The Big Easy

0:00:10 > 0:00:13LIVELY MUSIC PLAYS

0:00:46 > 0:00:49# Mais tout partout au ras du bayou

0:00:49 > 0:00:52# La mousse-la balance Aux les gros chenes verts

0:00:52 > 0:00:54# Le cocodris dormir Dans la cypriere

0:00:54 > 0:00:57# Les bebes, filles Les grands bonard

0:00:57 > 0:01:00# La fille belle crie Des loups devant

0:01:00 > 0:01:02# Les cocos de grand-mere Mais touts la-bas

0:01:02 > 0:01:05# Moune-la connait Y'ole zydeco

0:01:05 > 0:01:07# Milattes ape Grouiller aux os

0:01:07 > 0:01:10# Zydeco chaud Ape vini plus chaud

0:01:10 > 0:01:12# Et gens de couleur Ole plus...

0:01:12 > 0:01:13# La grande eau

0:01:13 > 0:01:15# Plie Ben frette Qu'ape mouilli

0:01:15 > 0:01:17# Pas capab' froidir Sang qu'ape...

0:01:17 > 0:01:18# Bouilli

0:01:18 > 0:01:20# Beaux et belles ape Fait zo projets

0:01:20 > 0:01:22# Et maman fait grand...

0:01:22 > 0:01:23# Gris-gris!

0:01:23 > 0:01:26# Loin, loin En cypriere noire

0:01:26 > 0:01:28# Tout quequ'n creole Crie pour plis...

0:01:28 > 0:01:29# Zydeco!

0:01:31 > 0:01:33# Rrrrr-aahh! Aahh! Aahh! #

0:01:49 > 0:01:53SHIP'S HORN BLOWS

0:02:07 > 0:02:10SHIP'S HORN BLOWS

0:02:15 > 0:02:17All right, hold it.

0:02:17 > 0:02:19Oh, sorry, Lieutenant.

0:02:21 > 0:02:25RADIO DJ: 'It's two AM in New Orleans,

0:02:25 > 0:02:29'the Big Easy, and we're stirring up that gumbo.'

0:02:29 > 0:02:31Hey, Remy!

0:02:31 > 0:02:34CAMERA CLICKING

0:02:34 > 0:02:36Hey, where you at?

0:02:36 > 0:02:38Where you been? Don't you ever go home?

0:02:38 > 0:02:41Only when the music stops.

0:02:41 > 0:02:43Hey, who's the dead meat?

0:02:43 > 0:02:45Let's see if you can make him.

0:02:48 > 0:02:50Oh, man, yeah. Hello, Freddie.

0:02:50 > 0:02:52That's Freddie Angelo, wise guy, scumbag.

0:02:52 > 0:02:54Works for Vinnie "The Cannon" d'Imoti.

0:02:54 > 0:02:57Handles Mexican imports for the family.

0:02:57 > 0:02:58Mama!

0:02:58 > 0:03:02Can't find any bullet hits, spent shells. Very little blood.

0:03:02 > 0:03:04We figure they lit him up someplace else,

0:03:04 > 0:03:06then brought his body here.

0:03:06 > 0:03:09Here's the wallet. They just got through liftin' the prints.

0:03:09 > 0:03:13The driver's licence... is missing.

0:03:13 > 0:03:15I guess they took it for proof of the hit.

0:03:15 > 0:03:17Standard wise-guy procedure, right, Remy?

0:03:17 > 0:03:20If you're gonna wrap him in a concrete overcoat

0:03:20 > 0:03:22and dump him in Lake Pontchartrain,

0:03:22 > 0:03:25but Freddie is in the middle of Piazza d'Italia.

0:03:25 > 0:03:29What's that gonna tell us, huh, given the surroundings?

0:03:29 > 0:03:31Somebody is sending a message.

0:03:31 > 0:03:35To the president of the Italian-American Renaissance Association.

0:03:35 > 0:03:37Vinnie "The Cannon" d'Imoti.

0:03:37 > 0:03:38There you go.

0:03:38 > 0:03:42Pick up Vinnie "The Cannon" tomorrow morning at his barbershop

0:03:42 > 0:03:44and bring him in for questionin'.

0:03:51 > 0:03:53Hi, Remy.

0:03:53 > 0:03:55Cavanaugh, where you at?

0:03:55 > 0:03:56I'm doin' it.

0:03:56 > 0:03:59What is this? The Dodge and De Soto Follies?

0:03:59 > 0:04:02Who would know what you were thinkin' about?

0:04:02 > 0:04:04Captain, it was Andre's idea.

0:04:04 > 0:04:07Is he the brains in the partnership now?

0:04:07 > 0:04:09What did they do now?

0:04:09 > 0:04:12Impounded a boat. They spent half their shift at the police dock.

0:04:12 > 0:04:13What am I gonna do with them?

0:04:13 > 0:04:14Why don't we shoot them?

0:04:14 > 0:04:18Yeah! No. They're too much fun at Mardi Gras.

0:04:18 > 0:04:20Who's that in my office?

0:04:20 > 0:04:24Assistant District Attorney Anne Osborne.

0:04:24 > 0:04:26Hmm, nice neck.

0:04:26 > 0:04:28We have orders to cooperate.

0:04:28 > 0:04:31Her be part of a special task force

0:04:31 > 0:04:33that's investigating police corruption.

0:04:33 > 0:04:36Corruption in the police department? Where'd she get that idea?

0:04:36 > 0:04:39She says she's here about the Angelo murder.

0:04:39 > 0:04:43I'm going to get some coffee. Give her whatever she needs.

0:04:43 > 0:04:45She's in good hands, cher.

0:04:47 > 0:04:48Excuse me.

0:04:50 > 0:04:51Excuse me.

0:04:53 > 0:04:55Anne...

0:04:55 > 0:04:56Hi.

0:04:56 > 0:04:57I'm Remy McSwain.

0:04:57 > 0:04:59Oh! I'll get it.

0:04:59 > 0:05:01Ow! Ow!

0:05:02 > 0:05:04Your pencil.

0:05:04 > 0:05:05Lieutenant -

0:05:05 > 0:05:07Ah, ah...Remy.

0:05:07 > 0:05:11Lieutenant, any progress on the Angelo murder?

0:05:11 > 0:05:13What's your hurry? He's not even stiff yet.

0:05:13 > 0:05:15He's dead though, isn't he?

0:05:15 > 0:05:16Last time I saw him, yeah.

0:05:16 > 0:05:20Is that it? You have no leads?

0:05:20 > 0:05:24No. I've seen dozens of these wise-guy jobs.

0:05:24 > 0:05:26We usually find out why the hit went down.

0:05:26 > 0:05:29Sometimes who did it, but we never have enough to take to court.

0:05:29 > 0:05:30DOOR OPENS

0:05:31 > 0:05:34He wasn't at the barbershop, so we picked him up at home.

0:05:34 > 0:05:35Bring him in.

0:05:35 > 0:05:37Thank you for comin', Mr d'Imoti.

0:05:37 > 0:05:40This is Miss Anne Osborne,

0:05:40 > 0:05:41with the DA's office.

0:05:41 > 0:05:44My lawyer's gettin' me out of here in five minutes.

0:05:44 > 0:05:47I got nothin' to say till then. Nothin'.

0:05:47 > 0:05:49Why? You're not under arrest.

0:05:49 > 0:05:52Did McCabe give you that impression?

0:05:52 > 0:05:53McCabe, apologise to Mr d'Imoti.

0:05:53 > 0:05:57I'm sorry about the misunderstanding, Mr d'Imoti.

0:05:57 > 0:06:00You're free to go any time you want, sir.

0:06:00 > 0:06:03Again, we really do apologise.

0:06:03 > 0:06:04Ohh!

0:06:04 > 0:06:07We just wanted to express our sympathy about Freddie.

0:06:07 > 0:06:08About who?

0:06:08 > 0:06:12Freddie Angelo, the guy found floatin' in the fountain

0:06:12 > 0:06:13behind your office.

0:06:13 > 0:06:16He used to work for me. Terrible.

0:06:16 > 0:06:18Nobody's got any respect for monuments any more.

0:06:18 > 0:06:23Mr d'Imoti, isn't it true that Mr Angelo worked for you

0:06:23 > 0:06:24for nearly 2O years, and was, in fact,

0:06:24 > 0:06:26still in your employ at the time of death?

0:06:26 > 0:06:29Can I go?

0:06:31 > 0:06:35Kid, your father would never drag me down here.

0:06:35 > 0:06:38He wanted to see me, he'd come to the house!

0:06:39 > 0:06:43He knew a little something about respect.

0:06:45 > 0:06:46DOOR SLAMS

0:06:52 > 0:06:54Get out of my way!

0:06:54 > 0:06:57I cannot believe you were so obsequious with him!

0:06:59 > 0:07:01What does obsequious mean?

0:07:01 > 0:07:04It means a high-ranking member of the Mafia

0:07:04 > 0:07:06was in your office, and you kissed his ass.

0:07:06 > 0:07:08Oh, yeah? Let me point out a few things.

0:07:08 > 0:07:15First, nobody uses the word Mafia any more. We call them wise-guys.

0:07:15 > 0:07:18You're not from here, are you? I only say this to save embarrassment.

0:07:18 > 0:07:21I'll bear that in mind, Lieutenant.

0:07:22 > 0:07:24Anything else?

0:07:24 > 0:07:26Hey, you like spicy food?

0:07:26 > 0:07:28Why don't we have dinner tonight?

0:07:28 > 0:07:29Just relax, Romeo.

0:07:29 > 0:07:31Just tell me what you've learned

0:07:31 > 0:07:33from two minutes of ass-kissing.

0:07:33 > 0:07:36Actually, I learned a lot from that little interview.

0:07:36 > 0:07:38Oh, really? You read minds?

0:07:38 > 0:07:41No, I read people. After seeing "The Cannon",

0:07:41 > 0:07:43I can probably tell you why Freddie sprung a leak.

0:07:43 > 0:07:45I suppose you know the killer, too?

0:07:45 > 0:07:49No, but I bet we find him in Lake Pontchartrain soon.

0:07:49 > 0:07:51Then what will you do?

0:07:51 > 0:07:55Nothin'. We never have enough to take to court.

0:07:55 > 0:07:57Hell, I'd close the case now,

0:07:57 > 0:07:59except for one thing.

0:07:59 > 0:08:00And what's that?

0:08:00 > 0:08:02I'll tell you over dinner.

0:08:14 > 0:08:16CAJUN MUSIC PLAYING

0:08:22 > 0:08:26Hey, come on. We don't have to stand in line.

0:08:26 > 0:08:28Hey! Hey!

0:08:29 > 0:08:30This is embarrassing.

0:08:30 > 0:08:33No, that's what's great about being a cop.

0:08:40 > 0:08:42SINGING IN CAJUN FRENCH

0:08:44 > 0:08:45All right, Willie!

0:08:45 > 0:08:46Yeah!

0:08:48 > 0:08:51We're gonna work up an appetite, all right?

0:08:51 > 0:08:53I thought we were gonna discuss business?

0:08:53 > 0:08:54Business and pleasure.

0:08:54 > 0:08:56What's wrong with that, huh?

0:08:56 > 0:08:58I can't do this.

0:08:58 > 0:08:59Wait a minute.

0:08:59 > 0:09:01Didn't they dance where you're from?

0:09:01 > 0:09:02No. We barely spoke.

0:09:02 > 0:09:05This is New Orleans, the Big Easy.

0:09:05 > 0:09:08Down here, dancing's a way of life.

0:09:10 > 0:09:11Feel the music.

0:09:15 > 0:09:18Now you're gettin' it.

0:09:18 > 0:09:19That's right.

0:09:38 > 0:09:41# Look in your eyes

0:09:41 > 0:09:42# Whoa, yeah

0:09:42 > 0:09:46# Girl, I realise... #

0:09:46 > 0:09:51My grandpapa on my mama's side, he was a real Cajun,

0:09:51 > 0:09:53born and deaded on the bayou teche.

0:09:53 > 0:09:57I thought you came from a family of Irish cops.

0:09:57 > 0:09:59No. That was on my daddy's side.

0:09:59 > 0:10:01He was the first one to become a cop.

0:10:01 > 0:10:04Followed by three brothers, one son, and four nephews.

0:10:04 > 0:10:07My cousin Terry joined the fire department.

0:10:07 > 0:10:09He's the black sheep of the family.

0:10:09 > 0:10:11You were the youngest detective

0:10:11 > 0:10:13in the NOPD to make lieutenant.

0:10:13 > 0:10:16I had an in in the department.

0:10:16 > 0:10:18Careful who you say that to.

0:10:18 > 0:10:19Yeah, that's right.

0:10:19 > 0:10:22You bust cops... for a livin'.

0:10:22 > 0:10:26I'm not embarrassed to put bad cops behind bars.

0:10:36 > 0:10:38Why don't you tell me somethin'

0:10:38 > 0:10:40about your life?

0:10:40 > 0:10:42It's not as colourful as yours.

0:10:42 > 0:10:43Oh, yeah?

0:10:50 > 0:10:53You want me to tell you why

0:10:53 > 0:10:56I'm not closin' the Angelo case?

0:10:58 > 0:11:01That's supposed to be why I'm here.

0:11:01 > 0:11:02It's you.

0:11:02 > 0:11:04Oh, please!

0:11:04 > 0:11:06No, no, no, no, no, chere. It's you.

0:11:11 > 0:11:14I mean, er...

0:11:14 > 0:11:15how come...

0:11:15 > 0:11:17an Assistant District Attorney

0:11:17 > 0:11:19and her corruption strike force

0:11:19 > 0:11:21is suddenly so interested

0:11:21 > 0:11:22in a routine Mafia hit?

0:11:22 > 0:11:24Routine wise-guy hit, remember?

0:11:24 > 0:11:26Whatever. What gives?

0:11:26 > 0:11:28We have the jurisdiction

0:11:28 > 0:11:30to investigate any crime we see fit.

0:11:30 > 0:11:33You got some kind of police corruption angle?

0:11:33 > 0:11:34No comment, Lieutenant.

0:11:34 > 0:11:36You got any evidence?

0:11:36 > 0:11:38No comment again.

0:11:38 > 0:11:40Hey, Remy, how's everythin'?

0:11:40 > 0:11:42You like that gumbo?

0:11:42 > 0:11:44Remy's great-aunt Emeline, she teach me my gumbo.

0:11:44 > 0:11:48She uses more sassafras filet in her gumbo.

0:11:48 > 0:11:51Watch your mouth! You don't get no dessert!

0:11:51 > 0:11:52We got dobosh cake.

0:11:52 > 0:11:54No, thanks.

0:11:54 > 0:11:56I have to be up very early tomorrow.

0:11:56 > 0:11:58We gonna just take the check.

0:11:58 > 0:12:00What you talkin' about?

0:12:00 > 0:12:02I mean I want the check, Paul.

0:12:02 > 0:12:05Remy done lost his mind.

0:12:05 > 0:12:07He knows his money's no good here.

0:12:07 > 0:12:09Why not give me the check?

0:12:09 > 0:12:12Paul, have you met Anne Osborne with the DA's office?

0:12:12 > 0:12:13Oh, really?

0:12:13 > 0:12:16You lookin' for that check? Right here it is.

0:12:18 > 0:12:22You honestly don't see the harm in any of this?

0:12:22 > 0:12:25No, I don't. These are the perks.

0:12:25 > 0:12:27But the restaurant will expect extra protection in return.

0:12:27 > 0:12:29Oh, big deal.

0:12:29 > 0:12:32And expect the officer to overlook code violations.

0:12:32 > 0:12:34If all the codes were enforced,

0:12:34 > 0:12:35every restaurant would be closed.

0:12:35 > 0:12:38So now you're defending organised corruption.

0:12:38 > 0:12:41I'm not defending anything. This is New Orleans, darlin'.

0:12:41 > 0:12:43Folks have a way of doin' things down here

0:12:43 > 0:12:45people like to show their appreciation.

0:12:45 > 0:12:48Oh, really? How does it work? Do you get free suits?

0:12:48 > 0:12:51You get an envelope from Chef Paul every week?

0:12:51 > 0:12:55Are you wearin' a wire in there or somethin'?

0:12:58 > 0:13:01ENGINE REVS

0:13:01 > 0:13:02HORN BLARES

0:13:05 > 0:13:08I'm serious. How far does this go?

0:13:08 > 0:13:10Is everything for sale?

0:13:10 > 0:13:14What's it cost to beat a murder rap these days?

0:13:14 > 0:13:17Is that what you think about cops?

0:13:17 > 0:13:21You got a real serious attitude problem.

0:13:21 > 0:13:24Being around you for an evening hasn't improved it.

0:13:24 > 0:13:25I've never seen one person

0:13:25 > 0:13:28break so many laws in such a short space of time.

0:13:28 > 0:13:31Forget the laws for a minute. It's simple on the street.

0:13:31 > 0:13:32There's good guys and bad guys.

0:13:32 > 0:13:35And you're the good guys? You're damn right!

0:13:35 > 0:13:37We're all that stands between you and them.

0:13:37 > 0:13:40Just drop me off at the corner up there.

0:13:40 > 0:13:41Yeah.

0:13:45 > 0:13:47BRAKES SQUEAL

0:13:47 > 0:13:51Don't think that I'm naive. I know how the system works,

0:13:51 > 0:13:52but things can change.

0:13:52 > 0:13:55Oh, yeah? You gonna change it?

0:13:55 > 0:13:58Don't you dare be amused at me.

0:13:58 > 0:14:00Hey, is this your building?

0:14:00 > 0:14:03No, I live up the street, but I need to get a few things.

0:14:03 > 0:14:06I'll wait for you. I'll drive you home.

0:14:06 > 0:14:08No, thank you. I'd rather walk.

0:14:08 > 0:14:10Well, I'll walk with you.

0:14:10 > 0:14:11No.

0:14:11 > 0:14:15And thank you very much for a very illuminating evening.

0:14:37 > 0:14:39FOOTSTEPS APPROACHING

0:14:39 > 0:14:40< WOMAN: Stop!

0:14:40 > 0:14:41My purse!

0:14:42 > 0:14:44Ugh! Aah!

0:14:45 > 0:14:46Aah!

0:14:46 > 0:14:47Let's go, blood!

0:14:47 > 0:14:49Somebody help!

0:14:49 > 0:14:52Let go, woman!

0:14:53 > 0:14:54Ugh! Aah!

0:14:55 > 0:14:57Police!

0:14:58 > 0:15:00Don't screw up!

0:15:02 > 0:15:05Scumbag, get your face on the pavement now!

0:15:05 > 0:15:07You stay down a second.

0:15:09 > 0:15:10Uh!

0:15:10 > 0:15:11Oh!

0:15:11 > 0:15:14Aha! Aha!

0:15:14 > 0:15:15You a cop?

0:15:15 > 0:15:16Yes, ma'am.

0:15:16 > 0:15:17Thank God you were here.

0:15:17 > 0:15:19I just cashed my pay cheque.

0:15:19 > 0:15:22Stay here. A patrolman will take your statement.

0:15:22 > 0:15:24You think I'm crazy or what?

0:15:24 > 0:15:27I'm not taking any chances! No police!

0:15:27 > 0:15:30All right...

0:15:30 > 0:15:33a patrol car is gonna come by for you.

0:15:33 > 0:15:36Now, if you do anything to my car,

0:15:36 > 0:15:39if you even get your fingerprints on it,

0:15:39 > 0:15:43they are gonna beat the ever-livin' shit out of you.

0:15:44 > 0:15:47Now, do you fully understand

0:15:47 > 0:15:50each of these rights as I've explained them to you?

0:15:50 > 0:15:52BOTH: Yes, sir!

0:15:57 > 0:16:00Good thing I'm such a pushy guy, huh?

0:16:09 > 0:16:10Hey, Remy, listen to this.

0:16:10 > 0:16:12Remember Laverne Williams

0:16:12 > 0:16:14who stabbed her husband last week?

0:16:14 > 0:16:16We tell her, "Your husband died,

0:16:16 > 0:16:18"and you're busted for homicide."

0:16:18 > 0:16:19TELEPHONE BUZZES

0:16:19 > 0:16:20She said, "That bastard!

0:16:20 > 0:16:23"I stabbed him before, and he never died."

0:16:23 > 0:16:24HE LAUGHS

0:16:24 > 0:16:26Homicide, McSwain.

0:16:26 > 0:16:28Hello, Lieutenant.

0:16:28 > 0:16:31'Anne, you must be psychic.'

0:16:31 > 0:16:33I was thinkin' about you.

0:16:33 > 0:16:34'What's new on the Angelo case?'

0:16:34 > 0:16:36Oh, not a thing.

0:16:36 > 0:16:38'Why not? Aren't you working on it?'

0:16:38 > 0:16:40I got a poisoned heiress in the garden district,

0:16:40 > 0:16:43'a strangled transvestite in the French quarter,

0:16:43 > 0:16:45'and a suspicious asphyxiation.

0:16:45 > 0:16:46'Angelo has to wait his turn.'

0:16:46 > 0:16:49The Angelo murder was supposed to take priority.

0:16:49 > 0:16:51'When can I see your report?'

0:16:51 > 0:16:55The Neville Brothers are playing at Tipitina's tonight.

0:16:55 > 0:16:58'I could give it to you then, huh?'

0:16:58 > 0:17:03I think that we ought to keep this relationship strictly professional.

0:17:03 > 0:17:06'Hey, why? I thought we passed a good time last night, chere.

0:17:06 > 0:17:08'Didn't you like the music?'

0:17:08 > 0:17:09It was very nice.

0:17:09 > 0:17:12'Didn't you like the crawfish?'

0:17:13 > 0:17:14Food was delicious,

0:17:14 > 0:17:17but, look, Remy,

0:17:17 > 0:17:19let's just forget about last night.

0:17:19 > 0:17:22There's too much possibility for conflict of interest.

0:17:22 > 0:17:23'Oh, really?'

0:17:23 > 0:17:25Why? You investigatin' me, chere, huh?

0:17:25 > 0:17:27'Of course not.'

0:17:27 > 0:17:29I'll pick you up at eight.

0:17:29 > 0:17:31'And don't be late, huh?'

0:17:31 > 0:17:35No. Just have somebody send me a copy of the report.

0:17:35 > 0:17:36Thank you, Lieutenant.

0:17:41 > 0:17:43Hmm...

0:17:43 > 0:17:46THUNDER RUMBLES

0:17:48 > 0:17:50ENGINE STARTS

0:17:50 > 0:17:52HONKS HORN

0:17:52 > 0:17:53Hey!

0:17:53 > 0:17:54Annie!

0:17:54 > 0:17:55HONKS HORN

0:17:55 > 0:17:57What are you doing here?

0:17:57 > 0:17:58HONKS HORN

0:17:58 > 0:18:01MAN: What the hell you think you're doin'?

0:18:01 > 0:18:03I got a large pizza.

0:18:03 > 0:18:06Pepperoni, extra cheese.

0:18:06 > 0:18:07HONKS HORN

0:18:07 > 0:18:09Move your god-damned car, will you?

0:18:09 > 0:18:12It's not that easy, Lieutenant. Where's my report?

0:18:12 > 0:18:13Right here.

0:18:13 > 0:18:14Where?

0:18:14 > 0:18:16Under the pizza.

0:18:16 > 0:18:18You got to eat the pie to get to the report.

0:18:18 > 0:18:20Go on, girlie,

0:18:20 > 0:18:21get in the car!

0:18:33 > 0:18:37You write a pretty good report.

0:18:37 > 0:18:40Does that mean we go to Tipitina's now?

0:18:40 > 0:18:41No.

0:18:41 > 0:18:44I'd like to ask you a few questions.

0:18:44 > 0:18:46Now, Angelo was shot at a downward angle

0:18:46 > 0:18:48with a Mac ten pistol.

0:18:48 > 0:18:50What are you thinking? Dope smugglers?

0:18:50 > 0:18:54Possibly, but a lot of your younger wise-guys

0:18:54 > 0:18:56use Mac ten pistols, too.

0:18:56 > 0:18:58You found his car on Tchoupitala Street.

0:18:58 > 0:19:00Tchoupitoulas street.

0:19:00 > 0:19:02Tchoupitoulas.

0:19:02 > 0:19:05But you couldn't find any evidence of a crime?

0:19:05 > 0:19:07Yeah, but what it doesn't say in there

0:19:07 > 0:19:09is that Angelo's car was parked across the street

0:19:09 > 0:19:12from a wharf warehouse owned by Carmine Tandino,

0:19:12 > 0:19:14a well-known hit man

0:19:14 > 0:19:16in the family of our mutual friend

0:19:16 > 0:19:19Vinnie "The Cannon" d'Imoti.

0:19:19 > 0:19:22I'll check out that warehouse tomorrow.

0:19:22 > 0:19:24Why isn't that in your report, Lieutenant?

0:19:24 > 0:19:26We're not supposed to draw conclusions.

0:19:26 > 0:19:28You know that.

0:19:28 > 0:19:30If someone asked you,

0:19:30 > 0:19:31what conclusion would you draw?

0:19:31 > 0:19:36Well...Freddie imported heroin for a livin'.

0:19:36 > 0:19:40Carmine Tandino's warehouse is on the river.

0:19:40 > 0:19:43Sometimes heroin comes up the river.

0:19:43 > 0:19:45You draw your own conclusions.

0:19:51 > 0:19:52What?

0:19:52 > 0:19:54I'm impressed.

0:19:54 > 0:19:56By what?

0:19:56 > 0:19:59You've obviously given this a great deal of thought.

0:19:59 > 0:20:02You're doing a really thorough job.

0:20:02 > 0:20:03Oh, thank you!

0:20:03 > 0:20:06You think I'd do a very lousy job?

0:20:06 > 0:20:07No. I didn't mean that.

0:20:07 > 0:20:10Why don't you like me, Anne?

0:20:12 > 0:20:14I do like you.

0:20:14 > 0:20:16Why don't you trust me?

0:20:16 > 0:20:17Huh?

0:20:17 > 0:20:20What? You think I'm a rotten,

0:20:20 > 0:20:22don't-give-a-shit,

0:20:22 > 0:20:24dishonest,

0:20:24 > 0:20:26no-good,

0:20:26 > 0:20:28dirty cop?

0:20:28 > 0:20:31Is that what you think of me?

0:20:31 > 0:20:32No.

0:20:32 > 0:20:35I do trust you. I do. I-

0:20:35 > 0:20:38THUNDER RUMBLES

0:21:17 > 0:21:23# Lace curtain blowin' on a river breeze

0:21:23 > 0:21:27# Slips across the bed and it rustles the sheets

0:21:28 > 0:21:33# Seems everything nowadays

0:21:33 > 0:21:36# Just reminds me of you

0:21:38 > 0:21:42# Smell of the mornin' in a rainy land

0:21:44 > 0:21:47# The touch of satin across my hand

0:21:49 > 0:21:50# Just makes me... #

0:21:50 > 0:21:52Aah!

0:21:52 > 0:21:56Sorry. I'm not very good at this.

0:21:56 > 0:21:58Shh!

0:21:58 > 0:22:00# ..Closer to you

0:22:03 > 0:22:06# Closer to you... #

0:22:08 > 0:22:10I can't do this.

0:22:10 > 0:22:12I'm-I'm, er, too nervous.

0:22:12 > 0:22:14I can't relax.

0:22:21 > 0:22:23I'm very embarrassed.

0:22:23 > 0:22:25Oh, no...

0:22:25 > 0:22:28don't be embarrassed, chere.

0:22:28 > 0:22:30Just relax, darlin'.

0:22:30 > 0:22:33This is the Big Easy.

0:22:33 > 0:22:35Folks have a certain way

0:22:35 > 0:22:38of doin' things down here, huh?

0:22:38 > 0:22:39I noticed.

0:22:46 > 0:22:48Oh, stop that.

0:22:48 > 0:22:49Stop what?

0:22:49 > 0:22:50That.

0:22:50 > 0:22:51What?

0:22:51 > 0:22:53That.

0:22:53 > 0:22:54What? That?

0:22:54 > 0:22:55Or that?

0:22:58 > 0:23:00Ohh!

0:23:03 > 0:23:04Ah!

0:23:08 > 0:23:10Ahh!

0:23:10 > 0:23:11Uhh!

0:23:13 > 0:23:15Ahh!

0:23:16 > 0:23:19Ahh! Ah!

0:23:19 > 0:23:20Uhh!

0:23:20 > 0:23:23# If I said that I loved you

0:23:23 > 0:23:25# Would you turn away?

0:23:27 > 0:23:31# Afraid of what you think you're supposed to say

0:23:33 > 0:23:37# Well, that's all right, baby

0:23:37 > 0:23:39# Cos I already know

0:23:41 > 0:23:43# I can see it in your eyes

0:23:43 > 0:23:46# I can hear it in your voice

0:23:47 > 0:23:50# Believe me, baby

0:23:50 > 0:23:52# You got no choice... #

0:23:52 > 0:23:55PAGER BEEPS

0:23:55 > 0:23:57ANNE: Yours or mine?

0:23:57 > 0:23:58REMY: Mine.

0:23:59 > 0:24:01Shit!

0:24:12 > 0:24:15McSwain. This better be good.

0:24:15 > 0:24:17What? Slow down a minute!

0:24:17 > 0:24:21All right, I'll be right there.

0:24:21 > 0:24:22Shit!

0:24:22 > 0:24:24What is it?

0:24:24 > 0:24:29Triple murder... in Storyville.

0:24:29 > 0:24:31I'm sorry.

0:24:31 > 0:24:33I'm really sorry.

0:24:33 > 0:24:35It's OK.

0:24:35 > 0:24:39I never did have much luck with sex, anyway.

0:24:39 > 0:24:42You're luck's about to change, chere.

0:24:47 > 0:24:49Ooh-la-la!

0:24:49 > 0:24:50Ooh!

0:24:51 > 0:24:54How long does a murder take?

0:24:54 > 0:24:56Oh...

0:24:56 > 0:24:58a couple of hours at least.

0:24:58 > 0:25:00Come back.

0:25:01 > 0:25:03What?

0:25:03 > 0:25:05You sure?

0:25:05 > 0:25:07I'm sure.

0:25:10 > 0:25:15We'll, er, talk about the Angelo case.

0:25:15 > 0:25:16Sure!

0:25:18 > 0:25:19Oh!

0:25:21 > 0:25:23SIREN

0:25:23 > 0:25:25Get out of the way!

0:25:25 > 0:25:28Get out of the car, man!

0:25:28 > 0:25:31Get out of our neighbourhood!

0:25:31 > 0:25:33Hey, Hollywood!

0:25:33 > 0:25:36Why don't you call your mother on the telephone?

0:25:36 > 0:25:37She hasn't heard from you in over a week.

0:25:37 > 0:25:39When you gonna make an honest woman

0:25:39 > 0:25:40out of her, cher?

0:25:40 > 0:25:43She ain't gonna marry me until I retire.

0:25:43 > 0:25:45Oh, yeah? That'll be the day.

0:25:45 > 0:25:46BOTTLE CRASHES

0:25:46 > 0:25:49What? We got a carnival goin' on here?

0:25:49 > 0:25:52Hey, what the hell's goin' on?

0:25:53 > 0:25:56There's a rumour that the killers

0:25:56 > 0:25:58were in an unmarked police car.

0:25:58 > 0:26:00Great. That's all we need.

0:26:02 > 0:26:04MAN: Y'all be lookin' at us,

0:26:04 > 0:26:06but y'all did it!

0:26:12 > 0:26:14OK to roll him over?

0:26:14 > 0:26:16Yeah, roll away.

0:26:19 > 0:26:20WHISTLES

0:26:20 > 0:26:23Jamaal Washington, huh?

0:26:25 > 0:26:26Hey, Jack!

0:26:26 > 0:26:29Everything under control out there?

0:26:29 > 0:26:32Oh, yeah. Our riot's turned into a party.

0:26:32 > 0:26:33I love this town.

0:26:36 > 0:26:38You remember Miss Anne Osborne?

0:26:38 > 0:26:40It's nice to see you again.

0:26:40 > 0:26:42Yeah, you, too.

0:26:42 > 0:26:45The DA'S office is interested

0:26:45 > 0:26:48since there's an allegation of police involvement.

0:26:48 > 0:26:50You believe every rumour you hear?

0:26:50 > 0:26:52Do you have evidence one way or another?

0:26:52 > 0:26:56Oh, right now, we got two unknown white suspects-

0:26:56 > 0:26:57not officers, suspects-

0:26:57 > 0:26:59and one unsubstantiated rumour.

0:27:01 > 0:27:04Anything on the victims yet?

0:27:04 > 0:27:05Yeah.

0:27:06 > 0:27:09You don't want to see him.

0:27:09 > 0:27:12He kind of lost his face.

0:27:12 > 0:27:15We're goin' to have to wait

0:27:15 > 0:27:17for a fingerprint ID on him.

0:27:17 > 0:27:19The third victim- a Nobilier brother.

0:27:19 > 0:27:22Also narcotics, also a runner for Daddy Mention.

0:27:22 > 0:27:24Who's Daddy Mention?

0:27:24 > 0:27:27He handles the black side of New Orleans' narcotics.

0:27:27 > 0:27:29Vinnie's got the white action.

0:27:31 > 0:27:34Why don't you believe the killers were cops?

0:27:34 > 0:27:37If they were cops, they'd have stayed here.

0:27:37 > 0:27:40When we arrived, we'd have found plants-

0:27:40 > 0:27:43guns, knives, evidence that they resisted arrest.

0:27:43 > 0:27:45Every cop knows how to do that.

0:27:45 > 0:27:46That doesn't surprise me.

0:27:46 > 0:27:49You probably know how to bribe jurors,

0:27:49 > 0:27:51though you probably never have.

0:27:51 > 0:27:52Hey, Remy!

0:27:52 > 0:27:54Look what I got.

0:27:54 > 0:27:56Feels like about a key.

0:27:56 > 0:27:58Well, that's really great work, dodge,

0:27:58 > 0:28:01really great work.

0:28:01 > 0:28:03Let's just pass it around

0:28:03 > 0:28:05and get everyone's fingerprints on it.

0:28:05 > 0:28:06What's this?

0:28:06 > 0:28:08Heroin. Mexican brown.

0:28:08 > 0:28:10Somebody's been using shotguns here,

0:28:10 > 0:28:11so...

0:28:11 > 0:28:13I figure Tandino.

0:28:13 > 0:28:14Mm-hmm.

0:28:14 > 0:28:16Carmine Tandino,

0:28:16 > 0:28:19hit man for Vinnie "the Cannon".

0:28:19 > 0:28:21Shotguns are his signature.

0:28:21 > 0:28:23Resulting in... spaghetti sauce.

0:28:26 > 0:28:29Captain, you want to take over here?

0:28:29 > 0:28:31I'll take Miss Osborne home.

0:28:31 > 0:28:32Oh, thank you.

0:28:38 > 0:28:39Watch your step.

0:28:44 > 0:28:46Don't they make a lovely couple?

0:28:46 > 0:28:49Hey, we'll go to my apartment. It's closer.

0:28:49 > 0:28:51All right? Huh?

0:28:51 > 0:28:54After a while, you get used to it.

0:28:54 > 0:28:55You get hardened.

0:28:55 > 0:28:58Everybody gets sick the first time.

0:28:58 > 0:29:00Don't be embarrassed, huh?

0:29:00 > 0:29:01I'll be fine.

0:29:01 > 0:29:03If you're gonna throw up,

0:29:03 > 0:29:04I'll pull over.

0:29:04 > 0:29:07I'm not going to throw up.

0:29:07 > 0:29:08THROWING UP

0:29:08 > 0:29:09Ugh!

0:29:09 > 0:29:11You think that Carmine Tandino

0:29:11 > 0:29:13killed those men tonight?

0:29:13 > 0:29:16Even with your head in the toilet,

0:29:16 > 0:29:18you still want to talk business?

0:29:18 > 0:29:20Yeah, I think that Carmine Tandino

0:29:20 > 0:29:22killed those boys tonight.

0:29:22 > 0:29:23Therefore they must have murdered Angelo.

0:29:23 > 0:29:26What does that do to your theory

0:29:26 > 0:29:29that Angelo's murder was a message for Vinnie to retire?

0:29:29 > 0:29:32Now we know who sent it- Daddy Mention.

0:29:32 > 0:29:34Now we're dealin' with somethin' more

0:29:34 > 0:29:37than one wise-guy killin' another wise-guy.

0:29:37 > 0:29:39We sure are.

0:29:39 > 0:29:40What's that mean?

0:29:40 > 0:29:42Is Carmine Tandino the only person in the world

0:29:42 > 0:29:44who uses a shotgun to kill people?

0:29:44 > 0:29:47No, but he's one of the few

0:29:47 > 0:29:49who turn a profit at it.

0:29:49 > 0:29:52You don't think the cops had anything to do with this?

0:29:52 > 0:29:55No. Cops don't do that sort of thing.

0:29:55 > 0:29:57People accuse cops of everythin'.

0:29:57 > 0:29:59Hey, hey, hey, hey, hey!

0:29:59 > 0:30:02How do you feel now, huh?

0:30:03 > 0:30:06Does this stuff ever get to you?

0:30:06 > 0:30:07Who, me?

0:30:07 > 0:30:10Bullets bounce off me.

0:30:10 > 0:30:12You're never afraid?

0:30:14 > 0:30:16All the time.

0:30:24 > 0:30:27Look out for the gator, baby!

0:30:27 > 0:30:29Hee hee hee!

0:30:30 > 0:30:31Gotcha!

0:30:43 > 0:30:46# Allons danser, colinda

0:30:46 > 0:30:47# Danser colle, colinda... #

0:30:47 > 0:30:49SQUEAK SQUEAK

0:30:49 > 0:30:52# Allons danser colle, colle

0:30:52 > 0:30:55# Pour faire facher les vieilles gens

0:30:55 > 0:30:58# Mais c'est pas tout le monde qui connait

0:30:58 > 0:31:01# Danser les danses de bons temps

0:31:01 > 0:31:04# Allons danser colle, colle

0:31:04 > 0:31:06# Ah, va c'est legere

0:31:07 > 0:31:11# Allons danser

0:31:11 > 0:31:13# Allons danser

0:31:13 > 0:31:16# Allons danser

0:31:16 > 0:31:19# Allons danser

0:31:19 > 0:31:21# Allons danser... #

0:31:21 > 0:31:22Aah!

0:31:22 > 0:31:24Oh! Shit!

0:31:24 > 0:31:25Who are you?

0:31:25 > 0:31:27I'm Bobby. Remy's brother.

0:31:27 > 0:31:28You scared the hell out of me.

0:31:28 > 0:31:29Where did you come from?

0:31:29 > 0:31:31I spent the night here on the couch.

0:31:31 > 0:31:33Oh, my God!

0:31:33 > 0:31:34Excuse me.

0:31:34 > 0:31:37I'm sorry if I embarrassed you.

0:31:37 > 0:31:38# Allons danser

0:31:38 > 0:31:41# Yeah, yeah. #

0:31:44 > 0:31:46Hey, chere!

0:31:46 > 0:31:48I was getting us some breakfast.

0:31:48 > 0:31:50I'm late for a meeting.

0:31:50 > 0:31:52I have to get to work.

0:31:52 > 0:31:53I'll drive you.

0:31:53 > 0:31:55It's OK. I'll take a cab.

0:31:55 > 0:31:57You meet my brother?

0:31:57 > 0:31:59Kind of.

0:31:59 > 0:32:01Hey, sugar, somethin' wrong?

0:32:06 > 0:32:08# Allons danser

0:32:08 > 0:32:10# Allons danser... #

0:32:10 > 0:32:11What's for breakfast?

0:32:11 > 0:32:12# Allons danser. #

0:32:12 > 0:32:14Your ass!

0:32:14 > 0:32:16# Allons danser. #

0:32:22 > 0:32:24Jesus Christ! You scared the shit out of me!

0:32:24 > 0:32:27Don't walk into an interrogation room without knocking.

0:32:27 > 0:32:30Where are the Storyville witnesses?

0:32:33 > 0:32:35I heard you saw somethin'

0:32:35 > 0:32:37last night in Storyville

0:32:37 > 0:32:39when those three guys got stovepiped.

0:32:39 > 0:32:42You saw an unmarked police car?

0:32:42 > 0:32:43We don't know what you're talking about.

0:32:43 > 0:32:44Me and my brother was home watchin' TV.

0:32:44 > 0:32:46We didn't see nothin'.

0:32:46 > 0:32:48Yeah? Andre, you take their statements,

0:32:48 > 0:32:50you let them go home.

0:32:50 > 0:32:52Be nice to Andre.

0:32:52 > 0:32:53That's "we didn't see nothin'.

0:32:53 > 0:32:56"We was home watchin' TV." Is that right?

0:32:56 > 0:33:00# You say you love me once

0:33:00 > 0:33:01# But I want to hear it twice. #

0:33:01 > 0:33:04Get me out of here. I hate this job!

0:33:04 > 0:33:07Property's a dirty job. You're next in line.

0:33:07 > 0:33:11Remember the guy who lost his face last night?

0:33:11 > 0:33:12The morgue guys found this in his pocket.

0:33:12 > 0:33:15Ah, Freddie Angelo's driver's licence.

0:33:15 > 0:33:18Beautiful! I knew those guys killed Freddie.

0:33:18 > 0:33:19All right!

0:33:19 > 0:33:20What time did he leave?

0:33:20 > 0:33:22You're sure?

0:33:23 > 0:33:24# Scoo do do do

0:33:24 > 0:33:26# Bop bop a do. #

0:33:26 > 0:33:28Carmine Tandino has an airtight alibi.

0:33:28 > 0:33:32He was at Mosca's with his wife till 4am.

0:33:32 > 0:33:34I got 12 witnesses who corroborate his story.

0:33:34 > 0:33:36You know who owns Mosca's?

0:33:36 > 0:33:37Carmine Tandino's nephew.

0:33:37 > 0:33:38It's a popular spot for alibis.

0:33:38 > 0:33:40I'll talk to Carmine myself.

0:33:40 > 0:33:42I got Anne Osborne on line.

0:33:42 > 0:33:45You want me to tell her you're not here?

0:33:45 > 0:33:47No. I'll take it myself.

0:33:47 > 0:33:49I can tell her you're not here.

0:33:49 > 0:33:51No. I'll take it.

0:33:51 > 0:33:53Yeah, Miss Osborne,

0:33:53 > 0:33:55I haven't got the forensics

0:33:55 > 0:33:58or the ballistics reports back yet.

0:33:58 > 0:34:00ANNE: I didn't call about that.

0:34:02 > 0:34:04I'm sorry about this morning,

0:34:04 > 0:34:06the way I just ran out.

0:34:06 > 0:34:09Me, too.

0:34:09 > 0:34:11I'm just sort of confused.

0:34:11 > 0:34:15Oh, no. Don't be confused, chere, no.

0:34:15 > 0:34:18'Things like last night don't happen to me.'

0:34:18 > 0:34:19Me, either.

0:34:19 > 0:34:21Oh, please.

0:34:21 > 0:34:23No, I mean it. I really do.

0:34:23 > 0:34:27I know too much about your reputation to believe you.

0:34:27 > 0:34:28DIAL TONE

0:34:28 > 0:34:30Gol!

0:34:32 > 0:34:35You want get out of my office, huh?

0:34:36 > 0:34:38Jesus.

0:34:38 > 0:34:40TELEPHONE RINGS

0:34:42 > 0:34:43Anne Osborne.

0:34:43 > 0:34:46Look, I'm gonna take you to lunch.

0:34:46 > 0:34:47You look into my eyes,

0:34:47 > 0:34:50and you tell me whether you believe me or not.

0:34:50 > 0:34:53No, I can't.

0:34:53 > 0:34:55Great! I'll make us a reservation

0:34:55 > 0:34:57for Antoine's at 1.00.

0:35:01 > 0:35:03What did she want?

0:35:03 > 0:35:04Who, Anne?

0:35:04 > 0:35:06Anne he calls her.

0:35:06 > 0:35:08She's got everybody scared shitless,

0:35:08 > 0:35:10and he's calling her Anne.

0:35:10 > 0:35:12She's using the Angelo murder

0:35:12 > 0:35:15as an excuse to sniff around our widows-

0:35:15 > 0:35:16Shh!

0:35:16 > 0:35:18Widows and orphans' fund.

0:35:18 > 0:35:20Why don't you relax?

0:35:20 > 0:35:22Remy's got the lady wrapped around his finger.

0:35:22 > 0:35:25Which reminds me... what's the beef?

0:35:25 > 0:35:28I got a call from the sho-bar.

0:35:28 > 0:35:30The new owner's having some trouble.

0:35:30 > 0:35:32He wants to talk to you.

0:35:32 > 0:35:34I got laryngitis.

0:35:34 > 0:35:36He's got this thing about rank.

0:35:36 > 0:35:39He don't talk to no sergeant or flatfoot.

0:35:39 > 0:35:41Don't look at me, Lou.

0:35:41 > 0:35:44I got to go talk to Carmine Tandino.

0:35:44 > 0:35:46For the widows and orphans.

0:35:46 > 0:35:48It's right on your way.

0:35:48 > 0:35:51All right, dude, but you owe me one.

0:35:51 > 0:35:53Oh, come on!

0:35:53 > 0:35:55Watch out! Loose ball.

0:35:55 > 0:35:56Aah!

0:35:56 > 0:35:59Hey, that's 200 bucks!

0:36:13 > 0:36:18HONKY-TONK PIANO PLAYING

0:36:18 > 0:36:19Hi, darling.

0:36:20 > 0:36:22I'm lookin' for George Joel.

0:36:22 > 0:36:24You got him.

0:36:25 > 0:36:28I think your mother's callin' you.

0:36:28 > 0:36:30I wanted to see the captain.

0:36:30 > 0:36:32Hey, wait a minute. Come back.

0:36:32 > 0:36:35I didn't mean to offend you.

0:36:35 > 0:36:37I got a different cop in here every night

0:36:37 > 0:36:38shaking me down.

0:36:38 > 0:36:39I can't stay in business like that.

0:36:39 > 0:36:43You got cops botherin' you? Just send them to me.

0:36:43 > 0:36:46I want to pay one guy one amount once a month,

0:36:46 > 0:36:49not half the cops in the city.

0:36:49 > 0:36:51Settle down. I'll take care of it.

0:36:51 > 0:36:54I'll give you a number you can call any time.

0:36:54 > 0:36:57I knew I should talk to you.

0:36:58 > 0:36:59What's this?

0:36:59 > 0:37:06It's my way of saying thanks.

0:37:06 > 0:37:07You wearin' a wire?

0:37:07 > 0:37:08Help!

0:37:08 > 0:37:10Hold it! Freeze!

0:37:11 > 0:37:13Get down!

0:37:16 > 0:37:18Internal affairs! Hold it!

0:37:23 > 0:37:24What's he chewin'?

0:37:24 > 0:37:25Spit it out!

0:37:25 > 0:37:27Chew all you want, asshole.

0:37:27 > 0:37:30We've got everything on videotape.

0:37:30 > 0:37:32GULPS

0:37:36 > 0:37:38Miss Osborne? Telephone call.

0:37:38 > 0:37:39SIGH

0:37:41 > 0:37:42Jesus, Hugh,

0:37:42 > 0:37:45can't I leave the office for an hour?

0:37:47 > 0:37:48What?

0:37:52 > 0:37:53I'm sorry. What?

0:37:55 > 0:37:57Keep movin'! Go!

0:37:57 > 0:37:59Step up, boys.

0:37:59 > 0:38:00Hey, hold up!

0:38:00 > 0:38:03I got to talk with this man.

0:38:03 > 0:38:05What's the special treatment?

0:38:05 > 0:38:06Come on, man!

0:38:06 > 0:38:08It's a cop.

0:38:08 > 0:38:10What the hell happened?

0:38:10 > 0:38:13They set a trap. I got caught, Jack.

0:38:13 > 0:38:16The thing that Dodge was talkin' about?

0:38:16 > 0:38:18That was supposed to be me.

0:38:18 > 0:38:20I can handle it.

0:38:23 > 0:38:25Lamar Parmentel's defending you.

0:38:25 > 0:38:27Lamar?

0:38:27 > 0:38:28I know, he's beat your brains 1,000 times,

0:38:28 > 0:38:30but he knows what he's doing.

0:38:30 > 0:38:31The guys have agreed

0:38:31 > 0:38:33the widows and orphans' fund

0:38:33 > 0:38:34is payin' his fees.

0:38:34 > 0:38:37You want to keep your voice down, huh?

0:38:37 > 0:38:38Thanks.

0:38:40 > 0:38:41MAN: Look at them shoes.

0:38:41 > 0:38:43Make room for the clyde.

0:38:43 > 0:38:44Remy...

0:38:49 > 0:38:51We take care of our own.

0:38:51 > 0:38:53Remember that.

0:38:55 > 0:38:56I'll take care of you.

0:38:56 > 0:38:59We got the bribery conviction locked up.

0:38:59 > 0:39:01I don't know.

0:39:01 > 0:39:03It skirts the edge of entrapment.

0:39:03 > 0:39:06The wrong judge will throw it out.

0:39:06 > 0:39:08Maybe he'll make a deal.

0:39:08 > 0:39:10We shouldn't offer a deal now.

0:39:10 > 0:39:12I think we should get a conviction.

0:39:12 > 0:39:13Then we can offer a deal.

0:39:13 > 0:39:15Anne, ask for very high bail.

0:39:15 > 0:39:17Let him sweat.

0:39:17 > 0:39:18Help! Help!

0:39:38 > 0:39:40BAILIFF: All rise.

0:39:41 > 0:39:43JUDGE: These are the custodies?

0:39:43 > 0:39:45Be seated.

0:39:45 > 0:39:47OK, what have we got?

0:39:48 > 0:39:50Thibodeaux.

0:39:50 > 0:39:52Two Thibodeauxs, your honour.

0:39:52 > 0:39:53Unrelated cases.

0:39:53 > 0:39:56Sit down. We'll get back with you.

0:39:56 > 0:39:57You.

0:39:57 > 0:39:58You look familiar.

0:40:00 > 0:40:03I'm certainly sorry to see you before me, Lieutenant.

0:40:03 > 0:40:06Extortion, bribery.

0:40:06 > 0:40:08Do you have counsel?

0:40:08 > 0:40:09I'm his counsel, Your Honour.

0:40:09 > 0:40:12We waive rights and plead not guilty.

0:40:12 > 0:40:14We petition the court

0:40:14 > 0:40:15for the earliest possible date

0:40:15 > 0:40:17for a preliminary hearing.

0:40:17 > 0:40:20The 22nd is the earliest date I've got.

0:40:20 > 0:40:21Your Honour,

0:40:21 > 0:40:23every day my client

0:40:23 > 0:40:24is suspended from the force

0:40:24 > 0:40:26does great damage to his reputation

0:40:26 > 0:40:28as well as his investigations.

0:40:28 > 0:40:30All right. All right.

0:40:30 > 0:40:32We can get you in day after tomorrow,

0:40:32 > 0:40:34before Judge Garrison,

0:40:34 > 0:40:37if that's all right with the State.

0:40:37 > 0:40:38We're ready, Your Honour.

0:40:38 > 0:40:41Giving due weight to the seriousness of the charges

0:40:41 > 0:40:42against a public official,

0:40:42 > 0:40:45the state asks for 50,000 bail.

0:40:45 > 0:40:46Your Honour,

0:40:46 > 0:40:48defendant has been a police officer

0:40:48 > 0:40:49for 11 years

0:40:49 > 0:40:52and has very strong ties to the community.

0:40:52 > 0:40:55Bail is set at 500.

0:40:59 > 0:41:02All right. Thibodeaux, Andrew.

0:41:02 > 0:41:04That girl's after your ass.

0:41:04 > 0:41:07Why don't you let me make a deal?

0:41:07 > 0:41:09What kind?

0:41:09 > 0:41:11Plead you guilty to an unlawful

0:41:11 > 0:41:12acceptance of a gratuity.

0:41:12 > 0:41:14Is that a misdemeanour?

0:41:14 > 0:41:17A felony. You get maybe three months' jail time.

0:41:17 > 0:41:20One felony conviction, and I'm off the job.

0:41:20 > 0:41:23I'm a cop. It's all I know.

0:41:23 > 0:41:25Remy, Remy, they've got a videotape.

0:41:25 > 0:41:28You ever seen a juror watch a videotape?

0:41:28 > 0:41:30It's like watching Mike Wallace

0:41:30 > 0:41:31on 60 Minutes.

0:41:31 > 0:41:33Lamar!

0:41:33 > 0:41:35I can't go to jail.

0:41:43 > 0:41:45WHISTLING

0:41:45 > 0:41:46Help you?

0:41:46 > 0:41:48Yeah, I called about,

0:41:48 > 0:41:50er...

0:41:50 > 0:41:51alnico magnet.

0:41:51 > 0:41:55I got it. Are you wearing a quartz watch?

0:41:55 > 0:41:56What?

0:41:56 > 0:41:57Uh...

0:41:57 > 0:41:59it's a powerful magnet it will ruin a quartz watch.

0:41:59 > 0:42:01I ain't got time for no watch.

0:42:01 > 0:42:03Good. 183.

0:42:03 > 0:42:04Yeah, I know.

0:42:22 > 0:42:24ALARM RINGS

0:42:38 > 0:42:41# Oohh, ohh, oh, oh

0:42:41 > 0:42:43# Er! Uh! Uh! Uh! Uh! Uh! Uh! Uh!

0:42:43 > 0:42:44# Ho, haa! #

0:42:44 > 0:42:45Hey, brother.

0:42:45 > 0:42:48Don't you recognise

0:42:48 > 0:42:49your own brother, brother?

0:42:51 > 0:42:53Jesus, Remy.

0:42:53 > 0:42:56You know Mardi Gras ain't till February.

0:42:56 > 0:42:59What are you doin' in that get-up?

0:42:59 > 0:43:01A little undercover work.

0:43:01 > 0:43:03I thought you was suspended.

0:43:03 > 0:43:05Who told you that?

0:43:05 > 0:43:07Mama.

0:43:07 > 0:43:09She said you were framed.

0:43:09 > 0:43:10Look, bro,

0:43:10 > 0:43:13this is hard for me to explain to you.

0:43:13 > 0:43:15You don't have to explain.

0:43:15 > 0:43:18I want to be honest with you.

0:43:18 > 0:43:21In this particular case...

0:43:21 > 0:43:23it was a set-up.

0:43:23 > 0:43:27But I been on the take

0:43:27 > 0:43:30in little bitty ways since practically

0:43:30 > 0:43:32the first day on the job.

0:43:32 > 0:43:34I know that.

0:43:34 > 0:43:37Oh, yeah? Who told you?

0:43:37 > 0:43:39What? Do you think I'm stupid?

0:43:39 > 0:43:41Nobody had to tell me.

0:43:41 > 0:43:46I know you give Mama the money for my tuition.

0:43:46 > 0:43:49It sure don't come out of your salary.

0:43:52 > 0:43:55I'm just glad I can finally thank you.

0:43:55 > 0:43:57I didn't want you

0:43:57 > 0:43:59to know about that.

0:43:59 > 0:44:00Shit.

0:44:00 > 0:44:02I remember once...

0:44:02 > 0:44:05I must have been about six or seven...

0:44:05 > 0:44:07and I was looking in Daddy's pocket

0:44:07 > 0:44:09for a candy bar,

0:44:09 > 0:44:14and I found 78 10 bills.

0:44:14 > 0:44:16You knew about Daddy?

0:44:16 > 0:44:19Yeah, about Daddy and the relatives.

0:44:19 > 0:44:22I just... I figured it was understood.

0:44:22 > 0:44:24I didn't understand it.

0:44:24 > 0:44:27I didn't know Daddy was on the take

0:44:27 > 0:44:29till I was on the job myself.

0:44:29 > 0:44:30You serious?

0:44:30 > 0:44:33You were eight when Daddy died.

0:44:33 > 0:44:34I should have asked you.

0:44:34 > 0:44:37Want to ask me about anything else?

0:44:37 > 0:44:39Sex?

0:44:39 > 0:44:41Drugs?

0:44:46 > 0:44:48You been having sex?

0:44:48 > 0:44:51Ha ha ha!

0:44:51 > 0:44:52Ha ha ha!

0:44:53 > 0:44:56Don't you want to introduce your mama

0:44:56 > 0:44:57to your lawyer, cher?

0:44:57 > 0:44:59Mama, this is Lamar Parmentel.

0:44:59 > 0:45:02The renowned queen of the McSwain clan.

0:45:02 > 0:45:05Delightful to meet you in the flesh.

0:45:05 > 0:45:06I know all about you.

0:45:06 > 0:45:08You got the governor acquitted.

0:45:08 > 0:45:11You gonna do a fine job defending my Remy.

0:45:11 > 0:45:13Yeah, Mama, yeah.

0:45:13 > 0:45:15You know his outstanding record,

0:45:15 > 0:45:18but did he tell you about when he saved that drowning boy...

0:45:18 > 0:45:20He knows-

0:45:20 > 0:45:21Hey, there.

0:45:23 > 0:45:25Who is that?

0:45:25 > 0:45:27The prosecuting attorney, Mama.

0:45:27 > 0:45:28Ain't she cute?

0:45:28 > 0:45:30Oh, yeah.

0:45:30 > 0:45:31BAILIFF: Oyez! Oyez! Oyez!

0:45:31 > 0:45:32Criminal district court

0:45:32 > 0:45:34for the parish of Orleans is now in session.

0:45:34 > 0:45:36The Honourable Jim Garrison presiding.

0:45:36 > 0:45:38ANNE: What occurred next?

0:45:38 > 0:45:40I clearly saw George Joel

0:45:40 > 0:45:42hand the defendant the white envelope.

0:45:42 > 0:45:44And what did the defendant do?

0:45:44 > 0:45:46He accepted the envelope.

0:45:47 > 0:45:49And from the balcony

0:45:49 > 0:45:52you were unable to hear the conversation

0:45:52 > 0:45:53between this George Joel

0:45:53 > 0:45:54and the defendant, right?

0:45:54 > 0:45:56Yes.

0:45:56 > 0:45:57You testified that there were eight

0:45:57 > 0:45:5950 bills in the envelope.

0:45:59 > 0:46:00Correct.

0:46:00 > 0:46:03Can you produce this money in court?

0:46:03 > 0:46:05The defendant dropped the money in the bar.

0:46:05 > 0:46:08The people in the bar took the money,

0:46:08 > 0:46:11but we couldn't search everybody who was there.

0:46:11 > 0:46:12Thank you.

0:46:12 > 0:46:14MURMURING

0:46:14 > 0:46:16LAUGHTER

0:46:16 > 0:46:18Mr Joel,

0:46:18 > 0:46:19did the defendant promise that uniformed officers

0:46:19 > 0:46:21would stop harassing you?

0:46:21 > 0:46:24Yeah. If I paid him, he would.

0:46:24 > 0:46:25What would happen

0:46:25 > 0:46:27if you didn't pay the defendant?

0:46:27 > 0:46:30If I don't pay, the police close me down.

0:46:33 > 0:46:35Have you ever been arrested?

0:46:35 > 0:46:37The prosecution will stipulate

0:46:37 > 0:46:38that the witness is under indictment.

0:46:38 > 0:46:41I don't have to remind the court

0:46:41 > 0:46:43that clergymen and bankers are seldom witnesses

0:46:43 > 0:46:45at criminal trials.

0:46:45 > 0:46:48Is it not true that you would say anything

0:46:48 > 0:46:50the prosecution wanted you to

0:46:50 > 0:46:52to avoid being sent to prison?

0:46:52 > 0:46:52Yeah.

0:46:52 > 0:46:53Objection!

0:46:53 > 0:46:54I mean no.

0:46:54 > 0:46:56Sustained.

0:46:59 > 0:47:02ANNE: Lieutenant, you said you went to the tavern

0:47:02 > 0:47:03to see an informer.

0:47:03 > 0:47:04Yes, ma'am.

0:47:04 > 0:47:06Why did you run away

0:47:06 > 0:47:08from the internal affairs officer?

0:47:08 > 0:47:12He did not identify himself as a police officer.

0:47:12 > 0:47:14I thought he was a mugger.

0:47:14 > 0:47:16LAUGHTER

0:47:16 > 0:47:18Were you armed?

0:47:18 > 0:47:19Yes, I was.

0:47:19 > 0:47:21And you ran away from a mugger?

0:47:21 > 0:47:23I was calling for assistance,

0:47:23 > 0:47:24which is proper police procedure.

0:47:24 > 0:47:26Was it also proper police procedure

0:47:26 > 0:47:28for you to swallow the envelope?

0:47:28 > 0:47:31What envelope?

0:47:31 > 0:47:34Lieutenant, earlier today, Officer Krinkey swore under oath

0:47:34 > 0:47:36that he saw you accept an envelope.

0:47:36 > 0:47:38Were you here for that testimony?

0:47:38 > 0:47:40Yes, I was.

0:47:40 > 0:47:42Are you calling your fellow police officer a liar?

0:47:42 > 0:47:45No. I just don't know what envelope you're talking about?

0:47:45 > 0:47:48The envelope Mr Joel gave you

0:47:48 > 0:47:50that contained eight 50 bills.

0:47:50 > 0:47:51Objection, Your Honour!

0:47:51 > 0:47:53Counsel is drawing conclusions.

0:47:53 > 0:47:54Sustained.

0:47:54 > 0:47:57The eight 50 bills that you threw into the air.

0:47:57 > 0:47:58The envelope that you ate.

0:47:58 > 0:47:59Objection!

0:47:59 > 0:48:01Sustained.

0:48:01 > 0:48:03MURMURING

0:48:03 > 0:48:05I have no further questions.

0:48:05 > 0:48:07The witness may step down.

0:48:13 > 0:48:16Tomorrow the prosecution will present a videotape

0:48:16 > 0:48:20that will not only corroborate every state's witness,

0:48:20 > 0:48:23but will refute every statement the defendant has made

0:48:23 > 0:48:26and show that in addition to the crime charged,

0:48:26 > 0:48:28the defendant has perjured himself

0:48:28 > 0:48:29before this court.

0:48:29 > 0:48:33This court is adjourned until 10.00 tomorrow morning.

0:48:56 > 0:48:58TELEPHONE RINGS

0:49:00 > 0:49:02RING

0:49:05 > 0:49:07It's 3.00 in the morning.

0:49:07 > 0:49:09'Yes, but this is McCabe, Remy.'

0:49:09 > 0:49:11Somebody blew up Carmine Tandino's warehouse,

0:49:11 > 0:49:13with him in it.

0:49:13 > 0:49:14No kidding.

0:49:14 > 0:49:16There's another body. No ID.

0:49:16 > 0:49:18Maybe you can make him.

0:49:18 > 0:49:20I'll be right down.

0:49:20 > 0:49:21You'd better not, Remy.

0:49:21 > 0:49:24Deputy supe's talkin' to the TV guys.

0:49:24 > 0:49:25Film at 11.00?

0:49:25 > 0:49:28Meet us at the morgue in an hour.

0:49:28 > 0:49:32I'll meet you at the scene in 15 minutes.

0:49:32 > 0:49:36CLASSICAL MUSIC PLAYING

0:49:37 > 0:49:39TELEPHONE RINGS

0:49:39 > 0:49:40Anne Osborne.

0:49:40 > 0:49:42Carmine Tandino was just killed

0:49:42 > 0:49:45at his warehouse down on the Third Street wharf.

0:49:45 > 0:49:48I thought you'd want to know.

0:49:52 > 0:49:54Hey, Remy!

0:49:58 > 0:50:00SHIP'S HORN BLOWS

0:50:01 > 0:50:03Psst. Hey!

0:50:03 > 0:50:05Come here! Come here!

0:50:05 > 0:50:07I told you not to come.

0:50:07 > 0:50:10I'm not here. Where are the bods?

0:50:10 > 0:50:11This way. It looks like this-

0:50:11 > 0:50:14the killer sets the fire to destroy the bodies,

0:50:14 > 0:50:17the fire explodes a drum of paint thinner,

0:50:17 > 0:50:19the explosion blows out the fire.

0:50:19 > 0:50:21How'd you identify Tandino?

0:50:21 > 0:50:23Oh, yeah!

0:50:23 > 0:50:25He had a glass eye.

0:50:25 > 0:50:27Ain't that a beautiful shooter?

0:50:27 > 0:50:30This is the guy we can't make.

0:50:30 > 0:50:33He must have been hiding back here.

0:50:33 > 0:50:34Oh, God.

0:50:34 > 0:50:37I know who that is.

0:50:37 > 0:50:39It's Tandino's older brother.

0:50:39 > 0:50:42I didn't know he had a brother.

0:50:42 > 0:50:43Yeah. Poor guy's retarded.

0:50:43 > 0:50:45Family kept him at home.

0:50:45 > 0:50:46Did a little work

0:50:46 > 0:50:48sweeping up the warehouse.

0:50:48 > 0:50:50Now they killin' retards!

0:50:50 > 0:50:51Then why ain't you dead?

0:50:52 > 0:50:55They work up floats here-

0:50:55 > 0:50:57watch your step-

0:50:57 > 0:50:59Mardi Gras stuff and all that.

0:51:01 > 0:51:02Some of these- hold it!

0:51:02 > 0:51:04CRASH

0:51:04 > 0:51:05You OK?

0:51:05 > 0:51:08Who does this remind you of?

0:51:08 > 0:51:10That's part of the world's fair.

0:51:10 > 0:51:12Let me show you this one.

0:51:12 > 0:51:15When I was a kid, we used to...

0:51:15 > 0:51:17Wait! Hey!

0:51:17 > 0:51:19Miss Osborne...

0:51:19 > 0:51:22Look, are you sure

0:51:22 > 0:51:24that you want to see this?

0:51:24 > 0:51:27What the hell is this man doing here?

0:51:27 > 0:51:30What the hell is this man doin' here?

0:51:30 > 0:51:33Better yet, what are you doin' here?

0:51:33 > 0:51:36Yeah. What are you doin' here?

0:51:38 > 0:51:41I got an anonymous phone call.

0:51:41 > 0:51:42Anne.

0:51:44 > 0:51:48They ripped the heart right out of his chest.

0:51:48 > 0:51:49Why?

0:51:49 > 0:51:50Voodoo.

0:51:50 > 0:51:51Daddy Mention.

0:51:51 > 0:51:52The heroin dealer?

0:51:52 > 0:51:54And voodoo priest.

0:51:54 > 0:51:55Black magic... gris-gris.

0:51:55 > 0:51:57That's Daddy Mention's thing.

0:51:57 > 0:52:00The heart of your enemy makes you strong.

0:52:00 > 0:52:02What you're saying is

0:52:02 > 0:52:04that Daddy Mention killed Carmine Tandino,

0:52:04 > 0:52:05supporting your theory

0:52:05 > 0:52:08that Tandino murdered Daddy Mention's men.

0:52:08 > 0:52:09We got a cute little drug war.

0:52:09 > 0:52:11Doesn't satisfy you, Miss Osborne?

0:52:11 > 0:52:13Not particularly.

0:52:13 > 0:52:16I'll see you in court tomorrow, McSwain.

0:52:18 > 0:52:19CRASH

0:52:21 > 0:52:23That's women for you, Jack.

0:52:23 > 0:52:24Never satisfied.

0:52:30 > 0:52:32BAILIFF: Order in the court.

0:52:32 > 0:52:33All remain seated.

0:52:39 > 0:52:40What's her problem?

0:52:40 > 0:52:43It seems her key piece of evidence was erased

0:52:43 > 0:52:45when a powerful magnet was placed beside it

0:52:45 > 0:52:47in the police property room.

0:52:47 > 0:52:48Really?

0:52:48 > 0:52:50What? The videotape?

0:52:50 > 0:52:52Unusable?

0:52:52 > 0:52:54New Orleans is a marvellous environment

0:52:54 > 0:52:55for coincidence.

0:53:00 > 0:53:05Your Honour, because the key piece of evidence in this case

0:53:05 > 0:53:06has been suspiciously tampered with,

0:53:06 > 0:53:08the state is compelled

0:53:08 > 0:53:12to withdraw its charges against Lieutenant McSwain.

0:53:12 > 0:53:14JUDGE: The defendant is ordered released,

0:53:14 > 0:53:16and bond is vacated.

0:53:17 > 0:53:19Court is adjourned.

0:53:25 > 0:53:27Praise God!

0:53:34 > 0:53:35Lamar, Lamar.

0:53:42 > 0:53:45Told you I'd get him off!

0:53:46 > 0:53:48# Look at my king all dressed in red

0:53:48 > 0:53:51# Iko, iko, unday

0:53:51 > 0:53:53# I betcha five dollars he'll kill you dead

0:53:53 > 0:53:55# Jockamo fee nane

0:53:55 > 0:53:56# Talkin' 'bout hey, now

0:53:56 > 0:53:57# Hey, now Hey, now

0:53:57 > 0:53:59# Iko, iko, unday

0:53:59 > 0:54:00# Oh

0:54:00 > 0:54:02# Jockamo feeno ai nane

0:54:02 > 0:54:04# Jockamo fee nane

0:54:04 > 0:54:05# Talkin' 'bout hey, now

0:54:05 > 0:54:07# Hey, now Hey, now

0:54:07 > 0:54:08# Iko, iko, unday

0:54:08 > 0:54:09# Oh

0:54:09 > 0:54:11# Jockamo feeno ai nane

0:54:11 > 0:54:12# Jockamo fee nane... #

0:54:12 > 0:54:14Miss Osborne.

0:54:14 > 0:54:15Yes?

0:54:15 > 0:54:17Would you come with me, please?

0:54:17 > 0:54:18What? Where?

0:54:18 > 0:54:21Well, I really can't tell you right now.

0:54:21 > 0:54:23Is this a joke?

0:54:23 > 0:54:25No, it's no joke.

0:54:25 > 0:54:27Well, am I under arrest?

0:54:27 > 0:54:29What are the charges?

0:54:29 > 0:54:31Well, you were jaywalking over there.

0:54:31 > 0:54:35Then when you run across the bridge, that's trespassing.

0:54:35 > 0:54:37Get out of my way!

0:54:37 > 0:54:39That I'm gonna call resisting arrest.

0:54:39 > 0:54:43You don't happen to be Remy McSwain's relative?

0:54:43 > 0:54:46Look, chere. Listen to your uncle Sos.

0:54:46 > 0:54:49Put your pretty face in the car, huh?

0:54:58 > 0:55:01# He negresse!

0:55:09 > 0:55:14# Quoi tu veux, mon homme?

0:55:15 > 0:55:18# Ayou toi t'as ete hier au soir

0:55:18 > 0:55:19# Ma negresse?

0:55:22 > 0:55:26# J'ai ete au bal, negre

0:55:28 > 0:55:32# T'as arrive a ce matin

0:55:32 > 0:55:33# Quelle heure!

0:55:33 > 0:55:35# Que t'es toute passe?

0:55:35 > 0:55:37# Ca me fait de la peine pour toi. #

0:55:40 > 0:55:41Whoo!

0:55:43 > 0:55:46Do these Cajuns know how to throw a party or what?

0:55:46 > 0:55:48Yeah!

0:55:48 > 0:55:51I want to be serious for a minute.

0:55:51 > 0:55:53Most of y'all know that a policeman's life

0:55:53 > 0:55:57is made up of short pay, long hours, mortal danger,

0:55:57 > 0:55:59and little thanks from the public which we serve,

0:55:59 > 0:56:02but once in a while, we win one.

0:56:02 > 0:56:04Once in a while, justice triumphs!

0:56:04 > 0:56:05Remy, come here.

0:56:05 > 0:56:09I want you to raise your cup or your glass.

0:56:09 > 0:56:12Raise your nose if you have to.

0:56:12 > 0:56:16I give you the New Orleans police department!

0:56:16 > 0:56:17< And the fire department!

0:56:17 > 0:56:20Oh, yeah. Fire department, too!

0:56:20 > 0:56:23Get some of this food over here.

0:56:23 > 0:56:26Come on, let's party!

0:56:26 > 0:56:27MUSIC PLAYS

0:56:27 > 0:56:29Now you're adding kidnapping

0:56:29 > 0:56:31and false arrest to your crimes!

0:56:31 > 0:56:33You're not under arrest.

0:56:33 > 0:56:35Uncle Sos give you that impression?

0:56:35 > 0:56:37Uncle Sos, you apologise.

0:56:37 > 0:56:38I'm sorry.

0:56:38 > 0:56:40Now you'll tell me I'm free to go anytime?

0:56:40 > 0:56:42Absolutely. Anytime you want.

0:56:42 > 0:56:44Where's the telephone?

0:56:44 > 0:56:46On the porch. I'll show you.

0:56:46 > 0:56:47I'll get it myself.

0:56:47 > 0:56:49Whoo!

0:56:49 > 0:56:52That pretty girl kind of mad, huh?

0:56:52 > 0:56:54MAN: Where is she comin' from?

0:56:54 > 0:56:56WOMAN: She got some nerve.

0:56:56 > 0:56:58Annie, you were great in court today.

0:56:58 > 0:57:00I want to be a lawyer...

0:57:00 > 0:57:02I lost.

0:57:02 > 0:57:05What the hell is she doin' here?

0:57:05 > 0:57:07She's a pushy broad. I told you.

0:57:09 > 0:57:11Look at this.

0:57:11 > 0:57:14She don't look bad in those short shorts.

0:57:14 > 0:57:16When can you be here?

0:57:16 > 0:57:17Fine.

0:57:21 > 0:57:24You were sayin' some pretty hard things

0:57:24 > 0:57:26about my boy in that courtroom today.

0:57:26 > 0:57:28Yes, I did.

0:57:28 > 0:57:30He's a good boy.

0:57:30 > 0:57:33Could be a hell of a lot better.

0:57:33 > 0:57:35What you gonna do? You gonna help him?

0:57:37 > 0:57:40You got your work cut out for you, chere.

0:57:41 > 0:57:43What did he do, chere?

0:57:43 > 0:57:46Drag you out the bathtub or what?

0:57:46 > 0:57:48No. I was running.

0:57:48 > 0:57:49Running?

0:57:49 > 0:57:53MUSIC PLAYS

0:58:00 > 0:58:03# You used to call me in the mornin'

0:58:03 > 0:58:06# You used to call me late at night

0:58:06 > 0:58:10# Now you don't call me anymore

0:58:12 > 0:58:14# Talk all night long

0:58:14 > 0:58:17# On the telephone

0:58:17 > 0:58:20# But now you don't call me anymore

0:58:22 > 0:58:25# You know you used to call me daddy

0:58:25 > 0:58:26# Oh, Daddy

0:58:26 > 0:58:28# Oh, Daddy

0:58:28 > 0:58:33# But now you don't call me anymore

0:58:33 > 0:58:36# Why, oh, why?

0:58:36 > 0:58:37# Why?

0:58:37 > 0:58:39# Tell me why

0:58:39 > 0:58:42# Why you don't call me anymore... #

0:58:42 > 0:58:44Et toi!

0:58:49 > 0:58:51Et toi, fille moi,

0:58:51 > 0:58:53danse avec moi.

0:58:53 > 0:58:55Dance with me. Come on.

0:58:55 > 0:58:56No.

0:58:56 > 0:58:59I cut a hell of a rug, you know?

0:58:59 > 0:59:01Take your hand off of me!

0:59:01 > 0:59:03Dance with him, chere.

0:59:03 > 0:59:05He's a good dancer.

0:59:05 > 0:59:07Allons danser, everybody!

0:59:16 > 0:59:20# Quoi fa? Quoi fa?

0:59:20 > 0:59:22# Chere, quoi fa?

0:59:22 > 0:59:27# Toi, qui m'appelle plus d'un telephone... #

0:59:29 > 0:59:31Aren't you going to look at me?

0:59:39 > 0:59:41# Talk all night long

0:59:41 > 0:59:44# On the telephone

0:59:44 > 0:59:49# But now you don't call me anymore

0:59:49 > 0:59:52# Why, oh, why?

0:59:52 > 0:59:53# Why?

0:59:53 > 0:59:55# Tell me why

0:59:55 > 0:59:56# Why you don't call me... #

0:59:56 > 0:59:58Are you satisfied?

0:59:58 > 1:00:00You still mad at me, chere, huh?

1:00:00 > 1:00:03You don't get it? You're a cop.

1:00:03 > 1:00:05You're supposed to uphold the law.

1:00:05 > 1:00:07Instead you bend it

1:00:07 > 1:00:09and twist it and sell it.

1:00:09 > 1:00:11I saw you take that bribe,

1:00:11 > 1:00:13resist arrest, tamper with evidence,

1:00:13 > 1:00:15and perjure yourself under oath.

1:00:15 > 1:00:18Don't forget I ran a red light, too.

1:00:18 > 1:00:20You still think it's funny.

1:00:20 > 1:00:22HORN HONKS

1:00:22 > 1:00:25You're not one of the good guys anymore.

1:01:12 > 1:01:14KNOCK ON DOOR

1:01:15 > 1:01:17Remy, good to see you back.

1:01:17 > 1:01:19I want you to do me favour.

1:01:19 > 1:01:20Sure, Remy.

1:01:20 > 1:01:24Take me off the widows and orphans' fund.

1:01:24 > 1:01:25Jesus Christ, Remy.

1:01:25 > 1:01:28What do you mean, take you off?

1:01:28 > 1:01:31I don't mean nothing. Just take me off.

1:01:31 > 1:01:34Widows and orphans will do fine without me.

1:01:38 > 1:01:41Hey, don't even think about it.

1:01:41 > 1:01:42Remy.

1:01:42 > 1:01:42Yeah.

1:01:42 > 1:01:44Look at this.

1:01:44 > 1:01:46What's this? Retirement papers?

1:01:46 > 1:01:48You finally did it? No!

1:01:48 > 1:01:50As of December 31st,

1:01:50 > 1:01:53you're the ranking officer of the homicide bureau.

1:01:53 > 1:01:54I don't believe you.

1:01:54 > 1:01:56Your mother didn't believe it either.

1:01:56 > 1:01:58You're finally gonna marry the girl?

1:01:58 > 1:02:01New Year's Day. Will you be my best man?

1:02:01 > 1:02:03You bet I would, you huggie bear!

1:02:03 > 1:02:05Bye, Daddy!

1:02:05 > 1:02:06What's so funny? Come here.

1:02:06 > 1:02:09Dodge, De Soto, McCabe, Foster - my office.

1:02:09 > 1:02:11Welcome back, Remy. >

1:02:11 > 1:02:12APPLAUSE

1:02:12 > 1:02:16Foster has an interesting angle on the Angelo murder.

1:02:16 > 1:02:19Two floaters were pulled from the canal last night.

1:02:19 > 1:02:22Turned out to be Mexican deep-sea fishermen.

1:02:22 > 1:02:24Sufferin' from lead poisoning.

1:02:24 > 1:02:25Worked out of Veracruz.

1:02:25 > 1:02:27Long records of smuggling.

1:02:27 > 1:02:29So what's this got to do Freddie Angelo?

1:02:29 > 1:02:31Mexican customs was wiretapping them.

1:02:31 > 1:02:34Guess who their last phone call was from.

1:02:34 > 1:02:35Angelo.

1:02:35 > 1:02:36Right.

1:02:36 > 1:02:40Angelo was in Veracruz three days before his death.

1:02:40 > 1:02:41Narcotics said he never dealt

1:02:41 > 1:02:42personally with less than 20 or 30 keys.

1:02:42 > 1:02:45That can explain a gang war.

1:02:45 > 1:02:48One kilo of heroin always seemed smalltime

1:02:48 > 1:02:51for all these people to get killed over.

1:02:51 > 1:02:5320 or 30 keys makes more sense.

1:02:53 > 1:02:54So where's the rest?

1:02:54 > 1:02:57Did anybody talk to Daddy Mention?

1:03:01 > 1:03:04What is he gonna tell us?

1:03:04 > 1:03:07"Come on in, fellas. It's under the sink."

1:03:07 > 1:03:08Come on.

1:03:08 > 1:03:10Hello in there!

1:03:10 > 1:03:13It's not what he says, it's what you hear.

1:03:13 > 1:03:15Daddy Mention's the number one suspect.

1:03:15 > 1:03:18You don't talk to him?

1:03:18 > 1:03:20Daddy Mention's trying to move in

1:03:20 > 1:03:21on Vinnie's action.

1:03:21 > 1:03:24That sounds neat, but I don't buy it.

1:03:24 > 1:03:26Why not? Works for me.

1:03:26 > 1:03:28Anne Osborne.

1:03:28 > 1:03:30What the hell does she know?

1:03:30 > 1:03:33She knows somethin', which is more than you guys.

1:03:33 > 1:03:35You haven't done shit since I been gone.

1:03:35 > 1:03:38They're doin' our job for us.

1:03:38 > 1:03:40One kills creep another creep.

1:03:40 > 1:03:41Why not let them wipe each other out?

1:03:41 > 1:03:44Because we're the police, that's why. We got guns.

1:03:44 > 1:03:46We're supposed to be good guys.

1:03:46 > 1:03:50I'll go talk to Daddy Mention myself.

1:03:50 > 1:03:52You still don't know what Anne Osborne knows?

1:03:52 > 1:03:54You're losing your touch.

1:04:05 > 1:04:08You really should become a defence lawyer.

1:04:08 > 1:04:11You meet a more colourful class of people.

1:04:11 > 1:04:13You're gonna love Daddy Mention.

1:04:13 > 1:04:15He's a doctor of roots, fruits, and snoots.

1:04:15 > 1:04:18You don't have any scruples, do you, Lamar?

1:04:18 > 1:04:21Is there anybody you wouldn't represent?

1:04:21 > 1:04:22Every man's entitled to the best defence

1:04:22 > 1:04:24money can buy.

1:04:33 > 1:04:35Oh, there you are.

1:04:35 > 1:04:37I thought I'd lost you.

1:04:37 > 1:04:39Why does Daddy Mention want to see me?

1:04:39 > 1:04:41Actually, it was my idea.

1:04:41 > 1:04:44I thought you might be interested

1:04:44 > 1:04:47in what he had to say about the killings.

1:04:47 > 1:04:51I know you've been looking into one or two.

1:04:59 > 1:05:01Daddy's expecting us.

1:05:12 > 1:05:13CHILDREN YELLING

1:05:13 > 1:05:17Daddy, here's the woman I told you about, Anne Osborne.

1:05:17 > 1:05:20How do you do, Mr Daddy, er, Mention?

1:05:20 > 1:05:22Excuse my left hand.

1:05:22 > 1:05:24Are they all yours?

1:05:24 > 1:05:2621 children and 14 grandchildren.

1:05:26 > 1:05:29I got lost in one of those Bible verses

1:05:29 > 1:05:32that says, "be fruitful and multiply."

1:05:32 > 1:05:35I just didn't read any further.

1:05:35 > 1:05:38You kids run out. Daddy's gonna talk business.

1:05:38 > 1:05:40You're a very lovely lady.

1:05:40 > 1:05:42Thank you very much.

1:05:42 > 1:05:44Let's get down to business.

1:05:44 > 1:05:47You're lookin' into the murder of them Italian boys.

1:05:47 > 1:05:49Carmine Tandino and Freddie Angelo,

1:05:49 > 1:05:53as well as Jamaal Washington, Michael and Darnell Nobilier -

1:05:53 > 1:05:55all of whom allegedly worked for you.

1:05:55 > 1:05:57That's what I want to talk to you about.

1:05:57 > 1:06:00The police are puttin' out this story

1:06:00 > 1:06:02that there's a gang war going on.

1:06:02 > 1:06:03Do you believe that?

1:06:03 > 1:06:05What do you believe?

1:06:05 > 1:06:08My people didn't kill no Freddie Angelo

1:06:08 > 1:06:11or no what's-his-name Tandino.

1:06:11 > 1:06:12Then who did?

1:06:12 > 1:06:13I don't know,

1:06:13 > 1:06:16but they're killin' my people, too.

1:06:16 > 1:06:18Why didn't you tell the police?

1:06:18 > 1:06:21LAMAR: Daddy's had some unfortunate experiences

1:06:21 > 1:06:23talking with the police.

1:06:23 > 1:06:25Policeman here to see you, Daddy.

1:06:25 > 1:06:27Give me a minute.

1:06:28 > 1:06:30Thanks, son.

1:06:31 > 1:06:32Lamar.

1:06:32 > 1:06:34I didn't know

1:06:34 > 1:06:36you represented this sleaze bag.

1:06:36 > 1:06:38I only represent sleaze bags.

1:06:38 > 1:06:40What are you doing here?

1:06:40 > 1:06:43I came to talk to chubby.

1:06:43 > 1:06:46He might not want to talk to you.

1:06:46 > 1:06:47I didn't know you two were like that.

1:06:47 > 1:06:49There are a lot of things about me that you don't know.

1:06:49 > 1:06:50GUNSHOTS

1:06:50 > 1:06:52Aah!

1:06:52 > 1:06:54Stay here!

1:06:54 > 1:06:55Help!

1:06:55 > 1:06:58Help! Big Daddy's been shot!

1:06:58 > 1:06:59No!

1:06:59 > 1:07:01No!

1:07:01 > 1:07:02No!

1:07:04 > 1:07:06Oh!

1:07:50 > 1:07:51Ah!

1:07:58 > 1:07:59HONK HONK

1:08:19 > 1:08:22What's the big secret, Anne?

1:08:22 > 1:08:23Don't you bullshit me now.

1:08:23 > 1:08:25What evidence do you people got

1:08:25 > 1:08:26on the Freddie Angelo murder?

1:08:26 > 1:08:29You're beginning to think cops were involved. Why?

1:08:29 > 1:08:31That was an unmarked police car.

1:08:31 > 1:08:32Besides, you know anybody that can drive like that?

1:08:32 > 1:08:34Only cops drive like that!

1:08:34 > 1:08:36Now, what do you know?

1:08:36 > 1:08:38An eyewitness saw two men

1:08:38 > 1:08:40in an unmarked police car

1:08:40 > 1:08:42dump Freddie Angelo's body

1:08:42 > 1:08:44in the Piazza d'Italia.

1:08:44 > 1:08:47Why did they think it was a police car?

1:08:47 > 1:08:49They saw a blue light and a radio

1:08:49 > 1:08:50in the front seat.

1:08:50 > 1:08:52Why did you withhold this information

1:08:52 > 1:08:54from the police?

1:08:54 > 1:08:56The police are the suspects.

1:08:56 > 1:08:58SIREN

1:09:08 > 1:09:10All right, what we got here?

1:09:10 > 1:09:11Hey, hey, get back.

1:09:11 > 1:09:14Get back, man. Come on.

1:09:14 > 1:09:16Off the street.

1:09:17 > 1:09:20There is no gang war.

1:09:21 > 1:09:23Is there?

1:09:25 > 1:09:29So what are you going to do about it?

1:09:29 > 1:09:31I don't know.

1:09:31 > 1:09:33The police department is my family.

1:09:33 > 1:09:36These people are killers, Remy.

1:09:37 > 1:09:40What do you want me to do?

1:09:40 > 1:09:42Go undercover in my precinct house?

1:09:42 > 1:09:45No. I have a better idea.

1:09:46 > 1:09:48Come on.

1:10:00 > 1:10:03Anne, this is my cousin Frank,

1:10:03 > 1:10:04my Uncle Ernest.

1:10:04 > 1:10:06You remember Uncle Sos,

1:10:06 > 1:10:07cousin Pete.

1:10:07 > 1:10:09Hey, guys, thanks for helping out.

1:10:11 > 1:10:13Uncle Sos, check everybody

1:10:13 > 1:10:15comin' in or out.

1:10:15 > 1:10:16You got it, Remy.

1:10:16 > 1:10:19Hey, Remy, what's going on?

1:10:19 > 1:10:20Ask her.

1:10:20 > 1:10:21Come on.

1:10:21 > 1:10:24Are you the desk sergeant on duty?

1:10:24 > 1:10:26Do I look like

1:10:26 > 1:10:28the king of Mardi Gras?

1:10:28 > 1:10:29Then this is for you.

1:10:31 > 1:10:33What the hell?

1:10:33 > 1:10:35Hey, Captain.

1:10:35 > 1:10:38Some broad up here with a search warrant.

1:10:43 > 1:10:45Can you believe this shit?

1:10:48 > 1:10:50Anybody who does not co-operate

1:10:50 > 1:10:53fully and cheerfully with this investigation

1:10:53 > 1:10:56will wish his mother and father never met!

1:10:56 > 1:10:58Was your car damaged?

1:10:58 > 1:10:59Yes. It was in the lot for two days.

1:10:59 > 1:11:02What was the nature of the damage?

1:11:02 > 1:11:04If you'd told me about this,

1:11:04 > 1:11:06we could've sent out invitations.

1:11:06 > 1:11:08Is your car 17?

1:11:08 > 1:11:09That's right.

1:11:09 > 1:11:11Hey, Sos.

1:11:11 > 1:11:14Sorry. I got orders to pat everybody down.

1:11:14 > 1:11:16This lawyer is leadin' Remy around

1:11:16 > 1:11:17by his nose.

1:11:17 > 1:11:19Try his dick. Higher, Sos.

1:11:19 > 1:11:23Don't touch me, you dirty old man.

1:11:23 > 1:11:24Everything.

1:11:27 > 1:11:29Andre's afraid of the dark.

1:11:29 > 1:11:31Ha ha ha!

1:11:31 > 1:11:32Dark, my ass.

1:11:32 > 1:11:34It's a jungle out there.

1:11:34 > 1:11:37If that don't work, I piss on 'em.

1:11:39 > 1:11:40There it is, right there.

1:11:40 > 1:11:43Uh-uh. Those are junkers over there.

1:11:43 > 1:11:46That baby hasn't been out of here

1:11:46 > 1:11:47in three months.

1:11:47 > 1:11:49Uh-huh.

1:11:49 > 1:11:50Not a bad shot.

1:11:50 > 1:11:51Thanks.

1:11:51 > 1:11:54I want this car impounded and dusted for fingerprints.

1:11:54 > 1:11:57Mine are all over the hood.

1:11:57 > 1:11:59You want to come over

1:11:59 > 1:12:01and clean up my house?

1:12:01 > 1:12:04I hope you feel good about this.

1:12:06 > 1:12:08Eat or work?

1:12:08 > 1:12:09Work.

1:12:09 > 1:12:11My place or yours?

1:12:11 > 1:12:14Yours. That way I can leave anytime I want.

1:12:35 > 1:12:36Did you find something?

1:12:36 > 1:12:38Hmm?

1:12:38 > 1:12:39You look a little strange.

1:12:39 > 1:12:41Oh, no. Just fried oysters

1:12:41 > 1:12:43at 1.00 in the mornin'.

1:12:45 > 1:12:48Why don't we just call it a night?

1:12:50 > 1:12:51Mm-hmm.

1:12:55 > 1:12:56Who are you callin'?

1:12:56 > 1:12:58A cab.

1:12:58 > 1:13:00Why don't you just stay here?

1:13:00 > 1:13:02I'll sleep on the couch.

1:13:02 > 1:13:03Thanks, anyway.

1:13:03 > 1:13:05Oh, now.

1:13:05 > 1:13:07No, hey, ma'am.

1:13:07 > 1:13:10You're just gonna be over here

1:13:10 > 1:13:12first thing in the mornin'.

1:13:12 > 1:13:15Hey, I won't try no cha-cha.

1:13:15 > 1:13:16I promise.

1:13:16 > 1:13:19The bed is yours if you want it.

1:13:19 > 1:13:22No, thank you. I'd rather go home.

1:13:22 > 1:13:25Annie, you gonna be pissed off at me

1:13:25 > 1:13:28for the rest of your life?

1:13:30 > 1:13:32Maybe.

1:13:33 > 1:13:35Can I get you anything?

1:13:35 > 1:13:37No, thank you.

1:13:37 > 1:13:38I'll be asleep

1:13:38 > 1:13:41as soon as my head hits the pillow.

1:13:43 > 1:13:45Hey.

1:13:45 > 1:13:47If I can't have you...

1:13:47 > 1:13:49can I have my gator?

1:13:53 > 1:13:54SQUEAK

1:13:59 > 1:14:05# If you wa-ant

1:14:05 > 1:14:07# Somethin' to play with

1:14:07 > 1:14:11# Go and find yourself a toy

1:14:14 > 1:14:19# Cos, baby, my time is too expensive

1:14:22 > 1:14:27# And I'm not a little boy

1:14:27 > 1:14:30# Whoa oh, whoa oh... #

1:14:30 > 1:14:32DOOR LOCK TURNS

1:14:34 > 1:14:36# If you

1:14:36 > 1:14:38# Are serious... #

1:14:41 > 1:14:42Freeze!

1:14:42 > 1:14:45What is this? Scare Bobby week?

1:14:45 > 1:14:47You're gonna give me a heart attack!

1:14:47 > 1:14:49Annie's sleepin' in the bedroom.

1:14:49 > 1:14:51Be quiet.

1:14:51 > 1:14:53And you're sleepin' on the couch?

1:14:55 > 1:14:56Yeah. What about it?

1:14:56 > 1:14:59Where am I supposed to sleep?

1:14:59 > 1:15:02I thought college boys liked sleepin' on the floor.

1:15:02 > 1:15:05# Tell it like it is... #

1:15:05 > 1:15:07Yeah, well, we don't.

1:15:07 > 1:15:10# Don't be ashamed

1:15:10 > 1:15:14# Let your conscience be your guide... #

1:15:14 > 1:15:15SQUEAK

1:15:15 > 1:15:18THUNDER

1:15:18 > 1:15:21# I know that deep down inside of me

1:15:21 > 1:15:23# Oh, I believe

1:15:23 > 1:15:25# I believe you love me

1:15:25 > 1:15:27# Forget your

1:15:27 > 1:15:30# Foolish pride

1:15:32 > 1:15:33# Ooh

1:15:37 > 1:15:39# You know life is too short

1:15:39 > 1:15:43# To have sorrow, yeah, yeah, yeah

1:15:45 > 1:15:48# You may be here today and gone tomorrow... #

1:15:49 > 1:15:50Morning.

1:15:50 > 1:15:52Mornin'.

1:15:52 > 1:15:53Is the coffee ready?

1:15:53 > 1:15:55We're out of coffee.

1:15:55 > 1:15:57Why don't you go get some?

1:15:57 > 1:15:59But it's pouring.

1:15:59 > 1:16:00Here, take my raincoat.

1:16:00 > 1:16:02I have no money.

1:16:02 > 1:16:03Here's some money.

1:16:03 > 1:16:07Take a cab to the farthest place you can find.

1:16:07 > 1:16:09Have a nice large breakfast.

1:16:09 > 1:16:11Then take in a movie

1:16:11 > 1:16:13and give me a phone call.

1:16:18 > 1:16:19# But

1:16:19 > 1:16:21# I know

1:16:21 > 1:16:25# Deep down inside of me

1:16:25 > 1:16:28# I believe you love me... #

1:16:28 > 1:16:29Annie?

1:16:29 > 1:16:32# Oh, believe me

1:16:32 > 1:16:33# Oh, believe me

1:16:33 > 1:16:36# Oh oh, oh oh

1:16:36 > 1:16:39# Tell it like it is

1:16:39 > 1:16:40# Oh, I love you

1:16:40 > 1:16:43# Oh, I love you, oh, I love you

1:16:43 > 1:16:45# Oh, I love you... #

1:16:45 > 1:16:47Oh.

1:16:49 > 1:16:52We have to get back to work.

1:16:52 > 1:16:54Absolutely.

1:16:54 > 1:16:57# Why, oh, why, you wanna break my heart?

1:16:58 > 1:17:01# Girl, you know, you know, you know

1:17:01 > 1:17:03# That I love ya that I love ya

1:17:03 > 1:17:07# Yeah

1:17:07 > 1:17:08# Tell it

1:17:08 > 1:17:12# So long, so long, so long, so long, so long

1:17:12 > 1:17:14# So long

1:17:14 > 1:17:18# Tell it like it is... #

1:17:18 > 1:17:20GUNSHOT

1:17:22 > 1:17:24What was that?

1:17:24 > 1:17:26Get away from the window!

1:17:26 > 1:17:27Do you see anything?

1:17:27 > 1:17:31Dial 911. Tell them shots fired, this address.

1:17:31 > 1:17:33I'll meet them on the street.

1:17:35 > 1:17:37I'm a cop!

1:17:39 > 1:17:40Bobby!

1:17:40 > 1:17:41Bobby!

1:17:41 > 1:17:43He's dead.

1:17:43 > 1:17:45No, look, he's breathing.

1:17:45 > 1:17:47Oh, please!

1:17:47 > 1:17:48Oh, my God!

1:17:48 > 1:17:50Bobby!

1:17:50 > 1:17:52Hold that!

1:17:52 > 1:17:54Hold that tight!

1:17:54 > 1:17:55SIREN

1:17:55 > 1:17:56Stop!

1:17:57 > 1:17:59Get out of there!

1:17:59 > 1:18:01Call Trinity Hospital!

1:18:01 > 1:18:02Tell them we're on our way!

1:18:05 > 1:18:06God, please.

1:18:16 > 1:18:17Move over!

1:18:19 > 1:18:22SIREN

1:18:22 > 1:18:24WOMAN ON PA: Dr Lebowitz,

1:18:24 > 1:18:26please report to OR six.

1:18:28 > 1:18:29Oh, oh, God!

1:18:29 > 1:18:32Jack, they tried to kill my baby.

1:18:32 > 1:18:34Is he gonna be all right?

1:18:34 > 1:18:37I got to talk to you, Jack.

1:18:37 > 1:18:39What is it, chere?

1:18:39 > 1:18:41Nothin', mama. Just police business.

1:18:41 > 1:18:43Come on.

1:18:43 > 1:18:45Come on.

1:18:48 > 1:18:50THUNDER

1:18:50 > 1:18:52I was goin' over the logs last night.

1:18:52 > 1:18:54Yeah?

1:18:54 > 1:18:56Some of them been tampered with.

1:18:56 > 1:19:00Vehicle logs, patrol logs, arrest logs...

1:19:00 > 1:19:02all different departments.

1:19:03 > 1:19:05So what's that tell you?

1:19:06 > 1:19:10Only someone in command has access to them files.

1:19:10 > 1:19:12That's either me or you.

1:19:13 > 1:19:15Was it you?

1:19:15 > 1:19:17Who is it, Jack?

1:19:21 > 1:19:24You got a wire on?

1:19:24 > 1:19:26No wire.

1:19:26 > 1:19:28Just you and me...

1:19:28 > 1:19:30family.

1:19:38 > 1:19:40You got a friend in Mexican customs?

1:19:40 > 1:19:42You got that right.

1:19:42 > 1:19:44What happened?

1:19:44 > 1:19:45Once you found out

1:19:45 > 1:19:47about Freddie Angelo's heroin deal,

1:19:47 > 1:19:49decided to rip him off,

1:19:49 > 1:19:50go into business for yourself?

1:19:50 > 1:19:52It was a good idea.

1:19:52 > 1:19:54We got a lot of scum off the street.

1:19:54 > 1:19:57Somebody shot my brother, Jack!

1:19:57 > 1:19:59They thought it was me!

1:19:59 > 1:20:02You think I had somethin' to do with that?

1:20:02 > 1:20:04You're all like my own flesh and blood.

1:20:04 > 1:20:06I don't know what happened.

1:20:06 > 1:20:07Somebody panicked.

1:20:07 > 1:20:09Who panicked?

1:20:14 > 1:20:16You were behind this thing

1:20:16 > 1:20:18all the way from the beginnin', weren't you?

1:20:18 > 1:20:20Freddie Angelo and the Mexicans...

1:20:20 > 1:20:22Yeah, and Carmine Tandino

1:20:22 > 1:20:24and the boys in Storyville.

1:20:24 > 1:20:26And Daddy Mention.

1:20:26 > 1:20:27Garbage!

1:20:29 > 1:20:31Where's the heroin, Jack?

1:20:31 > 1:20:33If I told you,

1:20:33 > 1:20:35you wouldn't believe me.

1:20:43 > 1:20:47It must be worth more than 5 million.

1:20:47 > 1:20:50That's a very big pie.

1:20:50 > 1:20:51You're entitled to a fair slice,

1:20:51 > 1:20:53so why don't you take it?

1:20:53 > 1:20:54Walk away.

1:21:01 > 1:21:03You taught me a lot

1:21:03 > 1:21:06when I first came on the job...

1:21:06 > 1:21:09what was OK, what wasn't OK.

1:21:09 > 1:21:12Dealin' heroin OK, Jack?

1:21:12 > 1:21:14Murder OK?

1:21:16 > 1:21:19I just wanted to go out a winner.

1:21:21 > 1:21:2430 years.

1:21:26 > 1:21:28Your daddy never cared anything about that.

1:21:28 > 1:21:32All he wanted to do was chase the girls,

1:21:32 > 1:21:34and he caught the best one.

1:21:34 > 1:21:38I just want to spend my life with her.

1:21:38 > 1:21:40Touch her again, I'll kill you!

1:21:40 > 1:21:41You can't talk to me that way.

1:21:43 > 1:21:45GUN COCKS

1:21:45 > 1:21:47He's gonna be all right!

1:21:53 > 1:21:57# Oh, oh, oh, pass... #

1:22:01 > 1:22:02Jack.

1:22:03 > 1:22:05# Ooohhh

1:22:05 > 1:22:09# Pass me not

1:22:09 > 1:22:10# Oohhh oohhh

1:22:10 > 1:22:11# Ooohhhh... #

1:22:11 > 1:22:14ENGINE STARTS

1:22:15 > 1:22:21# Gentle saviour

1:22:22 > 1:22:23# Oh, lord

1:22:23 > 1:22:25# Oohhh, oohhh, oohhh... #

1:22:25 > 1:22:28OK, so Kellorn has an alibi

1:22:28 > 1:22:31for every one of the killings.

1:22:31 > 1:22:32Well, then somebody's

1:22:32 > 1:22:35pulling that trigger for him.

1:22:35 > 1:22:37Don't you have any idea who it is?

1:22:37 > 1:22:39# Just listen... #

1:22:39 > 1:22:42I've run out of ideas, Annie.

1:22:42 > 1:22:45# Ple-ee-ase

1:22:45 > 1:22:47# Hear my

1:22:47 > 1:22:51# Oooh

1:22:51 > 1:22:55# Humble cry... #

1:22:55 > 1:22:57Trinity Hospital.

1:22:57 > 1:22:59Give me intensive care.

1:23:00 > 1:23:02Mrs McSwain...

1:23:02 > 1:23:03please.

1:23:05 > 1:23:07# I say... #

1:23:07 > 1:23:10MRS MCSWAIN: Remy, I still can't believe it.

1:23:10 > 1:23:11I can't either.

1:23:11 > 1:23:13He admitted it right to my face.

1:23:13 > 1:23:16He was so good to us.

1:23:16 > 1:23:17Take care of Bobby.

1:23:17 > 1:23:20I'll call you later.

1:23:20 > 1:23:21Bye, Mama.

1:23:21 > 1:23:23# Our lovin'

1:23:23 > 1:23:26# Lovin', lovin'

1:23:26 > 1:23:29# Saviour

1:23:29 > 1:23:32# It's not any harm to call the name

1:23:32 > 1:23:33# Yeah... #

1:23:33 > 1:23:36SHIP'S HORN BLOWS

1:23:36 > 1:23:40# Ooohhhhh

1:23:40 > 1:23:42# Don't pass me by... #

1:23:42 > 1:23:44There's somethin' you should know.

1:23:46 > 1:23:48SHIP'S HORN BLOWS

1:23:48 > 1:23:55I had that magnet placed in the property room...

1:23:55 > 1:23:57next to the videotape.

1:23:57 > 1:24:00A guy owed me a favour.

1:24:00 > 1:24:03And you promoted him.

1:24:05 > 1:24:08You knew that, too, huh?

1:24:08 > 1:24:10Before I got promoted,

1:24:10 > 1:24:14I used to be a bagman for Kellorn...

1:24:14 > 1:24:16just nickel and dime stuff.

1:24:20 > 1:24:22You figure...

1:24:22 > 1:24:24it's the system...

1:24:24 > 1:24:28that it's not gonna make any difference

1:24:28 > 1:24:32if you take a few hundred here and there.

1:24:33 > 1:24:36You figure you deserve a good life...

1:24:38 > 1:24:42a decent livin' for doin' a dirty job.

1:24:45 > 1:24:47You tell yourself

1:24:47 > 1:24:51that you can be just as good a cop.

1:24:52 > 1:24:54I know.

1:24:54 > 1:24:57But you can't.

1:25:41 > 1:25:42ANNE: Wait a minute.

1:25:42 > 1:25:45Maybe we should look at this another way.

1:25:47 > 1:25:49How did those two Mexican smugglers

1:25:49 > 1:25:53end up in the industrial canal?

1:25:53 > 1:25:56Floated down from Lake Pontchartrain, I guess.

1:25:58 > 1:26:01And how did they get there?

1:26:01 > 1:26:03On a fishin' boat...

1:26:03 > 1:26:05probably.

1:26:05 > 1:26:07Well, where's the boat?

1:26:48 > 1:26:51How are we supposed to find the boat?

1:26:51 > 1:26:54Dodge and De Soto impounded a boat

1:26:54 > 1:26:55the night Angelo was killed.

1:26:55 > 1:26:58They're the killers? Those two clowns.

1:26:58 > 1:27:00CRYING

1:27:00 > 1:27:02Hey, captain!

1:27:04 > 1:27:06You're cryin' all over our future.

1:27:06 > 1:27:08We don't have any future, boys.

1:27:08 > 1:27:10Maybe you don't.

1:27:10 > 1:27:12We got a plane to catch.

1:27:12 > 1:27:15We got to get rid of this shit.

1:27:15 > 1:27:19Captain, put the stuff down, and get out of here.

1:27:21 > 1:27:23We're dumpin' it.

1:27:23 > 1:27:25We don't have to listen to you anymore.

1:27:25 > 1:27:27I'm not tellin' you again!

1:27:28 > 1:27:29Uh!

1:27:33 > 1:27:34Oh, shit.

1:27:54 > 1:27:57Just stay here. Stay put.

1:28:13 > 1:28:14CREAK

1:28:14 > 1:28:15Oh!

1:28:15 > 1:28:16Jesus.

1:28:35 > 1:28:36Jack!

1:28:47 > 1:28:49Aagh...

1:28:49 > 1:28:50Oh!

1:28:55 > 1:28:57Remy, where you at?

1:28:59 > 1:29:01Throw the gun up on the deck.

1:29:03 > 1:29:04THUMP

1:29:06 > 1:29:07Climb up on out of there.

1:29:12 > 1:29:14We had a perfectly good situation,

1:29:14 > 1:29:17and you had to go screw it up.

1:29:17 > 1:29:19You turned on us, Remy.

1:29:19 > 1:29:22Hey, I didn't turn on you.

1:29:22 > 1:29:25We're all family here, aren't we?

1:29:25 > 1:29:27Couldn't we work somethin' out?

1:29:27 > 1:29:29That's that old Remy.

1:29:29 > 1:29:32What do you say? What's it gonna be?

1:29:32 > 1:29:34Move out on the dock.

1:29:36 > 1:29:39You know, I got to hand it to you guys...

1:29:39 > 1:29:41the way you handled that situation.

1:29:41 > 1:29:44It was genius...

1:29:44 > 1:29:45real genius.

1:29:45 > 1:29:47What do you take us for?

1:29:47 > 1:29:48Assholes!

1:29:48 > 1:29:50GUNSHOT

1:29:51 > 1:29:53See them?

1:29:53 > 1:29:54Can't see a goddamn thing!

1:30:00 > 1:30:03They got to come up for air sometime.

1:30:38 > 1:30:40The bitch is over here!

1:30:40 > 1:30:42Come on. Come on.

1:30:52 > 1:30:54What's that?

1:30:54 > 1:30:56He's on the other boat!

1:30:57 > 1:30:58Come on, you mother!

1:31:22 > 1:31:23Aah!

1:31:26 > 1:31:29We got them now! Next stop, Tahiti!

1:31:29 > 1:31:32FOOTSTEPS

1:31:37 > 1:31:38Oh!

1:31:43 > 1:31:44Andre!

1:32:01 > 1:32:02Aaah!

1:32:10 > 1:32:12Aaaaah!

1:32:20 > 1:32:22ANNE: Remy!

1:32:29 > 1:32:30You all right?

1:32:30 > 1:32:32Uh-huh.

1:32:34 > 1:32:35Jesus Christ! It's gonna blow!

1:32:35 > 1:32:37Run!

1:32:53 > 1:32:58MUSIC PLAYING