27:11You've got one going already.
1:27:11 > 1:27:13He's a hit, a big hit.
1:27:13 > 1:27:15Oh, well, one's more than enough.
1:27:15 > 1:27:17I really loved your playing.
1:27:17 > 1:27:20- Did you, did you? It was all right? - Mmm.
1:27:20 > 1:27:22Do you write music as well?
1:27:22 > 1:27:25No, one, two, three, that's the Rach' 3, Rach' 3.
1:27:25 > 1:27:28- It started out being a letter. - Yes, I think so.
1:27:28 > 1:27:30"Dear Professor Cecil, Royal College..."
1:27:30 > 1:27:32Royal College of Music. It's a mystery.
1:27:32 > 1:27:35- What is? - He only had one arm. A stroke.
1:27:35 > 1:27:38- Poor thing! - Stroke of bad luck. Poor pussycat.
1:27:38 > 1:27:40Poor, poor pussycat. His paw damaged beyond repair.
1:27:40 > 1:27:42He couldn't do anything with it.
1:27:42 > 1:27:45Sad, sad pussycat. He was damaged.
1:27:45 > 1:27:47It was just bad luck, really, wasn't it?
1:27:47 > 1:27:50- I'm not damaging you, am I? - Not at all.
1:27:51 > 1:27:54- What's the matter, David? - The matter, the matter.
1:27:54 > 1:27:56It started out... It's a blank, a blank.
1:27:56 > 1:27:59It's all such a long, long, long time ago.
1:27:59 > 1:28:00That's the story. What can you do?
1:28:00 > 1:28:03Inexplicably inexpressible. To express the inexplicable.
1:28:03 > 1:28:05Why don't you tell me what you want to say?
1:28:05 > 1:28:08What don't I want to say? That's a hard one.
1:28:08 > 1:28:10It's not hard. "D-E-A-R", dear.
1:28:10 > 1:28:12- That's it, that's it. "Dear". - "Dear Cecil"?
1:28:12 > 1:28:14- Dearie me. - Cecil.
1:28:14 > 1:28:16- Parkes. Cecil Parkes. - "Dear Mr Parkes".
1:28:16 > 1:28:18He touched the soul of Sergei Vassilievich himself
1:28:18 > 1:28:20with the Rach' 3 in D minor.
1:28:20 > 1:28:23It's a hard piece, piece for elephants - elephantine.
1:28:23 > 1:28:25- "Dear Mr Parkes..." - Such a long time ago.
1:28:25 > 1:28:28"It's been such a long time and I..."
1:28:28 > 1:28:31"..and I...I hope..." Hope, Gillian. How does that sound?
1:28:31 > 1:28:33- Is that right? - Sounds good to me.
1:28:33 > 1:28:36"..and I hope you remember me and the Rach' 3.
1:28:36 > 1:28:39"I'm feeling much better..." I'm feeling better, aren't I?
1:28:39 > 1:28:42"..and I've started playing again."
1:28:42 > 1:28:44VIRTUOSO PLAYING
1:28:58 > 1:28:59DRAMATIC FINAL CHORDS
1:28:59 > 1:29:01RAPTUROUS APPLAUSE
1:29:09 > 1:29:11Well done, Roger!
1:29:15 > 1:29:17That was good.
1:29:17 > 1:29:19SEAGULLS SQUAWK
1:29:41 > 1:29:43- SYLVIA:- Smile, David! - Come on.
1:29:43 > 1:29:46- I am, Sylvia. - At the camera. Here!
1:29:46 > 1:29:47- Oh. - Hurray!
1:29:47 > 1:29:49- Hurray! - Time to go.
1:29:49 > 1:29:52- What can you do? - Look on the bright side.
1:29:52 > 1:29:54- Bright side. - You'll see Gillian again one day.
1:29:54 > 1:29:57- Life goes on. - Is that what it does?
1:29:57 > 1:29:59- Of course. - She has to go.
1:29:59 > 1:30:00Little wrigglies to look after.
1:30:00 > 1:30:02No, my kids are grown up.
1:30:02 > 1:30:04- It's just me. - Just me too.
1:30:04 > 1:30:07I never grew up. I grew down! Ha!
1:30:07 > 1:30:09I'm a bit of a handful, aren't I?
1:30:09 > 1:30:11- Sh. Sh. - Softly, softly, softly.
1:30:11 > 1:30:12Softly.
1:30:13 > 1:30:15Will you marry me?
1:30:19 > 1:30:21It wouldn't be very practical, David.
1:30:21 > 1:30:23Not practical? No, of course not.
1:30:23 > 1:30:26Neither am I. Neither am I. I'm not very practical.
1:30:26 > 1:30:28- SYLVIA:- You'll miss the plane!
1:30:28 > 1:30:32It's sweet of you, David. I don't know what to say.
1:30:32 > 1:30:34The stars, Gillian, darling! Ask the stars.
1:32:06 > 1:32:08- MAN:- 'You'd better let her breathe, David!'
1:32:08 > 1:32:10GUESTS CHEER
1:32:16 > 1:32:18I won't kiss you. I won't kiss you.
1:32:20 > 1:32:22- GUESTS:- Awwww.
1:32:22 > 1:32:26GUESTS SING ALONG TO "FUNICULI, FUNICULA"
1:32:41 > 1:32:43Sorry, darling. Did I damage you?
1:32:43 > 1:32:44- SHE CHUCKLES - Far from it.
1:32:45 > 1:32:49You made a noise. You went, "Ohhhhhh, David."
1:32:49 > 1:32:51SHE LAUGHS
1:33:07 > 1:33:09Oh, no. Poor Ravel.
1:33:09 > 1:33:11Oh, poor Maurice, he's all unravelled.
1:33:11 > 1:33:15- All that rehearsal, well... - It's nearly time to get ready.
1:33:15 > 1:33:17- Could I swim some more? - All right. 10 minutes.
1:33:17 > 1:33:19Do some Liszt - not a concerto!
1:33:19 > 1:33:21Swim "La Campanella".
1:33:21 > 1:33:23That should do it.
1:33:27 > 1:33:29I've gone wrong, darling, I've gone wrong.
1:33:29 > 1:33:31- Keep trying. - I'm trying. I'm very trying.
1:33:31 > 1:33:33Damn, page 37's missing.
1:33:33 > 1:33:36Oh, that's the coda! It's the beginning of the end!
1:33:36 > 1:33:39I'll soak my hands, soak my hands.
1:33:39 > 1:33:40David!
1:33:45 > 1:33:47Gotcha.
1:33:52 > 1:33:55Your first concert in years and you wear odd shoes.
1:33:55 > 1:33:57- I'm a sausage. - You certainly are. Sit.
1:33:57 > 1:33:59- Sit up straight. - We'll be in the car.
1:33:59 > 1:34:02- Sit up straight, sit up straight. - Relax!
1:34:02 > 1:34:03Must relax, must relax.
1:34:05 > 1:34:06Perfect.
1:34:08 > 1:34:11PLAYS "LA CAMPANELLA" BY LISZT
1:34:15 > 1:34:17FINAL CHORDS
1:34:20 > 1:34:22ENTHUSIASTIC APPLAUSE AND CHEERING
1:34:30 > 1:34:33Bravo!
1:34:53 > 1:34:55Bravo!
1:34:58 > 1:35:00Bravo!
1:35:07 > 1:35:10- Hi, darling. - I think they want an encore.
1:35:10 > 1:35:12Do they, darling? They want some more?
1:35:12 > 1:35:14- What are you going to do? - Win!
1:35:14 > 1:35:16Not now, darling.
1:35:16 > 1:35:18I'll do some more, I'll do some more.
1:36:00 > 1:36:02INAUDIBLE
1:36:16 > 1:36:18- GILLIAN:- What do you feel?
1:36:18 > 1:36:20The thing is, I feel nothing.
1:36:20 > 1:36:21Nothing at all?
1:36:21 > 1:36:24Well, I'm shocked, stunned and completely amazed.
1:36:24 > 1:36:25How does that sound?
1:36:25 > 1:36:29Perhaps it's all my fault. Perhaps it's me, I don't know.
1:36:29 > 1:36:32You can't keep blaming yourself for everything that's happened.
1:36:32 > 1:36:34That's true, and you can't keep blaming Daddy
1:36:34 > 1:36:36because he's not here any more.
1:36:36 > 1:36:38- But you are. - I'm here, it's true.
1:36:38 > 1:36:40Life goes on, doesn't it? Is that right?
1:36:40 > 1:36:42- Yes. - It does? For ever and ever?
1:36:42 > 1:36:44- No. - No, never for ever. Not quite.
1:36:44 > 1:36:48I mean, life isn't all lamb loin chops, but it goes on
1:36:48 > 1:36:50and you just have to keep going too.
1:36:50 > 1:36:52- You can't give up. - Certainly not...
1:36:52 > 1:36:56Every time blooming Saturn comes along and gives us a jolt.
1:36:56 > 1:36:58- Ooh, it's the stars. - Everything has its season.
1:36:58 > 1:37:00- It's a mystery. - There's always a reason.
1:37:00 > 1:37:04We just need to seize the reason for the season! Ha!